Collection context
Summary
- Creators:
- Nin-Culmell, JoaquĆn
- Abstract:
- Primarily fair copies of autograph musical compositions, encompassing works from every period in the life of JoaquĆn Nin-Culmell, as well as transcriptions, arrangements, and other projects, along with musical sketch material and a comparatively small amount of professional papers from limited periodsāconcert programs, correspondence, and photographs. The collection includes autograph works by other composers, some with personal dedications to Nin-Culmell.
- Extent:
- 2.92 Linear Feet 7 legal document boxes
- Language:
- English and English, Spanish, French
- Preferred citation:
-
[Identification of item], JoaquĆn Nin-Culmell Papers, ARCHIVES NIN-CULMELL 1, Music Library, University of California, Berkeley.
Background
- Scope and content:
-
The bulk of the collection is found in Series I and contains primarily autograph musical compositions in fair copies, encompassing works from every period in the life of JoaquĆn Nin-Culmell, as well as transcriptions, arrangements, and other projects. Series II gathers musical sketch material from disparate periods that didn't appear together with a project or completed work. A comparatively small amount of professional papers from various limited periodsāconcert programs, correspondence with publishers and others concerning a small number of particular works, and photographsācomprise the third series. The final series features a collection of autograph works by other composers, some with personal dedications to Nin-Culmell, and includes six pieces written on the death of Paul Dukas.
- Biographical / historical:
-
JoaquĆn Maria Nin-Culmell (Berlin, 5 September 1908ā14 January 2004, Berkeley), pianist, composer, and music pedagogue was the youngest child of Cuban singer Rosa Culmell and Spanish-raised composer JoaquĆn Nin. After his parents separated, his mother moved Nin-Culmell, his sister AnaĆÆs and brother Thorvald, from Barcelona to New York City where they lived for nine years (1914-1924). At age fifteen, Nin-Culmell and his family moved to Europe (1924-1938). He began his musical studies in Barcelona with Conchita Badia, student of Enrique Granados, and later studied piano in Paris at the Schola Cantorum (1925-1930), and privately with Alfred Cortot and Ricardo ViƱes, then harmony, counterpoint, and fugue with Jean and Noel Gallon, and composition with Paul Dukas at the Conservatory (1932-1935). During the summers of 1930, 1932, and 1934 he studied with Manuel de Falla in Granada.
In 1939, Nin-Culmell moved to the United States, where he taught at Middlebury College, Vermont before joining the music faculty of Williams College in Williamstown, MA (1940-1950), then the Music Department faculty at the University of California, Berkeley (1950-1974). Throughout his career, Nin-Culmell performed in concerts throughout Europe and the United States. While at Berkeley, he conducted the University of California Symphony Orchestra and appeared as a pianist with numerous musical groups in the San Francisco Bay Area. After retiring from UC Berkeley, he continued to compose and perform. Many of his musical compositions are based on folkloric materials, often with changed rhythm, mode or melodic contour of traditional melodies.
Sources:
Diccionario de le música española e hispanoamericana, vol. 7, p. 1040 (Ana V. Casanova Oliva) New Grove Dictionary of Music and Musicians, vol. 17, p. 926 (Carol A. Hess)
- Custodial history:
-
Retrieved from the Berkeley, California home of JoaquĆn Nin-Culmell by Matthew Weber, Music Library staff, about June 2002
- Arrangement:
-
The collection is arranged in four series, the first of which further arranged in three subseries: Series 1: Musical Compositions and Projects (arranged by musical genre) Subseries 1: Stage (arranged chronologically) Subseries 2: Vocal (arranged chronologically) Subseries 3: Instrumental (arranged chronologically) Series 2: Musical Sketches (chronological) Series 3: Professional Papers (chronological) Series 4: Musical Compositions by Other Composers (alphabetical by composer surname)
- Rules or conventions:
- Describing Archives: A Content Standard
Indexed terms
Access and use
- Restrictions:
-
Collection is open for research.
- Terms of access:
-
Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, the reproduction of some materials may be restricted by terms of University of California gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user.
All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted to the Curator of Music Collections, Hargrove Music Library, University of California, Berkeley 94720-6000.
- Preferred citation:
-
[Identification of item], JoaquĆn Nin-Culmell Papers, ARCHIVES NIN-CULMELL 1, Music Library, University of California, Berkeley.
- Location of this collection:
-
Jean Gray Hargrove Music LibraryBerkeley, CA 94720-6000, US
- Contact:
- (510) 642-2623