Series I. Video recordings 1996-1998
Scope and Content Note
Series I.A. Final edit, 1997-1998
Scope and Content Note
Art Works: Behind the Scenes at the Getty video online
Art Works: Behind the Scenes at the Getty access copies, 1997
T.V. master non-drop frame, December 12, 1997
Scope and Content Note
Projection master non-drop frame, December 12, 1997
Scope and Content Note
Clone of master, March 11, 1998
Scope and Content Note
Projection master, December 12, 1997
Scope and Content Note
CH 1 and 2 stereo composite with end credits, December 19, 1997
Scope and Content Note
VHS viewing cassette projection, dub from D1 master, March 12, 1998
Scope and Content Note
Dubbed for D1 master, March 12, 1998
Scope and Content Note
CH 1 and 2 stereo composite without end credits, December 19, 1997
Scope and Content Note
Behind The Getty dub, May 13, 1998
Scope and Content Note
From projection master dub non drop frame, January 21, 1998
Scope and Content Note
Dub from D1 master non drop frame, December 7, 1997
From projection master dub non drop frame, January 21, 1998
Scope and Content Note
Projection test, credit roll test, November 14, 1997
Scope and Content Note
CH 1 and 2 stereo composite, January 26, 1998
Scope and Content Note
CH 1 and 2 stereo film composite
Scope and Content Note
Two Headed Monster "The Getty Project" Stereo film composite
Series I.B. Edits and select scenes, 1997-1998
Scope and Content Note
Select scenes, transfers, and general edits
Getty: 8 spots tied (inside log: banner, Baltit Fort, Magao Grottoes, Quito (Ecuador), object ID, Bonampak, landmark (Los Angeles), mounting exhibit (Getty), October 28, 1997
The Getty Film Project: Los Angeles culture net with sample graphics, November 5, 1997
The Getty Film Project: (unlabeled), November 5, 1997
Tape 801: select reels: film transfer 1, research, lady picture, stolen icon, December 4, 1997
Scope and Content Note
Tape 802: select reels: film transfer 2, landmark - South Central girl, Paris, December 4, 1997
Scope and Content Note
Tape 803: select reels: film transfer 3, freeways, landmark - Mayas, December 4, 1997
Tape 804: select reels: film transfer 4, buildings, painting restoring, Baltit, culture net, artadnet, Mayan art, restoration Baltit, landmark, Mayan, December 4, 1997
Scope and Content Note
Tape 805: select reels: film transfer 5, December 4, 1997
Scope and Content Note
Tape 806: select reels: film transfer 6, banner, installation, December 4, 1997
Scope and Content Note
Tape 807: select reels: film transfer 7, December 4, 1997
Scope and Content Note
Tape 808: select reels: film transfer 8, December 4, 1997
Scope and Content Note
Select scenes transfer: hours 1-6:41:00:00, November 17, 1997
Scope and Content Note
Select scenes transfer: hours 6:41:13:00-7:42:30:00, November 19, 1997
Scope and Content Note
Select scenes transfer: hours 7:45:00:00-10:45:00:00, November 19, 1997
Scope and Content Note
Select scenes transfer: hours 11-15, November 21, 1997
Scope and Content Note
Select scenes transfer: hours 15:15-20:28:10:00, November 21, 1997
Scope and Content Note
Select scenes transfer: hours 20:30-23:45, November 24, 1997
Scope and Content Note
Select scenes transfer (unlabeled hours), November 14, 1997
Scope and Content Note
Select scenes transfer: digital beta transfer master, November 3, 1997
Various select scenes transfer, December 5, 1997
Scope and Content Note
Getty edits: banner, capture the moment, China, Bonampak, May 11, 1998
Telecine tapes: 35 mm selects, D1 transfer masters
Tape 1: TC hours 1-6:41
Tape 1: TC hours 1-6:41
Tape 1: TC hours 1-6:41, November 17, 1997
Scope and Content Note
Tape 2: TC hours 6:41-10:45
Tape 2: TC hours 6:41-10:45
Tape 2: TC hours 6:41-10:45, November 19, 1997
Scope and Content Note
Tape 3: TC hours 11-15
Tape 3: TC hours 11-15
Tape 3: TC hours 11-15, November 21, 1997
Scope and Content Note
Tape 4: TC hours 15:15-20
Tape 4: TC hours 15:15-20
Tape 4: TC hours 15:15-20, November 21, 1997
Scope and Content Note
Tape 5: TC hours 20:30-23:45
Tape 5: TC hours 20:30-23:45
Tape 5: TC hours 20:30-23:45, November 24, 1997
Scope and Content Note
Various scenes
Tape 6: TC hours 1-6, 9:30, 11:00
Tape 6: TC hours 1-6, 9:30, 11:00, November 25, 1997
Scope and Content Note
Tape 6: TC hours 1-6, 9:30, 11:00, November 25, 1997
Scope and Content Note
Tape 6: TC hours 1-6, 9:30, 11:00, November 25, 1997
Scope and Content Note
Tape 7: alt. ending
Tape 7: alt. ending, November 26, 1997
Scope and Content Note
Tape 7: alt. ending, November 26, 1997
Scope and Content Note
Tape 7: alt. ending, November 26, 1997
Scope and Content Note
Tape 8: Fricke reel
Tape 8: Fricke reel, November 25, 1997
Scope and Content Note
Tape 8: Fricke reel, November 25, 1997
Scope and Content Note
Tape 8: Fricke reel, November 25, 1997
Scope and Content Note
Tape 9: TC hours 4:15, 5:15, 13:30
Tape 9: TC hours 4:15, 5:15, 13:30, November 19, 1997
Scope and Content Note
Tape 9: TC hours 4:15, 5:15, 13:30, November 19, 1997
Scope and Content Note
Tape 9: TC hours 4:15, 5:15, 13:30, November 19, 1997
Scope and Content Note
Tape 10: new p/u scenes
Tape 10: new p/u scenes, December 5, 1997
Scope and Content Note
Tape 10: new p/u scenes, December 5, 1997
Scope and Content Note
Telecine day 1, hour 1, camera roll A2-6, November 6, 1996
Scope and Content Note
Telecine day 2, hour 2, camera roll A7-9, November 6, 1996
Scope and Content Note
Telecine day 3, hour 3, camera roll A10-A13, November 6, 1996
Scope and Content Note
Telecine day 4, hour 4, camera roll A14-22, November 6, 1996
Scope and Content Note
Telecine day 5, hour 5, camera roll A23, T8, December 4, 1996
Scope and Content Note
Telecine day 6, hour 6, camera roll A25-A26, A24, A27-28, December 11, 1996
Scope and Content Note
Telecine day 7, hour 7, camera roll A29-30, T8, December 12, 1996
Scope and Content Note
Telecine day 8, hour 8, camera roll 31-36, December 13, 1996
Scope and Content Note
Telecine day 9, hour 9, camera roll 37-46, December 17, 1996
Scope and Content Note
Telecine day 10, hour 10, camera roll 47-48, M15, December 18, 1996
Scope and Content Note
