Finding aid for the Mary Kelly papers, 1920-2011, bulk 1964-2004 2017.M.39
Daryl Bergman and Sarah Mackenzie Wade
Special Collections
2025
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
Business Number: (310) 440-7390
Fax Number: (310) 440-7780
reference@getty.edu
Contributing Institution:
Special Collections
Title: Mary Kelly papers
Creator:
Kelly, Mary, 1941-
Identifier/Call Number: 2017.M.39
Physical Description:
89.82 Linear Feet
(143 boxes, 3 flatfile folders)
Date (inclusive): 1920-2011
Date (bulk): 1964-2004
Abstract: The collection documents the American artist Mary Kelly's projects, social activism, and teaching activities through research
files, handwritten notes,
ephemera, and audiovisual materials that reflect the ways in which Kelly's socially-engaged projects and pedagogy were
intertwined with her commitment to women's liberation and feminist ideals. A
substantial portion of the collection also documents the development of Kelly's seminal work,
Post-Partum Document (1973-1979), through drafts of her writing, prototypes,
and original source materials.
Request Materials: Request access to the physical materials described in this inventory through the
catalog record for this collection. Click here for the
access policy.
Language of Material: Collection material is in English, with some Arabic, Dutch, Finnish, French, German, Japanese, Norwegian, Polish, Spanish,
and
Swedish.
Access
Open for use by qualified researchers. Prototypes and biological specimens are fragile and require handling by GRI Conservation
staff. Audiovisual and born-digital materials are unavailable until
reformatted. Contact the repository for information regarding access.
Immediate Source of Acquisition
Partial gift of Ray Barrie. Acquired in 2017.
Digitized Material
Selected video recordings and born-digital materials have been digitized: http://hdl.handle.net/10020/2017m39.
Appraisal
Duplicate printed ephemera, unopened and sealed Super 8 film cartridges, and a folder of materials related to Kelly's brother's
Minnesota political campaign were not retained with the collection.
Arrangement
The collection is arranged in seven series: Series I. Project files, 1920-2009, undated (bulk 1969-2001); Series II.
Post-Partum Document (1973-1979), 1923-2003, undated;
Series III. Teaching, conferences, and lectures, 1954-1999, undated; Series IV. Professional papers, 1970-2011; Series
V. Correspondence, 1977-2002, undated; Series VI. Ephemera and printed materials,
1960-2003; Series VII. Audiovisual and born-digital materials, 1970, undated.
Biographical Note
American artist Mary Kelly, born in Iowa in 1941, is known for her feminist interventions within the conceptual art-making
practices of the 1960s and 1970s. Her works interrogate the socially-constructed,
gendered divisions of labor that govern family, professional, and community life and examine the role of medicine, fashion,
fiction, and media in shaping perceptions of female identity. Recognized as a
foundational figure in the development of both conceptual art and feminist thought, Kelly is also regarded as a key figure
in the transmission of post-structuralist and psychoanalytic theory and as a
significant arts educator of her generation. Originally trained as a painter, Kelly received a master of arts from the
Pius XII Institute in Florence, Italy, in 1965, before moving to Beirut, Lebanon, to
teach art at the Lebanese American University. Kelly's time in Beirut, during an era known as Lebanon's Golden Age, exposed
her to a Francophone intellectual culture where she was introduced to the
psychoanalytic theories of Jacques Lacan, as well as to Marxism—ideas that influenced her thinking throughout her career.
In 1968, Kelly moved to London to begin post-graduate studies at St. Martin's School (now Central Saint Martins College of
Art and Design, University of the Arts London), where she studied with Richard
Long and Gilbert & George and became steeped in the debates around conceptual art. During this time, she continued to
study psychoanalysis, Marxism, and other philosophies that were beginning to gain
traction in the fields of literature and cinema studies. She became involved in student movements and other political
activities, engaging deeply with the new wave of feminist activism that was gaining
momentum in the United States and Europe. In her art practice Kelly began to synthesize these diverse interests, and her
earliest works after graduate school focused on issues of labor and the impact of
gendered divisions of labor on women. These varied interests fueled her extended critique of conceptual art. Specifically,
Kelly rejected the abstracted subjectivity prevalent in most conceptual art at
the time, which excluded the possibilities of more personal or gendered subjects.
Many of Kelly's projects in the early 1970s were part of collective actions. Kelly was part of a group that attempted to form
an Artists Union in the United Kingdom in the early 1970s, and her involvement
with the Women's Liberation Workshop included a study group that counted Laura Mulvey and Juliet Mitchell among its members
(Mulvey's and Mitchell's early-1970s writings would soon become cornerstones of
theoretical feminism in the United Kingdom). As a member of the avant-garde documentary film group, Berwick Street Collective,
Kelly worked on
Nightcleaners (1975), a film
that focused on women—many of whom were working mothers—who supported themselves by cleaning office buildings at night,
often under harsh working conditions.
Women and Work: A
Document on the Division of Labor in Industry
(1973-1975), another collaborative project undertaken with Margaret Harrison and Kay Hunt, grew out of a sociological study
of more than 150
female workers at a metal box foundry in Bermondsey, a district of southeast London. Through interviews, surveys, data
analysis, and archival research, the artists documented pay gaps between men and
women, as well as significantly inferior working conditions for female employees. Utilizing a minimalist approach, the
installation consisted of charts, punch cards, typed documents, photographs, and film
footage.
Kelly's son Kelly Barrie was born in 1973; his early life and development became the subject of Kelly's seminal work,
Post-Partum Document (
PPD). This project, produced between 1973 and 1979, explored themes similar to those in
Nightcleaners and
Women and Work, but placed
its primary emphasis on gendered social constructions around maternal labor.
Documentation I, the first part of
PPD, was exhibited at the
Institute for Contemporary Arts in London in 1976—the "dirty nappies" featured in the installation caused a scandal. When
other portions of the project were displayed at the Museum of Modern Art Oxford in
1977 and the Hayward Gallery in 1978, it was criticized for its intellectual difficulty, especially for its expectation
of audience familiarity with psychoanalytic theory, and for its extensive texts.
Some feminist authors took issue with Kelly's decision to exclude images of mothers and children in the piece—a tactic
that Kelly has generally maintained, rarely including images of women in her work.
Kelly's projects would eventually receive their strongest reception in the United States. American writer Lucy Lippard and
American artist Dan Graham saw early exhibitions by Kelly, and became staunch
advocates of her work. Access was one of the primary obstacles for the reception of
PPD: in addition to being intellectually challenging, the project was extremely large and
had never been exhibited in its entirety. The project was published as a book in 1983 (hardcover; paperback, 1985) and
in 1984, the whole project was exhibited at the Yale Center for British Art. By this
point, the theoretical debates that had swirled throughout the United Kingdom had landed firmly in the United States,
and Kelly came to be seen as one of the leading figures in the theoretical turn that
pervaded the next generation of conceptual artists in the 1980s, particularly as discussed in the pages of
October magazine. Kelly's work was featured prominently in
exhibitions such as
Difference: On Representation and Sexuality at the New Museum in 1984. In 1989, she joined the faculty of the Whitney Museum's Independent Study Program,
and in 1990, the New Museum presented her installation
Interim (1984-1989): a six-year, four-part project. that explored further ideas about the construction of female
subjectivity. In the meantime, major museums began acquiring parts of
PPD, and its components were ultimately split between Canada, the United States, England, Switzerland,
and Australia. The complete work has only been exhibited together on two occasions: once at the Generali Foundation in
Vienna in 1998, and again at the Moderna Museet in Stockholm in 2010. For the
Generali Foundation exhibition, Kelly collaborated with scholar Juli Carson to revisit
PPD. Together, they curated an eight-part "distillation" of the
PPD archive, highlighting key intellectual, historical, and societal moments that were particularly formative for the work.
Since the 1980s, Kelly has continued to work on ambitious series, often requiring several years of preparation between new
projects. The scope of her work has expanded, often focusing on issues of war and
social justice. In the 1990s, Kelly developed a method for creating structured accumulations of lint on a domestic laundry
dryer filter screen, allowing her to create textual works and, eventually,
photographically-inspired images from grids of laundry filters. Humble yet sensuous of surface, the works are directly
tied to domestic labor and are notably labor-intensive. The largest pieces require
thousands of laundry cycles to complete. Over the last fifteen years, Kelly has returned often to her archive as a source
for new work, creating pieces that incorporate materials related to the student
movements of the late 1960s and political serials such as
7 Days magazine. From 1996 to 2017, Kelly was a Professor of Art and Critical Theory at the University of
California, Los Angeles, where she primarily worked with graduate students in the Master of Fine Arts program, and where
she founded the Interdisciplinary Studio Area. In 2017, Kelly was appointed the
Judge Widney Professor at the Roski School of Art and Design, University of Southern California.
Custodial History
All of the materials in the collection were either created, received, or collected by Kelly, and they remained her property
from the time of creation or acquisition until their transfer to the Getty
Research Institute in 2017, with a portion of the collection being a partial gift from her husband, Ray Barrie.
Preferred Citation
Mary Kelly papers, 1920-2011, The Getty Research Institute, Los Angeles, Accession no. 2017.M.39.
http://hdl.handle.net/10020/archives2017m39
Processing Information
The Mary Kelly papers were originally transferred to the repository as two separate acquisitions, one for
Post-Partum Document (
PPD), and
another for the remainder of the artist's papers. The (
PPD) acquisition is the basis for the entirety of Series II, and is the largest section of the archive.
Kelly's original folder labels were maintained in quotation marks throughout the finding aid; when items were unidentified
or loose, the archivist devised titles without quotation marks.
Most materials in the archive are described at the folder level; however, there are some instances in which materials have
been described at the item level. Materials in the
Generali section of Series II.
Post-Partum Document arrived numbered and labeled by Kelly herself. These materials, featured in the 1998
Post-Partum Document exhibition, correspond almost exactly to the exhibition catalog. The archivist preserved Kelly's order and numbering system.
Additionally, bound volumes in Series I and
Series II have been cataloged at the item level since most were found unfoldered.
Kelly's intertwined visual and textural projects were also of an interative nature. Heavily annotated manuscripts, biographies,
curricula vitae, revisions to drawings, and other project materials are
common throughout the archive. There is a strong relationship between Kelly's writing processes and her production of
artworks.
The term "handwritten notes" is used in the scope and contents to refer to writing, research, and project planning by Kelly,
often on notebook paper. Notes and letters from or to others are referred to as
correspondence.
Digital materials were processed by Laura Schroffel in 2022. Files require further processing before access copies can be
made available.
Processed by Daryl Bergman under the supervision of Sarah Mackenzie Wade. Daryl Bergman wrote the first draft of the finding
aid in 2023; Sarah Mackenzie Wade enhanced and revised portions of the
description and finalized the finding aid in 2025.
Related Archival Materials
Getty Research Institute public event records and recordings, 1998-2020, Getty Research Institute, Accession no. IA40002.
Pacific Standard Time: Art in L.A. recordings, 2008-2012, Getty Research Institute, Accession no. IA40011.
Scope and Content of Collection
The Mary Kelly papers document the artist's projects, activism, and teaching activities between the late 1960s and the early
part of the twenty-first century. This collection of papers, prototypes,
ephemera, and audiovisual materials highlights the ways in which her socially engaged artworks and influential pedagogical
practices were intertwined with a deep commitment to women's liberation and
feminist ideals.
A large portion of the archive documents the development of Kelly's seminal work
Post-Partum Document (1973-1979) through handwritten notes, drafts of her writing,
prototypes, and original source materials. Included with these materials is an eight-part distillation of
Post-Partum Document that highlights key intellectual, historical,
and societal moments that were particularly formative for the work. This distillation, curated by Juli Carson, was exhibited
at the Generali Foundation in Vienna in 1998, one of only two exhibitions in
which
Post-Partum Document was exhibited in its entirety.
The archive also extensively documents Kelly's involvement in the Artists Union and the Women's Workshop, as well as her collaboration
with co-members Kay Hunt and Margaret Harrison on
Women and Work (1973-1975). The collection also includes materials related to the development of
Interim (1984-1989),
Gloria Patri (1992), and
The Ballad of Kastriot Rexhepi (2001).
Other parts of the archive include personal and professional correspondence, notebooks, printed ephemera, teaching materials,
films, sound recordings, and born-digital materials. Course materials, lecture
notes, and visiting artist records document Kelly's professional activities at art schools across England and the United
States. Additional papers related to Kelly's professional activities include
documentation of group exhibitions, grant and fellowship applications, and various versions of her biography and curriculum
vitae. Manuscripts, proofs, and correspondence also document the production of
publications by and about the artist. Kelly's extensive collection of ephemera includes pamphlets, journals, magazines,
newspapers, and exhibition materials related to conceptual art and social movements
in the United Kingdom during the 1970s. Audiovisual materials and correspondence are present throughout the archive as
they relate to specific projects or events. There is also a section dedicated to
correspondence with students, curators, gallerists, and other artists.
Publication Rights
Bibliography
Adams, Parveen. "The Art of Analysis: Mary Kelly's
Interim and the Discourse of the Analyst." In
The Emptiness of the Image: Psychoanalysis and Sexual
Differences
, 71-89. London: Routledge, 1996.
Bhabha, Homi K., Douglas Crimp, and Margaret Iverson.
Mary Kelly. London: Phaidon Press Limited, 1997.
Breitwieser, Sabine, ed.
Rereading Post-Partum Document. Vienna: Generali Foundation, 1999.
Carson, Juli, Robin Deutsche, Mary Kelly, and Hans Ulrich Obrist.
The Voice Remains: Works in Compressed Lint: 1999-2017. New York: Mitchell-Innes and Nash, 2017.
Isaak, Jo Anna.
Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter. London: Routledge, 1996.
Kelly, Mary.
Imaging Desire. Cambridge: The MIT Press, 1996.
Kelly, Mary.
Post-Partum Document. Berkeley: University of California Press, 1983.
Kelly, Mary. "Projects." Accessed May 1, 2023. https://www.marykellyartist.com/projects-2.
Mastai, Judith, ed.
Social Process / Collaborative Action: Mary Kelly 1970-1975. Vancouver: Charles H. Scott Gallery, 1997.
Mitchell-Innes and Nash. "Mary Kelly." Accessed May 1, 2023. https://www.miandn.com/artists/mary-kelly?view=slider#29.
Subjects and Indexing Terms
Art, American -- California -- 20th century
Art and social action -- Great Britain -- 20th century
Art and social action -- United States -- 20th century
Conceptual Art -- Great Britain -- 20th century
Conceptual Art -- United States -- 20th century
Critical pedagogy
Feminism in art -- Great Britain -- 20th century
Feminism in art -- United States -- 20th century
Political art
Psychoanalysis and art
Socialism and art -- Great Britain -- 20th century
Women artists -- Archives
Women artists -- Great Britain -- 20th century
Women artists -- United States -- 20th century
Artists' films
Audiocassettes
Audiotapes
Betacam-SP
Books
Born digital
Chromogenic color prints -- 20th century
Collages (visual works)
Color negatives -- 20th century
Color slides -- 20th century
Correspondence
Film reels
Gelatin silver negatives -- 20th century
Gelatin silver prints -- 20th century
Optical disks
Photographs, Original
Printed ephemera
Prototypes (object genre)
Research (documents)
Research notes
Videocassettes
Carson, Juli
Harrison, Margaret, 1940-
Iverson, Margaret
Nyman, Michael (19440323)
Pollock, Griselda
Berwick Street Collective
Goldsmiths' College. Department of Visual Arts
London College of Furniture
Whitney Museum of American Art. Independent Study Program
Project files, Series I.
1920-2009, undated
1969-2001
Physical Description: 33.19 Linear Feet(43 boxes, 2 flatfile folders)
Conditions Governing Access
All audiovisual and born-digital materials are unavailable until reformatted. Contact the repository for information regarding
access.
Arrangement
Arranged chronologically by project date.
Scope and Contents
Series I includes correspondence, drawings, collages, exhibition materials, research files, and prototypes that document Kelly's
projects, primarily from the latter half of the twentieth century,
including
Interim (1984-1989),
Gloria Patri (1992),
The Ballad of Kastriot Rexhepi (2001), and Kelly's
collaborative work with Kay Hunt and Margaret Harrison,
Women and Work (1973-1975), a project on the London Artists Union and the Women's Workshop.
Series I includes 26 videocassettes, one audiotape reel, 11 film reels, and 11 computer discs.
box 4, folder 10
"Early work: assembly for Ottoman architecture pieces; women, war and media,"
1969-1970, undated
Scope and Contents
Includes cut paper and plastic sheets with architectural motifs and patterns; product pamphlets for casting materials; paint
and Letraset supplies; newspaper and magazine clippings with images
of women from Vietnam, Palestine, and elsewhere; schematic drawings; one page from an unidentified issue of
Shrew; and a 1970 calendar from The Poster
Workshop.
Women and Work: A Document on the Division of Labour in Industry (1973-1975),
1920-1998, undated
Arrangement
Arranged in four groupings: Research materials; Artists Union and the Women's Workshop; Photographs and audiovisual materials;
Published books, pamphlets, and periodicals.
Related Materials
See also: Subseries II.C. Generali exhibition; Series IV. Professional papers; and Subseries V.A. Professional correspondence.
Scope and Contents
At a meeting of the Women's Workshop in 1973, Harrison, Hunt, and Kelly formed a small collective to investigate conditions
faced by women workers at a local factory and to connect the workers
with relevant trade unions and anti-discrimination campaigns.
Women and Work: A Document on the Division of Labor in Industry (1973-1975), a project undertaken
with Harrison and Hunt, developed from a sociological study of more than 150 female workers at a metal box foundry
in Bermondsey, a district of southeast London. Through interviews, surveys,
data analysis, and archival research, the artists documented pay gaps between men and women, and significantly inferior
working conditions for female employees. Utilizing a minimalist
approach, the installation consisted of charts, punch cards, typed documents, photographs, and film footage.
Research materials,
1920-1984, undated
Scope and Contents
Includes black-and-white photographs, works on paper, audio testimonies on unsafe working conditions and the gender wage gap,
and two short silent films. Also includes books, pamphlets,
fliers, and administrative documents related to the activities of the Artists Union and the Women's Workshop.
box 2, folder 1
Proposal for
Women and The Work Process by Margaret Harrison, Kay Hunt, and Kelly,
1973, undated
Scope and Contents
Includes a 1973 proposal to the Greater London Arts Association with résumés for Harrison, Hunt, and Kelly; research on The
Metal Box Company; and six black-and-white photographs.
box 2, folder 2
Press for
Women and Work,
1975, undated
box 2, folder 3
"Equal pay,"
1972-1973, undated
Scope and Contents
Includes photocopied articles on equal pay for women workers in Great Britain, with requisition forms that indicate this research
was conducted by Kelly in 1973.
box 2, folder 4
"Conditions,"
undated
Scope and Contents
Contains research on factory conditions in Great Britain on topics such as noise, safety, and working hours. Sensitive content:
includes graphic black-and-white medical photographs of
hand injuries.
box 2, folder 5
"World War I and II,"
1973, undated
Scope and Contents
Includes handwritten notes and photocopies of articles on factory labor and working conditions for women during twentieth-century
wartime. Library requisition forms indicate that this
research was conducted by Kelly in 1973.
box 2, folder 7
"Trade boards,"
undated
Scope and Contents
Includes photocopies of
The Ministry of Labour Gazette.
box 2, folder 9
Factories Act, 1937 (photocopies),
undated
box 2, folder 10
Reproduction of a page from
Tin magazine, 1964,
undated
box 2, folder 6
"Tin box,"
1960, undated
Scope and Contents
Research on the sheet metal industry in Great Britain; includes newspaper clippings, photocopied articles, and one issue of
Tin magazine from March
1960.
box 1, folder 3
"Research: photocopies re: women, work, legislation back to 1911-1914, South London Gallery instruction notes,"
1973-1975, undated
Scope and Contents
Includes Trades Union Congress meeting minutes and documents addressing workers under 18 years of age, as well as articles
on the expansion of nursery education, factory conditions, and
the sheet metal industry.
box 7, folder 15-17
Correspondence, research, documentation, exhibition handouts and information, handwritten notes,
1946-1971, undated
box 1, folder 4-5
The Metal Box Company: published materials,
1956-1975, undated
Scope and Contents
Includes materials related to employment regulations, factory rules, company information, and an annual report for 1973. Also
includes one copy each of
Tin
International
,
Lift Carefully-Digest Slowly: Building for the Future, a Look at The Metal Box Company, and
A New Wages
Structure Through Job Evaluation: an Explanatory Leaflet
.
box 1, folder 6-7
"Photocopy material,"
1969-1973, undated
Scope and Contents
Contains figures on paid absences, job evaluation structures, employee time cards, training summaries, and a pamphlet related
to the Transport and General Workers' Union. Materials are
all pasted on cardboard.
box 9, folder 1-4
"Photocopies of legislation for
Women and Work,"
1920-1975, undated
Scope and Contents
Contains legislative texts contextualized by handwritten notes, articles, book excerpts, factory records, and job postings.
box 1, folder 8
The Metal Box Company financial report,
1970
box 1, folder 9
Public relations materials,
1970-1975, undated
Scope and Contents
Includes a copy of the British
Equal Pay Act 1970, a Women's Liberation Workshop pamphlet, one issue of
Red Rag, an
Audio Arts Magazine audiotape insert, a statement on the
Women and Work exhibition and a list of its contents, and
A Brief History of the Women's Workshop of the Artists Union.
box 3, folder 10
"Job descriptions,"
1971-1974, undated
box 135, folder 1
"Medical and pay records,"
1972-1975
Scope and Contents
Includes paycheck registers, employee time cards, accident and injury reports, and labor reports.
