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Melnick (Daniel) papers
PA Mss 107
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Table of contents
Production-based materials
Individual productions
LA Story
box 1
1989-1996
General (credits, agreements, insurance, titles, etc.) (approximately 1989-1990), summaries for Allen Shapiro (one-liner,
production board, cast day-out-of-days, post-production schedule, budget) (1990 February 7-9), budget (approximately 1990),
cost reports (approximately 1990-1991), callsheets (approximately 1990), music (approximately 1990-1991), credits (approximately
1990-1991), licensing (approximately 1990-1996), daily production reports (approximately 1990), Peter Melnick (approximately
1990-1991), production (approximately 1990), post-production (approximately 1990), publicity (approximately 1990-1991), Carolco
clippings report (1991 June 10), recruited audience screening (approximately 1990-1991), Chevy Chase (approximately 1990),
distribution (approximately 1990 September 10), Susan Forristal (approximately 1990), Richard E Grant (approximately 1990),
General projects casting directors (approximately 1989).
box 2
1988-1991
Publicity, press, and screenings (approximately 1990-1991), Richard Harris (approximately 1990), Woody Harrelson (1990 March
22), Marilu Henner (approximately 1990), grosses and receipts (1991 February 28), Mick Jackson (approximately 1989-1990),
John Lithgow (approximately 1990), Mindy Marin (approximately 1989-1990), Steve Martin (approximately 1988-1990), Sarah Jessica
Parker (1990 March-April), Michael Rachmil (approximately 1989-1990), Victoria Tennant (approximately 1990), Bruce Robinson.
box 3
1990-1991
Post production (1990 December), premiere (approximately 1990-1991), royal premiere (approximately 1991), press clippings
(1990 December-1991 January), press clippings (1991 February-1991 March), press packet (approximately 1991), production notes
(1990-1991), promotions (approximately 1990-1991), publicity/air-dates (approximately 1991), publicity quotes (1991 January-February),
Push magazine (approximately 1990), publicity (approximately 1990-1991), Sabron Inc. (approximately 1990), screenings (approximately
1990-1991), multimedia screening London 1991 March 21 (approximately 1991), LA Stories screenplay book (1990 March 21), sign
Sunset Boulevard (approximately 1991), freeway sign budget: Sunset Boulevard (approximately 1990-1991), sign permits (approximately
1990), Spaceshots settlement (approximately 1991), synopsis (1990 October 5), titles (approximately 1990), titles (approximately
1990), t-shirts (1991 February), end titles (approximately 1990-1991), tracking (1991 February), video release (approximately
1991) IVE home video (approximately 1991), S. Martin publicity (approximately 1990-1991), publicity (approximately 1990).
box 4
1989-1991
Notepads (approximately 1989-1990), film research (approximately 1990-1991), callsheets (approximately 1990), daily production
reports (approximately 1990), locations (approximately 1990), outgoing correspondence (approximately 1989-1990), incoming
correspondence (approximately 1990), phone lists (approximately 1990), post-production (approximately 1990), production (approximately
1990), production board 2/9/90, alternate titles (approximately 1990), cast and crew contact list (approximately 1990), music
(approximately 1990), audience screening reports (approximately 1990 October 11), audience screening reports (approximately
1990 November 7), National Research Group recruited audience screening information (approximately 1990), National Research
Group recruited audience screening information (approximately 1991), screenings (approximately 1990-1991).
box 5
1990-1991
Academy Award nominations (approximately 1991),
Applause (approximately 1990), Bob Becker: sign (approximately 1990-1991), Paul Betouliere (approximately 1991), Steven Bernstein
(approximately 1990-1991), budget (rent-a-car) (approximately 1990-1991), challenge (1991), Jean Jacques Betouliere (approximately
1990-1991), clearance (1991 March-April), paid ad credits (approximately 1990-1991), Andrew Dunn (1991), Egyptian Hollywood
Theatre (1991 March) Energizer Bunny (approximately 1990), Exile "Enya" (approximately 1991), Enya music video (approximately
1991), film clips (approximately 1990-1991), Peter Melnick (approximately 1990-1991), correspondence (approximately 1991),
grosses (1991 February), UK Guild (1991 March), legal (approximately 1991), London weekend television (approximately 1990-1991),
Mindy Marin (1990 March), MPAA title registration (1990 October), Steve Martin, music quotes (approximately 1990-1991), sync
license (1991 June), music recap (1991 January), final music cues and agreements (approximately 1990-1991), LA Stories music
clearance (approximately 1990-1991), Philip Morris (approximately 1991), Danny Simon (Jun 1991), marketing and advertising
(approximately 1990-1991), publicity (1990 December-1991 February), press (approximately 1990-1991).
box 6
1989-1990
Complete scripts (approximately 1989-1990),
The Touch script by Steve Martin (1989 May 14), summary of revised pages from 1990 April 6 and 1990 April 9 drafts (1990), miscellaneous
script components (approximately 1989-1990), script changes 1990 April 6, summary of revised pages dated 1990 April 24, 1989
November 28 draft.
box 7
1989-1991
Clippings (approximately 1991), reviews (approximately 1991), New York guests (approximately 1991), screening guest lists
(approximately 1991), press screenings (1991 January), screenings (approximately 1990-1991), press (approximately 1991), cost
reports (approximately 1990), bios (approximately 1990), budget top sheet (1990 February 9), budget (1990), budget (approximately
1989-1990), contracts actors (approximately 1990), casting (approximately 1990), car (approximately 1990), continuity (approximately
1990), cast day-out-of-days (1990 February 9), congratulation notes (approximately 1991), crew contracts (approximately 1990-1991),
credits/rating (approximately 1990-1991), crew (approximately 1990), dailies (approximately 1990), crew correspondence (approximately
1990), scripts (1990 March 21).
box 8
1989-1991
Notes M. Jackson (approximately 1990), production information (approximately 1989-1991), video (approximately 1991), Daniel
Melnick notes (approximately 1990-1991), story notes Steve Martin (approximately 1990), storyboard, Steve Martin (approximately
1990), synopsis (approximately 1990), tracking (approximately 1991), trailer (approximately 1990), London screening (approximately
1991), LA premiere (approximately 1991), New York premiere (approximately 1991), artist list (approximately 1990-1991), shooting
schedule (approximately 1990), screening Cary Grant 1/9/91, premiere (approximately 1991), premiere guests LA (approximately
1991), press packets (approximately 1991), screening NY (approximately 1991), screening lists (approximately 1991), screening
(approximately 1990-1991), screenings Utah (approximately 1991), video inventory information.
box 9
1990-1991
Publicity UK (approximately 1991), UK release and screening (approximately 1991), print ad test (approximately 1990), screenings
(approximately 1990-1991), clippings report 1991 June 10, publicity (approximately 1990-1991), post production and music
(approximately 1990-1991), foreign: Germany and Puerto Rico (approximately 1991), grosses (approximately 1991), credits (approximately
1990), book and video (approximately 1990-1991), cast and crew lists (approximately 1990), cast and crew information (approximately
1990).
box 47
1989-1991
Alternate title submissions (1990 May 17), translated freeway sign (Japanese, French, Italian, German, and Spanish) (approximately
1990), freeway sign info (approximately 1991), international (1991 January-February), miscellaneous (approximately 1990),
meeting schedules (approximately 1989-1990), Mick Jackson (approximately 1990-1991), one line schedule (1990 February 9),
post-production schedule (1990 February 9), miscellaneous notes and script pages (approximately 1990), shooting schedule (approximately
1990).
Air America
box 10
1986-1990
Information on various films, script submissions (approximately 1988), casting corp. (approximately 1987-1989), Bob Rafelson
Corp. (approximately 1988),
Air America (comments and suggestions, notes by DM [Daniel Melnick], Carolco script changes 1987 July, John Eskow comments to Bob Ravelson,
comments by Kathy Sommer [Carolco], production contacts, cast list, films filmed in Malaysia etc.) (approximately 1987), Michael
Bleger Corp. (approximately 1988), casting (1988 March), current (1988 March) actors availability, current (1988 March) actors
availability, suggested pairs (approximately 1987), interoffice (1986 November 7), transcript notes: DM, Bleger, and Rafelson
(approximately 1988), comments and suggestions (approximately 1987), BR production information (approximately 1988) (Includes
The Illustrated History of Tunnel Warfare: The Vietnam War by Tom Mangold and John Penycate), Ensorcell, Inc. Malaysia (approximately 1988), writers directors lists, travel (approximately
1987), casting (approximately 1986-1988), publicity (approximately 1987-1989), deals and discussion (approximately 1987-1988),
budget summary (approximately 1986-1987), club correspondence (approximately 1987-1988), communication and Mario Kassar (approximately
1986-1988), synopsis (approximately 1986), timing and continuity (approximately 1987), background and research (approximately
1988), insurance (1986 October), location list, Rocco (approximately 1986-1987), script notes (approximately 1987-1988), Thailand
(approximately 1989), Thailand (approximately 1989), R. Rush Anabasis correspondence (1986), R. Rush Penaria Corporation agreement
and correspondence (1986 February), R. Rush stuntman publicity, R. Rush reimbursements (approximately 1987), R. Rush director
contracts and agreements (approximately 1986-1987), R. Rush casting lists and correspondence (approximately 1986-1987), R.
Rush Peter Bart and Bart Productions correspondence (approximately 1986), R. Rush casting correspondence (1987 October), callsheets
(approximately 1989), travel-medical correspondence (approximately 1989), credits (approximately 1990), dailies (approximately
1989-1990), stationary, crew correspondence (approximately 1988-1989), Mel Gibson correspondence (approximately 1989-1990),
New York office rental (approximately 1989), location photos and sketches.
This file may contain personally identifiable information (PII) and other restricted materials. Please contact Special Research
Collections staff in advance to request access.
box 11
1984-1991
Hate mail (approximately 1990), open letter list, open letter (1990 October), letter thank yous for responses (approximately
1990), publicity (approximately 1990), printed copy of
The Politics of Heroin in Southeast Asia by Alfred W. McCoy, controversy and reviews (approximately 1990),
Air America and
Golden Triangle (approximately 1990 February), cast and crew (approximately 1989-1990), MB/Southern Star Aus/Eng. Agreement (approximately
1990), Mary Bryant Australian financing (approximately 1989-1990), Mary Bryant general (approximately 1990), Mary Bryant Paravision
(approximately 1990), Mary Bryant talent (approximately 1990), credits (approximately 1990), Tony Foutz (approximately 1990),
music (approximately 1990-1991), paid ads (approximately 1989-1990), Marshall Plum script research (approximately 1989-1990),
Christopher Robbins (approximately 1984-1990), Christopher Robbins
Entertainment Tonight (1990 August 31), "Time out" (approximately 1991), video release (approximately 1991), release dates (approximately 1990),
Michelle Lee project (approximately 1991).
box 12
1989-1990
Weather conditions (approximately 1989), incoming correspondence (approximately 1989-1990), travel itineraries (approximately
1989-1990), multiple report week 33 (1990 August 10), reports 1990 August, shooting schedules (approximately 1989), callsheets
(approximately 1989-1990), marketing and publicity (approximately 1990-1991), AFT Premiere (approximately 1990), storyboard
(approximately 1989-1990), scripts (approximately 1988-1989).
box 13
1989-1990
"AA" notepad, script (1989 September 30), process shooting UK binder (approximately 1990), production details (UK staff and
crew, Thailand hotel rooms, cast, shooting schedules, one-line schedules, 2nd unit shoot schedules, script) (approximately
1989), production binder (calendar, major breaks, publicity, completed, pitching), production information binder (approximately
1989), CGM day file (Dan's Office) (approximately 1989 May-November).
box 14
1989-1990
Contact lists binder, crew deal memos binder (approximately 1989), cast deal memos binder (approximately 1989-1990).
