Finding aid for the Julius S. Held papers, ca. 1921-1999
Isabella Zuralski.
Descriptive Summary
Title: Julius S. Held papers
Date (inclusive): ca. 1918-1999
Number: 990056
Creator/Collector:
Held, Julius S (Julius Samuel)
Physical Description:
168 box(es)
(ca. 70 lin. ft.)
Repository:
The Getty Research Institute
Special Collections
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
reference@getty.edu
URL: http://hdl.handle.net/10020/askref
(310) 440-7390
Abstract: Research papers of Julius Samuel Held,
American art historian renowned for his scholarship in 16th- and 17th-century Dutch and
Flemish art, expert on Peter Paul Rubens, Anthony van Dyck, and Rembrandt. The ca. 70 linear
feet of material, dating from the mid-1920s to 1999, includes correspondence, research
material for Held's writings and his teaching and lecturing activities, with extensive
travel notes. Well documented is Held's advisory role in building the collection of the
Museo de Arte de Ponce in Puerto Rico. A significant portion of the ca. 29 linear feet of
study photographs documents Flemish and Dutch artists from the 15th to the 17th
century.
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Language: Collection material is in
English
Biographical / Historical Note
The art historian Julius Samuel Held is considered one of the foremost authorities on the
works of Peter Paul Rubens, Anthony van Dyck, and Rembrandt. His advice was sought by other
art history scholars, private collectors, dealers, museums, and auction houses in the United
States and abroad. For many years his opinion was the final word in matters of attribution
of artworks in his field of expertise.
Held was born in 1905 in Mosbach in Baden-Württemberg, Germany. He died in 2002 in
Bennington, Vermont. He was married to Ingrid-Märta Pettersson (1905-1986), an art
conservator, with whom he had a son and a daughter. Held studied art history at the
universities of Heidelberg, Berlin, Vienna, and Freiburg. In 1930 he obtained his Ph.D. from
the university of Freiburg under Hans Jantzen, writing on Dürer. In 1931 he became assistant
to Max Friedländer at the Kaiser Friedrich Museum in Berlin. In 1934 Held fled Nazi Germany
to the United States and became a U.S. citizen in 1940.
Held began his academic career in 1935 as a lecturer in art history at the New York
University. In 1937 he was hired as a lecturer at Barnard College, Columbia University,
where he was appointed assistant professor in 1944, advanced to associate professor in 1950,
full professor in 1954, and served as chairman of the Art History Department from 1967 to
1970. In 1971 Held retired from Barnard College and moved from New York to
Bennington,Vermont, where he continued to teach for ten years as Clark Professor of Art in
the graduate program for art history at Williams College, and at the Sterling and Francine
Clark Art Institute.
Held also lectured at other institutions: as Carnegie Lecturer from 1936 to 1937 at the
National Gallery in Ottawa, visiting lecturer from 1943 to 1944 at Bryn Mawr College,
visiting professor from 1946 to 1947 at the New School for Social Research, visiting
professor in 1954 and 1958 at Yale University, lecturer with the American College Council
for Summer Study Abroad in 1957, and Andrew W. Mellon visiting professor at University of
Pittsburgh from 1972 to 1973. He also served as academic advisor at Marlboro College from
1965 to 1980, and as a member of the Institute for Advanced Study at Princeton in 1967.
During the 1950s Held was asked by Luis Ferré, the Governor of Puerto Rico, to advise the
new art museum in Ponce. His participation in the selection and acquisition of important
European works of art elevated the museum to world recognition.
Held published extensively. Among his most significant and influential works are
Rubens in America (with Jan-Albert Goris, 1947),
Rubens, selected
drawings
(1959),
Rembrandt's Aristotle and other Rembrandt studies
(1969),
17th and 18th century art (with Donald Posner, 1971), and
Rembrandt studies (1991). At the age of 75 Held issued his landmark study,
the two-volume critical catalog
Oil sketches of Peter Paul Rubens (1980).
Held's classical education influenced his approach to art history. At the time when the
discipline was favoring iconography and other more "empirical" methods of study, Held
maintained the primacy of connoisseurship as one of the tools of the art historian.
Held was also actively engaged in matters related to the memory of the Jewish Holocaust.
In 1988 he was instrumental in creating a memorial to his boyhood synagogue in Mosbach,
destroyed during Kristallnacht.
Administrative Information
Access
Open for use by qualified researchers.
Publication Rights
Preferred Citation
Julius S. Held papers, ca. 1918-1999, Getty Research Institute, Research Library, Accession
number 990056.
http://hdl.handle.net/10020/cifa990056
Acquisition Information
Acquired by the repository in 1999 from Julius Held. Some letters and Held's library list
were received in 2003 from Held's family. Seven boxes of Held material were received from
the National Gallery in late 2004.
Processing History
The collection was rehoused in 1999. An index to the collection was made available in the
Getty Research Institute's research files. Between 2001-2004, Isabella Zuralski processed
the collection and wrote this finding aid. A few items (letters, a copy of Held's library
catalog) were received in 2003 from the Held estate; these were integrated into the archive.
Seven boxes of papers received in 2004 have not yet been processed.
Related Archival Materials
Microfilm of Held's correspondence with Leonard Baskin, Saul Baizerman, and J. Paul Getty
is available at the Archives of American Art, Smithsonian Institution:
Julius Samuel Held papers concerning Saul Baizerman and Leonard Baskin,
1947-1976
, Inv. no. 20560.
In 2002, Sterling and Francine Clark Art Institute in Williamstown, Mass. acquired Julius
Held's collection of rare books. Many of the books were collected for their illustrations by
artists such as Peter Paul Rubens, Albrecht Dürer, and Anthony van Dyck. The collection
comprises ca. 280 volumes.
Separated Materials
22 publications, including 16 monographs, 5 issues of various periodicals, and 1 auction
catalog have been transferred to the Getty Research Institute's Research Library.
Archives of American Art journal.
[New
York, N.Y.] : The Archives, c1971-. Vol. 21, no. 1 (1981)
Baldwin-Wallace College.
The Cosla
collection presented by Badwin Wallace College.
[Berea, Ohio : The
College, 19--]
C.G. Boerner (Firm)
Ausstellung A.
Ostade.
Düsseldorf : C.G. Boerner, [1960]
Charlton, John, 1909-
The Banqueting
House Whitehall / John Charlton.
[London] : H.M. Stationary Off.,
c1964.
Detroit Institute of Arts.
Bulletin of
the Detroit Institute of the City of Detroit.
[Detroit, Mich.] : The
Institute, Vol. 24, no. 2 (1944)
Held, Julius Samuel, 1905-
The
Holocaust, from a distance / by Julius S. Held.
University Park, PA :
Jewish Studies Program, Pennsylvania State University, c1997.
Humbert de Superville, David Pierre Giottino, 1770-1849.
David Pierre Giottino Humbert de Superville : virtuose et savant
(1770-1849).
[France : s.n., 1998]
Junius,Hadrianus, 1511-1575.
Hadrani
Ivnii medici emblemata.
Antverpiae : Ex officina Christophori Plantini,
1565. 1969 reprint.
Master drawings : people and animals through five
centuries.
[New York : Herbert E. Feist, 1971]
Methuen, paul Ayshford Methuen, Baron, b. 1886.
An historical account of Corsham Court : the Methuen collection of
pictures and the furniture in the state rooms / by Lord Methuen.
[Corsham, England] : Corsham Estate, 1971.
Muzeum Narodowe w Warszawie.
Bulletin
du Musée national de Varsovie.
Varsovie : Le Musée, Vol. 7, no. 3
(1966)
Nieuwsbrief.
Den Haag :
Mauritshuis, jaarg. 5, nr. 2 (1992)
The Parcae : two marble busts by Michaelangelo for
the tomb of Julius II.
New York, N.Y. : Paul Rosenberg & Co.,
[1980]
Ponce Art Museum.
El Museo de Arte de
Ponce / texto, ilustraciones y presentación de René Taylor.
[Ponce,
Puerto Rico : Fundación Luis A. Ferré, 196-]
Ponce Art Museum.
Inauguración del
Museo de Arte de Ponce : Fundación Luis A. Ferré.
[Ponce, Puerto Rico] :
El Museo, 1965.
Ponce Art Museum.
Nineteenth century
paintings from the Museo de Arte de Ponce, Puerto Rico, Fundación Luis A. Ferré / an
exhibition organized by Hayden Gallery Massachusetts Institute of Technology, Cambridge,
Massachusetts, May 17-June 8, 1974.
[Cambridge, Mass. : MIT Committee
on the Visual Arts, 1974]
Ponce Art Museum.
Museo de Arte de
Ponce.
[Ponce, Puerto Rico] : El Museo, [1990?]
Price, Frederic Newlin.
Edward Hicks
1780-1849.
[Swarthmore, Pa.] : Benjamin West Society, Swarthmore
College, c1945.
Robinson, Franklin Westcott.
Gabriel
Metsu, the letter.
San Diego, Calif. : Timken Art Gallery, c1985.
El Sol.
Hato Rey, Puerto Rico :
Asociación de Maestros de Puerto Rico, Abril 15, 1966
Sotheby Parke Bernet Inc.
Old master
paintings from the collection of Thomas J. Bryan (1802-1870).
New York :
Parke-Bernet Galleries, 1971.
United States. Secret Service.
Know your
money.
Washington : United States. Secret Service, Treasury Dept.,
1946.
Scope and Content of Collection
The Julius S. Held papers constitute a comprehensive archive of a preeminent American art
historian renowned for his scholarship in sixteenth- and seventeenth-century Dutch and
Flemish art.
More then 70 linear feet of material, dating from the mid 1920s to 1999, provides access to
a broad and detailed study of Held's professional life, his scholarly development, and his
working methods.
Ca. 27 linear feet comprises correspondence, of which the predominant portion constitutes
correspondence with distinguished art historians and other scholars. Also included is Held's
professional correspondence with art dealers, auction houses, museums, publishing firms, and
numerous private collectors.
Substantial material documents Held's research for his publications, his teaching and
lecturing activities, extensive travel notes, and material related to his capacity as an art
expert in various legal cases.
A separate group of files concern Held's long association as an art consultant with the
Museo de Arte de Ponce in Puerto Rico. The material details Held's advisory role building
the collection. It also provides insight into the museum's collection development process.
A major portion of the archive, ca. 29 linear feet, comprises study photographs and other
visual documentation of artwork by Peter Paul Rubens, Anthony van Dyck, Jacob Jordaens,
Rembrandt, and a vast number of other artists, predominantly Flemish and Dutch from the 15th
to 17th centuries.
The original arrangement of material is preserved as it was organized by Held, especially
the frequent inclusion of correspondence, printed matter and handwritten notes with study
photographs and other visual material. Oversize items, items shelved in cold storage, and
publications transferred to other sections of the Getty Research Library were pulled and are
described separately at the end of the container list.
Arrangement
The papers are arranged in 9 series:
Series I. Correspondence, 1925-1999;
Series II. Publication
research, 1931-1999;
Series III. Occasional
papers, 1918-1998;
Series IV. Legal cases
and Art expertising (Fake experts), 1927-1998;
Series V. Teaching and
lectures, 1935-1991;
Series VI. Travel notes,
sketches, and letters, 1925-1983;
Series VII. Ponce Art
Museum, 1954-1999;
Series VIII. Photographs
(Artists' files), ca. 1921-1999;
Series IX. Oversize
material, color photography and negatives, 1937-1999.
Indexing Terms
Subjects - Names
Stimmer, Tobias
Suttermans, Justus
Swart, Jan
Teniers, David
Sweerts, Michiel
Teniers, David
Teniers, David
Terbrugghen, Hendrik
Seghers, Hercules
Sellaer, Vincent
Sittow, Michel
Snyders, Frans
Steen, Jan
Vermeyen, Jan Cornelisz
Vermeulen, Jan
Vermeer, Johannes
Victors, Jan
Vinckeboons, David
Vos, Paul de
Vos, Maarten de
Vos, Cornelis de
Volmaryn, Pieter Crynse
Thomas van Ypern, Johannes
Thulden, Theodoor van
Titian
Velde, Esaias van den
Velde, Jan van de
Van Dyck, Anthony, Sir
Vellert, Dirck Jacobsz.
Venne, Adriaen Pietersz. van de
Velde, Willem van de
Velde, Willem van de
Wolfert, Artus
Witz, Konrad
Wtewael, Joachim
Wouters, Frans
Wouwerman, Philips
Vos, Simon de
Vrancx, Sebastiaen
Wildens, Jan
Willeboirts Bosschaert, Thomas
Weyden, Rogier van der
Wierix, Jan
Wierix, Jeronimus
Zurbarán, Francisco
Master of the Legend of St. Ursula
Bruegel, Jan
Brouwer, Adriaen
Broeck, Crispin van den
Bruegel, Pieter
Bruegel, Pieter
Bruegel, Jan
Campen, Jacob van
Cats, Jacob
Coninxloo, Gillis van
Cranach, Lucas
Crayer, Gaspar de
Cornelisz van Oostsanen, Jacob
Coxcie, Michel
Dalem, Cornelis van
David, Gérard
Cuyp, Aelbert
Baldung, Hans
Balen, Hendrick van
Benson, Ambrosius
Rubens, Peter Paul
Bles, Henri
Bloemaert, Abraham
Boekhorst, Johannes
Bol, Ferdinand
Borch, Gerard ter
Bosch, Hieronymus
Bouts, Dieric
Boyermans, Théodore
Bril, Paul
Aertsen, Pieter
Altdorfer, Albrecht
Allori, Alessandro
Juan, de Flandes
Jordaens, Jacob
Keil, Bernhard
Janssens, Abraham
Jegher, Christoffel
Honthorst, Gerrit van
Hooch , Pieter de
Huber, Wolf
Huygens, Constantijn
Isenbrant, Adriaen
Holbein, Hans
Holbein, Hans
Hollar, Wenceslaus
Hondecoeter, Gillis Claesz.
Hondecoeter, Melchior de
Hemessen, Jan Sanders van
Hoecke, Jan van den
Hicks, Edward
Heemskerk, Martin van
Heemskerck, Egbert van
Heem, Jan Davidsz. de
Heem, Cornelis de
Heimbach, Wolfgang
Hals, Dirck
Hals, Frans
Grünewald, Matthias
Haensbergen, Johan van
Haarlem, Cornelis Corneliszoon van
Haecht, Willem van
Grimmer, Abel
Goudt, Hendrik
Gossaert, Jan
Goyen, Jan van
Goltzius, Hendrik
Goeree, Jan
Goes, Hugo van der
Gelder, Aert de
Geertgen, tot Sint Jans
Geest, Cornelis van der
Fruytiers, Philip
Fyt, Jan
Francken, Jerome
Francken, Frans
Franchoys, Lucas
Floris, Frans
Fabritius, Carel
Fabritius, Barent
Eyck, Jan van
Elsheimer, Adam
Elliger, Ottmar
Egmont, Justus van
Dürer, Albrecht
Duck, Jakob
Dujardin, Karel
Drost, Willem
Dou, Gerard
Diepenbeeck, Abraham van
Savery, Roelant
Schongauer, Martin
Schut, Cornelis
Scorel, Jan van
Seghers, Gerard
Rembrandt Harmenszoon van Rijn
Reymerswaele, Marinus van
Rombouts, Theodor
Rottenhammer, Hans
Ruisdael, Jacob van
Sallaert, Anthonis
Ruysdael, Salomon van
Panneels, Willem
Ponder, Jacob de
Poubus, Frans
Pourbus, Frans
Quellinus, Erasmus
Provost, Jan
Mijtens, Jan
Neer, Aert van der
Ochtervelt, Jacob
Ostade, Isack van
Ostade, Adriaen van
Orley, Bernard van
Miereveld, Michiel van
Moeyaert, Claes Cornelisz
Metsu, Gabriel
Metsys, Quentin
Moreelse, Paulus
Mostaert, Jan
Molenaar, Jan Miense
Momper, Josse de
Meckenem, Israhel van
Maître de Flémalle
Maître du Saint-Sang
Maître de la Légende de Sainte Lucie
Meister von Messkirch
Memling, Hans
Meester van de Virgo inter virgines
Meester van de Magdalena-legende
Meister von Frankfurt
Maes, Nicolaes
Lucas, van Leyden
Lombard, Lambert
Lint, Pieter van
Master of the Mansi Magdalene
Master of 1518
Master of the Female Half length figures
Malo, Vincent
Koninck , Philips
Key, Willem
Lievens, Jan
Lastman, Pieter
Subjects - Corporate Bodies
Sterling and Francine Clark Art Institute
Sotheby Parke Bernet & Co.
Sotheby's (Firm)
Williams College
Carnegie Museum of Art
Christie, Manson & Woods International Inc.
Columbia College (New York, N.Y.)
Christie, Manson & Woods
Barnard College
J. Paul Getty Museum
Historians of Netherlandish Art
Heim Gallery
Gruner + Jahr AG
Galerie Meissner (Zurich, Switzerland)
Dorotheum (Firm)
Richard L. Feigen & Company
Ponce Art Museum
Pierpont Morgan Library
Princeton University Press
National Gallery of Art (U.S.)
Norton Simon, Inc. Foundation
Newhouse Galleries
Metropolitan Museum of Art (New York, N.Y.)
Subjects - Topics
Art, German -- 17th century -- Expertising
Art, Dutch -- 16th century -- Expertising
Art, Flemish -- Ghent -- Belgium -- Expertising
Art, German -- 16th century -- Expertising
Art, Dutch -- 17th century -- Expertising
Museum directors -- Correspondence
Museum curators -- Correspondence
Authors and publishers -- United States
Art -- Private collections -- United States
Painting, Modern -- 17th century -- Expertising
Painting, Flemish -- Expertising
Painting, Dutch -- Expertising
Painting -- Conservation and restoration
Art, Netherlandish -- Expertising
Art, Flemish -- 16th century -- Expertising
Art, Flemish -- 17th century -- Expertising
Art, Flemish -- Bruges -- Belgium -- Expertising
Art -- Private collections -- Europe
Art dealers -- Correspondence
Art -- Collectors and collecting -- Correspondence
Art historians -- Correspondence
Art -- Expertising
Genres and Forms of Material
Color transparencies
Color photographs
Color slides
Diffusion transfer prints
Notebooks
Photographic postcards
Picture postcards
Radiographs
Black-and-white prints (photographs)
Contributors
Sterling, Charles
Stighelen, Katlijne van der
Stewart, J. Douglas (John Douglas)
Strauss, Walter L.
Styhr, Jørgen
Sutton, Peter C.
Tennenbaum, Silvia
Serkin, Rudolf
Skutsch, Otto
Slive, Seymour
Sloane, Joseph C.
Sluijter, Eric Jan
Smith, David R. (David Ross)
Spear, Richard E.
Stechow, Wolfgang
Steinberg, Leo
Vergara, Lisa
Vey, Horst
Vertikoff, Alexander
Veronee-Verhaegen, Nicole
Volk, Mary Crawford
Voet, Léon
Vlieghe, Hans
Tharp, Twyla
Thaw, Eugene Victor
Tietze-Conrat, E. (Erika)
Tietze, Andreas
Tietze, Hans
Varshavskaia, M. IA.
Wolf, Emile E.
Wohl, Alice
Wolf, Robert Erich
Winner, Matthias
Winkler, Friedrich
Wittkower, Rudolf
Wulc, Stanley S.
Zimmer, Jürgen
Wuttke, Dieter
Wood, Jeremy
Wright, Virginia
Warnke, Martin
Weber, Gregor J. M.
Weinberg, H. Barbara (Helene Barbara)
Welu, James A.
Voss, Hermann
Walsh, John
Wilkin, Karen
White, Christopher
Brown, Christopher
Burchard, Ludwig
Béguin, Sylvie
Burchard, Otto
Chaīkin, Nathan
Cattaneo Adorno, Carlotta
Colie, Rosalie Littell
Ciechanowiecki, Andrzej S.
Constable, W. G. (William George)
Coolidge, John
Comini, Alessandra
Cunningham, Charles Crehore
Arbitman, Kahren Jones
Barron, Stephanie
Barnouw, Adriaan Jacob
Baudouin, Frans
Bauch, Kurt
Bautier, Pierre
Baumstark, Reinhold
Belkin, Kristin Lohse
Behrman, Cynthia Fansler
Benesch, Otto
Bevers, Holm
Berend-Corinth, Charlotte
Bevington, David M.
Bialostocki, Jan
Block, Herbert
Bober, Phyllis Pray
Boggs, Jean Sutherland
Bolten, J.
Boon, Karel G.
Allentuck, Marcia
Andrews, Keith
Antal, Friedrich
Anderson, Laurie
Andersson, Christiane
Ames, Winslow
Alpers, Svetlana
Getty, J. Paul (Jean Paul),
1892-1976
Kauffmann, Hans
Kahr, Madlyn Millner
Kaufmann, Thomas DaCosta
Kaufmann, Emil
Keck, Caroline K. (Caroline Kohn)
Jaeger, Wolfgang
Jaffé, Michael
Jaffé, David
Janson, H. W. (Horst Woldemar)
Jantzen, Hans
Huemer, Frances
Hugelshofer, Walter
Hulst, Roger Adolf d'
Hofmann, Werner
Müller Hofstede, Cornelius
Hollander, Anne
Hibbard, Howard
Herklotz, Ingo
Herbst, Hans, Dr.
Stoner, Joyce Hill
Held, Jutta
Held, Julius S (Julius Samuel)
Hammer, Armand
Harris, Ann Sutherland
Haverkamp Begemann, Egbert
Heckscher, William S. (William Sebastian)
Hartford, Huntington
Hartt, Frederick
Gudlaugsson, S. J. (Sturla J.)
Grund, Norbert Joseph Carl
Haeger, Barbara
Greindl, Edith
Gregori, Mina
Grigaut, Paul L.
Grafe, I.
Golffing, Francis
Goris, Jan Albert
Gombrich, E. H. (Ernst Hans)
Glück, Gustav
Golahny, Amy
Geuer, Gisela
Gibson, Walter S.
Gilbert, Creighton
Gelder, Jan de
Gerold, Susanne
Gerson, H. (Horst)
Gay, Peter
Geissler, Heinrich
Panofsky, Erwin
Garlick, Kenneth
Friedländer, Max J.
Friedenberg, Daniel M.
Freedberg, David
Frankl, Paul
Fenyo, Iván
Fenwick, Kathleen M.
Elsen, Albert Edward
Einem, Herbert von
Eisler, Colin T.
Egorova , K. S. (Kseniia Sergeevna)
Dulière, Gaston
Downes, Kerry
Carroll, Margaret D. (Margaret Deutsch)
Delen, A. J. J. (Adrien Jean Joseph)
Demus, Klaus
Sandy, Stephen
Sauerländer, Willibald
Schade, Werner
Schama, Simon
Schapiro, Meyer
Scheyer, Evelyn
Schilling, Edmund
Schulz, Juergen
Schwartz, Gary
Schöne, Wolfgang
Scribner, Charles
Renger, Konrad
Roethlisberger, Marcel
Ring, Grete
Rosand, David
Rosenberg, Jakob
Rose, Patricia
Rosenberg, Pierre
Panofsky-Soergel, Gerda
Pariset, François-Georges
Parkhurst, Charles
Porter, Katherine Anne
Posner, Donald
Puyvelde, Leo van
Nash, Ray
Müller Hofstede, Justus
Nordenfalk, Carl Adam Johan
Oberhuber , Konrad
Novak, Barbara
Noske, Frits
Osten, Gert von der
Millar, Oliver
Millen, Ronald
Meulen, Marjon van der
Mielke, Hans
Moser, Liselotte
Muller, Jeffrey M.
Lipchitz, Jacques
Mongan, Agnes
Mont, Frederick
McGrath, Elizabeth
McCurry, H. O.
McIntosh, Millicent C.
Mayer, Annelise
Mellinkoff, Ruth
Meiss, Millard
Lugt, Frits
Lowenthal, Anne W.
Logan, Anne-Marie S.
Mathey, Jacques
Martin, Gregory
Martin, John Rupert
Marsh, Reginald
Kuznetsov , IU (IUrii)
Kurz, Otto
Kultermann, Udo
Kristeller, Paul Oskar
Klemm, Christian
Kelch, Jan
Liedtke, Walter A.
Liebermann, Max
Lieberman, Ralph
Levine, David
Lehrs, Max
Lavin, Irving
Series I.
Correspondence,
1925-1999
Physical Description:
27
box(es)
11.34 lin. ft.
Scope and Content Note
Series I contains correspondence relating to the major areas of Held's professional
activities, those of teacher, author, and art expert. The correspondence is particularly
valuable for Held's frank assessments of art objects. Not included are letters of
private nature, such as letters to his wife and family, or letters linked to his role as
collector of works of art.
Arranged in 8 subseries. Each subseries is arranged alphabetically by correspondent.
Letters from Held are usually carbon copies or drafts; many are written on discarded
proofs for essays and publications.
Series I.A.
Scholars and artists,
1925-1999
Physical Description:
3.36 Linear
Feet
Scope and Content Note
This subseries constitutes the largest portion of the correspondence series and
consists predominantly of letters to Held. Numerous letters include annotations
related to scholarly issues; others are marked by Held only with the date of his
reply. Occasionally included are offprints, press clippings, handwritten notes, study
photographs, and personal family photographs sent to Held by his correspondents.
The letters reveal a vivid exchange of scholarly opinions concerning attribution and
interpretation of artwork by numerous European artists from the 16th to the 18th
century, principally Peter Paul Rubens, Anthony van Dyck, Jacob Jordaens, and
Rembrandt. Discussions and references to Held's books and essays shed light on the
reception of his research and the impact of his methodology on other scholars.
Publications by other scholars are frequently discussed. Held's opinion and advice is
often sought by younger colleagues, particularly during their dissertation work.
Many of Held's correspondents are experts in Dutch and Flemish art. These include
Svetlana Alpers, Kurt Bauch, Kristin Belin Lohse, Jan Bialostocki, Karel G. Boon,
Ludwig Burchard, Klaus Demus, David Freedberg, Jan de Gelder, Horst Gerson, Creighton
Gilbert, Gustav Glück, Amy Golahny, Jan Albert Goris, Egbert Haverkamp-Begemann, Erich
Hubala, Frances Huemer, Roger Adolf d'Hulst, Wolfgang Jaeger, Michael Jaffé, Madlyn
Millner Kahr, Walter A. Liedtke, Anne-Marie S. Logan, Anne W. Lowenthal, John Rupert
Martin, Elizabeth McGrath, Marjon van den Meulen, Erwin Panofsky, David Rosand, Meyer
Schapiro, Gary Schwartz, Charles Scribner, Seymour Slive , Eric Jan Sluijter, Wolfgang
Stechow, Leo Steinberg, J. Douglas Stewart, Werner Sumowski, Horst Vey, John Walsh,
Gregor J. M. Weber, Robert Erich Wolf, and Jeremy Wood.
Other prominent scholars represented here are Herbert von Einem, Philipp P. Fehl,
Paul Frankl, Max J. Friedländer, Peter Gay, Heinrich Geissler, Ernst Hans Gombrich,
Ann Sutherland Harris, Hans Jantzen, Paul Oskar Kristeller, Frits Lugt, Ruth
Mellinkoff, Hans Mielke, Justus Müller Hofstede, Christopher Norris, Frits Noske,
Konrad Oberhuber, Pierre Rosenberg, Werner Schade, Otto Skutsch, Hans and Erica
Tietze, Karen Wilkin, Matthias Winner, and Rudolf Wittkower.
Also included is correspondence with visual and performing artists and literary
authors, including Laurie Anderson, Katherine Anne Porter, Rudolf Serkin, Silvia
Tennenbaum, Twyla Tharp, and Stanley S. Wulc. Notable are the ca. 100 letters to Held
from the American writer Rosalie Littell Colie.
box 1
Early correspondence - Ludwig and Otto Burchard
box 1, folder 1
Early correspondence,
1925-1942
Scope and Content Note
7 items. Letters to Held from Friedrich Antal, Hans Kauffmann, Max Lehrs, Leo vam
Puyvelde, Otto Schmitt at Deutscher Verein für Kunstwissenschaft, and Friedrich
Winkler.
box 1, folder 2
Alpers, Svetlana,
1968-1996
Scope and Content Note
23 items (43 leaves): 13 letters to Held and 7 letters from Held, many
extensively annotated; and printed matter. Both scholars discuss their various
research projects, lectures and publications, particularly Held's interpretation
of references to Ovid by Rubens. Included is a typescript of a lecture Alpers gave
at CAA in 1996, substantially annotated by Held; and reviews of Alpers's book
The making of Rubens. With a mention of Catherine Lusheck.
box 1, folder 3
Ames, Winslow,
1970-1987
Scope and Content Note
14 letters (on 23 leaves) to Held. The letters concern Ames's activities as an
art consultant and collector of drawings. Ames writes extensively about his
articles on drawings by Sébastien Le Clerc and Antoine Coypel, his autobiography,
and his teaching at the Columbia University in the early 1920s. He also writes
about art patronage of Prince Albert, consort of Queen Victoria. Several letters
concern personal family matters.
box 1, folder 4
Anderson, Laurie,
1969-1995
Scope and Content Note
18 items (on 29 leaves): 5 letters from Anderson to Held, and 1 letter from Held
to Anderson. Included are 2 letters to Held from Joan Breton Connelly at
Metropolitan Museum of Art, NY and from Ellen V. Futter at the Barnard College
concerning Anderson. Also present are printed matter and press clippings, and
forms regarding Anderson at Barnard College.
box 1, folder 5
Andersson, Christiane,
1977-1996
Scope and Content Note
10 items (on 21 leaves): 8 letters to Held, a curriculum vitae, and 1 letter from
Held. Correspondence concerning mainly Andersson's interpretation of drawings by
Urs Graf for her dissertation
Dirnen, Krieger, Narren.
box 1, folder 6
Andrews, Keith,
1977-1985 undated
Scope and Content Note
12 items: 7 letters to Held, 3 letters from Held to Andrews, and 3 undated ms.
notes. Both scholars discuss questions of attribution and iconography in drawings
by Rubens and Jordaens. Andrews mentions his plan to catalog German drawings in
the collection of the National Gallery of Scotland. [See also items filed in Box
62, F. 15.]
box 1, folder 7
Arbitman [Hellerstedt], Kahren,
1980-1996
Scope and Content Note
ca. 27 items (on 75 leaves): 19 letters to Held and 5 letters from Held to
Arbitman, and printed matter. Arbitman writes about her scholarly research and
curatorial work, lecturing activities and participation in conferences. She often
mentions other scholars, including John Williams, Carol Purtle, Sharon L. Hirsch,
Amy Golahny, John Walsh, and the organization Historians of Netherlandish Art. She
describes her visit to the collector of drawings Frederick Herman in Norfolk, VA.
Held reviews Arbitman's dissertation
Hurdy-gurdies from Hieronymus Bosch to
Rembrandt
. Included is an unpublished copy of Walter Gibson's keynote
address presented in 1985 at the International Research Conference in Pittsburg.
Several letters by Held and Arbitman concern Held's translation of a medieval
Latin manuscript. Enclosed is a color photograph of the original.
box 1, folder 8
Barnouw, Adriaan Jacob,
1965
Scope and Content Note
1 letter to Held. Barnouw comments on Held's book
Rembrandt and the Book
of Tobit
.
box 1, folder 9
Barron, Stephanie,
1971 1995-1997
Scope and Content Note
5 items: 4 letters to Held, including two from 1971 when Barron was a senior art
history major at the Barnard College, and 1 letter from Held. Held comments on
Barron's essay in the catalog of the exhibition
Exiles + emigrés
(Los Angeles County Museum of Art, 1997), and provides some details concerning his
collection of prints by Max Beckmann and Werner Drewes.
box 1, folder 10
Bauch, Kurt,
1962-1965
Scope and Content Note
11 items: 9 letters to Held and 2 letters from Held. The letters concern mainly
reproductions of Rembrandt's paintings and drawings located in American
collections for Bauch's upcoming book
Rembrandt, Gemälde. Both
scholars discuss attribution questions related to Rembrandt. Also mentioned are
the artists Peter Lastman, Gerrit Pietersz, Gerrit Claesz Bleker and Ferdinand
Bol. Held comments on Bauch's book on Rembrandt's painting
Die
Nachtwache
. Bauch's letters are annotated by Held.
box 1, folder 11
Baudouin, Frans,
1964-1998
Scope and Content Note
22 items (on 27 leaves): 16 letters to Held, 4 letters from Held, and printed
matter. Also included is a letter from Baudouin to Dr. G. Nordbäck in Stockholm.
Both scholars discuss attribution questions related to Rubens and other Flemish
artists. Several letters concern Frans Claes's interpretation of Joannes Goropius
Becanus's
Origines Antverpianae [1569]. Baudouin's letters are
annotated by Held.
box 1, folder 12
Baumstark, Reinhold,
1977-1996 undated
Scope and Content Note
16 items (on 25 leaves): 9 letters from Baumstark to Held, 5 letters from Held, 2
postcards and 1 illustration. The letters concern various artwork in the
collection of the Sammlungen des Regierenden Fürsten von Liechtenstein, mainly
attribution questions related to Rubens, Jan van den Hoecke, and other artists.
Baumstark's letters are annotated by Held. Also included is correspondence between
Held and Lorin A. Uffenbeck concerning the attribution of a painting to
Rubens.
box 1, folder 13
Bautier, Pierre,
1951-1953
Scope and Content Note
2 letters to Held concerning several attribution questions raised by Held.
Annotated by Held.
box 1, folder 14
Beguin, Sylvie,
1965-1976
Scope and Content Note
24 items (on 31 leaves): 6 letters from Beguin at the Musée du Louvre, to Held
and 2 letters from Held mainly concerning an exchange of photo reproductions. A
significant portion comprises correspondence with the lawyer Edwin J. Harragan in
New York regarding the permission to reproduce artwork by Rubens in an advertising
brochure for Cadillac. Included are Harragan's letters to Beguin, Michael Rainbird
and Held, and letters from Held to Harragan and Hans Ludwig C. Jaffé.
box 1, folder 15
Belkin, Kristin Lohse,
1982-1997
Scope and Content Note
ca. 30 items (60 leaves): 22 letters to Held, 2 letters from Held, copies of
Belkin's research proposal, draft of her paper "Rubens and the Dance of death",
and her curriculum vitae. Belkin's letters are rich in detail related to her
research for
Corpus Rubenianum Ludwig Burchard, and other
publications. Included are Held's notes for his review of Belkin's
Costume
book
.
box 1, folder 16
Berend-Corinth, Charlotte,
1952 1960
Scope and Content Note
2 items: a letter and a postcard to Held from the wife of Lovis Corinth.
box 1, folder 17
Behrman, Cynthia Fansler,
1995
Scope and Content Note
11 items: 10 letters from Berhrman to Held, and 1 letter from Held, concerning
the sale of a drawing in the collection of the jazz musician Bobby Capers. Several
of Behrman's letters are annotated by Held.
box 1, folder 18
Benesch, Otto,
1951, 1953
Scope and Content Note
2 letters to Held. With a mention of Roger Adolf d'Hulst, Iván Fenyo, and Franz
Martin Haberditzl.
box 1, folder 19
Bevers, Holm,
1999
Scope and Content Note
2 litems: 1 letter to Held, and reply from Held. Bevers mentions a sketchbook
attributed to Herri met de Bles. He also mentions Held's correspondence with Max
J. Friedländer in the collection of Staatliche Museen zu Berlin, Preussischer
Kulturbesitz, and the late art historian Hans Mielke.
box 1, folder 20
Bevington, David,
1995
Scope and Content Note
2 item (on 3 leaves): 1 letter to Held, and reply from Held. The letters concern
drawings by Held, including a portrait of Alger Hiss.
box 1, folder 21
Bialostocki, Jan,
1963-1987
Scope and Content Note
19 items: 16 letters to Held, 2 letters from Held, and 1 study photograph.
Bialostocki's letters are rich in detail concerning his scholarly research, travel
and contacts with other art historians. He writes freqently about his work on
Rembrand's painting
Polish rider. Both scholars exchange their
opinion about a drawing of Mercury and Argus by Rubens.
box 1, folder 22
Bober, Phyllis Pray,
1993-1994, undated
Scope and Content Note
3 items: 2 letters from Bober to Held and 1 letter from Held. Bober mentions her
work on
Art, culture, and cuisine.
box 1, folder 23
Boggs, Jean Sutherland,
1966-1969
Scope and Content Note
8 letters to Held, including 1 by Boggs' assistant Richard K. Graburn.
Correspondence concerning lectures given by Held on the occasion of a Jacob
Jordaens exhibition at the National Gallery of Canada in Ottawa.
box 1, folder 24
Bolten, J.,
1967-1968
Scope and Content Note
7 items: 6 letters to Held, and 1 letter from Held. Correspondence concerning a
drawing by Abraham Bloemaert in Held's collection, and Bolten's research on
Bloemaert. Bolten's letters are annotated by Held.
box 1, folder 25
Boon, Karel G.,
1949-1992
Scope and Content Note
33 items (on 36 leaves): 22 letters to Held, 1 letter to Frank Robinson, and 9
letters from Held. The scholars consult each other's opinion concerning their
research projects on Rubens and Rembrandt, and frequently discuss attribution
questions concerning artwork by other Dutch and Flemish artists. Also discussed is
a portrait of Charles V in the context of Erhard Göpel's involvement with Hitler's
museum in Linz and the looting of art during the Nazi occupation of the
Netherlands.
box 1, folder 26
Brown, Christopher,
1978-1997, undated
Scope and Content Note
43 items (on 55 leaves): 23 letters to Held, 13 letters from Held, and annotated
printed matter. Correspondence concerning Brown's and Held's scholarly work and
research by other art historians. Discussed are questions of attribution and
provenance, mainly of artwork by Rubens and Daniel van den Dyck. Brown relates
details concerning auction sales of Rubens's paintings. Also present is business
correspondence with the firm Art Life Ltd. in Tokyo and New York concerning Held's
essay for the catalog of an Rembrandt exhibition held in Japan during the winter
of 1986/1987. Included is a letter to Held from Laura C. Luckey at the Shelburne
Museum in Shelburne, Vt. concerning a portrait painting by Rembrandt. Several of
Brown's letters are annotated by Held.
box 1, folder 27
Burchard, Ludwig and Burchard, Otto,
1933-1951
Scope and Content Note
9 items (on 15 leaves): 7 letters to Held, including 1 from Ludwig's brother Otto
Burchard, and 2 letters from Held to Ludwig Burchard. The scholars relate details
concerning their research of Rubens, especially questions concerning attribution
and provenance. Burchard reviews extensively Held's essay for the catalog of a
Rubens exhibition held at Schaeffer & Brandt in New York in 1942.
box 2
Carlotta Cattaneo-Adorno - Gustav Glück
box 2, folder 1
Cattaneo-Adorno, Carlotta,
1988
Scope and Content Note
1 letter from Held concerning Cattaneo-Adorno's forthcoming publication.
box 2, folder 2-4
Colie, Rosalie Littell,
1957-1982, undated
Scope and Content Note
Ca. 120 items (ca. 140 leaves): letters to Held and his family, and ca. 10
letters from Held. Colie's letters are rich in detail concerning her professional
and personal life, especially during the time she taught at Barnard College, at
Wesleyan University, and the University of Toronto. Several of her letters are
annotated by Held. Also present are letters to Held from Colie's mother, Frederic
R. Colie, Held's daughter Anna, Curt A. Zimansky at the University of Iowa, and
Estelle Cohen at the Portsmouth Polytechnic in Southsea, Australia. Also present
is a letter from Held to Millicent McIntosh at the Barnard College, his
correspondence with Harry Woolf at Johns Hopkins University in Baltimore, MD,
Rosalie Colie's vita, printed matter, and an undated letter to Held from the Mills
College concerning a collection of letters by Rosalie Colie.
box 2, folder 5
Comini, Alessandra,
1979-1997, undated
Scope and Content Note
46 items (on 50 leaves): 18 letters and 2 postcards to Held, 10 letters from
Held, 8 color photographs (personal), Comini's vita, and printed matter. Comini
relates details concerning her professional life, lectures, travel, and scholarly
work. Held reviews Comini's articles and comments on her publications. Several
letters address Held's personal experience as a Jew in Mosbach in pre-war Germany.
Also included is correspondence between Comini, Held and Christopher Fulton at the
Meadows School of the Arts in Dallas, TX concerning a self-portrait drawing by
Albrecht Dürer. Comini mentions artwork by Kokoschka and Man Ray in the collection
of Henri-Louis de la Grange in Paris. [Color photographs are shelved in Box 159,
F. 1.]
box 2, folder 6
Constable, William George,
1996
Scope and Content Note
2 letters to Held. Constable mentions the art collection of the Viscount Lee of
Fareham at Chequers, and recommends to Held books by Anna Jameson and Francis
Haskell.
box 2, folder 7
Coolidge, John,
1966-1967
Scope and Content Note
6 letters (on 12 leaves): 5 letters to Held, and 1 letter from Held.
Correspondence concerning location and provenance of Rubens's paintings and
sketches executed for Maria de Medici. With a copy of Coolidge's chart of Rubens's
artwork located in Saint Petersburg [Leningrad] and in Munich. Coolidge invites
Held to join the Advisory Committee for the exhibition
Classicists and the
classics in the seventeenth century
, forthcoming at the Fogg Art Museum.
With George Hanfmann's text defining the main concept of the exhibition.
box 2, folder 8
Cunningham, Charles Crehore,
1966-1972
Scope and Content Note
10 letters (on 11 leaves): 8 letters to Held and 2 letters from Held.
Correspondence concerning attribution and provenance of several artworks at the
Wadsworth Atheneum in Hartford, CT. Some of Cunningham's letters are extensively
annotated by Held.
box 2, folder 9
Delen, Adrien Jean Joseph,
1929-1946
Scope and Content Note
4 items: 2 letters and 1 postcard from Delen at the Museum Plantin-Moretus and
the Koninklijk museum voor schoone kunsten in Antwerp, and 1 letter from Held.
Correspondence concerning a 15th century artist known as the Master of Frankfurt.