Conditions Governing Access
Access to these records is restricted until 2050.
box 3, folder 8-9
Women's rights in the workplace,
1972-1976, undated
Scope and Contents
Primarily includes correspondence, photocopies of articles, and newspaper and magazine clippings. Also includes exhibition
documents, materials related to the Women's Workshop and the
Artists Union, and Kelly's notes.
box 1, folder 10
Fancy Decorated Boxes, 1973 Stock Box Range,
1973
box 97, folder 1
Metal Box News,
1973-1975
box 1, folder 11
Correspondence,
1973-1997
Scope and Contents
Primarily includes correspondence between Harrison, Hunt, and Kelly.
box 1, folder 12
Letter from Kelly to Keneth Sharp,
1974
Scope and Contents
Request by Kelly for exhibition space at South London Gallery.
box 1, folder 13
Poster for
First Festival Independent British Cinema,
1975
box 1, folder 14
Articles,
1975, undated
Scope and Contents
Two photocopied articles covering
Women and Work and exhibitions by Marina Vaizey, Lynda Ayers, and Judy Chicago.
box 1, folder 15
"Exhibition catalog,"
1976, undated
Scope and Contents
Contains a
Women and Work catalog and
A Brief Summary of Findings from the Exhibition "Women and Work: A Document on the Division
of Labor in Industry."
box 1, folder 16
"Original summary of findings,"
1976
box 1, folder 18
Artists Union Newsletter no. 4,
undated
box 1, folder 19
"Five daily schedules, original typed copies,"
undated
box 1, folder 20
"Placeholder for
Spare Rib,"
undated
Scope and Contents
One sheet, with a note by Kelly: Placed on archive table 2 (Generali: Juli).
box 102, folder 2
Anatomical diagrams of the ear,
undated
box 1, folder 24
Clipping:
History and Position of the Contemporary Woman Artist, Griselda Pollock,
1984
box 2, folder 11-12
"Socialist feminism, a little psych[ology], articles, publications" (photocopies),
1970-1979, undated
Artists Union and the Women's Workshop,
1964-1981, undated
Scope and Contents
Includes materials related to the administration and activities of the Artists Union and the Women's Workshop.
box 3, folder 1
Artists Union rules and aims development,
1964-1977, undated
Scope and Contents
Contains rule books from other creative unions, Artists Union rules, aims and constitution development documents, newsletters,
correspondence, and Kelly's notes.
box 3, folder 2
Women's Workshop formation and administration materials,
1972-1974, undated
box 3, folder 3-6
Artists Union organizing materials,
1972-1977, undated
Scope and Contents
Includes meeting minutes, newsletters, governing documents, newspaper clippings, correspondence, and Kelly's notes.
box 3, folder 7
Artists Union constitution, written by Kelly,
1977
box 4, folder 1
Assorted materials related to Artists Union activities,
1980-1981, undated
Scope and Contents
Includes correspondence, papers by Peter Reynolds, and activist materials related to the judgement of women's artworks for
major awards.
flatfile 2**
Poster for Women's Workshop / Artists Union exhibition,
1974
box 1, folder 21
Hang Up, Put Down, Stand Up booklet,
1974
box 1, folder 22
Advertisement for
Women: Sexuality and Socialisation at Northern Arts Gallery, Newcastle upon Tyne,
1975, undated
box 1, folder 23
Why Miss World? booklet,
circa 1970
Scope and Contents
Created for the protests against the Miss World 1970 pageant.
box 101, folder 1
Artists Union membership poster,
undated
box 113, item R1
"Women's workshop interview: Tina Keane, Alexis Hunter / recorded by M. Kelly,"
undated
"Women's workshop", undated (digitized version)
Physical Description: 1 audiotape reel : analog ; 5 in., 1/2 in. tape.
box 8, folder 2-7
"Artists Union, 1973,"
1970-1974, undated
Scope and Contents
Contains materials related to the administration of the Artists Union, including a manifesto, constitution working documents,
meeting minutes, event fliers, materials from the publicity
control group sub-committee, workers' rights pamphlets, materials from other unions, Communist Party pamphlets and
chapbooks, communist and leftist periodicals, student periodicals and
newspapers, and art worker and other trade periodicals. Also includes Kelly's handwritten notes.
box 4, folder 2-4
"Education,"
1970-1973, undated
Scope and Contents
Includes committee documents on the formation and establishment of a national conference on art education. Also includes documents
from similar events, assessments and reports from
individual institutions, student union documents, and newspaper clippings.
box 4, folder 5
"Museum charges,"
1970-1974, undated
Scope and Contents
Includes materials related to action committees against museum entrance fees, with a letter of support from artist Richard
Hamilton. Also includes clippings, meeting minutes, and
handwritten notes.
box 4, folder 6
"Arts Council, etc.,"
1971-1972
box 4, folder 7
"Trades Union,"
1972-1973
box 8, folder 1
Committee documents,
1972-1974, undated
Scope and Contents
Includes constitution working documents, committee documents, formal meeting minutes, and handwritten notes.
box 4, folder 8
Artists Union articles,
1972-1974, undated
box 4, folder 9
Constitution working documents,
1973, undated
Photographs and audiovisual materials,
1972-1998, undated
Scope and Contents
Contains black-and-white photographs of people working in a metal box factory; photographic reproductions of wartime posters;
tin artifacts; and images related to social histories.
Black-and-white photographs,
undated
box 11, folder 4
"Machines, war posters, shells,"
undated
box 10, folder 1
"Long service awards,"
undated
box 10, folder 2
"Early tin boxes, loaned from
Tin International,"
undated
box 10, folder 5
"General shop floor,"
undated
box 11, folder 2
"General machines,"
undated
box 11, folder 3
"Second set, Kay's selection, and contact sheet,"
undated
Audiovisual materials,
1972-1998, undated
box 112, item F32
Women and Work,
1972
Women and Work (digitized version), 1972
Physical Description: 1 film reel (6 min. 12 sec.) ; super 8 mm.
box 113, item D1-D2
"Interviews with Ms. Kelly, Mr. Douglas, and Ethel Chipchase,"
1997 January
Interviews with Ms. Kelly, Mr. Douglas, and Ethel Chipchase (digitized version)
Physical Description: 2.77 GB(12 files)
Physical Description: 2 computer discs (CD-R) (70 min.) : digital, mono ; 4 3/4 in.
Scope and Contents
D1 is a duplicate of D2.
box 109, item V7
"Assembly line workers loop - men,"
1997 January 27
Physical Description: 1 videocassette (U-matic) : silent ; 3/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 110, item V13
"Assembly line workers - men / display copy,"
1997 January 27
Physical Description: 1 videocassette (VHS) : silent ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 109, item V8
"Assembly line operations loop - women,"
1997 January 27
Physical Description: 1 videocassette (U-matic) : silent ; 3/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 110, item V14
"Assembly line workers - women / display copy,"
1997 January 27
Physical Description: 1 videocassette (VHS) : silent ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
Scope and Contents
An additional handwritten note on the cassette housing reads: Agnes Etherington Art Centre.
box 110, item V15
"Assembly line workers (men) / M.O.S. / length: 2 hrs, dub,"
1998 February 27
Assembly line workers - Men, undated (digitized version)
Physical Description: 1 videocassette (VHS) (120 min.) ; 1/2 in.
box 110, item V16
"Assembly line operations (loop women) / M.O.S. / length: 2 hrs. / dub,"
1998 February 27
Assembly line workers - Women, undated (digitized version)
Physical Description: 1 videocassette (VHS) (120 min.) ; 1/2 in.
box 108, item C25
"Ethel Chipchase 0-143,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips, mono ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 112, reel F1-F10
"
Women and Work raw footage,"
undated
Women and Work raw footage (digitized version), undated
Physical Description: 10 film reels ; super 8 mm.
box 109, item V9
"Video Archive assembly line operations, Triad Communications Ltd.,"
undated
Physical Description: 1 videocassette (U-matic) (6 min.) ; 3/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
Scope and Contents
Additional typescript labels on the cassette housing read: 3/4" NTSC film transfer master / length: 6 minutes.
box 110, item V17
"
Women's Work telecine - women,"
undated
Physical Description: 1 videotape reel (EIAJ) ; 1/2 in.
Scope and Contents
V17 is a duplicate of V16 and therefore was not digitized.
box 110, item V18
"
Women's Work telecine - men,"
undated
Physical Description: 1 videotape reel (EIAJ) ; 1/2 in.
Scope and Contents
V18 is a duplicate of V15 and therefore was not digitized.
box 109, folder 2
Notes accompanying audiovisual materials,
undated
Published books, pamphlets, and periodicals,
1961-1974, undated
Abstract: Arranged chronologically.
Scope and Contents
Contains a broad range of research materials related to the exhibition of
Women and Work, as well as to Kelly's involvement in the women's rights movements of
the mid-twentieth century and the aims of the Artists Union. Includes materials published by the Trades Union Congress,
official government publications, and books and pamphlets related to
women's rights and working conditions.
box 5, folder 3
Aikin, Olga and Judith Reid,
Employment, Welfare and Safety at Work,
1971
box 5, folder 5
Ashdown, R.T. and K.H. Baker,
In Working Order: A Study of Industrial Discipline,
1972
box 5, folder 7
Central Statistical Office,
Facts In Focus,
1972
box 7, folder 8
Contemporary Catalogue Supplement,
1974-1975
box 5, folder 8
Coote, Anna, Tess Gill,
Women's Rights: A Practical Guide,
1974
box 5, folder 4
Department of Employment,
Annual Report of HM Chief Inspector of Factories 1970,
1971
box 5, folder 8
Department of Employment,
Code of Practice for Reducing the Exposure of Employed Persons to Noise,
1972
box 5, folder 13
Department of Employment,
Equal Pay: A Guide to the Equal Pay Act of 1970,
undated
box 5, folder 10
Department of Employment,
Gazette,
1975
box 2, folder 13
Department of Employment,
New Earnings Survey 1973,
1974
box 5, folder 2
Department of Employment and Productivity,
Hours of Employment of Women and Young Persons Employed in Factories (two editions),
1973
box 5, folder 11
Health and Safety at Work etc. Act 1974,
1975
box 5, folder 9
Hewitt, Patricia and Ursula Pollard,
Equality for Women,
circa 1974
box 6, folder 15
King, J. S.,
Women and Work: Sex Differences and Society,
1974
box 7, folder 7
Link: Communist Party Women's Journal,
1974
box 6, folder 17
Lister, Ruth and Marion Lowe,
Equal Pay and How To Get It,
1975
box 6, folder 1
The London School of Economics and Political Science,
Woman Wife and Worker,
1968
box 6, folder 18
Lloyd, Leonora,
Women Workers in Britain: A Handbook,
undated
box 6, folder 10
National Council for Civil Liberties,
Women's Rights,
1973
box 6, folder 5
Rendel, Margherita,
Equality For Women,
1972
box 6, folder 6
Robens, Lord,
Safety and Health at Work 1970-72,
1972
box 6, folder 14
Sex Discrimination Bill,
1973-1975
box 6, folder 7
Ship, P. J. and A. S. Sutton,
A Study of the Statistics Relating to Safety and Health at Work,
1972
box 7, folder 9
Small, Rosemary,
Women: the Road to Equality and Socialism,
1972
box 6, folder 11
Tin International,
1973 November
box 6, folder 8
Trades Union Congress,
ABC of the TUC,
1972
box 6, folder 13
Trades Union Congress,
Appendix to the 43rd TUC Women's Congress Report,
1973
box 6, folder 9
Trades Union Congress,
Report for 1971-72 of the TUC Women's Advisory Committee,
circa 1972
box 7, folder 10
Trades Union Congress,
Six-Point Charter for Women at Work,
undated
box 6, folder 16
Trades Union Congress,
The TUC and the Non-Manual Worker 1974-75,
1974
box 7, folder 11
Trades Union Congress,
The TUC's 12 Aims for Women at Work,
undated
box 6, folder 2-4
Trades Union Congress,
Women Workers reports,
1970-1973
Scope and Contents
Four reports produced by the Trades Union Congress between 1970 and 1973 on the occasion of annual conferences attended by
representatives of women's trade unions.
box 7, folder 12
Trades Union Congress,
Your Job and the Equal Pay Act,
undated
box 6, folder 12
Trade Union Research Unit,
Equal Pay: The Employer's Response,
1973
box 7, folder 4
Wilson, N.A.B.,
On the Quality of Working Life,
1973
box 7, folder 1
Wilson, Sir Allen, et. al,
Noise: Final Report,
1963
box 7, folder 2
Winn, C.B., et. al,
Report of the Committee on Personal Injuries Litigation,
1968
box 7, folder 13
Wise, Audrey,
Women and the Struggle of Workers' Control,
undated
box 7, folder 6
Women and Work: a Statistical Survey,
1974
box 7, folder 14
Working Women's Newssheet,
undated
Nightcleaners (1975),
1970-1997, undated
Scope and Contents
A project by the Berwick Street Film Collective, which included Kelly and artists Marc Karlin, James Scott, and Humphry Trevelyan,
to document the unionization efforts of London custodial
workers.
Related Materials
See also: Subseries II.C. Generali exhibition.
flatfile 3**
Production schedules,
circa 1970
box 1, folder 1
"Mary Kelly / Section I: Retrospective /
Nightcleaners film (stills, review Edinburgh Festival) /
Women and Work
exhibition,"
1970-1975, undated
Scope and Contents
Includes film stills, reviews, and materials related to the Northern Arts Gallery in Newcastle upon Tyne, United Kingdom.
box 1, folder 2
SHREW magazine, featuring
Nightcleaners,
1971
box 110, item V10
Nightcleaners reel 1 of 2 / Emily Carr Collage [sic] Arts,
1997 January 20
Physical Description: 1 videocassette (U-matic) (47 min.) ; 3/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 110, item V11
Nightcleaners reel 2 of 2 / Emily Carr Collage [sic] Arts,
1997 January 20
Physical Description: 1 videocassette (U-matic) (49 min.) ; 3/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 109, item V12
Nightcleaners,
undated
Physical Description: 1 videocassette (VHS) ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
Interim (1984-1989),
1980-1995, undated
Arrangement
Arranged in two groupings: Papers and Prototypes and objects.
Related Materials
See also: Subseries III.A. Teaching and academic materials; Series IV. Professional papers: publications and other writings;
and Subseries VI.D. Ephemera about Kelly.
Scope and Contents
Developed over the course of five years,
Interim is a four-part project centered on feminine subjectivity, particularly during middle age, when female
self-identity and social perception are frequently misaligned. Part I:
Corpus features silkscreen panels which reflect on women's experience of the body as
shaped through fashion, medicine, and romantic fiction; Part II:
Pecunia consists of steel units that contain stories adapted from advertisements and fiction;
Part III:
Historia includes book-like sculptures that open to textual accounts of the women's movement; Part IV:
Potestas uses a
contrast of rusted and polished steel to visualize gendered hierarchy in institutional settings.
Papers,
1980-1995, undated
box 12, folder 1
Handwritten inventory for items in
Interim,
undated
box 13, folder 1
Early notes,
circa 1980-1989
box 14, folder 1-2
Photocopies of notebooks related to all four portions of
Interim,
1981-1988
box 13, folder 5-6, box 134
Source materials,
1982-1985, undated
Conditions Governing Access
Due to fragility, the water cracker in box 134 can be accessed and viewed via the clear cover of its container, but it cannot
be removed from its tray without assistance from GRI
Conservation staff.
Scope and Contents
Includes clippings and articles from women's fashion magazines, handwritten notes, collages, sketches, and a round water cracker
with handwritten text that reads: How many words / could
one fit on a / cracker I'm sure / I could find just / the right one if I / tried hard enough / this one is infinite
/ ly too small. Additional text on the verso reads: You let it go so
/ long I fell out of / love with you / [illegible] (box 134).
box 13, folder 7, box 101, folder 2
Photocopies, press, handwritten notes, drawings, and sketches,
1982-1985, undated
box 13, folder 2-3, box 104, folder 2
Reviews and articles,
1985-1987, undated
Scope and Contents
Includes photocopies of articles and listings for exhibitions of
Interim, curriculum vitae, handwritten notes, and color slides of works by Edward
Allington, Hannah Collins, Tim Head, David March, and Kelly.
box 12, folder 2
Women…A World Survey,
1985
box 14, folder 5-7
Photocopies of articles and clippings,
1985-1990, undated
Scope and Contents
Primarily includes writing about
Interim by authors Judith Bankowsky, Robert Barry, Linda Choquette, Carole Corbeil, Edward Gage, Monika Gagnon, Tom
Hardy, Elizabeth Hess, Jo Anna Isaak, Margaret Iverson, Sarah Kent, Lucy Lippard, Paula Marincola, Judith Mastai,
John Bentley Mays, Laura Mulvey, Sandy Nairne, Diane Neumaier, John T.
Paoletti, Griselda Pollock, Aimee Rankin, John Roberts, Susan Scaffidi, Mira Schor, Betsy Sherman, Dena Shottenkirk,
Paul Smith, Roberta Smith, Edward J. Sozanski, Mary Anne
Staniszewski, Nancy Stapen, David Sweet, Maureen Turim, Simon Watney, John Welchman, Elenore Welles, Elane Wintman,
and Joe Wood. Also includes exhibition materials, lecture
announcements, and curriculum vitae.
box 15, folder 7-9
Pecunia,
1985-1992, undated
Scope and Contents
Includes handwritten notes, news and magazine clippings, greeting cards, and photocopies of articles and greeting cards.
box 12, folder 3
"2nd gallery's and 1st ones (xerox),"
1986-1990, undated
Scope and Contents
Clippings and notes likely related to
Potestas.
box 12, folder 4-6
Historia,
1982-1992, undated
Scope and Contents
Primarily includes handwritten notes, annotated photocopies of articles, newspaper and magazine clippings, annotated manuscripts
for texts in
Historia,
and a transcript of an interview with Kelly and Griselda Pollock.
box 15, folder 5-6
New Museum exhibition materials,
1988-1992, undated
Scope and Contents
Includes correspondence with Alice Yang, Jim Schmidt, and Gary Sangster as well as loan documentation, notes, drawings, and
receipts related to Kelly's New Museum exhibition. Also
includes drafts of Sangster's introductory note and layouts for the New Museum's exhibition catalog,
Mary Kelly, Interim: Corpus, Pecunia, Historia,
Potestas
.
box 13, folder 8
"New Museum,"
1989, undated
Scope and Contents
Contains annotated manuscripts for essays contained in the 1990 New Museum's exhibition catalog.
box 15, folder 4
Susan Cahan,
1989-1990, undated
Scope and Contents
Includes correspondence with Susan Cahan and Alice Yang about preparations for an exhibition of
Interim organized by the New Museum.
box 14, folder 3
"Writing, manuscripts, and notes,"
1989-1990, undated
Scope and Contents
Includes an annotated interview with Kelly by Hal Foster,
A Discussion of Pecunia with Mary Kelly; an annotated manuscript of
Thoughts Art Things: What is a Woman?; correspondence from Laura Cottingham; and Kelly's notes.
box 15, folder 1
MacKenzie Art Gallery,
1990-1994, undated
Scope and Contents
Includes correspondence related to the MacKenzie Art Gallery's acquisition of
Historia, correspondence related to an exhibition of
Interim and concurrent lectures given by Kelly at the gallery, and black-and-white photographs of the gallery's interior and floor
plan.
box 14, folder 4
"Vancouver Art Gallery and tour,"
1990-1994, undated
Scope and Contents
Includes correspondence, manuscript drafts, gallery promotional materials, and notes.
box 16, folder 4-7
"Articles, projects, lectures,"
1990-1995, undated
box 15, folder 2
"Power Plant,"
1991, undated
box 12, folder 7
Interviews,
1991-1992, undated
Language of Material: Some materials in Swedish.
