Series I: Biographical
American Theatre Magazine “Miss Saigon” 1990
Magazine clippings 1991-1992
Clippings, USC profile “Alumni” 1992
Asian Pacific Alliance For Creative Equality (APACE), Clippings on Wong 1992
Chicago Sun- Times profile 1993
Artistic Statements 1994
L.A. Theatre Magazine 1994
Dramatic Publishing
Daily planner 1998
Dateline interview 1998
Correspondence
Ted Turner (E. Wong)
Unlabeled
Updated biographies and interviews 1998-2001
Curriculum vitae 1999
Press clippings and releases, programs, flyers 1999
Resume updates 1999
Programs of Wong’s shows or mentioning her name
Regarding Inside the Red Envelope- Michael’s first draft of his chapter and my notes January 2000
Personal miscellany, calendar book 2000
Resume
Dramatic Publishing
Organizer 2001
Dictionary of Literary Biography 2001
Pararasis Magazine Article 2001
Series II: Awards, Fellowships, and Residencies 1990-2003
Bowdoin College Playwright Residency
Bowdoin College
Correspondence and miscellany
Personal correspondence, email, flyers
Administrative syllabus, class 1996
Bowdoin calendar 1996
China Doll, Bowdoin draft 1996
The Crayon Box 1996
Correspondence and general information
Random House Entertainment, “The Crayon Box That Talked”, :90 :30 PSA For The Ad Council, Final Mix: VIEWING COPY
Happy Prince, Luanne Nunes, director 1996
Bowdoin, paperwork 1996
Bowdoin College 1996
Personal correspondence while in Bowdoin Aug.-Dec. 1996
Bowdoin College miscellany
China Doll programs
The Happy Prince, drafts, research
Diskette (“SCANUNDO.DAT”)
Original documents
Bush Foundation
Bush Foundation Fellowship
Catawba College
Salisbury NC, Petersen Playwright Residency
China Doll, Petersen Fellowship
Diskette
Diskette printouts
Catawba working rehearsal draft February 1999
Catawba draft December 7, 1999
Cast list December 17, 1999
China Doll cover December 17, 1999
Cast list January 2000
Final draft January 2000
Pamphlet
Script, Catawba draft, first version December 1999
Script changes December 1999
Jane Chambers Award
Jane Chambers Award, AFTHE, San Antonio 1998
Jane Chambers Award, The Dramatist announcement 1998
Acceptance speech 1998
Audiocassette
Drafts
Kennedy Center’s American College Theatre Festival Award
KCACTF XXXIII Award 2000
KCACTF XXXIII Salutes the Millennium 2000
KCACTF Cohen Award, August ATHE Conference 2001
KCACTF Cohen Award, August ATHE Conference 2001
University of Southern Maine Playwright Residency
Playwright residency at University of Southern Maine 2001
Personal materials from Maine USM Residency 2001
Walt Disney Studios Fellowship Program
Articles
Sample Outlines 1991
Correspondence 1992
General Information 1992
Staff and Casts Production Schedule 1992
Fellows
Primetime Schedule
Bibles
Campbell/ EGRI
Correspondence, research, handouts, contracts
Colors United, multiple versions
Outlines, ideas, story pitches, scripts
Colors United research, clippings, notes
Memorandums
Roseanne, “Stamps of Disapproval”
First version January 7, 1992
Second revision December 1, 1992
Third revision December 8, 1992
Script drafts, notes, outlines, breakdowns 1992-1993
First draft January 7, 1993
First draft February 19, 1993
Colors United
Beat outline September 3, 1993
Notes 1993
Script September 17, 1993
Script October 11, 1993
Script, first draft October 22, 1993
Synopsis 1993
Watts Side Story
Seinfeld, “The Laundry”
Outline March 16, 1993
First draft April 2, 1993
First draft May 28, 1993
Revised first draft May 28, 1993
First draft June 18, 1993
Notes 1993
Act one
n.d.
