Novels/Books
BRONZE BELL
Clippings. - Telex re cover and dedication. - Letters from literary agent and Ballantine Books, April 1983 to July 1985. Total items 13.
Manuscript, n.d. 473 pages with ms annotations. A John Locke Adventure.
Manuscript, n.d. Approx. 425 pages with ms annotations.
Paperback edition, published 1985.
Correspondence and clippings re THE BRONZE BELL and STEEL TIGER, 1982-1984, 20+ items.
A CIRCLE IN WATER
Typescript, novel, n.d., 85 pages.
HAWAII
Paperback edition by Gerrit P. Judd, published 1961.
MARACAIBO
Paperback edition, published 1954.
MUSSOLINI
Paperback edition, published 1985.
PEARL
Clippings, correspondence with publishers and lawyers, itineraries for book tours, dated 1978 and 1980, 65+ items.
Typescript, ms, a novel by Stirling Silliphant, n.d., 494 pages.
Book publicity and articles, 1978, 3 items.
Paperback edition, published 1978.
SILVER STAR
Clippings. 9 items. - Letters from Ballantine Books and literary agent, December 1984 to May 1985, re delivery date agreement.
Paperback edition, published 1986.
STEEL TIGER
Former title "Of My Bones Are Coral Made". - Letters to Ballantine Books and literary agent, February 10, 1982, re sales, publicity, book cover, and locale for book #2.
Typed manuscript "A John Solo Novel", December 1, 1981. 185 pages, incomplete. Former title "Of My Bones Are Coral Made".
Typed manuscript "A John Solo Adventure", April 1982. 460 pages. Former title "Of My Bones Are Coral Made".
Clippings. 30+ items. - Correspondence including letters from Ballantine Books and literary agent, September 1982 to February 1985, re publicity for book sales. 12 items.
Concept for the John Solo novels, dated May 1981, 30+ pages, - dated December 1, 1981, 104 pages, former title "OF MY BONES ARE CORAL MADE", - Additional manuscript material.
Typescript, partial m.s., n.d., 200+ pages (annotated), - Letter re:novel.
Typescript, revised ms, dated August 1982, 418 pages (annotated). Subtitle: A John Locken Adventure. Former title "OF MY BONES ARE CORAL MADE".
Correspondence and clippings re STEEL TIGER and BRONZE BELL, 1982-1984, 20+ items.
Motion Picture
BREAKOUT (1975)
Screenplay, first draft, dated March 15, 1974, 130 pages.
Screenplay, n.d., 165 pages, "script not by S.S."
CHARLY (1968)
Clippings. 6 items.
Script, June 30, 1967. 126 pages.
Bound volume, screenplay, June 30, 1967, 126 pages.
CIRCLE OF IRON (1979)
Script by S.S. and Stanley Mann, n.d. 100 pages. Aka "The Silent Flute". Screenplay based on an idea by S.S., James Coburn, and Bruce Lee. A Sandy Howard Production.
Aka "The Silent Flute". Screenplay, dated October 19, 1970, 70 pages, 2 copies.
Aka "The Silent Flute". Screenplay based on an idea by Stirling Silliphant, James Coburn and Bruce Lee, final draft, dated September 15, 1977, 103 pages, - Additional script material.
Promotional advertisement.
Aka "The Silent Flute". Typescript, notes, May 1970, 24 pages, - Outline by Joe Hyams, 1 page, - Background ms notes by Bruce Lee, 18 pages, - Fight sequences, 30+ pages (annotated).
Correspondence re project, agreements, and travel, including letters from Bruce Lee, Steve McQueen, James Coburn, 1968-1973, 42 items.
Notes and research, n.d., 20+ pages, - Additional script material, n.d., 40+ pages.
Budget, 1971, 3 items.
Clippings re publicity, 1969-1971, 5 items.
DIRTY HARRY (1971)
Final shooting script by Dean Riesner, May 25, 1976. 125 pages.
Typescript, first draft, dated October 15, 1975, 157 pages. Titled "Dirty Harry -- And More".
Typescript, first draft, dated October 15, 1975, 147 pages (annotated). Entitled "Dirty Harry #3". - Transcript of an interview with Dan Bowser, dated August 11, 1975, 88 pages.
Transcript of an interview with Dan Bowser, dated July 21, 1975 to July 28, 1975, 303 pages.
Research notes, dialogue patterns, n.d., 40+ pages (annotated), - Tour book of Alcatraz Island.
Clippings re publicity, 1971, 2 items, - Business cards, 2 items, - Correspondence re travel arrangements, the project, and agreements, 1970, 16 items. Former title: THE RATTLE WATCH.
Clippings and correspondence re research, 1975, 20+ items.
THE ENFORCER (1976)
Screenplay, first draft, dated February 6, 1976, 100+ pages (annotated). Former title: THE RATTLE WATCH.
Screenplay, first draft, dated February 6, 1976, 158 pages. Former title: THE RATTLE WATCH.
FIVE AGAINST THE HOUSE (1955)
Bound volume, revised final draft, November 2, 1954, 117 pages.
IN THE HEAT OF THE NIGHT (1967)
Screenplay, revised first draft, dated July 1, 1966, 140 pages.
Masters thesis by Darcy Sue Meeker, 1981, 75+ pages. Title: Novel to Script to Film: The Case of IN THE HEAT OF THE NIGHT.
HUK! (1956)
Bound volume, revised screenplay, March 30, 1955, 133 pages.
THE KILLER ELITE (1975)
Screenplay, n.d., 116 pages (some annotation), from the novel by Robert Rostand, - Additional script material, - Letter re: film.
Screenplay, 2 copies: n.d., 46 pages (annotated), dated March 28, 1975, 116 pages, - Additional script material.
Screenplay, revised, dated March 12, (no year), 130 pages, - Additional script material.
Clippings re publicity, 1975-1976, 13 items.
THE LIBERATION OF L.B. JONES (1970)
Final draft screenplay by S.S. and Jesse Hill Ford, April 22 1969. 130 pages. From the novel by Jesse Hill Ford. W.Wyler-R.Lubin Production.
Revised final draft sreenplay, May 11, 1969. 144 pages.
Clippings. 5 items.
THE NEW CENTURIONS (1972)
Screenplay, #8219, 2 copies: revised, dated August 6, 1971, 127 pages, dated September 23, 1971, 128 pages.
Statements re film distribution and schedules of income, 1977-1983, 18 items.
Statements and letters re film distribution, audit agreements, schedules of income, writing credits, 1971-1976, 68 items.
Clippings re research, 1970-1971, 14 items, - Storylines and notes, n.d., 8 pages.
Correspondence and agreements re THE NEW CENTURIONS and SPACE, 1972, 1982, 4 items.
Clippings re publicity, 1971-1974, 30+items.
Agreements, 1972, 4 items.
THE POSEIDON ADVENTURE (1972)
Clippings. 2 items.
