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Boime (Albert) papers
LSC.1834  
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Collection Details
 
Table of contents What's This?
  • Restrictions on Access
  • Physical Characteristics and Technical Requirements
  • Restrictions on Use and Reproduction
  • Preferred Citation
  • Provenance/Source of Acquisition
  • Processing Note
  • UCLA Catalog Record ID
  • Biography/History
  • Scope and Content
  • Organization and Arrangement

  • Contributing Institution: UCLA Library Special Collections
    Title: Albert Boime papers
    Creator: Boime, Albert
    Identifier/Call Number: LSC.1834
    Physical Description: 64.8 Linear Feet (151 boxes, 3 oversize flat boxes, 2 shoe boxes, and 1 carton)
    Date (inclusive): 1941-2008
    Abstract: The collection contains drafts, correspondence, notes, course materials, research aids, CVs, and audiovisual materials pertaining to the academic career of art historian and professor Albert Boime. Materials in the collection span Boime's graduate studies and lengthy career, including seminal research on Vincent Van Gogh, Impressionism and the French Commune, and a 6-volume History of Modern Art written from a social history perspective. Though best known for his work on 18th and 19th century European art, Boime's papers cover a broad range of traditional and avant-garde Art History topics approached from a social history theoretical framework.
    Physical Location: Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page.
    Language of Material: Materials are primarily in English.

    Restrictions on Access

    Open for research. All requests to access special collections materials must be made in advance using the request button located on this page.

    Physical Characteristics and Technical Requirements

    CONTAINS UNPROCESSED DIGITAL, AUDIO, AND AUDIOVISUAL MATERIALS: Digital, audio, and audiovisual materials are not currently available for access and will require further processing and assessment. If you have questions about this material please email spec-coll@library.ucla.edu.

    Restrictions on Use and Reproduction

    Property rights to the objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.

    Preferred Citation

    [Identification of item], Albert Boime papers (Collection 1834). UCLA Library Special Collections, Charles E. Young Research Library, University of California, Los Angeles.

    Provenance/Source of Acquisition

    Gift of Myra Boime, 2007, 2010.
    2010 addition consisted of 2 cartons containing film reels, video, audio, 1 notebook.

    Processing Note

    Collections are processed to a variety of levels depending on the work necessary to make them usable, their perceived user interest and research value, availability of staff and resources, and competing priorities. Library Special Collections provides a standard level of preservation and access for all collections and, when time and resources permit, conducts more intensive processing. These materials have been arranged and described according to national and local standards and best practices.
    Processed by Kimberly Williams in the Center for Primary Research and Training (CFPRT)  with assistance from Megan Fraser, 2011. The processing of this collection was generously supported by Arcadia  funds.
    Additions processed by Krystell Jimenez in the CFPRT, under the supervision of Courtney Dean, 2018. The additions were integrated into the existing arrangement and an audiovisual series was added. Unprocessed materials include 1 3.5 inch floppy disk, 3 CDs, 3 VHS, 65 audiocassettes, 1 Hi8s, and 7 16mm films. The 16mm films were processed and digitized by Chloe Patton in UCLA Library AV Preservation.
    We are committed to providing ethical, inclusive, and anti-racist description of the materials we steward, and to remediating existing description of our materials that contains language that may be offensive or cause harm. We invite you to submit feedback about how our collections are described, and how they could be described more accurately, by filling out the form located on our website: Report Potentially Offensive Description in Library Special Collections.  

    UCLA Catalog Record ID

    UCLA Catalog Record ID: 9967001553606533 

    Biography/History

    Albert Boime was born in St. Louis, Missouri on March 17, 1933 to Max and Dorothy Boime, both eastern European Jewish immigrants. In 1955 Boime joined the U.S. Army, serving in Germany before his discharge in 1958. Upon returning to the States Boime began his studies at the University of California, Los Angeles and received his B.A. in 1961. He went on to receive both his M.A. (1963) and Doctorate (1968) from Columbia University. Through his brother Jerome (1934-1977), Boime met teacher and social activist Myra Block, and they married in 1964.
    He began his career as an instructor at the State University of New York at Stony Brook in 1967 and became an associate professor in 1969. He was appointed professor of art at the State University of New York at Binghamton in 1971. Boime chaired the art department at Binghamton from 1972-74 and was recruited by the University of California, Los Angeles in 1978. He served as a professor of art history there for three decades. Boime passed away in 2008.
    As a social art historian Boime was concerned with overlooked artists and ventured outside traditional research methods to evaluate an artist's work. He approached artworks as social documents, not simply artistic expressions, and demonstrated how artists are influenced by the historical events of their lifetime. Though Boime is best known for his studies of 19th-century European art, his work touched on many genres including popular imagery in Europe and America and emblematic national monuments.
    In the course of his career Boime authored nearly 20 books and over 100 articles. He also received various awards including two Guggenheim fellowships (1974, 1984), a Rome Fellowship (1979), and the A. Kingsley Porter Prize for his Art Bulletin article "The Second Republic's Contest for the Figure of the Republic" (1971). In 2006 a symposium on the social history of art was convened at UCLA in his honor.
    Quoting from the preface of his book The Birth of Abstract Romanticism, Boime described his art historical intent, "By examining the political forces that motivated the art makers and finders, and revealing the hidden mainsprings in visual production, I truly believed that I was contributing to the emancipation of thought, at least in one small corner of the minds of my students and readers. Thus art history became my raison d'être, a vehicle for enhancing the lives of my fellow citizens, while at the same time bringing about a nano-change toward social justice in society."
    Sources: Dictionary of Art Historians, albertboime.com  

    Scope and Content

    The collection consists of notes, correspondence, drafts, and annotated photocopies relating to Boime's academic career. Additional materials include VHS tapes, audiocassettes, and 16mm film. The papers include documentation corresponding to universities and Art History departments where he was employed, syllabi and outlines for courses and seminars, notes associated with research, conference materials, drafts of publications, and correspondence. The bulk of the collection consists of materials collected as part of Boime's research activities. Research topics span a wide range, although the bulk of material relates to French history painter Thomas Couture, imagery and symbolism of U.S. monuments and icons, artists and movements associated with his Social History of Modern Art series, social issues, academies and academic painting, the Italian painter group Macchiaioli, and comics and cartoons. Boime often revisited research topics after initially encountering the subject matter, so his files may include materials from different decades on the same research topic. The addition contains similar materials and subjects, and a greater number of audiovisual materials. Box 154 contains film reels that were digitized and documentation from the processing archivist, Chloe Patton.

    Organization and Arrangement

    The collection has been arranged in the following series:
    • Series 1: Career, 1950-2005
      • Subseries 1.1: Academic life, 1950-2005
      • Subseries 1.2: Fellowships and grants, 1973-2002
      • Subseries 1.3: Department affairs, 1970-2004
      • Subseries 1.4: Special projects, 1975-2003
      • Subseries 1.5: Colleagues, 1980-2003
      • Subseries 1.6: Students, 1987-2003
    • Series 2: Course materials, 1978-2008
    • Series 3: Research materials, 1941-2008
    • Series 4: Lectures and conferences, 1972-2005
    • Series 5: Publications drafts, 1970-2004
      • Series 6: Correspondence, 1963-2008
        • Subseries 6.1: Publication correspondence, 1979-2007
        • Subseries 6.2: Specific correspondence, 1963-2003
        • Subseries 6.3: General correspondence, 1964-2008
      • Series 7: Audio and audiovisual materials, 1974-2005

    Subjects and Indexing Terms

    Art historians -- United States -- Archives.
    Boime, Albert--Archives.