Miscellany
NEA Applications 2000
NEA/ TCG 02/03 correspondence with Cincinnati Playhouse 2002
NEA/TCG 2002
Series III: Correspondence
Business
Business, invoices pending 1991, 1993-1995
Personal, Primary Stages Reading 1992
West Coast Ensemble, production, playwrights
Incoming and outgoing 1994
Business
Mailing list master
Personal 1995
Business 1998-2000
Business 1999
Business 1999
(9) “My Documents” up to year 2000, business letters, backup disc
(10) Business letters up to year 2000, backup disc
(11) Business letters, resume year 2000, teaching syllabus, backup disc
Original documents
Christmas cards 1999
Personal 1999
Work related 1999
Work related, email on 7 diskettes 1999
1998
October 1998 – February 1999
February – March 1999
March – April 1999
April 1999
April – May 1999
April, May, June 1999
Email on diskette 1999-2000
May – Aug 1999
Aug 1999
Aug – Nov 1999
Aug – Dec 1999
Nov 1999 – Jan 2000
Jan 2000
Jan, Feb, March 2000
Feb – April 2000
Business
Personal
Women Who Write Plays 1999, 2001
Business, email on diskette 2000
January 2000
January – February 2000
Personal 2000
Business
Email on 12 diskettes
March 2000
April – May 2000
May 2000
May 2000
June 2000
2001
Letters regarding Badass/ Kerma 2001
Arena Stage, “Letters,” Brave New Works 2001
HM Publications/DLB interviews 2001
“Letters,” Maine UCM Residency 2001
“Letters,” “Monkey King,” 2001
“Stations,” H-Muse 2001
2000-2002
Business 2001
2001
Recommendations 2001
Center Theater Group, Mark Taper Forum, Thank You Letters 2001
Personal
Professional
Correspondence and miscellany
Business 2002
Personal 2002
Business 2003
2003
2003-2004
Digital Correspondence
Series IV: Festivals, Retreats and Workshops 1992-2003
Humana Festival of New American Plays
Actors Theater of Louisville 1993-1994
Actors Theatre of Louisville 1993-1995
The Bible 1994
Humana Festival 1998
Actors Theatre of Louisville, Articles 1998
Let the Big Dog Eat, Louisville 1998
Diskette
Diskette printouts
BIGDOGN January 21, 1998
DIXNOTES January 21, 1998
NEWPAGES January 21, 1998
JAN98 February 3, 1998
FEB98 February 6, 1998
SYNOPSIS February 19, 1998
BDCAST March 31, 1998
COVER March 31, 1998
LVILLE March 31, 1998
Let the Big Dog Eat, Humana Festival Correspondence 1998
25th Anniversary Humana Festival 2000-2001
Heaven/Hell Project “Badass of the RIP Eternal” 2000-2001
General 2000-2001
Gallery corrections for “Badass of the RIP Eternal” 2001
General 2001
Heaven and Hell, Actors Theatre Louisville 2001
Playbill 2001
Kennedy Center’s American College Theatre Festival (KCACTF)
National selection team member Jan-April 1999
Region I 1999
Region II 1999
Region III 1999
Region IV 1999
Region V 1999
Region VI 1999
Region VIII 1999
Region V 2002
Miscellany
Chameleon Productions, workshop 1992
Circle Repertory Theatre Playwrights Retreats 1992
Mark Taper Forum, Kimchee & Chitlins, workshop 1992
Women’s Project & Productions, playwrights lab 1992
Brave New Works Festival, presented by Playwriting Center of Theater Emory 2001
Brave New Works workshop, presented by Playwriting Center of Theater Emory 2002-2003
Pamphlet 2003
Brave New Works Festival, presented by Playwriting Center of Theater Emory, Dating and Mating in Modern Times Feb 2003