Typescript, shooting final, dated January 10, 1972, 156 pages.
Typescript, third revised shooting final, dated March 24, 1972, 138 pages.
Press kit items, including 13 photographs, a screening program, final production notes, and a synopsis of the story, 1972, 4 items.
Publicity and correspondence, 1972, 1977, 30 items.
THE SAILOR WHO FELL FROM GRACE WITH THE SEA (1976)
Scripts from the novel by Yukio Mishima, n.d. Two copies: 141 pages, one copy 140 pages with ms annotations.
Script, May 12, 1969. 134 pages. A Brodkin-Silliphant Production. Incl. two photographs of Ineko Orema (possible casting).
Correspondence re production, research, and story concepts, 1968-1970, 30+ items, - Clipping re publicity, 1969, 1 item, - Research material re Sanskrit language and literature.
SALEM'S LOT (1979)
Revised first draft script, May 2, 1979. 191 pages.
Screenplay, from the novel by Stephen King, 2 copies: first draft, dated March 29, 1976, 157 pages, dated July 16, 1976, 135 pages.
Correspondence re distribution, story concepts, and production, 1975-1984, 27 items, - Notes on story concept, 11 pages, - Clippings re publicity, 1976, 1979, 18 items.
Production papers re casting, 1979, 50+ items.
SHAFT IN AFRICA (1973)
Screenplay, shooting final, dated November 22, 1972, 129 pages.
Clippings re publicity, 1971-1973, 20 items, - Correspondence re the project, the audit, and an outline by Ernest Tidyman, 1971, 1972, 1983, 3 items.
Clippings re publicity, 1971, 29 items.
THE SLENDER THREAD (1965)
Statement of account, January 7 and 8, 1965, 5 pages.
Bound volume, final shooting script, June 1, 1965, 128 pages. Former title: SOFT-TALK ME HOME!
THE SPY WHO LOVED ME (1977)
Typescript, treatment, dated June 6, 1975, 107 pages (annotated).
Typescript, treatment, dated June 6, 1975, 100 pages.
THE SWARM (1978)
First draft screenplay, November 5, 1976. [42] pages. Heavily annotated. - Revised pages, October 18, 1976. 8 pages.
Clippings. 5 items.
Typescript, revised shooting final, dated August 1977, 139 pages, - Script insertions.
Typescript, shooting final, dated August 1977, 137 pages, - Outline of sequences and characters, dated August 27, 1976, 31 pages, - Character descriptions, - Bees research, 10+ pages.
Typescript, first draft, dated October 8, 1974, 184 pages (annotated).
Screenplay, first revised draft, dated November 29, 1974, 149 pages (some annotation), - Additional script material, - Bee research notes.
Correspondence, agreements and contracts, 1975-1978, 20+ items.
Clippings re publicity, 1974, 1977-1978, 49 items.
TELEFON (1977)
Screenplay, dated December 27, 1976, based on the novel by Walter Wager, 2 copies: 103 pages, 120+ pages. - Additional script material.
Screenplay, n.d., 125 pages (annotated).
Statements re film distribution, income, and expenses, 1981-1983, 14 items.
Correspondence re film distribution and agreements, 1977-1983, 8 items, - Clippings re publicity, 1977, 10 items.
Agreements re TELEFON, 1976, 20+ pages.
Agreements re project, 1976, 6 items.
THE TOWERING INFERNO (1974)
Screen treatment, September 11, 1973. 156 pages.
Fourth revised shooting final, May 6, 1974. 167 pages.
Publicity clippings. 15 items.
Typescript, fourth revised shooting final, dated May 6, 1974, 167 pages.
Typescript, fourth revised shooting final, dated May 6, 1974, 167 pages (some annotation).
Typescript, stunt sequences, n.d., 13 pages, - Research, 2 items: "National Fire Protection Association", "High-Rise Building Fires and Fire Safety".
Revised cast list and shooting schedules, 1974, 3 items.
Clippings re publicity, 1974-1977, 20+ items.
Correspondence re project, 1974-1977, 7 items.
THE VILLAGE OF THE DAMNED (1960)
Script, December 16, 1957. 114 pages. "Temporary complete".
A WALK IN THE SPRING RAIN (1970)
Bound volume, screenplay, from a novel by Rachel Maddux, September 16, 1968, 136 pages.
Projects
ALL THE EMPEROR'S HORSES
A Peking story by David Kidd, n.d. 70 pages. - Camera movements. 19 pages. - Treatment for a musical, n.d. 8 pages.
Correspondence re feasibility of script, agreements, casting, 1969-1971, 16 items.
AMERICA THE BEAUTIFUL
Business letters from AVCO-Embassy, Law Offices, and agency, April 1968 to April 1971. 20 items. - Clippings. 6 items.
Screenplay, first draft, dated July 28, 1970, 150 pages. Subtitle: A Guide to Sex, Security, and the Soft Buck.
Screenplay, first draft, dated July 28, 1970, 154 pages (some annotation).
Screenplay, revised first draft, dated March 15, 1971, 147 pages, - Letter re: film.
ANGELS TWENTY
Script, n.d. 197 pages.
BATTLE
Revised script, January 3, 1975. 162 pages.
BETWEEN HELLO AND GOODBYE
Bound volume, a treatment for a film, June 17, 1966, 136 pages.
THE BLIND DETECTIVE
Research on blindness and notes on story concepts, 1970, 5 items, - Clipping re blind teacher.
BROCK CALLAHAN
Final draft screenplay for episode "The Silent Kill", April 15, 1958. 44 pages.
CHINA PROJECT
List of Chinese words in Pinyin. 3 pages. - Photocopies of Chinese language text and three books on China. - Notes on Chinese history & culture. 9 pages.
Notes on plot, n.d., 10+ pages.
CLEANING UP
First draft screenplay for "Cleaning Up, AKA: Reverend T", September 16, 1983. 116 pages. A Joel Freeman/Stirling Silliphant Production.
Revised first draft screenplay, November 17, 1983. 119 pages.
Aka REVEREND T. Typescript, references and notes, n.d., 50+ pages. Aka "Cleaning Up".
Aka REVEREND T. Statements of agreement, 1983, 6 items, - Casting photo and actress background, - Transcript of an interview with Mr. T, n.d., 35 pages.
COAST GUARD
Info re Coast Guard TV Series and Coast Guard cooperation for motion pictures-tv-radio - Brochures, bibliography, and photos. Total items 10.
DAREDEVIL
A one-hour pilot script, April 1982. Two copies: 65 pages, one copy 64 pages heavily annotated. An LAC Productions Inc. Based on the characters created by Stan Lee.
Scripts, June 1982. Two copies: 63 pages, one copy 65 pages heavily annotated.
First draft script, July 1, 1982. 63 pages. Warner Bros. Television.
THE DAY THE WORLD ENDED
Screenplay, dated June 1977, 147 pages (some annotation).