Scope and Contents
Includes interviews between Kelly, Elaine Wintman, and Emily Apter; and correspondence and an interview with Nina Weibull
of Stockholm University.
box 12, folder 8
"Design for
Interim publication (not realized),"
undated
box 12, folder 9
Potestas,
undated
Scope and Contents
Primarily includes handwritten notes and mock-ups.
box 16, folder 1-3
Corpus,
undated
Scope and Contents
Includes numbered photocopies of images and text from
Interim, possibly for
Imaging Desire (1996). Also includes original
drawings, possibly for
Corpus.
box 13, folder 4
"Résumés and
Interim texts,"
undated
box 15, folder 3
Uppsala,
1994, undated
Language of Material: Some materials in Swedish.
Scope and Contents
Includes correspondence, photographs, and notes related to the exhibition of
Interim at Uppsala konstmuseum in Sweden and correspondence regarding a visit
to Statens kunstakademi (Norway).
Prototypes and objects,
1980-circa 1989, undated
box 137, folder 2-4
Artists' notebooks,
1980-1987, undated
Scope and Contents
Includes nine numbered notebooks and one unnumbered notebook with notes, drawings, and newspaper clippings.
box 137, folder 1
Printed metal plate,
circa 1989
Scope and Contents
Consists of a metal plate with blue images, perhaps drawn from newsprint. Likely a prototype for
Part III: Historia (1989).
box 126
Brass plaque with text for
Part IV: Potestas (1989),
undated
box 127
Brass plaques,
undated
Scope and Contents
Six brass plaques with clear plastic overlays of printed texts from the
Potestas installation.
box 128
Cardboard letters,
undated
Scope and Contents
Thirty cardboard letters and numbers, painted gold.
box 117
Metal letters and mock-ups,
undated
Scope and Contents
Metal letters include one uppercase "A" and one lowercase "a" in a jewelry box, likely prototypes for
Part IV: Potestas. Metal mock-ups comprise two
sculptural metal mock-ups in one can, prototypes for
Part II: Pecunia.
Gloria Patri (1992),
1991-1996, undated
Scope and Contents
Gloria Patri explores the consequences of the war in Iraq in the 1990s, particularly for women in the military, and consists of polished
aluminum shields, discs,
and trophies with texts of media reports of battle etched onto the surfaces.
Related Materials
See also: Subseries VI.D. Ephemera about Kelly.
box 17, folder 1, box 101, folder 4
"Johnson,"
1991-1992, undated
Scope and Contents
Contains preparatory and administrative materials related to the exhibition of
Gloria Patri at the Herbert F. Johnson Museum of Art at Cornell University.
Also contains materials for a concurrent symposium,
Visual Feminist Discourse: Feminine Consciousness and Women's Art, as well as travel materials.
box 17, folder 2
"Zilkha,"
1991-1992, undated
Scope and Contents
Includes a loan agreement, correspondence, promotional materials, catalog layout, drawings, notes, and a clipping related
to the exhibition at Wesleyan University's Ezra and Cecile Zilkha
Gallery.
box 17, folder 3
"1993, Royal Academy,"
1992-1993, undated
Scope and Contents
Contains materials related to an exhibition of
Gloria Patri at the Institute of Contemporary Arts in London.
box 17, folder 7
"Condition reports,"
1992-1994
Scope and Contents
Contains reports from the Milwaukee Art Museum and the List Visual Arts Center at the Massachusetts Institute of Technology
(MIT).
box 17, folder 4
Art Journal,
1993, undated
Scope and Contents
Includes text and image design layouts presented to
Art Journal, likely related to
Gloria Patri. Also include photocopies of
texts with notes.
box 17, folder 5, box 104, folder 2
"Ackland Art Museum, University of North Carolina,"
1992-1994, undated
Scope and Contents
Includes a color transparency and correspondence on lectures and exhibitions related to
Gloria Patri.
box 17, folder 6, box 135, folder 12
"University of Wisconsin, Milwaukee,"
1993, undated
Conditions Governing Access
Materials in box 135 are restricted until 2068.
box 17, folder 8
"Contemporary Art Gallery, Vancouver,"
1993-1994, undated
Scope and Contents
Includes correspondence, announcements, and handwritten notes.
box 17, folder 9
"Production,"
1991-1995, undated
Scope and Contents
Contains product catalogs for enamel, engraved metal, paint, graphics, and phototypesetting systems.
box 77, folder 9
"
Gloria Patri reviews,"
1992-1996, undated
box 18, folder 1, box 104, folder 1
Anno Domini,
1993-1995, undated
Scope and Contents
Includes correspondence, magazine and newspaper clippings, unidentified radiographs, New Museum pamphlets, a pencil drawing,
and color prints, possibly for an unrealized project.
Mea Culpa (1999),
1998-2009, undated
Scope and Contents
Mea Culpa, one of Kelly's compressed dryer lint works, features texts related to cases brought before the War Crimes Tribunal, each
narrating stories of war
trauma and victimization involving women and their children. The work is in five parts, titled: Phnom Pehn 1975, Buenos
Aires 1976, Beirut 1982, Sarajevo 1992, and Johannesburg 1997.
Related Materials
See also: Series IV. Professional papers: Publications and other writings.
box 141, folder 5
"A letters, Phnom Pehn,"
undated
box 141, folder 6
"B letters, Beirut,"
undated
box 141, folder 7
"C letters, Sarajevo,"
undated
box 141, folder 8
"D letters, Johannesburg,"
2009
box 141, folder 9
"E letters, Buenos Aires,"
2009
box 142, folder 1
"Production notes,"
1998, undated
box 142, folder 2
"Production orders,"
undated
box 142, folder 3
"Production tests,"
undated
box 142, folder 4
"Production vinyl tests,"
undated
The Ballad of Kastriot Rexhepi (2001),
2001-after 2009, undated
Scope and Contents
The Ballad of Kastriot Rexhepi is a visual artwork made from dryer lint and includes a text that recounts a media narrative about a Kosovo Albanian infant
who was
separated from his family in the midst of the Yugoslav War of the 1990s. In exhibition, the visual work was accompanied
by a musical score composed by Michael Nyman. This portion of the
archive contains materials related to exhibitions of the work at the Santa Monica Museum of Art (2001) and Museo Universitario
de Ciencias y Arte in Mexico City (MUCA) (2004).
Papers,
2001-2004, undated
box 18, folder 2
Catalog, English edition,
2001
box 18, folder 3
Artworks condition report, Santa Monica Museum of Art,
2001
box 18, folder 4
Sheet music for
The Ballad of Kastriot Rexhepi: "Full Score" and "Score and Parts,"
2001
box 18, folder 5
Correspondence and exhibition information, Santa Monica Museum of Art,
2001-2002, undated
Scope and Contents
Includes text for visual artwork, biographies of Kelly and Nyman, photographs of artworks, and press releases.
box 18, folder 6, box 104, folder 1
Exhibition images,
circa 2001-2004, undated
Scope and Contents
Includes assorted papers, black-and-white and color photographs of Hilary Summers and Michael Nyman, and an enlarged color
negative of an installation of
Gloria
Patri
.
box 18, folder 8
Reviews and press,
2002-2004
box 18, folder 9
Catalog, Spanish edition,
2004
box 18, folder 10
Artworks condition report, MUCA,
2004
Language of Material: Materials in Spanish.
box 18, folder 11
Exhibition announcement, MUCA,
2004
Language of Material: Materials in Spanish.
box 18, folder 13
Inventory,
undated
Scope and Contents
Handwritten notes about box contents describe materials from two exhibitions of the work at the Santa Monica Museum of Art
(2001) and MUCA (2004).
box 18, folder 14
"Kastriot text,"
undated
Scope and Contents
Contains an annotated text that was possibly used in the artwork.
box 18, folder 16
Design materials related to MUCA exhibition,
undated
box 139, folder 1
Cardboard mock-up,
undated
Scope and Contents
A folded mock-up that features pencil, black marker, and packing tape, and was possibly a diagram for the arrangement of lint
artworks on a wall.
Born-digital and audiovisual materials,
2001-2002, undated
box 113, item CM14
"Copy installation final,"
circa 2001
Physical Description: 1 computer disc (Zip disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM15
"Santa Monica Museum of Art / main gallery,"
circa 2001
Physical Description: 1 computer disc (Zip disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM16
"Final installation / performance (
The Ballad),"
2001 September 29
Physical Description: 1 computer disc (Zip disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM18
"PC format /
The Ballad of Kastriot Rexhepi / front rehearsal / performance / side rehearsal / wide performance,"
circa 2001-2002
Physical Description: 1 computer disc (CD-R) : digital ; 4 3/4 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM19
"
Ballad, Santa Monica Museum of Art installation, tiff and jpeg files, lint details, music score, ballad & schemas,"
2001-2002
Physical Description: 1 computer disc (CD-R) : digital ; 4 3/4 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM20
"Mary Kelly /
The Ballad of Kastriot Rexhepi / with an original score by Michael Nyman,"
undated
Physical Description: 1 computer disc ; 4 3/4 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item V25
"Mary Kelly 360 pans 12-11-01,"
2001 December 11
Physical Description: 1 videocassette (MiniDV) ; 1/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item V26
"
The Ballad of Kastriot Rexhepi, copy of master, edited version,"
circa 2001
Physical Description: 1 videocassette (MiniDV) ; 1/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item V27
"
The Ballad of Kastriot Rexhepi, edited master, SM Museum,"
circa 2001
Physical Description: 1 videocassette (MiniDV) (18 min. 20 sec.) ; 1/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item V28
"Nyman master, front shot and some odd audience cu's,"
circa 2001
Physical Description: 1 videocassette (MiniDV) ; 1/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item V29
"Nyman master, roving shots,"
circa 2001
Physical Description: 1 videocassette (MiniDV) ; 1/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item V30
"Rehearsal - med. from right; performance - head on,"
circa 2001
Physical Description: 1 videocassette (MiniDV) ; 1/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
Scope and Contents
Additional note on cassette insert reads: cello / singer.
box 108, item V31
"Ballad of…room documentation,"
2001 December 11
Physical Description: 1 videocassette (MiniDV) ; 1/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item V32
"Live performance / 900 medium / hand held / audience,"
circa 2001
Physical Description: 1 videocassette (MiniDV) ; 1/4 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 110, item V20
"
The Ballad of Kastriot Rexhepi at Santa Monica Museum / 360° pans,"
2001 December 11
Physical Description: 1 videocassette (VHS) ; 1/2in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 111, item V21
"
Ballad...documentation VHS tape #1,"
undated
Physical Description: 1 videocassette (VHS) ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 111, item V22
"
Ballad...documentation VHS tape #2,"
undated
Physical Description: 1 videocassette (VHS) ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 111, item V23-V24
"
The Ballad of...edited version / TRT: 18:20,"
undated
Physical Description: 2 videocassettes (VHS) ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 111, item V33
"Concierto
La balada de Kastriot Rexhepi,"
undated
Physical Description: 1 videocassette (VHS) ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM2
"Mary Kelly /
The Ballad of Kastriot Rexhepi,"
2001 September 4
Physical Description: 1 computer disc (floppy disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
Scope and Contents
An additional annotation on the floppy disk reads: 49 KB Microsoft Word.
box 113, item CM3
"
Ballad... TIFF files,"
2001 December 13
Physical Description: 1 computer disc ; 4 3/4 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM4
"
Ballad... video covers,"
undated
Physical Description: 1 computer disc ; 4 3/4 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM5
"Mary Kelly exhibition Nov-Dec 2002,"
2002 November-December
Physical Description: 1 computer disc ; 4 3/4 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
Scope and Contents
A typescript insert reads: The Ballad of Kastriot Rexhepi / exhibition consisting of 49 panels, compressed lint / installation
- Santa Monica Museum of Art.
box 113, item CM6
"M. Kelly pix 01/07/02 jpegs & tiffs,"
2002 January 7
Physical Description: 1 computer disc ; 4 3/4 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
Scope and Contents
A typescript label on the disc case reads: Mary Kelly:
The Ballad of Kastriot Rexhepi / SMMoA 2002.
box 114, box 115, box 116
Compressed lint prototypes,
undated
Conditions Governing Access
Prototypes are fragile and require handling by GRI Conservation staff.
Scope and Contents
Box 114 and box 116 contain 11 prototypes; box 115 contains nine prototypes.
Production materials,
after 2009, undated
box 143, folder 1
"A letters, stanza I,"
undated
box 143, folder 2
"Letters, B, stanza II,"
undated
box 143, folder 3
"Box C, stanza 3,"
undated
box 143, folder 4
"Box D, stanza 4,"
undated
box 143, folder 5
"I remember nothing letters,"
undated
box 143, folder 6
Cardboard with Pratt label addressed to Ray Barrie,
undated
box 143, folder 7
Cardboard with Cakebread Cellars label,
after 2009
box 143, folder 8
Mat board mock-up,
undated
Post-Partum Document (1973-1979),
Series II.
1923-2003, undated
Physical Description: 31.34 Linear Feet(44 boxes, 1 flatfile folder)
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
Arrangement
Arranged in three subseries: II.A. The "uncurated" archive; II.B. Prototypes, art objects, and production materials; II.C.
Generali exhibition (the "curated" archive).
Related Materials
See also: Series IV. Professional papers: Hanging files, and Publications and other writings; and Subseries VI.D. Ephemera
about Kelly.
Scope and Contents
Series II documents the development of Kelly's seminal work,
Post-Partum Document (
PPD), through handwritten notes, drafts of her
writing, prototypes, and original source materials. Included with these materials is the result of an eight-part distillation
of the archive that highlights key intellectual, historical, and
societal moments that were particularly formative for the work. This distillation was included as part of Kelly's 1998
exhibition at the Generali Foundation in Vienna.
Series II includes 23 audiocassettes and six videocassettes.
The "uncurated" archive, Subseries II.A.
1923-1999, undated
Physical Description: 9.07 Linear Feet(14 boxes)
Arrangement
Arranged alphabetically.
Scope and Contents
Included in this subseries are materials that document the development and exhibition of
PPD, with diagrams, notes, photographs, bibliographies, audio recordings
of
Documentation II, and video recordings of
Antepartum. Materials in this subseries were not included in the 1998
PPD exhibition at the Generali Foundation (Vienna, Austria) curated by Juli Carson.
See also subseries II.C. Generali exhibition (the "curated" archive).
Antepartum (1973),
1973, 1998, undated
box 109, item V1
"
Antepartum 1973 / 2 min loop / Super 8 transfer / 10 min version,"
1973
Physical Description: 1 videocassette (VHS) : black and white ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
Scope and Contents
A note to Kelly found in the cassette housing for V1 can be found in box 109, folder 1. V19, a duplicate of V1, has been reformatted.
box 109, item V2
"
Antepartum 1973 / 90 sec. loop / Super 8 transfer to 1/2" VSH / 10 min version,"
1973
Physical Description: 1 videocassette (VHS) (24 min.) ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 109, item V3
"
Antepartum 1973 / loop 2 min Super 8 transfer / 1 hr. version,"
1973
Physical Description: 1 videocassette (VHS) ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 109, item V4
"
Antepartum 1973 / 90 sec. video loop bl & wh. / VHS PAL,"
1973
Physical Description: 1 videocassette (VHS) : black and white ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 110, item V19
"
Antepartum 1973 telecine,"
1973
Copy of "Antepartum 1973 telecine" (digitized version)
Physical Description: 1 videocassette (Betacam SP) : black and white ; 1/2 in.
Scope and Contents
V19 has been reformatted and is a duplicate of V1.
box 109, item V5
"
Antepartum 1973 / 90 sec Super 8 / film loop, bl & wh. / telecine transfer 1998,"
1998
Physical Description: 1 videocassette (Betacam SP) : black and white ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 1, folder 17
Contact sheet from
Post-Partum Document,
undated
Scope and Contents
Includes images of Kelly and her son that appear in
PPD.
Documentation II tape recordings,
1977, undated
box 107, item C5
Post-Partum Document: Documentation II: "Mary Kelly and Susan Hiller conversation, proof copy,"
1977
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C1
Post-Partum Document: Documentation II: unidentified music,
undated
Unidentified music (digitized version): undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
box 107, item C2
Post-Partum Document: Documentation II: unidentified audio,
undated
Unidentified (digitized version): undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Scope and Contents
Features women talking in a group setting about rights and unionization.
box 107, item C3
Post-Partum Document: Documentation II: unidentified audio,
undated
Unidentified (digitized version): undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Scope and Contents
Features unidentified music in the beginning; mostly ambient/background noise.
box 107, item C4
Post-Partum Document: Documentation II: unidentified audio,
undated
Uunidentified (digitized version): undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Scope and Contents
Features men and women talking in a group setting about politics.
box 107, item C6
Post-Partum Document: Documentation II: unidentified audio,
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C7
Post-Partum Document: Documentation II: unidentified audio,
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C8
Post-Partum Document: Documentation II: "Jan. 16 11:30 p.m. play monologue,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item C21
Post-Partum Document: Documentation II: "Infant Articulation January 28-February 5,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C12
Post-Partum Document: Documentation II: "February 11 / infant articulation,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item C23
Post-Partum Document: Documentation II: "February 17-25,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item C22
Post-Partum Document: Documentation II: "February 26-March 6,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item C19
Post-Partum Document: Documentation II: "March 7-30,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C17
Post-Partum Document: Documentation II: "March 21-April 6-7,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 108, item C20
Post-Partum Document: Documentation II: "April 9-13,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C18
Post-Partum Document: Documentation II: "April 14-April 24,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C16
Post-Partum Document: Documentation II: "April 29-May 11,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C15
Post-Partum Document: Documentation II: "May 21-June 6,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C14
Post-Partum Document: Documentation II: "June 7-15,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C13
Post-Partum Document: Documentation II: "June 16-29,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C9
Post-Partum Document: Documentation II: "July 9, September 6-13,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C11
Post-Partum Document: Documentation II: "September 20-October 24,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item C10
Post-Partum Document: Documentation II: "September 20-October-November 1,"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
"Primary material,"
1923-1979, undated
box 101, folder 3
"Research, pediatrics,"
1923-1978
Scope and Contents
Contains a newspaper clipping and photocopies from a book on child physiology.
box 20, folder 10
Robinson, G. W.,
The Ladybird ABC,
1962
box 20, folder 11
"Post-natal notes,"
1970, undated
Scope and Contents
Contains instructive materials and handwritten notes on "hospital dreams."
box 20, folder 12
Stringer, David, David Bruce, and John Oates,
General Linguistics / Language Acquisition: Language and Cognition,
1973
Scope and Contents
Book used while creating
Documentation II and
Documentation VI. In
Documentation VI, this
text was used for "draft texts" and the "color plan."
box 20, folder 13
"Feeding charts: typed final, handwritten draft,"
1974
box 20, folder 14
"Handwritten and typed versions of speech events,"
1975, undated
box 20, folder 15
"Handwritten studies, layout,"
1975
Scope and Contents
Handwritten notes arranged in columns; perhaps related to
Documentation III.
box 21, folder 1
"Recordings transcripts,"
1975-1976, undated
Scope and Contents
Primarily contains handwritten notes.
box 21, folder 4
Correspondence,
Spare Rib magazine interview drafts,
1976-1978, undated
box 21, folder 2
Richardson, Marion,
Writing and Writing Patterns,
1976
box 21, folder 3
"Sue Lipschitz on fetishism,"
1976
Scope and Contents
Photocopy of annotated manuscript.
box 21, folder 5
"Notes from inside Barthes book,"
1976, undated
box 21, folder 6
Cards from Kelly Barrie to Kelly, with notebook by Kelly,
1977, undated
box 21, folder 7
Drawings, plans, and texts, with diary of notes about Kelly Barrie,
1977, undated
box 21, folder 8
"Reference material,"
1979
Scope and Contents
Pharmaceutical company notice about children's vitamins.