Telecine day 11, hour 11, camera roll 45-56, 56A, March 28, 1997
Scope and Content Note
Telecine day 12, hour 12, camera roll 57-74, March 28, 1997
Scope and Content Note
Telecine day 13, hour 13, camera roll 75-76, March 28, 1997
Scope and Content Note
Viewing copies: various selects and transfers
35 mm Select scenes transfer, 24 FPS/MOS. TC hours 1:00-6:41:00:00 November 21, 1997
Scope and Content Note
35 mm Selects transfer, 24 FPS/Some Sync. TC hours 6:41:00:00-10:45:00:00, November 19, 1997
Scope and Content Note
35 mm Selects transfer 24 FPS/Some Sync. TC hours 11-15, November 21, 1997
Scope and Content Note
35 mm Selects transfer, 24 FPS/Some Sync. TC hours 15:15-20:28:10:00, November 21, 1997
Scope and Content Note
35 mm Selects transfer, 24 FPS/Some Sync. TC hours 20:30-23:45, November 24, 1997
Scope and Content Note
35 mm Selects transfer, 24 FPS/Some Sync. TC hours 1-6, 9:30, 11:00 (new T.C.), November 25, 1997
Scope and Content Note
35 mm Selects transfer, 24 FPS/MOS. Alternate Ending, November 26, 1997
Scope and Content Note
35 mm Selects transfer, 24 FPS/MOS. Fricke Reel, November 25, 1997
Scope and Content Note
16 mm and S16 mm Neg selects transfer. Hours 4:15, 5:15, 13:30, November 19, 1997
Scope and Content Note
35 mm Selects transfer, 24 FPS/MOS. New P/U scenes, December 5, 1997
Scope and Content Note
Series I.C. Raw footage 1996-1997
Scope and Content Note
Series I.C.1. Chiapas, Mexico: Bonampak Murals, 1996-1997
Scope and Content Note
Scene 10-1: Getty exteriors at sunrise tail slate, August 5, 1997
Camera roll A2-4
Camera roll A2-4
Scene 10-1, number 2: Mary Miller and Reagan magnifying glass, August 5, 1997
Camera roll A5-6
Camera roll A5-6
Scene 10-3: Mary Miller and Reagan, computer screen images of Mayan art, August 5, 1997
Camera roll A6-8
Scope and Content Note
Camera roll A7-9
Scene 10-4: black and white image being colorized by the computer, August 5, 1997
Camera roll 9-11
Scope and Content Note
Camera roll A10-12
Scene 10-5, 10-6: Interviewing Mary Miller and discussion with Reagan, August 5, 1997
Camera roll A13
Camera roll 12-14
Scope and Content Note
Scene 10-6, 4B-1: Mary and Reagan reflections, lab technician and scientist discussion and explaining materials from Mogoa Grottoes, August 6, 1997
Camera roll A14-16
Scope and Content Note
Camera roll A15-17
Scope and Content Note
Viewing copies
Viewing copy tape 1: camera roll A3-A14
Camera roll A2-6, Telecine Day 1, Hour 1, October 30, 1996
Camera roll A7-9, Telecine Day 2, Hour 2, October 30, 1996
Camera roll A10-A13, Telecine Day 3, Hour 3, October 31, 1996
Camera roll A14 (see Camera roll A14-A22 under Los Angeles Viewing Copies)
"Hour 12, Camera Roll 57-74. Includes all footage of Bonampak site, CR 67-74. Footage by Ron Fricke." September 24, 2003
Scope and Content Note
Editor copies
Camera roll A3-A14, August 5, 1997
Scope and Content Note
Telecine day 1, hour 1, camera roll A2-6, October 30, 1996
Scope and Content Note
Telecine day 2, hour 2, camera roll A7-9, October 30, 1996
Scope and Content Note
Telecine day 3, hour 3, camera roll A10-A13, October 31, 1996
Scope and Content Note
"Art Works Bonampak Footage" reproduction master December 30, 2003
Editor copy: Footage of Bonampak, a Mayan site in Mexico, filmed in 1997 by Ron Fricke and used in Artworks, Umatic original transfer, September 3, 2003
Series I.C.2. Czech Republic, October 1997
Scope and Content Note
Scene 3-1 take 1, 3-7 take 1, 6-B18 take 1, 6B-1 take 3, 6-C1 to C7: Long shots of Baltit Fort and surrounding mountains. Police man pulling up to church, long shot of church, computer at police station in Prague, officer typing into keyboard, computer scanning, "ArtID" program, October 1, 1997
Camera roll 101, 103, 105, 107
Scope and Content Note
Camera roll 109, 111, 113
Scope and Content Note
Scene 6-A5 take 1, 6-B22 take 1-8, 6-B22A take 1, 6-A3 take 1-4, 6-A4 take 1-3, 6-A2 take 1-2, 6-A2A take 1-3, 6-A1 take 1, 6-B5 take 1-2, 6-B3 take 1, 6-B4 take 1, 6-B7 take 1-2, 6-B7A take 1, 6-B1 take 1-2, 6-B19 take 1-2: Prague: thief and border station officer and church, October 2, 1997
Camera roll 200, 202, 204
Scope and Content Note
Camera roll 206, 208, 210
Scope and Content Note
Scene 6-B19 take 3-4, 6-B20 take 1-3, 6-B21 take 1-5, 6-B13 take 1, 6-22A take 5-6, 6-B23 take 1-2, 6-B23A take 1, 6-B14 take 1, 6-B15 take 1-6, 6-16 take 1, 6-B17 take 1, 6-B17A take 1, 6-B14A take 1, 6-B13B take 1-2, 6-B11 take 1-4, 6-B10 take 1, 6-B9 take 1, t-B8 take 1: Priest and police officer at Church, artwork being returned, thief runs out with statue, October 2, 1997
Camera roll 212, 214, 216
Scope and Content Note
Camera roll 218, 220, 222
Scope and Content Note
Scene 6-Interview take 1-5, 6-B8 take 3, 6-B3 take 1, 6-B12 take 1, 6-Interview take 2-6: Interview with priest of church in Prague, thief walks down aisle of church, police car pulls up to church, car pulls away, interview with police officer, October 2, 1997
Camera roll 224, 226, 228, 230, 232, C2
Scope and Content Note
Viewing copies
Viewing copy tape 21: camera roll 164, 166, 168, 170, 172, 174
Viewing copy tape 22: camera roll 101, 103, 105, 107, 109, 111, 113
Viewing copy tape 23: camera roll 176, 178, 180, 182, 184, 186
Viewing copy tape 24: camera roll 188, 190, 192, 194, 196, 198
Copy 1
Copy 2
Viewing copy tape 25: camera roll 200, 202, 204, 206, 208, 210
Viewing copy tape 26: camera roll 212, 214, 216, 218, 220, 222
Viewing copy tape 27: camera roll 224, 226, 228, 230, 232
Editor copies
Camera roll 164, 166, 168, 170, 172, 174, October 1, 1997
Scope and Content Note
Camera roll 101, 103, 105, 107, 109, 111, 113, October 1, 1997
Scope and Content Note
Camera roll 176, 178, 180, 182, 184, 186, October 1, 1997
Scope and Content Note
Camera roll 188, 190, 192, 194, 196, 198, October 1, 1997
Scope and Content Note
Camera roll 200, 202, 204, 206, 208, 210, October 2, 1997
Scope and Content Note
Camera roll 212, 214, 216, 218, 220, 222, October 2, 1997
Scope and Content Note
Camera roll 224, 226, 228, 230, 232, C2, October 2, 1997
Scope and Content Note
"Getty copies": 3/4 inch tapes