Correspondence re music research and the book by Joseph C. Smith, 1981, 2 items.
EARTHRISE
Screenplay, dated September 1978, 123 pages.
THE ELECTION
Screenplay, dated August 18, 1970, 125 pages, "Property of Cy Howard and Stirling Silliphant".
Letter re project, 1970, - Clippings re publicity and Cy Howard, 1970, 4 items, - Script material, August 13, 1970, 8 pages (annotated). Formerly known as STRAIGHT ON and THE PARTY'S OVER.
EMBARGO
Typescript, first draft, dated December 1, 1975, 158 pages (annotated). From the novel by Gerard de Villiers.
Typescript, first draft, dated December 1, 1975, 173 pages.
Typescript, first draft, dated December 1, 1975, 173 pages.
Typescript, revised first draft, dated March 1, 1976, 161 pages (annotated).
Typescript, revised first draft, dated March 1, 1976, 170 pages.
Typescript, n.d., 140 pages.
Typescript, dated August 16, 1976, 138 pages (annotated).
Typescript, dated August 16, 1976, 129 pages.
Typescript, dated October 29, 1976, 141 pages (annotated).
Typescript, dated October 29, 1976, 140 pages.
ESCAPADE
Letters re script, 1976. 5 items.
Typescripts, dated May 21, 1976, 127 pages, annotated.
Typescript, dated May 21, 1976, 129 pages, 2 copies, - Name changes, 4 pages.
Typescript, dated June 21, 1976, 129 pages, annotated. Based on an original story by Susan Saint James.
Typescript, dated June 21, 1976, 130 pages, 2 copies.
Typescript, dated November 8, 1976, 131 pages (annotated), - 126 pages.
Research notes, incl. transcripts of interviews with Susan Saint James. 50+ pages.
THE FACE-OFF
Screenplay, dated May 25, 1973, 132 pages.
FEEL THE HEAT
Script, June 1, 1983. 119 pages. "M'AMSEL TEA ENTERPRISES, INC".
Scripts, n.d. Two copies: 131 pages, 119 pages.
Screenplay, n.d., 118 pages (annotated).
Screenplay, n.d., 2 copies: 118 pages, 119 pages.
Screenplay, n.d., 120 pages.
Correspondence re Peter Maxwell as possible director, 1984, 4 items.
FORBIDDEN DIARY
First draft screenplay, August 25, 1982. 83 pages.
Revised draft screenplay, October 4, 1982. 175 pages.
Typescript, first draft, dated August 25, 1982, 81 pages (annotated).
THE GAP
Comments on making film adaptation of the book submitted by several people, agreements and preliminary budget, 1968-1969, 13 items.
GROUNDSWELL
Letters to production company from S.S. 3 items.
Typescript, an original treatment for screen, dated June 23, 1965, 248 pages.
HAVEN'T I SEEN YOU SOMEWHERE BEFORE?
Typescript, a 30-minute television series, created by Richard Collins and Stirling Silliphant, 2 copies: n.d., 11 pages, dated March 19, 1966, 10 pages, - Letter and clippings re project, 4 items.
THE HELLERS
Letters re screenplay, January 1967 to June 1969. 6 items.
Typescript, format presentation, dated July 28, 1965, 42 pages. Alternatively titled "THE PERILS OF A HONKYTONKER, A GUNFIGHTER AND THEIR KID BROTHER, a television series".
HIERO'S JOURNEY
Notes and clippings on story concepts, 1975, 11 items, - Transcript of interviews with Dr. Savage, Edgar Mitchell, and Dr. John Lilly, June 1975, 3 items.
THE HOUSE ON HARBOR LANE
Teleplay for "Untitled series", revised 3/9/59. 40 pages. Fourstar, An Irving Pincus Production.
HOUSTON STORY
"The Thirteenth of Love" (Pilot Episode), #183057, dated October 20, 1972, 95 pages, 2 copies.
Typescript, notes, n.d., 4 pages, - Notes from WHEN WORLDS COLLIDE and RUNAWAY also included.
THE INHERITORS
Screenplay, dated January 28, 1970, 251 pages. Complete title: Harold Robbins' THE INHERITORS.
Screenplay, first revised, dated April 20, 1970, 174 pages.
Letter re: film plot.
Advance uncorrected proofs of The Inheritors by Harold Robbins, to be published November 1969, 406 pages.
Correspondence re payment schedules, publicity, and story concepts, 1969-1970, 14 items, - Background notes, - Travel itineraries, - Research re YAO storyline, 1 item.
Clippings re the novel by Harold Robbins, 1969-1970, 59 items.
IT TAKES A THIEF
Typescript, first draft, pilot script, dated November 8, 1965, 75+ pages (annotated).
LET THE CHILDREN GO
Short treatment by Walter Halsey Davis and Pamela de Maigret, January 30, 1984. 9 pages. - Letter, January 17, 1984, re treatment from Pamela de Maigret. 1 page.
THE LONG GOODBYE
Revised first draft from the novel by Raymond Chandler, October 7, 1968. 147 pages.
Bound volume, screenplay, revised first draft, from the novel by Raymond Chandler, October 7, 1968, 147 pages.
MARKHAM
Script for episode "The Duel", May 29, 1959. 35 pages.
THE MASTERS
Scripts, April 1979. Two copies: 138 pages, one copy with ms annotations on inserted pages.
Script, April 1979. Unpaged. Heavily annotated.
Scripts, July 1979. Two copies: one copy 140 pages, heavily annotated, one copy 139 pages with ms annotations.
Scripts, revised March 1980. Two copies: 131 pages, one copy 136 pages heavily annotated.
Shooting scripts, July 1980. Two copies: 126 pages, one copy 131 pages heavily annotated.
Script, n.d. 126 pages.
Treatment, n.d. 42 pages. - Letters re script and production (Warner Bros.), 1980. 6 items.
Casting for THE MASTERS, includes headshots and resumes. Total items 10.
Correspondence re production and agreements, 1977-1981, 20+ items, - Storyline, ms, 12 pages, - Research re actress Anna May Wong, 2 items.
NIGHTWATCH
Typescript, pilot episode, first draft, dated September 10, 1976, 2 copies: 100 pages, 96 pages (annotated).
OPERATION MANEATER
Correspondence re research on India, the project, and production, 1967-1969, 30 items, - Clippings re India, 2 items, - Budget statement, August 4, 1969, 20 pages.
OSMOND BROTHERS SHOW
Typescript, revised, date June 10, 1974, 30+ pages.
PAMELA PAINTER AMAZON PROJECT
Correspondence re proposed television series, based on the true life experiences of Pamela Painter, 1984, 1 item, - Storylines by Pamela Painter de Maigret, n.d., 50+ pages.
PEARL II - IN TIME OF WAR
Typescript, presentation of a novel for television, dated January 16, 1979, 57 pages.
THE PRESIDENT'S MAN
Screen treatment, June 23, 1971. 59 pages, heavily annotated.