Kennedy Center 1st Workshop, The Happy Prince June 2003
Series V: Literary Works & Productions 1980-2004
Journalism/Periodicals
Courant Paper
“Forecasts anchored in Somers” February 19, 1987
“Misdirected casket leaves family angry” February 26, 1987
“Sculpture for Bradley is a breeze for ex-architect” June 22, 1987
“Young violinist to take ‘gift’ to the limit” June 25, 1987
“Artist hopes mobile will fly at Bradley” August 11, 1987
“Proponents enjoy path in Windsor Locks” September 17, 1987
“Ground crews had a long, cold night at windy airport” December 30, 1987
“In Windsor Locks, being constable is ‘kind of a nothing job” December 18, 1987
“Motorists trying for that elusive green” February 6, 1988
HeadlineMuse
Correspondence October 2000
“In Search of the Monkey King: The Tricky Business of Adapting Myth for Children” 2000
Subject File 2000
“An Archetypal Look at the Oscars”, contributing writer 2001
“Golfing With the Gods: The Mysterious Allur of a Game and a Little White Ball” 2001
“Icarus Does an Ollie: Extreme Skateboarding” 2001
“Mists of Avalon: A Return to the Goddess” 2001
“Myth and Theme Parks: Musing on Amusement”, contributing writer 2001
“Shopping with the Gods: Myth in Advertising” 2001
Los Angeles Times
“Crossing the Line Between ‘Chinese’ and ‘American’” July 19, 1980
“The Struggle to be An American Girl” September 7, 1980
“‘Gung Hay Fat Choy’ – and Much More Still” February 4, 1981
“A Present for Popo” December 30, 1992
“Crowing in the New Year” January 22, 1993
“Close Encounters of the Street Kind” March 10, 1993
“Reflections on Outrage in the Street” April 14, 1993
“A Real American Me at the Movies” May 12, 1993
“Double Decaf PC With A Twist” June 16, 1993
“No More Side Orders of Smoke” July 21, 1993
“What I Did For Summer Vacation” August 25, 1993
“Woman, Meat and Morality” September 16, 1993
“Service with a Growl” November 10, 1993
“Philanthrophy of Words, Deeds Part I” December 20, 1993
“But What About Michelle Kwan?” January 18, 1994
“A Name for One Who Survived” April 13, 1994
“Confessions of a Sitcom’ophile”
Miscellany
“To Pursue A Dream”, Lasting Impressions article in Hartford Monthly Magazine 1988
Television
All American Girl
Episode schedules 1994
Feature stories, reviews 1994
Feature stories, reviews, 1994
Internet reviews 1994
Notes 1994
Staff lists 1994
Story ideas 1994
Writer’s schedules 1994
Correspondence, general information 1994-1995
1995
1995
Cybill
B story
Double, Double, Toil and Trouble, Writer’s first draft
First draft
N.d.
N.d.
Divas Las Vegas
“Pilot,” by Rodney Vance 2000
Notes, research 2000-2001
Pilot, Side By Side
August 2001
With notes August 2001
Will Wong’s notes August 2001
Drafts August - September 2001
Pilot, first draft 2002
Pilot, Desert Rain
Miscellany
Love Life of a Eunuch, synopsis
Theatre
Alice Downsized
First draft written in 8 days May 1998
Script June 1998
Email, notes 1998
Workshop/reading from Falcon Theatre, (Mark Taper Forum/Asian American Workshop),and Dreamwork SKG funding/commission 1998
Amazing Adventures of the Marvelous Monkey King
September 2000
Diskette
Diskette printouts
Monkey King proposal March 3, 2000
Beach inspired opening September 10, 2000
Script September 7, 2000