This file may contain personally identifiable information (PII) and other restricted materials. Please contact Special Research
Collections staff in advance to request access.
box 15
1988-1990
Production reports (approximately 1989-1990), callsheets (approximately 1989), storyboard (approximately 1989), travel (approximately
1989), zippo lighters (approximately 1989), budgets (approximately 1989-1990), contracts (approximately 1988-1990), production
(approximately 1989), correspondence sent to Thailand (1989 July 24-1989 August 3), correspondence received from Thailand
(1989 July 24-1989 August 3).
box 16
box 17
1989-1991
Reshoot/new ending (approximately 1990), reshoots DM file (approximately 1990), post-production (approximately 1989-1990),
casting (approximately 1989), screenings (approximately 1990), music (approximately 1990), screenings list (approximately
1990), premiere (approximately 1990), marketing and advertising (approximately 1990), Cooper/church amendment info/research
(approximately 1990), steno pad, stunt and publicist recruitment (approximately 1989), release and grosses (approximately
1990-1991), correspondence and production documents from 1989 September, storyboards (approximately 1989).
box 173
1988-1990
Publicity (approximately 1990), opening week reports (approximately 1990 August), week reports and audience survey reports
(approximately 1990), cast and crew contact list (approximately 1989-1990), outgoing correspondence (approximately 1989-1990),
notes: DM [Daniel Melnick] (approximately 1988-1990), publicity (approximately 1989-1990).
Universal Soldier
box 18
1987-1993
Cast and crew screening lists (approximately 1992), credit main titles (approximately 1992), credit end titles (approximately
1992), credit, writers (approximately 1991-1992), production notes (approximately 1992), production reports (approximately
1991), product placement (approximately 1991-1992), production status (1991 March), production calendar (approximately 1991),
press releases (1991 July), premiere (1992), Joseph Porro (costume designer) (1991), Ted Parvin (UPM) (1991 April), Ed O'Ross
(1991 July), novelization (includes printed copy of novelization by Robert Tine) (approximately 1992), NRG tracking (1992
June-July), Maher Ahmad (approximately 1990-1991), Kingman Airport (1991 April 16), Mohave Airport (1991 April-May), Vic Armstrong
(approximately 1990-1991), bank account (approximately 1990-1991), Craig Baumgarten (approximately 1987-1992), body count
press clippings (approximately 1992), body count Ice T (approximately 1992),
Universal Soldier vs. Black Historic Productions lawsuit (1992 August 12), Phillip Browning (approximately 1990), budget (approximately 1991),
peso budget, callsheets (approximately 1991), casting (approximately 1990-1991), clearances (1991 November), comic book (approximately
1992), convention (approximately 1992), credit paid ads (approximately 1991-1992), tracking (approximately 1992-1993).
box 19
1980-1992
Script, screenings schedule (approximately 1992), screen test agreements (approximately 1988-1989), Bran Ferren: Special FX
(approximately 1988-1991), test screening (1992 February 22), shooting schedules (approximately 1991), miscellaneous (production
and writing updates) (approximately 1980-1991), story notes (approximately 1990-1992), writers (approximately 1988-1991),
notes (approximately 1988-1991), video (approximately 1992), Maher Ahmad (approximately 1990-1991), Vic Armstrong (approximately
1990-1991), Mike Baccus (1990 December 14), Les Bohem (approximately 1989), Philippe Browing (approximately 1990), Ron Cobb
(1990 May), Craig Baumgarten (approximately 1987-1991), Dean Devlin (approximately 1991), Andy Davis (approximately 1990-1991),
John Flynn (approximately 1989), Emmerick/Eberle (approximately 1991), Gray and Mason (approximately 1990-1991), Don Heitzer
(approximately 1990-1991), Bob Hickson (1990 December 17), Christopher Leitch and Richard Rothstein (approximately 1988-1992),
Dolph Lundgren (approximately 1989-1991), Joel Michaels (approximately 1990-1992), Ted Parvin (approximately 1990), Oliver
Scholl (1991 March 8), Jean-Claude Van Damme (approximately 1990-1991), Thomas brothers (1991 June), writing credits (approximately
1989-1991), Grand Duchy of Luxembourg (approximately 1989-1990), Ally Walker (approximately 1991).
box 20
1988-1993
Publicity (approximately 1992), quitclaim agreement (approximately 1991), research (approximately 1991), reshoot (approximately
1991-1992), script notes (approximately 1991), screening cast/crew (approximately 1991-1992), script pages (approximately
1991), Linda Segar (approximately 1991), set construction (approximately 1991), screenings (approximately 1992), market research
(approximately 1992), McCormick and La Manna (approximately 1990), licensing (approximately 1992), Mason/Grey (approximately
1991), Christopher Leitch and Richard Rothstein (approximately 1989-1990), video grosses (approximately 1992-1993), Harry
Shannon master sync (approximately 1992), special effects early budget (approximately 1990), synopsis (approximately 1991),
Jim and John Thomas (approximately 1991), script Richard Rothstein version (approximately 1988-1989), script Chris Leitch
version (approximately 1988 August).
box 21
1987-1992
Miscellaneous (product placement, production insurance, logo, tech-fx agreement, Forest Report, Leon Rippy, Universal Shredder)
(approximately 1991), script (1991 September 3), one line schedule (1991 September 17), script revisions (1991 October 23),
publicity (approximately 1991-1992), music (approximately 1991-1992), Mexican (approximately 1990-1991), credits/rating (approximately
1991-1992), callsheets (approximately 1991), cash flow (approximately 1991), casting (approximately 1991), contracts (actors)
(approximately 1991), crew (approximately 1991), directors (approximately 1989-1990), location (approximately 1991), marketing/advertising
(approximately 1991-1992), medical equipment (1991 February), cost reports (approximately 1991-1992),
Chrystal Knights [mislabeled, actually
Universal Soldier] budget (approximately 1990-1991), production information (1987-1991).
box 22
1990-1992
Post-production schedule (approximately 1991-1992), press packets (approximately 1992), production reports (approximately
1991), production file (approximately 1990-1991), resumes (approximately 1991), reviews (approximately 1991-1992), set construction
(approximately 1991), screening guest lists (approximately 1992), press screenings (approximately 1992), coverage (approximately
1992), crew list (approximately 1991), Andrew Davis/Theodore Parvin (approximately 1991), Dean Devlin (approximately 1990-1991),
deal memo (approximately 1991), Deforest report (approximately 1991), directors list (approximately 1990), editors (approximately
1991), electronic press kit (approximately 1991-1992), Roland Emmerick and Oliver Eberle (approximately 1991), Estudios Churubusco
Azteca SA (approximately 1990), financing (approximately 1991), Fomex financing (approximately 1990), general (approximately
1991), Visa applications (approximately 1991), box office
Air America,
LA Story,
MOTM (approximately 1992), Holger gross (approximately 1991), foreign box office (approximately 1992), make-up Larry Hamlin (approximately
1990-1992), insurance (approximately 1990-1991), jackets (approximately 1991), Peter Krause (approximately 1991), legal (approximately
1990-1991), Heinz Legler (approximately 1991), Walter Lindenlaub (approximately 1991), logos (approximately 1991), Kit West
(approximately 1991), Ally Walker (approximately 1991), Jean Claude Van Damme (approximately 1991), music Ugly Kid Joe (approximately
1992), Universal Soldier Inc. (approximately 1991), Dolph Lundgren (approximately 1991), unions (approximately 1991), script
(1990 August 31), title registration (approximately 1991), Barry Kulick (approximately 1991), MPAA titles (approximately 1990-1992),
cast and crew deal memos (approximately 1991), crew list, shooting script, shooting schedule (approximately 1991).
Gale Force
box 23
box 24
1986-1991
Research (approximately 1990-1991), marketing and advertising (approximately 1991), miscellaneous (approximately 1990-1991),
synopsis (approximately 1990), New Iberia Louisiana (approximately 1991), maps of offshore drilling areas (approximately 1990),
story notes (approximately 1989-1991), development (approximately 1988), story notes Avrech (approximately 1991), script (1991
June 28), script (1991 September 3), Arkansas, Virginia, Philadelphia film office information (approximately 1991), South
Carolina film office information (approximately 1986-1989), hurricane research (approximately 1989-1990).
box 25
1989-1991
Budget (approximately 1991), Richard Tuggle revisions (approximately 1991), production personnel possible (approximately 1991),
Gale Force (re-writes, correspondence) (approximately 1991), writers (approximately 1990-1991),
Gale Force (miscellaneous production materials) (approximately 1989-1991), Renny Harlin memos (approximately 1991), Dan Melnick memos
(approximately 1991), Robert Avrech (approximately 1989-1991), Richard Tuggle (approximately 1991), artists/personnel Renny
Harlin (approximately 1989-1991), Carolco vs. Rosenberg correspondence and deposition (approximately 1991), production (approximately
1989-1990), script (1991 September 3), crew list (approximately 1991), Dean Devlin projects (approximately 1991).
box 26
1989-1992
Gale Force (Richard Tuggle and WGA) (1991-1992), script, Renny Harlin notes, Tuggle draft revisions (1991 July-August), treatment (1991
July), story notes Avrech draft (approximately 1991), story notes (approximately 1989-1991), story notes Tuggle draft (approximately
1991), Writers deals (approximately 1991), Artists/personnel David Chappe (writer) (approximately 1989-1990), general advertising
and publicity (1989), Acquisition of Rights: Rights/Option (1990 May), Acquisition of Rights: Chain of Title (1991 August
1), Acquisition of Rights: Showtime Film License Agreement MPP "Gale Force, Pascali's Island, Home Year My Voice Broke" (1990
February), Carolco Director's Guild (approximately 1991), Legal Affairs (approximately 1989-1991), Henry Bean (approximately
1991), artists/personnel Joan Didion and John Gregory Dunne (approximately 1990), artists/personnel Mary Kane (Unit Production
Manager) (approximately 1990-1991), artists/personnel Joe Esterhaus (approximately 1989-1991), artists/personnel Richard Tuggle
(writer) (approximately 1991), artists/personnel Robert J. Avrech (writer) (approximately 1991), artists/personnel Lawrence
Conner (co-writer) (approximately 1990), artists/personnel Henry Bean (approximately 1990-1991), artists/personnel Terry Miller
(first assistant director) (approximately 1990-1991), artists/personnel Sylvester Stallone (approximately 1991), writers lunch
and script discussion (approximately 1992), artists/personnel crew list (approximately 1991), Richard Tuggle contracts (approximately
1991), Vallone (John C. Vallone) (approximately 1990-1991), writers (1990 December).
box 27
1989-1995
Michael Rachmill (approximately 1990), Konner and Rosenthal (approximately 1990), litigation (approximately 1990-1992), Joe
Esterhas (approximately 1990-1991), Remy Harlin (approximately 1989-1991), visual effects (approximately 1991), script review
and revisions (approximately 1991), crew (approximately 1991), cast and crew list (1991 August), casting (approximately 1991),
Mindy Marin (approximately 1990-1991), locations (approximately 1991), miscellaneous (approximately 1991), actors (approximately
1989), budget (approximately 1991), agreements (approximately 1989-1995),
The 7th Wave coverage and title registration (approximately 1991), crew (approximately 1991), crew correspondence (approximately 1991),
Esterhas (1990 May), Renny Harlin (approximately 1990), itineraries (1991 August), locations (approximately 1991), location
research (includes photos and information from: Georgetown, SC, Mt. Pleasant, SC, Cooper River Bridge in Charleston, SC, Historic
Charleston, SC, Port Arthur, TX, Morgan City, LA, Galveston, TX, Mobile, AL, Grand Isle, LA) (approximately 1990), actor lists
(approximately 1991), budget (1991 January), crew (approximately 1991), marketing (approximately 1991), Robert Avrech (approximately
1991), Henry Bean (approximately 1991), budget-preliminary (approximately 1991), copyright and title reports (1991 July),
editor (1991 June), George Gibbs (approximately 1989), Tia Hampton, Renny Harlin script notes (approximately 1990-1991), hurricane
footage (1990 August), hurricane info (approximately 1990), line producer (approximately 1991), locations (approximately 1991),
Mindy Marin (approximately 1991), MPAA title registration (approximately 1990-1991), production designer (approximately 1991),
publicity, Rosenberg litigation (1990 October), Richard Tuggle script pages.