box 21, folder 9
"Documents II, III, and VI,"
undated
box 21, folder 10
"Research postcards from Florence,"
undated
box 22, folder 2
"Photos of process,"
undated
Scope and Contents
Sixteen black-and-white photographs of "dirty nappies."
box 21, folder 11
Notebook with children's drawings, handwritten notes,
undated
box 21, folder 12
Handwritten diaries, large notebook,
undated
box 21, folder 13
"Reference materials, two postcards,"
undated
box 21, folder 14
Handwritten notes,
undated
"Reviews, writings, materials,"
1972-circa 1999, undated
box 19, folder 6
"Drafts, footnotes, diagrams,"
1973-1976, undated
box 19, folder 7
"Texts; complete set [of] footnotes,"
1973-1976, undated
box 19, folder 8
"
Documentation V, footnotes and bibliography,"
1973-1977
Language of Material: Materials in German, French, and English.
box 19, folder 9, box 104, folder 2
"
Documentation I-IV, footnotes, bibliography, diagrams,"
1973-1977, undated
Scope and Contents
Includes photocopied research materials, curriculum vitae, drafts of texts and diagrams, and unmounted color slides.
box 19, folder 10
"
Post-Partum Document: Footnotes and Bibliography / Museum of Modern Art Oxford / November 1977,"
1973-1977
box 19, folder 11
"Original French English manuscript,"
1973-1977
Language of Material: Materials in German, French, and English.
box 20, folder 1
"Notes and drafts, footnotes and bibliographies,"
1973-1977, undated
Scope and Contents
Texts and bibliographies for the work, exhibition notes, and materials related to the Northern Arts Gallery in Newcastle upon
Tyne.
box 19, folder 1
Portfolio,
1974
Scope and Contents
Portfolio of texts and 17 black-and-white photographs for
Part I: Feeding, Changing Series,
Part II: Bathing Series, and
Part III: Manicure, Pedicure Series.
box 20, folder 2
"Footnotes, bibliography, ICA New Gallery, 1976,"
1974-1976
Scope and Contents
Texts for
Documentation I,
Documentation II, and
Documentation III.
box 19, folder 2-3
"Drafts / notes, articles, interviews, lectures (1976-1985),"
1972-1985, undated
Scope and Contents
Includes reviews written by Kelly, interview transcripts, research and seminar notes, and drafts of texts related to
Post-Partum Document.
box 20, folder 4, box 139, folder 2
"Articles about 'dirty nappies,'"
1976-1997
Scope and Contents
Includes articles expressing outrage at Kelly's exhibition of "Dirty Nappies." Also includes clippings comparing Lebanese
and Irish politics and two copies of
Pacific Cinémathèque.
box 20, folder 5
"Miscellaneous documentation,"
1979-1980, undated
Scope and Contents
Includes a curriculum vitae, an article about female artists, two texts, price lists, and paste-ups for
Post-Partum Document, handwritten notes, and a
flyer for a video screening event.
box 20, folder 6-7, box 140, folder 3
ICA London reviews and other papers,
1979-1984, undated
box 20, folder 8
"Book reviews,"
1980-1984
box 20, folder 9
"Sidney Biennial in Australia,"
1982-1984
box 19, folder 4
"Moderna Museet,"
1992-1995, undated
Scope and Contents
Primarily contains correspondence related to an exhibition at Moderna Museet.
box 19, folder 5
"Guggenheim,"
1993-1995, undated
Scope and Contents
Request for artworks for a group exhibition, handwritten notes, photocopy of a clipping.
box 20, folder 3
"Kelly archive documents,"
circa 1999
Scope and Contents
Documents related to the loan of materials related to
Post-Partum Document from Kelly's personal archives.
box 21, folder 22
Handwritten notes and drafts,
undated
box 21, folder 20
Notes and drafts,
undated
box 22, folder 1, box 23
Black-and-white photographs,
undated
Scope and Contents
Images of raised type in diagrams, objects, and artworks from
Post-Partum Document.
Prototypes, art objects, and production materials, Subseries II.B.
1959-1978, undated
Physical Description: 13.91 Linear Feet(16 boxes)
Conditions Governing Access
Some materials in this series are fragile and require handling by GRI Conservation staff.
Arrangement
Arranged according to
PPD Documentation number, with assorted and unidentified materials grouped together at the end.
Scope and Contents
Includes prototypes, production materials, and art objects related to
PPD.
Documentation IV,
circa 1976-1978, undated
box 125
Collages,
undated
Scope and Contents
Two wax and paper collages, one features an image of a plaster cast and tag from
PPD IV, the other features a clipping of a gold high heel shoe from
Vogue Australia, April 1982.
box 121
Comforter fragments,
undated
Conditions Governing Access
Materials in this box are fragile and require handling by GRI Conservation staff.
Scope and Contents
Contains six pieces of white fabric, five of which contain typed texts. Also includes envelope with notes.
box 130
Plaster casts of a baby's hand,
circa 1976-1978
Scope and Contents
Twelve cast relief, square prototypes; 10 square and two round.
box 121
Tags,
1977, undated
Conditions Governing Access
Materials in this box are fragile and require handling by GRI Conservation staff.
Scope and Contents
Paper tags with yarn ties, some hand stamped in black ink with dates, ages, and a "T" number, likely prototypes for the museum
classification cards used in artworks.
Documentation V,
1959-1977, undated
box 133, folder 2-5
Books (research),
1959-1973
Scope and Contents
Includes
Moths of the British Isles,
Beetles of the British Isles,
British Shells, and
Collecting and Preserving Plants and Animals.
box 121
Botanical specimens,
undated
Conditions Governing Access
Materials are fragile and require handling by GRI Conservation staff.
Scope and Contents
Contains assorted botanical specimens in folded sheets of paper.
box 119
Botanical specimens, shells, and feathers,
1977, undated
Conditions Governing Access
Materials are fragile and require handling by GRI Conservation staff.
box 133, folder 1
Handwritten inventory of items,
undated
box 136
Index cards, cotton swabs, diagrams, labels,
1977, undated
box 120
Insects,
undated
Conditions Governing Access
Materials are fragile and require handling by GRI Conservation staff.
Scope and Contents
Contains two spiders, two moths, one ladybug, and one beetle attached to corkboard with metal pins.
box 123
Stamps with dates and rubber type,
1976-1977, undated
Scope and Contents
Includes three boxes of single letter rubber type with wood stampers. Also includes 21 single-date stamps.
Documentation VI,
1976-1978
box 132
Clay or resin impressions of slate,
circa 1976-1978
Scope and Contents
Two prototypes, likely for
Documentation VI.
box 117
Inert filler for text,
circa 1976-1978
Scope and Contents
Two jars of a white powdery substance, likely used by Kelly to fill the text on resin casts, labeled "Inert slate filler
PPD VI" and "Inert filler for
text
PPD VI."
box 129
"Original foil molds,"
circa 1976-1978
Conditions Governing Access
Materials are fragile and require handling by GRI Conservation staff.
Scope and Contents
Foil molds likely used in the creation of
Documentation IV.
box 132
Original test for VI,
1976-1978
Scope and Contents
Slate and resin with slate filler (resin has been added to the surface of the slate and imprinted with text from a tinfoil
mold). This process, or a similar process was likely utilized
when creating the final works for
Documentation VI. Also includes five small pieces of slate and two pieces of gray-tinted resin.
Assorted or unidentified,
1976-1977, undated
Scope and Contents
Includes materials relating to multiple portions of
PPD as well as those for which no relationship could be established at time of processing.
box 24, folder 3
"Diagrams, first version,"
undated
Scope and Contents
Three small diagrams and three large diagrams with added text.
box 21, folder 15
"Diagrams, studies, paste-ups,"
undated
Scope and Contents
Photocopied and collaged materials from all sections of
Post-Partum Document.
box 133, folder 6
Notebook (empty) with sticky notes,
undated
box 24, folder 2
Feeding charts,
undated
Scope and Contents
Three typed, mounted, and laminated feeding charts.
box 24, folder 1
Diagrams and children's drawings, mounted,
undated
box 131
Plaster tests,
undated
Scope and Contents
Includes four objects made with pink-tinted plaster: two with photographic transfers and film imprints; one with film imprint
and painting (perhaps by Kelly Barrie); one with film
imprint only. Two white plaster objects with text transfers. Also includes blank 35mm black-and-white film and one
length of silver-colored chain.
box 118
Primapara and
PPD Intro /
PPD IV,
undated
Conditions Governing Access
Materials are fragile and require handling by GRI Conservation staff.
Scope and Contents
Consists of a shoebox with baby clothes and annotated envelopes that contain assorted natural specimens.
box 124
Small hammer and mallet,
undated
box 21, folder 16
Studies for algorithms and diagrams,
undated
box 21, folder 17
"Typed text originals, xeroxes, paste-ups, prototypes,"
1976-1977, undated
box 21, folder 18-19
Xeroxes of insects, plants, and female anatomy,
undated
Scope and Contents
Also includes collages made from photocopies as well as drawings on photocopies.
Generali exhibition (the "curated" archive), Subseries II.C.
1952-2003, undated
Physical Description: 8.8 Linear Feet(15 boxes, 1 flatfile folder)
Arrangement
Arranged in two groupings: Papers and Documentary section: Mary Kelly exhibition.
Custodial History
The "curated" archive for
PPD remained packed and inventoried as it was for the 1998 Generali exhibition and was primarily stored in its shipping crate
from 1999
until its transfer to the Getty Research Institute in 2017.
Scope and Contents
Papers primarily consist of Generali exhibition- and publication-related correspondence. The "Documentary section" features
materials from Kelly's personal collection that were featured in Juli
Carson's 1998 exhibition
Post-Partum Document, The Complete Work (1973-79) at the Generali Foundation in Vienna, Austria.
Papers,
1996-2003, undated
box 25, folder 1
Generali inventory,
undated
box 25, folder 2
"Correspondence with lenders,"
1996-2003
box 25, folder 3
"Book republication, Routledge,"
1997-1998
box 25, folder 4
"Book republication, contract / plates,"
1997-1998, undated
box 25, folder 5, box 135
University of California Press publication,
1997-1999, undated
Conditions Governing Access
Materials in box 135 are restricted due to privacy concerns.
box 25, folder 6-7
"Generali Foundation exhibition / publication,"
1997-1999, undated
box 25, folder 8, box 135, folder 10
"Juli Carson article / interview,"
1998, undated
Conditions Governing Access
Materials in box 135 are restricted until 2073.
box 25, folder 9-10
"Photo CD production,"
1998, undated
Scope and Contents
Contains 12 black-and-white photographs, photocopies of photographs, and one annotated photocopy of the
PPD book. Does not contain a compact disc.
box 26, folder 1-3
Catalog proofs,
1998, undated
Language of Material: Some materials in German.
box 26, folder 4
"Press and publicity,"
1998, undated
box 26, folder 5
"Gallery plans,"
1998, undated
Scope and Contents
Includes architectural plans of the gallery at the Generali Foundation as well as Kelly's notes for arranging her work in
the space.
box 26, folder 6
"Catalog photos, on loan,"
1998, undated
Scope and Contents
Loan documentation; does not include photographs.
box 26, folder 7
"Generali press reviews - exhibit,"
1998, undated
Language of Material: Some materials in German.
box 26, folder 8
"CD ROM: Mary Kelly work and writings, Juli Carson / Lindi,"
1998
Scope and Contents
Includes materials related to the publication of
Rereading Post-Partum Document; no CD-ROM included.
box 26, folder 9-10
"Archive documents,"
1998, undated
Scope and Contents
Includes two enlarged black-and-white negatives.
box 26, folder 11
"Generali sale,"
1998-2001, undated
Scope and Contents
Documents relating to the sale of Kelly's artworks to the Generali Foundation.
box 27, folder 1-3
Rereading Post-Partum Document, Generali publication,
1999
Language of Material: Book proof in English and German.
box 27, folder 4
Rereading Post-Partum Document publication, notes and correspondence,
1999, undated
box 27, folder 5
"Generali photograph, 35mm slides,"
1999-2002
Scope and Contents
Contains image permissions documents and correspondence. Does not include photograph or 35mm slides.
"Documentary section: Mary Kelly exhibition,"
1952-1997
Arrangement
Arranged according to original order.
Scope and Contents
Includes the
PPD materials featured in Juli Carson's 1998 exhibiton of the work at the Generali Foundation. These materials were arranged
into eight "sites"
by Kelly and curator Juli Carson to provide exhibition visitors with a discursive look into the formation of
PPD.
Each folder for the eight "sites" contains an inventory and related exhibition photograph.
The numbering system used by Kelly in the Generali exhibition has been retained; the MKG prefix signifies "Mary Kelly Generali."
"Site one (conceptualism),"
1960-1981, undated
box 27, folder 6
Inventory and photograph,
undated
box 27, folder 7
MKG 1: "
Idea Structure catalog (London, Borough of Camden, 1970),"
1970
box 27, folder 8
MKG 2: "
The New Art catalog (London, Hayward Gallery, 1972),"
1972
box 27, folder 9
MKG 3: "
Jam Magazine (London, St. Martins Art School, 1969),"
1969
box 27, folder 10
MKG 4: "
Life Codes catalog (Stephen Willats, 1976),"
1976
box 27, folder 11
MKG 5: "
Dan Graham catalog (Projects 1966-1972),"
1972
box 27, folder 12
MKG 6: "
Richard Long catalog ("The North Woods," Whitechapel Gallery, 1977),"
1977
box 27, folder 13
MKG 7: "
Bernar Venet catalog (Paris, Arthur Hubschmid ed., 1975),"
1975
box 27, folder 14
MKG 8: "
Stuart Brisley catalog (ICA, 1981),"
1981
box 28, folder 1
MKG 9: "
Strike an Brannan's invitation card (Conrad Atkinson, ICA Nash House, 1972),"
1972
box 28, folder 2
MKG 10: "
Art and Language (Germany, book of collected writings, 1972),"
1972
box 28, folder 3
MKG 11: "
Victor Burgin (London, book of works and commentary),"
1973
box 28, folder 4
MKG 12: "
Lawrence Weiner catalog (ICA, 'Five Works, One Book'),"
1976
box 28, folder 5
MKG 13: "
c. 7,500 invitation card (Lucy Lippard, 1974),"
undated
box 28, folder 6
MKG 14-MKG 18: "Five copies:
Control Magazine (issues 7, 8, 9, 10, 11, 1976-77),"
1974-1979, undated
Scope and Contents
Kelly's inventory dates do not coincide with materials found in the folder. Sticky notes removed from two issues; replaced
with flags.
box 28, folder 7
MKG 19-MKG 21: "Three documents: ICA new gallery newsletter (3 issues, 1976),"
1976
box 28, folder 8
MKG 22-MKG 25: "Artist's photocopies; Burham, Kaltenback, Borden, and Kosuth articles,"
1960-1970, undated
Scope and Contents
Separate on Kelly's inventory, but found in a single envelope.
box 28, folder 9
MKG 26-MKG 27: "Camberwell School of Art syllabus 'The New Art' class (1976); Letter, Dartington College of Arts, (Feb. 17,
1969),"
1976, undated
Scope and Contents
Separate on Kelly's inventory, but found in a single envelope.
"Site two (activism),"
1967-1979, undated
box 28, folder 10
Inventory and photograph,
undated
box 28, folder 11
MKG 28: "
Women's Liberation Magazine,"
1971
box 28, folder 12
MKG 29: "
Red Rag Magazine (no. 5),"
1973
Scope and Contents
Kelly's inventory includes the typo "Red Flag."
box 28, folder 13
MKG 30: "
Women's Struggles newsletter (vol. 1 no. 3),"
1970
box 29, folder 1
MKG 31: "
Spare Rib Magazine (April),"
1973
box 29, folder 2
MKG 32: "
Feminist Review (#2),"
1979
box 29, folder 3
MKG 33-MKG 40: Artists Union materials,
1972-1974, undated
box 29, folder 4
MKG 41: "
American T.V. The Arab Israeli Dispute, book, (Kuwait Government Press),"
1967
box 29, folder 5
MKG 42: "
Two Essays on Cambodia, Chomsky, book,"
1970
box 29, folder 6
MKG 43: "
Workers Under Neo-Capitalism, Ernest Mandel, book,"
1968
box 29, folder 7
MKG 44: "
General Union of Palestine Students pamphlet,"
undated
box 29, folder 8
MKG 45: "
Radical Philosophy 12, journal,"
1975
box 29, folder 9
MKG 46: "
Hazards of the Workplace, book, (Patrick Kinnersly),"
1973
box 29, folder 10
MKG 47: "
Sex Discrimination Act 1975, government publication, (London),"
1975
box 29, folder 11
MKG 48: "Letter to curator of S. London Art Gallery re:
Women and Work,"
1974
box 29, folder 12
MKG 49: "
Women and Work catalog,"
circa 1975
box 29, folder 13
MKG 51-MKG 52: "
Shrew Magazine,"
1970 December-1971
Scope and Contents
MKG 51 missing. Shrew subscription form from 1971 enclosed.
flatfile 1**
MKG 53-MKG 55: "Three copies:
Seven Days magazine (nos. 3, 4, 15),"
1971 November
Scope and Contents
One issue of
Seven Days magazine, issue 4, 17-23 November, 1971. Although Kelly's inventory states that there were three issues, only this issue
is
included with the archive. Also includes a note about Kelly's writing in the issue.
"Site three (theory and practice),"
1970-1979, undated
box 29, folder 14
Inventory and photograph,
undated
Scope and Contents
MKG 60 not included.
box 29, folder 15
MKG 56: "
Notes on Women's Cinema journal (Claire Johnston),"
1973
box 29, folder 16
MKG 57: "
Edinburgh '76 Magazine,"
1976
Scope and Contents
Also includes one handwritten note.
box 29, folder 17
MKG 58: "Artist's draft for
Penthesilia review (
Women and Art Film Review,),"
1974
box 29, folder 18
MKG 59: "
Riddles of the Sphinx script,"
1976
box 30, folder 4
MKG 65: "
Straub, Richard Roud, book,"
1971
box 30, folder 5
MKG 66: "Straub's
Othon program notes, National Film Theatre,"
circa 1971
box 30, folder 6
MKG 67-MKG 69: Artist's correspondence about
Nightcleaners;
Shrew Magazine, Kelly's cover design; artist's
original photograph, nail cutting,
1971-1973
Scope and Contents
Purple folder noted on inventory discarded.
box 30, folder 7
MKG 70: "
Afterimage, journal 'Third World Cinema,'"
circa 1970
box 30, folder 8
MKG 71: "
Ideology and Consciousness, journal,"
1977 May
box 30, folder 9
MKG 72: "
Theoretical Practice, journal,"
1971 April
box 30, folder 10
MKG 73-74: "
Economy and Society, journal (vol. 5, #4); artist notebook,"
1976, undated
box 31, folder 1
MKG 75: "
Essays in Semiotics, ed. Kristeva, book,"
1971
box 30, folder 11
MKG 76-MKG 79: "Artist's copies: 'Subordination of Women in Cross Cultural Perspective,' 'Why Theory,' 'Decline of Patriarchy
in China: a Summary,' Patriarchy Conference
flier,"
1976, undated
box 30, folder 12
MKG 80: "
m/f, journal (#1),"
1978
box 30, folder 13
MKG 81: "Artist copy, 'Representation versus Communication,'"
circa 1979
box 31, folder 2
MKG 82: "
Language of the Self, Anthony Weldon, book,"
circa 1973
Scope and Contents
Colophon ripped out.