Delen's letters are annnotated by Held. Delen also mentions Erhard Göpel in
Leipzig.
box 2, folder 10
Demus, Klaus,
1984-1986
Scope and Content Note
5 items: 4 letters to Held, and 1 letter from Held. Correspondence with Demus at
the Kunsthistorisches Museum, Gemäldegalerie in Vienna concerning artwork by
Anthony van Dyck, and the attribution to Rubens of a painting referred to as
"kleiner Paulussturz". [See also Held's correspondence with Demus filed in Box 13,
F. 24.]
box 2, folder 11
Deutsch Carroll, Margaret,
1982-1996, undated
Scope and Content Note
17 items: 5 letters to Held, 7 letters from Held, and Deutsch Carroll's vita,
which includes a bibliography of her works. Correspondence concerning Deutsch
Carroll's research on Rembrandt and Rubens. Held reviews extensively several of
her publications, especially her interpretation of Rembrandt's
Aristotle. Also present is a typescript (9 leaves) titled
"Notes", dated Carroll 4/26/96, related to text on Rembrandt.
box 2, folder 12
Downes, Kerry,
1977
Scope and Content Note
1 letter from Downes at the University of Reading, and 1 letter from Held.
Scholarly exchange concerning Rubens's oil sketch
Marriage of Henri
IV
in the Wallace Collection in London, the drawing
Brigida
Spinola Doria
in the Morgan Library in New York, and oil sketches for
the Whitehall Ceiling.
box 2, folder 13
Dulière, Gaston,
1980-1983
Scope and Content Note
8 items: correspondence between Dulière and Held, and between Dulière and Klaus
Demus at the Kunsthistorisches Museum, Gemäldegalerie in Vienna, and a typescript
annotated by Held. Dulière's letters relate details regarding attribution,
location, provenance and sales of artwork by Rubens and Anthony van Dyck. Demus
comments on Wolfgang Adler's work on Rubens's landscapes [in:
Corpus
Rubenianum Ludwig Burchard
].
box 2, folder 14
Egorova, K. S. (Kseniia Sergeevna),
1967-1977
Scope and Content Note
5 letters, including 1 from Held. Correspondence with the curator at the Pushkin
Museum of Fine Arts in Moscow, mainly regarding an exchange of books and
photographs of artwork by Rubens and other artists. Held mentions Armand Hammer in
the context of a loan exhibition from Russian museums in the United States.
Egorova's letters are annotated by Held.
box 2, folder 15
Einem, Herbert von,
1967-1968
Scope and Content Note
7 letters, including 3 from Held. Correspondence concerning photographs of
artwork by Rubens. Von Einem invites Held to give a lecture at the Deutscher
Kunsthistorikertag in Ulm. Held comments extensively on von Einem's essay on
Rubens's painting
Abschied des Adonis. One of von Einem's letters
is annotated by Held.
box 2, folder 16
Eisler, Colin T,
1966-1968, undated
Scope and Content Note
4 letters to Held. Eisler seeks Held's opinion on several paintings attributed to
Rubens, including artwork in the collection of Ludwig Burchard. One of Eisler's
letters is annotated by Held.
box 2, folder 17
Elsen, Albert Edward,
1971-1989
Scope and Content Note
6 letters, including 2 from Held. Correspondence regarding Held's honorary
membership at CAA. Elsen writes about his study on Rodin and his plan to write a
book about the concept of "artists' freedom."
box 2, folder 18
Fehl, Philipp P.,
1956-1992
Scope and Content Note
10 letters (on 12 leaves), including 1 letter from Held and 1 letter from Fehl to
Mrs. [Andette?], and a ms. note. Fehl writes about his study of the concept of
invisible figures in art, in connection with the theme of Concert champêtre [Fête
champêtre]. Held reviews the draft of Fehl's essay published in the
Journal
of aesthetics and art criticism
. Fehl also seeks Held's opinion
regarding Rubens's painting
The baptism of Constantine, and writes
about the project to preserve on microfiche the Cicognara Library in Rome.
box 2, folder 19
Fenyo, Iván,
1966-1969, 1982
Scope and Content Note
5 letters to Held, and the draft of a letter from Held to Gyorgy Dosze at the
Szépmuvészeti Múzeum in Budapest. Fenyo mentions recent acquisitions and
exhibitions taking place at the Szépmuvészeti Múzeum in Budapest.
box 2, folder 20
Fenwick, Kathleen M.,
1967
Scope and Content Note
2 letters, including 1 from Held. Correspondence with Fenwick at the National
Gallery of Canada in Ottawa, concerning a drawing by Rubens and an article by
Müller-Hofstede. Held writes extensively about the attribution of the drawing to
Rubens.
box 2, folder 21
Frankl, Paul,
1940-1945, 1989
Scope and Content Note
9 items: a postcard sent from Cuba and 5 letters to Held, a letter to Held from
Frankl's daughter Johanna Kalbach [dated 1989] regarding a painting by Susan Wilk,
and a photograph of Frankl at Princeton taken in 1958. Frankl writes about his
attempts to help his son escape Europe from Italy in 1940, and mentions David Dank
in this context. He also writes about his and William Kolodney's involvement with
the Young Men's Hebrew Association [YMHA] in the United States. Several letters
concern issues related to research in art history. Frankl analyzes a 16th century
painting of the Virgin Mary, and comments on Held's essay on Rembrandt's
Polish rider.
box 2, folder 22
Freedberg, David,
1978-1994, undated
Scope and Content Note
14 items (on 24 leaves): 8 letters from Freedberg to Held, 4 letters from Held,
and a thank-you card to Held from Deborah Freedberg. Also included is David
Freedberg's vita. Both scholars exchange their opinion concerning attribution of
several artworks to Rubens. Freedberg's letters relate details concerning his
scholarly work, travel and lecturing activities.
box 2, folder 23
Friedenberg, Daniel M.,
1984-1992
Scope and Content Note
10 letters (on 11 leaves), including 2 from Held. Friedenberg seeks Held's
opinion regarding attribution of paintings in his possession, and mentions that
his collection of American first editions is on loan to the Bennington
Library.
box 2, folder 24
Friedländer, Max J.,
1933-1955, 1999, undated
Scope and Content Note
45 items (ca. 87 leaves) leaves): 41 letters to Held, an undated draft of
Friedländer's introduction to an exhibition on landscape painting, and Held's
statement confirming that he donated letters from Friedländer to the
Kupferstichkabinett in Berlin. Also included is Held's 1999 correspondence with
Sigrid Achenbach at Kupferstichkabinett (1 letter to Held, 1 letter from Held),
and photograph of a 16th century embroidered and painted image of Madonna with
Child, annotated by Friedländer on verso. Except the photograph all items are
photocopies.
box 2, folder 25
Garlick, Kenneth,
1983
Scope and Content Note
3 letters, including 1 from Held. Correspondence concerning Held's donation of
letters from Grete Ring to the Ashmolean Museum in Oxford, England. Garlick
mentions Ring's donation of her collection of early 19th century German drawings
to the Ashmolean Museum, and an exhibition of the drawings at C. G. Boerner in
Düsseldorf. [See also correspondence with Grete Ring filed in Box. 6, F.6.]
box 2, folder 26
Gay, Peter,
1972
Scope and Content Note
3 letters (on 6 leaves), including 2 from Held. In the context of Gay's lecture
"The Berlin-Jewish spirit", Held comments extensively on the topic of the
relations between German and East European Jews in pre-war Germany. Held's letters
also relate biographical details concerning his family. Gay's letter is annotated
by Held.
box 2, folder 27
de Gelder, Jan,
1980
Scope and Content Note
1 letter to Held, sent from Utrecht. De Gelder congratulates Held for his book
The oil sketches of Peter Paul Rubens.
box 2, folder 28
Geissler, Heinrich,
1961-1990, undated
Scope and Content Note
38 letters (on 47 leaves), including 14 from Held, and 1 letter to Held from
Ulrike Gauss at the Staatsgalerie Stuttgart. Correspondence rich in detail
regarding attribution of drawings in the collection of the Staatsgalerie
Stuttgart, Graphische Sammlung. Included is a list of drawings, annotated by Held.
Also discussed is Geissler's book on Reinhold Nägele. Held relates details
concerning Nägele's life in the United States. Held also writes about his contacts
with the city officials of Mosbach, Germany concerning the renaming of one of the
city's squares after a destroyed synagogue.
box 2, folder 29
Gerson, Horst,
1964-1972, undated
Scope and Content Note
12 items: 10 letters from Gerson to Held, and 1 letter from Held. Also present is
a 1972 invitation to an event celebrating Gerson's birthday, organized by the
Committee for the Gerson Festschrift, and a list of contibutors to the
Festschrift. Gerson's letters relate details concerning the provenance of artwork
by Rembrandt and Peter van Mol.
box 2, folder 30
Getty, J. Paul (Jean Paul),
1972
Scope and Content Note
1 item: copy of a letter from Held to Getty regarding the consultation fee for a
painting by Rubens [
David and Abigail]. With the copy of the
billing statement on verso. Held mentions a painting by Allori, offered for sale
by the Bennington Museum. Annotated by Held. [Also see Held's letter filed with
correspondence with David Jaffé, Box 3, F. 24; and Held's letter to John Walsh in
Box 7, F. 22.]
box 2, folder 31
Geuer, Gisela,
1998, undated
Scope and Content Note
4 items (on 16 leaves): a letter from the editor of
CASH die
Wirtschaftszeitung der Schweiz
, Anton Ladner asking Held to proofread
the enclosed manuscript of his and Geuer's article about Held. The manuscript is
extensively annotated by Held. Also present a letter from Held to Ladner, in which
he relates additional autobiographical information, and a letter from Held to
Geuer concerning the attribution to Rubens of a painting called
Bärenjagt . Also included is an unsigned note [by Held]
concerning Gustav Glück's attribution of the
Bärenjagt to
Rubens.
box 2, folder 32
Gibson, Walter S.,
1994-1995
Scope and Content Note
2 letters to Held. Gibson writes about his essay on Bruegel's
Triumph of
Death
. He also comments on Linda Seidel's book on the
Arnolfini
Wedding
, and relates details regarding a possible over-painting of the
Christ figure in the painting
Road to Calvary at Princeton.
box 2, folder 33
Gilbert, Creighton,
1960-1982
Scope and Content Note
17 items (on 26 leaves): 8 letters to Held, 7 letters from Held, and photocopies
of artwork by Abraham Bosse and Bruegel. Both scholars comment extensively on
Madlyn Millner Kahr's and John F. Moffitt's interpretation of Velázques's painting
Las Hilanderas [The Spinners], and discuss the iconography of the
fable of Arachne. Held reviews David and Ellen Rosand's article on Bernardo
Strozzi [in: the
Art Bulletin, 1981] and Cynthia Lawrence's article
on Rembrandt's
Blinding of Samson [in:
Konsthistorisk
tidskrift
, 1985]. Several of Gilbert's letters are heavily annotated by
Held.
box 2, folder 34
Glück, Gustav,
1945-1951
Scope and Content Note
8 items (22 leaves): 6 letters to Held sent from Santa Monica, California, 1
letter from Held, and an offprint of Glück's essay "Mabuse and the development of
the Flemish Renaissance". Scholarly correspondence concerning Held's research on
Rubens and Rembrandt.
box 3
Amy Golahny - Michael Jaffé
box 3, folder 1
Golahny, Amy,
1980-1999
Scope and Content Note
ca. 55 items (on 117 leaves): 30 letters to Held and 13 letters from Held, 2
curriculum vitae of Golahny, offprints of her essays "Rembrandt's Abduction of
Proserpina" and "The Adulteress by Rembrandt and by Eekhout: variations on an
Italian Magdalene". The offprints are annotated by Held. Also included is
miscellaneous printed matter, color photographs of Golahny's child and mother, and
her wedding invitation engraved by Berta R. Golahny. Extensive exchange concerning
Golahny's various publications, including her thesis. Extensively discussed are
her essays on Rembrandt's
Abduction of Proserpina, Rubens's
Hero and Leander, and Peter Lastman. Also enclosed is a draft of
her essay on Rembrandt's drawing of
The blind Belisarius receiving
alms
. Golahny seeks Held's opinion regarding her cataloging of artwork
at the Marquette University in Normal, Ill. Several of her letters are extensively
annotated by Held. [Color photographs are shelved in Box 159, F. 2.]
box 3, folder 2
Golffing, Francis,
1992-1994, undated
Scope and Content Note
12 items (on 13 leaves): 11 letters to Held, and a photocopy of a drawing by
Horst Janssen [a copy after Bronzino]. Correspondence concerns reproductions of
Bronzino's drawing
Fortuna, Titian's painting
Venus of
Urbino
, and a painting by Hans Baldung.
box 3, folder 3
Gombrich, E. H. (Ernst Hans),
1950-1972, undated
Scope and Content Note
27 letters: 23 letters to Held and 4 letters from Held. Correspondence concerns
Gombrich's teaching career and the editing process of the forthcoming Festschrift
for Hans Tietze. Both scholars comment on contributions to the Festschrift by
other scholars, including essays by Rudolf Wittkower and Jan Bialostocki. Gombrich
also writes about his teaching at Cambridge University, MA. [See also Gombrich's
letter to Erica Tietze-Conrat filed in Box 5, F. 21.]
box 3, folder 4
Goris, Jan Albert,
1941-1969, undated
Scope and Content Note
15 letters (on 16 leaves), including 3 letters from Held to Goris, and 1 letter
from Held to André Schiffrin at Pantheon Books in New York, regarding the reissue
of
Rubens in America [published by Goris under the pseudonym Marnix
Gijsen]. Goris reports on his visit to the Hermitage in 1960, and mentions artwork
by Rubens and van Dyck in a private collection.
box 3, folder 5
Gregori, Mina,
1968-1989
Scope and Content Note
5 items: 3 letters to Held and 2 letters from Held. Held writes about a Rubens
exhibition held in various Italian cities in 1985.
box 3, folder 6
Grigaut, Paul L.,
1964-1966
Scope and Content Note
7 items: 5 letters to Held and 1 letter from Held. Also included is Grigaut's
text describing the paintings
Helene Fourment by Rubens and
Marchesa Caterina Durazzo-Adorno by Anthony van Dyck, written for
his catalog of European paintings at the Virginia Museum, corrected by Held.
box 3, folder 7
Gudlaugsson, S. J. (Sturla J.),
1950-1968
Scope and Content Note
7 letters to Held. Gudlaugsson relates details concerning a copy after a painting
by [Gerard?] ter Borch in Los Angeles. He also mentions Rembrandt's portrait of
Saskia.
box 3, folder 8
Haeger, Barbara,
1989, 1996, undated
Scope and Content Note
6 letters (7 leaves): 4 letters to Held, and an undated draft of Held's letter
concerning his essay on Rubens published by the Dutch magazine
Simiolus. Haeger seeks Held's opinion regarding her essay on
Rubens's oil sketch of the
Adoration of the Magi in the Wallace
Collection. Also included is a thank-you letter from the president of the
Historians of Netherlandish Art, George Keyes to Christiane D. Andersson in
Williamstown, MA.
box 3, folder 9
Harris, Ann Sutherland,
1973-1998
Scope and Content Note
18 items (on 19 leaves): 7 letters to Held, 3 letters from Held, 2 handwritten
notes, printed and illustrated matter, including a 1976 poem "Ode to the
retrenchment of art history at SUNYA". Scholarly correspondence concerning Susan
V. Saward's dissertation
Rubens' Medici cycle, Harris's essays on
the Carracci family and Artemisia Gentileschi, and a drawing attributed to Jacob
Jordaens. Harris mentions a "Samson" [painting?] at the J. Paul Getty Museum. Also
included is her letter to Anne-Marie Logan at the Yale Center for British Art in
New Haven, concerning Michael Jaffé's attribution of a drawing of Neptune to
Rubens; and Held's letters to Hunter College and CUNY regarding Harris's
appointment to professor at Hunter College.
box 3, folder 10
Hartford, Huntington,
1962-1963
Scope and Content Note
2 letters: 1 letter from Held, and a thank-you letter to Held from Hartford's
secretary Margaret Potter at the Gallery of Modern Art (2 Columbus Circle) in New
York. Held expresses his opinion of Hartford's plan to establish an art museum in
New York, and presents his view on how to successfully maintain a museum.
box 3, folder 11
Hartt, Frederick,
1952-1985
Scope and Content Note
5 letters (on 6 leaves): 4 letters to Held and 1 letter from Held. Hartt writes
about drawings at the Louvre that are attributed to Giulio [Romano?], and comments
on a lecture given by Held in 1985. Held declines Hartt's invitation to give a
lecture at the University of Virginia in Charlottesville.
box 3, folder 12
Haverkamp-Begemann, Egbert,
1953-1989
Scope and Content Note
22 letters (on 25 leaves): 18 letters to Held, and 4 letters from Held.
Haverkamp-Begemann relates details regarding several artworks, including an
Entombment drawing at Boymans Museum in Rotterdam, the painting
Fall the damned at Alte Pinakothek in Munich, and drawings from
the "Egmont Albums". Held comments on the recent Rembrandt research by Alpers,
Schwarz, Sumowski, and others.
box 3, folder 13
Heckscher, William S. (William Sebastian),
1951-1988
Scope and Content Note
26 letters to Held (on 28 leaves). Heckscher comments on research and
publications by other art historians, and relates details concerning his teaching
at the Kunsthistorisch Instituut der Rijksuniverstet te Utrecht and at Princeton
University.
box 3, folder 14
Held, Jutta,
1968-1977
Scope and Content Note
8 items: 6 letters from Jutta Held to Julius Held, 1 letter from Julius Held, and
Jutta Held's curriculum vitae. Correspondence regarding Jutta Held's visit in New
York. In her letters from Osnabrück, Jutta Held writes about politics and teaching
of art history in Germany, and mentions art historians who have been forbidden to
practice, among them Richard Hiepe. Her letter concerns Julius Held's permission
to cite his opinion in a forthcoming issue of
Kritische Berichte.
She also mentions the artist Klaus Staeck.
box 3, folder 15
Hibbard, Howard,
1983
Scope and Content Note
1 letter to Held. Hibbard relates details concerning the relationship between
Oskar Hagen and Wolfgang Stechow, and Stechow's professional career.
box 3, folder 16
Hofmann, Werner,
1954, 1988
Scope and Content Note
2 letters to Held. Hofmann mentions several of his essays and research
projects.
box 3, folder 17
Hollander, Anne,
1975-1990
Scope and Content Note
8 letters (on 12 leaves): 5 letters to Held, and 3 letters from Held. Held
reviews Hollander's essays "Fashion in nudity" and "When fat was in fashion". He
also writes about Hollander's book
Moving pictures and David
Freedberg's
Power of images.
box 3, folder 18
Hubala, Erich,
1990-1992
Scope and Content Note
3 letters (on 6 leaves): 2 letters to Held, and 1 letter from Held. Scholarly
correspondence concerning artwork by Rubens, and the methodology of Rubens
research. [See also correspondence with Elizabeth McGrath, Box 5, F. 3.]
box 3, folder 19
Huemer, Frances,
1984-1998, undated
Scope and Content Note
ca. 30 items: 16 mostly undated letters from Huemer to Held, 6 letters from Held
to Huemer, 1 letter to Huemer from Martin Kemp at the University of Oxford,
England, and letters from Held to Barbara Haeger at the Ohio State University and
to Eugene Victor Thaw in Santa Fe, NM. Also present are a draft of Huemer's essay
on Philip Rubens annotated by Held, a research proposal, Huemer's curriculum
vitae, and 3 offprints, including her "Rubens e il primo decennio" [introd. only].
Scholarly correspondence in which Huemer relates details concerning her various
writing projects and scholarly career.
box 3, folder 20
Hugelshofer, Walter,
1952-1953
Scope and Content Note
2 letters to Held. Hugelshofer describes drawings in his collection that are
attributed to Rubens, and a landscape watercolor by Rubens in the Sammlung Robert
von Hirsch. [See also item filed in Box 62, F. 22.]
box 3, folder 21
Hulst, Roger Adolf d',
1956-1959
Scope and Content Note
5 letters, including 1 from Held. D'Hulst writes about his career and scholarly
publications, including his book on drawings by Jacob Jordaens. He also comments
on Held's book on drawings by Rubens, and mentions Ludwig Burchard's forthcoming
publication on the same subject.
box 3, folder 22
Jaeger, Wolfgang,
1977-1997
Scope and Content Note
32 items (53 leaves), including ca. 20 letters from Held to Jaeger [carbon copies
or photocopies] concerning Jaeger's research and publications. Held reviews
extensively Jaeger's books
Die Illustrationen von Peter Paul Rubens zum
Lehrbuch der Optik des Franciscus Aguilonius, 1613
and
Die
Heilung des Blinden in der Kunst
, and discusses details of Jaeger's
translation of
Rembrandt and the Book of Tobit. Held also comments
on Jaeger's commemorative address for Kurt Huber [member of the Weisse Rose
circle]; and writes about his own investigation of the persecution of Jews in
Mosbach during the Nazi regime. Also included is Jaeger's correspondence with
Charles Parkhurst at the National Gallery of Art in Washington DC. and with Rudolf
Sigmund in Mosbach, 2 letters to Held from Mosbach residents signing "Rösle +
Trudel", correspondence with Hildegard Jaeger, and obituaries for Jaeger,
including a typescript by Friedrich Vogel.
box 3, folder 23
Jaffé, David,
1994-1996, undated
Scope and Content Note
15 items: 10 letters from Jaffé to Held, 4 letters from Held, and Jaffé's essay
on Peter Lastman for the Seymour Slive Festschrift. Jaffé relates details
concerning the
The Earl and Countess of Arundel, Renaissance collectors
exhibition at the J. Paul Getty Museum. Held reviews the exhibition's
catalog and Jaffé's essay on Lastman. Also discussed is a Hendrik van der Borcht
painting in Held's private collection. Included is Held's letter to J. Paul Getty,
dated Dec. 27, 1972, annotated by Held. [See also correspondence with J. Paul
Getty filed in Box 2, F. 30.]
box 3, folder 24-26
Jaffé, Michael,
1952-1986, undated
Scope and Content Note
Ca. 136 items (on ca. 180 leaves): 120 letters, and 16 items of printed matter: 2
book reviews, 1 offprint, Jaffé's texts about a set of tapestries depicting
Virtues, Held's review of Jaffé's book, and paper clippings. Extensive scholarly
correspondence concerning both scholars' research and publications. Also included
is Held's correspondence with Denys Sutton at the magazine
Apollo
and with Oswald Hickson, Collier & Co. in London concerning a book review by
Held and a libel action case. Also included is related correspondence with Held's
wife; Mrs. Jaffé; Julian Agnew at Thos. Agnew & Sons Ltd in London; Colin
Anson at David Carritt Limited in London; Richard F. Brown at the Los Angeles
County Museum of Art; Guy Delmarcel at Musées royaux et d'histoire in Brussels;
Giorgio Fubini; Mr. Hay; Mr. [Heinz?] Kisters; Frederick Mont Inc. in New York;
Clyde Newhouse at the Newhouse Galleries in New York; the John and Mable Ringling
Museum of Art in Sarasota, Fla.; E. V. Thaw & Co. Inc. in New York; and the
Italian President's Office. Also included is a letter from Frederick [?] to
Pierangelo Botinelli in Switzerland.
box 4
Horst Woldemar Janson - Annalise Mayer
box 4, folder 1
Janson, H. W. (Horst Woldemar),
1937-1982
Scope and Content Note
14 letters (on 17 leaves), and a note: 7 letters to Held, including 1 from
Janson's wife Dora Jane, 1 letter from Held, and several letters to Held from
Harry N. Abrams in New York. Correspondence regarding Held's publications at
Abrams, mainly the book
17th and 18th century art, baroque painting,
sculpture, architecture
by Held and Donald Posner.
box 4, folder 2
Jantzen, Hans,
1925-1933
Scope and Content Note
5 letters to Held. Also included is a typescript of Held's letter to Jantzen from
April 24, 1933; original not present. Jantzen writes extensively about Held's
dissertation.
box 4, folder 3
Kahr, Madlyn Millner,
1966-1991
Scope and Content Note
53 letters (on 69 leaves): 38 letters to Held and 7 letters from Held, and Kahr's
correspondence with Egbert Haverkamp-Begemann, van de Waal, and the magazine
Our Holland. Also included are a letter from Held to Richard
Cocke regarding Kahr's interpretation of Titian's paintings depicting scenes from
the Old Testament, and copy of Kahr's letter to Creighton Gilbert at the Cornell
University, annotated by Held. Scholarly correspondence, rich in detail concerning
Kahr's research and publications and Held's research of Rubens and Rembrandt. Held
reviews several of Kahr's articles and books, including her study on Erica
Tietze-Conrat. Also discussed is John F. Moffitt's review of Kahr's book on
Velázquez.
box 4, folder 4
Kaufmann, Thomas DaCosta,
1975-1983, undated
Scope and Content Note
6 letters (on 9 leaves): 3 letters to Held and 3 letters from Held. Scholarly
correspondence concerning both scholars' research of European drawings. Kaufmann
reviews Held's 1979 article "Rubens and Aguilonius: new points of contact", and
the 1982 catalog of an exhibition of drawings [
Flemish and German
paintings of the 17th century
].
box 4, folder 5
Keck, Caroline K. (Caroline Kohn),
1966-1981
Scope and Content Note
8 items: 5 letters to Held; text of Keck's proposal of a program in art
conservation, annotated by Held; and Held's letter to the director of the
Cooperation Graduate Program, Louis C. Jones regarding the proposal.
box 4, folder 6
Klemm, Christian,
1896-1990
Scope and Content Note
2 items: 1 letter from Held and 1 letter to Held from Klemm at Kunsthaus Zürich
concerning an oil sketch attributed to van Dyck. With a mention of Clovis
Whitfield. [See also correspondence with Whitfield in Box 19, F. 24.]
box 4, folder 7
Kristeller, Paul Oskar,
1936-1998
Scope and Content Note
37 items (on 68 leaves): 25 letters to Held, 8 letters from Held, and Held's
letter to Elisabeth Feist Hirsch in which he recollects time spent together with
Kristeller in Heidelberg before the war. Also included are a poem by Kristeller,
his curriculum vitae, bibliography of Kristeller's writings from 1929 to 1997 (27
p.), and Held's appraisal of art objects owned by Edith and Paul Oskar Kristeller.
A scholarly exchange concerning both scholars' research, publications, and
scholarly career. Chiefly discussed are issues related to Kristeller's research of
Marsilio Ficino and Bartolomeo Facio. Kristeller relates details regarding letters
by Rubens reposited in European archives. One of his letters letter contains
editing corrections for an introduction to a book about Carolus Scribanius.
box 4, folder 8
Kultermann, Udo,
1966-1984
Scope and Content Note
10 items: 3 letters to Held, a questionnaire, and 2 letters from Held.
Correspondence concerning an article by Kultermann, and the English translation of
his book
Kleine Geschichte der Kunsttheorie. Included is an
announcement of Kultermann's book
Die Architektur im 20.
Jahrhundert
. Also present are 2 letters to Kultermann from Erwin
Panofsky who writes about Aby Warburg, Heinrich Wölfflin, and Johannes Wilde.
box 4, folder 9
Kuznetsov, IU (IUrii),
1966-1967
Scope and Content Note
7 letters: 3 letters to Held and 3 letters from Held, and a letter to Held from
the Kindler Verlag in Zurich. Correspondence regarding Held's visit to the
Hermitage, and the exchange of photographs and publications. Kuznetsov mentions a
drawing at the Hermitage attributed by Kurt Bauch to Rembrandt.
box 4, folder 10
Lavin, Irving,
1983-1993
Scope and Content Note
5 letters: 4 letters to Held and 1 letter from Held. Correspondence regarding the
1983 CAA conference in Philadelphia. Held's letter is typed on verso of a draft
for one his publications and includes extensive annotations concerning a Rubens
sketch at the Hermitage.
box 4, folder 11
Levine, David,
1988
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held, and illustrated matter. Scholarly
correspondence, concerning a drawing by Pieter van Laer [Bamboccio]. Levine
strongly criticizes Svetlana Alpers's book on Rembrandt, and mentions his review
of Gary Schwartz's
Rembrandt.
box 4, folder 12
Lieberman, Ralph,
1995
Scope and Content Note
6 items: 2 letters to Held and 5 leaves of Lieberman's draft for his essay on art
history and photography ["Thoughts of an art historian/photographer on the
relationship of his two disciplines"], annotated by Held. Also included are two
e-mails: from Richard Murray and from Gerdien Wuestman, both concerning Rembrandt,
and a note by Held.
box 4, folder 13
Liedtke, Walter A.,
1979-1997, undated
Scope and Content Note
ca. 44 items (on 62 leaves): 26 letters to Held, many with Held's annotations, 12
letters from Held; and illustrated and printed matter, including Liedtke's essays
"Puerto Rico, Museo de arte de Ponce" and "Letter from Berlin, Rembrandt at the
Altes Museum". Correspondence regarding Held's expert opinion of art work
attributed to Rubens, Rembrandt, and Dürer, as well as his reviews of several of
Liedtke's scholarly essays, mainly texts for the catalog of Flemish paintings at
Metropolitan Museum of Art, NY. Liedtke describes a publishing project on Flemish
painting for the publishing house Mercatorfonds in Brussels. Also present is
Liedtke's letter to Malcolm Delacorte in Cornwall, NY concerning the attribution
of a painting to Floris van Schooten; and to Louis A. Ferré in San Juan, Puerto
Rico regarding a painting by Jacob Jordaens. Liedtke relates details regarding
acquisitions of artwork at Metropolitan Museum of Art, NY. Both scholars
frequently mention Michael Jaffé.
box 4, folder 14
Lipchitz, Jacques,
1957
Scope and Content Note
1 letter to Held. Lipchitz postpones Held's visit to his studio, due to
preparations for upcoming exhibitions.
box 4, folder 15
Logan, Anne-Marie S.,
1976-1998, undated
Scope and Content Note
ca. 60 items (on ca. 90 leaves): 44 letters and 2 postcards to Held, 13 letters
from Held, and printed matter, including 2 lists of drawings for an exhibition
held in October 1993 at the Wellesley College [
Flemish drawings in the age
of Rubens
]. Scholarly discussions concerning the attribution of various
drawings and paintings to Rubens, van Dyck, Johannes Boekhorst, and Gerard
Seghers. Extensively discussed is Michael Jaffé's controversial attribution of
Cardiff cartoons to Rubens. Logan's letters are rich in detail concerning her
lecturing and other scholarly activities, including her consulting job at the J.
Paul Getty Museum in 1983. Frequently mentioned is the festschrift for Egbert
Haverkamp-Begemann [
Essays in northern European art]. Also
included are several honorariums for Held for his reviews published in
Master drawings.
box 4, folder 16
Lowenthal, Anne W.,
1971-1998
Scope and Content Note
ca. 90 items (ca. 100 leaves): 63 letters to Held and 24 letters from Held
concerning mainly the re-editing of Held's essays for a publication by Princeton
University Press [
Rubens and his circle, 1982]. The letters are
also rich in detail related to Lowenthal's research of Rubens, Joachim Wtewael,
and other artists, her teaching career, and professional involvement with CAA and
Historians of Netherlandish Art. Lowenthal mentions films by Laurie Anderson.
Included is Held's letter to Prof. Couvreur in Antwerp, Belgium concerning
publication rights for a reprint, and to Tony Hiss in New York concerning Held's
portrait drawing of Hiss's father. Also included is correspondence with the
Princeton University Press, a photograph of a drawing by Nicolas Poussin at the
Detroit Institute of Arts, a family photo of Lowenthal, and a slide.
box 4, folder 17
Lugt, Frits,
1942-1999
Scope and Content Note
ca. 45 items (ca. 60 leaves): Held's correspondence with Lugt from 1942 to 1964,
Lugt's assistant van den Meulen, and Barnard College. Lugt's letters are rich in
detail concerning various auction sales, including sales of drawings by Rubens.
Lugt also writes about the transcription of an Italian manuscript by Joris
Hoefnagel. Also present is Held's correspondence with Carlos van Hasselt and Mária
van Berge-Gerbaud at the Fondation Custodia in Paris ,dating from 1972 to 1999,
concerning Held's editorial corrections for the catalog
Flemish drawings of
the seventeenth century from the collection of Frits Lugt
, and Held's
review of Karel Boon's
The Netherlandish and German drawings of the XVth
and XVIth centuries of the Frits Lugt collection
. Other items are: a
thank-you note from Lugt, 2 photographs of Hoefnagel's manuscript and its partial
transcript by Held, and 2 offprints. All except one of Lugt's letters are
photocopies.
box 4, folder 18
Marsh, Reginald,
1951
Scope and Content Note
4 items: 3 letters to Held and 1 letter from Held to John Hay. Marsh informs Held
about a drawing of Saint Gregory Nazianzenus by Rubens, owned by Clarence Hay in
New York, not listed in Held's
Rubens in America. The drawing
previously belonged to Sir Thomas Lawrence. Held writes extensively about the
drawing.
box 4, folder 19
Martin, John Rupert,
1954-1994
Scope and Content Note
17 items: 12 letters and a postcard to Held and 4 letters from Held.
Correspondence concerning Martin's scholarly research, mainly his work on a
drawing of Saint Gregory Nazianzenus by Rubens, a Rubens attributed portrait
painting at New York University, and a painting attributed to van Dyck. Frequently
addressed is Held's review of Martin's book
The ceiling paintings for the
Jesuit Church in Antwerp
. [Also see Held's correspondence with Princeton
University Press filed in Box 12, F. 7.] Held writes about a drawing of Neptune.
Martin's letters are annotated by Held.
box 4, folder 20
Martin, Gregory,
1967-1983, undated
Scope and Content Note
10 items (on 11 leaves): 8 letters to Held, including 1 by Francis Russell at
Christie's in London, and 2 letters from Held. Correspondence concerning various
artwork, including the painting
Judgement of Paris and the oil
sketch
Jacob and Esau by Rubens, Titian's
La
Schiavona
, and a copy of Correggio's
Zingarella. Held
comments on Wolfgang Adler's work on Rubens's landscapes [in:
Corpus
Rubenianum Ludwig Burchard
]. [Held's correspondence with Martin is also
filed in Series I.F. Auction houses, Box 16, F. 1-19.]
box 4, folder 21
Mayer, Annalise,
1966-1983
Scope and Content Note
10 letters: 9 letters to Held and 1 letter from Held. Correspondence regarding
photographs of paintings in the collection of Staatliche Kunstsammlungen Dresden.
Also discussed is a painting by Rubens called
Liebesgarten [
Garden of love]. Mayer mentions a dissertation on Rubens's
Liebesgarten by Annegret Süberkrüb.
box 5
Millicent C. McIntosh - Erwin Panofsky
box 5, folder 1
McIntosh, Millicent C.,
1961
Scope and Content Note
3 items (on 7 leaves): 2 letters to Held and 1 letter from Held. Correspondence
concerning the hanging of an artwork by Larry Rivers in the art seminar room at
Barnard College. Held also writes about the Spanish artist Manuel Rivera, whose
work was donated to Barnard.
box 5, folder 2
McCurry, H. O.,
1936-1937
Scope and Content Note
2 letters to Held regarding Held's lecturing activities in Canada.
box 5, folder 3
McGrath, Elizabeth,
1979-1997, undated
Scope and Content Note
ca. 80 items (ca. 100 leaves): ca. 36 letters to Held and 27 letters from Held,
handwritten notes, 1 photograph, and printed matter. Correspondence rich in detail
concerning attribution and iconography of numerous artworks by Rubens and other
artists. Held advises McGrafth in her research of the Aeneas theme in Rubens's
work, her work on Otto van Veen's
Emblemata Horatiana, and her
study of the iconography of "blacks in art". Her letters are often substantially
annotated by Held. Frequently discussed is Michael Jaffé's controversial
attribution of the Cardiff cartoons to Rubens. McGrath also writes about her
teaching at the Warburg Institute in London. In one of her letters she relates
details regarding the fate of several art historians during the Holocaust. Also
present is McGrath's letter to David Brooke at the Clark Art Institute in
Williamstown, MA concerning her lecture, and a copy of Held's letter to Erich
Hubala in Munich regarding the Aeneas theme by Rubens. [See also correspondence
with Hubala in Box 3, F. 19.]
box 5, folder 4
Meiss, Millard,
1959-1974
Scope and Content Note
10 letters to Held (on 11 leaves), including 1 from Erwin Panofsky who thanks
Held for his contribution to the Panofsky-Festschrift. Meiss comments on several
of Held's lectures and publications.
box 5, folder 5
Mellinkoff, Ruth,
1982-1987
Scope and Content Note
ca. 16 items: 7 letters to Held, 4 letters from Held, 4 offprints of Mellinkoff's
essays from
Anglo-Saxon England and the
Journal of Jewish
art
, and Walter S. Gibson's review of her book
Outcasts.
Scholarly correspondence concerning the allegorical figure representing the
Synagogue in art. Held writes extensively about a panel painting of Synagoga and
Ecclesia in his collection, and comments on Mellinkoff's interpretation of the
biblical Cain in writings by Hermann Hesse.
box 5, folder 6
Meulen, Marjon van den,
1982-1997, undated
Scope and Content Note
ca. 22 items: 14 letters to Held and 5 letters from Held; and printed matter,
including Ingo Herklotz's review of van den Meulen's book
Rubens copies
after the Antique
. Correspondence concerning both scholars's research
for the
Corpus Rubenianum Ludwig Burchard. Several of van den
Meulen's letters are annotated by Held.
box 5, folder 7
Mielke, Hans,
1978-1994, undated
Scope and Content Note
ca. 30 items (on 36 leaves): 18 letters to Held, including from Mielke's wife
Ursula and son Hans, 8 letters from Held, and photocopies of photographs of the
reading room at the Kunstkammer in Berlin. The letters provide insight into the
friendship and scholarly relationship between Mielke and Held. Mielke relates
details concerning his research of drawings by Pieter Bruegel. Held comments on
Mielke's book on Albrecht Dürer. Mielke writes extensively about the neo-nazis and
hatred of foreigners in Germany after reunification. Held relates details
concerning the fate of his fellow art history students in Berlin before the
war.
box 5, folder 8
Millar, Oliver, Sir,
1959-1981
Scope and Content Note
ca. 10 items (14 leaves): 6 letters to Held and 1 letter from Held, and printed
matter annotated by Held. Correspondence regarding the attribution to Rubens,
iconography and provenance of a painting of Pythagoras in the collection of the
Buckingham Palace Also present is Held's letter to the editor of the
Times
Literary Supplement in London
, Arthur Crook concerning Millar's review
of his
Rubens, selected drawings, and Crook's response letter.
box 5, folder 9
Mongan, Agnes,
1955-1957
Scope and Content Note
8 items (11 leaves): 5 letters to Held, 2 letters from Held, and a list of
drawings and oil sketches by Rubens for an exhibition held Jan- Apr 1956 at the
Fogg Art Museum and the Pierpont Morgan Library. Correspondence concerning Held's
advisory role in the process of selecting drawings for the exhibition.
box 5, folder 10
Hofstede, Cornelius Müller,
1930, 1967
Scope and Content Note
5 letters to Held, including 1 dated 1930 in which Hofstede congratulates Held on
his doctoral degree and comments extensively on Held's dissertation. The letters
from 1967 regard Hofstede's interest in Adam Elsheimer.
box 5, folder 11
Müller Hofstede, Justus,
1964-1986, undated
Scope and Content Note
ca. 22 items (on 29 leaves): 11 letters to Held and 7 letters from Held, notes
and printed matter. Correspondence rich in detail concerning both scholars'
research on Rubens, their conflicting opinions about certain artworks, and a
controversy caused by Held's essay on an oil sketch. Also present is a letter to
Held from Kurt Meissner in Zurich regarding an oil sketch by Anthony van Dyck.
box 5, folder 12
Muller, Jeffrey,
1977-1983
Scope and Content Note
7 items (on 11 leaves): 5 letters to Held and 1 letter from Held, and typescript
notes. Muller writes extensively about his dissertation on Rubens's collecting
activities.
box 5, folder 13
Nordenfalk, Carl Adam Johan,
1975
Scope and Content Note
3 letters, including 1 from Held regarding a poem by Jacob Cats and the theme of
the love-sick woman in painting. Nordenfalk mentions a lost painting by Jan van
Eyck, and a kunstkamer painting by Willem van Haecht.
box 5, folder 14
Norris, Christopher,
1979-1981?
Scope and Content Note
5 letters (on 6 leaves), including 1 from Held. Norris's letters are undated. An
exchange of opinions regarding artworks by Rubens and Anthony van Dyck. Held
comments on Michael Jaffé's attribution of the Cardiff cartoons to Rubens.
box 5, folder 15
Noske, Frits,
1990-1993
Scope and Content Note
ca. 60 items (ca. 100 leaves): ca. 30 letters and 4 postcards to Held, also from
Noske's wife, 20 letters from Held (mostly photocopies), notes, press clippings,
and printed matter, including Noske's vita and a bibliography of his publications.
Correspondence concerning Held's research on a portrait painting of Constantin
Huygens, which he attributes to Jacob van Campen. Noske writes about the musical
aspects in Dutch poetry and painting, mainly the concepts of harmony and concord
in Constantijn Huygens's poems, and various other topics related to his research
in musicology. He reviews extensively the draft of Held's essay "Constantijn
Huygens and Susanna van Baerle", and comments on Held's research on Rembrandt.
Several letters concern Anthony van Dyck's painting
Rinaldo and
Armida
, including a letter to Held from the Samuel H. Kress Foundation.
Frequently discussed are essays and scholarly opinions of other scholars, mainly
Gary Schwartz.
box 5, folder 16
Novak, Barbara,
1969-1984
Scope and Content Note
8 items (9 leaves): 3 letters to Held, 2 letters from Held, and 2 financial
documents related to the shipment of an oil painting to Brian O'Doherty at the
Charles Cowles Gallery in New York.
box 5, folder 17
Oberhuber, Konrad,
1965-1985
Scope and Content Note
10 items (13 leaves): 7 letters to Held, 1 photograph, and printed matter.
Oberhuber thanks Held for his gift to the Albertina, and mentions artwork by Jacob
Jordaens and Anthony van Dyck at the Fogg Art Museum. Also regarding attribution
of a drawing to Rubens. Included is a photocopy of Oberhuber's letter to Henry S.
Francis at the Cleveland Museum of Art (photocopy) concerning Rubens's painting of
St. Catherine in Toledo, Ohio.
box 5, folder 18
Osten, Gert von der,
1965, 1976, undated
Scope and Content Note
4 items: 3 letters to Held, and an undated list of missing paintings by Hans
Baldung. Von der Osten responds to Held's request for photographs of a sculpture
in the collection of the Schnütgenmuseum in Cologne. He also mentions his current
research project, the catalogue raisonné of paintings by Hans Baldung, and lists
museums and private collections in the United States and Canada that include
Baldung's artwork.
box 5, folder 19
Panofsky, Erwin,
1935-1990, undated
Scope and Content Note
ca. 60 items (ca. 90 leaves): 49 letters to Held and 4 letters from Held.