More summaries September 8, 2000
New opening September 8, 2000
Script September 8, 2000
Summary of Monkey’s Life Before the Journey with Monk September 8, 2000
New opening September 9, 2000
No Monkey Talk Opening September 22, 2000
Script September 22, 2000
Working draft September 22, 2000
Script September 23, 2000
Working draft September 23, 2000
Cover and cast list September 24, 2000
Script September 24, 2000
Yoga magic incantations September 25, 2000
Script September 26, 2000
Denver production, final draft January 26, 2001
Changes, revisions 2000
First Draft 2000
Research 2000
Script, production drafts for Denver Center Theatre Company 2001
Honolulu Theater for Youth presents Amazing Adventures of the Marvelous Monkey King Poster, Richardson Theatre, Oct. 19 & 26, Paliku Theatre Nov. 2 & 9
American Icon June 2001
Boyd & Oskar
The Play Formerly Known as The Happy Prince, Cincinnati Playhouse, script 1997
Cincinnati Playhouse in the Park, workshop material
The Play Formerly Known as The Happy Prince, script used for first Cincinnati reading, contains comments from the first reading 1997
Cincinnati version, ca. 1999
Diskette
Diskette printouts
Cincinnati Commission
The Psychic Cat May 26, 1999
Kennedy Center version 9/22/1999
Synopsis 9/22/1999
Cast list 10/13/1999
First draft after first reading and Nov. notes November 1999
Cast list December 1999
Cover December 1999
Working draft December 1999
Changes after December 4 notes from Bert 12/6/1999
Synopsis 12/26/1999
Cast list 1/7/2000
Cast list February 2000
Cover 1/7/2000
Cover February 2000
Working draft February 2000
Original documents 1999
Drafts, notes 1999
Diskette, Cincinnati version of The Happy Prince renamed Boyd & Oskar
Diskette printouts
Bert Goldstein April 22, 1999
Bert Goldstein July 1 1999
Bert Goldstein July 2, 1999
Edward Stern July 2, 1999
Bert Goldstein, Oct 3 Memo on first four scenes 10/3/1999
Bert Goldstein, Oct 10 Memo on Nov. 1 rewrite 10/13/1999
Cincinnati Commission, Script, created on 9/22/1999, last modified 10/13/1999
John Buzzetti, new cincy [sic.] script November 1 draft 1999
Synopsis, created 9/22/1999, last modified 12/26/1999
Script
December 1999
Working draft February 29, 2000
Working draft February 30, 2000
Working draft February 2000
Working draft March 1, 2000
Synopsis and scene breakdown, created 3/1/2000, last modified, 3/1/2000
Working draft March 2, 2000
Final March 9, 2000
Final March 10, 2000
Cast list, created 10/13/1999, last modified 3/12/2000
Cover, created 11/28/1999, last modified 3/12/2000
Formerly known as The Happy Prince, Cincinnati Playhouse, photographs 2000
Rehearsal production stuff, Cincinnati Playhouse in the Park March 2000
Formerly known as The Happy Prince, Cincinnati Playhouse, correspondence 2000-2001
Program
Synopsis
Bu & Bun, Five and Dime Theatre 1991-1992
China Doll
Script 1995
Notes 1995
Second Draft April 1996
Script November 25, 1996
Script November 1996
Harvard Workshop, AAA Players, 1999
Diskette October 1999
Disk printouts
Pages, Act II, created , last modified 10/28/1999
Draft October 29, 1999
Pages, Act I, created 10/26/1999, last modified 11/30/1999
Original documents
Anna May images and research 1999-2001
Script March 2000