Screen treatment, July 9, 1971. Two copies: 63 pages, one copy 61 pges heavily annotated. - Revised pages for July 9, 1971 treatment. 29 pages.
Screen treatment, July 13, 1971. Incomplete.
First draft scripts, July 28, 1971. Two copies, 135 pages, one copyheavily annotated.
Second draft script, August 18, 1971. Two copies, both incomplete, one heavily annotated.
THE QUEST
An outline for a 90-minute television play "Cat's Cradle", n.d. 23 pages. - Research notes for "The Quest". 11 pages.
THE RACE
Screenplay, first draft, dated March 8, 1977, 62 pages, - Cast of characters and Outline of scenes, 70+ pages.
Screenplay, n.d., 122 pages.
REST AND REC
Screenplay, dated February 15, 1980, 154 pages, - Announcement re: film.
Research re the Brown Out Murders, partial trial transcript, n.d., 230+ pages.
Research re Brown Out Murders, 1977, 6 items.
RIVERS
Letter re: film, dated October 14, 1981, 22 pages.
THE RONIN
Screenplay, 2 copies: dated November 30, 1970, 9 pages (annotated), dated December 28, 1970, 9 pages.
RUN BEFORE THE WIND
Correspondence re adapting the book to script, June 2, 1983, 6 pages, - Correspondence re THE SLEEPING SPY also included.
RUNAWAY
Typescript, notes from talk with youth services investigator, March 14 and 15, 1979, 9 pages (annotated), - Notes from HOUSTON and WHEN WORLDS COLLIDE also included.
RUNYON AND WINCHELL
Letters, July 1975 to June 1976, re research, joint venture agreement (from law office), movie (from Warner Bros). 10 items. - Newspaper clippings. 2 items.
Outline, June 14, 1976. Two copies: 82 pages, one copy unpaged heavily annotated.
Revised pages. 2 pages. - Photocopies of articles for research on Runyon and Winchell. 16 items.
THE SCORPION STING
Treatment, June 17, 1968. 58 pages. - Correspondence re project and THE YARDS AT ESSENDORF, 3 items.
THE SEARCHERS
Script for episode "The Wolf Tree", October 27, 1959. 79 pages. A new dramatic series for television. Lancer Productions.
THE SLEEPING SPY
Correspondence re adapting the book to script, June 2, 1983, 4 pages, - Correspondence re RUN BEFORE THE WIND also included.
A SMALL STEP FORWARD
Typescript, dated December 18, 1973, 96 pages.
SNOWBOUND
Outline for screenplay, March 12, 1975. 18 pages, heavily annotated.
First draft scripts, April 30, 1975. Two copies: 143 pages, one copy 138 pages heavily annotated.
First draft script, May 1, 1975. 138 pages.
First revised draft script, July 11, 1975. Two copies: 121 pages, one copy 126 pages heavily annotated.
Second revised draft script, August 8, 1975. Two copies: [121] pages, one copy 120 pages heavily annotated.
SOCIETY OF PYGMIES
Script, December 24, 1974. Unpaged. Heavily annotated.
Typescript, revised, dated January 9, 1975, 132 pages, - Letter re: television series.
THE SPARTAN PROJECT
Typescript, dated September 22, 1971, 144 pages, annotated. A two-hour motion picture for television and one-hour adventure series spinoff, from a story by Irwin Allen. Marked "(tentative title)".
SPIDERMAN
Story outline, n.d. Two copies: 10 pages, one copy 13 pages heavily annotated.
SUITE 100
A television series, dated May 10, 1970, 7 pages, 2 copies (one annotated), - Story ideas, 3 pages, - Correspondence re outline, - aka DEADLOCK, outline, n.d., 4 pages, 2 copies (one annotated).
SUNSET BOULEVARD
Typescript, n.d., 127 pages, - Notes re Sunset Boulevard, 2 pages.
THE SURROGATE
Comments and meeting notes between S.S. and Dr. Aaron Stern, April 20, 1975, April 21, 1975, re script. 27 pages.
Transcripts of interview between S.S. and Dr. Aaron Stern, January 29, 1975 to February 5, 1975. 12 items.
SUSPICION
Teleplay by Elliot West and Stirling Silliphant for episode "Meeting in Paris", November 6, 1957, rev. 11/13/57. 60 pages. Revue Productions, Inc.
TAKE THREE
Series proposal to Paramount Pictures from S.S., June 17, 1971. Includes four page letter, description of characters, background, format and stories. [29] pages.
Typescript, a program concept for 1968 television, dated February 20, 1967, 30+ pages, - Letter from Judith Coppage re: actresses for TAKE THREE.
THE THROWBACK
Treatment, December 5, 1955. 33 pages. An original for screen.
UNTITLED ORIGINAL
Typescript, characters and outline, dated February 20, 1986, 20+ pages.
VOICE OVER
Business letters to production company and agency, includes Delacorte Press agreement, September 7, 1977. 26 items. - Clippings. 2 items.
Bound volume, treatment for screen, suggested by an article in Life Magazine by Shana Alexander, November 6, 1964, 100 pages.
A WAY TO LIVE
Typescript, a television concept, dated June 12, 1973, 11 pages, 2 copies (one annotated).
WE FLY ANYTHING
Script, n.d. 34 pages.
WEST POINT STORY
Revised screenplay for "Juvenile Delinquent", January 9, 1957. [22] pages, incomplete. - Third revised screenplay, January 18, 1957. 33 pages.
WHEN IN ROME
Screenplay, dated September 1979, 138 pages.
WHEN WORLDS COLLIDE
Treatment, entitled PUMA by Anthony Burgess, February 9, 1976. 216 pages.
An introduction and step-line, July 1977. 95 pages with ms annotations. - Letter, October 19, 1977, to S.S re script changes. 2 pages.
An introduction and treatment, July 1977. 150 pages.
First draft script, September 30, 1977. 205 pages.
Revised draft scripts, November 25, 1977. Two copies: 157 pages, one copy with ms annotations. - Letter, December 9, 1977, from S.S. re script changes. 2 pages.
First draft screenplay, December 20, 1977. 163 pages.
Typescript, notes by David Brown, dated July 25, 1977, 13 pages (annotated), - Notes, 2 pages, - Letter re film, - Notes on RUNAWAY and HOUSTON also included.
Correspondence re screenplay, agreements and expenses, 1977-1978, 19 items, - Clippings re publicity, 1977, 3 items.
THE YARDS AT ESSENDORF
Correspondence re agreements, 1968, 2 items, - Correspondence re SCORPION and VIRGIL TIBBS also included.
Bound volume, screenplay, November 11, 1968, 81 pages.
Script Submissions
BOOKIN'
Correspondence re project, 1981, 2 items, - First draft script, written by Margo Jones, March 1981.
BROTHER OCIE
A screenplay by Jesse Hill Ford, n.d.