Panofsky writes extensively about attribution, iconography and the symbolic
meaning of paintings by Roger van der Weyden, Jan van Eyck, and Simon Marmion. He
also relates details concerning his research on the iconography of Pandora and
Creusa for a new edition of
Pandora's box. Several letters concern
Panofsky's essay on Jan van Eyck, his interpretaion of Vasari's
Libro and Poussin's
Et in Arcadia Ego. Panofsky
mentions Erica Tietze's interest in the theme of suicide in art. A note by Held
concerns a manuscript by Erica Tietze in the collection of the Bibliothek Warburg.
Also included are: Panofsky's correspondence with Adriaen J. Barnouw concerning
Barnouw's essay on Jan van Eyck's
Arnolfini Wedding, with an
offprint of Barnouw's essay; Held's letter to Thomas C. Howe at the California
Palace of the Legion of Honor in San Francisco regarding the art historian Paul
Coremans; Gerda Soergel's letter to Held written after Panofsky's death; and
Held's correspondence with Dieter Wuttke concerning the forthcoming publication of
Panofsky's correspondence.
box 5, folder 20
Panofsky, Erwin, Ernst Gombrich, and Otto Kurz to Erica
Tietze-Conrat,
1951-1958
Scope and Content Note
49 items (on 57 leaves). Letters to Held: 34 letters from Panofsky, 1 letter from
Gombrich, and 7 letters from Kurz. Also present is a letter from Erica Tietze to
Panofsky, typescript citations from reviews by Hans Tietze, and a note by Held.
Gombrich writes about the symbolic meaning of donkeys in art. [See also
correspondence between Held and Gombrich filed in Box 3, F.3.] Kurz and Panofsky
relate details concerning Erica Tietze's work on the theme of suicide in art, as
well as their own scholarly work. [See also Held's note filed in Box 5, F.20.]
box 6
François-Georges Pariset - Wolfgang Stechow
box 6, folder 1
Pariset, François-Georges,
1934-1985
Scope and Content Note
ca. 63 items: ca. 50 letters to Held, including a postcard from 1934, 3 letters
from Held (copies), 2 offprints and other printed matter, a 1948 photograph of
Pariset [with daughter Françoise?], a letter from Françoise to Held, a wedding
announcement and an obituary. Pariset's letters are rich in detail related to his
teaching at the Institut d'histoire de l'art moderne in Bordeaux and at the
university of Hamburg, travel and personal life.
box 6, folder 2
Parkhurst, Chuck,
1981-1983
Scope and Content Note
3 letters, including 1 from Held.
box 6, folder 3
Porter, Katherine Anne,
1963, 1980, 1993-1999
Scope and Content Note
ca. 40 items: 3 letters to Held and 2 letters from Held (all photocopies), and
press clippings. Correspondence concerning Held's proofreading of Porter's
Ship of fools. In one of her letters Porter makes incisive
comments regarding her novel. Also included is a letter from Bernard Malamud to
Held declining the permission to publish Porter's letters; and Held's
correspondence with Ruth Moore Alvarez, curator of literary manuscripts at the
University of Maryland Library regarding his gift to the university. With a
photocopy of the appraisal of Porter's letters. [Two press clippings are filed in
Box 145*, F. 1.]
box 6, folder 4
Posner, Donald,
1972, 1986
Scope and Content Note
3 items (5 leaves, including photocopies): 2 letters to Held and 1 letter from
Held. Posner complains about printing errors in the first edition of his and
Held's book
17th and 18th century art. Held considers a reissue of
the book in 1986.
box 6, folder 5
Renger, Konrad,
1979-1997
Scope and Content Note
9 items: 8 letters to Held and 1 letter from Held. Held inquires about a portrait
of the Archduke Maximilian of Austria by Rubens. Renger mentions an
Entombment sketch by Anthony van Dyck. [See also correspondence
with Renger filed in Box 13, F. 17.]
box 6, folder 6
Ring, Grete,
1933-1952
Scope and Content Note
8 items (10 leaves): 6 letters to Held, 1 letter from Held, a handwritten note by
Held. Ring's letters relate details regarding art sales and exhibitions at the
firm Paul Cassirer in Amsterdam, and later in London, and Wilhelm Reinhold
Valentiner in Berlin, including the sale of the collection of Édouard Warneck. In
her letter from 1939, Oct. 16th she relates information about the fate of Max J.
Friedländer, her father Walter Feilchenfeldt, [Günther?] Lütjens, and Jakob
Rosenberg. [See also correspondence with Kenneth Garlick filed in Box 2,
F.26.]
box 6, folder 7
Roethlisberger, Marcel,
1959-1998
Scope and Content Note
23 items (26 leaves): 15 letters to Held, 3 letters from Held, and a photocopy of
a painting by Rubens. Correspondence concerning Roethlisberger's professional
career, including related letters to Held from the Bollington Foundation and the
Dickson Art Center, and Roethlisberger's research proposals for a catalogue
raisonné of paintings by Claude Lorrain. Several letters regard the art collection
at Ponce Art Museum in Puerto Rico. Included is an unsigned letter [by Held?] to
Don Luis [Ponce Art Museum] regarding El Greco's painting
St. Francis and
Brother Leo meditating on death
from the collection of Derek Johns in
London. Also included is Held's letter to Father Donald F. Rowe at the Loyola
University in Chicago concerning Rowe's proposal to publish a catalog of artwork
held in Jesuit institutions. [See also item filed in Box 63, F. 10.]
box 6, folder 8
Rosand, David,
1972-1998
Scope and Content Note
34 items (ca. 60 leaves): 17 letters to Held and 10 letters from Held.
Correspondence rich in detail regarding Rosand's research on Titian, Rembrandt and
Rubens, and Held's work on
Rubens and his circle. Rosand mentions
Erica Tietze-Conrat's unpublished essay "Patterns of suicide in literature and
art". He also relates details concerning his teaching and lecturing activities,
and the academic events taking place at Columbia University in New York. Held
writes about his relationship to Rudolf Wittkower. Also present is Rosand's letter
(copy) to the New York Review of Books concerning Hans Ernst Gombrich's review of
David Freedberg's
Power of images; an outline of Rosand's book on
drawing, an offprint of his essay
Titian 500, and press clippings.
[Two press clippings filed in Box 145*, F. 2.]
box 6, folder 9
Rose, Patricia,
1970-1991, undated
Scope and Content Note
14 items (17 leaves): 11 letters to Held, 1 letter from Held, and a list of
lectures presented in 1991 at the Art History Graduate Student Symposium held at
the Florida State University in Tallahassee. Correspondence concerning Rose's
progress researching her dissertation on Wolf Huber.
box 6, folder 10
Rosenberg, Jakob,
1965
Scope and Content Note
7 items (9 leaves): 4 letters to Held and 3 letters from Held. Discussed is
Michael Jaffé's controversial attribution of a drawing and an oil-sketch to
Rubens. Rosenberg writes about Rembrandt and Held's book
Rembrandt and the
Book of Tobit
.
box 6, folder 11
Rosenberg, Pierre,
1963-1996
Scope and Content Note
24 items (25 leaves): 18 letters to Held and 5 letters from Held. Correspondence
concerning Rosenberg's research for a book on Laurent de La Hyre and the catalogue
raisonné of drawings by Antoine Watteau. Several letters concern Held's essay on
Max Friedländer. Frequently mentioned are various drawings in Held's private
collection. Also included are photocopies of Nathan Chaikin's letter to Held
concerning a drawing by Antoine Watteau, and of Jacques Mathey's letter to Chaikin
in which Mathey mentions a drawing after Michelangelo. Many of Rosenberg's letters
are annotated by Held.
box 6, folder 12
Sandy, Stephen,
1988, 1997, undated
Scope and Content Note
3 items (10 leaves): a postcard and two letters to Held, and photocopies of
drawings of various mazes. Sandy writes about a poem he wrote for a "silly sonnet
contest". He also describes his impressions of Held's book
The Holocaust,
from a distance
; and mentions Ulrich Pinder's
Speculum
Passionis
.
box 6, folder 13
Sauerländer, Willibald,
1970-1981
Scope and Content Note
18 items (20 leaves): 12 letters to Held, 6 letters from Held, and a copy of a
letter signed by Sauerländer and Erich Steingräber to Dr. Briegel at the Deutsche
Forschungsgemeinschaft in Bonn. Sauerländer invites Held to Munich to research
Rubens's paintings in the Alte Pinakothek.
box 6, folder 14
Schade, Werner,
1991-1994
Scope and Content Note
6 items: 4 letters to Held and 1 letter from Held, and a color transparency of
the portrait of Louis XIII King of France by Rubens. Schade writes about paintings
attributed to Rubens at the Norton Simon Museum and in Dessau; and lists recent
aquisitions of drawings for the Anhaltische Gemäldegalerie in Dessau, including a
drawing by Albrecht Dürer. Held comments on the Dürer drawing. Schade's letter
concerning the authenticity of the Louis XIII portrait is annotated by Held.
Schade also writes about layoffs of art historians in the former East Germany
after the German reunification. [Color transparency is shelved in Box 159, F.
3.]
box 6, folder 15
Schama, Simon,
1983
Scope and Content Note
1 letter to Held. Schama mentions his manuscript on Dutch culture, and a project
on xenophobia in early modern Europe.
box 6, folder 16
Schapiro, Meyer,
1936-1996
Scope and Content Note
ca. 30 items: 22 letters to Held and 2 letters from Held, including a letter of
condolence on Schapiro's death, printed matter, and press clippings. Schapiro
shares with Held his opinion on recent publications in art history, including
David Sutter's views on Caravaggio and Maurice Walter Brockwell's interpretation
of van Eyck's
Arnolfini Wedding as a morganatic marriage. He writes
extensively on Rembrandt's painting
Artistotle contemplating the bust of
Homer.
Schapiro also expresses his opinion about the private collection
of Dr. Cosla in New York, offered to the Museum of Tel-Aviv. Held comments on
Lotte Brand Philip's book on Jan van Eyck. [Six leaves of press clippings are
filed in Box 145*, F. 3.]
box 6, folder 17
Scheyer, Evelyn,
1936, 1986
Scope and Content Note
3 letters to Held (4 leaves) from the wife of the art historian Ernst Scheyer. In
her letter sent from Detroit, dated Oct. 22, 1936, Scheyer mentions the art dealer
Wilhelm Reinhold Valentiner bringing artwork from Europe, including Rubens's
sketch
Abigail and David.
box 6, folder 18
Schilling, Edmund,
1950-1963, undated
Scope and Content Note
10 items: 7 letters to Held, 1 letter from Held, and 2 handwritten notes.
Correspondence concerning drawings by Rubens and a woodcut by Christoffel Jegher,
shown in 1950 at Wildenstein & Co. in London. Schilling relates details
concerning his research on the painter Jacob Ernst Thoman von Hagelstein, and
mentions his essay on a drawing by Lotto for the forthcoming Festschrift for Hans
Tietze.
box 6, folder 19
Schwartz, Gary,
1986-1997
Scope and Content Note
Ca. 75 items (ca. 100 leaves): 18 letters to Held and 14 letters from Held,
printed and illustrated matter (ca. 27 items), including several offprints, 5
press clippings, and 2 photographs: of the J. Paul Getty Museum in Malibu and of
Gary Schwartz and John Walsh with spouses in 1992. Correspondence and papers
related to Schwartz's research on Willem van Haecht's kunstkamer paintings, Rubens
and van Dyck, Rembrandt's
Polish rider, and Held's discovery of
Jacob van Campen's portrait of Constantin Huygens. Schwartz also writes about Max
J. Friedländer's photographic archive at the RKD [Rijksbureau voor
Kunsthistorische Documentatie] in Hague, and comments on Friedländer's
attributions of paintings to Dieric Bouts. He also comments on an undisclosed
author's essay on Adriaen Isenbrant published in
Art Bulletin.
Included are letters from Held and Schwartz to John Walsh and a letter to Held
from Charles Scribner III concerning Schwartz's opinion of Held's
Rembrandt
and the Book of Tobit
. Several of Schwartz's letters are annotated by
Held. [The press clippings are filed in Box 145*, F. 4.]
box 6, folder 20
Schöne, Wolfgang,
1965-1966
Scope and Content Note
3 items: 2 letters to Held, 1 letter from Held. Schöne invites Held to
participate in the 10th Deutscher Kunsthistorikertag in Münster.
box 6, folder 21
Schulz, Juergen,
1986
Scope and Content Note
2 items: a letter to Held asking for a review of Schulz's 1967 unpublished
lecture on Titian's ceiling in Brescia; and 2 leaves of Held's handwritten notes
concerning the lecture.
box 6, folder 22
Serkin, Rudolf,
1968
Scope and Content Note
2 items: 1 letter from Held to Serkin concerning the Marlboro Music Festival, and
Serkin's reply.
box 6, folder 23
Scribner, Charles,
1975-1997, undated
Scope and Content Note
ca. 70 items (ca. 100 leaves): 44 letters to Held and 8 letters from Held, drafts
for Scribner's books, notes, press clippings, an offprint, and a color photograph
of Scribner's sons. Correspondence rich in detail related to Scribner's doctoral
thesis on Rubens's tapestries, the book
Peter Paul Rubens, and his
essay on Rubens and Veronese for the
Burlington Magazine. Scribner
relates details concerning the provenance of several of Rubens's artworks, the
Johnson collection in New York, and the collection of Count Andrassy in Princeton.
He also writes about the
Medici cycle, and comments on Held's
writings on Rubens. Scribner's letter to Gregory Martin at Christie's in London
relates details regarding his involvement in publishing Held's books. Also
included is Scribner's letter to Walter Persegati at the Vatican Museums
concerning photographs of paintings; and correspondence between Scribner and J.
David Farmer at the University Art Museum in Santa Barbara regarding Scribner's
lecturing activities and the forthcoming exhibition of Anthony van Dyck's
Iconographie. Included are letters to Held from Elizabeth M.
Riley at the Pierpont Morgan Library.
box 6, folder 24
Skutsch, Otto,
1981
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. An exchange of opinions
concerning early Latin literary sources known to Rubens, mainly a text by Aurelius
Victor describing the appearance of Aeneas to Ascanius. Held also comments of
Michael Jaffé's controversial attribution of the Cardiff cartoons to Rubens.
box 6, folder 25
Slive, Seymour,
1958-1995
Scope and Content Note
14 items (17 leaves): 11 letters to Held, 1 letter from Held, a note by Held, and
an offprint of Slive's essay on Jacob van Ruisdael. Correspondence concerning
mainly the interpretation and attribution of paintings by Frans Hals and their
relation to poems by Jacob Cats. Slive comments on Held's interpretaton of the
painting
Het Pelsken by Rubens, and on Held's book
Rembrandt
and the Book of Tobit
. He also mentions self-portraits by Jan
Gossaert.
box 6, folder 26
Sloane, Joseph C.,
1964-1965
Scope and Content Note
7 items: 6 letters to Held, and 1 letter from Held. Sloane asks Held for his
opinion regarding the Fielding Marshall collection of paintings, offered to the
Ackland Art Center in Chapel Hill.
box 6, folder 27
Sluijter, Eric Jan,
1988-1999
Scope and Content Note
ca. 35 items (ca. 60 leaves): ca. 14 letters to Held and 15 letters from Held,
including 1 fax, 7 postcards to Held, and typescript of Sluijter's essay on Jan
van Goyen. Correspondence rich in detail related to Sluijter's research on 17th
century Dutch art. Extensiverly discussed are the theme of the Five Senses by
Hendrik Goltzius and the usage of ekphrasis by Rembrandt. Both scholars exchange
opinions concerning Gary Schwartz's interpretation of Rembrandt's painting
Polish rider. Frequently mentioned is the art historian Ilya
Veldman. Several of Sluijter's letters are in Dutch; some are annotated by
Held.
box 6, folder 28
Smith, David R.,
1979-1995
Scope and Content Note
9 items: 5 letters to Held, 3 letters from Held, and a letter to Smith from the
editor of
The Art Bulletin, Kathleen Weil-Garris concerning Smith's
article on Rembrandt's painting
The Jewish bride. Correspondence
concerning mainly Smith's dissertation on the double and pair portrait in 17th
century Netherlands.
box 6, folder 29
Spear, Richard E.,
1977-1986
Scope and Content Note
7 items (8 leaves): 3 letters to Held, 3 letters from Held, and a photograph of
Domenichino's painting of St. John the Evangelist. Correspondence regarding the
restoration of Domenichino's painting. Held comments extensively on William H.
Halewood's essay on Rembrandt [
Six subjects of reformation art, a preface
to Rembrandt
].
box 6, folder 30
Stechow, Wolfgang,
1939, 1954-1972
Scope and Content Note
ca. 20 items (24 leaves): 17 letters to Held, 4 letters from Held, and an undated
draft of a text about Stechow, annotated by Held. Correspondence concerning
artworks by Rubens and Jacob Jordaens, including Jordaens' drawing
Betrothal of St. Catherine. Included is a letter from the art
dealer Mathias Komor in New York concerning the sale of the drawing. Komor
mentions the names Gimbel [Gimbel Brothers in New York?], Kende [Kende Galleries
in New York?], Calman in London [Crane Kalman Gallery?], and Ludwig Burchard.
Frequently mentioned are essays and publications by other scholars. Held relates
details concerning
The joys of collecting, a book about the art
collection of J. Paul Getty. [The undated draft is filed in Box 145*, F. 5.]
box 7
Leo Steinberg - Karen Wilkin
box 7, folder 1
Steinberg, Leo,
1971-1992
Scope and Content Note
ca. 75 items (ca. 125 leaves): 34 letters and 7 postcards to Held, 19 letters
from Held, 3 letters to Held from Steinberg's wife Dorothy Seiberling, printed
matter and press clippings, Held's handwritten notes, and the typescript of
Steinberg's paper on Rubens read in 1990 at a symposium held at the Columbia
University. Extensive scholarly correspondence concerning both scholars' research
and publications, including detailed discussions of matters of iconographic
interpretation of artwork by Michelangelo, Leonardo da Vinci, Rubens, and
Rembrandt. A major portion relates to Steinberg's research for his book
The
sexuality of Christ in Renaissance art and in modern oblivion
. Steinberg
also writes about his interest in popular culture and lecturing activities,
including the Lionel Trilling Seminar. His letters are frequently annotated by
Held. Included is a draft of Steinberg's "Addendum" to Held's essay on Rubens's
painting
The holy women at Christ's sepulchre at the Norton Simon
Museum, annotated by Held. Steinberg mentions artwork purchased for his private
collection. Also present is Held's correspondence with Steinberg concerning the
sale of Held's archive to the Getty Research Institute. [The press clippings are
filed in Box 145*, F. 6.]
box 7, folder 2
Sterling, Charles,
1976-1982
Scope and Content Note
4 items: 2 letters to Held and 2 letters from Held. Correspondenece concerning
both scholars' publications. Also discussed are aspects of attribution, mainly of
artwork by Rubens and Anthony van Dyck, and an
Assumption of the
Virgin
painting by Charles Mellin. [See also Sterling's letter to Vassar
College filed in Box 15, F. 14.]
box 7, folder 3
Stewart, J. Douglas,
1985-1998
Scope and Content Note
15 items (16 leaves): 7 letters to Held, 7 letters from Held, and the photocopy
of Stewart's review of David Freedberg's book
The life of Christ after the
passion
. Correspondence concerning Stewart's scholarly research of
Rubens and Anthony van Dyck, including a painting attributed to Rubens in
Arc-et-Senans [France], a self-portrait of Jan Lievens and Anthony van Dyck's
Iconography. Stewart writes about a drawing attributed to Thomas
Willeboirts-Bosschaert. He also writes extensively on the significance of the
Constantine theme for the British king Charles I, mentions his book on Rubens and
the Anglican church, and
Britannia Triumphans. Stewart's letters
are often annotated by Held. Held comments on Stewart's reviews, and relates
details regarding drawings from his collection at the Clark Art Institute, the
National Gallery in Washington, and the Walker Art Gallery in Liverpool.
box 7, folder 4
Strauss, Walter L.,
1980-1985
Scope and Content Note
14 items (18 leaves): 4 letters to Held, 7 letters from Held, printed and
illustrated matter, and a letter dated 1962, November 25 from Kenneth Buckingham
to Lt. Emery regarding two paintings erroneously attributed to Rubens.
Correspondence regarding Strauss's editing of Werner Sumowski's work on Dutch
drawings [
Drawings of the Rembrandt school]. Present is a
photocopy of Staruss's essay "Rembrandt: the Brazen Serpent" (5 leaves), annotated
by Held. Held's letters are rich in detail regarding drawings by several Dutch
artists. Also discussed is the theme of blindness in Rembrandt's paintings. Held
writes extensively about his research for
Rembrandt and the Book of
Tobit
.
box 7, folder 5
Styhr, Jørgen,
1954
Scope and Content Note
1 letter to Held. Styhr mentions his research on Dutch drawings.
box 7, folder 6
Sumowski, Werner,
1970-1996
Scope and Content Note
12 items: 7 letters to Held, 2 letters from Held, a letter to Held from Millard
Meiss at the Institute for Advance Study in Princeton, illustrated matter and a
list of captions of artworks by Rembrandt. Correspondence related to Held's and
Sumowski's research on Rembrandt. Sumowski mentions the latest controversies in
research on Rembrandt. Also discussed is the attribution of a drawing to
Rubens.
box 7, folder 7
Sutton, Peter C.,
1982-1993
Scope and Content Note
13 items (15 leaves): 5 letters to Held, 4 letters from Held, illustrated matter,
a handwritten note, and a photograph of a Crucifixion painting at the Philadelphia
Museum of Art. Sutton mentions a technical examination of a Rubens sketch in the
Johnson Collection, and his research of Rubens's
Prometheus. Held
comments extensively on Gary Schwartz's book on Rembrandt, and expresses his
opinion regarding the attribution of the Crucifixion sketch in Philadelphia to
Anthony van Dyck.
box 7, folder 8
Tennenbaum, Silvia,
1980-1999
Scope and Content Note
11 items (16 leaves): 8 letters to Held, 2 letters from Held, and a page
(photocopy) from Alexander Dietz's
Stammbuch der Frankfurter Juden.
Tennenbaum writes about her stay in Taos, New Mexico in 1980 and her progress in
writing the novel
Yesterday's streets. She also describes her
impressions of her visit to Frankfurt, Germany in 1996. She relates details
concerning the history of the Jewish community in Frankfurt and writes about the
relationship of European Jews to Germany after WWII. She mentions pre-war home
movies made by the Lewents family from Berlin. She also discusses with Held Victor
Klemperer's book on National Socialism
LTI [Lingua Tertii Imperii].
Held comments on Tennenbaum's review of the English translation of Klemperer's
diaries, and mentions his speech about Mosbach.
box 7, folder 9
Tharp, Twyla,
1963-1986, undated
Scope and Content Note
ca. 12 items (19 leaves): 3 undated letters to Held, 2 notes by Held from 1963
concerning Tharp as his student at Barnard, and several press clippings dating
from 1976 to 1986. Tharp relates details regarding her husband's teaching at the
Hunter College, her dancing career, and events in personal life. [Four leaves of
press clippings are filed in Box 145*, F. 7.]
box 7, folder 10
Thaw, Eugene Victor,
1967-1998
Scope and Content Note
16 items: 9 letters to Held, 3 letters from Held, and a photograph of a drawing
from the collection of Mrs. Murray Danforth. Correspondence concerning attribution
of several artworks to Rubens. Thaw writes on Michael Jaffé's work on Rubens's
tapestries, specifically on Jaffé's interpretation of an allegory of Virtues. Held
expresses his opinion about the art historian Bernard Berenson. Thaw's letters are
annotated by Held. Also included are copies of Held's letters from 1992 to
Margarete Kühn, curator at Schloss Charlottenburg in Berlin and to the conservator
Phebe Dent Weil, concerning restoration of Andreas Schlüter's equestrian statue of
the Great Elector.
box 7, folder 11
Tietze, Hans, (also Erica and Andreas Tietze),
1944-1960, undated
Scope and Content Note
43 items (51 leaves): letters to Held, including 22 from Hans Tietze, 12 from
Erica Tietze, and 3 from Andreas Tietze, Hans Tietze's unpublished manuscript on
art experts, and a note by Held. The letters provide insight into Hans and Erica
Tietze's scholarly activites, travel and their personal relationship to Held and
his wife. Frequently mentioned is Erica Tietze's manuscript on suicide in art.
Hans Tietze seeks Held's opinion regarding artwork by Rubens, Jacob Jordaens and
Baldung, and writes about a collection of European paintings and drawings in Notre
Dame, Indiana. He mentions the significance of Erica Tietze's research on
Michelangelo's Medici Chapel. Included is Held's correspondence from 1984 with
Susanne Gerold in Vienna concerning her interest in researching Hans Tietze's
estate.
box 7, folder 12
Tietze, Hans (Festschrift),
1949-1952
Scope and Content Note
7 items: letters from Gustav Glück to Held and to Ernst Gombrich, Held's letter
to Glück, and letters to Held from Emil Kaufmann and Carl Nordenfalk.
Correspondence concerning the scholars' involvement with the Hans Tietze
Festschrtift. Also present is an extensively annotated letter from Held to Otto
Loewi concerning Loewi's essay for the Festschrift.
box 7, folder 13
Stighelen, Katlijne van der,
1992-1993
Scope and Content Note
5 items: 2 letters to Held and 3 letters from Held. Correspondence rich in detail
related to both scholars' research on Anthony van Dyck and Cornelis de Vos. With
several references to recent publications on both artists.
box 7, folder 14
Varshavskaia, M. IA.,
undated
Scope and Content Note
1 letter to Held from Mariia Varshavskaia concerning photographs of artwork by
Johann Georg Platzer at the Hermitage. Varshavskaia writes about her forthcoming
catalog of Rubens, and questions the Rubens attribution of a portrait painting [
Bildnis einer alten Dame].
box 7, folder 15
Veldman, Ilja M.,
1990-1993
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Held comments on Veldman's
essays on the iconographic and stylistic development in Dutch art, mainly by
Hendrik Goltzius, published in
Simiolus and
Netherlands
kunsthistorish Jaarboek
.
box 7, folder 16
Vergara, Lisa,
1979-1983, undated
Scope and Content Note
13 items: 5 letters to Held, including 1 from Jan Kelch at Staatliche Museen
Preussischer Kulturbesitz Gemäldegalerie in Berlin concerning Lisa Vergara's
research of Rubens's landscape paintings, 3 letters from Held, and notes by Held.
Correspondence concerning Vergara's dissertation and her research on Rubens and
van Dyck.
box 7, folder 17
Veronee-Verhaegen, Nicole,
1949-1995
Scope and Content Note
13 items: 11 letters to Held, and Veronee-Verhaegen's note regarding Archives de
Furnes [Veurne]. Veronee-Verhaegen writes about her professional and personal
life. She also relates details concerning art exhibitions in Europe and auction
sales of paintings by Flemish artists. Included is a photocopy of a 1956 letter
from Edith Greindl to Veronee-Verhaegen's father Etienne concerning the provenance
of a painting attributed to Jan Fyt and Paul de Vos.
box 7, folder 18
Vey, Horst,
1953-1996
Scope and Content Note
15 items (16 leaves): 9 letters and a postcard to Held, and 4 letters from Held.
Vey writes about his various publishing activities and Rubens' painting
Wunderbarer Fischzug. Both scholars exchange their opinion about Wolfgang Adler's
work on landscape paintings by Rubens and Michael Jaffé's attribution of Cardiff
cartoons. Vey also writes about the Rubens sketch
Negro heads [Four studies
of a male head]
at the J. Paul Getty Museum; and the drawings
St. Francis of Assisi in Ecstasy and
Madonna and Child
with Angels
[by van Dyck?]. Several letters concern the attribution of
several drawings to Jan Wildens.
box 7, folder 19
Vlieghe, Hans,
1971-1999
Scope and Content Note
17 items: 11 letters to Held, and 6 letters from Held. Correspondence rich in
detail regarding artwork by Flemish artists, including Rubens, Gaspar de Crayer,
Johannes Boekhorst, Jan van den Hoecke, Erasmus II Quellinus, Artus Quellinus,
Cornelis de Vos, and also 18th century Flemish painting. Vlieghe mentions his work
on Rubens's Saints for
Corpus Rubenianum Ludwig Burchard, and
comments on Michael Jaffé's attribution of Cardiff cartoons to Rubens.
box 7, folder 20
Volk, Mary Crawford,
1979-1985, undated
Scope and Content Note
7 letters (8 leaves) to Held. Volk seeks Held's opinion about Rubens's
relationship to Titian and the role of copies after Southern Renaissance artists
in Rubens's work. She also mentions her manuscript on the collection of the
Marquis of Leganes and her work on a drawing of Arundel at the Gardner Museum.
box 7, folder 21
Voss, Hermann,
undated
Scope and Content Note
1 item: a poem entitled
Die Ballade von der "Kunstchronik".
box 7, folder 22
Walsh, John,
1966-1999
Scope and Content Note
51 items (64 leaves): 28 letters to Held, 15 letters from Held, notes, a
typescript annotated by Held, press articles, a postcard with a photograph by
Alexander Vertikoff, and a color family photograph of John Walsh. The letters are
rich in scholarly information concerning artwork by Rubens and other artists
acquired by Walsh for the Museum of Fine Arts in Boston and for the J. Paul Getty
Museum in Malibu. They also provide insight into Held's consulting activities for
the J. Paul Getty Museum. Mentioned is Held's letter from 1972 to J. Paul Getty
regarding a painting by Allori; [see correspondence with J. Paul Getty in Box 2,
F. 30, and with David Jaffé in Box 3, F. 23]. Walsh writes about his visit to
Holland in 1966, and presents to Held a detailed outline for his dissertaion on
Jan and Julius Porcellis. Both scholars exchange their views on Michael Jaffé's
disputed attributions of drawings to Jacob Jordaens. Held comments on Gary
Schwartz's criticism of
Rembrandt and the Book of Tobit. Held
congratulates Walsh on the catalog of an exhibition of Sheridan Lord. [Color
photograph is shelved in Box 159, F. 4.]
box 7, folder 23
Warnke, Martin,
1977-1982, undated
Scope and Content Note
4 items: 3 letters to Held and 1 letter from Held. Held mentions controversies
concerning Rubens among art historians in Germany, and thanks Warnke for sending
him his recent publications, including an exhibition catalog of Carl Bantzer.
Warnke mentions his review of Held's book on Rubens's oil sketches for the
Kunstchronik.
box 7, folder 24
Weber, Gregor J. M.,
1987
Scope and Content Note
ca. 6 items (ca. 30 leaves): 1 letter to Held and 1 letter from Held.
Correspondence and printed matter concerning attribution and provenance of several
paintings by Rubens and van Dyck. Weber relates details regarding Rubens's
painting
Davids Kampf mit dem Bären. Included are the 1878 auction
sale catalog
Galerie du Vte du Bus de Gisignies by Édouard Fétis,
and the 1883 edition of the catalog of the Suermondt-Museum in Aachen [fragments,
photocopies]. [Also see item filed in Box 80, F. 11.]
box 7, folder 25
Weinberg, H. Barbara (Helene Barbara),
1990-1994
Scope and Content Note
5 items (6 leaves): 3 letters to Held, 1 letter from Held, and a press clipping
[photocopy] from the
Chronicle of higher education. An exchange of
opinions about recent trends in art historical methodology. Held mentions Max
Dvorák, Max J. Fiedländer and Allan Wallach, and writes about his own
methodological approach as an art historian.
box 7, folder 26
Welu, James A.,
1984-1994
Scope and Content Note
8 items: 7 letters to Held and a photograph of a drawing after Andrea del Sarto
in the collection of the Worcester Art Museum. Welu thanks Held for Swedish books
donated to the Worcester Art Museum. He also seeks Held's opinion concerning the
attribution of artwork to Anthony van Dyck and the workshop of Jan van Hemessen.
He also mentions an oral history project on Held at the Getty REsearch Institute.
[See also correspondence with Worcester Art Museum filed in Box 15, F. 19.]
box 7, folder 27
White, Christopher,
1955-1994, undated
Scope and Content Note
14 items: 10 letters to Held, 4 letters from Held, and an undated letter from
Held to Paul Gottlieb at Harry N. Abrams Inc. concerning his book
17th and
18th century art
. Correspondence concerning artwork by Rubens and van
Dyck, and the attribution of Dutch and Flemish drawings in the collection of the
British Museum. Also discussed is the reissue of Held's book
17th and 18th
century art
.
box 7, folder 28
Wilkin, Karen,
1980-1998, undated
Scope and Content Note
18 items (27 leaves): 14 letters to Held, 2 letters from Held, and an offprint of
Wilkin's essay on Rubens from
The New Criterion. Wilkin writes
about her publications and research on contemporary Canadian art, including the
catalogue raisonné of work by Jack Bush. She mentions her books on Stuart Davis,
Cézanne and Giorgio Morandi, her visits to art exhibitions, lecturing and workshop
activities, and travel. Held comments on Wilkin's book on Cezanne and her review
of an exhibition of Lovis Corith.
box 8
Matthias Winner - Jürgen Zimmer
box 8, folder 1
Winner, Matthias,
1978, 1986
Scope and Content Note
3 items (5 leaves): 2 letters to Held and 1 letter from Held. Correspondence
concerning drawings by Rubens. Held comments extensively on Winner's and Mielke's
catalog raisonné.
box 8, folder 2
Wittkower, Rudolf,
1965-1990
Scope and Content Note
8 items: 1 letter to Held, and 2 letters from Held, including 1 to George [?]
concerning teaching art history at Barnard College. With a frequent mention of
Bill Hinkle. Also included are 3 letters from Margot Wittkower to Held, in which
she writes about her editing work on
Collected essays of Rudolf
Wittkower
. Also present are 2 letters to Held from Mario Witt from
Libreria Leo S. Olschki in Florence, and a photograph of a drawing.
box 8, folder 3
Wohl, Alice Sedgwick,
1993, undated
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Correspondence concerning
Wohl's interpretation of Caravaggio's painting
Calling of St.
Matthew
.
box 8, folder 4
Wolf, Emile E.
1967-1992
Scope and Content Note
32 items (33 leaves): 19 letters to Held and 2 letters from Held. Also included
are: a copy of Wolf's letter to J. Bolten at the Prentenkabinet der
Rijksuniversiteit te Leiden concerning a Dutch genre painting depicting a scene
from a Jewish ghetto; a copy of a letter to Wolf from Justus Müller Hofstede
concerning artwork from Wolf's collection; a color slide of a drawing by
Rembrandt; 7 photographs of artwork by Rembrandt, Watteau, Greuze, Johann
Rottenkammer, Jan Bruegel the Elder, Carl van Loo, and other artists. Wolf's
letters are rich in detail concerning paintings and drawings in his collection.
With a mention of David Farmer, Konrad Oberhuber, and Wolfgang Prohaska. [See also
items filed in Box 63, F. 15.]
box 8, folder 5
Wolf, Robert Erich, and Ronald Forysth Millen,
1985-1994, undated
Scope and Content Note
ca. 90 items (ca. 110 leaves): ca. 35 letters to Held from Wolf and Millen, and
ca. 12 letters from Held. Also present is Held's correspondence with Eric van
Tassel at the Princeton University Press, Dustin Wees at the Clark Art Institute
and Charles Scribner. Included is a letter from Wolf to Deborah Marrow concerning
her review of Wolf's and Millen's book on Rubens's
Medici cycle.
Also present is printed matter, including a photocopy of the manuscript
Painting in the Low Countries (with poems by Wolf and drawings by
Millen), 2 printed sheets with texts by various authors translated by Wolf and
illustrated by Millen, a photocopy of a drawing by Millen after Rubens, and
several notes by Held. Extensive correspondence concerning Held's review of
Millen's and Wolf's manuscript for their book
Heroic deeds and mystic
figures
and the publishing process at the Princeton University Press.
The letters are also rich in detail related to Wolf's and Millen's research on
Rubens's
Medici cycle. Wolf's letters provide insight into his
translation work and book collecting activities. [See related correspondence filed
in Box 12, F. 14.]
box 8, folder 6
Wood, Jeremy,
1989-1997
Scope and Content Note
11 items: 8 letters to Held, 2 letters from Held, and an offprint of Wood's essay
on Rubens and Rembrandt. Both scholars discuss the attribution of various artworks
to van Dyck, Rubens, and Abraham van Diepenbeeck. Wood frequently comments on
publications by other art historians, including Sir Oliver Millar's study
Van Dyck in England and Felice Stampfle's book on Netherlandish
and Flemish drawings in the Pierpont Morgan Library. Wood also writes about his
scholarly work, mainly his essay on a drawing of Mucius Scaevola in the British
Museum, and on reproductive prints.
box 8, folder 7
Wright, Virginia,
1965-1998, undated
Scope and Content Note
12 items (16 leaves): 5 letters to Held, 6 letters from Held, and 1 letter to
Wright from Jean T. Palmer. The letters include discussions about collecting of
artwork and connoisseurship. Wright writes about her travel activities, including
her visit to the Getty Center in 1998.
box 8, folder 8
Wulc, Stanley S.,
1983
Scope and Content Note
4 items: 1 letter to Held and 1 letter from Held regarding Held's visit by Wulc,
1 leaf of printed text by Wulc about his still-life photographs, and a press
clipping of Gene Thornton's article about Wulc's photographic work.
box 8, folder 9
Zimmer, Jürgen,
1964, 1980, 1988
Scope and Content Note
6 letters to Held. Professional correspondence concerning Zimmer's research on
Joseph Heintz the Elder. Zimmer inquires about a photograph of a drawing
attributed to Hans von Aachen. With a mention of Hendrik van Balen.
Series I.B.
Occasional professional correspondence,
1926-1999
Physical Description:
1.26 Linear
Feet
Scope and Content Note
This subseries comprises occassional correspondance with art history scholars,
graduate students and former students at Barnard College, private collectors, editors
and other staff at art magazines and publishing houses, curatorial and administrative
museum staff, artists, and others. The topics include commentary on books and essays
by Held or other scholars; Held's publishing and lecturing activities; requests for
photo reprints, offprints, or slides; congratulatory and thank-you letters; and
solicitations for financial support or sponsorship. Letters to Held are frequently
marked with the date and context of his reply, several are annotated.
box 9
Roya Abouzia - Cockie Hyde
box 9, folder 1
Roya Abouzia - Günter Aust
Abouzia, Roya,
1995
Scope and Content Note
1 letter to Held from a graduate student at McGill University.
Abrams, Ann Uhry,
1979
Scope and Content Note
1 letter to Held.
Abrams, George S.,
1964
Scope and Content Note
1 letter to Held from the law firm Winer, Abrams & Hershfang, Boston,
MA.
Adams, Pauline DeHaart,
1972
Scope and Content Note
1 letter to Held from the registrar at Seattle Art Musem.
Adhémar, Jean,
1968
Scope and Content Note
1 letter from Held to the art conservator at Bibliothèque nationale in
Paris.
Adler, Irving,
1993-1997
Scope and Content Note
4 items: 2 letters to Held, and 2 letters from Held.
Ainsworth, Maryan Wynn,
1993
Scope and Content Note
2 items: 1 letter to Held from Ainsworth at the Metropolitan Museum of Art and
1 letter from Held. Held comments on Ainsworth's research of early Netherlandish
painting and Dieric Bouts's
Virgin and Child.
Alhadeff, Albert,
1990
Scope and Content Note
1 letter to Held from art history teacher at University of Colorado at
Boulder.
Allentuck, Marcia,
1965-1968
Scope and Content Note
6 letters to Held concerning Allentuck's research on Henry Fuseli.
Anderson, Kathleen,
1983
Scope and Content Note
6 letters: correspondence between Held (3 letters), staff at Lamont Library at
Harvard College (Arthur Hock, Kathleen Anderson), and staff at Princeton
University Press (Christine K. Ivusic, Kathy Astrue) concerning Held's book
Rembrandt's Aristotle and other Rembrandt studies. Included is
a carbon copy of Perry B. Cott's 1936 letter to Held.
Andres, Glenn M.,
1982-1983
Scope and Content Note
3 items: 2 letters to Held from the chairman at Middlebury College in
Middlebury, Vt. and 1 letter from Held.
Appell, Thelma,
undated
Scope and Content Note
1 letter to Held from the artist.
Arndt, Karl,
1968
Scope and Content Note
2 letters to Held from the art historian in Göttingen. Arndt mentions his essay
on Georg Petel, and comments on Held's essay on Rubens.
Artnews,
1985
Scope and Content Note
2 letters, including 1 from Held. Correspondence with editorial staff Margaret
Moorman and K. Cullen.
Art Newspaper,
1994
Scope and Content Note
2 letters, including 1 from Held.
Art Quarterly,
1968
Scope and Content Note
1 letter to Held from the editor of
Art Quarterly in Detroit,
MI.
Askew, Pamela,
1996
Scope and Content Note
1 letter to Held from the art historian.
Aust, Günter,
1965
Scope and Content Note
1 letter to Held from the art historian and director of Von der Heydt- Museum
in Wuppertal, Germany.
Auwera, Joost van der,
1979
Scope and Content Note
1 letter to Held concerning attribution to Sebastian Vrancx of an artwork in
the collection of Detroit Institute of Arts.
box 9, folder 2
L. Scott Bailey - Per Bjurström
Bailey, L. Scott,
1984
Scope and Content Note
1 letter to Held.
Bajdor, Krzysztof,
1990
Scope and Content Note
1 letter to Held in behalf of Miroslaw Slowinski. On letterhead of the
Marquette University, Dept. of Chemistry, Milwaukee, WI.
Baldwin, Robert,
1985-1986
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Letterhead of Connecticut
College New London, Dept. of Art History.
Barnes, Susan J.,
1984
Scope and Content Note
2 items: letter to Held and 1 photograph. Concerning an oil sketch by Anthony
van Dyck.
Barnet, Sylvan,
1982-1986
Scope and Content Note
9 items (16 leaves): 5 letters to Held, 3 letters from Held, and a typescript
by Barnet extensively annotated by Held. Correspondence concerning Barnet's book
Short guide to writing about art.
Baumann, Edzard,
1972
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held, and Baumann's text describing
his travel project to Europe. Correspondence with Edzard Baumann and Jan Ostrand
concerning Ostrand's research of Johannes Boekhorst.