Bowdoin College Version September 2000
Old pages, replaced September 2000
The Gersh Agency October 2000
Arena Stage 2000
Diskette
Diskette printouts
Draft September 17, 2000
Log of new changes, created __, last modified 9/17/2000
New last page for Arena October 19, 2000
News pages for Arena [sic.], per September notes, created 9/17/2000, last modified 10/19/2000
Cover and cast list October 2000
Draft October 2000
Arena Stage, final October 2000
Diskette
Diskette printouts
Cover, created 8/21/1999, last modified 12/17/1999
Cast list January 2000
Final draft January 2000
Catawba final draft February 2000
Arena Stage 2000-2001
Northwest Asian American Theatre, post Chicago draft, working copy August 2001
Northwest Asian American Theater, poster and playbill 2001
Script October 2001
Script, old draft October 2001
Kennedy Center, ATHE, Cohen Award/Chicago Palmer House version 2001
Program 2001
Proposal
Script
Script, NWAAT working draft
China Doll 2001-2002
Synopsis
Poster for GENseng staged reading, Black Box Theatre, starring Samantha Chan
Dating and Mating in Modern Times
West Coast Ensemble 2001-2002
Workshop, West Coast Ensemble with Laura March 26-April 4, 2002
Script 2002
Script including cast list 2002
Third draft 2002
Stage design, by Bart McGeehon 2002
Correspondence
Compact Disc
NBC Micro-Mini application 2003
Theatre Emory
Old version, doesn’t contain Love Juice monologue 2003
Theatre Emory 2003-2004
Programs and reviews 2003-2004
The Happy Prince
The Play Formerly Known as, script 1997
The Opera!, working copy 2002
Working copy 2003
Script
Heaven and Hell (on Earth), A Divine Comedy 2001
Inside a Red Envelope, short play commissioned for publication 1999
Diskette April 1999
Diskette printouts
Script (multiple documents, in variant forms, for many dates)
April 6, 6a-6g
April 7
April 11
April 12
April 13, 13a-13b
April 14,14a
April 17, 17a-17d
Cast list, created/last modified April 18
Cover, created/last modified April 18
Script
April 18
April 19
Key diary and notes, last modified April 22
Script, April 30, Final draft
Diary, final entry, April
Cast list 1, created April 30, last modified May 4
Diary, final entry May
Original documents
Kimchee & Chitlins
Original research includes press clippings 1990-1991
Script, original version June 1991
Script revised May 1992
Out in Front, Mark Taper Forum 1992
Ca. 1992
Notes and research, 1 of 2
Drafts, ca. 1992, 2 of 2
The Women’s Project and Productions reading 1992
Press clippings
Flyers, includes synopsis, 1992-1995
Advertisements, press clippings 1993
Victory Gardens Theatre, contracts & reviews 1993
Victory Gardens Theatre, press release 1993
Victory Gardens Theatre 1993
Script revised 1993
Script changes
Correspondence, publicity, research, schedules
Notes
Articles 1993-1994
Correspondence and synopsis 1993-1994
Los Angeles Weekly 1994
Los Angeles Press 1994
Rafu Shimpo 1994
USC Daily Trojan Profile, review 1994
L.A. Theatre Magazine
Script, early draft
Script, final draft
Synopsis
The Women’s Project Newsletter
Let the Big Dog Eat
1995-1998
Research 1995-1998
Script
First draft with corrections November 1997
November 1997
F draft, November 1997
No notes January 1998
February 1998
N.D.