CALLING DR. STORM, M.D.
First draft, written by Lawrence J. Cohen and Fred Freeman, n.d.
CARIBBEAN RUN
Letter re project, - An outline for a television series, 2 copies: by Walter Bernstein, n.d., by Pete Hamill, dated January 11, 1973.
THE CATACOMBS
Outline written by Steve Krantz, dated October 4, 1976, - Letter re outline.
CORRESPONDENCE
Story ideas submitted to S.S. 1983-1985. 9 items.
Correspondence re script submissions, 1964-1965.
THE CRYSTAL SKULL
Written by Margo Jones, dated May 23, 1982.
EVERYTHING'S COMIN' UP ROSES
First draft script written by Bruce W. Paltrow, dated November 22, 1976.
IMPACT
A presentation for a television series by Walter Bernstein, n.d.
IN HIS TIME
Story and screenplay by Brad Caudill, n.d.
THE JAIL
Typescript, written by Jesse Hill Ford, October 16, 1976, - Comments re script, April 21, 1976.
KNIGHT RIDER
"The Silence" by Rosemary Vavrin, n.d., - Letters re Rosemary Vavrin.
MORE THAN HUMAN
Screenplay by Alexander and Judith Singer, based on the novel by Theodore Sturgeon, n.d.
MURDER, POMP AND CIRCUMSTANCE
Script written by Michael Bendix and Steven Nalevansky, n.d.
NEWSTEAM
A proposal for a television series, by Paul Fillinger, dated June 25, 1970, - Letter re proposal.
NINJA BABY
A treatment for a most unusual and timely feature movie by Hank Hamilton, dated December 21, 1981, 15+ pages.
THE ORDEAL OF SAMAR
Synopsis by Joseph L. Schott, dated August 1, 1977, - Letter re synopsis, - Title page of the book by Joseph L. Schott.
REVENGE OF THE DRAGON
Screenplay by Michael Campbell, based on a story by Michael Dang, n.d., - Vietnamese pamphlets, - Michael Dang photograph and backgroundinfo.
RUNNING MATES
An outline for a screenplay by Wilson Grubstreet, n.d., - Clippings re politicians.
SHAFT
Written by Ernest Tidyman, 2 copies: dated August 19, 1970, dated January 31, 1972.
SISTER P.I.'S: FIGHTERS FOR JUSTICE
Original story and screenplay by Jonny Baron, n.d.
THE SPECIALISTS
Script written by Michael Brandon, dated March 11, 1981.
STARMAN
Script written by Michael Brandon, n.d., 2 copies.
SWAGGER
Original story and screenplay by Paul Golding and Zalman King, dated February 11, 1978.
THE TEACHINGS OF DON JUAN: THE KNOWLEDGE OF A SORCERER
Based on the book by Carlos Castaneda, written by Mark Fine and Mark Silliphant, n.d.
Script with revisions, written by Mark Fine and Mark Silliphant, n.d., - Additional script material, dated November 1971.
WELCOME TO SUNNY MEXICO
An original screenplay by Evan Hunter, dated October 15, 1976.
WRIGHT TO THE TOP
Written by Gail Parent and Andrew Smith, October 11, 1976.
YOUNG LOVE
A short outline for screen by Richard Walter, dated August 3, 1970, - Letter re project.
THE ZEIGER EXPERIMENT
Revised story outline by Sandor Stern, dated June 2, 1975.
THE ZIMBARDO EXPERIMENT
A ninety minute dramatic special for ABC Theater, first draft teleplay written by Mark Silliphant, dated September 10, 1973.
Record of the Stanford Prison Experiment conducted by Professor Philip Zimbardo, 1971.
Transcript of interview with experiment participants, n.d.
Television
ALCOA-GOODYEAR
First draft screenplay for episode "Corporal Hardy", December 29, 1958. 32 pages. From a story by Richard Ely Danielson.
DYNASTY
Typescript episode, n.d., 77 pages.
THE FIRST 36 HOURS OF DR. DURANT
Research and notes including clippings, typed and handwritten notes. 100+ pages. - Four letters from S.S., May 16, 1975, re favorable reviews.
Clippings re publicity, 1975, 4 items, - Press Kit, including 5 photographs.
FLY AWAY HOME
Scripts for mini-series, August 1980. Two copies, 158 pages, one with ms annotations. - Inter-office memo, Warner Bros. TV, re clearance procedures. [9] pages.
Shooting scripts, October 1980. Two copies: 158 pages with ms annotations, 169 pages.
Revised shooting scripts, November 1980. Two copies, 112 pages, with ms annotations, one with revised pages (multi-color).
"Story and character lines for a limited series of twenty additional hours", January 6, 1981. 27 pages.
"Format, theme, and characters", January 16, 1980. Two copies: 68 pages, 52 pages with ms annotations.
First draft scripts, "A two-hour pilot film for a one-season series", May 1980. Two copies: 138 pages, 137 pages with ms annotations.
First revised scripts, July 1980. Four copies: 121 pages, two copies 121 pages with ms annotations, 133 pages with ms annotations (multi-color).
Script, n.d. Heavily annotated.
Inter-office memos re budget, July 17, 1980 (2 pages), September 11, 1980 (1 page). - Budget summaries and worksheets, July 16, 1980, September, 11, 1980, November 12, 1980. 14 pages.
Inter-office memos re cast list, resumes, headshots. 34 items. - Handwritten notes re casting. 3 pages.
Publicity and clippings. 20 items.
Post-production material including voice over, dubbing, production personnel, post-production schedules, music, credits, and automated dialogue replacement. 30+ items.
Research including location surveys, info on Manila and Taipei, and the Department of Defense. 20+ items.
Shooting schedule, n.d. 29 pages. - Inter-office memo, re verif for FAH script ref. [20] pages. - Four shooting script reviews. - Stock footage. 26 pages. - "General Instructions - TV." [21] pages
Typescript, dated January 6, 1981, 31 pages (annotated), "Story and Character Lines for a Limited Series of Twenty Additional Hours".
Typescript, second revised draft, dated August 1980, 153 pages (annotated).
Shooting script, dated October 1980, 169 pages (some annotation).
GOLDEN GATE
Final shooting script, June 6, 1980. 122 pages.
Typescript, a stepline, dated September, 1979, 63 pages.
Typescript, 2 copies dated December, 1979, 137 pages.
Typescript, second draft, dated March 17, 1980, 118 pages.
Typescript, 2 copies: revised final shooting script, dated June 2, 1980, 111 pages, final shooting script, dated June 6, 1980, 127 pages (annotated).
HANTA YO
"A treatment for multi-episode television", June 22, 1979. 394 pages.
"A treatment for multi-episode television", revised September 1979. 280 pages.
Scripts "Episode #1", February 8, 1980. Two copies: 107 pages, one copy 105 pages with ms annotations.
First draft script "Episode #2", April 1, 1980. 115 pages.