Blumenthal, Arthur,
1979
Scope and Content Note
2 letters to Held: from Regina Rehkamp, assistant to Arthur Blumenthal and from
Regina's mother Alma Schumacher Rehkamp.
Barrio, Raymond,
1965
Scope and Content Note
5 items: 2 letters to Held, 2 letters from Held, and printed matter.
Correspondence concerning Rubens's painting
Diana and her nymphs
departing for the chase
.
Batson, Rhoda M. ,
1968
Scope and Content Note
1 letter to Held from an art history student.
Bauman, George F.,
1961
Scope and Content Note
1 letter to Held asking for opinion of a painting. With a mention of the art
conservator Sheldon Keck. Annotated by Held.
Baumgartner, D. W. ,
1962
Scope and Content Note
1 letter to Held concerning attribution of a painting to Luca Giordano.
Bealler, Catherine,
1982
Scope and Content Note
1 letter to Held. With a mention of paintings by Jacob Jordaens and Rubens at
Noortman & Brod.
Beck, Martha,
1983, undated
Scope and Content Note
2 items: 1 letter to Held from the director of the Drawing Center in New York,
and a reply from Held.
Becker, David P.,
1979
Scope and Content Note
3 items: 2 letters to Held and 1 illustration. Correspondence concerning a
drawing by Jan Goeree.
The Bennington Banner,
1992, 1994
Scope and Content Note
2 items (4 leaves): 1 letter to Held from the editor, and 1 letter from Held.
Concerning Countess Carla [Karolina?] Lanckoronska.
The Bennington Museum,
1971
Scope and Content Note
1 letter (2 leaves) to Held from Richard Carter Barret, director and curator of
Bennington Museum. With a mention of a painting by Allori.
Bentley, Leonard H.,
1978
Scope and Content Note
4 items: 1 letter to Held and 2 letters and an invoice from Held.
Correspondence with Foster, Bentley & Associates in London concerning a
painting by Anthony van Dyck.
Berger, Robert W.,
1982
Scope and Content Note
5 items: 2 letters to Held, 2 letters from Held, and illustrated matter.
Correspondence concerning the connection between a Brussels tapestry and Rubens.
With a mention of John Walsh. Annotated by Held.
Berman, Avis,
1983
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Correspondence concerning
Berman's article for
Artnews.
Bernard, Herbert C.,
1962-1963
Scope and Content Note
4 items: 1 letter and a note to Held, 1 letter from Held, and photograph of a
drawing by Guardi.
Bjurström, Per,
1968 , undated
Scope and Content Note
2 letters to Held. Concerning drawings in Swedish collections attributed to
Jacob Jordaens.
box 9, folder 3
Albert Blankert - Wesley M. Burnside
Blankert, Albert,
1992
Scope and Content Note
3 items: 1 postcard to Held, 1 letter from Held, and printed matter.
Correspondence concerning Blankert's essay for the exhibition catalog
Rembrandt och hans tid.
Blom, Benjamin,
1966-1967
Scope and Content Note
5 items (8 leaves): 2 letters to Held and 3 letters from Held. Held comments on
Alan A. Tait's essay for the reprint edition of Rubens' book
Palazzi di
Genova
.
Blunt, Anthony,
1965
Scope and Content Note
1 thank-you letter to Held.
Boeckl, Christine Maria,
1984
Scope and Content Note
3 items: 1 letter to Held from an art history student at Maryland University in
Bethesda, MD, 1 letter from Held, and illustration of an altar painting by
Daniel Gran. Annotated by Held.
Bonfante, Larissa,
1996-1997
Scope and Content Note
5 items: 3 letters to Held and 2 letters from Held. Correspondence concerning
Bonfante' essay on Margarete Bieber issued in
Women as interpreters of
the visual arts, 1820-1979
.
Boskovits, Miklós,
1988
Scope and Content Note
2 letters to Held concerning a panel painting representing St. Peter Martyr in
a private collection in Ferrara. Letterhead of Università Cattolica del Sacro
Cuore in Milan, Italy. Annotated by Held.
Braham, Helen,
1989
Scope and Content Note
1 letter to Held from Helen Braham at Courtauld Institute Galleries in London
concerning a sketch by Anthony van Dyck and an engraving by Pieter de
Bailliu.
Braman, Mary,
1969
Scope and Content Note
1 letter (2 leaves) to Held. Braman expresses interest in writing a
dissertation on Abraham Janssens.
Brand Philip, Lotte,
1979
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held. Correspondence
rich in detail concerning Philipp's research on Albrecht Dürer. Annotated by
Held. [See also Held's correspondence with Meyer Schapiro filed in Box 6, F.
16.]
Branner, Robert,
1954
Scope and Content Note
1 letter to Held. Branner comments extensively on Panofsky's lecture "Gothic
architecture and scholasticism".
Brendel, Maria Lydia,
1982
Scope and Content Note
1 letter to Held. Brendel writes about her work translating essays by Otto
Brendel.
Brochagen, Ernst,
1967
Scope and Content Note
1 letter to Held. Letterhead of Stiftung Preussischer Kulturbesitz Staatliche
Museen Gemäldegalerie.
Brod, Alfred,
1972-1973
Scope and Content Note
3 letters (4 leaves) to Held from the Brod Gallery (Julia Kraus, Alfred Brod
and C. Frances H. Crabtree) regarding photographs of artwork by Rubens.
Broeck, Paul van den,
1971
Scope and Content Note
1 letter to Held from Paul van den Broeck in Puerto Rico concerning a painting
by Jan Bruegel.
Brown, Robert F.,
1986-1991
Scope and Content Note
2 letters to Held regarding the interest expressed by Archives of American Art
in preserving Held's papers and correspondence.
Büchler, Alfred,
1982-1983
Scope and Content Note
5 items (9 leaves): 2 letters to Held, 1 letter from Held, Büchler's letter to
Samuel Y. Edgerton, Jr., and illustrated and printed matter. Büchler writes
extensively on his research of the martyrdom of St. Hippolytus and Brunehaut,
and the theme of cruel punishment in the Middle Ages.
Burnside, Wesley M.,
1980-1982
Scope and Content Note
3 items: 1 letter to Held and 2 letters from Held. Correspondence concerning a
painting attributed to Rubens.
box 9, folder 4
Ann W. Campbell - Kenneth Craig
Campbell, Ann W.,
1995
Scope and Content Note
1 letter to Held.
Campbell, J. Duncan,
1991
Scope and Content Note
1 letter from Held.
Canaday, John,
1972
Scope and Content Note
1 letter from Held to the art critic at
New York Times.
Cannon-Brookes, Peter,
1980
Scope and Content Note
1 letter to Held from the keeper of art at National Museum of Wales in Cardiff,
Scottland.
Capers, Bobby,
1983
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with the jazz musician
on the concept of Virtues and Vices in theology and art.
Capon, Moyra,
1979
Scope and Content Note
1 letter from Held to
Apollo in London concerning his review of
J. Richard Judson's and Carl van de Velde's volume of
Corpus Rubenianum
Ludwig Burchard.
Carter, David GIles,
1956-1980
Scope and Content Note
2 letters to Held. Carter mentions a painting by Roelant Savery at John Herron
Art Institute in Indianapolis and paintings by Rubens and Rembrandt at Montreal
Museum of Fine Arts.
Cazort, Mimi,
1997
Scope and Content Note
1 letter to Held. Cazort mentions drawings by Adolph Menzel and Max
Liebermann.
Cerf, Walter,
1982
Scope and Content Note
1 congratulatory letter to Held.
Chandler, John W.,
1980
Scope and Content Note
1 letter to Held from Williams College Museum in Williamstown, MA.
Chappell, Miles L.,
1979-1984
Scope and Content Note
8 items (9 leaves): 5 letters to Held, including 4 from Chappell at College of
William and Mary in Williamsburg, VA and 1 from Eric Zafran at Chrysler Museum
at Norfolk, 1 letter from Held, and printed matter. Correspondence concerning
mainly Chappell's research on Cristoforo Allori.
Chastel, André,
1977
Scope and Content Note
1 letter to Held from Chastel at the National Gallery of Art in Washington.
Châtelet-Lange, Liliane,
1976
Scope and Content Note
1 letter to Held regarding a drawing of Hercules by Rubens.
Chittick, K. A.,
1968
Scope and Content Note
1 letter to Held concerning a copy after Correggio's
La
Zingarella
. With Held's reply.
Chomer, Gilles,
1979
Scope and Content Note
1 letter to Held concerning Chomer's research on Jacques Stella.
Ciechanowiecki, Andrzej S.,
1968
Scope and Content Note
1 letter from Held regarding a bust by Francis Chantrey.
Clark, Anthony M.,
1968
Scope and Content Note
1 letter to Held from the director of Minneapolis Institute of Arts concerning
an artwork by Jacob Jordaens.
Clark, Richard (Dick) A.,
1987
Scope and Content Note
2 letters to Held from the artist. Clark writes about the magazine the
Nation, and the American artist John Koch. One letter
incomplete, only 1 page is present in the archive.
Cleaver, Margaret Ann,
1972
Scope and Content Note
4 items (5 leaves): 2 letters to Held, 1 letter from Held, and 1 photograph of
a portrait painting. Correspondence with Cleaver from Circulating Library of
Paintings in New York concerning attribution of a painting to Rembrandt.
Clements, Candace,
1982
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with Joslyn
Art Museum in Omaha, NE concerning Rubens' painting
Decius Mus consulting
the soothsayers
.
Clinton, Donald,
1986?
Scope and Content Note
1 letter to Held from the architect. Clinton mentions several of his
architectural projects.
Coffin, David R.,
1960
Scope and Content Note
1 letter from Held. Held comments on an essay by Philipp P. Fehl.
Cohen, Patrick,
1960
Scope and Content Note
1 letter to Held.
Colby, Barbara H.,
1998
Scope and Content Note
1 letter to Held (2 leaves) from a former student.
Cole, Malvine,
1991
Scope and Content Note
2 items: 1 letter from Held and 1 letter to Held. Held comments on Cole's
article on Martha Graham in the
Bennington Banner. He also
mentions Twyla Tharp and Laurie Anderson.
Colin, Ralph F.,
1980
Scope and Content Note
2 letters to Held from Art Dealers Association of America. With a mention of
Ripon College.
Collins, Christiane C.,
1993
Scope and Content Note
1 personal letter to Held from the widow of George Collins.
Connell, David P.,
1987
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held. Correspondence
with a student at University of Leeds, England concerning current location and
Rubens attribution of a painting from the collection of Temple Newsam.
Conway, Robert P.,
1996
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence regarding
attribution of a
Lamentation painting to Jacob Jordaens.
Cook, Walter,
1960
Scope and Content Note
1 letter to Held concerning Barbara Rose's master's thesis on Dutch and Flemish
painters in Spain.
Copeland, Edward,
1982-1985
Scope and Content Note
2 letters to Held from the English literature scholar at Pomona College in
Claremont, Calif.. Copeland mentions his essay on Rubens and John Dryden.
Corcoran, James I. W.,
1994
Scope and Content Note
1 letter to Held from the fine arts advisor at Mildred Andrews Fund in
Cleveland, OH. Corcoran mentions
Triumph of death by Pieter
Bruegel the Younger.
Craig, Kenneth,
1973
Scope and Content Note
1 letter from Held. Held comments extensively on Craig's essay on Rembrandt's
painting
Slaughtered ox.
box 9, folder 5
Melissa Dabakis - Duke University Press
Dabakis, Melissa,
1982
Scope and Content Note
1 letter to Held from a graduate student at Boston University regarding her
research on Saul Baizerman.
Dangremond, Mary,
1927
Scope and Content Note
1 letter to Held from the wife of David Dangremond from Old Lyme, CT.
Davis, Deane C.,
1972
Scope and Content Note
1 letter to Held and 1 letter from Held. With a mention of Louis A. Ferré.
Davis, Mary M.,
1968
Scope and Content Note
1 letter to Held from Samuel H. Kress Foundation in New York.
Davisson, William,
1965
Scope and Content Note
2 letters (3 leaves) to Held concerning attribution of a painting to
Géricault.
Delbanco, Kurt,
1998
Scope and Content Note
2 items (4 leaves): 1 letter to Held and 1 letter from Held (2 copies)
concerning a drawing by Abraham van Diepenbeeck.
Delbanco, Nicholas,
1982
Scope and Content Note
1 congratulatory letter to Held from Nicholas Delbanco from Bennington
College.
Dennison, Elinor G.,
1964-1965
Scope and Content Note
2 letters to Held concerning Anthony van Dyck's portrait of Jean Woverius.
Annotated by Held.
Descheemaeker, Bernard,
1990
Scope and Content Note
1 letter to Held.
Detering, Klaus,
1968
Scope and Content Note
2 letters to Held from Detering at Georg-August-Universität in Göttingen,
Germany regarding his thesis on Jan Massys. Attached are photographs of
allegorical images.
Dickey, Stephany S.,
1992
Scope and Content Note
1 letter from Held concerning a print by Uytenbogaert.
Diemer, Peter,
1981-1983
Scope and Content Note
2 letters to Held and 1 letter from Held. Correspondence regarding a review of
Held's book
Oil sketches of Peter Paul Rubens in the
Kunstchronik.
Dittrich, Christian,
1967
Scope and Content Note
1 letter to Held from Dittrich at Staatliche Kunstsammlungen Dresden,
Kupferstich-Kabinett regarding photographs of drawings by Crispin van den
Broeck.
Donadio, Emmie,
1992
Scope and Content Note
1 letter to Held from the director of Middlebury College.
Donadio, Maurene,
1979
Scope and Content Note
1 letter to Held. Donadio writes about her professional career and scholarly
work.
Donahue, Kenneth,
1972
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with the director of
Los Angeles County Museum of Art (LACMA) concerning artwork in the collection of
the late Howard Ahmanson.
Doris, [?],
1994
Scope and Content Note
1 letter to Held. Letterhead of Barnard College Department of Music. With a
mention of Held's speech on Mosbach.
Doyle, Mary Ellen,
1996
Scope and Content Note
1 letter to Held. Doyle mentions her artwork.
Dreher, Faith Paulette,
1972
Scope and Content Note
3 items (5 leaves): 2 letters to Held and 1 letter from Held. Correspondence
rich in detail related to Dreher's research on David Teniers II.
Dreyer, Peter,
1992
Scope and Content Note
1 letter from Held to the art historian concerning Dreyer's research of
drawings attributed to Bruegel.
Du Bon, David,
1963
Scope and Content Note
1 letter to Held from the assistant curator of decorative arts at Philadelphia
Museum of Art concerning artwork by Rubens and Pietro da Cortona. Annotated by
Held.
Duffy, Henry,
1989
Scope and Content Note
1 letter (2 leaves) from Held to a student at Williams College. Held comments
on Duffy's research on Rubens.
Dulière, Gaston,
1967
Scope and Content Note
2 letters to Held concerning attribution of a painting to Rubens.
Duke University Press,
1966
Scope and Content Note
1 letter from Held addressed to the manager of the Duke University Press
concerning printing errors in his essay on alteration and mutilation of works of
art.
box 9, folder 6
David M. Ebitz - Richard Ettinghausen
Ebitz, David M.,
1980
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence concerning Ebitz's book
on connoisseurship.
Eckardt, Götz,
1968-1969
Scope and Content Note
1 letter to Held and 1 letter from Held. Eckhardt seeks Held's opinion on
Rubens paintings in the collection of Staatliche Schlösser und Gärten
Potsdam-Sanssouci.
Einholz, Sibylle,
1997
Scope and Content Note
1 letter (3 leaves) to Held asking for expert opinion concerning attribution of
two paintings to Rubens.
Eitner, Lorenz [?],
1962
Scope and Content Note
2 items: 1 letter to Held from University of Minnesota, College of Science,
Literature, and the Arts; and 1 photograph of a print by Stefano della
Bella.
Eldredge, Charles C.,
1994
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held. Correspondence
with art history professor at University of Kansas, Kress Foundation Department
of Art History. Held declines to write a letter of recommendation for Linda
Stone-Ferrier due to his lack of familiarity with her research.
Elliott, Eleanor Thomas,
1977-1997, undated
Scope and Content Note
14 items (19 leaves): 12 letters to Held, including 1 postcard from the
daughter of James A. Thomas; and printed matter. With annotations by Held.
Emerson, Isabelle,
1996
Scope and Content Note
2 items: a personal letter to Held and a family color photograph of Emerson.
[Color photograph is shelved in Box 159, F. 5.]
Ettinghausen, Richard,
1966
Scope and Content Note
2 letters to Held. Letterhead of Smithsonian Institution Freer Gallery of
Art.
box 9, folder 7
Bärbel Fach - Ellen V. Futter
Fach, Bärbel,
1996-1997
Scope and Content Note
6 items: 3 letters to Held, 2 letters from Held, photocopy of a cheque, and
photograph of a drawing of a satyr. Correspondence with the firm Joseph Fach
GmbH Galerie und Kunstantiquariat in Frankfurt concerning attibution of the
drawing to Rubens. Held suggests Annibale Carracci.
Faison, S. Lane (Samson Lane),
undated
Scope and Content Note
2 letters to Held. Faison mentions a
Deposition painting by
Rubens and a
Christ mocked painting by Jacob Jordaens.
Farago, Claire J.,
1991-1994
Scope and Content Note
9 items (11 leaves): 6 letters to Held and 3 letters from Held. Correspondence
related to Farago's research on color theory and Leonardo da Vinci. Held
comments extensively on Farago's unpublished essay on Leonardo's
Battle
of Anghiari.
Farmer, John David,
1972
Scope and Content Note
3 letters to Held from Farmer and Deirdre C. Stam at Art Institute of Chicago
regarding photographs of artwork by Rubens and Held's essay for Rembrandt
Symposium.
Faulds, W. Rod,
undated
Scope and Content Note
1 letter to Faulds. Draft of Held's text for an exhibition of drawings from
Held's private collection at Brattleboro [Museum and Art Center?].
Faunce, Sarah,
1984
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with the curator at
Brooklyn Museum in New York regarding the controversial attribution of a
Democritus and Heraclitus painting to Rubens.
Femmel, Gerhard,
1977
Scope and Content Note
1 letter to Held concerning mainly a manuscript by Cornelius Müller Hofstede.
On letterhead of Nationale Forschungs- und Gedenkstätten der Klassischen
Deutschen Literatur in Weimar, Goethe-Nationamuseum.
Fenton, Barbara,
1988
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with Harper & Row
Junior Books Group in New York regarding errors in
Let there be
light
.
Ferber, Linda S.
1994
Scope and Content Note
1 letter to Held from curator at Brooklyn Museum in New York.
De Fernandez-Gimenez, Elizabeth Ourusoff,
1995
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence concerning panel
paintings at Milwaukee Art Museum attributed to Master of the Joseph
Sequence.
Fersen, Nicholas,
1996-1997
Scope and Content Note
2 letters to Held.
Filipczak, Zaremba,
1969-1989
Scope and Content Note
3 letters to Held. Filipczak mentions a drawing by Frans Francken and writes
about her research of engravings by Philip de Mallery after drawings by Anthony
van Dyck.
Fischer, Erik,
1967-1983
Scope and Content Note
4 letters to Held (5 leaves). Letterhead of the Department of Prints and
Drawings, Royal Museum of Fine Arts in Copenhagen.
Fisher, Hermann,
1983, undated
Scope and Content Note
3 items: 2 letters to Held from the scholar in Bamberg, Germany regarding
Lisette Buchholz's plan to open Persona Verlag. Also present is a copy of
Lisette Buchholz's letter to Fischer in which she writes about her interest in
literary and documentary texts by German anti-fascists and exiles, and mentions
Willy Vogelsinger, Lily Körber, and Henry William Katz.
Fitzgerald, Martin R.,
1980
Scope and Content Note
1 letter to Held from Department of Corrections in Waterbury, Vt.
Fleischman, Evelyn,
1964
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and a photograph. Correspondence
with Dean's Office at Columbia University, College of Pharmacy regarding a
portrait painting of Wilhelmina Palinc by van Heemskerck, and a portrait by
Joshua Reynolds.
Floch Effland, Jenny,
1983, undated
Scope and Content Note
4 items (6 leaves): 2 letters to Held, including 1 from Otto Manley, 1 letter
from Held to Jenny Floch, and Held's text about the late artist Joseph Floch.
Correspondence regarding the estate of the late Mimi Floch and a book about
Joseph Floch.
Floch, Mimi,
1979-1982?, undated
Scope and Content Note
3 letters (5 leaves) to Held from the widow of Joseph Floch. The 1979 letter
concerns an exhibition of artwork by Joseph Floch at John and Mable Ringling
Museum of Art in Sarasota, Fla.
Folie, Jacqueline,
1993-1998
Scope and Content Note
2 letters to Held.
Folsom, Fred,
undated
Scope and Content Note
3 items: Folsom's business card inscribed to Held, and 2 leaves of printed
matter about a painting attributed to Francisco Pacheco exhibited at Strathmore
Hall Arts Center in North Bethesda, Md.
Forbes, Malcolm S.,
1971
Scope and Content Note
1 thank-you letter to Held. Letterhead of Forbes Magazine.
Foster, Guthrie,
1984-1988, undated
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. With a mention of Charles Le
Clair and Alfred [Foster?]. Also mentioned is the archivist Paul Sauer in
Stuttgart, Germany.
Foster, Philip,
1967
Scope and Content Note
2 letters to Held from Philip Foster at Istituto Ollandese in Florence, Italy
concerning Rubens's painting
Hero and Leander.
Fournier-Liberton, Francis,
1937-1938
Scope and Content Note
8 items: 3 letters to Held and 1 letter from Held. Also included are 3 letters
to Fournier-Liberton from J. van der Veken & Philippot, Galerie d'etat and
from Leo Swane at Musée royal des beaux-arts in Copenhagen, and a pencil
drawing. Correspondence concerning attribution of a painting titled
Le
sacrifice d'Isaac
to Jacob Jordaens.
Fox, Judith Hoos,
1982
Scope and Content Note
1 letter to Held from a curator at Rhode Island School of Design Museum of Art
in Providence. Fox mentions artwork by Jan Massys, Joachim Bueckelaer, Claesz
[Gerrit Claesz Bleker?], Gustave Doré, and Paul Bril [Brill]. Annotated by
Held.
Franc, Helen M. (Helen Margaret),
1990-1994
Scope and Content Note
3 letters to Held. Franc relates details concerning editing the new edition of
Invitation to see.
Frankfurter, Alfred M.,
1956
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with the
editor and publisher of
Art News in New York.
Fredlund, Björn,
1980
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with Fredlund
from Göteborgs Konstmuseum in Sweden concerning Fredlund's visit toClark Art
Institute.
Friedenberg, Daniel M.,
1987
Scope and Content Note
1 thank-you letter to Held from the president of John-Platt Enterprises.
Frinta, Mojmir S. (Mojmir Svatopluk),
1973
Scope and Content Note
1 letter to Held.
Futter, Ellen V.,
1981-1991
Scope and Content Note
3 items: 2 letters from Held and 1 letter to Held. Held congratulates Futter to
her appointment as president of Barnard College.
box 9, folder 8
Sean Gallagher - A. F. Grunwald
Gallagher, Sean,
1986
Scope and Content Note
1 letter to Held from the pianist.
Garff, Jan,
1968, 1988
Scope and Content Note
2 items: 1 letter to Held (1968) and 1 letter from Held (1988). Correspondence
with Garff at Royal Museum of Fine Arts in Copenhagen, Denmark concerning
attribution of several artworks.
Garrett, Stephen,
1982
Scope and Content Note
1 letter to Held from the director of J. Paul Getty Museum in Malibu,
Calif.
Gatling, Eva Ingersoll,
1960, 1967
Scope and Content Note
2 letters to Held concerning a Rubens sketch at Des Moines Art Center and
paintings attributed to Lucas Cranach, Hendrick Cornelisz Vroom, Martino
Altomonte, and Anthony van Dyck in the collection of Heckscher Museum in
Huntington, Long Island.
Gealt, Adelheid M.,
1985
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Correspondence with the
curator at Indiana University Art Museum regarding artwork by Jacob Adriaensz
Backer and Francesco Zaganelli.
Geis, Darlene,
1973
Scope and Content Note
4 items (5 leaves): 2 letters to Held from the assistant to Harry N. Abrams, 1
letter from Held, and a photocopy of a letter by Irma Grabhorn (wife of Edwin
Grabhorn). Correspondence concerning the attribution of a painting to
Velázques.
Gerszi, Teréz,
1967
Scope and Content Note
1 letter to Held from Szépmuvészeti Múzeum in Budapest regarding a drawing by
Hans Friedrich Schorer.
Gifford, Melanie,
1979, 1999
Scope and Content Note
2 letters to Held from an art conservator.
Gillham, Carol C.,
1988
Scope and Content Note
1 letter to Held from the Ackland Art Museum in Chapel Hill, N.C. regarding the
attribution of an artwork to Cornelis Schut. Gillham mentions a drawing by Jan
van [Johannes] Boekhorst at the National Gallery.
Glenn, Constance W.,
1986
Scope and Content Note
1 letter to Held from the director of California State University, Long
Beach.
Gochenour, Carol,
1979
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with
Brattlecoro Museum & Art Center in Brattleboro, Vt. regarding an exhibition
of drawings from Held's private collection.
Goldblatt, Emily,
1994
Scope and Content Note
1 letter to Held from Goldblatt at the Center for Middle Eastern Studies,
Harvard University.
Golden, Martha Hester,
1965
Scope and Content Note
2 items (3 leaves): 1 letter from Held and 1 letter to Held concerning an
unpublished text by Erika Tietze-Conrat.
Goldin, Judah,
1968
Scope and Content Note
1 letter to Held concerning Held's nephew Ariel Bloch.
Golffing, Francis,
1991-1992
Scope and Content Note
4 letters to Held. Golffing writes about his various research projects,
including his study of iconography of Lot's wife. Annotated by Held.
Goodmann, Jonathan,
1986
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondance concerning attribution
to Rembrandt of a painting
Christ carrying the Crucifix, from a
Peruvian collection.
Gordon, Cynthia,
1995
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with a former student
of Held's at Barnard College.
Gottlieb, Carla,
1967
Scope and Content Note
1 letter to Held concerning iconography of Christ in Flemish painting and
Neumeister's research on Lucas Cranach.
Grabski, Józef,
1987
Scope and Content Note
1 letter from Held concerning reprints.
Graham, F. Lanier,
1994
Scope and Content Note
1 letter from Held. Held comments on Graham's book the
Search for the
lost Leonardo
.
Grand Union (Firm),
1991
Scope and Content Note
1 letter from Held addressed to the Manager of the Grand Union [supermarket?]
in Bennington, Vt. concerning food waste.
Grayson, Marion L.,
1980
Scope and Content Note
1 letter to Held from a curator at Museum of Fine Arts in St. Petersburg,
Fla.
Grebanier, Bernard,
1966
Scope and Content Note
2 letters to Held regarding Rubens attribution of a painting owned by Consuelo
U. Ford. Annotated by Held.
Griffing, Robert P.,
1954-1965
Scope and Content Note
5 items: 3 letters to Held and 2 letters from Held. Correspondence with a
curatorial consultant at Honolulu Academy of Arts regarding a painting
attributed to Gerard Thomas and a drawing by Johann Liss.
Glick, Paula,
1972
Scope and Content Note
1 letter to Held from Capricorn Galleries in Bethesda, Md. asking for offprints
of Held's essays.
Grunwald, A. F.,
1966
Scope and Content Note
1 letter to Held asking for opinion about a portrait painting of William II
Prince of Orange, attributed to van Dyck.
box 9, folder 9
Yvonne Hackenbroch - Cockie Hyde
Hackenbroch, Yvonne,
1973
Scope and Content Note
1 letter to Held regarding a portrait rendered in the manner of Juan Pantoja de
la Cruz.
Hahn, Karin,
1970
Scope and Content Note
1 letter to Held from Raggi-Verlag in Zurich.
Hall, Helen B.,
1950
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with a curator at
University of Michigan Museum of Art in Ann Arbor regarding attribution of a
painting to Johann Heinrich Tischbein the Elder.
Halm, Peter,
1965
Scope and Content Note
1 letter to Held. Halm offers for sale a watercolour by [Johann Conrad?]
Dorner. Annotated by Held.
Hamilton, George Heard,
1972-1994
Scope and Content Note
6 items (7 leaves): 2 letters from Held and 4 letters to Held. Correspondence
with the director of Clark Art Institute in Williamstown, Mass. Discussed is the
1981 Monet symposium in Paris, especially David Rosand's session on the aging
artist. Held's letter from 1985, April 24 is typed on verso of a letter by Diane
DeGrazia at National Gallery regarding Francoise Forster-Hahn's research on
Adolph Menzel.
Hartford, Huntington,
1964
Scope and Content Note
2 items: 1 letter from Held to Hartford and 1 letter to Held from Sally Merz at
Gallery of Modern Art in Columbus Circle in New York.
Haug, Ingrid,
1988
Scope and Content Note
1 letter from Held and 1 letter to Held. Correspondence concerning Held's
article for
Reallexikon zur deutschen Kunstgeschichte.
Hausherr, Reiner,
1982
Scope and Content Note
1 letter to Held from an art history professor at Freie Universität Berlin.
Havenith family,
1993-1995
Scope and Content Note
7 items (11 leaves): 1 letter to Held and 5 letters from Held [photocopies].
Correspondence with the Havenith family (Eliane, Denise, and Alfred) in Antwerp,
Belgium. Enclosed is a note from 1915 about Antwerp by Adolf Held [typed, in
English].
Hawkins, Dempsey,
1994
Scope and Content Note
4 items: 2 letters to Held from a prison inmate, Held's note about Hawkins, and
Held's letter to Harry N. Abrams Inc. in New York.
Hechtl, C.,
1993
Scope and Content Note
1 letter to Held from a former resident of Mosbach.
Hegle, Berit,
1979
Scope and Content Note
4 items: 1 letter to Held, a copy of a letter to Hegle from Arnout Balis at
Nationaal Centrum voor de Plastische Kunsten van de 16de en de 17de eeuw in
Antwerp, and printed matter. Correspondence concerning the attribution of an oil
sketch to Rubens.
Heinemann, Rudolf,
1965
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence regarding copyright
permission for images of paintings by [Jean -Etienne?] Liotard from Heinemann's
private collection.
Heisner, Beverly,
1975-1976
Scope and Content Note
1 letter to Held and 1 letter from Held. Heisner asks for a photograph of a
drawing attributed to Anthony van Dyck. Her letter is annotated by Held.
Herbert, Robert L.
1968, 1977
Scope and Content Note
2 letters to Held from the charman at Yale University, Dept. of the History of
Art.
Hertzsch, Walter,
1991-1992
Scope and Content Note
2 letters to Held from the editor at Seemann Velag in Leipzig. Hertzsch relates
details concerning the privatization of Seeman Verlag.
Hevesi, Max,
1936
Scope and Content Note
1 letter to Held from the art dealer in Vienna, Austria regarding paintings by
Jacob Jordaens. With a mention of Otto Burchart and [?] Mondschein.
Hinnant, Rick,
1983
Scope and Content Note
2 items: 1 letter to Held and a color photograph of a painting. Hinnant
inquires about attribution of the painting to Rubens. Annotated by Held. [Color
photograph is shelved in Box 159.]
Hirsh, Sharon L.,
1983-1992
Scope and Content Note
2 letters to Held and a circular from Fine Arts Department at Dickinson College
in Carlisle, Pa. With a mention of Kahren Hellersted's lecture on Rembrandt. The
circular is an announcement of Peter Lukehart's appointment as director of the
Trout Gallery.
Hobson, Joan,
1986
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held. Correspondence
with Museum of Fine Arts in Boston regarding Held's participation in Braillard
lectures.
Hofrichter, Frima Fox,
1980
Scope and Content Note
2 letters to Held regarding Held's advisory role in the exhibition
The
rise of Dutch Baroque: art in Haarlem 1585-1635
shown at Rutgers
University Art Gallery. Annotated by Held.
Hofstede Müller, A. ,
1984
Scope and Content Note
1 letter to Held from the widow of Cornelius Müller Hofstede regarding artwork
by Oskar Begas and Paul Meyerheim owned by Held's family and its significance
for the Jewish Museum in Berlin [Berlin Museum. Jüdische Abteilung].
Houser, Caroline,
1999
Scope and Content Note
1 letter to Held.
Howard, Edith,
1982
Scope and Content Note
1 letter to Held.
Hunningher, Benjamin,
1954
Scope and Content Note
1 letter to Held from the theater scholar. Hunningher writes about Jan Neuye's
1669 play
De gewroke Lucretia, of Romen in vryheit. He also
mentions works by Geeraert van Velsen and Dirck Pietersz Pers, including Pers's
1624 poem "Lucretia, ofte, Het beeld der eerbaerheydt".
Hunter, Sam
1960
Scope and Content Note
1 letter to Held regarding Held's services as a consultant to Minneapolis
Institute of Arts.
Hyde, Cockie,
1984
Scope and Content Note
1 letter to Held from former Barnard student. Hyde writes about Hyde
Collection's interest in collecting art pottery and ceramics. She mentions the
sculptor Toshiko Takaezu, and the ceramists Hui Ka Kwong and Bennet Bean.
box 10
Christian Adolf Isermeyer-Diane H. Russell
box 10, folder 1
Christian Adolf Isermeyer-Thomas Junker
Isermeyer, Christian Adolf,
1968
Scope and Content Note
2 letters to Held from the art historian at Kunstgeschichtliches Seminar,
Universität Hamburg. Isermeyer refers to an oil sketch by Rubens from the
Holford collection. He also mentions his research on altar paintings by Rubens,
and his book on hunting scenes in Rubens's paintings.
Janson, Anthony F.,
1979
Scope and Content Note
2 letters to Held from curator at Indianapolis Museum of Art concerning a
painting by Jacob Jordaens.
Joho, Helmut,
1995-1997
Scope and Content Note
2 letters to Held.
Jordan, Marc,
1992
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with editor at Phaidon
Press Limited in London.
Junker, Thomas,
1994
Scope and Content Note
1 letter to Held regarding Junker's study of the impact of Nazi ideology on
bio-historical research in Germany between 1933 to 1945.
box 10, folder 2
Alice Mannheim Kaplan - Gloria Kury
Kaplan, Alice M.,
1972-1995
Scope and Content Note
6 items: 1 letter to Held from Alice Manheim Kaplan, 2 letters from Held,
Held's letter to Kaplan Fund in New York (Joan K. Davidson), ephemera and a
press clipping. Kaplan mentions several drawings in her collection.
Kaplan, Jack,
1976
Scope and Content Note
2 items: a letter and a note from Held concerning publishing of his book on oil
sketches by Rubens. With a mention of Ted [Theodore S. Amussen] Amussen at
National Gallery of Art.
Kaplan, Sidney,
1964-1990
Scope and Content Note
2 letters to Held concerning Rubens's paintings
Negro heads [Four
studies of a male head ]
and
The Adoration of the Magi,
and a painting titled
Baigneurs by Michaël [Michiel] Sweerts.
Annotated by Held.
Kaufmann, Arthur,
1964-1965
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence concerning Brian
O'Doherty's
New York Times review of an exhibion held at the
Barnard College.
Kaumheimer, Elizabeth,
1994
Scope and Content Note
1 letter to Held.
Kelpe, Susan E.,
1980
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with the editor at
University of Missouri Press concerning Martin Pops' book
Vermeer.
Kenendy, Ian,
undated
Scope and Content Note
1 letter to Held from Simon Dickson Inc. in London.
Kent, Mrs.
1981-1984
Scope and Content Note
1 letter to Held from Mrs. Dassau Kent and 1 letter from Held. Kent relates
details regarding provenance of a portrait of John of Nassau by Anthony van
Dyck.
Kessler, Charles S.,
1967
Scope and Content Note
3 letters to Held regarding Kessler's research on Max Beckmann.
Kettlewell, James K.,
1957
Scope and Content Note
2 letters to Held and 1 letter from Held. Correspondence with Kettlewell at
Department of Art and Archaeology at University of Toronto concerning
attribution of a drawing of St. John and Christ to Rubens. Annotated by
Held.
Kisters, Friedrich,
1997
Scope and Content Note
2 items: wedding invitation with a thank-you letter to Held; and a wedding
photograph.
Kieve, Rudolph,
1981
Scope and Content Note
2 items: 1 letter to Held from a former resident of Mosbach, and reply letter
from Held.
Kimpel, Ben,
1987?
Scope and Content Note
4 items: 3 letters to Held, and a typescript bibliography of Kimpel's works.
Annotated by Held.
Kirby, Peggy Jo D.,
1962
Scope and Content Note
1 letter to Held from the registrar at North Carolina Museum of Art in Raleigh
concerning a landscape painting attributed to Rembrandt. With a mention of the
artist [Hercules?] Seghers and the art historian Otto Benesch.
Kissinger, Henry,
1985
Scope and Content Note
1 letter from Held to Henry Kissinger in New York. Held mentions donating his
family papers to the Leo Baeck Institute.
Klessmann, Rüdiger,
1983-1992
Scope and Content Note
3 items (6 leaves): 1 letter to Held and 2 letters from Held. Correspondence
concerning attribution of several landscape paintings to Rembrandt, [Hercules?]
Seghers and Joose de Momper. Klessmann invites Held to a symposium at Herzog
Anton Ulrich-Museum in Braunschweig.
Klosty, Mack G.,
1984
Scope and Content Note
1 letter to Held.
Koch, Georg Friedrich,
1982
Scope and Content Note
1 letter to Held regarding Held's withdrawal from participation in the 18th
Deutscher Kunsthistorikertag in Kassel.
Koch, Robert A.,
1979
Scope and Content Note
1 letter to Held from the art historian.
Koslow, Susan Rosen,
1980
Scope and Content Note
1 item: a wedding announcement inscribed by Koslow who mentions her interest in
Flemish paintings of animals.
Kostyshyn, Stephen J.,
1986-1987
Scope and Content Note
4 items (11 leaves): 3 letters to Held and 1 letter from Held. Concerning
Kostyshyn's research on Peeter Baltens [Peeter Baltens alias Custodis of
Antwerp]. In his letter from 21 Oct. 1986 Kostyshyn extensively describes his
research on Baltens (8 leaves). With a mention of a painting by Bruegel at
Hampton Court.
Kouwenhoven, Gerrit,
1993
Scope and Content Note
1 letter to Held from the son of John Kouwenhoven; added in handwriting to
Catherine H. Capen's letter to Held. Capen writes about the progress of her
mentally retarded sister and thanks Held for his financial support.
Kouwenhoven, John Atlee,
1980-1988
Scope and Content Note
9 letters to Held (10 leaves).
Krempel, León,
1996
Scope and Content Note
1 letter to Held concerning a painting by Pieter Verelst in the Rusche
collection [Sammlung Rusche].
Samuel H. Kress Foundation,
1979-1980
Scope and Content Note
3 items: 2 letters to Held from Mary M. Davis at the Samuel H. Kress Foundation
and 1 letter from Held. Correspondence concerning the foundation's financial
support to Held.
Kropik, E.,
1977-1979
Scope and Content Note
3 items (4 leaves): 1 letter to Held and 2 letters from Held, including 1 to
the firm Antiquitäten Ernst Kunsthaus am Theater in Saarbrücken. Correspondence
regarding attribution of a painting to Anthony van Dyck or to Rubens.
Kropik, Heinz,
1985
Scope and Content Note
1 letter to Held concerning two paintings by Rubens.
Kühn, Margarete,
1965-1968
Scope and Content Note
2 letters to Held concerning his essays issued in
Zeitschrift für
Kunstgeschichte
.
Kunin, Madeleine,
1996, undated
Scope and Content Note
2 items: a letter from Held and a card from Kunin.
Kunz, Armin,
1991
Scope and Content Note
1 letter to Held regarding Kunz's art history studies in Berlin and his
research of Lucas Cranach.
Kuretsky, Susan Donahue,
1981-1982
Scope and Content Note
4 items: 2 letters to Held and 2 letters from Held. Kuretsky invites Held to
give a lecture on Rembrandt at Vassar College.
Kurtz, Mary Solimena,
1983
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with the collage artist
regarding promotion of her artwork.
Kury, Gloria,
1982
Scope and Content Note
1 letter to Held from a student at Vassar College concerning Luca Signorelli's
painting
Court of Pan. Extensively annotated by Held.
box 10, folder 3
Mary Ellen Lalli - Bridget G. Lyons
Lalli, Mary Ellen,
1986
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence regarding attribution
of a painting to Rubens.
Lamas, Luis R.,
1972
Scope and Content Note
5 items (8 leaves): 2 letters to Held and 3 letters from Held. Correspondence
regarding attribution of a painting titled
Judgment of Paris to
Rubens. Annotated by Held.
Landau, David,
1983
Scope and Content Note
2 letters to Held from the art historian.
Lanes, Jerrold,
1964-1965
Scope and Content Note
7 items (11 leaves): 3 letters to Held and 2 letters from Held. With
photocopies. Lanes asks Held to write two books on Northern Renaissance painting
and graphic arts.
Laskin, Myron,
1967
Scope and Content Note
1 letter to Held regarding Held's opinion of an artwork.
Lauts, Jan,
1964, 1986
Scope and Content Note
2 letters to Held from Staatliche Kunsthalle Karlsruhe. Lauts mentions his
acquisition of a painting by Cornelis van Dalem.
Lawrence, Cynthia,
1987
Scope and Content Note
1 letter to Held concerning her research on the tomb of bishop Michaël Ophovius
in St. Paul church, Antwerp.
Leahy, Patrick J.,
1991
Scope and Content Note
1 letter from Held to Senator Leahy protesting against national draft for
military service.
Lee, Natalie H.,
1995
Scope and Content Note
1 letter to Held concerning the painting
Allegory of folly by
Massys.
Lee, Sherman E.,
1965
Scope and Content Note
1 letter to Held from the director of Cleveland Museum of Art concerning
Raymond Barrio's article issued in
Art and Architecture.
Leemans, Hertha,
1968
Scope and Content Note
1 letter to Held with a photocopy of Held's reply on verso. Leemans relates
details regarding her work on an inventory of Saint Gummarus church in Lier,
especially the artwork by Crispin van den Broeck and Cornelis van der Geest.
Leo, Jane S.,
1979
Scope and Content Note
1 letter to Held regarding a drawing attributed to Paul Bril at William
Rockhill Nelson Gallery of Art in Kansas City, Mo.
Lewine, Carol,
1979
Scope and Content Note
1 letter to Held.