Mountains of the Moon
box 28
1984-1990
Publicity (approximately 1990), cast (approximately 1989), reviews (approximately 1990), location (approximately 1989), crew
(approximately 1989), cast and crew list (approximately 1989), shooting schedules (approximately 1989), Ballantine Book (approximately
1989), trailer (approximately 1989), London address book (approximately 1989), faxes to DM-Nairobi (approximately 1988-1989),
crew (approximately 1988), publicity February (approximately 1990), marketing/release schedule (approximately 1989-1990),
correspondence (approximately 1988-1990), miscellaneous (travel information, agreements) (approximately 1987), correspondence
(approximately 1984-1987), background information (approximately 1988), budget (approximately 1988), Burton and Speke script
(approximately 1984),
Mountains of the Moon (budget, construction) (approximately 1988-1990), budget (approximately 1989), budget (approximately 1988), screenings (approximately
1987-1990), script (1988 August).
box 29
1986-1990
Daniel Melnick (DM) London flat (approximately 1988), correspondence (approximately 1988), faxes to Terry Clegg (approximately
1988), faxes to Beverly (approximately 1988), faxes from DM to Allen Shapiro (approximately 1988), faxes from DM to Tristar
(approximately 1988), faxes from DM to Andy/Mario (approximately 1988), personal correspondence to DM (approximately 1988),
faxes to DM from Elizabeth (approximately 1988), faxes from DM to Elizabeth (approximately 1988), faxes from Beverly (approximately
1988), Midnite Express receipts (approximately 1988), shooting schedule (approximately 1988), shipments to Africa (approximately
1988), faxes to DM (approximately 1988),
Mountains of the Moon (casting, auditions) (approximately 1988), casting advices and agreements (approximately 1988), correspondence sent (approximately
1988), correspondence received (approximately 1988), script notes (approximately 1988),
Mountains of the Moon (script) notes (approximately 1988), personal (approximately 1988), miscellaneous/USA (correspondence, Leonard Stern) (approximately
1988), faxes to DM (includes information from
Punchline) (approximately 1988), black actors (approximately 1988), editors (approximately 1988), shooting schedule (approximately
1988), Bill Harrison (approximately 1988), London accounts (approximately 1988), miscellaneous correspondence (approximately
1988), publicity Dennis Davidson (approximately 1988), publicity (approximately 1988), Kenya (approximately 1988), titles
(approximately 1988-1989), wire transfers (approximately 1988), main and end titles (approximately 1988-1989),
Mountains of the Moon (agreements) (approximately 1986-1988), post-production (approximately 1988-1990), location (approximately 1988-1990), music
spotting (approximately 1989),
Journey to the Discovery of the Nile (1988 August), script to Margaret Herrick Library (approximately 1990).
box 30
1988-1991
Publicity (1989 October-1990 January), screening guest lists (approximately 1989-1990), music/score (approximately 1989),
wardrobe (1989 May), story notes (approximately 1989), notepads (approximately 1989), audience surveys (1989 June 18-1990
February), print ad test (approximately 1989), synopsis (approximately 1988), miscellaneous faxes (approximately 1988), script
submissions (approximately 1988),
Mountains of the Moon (contacts) (approximately 1988), production notes, letters, schedules, academy campaign, reviews, miscellaneous (approximately
1990), Academy campaign (approximately 1990),
Mountains of the Moon (publicity, miscellaneous) (approximately 1990-1991), script notes (approximately 1988).
box 31
1987-1989
Malaysia information (approximately 1987), press kits (approximately 1989), Eliz faxes (approximately 1988), publicity (approximately
1989), 1989 September correspondence, publicity and promotion (approximately 1989), script (approximately 1988), script (1988
August), script (1989 February),
Kayaks Down the Nile by John Goddard, schedule (approximately 1989).
Roxanne
box 32
1986-1988
Reviews (approximately 1987), Diet Coke screening (approximately 1987), tracking reports (approximately 1987), weekend grosses
(approximately 1987), Nelson BC Miscellaneous (approximately 1987),
Roxanne (revisions, credits, trailer) (approximately 1986-1987), advertising, artwork, etc. (approximately 1987), international release
(approximately 1987), marketing (approximately 1987-1988), correspondence miscellaneous (approximately 1987-1988), Diet Coke
spots (approximately 1987), screening (approximately 1987), spot television (approximately 1987), reviews and thank yous (approximately
1987), combined continuity (approximately 1987).
box 33
box 34
1986-1987
Reviews (approximately 1987), picture vehicles (approximately 1986), location (approximately 1986), makeup and hair (approximately
1986), miscellaneous (legal, election day, Screen Gems Canada, talent locations, film list, wrap party, night shooting, fire
department, production details, set decorating, SAG, dailies, schedule, strike delay, Tripwire Productions, etc.) (approximately
1986-1987), music (approximately 1986), wrap (approximately 1986-1987), legal council (approximately 1986), promotion (approximately
1986-1987), animals (approximately 1986), construction (approximately 1986), location (approximately 1986), makeup, props
(approximately 1986), set decorating (approximately 1986), wardrobe (1986 October 30), studio (approximately 1986), sunrise
and sunset tables (1986), taxation (approximately 1986), technical (approximately 1986), union related (minus ACTRA) (approximately
1986).
box 35
1985-1995
Wardrobe (approximately 1986-1987), budget related (approximately 1986), catering (1986 June-July), cost reports (approximately
1986), clearance (approximately 1986), customs (approximately 1986), day out of days (1986 July 15), callsheets and script
reports (1986 October), extras (approximately 1986-1987), film stock (1986 October), film tests (approximately 1986), immigration
(approximately 1986), insurance (approximately 1986), pre-production (approximately 1986), production meeting notes (1986
July), production office (1986 October 9), props (approximately 1986), publicity (1986 September-October), crew deals (approximately
1986), script related (approximately 1986), accommodations (approximately 1986-1987), one-line shooting schedule (approximately
1986), Palisades Hotel (approximately 1986), payroll service (approximately 1986), phone call lists (approximately 1986),
music (approximately 1987), correspondence 1989, titles and credits (approximately 1986-1987), contact list and budgets (approximately
1985-1986), cost report (approximately 1986), scripts (1986), reviews (approximately 1987), combined continuity, cast and
crew lists (approximately 1986), television pilot (approximately 1995), audit (approximately 1988-1992), screening lists (approximately
1987).
box 36
1985-1990
Film and prints (approximately 1987-1988), opening weekend information (approximately 1987), tracking reports (approximately
1987), directors, casting, script, script dist. [distribution], Miscellaneous (approximately 1985-1986), audit information
(approximately 1986-1990), excerpts from reviews Re: Nelson, dialogue transcript (approximately 1987), miscellaneous correspondence
(approximately 1987), media research (approximately 1987), breakdown pages (approximately 1986), media plan and screenings
(approximately 1987), miscellaneous (Indieprod agreement with Steve Martin Inc. [SMI] and Columbia, script changes, distribution,
correspondence with Columbia, Steve Martin requirements, TV schedule, Columbia and Heublein, Inc., agreements, Writer's Guild
information, screenings, financial information, "About the Filmmakers," credits, etc.) (approximately 1985-1987),
Roxanne (distribution statements, reviews, script information, etc.) (approximately 1985-1988), master photographs, scripts (1986).
box 37
1985-1993
Nose mold for Planet Hollywood (approximately 1991-1992), production salary and expense reimbursements (approximately 1986-1992),
English translation (approximately 1985-1987) (includes the play,
Cyrano de Bergerac),
Roxanne (Columbia-Indieprod agreement, production material) (approximately 1985-1990), Hawaiian tropic promotion (approximately 1987),
Phoenix Indieprod (approximately 1987-1989), distribution payments (approximately 1987-1993).
Footloose
box 38
1981-1984
Budgets (approximately 1983), budget current (approximately 1983-1984), budget summary (1983 April 13), LJR budgets (approximately
1983), publicity (approximately 1983), censorship articles (approximately 1981-1983), continuity (approximately 1983), cast
(approximately 1983), cast: Kevin Bacon / New York Test (approximately 1983), cast and screen tests (approximately 1983),
casting (approximately 1982-1983), choreography (approximately 1982-1983), camera reports (approximately 1983), congratulations
(approximately 1984), credits (approximately 1983-1984), credits and titles (approximately 1983), Location callsheets (approximately
1983), callsheets (approximately 1983), location callsheets (approximately 1983-1984), correspondence (approximately 1981-1984).
box 39
1981-1984
Footloose by Robert Tine (book) (1984), box inventory [incorrect], correspondence 1983 May, music Dan Pitchford lyric sheets (approximately
1983), 1983 June, undated (dance information, correspondence, show, marketing, publicity), music: memos (approximately 1982-1984),
music: artists (approximately 1983-1984), music (approximately 1981-1983), publicity and research booklets, Dan Melnick from
UIP International (approximately 1984), Europe and Asia dates 1984, cost statements (approximately 1983), press book, UIP
International press (approximately 1984).
box 42
1982-1984
Publicity articles (approximately 1983-1984), still photos (approximately 1983), Paramount facilities (approximately 1983),
post-production (approximately 1983), production 2nd unit (approximately 1983), production: equipment and rental agreements
(approximately 1983), Press kit (approximately 1983), Paramount/IPC [Indieprod Company] salary info (approximately 1983),
production info (approximately 1982-1983), publicity: memos (approximately 1983-1984), publicity (approximately 1983-1984),
local publicity (approximately 1983-1984), actor's bio info, Lynne Taylor-Corbett (approximately 1983), publication list,
Doc. Shoot (approximately 1983), press coverage national (approximately 1982-1983), publicity (approximately 1983-1984), Joe
Farrell national research (approximately 1983), research (approximately 1983), audience research (approximately 1983), research
report and clearances (approximately 1982-1983), Aaron Bohrod research (approximately 1983), Middle America/photo research,
research (approximately 1983).
box 43
1982-1984
Gymnasts (approximately 1983), script memos (approximately 1983),
Sixteen (approximately 1983-1984), special photog. [photography] (approximately 1983), releases (approximately 1983), submission
letters (approximately 1983), automobile (approximately 1983), Nuclear Freeze (approximately 1982-1983), Dean Pitchford (approximately
1983), Kevin Bacon (approximately 1982-1983), music (approximately 1983), novelization (approximately 1983), notes (approximately
1983), Paramount physical plant (approximately 1982), production (approximately 1983), Melnick's script (approximately 1983),
script (approximately 1983), miscellaneous (approximately 1983), housing and cast and crew (approximately 1983), scripts,
displays scrapbooks (approximately 1984).
box 44
1982-1984
Story notes (approximately 1982-1983), Utah development (approximately 1983), memos (approximately 1983), Cinefex (approximately
1982), dance video shoot (approximately 1983), Utah film board local controversy, etc. (approximately 1983), television shows
(approximately 1983), title registration (approximately 1982), screenings (approximately 1984), Lewis J. Rachmil (approximately
1982-1983), script and story notes (approximately 1982-1983), screenings (approximately 1983-1984), budget (approximately
1983), credits (approximately 1983-1984), congratulation notes, etc. (approximately 1983-1984), miscellaneous agreements (approximately
1983-1984), reviews and publicity (approximately 1983-1984), trailer (approximately 1983), music (approximately 1983-1984),
production (approximately 1982-1984), executive planner (1983).
