Collection consists of clippings, sketches, photographs and motion picture stills,
correspondence, scrapbooks, audio recordings, and ephemera related to Arzner's personal
life and career as filmmaker. Includes stills the films Anybody's Woman, The Bride Wore
Red, The Covered Wagon, Craig's Wife, Dance Girl Dance, Fashion for Women, First Comes
Courage, Get Your Man, Manhattan Cocktail, Merrily We Go To Hell, Nana, Old Ironsides,
Ten Modern Commandments, and Working Girls.
Arzner was born Jan. 3, 1900; studied medicine at Univ. of So. CA; ambulance driver in
WWI (1917-18); in 1919, she was hired by William C. De Mille as a stenographer in the
script dept. at Famous Players-Lasky (Paramount), and was later promoted to script clerk,
film cutter, and film editor; editor for Realart, a subsidiary of Paramount, 1922; wrote
and edited "Old Ironsides," 1925; met Marion Morgan, choreographer and dancer, in the
early 1930s and the two remained companions until Morgan's death in 1971; retired from
directing in 1943; produced WAC training films during WWII; taught at UCLA and made
commercials for Pepsi-Cola; her credits include, "Christopher Strong" (1933), "Nana"
(1934), and "Craig's Wife" (1936); honored at the 1st International Festival of Women's
Films, NY, 1972, and by Director's Guild of America, 1975; died Oct. 1, 1979 in La
Copyright has not been assigned to the Performing Arts Special Collections, UCLA. All
requests for permission to publish or quote from manuscripts must be submitted in writing
to the Performing Arts Special Collections Librarian. Permission for publication is given on behalf
of the Performing Arts Special Collections as the owner of the physical items and is not intended to
include or imply permission of the copyright holder, which must also be obtained.
Advance notice required for access.