Versions 1-2, 4-6
1997-1998
Research, Humana Festival, Actors Theatre of Louisville, ca. 1997-1998
Script
with notes January 1998
March 20, 1998
March 21, 1998
March 24, 1998
March 25, 1998
March 26, 1998
Show draft, March 26, 1998, 4:00 pm
Final/publication draft, April 1998
Correspondence, research 1997-1998
Working file, research 1997-1998
Script including published version 1998
Actors Theatre of Louisville, new play program 1998-1999
Letters to a Student Revolutionary
First draft, revisions plus original step sheet 1989
Colorado Springs Theatreworks 1990
Henry Street Settlement Reading 1990
Script 1990
Pan Asian Repertory Theatre 1990-1991
University of Massachuestts at Amherst, Theatre in the Works 1990-1991
Press clippings 1990-1992
Playbills 1990-1993
Correspondence 1990-1995
Playbills, programs, chronology 1990-1998
New York Newsday review 1991
International tour reviews 1992
Applause Books correspondence 1993
East/West players contract 1993
Call backs 1994
Back Stage West review 1994
Carson Chronicle review 1994
Drama-logue review 1994
Los Angeles Reader review 1994
Los Angeles Theatre Magazine 1994
Los Angeles Times review 1994
Northwest Asian American Theatre 1994
Northwest Asian American Theatre, reviews 1994
Rafu Shimpo review/profile 1994
Grand Valley State University, Michigan, correspondence 1998
An original 10-minutes
Primary Stages reading
Synopsis
Love Juice
sent to Liz Engleman of McCarter for her book, rewritten 11/09/03
Prodigal Return
Project with Georges Pfreundes of Switzerland 1994-2000
“Return,” – Jill, “Side A,” 9/97
Jill B., Jill on microcassette, Debbie Goldfield 1997
Project with Georges Pfreundes of Switzerland 2000-2001
Prodigal Return, Judy G., “Back from Africa”,” Alice C. “Back from Marathon Race,” Evelyn G. back from baseball [illegible], back from air, [illegible]”
Prometheus
Script November 1998
Denver, stuff from production/rehearsal binder 1998
Drafts from Denver scripts 1998
Research 1998
Written for early auditions 1998
1st reading of first draft, includes working notes, drafts and correspondence 1998-1999
Press announcements 1999
Punk Girls
Drafts & ideas 1996
Omaha Magic Theatre
1996
Essay, includes updated version of script 1996
Script, updated version 1996
Original script, workshop version 1996
Actors Theatre of Louisville: New Play Program, includes updated version of script 1996-1998
Omaha Magic Theatre, draft 1997
Research November 1997
Omaha Magic Theatre, Hair Pieces Version 1998
Monologue
Hair Pieces 1998-2001
Omaha Magic Theatre, script 1999
2000
Hair Pieces, staged reading program 2000
Hair Pieces, a collection of short plays by women about hair, by Jewish Women’s Project, pamphlet 2001
Omaha Magic Theatre, final draft
Omaha Magic Theatre, draft
Script
Reveries of an Amorous Woman
1990
Synopsis
Right to Bare Arms, and Asses
Mixed Blood Theatre’s Bill of (W)Rights 2003-2004
Stations of Desire, Saints, Sinners and In Between
first draft 1998-1999
Ten by Ten (Commandments)
Review 2003
10-minutes play, final draft 2003
Miscellany
Flyers and Poems, written by Wong for special occasions
Handbook for A Piece of My Heart
Handbook for The Survivor: A Cambodian Odyssey, a play by Jon Lipsky
Speaking engagement, Pepperdine University 07/19/1999
Series VI: Subject Files 1991-2004
Actor Bios & Headshots
Angela, June
Chang, Roxanne
Conklin, Mark W.
Dains, Michael
Faulk, Bruce J.
Forbes, Suzanne
Hassett, Jaime
Hiep Mai, Jayvee
Ingkavet, Andrew
Kim, Keith
Kim, Soomi
Jeanmarie, Veronique
Jung, Paul
Lee, Mary
Lee, Reggie
Lorenzana, Cherry Rox
Loughran, Lauretta
Lum, Mary
Mahmud-Bey, Shiek
Mariye, Lily
Mashita, Nelson
Mau, Les J.N.
Miki, Mia
Nee, Phil
Pang, Cecilia
Ross, Jayne
Saunders, Lewis
Shaddock, Pamela Jean
Sheehan, Julie
Similio, Richard
Sung, Elizabeth
Tom, Lauren
Villamor, Christen
Whitehead, Brandon
Williams, Sundra Jean
Wong, Jonathan
Worthy, Rick
Yang, Jo
Yen, Ana
Miscellaneous correspondence, 1991-1992, 1998, 2000
Periodicals
American Theatre 1998-2000
Artspiral, Is There An Asian American Aesthetics?, Interview: From “Star Star” to Avante Garde: Nine Artists From China
ASSITEJ/USA International Hot Line June 2003
Dramatist Publishing 2003-2005
The Dramatist
2000
2001
2002
2003
2004
Dramatists Guild Quarterly
Summer 1990
Spring 1992
Summer 1992 .