box 45
box 46
1982-1984
Looping and post-production (approximately 1983), memos (approximately 1983), memos (approximately 1983), marketing (1984
March 15), merchandising (approximately 1983-1984), music (approximately 1983), illustrations (approximately 1983), unions
and guilds industry codes and regulations (approximately 1983), insurance (approximately 1983), locations (approximately 1982),
locations: general brochures (approximately 1982), location sites (general and memos) (approximately 1983), Herbert Ross (approximately
1983), directors (approximately 1982-1983), Michael Cimino (1982 December 3), editing (approximately 1983-1984), foreign language
dubs (1984 March), foreign releases (1984 March), United International Pictures (UIP) publicity Germany, Brazil, Norway (approximately
1984), UIP publicity Japan (approximately 1984), dancers (Utah) (approximately 1983), equipment (approximately 1983), daily
production reports (approximately 1983), shooting schedule (1983), production schedules (approximately 1983), daily production
reports (approximately 1983-1984), documentary/promo film (approximately 1983), added dance cuts and looping (approximately
1983-1984).
box 47
Making Love
box 48
1980-1982
Cast and crew lists (approximately 1981), writers' deals (approximately 1980), actor deal memos in brief (approximately 1981),
locations (approximately 1981), cast lists (approximately 1981), cast and crew deals (approximately 1980-1981), actor's deal
memos (approximately 1981), credits (approximately 1981), Glascoe suit (approximately 1981-1982), novelization (approximately
1981-1982), music (approximately 1981-1982), deal memos (approximately 1980-1982),
Making Love (agreements, production information) (approximately 1981-1982), credits (approximately 1981-1982), general (reviews, publicity)
(approximately 1982), post production (approximately 1981), production managers (approximately 1981), title change (approximately
1981), credits (approximately 1981-1982), staff cast and crew (approximately 1981-1982), bartenders (approximately 1982),
production reports (approximately 1981), congratulatory letters (approximately 1982), call sheets (approximately 1981).
box 49
1980-1983
Pre-production (approximately 1980-1981), Arthur Hiller (approximately 1980), budget (approximately 1981), script (approximately
1981), TV and college press junkets (approximately 1982), general (correspondence, production notes, transcript of comments
to a panel on homosexuality in film at the 1981 APA convention) (approximately 1981-1982), quote ads (approximately 1982),
contracts and legal etc. (approximately 1981-1983), music (approximately 1981), hate letters (approximately 1981), production
(approximately 1981-1982), screenings (approximately 1981-1982), reviews (approximately 1981-1982), publicity (approximately
1981-1982).
Punchline
box 50
1986-1988
General (budget, cast, script notes, etc.) (approximately 1986), contact information (approximately 1987-1988), Mann Theatre
dispute with Paramount (approximately 1988), screen credits (approximately 1988), screenings (approximately 1988), Dawn Steel
and Mike Sampson re: screening (approximately 1988), publicity and promo correspondence (approximately 1988), music soundtrack
(approximately 1988), reviews (approximately 1988), congratulatory notes (approximately 1988), general (cast and crew lists,
copyright claim, demographics, teaser script, titles, screening, agreements, Sally Field notes, editorial) (approximately
1988), schedules (1987 July-August), memos, etc. (approximately 1987-1988), audience survey (approximately 1987-1988), screenings
(approximately 1988), publicity (approximately 1987-1988), production (approximately 1987-1988), production reports/callsheets
(approximately 1987), audience surveys (1987 November 14).
box 51
1984-1992
Audience survey (approximately 1987 October 16), continuity (1988),
Punchline (advertising campaigns, poster) (approximately 1988), casting (approximately 1986), script submissions and locations (approximately
1986), scripts (1984 August 14), script (1987 January-1989 March), scripts (1987 January 23), projects:
Punchline (general, credits, agreements, etc.) (approximately 1986-1988), title (approximately 1986-1987), production sal. [salary]
and exp. [expense] reimbursements (approximately 1987-1992), Indieprod television (approximately 1988), copyright infringement
claim (approximately 1988), screenings and guest lists (approximately 1988), publicity (approximately 1988).
Sympathy for the Devil or Leap of Faith
box 52
1991-1992
Pre-production schedules
Leap of Faith (approximately 1992), post-production schedule
Leap of Faith/Sympathy for the Devil (1992 May), Paramount
Sympathy for the Devil (1992 March), production reports
Sympathy for the Devil (approximately 1992),
Leap of Faith/
Sympathy for the Devil DM [Daniel Melnick] file (approximately 1991-1992), budget (approximately 1992), publicity
Sympathy for the Devil (approximately 1992), press packets
Sympathy for the Devil (approximately 1992), June call sheets
Sympathy for the Devil (approximately 1992), casting
Sympathy for the Devil (approximately 1992), correspondence outgoing
Sympathy for the Devil (approximately 1992), crew correspondence
Sympathy for the Devil (approximately 1992), day out of days
Sympathy for the Devil (approximately 1992), directors
Sympathy for the Devil (approximately 1992), cast lists
Leap of Faith (approximately 1992), contracts (actors)
Sympathy for the Devil (approximately 1992), international
Sympathy for the Devil (approximately 1992), locations
Sympathy for the Devil (approximately 1992), clearances (approximately 1991-1992), correspondence incoming
Sympathy for the Devil (approximately 1992), miscellaneous
Sympathy for the Devil (approximately 1992), Steve Martin contracts
Sympathy for the Devil (approximately 1992), crew
Sympathy for the Devil (approximately 1992), shooting schedule
Sympathy for the Devil (approximately 1992), one line schedule
Sympathy for the Devil (approximately 1992), music
Leap of Faith (approximately 1992),
Leap of Faith travel itinerary and receipts (approximately 1992), story notes
Sympathy for the Devil (approximately 1992),
Leap of Faith aka
Sympathy for the Devil (property, settlement agreement and general release with Paramount) (approximately 1991-1992),
Sympathy for the Devil transcriptions (approximately 1992),
Leap of Faith/
Sympathy for the Devil scripts (approximately 1991-1992), tape transcriptions
Leap of Faith/
Sympathy for the Devil (approximately 1992).
box 47
Quicksilver
box 53
1983-1986
Sound FX (approximately 1984-1985), sound and editorial (approximately 1984-1985), stills (1984), still sequence LA (approximately
1985), still sequence NY, stunts (1984 October), television coverage (approximately 1984-1985), TV project (approximately
1985), actors daily time report (1984 December), transportation (approximately 1984), travel (approximately 1984-1985), travel
information (approximately 1984), vests (approximately 1985), miscellaneous production information (approximately 1983-1985),
actors (approximately 1984), advertising (approximately 1985-1986), artwork (approximately 1984-1985), Kevin Bacon (contract)
(approximately 1984), budget (approximately 1984-1985), final budget (1984 November 13), callsheets (approximately 1984-1985),
casting information (approximately 1984), chase sequence (storyboard) (1984), Tom del Ruth/cinematographer (contract) (1984),
contact lists (1984), correspondence (1984), credits (approximately 1984-1985), Grover Dale (1984 December), dance (1984 November),
deal memos/actors (approximately 1984), deal memos/crew (approximately 1984), Pen Densham and John Watson (contracts) (approximately
1984-1985), Director's Guild pension dues (approximately 1985), distribution (approximately 1986), Tom Donnelly (approximately
1984-1985), editor Tom Rolf (approximately 1985), estimated cost reports (approximately 1984-1985), extras (approximately
1984), first unit shooting schedule (approximately 1984-1985), hair and makeup (1985 July), Hennessey Street (1984), legal
(approximately 1984-1986), location information (approximately 1984), location site rentals (1984 October), Los Angeles locations
(approximately 1984), San Francisco locations (approximately 1984-1985), looping (LA and NY), make-up, Dan Melnick memos (approximately
1984-1985), Dan Melnick San Francisco personal filing (approximately 1984), memos Dick Stenta (approximately 1984-1985).
box 54
1984-1986
Miscellaneous (list of stocks for insert, article about bikers in San Francisco) (1985), mural information (approximately
1985), music (includes contracts) (approximately 1984-1986), Richard Mulligan claim (approximately 1984-1985), memos to Tom
Donnelly (approximately 1984-1985), memos from Tom Donnelly (1984 November), memos to Mike Rachmil (1984), Dan Melnick memos
(1984), memos to Tom Rolfe (1984 November), Richard Mulligan (1984), notes (1984), memos from C. Meledandri (1985 January),
pick-up shots, production information (approximately 1985), post-production (approximately 1985), press (approximately 1984-1985),
preview screening notes (approximately 1985-1986), production board (approximately 1984), production meetings (1984 October),
production office memos (1984 November), production report (approximately 1984-1985), promotion (approximately 1984-1986),
props (1984 November), publicity (approximately 1984-1986), rehearsal schedule, reshoot (1985 July), research screenings (approximately
1985-1986), release (approximately 1985-1986), resumes (approximately 1984-1985), reviews (approximately 1985-1986), revisions
(approximately 1984-1985), Charles Rosen (art director; contract) (1984), runaway budget (1984), Ryder Sound Services (approximately
1985), salary reimbursement (approximately 1984-1985), script (approximately 1984-1985), script revisions (approximately 1984),
script supervisor reports (approximately 1985), 2nd unit (approximately 1984-1985), 2nd unit actions sequence (storyboards),
2nd unit information (approximately 1984), 2nd unit storyboards, set construction, Becky Shargo (approximately 1984-1985),
shooting schedule and revisions (approximately 1984-1985).
The Quick and the Dead
box 55
box 57
1993-1995
The Quick and the Dead (Correspondence, includes
The American West, Pa-Has-Ka Books Catalog 15) (approximately 1993-1994),
The Quick and the Dead (budget) (approximately 1993-1994), casting and availability quotes (approximately 1993), casting (approximately 1993), crew
(approximately 1993), Russell Crowe (approximately 1993-1994), deal (approximately 1993), directors (approximately 1993),
Josh Donen (approximately 1993), Gene Hackman (approximately 1993-1994), Trevor Jones (approximately 1993-1994), Veronica
Lauren (approximately 1993-1994), main titles and end credits (approximately 1994-1995), marketing (approximately 1995), merchandising
(approximately 1994), Simon Moore (approximately 1993-1994), music (approximately 1993-1994), post production (approximately
1994), previews/screenings (approximately 1994-1995), Sam Raimi (approximately 1993-1994), production (approximately 1993-1994),
professional resumes (approximately 1993-1994), profit statements (approximately 1995), publicity (approximately 1994-1995).
box 58
1975-1995
Reviews and publicity (approximately 1995), research (approximately 1993), re-shoot (approximately 1994), John Sayles (approximately
1993), Sony Imagesoft (approximately 1993-1994), Alan Silvestri (approximately 1994-1995), Sharon Stone (approximately 1993-1995),
shot list (approximately 1994), story notes (approximately 1993-1994), Joss Whedon (approximately 1994), travel/expenses (approximately
1993), writers (approximately 1993-1994), video game (approximately 1994), shooting schedule (approximately 1993), script
(approximately 1993), steno pads (approximately 1994), correspondence (approximately 1994),
The Quick and the Dead (production, includes
The Fantastic Art of Frank Frazeta, Peacock Press, 1975) (approximately 1993),
The Quick and the Dead (story notes, agreements) (approximately 1993).