Letters and headshot. Total items 10.
Clippings re Ruth Beebe Hill's novel "Hanta Yo" and mini-series in production. 25+ items.
Revised step outline from revised bible, November 1, 1979. 25 pages.
"Synopsis for film purposes," Books I-IV, includes list of characters, n.d. 434 pages. - Letter to S.S. from Ruth Hill, memo re Ruth Hill's HANTA YO, and introduction.
Correspondence from Ruth Beebe Hill, 2 items, - Notes re story changes and Indian gestures, 6 pages, - Clippings, book reviews, 6 items, - Article on language by Noam Chomsky, 1 item.
HARDCASE
First draft script with ms annotations, January 3, 1977. 88 pages.
Pilot episode, first draft, dated September 22, 1976, 2 copies: 98+ pages (annotated), 83 pages.
Pilot episode, revised draft, 3 copies: n.d., 70+ pages (annotated), dated March 5, 1980, 78 pages, dated March 18, 1980, 65 pages.
LONGSTREET
Story synopsis #1 "So Many Miles of Grey Elephants", n.d. 3 pages. - Synopsis "Storm Warning", June 24, 1971. 2 pages. - Misc. research incl. articles & typed pages with ms annotations. 36 pages.
Correspondence re publicity, the television series, background research on Mardi Gras, 1970-1975, 19 items, - Longstreet advertisement, 1 item, - Storyline, n.d., 5 pages.
Clippings re publicity, 1971, 20+ items.
Clippings re publicity, 1970-1971, 30+ items.
MUSSOLINI (Mini-series, 1985)
Production budget, rev. November 18, 1984. 32 pages. - Cost statements. 5 items. - Letter from agency to production company, September 27, 1984. 2 pages.
Script for "Show #1 (Hours One-Two)", April 10, 1984. 132 pages. For NBC-TV. Trian Productions.
Second revised draft scripts for Part I, August 1, 1984. Two copies, 131 pages (multi-color), one with ms annotations.
Second revised draft scripts for Part II, August 11, 1984. Two copies, 120 pages, one copy with ms annotations.
Second revised draft scripts for Part III, August 11, 1984. Two copies, 121 pages, one copy with ms annotations.
Set and location breakdowns. 7 items.
Inter-office correspondence re dubbing, equipment and music requirements. - Music/Script Breakdown. 28 pages. - Sheet music for Part I, II & III.
Correspondence with NBC Network dated September 1984 to January 1985 re mini-series commitment. 6 items. - Letter from S.S. to Trian Productions, November 6, 1984, re script sources. [17] pages.
Prop, stunts and effects breakdown. [12] pages. - Memos re customs, wardrobe, rail facilities, and aircraft. 21 pages.
Press clippings. 100+ items.
Mini-series format, technical specs & recommended production practices (NBC), script timing, and stock footage. 50+ items. - Production meeting notes, November 19, 1984. 7 pages.
Revised script pages. 14 pages. - Shooting schedules. 100+ pages. - Production and post-production schedules. - Memos re shooting.
Call sheets. 50+ items.
Crew and staff lists, memos re casting and arrival times, cast lists, rooming lists, cast interview schedules. 75+ items.
Correspondence including Telex and letters dated August 1983 to February 1985. 70+ items.
Production reports. 50+ items.
Photocopied research from books. 50+ items. - Benito Mussolini biography. 2 pages.
NAKED CITY
Final draft teleplay for episode "Sidewalk Fisherman", July 3, 1958. 38 pages. Based on a New Yorker story by Meyer Berger.
Revised final draft screenplay for episode "Meridian", February 11, 1958. 49 pages. Shelle Productions, Inc.
Final draft screenplay for episode "The Violent Circle", June 23, 1958. 46 pages.
Correspondence, royalty statements, and budget data, 1969-1972, 6 items.
PEARL (HARBOR)
Typescript, step-line of scenes for expanded dramatization of "Pearl Harbor", n.d., 22 pages, - 20+ additional pages of annotations.
Preliminary production notes on Warner Bros. Television's "Pearl", n.d., 11 pages, - 17 "Pearl" photographs, b&&w.
Typescript, episode 1, 2 copies: dated March 1978, 123 pages, dated April 1978, 117 pages.
Typescript, episode 2, 2 copies: dated March 1978, 115 pages, dated April 1978, 113 pages.
Typescript, episode 3, 2 copies: dated March 1978, 124 pages, dated April 1978, 105 pages. - Research, photocopy of title page, 2 books.
Typescript, dated November 15, 1977, 124 pages. - Letter re script. - Notes, ms, 7+ pages. - Research, pages of books on Hawaii.
Notes re script, index cards, 100 items.
"Pearl" publicity, 1978, 8 items, - Correspondence re "Pearl" photographs, 2 items.
Correspondence re accounting, 1980-1984, 6 items.
Crew lists, 1978, 6 items.
Props and locations, ms, n.d., 14 items.
Salary contracts, 1978, 11 items.
Department of Defense correspondence, 1978, 1 item.
Memos and correspondence re Pearl production and novel, 1977-1979, 80+ items, - Stepline of scenes for expanded dramatization of Pearl Harbor, n.d., 25 pages, - Plot summary, n.d., 1 page.
Post production memos and correspondence, 1978, 30+ items.
Shooting script review from ABC, 1978, 5 items.
Budget, 1978, 5 items.
Music arrangements, 1978, 16 items.
Daily production reports, 1978, 29 items.
Casting memos and notes, 1978, 31 items.
Revised shooting schedules and "day-out-of-days" papers, 1978, 12 items.
Production papers, 1978, 14 items.
Correspondence re storylines and production, 1978, 5 items.
Call sheets, 1978, 33 items.
Accounting, 1980-1983, 16 items.
Clippings re publicity, 1978-1979, 50+ items.
ROUTE 66
Bound volume #20, "I'm Here To Kill A King" final draft screenplay, September 16, 1963, 60 pages.
Bound volume #20, "Come Out, Come Out Wherever You Are!" revised final draft screenplay, August 23, 1963, 60 pages.
Bound volume #20, "Same Picture, Different Frame" final draft screenplay, July 29, 1963, 65 pages.
Bound volume #22, "Don't Kill Us - We'll Kill You" part 2, final draft screenplay, January 21, 1964.
Bound volume #22, "Don't Kill Us - We'll Kill You" part 1, final draft screenplay, January 17, 1964, 59 pages.
Bound volume #22, "This Is Going To Hurt Me More Than It Hurts You" final draft screenplay, December 23, 1963, 59 pages.
Bound volume #15, "Hey, Moth, Come Eat the Flame" final draft screenplay, October 1, 1962, 67 pages.
Bound volume #15, "Lizard's Leg and Owlet's Wing" final draft screenplay, August 27, 1962, 63 pages.
Bound volume #15, "Only By Cunning Glimpses" final draft screenplay, September 17, 1962, 65 pages.