Spring 1993
Autumn 1993
Winter 1993
Summer 1994
Autumn 1994
Summer 1995
Autumn 1995
Winter 1996
Spring 1998, Wong’s first listing
Milimeter 2003
Parabasis 2000-2001
Smith and Kraus Publishers 2001-2003
Theatre For Young Audiences Today
2002
2003
WGA West Member News 2003
Written By, Member News, Newsletter for WGA September 2001
Yaddo News 2002
Scripts
Anderson, Wes and Wilson, Owen, Royal Tenenbaums
Berliner, Jonathan, Famous Last Words, a play in three acts
Beaumont, Christopher, Bold Tracks
1991
1992
Bocho, Steven and Milch, David, and Clark, Bill, NYPD Blue, “Raging Bulls” 1998
Bush, Timothy, Grunt the Primitive Cave Boy
dramaturgical work for Denver Center Theatre November 1999
production draft, dramaturgical notes with suggested rewrites January 2000
N.D.
Cherry, Marc, White Trash Nation
Fisher, Antwone, Fish November 24, 2001
González, José Cruz
Calabasas Street 1998
The Highest Heaven January 1999
Mariachi Quixote (or La Sanchi Learns to Play the Guitarrón), draft two, revised June 1998
Sirenas, first draft 1999
Hammond, Wendy, Julie Johnson, draft January 1993
Jacobs, Robert Nelson, Chocolate
Kelley, David E., The Practice, “Trench Work” 1998
Kelley, David E., and Kessler, Todd Ellis, The Practice, “Axe Murderer”
Klein, Jon, Betty the Yeti-An eco-fable February 13, 1994
Knees and Toes
Lancey, Mary G., and Price, Cathy Nelson, Previously Unproduced 2000
Levitan, Steven, Frasier, “Breaking The Ice,” revised final draft 1995
Lipsky, Jon, The Survivor: A Cambodian Odyssey
dated, old draft April 19, 1993
script December 1993
Actors TheatreLouisville, Humana Festival 1994
Actors TheatreLouisville, Humana Festival, correspondence, notes
Linney, Romulus, Shotgun December 22, 1993
Look, Lydia, Madam AI
Lubocki, Brian
Five Months 1998
Spin City, “Smoke Out”
Frasier, “Meat Market" April 1998
The Magic Island
Milch, David and Clark, Bill, NYPD Blue “Czech Bouncer" 1998
Nagy, Phyllis, Trip’s Cinch September 1993
Noxon, Marti, Buffy The Vampire Slayer, “Beauty and the Beasts” 1998
Pearson, Benjamin, Buffy the Vampire Slayer, “Blood Drive" November 1999
ASSITEJ/USA
2001
Board of Directors nomination and welcome correspondence 2001
ASSITEJ/USA Board Meeting 2001
New Visions, New Voices 2002
One Theatre World Symposium 2003
One Theatre World Symposium, committee 2003
Board of Directors 2003-2004
A Call for Dialogue: The State of Black-Korean Relationships, © Copyright Hyun Chul Woo, Approx. 60 minutes 1995
Correspondence
Cambodia
Cela, Camilo José, San Camilo, 1936, translation by Polt, J.H.R 1991
Fiction Writers Handbook, excerpts
The Gersch Agency 1999-2001
Correspondence
Dramaturgy, Denver Center
The Happy Prince, Cincinnati Playhouse
Wong, Elizabeth, general
Untitled commission, Denver Center Theatre
Gordimer, Nadine, Crimes of Conscious, A City of the Dead, A City of the Living 1994
Haing Ngor: A Cambodia Oddyssey, with Richard Warner 1987
Irene Fornes tribute 1998
Los Angeles City Camp 1993
Los Angeles Times
Environment
Guns, Brady Bill
Ideas
New Dramatists, membership application 1998
Nobel Lecture on Literature
Programs
The Annual Los Angeles Women’s Theatre Festival 2000
Expecting Isabel, contains an article on Velina Hasu Houston’s Ikebana
Programs of shows seen by Wong in 1999
Rice Dream
Sartre, Jean Paul, Nausea, translation by Alexander, Lloyd
Scandinavian Children’s Theatre 2001-2003
Seattle Arts Council December 2001 – January 2002
Solzhenitsyn, Alexander, One Day In The Life of Ivan Denisovich, translation by Aitken, Gillon 1971
Unbroken Thread: An Anthology of Plays By Asian American Women 1990-1993
Walden Family Playhouse
Writers Guild of America, West 2002
Writers Guild of America, “Great Stories, New Voices,” member, Asian American Writers Committee
Miscellany
Pirandello’s One-Act Plays, translation by Murray, William
Saar, David P., Yellow Boat 1993
Silvester, Michael, Friday Night at Hodge’s Café 1993
Slavs!