Mixed projects and productions
box 59
1978-1993
Corrine Maure (approximately 1992), notes on
Forty Regular,
Dirty Business (script) Jack Weinstein (approximately 1986),
Family Business (master) (approximately 1985-1986), Bo Goldman project (approximately 1980-1982), Ligia (approximately 1987-1991), projects:
Bogus (approximately 1989-1991), projects: miscellaneous development (approximately 1989-1990), projects: theatrical status report
(approximately 1989-1990), projects: general (approximately 1990), Atalanta Films International (approximately 1991),
Demolition Man (approximately 1988), Chuck Plotkin Productions (approximately 1978-1989), projects:
The Immigrant (approximately 1987-1993), Phoenix Entertainment:
The Immigrant (approximately 1987-1993),
First Family Melnick/Warner contract (approximately 1979-1980),
First Family scripts (1979),
Ghost Writer scripts (1988),
Ghost Writer (approximately 1989).
box 60
1979-1992
Dreamscape (approximately 1981),
The Land (approximately 1980-1982),
The Land scripts (1981-1982),
Jericho (approximately 1979-1981),
Fantic (approximately 1981),
The Four Hundred (approximately 1979-1981), Indieprod projects G (approximately 1985),
Gingerbread Lady (approximately 1980), Indieprod H (approximately 1979-1986),
Hard Rain Falling (approximately 1988),
Boo (approximately 1981), Buck Henry project (approximately 1979-1982),
High School Undercover (approximately 1984-1985),
Single Bar/Single Men deal memos (approximately 1986-1987),
Single Bars/Single Men (approximately 1986),
Single Men production daily report (approximately 1986),
Single Bars/Single Men shooting script reviews (approximately 1986-1987),
Single Bars/Single Men Jack Clements Producer (approximately 1986),
Single Men locations,
Single Men actors/deal memos (approximately 1986),
Single Men post-production schedule (approximately 1986),
Single Bars/Single Men title clearance (approximately 1986),
Single Men main titles and end credits (approximately 1987),
Single Men Bobby Roth director agreement (approximately 1986-1987),
The Immigrant M. Harelik (approximately 1987-1992), projects: submissions/rejections [mislabeled "Phoenix Entertainment 'Get Smart'"] (approximately
1988-1990), Channel Tunnel project (approximately 1992), Pauly Shore press clippings (approximately 1991),
Bowzer (approximately 1986), Dennis Littky Project (approximately 1986),
The Woman Who Seeks Her Murderer (approximately 1986),
Promises to Keep (approximately 1986),
Evidence of Love (approximately 1989), Challenger project (approximately 1989),
Young Dr. Doolittle (approximately 1991).
box 61
1977-1994
Projects: David Goodman (approximately 1988-1989),
Good Night Ladies aka
Merrily We Roll Along (approximately 1990), Project:
Guitar (approximately 1990), Project:
In the Lake of the Moon (approximately 1988), Higgins and Beech Korean (approximately 1992-1993), Projects:
Handsome (approximately 1987-1990),
Hank's Last Ride (approximately 1990-1992),
Hank's Last Ride script (1991 January 26),
Hank's Last Ride treatment (1990 July 17),
Acquired Taste (approximately 1981),
Unfaithfully Yours deal memos (approximately 1980-1982),
Little Boy Who Came Home for Christmas (approximately 1980-1981),
Life After Death (approximately 1981), Marie Leveau (approximately 1980), Project: John Lithgow/untitled project (approximately 1991-1992),
Dennis Litkey Story-option/life story (approximately 1986), Projects:
Lives of the Twins novel (approximately 1987),
Merlin (approximately 1977-1982), "Instant Replay" Indieprod, "The Killer" (approximately 1994),
Iron Man Lee Zlotoff (approximately 1991-1992),
The Iron Man scripts (1991),
The Last Run (approximately 1992),
Burning Chrome (approximately 1987), "Biker" project (approximately 1987), "And Baby Makes Two" (approximately 1980-1981), Buck Henry (approximately
1981),
Get Smart, Again! script (1988),
Get Smart (approximately 1988-1989).
box 62
1981-1994
Just Crazy About (approximately 1981-1983),
Just Crazy About scripts (1982), Daniel Melnick (DM) coverages (approximately 1994), Rare Book File (approximately 1994),
Afterlife (approximately 1994),
Before and After (approximately 1993),
The Celestine Prophecy (approximately 1994),
Examiner (approximately 1993),
Frankenstein publicity (approximately 1994),
Frankenstein (approximately 1994),
God's Anvil (approximately 1992-1993),
God's Anvil synopsis,
Immigrant (approximately 1993-1994),
100th Monkey (approximately 1993-1994),
Kiss the Girls (approximately 1994),
Mirage (approximately 1994),
Pal Joey (approximately 1994),
Quiz Show (approximately 1993),
Swordfish (approximately 1993).
box 63
1988-1994
Prozac Nation correspondence (approximately 1994),
Prozac Nation memoir (1994),
Renegades location shots in Arizona and New Mexico (approximately 1989),
Renegades casting (approximately 1991-1992),
Renegades correspondence (approximately 1991),
Renegades directors (approximately 1991),
Renegades story notes (approximately 1992),
Renegades legal (approximately 1988-1992),
Renegades Elizabeth Chandler (approximately 1989-1992),
Renegades director's list (approximately 1991),
Renegades Mel Gibson (approximately 1989-1991),
Renegades Julia Roberts (approximately 1991),
Renegades Kiefer utherland (approximately 1991),
Renegades notes (approximately 1992),
Renegades deal summaries (approximately 1991),
Renegades title (approximately 1990-1991),
Renegades locations (approximately 1989),
Renegades miscellaneous (approximately 1991),
Renegades Indian research (approximately 1991),
Renegades story notes (approximately 1991),
Renegades research (approximately 1991),
Renegades notes (approximately 1991),
Renegades correspondence and production materials (approximately 1990-1992).
box 64
1981-1993
Bumptious (approximately 1983),
Tagteam Walt Disney Pictures: Series Amortization (approximately 1990),
Tagteam Walt Disney Pictures: Series 1 hour budget,
Tagteam Walt Disney Pictures: pilot budget (approximately 1990),
Tagteam budget revisions (1990 February-June),
Tagteam series post budget (approximately 1990),
Tagteam miscellaneous (schedule, directors, "Knife and Gun Club" pilot, network requirements) (approximately 1990-1991), Rastar/Indieprod
development status of productions 1991, Leonard Stern projects (approximately 1987),
Snatch aka
Blood Pressure (approximately 1987), Harry Sloan articles (approximately 1986-1987),
Guitars (approximately 1987),
Merlin (approximately 1989-1993),
Terminator 2: certification of insurance (approximately 1990),
Terminator 2: trailer (approximately 1990),
Terminator 2: jackets (1991), John Lithgow project (approximately 1990-1992),
Lullabye (approximately 1990), Mystery Writers of America (approximately 1991), James McClure (approximately 1991),
Primal (approximately 1991),
Jacob's Ladder credits (approximately 1990),
Jacob's Ladder general (approximately 1990),
Iron Man Lee Zlotoff (approximately 1991),
Manhattan Melody scene-by-scene outline (1982 February),
Manhattan Melody scripts (1981-1982),
Manhattan Melody (approximately 1981).
box 65
1975-1991
Special projects research: Omni-Max/Imax (approximately 1979),
Adam and Eve,
Garden of Eden, inflatables (approximately 1981), multi-media (approximately 1981), NASA (approximately 1981), NASA photos (approximately
1981), science fiction (approximately 1980), Computor art, EPCOT (approximately 1981), abstract space craft, Ken Adam-special
project (approximately 1981-1982), research libraries-space artists (approximately 1981),
And Baby Makes Two treatment (approximately 1975-1982), Ken Adam and Rick McCallum correspondence (approximately 1981), MMP technical information
(approximately 1981), items of interest, Dennis Potter preliminary notes and special project (1981 October), Herbert Ross
story idea (1981 December),Gene Nollman—
The Adventures of Gloria in Whozeland (approximately 1979-1981),
The Man Who Would Not Die (1981),
Quest for Fire press packet (1981),
2081: A Hopeful View of the Human Future notes,
Pandelume script (1981 August),
Proposals preliminary budget (1991 March), Seattle version of
Proposals budget (1991 April),
Proposals shooting schedule/day-out-of-days/one liner (1990),
Proposals breakdown sheets from script/11" prod. board from script (1990).
box 67
1985-1993
Chess Records (1987-1989),
Star Rover (1988), projects:
Scintilla writer Matthew Chapman (approximately 1985-1987),
Scintilla scripts,
Scintilla storyboard,
Scintilla cinematography and photography diagrams,
Scintilla storyboard, screening lists 1992, screening lists 1989-1990, projects (1992-1993), Tracey Trench correspondence (approximately
1992-1993).
box 68
1981-1997
Paul Schwartzman (
Merlin-related) (approximately 1993), Neil Simon 1991, Mirage/Ronald K. Siegel (approximately 1993), Dr. Ron Siegel project (approximately
1993), Leonard Stern (approximately 1991), David Z. Goodman (approximately 1992-1993), Patrick Duncan projects 1991, Deals
Twylay Tharp and Ilene Chaiken (approximately 1992-1993), Twyla projects (approximately 1992), N.G. Projects—submission logs
(
Only the Truth,
Sin City,
Fast Track,
Renegades,
Examiner,
Wanted,
Merlin) (approximately 1989-1991), Michael Bedard project (approximately 1992-1993),
Change of Heart (approximately 1981),
20,000 Leagues coverages, budget, and board (approximately 1996),
20,000 Leagues rewrite pages (approximately 1996),
20,000 Leagues (approximately 1996),
20,000 Leagues May 1 (1996),
20,000 Leagues May 3 (1996),
20,000 Leagues May 7 (1996),
20,000 Leagues May 8 (1996),
20,000 Leagues (approximately 1996), Daniel Melnick (DM) screenplays (approximately 1991-1995), current projects DM (approximately 1996),
Breaking Joshie (approximately 1996),
Bunny Girl (approximately 1996-1997),
Ronin (approximately 1995),
State and Main (approximately 1997),
Voices (approximately 1996),
Sisters (approximately 1983),
Sisters/Tomlin (approximately 1983), Lily Tomlin project (approximately 1982),
Twins–Lily Tomlin project (approximately 1982),
Sisters script (1983), "Working Title," Iris Rainer Dart scripts (1983),
Twins scripts.
box 69
1987-1999
White Flame (approximately 1996-1997), Mark Thompson (approximately 1996),
White Flame scripts (1996),
The Dreamers (approximately 1996-1997),
The Dreamers scripts (1997),
Harvest (approximately 1997),
Harvest scripts (1999),
Miracle of Chavez Ravine (approximately 1997),
The Miracle of Chavez Ravine script, coverage and project correspondence (approximately 1989-1990),
Deception (1987), Daniel Melnick correspondence/
Leap of Faith (approximately 1992),
Reprisal aka
9 Miles from Right (approximately 1996-1997),
9 Miles from Right script (1997),
Rambo III (approximately 1987),
Rambo III script (1987 May 14).
box 70
1978-1991
Bob Fosse project (
All That Jazz) (approximately 1980), Bob Fosse project research (approximately 1980),
All That Jazz (cast and crew list) (approximately 1978), Elizabeth—
All That Jazz reviews (approximately 1979),
All That Jazz combined continuity,
All That Jazz scripts (approximately 1978),
Altered States publicity (approximately 1980-1981),
Altered States scripts (approximately 1979),
Altered States production (approximately 1979), SAG-CPS-Dimitri
Red Heat (approximately 1986-1987),
Total Recall: Billy Al Bengston (approximately 1991),
Total Recall (approximately 1989-1990),
The Music Box (approximately 1988-1990),
Queen of Mean (approximately 1990-1991).