box 30, folder 14
MKG 83-MKG 87: "Artist's copies: 'Signification of Phallus,' 'Inquiry Into Femininity,' 'Signifying Practice,' 'Freud's Fetishism,'
'Sex and Psychoanalysis,'"
1976, undated
"Site four (research),"
1968-1979, undated
box 32, folder 1
Inventory and photograph,
undated
box 32, folder 2
MKG 88-MKG 91: Artist's notes for
Documentation I ("What have I done wrong?" and "
PPD 135 pieces, 6 sections, 7
years;" Northern Arts and Visual Arts flier; artist's note for Northern Arts show
Sexuality and Socialization,
1979, undated
box 32, folder 3
MKG 92: "
Dialectical Materialism, Lefebvre, book,"
1968
box 32, folder 4
MKG 93-MKG 94: "Artist's copy 'The Maternal Body,' (handwritten translation); Artist's notes on Kristeva text,"
undated
box 32, folder 5
MKG 95-MKG 98: "Madonna and Child postcards,"
undated
box 32, folder 6
MKG 99-MKG 101: Artist's notes for "The fecal stain is…," "The biological sign," and "Mother-child reciprocal relationship…,"
undated
box 32, folder 7
MKG 102-MKG 105: Artist's notes:
Documentation I,
undated
box 32, folder 8
MKG 106-MKG 107: Artist's notes on Dolto "Oedipus" text and Montrelay "Femininity" text,
1971-1978
box 32, folder 9
MKG 108-MKG 112: "Artist's notes on 'Notes on Holophrase,' 'Notes on Markings,' 'Notes on Transitional Objects, 'Reading,
Teaching Learning,' and 'Benveniste,'"
circa 1976, undated
box 32, folder 10
MKG 113: "
Conversations with Claude Levi-Strauss, G. Charbonnier (book),"
1969
box 32, folder 11
MKG 114-MKG 115: Artist's notes on Klein and Barthes texts,
undated
box 32, folder 12
MKG 116: "
Elements of Semiology, Barthes, book,"
1969
box 32, folder 13
MKG 117-MKG 118: "Artist's notes, Jacobson and Saussure,"
undated
box 32, folder 14
MKG 119: "
Selected Poems by Andre Breton, book,"
1969
box 32, folder 15
MKG 120-MKG 123: "Artist's notes on Jacobson and Saussure,"
undated
"Site five (prototypes,
Documentation I-III),"
1970-1975, undated
box 32, folder 16
Inventory and photograph,
undated
Scope and Contents
MKG 139 not included.
box 32, folder 17
MKG 124: "Artist's original handwritten feeding schedules,
Documentation I,"
undated
box 32, folder 18
MKG 125: "Typed prototypes feeding schedules,
Documentation I,"
1974
box 32, folder 19
MKG 126: "
Analyzed Fecal Stain Diagram, Documentation I,"
undated
box 32, folder 20
MKG 127-MKG 128: "Two photos: artist washing diaper; diaper 'print' drying,
Documentation I,"
undated
box 32, folder 21
MKG 129-MKG 130: "Artist's notes 'function, sign, socialization,
Documentation I,'"
undated
box 32, folder 22
MKG 131-MKG 133: "
Cow and Gate advertisement; post-natal exercise instructions; infant release form,
Documentation
I
,"
1973, undated
box 32, folder 23
MKG 134: "Dr. Spock,
Child Care, book,
Documentation I,"
1973
box 33, folder 1
MKG 135: "
Dictionary of Pregnancy, Childbirth and Contraception, book,
Documentation I,"
1971
box 33, folder 2
MKG 136-MKG 137: "
Analyzed Utterances Diagram, Documentation II,"
undated
Scope and Contents
Kelly's inventory describes two items. MKG 137 missing.
box 33, folder 3
MKG 138-MKG 140: "Eight handwritten cards, speech events; five typed cards, speech events,
Documentation II,"
1975
box 33, folder 4
MKG 141: "Maud Mannoni,
The Child, His 'Illness,' and the Others, book,
Documentation II,"
1970
box 33, folder 5
MKG 142: "Rhoda Kellog,
Analyzing Children's Art, book,
Documentation III,"
1970
box 33, folder 6
MKG 143: "David McNeil,
Acquisition of Language book,
Documentation III,"
1970
box 33, folder 7
MKG 144: "Artist's photocopy 'Children's art as mental text,' chart,
Documentation III,"
undated
box 33, folder 8
MKG 145: "Nine handwritten cards on children's scribbles,
Documentation III,"
undated
box 33, folder 9
MKG 146: "Analyzed markings diagram,
Documentation III,"
undated
box 33, folder 10
MKG 147: "Three original children's drawings,
Documentation III,"
undated
box 33, folder 11
MKG 148: "Handwritten prototype,
Documentation III,"
1975
box 33, folder 12
MKG 149: "John Willats,
Drawing Systems, book,
Documentation III,"
1972
"Site six (prototypes,
Documentation IV-VI),"
1952-1978, undated
box 34, folder 1
Inventory and photograph,
undated
box 34, folder 2
MKG 150: "Handwritten notes, mother's diaries,
Documentation IV,"
1976
box 34, folder 3
MKG 151: "
Transitional Objects Diagram, Documentation IV,"
undated
box 34, folder 4
MKG 152: "Pasted-up schemas,
Documentation IV,"
undated
box 34, folder 5
MKG 153: "Handwritten mock up of diaries,
Documentation IV,"
1976
box 34, folder 6
MKG 154: "Handwritten mother's diaries (white out version),
Documentation IV,"
undated
box 34, folder 7
MKG 155: "Leonardo Da Vinci's
Selections from Notebooks, book,"
1971
box 34, folder 8
MKG 156: "Handwritten diary spiral notebook (medium),
Documentation V,"
circa 1976
box 34, folder 9
MKG 157: "Handwritten diary spiral notebook (small),
Documentation V,"
circa 1976
box 34, folder 10
MKG 158: "
Classified Specimens Diagram, Documentation V,"
undated
box 31, folder 3
MKG 159: "Wentworth Thompson,
On Growth and Forms, book,
Documentation V,"
1961
box 34, folder 11
MKG 160-MKG 161: "
Land and Water Bugs; The Spider's Web, books,
Documentation V,"
1952-1959
box 34, folder 12
MKG 162-MKG 163: "Two original body / bug schemas,
Documentation V,"
undated
box 34, folder 13
MKG 164: "Five mock up museum classification cards,
Documentation V,"
1976-1977
box 34, folder 14
MKG 165: "Typed classification notes,
Documentation V,"
1976-1977
box 34, folder 15
MKG 166: "
Rosetta Stone postcard,
Documentation VI,"
undated
box 34, folder 16
MKG 167: "
Rosetta Stone rubbing, original,
Documentation VI,"
undated
box 34, folder 17
MKG 168: "Prewriting Jacobson diagram,
Documentation VI,"
undated
box 34, folder 18
MKG 169-MKG 172: "Four artist's notebooks of child's writings, mother's writings,
Documentation VI,"
circa 1978
box 35, folder 1
MKG 173: "Children's alphabet book,
Documentation VI,"
1974
box 35, folder 2
MKG 174: "Jacobson,
Fundamentals of Language, book,
Documentation VI,"
1975
box 35, folder 3
MKG 175: "
The Rosetta Stone, book,
Documentation VI,"
1976
box 35, folder 4
MKG 176-MKG 177: "Handwritten analysis, prototype
Documentation VI; handwritten proposal,
Documentation
VII
,"
undated
box 35, folder 5
MKG 178: "Artist's notebook,
PPD Post-Script,
Documentation VII,"
undated
"Site seven: (ICA exhibition),"
1976-1983, undated
box 35, folder 6
Inventory and photograph,
undated
box 35, folder 7
MKG 179: "
Audio Arts Magazine tape insert,"
1977
Scope and Contents
Cassette tape not included.
box 35, folder 8
MKG 180: "Letter of invitation to artist,"
1976
box 35, folder 9
MKG 181: "Newsletter, Kelly's show,"
1976
box 35, folder 10
MKG 182: "Original footnotes, binder,"
1976
box 35, folder 11
MKG 183-MKG 185: "Three tabloid press clippings on the exhibition,"
1976
box 35, folder 12
MKG 186-MKG 188: Newsletter, flier, and poster mock-up,
Psychoanalysis and Feminism workshop,
1976, undated
box 35, folder 13
MKG 189-MKG 192: Parker interview excerpt and correspondence, Jean McCrindle correspondence,
1976
box 35, folder 14
MKG 193: "Draft,
Notes on Reading Post-Partum Document,"
circa 1977
box 35, folder 15
MKG 194: "
Art and Politics, conference catalog,"
1977
box 35, folder 16
MKG 195: "Artist's copy,
Sexual Politics, Arts and Politics Conference,"
1977
box 35, folder 17
MKG 196: "
Spare Rib no. 53, Laura Mulvey review,
PPD at ICA,"
1976
box 35, folder 18
MKG 197-MKG 198: "
Spare Rib no. 56 with Parveen Adams pasted-up letter,"
1977
box 35, folder 19
MKG 199: "'No Easel Answers,' Caroline Tisdall,
The Guardian,"
1977
box 35, folder 20
MKG 200: "Artist's copy,
Mary Kelly in Conversation with Laura Mulvey,"
1983
"Site eight: exhibition history, 1975-1997,"
1975-1997, undated
box 35, folder 21
Inventory and photograph,
undated
Scope and Contents
MKG 215 noted as "missing" by Mary Kelly.
box 35, folder 22
MKG 201: "
Sexuality and Socialization, brochure, Northern Arts Gallery,"
1975
box 35, folder 23
MKG 202:"
Hayward Annual, catalogue, Hayward Gallery,"
1978
box 35, folder 24
MKG 203: "
Art for Society, catalogue,"
1978
box 35, folder 25
MKG 204: "
Un Certain Art Anglais, catalogue, Arc Paris,"
1979
box 36, folder 1
MKG 205: "
Europa 79, catalogue, Kunstforum International,"
1979
Language of Material: Materials in German.
box 36, folder 2
MKG 206: "
Sense and Sensibility, catalog, Midland Group Nottingham,"
1982
box 36, folder 3
MKG 207: "
Issue, catalog, ICA,"
1980
box 36, folder 4
MKG 208: "
Feministische Kunst Internationaal,"
1978
Language of Material: Materials in German.
box 36, folder 5
MKG 209: "
Discourse no. 4, journal, artist's cover,"
1981
box 36, folder 6
MKG 210: "
Old Mistresses, book, Pollock and Parker,"
1981
box 36, folder 7
MKG 211: "
m/f, no. 5/6, journal,"
1981
box 36, folder 8
MKG 212: "
Critical Eye / I, catalogue and artist's insert, Yale Center for British Art,"
1984
box 36, folder 9
MKG 213: "
Difference, catalog, New Museum,"
1984
box 37, folder 1
MKG 215: "
Wedge, journal, includes Kelly's
Desiring Images/ Imaging Desire,"
1984
box 37, folder 2
MKG 216: "
Anti-Aesthetic, ed. Hal Foster, book,"
1983
box 37, folder 3
MKG 217: "
Post-Partum Document, book,"
1983
box 37, folder 4
MKG 218: "
Revolutionary Power of Women's Laughter, poster,"
1983
box 37, folder 5
MKG 219: "
Revolutionary Power, Ten Years Later, catalogue,"
1995
box 37, folder 6
MKG 220: "
Desire, conference catalog, ICA Documents,"
1984
box 37, folder 7
MKG 221: "
Screen, no.28, journal,
Deconstructing Difference issue, includes Kelly's "On Representation,
Sexuality and Sameness,'"
1987
box 37, folder 8
MKG 222: "
Art After Modernism, book, ed. Brian Wallis,"
1984
box 37, folder 9
MKG 223: "
Division of Labor, catalog, Bronx Museum of Art,"
1995
box 38, folder 1
MKG 224: "
Social Progress / Collaborative Action, catalog,"
1997
box 38, folder 2
MKG 225: "
Minimalist Politics, catalogue,"
1997
box 38, folder 3
MKG 226: "
October, no. 71, journal,
feminist issue,"
1995
box 38, folder 4
MKG 227: "
Nowhere, Louisiana catalog,"
1996
Teaching, conferences, and lectures, Series III.
1954-1999, undated
Physical Description: 15.18 Linear Feet(30 boxes, 1 flatfile folder)
Arrangement
Arranged in four subseries: III.A. Teaching and academic materials; III.B. Conferences, symposia, and lectures; III.C. Invitations
and requests; III.D. Printed materials.
Scope and Contents
Series III documents Kelly's teaching activities and speaking events with course materials, lecture notes, and visiting artist
records that reflect her relationships with art schools across England
and the United States.
From 1989 to 1996, Kelly was Director of Studios at the Independent Study Program, Whitney Museum of American Art, New York.
She was Distinguished Professor of Art at the School of the Arts and
Architecture at the University of California, Los Angeles (UCLA) from 1996 to 2017, where she founded the Interdisciplinary
Studio Area. Since 2017, Kelly has been the Judge Widney Professor at
the Roski School of Art and Design, University of Southern California.
She has been awarded Honorary Doctorates by the University of Wolverhampton, Lunds University, and University of the Arts
Helsinki.
This portion of Kelly's archive charts the development of her rigorous teaching methods through syllabi, classroom and lecture
notes, creative assignments, and photographic documentation from some
of her earliest performative classroom projects.
Teaching and academic materials, Subseries III.A.
1954-1999, undated
Physical Description: 10.37 Linear Feet(21 boxes)
Arrangement
Arranged chronologically, with undated materials at the end of the subseries.
Scope and Contents
Includes materials related to Kelly's professorships, academic appointments, and visiting artist residencies, with course
syllabi and project assignments, ephemera from academic institutions,
and external assessor materials.
London College of Furniture,
1954-1978, undated
box 39, folder 1-2
Black-and white prints and negatives,
1954-1972, undated
Scope and Contents
Photographic materials are likely related to Kelly's teaching activities at the London College of Furniture. Includes mounted
black-and-white negatives, black-and-white prints,
handwritten notes, London College of Furniture brochures, typed course materials for a Renaissance art general studies
lecture by Kelly, photocopies, postcards, and a book published by
the Victoria and Albert Museum.
box 40, folder 1-4
"London College of Furniture and Camberwell School of Arts and Crafts course materials,"
1964-1978, undated
Scope and Contents
Includes reading lists, college memoranda, photocopies of articles, design pamphlets, newspaper clippings, school newsletters,
and London School of Furniture Student Union papers.
box 39, folder 3
"London College of Furniture course materials,"
1965-1975, undated
Scope and Contents
Contains postcards depicting natural history specimens, black-and-white photographs, blank forms from the London Educational
Authority, handwritten notes, London College of Furniture
course descriptions, and memoranda. Also includes photocopies of natural patterns and textile designs, British Museum
leaflets, conference motions from the Association of Teachers in
Technical Institutions, and a student list.
box 39, folder 5-6, box 140, folder 1
"Art studies: block teaching, April-May 1971, first year textiles,"
1971
Scope and Contents
Likely contains materials related to Kelly's teaching activities at the London College of Furniture. Includes black-and-white
photographs and contact sheets, drafts of a document about
"talking to people on the train," and 10 pencil and charcoal drawings of city details such as signs, doors, and sidewalks.
box 39, folder 4
Visual research project for second year textiles,
1971-1973, undated
Scope and Contents
Contains course descriptions, annotated booklet and postcards featuring costume design from the Victoria and Albert Museum,
nine black-and-white photographs, handwritten notes,
photocopies of articles, and Institute of Contemporary Arts pamphlets.
box 41, folder 1
"Courses and projects, London College of Furniture,"
1972-1975
Scope and Contents
Typed course and project descriptions with black-and-white photographs of students and their work.
box 41, folder 5
"London College of Furniture,"
1973-1977, undated
Scope and Contents
Contains course materials and teaching notes.
box 41, folder 6
"Original notes, diagrams, 1970-1973,"
1973-1977, undated
Scope and Contents
Contains course materials and teaching notes.
box 113, item R3
"2nd gr. textiles, LCF,"
1973
Physical Description: 1 audiotape reel : analog ; 5 in., 1/2 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 112, reel F21
"London College of Furniture student performances,"
1971
"London College of Furniture student performances" (digitized version), 1971
Physical Description: 1 film reel (4 min. 7 sec.) : color ; super 8 mm.
Scope and Contents
Accompanied by a handwritten note indicating that the course, held in 1971, was on "garment system (semiotics)."
box 41, folder 2-4
Camberwell School of Art and Craft: "women's studies courses,"
1972-1978, undated
Scope and Contents
Includes reading lists, photocopies of articles, tutorial reports, course descriptions, student work, and administrative correspondence.
Also includes 14 black-and-white photographs,
feminist art journals and newspapers, clippings, and handwritten notes.
Goldsmiths' College, University of London,
1974-1993, undated
box 42, folder 4
"
Women and Art course,"
1974-1975, undated
Scope and Contents
Contains a course proposal, a course report, and a black-and-white photograph of two women with a camera.
box 103, folder 6-9
"Teaching, 1979,"
1978-1980, undated
Scope and Contents
Primarily contains art department staff notes, memorandums, and bulletins. Also includes student and colleague correspondence
and lists of new library acquisitions.
box 43, folder 8-10, box 135, folder 3
"Goldsmiths' College 1981-1982; teaching,"
1980-1982, undated
Conditions Governing Access
Student grades in box 135 are restricted until 2056.
Scope and Contents
Contains handwritten notes, photocopied readings and articles, reading lists, student lists, Goldsmiths' memoranda, and exhibition
materials from Whitechapel Gallery.
box 44, folder 1-2
"Student papers, letters of recommendation, feminist works and writing, some personal correspondence,"
1980-1984, undated
box 44, folder 7
"Master of Arts Seminar, Goldsmiths' College, 1981,"
1981, undated
Scope and Contents
Includes correspondence and Fine Art Department memorandums, photocopies of notes, handwritten notes, course descriptions,
and course proposals.
box 42, folder 8-9
"
Women and Art seminar, 1981-1982,"
1977-1991, undated
Scope and Contents
Includes course notes, reading lists, photocopies of articles and clippings, announcements for events and screenings, and
administrative papers from Goldsmiths.
box 45, folder 4
University of London, Goldsmiths' College,
1982-circa 1986, undated
Scope and Contents
Contains materials regarding college and university regulations, protocols, and procedures; handwritten notes; correspondence;
Master of Arts course notes; a survey on women in art
education. Also contains pamphlets for a Philip Guston paintings exhibition at Whitechapel Gallery and for Laura
Kipnis's film
Your Money or Your Life
(1986).
box 45, folder 3
"Teaching, 1983,"
1982-1983, undated
Scope and Contents
Primarily contains art department staff notes, memorandums, and bulletins. Also includes student and colleague correspondence,
and lists of new library acquisitions.
box 47, folder 1-3, box 135, folder 16
"Goldsmiths' teaching,"
1986-1987, undated
Conditions Governing Access
Materials in box 135 are restricted until 2062.
Scope and Contents
Includes internal and student correspondence, student papers, handwritten notes, Goldsmiths' administrative documents and
memorandums related to meetings and student assessments, and
college bulletins.
box 49, folder 5
"Millard Chair in Fine Arts, Goldsmiths',"
1992-1993, undated
Scope and Contents
Includes correspondence and notes related to Kelly's candidacy for a teaching position.
Brighton Polytechnic,
1979-1987, undated
Scope and Contents
Primarily contains student assessments and assessment board meeting minutes.
box 46, folder 3-5, box 135, folder 4
"Student assessment, Brighton Polytechnic, 1986,"
1984-1986, undated
Scope and Contents
Includes correspondence, handwritten notes, and Fine Arts Department policies and procedures.
Conditions Governing Access
Graded student assessments in box 135 are restricted until 2061.
box 46, folder 6, box 135, folder 6
"Examination board, 1984,"
1979-1985, undated
Conditions Governing Access
Student assessments in box 135 are restricted until 2059.
box 46, folder 7, box 135, folder 7
"Examination board, 1985,"
1985, undated
Conditions Governing Access
Student assessments in box 135 are restricted until 2060.
box 46, folder 8, box 135, folder 2
"Examination board, 1986,"
1986, undated
Conditions Governing Access
Student assessments in box 135 are restricted unil 2061.
box 135, folder 5
"Examination board,"
1987, undated
Conditions Governing Access
Graded student work is restricted until 2062.
box 46, folder 10, box 135, folder 15
"Student assessments,"
1986-1987, undated
Conditions Governing Access
Materials in box 135 are restricted until 2062.
box 47, folder 5, box 135, folder 4
"Fine art film and video assessments, Central St. Martins,"
1987, undated
Scope and Contents
Includes handwritten notes, student resumes, proposals and writings, and schedules.