Getty copy: camera roll 101, 103, 105, 107, 109, 111, 113, October 1, 1997
Getty copy: camera roll 164, 166, 168, 170, 172, 174, October 1, 1997
Getty copy: camera roll 176, 178, 180, 182, 184, 186, October 1, 1997
Getty copy: camera roll 188, 190, 192, 194, 196, 198, October 1, 1997
Getty copy: camera roll 200, 202, 204, 206, 208, 210, October 2, 1997
Getty copy: camera roll 212, 214, 216, 218, 220, 222, October 2, 1997
Getty copy: camera roll 224, 226, 228, 230, 232, C2, October 2, 1997
Series I.C.3. Dunhuang, China: Mogao Grottoes and Silk Road, August-September 1997
Scope and Content Note
Scene 4B-1, 7-1: explaining materials from Mogao Grottoes and inside lab. Mural of elementary school on Marengo St. and Brooklyn St. and "El Tepayac de Los Angeles," August 6, 1997
Camera roll 18-20
Scope and Content Note
Camera roll A18-20
Scope and Content Note
Scene 4A-1 take 1, 4A-2 take 1, 4A-3 take 1, 4A-3 take 2-3: Sand dunes in China, sunrise shots of Stoopas at Magao Grottoes, September 9, 1997
Camera roll 97, 99, 106, 108
Scope and Content Note
Scene 4A-3 take 2-3, 4A-7 take 1, 4A-4 take 1, 4A-5 take 1: Sunrise shots of Stoopas at Magao Grottoes, sand dunes in China, camels moving up the sand dunes, cave of big sitting Buddha, reclining Buddha, September 9, 1997
Camera roll 110, 112, 114
Scope and Content Note
Scene 4A-5 take 2, 4A-6 take 1-3, 4A-7 take 2, 4A-8 take 2, 4A-8 take 1, 4A-9 take 1, 4A-8 take 3, 4A-12 take 1: reclining Buddha, cave with "The Journey" paintings, cave number 45, sand dunes in China, silk route markers, cave number 275, weather station monitoring, September 9, 1997
Camera roll 116, 118, 120
Scope and Content Note
Camera roll 122, 124, 126
Scope and Content Note
Scene 4A-9 take 2, 4A-11 take 2, 4A-14 take 1-4, 4A-12 take 2, 4A-13 take 1-2, 4A-16 take 1, 4A-14 take 5-6, 4A-14A take 1: cave number 275, scientist color test cave paintings, interview with scientist, scientists at weather station, sand fence atop Grottoes, vegetation fence, cave exteriors, Po Ming Lin helping scientist conduct color analysis, September 11, 1997
Camera roll 128, 130, 132
Scope and Content Note
Camera roll 134, 136, 138
Scope and Content Note
Scene 4A-14A take 2, 4A-15 take 1-3, 4A-17 take 1-2, 4A-19 take 1-2, 4A-18 take 1-2, 4A-20 take 1: color analysis of cave, restoration of a cave (man repairing cracks with plaster), cave number 321 ceiling covered with many little Buddhas, cave number 94, camels in sand dunes, cave exteriors, September 11, 1997
Camera roll 140, 142, 144
Scope and Content Note
Camera roll 146, 148, 150
Scope and Content Note
Scene 4A-19 take 3, 4A-20 take 2, 4A-21 take 1, 4A-21 take 1-7, 4A-22 take 1: cave number 94 restorationg of all the bambo scaffolding, exterior of caves, interview with Mrs. Fan, sand build-up on exterior of Grottoes, September 15, 1997
Camera roll 152, 154, 156, 158, 160, 162
Scope and Content Note
Viewing copies
Viewing copy tape 2: camera roll A15-A22
Scope and Content Note
Viewing copy tape 16: camera roll 97, 99, 106, 108, 110, 112, 114
Viewing copy tape 17: camera roll 116, 118, 120, 122, 124, 126
Viewing copy tape 18: camera roll 128, 130, 132, 134, 136, 138
Viewing copy tape 19: camera roll 140, 142, 144, 146, 148, 150
Viewing copy tape 20: camera roll 152, 154, 156, 158, 160, 162, C1
Camera roll 132, 138, Dub, Mr. Lee, September 12, 1997
Scope and Content Note
Camera roll 156, 158, 160, Dub, Mrs. Fan, September 12, 1997
Scope and Content Note
Editor copies
Camera roll 97, 99, 106, 108, 110, 112, 114, September 9, 1997
Scope and Content Note
Camera roll 116, 118, 120, 122, 124, 126, September 9, 1997
Scope and Content Note
Camera roll 128, 130, 132, 134, 136, 138, September 11, 1997
Scope and Content Note
Camera roll 140, 142, 144, 146, 148, 150, September 11, 1997
Scope and Content Note
Camera roll 152, 154, 156, 158, 160, 162, C1, September 15, 1997
Scope and Content Note
Audio layover, camel wild track, October 7, 1997
Scope and Content Note
"Getty copies": 3/4 inch tapes
Getty copy: camera roll 97, 99, 106, 108, 110, 112, 114, September 9, 1997
Getty copy: camera roll 116, 118, 120, 122, 124, 126, September 9, 1997
Getty copy: camera roll 128, 130, 132, 134, 136, 138, September 11, 1997
Getty copy: camera roll 140, 142, 144, 146, 148, 150, September 11, 1997
Getty copy: camera roll 152, 154, 156, 158, 160, 162, C1, September 15, 1997
Series I.C.4. Getty Center, California, 1997
Scope and Content Note
Scene 13-11, 13-4, 13-2, 13-3 take 1-3, 13-5, 13-6 take 1-2: "Making of an Exhibit," removing paintings from cart and hanging them up in the gallery, August 18, 1997
Camera roll 44-46
Camera roll 45-47
Scope and Content Note
Camera roll A45B-47B
Camera roll B45-47
Scope and Content Note
Camera roll 47-48, M15
Scope and Content Note
Camera roll M15, A47-48
Camera roll 48-50
Camera roll A48B-50
Scene 13-9 take 1 and 2: Sculpture mounting at the Getty, man mounting a bronze sculpture, August 20, 1997
Scope and Content Note
Camera roll M66-67, A68-70
Camera roll M71, A72-74
Camera roll 75-76
Scope and Content Note
Camera roll A75-76
Scene 13-10 take 1-4: "Making of an Exhibit" foam core cut-outs and foam core podiums being moved around in a gallery, pretending to assemble the sculpture gallery hall; Getty staff looking at blue prints, August 22, 1997
Camera roll 85, 87, 90
Scope and Content Note
Camera roll 91, 93, 95
Scope and Content Note
Scene 13-11 take 1, 13-12 take 1, 13-13 take 1, 13-14 take 1: "Making of an Exhibit" exhibit designers' offices and workspace at Getty, designer's desktop with photos, color swatches, plan for exhibit hall, drawing of plans, August 25, 1997
Camera roll A89, 94, 96
Scope and Content Note
Camera roll A98
Scope and Content Note
Exterior shots of Getty Museum, August 26, 1997
Camera roll 92
Scope and Content Note
Scene 13-15 take 2-3, 13-16 take 1-2: "Making of an Exhibit" real sculptures being moved and set in place in the actual exhibit hall, decorative arts room, August 27, 1997
Camera roll 100, 102, 104
Scope and Content Note