Coverages
box 71
Recent coverages, K, L, M-Mi
box 72
box 73
Recent coverages, S-Sy, Q-R, U-Z
box 74
Recent coverages, N-O, P, T-Ty
box 75
Recent coverages, A, B, C-Cl
box 76
Recent coverages, Co-Cz, D, E
box 77
Coverage without comments, A-D, E-I, J-Q
box 78
box 79
1985-1997
Coverages (approximately 1997), coverages (approximately 1996), coverage examples (approximately 1985), incoming submissions
1991, outgoing submissions 1991, script coverages (approximately 1990-1991), script log (approximately 1997), Paramount properties
list (1988 June 1), Daniel Melnick script log outgoing (1989), submissions log incoming (1990-1993).
Scripts
box 80
1972-1982
Thou Shall Not Pass (1972),
California Suite (1977),
Popgun (1977),
Eyes: script and revisions (1977),
The Electric Horseman (Rastar) (1977),
Where are the Children (Rastar) (1977),
That Good Night (1977),
Maggie (1978),
Tubie's Moment (1978),
The Princess Bride (1979),
The Penetrax Carillon (1981),
The Most Powerful Man in the World (1981),
Under Fire (1980),
The Cold War (1982),
The Old Neighborhood (1982).
box 81
box 82
box 83
1986-1996
Virgins (inactive projects) (1986-1988),
The White Train (inactive projects) (1988),
The Seventy-Two Hour Club (inactive projects) (1988),
2-Face (1992),
Live from Baghdad (1993),
Win-Win (1993),
Non-Stop (1994),
Wasp (1994),
Picasso at the Lapin Agile (1995),
Patter for the Floating Lady (reading notes) (1995),
Out of the Fog (1995),
Exposure (1996),
Breaking Joshie (1996),
Monkeys (1987).
box 84
1941-2001
Contender (1997),
Deadly Equation (1998),
And All the Saints (1999),
Surrender on Demand (2000),
On the Road to Findout (2000),
All Fall Down (2001),
Indecent Exposure (2000),
Blue Streak I and
II (2001),
Sunset Limited (2001),
Torch (2001),
Shopgirl (2001),
The K-19 Submarine (1997),
Talk of the Town (1941),
Angel Steps (1994),
Spy (1990).
box 85
Undated scripts 1960s-2000s
Beachhaven (approximately 1985),
The American Student,
Si-Si and the Tapper,
Ace in the Hole by David Mamet,
Brotherhood of the Grape,
Pincushion,
Signpost (film treatment),
If You're Such a Great Star, Why Don't You Shine by David Goodman,
Storm Around the Corner by Marilyn Goldin,
Blind Luck,
Fool's Paradise,
Shooting Pass,
Exquisite Reprise,
The Diamond Coast, [Untitled Script],
The Queered Deal,
Coffee.
box 86
Books
Books within Daniel Melnick's papers, possibly related to film projects. Includes:
Goodbye by W.H. Manville,
The Gentlemen Misbehave,
Naked City by Barry Fitzgerald,
Dead Man by Joe Gores,
The Miracle of Mindfulness by Thich Nhat Hanh,
The Night Manager by John Le Carre,
Churchill's Black Dog Kafka's Mice by Anthony Storr,
Wild High and Tight: The Life and Death of Billy Martin by Peter Golenbock,
Stealth Investments by Orest B. Stelmach,
The Clericuzio by Mario Puzo,
Moscow Undercover Special by Dmitry Radyshevsky,
NNNNN by Carl Reiner.
box 87
MGM and Columbia 1972-1979
Daniel Melnick (DM) with Columbia Pictures Industries documents, "Hold" (1977-1978), Columbia cop and crime movies, Columbia
contract (includes agreement with Indieprod) (approximately 1976-1978), Motion Picture Division budget 1979, DM publicity
(approximately 1978),
Network (approximately 1976), MGM stocks and contract (approximately 1972-1976); MGM correspondence re:
Chrysalis (approximately 1972), Maggie Abbott (approximately 1976).
Indieprod Company
box 88
1984-1994
Biographies, 1988-1989 updates, expenses 1984 August, requests for checks (approximately 1985), Columbia Pictures (approximately
1985-1986), Lorimar Productions (1985), King's Road Productions (1985-1986), Samuel Goldwyn Company (1985-1986), Geffen Film
Co. (1986), Embassy Pictures (approximately 1985), Disney Studio (1985), CBS Studios (1985), Burbank Studios (1984), The Triad
Agency (approximately 1984-1986), Beth Uffner Agency (approximately 1985-1986), Peter Benedek (approximately 1985-1986), Williams
and Connolly (1984), Wood Foley Management (1985 February), Writers and Artists Agency (approximately 1985-1986), Wunsch/Ostroff
Inc. (approximately 1984-1986), Manatt, Phelps, Rothenberg and Phillips (approximately 1990), Lippman-Kahane (approximately
1989), Indieprod business plan: correspondence (approximately 1991), Indieprod business plan: production costs and receipts
chart (approximately 1991), Indieprod Corporation: Central Films LTD Joint Venture (approximately 1989-1990), Indieprod presentation
reel (approximately 1991), Indieprod Business Plan (approximately 1990), master business plan Indieprod (approximately 1990-1991),
master domestic production manual (approximately 1988-1989), Project April (includes Indieprod Business Plan 1991-1994) (approximately
1990-1994), Indieprod Jeff Chamberlain (approximately 1992), Indieprod company bio [biography] (approximately 1992), Lisa
Hilbolt (approximately 1991-1993), Guild sign-up (1992), Guild Film Distribution Ltd. (approximately 1991), Dean Devlin (approximately
1991), Conley Edgar Holbrook (approximately 1991), Rastar (approximately 1988-1990), artworks in Indieprod, storage box inventory
list.
box 89
1973-1992
The Getaway chain of titles (approximately 1990-1991),
The Getaway Turman-Foster term deal (approximately 1973-1992), Carol Bloom (approximately 1987), Skip Nicholson Agency (approximately
1986), Northcorp (Dan Rissner) (approximately 1986), Pan Arts (1986), Steve Jaffe-Susan Blakely (approximately 1986), storage
(approximately 1984-1985), moving and storage receipts 1984, coverage (1985), contributions (approximately 1986-1987), invitations
1986, 1988 Imagen Awards, Columbia deal 1985, invitations 1984, Bergman v. Clausen (approximately 1986-1987), Massachusetts
v. Jacobson and Clarke (approximately 1986), Indieprod Company confidential (approximately 1980-1982), DM's [Daniel Melnick's]
callsheets (1989),
Footloose and previous projects (approximately 1987), status reports (1987), callsheets and calendars (1987 March-July), Weintraub
miscellaneous (1987 June-August), weekend grosses - charts (1987 June-July), correspondence 1987 May-June, correspondence
1987 March.
box 90
1983-1994
Hollywood Agents and Managers Directory (1993), Hollywood Creative Directory (1993), Indieprod correspondence (C, D, E, F,
G, H, I) (approximately 1987-1994), Patsy de Lord (approximately 1990-1991), Saul David memos (approximately 1984), Deloitte
and Touche accountants (approximately 1988-1991), Indieprod Prod. [Production] Services (approximately 1993), insurance 1991,
Indieprod settlement (approximately 1991-1992), Daniel Melnick bio [biography], Dwight Hooker miscellaneous (approximately
1983-1991), Dwight Hooker Lot 1 Sundance UT(approximately 1983-1986), Dwight Hooker Lot 23 Sundance UT (approximately 1983-1986),
health spas (approximately 1990), David Z. Goodman (approximately 1992), Arthur Emil (approximately 1988-1993), Chevy Chase
bday [birthday] 1993, Africa (approximately 1988-1990), Anna Shumate (approximately 1989-1990), Carolco (Indieprod merge in
1987), miscellaneous Indieprod (Hall Bartlett pamphlet, letter from Ron Moler and Bob Israel) (approximately 1986), 1983 studio
development status, Barry Krost Management (approximately 1990), Indieprod Production Services Inc. (corporate records 1993),
the Indieprod Company (corporate records 1992).
box 91
1987-1992
Contacts Indieprod (approximately 1987-1988), Indieprod policies (1988), Indieprod business plan (approximately 1991), Bloom,
Dekom, and Hergott (approximately 1991-1992), Carolco Indieprod 1988 annual report, Indieprod General Corporation Armstrong
Hirsh and Levine (approximately 1990-1991), Indieprod-corporate Mel Gibson overall deal (approximately 1989-1991), callsheet
1989 July 5-December 29, JSB [Japanese Satellite Broadcasting]-Indieprod original b.s. [business] plan (approximately 1991-1992),
JSB-Indieprod business plans old (approximately 1991), callsheets 1989 January 3-June 30, daily transcripts 1989 January-June,
Chron [Chronological file] 1989, Dan Devlin deal (1991).
box 92
box 93
1981-1988
Correspondence (and thank yous) 1987 February-March, correspondence and miscellaneous materials 1986 August-October, correspondence
(T, V, W, X and Y, Z) (1983-1988), Weintraub miscellaneous (1987 August), Beverly Sunset Medical Center traffic study (approximately
1988), Craig Zadan correspondence-
Footloose (approximately 1985), Mike Rachmil (1985 April), coverage (approximately 1987), Bruce Smeaton Letter and cassette (1988),
MO Rothman correspondence (approximately 1987), DM [Daniel Melnick] eulogy for Nora Ross, correspondence (I, J, K, L, M, N,
O, P, R, S) (approximately 1981-1988), press (1983-1984), Sundance correspondence (approximately 1987-1988).
box 94
box 95
box 96
Correspondence 1982-1988
A (approximately 1983-1987), publicity articles on Melnick miscellaneous (approximately 1987-1988), DM [Daniel Melnick]-Armstrong,
Hirsch and Levine (approximately 1987), presidential election information file (approximately 1987), B (approximately 1984-1986),
Bleger (approximately 1986-1988), Berisford business (approximately 1985), Memo from Bleger 1982 December 29, C (approximately
1984-1988), D (approximately 1983-1986), E (approximately 1983-1986), Arthur Emil (approximately 1983-1986), F (approximately
1983-1986), G (approximately 1983-1986), H (approximately 1983-1987), Aljean Hammets, Indieprod miscellaneous (1985-1986).
box 97
Office information 1989-1991
Brunch 1989 April 2, Brunch 1990 March 4, brunch 1990 May 13, brunch 1990 November 4, brunch Sunday 1991 April 21, miscellaneous
brunches, miscellaneous submissions 1989, files in storage, Daniel Melnick miscellaneous fax and memo, thank you miscellaneous,
regrets, callsheets 1990 January-June, wizard information, invites, submissions 1990, coverage 1990, incoming office correspondence,
outgoing office correspondence, responses to submissions 1990, resumes, Carolco publicity, DM [Daniel Melnick] miscellaneous,
Nancy Hobson memos, Flynn memos, Cathy Rabin memos, Alan Greisman 1990, Nancy Graham memos.
box 98
box 99
1988-1989
Carolco submission lists (1988 October 18-1989 May 22), Carolco status reports (1989 February-May), Peter Hoffman, Rae Sanchini
and DEG projects (1988-1989), Federal Express (Riley Ellis), Indieprod feature status report (1988 November-1989 March), Indieprod
TV status reports (1989 January-April), Indieprod weekly submission list (1988 September-1989 April), in-house correspondence
(1988-1989), pass letters: 1988 October-1989 May, Andrew Haines, Mitchell Kaplan, Victoria Lucas, Jorge Saralegui, reader
invoices (1988 November-1989 March), resumes (approximately 1988-1989), Mark Hurwitz, Andrew Richter, reader resumes 1989,
Kevin Rock, title ideas and registrations (1989).