Conditions Governing Access
Materials in box 135 are restricted until 2062.
box 43, folder 5
Student correspondence related to film projects,
1980, undated
box 43, folder 6-7
"Nova Scotia College of Art and Design, teaching,"
1980-1982, undated
Scope and Contents
Contains syllabi and course reading lists, articles and fliers related to the Halifax art community, course evaluations, general
college application, curriculum information, and a student
publication. Also includes a draft proposal for an Intermedia program by Ben Freedman as well as an original script
by Marusya Bociurkiw.
box 44, folder 3-6
Cambridge University,
1980-1988, undated
Scope and Contents
Documents Kelly's residency at Kettle's Yard at Cambridge University for the 1985-1986 academic year. Includes Kettle's Yard
subcommittee meeting minutes, invitations to residency and
community events. Also contains pamphlets, memorandums, notices, and correspondence related to New Hall College, as
well as correspondence about the acquisition of
Interim by New Hall College.
box 47, folder 6
Banff Centre visiting artist,
1988
Scope and Contents
Contains Banff Centre for Arts and Creativity ephemera and correspondence for Kelly's participation as a visiting artist in
a two-week workshop titled The Critical Eye.
box 51, folder 4-5
Final projects: "Post Mod. Op.",
1988
Scope and Contents
Primarily includes papers by students from Concordia University and Nova Scotia College of Art and Design. Also includes typescript
final project assignment instructions by Kelly.
box 47, folder 7
Simon Fraser University summer institute,
1989-1990, undated
Scope and Contents
Includes notes and correspondence on Kelly's course, The Critical Practice of Art.
Whitney Independent Study Program (ISP),
1989-1995, undated
box 47, folder 8-9
Teaching and courses,
1989, undated
Scope and Contents
Includes student project proposals and exhibition statements, reading lists, photocopies of reading materials, program descriptions,
and a collection of conference proceedings for the
conference
Psychoanalysis and the Field of Vision.
box 48, folder 1-6
Participant lists, correspondence, handwritten notes, reading lists, syllabi, clippings, and Whitney Museum ephemera,
1989-1995, undated
box 49, folder 3
Student papers,
1991-1992, undated
box 50, folder 7
Curatorial proposals,
1994, undated
box 50, folder 12
"Whitney ISP presentation,"
1994
Scope and Contents
Papers by Alexander Alberro, Melanie Marino, Helen Molesworth, Constantinos Proimakis, David Raskin, Blake Stimson, and Frazer
Ward.
box 50, folder 8
"Recommendations,"
1994-1995, undated
Scope and Contents
Correspondence regarding faculty position recommendations by Kelly.
box 50, folder 9
"Proposals, critical studies,"
1994-1995, undated
box 48, folder 9-10, box 135
Cooper Union,
1991-1992, undated
Conditions Governing Access
Materials in box 135 are restricted until 2062.
Scope and Contents
Includes class lists, correspondence, course bibliographies, handwritten notes, Cooper Union ephemera, and a project assignment
for a sculpture course taught by Kelly.
box 49, folder 1-2
Rhode Island School of Design (RISD) visiting artist,
1991-1992, undated
Scope and Contents
Contains correspondence, student lists, and ephemera relating to Kelly's participation as a visiting artist in the RISD Sculpture
Department lecture series.
box 49, folder 4
University of Pennsylvania,
1991-1994, undated
Scope and Contents
Includes correspondence regarding an unfilled Chair of the Department of Fine Arts position at the University. Also includes
Mary's notes and a prospectus.
box 50, folder 1
"Massachusetts Institute of Technology, University of Georgia,"
1992-1994, undated
Scope and Contents
Correspondence and notes regarding teaching positions.
box 77, folder 12
The New Museum of Contemporary Art: artist advisory board activities,
1993, undated
box 50, folder 3
Harvard University,
1993-1994
Scope and Contents
Correspondence regarding the position of Studio Arts Professor at the University.
box 78, folder 2
"Question of Power" program,
1994-1995, undated
Scope and Contents
Includes correspondence, clippings, and materials related to the program sponsored by The Contemporary and Dia Center for
the Arts/Printed Matter.
box 50, folder 18, box 135, folder 11
"University of California Los Angeles (UCLA) merit increase preparation 1999,"
1998-1999, undated
Conditions Governing Access
Materials in box 135 are restricted until 2073.
box 52, folder 6
Fort-Da Parti flier invitation,
undated
Scope and Contents
An invitation to a visiting artist's apartment at McKeen Towers in Nova Scotia. Bottom of the flier reads: Intermedia studio
class / instructor: Mary Kelly.
box 51, folder 7
"Geometric optical images,"
undated
Scope and Contents
Black-and-white geometric optical images each taped to black board. Potentially related to courses taught at Nova Scotia College
of Art and Design.
Conferences, symposia, and lectures, Subseries III.B.
1971-1995, undated
Physical Description: 3.14 Linear Feet(7 boxes)
Arrangement
Arranged chronologically.
Scope and Contents
Includes materials related to conferences and other academic engagements attended by Kelly.
box 113, item R2
"
Women's Liberation Conference, Skegness,"
1971
"Women's Liberation Conference," undated (digitized version)
Physical Description: 1 audiotape reel (31 min. 51 sec.) : analog ; 5 in., 1/2 in. tape.
box 42, folder 3
Papers From the Women's Liberation and Socialism Conference,
1973
box 42, folder 5
"
Patriarchy Conference and related material,"
1976, undated
Scope and Contents
Contains essays and photocopied articles.
box 42, folder 6
Symposium:
Free International University for Creativity and Interdisciplinary Research,
1976
Scope and Contents
Annotated symposium materials.
box 43, folder 2
"
Art, Politics and Ideology Conference and related material,"
1979, undated
Scope and Contents
Contains conference poster, agenda, manuscript, and handwritten notes.
box 56, folder 2
"Public appearances,"
1982-1983
Scope and Contents
Announcements for lectures and panels by Kelly.
box 46, folder 1
"College Art Association symposia planning meeting, September 21-23, 1984,"
1984-1985, undated
Scope and Contents
Includes meeting materials; annotated manuscripts for Kelly's paper
The Function of Abstraction in Modernist Criticism; papers by Yve-Alain Bois, Anna C.
Chave, Rosalind Krauss, Daniel Robbins, Allan Sekula, and related correspondence.
box 46, folder 2
"M. Kelly writing 1980s, lectures, addresses, essays,"
1984-1986, undated
box 50, folder 5, box 135, folder 13
"Visiting lectures and other appointments,"
1993-1995
Conditions Governing Access
Materials in box 135 are restricted until 2068.
Scope and Contents
Includes correspondence from the School of Visual Arts; California College of the Arts; Stonybrook University; University
of California, Irvine; University of Vermont; Columbia University;
Harvard University; New York University; University of Wisconsin; and Rutgers University.
box 50, folder 16
University of Chicago, visiting lecture,
1995
Scope and Contents
Includes handwritten notes, clippings, and draft writings by Kelly for her participation in a Rockefeller Foundation Program
at the University of Chicago titled "Globalization and the
Politics of the Public Sphere."
Invitations and requests, Subseries III.C.
1977-1995, undated
Physical Description: 7.21 Linear Feet(13 boxes)
Arrangement
Arranged chronologically, with undated materials at the end of the series.
Scope and Contents
Includes assorted invitations and materials sent to Kelly for her review.
box 42, folder 7
Printed materials from Andrzej Partum,
1977-1978
Language of Material: Some materials in Polish.
Scope and Contents
Includes a chapbook of Partum's manifestos titled
Artist's Manifesto of Insolent Art, published by Arcus Gallery of Partum's manifestos.
box 43, folder 3, flatfile 1**
Pracownia Dziekanka artists' books, film posters, and pamphlets,
1979-1981, undated
Language of Material: Materials in Polish and English.
box 45, folder 5
"Society for Education in Film & Television,"
1982
Scope and Contents
Manuscript and correspondence regarding a writing by Paul Smith on Jean-Louis Schefer for publication in
Screen and Screen Education.
box 56, folder 3
Professional correspondence: lecture and exhibition opportunities,
1982-1985, undated
Scope and Contents
Primarily includes professional correspondence with some personal correspondence.
box 45, folder 6, box 58, folder 4
Artist materials from Dorit Cypis,
1983-1984, undated
Scope and Contents
Includes artist statement, curriculum vitae, descriptions of installations and performances by Cypis, and color slides.
box 46, folder 9
Articles by Lisa Tickner and Jacqueline Rose sent to Kelly,
1985, undated
Scope and Contents
Includes typescripts of "Sexuality in the Field of Vision" by Jacqueline Rose and "Sexuality and/in Representation: Five British
Artists" by Lisa Tickner.
box 47, folder 4
Manuscript and correspondence from Sandy Flitterman,
1986
Scope and Contents
Includes a note and manuscript of
Fascination in Fragments: Psychoanalysis in Film and Television.
box 48, folder 7
Phototherapy, presentation offer from Rosy Martin,
1990-1993, undated
box 50, folder 15, box 58, folder 1
Request from Elizabeth Cohen for review of proposal to Franklin Furnace,
1990-1995
box 49, folder 8
"Current business,"
1992-1994, undated
Scope and Contents
Contains correspondence, handwritten notes, and manuscripts.
box 49, folder 6
Request from Duke University for evaluation of John Tagg,
1992-1994
Language of Material: Some materials in German.
box 49, folder 7
Correspondence, texts, and photocopies from Griselda Pollock,
1992-1994, undated
box 50, folder 2, box 58, folder 3
Assorted correspondence, notes, and color slides of an untitled work by E. Scott,
1992-1995, undated
box 50, folder 6
Request for book blurb about David Thorne's
Domino Theory,
1993
Scope and Contents
Includes photocopied manuscript of book.
box 50, folder 13, box 58, folder 2
Correspondence and color slides from Christopher Dolan,
circa 1994
box 50, folder 10
Correspondence and manuscripts, requests for writing by Kelly,
1994-1995, undated
box 48, folder 8
Correspondence from Marjorie Welish,
1990-1995, undated
Scope and Contents
Includes a letter of introduction, three curriculum vitae, and copies of published articles.
box 50, folder 14
Requests for evaluation of applications: Douglas Crimp, Michael Talley,
1995, undated
box 51, folder 6
"Closet Feminism: Mary Kelly's Corpus (1984-85)" manuscript by Emily Apter,
undated
box 50, folder 17
Invitations,
1995
Scope and Contents
Contains invitations to exhibitions and invitations to participate in panels.
box 52, folder 1
"Photography, Phantasy, Function," by Victor Burgin,
undated
Scope and Contents
Includes one page of Kelly's handwritten notes.
Printed materials, Subseries III.D.
1964-1994, undated
Physical Description: 4.59 Linear Feet(14 boxes)
Arrangement
Arranged chronologically, with undated materials at the end.
Scope and Contents
Includes printed materials originally housed alongside Kelly's teaching files that were possibly used as course materials
or included in Kelly's syllabi.
box 53, folder 2
Unidentified artworks (color slides),
1964-1965, undated
Scope and Contents
Potentially slides of student artworks.
box 40, folder 5-6
Small publications, ephemera, and clippings on women artists,
1967-1979, undated
Scope and Contents
Includes 11 booklets cataloging exhibitions of female artists, photocopies of articles about Nancy Spero and her 1979 exhibition
at A.I.R. Gallery, membership information for organizations
supporting women in the arts, and two issues of
Women Artists News.
box 54, folder 4
Unidentified artworks (color slides),
1970
Scope and Contents
Color slides. Some labeled "M. Trabulsi."
box 40, folder 7
Assorted pamphlets,
1970-1981
Scope and Contents
Contains a pamphlet for an exhibition at the Geffrye Museum (1980), a catalog of prints, and a pamphlet describing Media Studies
courses at Goldsmiths, University of London.
box 54, folder 5
Student artwork (color slides),
1972, undated
box 53, folder 4
Unidentified artworks and people (color slides),
1972, undated
box 53, folder 3
Bruce Robbins artworks (color slides),
1972-1976
Scope and Contents
Slides of artworks, potentially by a student or colleague. Dates taken from box.
box 42, folder 1-2
Assorted articles and newspaper clippings,
1973-1994, undated
box 103, folder 1-4
Photocopied articles and readings,
1977-1992, undated
box 43, folder 1
Museumjournaal,
1978-1979
Scope and Contents
Includes series 23, nr. 2-3 and 5-6; and series 24, nr. 2-3.
box 105, folder 3
Loose papers,
1978-1992, undated
Scope and Contents
Includes correspondence from University College London, Whitney ISP ephemera, photocopied articles, and application materials
for an artist in residence program at Somerville College,
Oxford.
box 96
Essays and articles by students and peers,
1980-1994, undated
box 45, folder 1-2
Readings,
1981-1985, undated
Scope and Contents
Photocopies of articles and essays.
box 45, folder 7
m/f no. 8 and
Andere Avant Garde performance festival materials,
1983
box 106, folder 1-3
"Ms. Mary Kelly" (photocopied articles),
1983, undated
Scope and Contents
Includes a series of nine black-and-white photographs labeled: Marie Yates / "The Missing Woman" 1983 / complete set of prints.
box 103, folder 5, box 104, folder 1
Color photographs of works by Hilary Kliros,
1986-1990, undated
box 51, folder 1-3
Photocopied articles on aesthetics, feminism, psychology, Lacan, desire, and representation in pornography,
undated
box 54, folder 3
Unidentified sculptures and student performances (color slides),
undated
box 55
Edvard Munch works (color slides),
undated
box 58, folder 5
Degree show, Anne Michie: color photographs,
undated
box 105, folder 5
Loose handwritten notes,
undated
Professional papers, Series IV.
1970-2011, undated
Physical Description: 15.95 Linear Feet(30 boxes)
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
Arrangement
Arranged alphabetically.
Scope and Contents
Series IV primarily consists of papers related to Kelly's professional activities. This section includes documentation of
her participation in group exhibitions, grant and fellowship applications,
and various versions of her biography and curricula vitae. Manuscripts, proofs, and correspondence also detail the production
of publications by and about the artist, including
Post-Partum Document (London: Routledge & Kegan Paul, 1983),
Imaging Desire (Cambridge: Massachusetts Institute of Technology Press,
1996), and
Mary Kelly (London: Phaidon Press, 1997). Additionally, this section features "Mary's Hanging Files," which document Kelly's professional
activities from
the mid-1990s to the early 2000s.
Series IV contains 6 computer discs.
Biographies and curricula vitae,
1988-2000
Scope and Contents
Various temporally consistent versions of Kelly's curriculum vitae and biography are present throughout the collection. However,
Kelly's original archive contained a distinct set of files for
these items created after 1986. Additional administrative materials were also found in these files including records
of copyright requests, reviews, applications, and publications on the
artist.
box 63, folder 9-10, box 104, folder 2
1988-1996
Scope and Contents
Includes color slides of
Interim Part II: Pecunia.
box 64, folder 1-7, box 65, folder 1
box 56, folder 8
Collections,
1991-1993, undated
Scope and Contents
Notes and correspondence documenting the locations of purchased works by Kelly.
box 56, folder 5
"J.S.G.M.F. 90" (John Simon Guggenheim Memorial Foundation 1990),
1987-1996, undated
Scope and Contents
Includes correspondence, handwritten notes, and application and program information.
box 56, folder 6, box 135, folder 8
Fellowships and grants,
1987-1996, undated
Scope and Contents
Includes materials related to the Adolph and Esther Gottlieb Foundation, General Art Services of the United States Government,
Washington State Arts Commission, National Endowment for the Arts,
and the Russell Foundation Reisdency at the University of California, San Diego.
Conditions Governing Access
Materials in box 135 are restricted until 2062.
Group exhibitions and public appearances,
1976-1995, undated
Scope and Contents
Primarily includes photocopies of articles, newspaper clippings, printed materials, and announcements for lectures, panels,
and exhibitions. Also includes versions of Kelly's curriculum vitae
and handwritten notes.
box 56, folder 10
Hayward Annual 1978,
1976-1978, undated
Language of Material: Some materials in German.
box 43, folder 4
Both Sides Now!,
1979
Scope and Contents
Materials and images for an exhibition including Mary Kelly.
box 57, folder 3
Europa 1979,
1979
Language of Material: Some materials in German.
box 57, folder 1
Fashion Moda, New York,
1979-1981, undated
box 57, folder 2
Un Certain Art Anglais,
1979-1981
Language of Material: Some materials in French.
Scope and Contents
This exhibition also included artworks by Artists' Placement Group (A.P.G.), Art & Language, Conrad Atkinson, Kevin Atherton,
Conrad Atkinson, Stuart Brisley, Stephen Buckley, Victor
Burgin, Marc Chaimowicz, Alan Charlton, Michael Craig-Martin, Phillippa Ecobichon, Hamish Fulton, Gilbert & George,
Tim Head, Nick Hedges, John Hilliard, Alexis Hunter, Mary Kelly,
Richard Long, Bruce McLean, Glen Onwin, Simon Read, John Stezaker, David Tremlett, Paul Waplington and Stephen Willats.
box 56, folder 1
Assorted correspondence,
1979-1987, undated
Scope and Contents
Primarily contains exhibition-related administrative correspondence, loan agreements, invitations to exhibit, and handwritten
notes. Also includes seminar invitations and visiting lecturer
materials.
box 57, folder 4
The Revolutionary Power of Women's Laughter,
1981-1984, undated
Scope and Contents
Includes materials about Mike Glier, Ilona Granet, Jenny Holzer, Silvia Kolbowski, Barbara Kruger, and Nancy Spero.
box 57, folder 5
Assorted exhibition materials,
1981-1984, undated
Scope and Contents
Primarily includes articles on
The Revolutionary Power of Women's Laughter, as well as materials related to the exhibitions of
Post-Partum Document.
box 57, folder 6
Sense and Sensibility,
1982
Scope and Contents
This exhibition also included the work of 11 other female artists including Alexis Hunter, Sarah McCarthy, Anne Newmarch,
Aimee Rankin, and Nancy Spero.
box 57, folder 7
Representation and Sexuality,
1983-1985, undated
Scope and Contents
This exhibition also included artworks by Max Almy, Ray Barrie, Raymond Bellour, Dara Birnbaum, Victor Burgin, Theresa Cha,
Cecilia Condit, Jean-Luc Godard, Hans Haacke, Silvia Kolbowski,
Barbara Kruger, Sherrie Levine, Yve Lomax, Stuart Marshall, Martha Rosler, Philippe Venault, Jeff Wall, and Marie
Yates.
box 105, folder 6-7
Laughter Ten Years After,
1983-1995, undated
Language of Material: Some materials in Dutch.
Scope and Contents
Includes articles on feminist art and artists.
box 57, folder 14, box 102, folder 6, box 104, folder 1
Beyond the Purloined Image,
1983, undated
box 57, folder 9
British Art Show: selection of reviews (photocopies),
1984-1985
box 57, folder 10
Ephemera, solo and group exhibitions,
1989-1997, undated
Scope and Contents
Some of these materials can also be found in the Series VI. Ephemera section of Kelly's archive.
box 57, folder 11-12
Mixed press clippings and photocopies,
1990-1996, undated
Language of Material: Some materials in Finnish, Norwegian, German, Swedish, and Japanese.
Scope and Contents
Primarily includes newspaper clippings and copies of articles covering exhibitions of
Gloria Patri,
Interim, and
Post-Partum Document.
box 56, folder 11
Cole / Numan ICA project,
1993-1997, undated
Scope and Contents
Includes newspaper clippings, notes, and drawings.
box 57, folder 13
List Visual Arts Center, Massachusetts Institute of Technology,
Masculine Masquerade,
1994-1995, undated
Scope and Contents
Primarily includes correspondence, loan documents, and press materials, and handwritten notes related to group exhibition.
box 77, folder 8
Handwritten notes, clippings, texts on Guatemala, and REPOhistory materials,
1992-1995, undated
"Hanging files, 1990-2001,"
1987-2004, undated
Arrangement
Arranged chronologically, with undated materials at the end.