Scene 1A-1 take 1-8, Timelapse: Getty exteriors, inside Rotounda, architecture shots, close shots of stone walls, time lapse shots of the Getty Museum, October 9, 1997
Camera roll B233-235
Scope and Content Note
Camera roll B236-238
Scope and Content Note
Camera roll B239, 241, C3
Scope and Content Note
Camera roll B240
Scope and Content Note
Scene 14-4 take 1-7, Timelapse: museum opening, furniture galleries, school girl standing in front of Rembrandt, painting gallery, time lapse of getty exterior fossil in stones, October 17, 1997
Camera roll B268-270
Scope and Content Note
Camera roll B271, C6
Scope and Content Note
Various scenes
Camera roll B259-260, C5, October 17, 1997
Scope and Content Note
Camera roll B261-263, October 17, 1997
Scope and Content Note
Camera roll B265-267, October 17, 1997
Scope and Content Note
Camera roll A264, A279-281, October 20, 1997
Scope and Content Note
Camera roll A282-284, October 20, 1997
Scope and Content Note
Camera roll A285-287, October 20, 1997
Scope and Content Note
Camera roll A288-290, October 20, 1997
Scope and Content Note
Camera roll A291, B272-273, October 20, 1997
Scope and Content Note
Camera roll E274-276, October 20, 1997
Scope and Content Note
Camera roll E277-278, October 20, 1997
Scope and Content Note
Camera roll A292-294, October 21, 1997
Scope and Content Note
Camera roll A295-297, October 21, 1997
Scope and Content Note
Camera roll A298, A301-302, October 21, 1997
Scope and Content Note
Camera roll A306, B299-300, October 21, 1997
Scope and Content Note
Camera roll B303-305, October 21, 1997
Scope and Content Note
Camera roll A307-309, October 23, 1997
Scope and Content Note
Camera roll A310-311, October 23, 1997
Scope and Content Note
Camera roll A312-314, October 23, 1997
Scope and Content Note
Camera roll A315, October 23, 1997
Scope and Content Note
Unidentified scenes
Wild track 1, part 1 of 2, museum exhibition planning meeting, April 2, 1997
Scope and Content Note
Wild track 1, part 2 of 2, April 2, 1997
Scope and Content Note
Opening "Experience," sync pulls
Scope and Content Note
Getty museum section, sync selects, August 25, 1997
Scope and Content Note
Jim Bower, virtual database
Scope and Content Note
Research institute, sync pulls, August 26, 1997
Scope and Content Note
Viewing copies
Viewing copy tape 7: camera roll B45, A46, B47
Viewing copy tape 12: camera roll 85, 87, 90, 92
Viewing copy tape 13: camera roll 89, 94, 96, 98
Viewing copy tape 14: camera roll 91, 93, 95
Viewing copy tape 15: camera roll 100, 102, 104
Viewing copy tape 29: camera roll B233-B241, C3
Viewing copy tape 33: camera roll B259-B263, C5
Viewing copy tape 34: camera roll B265-B271, C6
Viewing copy tape 35: camera roll A264, A279-A284
Viewing copy tape 36: camera roll A285-A290
Viewing copy tape 37: camera roll A291, B272-B273, E274-E276
Viewing copy tape 38: camera roll E277-E278, wild track
Scope and Content Note
Viewing copy tape 39: camera roll A292-A297
Viewing copy tape 40: camera roll A298, B299-B300, A301-A302, A306
Viewing copy tape 41: camera roll B303-B305, wild track
Viewing copy tape 42: camera roll A307-A315, wild track
Camera roll 85, 87, 90, 92, August 22, 1997
Editor copies
Camera roll B45, A46, B47, August 18, 1997
Scope and Content Note
Camera roll 85, 87, 90, 92, August 22, 1997
Scope and Content Note
Camera roll 89, 94, 96, 98, August 25, 1997
Scope and Content Note
Camera roll 91, 93, 95, August 26, 1997
Scope and Content Note
Camera roll 100, 102, 104, August 27, 1997
Scope and Content Note
Camera roll B233-B241, C3, October 9, 1997
Scope and Content Note
Camera roll B240, October 9, 1997
Scope and Content Note
Camera roll B259-B263, C5, October 17, 1997
Scope and Content Note
Camera roll B265-B271, C6, October 17, 1997
Scope and Content Note
Camera roll A264, 279-A284, October 20, 1997
Scope and Content Note
Camera roll A285-A290, October 20, 1997
Scope and Content Note
Camera roll A291, B272-B273, E274-E276, October 20, 1997
Scope and Content Note
Camera roll A292-A297, October 21, 1997
Scope and Content Note
Camera roll A298, B299-B300, A301-A302, A306, October 21, 1997
Scope and Content Note
Camera roll B303-B305, wild track, October 21, 1997
Scope and Content Note
Camera roll E277-E278, wild track, October 20, 1997
Scope and Content Note
Camera roll A307-A315, wild track, October 23, 1997
Scope and Content Note
Hour 1, [OneSuch Films] camera roll B259-B260, C5, October 16, 1997
"Getty copies": 3/4 inch tapes
Getty copy: camera roll A89, A94, A96, A98, August 25, 1997
Getty copy: camera roll A91, A93, A95, August 26, 1997
Getty copy: camera roll A100, A102, A104, August 27, 1997
Getty copy: camera roll B233-B241, C3, October 9, 1997
Getty copy: camera roll B240, October 9, 1997
Getty copy: camera roll A264, A279-A284, October 20, 1997
Getty copy: camera roll A285-A290, October 20, 1997
Getty copy: camera roll A291, B272-B273, E274-E276, October 20, 1997
Getty copy: camera roll E277, E278, October 20, 1997
Scope and Content Note
Getty copy: camera roll A292-A297, October 21, 1997
Getty copy: camera roll B303-B305, October 21, 1997
Getty copy: camera roll A307-A315, wild track, October 23, 1997
"Production copies": 3/4 inch tapes
Production copy: camera roll B240, October 9, 1997
Production copy: camera roll B259-B263, C5, October 17, 1997
Production copy: camera roll B265-B271, C6, October 17, 1997
Production copy: camera roll A298, B299-B300, A301-A302, A306, October 21, 1997
Getty employee interviews
Tape 1 hour 1, Josephine Ramirez, part 1 of 2, May 8, 1997
Scope and Content Note
Tape 1 hour 1, Josephine Ramirez, part 2 of 2, May 8, 1997
Scope and Content Note
Tape 2 hour 2, Josephine Ramirez, May 8, 1997
Scope and Content Note
Tape 3 hour 3, Diane Brigham, part 1 of 2, May 9, 1997
Scope and Content Note
Tape 3 hour 3, Diane Brigham, part 2 of 2, May 9, 1997
Scope and Content Note
Tape 4 hour 4, Raul Herrera, part 1 of 2, May 9, 1997
Scope and Content Note
Tape 4 hour 4, Raul Herrera, part 2 of 2,
Scope and Content Note
Tape 5 hour 5, Brian Considine, May 9, 1997
Scope and Content Note
Tape 6 hour 6, Lynn O' Leary-Archer, part 1 of 2, May 8, 1997
Scope and Content Note