Licht, Ira,
1979
Scope and Content Note
3 items: 1 letter to Held and 2 letters from Held. Correspondence with the
director of Lowe Art Museum in Coral Gables, Fla. Included are Held's commentary
on paintings and sculptures in the collection of Claire Mendel, and a checklist
of the artwork extensively annotated by Held.
Liebaers, Herman,
1972, 1994
Scope and Content Note
2 letters to Held.
Fürst von Liechtenstein,
1966
Scope and Content Note
1 letter from Held asking for permission to see oil sketches by Rubens in the
collection of the House of Liechtenstein.
Limouze, Dorothy,
1989
Scope and Content Note
1 letter to Held. Limouze mentions her essay on Aegidius Sadeler and the
relation of imitation theory to reproductive engraving. Annotated by Held.
Lindsay, Kenneth C.,
1965
Scope and Content Note
2 letters to Held from the chairman of Art History Department at Harpur College
in Binghampton, N.Y. regarding lectures.
Lisser, Carolyn de,
1983
Scope and Content Note
2 letters to Held. De Lisser mentions a painting attributed to Artus
Wolfert.
Löffler, Fritz,
1963
Scope and Content Note
1 letter from Held to the author of
Das alte Dresden. Held
mentions watercolors of Dresden signed C. G. Hammer [Christian Gottlob Hammer?]
in his private collection.
Lohse, Bruno,
1965-1967
Scope and Content Note
2 letters to Held concerning publishing artwork by Johann Georg Platzer in
Held's private collection in
Kindlers Malerei Lexikon.
Lombaerde-Fabri, Ria and Piet,
1982
Scope and Content Note
1 letter to Held. With a mention of a terracotta portrait of Peiresc.
Loridan, Marie Louise,
1984
Scope and Content Note
1 letter to Held and 1 letter from Held.
Lovell, Ellen McCulloch,
1993
Scope and Content Note
1 thank-you letter to Held.
Lücke, Hans-Karl,
1980
Scope and Content Note
1 letter to Held from the chairman of Department of Fine Art at University of
Toronto regarding an honorarium.
Lukehart, Peter M.,
1996
Scope and Content Note
1 letter to Held from the director of Trout Gallery at Dickinson College in
Carlisle, Pa.
Luksus, Tzaims,
1996-1997
Scope and Content Note
6 items (19 leaves): 2 letters to Held, 2 letters from Held, printed matter,
and draft of Luksus's essay on Bronzino and Allori (14 leaves), annotated by
Held.
Lyons, Bridget Gellert,
1980
Scope and Content Note
2 items: 1 letter from Held and a postcard to Held, extensively annotated by
Held on verso. Held comments on a paper by Patricia Meyer on "Stuart
masques".
box 10, folder 4
Thomas J. McCormick - Neil MacLaren
McCormick, Thomas J. (Thomas Julian),
1968-1983
Scope and Content Note
4 letters to Held from professor of art history at Wheaton College in Nortoin,
Mass.
McIntosh, Dick,
1986
Scope and Content Note
1 letter to Held.
McKee, Lucie,
1993?
Scope and Content Note
1 item: poetic text titled "Seamstress". Annotated by Held.
McKendry, John J.,
1972
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence concerning
drawings by Jan Goeree reproduced in engraving in François Jacques Deseine's
book
Beschryving van oud en niew Rome (Amsterdam, 1704) and on
the title page of
Acta Germanica.
MacKintosh, Millicent,
undated
Scope and Content Note
1 letter to Held.
MacLaren, Neil,
1973
Scope and Content Note
1 letter to Held from Sotheby & Co. in London regarding a Rubens
sketch.
Maddalena [?],
1993
Scope and Content Note
1 letter from Held. In French. Photocopy.
Mackor, Adri,
1996-1999
Scope and Content Note
ca. 11 items (22 leaves): 2 letters and 1 postcard to Held ,1 letter from Held,
photocopy of Mackor's essay on Marinus van Reymerswaele's
Tax
collectors
, and illustrated matter. Correspondence concerning Mackor's
dissertation on the Dutch painter Marinus van Reymerswaele.
Mallory, Nina A.,
1968-1995
Scope and Content Note
3 letters to Held.
Mandel, Marianna and Daniel,
1980
Scope and Content Note
1 letter to Held.
Manley, Otto,
1980-1983
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and printed matter (brochure of
an exhibition of artwork by Joseph Floch at Galerie Würthle in Vienna in
1981).
Mann, Dena K.,
1999
Scope and Content Note
1 letter from Dena Kranowitz Mann, a former student of Held at Barnard
College.
Maroger, Jacques,
1952
Scope and Content Note
1 letter to Held regarding
Ajax et Cassandre by Rubens.
Marrow, James H.,
1981
Scope and Content Note
6 items: 3 letters to Marrow from E. de Jongh from Rijksuniversiteit Utrecht,
J. Bruyn from Kunsthistorisch Instituut der Universiteit van Amsterdam, and from
Held; 1 letter to Held from Marrow; and 2 color photographs. Scholarly exchange
concerning a 15th century engraving.
Mashek, Joseph,
1973
Scope and Content Note
1 letter to Held.
Mayer, Ben,
1987, 1994
Scope and Content Note
2 letters to Held.
Mayer, Reinhard,
1995
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Mayer writes about
restoration of paintings. His letter is annotated by Held.
Mayer-Meintschel, Annaliese,
1996
Scope and Content Note
1 letter to John Walsh at the J. Paul Getty Museum, with added text addressed
to Held.
Mehnert, Karl-Heinz,
1968
Scope and Content Note
2 letters to Held concerning a drawing attributed to Jacob Jordaens in the
collection of Museum der bildenden Künste zu Leipzig.
Melion, Walter S.,
1993
Scope and Content Note
3 items (16 leaves): 1 letter to Held, 1 letter from Held, and Melion's paper
"Self-Imaging and Virtu in Hendrick Goltzius's Pietá of 1598" (typescript) given
at Historians of Netherlandish Art Conference in Boston.
Mende, Mathias,
1988
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence concerning
Mende's research on forgeries of Dürer letters [fiktive Dürer-Briefe].
Internationale Mendelsohn-Stiftung e.V.,
1996
Scope and Content Note
1 thank-you letter to Held.
Menten, D.,
1973
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held, and 1 color slide.
Correspondence rich in detail concerning Menten's collection of paintings,
especially artwork by Peter Lely and Anthony van Dyck.
Middendorf, John William,
1967, 1976
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Correspondence regarding two
paintings by Frans Hals and a Rembrandt portrait offered by Middendorf to the J.
Paul Getty Museum. Held expresses his opinion about a painting by Abraham Dircks
Santvoort.
Milkovich, Michael,
1979, undated
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence regarding
several artworks at Dixon Gallery and Gardens in Memphis, Tenn.
Miller, Gillian,
1992
Scope and Content Note
1 letter from Held to the editor of
Alumni Chronicle at Southern
Vermont College regarding proper usage of Latin language.
Milroy, Lily,
1979, undated
Scope and Content Note
2 letters to Held. Milroy writes about her various research projects. Annotated
by Held.
box 10, folder 6
Albert P. de Mirimonde - Mary L. Meyers
Mirimonde, Albert P. de,
1979
Scope and Content Note
2 letters to Held regarding drawings by Theodoor van Thulden.
Mitchell, George J.,
1994
Scope and Content Note
3 items (19 leaves): 1 letter from Held, 1 letter to Held, and 1 offprint
(photocopy, 17 leaves). Correspondence with Senator Mitchell regarding a
transcript of the "Joint hearings on the Iran-contra investigation", testimony
of Oliver L. North, from July 13, 1987.
Mitsch, Erwin,
1978
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence concerning drawings in
Graphische Sammlung Albertina. Annotated by Held.
Moffitt, John F. (John Francis),
1974
Scope and Content Note
3 items (7 leaves): 2 letters to Held and 1 letter from Held. Scholarly
discussion concerning 17th century art in Spain, particularily paintings by
Velázques, and the emblematic meaning of 17th century Dutch art.
Molen, Joh. R. ter,
1979
Scope and Content Note
1 letter to Held from the curator at Museum Boymans-van Beuningen in Rotterdam
regarding a drawing attributed to Hans von Aachen. Also discussed is Molen's
work on the Dutch goldsmith Paulus van Vianen.
De Montebello, Philippe,
1983
Scope and Content Note
1 letter to Held. With a mention of Walter Liedtke and the painting
Quintus Fabius Maximus.
Moore, John,
1982
Scope and Content Note
1 letter (3 leaves) to Held from John Moore at Department of Biology at
University of California, Riverside.
Moyse, Blanche,
1960
Scope and Content Note
1 thank-you letter to Held.
Jaki Mozetic, Barbara,
1994
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held. Correspondence
with the curator of paintings at National Gallery in Ljubljana, Slovenia. Held
declines her invitation to contribute to the Festschrift for Ksenija Rozman.
Muller, Jeff,
1984
Scope and Content Note
1 letter to Held and 1 letter from Held. Muller writes about his scholarly work
and reviewing books by other art historians, mainly of Lisa Vergara's book on
Rubens. The verso of Held's letter is a photocopy of three late 19th/early 20th
century photographs showing unidentified sitters: a young boy, a young man, and
a group of three children. One of the photographs is inscribed in German in
Sütterlin.
Mundy, James,
1973
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence concerning Mundy's
essay on the
Martyrdom of St. Hippolitus.
Munhall, Edgar,
1973, 1986, undated
Scope and Content Note
4 items (7 leaves): 1 letter from Held, 2 letters to Held, and 2 notes by Held.
Correspondence concerning B.P.J. [Bernardus Petrus Jozef] Broos' essay on
Rembrandt's painting known as the
Polish rider.
Myers, Mary L.,
1998
Scope and Content Note
2 items (3 leaves): a letter and a postcard to Held from the art historian.
Myers mentions an unidentified drawing and her essay on Christoffel Jegher.
box 10, folder 7
Christian Michael Nebehay - Isa North-Hunningher [?]
Nebehay, Christian Michael,
1972
Scope and Content Note
1 letter from Held to the art dealer in Vienna. Held mentions a drawing by
Koloman Moser.
Neff, Terry Ann R.,
1974-1995
Scope and Content Note
10 items (16 leaves): 5 letters to Held, 3 letters from Held, Neff's curriculim
vitae, and a family photograph. Personal correspondence. Neff also details her
professional career.
Néger, Jean,
1964
Scope and Content Note
3 letters to Held. Néger seeks Held's opinion regarding an artwork attributed
to Hans Holbein the Younger or Thomas [Tobias?] Stimmer.
Nemlich, Keith,
1994
Scope and Content Note
2 letters (3 leaves) to Held. Nemlich writes about his research on Rubens, and
details his professional career.
Neubauer, Darle and Jost,
1987
Scope and Content Note
1 letter to Held.
Neumeyer, Peter F.,
1994
Scope and Content Note
1 letter to Held from the son of the German actor Alfred Neumeyer.
Nevins, John P.,
1985, undated
Scope and Content Note
4 items: 1 letter to Held, 1 letter from Held, photocopy of Cornelis Hofstede
de Groot's statement authenticating a portrait painting by Michiel van
Miereveld, and printed matter concerning a landscape painting by George
Michel.
Newton, H. Travers,
1987-1991
Scope and Content Note
4 items: 3 letters from Newton to Held, and a letter to Newton from Hans
Vlieghe at Nationaal Centrum voor de Plastische Kunsten van de XVIde en XVIIde
Eeuw in Antwerp.
The New York Times,
1958
Scope and Content Note
1 letter (2 leaves, carbon copy): Held comments on a
New York
Times
obituary for Max J. Friedländer.
Nieuwenhuis, Eric Domela,
1996
Scope and Content Note
1 letter to Held regarding a seal on a painting by Paulus Moreelse at Ponce Art
Museum.
Nichols, Lawrence W.,
1992
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Correspondence concerning
Hans Jantzen's article on Jan Gossaert and Hendrik Goltzius published in 1911 in
Monatshefte.
Nicklos, Gordon E.,
1963
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence regarding a
painting attributed to David Teniers.
Nicolson, Benedict,
1968-1973
Scope and Content Note
3 letters to Held from Burlington Magazine Publications Ltd. in London
regarding various reviews by Held.
Niebuhr, Reinhold,
1979-1984
Scope and Content Note
3 letters (5 leaves) to Held.
Niklasch, Eva,
1986
Scope and Content Note
1 letter to Held from Heilbronn, Germany regarding Wolf Manasse. With a mention
of a book on Jews in Heilbronn by Hans Franke.
Nochlin, Linda,
1983
Scope and Content Note
1 letter to Held and 1 letter from Held. Held comments on Nochlin's lecture on
the image of the working woman in art. With a mention of Jules Breton.
North-Hunningher, Isa [?]
1986
Scope and Content Note
1 letter to Held from a former student at Barnard College.
box 10, folder 8
Lisa Oehler - Manuel Ortiz Lopez
Oehler, Lisa,
1969-1984
Scope and Content Note
5 letters to Held. Oehler thanks Held for his advise to Staatliche
Kunstsammlungen Kassel regarding a Dürer drawing.
Ollinger-Zinque, Gisèle,
1968
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence concerning a sketchbook
by James Ensor. Annotated by Held.
Olson, Roberta J. M.,
1986
Scope and Content Note
1 letter to Held and 1 letter from Held. Held mentions Olson's discovery of
Halley's comet in Giotto's
Adoration. Annotated by Held.
Oppenheim, Irving J.,
1980-1986
Scope and Content Note
2 letters to Held concerning drawings in Oppenheim's collection.
O'Reilly, William Edward,
1984
Scope and Content Note
1 letter to Held from the art dealer [Salander-O'Reilly Galleries, Inc. in New
York]. With a mention of a painting by Alfred Henry Maurer.
Ortiz Lopez, Manuel,
1968
Scope and Content Note
1 letter to Held concerning Rubens's formula to prepare paint. Annotated by
Held.
box 10, folder 9
Bernard G. Palitz - Carol Purtle
Palitz, Bernard G.,
1984
Scope and Content Note
1 letter to Held and 1 letter from Held.
Pancoast, Virgilia H.,
1989
Scope and Content Note
1 letter from Held regarding a reference published in IFAR [International
Foundation for Art Research] reports.
Parke, Martha Leslie,
1993
Scope and Content Note
1 letter to Held from the artist. Parke describes how old masters paintings
inspire her own work.
Parkhurst, Charles,
1966
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with the director of
Baltimore Museum of Art regarding a painting by Joachim Wtewael.
Parshall, Peter W.,
1969
Scope and Content Note
1 letter to Held from the art historian at Warburg Institute in London.
Parshall relates details concerning his work on iconographic sources in work by
Lucas van Leyden.
Parsons, Robert L.,
1960
Scope and Content Note
2 letters to Held and 1 letter from Held. Correspondence regarding a Rubens
painting at DeEtte Holden Cummer Museum Foundation in Jacksonville, Fla.
Paul, Eberhard,
1995, undated
Scope and Content Note
2 items: 1 letter to Held (with photocopy) from an art historian in Leipzig.
Paul seeks Held's opinion on Rubens' painting
Christ carrying the
cross
. Annotated by Held.
Peardon, Tom,
undated
Scope and Content Note
1 letter to Held. Peardon mentions Held's essay on Edward Hicks.
Peckham, John Ford,
1969
Scope and Content Note
1 letter to Held.
Pelz, Edward and Caroline Duncombe,
1993
Scope and Content Note
A circular letter.
Perlove, Shelley Karen,
1997
Scope and Content Note
1 letter from Held. Held mentions that he owns
Vision of
Daniel
, illustrated in Menasseh ben Israel's book
Piedra
Gloriosa
.
Perre, Paul van der,
1959
Scope and Content Note
1 letter from Held and 1 letter to Held. Correspondence concerning the poor
condition of a woodcut by Christoffel Jegher.
Peters, Albert Edward,
1983-1991
Scope and Content Note
4 items (7 leaves): 3 letters to Held from an artist. With Peters's curriculim
vitae.
Peters, Susan D.,
1985
Scope and Content Note
1 letter (2 leaves) to Held. Peters mentions her research on Elizabeth
McCausland.
Placzek, Adolf K.,
1986, 1993
Scope and Content Note
2 letters to Held from the art historian.
Pfister, Hermann,
1985-1987
Scope and Content Note
5 items (8 leaves): 3 letters to Held and 2 letters from Held. Personal
correspondence.
Pittman, Geraldine,
1981
Scope and Content Note
1 letter to Held regarding his lecturing at Marlboro College in Marlboro,
Vt.
Pomerantz, Louis,
1965
Scope and Content Note
6 items (8 leaves): 2 letters to Held, 1 letter from Held, Held's letter to
Robert L. Feller at the Mellon Institute, and a list of slides. Correspondence
concerning Held's lecture held at the ICC [International Institute for
Conservation of Historic and Artistic Works] in Philadelphia. [See related
correspondence filed under Mellon Institute in Box 14, F. 20.]
Pope-Hennessy, John Wyndham, Sir,
1983
Scope and Content Note
1 letter to Held and 1 letter from Held. Held accepts invitation to join the
consulting committee for
Age of Caravaggio exhibition organized
at Metropolitan Museum of Art in New York.
Preston, Frances Lawrence,
1993
Scope and Content Note
1 letter from Held. Held comments on Preston's dissertation on Rembrandt.
Prinz, Wolfram,
1972
Scope and Content Note
1 letter to Held from the art historian regarding Prinz's essay published in
Art Bulletin.
Promey, Sally M.,
1995
Scope and Content Note
3 items (4 leaves): 2 letters to Held from an art history teacher at University
of Maryland in College Park, Md., and her course work material. Promey seeks
Held's permission to adapt his text
Pictures will answer for her
teaching of art history.
Purtle, Carol,
1989
Scope and Content Note
1 letter (2 leaves) to Held. Purtle describes the reception of Held's lecture
by art history students at Memphis State University.
box 10, folder 10
André Racz - Michael Rohe
Racz, André,
1983-1986
Scope and Content Note
2 letters to Held. Personal correspondence.
Ragle, Thomas B.,
1972
Scope and Content Note
1 letter to Held acknowledging Held's gift to Marlboro College.
Randall, Julie,
undated
Scope and Content Note
1 letter to Held. With a mention of an article about the "Melnikas art fraud"
[Anthony Melinkas].
Rausen, Lili,
1980
Scope and Content Note
1 letter (2 leaves) to Held.
Ravenel, Gaillard F.,
1982
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with the chief of
design and installation at National Gallery of Art in Washington DC, concerning
a copy after Rubens.
Regteren Altena, I. Q. van (I. Quirijn),
1969-1970
Scope and Content Note
2 letters to Held.
Reichling, Helmut,
1988
Scope and Content Note
1 letter to Held from Zweibrücker Kulturgutstiftung Gehrlein-Fuchs concerning a
portrait painting of Mrs. Gravaghi by Johann Christian von Mannlich. With a
mention of the composer Christoph Willibald Gluck.
Reichsman, Franz,
1984
Scope and Content Note
1 letter to Held. With a mention of "Mama and Papa Tietze".
Reif, Jo-Ann,
1991-1996
Scope and Content Note
5 items (8 leaves): 4 letters to Held and 1 letter from Held. Correspondence
with a former student at Barnard College. Held comments on Reif's dissertation
on Thomas Mann and Arnold Schönberg. Reif mentions a Rubens painting owned by de
Gunzburg family in Paris.
Reinecker, Hans A.,
1993
Scope and Content Note
1 letter to Held from Karen Blake on behalf of Hans A. Reinecker concerning a
Rubens painting.
Reznicek, E. K. J. (Emil Karel Josef),
1964
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence rich in detail
concerning Flemish and Dutch drawings. Held comments on Reznicek's catalog for
an exhibition of drawings by Flemish and Dutch masters at the Uffizi.
Rhyne, Charles S.,
1985
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence concerning Rhyne's
research on preliminary large oil sketches. Artists mentioned are van Dyck,
Constable, and Watteau.
Rhyn, Jacqueline van,
1996
Scope and Content Note
1 letter to Held from staff at Williams College Museum of Art regarding the
painting
Two heads by Alfred Henry Maurer.
Ricke-Immel, Ute,
1982
Scope and Content Note
1 letter to Held from the art historian. With a mention of Anthony van Dyck and
Carl [Karl] Müller.
Riedl, Peter Anselm,
undated
Scope and Content Note
1 letter to Held from the art historian.
Rikala, Taina,
1991
Scope and Content Note
1 letter to Held following her interview with Held for an oral history
project.
Riley, Richard,
1993
Scope and Content Note
1 letter from Held to the governor regarding Ellen Lovell's candidacy for the
NEA [National Endowment for the Arts].
Rinehart, Sheila,
1978-1995
Scope and Content Note
7 items: 6 letters to Held and 1 letter from Held.
Reynolds, David P.,
1983
Scope and Content Note
1 letter from Held to the Chairman of the Board and CEO of Reynolds Metals
Building in Richmond, Va. asking the firm to establish a re-cycling plant in the
North-East part of the country.
Robbins, Daniel,
1968
Scope and Content Note
2 letters to Held from the director of Rhode Island School of Design Museum of
Art in Providence announcing a retrospective exhibition of James Tissot.
Robertson, David,
1983, 1993
Scope and Content Note
2 letters to Held sent from Dickinson College in Carlisle, Pa., and from Loyola
University in Chicago. [See also correspondence filed in Box 13, F. 34.]
Robinson, Franklin W.,
1981-1997
Scope and Content Note
5 letters to Held. Robinson mentions acquistion of several artworks for Herbert
F. Johnson Museum of Art in Itaka, N.Y.
Robinson, M. S. (Michael Strang),
1972
Scope and Content Note
1 letter to Held regarding Robinson's work on a catalog of paintings by father
and son Willem van de Velde. With a mention of Duveen records. Annotated by
Held.
Robinson, William W.,
1979
Scope and Content Note
2 items (5 leaves): 1 letter to Held and 1 letter from Held. Scholarly
discussion about the meaning of the gesture symbolizing silence in art,
particularly in work by Nicolaes Maes and Jan Massys. Held mentions an essay by
Waldemar Deonna.
Robison, Andrew,
1997
Scope and Content Note
1 letter from Held to the curator at National Gallery of Art in Washington
D.C.
Roedig, Bernd,
1967-1968
Scope and Content Note
2 letters to Held from the director of Museum des Siegerlandes in Siegen,
Germany regardig Rubens sketches.
Rohe, Michael,
1993-1999
Scope and Content Note
19 items (20 leaves): 6 letters to Held, 4 letters from Held, 8 photographs,
including 7 in color, and 1 color transparency. Correspondence with the art
dealer in Munich concerning an Andromeda sketch sold at Dorotheum in Vienna, an
oil sketch by Cornelis Schut, and an oil sketch of the Christ child sitting on
the lap of the Virgin, with a monogram of Michiel Vriendt on the back of the
panel. [Color photographs and color transparency are shelved in Box 159, F.
7.]
box 10, folder 11
Margaret Roland - H. Diane Russell
Roland, Margaret,
1972-1979
Scope and Content Note
5 items: 4 letters to Held and 1 letter from Held. Correspondence regarding
Roland's dissertation on Anthony van Dyck. Discussed are
Negro heads
[Four studies of a male head ]
,
Crucifixion of St.
Peter
, and
Drunken Silenus.
Romagnoli, Carlo,
1995
Scope and Content Note
11 items: 1 letter to Held and 1 letter from Held. Correspondence concerning
attribution of paintings
Portrait of a woman to Giovanni Bernardo
Carbone and
Loth and his daughters to Anthony van Dyck. Included
are reports regarding both paintings by Maurizio Marini, Carlo Romagnoli, Giusto
Matzeu, and Cesare Bellini; a letter from Vermont National Bank to Romagnoli
regarding a fee; a color transparency; and 2 photographs of the paintings,
including on ein color. [Color photograph and color transparency are shelved in
Box 159, F. 8.]
Rose, Anne C.,
1994, undated
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and copy of a receipt. Rose
invites Held to participate in a Penn State lecture series about the
Holocaust.
Rose, Barbara,
1981
Scope and Content Note
6 items: 3 letters to Held and 3 letters from Held. Correspondence with the
curator at Houston Museum of Fine Arts regarding plans for a Rubens exhibition.
Rose mentions her talk on the influence of Rubens on American art and
patricularly on the work of Jackson Pollock.
Rose, Eileen,
1973
Scope and Content Note
2 items (4 leaves): 1 letter to Held and 1 letter from Held. Correspondence
regarding
Antwerp's Golden Age, an exhibition organized by the
Smithsonian Institution.
Rosen, Susan E.,
1970
Scope and Content Note
1 letter to Held and 1 letter from Held.
Rosenthal, Donald,
1979
Scope and Content Note
2 items: a letter to Held and printed matter from the curator at Memorial Art
Gallery at University of Rochester regarding a painting by Jan Bruegel owned by
Dr. Geib. Annotated by Held.
Rosenthal, Gertrude,
1987
Scope and Content Note
1 letter to Held. Rosenthal comments on Held's essay on aging artists published
in
Art Journal.
Rosenthal, Jane,
1981-1997, undated
Scope and Content Note
3 letters (5 leaves) to Held, including an undated letter [ca. 1953-1957?]
concerning drawings by Rubens.
Rosin, Axel,
1979
Scope and Content Note
1 letter to Held.
Rousseau, Theodore Jr.,
1950
Scope and Content Note
1 letter from Held and 1 letter to Held. Correspondence with the curator of
paintings at Metropolitan Museum of Art in New York regarding a Rubens painting
from the Koppel collection. [Also see items filed in Box 81, F.34.]
Röver-Kann, Anne,
1991
Scope and Content Note
1 letter to Held from Anne Röver-Kann at Kunsthalle Bremen regarding 362
drawings, including artwork by Rubens and van Dyck, removed [from Kunsthalle
Bremen?] in 1945 and deposited at a museum in Moscow.
Rowlands, Eliot Wooldridge,
1981
Scope and Content Note
1 letter to Held.
Rowlands, John,
1982
Scope and Content Note
2 items: 1 letter from Rowlands to Held and a letter from A. V. Griffith to
Walter Strauss at Abaris Books in New York. Correspondence with Department of
Prints and Drawings at the British Museum in London regarding photography permit
for
Illustrated Bartsch series.
Rozman, Ksenija,
1982, 1987, undated
Scope and Content Note
5 letters (6 leaves) to Held from Rozman at Narodna Galerija in Ljubljana.
Rozman mentions artwork by Francesco Caucig, Van Dyck, and Paul Bril, and
drawings by Ubaldo Gandolfi and Felice Giani from Held's collection at the Clark
Art Institute.
Rubin, Ida Ely,
1982
Scope and Content Note
3 items (4 leaves): 1 letter to Held from Rubin and copies of Rubin's
correspondence with the ambassador of Portugal in Greece Alfredo Lencastre da
Veiga. Correspondence concerning attribution of an
Adoration of the
Magi
painting to Rubens, and the topic of 17th century copies on
copper.
Russell, Diane H.,
1991
Scope and Content Note
1 letter to Held from the curator of old master prints at National Gallery of
Art in washington D.C.: scheduling a meeting with Held at Clark Institute in
Williamstown.
box 11
Vadim A. Sadkov - Unidentified
folder 1
Vadim A. Sadkov - Hein-Th. Schulze Altcappenberg
Sadkov, Vadim A.,
1981, undated
Scope and Content Note
5 letters: Held to Armand Hammer, Dennis A. Gould to Held, Held to the Russian
curator Sadkov, and 2 letters from Sadkov to Held. Correspondence regarding
sending
Oil sketches of Peter Paul Rubens to Sadkov.
Safire, William,
1993
Scope and Content Note
1 letter from Held to the
New York Times Magazine regarding the
metaphoric meaning of a bubble or a transparent container in paintings by Bosch
and Bruegel.
Sakowski, Rainer,
1997
Scope and Content Note
1 letter to Held.
Salinger, Margaretta M.,
1968-1973
Scope and Content Note
3 letters to Held from Salinger at Metropolitan Museum of Art concerning
Theodore Rousseau's essay on "casket Iliad", and artwork by Rubens and Titian.
With a mention of Michael Jaffé. Annotated by Held.
Sanguinetti, E. Frank (Eugene Frank),
1968
Scope and Content Note
1 thank-you letter to Held from the director of Utah Museum of Fine Arts in
Salt Lake City concerning an artwork by Alexander Helwig Wyant. With a mention
of an essay by Robert S. Olpin.
Sawyer, John E.,
1972
Scope and Content Note
2 letters to Held and 2 letters from Held. Correspondence with the president of
Williams College regarding honorary degree awarded to Held.
Scallen, Catherine,
1986-1990
Scope and Content Note
4 items: 3 letters to Held and 1 letter from Held. Scallen writes extensively
about her interest in images of scholars by Rembrandt, and about her
dissertation on Rembrandt's etchings of St. Jerome. She also relates details
regarding Rubens attribution of the painting
Four heads of a Negro [Four
studies of a male head ]
at J. Paul Getty Museum.
Schaar, [Eckard?],
1994
Scope and Content Note
1 letter from Held to Dr. Schaar regarding a copy of a drawing by Titian.
Schleif, Corine,
1993-1995
Scope and Content Note
3 items: 1 letter to Held and 1 letter from Held. Also present is Schleif's
paper on the post-war relations between German and North American art historians
read at the 1993 CAA conference, annotated by Held.
Schnackenburg, Bernhard,
1987
Scope and Content Note
1 letter to Held. With a mention of [Joachim?] Beuckelaer.
Schöffler, R[?],
1993
Scope and Content Note
1 letter to Held from Darmstadt.
Schöffler, Hans,
1993-1997
Scope and Content Note
3 personal letters (4 leaves) to Held. Schöffler mentions meeting Held in
Mosbach.
Scholz, János,
1969
Scope and Content Note
1 letter [from the cellist?] commenting on Held's essay about a Jacob Jordaens
exhibition, published in the
Burlington Magazine. [See also items
filed in Box 63, F.11.]
Schüler-Kahn, Hanna,
1984, undated
Scope and Content Note
3 items (4 leaves): 2 letters to Held and 1 letter from Held. Correspondence
concerning the text for a tablet commemorating the 1938 destruction of the
Mosbach Synagogue. Schüler-Kahn also comments on the cultural life and the
political conflict in Israel. With a mention of Armand Hammer and the opening of
an Armand Hammer exhibition at the Israel Museum.
Schulze Altcappenberg, Hein-Th.,
1988-1989
Scope and Content Note
3 items: 1 letter to Held and 2 letters from Held. Correspondence concerning
various drawings (Joannes Puyttinck, Joannes van Orley, Poelenburgh) in the
collection of Kunstmuseum Düsseldorf, including copies after Jordaens and
Rubens.
box 11, folder 2
Anne A. Scitovsky - David R. Smith
Scitovsky, Anne A.,
1987, 1992
Scope and Content Note
11 items (12 leaves): 7 letters to Held, 3 letters from Held, and 1 photograph.
Correspondence with a former student at Barnard College.
Seilern, Antoine, Count,
1959, 1970
Scope and Content Note
2 thank-you letters to Held.
Selig, J. Daniel,
1975
Scope and Content Note
1 letter to Held regarding the Rubens attribution of an
Orpheus and
Eurydice
painting in the collection of Reading Public Museum and Art
Gallery. Annotated by Held.
Seller, M. Charles,
1983
Scope and Content Note
1 letter to Held scheduling Held's visit to Harrisburg. Only page 2 is present
in the archive.
Shapiro, Michael,
1981
Scope and Content Note
1 letter to Held from the art historian. Shapiro writes about his teaching at
Duke University.
Sheon, Aaron,
1979
Scope and Content Note
3 items (5 leaves): 2 letters to Held and Sheon's NEH [National Endowment for
the Humanities] research proposal titled "Nineteenth-century art and mental
illness".
Shestack, Alan,
1980
Scope and Content Note
1 letter to Held from the director of Yale University Art Gallery regarding
exhibition of Hans Baldung Grien.
Shickman, Herman,
1990, 1996
Scope and Content Note
2 thank-you letters from Held.
Shifton, Anne,
1979, 1984
Scope and Content Note
2 letters to Held. Shifton mentions her artwork in enamel.
Simmel, Rivka,
1998
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence concerning attribution
of an oil sketch of Venus and Adonis to Rubens.
Simons, C. A. J.,
1994
Scope and Content Note
2 items: Simons's inaugural lecture "Kiezen tussen verscheidenheid en
uniformiteit", given at Erasmus University in Rotterdam, published by the
Nederlands Normalisatie-instituut. With Simons's handwritten note to Held tipped
in. Also present is Held's reply.
Simons, David,
1979-1988?
Scope and Content Note
5 letters (6 leaves) to Held from David Simons in Hague, Netherlands.
Sinnott, Francesca,
1993
Scope and Content Note
4 items (10 leaves): 1 letter from Held and 3 letters to Held. Personal
correspondence with the sister-in-law of Fred Noske [Frits Noske?].
Sip, Jaromír,
1979
Scope and Content Note
1 letter from Held to the Czech art historian. Incomplete, only the first page
is present in the archive.
Slatkes, Leonard,
1984
Scope and Content Note
1 letter to Held. Slatkes writes about his book
Rembrandt and
Persia
, the painting
Polish rider, and mentions his
work for the
Illustrated Bartsch series.
Souter, David,
1991
Scope and Content Note
Held's letter to the Supreme Court Justice on the occasion of his confirmation
hearings.
Smith, David R.,
1982
Scope and Content Note
1 letter to Held from the art historian at University of New Hampshire in
Durham. Smith mentions his two essays on Rembrandt.
box 11, folder 3
Barbara Bonner-Socarides - C. O. Swayzee
Socarides, Barbara Bonner,
1982
Scope and Content Note
3 items (4 leaves): Socarides invites Held to join the advisory board of her
firm Bonner and Company.
Sonia [?],
1968
Scope and Content Note
1 letter from Held to a student at Barnard College.
Soussloff, Catherine M.,
1985
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with the art historian
concerning old age styles.
Spangenberg, Kristin L.,
1977-1978
Scope and Content Note
7 items: 4 letters to Held and 3 letters from Held. Correspondence with the
curator at Cincinnati Art Museum concerning attribution of drawings in the
museum's collection to Rubens, van Dyck, and Peter van Mol. Spangenberg's
letters are annotated by Held.
Spear, Richard E.,
1987, 1992
Scope and Content Note
3 items: 1 letter from Held to the editor of
Art Bulletin,
annotated typescript of Held's essay "Rembrandt's painting Jacob blessing
Ephraim and Manasseh", and Spear's letter to Held.
Spector, Jack J.,
1968, 1983
Scope and Content Note
2 letters to Held.
Spiro, M.,
1986
Scope and Content Note
4 items: 2 letters to Held, including 1 copy and 1 letter from Held.
Correspondence concerning attribution of an oil sketch to Rubens. Annotated by
Held.
Sprinson, Mary,
1980
Scope and Content Note
1 letter to Held from a research assistant at Metropolitan Museum of Art
regarding an inscription.
Stahl, Harvey,
1984
Scope and Content Note
1 letter to Held regarding a symposium on old age styles.
Stampfle, Felice,
1968-1988
Scope and Content Note
3 letters to Held from the curator at Pierpont Morgan Library. Stampfle writes
about the symbolic meaning of various attributes of Virtues.
Steadman, David W. (David Wilton),
1972
Scope and Content Note
1 letter to Held from Princeton University Art Museum regarding a manuscript.
Steadman mentions the Devonshire Archduchess Isabella Clara and the Marchesa
Lomellini Durazzo.
Stein, Adolphe,
1971
Scope and Content Note
2 letters to Held regarding attribution of a drawing from M. van Gelder
collection to Rubens.
Stewart, J. Douglas,
1987
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with art history
professor at Queen's University in Kingston, Canada. Held comments extensively
on Stewart's review of Christopher Brown's book on van Dyck.
Strauss, Alice Hanauer,
undated
Scope and Content Note
1 congratulatory letter to Held.
Strauss, Lewis L.,
1954
Scope and Content Note
1 congratulatory letter to Held.
Sühnel, Rudolf,
1984
Scope and Content Note
2 items: 1 letter from Held and a press clipping. Held mentions a drawing by
Daniel Chodowiecki which was possibly used to illustrate James Thomson's poem
"Seasons".
Swayzee, C. O.,
1989
Scope and Content Note
1 thank-you card to Held from a former student at Barnard College.
box 11, folder 4
Werner Taegert - Eleanor Tufts
Taegert, Werner,
1982
Scope and Content Note
3 items: Taegert's correspondence with Princeton University Press (Krysia
Kolodziej) regarding reprinting of the
Oil sketches of Peter Paul
Rubens
and 1 letter from Taegert to Held.
Tarica, Alain,
1982
Scope and Content Note
1 letter to Held from an art dealer in Paris.
Tatenhove, Janno van,
undated
Scope and Content Note
1 letter from Held to Tatenhove at Prentenkabinet, Kunsthistorisch Instituut in
Leiden concerning attribution of a drawing to Jan Goeree. Held mentions a
drawing by De Wit from his private collection at the National Gallery in
Washington.
Taylor, Sherril W.,
1999?
Scope and Content Note
3 items (7 leaves): 1 thank-you letter to Held, a list of Taylor's career
highlights and accomplishments, and a news release by Coltrin & Associates
regarding Taylor.
Teetor, Katherine,
1984, 1997
Scope and Content Note
2 letters to Held.
Thomas Elliott, Eleanor,
1988
Scope and Content Note
6 items: 1 letter to Held, a photograph [of Eleanor Thomas Elliott?] with a
male companion, a note, and press clippings regarding the death of Dorothy Read
Thomas.
Tufts, Eleanor,
1980
Scope and Content Note
3 items: 1 letter to Tufts from Maurice Cope, 1 letter from Tufts to Held, and
photocopy of a print by Diana Ghisi [i.e. Diana Scultori]. Cope's letter is
annotated by Held. Correspondence concerning Ghisi's print in Cope's private
collection.
box 11, folder 5
Horst Uhr - Charles T. Upjohn
Uhr, Horst,
1972
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence rich in detail
concerning Uhr's dissertation research on Lovis Corinth.
Union Bank of Switzerland,
1979
Scope and Content Note
7 items (10 leaves): 2 letters to Held and 1 letter from Held. Correspondence
concerning attribution of the painting
Portrait of Thomas Howard, Earl of
Arundel
to Anthony van Dyck. Included are photocopies of opinions by
Ludwig Burchard, Max J. Friedländer, Ludwig von Baldass, and Hermann Voss, and a
typescript in German (4 pages) about the painting.
Upjohn, Charles T.,
1973
Scope and Content Note
3 items (4 leaves): 1 letter to Held, 1 letter from Held, and a photograph of a
portrait painting of Lawrence Sterne. Upjohn relates details regarding the
provenance of the painting.
box 11, folder 6
R. W. G. Vail - Ary Bob de Vries
Vail, R. W. G. (Robert William Glenroie),
1951
Scope and Content Note
1 letter to Held from the director of New-York Historical Society regarding
Held's article on Edward Hicks.
Valentiner, Wilhelm Reinhold.,
1955
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Correspondence regarding
Held's attribution of a painting to van [Jacob?] van Oost. With a mention of
Theodor van Loon and an exhibition of Anthony van Dyck.
Veen, Stuyvesant van,
1971, undated
Scope and Content Note
2 letters to Held from the artist. With a mention of Daniel Goldberg and "the
Ullendorffs".
Veldman, Ilja M.,
1989
Scope and Content Note
1 letter to Held. Veldman mentions his book on Martin van Heemskerck.
Veronee-Verhaegen, Nicole,
1990
Scope and Content Note
1 letter to Held.
Vermont Department of Corrections,
1980
Scope and Content Note
1 letter from Held and a press clipping.
Victoria and Albert Museum,
1932
Scope and Content Note
1 letter to Held, signed by van de Put regarding a photograph requested by
Held. With a mention of Dr. Irene Adler from "Vienna Museum".
Voet, Léon,
1969, 1979
Scope and Content Note
4 items (6 leaves): 1 letter from Held, 2 letters to Held and minutes of the
directors' meeting of American Friends of the Plantin-Moretus Museum
(typescript). Correspondence with the director of Plantin-Moretus-Museum in
Antwerp. [See also correspondence with American Friends of the Plantin-Moretus
Museum filed in Box 13, F.2.]
Volz, Robert L.,
1982
Scope and Content Note
1 letter to Held from the custodian at Chapin Library, Williams College.
Vries, A. B. de (Ary Bob),
1971-1973
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Correspondence with the
former director of Mauritshuis in Hague, Netherlands regarding attribution of
various artworks to Rubens and van Dyck.
box 11, folder 7
Otto Wächter - Michael Wynne
Wächter, Otto,
1985
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Correspondence with a
conservator at Österreichische Nationalbibliothek in Vienna regarding an oil
sketch. With a photocopy of the artwork.
Wallade, Ruth,
1982
Scope and Content Note
1 letter to Held.
Walsh, Maureen S.,
1987
Scope and Content Note
1 letter to Held and 1 letter from Held. Held writes about aspects of
methodical processes by which attributions and exclusions are made.
Wankmüller, Rike,
1974-1975
Scope and Content Note
2 letters to Held from Oberfinanzdirektion München. Included is a list of oil
sketches by Rubens which the Central Collecting Point returned to their previous
locations between 1945 and 1947. Annotated by Held.
Warburg Institute,
undated
Scope and Content Note
1 letter to Held from Carla Lord at American Friends of the Warburg Institute
in New York soliciting financial support.
Watering, Willem L. van de,
1968
Scope and Content Note
2 letters to Held from Rijksbureau voor Kunsthistorische Documentatie in Hague,
Netherlands concerning transcription and translation of a poem by Jacob Cats and
the seal in a portrait by Arnoldus van Ravensteyn.
Weber, Bruce,
1984
Scope and Content Note
1 letter to Held and 1 letter from Held. Correspondence with a curator at
Norton Gallery & School of Art in West Palm Beach, Fla. Held lists several
silverpoint drawings in his collection.
Wedenberg, Erik,
1987
Scope and Content Note
2 items: 1 letter to Held from the Swedish scientist and a color photograph of
Wedenberg's house. Wedenberg writes about his research on hearing impairment in
children. Annotated by Held. [Color photograph is shelved in Box 159, F. 9.]
Weeks, Edward F.,
1984
Scope and Content Note
1 letter to Held from a curator at Birmingham Museum of Art concerning
attribution of a drawing to Rubens. With a mention of Giuliano Cesari's
collection of old master drawings.