box 100
box 101
1978-1994
Paramount Pictures produced properties 1988-1994, Paramount Pictures produced properties 1983-1991, notes on
How to Improve Your Chances of Creating a Successful Dramatic Television Series by Richard Dorso (1986), Paramount Pictures unproduced properties 1967-1983, Dan Melnick office procedures manual (1992 September),
Wells Fargo Bank (1986-1991), correspondence (W, X, Y, Z) (1987-1991), American City Bank (1982), Indieprod/accounting (1980-1981),
Indieprod accounting (1983), Indieprod accounting (1984), Indieprod accounting (1985-1986), MGM Pictures delivery requirements
(1978-1981), turnarounds [mislabeled "Elizabeth's files"] (1984), letters to reply (1982), Roy Silver (1984), Sundance Institute:
1984-1986.
box 102
1987-1992
Sundance Institute 1987-1988, Toby Jaffe correspondence out (1992 March-December), memos in (1992 August-December), Toby Jaffe
expenses 1992, correspondence in (1992 October-December), Toby Jaffe faxes in (1992 May-December), faxes in (1992 May-December),
memos out (approximately 1992), Toby Jaffe faxes out (1992 March-December).
box 103
box 104
1990-1998
Allen Shapiro and Lifeline Company: Lifeline business plan (Twill) (1995-1997), Lifeline Legal and Financial documents (1994-1995),
Project Life Substance Abuse Center financial statements 1992 December-1994 and 1994 June 30-1995, NPL Inc. financial statement
1992 December-1994 and 1994 June 30-1995,
Lifeline v. Connecticut General Life Insurance Co. (1994), Lifeline Limited #1 partners (1996), Lifeline TY Fahner agreement (1996), Lifeline financial litigation (1990-1992),
Lifeline litigation file (1995), Lifeline Howard Weitzman (1996-1997), Lifeline Alex Kochan (1997), term sheet Chuck Green
executed documents American Health Care venture (1996-1998), Mayer Brown and Platt health care plan, Lifeline management agreement
with hospitals (1995-1996), Dick Abbott Detroit deal (1996-1997).
1993 March-April JSB [Japanese Satellite Broadcasting]-Tristar and Indieprod II joint agreements: Memorandum of Agreement
between Indieprod and JSB (1992 May 11), Indieprod, JSB, Tristar Agreement information (approximately 1993-1994), Joint Financing,
Production, and Distribution Agreement JSB/Indieprod and TriStar (1993 April 1), JSB-Indieprod and TriStar Agreement details
(approximately 1993 March-July), "Red-Lined" Agreement between JSB-Indieprod and TriStar (1993 February 8), TriStar agreement
details (approximately 1992 December-1993 January).
box 105
Carolco divorce 1991-1997
box 106
1984-1994
Sundance Institute (approximately 1992-1994), press release (1992 December), H-1 work permit residence files (approximately
1990-1994), Richard Gully
Beverly Hills 213 (1992), Henkoff (approximately 1993), Lester Kauffman (approximately 1992-1993), Rosenberg legal (approximately 1992), Moses
Rothman (approximately 1992-1993), Ken Schwartz (approximately 1992-1993), Academy correspondence (approximately 1992), Academy
letter (approximately 1992), Bob Fell (approximately 1993), Arthur Emil (approximately 1993), Carolco 1992, Julie Bourne (approximately
1992-1993), John Lindsay material (graphics), Indieprod Company (IPC) staff (approximately 1986-1989), Carolco shareholder
suit (approximately 1990), GP Color (approximately 1984-1990), Sundance Institute 1989-1990, Beckson Design (approximately
1988-1990), Carolco stocks 1988, Carolco stocks 1989, Carolco stocks 1990, Carolco stocks 1991, Carolco stock option information
Elizabeth Fox (approximately 1990-1991), Twyla Tharp (approximately 1992-1994).
box 107
box 108
Carolco music documentation 1986-1993
Carolco Records (approximately 1987-1991), Carolco Records correspondence (approximately 1990), Carolco Records business and
financial plans (approximately 1991), Centurion Records joint venture proposal (approximately 1990), Giorgio Moroder catalog
financial information (approximately 1987), Carolco Giorgio Moroder Catalogue Indieprod (approximately 1987), Rhino Records
financial statements and business plan (approximately 1988-1989), Carolco-Indieprod Rhino Records (approximately 1990-1993),
Carolco Music Indieprod Vol. II October 28 (approximately 1988-1991), Carolco Music Indieprod Vol. II 4/88-10/28 (approximately
1987-1990), Carolco Music Indieprod vol. I, 1987 October-1988 March, Carolco Mighty Three Music (approximately 1986).
box 109
1978-1995
Pacific Video (approximately 1978-1981), 838 No. Doheny Drive, Suite 406 (approximately 1982-1986), Oppenheim-Appel-Dixon
(approximately 1985-1988), CIBV stock repurchase derivate lawsuit (approximately 1990), Columbia offices (approximately 1986-1987),
Weintraub (approximately 1986), correspondence (A, B, C) 1985-1993, Phoenix Entertainment billings and payments Vol. II thru
1988 June 10 (approximately 1988-1989), Phoenix Entertainment fees and reimbursements (approximately 1988-1991), Phoenix Entertainment
employees C. Pledger promissory note Indieprod (approximately 1988-1989), Western Publishing (approximately 1994), Vietnam
(approximately 1994), Vietnam television (approximately 1995), threat management (1994), Telepool (approximately 1994), Joel
Reader-Ocean Capital (approximately 1994), resumes (approximately 1993), new media (approximately 1994), Emelia Crowe (approximately
1993), interactive (approximately 1994), Electronic Arts (approximately 1994), Corporate Management Group (approximately 1994),
CMG [Corporate Management Group] latest financial projections (approximately 1994), CEI Entertainment (approximately 1993).
box 110
Phoenix Entertainment 1986-1993
Phoenix Entertainment: drafts, notes, and executed agreements (approximately 1986-1992), employees C. Pledger Promissory note
Indieprod (approximately 1987), Phoenix Entertainment "The Challenger Project" (approximately 1989-1993), Phoenix Entertainment
"Chain Letter" Indieprod (approximately 1987-1990), Phoenix Entertainment B. Sallan employment agreement Indieprod (approximately
1987-1992), Phoenix Entertainment correspondence (approximately 1986-1992), Phoenix Entertainment B. Sallan employment agmt.
[agreement] II Indieprod (approximately 1988-1992), Phoenix Entertainment billings and payments (approximately 1988), Phoenix
Entertainment billings and payments Indieprod Vol. 1 thru 1988 February 16 (approximately 1987-1988 February).
box 111
1982-1997
Jake Bloom (1994), Abracadabra (approximately 1994), IPC [Indieprod Company] business plan (approximately 1994), Sundance
Institute annual meeting board of trustees (1994 October 25), Sundance Institute (approximately 1994), Sundance Children's
Theatre (approximately 1994), Konigsberg Sanitsky letter of intent (approximately 1994), Hutson Management Inc. Nancy Perlman
(approximately 1994), Robb Evans trustee (approximately 1994), Konigsberg bio [biography] (approximately 1994), JSB [Japanese
Satellite Broadcasting] (approximately 1991-1992), JSB correspondence (approximately 1994-1995), JSB agreements (approximately
1992-1993), correspondence JSB 1992 (approximately 1992-1994), Japanese correspondence (approximately 1992), Japanese correspondence
1991, Japanese trip 1991 November,
John Tyre v. Daniel Melnick (approximately 1997), Japan Broadcasting (approximately 1996-1997), Anaconda Early Termination joint financing prod. [production]/dist.
[distribution] (approximately 1996-1997), Kushner-Locke (agreement with Indieprod) (approximately 1995), Indieprod and Kushner-Locke
(approximately 1996), Fortune Media Group (approximately 1997), British Virgin Islands (BVI) (approximately 1994), director's
list info (approximately 1996), master availability report Paramount Pict. [Pictures] (approximately 1997), Paramount "No
Witnesses" (approximately 1994), recording directory (major and indie labels) (approximately 1997), Norman Garey death (approximately
1982), Sid Sapsowitz (1996 January).
box 112
1987-1999
DM [Daniel Melnick] miscellaneous notes (approximately 1987), Columbia Video Library (approximately 1990), DM chronological
corr. (approximately 1988), Contragate file (approximately 1987), DM letters on hold (approximately 1987-1988), Bruce Sallan
(1988), correspondence (approximately 1987-1988), Beirut investment (approximately 1987), Michael Beckson Designs (approximately
1987-1988), Carolco (approximately 1987-1988), Carolco submissions (approximately 1988), miscellaneous correspondence-incoming
(approximately 1987), Carolco office memos etc. (approximately 1987-1988), Dan Melnick travel (approximately 1987), Polygram
articles and clippings (approximately 1998-1999), Federbush and DM MGM negotiations (approximately 1998), Polygram acquisition
draft (approximately 1999), Polygram acquisition draft 2 (approximately 1999), Polygram acquisition (approximately 1998-1999),
Federbush, Gilbert, Screen Gems (approximately 1998-1999).
box 113
1979-1994
Correspondence (N, O, P, R, S, T) (approximately 1987-1992), Sort and Shred: Fox divorce (approximately 1979-1984), Allen
Adler (approximately 1981-1982), Indieprod and Fox agreements and financial dealings (approximately 1979-1982), Indieprod
and Fox agreements and correspondence (approximately 1979-1982), 20th Century Fox offices (approximately 1979-1980), Indieprod
Company sale of stock to 20th Century Fox film corporation closing documents (approximately 1982), Indieprod and Fox correspondence
and stock redemption (approximately 1980-1982), HBO (approximately 1983), Indieprod Partners LP Michael Gilbert info (approximately
1984), Ivan Boesky (approximately 1983), Heiman/Surrey and Morse etc. (approximately 1983), Indieprod and JSB [Japanese Satellite
Broadcasting] agreement and notes (approximately 1992-1994).
This file may contain personally identifiable information (PII) and other restricted materials. Please contact Special Research
Collections staff in advance to request access.
box 114
1979-1995
Mo Rothman (approximately 1979-1994), Ray Stark Raystar (approximately 1989-1991), London house 1988, NY [New York]-London
trip 1993, London trip (approximately 1988), Bangkok-London (approximately 1989), Bangkok-Malaysia (approximately 1988), 1989
travel current, travel Tokyo 1984, Hoffman travel 1993, Asian trip (approximately 1993), Thailand purchases (approximately
1989-1990), Trip Hong Kong-Hanoi-Saigon-Bangkok-Hongk (approximately 1995), NY-Paris-Munich-London 1991, Berlin-France (approximately
1993), Berlin (approximately 1994), Travel miscellaneous information (approximately 1991), France (approximately 1993), Dan.
[Daniel] Melnick callsheets (approximately 1990).
box 115
1979-1997
Daniel Melnick callsheets 1991, Daniel Melnick Productions (approximately 1996-1997), reimbursed expenses (approximately 1988-1989),
expenses submitted for reimbursement 1988, expenses submitted for reimbursement/waiting payment (approximately 1991), expense
report forms (approximately 1989), reimbursed expenses 1989-1990, Indieprod income tax 1984, Dan. [Daniel] Melnick dispute
Allen Shapiro (approximately 1992), Indieprod move binder sections (approximately 1997), Cavalier limo, Music Express invoices
(approximately 1990-1991), messenger service (approximately 1991), Accurate Express Courier (approximately 1990), AA [Allen
Adler] to Mike Tannen (approximately 1981), press release Indieprod and Fox divest (1982 26 July), Wells Fargo general account
(1979), Allen Adler correspondence (approximately 1981), statements of M. Jausen, C. Mamena, D. Rainer (1982), Federal Safe
Deposit Co. contract (approximately 1983), ARA Enterprises and Indieprod (approximately 1982), dispute between Allen Adler
and Indieprod (approximately 1981-1982).
