Edward Mapp collection
Catalogued by Almendarez, Val; Catalogued by Mallory, Mary
Margaret Herrick Library. Academy of Motion Picture Arts and Sciences.
Published January 2023
333 S La Cienega Blvd
Beverly Hills, CA 90211
Abstract: The Edward Mapp collection consists of approximately 1,200 posters and 0.5 linear foot of manuscript material. The collection
contains miscellaneous correspondence; programs, invitations, and publicity announcements for various exhibitions of posters
from Mapp's collection; his dissertation; photographs; and a separately housed collection of posters. The posters document
African-American performers and directors in films intended for black audiences as well as mainstream Hollywood productions.
Collector:
Mapp, Edward
Dates: 1921-2001
Dates: 1940-2001
Collection number: 187
Collection Size:
0.5 linear ft. of papers
1238 item(s) of posters
Repository:
Margaret Herrick Library. Academy of Motion Picture Arts and Sciences.
Languages:
Languages represented in the collection:
English
Available by appointment only.
Property rights to the physical object belong to the Margaret Herrick Library. Researchers are responsible for obtaining all
necessary rights, licenses, or permissions from the appropriate companies or individuals before quoting from or publishing
materials obtained from the library.
Edward Mapp collection, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences.
Gift of Edward Mapp, 1995-1998
Collection Scope and Content Summary
The Edward Mapp collection consists of approximately 1200 posters and 0.5 linear foot of manuscript material. The posters
document African-American performers and directors in films intended for black audiences as well as mainstream Hollywood productions.
In many cases foreign posters for Hollywood films are included along with the American versions.
One of the earliest items in the collection--"The Lure of a Woman" (1921), the first black film produced in Kansas City--was
Mapp's initial purchase for the collection in the 1960s. Also included are a number of black-cast films produced by the Norman
Film Manufacturing Company of Jacksonville, Florida, such as "The Crimson Skull" (1921), "The Bull Dogger" (1922) and "Black
Gold" (1928). Two major 1929 Hollywood musical films that featured black casts, "Hallelujah" and "Hearts in Dixie," are also
represented. The collection also includes posters for several films directed by Oscar Micheaux, including "The Exile" (1931),
"Underworld" (1937) and "Betrayal" (1948).
In Hollywood in the 1930s and 1940s, performers such as Hattie McDaniel, Louise Beavers, Bill Robinson, Willie Best, James
Basquette, Nina Mae McKinney, Clarence Muse, and Stepin Fetchit frequently appeared in films in significant supporting roles
but were rarely featured on the posters. During the same period, however, these actors also starred in films intended for
segregated audiences, and were often depicted on the posters for those productions. Many of these "separate cinema" posters
are part of the collection, including "Harlem Is Heaven" (1932), "Deep South" (1937), "Life Goes On" (1938) and "Big Timers"
(1945). The "all colored cast" of "The Duke Is Tops" (1938) featured star Ralph Cooper on the poster, along with his unidentified
female co-star. With the rise to prominence of that co-star, Lena Horne, in such 1943 films as "Stormy Weather" and "Cabin
in the Sky," "The Duke Is Tops" was re-released as "The Bronze Venus" and featured Horne alone on the poster. Both versions
are in the collection. The collection also contains various versions of posters for films featuring Paul Robeson, including
a particularly striking image of Robeson on an Argentine poster ("Bosambo") for "Sanders of the River" (1935).
The collection also provides documentation on changing social and cultural mores through the years. The post-World War II
attempts to deal with racial discrimination are evidenced in posters for such 1949 Hollywood films as "Pinky," "Home of the
Brave," and "Intruder in the Dust," as well as those in following decades: "The Defiant Ones" (1958), "Lilies of the Fields"
(1963), "In the Heat of the Night" (1967), and "The Great White Hope" (1970). The 1970s witnessed the rise of major black
filmmakers such as Gordon Parks, Melvin Van Peebles, Sidney Poitier, and Michael Schultz, and their works are documented by
numerous posters, including "Shaft" (1970), "Sweet Sweetback's Baadasssss Song" (1971), "Buck and the Preacher" (1972), and
"Car Wash" (1976). Films of 1980s and 1990s filmmakers Spike Lee, Charles Burnett, Reginald Hudlin, John Singleton, Mario
Van Peebles, Julie Dash and Leslie Harries are also represented. A sampling of titles includes "She's Gotta Have It" (1986),
"To Sleep with Anger" (1990), "Boyz in the Hood" (1991) and "Daughters of the Dust" (1992).
