Johnson (Elle) papers, 1949-2006, bulk 1950-1979

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Summary

Title:
Elle Johnson papers
Dates:
1949-2006, bulk 1950-1979
Creators:
Johnson, Elle
Abstract:
Eleanor ("Elle") Johnson (1922-2006) was a Los Angeles based dancer, choreographer, and teacher known for combining motifs of Afro-Cuban dance with modern dance. The collection is comprised of her personal papers ranging in date from 1949 to 2006, consisting primarily of photographic materials, newspaper clippings, publications, programs, flyers, and dance company administration records.
Extent:
0.8 linear feet (2 boxes)
Language:
Materials are primarily in English, one item in Spanish.
Preferred citation:

[Identification of item], Elle Johnson papers (Collection 2362). UCLA Library Special Collections, Charles E. Young Research Library, University of California, Los Angeles.

Background

Scope and content:

This collection is comprised of the personal papers of Elle Johnson ranging in date from 1949 to 2006, consisting primarily of photographic materials, newspaper clippings, publications, programs, flyers, and dance company administration records.

Biographical / historical:

Eleanor ("Elle") Johnson (1922-2006) was a Los Angeles based dancer, choreographer, and teacher known for combining motifs of Afro-Cuban dance with modern dance. She was born in Buffalo, New York, and raised in Columbus, Ohio. She attended Ohio State University where she received a BA in Fine Arts. After graduating in 1942, Johnson moved to New York City to pursue a career in commercial arts. Awestruck by a Katherine Dunham concert she attended, she decided to change her trajectory and pursue dancing. Dunham was a choreographer, dancer, teacher, and social activist best known as one of the founders of the anthropological dance movement and creator of the Dunham Technique, which combines traditional African and Caribbean dances with classical movement. Johnson received a scholarship to study under Dunham. She performed many times with Dunham's company and became involved with their costume design. She also took classes taught by José Limón. After three years with Dunham, Johnson moved to Los Angeles (late 1940s) and joined the Lester Horton Dance Group. She performed in Horton's choreographic works, including Another Touch of Klee (1951) and designed costumes for 7 Scenes With Ballabilli (1952). Johnson spent six years with Horton's company before forming her own dance troupe (early 1950s), the Elle Johnson Trio with Bruce Bain and David Hebel. They mostly performed in nightclubs, which Johnson came to dislike. She found more satisfaction in teaching dance and as such, taught private lessons on the side. Her students included actors Ty Hardin, Neile Adams, Portland Mason, Sue Ann Langdon, Helen O'Connell, and Irish McCalla. During this time, Johnson was assistant choreographer for such films as, The Robe (1953), The Silver Chalice (1954), Désirée (1954), The Egyptian (1954), and Untamed (1955). She also worked with Ward Ellis on the television film, The Pied Piper of Hamelin (1957). In 1966 Johnson founded her own company, the Elle Johnson Dance Company, which she created "with the objective of providing performing outlets for California dancers as well as a chance for choreographers to experiment (Glass, 1971)." Many of the works Johnson created included motifs of Afro-Cuban dance, as seen in Swadeski. Other original works like Soleus were more abstract and usually set to jazz music. Johnson's group performed throughout Los Angeles, from high schools to small theaters. Johnson became part of the teaching staff of the Music Center Dance Academy in 1970. All levels of dance practice were welcomed and Johnson taught modern dance classes. In 1999, Johnson was awarded the Lester Horton Dance Award for her teaching contributions. She retired shortly after. Johnson died of natural causes on March 10, 2006. She was survived by her husband Rollie Lawson and three children.

References: Glass, Herbert. "Elle Johnson Dance Company." Performing Arts: The Music Center Monthly, March 1971.

Acquisition information:
Rollie Lawson; Gift; 2006.
Processing information:

Processed by Carolina Meneses in the Center for Primary Research and Training (CFPRT) in consultation with Genie Guerard, and under the supervision of Courtney Dean and Jasmine Jones, 2018.

Collections are processed to a variety of levels depending on the work necessary to make them usable, their perceived user interest and research value, availability of staff and resources, and competing priorities. Library Special Collections provides a standard level of preservation and access for all collections and, when time and resources permit, conducts more intensive processing. These materials have been arranged and described according to national and local standards and best practices.

We are committed to providing ethical, inclusive, and anti-racist description of the materials we steward, and to remediating existing description of our materials that contains language that may be offensive or cause harm. We invite you to submit feedback about how our collections are described, and how they could be described more accurately, by filling out the form located on our website: Report Problematic Content and Description in UCLA's Library Collections and Archives.

Arrangement:

This collection has been arranged at the folder level and is organized chronologically.

Physical / technical requirements:

CONTAINS AUDIOVISUAL MATERIALS: Audiovisual materials are not currently available for access and will require further processing and assessment. if you have questions about this material please email spec-coll@library.ucla.edu.

CONTAINS DIGITAL MATERIALS: : This collection contains processed digital materials. Special equipment or further processing may be required for viewing. All requests to access special collections materials must be made in advance using the request button located on this page.

Physical location:
Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page.
Rules or conventions:
Describing Archives: A Content Standard

About this collection guide

Collection Guide Author:
Finding aid prepared by Carolina Meneses, 2018.
Date Encoded:
This finding aid was produced using ArchivesSpace on 2024-06-06 14:25:19 -0700 .

Access and use

Restrictions:

This collection is restricted. Please contact Special Collections reference (AskLSC@library.ucla.edu) for more information.

Terms of access:

Property rights to the objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.

Preferred citation:

[Identification of item], Elle Johnson papers (Collection 2362). UCLA Library Special Collections, Charles E. Young Research Library, University of California, Los Angeles.

Location of this collection:
A1713 Charles E. Young Research Library
Box 951575
Los Angeles, CA 90095-1575, US
Contact:
(310) 825-4988
AskLSC@library.ucla.edu
Website