Bound volume #19, "Where Are the Sounds of Celli Brahms?" final draft screenplay, July 1, 1963.
Bound volume #19, "A Cage in Search of a Bird" final draft screenplay, June 3, 1963, 64 pages.
Bound volume #19, "The Stone Guest" final draft screenplay, June 15, 1963, 55 pages.
Bound volume #21, "A Long Way From Saint Louie" final draft screenplay, October 11, 1963, 60 pages.
Bound volume #21, "Child of a Night" final draft screenplay, November 9, 1963, 60 pages.
Bound volume #21, "Like This Means Father..Like This--Bitter..Like This--Tiger.." final draft screenplay, November 25, 1963, 53 pages.
THE SCENE OF THE CRIME
"The Thirteenth of Love" (Pilot Script), dated September 29, 1972, 118 pages (annotated), - Additional script material.
"The Thirteenth of Love" (Pilot Script), 2 copies: dated September 29, 1972, 118 pages (annotated), dated October 17, 1972, 107 pages.
A SMALL STEP FORWARD
Clippings and correspondence re publicity and research, 1971-1975, 9 items.
SPACE (Mini-series, 1985)
Scattered pages of script between pages 133 and 183, n.d. 31 pages.
Bible, n.d. 31 pages. Incomplete.
In-house conference notes, February 1984, re Show #1 and characters. [13] pages. - Letters from literary agent and notice of tentative writing credits, November 1982 to March 1985. 18 items.
Clippings. 20+ items. - Preview presentation programs and publicity folder. 3 items.
Typescript, show #1 (three hours), n.d., 189 pages. - Clipping, "Experts Daydream of Moon Settlements", November 4, 1983.
Typescript, show #1 (three hours), first draft, 2 copies, n.d., 161 pages, from the novel by James A. Michener, - dated March 22, 1983, 84 pages.
Typescript, show #2 (two hours), n.d., 119 pages.
Typescript, show #2 (two hours), 2 copies: n.d., 65 pages, revised first draft, dated September 10, 1983, 124 pages.
Typescript, show #3 (two hours), revised first draft, dated September 10, 1983, 135 pages.
Typescript, show #3 (two hours), n.d., 2 copies: 68 pages, 130 pages.
Typescript, show #4 (two hours), 2 copies: first draft, dated July 25, 1983, 74 pages, n.d., 114 pages.
Typescript, show #4 (two hours), n.d., 35 pages, - Shows #4 and #5, n.d., 60+ pages.
Typescript, show #5, n.d., 56 pages (some annotation), - Additional script material.
Correspondence and agreements re SPACE and THE NEW CENTURIONS, 1972, 1982, 4 items.
Brochure re television series, March 21, 1985.
TRAVIS MCGEE
Scripts for pilot "The Empty Copper Sea", April 9, 1981. Two copies: 130 pages, one copy 138 pages heavily annotated. John D. MacDonald's "The Empty Copper Sea".
Shooting script for "The Empty Copper Sea", March 1, 1982. 112 pages.
Final draft for "The Empty Copper Sea", March 15, 1982. 110 pages. March 19, 1982 revisions on blue pages.
Revised final draft for "The Empty Copper Sea", March 29, 1982. 112 pages. March 31, 1982 & April 1, 1982 revisions on color pages. Warner Bros. Television.
An outline for a two-hour pilot film for a weekly one-hour series "The Long Lavender Look", November 1980. Two copies: 62 pages, one copy 32 pages heavily annotated.
Outline, December 10, 1980. 37 pages with ms annotations.
Scripts, February 9, 1981. Two copies: 121 pages, one copy 119 pages heavily annotated.
Revised scripts, February 27, 1981. Two copies: 123 pages, one copy 121 pages heavily annotated.
General notes and outline, March 23, 1981. Two copies: 21 pages, one copy unpaged heavily annotated.
Typescript, script material, n.d., 20+ pages, - Character descriptions and additional script material, n.d., 10+ pages (annotated).
"The Empty Copper Sea", from the novel by John D. MacDonald, shooting script, dated March 1, 1982, 120 pages (annotated).
Correspondence re project with Warner Bros. and agreements, 1980-1981, 4 items.
TRI MAKAI
Inter-office memos re first draft payment, payment authorization forms, and letters re payment. Total items 6.
"The Law of the Seven" (Pilot Episode), first draft, n.d., 97 pages, - Notes, 8 pages.
"The Law of the Seven" (Pilot Episode), 2 copies dated October 8, 1976, 118 pages (annotated), - 119 pages. Entitled "TRIDENT" [tentative title].
"The Law of the Seven" (Pilot Episode), dated October 29, 1976, first draft. 2 copies: 113 pages, 120 pages (annotated). Entitled "THE TRIDENT UNIT" [tentative title].
"The Law of the Seven" (Pilot Episode), 2 copies: first draft, dated November 12, 1976, 107 pages (annotated), revised draft dated December 3, 1976, 61 pages (some annotation).
WELCOME TO PARADISE
Crew list, cast lists, set lists, call sheets, and movement order. Total items 12.
First draft script, October 23, 1983. 69 pages.
First draft script, November 1, 1983. 72 pages.
First draft script, February 15, 1984. 66 pages.
Revised first draft script, February 28, 1984. 67 pages.
Script, n.d. 67 pages.
Shooting scripts, four copies: March 14, rev. March 16, rev. March 17, 1984 (59 pages), rev. March 28, 1984 (60 pages) with annotations. - Story board (xerox copies) for rev. March 16, 1984. 18 pages
Memos re production, 1984, 22+ items.
Research on New Zealand, 10 items, - Notes on sharks, 8 pages, - Background notes on movie, 9 pages, - Mailgrams re production and publicity, - Movement Orders, 12 items.
Script clearance by de Forest Research, 2 items, - Additional script material, 10 pages, - Memos and letters re scenes, story concept, schedules, resumes for film crew positions, 1984, 25+ items.
Letters re photos and publicity, 2 items, - Publicity for film and S.S., 1984, 16 items.
Typescript, a presentation for a one-hour weekly dramatic TV series, dated August 24, 1983, 20+ pages, - Pilot story, dated September 4, 1983, 15 pages, - Story outlines, 25+ pages.
Typescript, pilot script for a one-hour weekly series, 2 copies: second draft, dated December 14, 1983, 62 pages, shooting script, dated March 14, 1984, 60 pages.
Research on New Zealand, 1982-1984, 15+ items.
Storyboards of underwater shark scenes, dated March 1984, 3 copies (1 colored), 30+ pages.
Memos and clippings re publicity, boats and transportation, 1984, 10 items.
Memos re agreements, time tables, and pilot synopsis, 1984, 20+ items.
Production papers, 1984, 20+ items.
Brochures and periodicals re tropical regions, 1983-1984, 10+ items.
Production papers and correspondence, 1984, 25+ items.