The manuscript material spans the years 1954-1996 (bulk 1970s-1990s) and consists of a small amount of correspondence and
a few subject files. There are several handwritten notes or letters from Ruth Attaway, Ossie Davis, Franciene Everette, Barbara
Barrie Harnick, Edna Mae Harris, Stanley Kramer, and Butterfly McQueen. Material relating to the Directory of Blacks in the
Performing Arts is in the form of biographical information (mostly handwritten) on about 35 performers--among them Moses Gunn,
Butterfly McQueen, and Madge Sinclair--and includes some résumés, credit sheets, and letters. Biographical material on Mapp
is supplemented by a copy of his dissertation and by programs, invitations, and publicity announcements for various exhibitions
of posters from Mapp's collection.
Edward Charles Mapp (b. 1929) was born in New York City and received a B.A. from the City College of New York in 1953, an
M.S. from Columbia University in 1956, and a Ph.D. from New York University in 1970. Mapp began his career as a teacher in
1957 and was later dean of faculty at the Borough of Manhattan Community College (BMCC) for four years, then vice chancellor
for the City Colleges of Chicago for a year before returning to BMCC in 1983 as a professor of speech and communications.
Among his writings are his dissertation, "The Portrayal of the Negro in American Motion Pictures, 1962-1968"; "Blacks in American
Films: Today and Yesterday"; "Directory of Blacks in the Performing Arts"; and "A Separate Cinema," which he co-authored.
Mapp's interest in film led him to collect posters of both black films and films with black characters. Eventually he amassed
more than 900 posters, and his collection became one of the pre-eminent sources of information on black films. In 1995 the
Academy acquired his poster collection for the Library. Mapp is professor emeritus at BMCC and continues to collect posters.
1. Subject files
Collectors
Film posters
Manuscripts
Subject files
folder 1
Correspondence 1954--1995
Record ID: 71301681
Scope and Content Note
handwritten notes from Butterfly McQueen, May 11, 1954, January 16, 1972, and August 8, 1983; handwritten letter from Barbara
Barrie Harnick, January 4, 1969; letter from Herbert Danska giving Edward Mapp permission to quote from the script for SWEET
LOVE, BITTER and describing his feature RIGHT ON!, July 9, 1971, 2 pages; note from Stanley Kramer, August 2, 1971; letter
from Ossie Davis, January 14, 1972; note from Ruth Attaway, July 30, 1975; handwritten letter from Franciene Everette, November
23, 1988; handwritten note from Edna Mae Harris, October 23, 1994
folder 2
Directory of Blacks in the Performing Arts 1975--1976
Record ID: 71313741
Scope and Content Note
(1) Ruth Attaway, with credit sheet; (2) Graham Brown, with resume; (3) Dick Campbell; (4) Alfred George Chester; (5) Carol
Cole; (6) David Downing; (7) Albert Fann, with credit sheet; (8) Frances Foster; (9) Stanley N. Greene, with handwritten note,
September 23, 1975; (10) Minnie Lee Gentry, with note; (11) Carl Gordon; (12) Moses Gunn; (13) Hilda Moeile Lashley Haynes
[2 copies], with handwritten credit list and handwritten note, August 17, 1975; (14) Robert Hooks; (15) Leonard Jackson, with
resume; (16) Dotts Johnson, with photocopy of album liner notes and sheet music for “Kill the Hard Drugs Pusher”; (17) Robert
Kya-Hill, with press release; (18) Marcia Leanne McBroom, with letter, December 7, 1976; (19) Butterfly McQueen; (20) John
Marriott; (21) Helen Dorothy Martin, with handwritten letter; (22) Julian Hudson Mayfield; (23) Whitman Blount Mayo; (24)
Stephanie Doretha Mills; (25) Joseph Thomas Morton; (26) Gilbert Moses; (27) Frederick Douglass O’Neal, with letter, November
18, 1976; (28) Caleb J. Peterson; (29) Mildred Smith Hepburn; (30) Madge Sinclair; (31) Lorenzo Tucker, with resume; letter
from Mr. Mapp annotated by Mr. Tucker]; (32) Beverly Todd; (33) Adam Wade; (34) Richard Ward, with copy of newspaper clipping;
(35) Fredi (Washington) Bell, with resume
folder 3
Exhibits 1979--1994
Record ID: 71313742
Scope and Content Note
programs; invitations; publicity announcements
folder 4
Mapp, Edward--biographical material 1983--1996
Record ID: 71313743
Scope and Content Note
folder 5
Mapp, Edward--dissertation 1970--1970
Record ID: 71313744
Scope and Content Note
"The Portrayal of the Negro in American Motion Pictures, 1962-1968," (New York University, 1970), 180 pages
folder 6
Publicity 1978--1995
Record ID: 71313745
Scope and Content Note
clippings concerning Edward Mapp and various exhibitions of his poster collection; photograph of Lonnie Liston Smith