Zinnemann (Fred) papers, 1885-2001, bulk 1950s-1980s

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Summary

Title:
Fred Zinnemann papers
Dates:
1885-2001, bulk 1950s-1980s
Creators:
Zinnemann, Fred
Extent:
93 linear feet of papers. 17.5 linear feet of photographs. 32 posters 36 production artworks
Language:
English
Preferred citation:

Fred Zinnemann papers, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences.

Background

Scope and content:

The Fred Zinnemann papers span the years 1885-2001 (bulk 1950s-1980s) and encompass 93 linear feet of manuscripts, 17.5 linear feet of photographs, 32 posters, and 36 artworks. The collection contains production files (scripts, production material, and correspondence); television files; story material (correspondence and supplementary material compiled by or submitted to Zinnemann for consideration); correspondence (from the mid-1940s; however, the bulk of the letters are from the 1960s to the 1990s, with each succeeding decade yielding more correspondence); subject files (correspondence and clippings on various organizations and film festivals, along with biographical material on Zinnemann); and photographs. Many of the feature film scripts are annotated by Zinnemann and most of the scripts for short films contain his thumbnail storyboard pencil sketches.

Biographical / historical:

Fred Zinnemann was an Austrian-born director and producer who emigrated to the United States in 1929. His American film career spanned from 1930 to 1982. A research job at Metro-Goldwyn-Mayer (MGM) led to a directing job in the Shorts Department. Over a four-year period Zinnemann directed eighteen short films, including several Pete Smith Specialties. He directed two Academy Award-winning short subjects: THAT MOTHERS MIGHT LIVE (1938) and BENJY (1951). Zinnemann made the transition to features and directed such notable films as HIGH NOON (1952), OKLAHOMA! (1955), THE NUN'S STORY (1959), THE DAY OF THE JACKAL (1973), and JULIA (1977). His seven nominations in the directing category include Academy Awards for FROM HERE TO ETERNITY (1953) and A MAN FOR ALL SEASONS (1966) (he also received an Academy Award as the producer of that film when it won Best Picture). Zinnemann served on the Academy Board of Governors in the 1960s.

Acquisition information:
Gift of Fred Zinnemann, 1984-1996, with additions from Tim Zinnemann, 1997-2004, and Linda Ayton, 2014
Arrangement:

Arranged in the following series: 1. Production files, subseries A-B as follows: A. Produced; B. Unproduced; 2. Television files, subseries A-B as follows: A. Produced; B. Unproduced; 3. Story files; 4. Correspondence; 5. Subject files, subseries A-B as follows: A. General; B. Clippings; 6. Writings; 7. Books; 8. Periodicals and Pamphlets; 9. Oversize; 10. Artifacts; 11. Photographs, subseries A-B as follows: A. Motion picture production; B. Subject; 12. Graphic Arts.

Rules or conventions:
Finding aid prepared using Describing Archives: a Content Standard

About this collection guide

Collection Guide Author:
Special Collections
Date Prepared:
© 2016
Date Encoded:
Machine-readable finding aid derived from Inmagic. Date of source: October 03, 2016

Access and use

Restrictions:

Available by appointment only.

Terms of access:

Property rights to the physical object belong to the Margaret Herrick Library. Researchers are responsible for obtaining all necessary rights, licenses, or permissions from the appropriate companies or individuals before quoting from or publishing materials obtained from the library.

Preferred citation:

Fred Zinnemann papers, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences.

Location of this collection:
333 S. La Cienega Blvd
Beverly Hills, CA 90211, US
Contact:
(310) 247-3036 extension 2226
specialcollections@oscars.org
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