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Jones (Newton J.) papers
2493  
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Collection Details
 
Table of contents What's This?
  • Scope and Contents
  • Biographical / Historical
  • Conditions Governing Access
  • Rights Statement for Archival Description
  • Conditions Governing Use
  • Immediate Source of Acquisition
  • Preferred Citation
  • Processing Information

  • Contributing Institution: USC Libraries Cinematic Arts Library
    Title: Newton J. Jones papers
    Creator: Jones, Newton J.
    Identifier/Call Number: 2493
    Identifier/Call Number: 823
    Identifier/Call Number: /repositories/5/resources/1338
    Physical Description: 0.979 Linear Feet 1 box
    Date (bulk): 1930s-1960s
    Abstract: This collection consists of the photographs, artwork, and papers of makeup artist, Newton J. Jones (1908-1983), known professionally as Newt Jones.
    Language of Material: English .
    Container: 1

    Scope and Contents

    This collection consists of the photographs, artwork, and papers of makeup artist, Newton J. Jones (1908-1983), known professionally as Newt Jones, and spans the 1920s through the 1960s. Jones worked with many major studios in Hollywood. Some of his credits include "Alice In Wonderland" (1933), "The Crusades" (1935), "The Three Musketeers" (1939), "The Grapes of Wrath" (1940), "From Here to Eternity" (1953), "The Old Man and the Sea" (1958), and "My Fair Lady" (1964). Many of the photographs show Jones at work on set and on location, working with iconic stars of the Golden Age of Hollywood, including Montgomery Clift, Peter Lorre, Marlene Dietrich, Abbott and Costello, Henry Fonda, Boris Karloff, Humphrey Bogart, Lucille Ball, and many others. The collection includes many autographed photos to Jones from the stars he worked with.

    Biographical / Historical

    Newton J. Jones (1908-1983), known professionally as Newt Jones, was an in demand makeup artist for Hollywood. He worked for United Artists, Paramount, RKO, 20th Century Fox, Universal, Columbia, Warner Brothers, and CBS. Jones was also a Naval Reserve Specialist Second Class during World War II. He employed his makeup skills to disguise Office of Strategic Services (OSS) espionage agents on secret missions. He also created a training manual and training film for OSS agents on how to disguise themselves and partnered with Hollywood makeup mogul, Max Factor, to create skin and hair coloring for troops operating on the front lines of Asia.

    Conditions Governing Access

    Advance notice required for access.

    Rights Statement for Archival Description

    Finding aid description and metadata are licensed under an Attribution 4.0 International (CC BY 4.0) license.

    Conditions Governing Use

    All requests for permission to publish or quote from manuscripts must be submitted in writing to the Cinematic Arts Library at ctlibarc@usc.edu. Permission for publication is given on behalf of the Cinematic Arts Library as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.

    Immediate Source of Acquisition

    Gift, September 19, 1980.

    Preferred Citation

    [Box/folder no. or item name], Newton J. Jones papers, Collection no. 2493, Cinematic Arts Library, USC Libraries, University of Southern California.

    Processing Information

    This collection is unprocessed.

    Subjects and Indexing Terms

    Film makeup
    Correspondence
    Clippings (information artifacts)
    Drawings (visual works)
    Photographs
    Makeup artists -- Archival resources
    Jones, Newton J. -- Archives