Tape 6 hour 6, Lynn O' Leary-Archer, part 2 of 2, May 8, 1997
Scope and Content Note
Tape 7 hour 7, Merrit Price, part 1 of 2, May 9, 1997
Scope and Content Note
Tape 7 hour 7, Merrit Price, part 2 of 2, May 9, 1997
Scope and Content Note
Tape 8 hour 8, Jim Bower, May 8, 1997
Scope and Content Note
Tape 9 hour 9, Mark Leonard, part 1 of 2, May 9, 1997
Scope and Content Note
Tape 9 hour 9, Mark Leonard, part 2 of 2, May 9, 1997
Scope and Content Note
Tape 10 hour 10, Sally Hibbard, May 9, 1997
Scope and Content Note
Tape 11 hour 11, Osufu, May 9, 1997
Scope and Content Note
Tape 12 hour 12, Fran Terpak, May 8, 1997
Scope and Content Note
Tape 13 hour 13, Michael Roth, May 8, 1997
Scope and Content Note
Tape 14 hour 14, Michael Roth, continued, May 8, 1997
Scope and Content Note
Tape 15 hour 15, Moira Kenny, May 8, 1997
Scope and Content Note
Tape 16 hour 16, Tom Reese, May 8, 1997
Scope and Content Note
Tape 17 hour 17, Tom Reese, continued, May 8, 1997
Scope and Content Note
Tape 18 hour 18, Barbara Whitney, part 1 of 2, May 9, 1997
Scope and Content Note
Tape 18 hour 18, Barbara Whitney, part 2 of 2, May 9, 1997
Scope and Content Note
Tape 19 hour 19, Debbie Gribbon, May 9, 1997
Scope and Content Note
Series I.C.5. Los Angeles, California, 1996-1997
Scope and Content Note
Scene 7-2, 7-3, 7-4, 7-5, 7-6, 7-7: Mural of "El Tepayac de Los Angeles" and "The Pope of Broadway" and "Street of Eternity" and "The Party of Lanting" and "Harbor Fwy Overture" and "Korean Farmer's Dance," August 6, 1997
Camera roll A21-22 (Ftg: 820)
Scope and Content Note
Camera roll A21-22 (Ftg: 543)
Scope and Content Note
Camera roll A23, T8
Camera roll A23/T8
Scene 8-1: Mexican folklore dancing at the Armand Hammer Museum, August 19, 1997
Camera roll 50-53
Scope and Content Note
Camera roll 51-53
Camera roll A51-53
Scene 8-2: Korean cultural festival, Korean kids painting, dancing, choir, August 19, 1997
Camera roll 54-56, 56A
Camera roll A54-M56A
Camera roll 54, 56-57
Scope and Content Note
Camera roll 57-58, 58
Camera roll A57-58, 58A
Scene 8-3 take 1, 8-2 take 3, 8-3 take 2, 13-7 take 1: African-American cultural festival; painting reservation lab, August 19, 1997
Camera roll 58-60
Scope and Content Note
Camera roll 60-62
Camera roll A60-62
"Hot and Sticky" event, August 19, 1997
Camera roll 62, 64
Scope and Content Note
Scene 7-8 take 1-6: Computer monitor shots of Virtual Database: Murals, October 10, 1997
Camera roll B242-244
Scope and Content Note
Camera roll B245-247
Scope and Content Note
Viewing copy tape 30: camera roll B242-B247
Scene 8-4 take 1-4: computer monitor shots of LA Culture Net, October 10, 1997
Camera roll B248-251
Scope and Content Note
Viewing copy tape 31: camera roll B248-B251
Scene 7-10 take 1-13: Interview with LA library representative at LA library in front of murals, October 15, 1997
Camera roll A255-257
Scope and Content Note
Camera roll A258, B252-253
Scope and Content Note
Scene 11B-1, 11B-2: Landmarks of LA project: boy at barbershop; graffiti with Raul and homeless woman, August 21, 1997
Camera roll 80-82, August 21, 1997
Scope and Content Note
Scene 11B-3 take 1: Landmarks of LA project: Abby in front of seafood restaurant and amusement park at the Santa Monica pier, August 21, 1997
Camera roll 83
Scope and Content Note
LA landmarks, Osofu, Raul (incomplete)
Scope and Content Note
Various scenes (camera negatives)
Camera roll 55, 61, 63, August 20, 1997
Scope and Content Note
Camera roll 63-64, 64A, 65, August 20, 1997
Scope and Content Note
Camera roll 65, 67, 69, August 20, 1997
Scope and Content Note
Camera roll 66-70, August 20, 1997
Scope and Content Note
Camera roll 71-74, August 20, 1997
Scope and Content Note
Camera roll 71, 73, 75, 77, August 20, 1997
Scope and Content Note
Unidentified scenes (tapes)
Wild track 2, part 1 of 2, Los Angeles, April 2, 1997
Scope and Content Note
Wild track 2, part 2 of 2, Los Angeles, April 2, 1997
Scope and Content Note
Viewing copies (tapes)
Viewing copy tape 8: camera roll 50-53, 56-57
Viewing copy tape 9: camera roll 58-60, 62, 64
Viewing copy tape 10: camera roll 55, 61, 63, 65, 67, 69, 71, 73, 75, 77
Viewing copy tape 11: camera roll 80-83 (Landmarks of LA)
Viewing copy tape 32: camera roll B252-254, A255-A258
Camera roll A14-A22, Telecine Day 4, Hour 4, November 5, 1996
Camera roll A23, T8, Hour 5, December 4, 1996
Camera roll 45-56, 56A, VT 11, Hour 11, March 28, 1997
Camera roll 75-76, Hour 13, March 28, 1997
Editor copies
Camera roll A15-A22, August 6, 1997
Scope and Content Note
Camera roll 50-53, 56-57, August 19, 1997
Scope and Content Note
Camera roll 58-60, 62, 64, August 19, 1997
Scope and Content Note
Camera roll 55, 61, 63, 65, 67, 69, 71, 73, 75, 77, August 20, 1997
Scope and Content Note
Camera roll 80-83 (Landmarks of LA), August 21, 1997
Scope and Content Note
Camera roll B248-B251, October 10, 1997
Scope and Content Note
Camera roll B252-254, A255-A258, October 15, 1997
Scope and Content Note
Camera roll B242-B247, October 10, 1997
Scope and Content Note
Telecine day 4, hour 4, camera roll A14-22, November 5, 1996
Scope and Content Note
Tape 17: Telecine day 4, hour 4 (bump up of 3/4 inch)
Telecine day 5, hour 5, camera roll A23, T8, December 4, 1996
Scope and Content Note
Telecine day 11, hour 11, camera roll 45-56, 56A, March 28, 1997
Scope and Content Note
Telecine day 12, hour 12, camera roll 57-74, March 28, 1997
Scope and Content Note
Telecine day 13, hour 13, camera roll 75-76, March 28, 1997
Scope and Content Note
"Getty copies": 3/4 inch tapes
Getty copy: camera roll B242-B247, October 10, 1997
Getty copy: camera roll B248-B251, October 10, 1997
Production copy: camera roll B252-254, A255-A258, October 15, 1997
Series I.C.6. Mexico City, Mexico, around 1997
Scope and Content Note
Mexico City landmarks
Scope and Content Note
Series I.C.7. Pakistan: Hunza Valley, Hunza Baltit Fort, Karakoram Mountain Range, October 1997
Scope and Content Note
Scene 3-2 take 1-3, 3-2 take 4, 3-3 take 1-2, 3-4 take 1-2, 3-5 take 1, 3-10 take 1: Scenic mountains that surround Baltit Fort, wood carvings on top of fort, exterior and interior shots of Baltit Fort, October 1, 1997