Wegmann, Frederick,
undated
Scope and Content Note
1 letter to Held.
Weil, Phoebe,
1992-1996
Scope and Content Note
2 letters to Held from the art conservator. With a mention of the art
conservator Giovanni Morigi in Bologna.
Welliver, Warman,
1960
Scope and Content Note
2 letters to Held. Welliver relates details concerning his research on
Botticelli.
Wethey, Harold E. (Harold Edwin),
undated
Scope and Content Note
1 letter to Held from an art historian regarding Rubens' portrait of Charles V
in armor from the Zambeccari collection.
Weyman, Todd D.,
1995
Scope and Content Note
1 letter to Held from the director of Swann Galleries in New York regarding
prints by Anthonis Sallaert.
The White House,
1994
Scope and Content Note
1 letter from Held regarding media presentation of proceedings marking
conclusion of peace between Israel and Jordan.
Wiedenhoeft, Ronald V.,
1973
Scope and Content Note
1 letter to Held asking for opinion on a grant proposal submitted to the NEH
[National Endowment for the Humanities]. Wiedenhoeft also mentions his essay on
workers' housing in Berlin in the 1920s.
Wilkins, David G.,
1986
Scope and Content Note
3 items (4 leaves): 2 letters to Held from the director of University Art
Gallery at University of Pittsburgh and 1 letter from Held. Wilkins writes about
his publications and lecturing activities, and seeks Held's opinion about
[Rembrandt's?] portraits of the apothecary Abraham Francen and the calligrapher
Lieven van Coppenol.
Williamson, Mary F.,
1980
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and photocopy of a drawing.
Correspondence concerning attribution of the drawing to Vincenzo Dandini.
Wilson, Kit,
1984, undated
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held. Held comments on
Wilson's essay on Rembrandt.
Wilson, William Harry,
1980
Scope and Content Note
1 letter to Held from a curator at John and Mable Ringling Museum of Art in
Sarasota, Fla. concerning attribution of a portrait painting of Infanta Isabella
Clara Eugenia to Rubens. Annotated by Held.
Wise, Susan,
1984
Scope and Content Note
1 letter to Held from a curator at Art Institute of Chicago regarding
attribution of two paintings to van Dyck.
Wirtala, Arthur O.,
1982
Scope and Content Note
1 letter (2 leaves) to Held from a radiologist at Stevens Memorial Hospital in
Edmonds, Wash. Wirtala explains the capability of radiography in disclosing
images drawn on paper.
Witten, Elaine Franz,
1998
Scope and Content Note
1 letter to Held on a card illustrated by Witten.
Wolf, Fritz,
1994
Scope and Content Note
4 personal letters sent from Nahariya in Israel, including 1 to Held, 2 letters
to Anna, and 1 letter to Ben. With a mention of sAlbert Einstein.
Woodall, Joanna,
1989
Scope and Content Note
1 letter to Held from an art historian teaching at Courtauld Institute of Art
in London concerning Rubens's painting
Samson and Delilah.
Worcester Art Museum,
1984
Scope and Content Note
4 items: 1 letter to Held from the librarian Kathy Berg, 1 letter to Held, a
list of books in Swedish, and a 1936 symposium announcement (photocopy).
Worklan, Mary Anm T.,
1990
Scope and Content Note
5 items (7 leaves): 1 letter to Held from the director of MacArthur Fellows
Program, and printed matter. Concerning nomination of Barbara Novak.
Wunder, Richard P.,
1999
Scope and Content Note
4 items: 1 letter from Held, 2 letters to Held, and 1 photograph.
Correspondence regarding attribution of a painting depicting a monk in Wunder's
collection.
Wyatt, William Stanley,
1990
Scope and Content Note
2 items: 1 letter to Held regarding attribution of a painting, and printed
matter.
Wynne, Michael,
1970-1971, undated
Scope and Content Note
13 items (15 leaves): 5 letters to Held and 2 letters from Held. Correspondence
with the assistant director of National Gallery of Ireland in Dublin concerning
drawings and mezzotints by Thomas Frye and the attribution of Frye's artwork to
Giovanni Battista Piazzetta. Also included are 2 letters to Held from Seattle
Art Museum regarding attribution by Frye of drawings from the Krautheimer
collection, and 2 typescripts concerning drawings by Albrecht Dürer.
box 11, folder 8
Abraham Shalom Yahuda - An Zwollo
Yahuda, Abraham Shalom,
1926
Scope and Content Note
1 letter from Held, dated Feb. 19 1926, typed on letterhead of Kaufhaus M. Held
Mosbach (Baden), in which Held offers for sale 18th-century prints. With a
mention of Mrs. Garbell, A. Politzer, and Max Ziegert. [Photocopy of original at
Dept. of Manuscripts and Archives, Jewish National and University Library,
Jerusalem. Further provenance information available in Getty Research Library
research files].
Yardley, Michael,
1972
Scope and Content Note
1 letter to Held from an art history teacher at Rutgers University in New
Brunswick, N.J. regarding footnotes in Yardley's essay on Rubens's house in
Antwerp.
Ypersele de Strihou, Anne van,
1970
Scope and Content Note
1 letter to Held concerning attribution of the painting
Lapidation de
St. Etienne
to Rubens.
Zafran, Eric M.,
1980
Scope and Content Note
1 letter to Held from a curator at High Museum of Art in Atlanta, Ga.
concerning attribution of several artworks in the museum's collection. Zafran
mentions [Oratio?] Peruzzi [Perucci], van Balen, and Jan Pietersz.
Zeri, Federico,
1968
Scope and Content Note
1 thank-you letter to Held.
Zöllner, Frank,
1990
Scope and Content Note
2 letters to Held from Bibliotheca Hertziana in Rome regarding Rubens
attribution of a copy after Leonardo's
Battle of Anghiari.
Zupnick, Irving L.,
undated
Scope and Content Note
1 letter to Held from the art historian. Zupnik writes about his various
research interests.
Zwollo, An,
1981-1983
Scope and Content Note
2 letters to Held from Rijksbureau voor Kunsthistorische Documentatie in Hague,
Netherlands. With a mention of Felice Stampfle. Zwollo also mentions Held's
offer to send photographs of Dutch and Flemish paintings at Ponce Art Museum to
RKD.
box 11, folder 9
Unidentified,
1998, undated
Scope and Content Note
2 letters to Held from two unidentified people: a letter signed "Jan" sent from
Eindhoven in 198?; a letter dated Nov. 20, 1998, signature illegible.
Series I.C.
Publishers,
1965-1993
Physical Description:
1.26 Linear
Feet
Scope and Content Note
This subseries comprises correspondence with editorial and administrative staff of
several publishing firms. Numerous letters are extensively annotated by Held. The
principal topic is the publication of Held's own books and essays, though his reviews
and commentaries of texts by other scholars are also mentioned. The largest portion
(ca. 280 items) constitutes correspondence with Princeton University Press, which
primarily details the publication of the
Oil sketches of Peter Paul
Rubens
and the reissue of
Rembrandt's Aristotle and other Rembrandt
studies
. A related group presents correspondence with Phaidon Press Limited,
also concerning the publication of
Oil sketches of Peter Paul Rubens.
Substantially represented is correspondence with Harry N. Abrams and with La
Connaissance.
box 12
Abaris Books - Princeton University Press
box 12, folder 1
Abaris Books, Inc.,
1981-1984
Scope and Content Note
4 items (5 leaves): 3 letters to Held fromWalter L. Strauss, and Strauss's letter
to Philippe de Montebello at Metropolitan Museum of Art and to Charles Ryskamp at
Pierpont Morgan Library. Correspondence concerning the
Illustrated
Bartsch
series.
box 12, folder 2
Harry N. Abrams, Inc.,
1965-1993
Scope and Content Note
22 items (26 leaves). Correspondence concerning the editing and publishing
process, reviews, sales and reprinting of
17th and 18th century
art
by Held and Donald Posner. Held comments on Bob Haak's book the
Golden Age: Dutch painters of the seventeenth century.
box 12, folder 3
Apollo Magazine Limited,
1979
Scope and Content Note
1 letter to Held from Denys Sutton.
box 12, folder 4
Archives of American Art, New England Area Center,
1978-1992
Scope and Content Note
3 letters to Held from Robert F. Brown concerning the sale of Held's papers to
the Archives of American Art.
box 12, folder 5
Art Bulletin,
1991-1992
Scope and Content Note
2 letters (3 leaves) from Held regarding his manuscript on Rubens's
group-portrait at the Pitti. Held also comments on Walter S. Melion's essay on
Hendrick Goltzius.
box 12, folder 6
The Bobbs Merrill Company Inc.,
1968
Scope and Content Note
2 letters to Held.
box 12, folder 7
La Connaissance s.a.,
1968-1974
Scope and Content Note
16 items. Correspondence concerning the English edition of Max J. Friedländer's
Early Netherlandish painting, and the painting
Virgin
Enthroned
by Jan Provost.
box 12, folder 8
Phaidon Press Limited,
1968-1987, undated
Scope and Content Note
ca. 38 items (52 leaves). Correspondence concerning
Oil sketches of Peter
Paul Rubens
. With a list of Rubens' sketches, extensively annotated by
Held.
box 12, folder 9
Frederick A. Praeger, Inc. Publishers,
1968
Scope and Content Note
6 items: 5 letters to Held and 1 letter from Held. Correspondence regarding
Held's lectures on connoisseurship.
box 12, folder 10
Princeton University Press,
1967-1974, undated
Scope and Content Note
7 items (11 leaves). Included is Held's letter to Ulla Krempel at Bayerische
Staatsgemäldesammlungen, and a note regarding
Auferstehung der
Seligen
by Johannes Boekhorst.
box 12, folder 11
Princeton University Press,
1976
Scope and Content Note
ca. 30 items (36 leaves). Correspondence with National Gallery of Art in
Washington, DC, Samuel H. Kress Foundation, and Princeton University Press
regarding
The oil sketches of Peter Paul Rubens. Also present is
Held's correspondence with John Rupert Martin concerning Martin's book the
Ceiling paintings for the Jesuit Church in Antwerp. [See also
Held's correspondence with Martin filed in Box 4, F. 19.]
box 12, folder 12
Princeton University Press,
1977
Scope and Content Note
ca. 45 items (53 leaves). Correspondence with Princeton University Press,
National Gallery of Art, Yale Center for British Art and British Studies, and
Frans Baudouin and Gaston Dulière in Belgium. The letters detail the editing
process of the book the
Oil sketches of Peter Paul Rubens and
advertising brochure. Included is related correspondence with Metropolitan Museum
of Art, NY and Patrimoine des Musées royaux des beaux-arts in Brussels. A letter
to Held from Justus Müller Hofstede at Kunsthistorisches Institut der Universität
Bonn concerns Rubens' paintings at Städelsches Kunstinstitut in Frankfurt.
box 12, folder 13
Princeton University Press,
1978
Scope and Content Note
ca. 25 items (on 39 leaves). Correspondence with Princeton University Press
concerning the editing process of the
Oil sketches of Peter Paul
Rubens
. Included are several readers' reports, annotated by Held. Also
present is a letter to Held from John Rubert Martin with a list of works by van
Dyck, extensively annotated [by Martin?].
box 12, folder 14
Princeton University Press,
1979
Scope and Content Note
ca. 33 items (45 leaves). Held's correspondence with Princeton University Press
and National Gallery of Art in Washington, DC concerning the editing process of
the
Oil sketches of Peter Paul Rubens.
box 12, folder 15
Princeton University Press,
1980
Scope and Content Note
ca. 20 items (23 leaves). Correspondence with Princeton University Press and
National Gallery of Art concerning the final editing process of the
Oil
sketches of Peter Paul Rubens
. Also discussed is the selection of
scholars who would review the book when published
box 12, folder 16
Princeton University Press,
1981
Scope and Content Note
30 items (35 leaves). Correspondence with Princeton University Press and National
Gallery of Art concerning promotion and distribution of the
Oil sketches of
Peter Paul Rubens
, and Held's revenues. Also discussed is the transfer
of copyrights for
Rembrandt's Aristotle and other Rembrandt studies
to Held. Included is a related letter from The Everest Record Group to Princeton
University Press and Held's letter addressed to "Charlie".
box 12, folder 17
Princeton University Press,
1982-1984
Scope and Content Note
ca. 15 items (16 leaves). Correspondence with Princeton University Press mainly
regarding payments for the
Oil sketches of Peter Paul Rubens. Two
invoices.
box 12, folder 18
Princeton University Press,
1987
Scope and Content Note
19 items, including several handwritten notes. Correspondence with Princeton
University Press concerning Held's report on Felice Stampfle's book on
Netherlandish drawings at the Pierpont Morgan Library. Also discussed is the sale
of Gary Schwartz's publishing firm to Princeton University Press, and the
selection of photographs from Held's personal collection for the Millen/Wolf
manuscript [
Heroic deeds and mystic figures]. [See related
correspondence with Millen and Wolf filed in Box 8, F. 5.]
box 12, folder 19
Princeton University Press,
1988
Scope and Content Note
6 items (14 leaves): 3 letters to Held, 2 letters from Held, and illustrated
matter. Correspondence with Princeton University Press concerning the revised and
expanded edition of Held's book
Rembrandt's Aristotle and other Rembrandt
studies
.
box 12, folder 20
Princeton University Press,
1989-1990
Scope and Content Note
17 items (23 leaves). Correspondence with Princeton University Press concerning
the reissue of
Rembrandt's Aristotle and other Rembrandt studies
and the inclusion of Held's essay on Rembrandt's
Polish rider.
Present is a related letter to Held from Jill Frish at
The New
Yorker
.
box 12, folder 21
Princeton University Press,
1991-1993
Scope and Content Note
ca. 14 items (17 items). Held's correspondence with Princeton University Press
concerning the reissue of
Rembrandt's Aristotle and other Rembrandt
studies
, the release of reprint rights for
Rubens and his
circle
to University Microfilms, and payments to Held for his essay
issued with the
Early years of art history in the United States.
Also included are Held's reports and notes on manuscripts submitted to Princeton
University Press by the artist Avigdor Arikha and the art historian Charles
Minott.
box 12, folder 22
Princeton University Press: royalty statements,
1987-1998
Scope and Content Note
22 royalty statements covering the period from August 1987 to August 1998 for
Rubens and his circle,
Rembrandt studies, and
Oil sketches of Peter Paul Rubens.
Series I.D.
Museums, Colleges, Organizations,
1950-1999
Physical Description:
1.04 Linear
Feet
Scope and Content Note
This subseries comprises predominantly letters. Occasionally included are photographs
of artworks, handwritten notes, printed ephemera, and press clippings. The letters
provide insight into Held's advisory role to museums, colleges, libraries, and other
organizations in matters concerning attribution and authentification of artworks,
mainly of Rubens and other Flemish artists. Also discussed are Held's lecturing
activities, requests for photo reprints, and reproduction rights.
A major portion of ca. 140 items comprise correspondence and papers detailing Held's
activities as director of American Friends of the Plantin-Moretus-Museum in New York.
Among his correspondennts are Léon Voet, Stephen Harvard, Ray Nash, Faith Paulette
Dreher, Roderick D. Stinehour (The Stinehour Press), Egbert Haverkamp-Begemann,
Alexander & Green in New York, Darmouth College, and Department of History of Art
at University of Michigan.
Included is a transcript of an oral history interview with Held conducted for
Foundation of the American Institute for Conservations by Joyce Hill Stoner from
University of Delaware, concerning Held's involvement with art conservation. [Filed in
Box 13, F. 10.]
box 13
Allen Memorial Art Museum - Dickinson College
box 13, folder 1
Allen Memorial Art Museum,
1980
Scope and Content Note
2 letters to Held.
box 13, folder 2
American Friends of the Plantin-Moretus-Museum,
undated
Scope and Content Note
5 items.
box 13, folder 3
American Friends of the Plantin-Moretus-Museum,
1967-1968
Scope and Content Note
5 items.
box 13, folder 4
American Friends of the Plantin-Moretus-Museum,
1969
Scope and Content Note
ca. 40 items.
box 13, folder 5
American Friends of the Plantin-Moretus-Museum,
1970
Scope and Content Note
19 items.
box 13, folder 6
American Friends of the Plantin-Moretus-Museum,
1971
Scope and Content Note
ca. 20 items.
box 13, folder 7
American Friends of the Plantin-Moretus-Museum,
1972-1973
Scope and Content Note
ca. 30 items.
box 13, folder 8
American Friends of the Plantin-Moretus-Museum,
1965-1971, undated
Scope and Content Note
7 items (20 leaves). By-laws, list of contibutors, and receipts.
box 13, folder 9
American Friends of the Plantin-Moretus-Museum,
1967-1969, undated
Scope and Content Note
16 items. Printed ephemera.
box 13, folder 10
American Institute for Conservation of Historic and Artistic Works
Foundation,
1980-1997
Scope and Content Note
14 items (41 leaves): 7 letters to Held from Joyce Hill Stoner at University of
Delaware in Newark (1 sent from Winterthur Museum) 4 letters from Held, a family
photograph of Stoner, printed matter (4 leaves) and transcript of Stoner's 1996
interview with Held, extensively annotated by Held. Correspondence related to the
Foundation's oral history interview with Held concerning Held's involvement with
art conservation.
box 13, folder 11
Art Gallery of Ontario,
1967-1980
Scope and Content Note
9 items (11 leaves). Regarding attribution of a drawing to Rembrandt. With a
mention of an exhibition of artwork by James Tissot and an artwork attributed to
Erasmus Quellinus.
box 13, folder 12
Art Gallery of Toronto,
1957
Scope and Content Note
2 items, including 1 letter to Held. Regarding Rubens's painting
Elevation
of the cross
.
box 13, folder 13
Art Institute of Chicago,
1989
Scope and Content Note
4 items (5 leaves). 1 letter to Held and 2 letters from Held, including 1 to
Elizabeth McGrath. Regarding attribution of a drawing to Rubens.
box 13, folder 14
Ashmolean Museum. Dept. of Western Art,
1968
Scope and Content Note
2 letter to Held regarding a Rubens's sketch refered to as
Satyr squeezing
grapes
.
box 13, folder 15
William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine
Arts,
1968
Scope and Content Note
1 letter from Held and 1 letter to Held.
box 13, folder 16
Baldwin-Wallace College,
1965-1967, undated
Scope and Content Note
ca. 45 items: correspondence, notes, an appraisal, printed ephemera, 3
photographs.
box 13, folder 17
Barnum Museum,
1968
Scope and Content Note
1 letter to Held and 1 letter from Held. Regarding paintings in the collection of
Phineas Taylor Barnum.
box 13, folder 18
Bayerische Staatsgemäldesammlungen,
1966-1988
Scope and Content Note
3 letters to Held from Christian Wolters, Hubertus von Sonnenburg, and Konrad
Renger. [See also correspondence with Renger filed in Box 6, F. 5.]
box 13, folder 19
Bennington Museum,
1981
Scope and Content Note
1 letter to Held concerning engravings by Isaac Eddy.
box 13, folder 20
Berkshire Museum,
1981
Scope and Content Note
1 letter to Held.
box 13, folder 21
Bibliotheca Hertziana, Max-Planck-Institut,
1965
Scope and Content Note
1 letter to Held.
box 13, folder 22
Bibliothèque royale de Belgique,
1960
Scope and Content Note
1 letter to Held.
box 13, folder 23
Bob Jones University,
1955-1965
Scope and Content Note
ca. 60 items: correspondence with Bob Jones Sr., Bob Jones Jr., and university
staff, 2 photographs, press clippings and a booklet (
Is segregation
scriptual?
by Bob Jones Sr. ). The letters concern various Flemish
paintings in the collection of Bob Jones University.
box 13, folder 24
Bowdoin College. Museum of Art,
1965-1980
Scope and Content Note
5 items (7 leaves): 4 letters to Held and 1 letter from Held.
box 13, folder 25
Carnegie Museum of Art,
1973-1980
Scope and Content Note
ca. 65 items (ca. 90 leaves), including 4 photographs. Correspondence with
Carnegie Museum of Art (Herdis Bull Teilman), Knoedler & Co. in New York, and
Kunsthistorisches Museum, Gemäldegalerie in Vienna (Klaus Demus) concerning
attribution of
Head of a Man to Rubens. Related correspondence with
Berger Art Conservation, Carnegie-Mellon Institute of Research, and Josef Bauch
concerns aspects of the painting's restoration. Also discussed is the attribution
of a painting to Quentin Massys or Jan Massys. [See also Held's correspondence
with Demus filed in Box 2, F. 10.]
box 13, folder 26
Cincinnati Art Museum,
1980
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held.
box 13, folder 27
Cleveland Museum of Art,
1972, 1980
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held.
box 13, folder 28
Columbus Gallery of Fine Arts,
1974, 1976
Scope and Content Note
5 items (8 leaves): 2 letters to Held, 1 letter from Held, annotated typescript,
and photograph of a portrait of Rembrandt by Ferdinand Bol. Mainly concerning
artwork by Rubens and Gerard Seghers.
box 13, folder 29
Columbus Museum of Art,
1976, 1979
Scope and Content Note
8 items (9 leaves): 5 letters to Held and 3 letters from Held. Concerning a
painting by Rubens.
box 13, folder 30
Dayton Art Institute,
1963-1964
Scope and Content Note
4 letters to Held.
box 13, folder 31
DeEtte Holden Cummer Museum Foundation,
1959
Scope and Content Note
2 letters (4 leaves) to Held. Concerning attribution of a painting to
Rembrandt.
box 13, folder 32
Denison University,
1968
Scope and Content Note
1 letter to Held.
box 13, folder 33
Detroit Institute of Arts,
1965-1982
Scope and Content Note
7 items (9 leaves): 5 letters to Held and 2 letters from Held. Concerning a
painting by Jacob Jordaens and Held's opinion of the journal
Art
Quarterly
.
box 13, folder 34
M.H. De Young Memorial Museum,
1963-1964
Scope and Content Note
ca. 10 items (19 leaves): 5 letters to Held and 3 letters from Held (to John R.
Baxter). Included is a detailed commentary on the museum's handbook (10 pages),
and 1 leaf of typescript foreword.
box 13, folder 35
Dickinson College,
1983-1995
Scope and Content Note
18 items (23 leaves): 9 letters to Held, 5 letters from Held, a list of paintings
(compiled by David Robertson), an offprint, and deed of gift (original). [See also
correspondence with David Robertson filed in Box. 10, F. 10.]
box 14
Fitzwilliam Museum - Rhode Island School of Design, Museum of
Art
box 14, folder 1
Fitzwilliam Museum,
1968
Scope and Content Note
2 items: letter to Held and a photo request form.
box 14, folder 2
Fogg Art Museum,
1967
Scope and Content Note
1 letter to Held.
box 14, folder 3
Fundação Calouste Gulbenkian,
1967
Scope and Content Note
1 letter to Held.
box 14, folder 4 -5
J. Paul Getty Museum,
1972-1999
Scope and Content Note
ca. 50 items: correspondence, 7 photographs, 2 color transparencies, 1 offprint,
notes, press clippings, illustrated and printed matter. The letters detail Held's
advisory role in acquisition matters, predominantly questions of attribution of
various artwork to Anthony van Dyck, Joachim Bueckelaer, Jacob Jordaens, Cornelis
de Vos, and Rubens. Extensively disussed are Rubens' paintings
Negro heads
[Four studies of a male head ]
,
David and Abigail,
Korean Man, and
Mars and Venus. [Color
transparencies are shelved in Box 159, F. 10.]
box 14, folder 6
Graphische Sammlung Albertina,
1977
Scope and Content Note
2 items: letter to Held and typescript (errata).
box 14, folder 7
Harpur College,
1964-1966
Scope and Content Note
6 items: 3 letters to Held and 3 letters from Held.
box 14, folder 8
Hessisches Landesmuseum (Darmstadt, Germany),
1981
Scope and Content Note
1 letter to Held.
box 14, folder 9
Indianapolis Museum of Art,
1986
Scope and Content Note
2 letters to Held from curator Hollister Sturges regarding Rubens attribution of
a painting referred to as
Rest on the flight into Egypt .
box 14, folder 10
International Foundation for Art Research,
1989-1995
Scope and Content Note
ca. 20 items: correspondence, 4 color photographs, and printed matter, including
an issue of
Sonder-Ausgabe Landes-Kriminalblatt Bremen (1952, May
5). Concerning authentification of several paintings by Rubens. Included is a copy
of a letter from Elizabeth McGrath to IFAR [International Foundation for Art
Research] (Virgilia H. Pancoast). [Color photographs are shelved in Box 159, F.
11.]
box 14, folder 11
Isabella Stewart Gardner Museum,
1968, undated
Scope and Content Note
5 items: 4 letters to Held and 1 letter from Held.
box 14, folder 12
John and Mable Ringling Museum of Art,
1954-1997
Scope and Content Note
ca. 20 items: 13 letters to Held, 5 letters by Held, printed matter, and notes.
Concerning attribution of various artworks to Rubens, van Dyck, and Esaias van de
Velde. Also discussed is Held's involvement in the exhibition
Seals and
deals: Rubens as diplomat
. Included is a draft of the exhibition concept
(3 leaves), extensively annotated by Held.
box 14, folder 13
John G. Johnson Collection (Philadelphia, Pa.),
1981
Scope and Content Note
1 letter from Held regarding a painting in the Johnson Collection. With a mention
of Elizabeth McGrath.
box 14, folder 14
Julliard School of Music,
1966
Scope and Content Note
1 letter to Held.
box 14, folder 15
Kunsthaus Zürich,
1984-1985
Scope and Content Note
5 items: 2 letters to Held and 1 letter from Held. Also present is a typescript
description of Rubens' painting
Studienkopf eines bärtigen Mannes
and 1 illustration (photocopy).
box 14, folder 16
Kunstmuseum Düsseldorf,
1981-1989, undated
Scope and Content Note
6 items (12 leaves): 2 letters from Held and 1 letter to Held, 2 photographs, and
Held's detailed notes on drawings in the collection of Kunstmuseum Düsseldorf.
box 14, folder 17
Lady Margaret Hall,
1968
Scope and Content Note
1 letter to Held from Oxford, England. Regarding a painting by Bruegel.
box 14, folder 18
Marlboro College,
1965-1968
Scope and Content Note
3 items: 2 letters to Held and 1 photograph. Regarding a copy after Rubens, and
Held's donation to the college of a painting by Nicolas de Largillière.
box 14, folder 19
Mauritshuis (Hague, Netherlands),
1985
Scope and Content Note
1 letter to Held. Regarding a painting by [Jan van?] Hemessen in Cincinnati.
box 14, folder 20
Mellon Institute,
1966-1968
Scope and Content Note
5 items : 3 letters to Held from Robert L. Feller and 2 letters from Held. [See
related correspondence filed under Louis Pomerantz in Box 10, F. 9.]
box 14, folder 21
Menil Foundation,
1967-1971, 1986,
Scope and Content Note
21 items: correspondence with Dominique and John de Menil, 4 photographs, and
illustrated matter concerning research for the book
Image of the Black in
Western art
, mainly a marble sculpture of an African head in Held's
private collection. The letters also provide insight into a legal case involving a
presumed portrait by Anthony van Dyck. With a mention of etchings by Ludwig Emil
Grimm.
box 14, folder 22
Metropolitan Museum of Art (New York, N.Y.),
1950-1980
Scope and Content Note
4 items: 3 letters to Held and 1 letter from Held. Held comments on a Rubens'
painting in the Koppel collection and writes about artwork in the monastery Las
Descalzas Reales in Madrid.
box 14, folder 23
Milwaukee Art Center,
1964
Scope and Content Note
5 items (6 leaves): 4 letters to Held and 1 letter from Held. With a mention of a
painting by David Teniers.
box 14, folder 24
Montreal Museum of Fine Arts,
1960
Scope and Content Note
2 letters to Held.
box 14, folder 25
Musée du Louvre,
1981
Scope and Content Note
1 letter to Held from the conservator Jacque Foucart.
box 14, folder 26
Musée Mayer van den Bergh,
1951-1958, undated
Scope and Content Note
4 items (6 leaves): 2 letters to Held ( L. Jacobs van Merlen), 1 letter from
Held, and typescript concerning attribution of a triptych to Jan van Scorel. Van
Merlen mentions several paintings in his collection, including 1 by Cornelis van
Dalem.
box 14, folder 27
Musées royaux des beaux-arts de Belgique,
1964-1965
Scope and Content Note
12 items (13 leaves): 7 letters to Held, 2 letters from Held, and list of
paintings annotated by Held. Concerning exhibition
Le siècle de
Rubens
. Included is a related letter to Musées royaux des beaux-arts de
Belgique from Nasjonalgalleriet Oslo.
box 14, folder 28
Museum Boymans-Van Beuningen,
1968
Scope and Content Note
1 letter to Held.
box 14, folder 29
National Gallery (Great Britain),
1960-1969
Scope and Content Note
3 letters to Held.
box 14, folder 30
National Gallery of Art (U.S.),
1966-1997
Scope and Content Note
ca. 60 items: 28 letters to Held, 23 letters from Held, 2 photographs of van
Dyck's portrait of Marchesa Grimaldi Cattaneo, and illustrated matter. Also
present is a letter from Jens Christian Jensen to National Gallery.
box 14, folder 31
National Gallery of Canada,
1968
Scope and Content Note
1 letter to Held and 1 letter from Held.
box 14, folder 32
Norton Simon Foundation,
1962-1972
Scope and Content Note
16 items (21 leaves): 9 letters from Held, including receipts for consultation
fees, 5 letters to Held, and notes. Concerning Rubens' paintings
David and
Goliath
and
Holy Women at the Sepulchre.
box 14, folder 33
Öffentliche Kunstsammlung Basel,
1984, 1988
Scope and Content Note
ca. 7 items (9 leaves): 1984 correspondence with Paul Tanner regarding drawings
by Rubens after works by Tobias Stimmer, with 3 leaves of illustrated matter; and
1988 correspondence with Paul Boerlin concerning
Trinity, an oil
sketch by Rubens from Col. R. H. Davies collection.
box 14, folder 34
Pennsylvania State University. Museum of Art,
1981
Scope and Content Note
1 letter to Held and 1 letter from Held.
box 14, folder 35
Pierpont Morgan Library,
1964-1993
Scope and Content Note
ca. 50 items: correspondence with Pierpont Morgan Library, and related
correspondence with Frick Art Reference Library, Egbert Haverkamp Begemann, Erwin
Mitsch, Cincinnati Art Museum, Sterling and Francine Clark Art Institute, and
editors of
Master Drawings (Felice Stampfle). Also present are
notes, 6 photographs, and 6 issues of the
Pierpont Morgan Library
publication. The letters detail Held's advisory role in matters related to the
compiling of the catalog of Netherlandish and Flemish drawings in the Pierpont
Morgan Library collection. Several letters concern reprints and reproduction
rights. [See also correspondence with Horst Vey filed in Box 7, F. 18].
box 14, folder 36
Princeton University. Art Museum,
1989-1995
Scope and Content Note
4 items (5 leaves): 2 letters to Held, schedule of a symposium on Herri met de
Bles, and a note. Concerning Rubens' painting
Death of Adonis and
Herri met de Bles' painting
Road to Calvary.
box 14, folder 37
Randolph-Macon College,
1967-1968
Scope and Content Note
3 items (4 leaves): 2 letters to Held and 1 letter from Held.
box 14, folder 38
Rhode Island School of Design, Museum of Art,
1968
Scope and Content Note
1 letter to Held.
box 15
Schlossmuseum (Gotha, Germany) - Yale University. Dept. of the History of
Art
box 15, folder 1
Schlossmuseum (Gotha, Germany),
1967
Scope and Content Note
8 items: 7 letters to Held (from Ingeborg Neumeister) and 1 letter from Held.
Regarding photoreprints. Held relates details concerning a painting of Virgin Mary
by Robert Campin (Master of Flémalle). Also mentioned is a painting by
Cranach.
box 15, folder 2
Seattle Art Museum,
1967-1973
Scope and Content Note
4 items (5 leaves): 2 letters to Held, 2 letters from Held, and 1 photograph.
Concerning attribution of a drawing to Pellegrini.
box 15, folder 3
J. B. Speed Art Museum,
1965-1969
Scope and Content Note
19 items: 17 letters to Held and 2 letters from Held. The letters detail Held's
advisory role in acquisition matters.
box 15, folder 4
Staatliche Kunstsammlungen Dresden,
1967-1971
Scope and Content Note
5 items (6 leaves): 4 letters to Held and 1 letter from Held.
box 15, folder 5
Staatsbibliothek Preussischer Kulturbesitz,
1966
Scope and Content Note
1 letter to Held regarding a bust of Moses Mendelsohn.
box 15, folder 6
Städelsches Kunstinstitut (Frankfurt am Main, Germany),
1964-1967
Scope and Content Note
4 items: 3 letters to Held and 1 letter from Held. Regarding Rubens's painting
Dido and Aeneas taking shelter from the storm.
box 15, folder 7
St. Louis Art Museum,
1982
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 photograph. Regarding an
annonymous drawing titled
Portrait of a man.
box 15, folder 8
Tel Aviv Museum of Art,
1994-1995
Scope and Content Note
9 items (10 leaves): 7 letters to Held and 2 letters from Held. Concerning
permission to publish Held's essay "Van Dyck's relationship with Rubens" and
Held's advisory role in matters related to an exhibition of Anthony van Dyck.
box 15, folder 9
Timken Art Gallery,
1971
Scope and Content Note
1 letter to Held. Regarding a Rubens' sketch at Timken Art Gallery in Balboa Park
in San Diego.
box 15, folder 10
Union League Club of Chicago,
1981
Scope and Content Note
1 letter to Held and 1 letter from Held. Regarding attribution of a painting
titled
Artemisia drinking the ashes of her husband to Rubens.
box 15, folder 11
University of Illinois at Chicago Circle. College of Architecture and
Art,
1968
Scope and Content Note
2 letters to Held from Anne Markham. Concerning Markham's research on a painting
of Madonna and Child by Jean Provost.
box 15, folder 12
University of Norte Dame. Art Gallery,
1966-1968
Scope and Content Note
20 items (26 leaves): 15 letters to Held, 3 letters from Held, and 2 photographs.
Correspondence rich in detail concerning Held's advisory role to the Art Gallery,
and his lecturing activities.
box 15, folder 13
University of Toronto. Dept. of Fine Art,
1979-1980, undated
Scope and Content Note
6 items: 4 letters to Held from the art historian Joaneath Spicer and 2 letters
from Held. Regarding Held's lecturing activities. Spicer mentions her research on
drawings by Roelandt Savery.
box 15, folder 14
Vassar College. Art Gallery,
1965
Scope and Content Note
11 items: 8 letters to Held, 2 letters from Held, and a letter from Charles
Sterling to Vassar College (Thomas J. McCormick). The letters detail Held's
advisory role in acquisition matters. Discussed are works by several artists,
including Abraham van Diepenbeeck, Pieter Aertsen, Joachim Bueckelaer, Laurent de
La Hire, Giovanni Rosa (Jan Roos), Peter Philip Roos (Rosa da Tivoli), and Pourbus
(Hans von Aachen).
box 15, folder 15
Victoria and Albert Museum,
1967-1969
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held.
box 15, folder 16
Wadsworth Atheneum,
1955-1957
Scope and Content Note
3 items: 1 letter to Held (extensively annotated by Held), 1 letter from Held,
and a note. Regarding attribution of drawings to Jacob Jordaens, Abraham van
Diepenbeeck, and Ottmar Elliger II.
box 15, folder 17
Washington University (Saint Louis, Mo.),
1986
Scope and Content Note
1 letter to Held.
box 15, folder 18
Wheaton College,
1968
Scope and Content Note
1 letter to Held.
box 15, folder 19
Henry Francis du Pont Winterthur Museum,
1980
Scope and Content Note
1 letter to Held and 1 letter from Held.
box 15, folder 20
Worcester Art Museum,
1986-1988
Scope and Content Note
14 items: 7 letters to Held from the museums' director James A. Welu, 2 letters
from Held, and related letters from Welu to Paul Vandenbroeck, Jenny van Achteren,
and Alexis F. Audette. Also included is correspondence between Ingvar Bergström
and Christian Theuerkauf. [See also correspondence with Welu filed in Box 7, F.
26.]
Series I.E.
Liselotte Moser,
1935-1990
Physical Description:
0.2 Linear
Feet
Scope and Content Note
This subseries consists of items related to the Swiss born artist Liselotte Moser.
The main portion comprise 53 letters (ca. 250 leaves) Moser wrote to Held between1935
and 1977. All but two of her letters are photocopies. The originals were given by Held
to the Kantonsbibliothek Nidwalden in Stans, Switzerland in 1990. Moser writes about
her artwork and various art exhibits taking place in United States and Switzerland.
She frequently mentions Wilhelm Reinhold Valentiner, William Suhr [Billy Suhr],
Richard Ettinghausen, Ernst Scheyer, the actress Maria Fein and her daughter Maria
Becker, and Held's children Anna and Michael. All of Moser's letters are in German.
Other items include correspondence regarding Moser's estate, letters and tributes by
friends, and press clippings concerning her exhibitions.
box 15
Liselotte Moser,
1935-1990
box 15, folder 21
Miscellaneous items,
1958-1990, undated,
Scope and Content Note
14 items (18 leaves): letters, receipts, notes, and press clippings. Some items
are numberd by Held from 1-5, and 7-8. Included are:
Held, Julius,
undated
Scope and Content Note
2 notes regarding this portion of the archive. With a biographical note about
Moser.
Zanon, Carl E.,
1983-1984
Scope and Content Note
2 letters to Held
Matt, Klaus von,
1983?
Scope and Content Note
1 item (2 leaves): a tribute by Moser's doctor.
Odermatt, Regula,
1990
Scope and Content Note
1 item: receipt listing Held's gifts to Kantonsbibliothek Nidwalden.
Press clippings,
1977, undated
Scope and Content Note
4 leaves: photocopies of press clippings regarding Moser's artwork.
Öffentliche Kunstsammlung Basel,
1990
Scope and Content Note
1 item: a letter to Held acknowledging receipt of material about Moser; also
regarding a painting by Jacob Jordaens.
Held, Julius,
1958
Scope and Content Note
2 items (4 leaves): Held's letter to Moser in 16th century style German.
Original typescript and photocopy.
Moser, Liselotte,
undated
Scope and Content Note
1 letter to Held in minute script. Photocopy.
anonymous,
undated
Scope and Content Note
1 handwritten note in German. Photocopy.
box 15, folder 22
Postcards (photocopies),
1974
Scope and Content Note
2 postcards (4 leaves).
box 15, folder 23
Letters (originals),
1970-1971
Scope and Content Note
2 letters (4 leaves). The letter from 1970 July 21 has title
Letzter
Erbsenbrief
.
box 15, folder 24
Letters (photocopies),
1935-1939
Scope and Content Note
3 letters (14 leaves).
box 15, folder 25
Letters (photocopies),
1943-1944
Scope and Content Note
7 letters (26 leaves).
box 15, folder 26
Letters (photocopies),
1945
Scope and Content Note
4 letters (23 leaves).
box 15, folder 27
Letters (photocopies),
1946-1949
Scope and Content Note
6 letters (51 leaves).
box 15, folder 28
Letters (photocopies),
1950-1953
Scope and Content Note
4 letters (24 leaves).
box 15, folder 29
Letters (photocopies),
1957-1959
Scope and Content Note
6 letters (39 leaves).
box 15, folder 30
Letters (photocopies),
1960-1967
Scope and Content Note
7 leaves (33 leaves).
box 15, folder 31
Letters (photocopies),
1972-1977, undated
Scope and Content Note
11 letters (31 leaves).
Series I.F.
Auction Houses,
1968-1998
Physical Description:
0.4 Linear
Feet
Scope and Content Note
This subseries contains Held's correspondence with auction houses Christie's in New
York and London (ca. 200 items), Dorotheum in Vienna (11 items), and Sotheby's in New
York and London. (ca. 240 items). Besides letters, frequently included are
photographs, color transparencies, handwritten notes, and printed and illustrated
matter.
The letters detail Held's advisory role in matters of attribution, authentification,
and provenance mainly of artwork by Rubens and Anthony van Dyck. Occasionally
discussed is artwork by other artists, including Johannes Boekhorst, Peter Bruegel the
Younger, Gaspar de Crayer, Abraham van Diepenbeek, Lucas Franchoys, Jacob Jordaens,
Theodor van Loon, Frans Pourbus II, Quellinus, Cornelis de Vos, and others.
Arranged alphabetically by auction house and chronologically within each group.
box 16
Christie's, Dorotheum, and Sotheby's,
1978-1997, undated
box 16, folder 1
Christie's New York,
1978
Scope and Content Note
1 item (3 leaves). A letter from Christie's New York to Wilbur C. Rice at
Bennington Museum and a list of pictures with price information.
box 16, folder 2
Christie's London,
1980
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Concerning attribution of a
black chalk drawing to Rubens.
box 16, folder 3
Christie's Brussels, London, and New York,
1981
Scope and Content Note
5 items. Concerning attribution of a painting to Rubens, a tapestry design for
the Constantine series, and an
Ecce Homo from the Marinucci
collection in Rome.
box 16, folder 4
Christie's London and New York,
1982
Scope and Content Note
7 items: 5 letters to Held and 2 letters from Held. Concerning attribution of an
oil sketch to Rubens and a Rubens drawing of the goddess Diana. With a mention of
the Gollnow collection.
box 16, folder 5
Christie's London and New York,
1983
Scope and Content Note
7 items: 4 letters to Held, 2 letters from Held, and printed matter. Concerning
Rubens's painting
Virgin and Child of the Rosary, attribution of a
painting to van Dyck, an
Assumption drawing [Rubens?], and a
drawing by G. B. Franco [Giovanni Battista Franco] from the McGowan
collection.
box 16, folder 6
Christie's London and New York,
1984
Scope and Content Note
15 items (18 leaves): 9 letters to Held, 3 letters from Held, examination report
for van Dyck's painting
Cardinal Domenico Rivarola, and printed
matter. Mentioned is the sale of an oil sketch by Rubens.
box 16, folder 7
Christie's London and New York,
1985
Scope and Content Note
4 letters to Held. Regarding a Danaë [painting?], a painting by Opstal, and
Dulwich pictures.
box 16, folder 8
Christie's London and New York,
1986
Scope and Content Note
7 items: 5 letters to Held, 1 letter from Held, and a note. Concerning an oil
sketch by Rubens, and a drawing from the Dubaut collection.
box 16, folder 9
Christie's New York,
1987
Scope and Content Note
6 items (6 leaves): 3 letters to Held and 2 letters from Held. Regarding
provenance of a Rubens portrait painting of an elderly man. With a mention of van
Dyck's portrait of Marchese Cattaneo.
box 16, folder 10
Christie's London and New York,
1989
Scope and Content Note
26 items: 10 letters to Held, 4 letters from Held, receipts, printed and
illustrated matter, 1 photograph, 5 color transparencies. Concerning attribution
of several artworks to Rubens, van Dyck, Theodor van Loon, and Frans Pourbus II.