Smith, V., Marguerite Bonet 1997
Smith, Val, Meow, draft February 1997
Sven, Davis, Cyrano
Svich, Caridad, Fugitive Pieces 1999
Tally, Ted, All The Pretty Horses
Turner, Bonnie and Turner, Terry, 3rd Rock From the Sun, “Truth or Dick,” final draft 1995
Wright, Micahel, Sky Tumbling 1998
Vance, Rodney
Forever Blue 2000
Trilogy 1989
Williams, Caroline Hope, Just Be Frank/Underachievers Anonymous/ Phone Books, a trilogy of three short plays
Wright, Tim, Where’s Little Louie! 2001
Xuehua Hu,Sherwood, Ultimate Passion August 1996
Miscellany
Arcand, Denys, Barbarian Invasions, production information
Articles, research
Arts funding
Series VII: Teaching 1988-2002
Original handouts 1988-1999
Playwriting handouts 1989-1999
Supplement for courses 1991-1996
Script for UCSB Students, Kaplan, Michael B., Herman’s Head, “A Charlie Brown Fitzer,” first draft 1992
Teaching 1992-1993
East/West Players 1992-1994
Sitcom 101 1992-1995
University of California, Santa Barbara 1992-1995
Scripts for UCSB Students, Angel, David and Casey, Peter, and Lee, David, Frasier, “The Good Son,” pilot
Scripts for UCSB students, Cybill 1994-1995
Dartland, Dottie, “Look Who’s Stalking,” writer’s first draft 1994
Langworthy, Mike and Babcock, Philip, “You Might As Well Jump,” writer’s first draft 1995
Lorre, Chuck, “Virgin, Mother, Crone,” second draft 1994
Miscellany
Administrative 1995
Playwriting 101 1995
Teaching materials 1995-1996
Sitcom teaching material 1995-1997
Bowdoin College, Theatre 360, course/teacher student evaluations Fall 1996
Fisch, Joe, 3rd Rock From the Sun, “Dick Like Me” 1996
Intro to Sitcom Writing 1996
Intro to Sitcom Writing 1996
Scripts for UCSB Students, NewsRadio, “The Song Remains the Same,” Furey, John and Morton, Lewis, shooting draft 1996
3rd Rock From the Sun, “Brains with Eggs,” pilot 1996
Articles for courses 1996-1997
Playwriting class, handouts, notes 1997
Miscellaneous correspondence and notes 1997
University of Southern California
Adjunct Professor 1997
Playwriting 1997
Playwriting syllabus, etc Fall 1997
1998
Teaching 1999
Student Evaluation Statistics, College of Creative Studies 1999-2000
University of California, Santa Barbara, hour-long intro, “Buffy” 2000
Teaching Playwriting Workshop 2001-2002
University of California, Santa Barbara, teaching 2002
Overcoming Writer’s Block, course proposal
Scripts for UCSB students, Friends, “The One Where Underdog Gets Away”
Playwriting Symposium/Workshop
Sitcom writing