Camera roll 164, 166, 168
Scope and Content Note
Camera roll 170, 172, 174
Scope and Content Note
Scene 3-6 take 1 and 2, 3-12 take 1, 3-8 take 1-2: exteriors of Baltit Fort, wood carving school near Baltit Fort, shots of town, interview with manager, October 1, 1997
Scope and Content Note
Camera roll 176, 178, 180
Scope and Content Note
Scene 3-10 take 3, 3-11 take 1, 6-A7 take 1, 6-A8 take 1-2: Inside library at Baltit Fort, wood carving school near Baltit Fort, various shots of town. Prague: Border station officer looking at computer monitor with thief looking on through a window, October 1, 1997
Camera roll 188, 190, 192
Scope and Content Note
Camera roll 194, 196, 198
Scope and Content Note
Editor copies
Audio layover, fort manager, audio only, October 7, 1997
Scope and Content Note
Audio layover, librarian off camera, Baltit Fort, October 7, 1997
Scope and Content Note
Series I.C.8. Paris, France, October 1997
Scope and Content Note
Scene 11A-1 take 1, 11A-2, 11A-3, 11A-Interview, 11A-4: France: girl taking pictures, girl taking pictures at amusement ride, boy taking pictures of Eiffel Tower, interview with boy at Eiffel Tower, girl taking picture at gardens and interview, October 6, 1997
Camera roll D1-3
Scope and Content Note
Viewing copy tape 28: camera roll D1-D3
Editor copy: camera roll D1-D3, October 6, 1997
Scope and Content Note
Getty copy: camera roll D1-D3, October 6, 1997
Series I.C.9. Quito, Ecuador, April 1997
Scope and Content Note
Tape 1, Quito, April 1, 1997
Scope and Content Note
Tape 2, Quito, April 1, 1997
Scope and Content Note
Tape 3, Quito, April 1, 1997
Scope and Content Note
Tape 4, Quito, April 1, 1997
Scope and Content Note
Tape 5, Quito, April 1, 1997
Scope and Content Note
Tape 6, Quito, April 1, 1997
Scope and Content Note
Tape 7, Quito, April 1, 1997
Scope and Content Note
Series I.C.10. Temecula, California, 1996-1997
Scope and Content Note
Scene 2A-2, 2A-3, 2A-4: kids in Temecula painting banners, students hold completed banner, students listen to teacher, students look at art books, August 7, 1997
Camera roll A25-26
Scope and Content Note
Camera roll A25-26
Camera roll A24, A27
Scope and Content Note
Camera roll A24, A27
Camera roll A26-28
Scope and Content Note
Camera roll A28
Scope and Content Note
Camera roll A28
Camera roll A29-30
Scope and Content Note
Camera roll A29-30
Camera roll A29-31
Scope and Content Note
Scene 2A-1, 2A-2: Temecula students prepare for painting banners and painting banners, August 7, 1997
Camera roll B23-25
Scope and Content Note
Scene 2B-1, 2B-1 take 2, 2B-1 take 3, 2B-1 take 4, 2B-7, 2B-9, 2B-12, 2B-2: Temecula hot air balloon, grapevines, basketball, antique store, and girl on horseback, August 8, 1997
Camera roll 31-33
Camera roll A32-34
Scope and Content Note
Camera roll 34-36
Camera roll A35, A43-44, B35
Scope and Content Note
Camera roll 37-39
Camera roll 40
Camera roll 41-43
Scope and Content Note
Scene 2B-2, 2B-3, 2B-5, 2B-6, 2B-7, 2B-10: driving shots of Temecula, two boys riding bikes, open fields, antique store, fishing at Lake Skinner, petting white horse, August 8, 1997
Camera roll B36-38
Scope and Content Note
Camera roll B39-41
Scope and Content Note
Scene 2B-11: girl petting white horse in front of vineyard and walking in field at sunset, August 8, 1997
Camera roll B42
Scope and Content Note
Viewing copies
Viewing copy tape 3: camera roll A26-A31, B23-B25
Viewing copy tape 4: camera roll A32-A35, A43-A44, B35
Viewing copy tape 5: camera roll B36-B41
Viewing copy tape 6: camera roll B42
Camera roll A25-A26, A24, A27-A28, Day 6, Hour 6,
Camera roll A29-30, T8, Day 7, Hour 7, December 12, 1996
Copy 1
Copy 2
Camera roll 31-36, TC Day 8, Hour 8, December 13, 1996
Camera roll 37-46 and M14, Transfer Day 9, Hour 9, December 17, 1996
Camera roll 47, 28, M15, Telecine Day 10, Hour 10, December 18, 1996
Editor copies
Camera roll A26-A31, B23-B25, August 7, 1997
Scope and Content Note
Camera roll A32-A35, A43-A44, B35, August 8, 1997
Scope and Content Note
Camera roll B36-B41, August 8, 1997
Scope and Content Note
Camera roll B42, August 8, 1997
Scope and Content Note
Telecine day 6, hour 6, camera roll A25-A26, A24, A27-28, December 11, 1996
Scope and Content Note
Telecine day 7, hour 7, camera roll A29-30, T8, December 12, 1996
Scope and Content Note
Telecine day 8, hour 8, camera roll 31-36, December 13, 1996
Scope and Content Note
Telecine day 9, hour 9, camera roll 37-46, M14, December 17, 1996
Scope and Content Note
Unidentified scenes
Tape 1, Temecula, December 17, 1996
Scope and Content Note
Transfer from 1/4 inch Nagra, Irises: Temecula students, dub, part 1 of 3, November 1, 1996
Scope and Content Note
Transfer from 1/4 inch Nagra, Irises: Temecula students, dub, part 2 of 3, November 1, 1996
Scope and Content Note
Transfer from 1/4 inch Nagra, Irises: Temecula students, dub, part 3 of 3, November 1, 1996
Scope and Content Note
Tape 2, Temecula, December 17, 1996
Scope and Content Note
Tape 3, Temecula, December 17, 1996
Scope and Content Note
Irises, Temecula students
Scope and Content Note
Banner project, sync pulls
Scope and Content Note
Series I.C.11. Utah, December 1996
Scope and Content Note
Tape 1, Utah, December 17, 1996
Scope and Content Note
Tape 2, Utah, December 17, 1996
Scope and Content Note
Series I.C.12. Unspecified locations, 1996-1997
Scope and Content Note
Editor copies
Wild track S.R. 1, August 5, 1997
Scope and Content Note
Wild track, August 7, 1997
Scope and Content Note
Wild track, October 15, 1997
Scope and Content Note
Camera roll F1-F5, November 14, 1997
Scope and Content Note
Camera roll W1, November 20, 1997
Scope and Content Note
Audio layover, engineer off camera, October 7, 1997
Scope and Content Note
Telecine day 10, hour 10, camera roll 47-48, M15, December 18, 1996
Scope and Content Note
Audio layover, wild track S.R. 1, August 5, 1997
Audio layover, wild track, August 7, 1997
Viewing copies
Camera roll B240, October 9, 1997
Camera roll W1, Dub, Aerials, November 20, 1997
Mounting exhibit, mounting exhibit with mission impossible track, October 21, 1997
