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Horner (Harry) papers
6107  
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Table of contents What's This?
  • Biographical / Historical
  • Scope and Contents
  • Conditions Governing Access
  • Conditions Governing Use
  • Preferred Citation
  • Immediate Source of Acquisition

  • Language of Material: English
    Contributing Institution: USC Libraries Special Collections
    Title: Harry Horner papers
    creator: Horner, Harry
    Identifier/Call Number: 6107
    Physical Description: 1.5 Linear Feet 5 boxes
    Date (inclusive): 1924-2000
    Abstract: The Harry Horner papers consist of correspondence, notebooks, sketchbooks, programs, clippings, scripts, and scrapbooks, 1924-2000, created and collected by director and production designer Harry Horner. The bulk of the collection consists of correspondence, both professional and personal. It also includes two of Horner's personal sketchbooks; clippings and related ephemera pertaining to Max Reinhardt; film scripts; and biographical statements written by Horner. Harry Horner was born in Czechoslovakia in 1910, and after graduating from the University of Vienna with a degree in architecture, he joined Max Reinhardt's repertory company in Vienna. He came to New York with Reinhardt in 1935 and became a US citizen in 1940. Horner became a noted production designer and director in Hollywood, on Broadway, for operatic productions and large pageants. He won 2 Academy Awards and was nominated for an additional six. He died in Los Angeles in 1994.

    Biographical / Historical

    Harry Horner, two-time Academy Award-winning production designer, director and producer, was born in Czechoslovakia in 1910 and raised in Vienna. After graduating from the University of Vienna with a degree in architecture, he worked as an architect for a year, then turned to acting under the guidance of Max Reinhardt. For two years (1933-1935) he appeared in a number of Reinhardt productions in Vienna and Salzburg, and then in 1935 he traveled to New York with "The Eternal Road" as Reinhardt's assistant, and in 1937 took over as designer of the show (succeeding Norman Bel Geddes). From this success, he went on to design a number of Broadway productions.
    Horner served in the US military during World War II (he became a citizen in 1940), during which time he designed a production of "Winged Victory" for both stage and film and wrote, designed and directed the Air Force training show "You Bet Your Life".
    After leaving the military, Horner moved to Los Angeles and continued his career as a production designer and director. He was nominated for several Academy Awards (production design for "Our Town", "The Little Foxes", "Separate Tables", "Double Life", "Born Yesterday" and "They Shoot Horses, Don't They") and won for "The Heiress" (1951) and "The Hustler" (1962). Horner very often worked as both production designer and director on films. His first effort in this dual role was "Beware, My Lovely" starring Ida Lupino and Robert Ryan. He also directed for television, continued to work on Broadway productions, and for the Metropolitan and San Francisco Operas. Horner also worked in Canada and England, where he produced Francois Truffaut's "Farenheit 451".
    Horner died in Los Angeles in 1994.

    Scope and Contents

    The Harry Horner papers consist of correspondence, notebooks, sketchbooks, programs, clippings, scripts, and scrapbooks, 1924-2000, created and collected by Harry Horner. The bulk of the collection consists of correspondence, related to both Horner's work as a production designer and director for Broadway, Hollywood, and operas, and personal correspondence. Also included are two of Horner's personal sketchbooks, depicting nudes and some studies for set designs; clippings and related ephemera pertaining to Max Reinhardt; a number of film scripts, some of which include notes and letters by and from Horner regarding work on those scripts; and biographical statements written by Horner.

    Conditions Governing Access

    COLLECTION STORED OFF-SITE. Advance notice required for access.

    Conditions Governing Use

    All requests for permission to publish or quote from manuscripts must be submitted in writing to the Manuscripts Librarian. Permission for publication is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.

    Preferred Citation

    [Box/folder no. or item name], Harry Horner papers, Collection no. 6107, Special Collections, USC Libraries, University of Southern California

    Immediate Source of Acquisition

    Gift of Joan Horner, February 6, 2015.

    Subjects and Indexing Terms

    Motion picture producers and directors -- Archival resources
    Set designers -- California -- Los Angeles -- Archival resources
    Set designers -- New York (State) -- New York -- Archival resources
    Clippings
    Correspondence
    Notebooks
    Scripts (documents)
    Horner, Harry -- Archives
    Feuchtwanger, Lion -- Correspondence
    Reinhardt, Max -- Archives