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Papers of Edward Dorn
M1460
M1460
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Title: Papers of Edward Dorn
Identifier/Call Number: M1460
Contributing Institution:
Dept. of Special Collections & University Archives
Language of Material:
English
Physical Description:
4.5 Linear feet
(7 boxes, 1 flat box)
Date (inclusive): circa 1930-2002
Abstract: The collection is primarily letters and documents written by Ed Dorn to Tom Clark. Also included are manuscripts and typescripts
of works by Dorn. Reviews of Dorn's work, articles about him, along with audiocassettes and videotapes complete the collection.
Creator:
Dorn, Edward
This collection was purchased by Stanford University, Special Collections in 2006.
The materials are open for research use. Audio-visual materials are not available in original format, and must be reformatted
to a digital use copy.
All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the
Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94305-6064. Consent
is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission
from the copyright owner. Such permission must be obtained from the copyright owner, heir(s) or assigns. See: http://library.stanford.edu/depts/spc/pubserv/permissions.html.
Restrictions also apply to digital representations of the original materials. Use of digital files is restricted to research
and educational purposes.
[identification of item], Edward Dorn Papers (M1460). Dept. of Special Collections and University Archives, Stanford University
Libraries, Stanford, Calif.
Edward Merton Dorn was born in Villa Grove, Illinois. He grew up in rural poverty during the Great Depression. He attended
a one-room schoolhouse for his first eight grades. He later studied at the University of Illinois and at Black Mountain College
(1950-1955). At Black Mountain he came into contact with Charles Olson, who greatly influenced his literary worldview and
his sense of himself as poet. Dorn's final examiner at Black Mountain was Robert Creeley, with whom, along with the poet Robert
Duncan, Dorn became included as one of a trio of younger poets later associated with Black Mountain and with Charles Olson.[1]
In 1951, Dorn left Black Mountain and traveled to the Pacific Northwest, where he did manual labor and met his first wife,
Helene; they returned to the school in late 1954. After graduation and two years of travel, Dorn's family settled in Washington
state, the setting for his autobiographical novel By the Sound (originally published as Rites of Passage), which describes
the grinding poverty of life in "the basement stratum of society." In 1961 he accepted his first teaching job at Idaho State
University, where he published the magazine Wild Dog. His first book of poetry, The Newly Fallen, was published by LeRoi Jones's
Totem Press in 1961.
In 1965, with the photographer Leroy Lucas, Dorn spent the summer visiting Indian reservations for a book commissioned by
William Morrow & Co. Press, The Shoshoneans. That fall, British poet and scholar Donald Davie invited him to join the faculty
at the Literature Department he was creating at the new University of Essex. He spent most of the next five years in England,
where he published several collections of poems and wrote Book 1 of Gunslinger. He also started working with Gordon Brotherston
on translations from Latin American texts, solidified his close friendship with British poet J.H. Prynne, and met his second
wife, Jennifer Dunbar Dorn.
On returning to the United States, Dorn spent the '70s as an academic migrant, teaching at over half a dozen universities
across the country. In San Francisco, he collaborated with the printer and artist team Holbrook Teter and Michael Myers on
a number of projects, including the newspaper Bean News, the comic book format of Recollections of Gran Apachería, and the
typsetting of the complete Gunslinger in 1974. In 1977 Dorn accepted a professorship at the University of Colorado, Boulder,
where he taught for the rest of his life, directing the Creative Writing Program and editing the literary newspaper Rolling
Stock (motto: “If It Moves Print It”) with Jennifer Dunbar Dorn. During the '90s, after a teaching exchange visit to Paul
Valery University in Montpellier inspired an interest in the Cathars of Southern France, he started working on Languedoc Variorum:
A Defense of Heresy and Heretics. He was also writing another long narrative poem Westward Haut. During the last two and a
half years of his life, he wrote the poems for the posthumously published Chemo Sabe, reporting on his cancer treatments.
Dorn's main work, his magnum opus, is Gunslinger. Gunslinger is a long poem in five sections. Part 1 was first published in
1968, and the final complete text appeared in 1974. Other important publications include The Collected Poems: 1956-1974 (1975),
Recollections of Gran Apacheria (1975), Abhorrences (1989), High West Rendezvous: A Sampler (1997), and [Way More West: New
and Selected Poems] (2008).
Popular horror novelist Stephen King admired Dorn, describing his poetry as "talismans of perfect writing" and even naming
the first novel of The Dark Tower series, "The Gunslinger," in honor of Dorn's poem.[2] King also opened both the prologue
and epilogue of "The Stand" with Dorn's line, "We need help, the Poet reckoned."[3]
Dorn died of pancreatic cancer on December 10, 1999 in Denver, Colorado. His papers are collected at the University of Connecticut
as well as at Indiana University at Bloomington.
(Source: Wikipedia, 3/26/2012)
Processed by Special Collections staff.
Manuscripts of fiction and poetry, correspondence, publications, photographs, and prints.
Subjects and Indexing Terms
Clark, Tom, 1941-
Dorn, Edward