Scope and Contents
Includes correspondence, teaching materials, exhibition reviews, curricula vitae, and project materials.
box 66, folder 1
"Mark Lewis, Public Access, Toronto,"
1987-1988, undated
box 66, folder 2
"Emily Apter,"
1989-1995, undated
box 66, folder 3
"
Mistaken Identities, University of California Santa Barbara and tour,"
1991-1994, undated
box 66, folder 4
"Margaret Iverson,"'
1991-1995
box 66, folder 5, box 104, folder 1
"Gary Dufour, Art Gallery of Western Australia,"
1991-2001, undated
box 135, folder 17-18
Medical records: Kelly and Ray Barrie,
1992-1993
Conditions Governing Access
Materials in box 135 are restricted until 2068.
box 66, folder 6-7
"Conferences,"
1992-1996, undated
box 66, folder 8
"Wanas, Marika / Charles Wachtmeister,"
1992-1996, undated
box 66, folder 9
"University of British Columbia, Fine Art Review,"
1992-1997, undated
box 66, folder 10
"Group exhibitions,"
1992-1997, undated
box 66, folder 11
"Galleri F15,"
1993-1994, undated
box 66, folder 12
"
Gloria Patri, rubbings / frames, Maryland University,"
1993-1996, undated
box 67, folder 1
"
Empty Dress tour,"
1993-1996
box 67, folder 2
"University of California Los Angeles art chair,"
1993-1998, undated
box 67, folder 3
"Exhibition development 1994-,"
1993-1998, undated
box 67, folder 4
"Natalya Kamenetskaya, Contemporary Art Center, Moscow,"
1993-1999
box 67, folder 5
"Art Museum University of South Florida exhibition development,"
1994-1995, undated
box 67, folder 6
"University of California Los Angeles Regents lecturer,"
1994-1995, undated
box 67, folder 7
"
Blast Magazine,"
1994-1995
box 67, folder 8, box 104, folder 1
"
Post-Partum Document arts council, section 6 repair" and color photographs,
1994-1996, undated
box 67, folder 9
"Real Art Ways,"
1994-1996, undated
box 67, folder 10
"University of Copenhagen, Denmark,
The Body as Membrane,"
1994-1996, undated
box 68, folder 1
"
Division of Labor, Bronx and Museum Of Contemporary Art museums,"
1994-1996
box 68, folder 2
"New Museum advisory board,"
1994-1997, undated
box 68, folder 3
"Helsinki,"
1994-2000, undated
box 68, folder 4, box 104, folder 2
"Correspondence and color slide, Judith Mastai,"
1994-2002, undated
box 68, folder 6
"College Art Association,"
1995-1996, undated
box 68, folder 7
"Musée d'art contemporain, Montréal,"
1995-1996, undated
Language of Material: Some materials in French.
box 69, folder 2
"Vienna, Kunsthalle exhibition, Internationales Forschungszentrum Kulturwissenschaften symposium,"
1995-1996
Language of Material: Some materials in German.
box 69, folder 3-4
"Louisiana Museum of Modern Art, Iwona Blazwick,"
1995-1996
box 69, folder 5
"Armand Hammer,
Sexual Politics,"
1995-1996
box 69, folder 6
"Current group exhibitions,"
1995-1996, undated
box 69, folder 7
"Women's Art Library UK,"
1995-1996, undated
box 69, folder 8
"Joanna Issak,
10 Years After and tour,"
1995-1997
box 69, folder 9, box 104, folder 1
"Gertrude Sandqvist,"
1992-1997, undated
box 69, folder 10
"National Gallery of Canada,"
1995-1997, undated
box 69, folder 11
"Irene Borger, program director, Alpert Award in the Arts,"
1995-1998
box 69, folder 12
"Terry Smith, Power Institute Fine Art,"
1995-2001, undated
box 69, folder 13
"Whitney Independent Studio Program and others, references,"
1995-2001, undated
box 69, folder 14
"Student correspondence etcetera,"
1995-2002, undated
box 70, folder 2
"University of Western Sydney,"
1995, undated
box 70, folder 3
"University of California Los Angeles exhibit box (step),"
1996, undated
box 70, folder 4
"Griselda Pollock, University-Leeds, Gregory Fellow,"
1996-1997, undated
box 70, folder 5, box 104, folder 1
"A Gift for India project: Vivan Sundaram,"
1996-1997, undated
Scope and Contents
Materials related to a project with the Safdar Hashmi Memorial Trust. Includes color slides and photographs of an artwork
related to
Gloria Patri.
box 70, folder 6
"Malmo, Sweden exhibition,"
1996-1997, undated
box 70, folder 8, box 104, folder 1
"Mixed correspondence,"
1994-1999, undated
box 70, folder 9
"Visiting lectures 1996-1997, correspondence,"
1996
box 70, folder 10
"Drawing Center conference,"
1997, undated
box 70, folder 11
"Production File: (Studies for
Passionate Attitude, Corpus), 1984 archive,"
1997, undated
box 70, folder 12
"Nomination / academic, no action,"
1997, undated
box 70, folder 13
"New Paltz conference,"
1997, undated
box 70, folder 14
"Yuan-L IOU Publishing Co., LTD, Taiwan,"
1997, undated
box 70, folder 15
"Agnes Etherington Art Centre, M.K. 1970-1975 (tour),"
1997-1998, undated
box 70, folder 16
"Susan Cahan Norton Family Foundation,"
1997-1998
box 70, folder 17
"No file / lost and found,"
1997-1998, undated
box 71, folder 1
"Longborough University:
Drawing Across Boundaries,"
1997-1998, undated
box 71, folder 2
"P. Mannix CD-ROM, (
Interim),"
1997-1998, undated
Scope and Contents
No CD-ROM included.
box 71, folder 3
"1998 Stony Brook Humanities Institute conference,"
1997-1998, undated
box 71, folder 4
"Santa Barbara Contemporary Arts Forum,
Signs of Age,"
1997-1998
box 71, folder 5
"The J. Paul Getty Museum, Jill Finsten,"
1997-1998, undated
box 71, folder 6
"Sue Wrennal, master of philosophy thesis,"
1997-1998
box 71, folder 7
"
Mary Kelly 1970-1975, C. Scott Gallery, Vancouver,"
1997-1998, undated
box 71, folder 8
"
Mary Kelly monograph, Phaidon Press, reviews,"
1997-1998, undated
box 71, folder 9
"Lectures / talks,"
1997-1998
box 71, folder 10
"
Imaging Desire, Massachusetts Institute of Technology Press book reviews,"
1997-1999, undated
box 71, folder 11
"Phillippe Mouillon, Sculpture Urbaine Pacaembu project,"
1997-2000, undated
box 71, folder 12
"Ted Gibson (claim),"
1997-2000, undated
box 71, folder 13
"Maurice Berger,
Minimal Politics exhibition,"
1997-2000, undated
box 71, folder 14
"P.S.1 Contemporary Art center NY,
Heaven-Private View,"
1997-2000
box 71, folder 15
"P.S.1 solo project,"
1997-2001, undated
box 72, folder 1
"Whitney ISP 1998-1999,"
1998-2001, undated
box 72, folder 2
"Whitney 2002,"
1997-2001, undated
box 72, folder 3
"Independent Curators Incorporated auction,"
1997
box 72, folder 4
"Parasite organization,"
1997
box 72, folder 5
'"Ann Gibson,"
1997, undated
box 72, folder 6
"Abigail Solomon-Godeau,"
1997, undated
box 72, folder 7
"College Art Association 1990 conference host committee, Getty Center,"
1997, undated
box 72, folder 8
"Museum of Modern Art, Chicago,"
1998, undated
box 72, folder 9
"Museum of Contemporary Art Los Angeles, general,"
1998-1999
box 72, folder 10, box 104, folder 1, box 135, folder 19
"University / Helsinki 1998 lectures,"
1998-1999, undated
Conditions Governing Access
Materials in box 135 are restricted until 2073.
box 72, folder 11
"Hayward Gallery,
Addressing the Century: 100 Years of Art and Fashion, Peter Wollen,"
1998-1999, undated
box 72, folder 12
"Italy exhibition, Carolyn Christov Bakargiev,"
1998-1999, undated
Language of Material: Some materials in French and Italian.
box 72, folder 13
"Christine Steiner,"
1998-2000
box 72, folder 14
"Massachusetts Institute of Technology Press royalties,
Imaging Desire,"
1998-2001
box 73, folder 1
"University of California Los Angeles Council On Research (grant),"
1998-2001, undated
box 73, folder 2
"Nina Felshin, Dorsky Gallery, NY, Zilka [Gallery] - absence,"
1998-2002, undated
box 73, folder 3
"Edmonton Art Gallery Exhibition and Tour,"
1998
box 73, folder 4
"Carolee Schneemann,"
1998
box 73, folder 5, box 104, folder 1
"Humanities Institute, University of California Irvine, board of governors,"
1997-1998, undated
box 73, folder 6
"The Nelson-Atkins Museum of Art, Kansas,
Tempus Fugit,"
1999-2000
box 73, folder 7
"
KOSOV exhibition, Trebor Scholz, Pacific Northwest College,"
1999-2000
box 73, folder 8-9, box 135, folder 9
"Gertrude Sandqvist, Malmo Art Academy,"
1999-2010, undated
Conditions Governing Access
Materials in box 135 are restricted until 2085.
box 73, folder 10
"P.S.1 exhibition,
[Around 1984],"
2000, undated
box 73, folder 11
"
October project,"
2000, undated
Scope and Contents
Materials possibly related to
The Ballad of Kastriot Rexhepi.
box 73, folder 12
"Whitney 2002,"
2000-2001
box 74, folder 1
"Elizabeth Adan Independent Study Program,"
2000-2001, undated
box 74, folder 2
"My correspondence,"
2000-2001, undated
box 74, folder 3
"Tate Gallery, United Kingdom,
Women and Work acquisition,"
2000-2001, undated
box 74, folder 4
"Blake Stimson, University of California Davis,"
2000-2001, undated
box 74, folder 5
"Royal College of Art external examiner,"
2000-2001
box 74, folder 6
"Georgia O'Keeffe Museum,"
2000-2001
box 74, folder 7
"Miscellaneous unanswered requests,"
2000-2001, undated
box 74, folder 8
"Dublin,"
2000-2001, undated
box 74, folder 9
"2000, John Simon Guggenheim Memorial Foundation,"
2000-2001, undated
box 74, folder 10
"Maine College of Art summer intensive,"
2000-2002, undated
box 74, folder 11
"
Visual Worlds, Lisa Tamaris Becker,"
2000-2002, undated
box 74, folder 12
"Visiting professor, Leeds University,"
2000-2002
box 74, folder 13
"East International United Kingdom,"
2000-2004, undated
box 75, folder 1
"Vancouver Art Gallery,
Primapara acquisition,"
2001, undated
box 75, folder 2
"Art Gallery of Ontario conference, May 2000,"
2001, undated
box 75, folder 3
"
Modern / Post-Modern online symposium,"
2001
box 75, folder 4
"Portia V. Burgin, 1984 (loan),"
2001
box 75, folder 5
"Group exhibition 2002-2003,"
2002
box 75, folder 6
"Manuscripts and recordings,"
undated
Publications and other writings,
1970-2011, undated
Scope and Contents
Includes papers, photographs, and correspondence related to published volumes by and about Kelly.
box 105, folder 1
"Original manuscripts for
Women's Liberation,
National Liberation, and
Shrew"
circa 1970
box 105, folder 4
Writings about Kelly,
1976-1983, undated
box 105, folder 2
Texts by Kelly, some with annotations,
1977-1978, undated
Post-Partum Document (London: Routledge & Kegan Paul, 1983),
1973-1985, undated
box 59, folder 5-6
Routledge,
1973-1984, undated
Scope and Contents
Contains drafts, annotated drafts, and publishers proofs. Also includes correspondence, handwritten notes, and Routledge catalogs.
box 59, folder 7
Distribution and royalties,
1982-1985, undated
Scope and Contents
Includes publishing and lending contracts, rights and permissions correspondence, handwritten notes, royalties statements,
and one copy of
The Real Comment
Press
catalog (1984).
box 59, folder 8
Printed sample illustrations and related correspondence,
1983
box 59, folder 9
Publisher's proof with annotations,
circa 1983
box 59, folder 10
Manuscript in French, annotated,
undated
box 59, folder 11
Photographs of Kelly and Kelly Barrie,
undated
Scope and Contents
Includes nine black-and-white photographs by Ray Barrie for
Post-Partum Document, with one drawing.
box 56, folder 4, box 139, folder 3
Filed reviews and publications about Kelly,
1986-1999, undated
box 56, folder 7
"Publications 1990, miscellaneous,"
1990-1998, undated
Language of Material: Some materials in German.
box 59, folder 3
"Publications,"
1992-1994, undated
Scope and Contents
Includes drafts and correspondence related to various publications by and about Kelly in
Art Journal,
Whitewalls,
Feminist Art Criticism, and other publications.
Imaging Desire (Cambridge: Massachusetts Institute of Technology Press, 1996),
1991-2011, undated
box 60, folder 1
"Jonathan Cape,"
1991-1993, undated
Scope and Contents
Primarily correspondence related to publication of Kelly's writing about and around
Interim.
box 60, folder 2
"Selected writings, Massachusetts Institute of Technology Press contract,"
1994-2011, undated
box 60, folder 3-4, box 104, folder 1
"Selected writings, photographic / reproductions permissions,"
1995, undated
box 60, folder 5
"Invoices, selected writings, writing permissions,"
1995-1996
box 60, folder 6-8
"Massachusetts Institute of Technology Press index manuscript,"
1996, undated
Scope and Contents
Also contains correspondence, and a typed, annotated manuscript of the publication's main text.
box 61, folder 1, box 102, folder 4
"Style sheet, illustrations, jacket endorsements,"
1992-1996, undated
Manuscript to Liz Dalton,
undated
box 113, item CM7
"Mary Kelly: selected writings - intro,"
undated
Physical Description: 1 computer disc (floppy disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
Scope and Contents
Additional labels on the floppy disk read: Microsoft Word 5.1 for Macintosh / acknowledgements / illustrations.
box 113, item CM8
"MK Dalton,"
undated
Physical Description: 1 computer disc (floppy disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM9
"MK Dalton 2,"
undated
Physical Description: 1 computer disc (floppy disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 61, folder 5-6
"Edited manuscript" (photocopy),
undated
box 61, folder 7-8
"Unedited manuscript,"
undated
"Pre-published articles (meshed),"
undated
box 113, item CM10
"Selected writing,"
undated
Physical Description: 1 computer disc (floppy disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
Scope and Contents
A handwritten annotation on the floppy disk reads: .txt files / Mary.
box 113, item CM11
"Masculinity on display, with footnotes,"
undated
Physical Description: 1 computer disc (floppy disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM12
"Scanned disc from Tobi / MK 1-5,"
undated
Physical Description: 1 computer disc (floppy disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
Mary Kelly (London: Phaidon Press, 1997),
1977-1998, undated
box 62, folder 3
Photocopied articles,
1977-1978, undated
box 59, folder 1
General ephemera, originals,
1984-1996, undated
box 59, folder 2, box 104, folder 1
Color photograph and clipping for Phaidon publication,
circa 1986, undated
box 62, folder 4
Essays by Kelly,
1994, undated
"Manuscript, selected writings,"
1995, undated
box 113, item CM17
"Mary Kelly / all writings,"
undated
Physical Description: 1 computer disc (floppy disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 62, folder 7
"Contract, Phaidon Press LTD.,"
1996
box 62, folder 8
"Mary Kelly survey, Margaret Iverson,"
1996, undated
Scope and Contents
Includes an annotated text titled "Visualizing the Unconscious: Mary Kelly's Installations."
box 63, folder 1
"Editor Iwona Blazwick, production / general,"
1996-1997
box 63, folder 2
Phaidon Press general correspondence,
1996-1997
box 63, folder 3
"Phaidon: plastic sleeve photo edit,"
1997
box 100, folder 1-4
"Manuscript first layout,"
1997
box 63, folder 4
"Focus, Homi Bhabha,"
1997
box 63, folder 5
"Photographs permissions,"
1997, undated
box 63, folder 6
"Chronology, Clare Stent,"
1997, undated
box 98, folder 1-4
"Neoclassicism, spare third, proofs,"
1997, undated
Scope and Contents
A color proof of
Mary Kelly.
box 63, folder 11
"Correspondence from John Stack at Phaidon,"
1998
box 63, folder 7, box 102, folder 5
"Phaidon cover design,"
undated
box 63, folder 8
"Interview, Douglas Crimp / Mary Kelly"
undated
box 56, folder 9
"Reviews 1999 exhibition,"
1998-1999
Scope and Contents
Exhibition reviews for Kelly's exhibition,
Mea Culpa.
box 59, folder 12
Design layouts for unidentified book,
undated
box 52, folder 2-3
"
Screen,"
circa 1981
Scope and Contents
Includes handwritten notes and research and annotated manuscripts of "Re-Viewing Modernist Criticism" for the journal
Screen.
Correspondence, Series V.
1977-2002, undated
Physical Description: 4.13 Linear Feet(10 boxes)
Arrangement
Arranged in two subseries: V.A. Professional; V.B. Personal.
Scope and Contents
Series V includes correspondence and associated materials from students, curators, gallerists, and other artists. Although
there is correspondence throughout the archive, items in this section of
the archive arrived as a distinct grouping.
Professional, Subseries V.A.
1977-2002, undated
Physical Description: 4.13 Linear Feet(10 boxes)
Arrangement
Arranged chronologically, with undated materials at the end of the subseries.
Scope and Contents
Primarily includes invitations for speaking engagements, exhibition and publication correspondence, with some personal correspondence
interspersed throughout.
box 77, folder 1
Rubin, Jane,
1985-1991, undated
box 77, folder 5
Bachrach, Steven M.,
1989
Scope and Contents
Includes screenplay by Bachrach titled
Tom and Holly Go to Vegas.
box 77, folder 4, box 104, folder 2
Scher, Julia,
1989-1991, undated
Scope and Contents
Materials from artist Julia Scher including a curriculum vitae, color slides, and photocopied press materials.
box 81, folder 2
"Past correspondence,"
1989-1991, undated
box 77, folder 10
Bennett, Elona,
1991
Scope and Contents
Includes a 1992 proposal by Craig Houser titled, "Shifting Power: Displacements of the Masculine in Contemporary Art."
box 81, folder 1
"Recent correspondence,"
1991-1993
box 77, folder 7
Gadt, Jeanette C.,
1991-1994, undated
box 77, folder 11
Holbrook, Megan,
1992
Scope and Contents
Includes typescript thesis by Holbrook titled
Mary Kelly and Nancy Spero: Text and the Construction of Gender.
box 80, folder 14-17, box 104, folder 1
box 78, folder 1
Postmasters Gallery,
1993-1994
box 78, folder 7-8
"M. Kelly 1970/75
Social Process / Collaborative Action, Women and Work exhibition / sale,"
1996-2001
box 78, folder 15
"Santa Cruz (tour), Sesnon Gallery,
Mary Kelly Social Process / Collaborative Act,"
1997
box 78, folder 9, box 104, folder 1
"Galerie Paula Bottcher, Berlin,"
1997-1998
Language of Material: Some materials in German.
box 78, folder 10
College Art Association,
1997-1998, undated
box 78, folder 11
"Requests for visit, articles, etcetera,"
1997-1999
box 78, folder 13
"Leslie Tonkonow Projects,"
1997-2002
box 78, folder 14
"Lectures and visits,"
1997-2002
box 78, folder 16
"University of California Press, general,"
1998, undated
box 79, folder 1
"
Xmas project, Kent gallery,"
1998-1999
box 79, folder 2
"Kenneth Reinhard,
American Lacanian Link, University of California Los Angeles conference,"
1998-1999
box 79, folder 3
Kolbowski, Silvia,
1998-1999
box 79, folder 4
"
Global Conceptualism: Points of Origin, 1950's-1980's,"
1998-2000
Scope and Contents
Correspondence related to an exhibition at the Queens Museum of Art, which included Kelly's work
Folded Vest (1973).
box 79, folder 5
"Museum Of Contemporary Art benefit auction" (Los Angeles),
1998-2000
box 79, folder 13
"Annual Susan B. Anthony lecture,"
1999
box 79, folder 16
"Kunstverein Hamburg symposium,"
1999
Language of Material: Some materials in German.
box 79, folder 14
"Whitney Museum, 20th century exhibition,"
1999
box 79, folder 9
"Exhibition development 1999-2000, lists,"
1999, undated
box 79, folder 6
Pitkänen-Walter, Tarja,
1999-2000
box 79, folder 7
"Stephens Innocent,
Women and Work,"
1999-2000
box 79, folder 8
"
Artworkers exhibition, United Kingdom,"
1999-2000
box 79, folder 10
"Galerie des Landes, Tirol, Innsbruck,"
1999-2000
box 79, folder 11
"Baltimore Museum,
SNAPSHOT 1999, Gary Sangster,"
1999-2002
box 80, folder 5
"
Diary exhibition, Cornerhouse, Manchester,"
2000
box 80, folder 4
"
Live in Your Head: Concept and Experiment in Britain 1966-1975, Whitechapel Art Gallery,"
2000
box 80, folder 1
"Kathy Battista, Art Angel London,"
2000-2001
box 80, folder 2
"Paul Holdengarber, Los Angeles County Museum of Art,"
2000-2001
box 80, folder 3
"Robert Sandelson Gallery, London,"
2000-2002
box 80, folder 7, box 104, folder 1
"Other correspondence, students, etcetera,"
2001, undated
box 80, folder 6
"Jennifer Ward, Gita Khashabi, Andrea Frank,"
2001-2002
box 80, folder 10
"L. Calvin Phelps, Laurence Rickels,"
2002
Personal, Subseries V.B.