This file may contain personally identifiable information (PII) and other restricted materials. Please contact Special Research
Collections staff in advance to request access.
box 116
1980-1999
Crucial memos - 20th Century Fox dispute and divesture (approximately 1982), 20th Century Fox files (approximately 1982),
correspondence with Burton I. Monasch (approximately 1982), wiretap (approximately 1982), DM [Daniel Melnick] and Marvin Davis
(approximately 1982), AA [Allen Adler] special project "deals" (approximately 1981-1982), AA [Allen Adler] file "Special Project:
General" (approximately 1981-1982), AA [Allen Adler] chron. [chronological] file "Special Project" memos (approximately 1981-1982),
AA [Allen Adler's] "Scout" file (approximately 1980-1981), AA [Allen Adler] "Manhattan Melody" file (approximately 1981),
letters AA [Allen Adler] to Marvin Davis (approximately 1980s), AA [Allen Adler] 20th Century Fox production files (approximately
1981), papers taken by AA [Allen Adler] (1980 May 22-1982 February 5), AA's [Allen Adler]
Unfaithfully Yours file (approximately 1980-1981), DM's "Sapho" file (approximately 1981-1982), AA's [Allen Adler] "Fantic" file (approximately
1981), Marvin Davis articles and letter to 20th Century Fox (approximately 1981-1982), AA letters envelopes (approximately
1982 May 25-27), employee info (approximately 1997), Indieprod business miscellaneous (approximately 1993-1999), Indieprod
business and publicity (approximately 1982), Elizabeth Fox: correspondence (1988), paid messenger bills and reimbursement
request (Columbia-Indieprod) (1985 July 2).
box 117
1990-1991
Carolco Board of Directors meeting (1990 June 18), Carolco Board of Directors meeting (1990 September 18), Carolco Board of
Directors meeting (1990 March 5), Carolco Board of Directors meeting (1990 December 13), Carolco Board of Directors meeting
(1991 March 20), Carolco Board of Directors meeting (1991 July 25), Carolco Board of Directors meeting (1991 October 3), Carolco
Board of Directors Presentation (1990 June 18), Carolco presentation booklet (1990 March 5), Carolco Shareholders' Rights
Plan (1990 June 14).
Daniel Melnick Productions, Inc.
box 118
1984-2005
Deposit statement (approximately 1994),
The Count of Monte Cristo screenplay (approximately 1997),
9 Miles from Right (script option) (approximately 1997),
Footloose film (2001, 2000, 1999),
Footloose music (1995, 1998, 1999, 2001),
Footloose Famous Music (1997),
Footloose annual payment to Hera Prod. [Productions] (approximately 1985-1986), participation statements
Footloose soundtrack 1994, Famous Music deposit statements (approximately 1994-1995),
Footloose participation statements 1994 and 1995,
Quicksilver participation statements (approximately 1993-1996),
LA Story participation statements (approximately 1991-1997), John Klemmer Prods. [Productions] cash receipts [possibly mislabeled]
(approximately 1992-1995),
Air America participation statements (approximately 1991-1997),
Mountains of the Moon participation statements (approximately 1990-1997),
Universal Soldier participation statements (approximately 1992-1997),
Footloose music/royalties (approximately 1984-1994), "Go over with Lester" (approximately 1991-1995),
Witness for the Prosecution news clippings (approximately 2003-2005), Little Bird Productions (approximately 2001), Marathon project (approximately 1999).
box 119
1976-2002
Names of new company (1992 January), Daniel Melnick Productions Inc. (DMPI) 1990 annual meeting, Melnick investment Lighthouse
Musical Prod. [Productions] Germany (approximately 1993), Daniel Melnick Prod. Inc. litigation Phoenix settlement (approximately
1997), Daniel Melnick legal (approximately 1991), Bernstein, Fred insurance deal-business plan (approximately 1999), Daniel
Melnick signature cards (approximately 1992-1997), DMPI participation statements Heart Entertainment (approximately 1993-1994),
Daniel Melnick Productions Inc. contract KL Productions Inc. (approximately 1996), paid bills Daniel Melnick Productions (A-Z)
1994, DMPI miscellaneous documents (approximately 1976-2002).
box 120
1992-1998
Payroll summaries, California DE 3, Utah returns (approximately 1995-1996), Daniel Melnick Productions Inc. (DMPI) Warner
Hollywood Studios 1997 May 9, check stubs (approximately 1993 January-December; 1995 January-December), Wells Fargo Bank statements
(approximately Feb-Jun 1993), City National Bank checking account statements (approximately Mar 1993-Jan 1994), DMPI commercial
insurance 1995 February 3-1998, Daniel Melnick Gyerzeller Bank Mo Rothman (approximately 1993-1996), Daniel Melnick/DMPI correspondence
1996, DMPI computer lease Pam Halstead (approximately 1996-1997), Daniel Melnick summary of cash balances (approximately 1992-1995),
cash receipts (approximately 1995).
This file may contain personally identifiable information (PII) and other restricted materials. Please contact Special Research
Collections staff in advance to request access.
box 121
1990-2003
Daniel Melnick Productions Inc. (DMPI) bank reconciliations #446 1997, DMPI bank reconciliations #446 1996, Life Stinks production
fee (approximately 1990), DMPI payroll tax file 1992, DMPI bank reconciliations #446 1993, DMPI checkbook thru 1992 June 3,
Wells Fargo Bank (approximately 1991-1992), DMPI cash receipts City National Bank (approximately 1993), DMPI cash receipts
Wells Fargo Bank 1993, DMPI payroll tax returns 1993, DMPI 1990 tax return, DMPI security (Alexandra Voorstaan Loft) (approximately
1993), DMPI S-Corp 1991 tax return, DMPI cash receipts (approximately 1992), Paychex (approximately 1997), DMPI City National
Bank check copies (approximately 1997-1998), miscellaneous DMPI bills and production information (approximately 1997-2003).
This file may contain personally identifiable information (PII) and other restricted materials. Please contact Special Research
Collections staff in advance to request access.
box 122
box 123
1992-1996
Daniel Melnick Productions Inc. (DMPI) paid bills 1996, DMPI cash receipts 1996, Wells Fargo statements (approximately 1992-1993).
This file may contain personally identifiable information (PII) and other restricted materials. Please contact Special Research
Collections staff in advance to request access.
box 124
1992-1993
Daniel Melnick Productions Inc. (DMPI) check copies (approximately 1992), DMPI paid bills 1993.
This file may contain personally identifiable information (PII) and other restricted materials. Please contact Special Research
Collections staff in advance to request access.
box 125
1991-2003
Daniel Melnick Productions Inc. (DMPI) paid bills 1995, DMPI CNB cash receipts 1994, DMPI income and expense reconciliation
1992, DMPI income and expense reconciliation 1993, DMPI income and expense reconciliation 1991, DMPI bank reconciliations
# 446 1995, DMPI participatory statements
Footloose soundtrack royalties (approximately 1991-1994), DMPI cash receipts 1997, DMPI miscellaneous financial information (approximately
2001-2003).
This file may contain personally identifiable information (PII) and other restricted materials. Please contact Special Research
Collections staff in advance to request access.
box 126
Witness for the Prosecution 2003-2007
Witness for the Prosecution: MGM Producer-Employment Agreement Loanout versions (2004 April), directors' lists (approximately 2004), presentation (approximately
2005), writer-employment loanout (approximately 2003), option/purpose agreement (approximately 2003), DanielProd LLC financial
documents (approximately 2003-2004), production documents (approximately 2003-2006), financial information (approximately
2005-2007), scripts (approximately 2004-2006).
box 127
1994-1997
Box inventory list, Daniel Melnick Productions Inc. (DMPI) checks and bank statements (approximately 1994-1997), DMPI payroll
tax returns 1994.
This file may contain personally identifiable information (PII) and other restricted materials. Please contact Special Research
Collections staff in advance to request access.
General office and business materials
box 128
1987-2009
Outgoing correspondence (A) 1993, incoming correspondence (A, B, C, D, F, G, H, J, K, L, M, N, P, R, T, W) 1994, outgoing
correspondence (B, C, D, E, G, J, K, M, P, R, T, V, W) 1994, invitations (approximately 1989-1990), quotations and "ramblings"
(approximately 1987), memberships: MOCA [Museum of Contemporary Art] board (approximately 1994), MOCA party (approximately
1992), MOCA brunch 1994 July 16, MOCA correspondence (approximately 1993-1994), MOCA (approximately 1996), Producer's Guild
(approximately 1995-2002), Daniel Melnick (DM) Producer's Guild of America Inc. (approximately 1993), Daniel Melnick NATAS
[National Academy of Television Arts and Sciences] (approximately 1997), Daniel Melnick-memberships NATAS NY Chapter, DM Academy
of Motion Pictures membership (approximately 1995-2009), Sundance (approximately 1995), Megatrends Asia Group (approximately
1996-1997), Academy Awards notes (approximately 1987), replaced phone book pages (1994 January 25), Indieprod staff contacts
(approximately 1992-1994), miscellaneous phone book sheets (approximately 1990-1994).
box 129
Phone books 1989-1995
Master contact lists (1990 September 28), Indieprod contacts (approximately 1990 September), Carolco corporate directories
(approximately 1990-1991), Daniel Melnick office phone book (1991 April 30; 1991 May 1), Priscila phone book copy, Daniel
Melnick phone book (approximately 1991), Phone book (approximately 1990), phone book (approximately 1989-1990), Daniel Melnick
phone book (undated), Daniel Melnick phone book (1995 February 13), steno book with phone numbers.
box 130
box 131
box 132
1992-1994
Call registers and logs (approximately 1992-1994), appointment books (approximately 1992-1993), telephone message forms (approximately
1993-1994), old phone book pages (approximately 1993 April), Indieprod old phone book pages (approximately 1992-1993), Indieprod
"done" phone book sheets, DM personal phone book pages (approximately 1993), DM phone copy (1993 April 14), 1993 daily reminder
calendar, DM phone book replaced sheets (1994 May), removed phone book pages (1993 August 19), Indieprod staff contact information
(1993 June).
box 133
1989-1994
box 134
box 135
Chronological correspondence files 1992-1994
box 136
1969-1994
Daily calendar and reminders (1969, 1970, 1971, 1973, 1975, 1976, 1979), appointment diary (approximately 1973-1975), daily
reminders (1994), continental diary (1972), daily reminder notebooks (1974, 1975, 1976), weekly date keeper (1981), phone
book, box of New York, Paris, and London addresses.
box 137
1988-1997
Weekly calendars (approximately 1991), weekly calendars (approximately 1988-1989), weekly calendars (approximately 1997),
weekly calendars (approximately 1996-1997), weekly calendars (approximately 1995), weekly calendars (approximately 1996 June),
weekly calendars (approximately 1996 July), weekly calendars (approximately 1996 August), weekly calendars (approximately
1996 May-June), weekly calendars (approximately 1996 March-April), old weekly calendars (approximately 1995), phone book (1997
August), old phone book (approximately 1996-1997), incoming call register (approximately 1997), notebook (1997), voicemail
log book, weekly calendars (approximately 1989), weekly professional appointment books (1988, 1994, 1995).
box 138
box 139
box 140
box 141
1988-2009
Expenses submitted for reimbursement (approximately 1989-1990), Elizabeth Fox expenses (approximately 1988-1990), Federal
Express receipts (approximately 1990-1991), correspondence miscellaneous (approximately 1990), appointment book (1993), incoming
and outgoing call registers (approximately 1992-1993), notebook with contact information, monthly calendars (approximately
2003), monthly calendars (approximately 1990s-2000s), notebooks.
box 142