Discussed are portraits of Nicholas Rockox, Eleanora de Medici, Ambrogio Spinola,
and a cardinal. Held writes about a controversial Rubens attribution of a woodcut
after Dürer. [Color transparencies are shelved in Box 159, F. 12.]
box 16, folder 11
Christie's London and New York,
1990
Scope and Content Note
12 items: 9 letters to Held, 2 letters from Held, and a receipt. Regarding a
seminar on van Dyck and an oil sketch after Rubens. With a mention of
Baccants and Leopards .
box 16, folder 12
Christie's London and New York,
1991
Scope and Content Note
ca. 60 items (ca. 120 leaves): 16 letters to Held, 7 letters from Held, 3
photographs, several handwritten notes by Held, and ca. 60 leaves of printed and
illustrated matter. Concerning the monogram NV [Nicolas Vrints?] on a panel
painting, an artwork by [?] Teniers, and the attribution of a painting depicting
brawling peasants to Rubens or Peter Bruegel the Younger.
box 16, folder 13
Christie's London and New York,
1992
Scope and Content Note
11 items: 8 letters to Held, 1 letter from Held , 1 photograph and a press
clipping. Regarding several paintings by Rubens.
box 16, folder 14
Christie's London, New York, and Paris,
1993
Scope and Content Note
6 items: 4 letters to Held and 2 letters from Held. Regarding Rubens's oil sketch
Torture of St. Chrysanthus, a painting bearing the mark of the
panel makers' guild of Hans Claessen, and two allegorical paintings of
Fortitude and
Prudence by Rubens. Held questions
the attribution of an artwork to Quellinus.
box 16, folder 15
Christie's London and New York,
1994
Scope and Content Note
8 items (9 leaves): 5 letters to Held, 2 letters from Held, and a photograph. A
discussion of Rubens's paintings
Fortitude and
Prudence. Also included is correspondence with Anthony
Crichton-Stuart regarding Rubens's sketch for the painting
Conversion of
St. Paul
. With a mention of a painting by Pieter Angellis in the
collection of Paul Oskar Kristeller.
box 16, folder 16
Christie's London,
1995
Scope and Content Note
9 items (10 leaves): 4 letters to Held, 1 letter from Held, 1 color transparency
of
Conversion of St. Paul [by Rubens?], and 4 photographs. Mainly
concerning attribution of a
Madonna with Child painting to Anthony
van Dyck. Mentioned is the sale of a Rembrandt painting. [Color transparency is
shelved in Box 159, F. 13.]
box 16, folder 17
Christie's New York,
1996
Scope and Content Note
1 letter to Held.
box 16, folder 18
Christie's London,
1997
Scope and Content Note
6 items: 4 letters to Held, 1 letter from Held, and 1 photograph. Regarding a
study of a head of a man with curly hair considered to be related to a figure in
the Vienna painting
Saint Ambrosius and the Emperor Theodosius.
With a mention of Arnout Balis.
box 16, folder 19
Christie's London and New York,
undated
Scope and Content Note
7 items: a letter to Held from Ian Kennedy at Christie's New York; and a letter
to Held from Christie's London (Rachel Mauro), dated 13 October 199[sic],
regarding a painting by Monogrammist I.F. With Mauro's letter are included 3 color
transparencies, and printed and illustrated matter. [Color transparencies are
shelved in Box 159, F. 14.]
box 16, folder 20
Dorotheum (Firm),
1968
Scope and Content Note
11 items: 9 letters to Held from Hans Herbst and 2 letters from Held. The letters
detail Held's advisory role to Dorotheum, his purchases of artwork and books, and
price information. Extensively discussed is a controversial attribution of a
sketch depicting a drunken Silenus to Lucas Franchoys or Anthony van Dyck. In
German.
box 16, folder 21
Sotheby Parke Bernet & Co.,
1978
Scope and Content Note
3 items: 2 letters to Held and 1 photograph. Regarding attribution of a painting
to Rubens or to van Dyck. With a mention of a drawing by Giulio Bonasone.
box 16, folder 22
Sotheby Parke Bernet & Co.,
1979
Scope and Content Note
1 letter to Held regarding Leonard Bentley. [See also correspondence with Bentley
filed in Box 9, F.2.]
box 16, folder 23
Sotheby Parke Bernet & Co.,
1980
Scope and Content Note
2 letters to Held.
box 16, folder 24
Sotheby Parke Bernet & Co.,
1981
Scope and Content Note
5 letters to Held. Regarding attribution of various artwork to Rubens, Jordaens,
and Boekhorst. Discussed is a drawing of a young man playing a recorder [lute].
With a mention of artwork owned by Mr. Hertogue, Alexis van Egeren, and
Hervey-Bathurst; and comments on the attribution of Cardiff cartoons to
Rubens.
box 16, folder 25
Sotheby Parke Bernet & Co.,
1983
Scope and Content Note
6 items: 4 letters to Held and 2 letters from Held. Regarding drawings attributed
to Jordaens, Cornelis de Vos, and Jan Gossaert, and a drawing of Bacchus and
Ariadne after Annibale Carracci. Also mentioned are Rubens's drawings in the
collections of Mr. and Mrs. Bicks and Du Cann.
box 16, folder 26
Sotheby's,
1984
Scope and Content Note
26 items: 17 letters to Held, including 1 from Eugene Victor Thaw [E. V. Thaw
& Co. in New York], 6 letters from Held, illustrated matter, and 3 invoices.
Regarding mainly Anthony van Dyck's
Astronomer and a landscape
sketch by Rubens.
box 16, folder 27
Sotheby's,
1985
Scope and Content Note
15 items: 8 letters to Held, 6 letters from Held, and a typescript by Piero
Morelli. Correspondence rich in detail concerning Rubens's painting
Four
parts of the world
, and Rubens attribution of two landscape paintings
from the Neuerburg collection. With a mention of paintings attributed to van
Dyck.
box 16, folder 28
Sotheby's,
1986
Scope and Content Note
9 items: 8 letters to Held and 1 letter from Held. Concerning several artworks by
Rubens, including a painting in the Cook collection. Also discussed are drawings
in the Springell collection.
box 16, folder 29
Sotheby's,
1987
Scope and Content Note
ca. 25 items (on 29 leaves): 16 letters to Held, 5 letters from Held, 2
photographs, including 1 in color, 1 color transparency, and printed and
illustrated matter. Concerning Rubens's paintings
Adoration of the Magi
and
Judgement of Paris. Also discussd is attribution of
several artworks, including a portrait painting of the first Earl of Haddington, a
drawing of a male head, a painting attributed to Jan Bruegel, and a drawing of
Cleopatra [Hygiea]. The color photograph is of van Dyck's painting
Black
servant (Negerpage)
. Extensive annotations. [Color photograph (with 1
leaf of notes) and color transparency is shelved in Box 159, F. 15.]
box 16, folder 30
Sotheby's,
1988
Scope and Content Note
ca. 15 items: 7 letters to Held, 1 letter from Held, 4 photographs, including 1
in color, 2 color transparencies, illustrated matter, and a photocopy of Franz
Kieslinger's expert opinion from 1948 by regarding a Rubens drawing. [Color
photograph and color transparency are shelved in Box 159, F. 16.]
box 16, folder 31
Sotheby's,
1989
Scope and Content Note
10 items: 5 letters to Held, 1 letter from Held, 3 photographs and 1 color
transparency. Held's opinion on three paintings:
Atalanta and
Meleager
,
Democritus and Heraclitus, and
Penitent
Magdalene
. With a mention of studies in red chalk and a drawing of
Hygeia [see items in Box 75, F. 7]. Also concerning attribution of a painting to
van Dyck. [Color transparency is shelved in Box 159, F. 17.]
box 16, folder 32
Sotheby's,
1990
Scope and Content Note
9 items (10 leaves): 7 letters to Held, 1 letter from Held, and 1 color
transparency. Regarding Rubens attribution of a portrait of a cleric, and van Dyck
attribution of a grisaille painting of Senator Paul Halmalius. [Color transparency
is shelved in Box 159, F. 18.]
box 16, folder 33
Sotheby's,
1991
Scope and Content Note
24 items: 12 letters to Held, 6 letters from Held, 3 photographs, 1 color
transparency, a color slide and printed matter. Regarding van Dyck attribution of
a painting of St. Peter, Rubens or van Dyck attribution of a study of a hound,
Gaspar de Crayer attribution of painting
Pieta with adoring Saints Francis
of Assisi and Elizabeth of Hungary
, Rubens attribution of a
Holy
Family
painting from Buenos Aires, and Johannes Boekhorst attribution of
an
Apollo and Daphne drawing. [Color transparency and slide are
shelved in Box 159, F. 19.]
box 16, folder 34
Sotheby's,
1992
Scope and Content Note
6 items (8 leaves): 3 letters to Held, 2 letters from Held, and a small
illustration of a painting from the Bolognese School. The letters regard
attribution of painting
Conversion of St. Paulto Rubens or Abraham
van Diepenbeeck. Mentioned are several Italian and French school paintings offered
for sale on July 6th in London. Held comments on two paintings offered for sale on
Jan. 15 [1993] in New York.
box 16, folder 35
Sotheby's,
1993, undated
Scope and Content Note
14 items (16 leaves): 7 letters to Held, 3 letters from Held, a typescript on
Rubens's portrait of a young man from the van Loon collection, and 3 photographs,
including 1 in color. Regarding Rubens attribution of a drawing of a male head and
a nude male figure seen from the back. [Color photograph is shelved in Box 159, F.
20.]
box 16, folder 36
Sotheby's,
1994
Scope and Content Note
9 items: 2 letters and a note to Held, 2 photographs, and illustrated and printed
matter. Regarding a drawing by Parmigianino depicting
Salome receiving the
head of St. John the Baptist
.
box 16, folder 37
Sotheby's,
1995
Scope and Content Note
28 items: 6 letters to Held, 2 letters from Held, 2 notes addressed to Held, 3
leaves of catalog entries, 9 photographs, and 6 color transparencies. Regarding
paintings
Crucifixion,
Portrait of a lady, and
Cupid by van Dyck and a follower of van Dyck. Also discussed are
paintings
Ferdinand de Boisschot Lord of Saventhem, wearing the order of
Santiago
,
Hero and Leander at the shore of the
Hellespont
,
Holy Family with Saint John, and
Portrait of Archduke Albert of Austria. Also concerning
attribution of a painting titled
Profile of a man. Included is a
photograph and a color transparency of a painting depicting a little white dog.
[Color transparencies are shelved in Box 159, F. 21.]
box 16, folder 38
Sotheby's,
1996
Scope and Content Note
13 items: 3 letters to Held, 2 letters from Held, a handwritten note regarding a
Salome drawing, 3 color transparencies, and 4 photographs, including 2 in color.
Concerning Gustave Doré drawing
Christ entering Jerusalem, a
painting by Bouguereau, a drawing by Anthonis Sallaert (also attributed to
Johannes Boekhorst), and Rubens paintings
Beheading of Saint John the
Baptist
,
Head of a youth, and
Mars taking leave of
Venus
. [Color photographs and color transparencies are shelved in Box
159, F. 22.]
box 16, folder 39
Sotheby's,
1997
Scope and Content Note
ca. 14 items: 5 letters to Held, a fax to Held (4 leaves, extensively annotated),
4 letters from Held, 3 photographs, including 2 in color, and printed and
illustrated matter. Concerning Rubens's painting
Head of John the Baptist
presented to Salome
[see also Box 16, F. 38]. Also mentioned are
Rubens's paintings
Mater Dolorosa and
Madonna holding a
rosary with the standing Christ child
, a painting of Diogenes, and an
oil sketch (by Rubens?) from the Henle collection. Included is Sotheby's catalogue
preview of Rubens's painting
A study of the head of a man. [Color
photographs are shelved in Box 159, F. 23.]
box 16, folder 40
Sotheby's,
1998
Scope and Content Note
5 items (14 leaves): 1 letter to Held, 2 color transparencies, and 2 Sotheby's
catalogue previews of paintings
Head of John the Baptist presented to
Salome
and
Madonna holding a rosary with the standing Christ
child blessing
by Rubens. [Color transparencies are shelved in Box 159,
F. 24.]
Series I.G.
Collectors and Dealers,
1951-1999
Physical Description:
1.25 Linear
Feet
Scope and Content Note
This subseries comprises correspondence with private art collectors and dealers, with
frequent inclusion of related printed and illustrated matter such as catalog entries
for various artwork, photocopies of opinions by other scholars, press clippings,
Held's handwritten notes, photographs, and color transparencies. The letters
predominantly concern Held's expert opinion about artworks by Rubens, van Dyck, and
numerous other Flemish artists. They also provide insight into the collecting
interest, and professional and business activities of many private collectors and
dealers. The subseries contains extensive correspondence with Richard L. Feigen &
Company, Armand Hammer, Heim Gallery, Günter Henle, Heinz Kisters, Galerie Meissner,
Otto Naumann, Ltd., Newhouse Galleries, Natan Saban, Schaeffer Galleries, Julius H.
Weitzner, Henry H. Weldon, and Whitfield Fine Art Limited.
box 17
Thos. Agnew and Sons Ltd. - Heim Gallery
box 17, folder 1
Thos. Agnew and Sons Ltd.,
1967, 1984
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Regarding Rubens's oil sketch
Allegory of Caritas, and a painting from the collection of Sir
Edmund Bacon. With a mention of art work by van Dyck and Bruegel.
box 17, folder 2
Daphne Alazraki (Gallery : New Yor, N.Y.),
1992
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding painting referred to
as the
Virgin nursing the infant Jesus. With a mention of Johannes
Boekhorst and [Jan van?] Hemessen.
box 17, folder 3
J. G. A. (Old Masters) Ltd.,
1979
Scope and Content Note
1 letter to Held from Ian G. Appleby. Concerning a print after Rubens's copy of
Titian's
Danaë by Jan Lauwryn Krafft [Jan Lodewyk Krafft].
box 17, folder 4
Aram, Siegfried F.,
1962-1964, undated
Scope and Content Note
7 items (ca. 20 leaves): 4 letters to Held, photograph of a painting by Rosa
Bonheur, 1 book (
The Ehrhardt Galleries Berlin Baden-Baden New
York
, n.d., [16] p., annotated), and an archival folder annotated by
Held.
box 17, folder 5
Bader, Alfred,
1973-1994
Scope and Content Note
ca. 30 items (37 leaves): 11 letters to Held, 3 letters from Held, conservation
report of a painting by Jacob van Oost prepared by the firm Charles Munch &
Jane Furchgott Art Restorers, 1 color slide, 1 color transparency, 7 photographs,
including 1 in color, 3 leaves of printed matter, and a draft portion (7 leaves)
of Bader's autobiography concerning the sale of Ulrich Middeldorf library to the
Getty Reserach Library. [The color transparency, color photograph, and color slide
are shelved in Box 159, F. 25.]
box 17, folder 6
Baur de Boer, Piet,
1964, undated
Scope and Content Note
4 items: 2 letters to Held and 2 letters from Held. With a mention of a painting
by Rubens from the Kleiweg de Zwaan collection.
box 17, folder 7
Berry-Hill Galleries,
1980, 1986
Scope and Content Note
12 items: 5 letters to Held, 3 letters from Held, including 1 to H. Rodes Hart, 2
photographs and printed and illustrated matter. Concerning attribution of a
drawing titled
Two centaurs abducting young women to Rubens.
box 17, folder 8
C.G. Boerner (Firm),
1979-1983
Scope and Content Note
4 items: 3 letters to Held and 1 letter from Held. Correspondence with Ruth-Maria
Muthmann at C.G. Boerner in Düseldorf concerning Held's private collection of
prints.
box 17, folder 9
Bunzl, Yvonne Tan,
1992
Scope and Content Note
1 thank-you letter to Held.
box 17, folder 10
H. M. Calmann Old Master Drawings,
1956
Scope and Content Note
1 letter to Held regarding a painting by Pieter Angellis in the collection of
Paul Oskar Kristeller. With a mention of artwork by Rubens.
box 17, folder 11
David Carritt Limited,
1980
Scope and Content Note
2 items: 1 letter to Held and 1 letter from David Carritt to Eugene Victor Thaw.
Regarding Rubens attribution of a sketch in Munich.
box 17, folder 12
Central Pictures Galleries,
1976-1993
Scope and Content Note
3 items (5 leaves): 1 letter from Held and 2 letters to Held. Held writes
extensively about the painting
Combat between Hercules and Antaeus
by Rubens and Jordaens. Also regarding paintings by Charles Chaplin and Caspar
Netscher.
box 17, folder 13
Colnaghi (Gallery),
1985-1987
Scope and Content Note
6 items: 2 letters to Held, 1 letter from Held, a note, and 2 color
transparencies. Regarding paintings by van Dyck and Rubens, including van Dyck's
Study of a man seen from behind. [Color transparencies are
shelved in Box 159, F. 26.]
box 17, folder 14
P. & D. Colnaghi & Co.,
1978
Scope and Content Note
2 letters to Held: from Clovis Whitfield regarding the painting
Nero and
Galba
by Rubens; and from Shaunagh Fitzgerald regarding attribution of a
drawing
Study of a man leaning on a staff to van Dyck.
box 17, folder 15
Daniels, David,
1972
Scope and Content Note
2 items (4 leaves): 1 letter to Held and 1 letter from Held. Concerning
attribution of an oil sketch to Rubens. With a mention of Louis A. Ferré.
box 17, folder 16
Drey, Francis A.,
1951
Scope and Content Note
3 letters to Held concerning a drawing by Rubens.
box 17, folder 17
Ernst, Albert J.,
1989-1992
Scope and Content Note
ca. 17 items: 6 letters to Held, 5 letters from Held, copy of a certified
statement by Muller [?] regarding Rubens's
Portrait of Nicolas
Rockoy
, and 3 photographs. Concerning attribution of artwork by Anthony
van Dyck, Rubens, and [Philips?] Wouwerman. Also present is a letter to Held from
Samuel Neuman, dated 11 July 1978, concerning the Nicolas Rockoy portrait. Ernst
mentions the art dealer F. Rothmann.
box 17, folder 18-19
Richard L. Feigen & Company,
1972-1994
Scope and Content Note
ca. 80 items: ca. 30 letters to Held, ca. 15 letters from Held, printed and
illustrated matter, 6 color transparencies, and 6 photographs, including 1 in
color. Correspondence with Richard L. Feigen and his staff, copy of a letter to
Feigen from Henri Morgenroth, Held's correspondence with the legal firm Pinto
& Cru, and Feigen's letter to Jonathan Brown. Correspondence rich in detail
concerning attribution of numerous artworks. Several letters are annotated by
Held. [See also flat file folder Box 145*, F. 8 for press article on Richard
Feigen.] [Color photograph and color transparencies are shelved in Box 159, F.
27.]
box 17, folder 20
Herbert E. Feist (Firm),
1967-1969
Scope and Content Note
11 items: 4 letters to Held, 3 photographs, and printed and illustrated matter.
Concerning Jacob Jordaens painting
Delilah and Samson from the
collection of Paul Frank, a drawing believed to be a self-portrait by Rubens, and
a drawing by Frans Hals. With a photocopy of an appraisal of the Jordaens
painting. [See also item filed in Box 62, F. 21.]
box 17, folder 21
Shaunagh Fitzgerald Ltd.,
1981-1984
Scope and Content Note
6 items: 4 letters to Held and 2 letters from Held. Concerning a Rubens drawing
from the collection of Mrs. Calmann.
box 17, folder 22
Gallery Kekko,
1981
Scope and Content Note
1 letter to Held regarding a drawing by Jan van Boeckhorst [Johannes Boekhorst].
Annotated by Held.
box 17, folder 23
Galerie Sanct Lucas,
1987-1999
Scope and Content Note
4 items: 2 letters to Held and 2 letters from Held. Correspondence with Robert
Herzig regarding attribution of a painting to Parmigianino, and paintings by
Rubens, mainly two hunting scenes.
box 17, folder 24
Lucien Goldschmidt, Inc.,
1968
Scope and Content Note
2 letters to Held. Goldschmidt mentions artwork by Carracci, Du Fresnoy, and
Dürer in Held's collection; and attribution of a drawing to Filippo Lauri.
box 17, folder 25
Bob P. Haboldt & Co.,
1987-1996
Scope and Content Note
10 items: 5 letters to Held and 3 letters from Held, including Held's
correspondence with Gary Oldman at Scotland Yard, and 2 color transparencies.
Concerning provenance and van Dyck attribution of a sketch from the collection of
Ernst Cohn, and Rubens attribution of the painting
Samson bringing down the
big house of the Philistines
. Haboldt mentions Rubens's drawings after
Holbein's
Dance of death series. [Color transparencies are shelved
in Box 159, F. 28.]
box 17, folder 26
Michael Hall Fine Arts,
1980
Scope and Content Note
1 letter to Held.
box 17, folder 27
Hammer, Armand,
1970-1990
Scope and Content Note
ca. 40 items: Held's correspondence with Armand and Victor Hammer, invoices, and
Held's handwritten notes. Also present are copies of expert opinions by Held,
Michael Jaffé, Gustav Glück, Wilhelm Reinhold Valentiner, Ludwig Burchard, and
William E. Suida regarding several artworks by Rubens, mainly the paintings
Nativity and
Venus wounded by a thorn. Also
regarding artwork by Rembrandt: a drawing,
Self-portrait at the age of
twenty-four
and a portrait painting
Man holding a black
hat
, the latter owned by Middendorf.
box 17, folder 28
Harari & Johns Ltd.,
1983
Scope and Content Note
1 letter to Held regarding portrait of Archduchess Isabella. Annotated by
Held.
box 17, folder 29
Heim Gallery,
1968-1989
Scope and Content Note
ca. 56 items: ca. 33 letters to Held and ca. 14 letters from Held, 1 photograph,
handwritten notes and typescripts. The letters are frequently annotated by Held
and concern predominantly his expert opinion on artwork by Rubens, mainly the
paintings
Philips and Clara Rubens, nephew and niece of the painter, lying
in a bed
and
Atalanta and Meleager. Several letters
concern Rembrandt's painting
Polish rider. Also discussed is the
painting
Race of Hippomenes and Atalanta from the Heugel
collection. Present is a letter from Heim Gallery (Andrzej S. Ciechanowiecki) to
the governor of Puerto Rico Luis A. Ferré regarding numerous sculptures and
paintings by various European artists. Also present are letters to Held from Peter
O. Marlow at Wadsworth Atheneum and Frederick J. Cummings, Inc. in New York, and
Held's letter to Diethelm Doll regarding a portrait by Rubens. With a mention of
the Cardiff cartoons.
box 18
Günter Henle - Jean Neger,
box 18, folder 1
Henle, Günter,
1963-1971
Scope and Content Note
67 items (ca. 90 leaves): ca. 40 letters to Held, ca. 20 letters from Held, and a
note. Correspondence rich in detail concerning Held's advisory role to the German
art collector and industrialist. The letters concern chiefly Held's expert opinion
about Henle's acquisitions of Rubens's paintings
David and Abigail,
Andreas,
Johannes, and an oil sketch. Also
discussed is artwork by [Adriaan] Brouwer, Jan Wijnants, Adriaen Pietersz van de
Venne, Sebastian Vrancx, Cornelis Corneliszoon van Haarlem, and a painting by the
Master of 1518. Henle writes about his autobiography
Weggenosse des
Jahrhunderts
. Included is a letter to Held from Frederick Mont, Inc.
Frequently mentioned is [Heinz?] Kisters.
box 18, folder 2
Jernow, Stanley Kenneth,
1972-1999
Scope and Content Note
7 items: 5 letters to Held, 1 letter from Held, and 1 color photograph. Regarding
Rubens's paintings of Roman emperors, and the attribution of a painting
Mocking of Christ. [Color photograph is shelved in Box 159, F.
29.]
box 18, folder 3
Jack Kilgore & Co.,
1996
Scope and Content Note
12 items: 3 letters to Held, a typescript note, 2 photographs, and 2 color
transparencies. Also included is Held's 1986 correspondence with Eva
Dencker-Winkler in Zurich and a letter to Dencker-Winkler from Michael Jaffé at
the Fitzwilliam Museum, regarding the oil sketch
Head of a bearded
man
by Rubens. [See also Held's 1997 correspondence with Christie's
London, filed in Box 16, F. 18.] [Color transparencies are shelved in Box 159, F.
30.]
box 18, folder 4
Kisters, Heinz,
1972-1994
Scope and Content Note
44 items (ca. 60 leaves): ca. 10 letters to Held, ca. 20 letters from Held, 1
color transparency, 7 photographs, notes, printed and illustrated matter. Held's
correspondence with the Swiss art collectors Heinz, Gerlinde and Friedrich
Kisters. Heinz Kisters describes his efforts to defend himself against accusations
that he sold art forgeries to the German chancellor Konrad Adenauer (letter from
24 Jan. 1972). The letters are rich in detail regarding authentification of
several Rubens paintings in the Kisters collection, chielfy a portrait of
Erzherzog Maximilian III. Also present is related correspondence between Held,
Sammlung H. Kisters and Hans Vlieghe, and a letter to Gerlinde Kisters from Konrad
Renger at Bayerische Staatsgemäldesammlungen. [Color transparency is shelved in
Box 159, F. 31.]
box 18, folder 5
M. Knoedler & Co.,
1964-1968
Scope and Content Note
10 items: 4 letters to Held, copies of correspondence between London and New York
branches of M. Knoedler & Co., and 4 financial statements regarding Held's
account with M. Knoedler & Co.
box 18, folder 6
David Koetser Gallery,
1967-1988
Scope and Content Note
4 items: 2 letters to Held and 2 letters from Held. concerning Rubens's paintings
Head and shoulders of St. Peter and
The infant
Baccus
. With a mention of van Dyck's
Lord Belper.
box 18, folder 7
Le Claire, Thomas,
1986
Scope and Content Note
5 items: correspondence with Thomas le Claire Kunsthandel (1 letter to Held and 1
letter from Held), 2 photographs, and 1 color transparency. Regarding a red and
black chalk drawings showing a bearded male head. [Color transparency is shelved
in Box 159, F. 32.]
box 18, folder 8
Leitman, Norman,
1983
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding attribution of a
painting to Artus Wolfert.
box 18, folder 9
Stephen Mazoh & Co. (New York, N.Y.),
1987-1994
Scope and Content Note
ca. 12 items: 5 letters to Held, 1 letter and typescript (2 leaves) from David
Bull to Stephen Mazoh, 1 color transparency, 3 photographs, and printed and
illustrated matter annotated by Held. Concerning Rubens's painting
Leda and
the swan
.
box 18, folder 10
McDonough, John J.,
1968
Scope and Content Note
3 items (5 leaves): 2 letters to Held and 1 letter from Held. Held mentions
artwork by American artists Alexander Helwig Wyant, Jasper Francis Cropsey, and
Alfred Maurer in his private collection.
box 18, folder 11-13
Galerie Meissner (Zurich, Switzerland),
1967-1999, undated,
Scope and Content Note
ca. 97 items (ca. 155 leaves): ca. 54 letters to Held, ca. 26 letters from Held,
an invoice, a postcard, 1 color photograph of the Swiss Alps, 1 photograph of a
marine painting, printed and illustrated matter, and 2 typescripts: "Address at
the funeral ceremony for Walter Roshardt (Zurich, Sept. 28, 1966)" by Mark
Buchman, and Kurt Meissner's essay on Walter Roshardt's drawings and watercolors.
Also present is a letter from Mrs. Nathan Weinstein (Edith) to Held, and Kurt
Meisner's letter to his son Bruno. The letters detail Kurt Meissner's professional
activities as an art dealer and his attempts to find an American publisher for his
book on Walter Roshardt. The letters also provide insight into Held's advisory
role to Galerie Meissner in matters of attribution of artwork by various artists,
including Rubens, Johannes Boekhorst, and Joseph Heintz.
box 18, folder 14
Miller, W. Edmund,
1975, undated,
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Correspondence with Helen B.
Miller, wife of the collector W. Edmund Miller regarding a Rubens painting.
box 18, folder 15
Frederick Mont, Inc.,
1966-1982
Scope and Content Note
7 items (8 leaves): 6 letters to Held from Betty and Frederick Mont and 1 letter
from Held. Mainly concerning an oilsketch of Ganymede by Rubens. Betty Mont
mentions acquisitions of paintings by [Georg?] Flegel, Michiel Sweerts, and
Bernardino Luini.
box 18, folder 16
Otto Naumann, Ltd.,
1978-1989
Scope and Content Note
18 items: 11 letters to Held, 4 letters from Held to Naumann and 1 to Marie
Louise Garbaty in New York, 1 leaf of typescript, and 1 photograph. Chiefly
concerning artwork by Anthony van Dyck, including a sketch in the Garbaty
collection. Also regarding a painting in the collection of Dr. Kramarsky. Naumann
provides details regarding sale prices of artwork by Rubens in 1984 and 1985, and
mentions selling on consignment a painting by the Master of Saint Sang. Naumann's
letters also provide insight into his professional career as art history teacher
at the University of Delaware.
box 18, folder 17
Neger, Jean,
1964
Scope and Content Note
1 letter to Held and 1 letter to Held. With a mention of J. Paul Getty.
box 19
Newhouse Galleries - Zangrilli, Brady & Co.,
box 19, folder 1-2
Newhouse Galleries,
1967-1991
Scope and Content Note
ca. 100 items (ca. 140 leaves): 67 letters to Held, chiefly from Clyde Newhouse,
17 letters from Held, handwritten notes, and a press clipping. Also present is a
letter to Clyde Newhouse from Barnard College (Mrs. John Elliott, Jr.),
correspondence between Held, Newhouse Galleries and Peter Mertens, and a letter
from the Newhouse Galleries to the Governor of Puerto Rico, Luis A. Ferré. The
letters detail Held's advisory role to the Newhouse Galleries in matters of
authentification and attribution of artwork by Rubens and van Dyck.
box 19, folder 3
Noortman (Maastricht) B.V.,
1993
Scope and Content Note
1 letter to Held. Regarding a payment.
box 19, folder 4
Normand, Jacques,
1978
Scope and Content Note
1 letter to Held regarding Rubens attribution of a painting from the estate of
Mrs. Verdier-Vuillez.
box 19, folder 5
Nystad Antiquairs N.V.,
1963-1969
Scope and Content Note
5 items: 2 letters to Held and 3 letters from Held. Regarding attribution of a
17th century Flemish portrait.
box 19, folder 6
Reisdorff, Robert,
1972
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding Held's opinion about
the paintings
Saint Andrew by Anthony van Dyck and
Presentation in the temple by Jan de Beer.
box 19, folder 7
Paul Rosenberg & Co.,
1986
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with Alexandre
Rosenberg regarding attribution of an artwork.
box 19, folder 8
Rosenberg & Stiebel,
1969-1970
Scope and Content Note
4 items: 2 letters to Held and 2 letters from Held. Correspondence with Saemy
Rosenberg and Eric Stiebel regarding a painting by Jordaens and attribution of a
painting of St. Luke to the Master of the Magdalen-Legend [Meester van de
Magdalena-legende].
box 19, folder 9
Rosenbloom, Charles J.,
1973
Scope and Content Note
1 letter to Held from an art collector in Pittsburg regarding measurenments of
two artworks: a painting by Rembrandt and a Nativity scene.
box 19, folder 10
Saban, Natan,
1991-1999
Scope and Content Note
30 items (36 leaves): 10 letters to Held, 6 letters from Held, photocopy of
Michael Jaffé's opinion of Rubens's painting
Portrait of a Lady seated in
an arm chair
, 3 letters accompanying payments, illustrated matter, 5
photographs, including 2 in color, and 2 color transparencies. Regarding Held's
opinion of various artwork in Saban's collection, chiefly by Rubens, David Teniers
the Younger, and Rembrandt. Saban lists several paintings included in his private
collection. [Color photographs and color transparencies are shelved in Box 159, F.
33.]
box 19, folder 11
Spencer A. Samuels & Company,
1966-1990
Scope and Content Note
6 letters (7 leaves) to Held. Regarding attribution of two paintings to van Dyck.
With a mention of
Holy Family by Rubens.
box 19, folder 12
Schaeffer Galleries,
1956-1985, undated
Scope and Content Note
17 items: 15 letters to Held and 2 letters from Held. The letters detail Hanns
and Kate Schaeffer's travel and professional activities. Mentioned is artwork by
several artists, including van Dyck, van Ostade [Adriaen?, Isack?], Jacob van
Ruisdael, and Meester van de Magdalena-legende. Extensively discussed is Rubens's
painting
Sacrifice of Abraham [
Das Opfer Abrahams]
from the collection of Mrs. [Marie Louise?] Garbaty. Hanns Schaeffer mentions the
painting
Beweinung Christi [
Lamentation] by van
Dyck. With frequent mention of the Loewenthal collection. Held comments on several
paintings offered for sale at Christie's (letter from 7April 1967). Several
letters are annotated by Held.
box 19, folder 13
Seligman, Germain,
1971-1972
Scope and Content Note
6 items (7 leaves): 3 letters to Held, 2 letters from Held, and 1 photograph.
Scholarly discussion concerning a low relief marble sculpture
The Last
Supper.
box 19, folder 14
Shepherd Gallery,
1981-1982
Scope and Content Note
2 items: 1 letter to Held from Robert Kashey and 1 letter from Held. Regarding a
study for the painting
Die blaue Stunde by Max Klinger, and
attribution of a painting to Rubens.
box 19, folder 15
Charles E. Slatkin Galleries,
1967
Scope and Content Note
2 letters to Held regarding a drawing by Gaspar de Crayer from the H. Hamal Leod
collection, and attribution of a painting to Rubens. Annotated by Held.
box 19, folder 16
Spanierman Gallery,
1990
Scope and Content Note
8 items (9 leaves): 23 letters to Held, 1 letter from Held, typescript and
printed matter. Regarding a copy after Rubens, and the painting
Portrait of
a woman
by Charles Ulrich.
box 19, folder 17
David Tunick, Inc.,
1986
Scope and Content Note
1 letter to Held concerning attribution of two sketches of lions to Rubens, and a
study of a head of a bearded man with cap to van Dyck.
box 19, folder 18
Upper Grosvenor Galleries,
1962-1963
Scope and Content Note
11 items (13 leaves): 8 letters to Held and 3 letters from Held, including Held's
correspondence with Charles Graves. Concerning attribution of
Portrait of
the Duke of Manua
from the collection of Charles Graves.
box 19, folder 19
Verrijken, Emile,
1983
Scope and Content Note
1 letter (2 leaves) to Held from an art collector in Antwerp. Regarding Held's
opinion on Rubens's painting
Battle of the Amazons, and concerning
attribution of various paintings by [Artus?] Wolfort [Wolfert] and Cornelis de
Vos. Annotated by Held. [Also see items filed in Box 63, F. 14.]
box 19, folder 20
Walpole Gallery,
1989
Scope and Content Note
3 items: 1 letter to Held from Clovis Whitfield, a handwritten note by Held
referring to the letter, and an annotated Walpole Gallery printed courtesy
note.
box 19, folder 21
Weitzner, Julius H.,
1962-1983, undated
Scope and Content Note
ca. 42 items (47 leaves): 28 letters to Held, 8 letters from Held, 2 handwritten
notes, illustrated matter, and 1 photograph. The letters detail Weitzner's
professional activities and frequently include mention of other arts dealers and
experts, chiefly Michael Jaffé. Weitzner writes about the shifting values in the
art market during the early 1960s (letter from April 25 1962). Also discussed are
artworks by several Dutch and Flemish artists, including Rubens and Jordaens.
box 19, folder 22
Weldon, Henry H.,
1984-1994, undated
Scope and Content Note
10 items: 6 letters to Held and 3 letters from Held. Correspondence between Held,
Henry H. Weldon, and Jimmy [?] regarding a portrait painting of Marten Ryckaert by
Anthony van Dyck. Also present is a letter to Weldon from Walter Liedtke at the
Metropolitan Museum of Art concerning van Dyck's study of the Repentent Magdalene
and an "account" book attributed to Rubens. Weldon recalls his meeting with Indira
Gandhi.
box 19, folder 23
Alex Wengraf Limited,
1986-1991
Scope and Content Note
6 items: 4 letters to Held, 1 letter from Held, and typescript with catalog entry
for the painting
Rinaldo and Armida by Gaspar de Crayer. With a
mention of Julius Weitzner and Luis Ferré.
box 19, folder 24
Whitfield Fine Art Limited,
1986-1987
Scope and Content Note
13 items (19 leaves): 4 letters to Held from Clovis Whitfield, 2 letters from
Held, photocopies of typescripts, illustrated and printed matter, 1 photograph,
and a note. Regarding a painting by Rubens from the Aranc de Presle collection and
a group portrait by van Dyck. Also mentioned is Rubens's sketch
Magnanimity
of Scipio
. With a mention of Christian Klemm. [See also correspondence
with Klemm in Box 4, F. 6.]
box 19, folder 25
Wildenstein and Company (New York, N.Y.),
1951-1989
Scope and Content Note
ca. 12 items: 6 letters to Held, 3 letters from Held, a billing statement from
Held, 1 photograph and 1 color transparency. Regarding several artworks by Rubens,
including a drawing, a sketch of a
Wild bull hunt, the painting
Rape of the Sabine women, and Rubens attribution of a painting of
two infants. Also regarding attribution of a portrait of a naval commander.
box 19, folder 26
Zangrilli, Brady & Co.,
1985-1986
Scope and Content Note
7 items: 4 letters to Held, 2 letters from Held, and a billing statement from
Held. Correspondence with Mark Brady, including 1985 correspondence with Brady at
Colnaghi in New York. Regarding attribution of the painting
Head of a
man
to van Dyck. [See also items filed in Box 62, F. 17.]
Series I.H.
Miscellaneous Inquiries,
1949-1999
Physical Description:
3.34 Linear
Feet
8 boxes
Scope and Content Note
This subseries comprises correspondence concerning Held's expert opinion in matters
of attribution for various artworks, predominantly to Rubens and van Dyck, but also to
other artists mainly of Dutch and Flemish schools. Frequently included are
photographs, color transparencies, slides, and illustrated matter. Occasionally
present are photocopies of expert opinions by other scholars, conservation reports,
billing statements and receipts for consultation fees, and printed matter, mainly
photocopies from published catalog entries or auction catalogs. Some letters and
photographs are annotated by Held, usually with a short comment or a bibliographical
reference concerning the artwork in question.
A few unidentified items are filed in box 27, folders 52 and 53.
Arranged alphabetically by correspondent.
box 20
Charles Alabaster - William C. Copping
box 20, folder 1
Alabaster, Charles,
1992
Scope and Content Note
1 letter to Held.
box 20, folder 2
Alazraki, Daphne,
1992
Scope and Content Note
1 letter to Held.
box 20, folder 3
Alvarez, Carl,
1992
Scope and Content Note
1 letter to Held, with envelope. Attribution of an artwork to Rubens.
box 20, folder 4
Amon, Robert,
1966
Scope and Content Note
2 items: letter to Held and a photograph. Attribution of a painting to Leonardo
da Vinci.
box 20, folder 5
Anderson, Alvin E.,
1962
Scope and Content Note
4 items: 2 letters to Held and 2 letters from Held.
box 20, folder 6
Artman, William,
1962
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and a photograph. Attribution of a
painting to Rembrandt.
box 20, folder 7
Ashkar, Fuad S.,
1975
Scope and Content Note
3 items: 1 letter to Held, photocopy of appraisal, and a photograph. Attribution
of a painting to Rubens.
box 20, folder 8
Averni, Umberto,
1971-1972
Scope and Content Note
4 items (6 leaves): 2 letters to Held and 2 letters from Held.
box 20, folder 9
Baars, Henk,
1987
Scope and Content Note
4 items: 1 letter to Held, 1 letter from Held, 1 photograph, and 1 color
transparency. Regarding attribution to Rubens of an oil sketch referred to as the
Treaty of Angoulème to Rubens. [Color transparency is shelved in
Box 159, F. 34.]
box 20, folder 10
Baligand, Françoise,
1985
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. Attribution to Anthony van Dyck
of a painting depicting Prometheus. [Color photograph is shelved in Box 159, F.
35.]
box 20, folder 11
Bargolini, Giovanni,
1984
Scope and Content Note
7 items (10 leaves): 1 letter to Held, correspondence between Bargolini and
Michael Jaffé, and 4 color photographs of a painting referred to as the
Flight into Egypt . [Color photographs are shelved in Box 159, F.
36.]
box 20, folder 12
Bassham, Ben,
1981
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held, and 1 photograph. Concerning a
painting by Sebastian Vrancx.
box 20, folder 13
Batchelor, Clarence Daniel,
1962
Scope and Content Note
1 letter to Held from the cartoonist, and 1 letter from Held.
box 20, folder 14
Bauder, Jane S.,
undated
Scope and Content Note
2 items: 1 letter to Held and 1 photograph.
box 20, folder 15
Bayer, Peter von,
1982-1983
Scope and Content Note
7 items: 2 letters to Held, 2 letters from Held, copy and German translation of a
sales agreement with Nuria Bordas Marill, and a photograph. Attribution to Rubens
of a painting depicting Christ.
box 20, folder 16
Becker, Christa,
1981
Scope and Content Note
1 letter to Held and 1 letter from Held.
box 20, folder 17
Beier, Norman S.,
1967
Scope and Content Note
1 letter to Held.
box 20, folder 18
Belin, Charles,
1986-1987
Scope and Content Note
8 items (9 leaves): 5 letters to Held, 2 letters from Held, and photocopy of a
business letter regarding construction permits. Attribution of a painting to
Rubens.
box 20, folder 19
Belmont, I. J., Mrs.