Original reels and picture negatives
Unlabeled
Camera roll B354
Scope and Content Note
Camera roll M14
Camera roll M15 (SEL TKS)
Camera roll 1 roll
Scope and Content Note
Camera roll 1 roll (SUBM)
Scope and Content Note
Camera roll W1
Scope and Content Note
Camera roll F1-3
Scope and Content Note
Camera roll F4-5
Scope and Content Note
Submasters and copies
Camera roll A1-A2, computer test, August 1, 1997
Getty copy: camera roll W1, November 20, 1997
Production copy: audio layover, wild track, October 15, 1997
Tape 8, Mexico [Mexico City Landmarks?], April 1, 1997
Scope and Content Note
Tape 9, Mexico [Mexico City Landmarks?], April 1, 1997
Scope and Content Note
Betacam scenes 101-102b, dubbed to DBC, September 15
Scope and Content Note
Library educationals, August 18, 1997
Scope and Content Note
Library films research dub, October 6, 1997
Scope and Content Note
Tape 8: transfer of Vangie's film (textless), December 2, 1997
Series II. Audio recordings and transcripts 1996-1997 and undated
Scope and Content Note
Transcripts of audio recordings circa 1997
Scope and Content Note
Chiapas, Mexico: Bonampak Murals
Original recordings
Getty Bonampak ambiance, March 23-24, 1997
Scope and Content Note
Getty Mary Miller sync sound, March 24, 1997
Scope and Content Note
Duplication masters
Scope and Content Note
Copy 1
Additional copies
Czech Republic
Getty policeman sync
Scope and Content Note
Getty re-stripes, priest and police interview, December 4, 1997
Scope and Content Note
Dunhuang, China: Mogao Grottoes and Silk Road
Dunhuang and Silk Road, December 3, 1997
Scope and Content Note
Mr. Li number 3
Scope and Content Note
Mrs. Fan
Scope and Content Note
Camel wild sound
Scope and Content Note
Camel wild track, October 7, 1997
Scope and Content Note
Getty Center
Getty employee interviews:
Scope and Content Note
Original recordings
Duplication masters
The Getty:
The Getty 1, March 19, 1997
Scope and Content Note
The Getty 2, March 24, 1997
Scope and Content Note
Getty open, October 17, 1997
Scope and Content Note
Van Gogh, kids observing 1, October 28, 1996
[Paintings?], kids, October 28, 1996
Van Gogh, kids observing 2, October 28, 1996
Getty museum, November 25, 1997
Scope and Content Note
Los Angeles exhibit
Duplication masters
Scope and Content Note
Copy 1
Additional copies
Mexico City: Landmarks Project
Original recordings
Mexico: Getty tape 7, March 19, 1997
Scope and Content Note
Mexico: Getty tape 8, March 19, 1997
Scope and Content Note
Mexico: Getty tape 9, March 19, 1997
Scope and Content Note
Mexico, September 20, 1997
Scope and Content Note
Duplication masters
Scope and Content Note
Copy 1
Additional copies
Pakistan: Hunza Valley, Hunza Baltit Fort, Karakoram Mountain Range
Baltit Fort librarian on camera
Scope and Content Note
Fort manager off camera
Scope and Content Note
Baltit Fort engineer off camera
Scope and Content Note
Baltit Fort librarian off camera
Scope and Content Note
Baltit Fort manager on camera
Scope and Content Note
Paris, France: Landmarks Project
Tournage France p.getty
Scope and Content Note
Quito, Ecuador
Original recordings
Quito: Getty tape 1, March 14, 1997
Scope and Content Note
Quito: Getty tape 2, March 14, 1997
Scope and Content Note
Quito: Getty tape 3, March 14, 1997
Scope and Content Note
Quito: Getty tape 4, March 17, 1997
Scope and Content Note
Quito: Getty tape 5, March 17, 1997
Scope and Content Note
Quito: Getty tape 6, March 17, 1997
Scope and Content Note
Quito city ambiance, September 14-16, 1997
Scope and Content Note
Duplication masters
Scope and Content Note
Copy 1
Additional copies
Temecula, California: Wave Your Banner Project
Original recordings
Temecula roll 1: kids observing, December 12, 1996
Temecula roll 2: kids observing, December 12, 1996
Temecula roll 3: kids observing, December 12, 1996
Duplication masters
Scope and Content Note
Copy 1
Additional copies
Utah
Original recordings
Utah: tape 1, December 10, 1996
Utah: tape 2, December 10, 1996
Duplication masters
Scope and Content Note
Copy 1
Additional copies
Original recordings
"The Getty" wild track 1, April 2, 1997
Scope and Content Note
"The Getty" wild track 2
Scope and Content Note
Getty wild track, October 15, 1997
Scope and Content Note
Getty wild track, August 7, 1997
Scope and Content Note
Getty wild track, October 20, 1997
Scope and Content Note
Getty wild track, October 21, 1997
Scope and Content Note
Getty wild track, October 23, 1997
Scope and Content Note
Duplication masters
Scope and Content Note
Copy 1
Additional copies
Unidentified audio:
The Getty roll 1, October 14, 1997
Scope and Content Note
The Getty roll 1, August 4, 1997
Scope and Content Note
The Getty roll 2, August 6, 1997
Scope and Content Note
The Getty roll 3, October 18, 1997
Scope and Content Note
The Getty roll 5, October 20, 1997
Scope and Content Note
The Getty roll 6, October 22, 1997
Scope and Content Note
Getty 1
DAT 1, November 20, 1997
Scope and Content Note
DAT 2, November 20, 1997
Scope and Content Note
DAT 3, November 20, 1997
Scope and Content Note
Getty #91-491, August 7, 1997
Scope and Content Note
Getty, September 11, 1997
Scope and Content Note
Getty, September 15, 1997
Scope and Content Note
Getty, October 1, 1997
Scope and Content Note
Getty, October 15, 1997
Scope and Content Note
Getty, October 20, 1997
Scope and Content Note
Getty, October 20, 1997
Scope and Content Note
Getty, October 20, 1997
Scope and Content Note
Getty, October 21, 1997
Scope and Content Note
Getty, October 21, 1997
Scope and Content Note
The Getty, March 27, 1997
Scope and Content Note
Unlabeled
Series II.B. Audio edits, mixes, and voiceovers, 1996-1997
"Quito" Part 1 and Part 2
Scope and Content Note
Opening "Experience" and Irises (Temecula students)
Scope and Content Note
Banner Project (Temecula) and Getty Museum section
Scope and Content Note
Getty Research Institute and Mexico City landmarks, 1 Alejandra
Scope and Content Note
LA Landmarks (Osofu, Raul) and virtual database (Jim Bowers)
Scope and Content Note
Mountainair Films "Getty project," November 1, 1996