1988-2000, undated
Physical Description: 1.49 Linear Feet(4 boxes)
Arrangement
Arranged chronologically, with undated materials at the end of the subseries.
Scope and Contents
Primarily includes greeting cards, postcards, and handwritten correspondence, along with some professional correspondence.
box 78, folder 3, box 104, folder 1
Postcards and greeting cards,
1994-1995
box 78, folder 5-6, box 104, folder 1
"Personal correspondence, students, etcetera,"
1996-2000, undated
Ephemera and printed materials, Series VI.
1960-2003, undated
Physical Description: 19.94 Linear Feet(27 boxes, 1 flatfile folder)
Arrangement
Arranged in five subseries: VI.A. Ephemera about others; VI.B. Research ephemera; VI.C. Periodicals; VI.D. Ephemera about
Kelly; VI.E. Travel ephemera.
Scope and Contents
Series VI primarily consists of Kelly's collections of ephemera, including pamphlets, journals, magazines, newspapers, and
exhibition materials related to conceptual art and social movements in the
United Kingdom during the 1970s. This section of the archive also contains research ephemera collected and organized
by the artist between 1968 and 1976. Her categories for these materials include
conceptualism, Marx and Engels, socialist articles and writings, and feminist articles and writings. The periodicals
in this series follow similar themes, focusing on visual art, film, socialism,
and feminism.
Ephemera about others, Subseries VI.A.
1960s-1990, undated
Physical Description: 5.6 Linear Feet(7 boxes, 1 flatfile folder)
Arrangement
Arranged chronologically, with undated materials at the end.
Scope and Contents
Primarily includes fliers, press releases, and posters about other artists and arts organizations.
box 84, folder 1
1960s
Scope and Contents
Includes a copy of
Semantic Divertissements (1962) by Franciszka and Stefan Themerson and an announcement for an exhibition of student work at Central Saint
Martins.
box 84, folder 2
1970s
Scope and Contents
Contains booklets on art and socialism, and press releases for exhibitions by Laurie Anderson, Nam June Paik, and Jim Pomeroy.
Also includes pamphlets, catalogs, event fliers, and a
chapbook of poems by the 'Disband' group.
box 139, folder 4, flatfile 1**
Posters,
1978-1979, undated
Language of Material: Some materials in Dutch.
Scope and Contents
Includes posters for exhibitions and workshops at Half Moon Gallery, Art Gallery Civic Center Southampton, Haags Gemeentemuseum,
the Royal Academy, and Stedelijk Van Abbemuseum.
box 84, folder 3-5
1980s
Scope and Contents
Includes booklets, press releases, and announcements for exhibitions by Christopher Brown, Wendy Clarke, David Diao, Dan Graham,
Allan Kaprow, Joanne Leonard, Mark Lewis, Joanne Todd,
Lawrence Weiner, and others.
box 84, folder 8
Los Angeles Contemporary Exhibitions,
1986-1988
Scope and Contents
Includes a catalog documenting the history of Los Angeles Contemporary Exhibitions (LACE) from 1978 to 1987, an artist services
pamphlet, and announcements from exhibitions by Victor
Burgin, Allan Sekula, and others.
box 85, folder 1-2
California Institute of the Arts,
1986-1989
Scope and Contents
Includes administrative, departmental, and student publications.
box 84, folder 6
1990s
Scope and Contents
Includes a booklet from the Louisiana Museum of Art, an announcement for a 1993 exhibition by Diedrich Diederichsen, an announcement
for a 1995 exhibition by Uta Barth, and a newsletter
published by the New York State Canal Authority.
box 50, folder 4
Loose exhibition announcements,
1993-1995
box 52, folder 4
Black-and-white photographs of artworks,
undated
Scope and Contents
Five photographs of artworks by Rose Garrard, Kate Walker, Alexis Hunter, Margaret Harrison, and Rachel Finkelstein. Sensitive
content: the work by Funkelstein features a repeated image of
a vulva.
box 52, folder 5, box 58, folder 6
Diane Torr, color slide and flier,
undated
box 80, folder 13
The State of Emergency, Dara Gumbs,
undated
Research ephemera, Subseries VI.B.
1966-1990, undated
Physical Description: 3.61 Linear Feet(7 boxes)
Arrangement
Arranged chronologically, with undated materials at the end.
Scope and Contents
Includes assorted printed materials related to Kelly's research projects that were not originally filed by Kelly as project
or teaching files.
box 87, folder 1-6
"Feminist / socialist writing, materials, articles,"
1966-1975, undated
Scope and Contents
Includes typed manuscripts, socialist women's periodicals and pamphlets, pamphlets and fliers related to women's liberation,
newspaper clippings, photocopied articles, handwritten notes,
and posters. Also includes Women's Liberation Workshop committee newsletters and correspondence.
box 88, folder 1-5
"Global, general socialist writings and articles,"
1966-1976, undated
Language of Material: Some materials in Spanish.
Scope and Contents
Includes materials about Chilean, Chinese, Israeli, Mozambican, Northern Irish, Palestinian, Portuguese, Russian, South African,
Sudanese, and Vietnamese politics, as well as British and
American imperialism.
box 89, folder 1-4, box 102, folder 3
"Marx and Engels - et. al., publications,"
1968-1976, undated
Language of Material: Some materials in French and Arabic.
Scope and Contents
Includes research materials related to Kelly's interests in socialism, communism, women's rights, and the occupations of Palestine
and the Persian Gulf, with annotated photocopied articles,
newspaper clippings, fliers, handwritten notes, newsletters, and pamphlets.
box 90, folder 1-4, box 102, folder 1
"Art references, 1968-1967: brochures, catalogs, conceptualism, articles,"
1968-1977, undated
Scope and Contents
Includes materials on unions and workers' rights, women's rights and the women's movement, cinema and film, and conceptual
art, with newspaper clippings, fliers, brochures, booklets,
pamphlets, and other ephemera from Hayward Gallery, London's Institute for Contemporary Art, Walker Art Gallery, New
Cinema Club, and other film-focused organizations. Also includes
photocopies of articles from various arts publications. Most materials are from the United Kingdom.
box 90, folder 5
"Conrad Atkinson's exhibition,
Strike at Brannan's,"
1972, undated
Scope and Contents
Includes copies of exhibition ephemera and copies of articles.
box 90, folder 6
Loose newspaper clippings,
1977-1978
box 77, folder 6
"Religion and Political Identity in Beit Sahour" article (photocopy),
1990
box 122
Balloon with "welfare state" stamp,
undated
Periodicals, Subseries VI.C.
1965-2003, undated
Physical Description: 7.76 Linear Feet(8 boxes)
Arrangement
Arranged alphabetically.
Scope and Contents
Contains a range of periodicals, including artists' periodicals and serial zines, on feminism, communism, art, film, and theory.
box 97, folder 2
Afterimage,
1980
Scope and Contents
One incomplete issue.
box 94, folder 1
Art and Artists,
1966 April
box 91, folder 1-4, box 101, folder 5
Artery: Art and Revolutionary Theory,
1968-1988, undated
box 94, folder 3
Artists Union Journal,
1980
box 97, folder 5
Bananas: The Literary Newspaper,
1975-1977, undated
box 101, folder 6
Berkeley Barb,
1978 September 15-21
box 92, folder 2
Comment: Communist Fortnightly Review,
1976-1978
box 92, folder 3
Control,
undated
Scope and Contents
Folder contains only an inventory, no physical copies of the magazine. See also "MKG 14-MKG 18:
Control Magazine" (box 28, folder 6) from Series II.C.
box 92, folder 4
Fan Performance Issue 1980, 1979,
1980, undated
box 92, folder 5
Film Video Extra: a Supplement to Greater London Arts ,
1977-1978
box 138, folder 3
Flash Art,
1976 October-November
box 138, folder 4
Free Palestine,
1971 February
box 92, folder 6
Further Left: A Socialist Magazine for Teachers in Further and Higher Education,
1974-1976
box 138, folder 5
Heute Kunst,
1976 October-December
box 99, folder 4
Los Angeles Times,
1988 October 5
box 97, folder 7
Majority Report: The Women's Newspaper,
1974-1977
box 101, folder 8
Morning Star,
1976 January 3
box 94, folder 8
Movie Maker,
1970 November
box 94, folder 9
New Society,
1978 September
box 101, folder 9
The News Line,
1976 June 21
box 94, folder 11
Parallelogramme,
1981 January-February
box 94, folder 10
Patterns of Discrimination: Against Women in the Film & Television Industries,
1975
box 101, folder 10
Photo Bulletin,
1981 May-June
box 92, folder 9, box 94, folder 14
Red Rag: A Magazine of Women's Liberation,
1973-1977, undated
box 101, folder 11
República,
1975 November 17
box 94, folder 15
Scientific American,
1975 January
box 92, folder 11-12, box 97, folder 8
Shrew,
1970-1976, undated
box 93, folder 1-5
Spare Rib,
circa 1971-1981, undated
box 97, folder 9
South London Gallery,
2002-2003
box 138, folder 8
The Sunday Times Magazine,
1979 December 30
box 101, folder 12
The Times Higher Education Supplement,
1976 June 25
box 94, folder 17
Women Artists News,
1979 May
box 93, folder 7-8
Women Artists Slide Library Journal,
1987-1988
Ephemera about Kelly, Subseries VI.D.
1984-1996, undated
Physical Description: 2.63 Linear Feet(3 boxes)
Arrangement
Arranged chronologically, with undated materials at the end.
Scope and Contents
Includes announcements, invitations, pamphlets, and press releases related to Kelly's work and exhibitions, but not originally
filed with Kelly's project files.
Related Materials
See also: Series I. Project files and Series II.
Post-Partum Document (1973-1979).
box 86, folder 1-2
Group exhibitions,
1984-1996, undated
Scope and Contents
Includes invitations, postcards, and pamphlets.
box 86, folder 8
Lecture announcements,
1989-1992, undated
Scope and Contents
Announcements for lectures by Kelly and others at SF Camerawork (1989), Simon Fraser University (1989), Forum Stadtpark Graz
(1992), and School of the Art Institute of Chicago
(undated).
box 86, folder 5-6
Solo exhibitions of
Interim,
1990-1994, undated
Scope and Contents
Includes announcements, invitations, pamphlets, and didactics from exhibitions at CEPA Gallery (1989), The New Museum (1990),
Vancouver Art Gallery (1990), The Power Plant (1991), MacKenzie
Art Gallery (1992), Los Angeles Contemporary Exhibitions (undated), McNeil Gallery (undated), Postmasters Gallery
(undated), and Barbara Toll Gallery (undated). Also includes two proofs
for
New Formations journal.
box 86, folder 7
Solo exhibitions of
Gloria Patri,
1992-1993, undated
Scope and Contents
Announcements, press release, and booklet for exhibitions at Postmasters Gallery (1993), Herbert F. Johnson Museum of Art
at Cornell University (1992), and Ezra and Cecile Zilkha Gallery at
Wesleyan University (1992).
box 86, folder 3-4
Traveling exhibition in Norway, Sweden, and Finland,
1994-1995
Language of Material: Materials in Norwegian, Swedish, and Finnish.
Scope and Contents
Includes three exhibition booklets, one exhibition card, one newspaper clipping, and one magazine.
box 140, folder 2
PPD poster for visiting artists lecture series,
undated
box 80, folder 12
"Subject and Sign in Mary Kelly's
Interim,"
undated
Travel ephemera, Subseries VI.E.
1981-1996, undated
Physical Description: 0.78 Linear Feet(3 boxes)
Arrangement
Arranged chronologically, with undated materials at the end.
Scope and Contents
Includes travel and arts guides, postcards, clippings, gallery announcements, and maps.
box 53, folder 1
Villa d'Este and unidentified locations (color slides),
1964-1965, undated
Scope and Contents
Includes slides taken at the Villa d'Este as well as slides of unidentified artworks.
box 54, folder 1
Venice, Italy; student work; baby's birthday (Kelly Barrie?) (color slides),
1972-1975, undated
box 95, folder 1
Australia, New Zealand, Tasmania,
1981-1982, undated
box 95, folder 2-5
Travel guides,
1990-1996, undated
Scope and Contents
Includes guides for cities in Austria, Canada, Minnesota, New England, New York, Sweden, and Wisconsin.
box 95, folder 6
"Properties,"
1991, undated
Scope and Contents
Includes clippings, pamphlets, and materials related to real estate properties in the United States.
box 54, folder 2
Churches and cathedrals, Italy and England (color slides),
undated
box 54, folder 6
Florence, Pisa, Ravenna, Rome, Siena, Venice, Istanbul, Jeita, and Munich (color slides),
undated
Audiovisual and born-digital materials, Series VII.
1970, undated
Physical Description: 1.84 Linear Feet(4 boxes)
Conditions Governing Access
Audiovisual and born-digital materials are unavailable until reformatted. Contact the repository for information regarding
access.
Arrangement
Arranged alphabetically, with unidentified and untitled materials filed at the end of the series.
Scope and Contents
Series VII includes audiovisual and born-digital materials that do not have a clear correlation to projects or events represented
elsewhere in the collection. After reformatting, these items may be
integrated into other series based on content.
Series VII includes two audiocassettes, six computer discs, 28 film reels, one videocassette, and two audiotape reels.
box 112, reel F41
Badminton, cat's cradle,
undated
Badminton, cat's cradle (digitized version), undated
Physical Description: 1 film reel (12 min. 29 sec.) : color ; super 8 mm.
Scope and Contents
Untitled footage of adults and children playing badminton and cat's cradle.
box 112, reel F15
"Beirut roof shots,"
undated
"Roof shots" (digitized version), undated
Physical Description: 1 film reel (3 min. 29 sec.) : color ; super 8 mm.
box 112, reel F14
"Castro,"
undated
Castro (digitized version), undated: undated
Physical Description: 1 film reel (25 sec.) ; super 8 mm.
Scope and Contents
Includes television footage of Fidel Castro.
box 112, reel F18
"Event at Parliament Hill,"
1970 July 8
"Event at Parliament Hill" (digitized version), undated
Physical Description: 1 film reel (3 min. 51 sec.) : color ; super 8 mm.
box 112, reel F16
"Jane Fonda,"
undated
"Jane Fonda" (digitized version), undated
Physical Description: 1 film reel (59 sec.) ; super 8 mm.
box 112, reel F24
"Kelly baby,"
undated
"Kelly baby" (digitized version), undated
Physical Description: 1 film reel (5 min. 17 sec.) : color ; super 8 mm.
Scope and Contents
Features a trip to Greenwich, England, and a baby not believed to be related to Kelly. Title from original container, may
be mislabeled.
box 112, reel F42
Large cat's cradle,
undated
Large cat's cradle (digitized version), undated
Physical Description: 1 film reel (3 min. 32 sec.) : color ; super 8 mm.
Scope and Contents
Footage of a group making a large cat's cradle with rope.
box 112, reel F17
"Mary,"
undated
"Mary" (digitized version), undated
Physical Description: 1 film reel (4 min. 42 sec.) : color ; super 8 mm.
box 113, item CM13
"Mary Kelly / (WordPerfect 5.0) /
Historia,"
undated
Physical Description: 1 computer disc (floppy disk) ; 5 1/4 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 112, reel F19
"Mary's artwork,"
undated
"Mary's artwork" (digitized version), undated
Physical Description: 1 film reel (2 min. 21 sec.) : color ; super 8 mm.
box 112, reel F23
"Mom, Kathy & me,"
undated
News footage (digitized version), undated
Physical Description: 1 film reel (3 min. 1 sec.) : color ; super 8 mm.
Scope and Contents
Features news footage.
box 108, item C24
"Ms. Kelley - welfare officer / Mr. Douglas (+ a bit of Ms. Kelley),"
undated
Physical Description: 1 audiocassette : analog, 1 7/8 ips ; 3 7/8 x 2 1/2 in., 1/8 in. tape.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 112, reel F11
"Old Bailey,"
undated
"Old Bailey" (digitized version), undated
Physical Description: 1 film reel (55 sec.) : color ; super 8 mm.
box 112, reel F13
"Park,"
undated
"Park" (digitized version), undated
Physical Description: 1 film reel (1 min. 36 sec.) : color ; super 8 mm.
box 112, reel F12
"Stills,"
undated
"Stills" (digitized version), undated
Physical Description: 1 film reel (3 min. 45 sec.) : color ; super 8 mm.
box 112, reel F22
"TV quakes,"
undated
Costumed women dancing (digitized version), undated
Physical Description: 1 film reel (6 min. 4 sec.) : color ; super 8 mm.
box 112, reel F27
Unidentified film,
undated
Unidentified, possibly related to Women & Work (digitized version), undated
Physical Description: 1 film reel (3 min. 20 sec.) : black and white ; super 8 mm.
Scope and Contents
Possibly additional footage related to
Women and Work.
box 112, reel F25
Unidentified film,
undated
Physical Description: 1 film reel ; super 8 mm.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 113, item CM1
Unidentified floppy disk,
undated
Physical Description: 1 computer disc (floppy disk) ; 3 1/2 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
Scope and Contents
Possibly related to
Post-Partum Document.
box 112, reel F36
Unidentified foreign city,
undated
Unidentified foreign city (digitized version), undated
Physical Description: 1 film reel (3 min. 28 sec.) : color ; super 8 mm.
box 112, reel F29
Unidentified fragments,
undated
Unidentified fragments (digitized version), undated
Physical Description: 1 film reel (46 sec.) : color ; super 8 mm.
Scope and Contents
Possibly additional footage relating to
Women and Work.
box 113, item CM21
Unidentified optical disc,
undated
Physical Description: 1 computer disc ; 4 3/4 in.
Conditions Governing Access
Born-digital material is unavailable until reformatted. Contact the repository for information regarding access.
box 107, item V6
Unidentified videocassette,
undated
Physical Description: 1 videocassette (Betacam SP) ; 1/2 in.
Conditions Governing Access
Audiovisual material is unavailable until reformatted. Contact the repository for information regarding access.
box 112, reel F30
Untitled footage of Vietnam war protest,
undated
Untitled footage of Vietnam war protest (digitized version), undated
Physical Description: 1 film reel (3 min. 20 sec.) : color ; super 8 mm.
box 112, reel F31
Untitled footage, possibly Pakistan, 1 of 8,
undated
Untitled footage, possibly Pakistan, 1 of 8 (digitized version), undated
Physical Description: 1 film reel (3 min. 30 sec.) : black and white ; super 8 mm.
box 112, reel F33
Untitled footage, possibly Pakistan, 2 of 8,
undated
Untitled footage, possibly Pakistan, 2 of 8 (digitized version), undated
Physical Description: 1 film reel (2 min. 58 sec.) : black and white ; super 8 mm.
box 112, reel F34
Untitled footage, possibly Pakistan, 3 of 8,
undated
Untitled footage, possibly Pakistan, 3 of 8 (digitized version), undated
Physical Description: 1 film reel (3 min. 31 sec.) : black and white ; super 8 mm.
box 112, reel F35
Untitled footage, possibly Pakistan, 4 of 8,
undated
Untitled footage, possibly Pakistan, 4 of 8 (digitized version), undated
Physical Description: 1 film reel (3 min. 27 sec.) : black and white ; super 8 mm.
box 112, reel F37
Untitled footage, possibly Pakistan, 5 of 8,
undated
Untitled footage, possibly Pakistan, 5 of 8 (digitized version), undated
Physical Description: 1 film reel (3 min. 29 sec.) : black and white ; super 8 mm.
box 112, reel F38
Untitled footage, possibly Pakistan, 6 of 8,
undated
Untitled footage, possibly Pakistan, 6 of 8 (digitized version), undated
Physical Description: 1 film reel (3 min. 24 sec.) : black and white ; super 8 mm.
box 112, reel F39
Untitled footage, possibly Pakistan, 7 of 8,
undated
Untitled footage, possibly Pakistan, 7 of 8 (digitized version), undated
Physical Description: 1 film reel (2 min. 43 sec.) : black and white ; super 8 mm.
box 112, reel F40
Untitled footage, possibly Pakistan, 8 of 8,
undated
Untitled footage, possibly Pakistan, 8 of 8 (digitized version), undated
Physical Description: 1 film reel (3 min. 26 sec.) : black and white ; super 8 mm.
