Anne Makepeace Production Materials of Edward S. Curtis Documentary
1882-2000
Title: Anne Makepeace Production Materials of Edward S. Curtis Documentary
Dates: 1882-2000
Creator/Collector:
Makepeace, Anne
Curtis, Edward S., 1868-1952
Extent: 15 linear feet of documents, 234 videocassettes (32 boxes)
Repository:
Autry National Center
Abstract: The collection contains materials used in the making of the documentary film Coming to Light: Edward S. Curtis and the North
American Indians by Anne Makepeace.
Language of Material: English
Collection is open for research. Appointments to view materials are required. To make an appointment please visit http://theautry.org/research/research-rules-and-application
or contact library staff at rroom@theautry.org.
The library does not have the equipment to play the Betacam SP videocassettes in the collection.
Copyright has not been assigned to the Autry National Center. All requests for permission to publish or quote from manuscripts
must be submitted in writing to the Autry Archivist. Permission for publication is given on behalf of the Autry National Center
as the custodian of the physical items and is not intended to include or imply permission of the copyright holder, which must
also be obtained by the reader.
Anne Makepeace Production Materials of Edward S. Curtis Documentary. Autry National Center
Deposited to the Braun Research Library, circa 2003.
Biography/Administrative History
Anne Makepeace is a writer, producer, and director of feature and documentary films. Her films have won numerous awards and
been aired on networks around the world. She is the writer, director, and producer of "Coming to Light, Edward S. Curtis and
the North American Indians," a biographical documentary film about Edward S. Curtis (1868-1952). In 1990, Makepeace began
research on what would become a decade-long project to produce a film about Curtis. During the pre-production phase of the
Curtis film, Makepeace wrote, directed and produced her first documentary, "Baby, It's You." Through this experience, she
developed an intense interest in documentary filmmaking. Thus, when budget cuts at the National Endowment for the Humanities
would no longer provide funding for dramatic productions, Makepeace reconceived the Curtis feature film as a historical documentary.
Makepeace and her production team spent years conducting extensive research of primary sources and published materials in
dozens of libraries, archives, museums, and private collections. Filming and post-production took place in 1998-2000, during
which time Makepeace and her crew traveled throughout the United States and Canada to interview indigenous peoples and Curtis
scholars. Makepeace was born in Middlebury, Connecticut. She studied at Stanford University, earning a B.A. in English (1969)
and an M.A. in education (1971). She was an educator and, through her use of film and video in the classroom, developed an
interest in filmmaking. She returned to Stanford to study documentary film, completing her M.A. in film studies in 1982. Her
thesis film, Moonchild (1985), was sold to HBO, Bravo, PBS, and other networks around the world. Makepeace's other films include
Whistle in the Wind (1987); Thousand Pieces of Gold (1991); Night Driving (1993); Ishi the Last Yahi (1995); Baby, It's You
(1998); Coming to Light, Edward S. Curtis and The North American Indians (2000); Robert Capa in Love and War (2003); Eleanor
Roosevelt, Close to Home (2005); and Rain in a Dry Land (2006). Her films have been screened at festivals and museums around
the world. She has been the recipient of many awards for her films, including an Emmy for "Robert Capa in Love and War." Makepeace
has been funded by the Pulitzer Foundation, Sundance Documentary Fund, Corporation for Public Broadcasting, ITVS, National
Endowment for the Arts (NEA), National Endowment for the Humanities (NEH), Showtime Networks, HBO, PBS, A&E, and the American
Film Institute. Makepeace has been a two-time writer/director fellow at the Sundance Institute and served on the Sundance
2001 Film Festival's documentary jury. In addition, she has been a resident of the Rockefeller Foundation's Bellagio Center,
the MacDowell Colony, and the Blue Mountain Center.
Scope and Content of Collection
The collection contains materials used in the making of the documentary film Coming to Light: Edward S. Curtis and the North
American Indians by Anne Makepeace. The collection contains the documentary’s production materials, such as filming directions,
footage shot for the film, and archival footage from other sources. The majority of the collection consists of research materials
relating to Edward S. Curtis, his family, and acquaintances; his documentary and photographic work, particularly The North
American Indian; and the Indian peoples he encountered. These materials include correspondence, articles, published works,
manuscripts, photographs, newspaper clippings, and ephemera. The materials in the collection are photocopies, videocassettes,
typescripts, and handwritten notes. Although the content of the materials span the years 1882-2000, almost all items prior
to 1990 are photocopies.
Indians of North America -- Portraits
Indians of North America -- Rites and ceremonies
Indians in motion pictures
Indians in documentary films
Potlatch
Documentary films
Curtis, Edward S., 1868-1952
Correspondence
Transcripts
Videocassettes
Photographs
Clippings
Coming to light: Edward S. Curtis and the North American Indian
In the land of the headhunters
North American Indian
Anthropologists
Film-makers
Photographers