Scope and Content Note
The banner, end credits, December 4, 1997
Scope and Content Note
Getty, final mixes, all, November 16, 1997
Final mixdown A
Scope and Content Note
Final mixdown B
Scope and Content Note
Getty film project voiceovers
Scope and Content Note
Getty film project voiceovers, November 19, 1997
Scope and Content Note
Getty film project voiceovers
Scope and Content Note
Getty film project voiceovers, November 21, 1997
Scope and Content Note
Series III. Production records Bulk, 1996-1997 1995-1998 (bulk 1996-1997)
Scope and Content Note
Access Information
Presentation boards, transparencies, and prints
Design recommendations by Franklin Balkind Partners: color coding, typography, and sample screens, June 4, 1996
Storyboards 1-2, copies of storyboards, transparencies, 1996
Storyboards 3-14, 1996
Storyboards 15-26, 1996
Photographic prints: unidentified Western artwork/illustrations, undated
"Getty Film Project": general planning and production files
Concept, content, structure, 1996-1997
Director search, 1996
Staus reports, 1995-1996
Pre-production, 1995-1996
Final script, 1997
Printed files
Digital files
Final treatment v1.0 [script], May 23, 1997
Captions, Inc. [printout of subtitles], January 22, 1998
Screen credits, 1996-1997
Video jacket design, 1997-1998
Final delivery requirements, 1997-1998
"Getty Film Project": general agreements and correspondence
Consultants:
Consultants: general, 1995-1996
Citron, Lisa, 1996
Coe, Howard, 1997
Deitrich, Kristin, 1996
Morris, Susan, 1996
Wells, Michael, 1996
Wickens, Brett, 1996
Dubs, Inc., 1994, 1997
FotoKem Lab agreement, 1996-1997
Frankfurt Balkind, 1996-1997
LA City View 35, 1998
Christine Steiner [counsel regarding contracts and releases], 1997-1998
Access Information
Releases:
Getty release forms (blank), undated
Jimenez, Luis [release for use of artwork], 1997-1998
Freedom Won't Wait, Nuni Olabisi release [for use of artwork], 1997-1998
Images and maps
Photocopies of desert images, undated
Getty Research Institute collection materials, circa 1990s
Getty Research Institute collection materials, circa 1990s
Temecula [student] banners selected, undated
"The Wall":
Images, circa 1990s
Conservation images: general, circa 1990s
Scholarship images: general, circa 1990s
Cartography, 1996, undated
Inventories, logs, and camera reports
Master inventory for film project by Two Headed Monster, Inc., Januarty 26, 1998
"Getty Project disk" THM11494 (Two Headed Monster),
Original disk, undated
Copy on compact disc, undated
Final Video Log: Art Works [Getty Dailies Log (October 25, 1997) and other documents], 1997-1998
"The Getty" video tape log (Mountainair shoots 1,2, and 3), undated
Video log stills master (Mountainair shoots 1,2, and 3), 1996-1997
Quito video log (Mountainair shoot 3), undated
"The Getty" breakdown reports (Mountainair key-logs and lab reports), 1996-1997
"The Getty" camera and lab reports (Mountainair), 1996-1997
"The Getty" key logs (Mountainair), 1996-1997
Location shoots/film segments: background, logistics, and releases
Shoot One: The Getty: Applications for permission to photograph (signed originals), 1996
Shoot Two: Temecula
Deal memos, 1996
Subject/talent releases, 1996
Temecula Middle School location agreement, December 12, 1996
Shoot Three: Quito, Mexico City, and Bonampak
Shooting schedules and logistics, 1997
Quito deal memos, 1997
Quito location letters, 1997
Quito location releases, 1997
Quito subject releases, 1997
Mexico City location releases, 1997
Mexico City subject releases, 1997
Bonampak location [logistics and permissions correspondence], 1996-1997
Bonampak subject/personal release, 1996
Shoot Four: Los Angeles
Schedule and logistics, April-May 1997
Deal memos, 1997
Subject/personal releases, 1996
L.A. locations status reports, 1996-1997
Spark murals slide list, undated
Aerospce Museum location agreement, 1996
Ballerina Clown (Main Street, Venice) location agreement, 1996
Beach house (2509 Speedway, Venice) location notes, 1996-1997
Disney building ("dwarfs") location agreement, 1996
Flying Saucer House location inquiry, 1996
Griffith Observatory location agreement [no agreement in folder], 1996
Hard Rock Cafe (Beverly Center) location agreement, 1996
Petersen Automotive Museum location agreement, 1996
Tail O' the Pup Hot Dog Stand location agreement, 1996
Randy's Donuts location agreement, 1996
TBWA Chiat/Day location agreement, 1996
Wells Fargo building location agreement [no agreement in folder], 1996
Documentation of other shoots and film segments
Arts Ed Net film treatment draft and background, 1996-1997
Baltit Fort background and correspondence, 1997
Mogao Grottoes location shoot logistics, 1996-1997
Mogao Grottoes background, 1996-1997
Object I.D. Protecting Cultural Objects (Czech Republic) correspondence with Pavel Jirasek, 1997
Object I.D. Protecting Cultural Objects (Czech Republic) location shoot logistics, 1995-1997
Silk Road Banner Project [correspondence and photocopies of images], 1997
Mountainair Films, Inc.
Budget drafts
August 18, 1996
August 30, 1996
September 10, 1996
October 17, 1996
Contracts
Contracts, 1996
Contract correspondence, 1996-1997
Draft contract and expense reports, 1996-1997
E & O [Errors and Omissions liability] insurance contract, 1997
Correspondence
Correspondence, 1996
Correspondence, production breakdown, calendar, original signed agreements, 1996
Director Ron Fricke: correspondence and biographical sketch, 1996
Legal correspondence and internal memos regarding Mountainair contract termination, 1997
Access Information
Legal correspondence and documentation on settlement with Mountainair Films, Inc., 1997
Access Information
Taub [legal] correspondence, 1997
"Working documents: Mountainair," 1996-1997
OneSuch Films
Correspondence, script, shooting schedule, and original signed contract, 1997
Correspondence and signed release forms: Baltit Fort, Prague, and Los Angeles area participants, 1996-1998
Correspondence: Brian Donnelly, 1997
Final bid drafts, June 1997
Insurance, 1996-1997
Invoices and approved overages, 1997
Wrap Book,
Scope and Content Note