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Compton Communicative Arts Academy Collection
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Title: Compton Communicative Arts Academy collection
Dates: 1970-1976
Collection number: Consult library
Collector:
California State University, Los Angeles. Library
Collection Size:
200 images
194 online items
Repository:
California State University, Los Angeles
John F. Kennedy Memorial Library
Los Angeles, CA 90032-8300
Abstract: The Compton Communicative Arts Academy (CCAA) Archive is a multi-year project to preserve and provide access to a collection
of images of national significance that document African American art and culture, community-based art making, and art-based
community making in Los Angeles during the early 1970s. The 200 items in this digital collection were selected from an unorganized
collection of over 4,100 photographs, negatives, slides and ephemera by faculty members from the Library and the Liberal Studies
department. The criteria for selection were images that illustrate buildings and places; the Academy's programming, artwork,
and performances; artists, artwork, important people and events; and Willie Ford as a photographer. This phase of the project
was part of the California Local History Digital Resources Project supported by the U.S. Institute of Museum and Library Services
under the provisions of the Library Services and Technology Act, administered in California by the State Librarian.
Languages:
Languages represented in the collection:
English
Collection open for research.
Compton Communicative Arts Academy collection. Consult library. ]Institution Name], [City, State].
Gift of Willie Ford, 2007.
The Compton Communicative Arts Academy (CCAA) Archive is a multi-year project to preserve and provide access to a collection
of images of national significance that document African American art and culture, community-based art making, and art-based
community making in Los Angeles during the early 1970s. The 200 items in this digital collection were selected from an unorganized
collection of over 4,100 photographs, negatives, slides and ephemera by two faculty members; from the Library and the Liberal
Studies department. The criteria for selection were images that illustrate buildings and places; the Academy's programming,
artwork, and performances; artists, artwork, important people and events; and Willie Ford as a photographer. This phase of
the project was part of the California Local History Digital Resources Project supported by the U.S. Institute of Museum and
Library Services under the provisions of the Library Services and Technology Act, administered in California by the State
Librarian.
The documentary history contained in the CCAA Archive is intended to be a resource, not just for scholars and researchers,
as many special collections are, but for teaching and engaging Cal State Los Angeles' undergraduate and graduate students.
Many faculty on campus have already expressed an interest in utilizing this collection in their courses for classes including
Art, History, English, Liberal Studies, Pan-African Studies, and even Social Work. In a larger context, access to the CCAA
Archive becomes an in depth window into a chapter of Los Angeles' African American history that will in turn become a resource
for the students, community historians and activists, and anyone interested in the historical record of the Black Arts Movement.
The preservation and digitization of these materials will preserve one of a very few collections, indeed it may be the only
collection, that visually documents both the history of the artifacts (art and performances that no longer exist) of postwar
African American culture relating to the Black Arts Movement of the late 1960s and early 1970s, and the day-to-day social
relations and organization of work processes among artists, youth, and other community members from which those artifacts
originated. The Compton Communicative Arts Academy was an important community arts center that offered programming in visual
arts (painting, murals, photography), dramatic arts (theater, fashion modeling), music (jazz orchestra), poetry, and sports
for youth and practicing artists. Indeed, this emphasis on the relationship between art and its community context is one of
the hallmarks of postwar African American art. This emphasis created connections between art production, Civil Rights social
movement politics, and solutions to urban unrest of the late 1960s and early 1970s. That this collection documents African
American art, culture and politics in Los Angeles expands Black Arts Movement scholarship that has most often focused on other
cities and regions New York and Chicago in the case of art, and the South in the case of Civil Rights social movements.
Willie Ford was the photographer for the Compton Communicative Arts Academy from approximately 1970 to 1976. The Academy grew
out of the Compton Willowbrook Community Action Council, a War on Poverty agency funded by the Office of Economic Opportunity.
Scope and Content of Collection
This digital collection includes 200 images selected from a larger collection of over 4,100 photographs, negatives, slides
and ephemera which document the Compton Communicative Arts Academy (CCAA). This collection of images documents African American
art and culture, community-based art making, and art-based community making in Los Angeles during the early 1970s. They include
images of art works that no longer exist by prominent African American artists, such as John Outterbridge and Elliott Pinkney,
as well as musical and theatrical performances, and community events. The criteria for selection were images that illustrate
buildings and places; the Academy programming, artwork, and performances; artists, artwork, important people and events; and
Willie Ford as a photographer.
The mostly black and white images by CCAA photographer Willie Ford which cover the years 1970 to 1976 are significant for
many reasons. As historical documents, within the documentary tradition of photography, they record the history of a successful
War on Poverty organization that used art for community development and to provide youth with social capital. They constitute
a major archive for the history of African Americans in Los Angeles, one of the most important, yet understudied postwar African
American cities.
The following terms have been used to index the description of this collection.
Compton Communicative Arts Academy
Ford, Willie
Outterbridge, John, 1933-
Pinkney, Elliott
Compton (Calif.)
Black Arts movement
Communication in art
African American art
Artists and Community--California--Angeles
Photography--Negatives
Photographs
Slides (Photography)