General Files, incl. Personal Material
AGENCY LISTS
Agency lists of actors and actresses, 1965-1966, 19 items.
BIOGRAPHICAL MATERIAL
Biographies and lists of credits for S.S. 10 items. - Clippings re marriages. 40+ items.
BIOGRAPHICAL MATERIAL
Publicity photos. 17 items. - Old photographs of S.S. and family. 52 items. - Wedding photos of S.S.'s marriage to Tiana. 40+ items.
COLUMBIA PICTURES CORPORATION
Purchase requisitions, 1968-1969, 20+ items.
CREATIVE ARTISTS AGENCY, INC.
Reader's reports re various published books, 1981-1982, 8 items.
DAILY SCHEDULES
Typescript, S.S. daily schedules, (no year), 100+ pages.
EUROPEAN TRIP
European and Greek trip letters and travel arrangements, 1970.
European travel arrangements, 1969.
European travel arrangements, maps, bills, etc., 1968.
European travel arrangements, tickets, and letters, 1968.
European travel arrangements, tickets, brochures, letters, etc., 1967.
FILM INDUSTRY WORKSHOPS, INC.
Correspondence, 1968, 1972, 8 items.
FINANCIAL
Statements of financial condition, 1967-1969, 25 items.
Statements of financial condition, 1971, 3 items.
Expense statements, 1964-1972, 12 items.
FLOOD RESEARCH
Research re floods, 1981-1982, 5 items.
GENERAL ARTISTS CORPORATION (G.A.C.)
Correspondence, 1966-1968, 16 items.
GENERAL CORRESPONDENCE
General Correspondence from Anthony Quinn, Bruce Lee, Ingrid Bergman, and others, 1970-1972, 60+ items.
General correspondence, 1969-1971, 50+ items.
General correspondence from Ingrid Bergman and others, 1970, 70+ items.
General correspondence re business and travel plans, 1982-1984, 35+ items, - Author agreement re New Caledonia, 1983.
General correspondence, 1979-1984, 4 items.
General correspondence from Bruce Lee, Joan Crawford, Anthony Quinn, Ed McMahon, and others, 1958, 1969-1970, 70+ items, - Clippings re plastic environment, 1969.
General correspondence from Bruce Lee, Joan Crawford, Eddie Fisher, and others, 1968-1969, 70+ items.
General correspondence, 1968, 50+ items.
General correspondence from Dick Van Dyke and others, 1966-1967, 80+ items.
Correspondence with book publishers, 1966, 1968, 5 items.
Papers and letters re publicity, story concepts, agreements, 1981-19984, 7 items.
Memos from Marita McCarthy re research on various topics, 1981-1982, 12 items.
Correspondence with Jesse Hill Ford re THE RAIDER and BROTHER OCIE, 1972-1975, 10+ items.
Correspondence with Jesse Hill Ford, 1966-1979, 40+ items.
Correspondence with Jesse Hill Ford, 1967-1977, 50+ items.
Correspondence re general business, 1982-1984, 12 items, - Daily schedules, (no year), - Clippings re Mike Cerre, 6 items, - Agenda, July 23, 1969, 5 pages.
GROUP ONE PRODUCTIONS
Company promotional booklet, n.d.
HO CHI MINH AND OSS
Research re Ho Chi Minh and OSS, 1982, 3 items.
IRVING B-J. LEVINE
Correspondence, 1965, 2 items.
MEMORABILIA
"Honorary Fire Chief" badge and wallet given to S.S. for THE TOWERING INFERNO.
Survival certificate from S.S. Poseidon, signed by Irwin Allen and Ronald Neame.
MGM
MGM correspondence, 1966-1968, 30+ items, - MGM contract and agreements, 1966, 4 items, - Correspondence re contract and agreements, 1966, 3 items.
Purchase requisitions, 1966, 6 items.
NATIONAL COMMITTEE OF INDEPENDENT TELEVISION PRODUCERS
Correspondence re organization business, June 1973, 3 items.
NOTES
Typescript, unsorted notes, philosophical backgrounds, recurring characters of "Tod" and "Buz", topics such as fishing, engines, studio heads, France, n.d., 80+ pages (annotated).
PARAMOUNT PICTURES CORPORATION
Technical crew list and credits, 1965, 3 items.
PHOTOGRAPHS
Six photographs re "Gone With the Wind" play.
PINGREE PRODUCTIONS, INC.
Pingree-Titus merger, memorandum of first discussion, n.d., 5 pages.
Pingree correspondence and papers, 1966-1970, 40+ items.
Statements of financial condition, 1967-1968, 26 items.
Statements of financial condition, 1970, 11 items.
PRODUCERS GUILD OF AMERICA, INC.
Statements re pension plans, financial reports, and minutes of board meetings, 1969-1972, 17 items. Letterhead: Producer-Writers Guild of America.
Correspondence re meetings, 1969-1973, 12 items, - Newsletters - Booklet on the constitution and bylaws of the Producers Guild of America, 1970.
Memos and the Guild Constitution and Bylaws, 1967-1973, 6 items.
PUBLICITY
Clippings re S.S. career, 1966-1969, 82 items, - Typescript, public relations biography, n.d., 5 pages.
Articles on S.S. career, 1983, 15 items, - Clippings re S.S. publicity, 1980-1985, 4 items.
Magazine articles on S.S., 1972, 1973, 1974, 1979, 4 items.
Magazine articles, 5 part interview with S.S. about career and Bruce Lee, July 1980 to November 1980, 5 items.
Clippings and correspondence on S.S. publicity, 1968-1970, 38 items.
Clippings re S.S. publicity, 1968-1971, 59 items.
Clippings re S.S. publicity, 1970-1975, 40+ items.
PRODUCERS GUILD OF AMERICA, INC.
Correspondence re membership, 1967, 6 items, - Newsletters with letterhead "Screen Producers Guild, Inc.", 3 items, - By-laws of Screen Producers Guild, Inc., 1967.
STIRLING SILLIPHANT, JR.
Mussolini contracts, letters, handwritten note to S.S., photograph. Total items 7.
TIANA SILLIPHANT
Personal correspondence. - Clippings. - Biography. Total items 11.
WRITINGS ABOUT S.S.
Clippings: S.S. mentioned in articles in newspapers and trade publications. 200+ items.
Clippings from U.S. and foreign publications re S.S. awards, lectures & workshops given by S.S. (incl. photos), & social events. 30+ items. - Scrapbook incl. personal notes to S.S. 23 pages.
Interviews: photocopies, typed transcripts, published. 9 interviews.
WRITINGS BY S.S.
Articles written by S.S., some published. 10 articles.
Typescript, dated March 22, 1979, 13 pages. An article for THE WRITERS GUILD OF AMERICA MAGAZINE.
YACHT BUSINESS
Yacht (Tiana II) business, 1983, 3 items.
YAQUI FILMS CO., INC.
Statements of financial condition, 1970-1971, 6 items.