1966
Scope and Content Note
1 letter from Held.
box 20, folder 20
Berger, A.,
1990
Scope and Content Note
1 letter to Held from A. Berger at Kunsthaus im Welserhof Peter Gölitz in
Augsburg.
box 20, folder 21
Berlowitz, Leslie,
1997
Scope and Content Note
1 letter to Held from Berlowitz at the American Academy of Arts and Sciences and
1 letter from Held.
box 20, folder 22
Berman, Ann,
1984
Scope and Content Note
2 items: 1 letter from Held and a handwritten note with Berman's address.
box 20, folder 23
Bernard, Margrit,
1994
Scope and Content Note
6 items: 1 letter to Held from an art dealer in Aachen, 1 letter from Held, and 4
photographs, including 1 in color. Attribution of a painting referred to as the
Triumph of the victor to the school of Rubens. [Color photograph
is shelved in Box 159, F. 37.]
box 20, folder 24
Bertoldi, Neva de,
1968
Scope and Content Note
5 items: 2 letters to Held, 2 letters from Held, and 1 color transparency.
Attribution of a painting referred to as the
Raising of Lazarus.
[Color transparency is shelved in Box 159, F. 38.]
box 20, folder 25
Bertrand, M.-A.,
1988
Scope and Content Note
6 items: 2 letters to Held, letter to Bertrand from Guy Herdebaut, a certificate,
1 color polaroid photograph and illustrated matter. Concerning attribution to
Rubens of a painting referred to as portrait of Rubens's mother. [Color photograph
is shelved in Box 159, F. 39.]
box 20, folder 26
Beugels, Eddy M. J.,
1988
Scope and Content Note
1 letter to Held regarding the painting
Arion saved by Dolphins
from Antoon van Welie collection.
box 20, folder 27
Bick, Malcolm,
1982
Scope and Content Note
1 letter to Held.
box 20, folder 28
Biró, László,
undated
Scope and Content Note
2 items: a business card and a handwritten note by Held.
box 20, folder 29
Bisiaux, Marie Lucie,
1980
Scope and Content Note
2 items: letter to Held from Galerie Yannick Bideau and photograph of a
drawing.
box 20, folder 30
Bladon, Patricia P.,
1989
Scope and Content Note
1 letter to Held from a curator at Memphis Brooks Museum of Art and 1 letter from
Held.
box 20, folder 31
Bloch, Robert,
undated
Scope and Content Note
2 items: letter to Held and photograph of a drawing.
box 20, folder 32
Blume, Andrew C.,
1987
Scope and Content Note
3 items: 1 letter to Held from Blume at Wadsworth Atheneum, 1 letter from Held,
and a photograph. Attribution of a drawing to van Dyck.
box 20, folder 33
Bodo, Susan,
1989
Scope and Content Note
1 letter from Held.
box 20, folder 34
Bocchieri, John,
1971, 1979
Scope and Content Note
5 items: 2 letters to Held and 3 photographs, including 2 in color. Attribution
of two paintings to Dutch school and to van Dyck. [Color photographs are shelved
in Box 159, F. 41.]
box 20, folder 35
Bodart, Didier,
1973
Scope and Content Note
6 items: photocopy of Bodart's manuscript concerning Rubens's painting
Last Judgement and 5 color photographs. [Color photographs are
shelved in Box 159, F. 42.]
box 20, folder 36
Boles, Joseph L.,
1986
Scope and Content Note
4 items: 1 letter to Held, 1 letter from Held, and 2 photographs, including 1 in
color. Attribution of a portrait painting to Rubens. [Color photograph is shelved
in Box 159, F. 43.]
box 20, folder 37
Bolongaro, M. F.,
1993
Scope and Content Note
3 items: 1 letter to Held, photocopy of a 1933 expert opinion by Charles Holmes,
and 1 color photograph. Attribution of a portrait painting to van Dyck (
Madonna and child). [Color photograph is shelved in Box 159, F.
44.]
box 20, folder 38
Boquet, Damien,
1996
Scope and Content Note
2 items: letter to Held and a color photograph. Attribution of a drawing to
Rubens (
Head of an old man). [Color photograph is shelved in Box
159, F. 45.]
box 20, folder 39
Bosiak, Fritz G.,
1991
Scope and Content Note
9 items: 3 letters to Held from Art Invest Kunsthandels, 1 letter from Held,
printed matter, 1 color transparency, and 2 photographs, including 1 in color.
Attribution of painting
Arion saved by Dolphins from Antoon van
Welie collection, and a painting referred to as
Der Brand von Troja
to Rubens. [Color transparency and color photograph are shelved in Box
159, F. 46.]
box 20, folder 40
Bowyer, Andrew,
1979
Scope and Content Note
1 letter to Held from auction house Phillips in London.
box 20, folder 41
Branch, June,
1967
Scope and Content Note
6 items: 1 letter to Held from The Kensington Shop Inc. in Chicago, 1 letter from
Held, an invoice, illustrated matter, and 2 leaves of typescript. Attribution of
painting
Portrait of Thomas Parr to van Dyck.
box 20, folder 42
Brass, Alessandra,
1996
Scope and Content Note
2 items: letter to Held and color photograph. Attribution of a portrait painting
to Rubens. [Color photograph is shelved in Box 159, F. 47.]
box 20, folder 43
Braver, Marina de Clois,
1990
Scope and Content Note
1 letter to Held and 1 letter from Held.
box 20, folder 44
Brewer, Basil,
1949
Scope and Content Note
3 items: 2 letters to Held and 1 photograph. Attribution of painting referred to
as
Finding of Moses to van Dyck.
box 20, folder 45
Bronson, Mark,
1989
Scope and Content Note
5 items: 2 letters to Held from Bronson-Rollins & Associates Inc. in Los
Angeles, 1 color transparency, photocopy of expert opinion by Erik Larsen, and
illustrated matter. Attribution of portrait painting of Cecilia Killigrew to van
Dyck. [Color transparency is shelved in Box 159, F. 48.]
box 20, folder 46
Brown, W. Campbell,
1966
Scope and Content Note
1 letter (2 leaves) to Held. Attribution of a painting to Rubens.
box 20, folder 47
Bunker, Gerald B.,
1966
Scope and Content Note
3 items: letter to Held (3 leaves), 2 color slides, and envelope. Attribution of
a painting referred to as "after the manner of Velázquez". [Color slides are
shelved in Box 159, F. 49.]
box 20, folder 48
Burnier, Gustave,
1979
Scope and Content Note
3 items: letter to Held, illustrated matter, and color photograph. Attribution to
Rubens of a painting referred to as
Head of Cyrus brought to Queen
Thomyris
.
box 20, folder 49
Busch, Calvin,
1982
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held, and 1 color polaroid photograph.
Attribution of a portrait painting to Rubens. [Color photograph is shelved in Box
159, F. 50.]
box 20, folder 50
Caillard, Pierre,
1962
Scope and Content Note
3 items: 1 letter to Held, copy of expert opinion by Dr. Wendland, and 1
photograph. Attribution of a painting referred to as
Hercule terrassant le
Lion de Némee
[
The Nemean Lion].
box 20, folder 51
Cakes, Harry P.,
1987
Scope and Content Note
1 letter from Held. Attribution of painting
Adoration of the Magi,
at Vassar College, to Rubens.
box 20, folder 52
Callaghan, Thomas,
1988
Scope and Content Note
9 items (15 leaves): 2 letters to Held, 1 letter from Held, receipt, illustrated
matter, 1 photograph, and typescript (7 leaves). Attribution of a painting from
Henry Blundell collection.
box 20, folder 53
Callebaut, August,
1963
Scope and Content Note
2 items: 1 letter to Held and a photograph. Attribution of a painting of Christ
to Rubens or van Dyck.
box 20, folder 54
Carlson, Donna,
1986
Scope and Content Note
4 items: 1 letter to Held, 1 letter from Held, photocopy of a catalog entry and
illustrated matter. Attribution of a drawing to Jacob Adriaensz Backer.
box 20, folder 55
Carrese, Michele,
1991
Scope and Content Note
5 items: 1 letter to Held from Carrese & Associates, and 5 color slides.
Attribution of a painting referrerd to as
Caritas Romana (Cimon and
Pero)
to Rubens. [Color slides are shelved in Box 159, F. 51.]
box 20, folder 56
Cassada, William W.,
1965
Scope and Content Note
4 items: 1 letter to Held, 1 letter from Held, copy of Held's 1962 letter to J.
A. Van Campen, and a photograph.
box 20, folder 57
Castelli, Mino,
1984 - 1985
Scope and Content Note
8 items: 2 letters to Held, 2 handwritten notes, and 4 photographs, including 2
in color. Attribution of two paintings to Rubens. [Color photographs are shelved
in Box 159, F. 52.]
box 20, folder 58
Cecil, James H.,
1963
Scope and Content Note
4 items: letter to Held and 3 color photographs. [Color photographs are shelved
in Box 159, F. 53.]
box 20, folder 59
Centner, Charles W.,
1962-1963
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held.
box 20, folder 60
Chandler, Lester C.,
1965
Scope and Content Note
2 letters to Held.
box 20, folder 61
Chersin, Andrew,
1965
Scope and Content Note
3 items: 2 letters to Held and 1 photograph.
box 20, folder 62
Christophersen, Lorna B.,
1989
Scope and Content Note
1 letter to Held (2 leaves).
box 20, folder 63
Clois-Braver, Marina de,
1992
Scope and Content Note
1 letter from Held.
box 20, folder 64
Closuit, Ernest,
1960-1966
Scope and Content Note
12 items: 6 letters to Held, 2 letters from Held, Held's correspondence with
Gretel Wagner at Staatliche Museen, Kunstbibliothek Stiftung Preussischer
Kulturbesitz, 1 letter to Closuit from Mildred Steinbach at Frick Art Reference
Library, and 1 photograph of a painting depicting Christ bearing the Cross.
Attribution of a portrait painting.
box 20, folder 65
Cohen, Eduard,
undated
Scope and Content Note
3 items : letter to Held (2 leaves), a note, and a color photograph of painting
referred to as
Hagar and Ishmael. [Color photograph is shelved in
Box 159, F. 54.]
box 20, folder 66
Cohen, Jack H.,
1965
Scope and Content Note
5 items: 3 letters to Held, 1 letter from Held, and receipt.
box 20, folder 67
Cohn, Douglas B.,
1986-1987
Scope and Content Note
5 items: 2 letters to Held, 1 letter from Held, and 2 color transparencies.
Attribution to Rubens of a painting depicting the head of a screaming woman.
[Color transparencies are shelved in Box 159, F. 55.]
box 20, folder 68
Condon, Rudolph,
1962
Scope and Content Note
6 items (8 leaves): 5 letters to Held and 1 letter from Held. Attribution to
Rubens of a painting depicting Emperor Commodus as Hercules.
box 20, folder 69
Conisbee, Phillip,
1992
Scope and Content Note
3 items: 1 letter to Conisbee at Los Angeles County Museum of Art from Amantes
Custom Frame & Gallery in Granada Hills, 1 letter from Amantes to Held, and 1
color photograph. Attribution of a painting referred to as the
Rape of the
sisters of Vesuvius
to Rubens. [Color photograph is shelved in Box 159,
F. 56.]
box 20, folder 70
Cooper, Richard Lawlor,
1973
Scope and Content Note
2 items: letter to Held and illustrated matter. Attribution of a painting to
Rubens.
box 20, folder 71
Copping, William C.,
1980
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Attribution of a painting
referred to as
Magdalen Repentant to Rubens.
box 21
Ethel L. Danielson - Ruth E. Funk
box 21, folder 1
Danielson, Ethel L.,
1962
Scope and Content Note
4 items: 2 letters to Held and 2 letters from Held. Attribution of a drawing to
Rubens.
box 21, folder 2
Davie, Georgina,
1970
Scope and Content Note
2 items (3 leaves): 1 letter to Held from Hartnoll & Eyre Ltd. in London and
1 letter from Held. Regarding a painting attributed to Delacroix. With a mention
of the Ponce Art Museum.
box 21, folder 3
Davis, Hope,
1985
Scope and Content Note
2 items (3 leaves): 1 letter to Held from Knoedler-Modarco S.A. in New York, and
1 letter from Held. Attribution of a portrait painting to van Dyck.
box 21, folder 4
Davis, Milton H.,
1963-1965
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held, and a slide. [Slide is shelved in
Box 159, F. 57.]
box 21, folder 5
Dedrick, Martha C.,
1982
Scope and Content Note
1 letter to Held. Attribution of an engraving.
box 21, folder 6
Desjardins, Catherine,
1989
Scope and Content Note
5 items: 1 letter to Held, 1 letter from Held, expert opinion by Thomas
Macoughtry Judson (photocopy of 1946 manuscript and typescript), and 1 color
photograph. Attribution to van Dyck of a painting of Saint Peter. [Color
photograph is shelved in Box 159, F. 58.]
box 21, folder 7
Desmarest, Bruno,
undated
Scope and Content Note
4 items: 1 letter to Held and illustrated matter.
box 21, folder 8
Dessau, Martin M.,
1968
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Attribution of a Crucifixion
painting.
box 21, folder 9
Dietl, Maria,
1988
Scope and Content Note
ca. 20 items (32 leaves): 1 letter to Held, illustrated and printed matter,
typescript (7 leaves), and 14 color photographs. Attribution of an altarpiece
referred to as
Geschichte des Heiligen Makarius. [Color photographs
are shelved in Box 159, F. 59.]
box 21, folder 10
Díez de Aguilar, Paloma,
1994
Scope and Content Note
3 items: 1 letter to Held and 2 color photographs. Attribution of a floral
still-life painting. [Color photographs are shelved in Box 159, F. 60.]
box 21, folder 11
Dijck, Machteld I. van,
1977
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 photograph. Attribution of a
drawing to van Dyck.
box 21, folder 12
Dishmond, Robert S.,
1981
Scope and Content Note
5 items: 1 letter to Held and 4 photographs. Attribution of 4 large paintings to
Johannes de Heem [Jan I Davidsz de Heem?].
box 21, folder 13
Doll, Diethelm,
1979, 1991
Scope and Content Note
12 items: 2 letters to Held, 1 letter from Held, typescript, printed, and
illustrated matter. Attribution to Rubens of a painting referred to as
Madonna and Child.
box 21, folder 14
Donahue, Ellen M.,
1988
Scope and Content Note
2 letters to Held. Attribution to van Dyck of painting referred to as
Portrait of Margaret Smith .
box 21, folder 15
Dost, Bernd,
1989
Scope and Content Note
3 items: 1 letter to Held and 2 color photographs. Attribution to Rubens of a
painting referred to as
St. Michael striking down the rebellious
angels
. [Color photographs are shelved in Box 159, F. 61.]
box 21, folder 16
Doubek, Jaroslava,
1991
Scope and Content Note
ca. 24 items: 1 letter to Held, 1 letter from Held, conservation report by Franz
Mairinger, Held's correspondence with Alexandr Vosátka at Charles Galerie in
Prague, typescript (7 leaves), and 17 photographs, including 4 in color.
Attribution of a painting referred to as
Kalidonische Eberjagd [
Caledonian Boar Hunt].
box 21, folder 17
Dourgarian, Lynne K.,
1981
Scope and Content Note
9 items (10 leaves): 3 letters to Held, including 1 from Dourgarian at Davis
& Associates, Inc. in Stockton, Calif., and two from Lodovico Soldati, 1
letter from Held, notes, printed matter, and photocopies of expert opinions by
Giovanni Mariacher, and Pierre M. Blanc. Attribution to Rubens of a painting
referred to as the
Four parts of the world .
box 21, folder 18
Dowling, Anne,
1991
Scope and Content Note
1 letter from Held.
box 21, folder 19
Draper, Robert,
1965
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 photograph.
box 21, folder 20
Driscoll Nicholson, Rita,
1972
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 21, folder 21
Druwé, Michaël,
1989
Scope and Content Note
1 letter to Held. Regarding an artwork referred to as "Negro's heads from
Brussels".
box 21, folder 22
Duncan, Louis J.,
1962
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. [Color photograph is shelved in
Box 159, F. 62.]
box 21, folder 23
Eberhart, U.,
1989-1990
Scope and Content Note
6 items: 2 letters to Held from Eberhart Auktionen AG, photocopy of an expert
opinion by Adolf Bangel, printed and illustrated matter, and 1 color photograph.
Attribution of two paintings, including an equestrian portrait, to Rubens. [Color
photograph is shelved in Box 159, F. 63.]
box 21, folder 24
Eberwine, Daniel G.,
1969
Scope and Content Note
2 items: 1 letter to Held and 1 photograph. Attribution of a drawing to
Rubens.
box 21, folder 25
Eden, Robert Earl,
1966
Scope and Content Note
2 items: 1 letter to Held and 1 photograph. Attribution of a portrait
painting.
box 21, folder 26
Emons, H. W.,
1981
Scope and Content Note
1 letter to Held (2 leaves). Attribution of a painting to Rubens.
box 21, folder 27
Ewing, Ray,
1964
Scope and Content Note
3 items (4 leaves): 1 letter to Held and 2 photographs. Attribution of a painting
referred to as
Adoration of the Kings [
Adoration of the
Magi
].
box 21, folder 28
Fabricant, Donald,
1966-1968
Scope and Content Note
7 items: 1 letter to Held, 1 letter from Held to Faculty Support Group at
Columbia University, typescript of the group's newsletter, illustration of a
drawing by Fabricant, and 3 photographs of paintings [by Fabricant?].
box 21, folder 29
Fahmy, R.,
1989
Scope and Content Note
1 letter to Held (a mailgram). With mention of two Rubens paintings.
box 21, folder 30
Farber, Janet L.,
1991
Scope and Content Note
2 items: 1 letter to Held from a curator at Joslyn Art Museum in Omaha and 1
letter from Held. Attribution to van Dyck of a painting referred to as
Portrait of a Flemish lady .
box 21, folder 31
Farha-Bissell, Wendy,
1990
Scope and Content Note
3 items: 1 letter to Held and printed and illustrated matter. Attribution of a
painting to van Dyck.
box 21, folder 32
Fassoulis, S. G.,
1991
Scope and Content Note
3 items: 2 letters to Held from CIC International Ltd. and 1 letter from Held.
Attribution of a painting owned by Dino Seferian.
box 21, folder 33
Fay, Frank, III
1965
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held.
box 21, folder 34
Feilding, Jocelyn,
1990
Scope and Content Note
3 items: 1 letter to Held from the auction house Phillips in London, 1 color
transparency, and 1 photograph. Attribution of an oil sketch to Rubens. [Color
transparency is shelved in Box 159, F. 64.]
box 21, folder 35
Feinblatt, Ebria,
1965
Scope and Content Note
1 letter from Held to the curator of prints and drawings at Los Angeles County
Museum of Art [LACMA].
box 21, folder 36
Felstehausen, Deborah,
1990
Scope and Content Note
1 letter to Held from the editor of the magazine
Drawing.
box 21, folder 37
Filchak, Andrew,
1979
Scope and Content Note
4 items: 1 letter to Held, 2 conservation reports signed by Paul Spheeris at
Evelyn Stebbins Studio & Art Gallery, and 1 color photograph. Attribution of a
painting referred to as
Diana and Callisto. [Color photograph is
shelved in Box 159, F. 65.]
box 21, folder 38
Fish, Sheldon,
1998
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held and illustrated matter. Attribution
of a painting of two heads of elderly men.
box 21, folder 39
Flagg, R. B.,
1965
Scope and Content Note
1 letter from Held.
box 21, folder 40
Fleming, John,
1968-1970
Scope and Content Note
5 items: 4 letters to Held and 1 letter from Held. Concerning Fleming's various
publishing activities. With a mention of Hugh Honour.
box 21, folder 41
Folkner, Guy,
1992
Scope and Content Note
1 letter from Held, Attribution of a painting referred to as
Les
consequences de la guerre.
box 21, folder 42
Ford, J. Patrick, Jr.
1982
Scope and Content Note
2 items: 1 letter from Held and typescript (5 leaves) of Ford's paper on an
artwork referred to as
A young Polish prince.
box 21, folder 43
Foster, Paul F.,
1968
Scope and Content Note
8 items (9 leaves): 6 letters to Held, 1 letter from Held, and 1 photograph.
Correspondence with the vice admiral concerning paintings attributed to Joose de
Momper in the collection of North Carolina Museum of Art in Raleigh.
box 21, folder 44
Foster, Paul M.,
1954
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 photograph. Attribution of a
painting to Rembrandt.
box 21, folder 45
Fox, Celine,
1987
Scope and Content Note
3 items:1 letter to Held from Saint Louis Art Museum, 1 letter from Held, and 1
photograph. Attribution of a painting to Rubens.
box 21, folder 46
Friedenberg, Adolf,
1962
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 21, folder 47
Frommel, C. L.,
1963-1964
Scope and Content Note
9 items: 1 letter to Held from Bibliotheca Hertziana in Rome, 1 letter from Held,
1 letter to Held from Mrs. Dall'Ora, an envelope, 1 color transparency, and 4
photographs. Attribution of a painting to Rubens. [Color transparency is shelved
in Box 159, F. 66.]
box 21, folder 48
Fulleringer, Georges,
1990
Scope and Content Note
3 items: letter to Held, and 2 photographs, including 1 in color. Attribution to
Rubens of a painting referred to as
Bataille des Amazones [
Battle of the Amazons]. [Color photograph is shelved in Box 159,
F. 67.]
box 21, folder 49
Funk, Ruth E.,
1991
Scope and Content Note
1 letter to Held. Attribution of an etching to Rembrandt.
box 22
Kevin Galalae - George Hulme
box 22, folder 1
Galalae, Kevin,
1993
Scope and Content Note
16 items: 1 letter to Held, typescript (12 leaves) on the attribution to Rubens
of a
Last Judgement painting, 1 envelope, notes, and 11 color
photographs. [Color photographs are shelved in Box 159, F. 68.]
box 22, folder 2
Ganschinietz, Suzanne,
1966
Scope and Content Note
3 items: 1 letter to Held from Saint Paul Art Center, 1 letter from Held, and 1
photograph. Attribution of a painting referred to as
Adoration of the
shepards
. Ganschinietz relates details regarding the painting's
provenance.
box 22, folder 3
Ganz, Kate,
1994
Scope and Content Note
2 items: 1 letter to Held (2 leaves) from Kate Ganz Limited in London and
illustrated matter. With a mention of David Freedberg.
box 22, folder 4
Gaywood, Suzanne,
1975
Scope and Content Note
2 items: 1 letter to Held (3 leaves) and 1 photograph.
box 22, folder 5
Gelman, Ernest H.,
1988
Scope and Content Note
5 items: 1 letter to Held, 1 letter from Held, 2 letters from Held to John Koch
at Kraushaar Galleries (from 1951 and 1952), and a consignment memorandum from
Gallery Gertrude Stein (from 1987).
box 22, folder 6
Gentile, Lawrence,
1965
Scope and Content Note
4 items: 3 letters to Held, including 1 from Madeline A. Gentile, and 1 letter
from Held.
box 22, folder 7
Georgi Museum
1990-1992
Scope and Content Note
6 items: 5 letters to Held, and printed matter. Regarding
Treasures from
the attic
exhibition and a painting referred to as
Portrait of
Queen Elizabeth I
.
box 22, folder 8
Gero, Stephen,
1970
Scope and Content Note
3 items: 1 letter to Held and 2 color photographs. Attribution of a portrait
painting to Rubens. [Color photographs are shelved in Box 159, F. 69.]
box 22, folder 9
Gibbes Art Gallery,
1963
Scope and Content Note
4 items (6 leaves): 3 letters to Held from Helen G. McCormack and 1 photograph.
Attribution of a Dutch school portrait painting of woman with child from
collection of John L. Girardeau. With details regarding provenance.
box 22, folder 10
Gilli, Rossella,
1991
Scope and Content Note
4 items: 1 letter to Held, 2 photographs, and illustrated matter. Attribution of
a drawing referred to as
Study of an angel to Bernardino
Poccetti.
box 22, folder 11
Gombert, André,
1989
Scope and Content Note
1 letter to Held. Attribution of a painting to Rubens.
box 22, folder 12
Goodman, William W.,
1962-1963
Scope and Content Note
3 items: 1 letter to Held and 2 letters from Held.
box 22, folder 13
Grabski, Józef,
1992
Scope and Content Note
1 letter to Held from Irsa Verlag in Vienna. With a mention of a van Dyck
painting.
box 22, folder 14
Grange, L. R.,
1990
Scope and Content Note
3 items: 1 letter to Held and illustrated matter. Attribution to Rubens of a
painting referred to as
La kermesse or
Le jardin
d'amour
.
box 22, folder 15
Grassi, Marco,
1980-1983
Scope and Content Note
5 items: 2 letters to Held, 1 letter from Held, 1 color transparency, and 1
photograph. Attribution of a painting owned by Dino Fabbri. [Color transparency is
shelved in Box 159, F. 70.]
box 22, folder 16
Greene, Bryan,
1991
Scope and Content Note
3 items: 1 letter to Held, copy of Christopher Brown's letter to Green, and 1
color photograph. Attribution of a painting to Rubens. [Color photograph is
shelved in Box 159, F. 71.]
box 22, folder 17
Greensphan, Irving H.,
1964
Scope and Content Note
3 items: 1 letter to Held from Muriel Zake Memorial Foundation for Little City, 1
letter from Held, and 1 photograph. Attribution of an oil sketch to Rubens.
box 22, folder 18
Gristina, Mary C.,
1993
Scope and Content Note
1 letter from Held. Regarding Rubens's painting
Lamentation at the
Cummer Gallery of Art in Jacksonville, Fla.
box 22, folder 19
Grosser, A.,
1984
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held.
box 22, folder 20
Grummond, Nancy de,
1991
Scope and Content Note
1 letter to Held .
box 22, folder 21
Guasche Zepeda, Jorge,
1979
Scope and Content Note
8 items: 1 letter to Held, 1 letter from Held, copy of an 1894 expert opinion by
Marcel Choicelat, and 5 photographs. Attribution of a painting to Rembrandt.
box 22, folder 22
Guillarmic, Loïc J. L.,
1991
Scope and Content Note
11 items: 1 letter to Held, 1 letter from Held, 1 letter to Held from Angel
Rhoades, typescript, printed, and illustrated matter, and 2 photographs, including
1 in color. Attribution of a painting refererd to as
Mourning Madonna with
a Mary
or
Virgin being comforted by St. Catherine to van
Dyck. [Color photograph is shelved in Box 159, F. 72.]
box 22, folder 23
Gullickson, Cecil P.,
1968
Scope and Content Note
5 items: 2 letters to Held, 2 letters from Held, and 1 photograph. Attribution of
a painting referred to as
Incredulity of Thomas to Rubens.
box 22, folder 24
Gumppenberg, Georg,
1987-1988
Scope and Content Note
6 items: 1 letter to Held and 1 letter from Held; also Held's correspondence with
Edith Thomée. Attribution of a drawing to Rubens.
box 22, folder 25
Gventer, Bruce,
1993
Scope and Content Note
3 items: 1 letter to Held from Bruce and Susan Gventer at B&S Gventer "Books"
in S. Egremont, Mass., and 2 color photographs. Attribution of a panel painting.
[Color photographs are shelved in Box 159, F. 73.]
box 22, folder 26
Habsburg, Geza von,
1988
Scope and Content Note
2 items: 1 letter to Held from the auction house Habsburg, Feldman of Geneva and
1 letter from Held. Attribution of a painting to Rubens.
box 22, folder 27
Hake, Metta,
1972
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Attribution of a painting to
Giulio Campi.
box 22, folder 28
Harkins, Sue W.,
1992
Scope and Content Note
7 items: 3 letters to Held, 1 letter from Held, and 3 color photographs.
Attribution of a painting referred to as the
Tribute money to
Rubens. [Color photographs are shelved in Box 159, F. 74.]
box 22, folder 29
Harpur & Clemente,
1982
Scope and Content Note
5 items: 1 letter from Held, 1 letter to Held, and 3 color photographs.
Attribution of a painting referred to as
Sleeping Diana to van
Dyck. With a mention of firm McKennell & Co. [Color photographs are shelved in
Box 159, F. 75.]
box 22, folder 30
Hatvany, P.,
1967
Scope and Content Note
1 letter to Held.
box 22, folder 31
Hegle, Berit,
1979
Scope and Content Note
5 items (6 leaves and business card): 1 letter to Held, 1 letter from Held, and
copies of letters to Hegle from Koninklijk Museum voor Schone Kunsten in Antwerp
and Ghent. Attribution of a painting referred to as the
Caledonian Boar
Hunt
to Rubens.
box 22, folder 32
Heim, Jean-François,
1993
Scope and Content Note
5 items: 1 letter to Held (with photocopy), catalogue entry for painting
L'Adoration des mages [
Adoration of the Magi] by
Jacob Jordaens, and 2 photographs.
box 22, folder 33
Henderson, Ernest M.,
1963
Scope and Content Note
3 items: 1 letter to Held and 2 photographs. Attribution of two paintings to
Adriaen Brouwer.
box 22, folder 34
Henry, Martha,
1993
Scope and Content Note
2 items: 1 letter to Held and 1 slide. Attribution of a painting to Jan Bruegel.
[Slide is shelved in Box 159, F. 76.]
box 22, folder 35
Herzig, Robert,
1987
Scope and Content Note
1 letter to Held from Galerie Sanct Lucas in Vienna.
box 22, folder 36
Hickok, Ernest S.,
1966
Scope and Content Note
3 items: 1 letter to Held, a note with Hickok's address, and 1 photograph.
Attribution of a painting to Jordaens.
box 22, folder 37
Hillyer, Kazuko,
undated
Scope and Content Note
2 items (3 leaves): 1 letter to Held and handwritten notes.
box 22, folder 38
Hindman, Sandra,
1994
Scope and Content Note
1 letter to Held from Les Enluminures in Paris asking for expert opinion of a
portrait of Helene Fourment (study for the
Garden of love).
box 22, folder 39
Hogan, Gerald F.,
1966
Scope and Content Note
3 items: 1 letter to Held from Mrs. Gerald F. Hogan and 2 photographs.
box 22, folder 40
Holger, Dirk,
1992
Scope and Content Note
3 items: 1 letter to Held from the artist, 1 printed leaf with Holger's
biography, and 1 slide. Regarding Rubens's oil sketch
Bear hunt.
[Slide is shelved in Box 159, F. 77.]
box 22, folder 41
Holtkamp, Werner,
1991
Scope and Content Note
1 letter from Held.
box 22, folder 42
Hornby, Robert K.,
1968
Scope and Content Note
1 letter to Held (2 leaves).
box 22, folder 43
Howe, Parkman D.,
1981
Scope and Content Note
1 letter to Held. Attribution of a painting to Rubens.
box 22, folder 44
Huemu, Frances,
1984
Scope and Content Note
1 letter to Held.
box 22, folder 45
Hulme, George,
1991
Scope and Content Note
5 items: 1 letter to Held and 4 color photographs. Regarding a copy after
painting by Rubens in Palazzo Pitti. [Color photographs are shelved in Box 159, F.
78.]
box 23
IFAR [International Foundation for Art Research] - Charles
Lucido
box 23, folder 1
IFAR [International Foundation for Art Research],
1980
Scope and Content Note
2 letters to Held from International Foundation for Art Research in New York.
Regarding a portrait by Rubens.
box 23, folder 2
Iller, Gustav [?],
1964
Scope and Content Note
2 items: 1 letter to Held and 1 photograph.
box 23, folder 3
Indursky, Maurice S.,
1986
Scope and Content Note
ca. 30 items: 4 letters to Held, including 1 from Hawthorne Antiques in Salem,
Mass., 1 letter from Held, 2 color photographs, and printed matter, appraisals,
and conservation reports. Attribution of a painting referred to as the
Garden of love to Rubens. [Color photographs are shelved in Box
160 F. 1.]
box 23, folder 4
Jacobs, Alan,
1986
Scope and Content Note
8 items: 1 letter to Held from Alan Jacobs Gallery, printed and illustrated
matter, 1 color photograph, and 1 color slide. Attribution of
Portrait of
Jan Wildens
to Rubens. [Color photograph and color slide are shelved in
Box 160, F. 2.]
box 23, folder 5
Jasey, James R.,
1966
Scope and Content Note
1 letter to Held.
box 23, folder 6
Jay, Ernest L.,
1972
Scope and Content Note
6 items: 3 letters to Held, 2 letters from Held, and printed matter. Attribution
to Rubens of a painting referred to as the
Meeting of David and Abigail
.
box 23, folder 7
Joannides, Marianne,
1998
Scope and Content Note
3 items: 1 letter to Held from auction house Phillips in London, 1 letter from
Held, and 1 photograph. Attribution of a drawing from the collection of Gustave
Soulier to Rubens.
box 23, folder 8
Johnson, Marc,
undated
Scope and Content Note
2 items: 1 letter to Held, and a letter by Johnson addressed "To whom it may
concern." Attribution of a painting to Rubens.
box 23, folder 9
Jophnson, Nick G.,
1966
Scope and Content Note
3 items (5 leaves): 1 letter to Held, 1 letter from Held, and 1 photograph.
Attribution of a portrait painting to Rubens.
box 23, folder 10
Jona, Mattia,
1987
Scope and Content Note
4 items (5 leaves): 1 letter to Held, 1 letter from Held, and 2 photographs of a
drawing, including 1 in color. [Color photograph is shelved in Box 160, F. 3.]
box 23, folder 11
Jones, David,
1989
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. Attribution of a drawing to
Rubens. [Color photograph is shelved in Box 160, F. 4.]
box 23, folder 12
Jooris, Gabriel,
1965
Scope and Content Note
1 letter to Held and 1 photograph. Attribution of a painting to Jacob van der
Lamen [Christoph Jacobsz van der Lamen].
box 23, folder 13
Joshua, Herbert,
1966
Scope and Content Note
5 items (7 leaves): 3 letters to Held, including 1 from Anna Ruth Hess in Zurich,
and Joshua's correspondence with Hess.
box 23, folder 14
Judge, Mary Clare,
1963
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 photograph. Attribution of a landscape
painting.
box 23, folder 15
Juliano, Charles R.,
1988
Scope and Content Note
7 items: 2 letters to Held, and photocopies of letters by Joseph, Count of
Survilliers. Attribution of an artwork to Rubens.
box 23, folder 16
Juvelis, Steven,
1982-1983
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 photograph. Attribution of a
portrait painting.
box 23, folder 17
Kaplan, Stuart M.,
1955-1968
Scope and Content Note
7 items (10 leaves): 2 letters to Held and 5 letters from Held. With a mention of
Julius H. Weitzner.
box 23, folder 18
Karl & Faber,
1981
Scope and Content Note
2 items: 1 letter to Held and 1 photograph. Attribution of a drawing to
Rubens.
box 23, folder 19
Keaveney, Raymond,
1982-1983
Scope and Content Note
5 items: 1 letter to Held from the National Gallery of Ireland, 1 letter from
Held, printed mattaer, and 2 photographs. Regarding drawings referred to as
Homage to Rubens and
Susanna and the Elders.
box 23, folder 20
Keeley, Paul O.,
1964-1965
Scope and Content Note
1 letter to Held and 1 letter from Held.
box 23, folder 21
Keiffer, Joseph,
1983
Scope and Content Note
2 letters to Held from William Doyle Galleries in New York.
box 23, folder 22
Kelleher, Patrick J.,
1968
Scope and Content Note
1 letter to Held and 1 letter from Held. Attribution to Rubens of a sketch
referred to as
Death of Adonis.
box 23, folder 23
Kenseth, Joy,
1990
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held. Regarding the
painting
Collection of ancient objects by Hendrick van der
Borcht.
box 23, folder 24
Kerr, William D.,
1988
Scope and Content Note
2 items: 1 letter to Held, and copy of a letter to Kerr from H. Vliege.
Attribution of a painting to studio of Rubens.
box 23, folder 25
Kilgore, Jack,
1992
Scope and Content Note
5 items: 1 letter to Held from Gutekunst & Co., Inc. in New York, 1 letter
from Held, and 3 photographs. Attribution tu Rubens of artworks referred to as
Lamentation and
Head of a youth .
box 23, folder 26
Killer, Peter,
1979
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. Attribution of a portrait
painting to van Dyck. [Color photograph is shelved in Box 160, F. 5.]
box 23, folder 27
Kirchwehm, Gudrun,
1981
Scope and Content Note
6 items: 1 letter to Held, typescripts, including an expert opinion, and
illustrated matter. Attribution to Rubens of a painting referred to as
Girl
dressed in fur
.
box 23, folder 28
Kiser Thompson, Charlotte,
1989
Scope and Content Note
1 letter to Held.
box 23, folder 29
Kline, Fred R.,
1999
Scope and Content Note
11 items: 1 letter to Held from Fred R. Kline Gallery in Santa Fe, N.M.,
typescripts, 4 color transparencies, and 4 photographs, including 1 in color.
Attribution to Rubens and Frans Snyders of a painting referred to as
Head
of a bear
. [Color transparencies and color photograph are shelved in
Box 160, F. 6.]
box 23, folder 30
Koenig, Lionel,
1990-1991
Scope and Content Note
11 items (ca. 40 leaves): 3 letters to Held from C.E.D.A.R.T [Conservatione e
diagnostica di opere d'arte] in Florence, conservation report, typescript (ca. 21
leaves) by Franco Barella, 1 color transparency, and 5 color photographs.
Regarding Rubens attribution of a portrait painting from the collection of
Galleria di Palazzo Balbi Senarega. [Color transparency and color photographs are
shelved in Box 160, F. 7.]
box 23, folder 31
Koopman-Frick, Maria,
1987
Scope and Content Note
8 items: 2 letters to Held, 1 letter from Held, and 6 color photographs.
Attribution of a painting to Tizian. [Color photographs are shelved in Box 160, F.
8.]
box 23, folder 32
Konrad, Joseph,
1985-1986
Scope and Content Note
12 items: correspondence between Konrad, Held, and Elia G. Caterino, typescript
(1 leaf), and 2 photographs, including 1 in color. Attribution of a painting
referred to as
Susanna and the Elders to Rubens. [Color photograph
is shelved in Box 160, F. 9.]
box 23, folder 33
Kotlarski, Marek,
1997
Scope and Content Note
7 items: 2 letters to Held, 1 letter from Held, illustrated matter, and 3 color
photographs. Attribution of artwork from the collection of Zbigniew Karol
Porczynski. [Color photographs are shelved in Box 160, F. 10.]
box 23, folder 34
Kretzel, T. M.,
1991
Scope and Content Note
5 items (17 leaves): 1 letter to Held, copy of conservation report by C.E.D.A.R.T
[Conservatione e diagnostica di opere d'arte] in Florence (9 leaves), a typescript
(5 leaves), and illustrated matter. Attribution to Rubens of a painting referred
to as
Bronze snake [
Brazen serpent] .
box 23, folder 35
Kuchta, Ronald A.,
1971
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 photograph.
box 23, folder 36
Kunsthaus im Welserhof Peter Gölitz,
1990
Scope and Content Note
3 items: 1 letter to Held and 2 letters from Held.
box 23, folder 37
Land, Laurance M.,
1986
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 color photograph.
Attribution of a painting referred to as
David and Abigail. [Color
photograph is shelved in Box 160, F. 11.]
box 23, folder 38
Lanker, Klaus J.,
1989
Scope and Content Note
6 items: 1 letter to Held, printed matter, and 2 photographs. Attribution of a
drawing to Rubens.
box 23, folder 39
Latteier, Johann M.,
1994
Scope and Content Note
3 items: 1 letter to Held, and 2 color photographs. Attribution to van Dyck of a
painting referred to as
Samson and Delilah . [Color photographs are
shelved in Box 160, F. 12.]
box 23, folder 40
Leach, Mark,
1984
Scope and Content Note
3 items: 1 letter to Held from William Doyle Galleries in New York, 1 letter from
Held, and 1 photograph. Attribution of a drawing.
box 23, folder 41
Lederer, A. M.,
1963
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held, and 1 photograph. Attribution of
a portrait painting to van Dyck.
box 23, folder 42
Lee, Sherman,
1962
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. Attribution to Rubens of a
painting referred to as
Diana and her nymphs with satyrs . [Color
photograph is shelved in Box 160, F. 13.]
box 23, folder 43
Leeds, Richard M.,
1973
Scope and Content Note
3 items: 1 letter to Held and 2 color slides. Attribution of two paintings to Jan
Bruegel. [Slides are shelved in Box 160, F. 14.]
box 23, folder 44
Lefère, Fernand,
1994
Scope and Content Note
1 letter from Held.
box 23, folder 45
Lehnert, Horst,
1989
Scope and Content Note
1 letter from Held.
box 23, folder 46
Lehr, Frederike,
1962
Scope and Content Note
1 letter to Held.
box 23, folder 47
Leiman, Melvin M.,
1993
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held. Attribution of a
portrait painting referred to as
Tommasina Balbi to van Dyck.
box 23, folder 48
Leslie, Richard,
1989
Scope and Content Note
3 items: 1 letter to Held from the Wichita State University, 1 letter from Held,
and 1 color transparency. Attribution to Rubens of a painting referred to as
St. Sebastian . With a mention of Michael Jaffé. [Color
transparency is shelved in Box 160, F. 15.]
box 23, folder 49
Lester, Ernest A.,
1963
Scope and Content Note
2 items: 1 letter to Held from Development Corporation for European Common
Market, and 1 color photograph. Attribution of a painting referred to as
Assumption of the Virgin to Tintoretto or his school. [Color
photograph is shelved in Box 160, F. 16.]
box 23, folder 50
Levin, E.,
1969
Scope and Content Note
1 letter to Held (2 leaves). Regarding the sale of a portrait painting by
Leonhard Beck.
box 23, folder 51
Limburg, Jacobus A.,
1990
Scope and Content Note
1 letter to Held from Limburg Antiquairs in Amsterdam.
box 23, folder 52
Lincoln, Stoddard,
1967
Scope and Content Note
1 letter to Held. Attribution of a portrait painting.
box 23, folder 53
Lindauer, Martin S.,
1989
Scope and Content Note
5 items (10 leaves): 3 letters to Held, 1 letter from Held, and a questionnaire
(5 leaves). Regarding Lindauer's study of creativity in old-age artists.
box 23, folder 54
Lindsay, Kirk A.,
1994
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 photograph. Attribution of a drawing
to Rubens.
box 23, folder 55
Lingenauber, Eckard,
1988
Scope and Content Note
2 items: 1 letter to Held from Galerie Lingenauber in Düsseldorf, and 1 color
transparency. Attribution of a painting to Jan Bruegel the Younger or Jan Bruegel
the Elder. [Color transparency is shelved in Box 160, F. 17.]
box 23, folder 56
Lippold, Richard,
1992
Scope and Content Note
5 items: 1 letter to Held, a note, and illustrated matter. Regarding the painting
Susanna and the Elders attributed to Rubens.
box 23, folder 57
Lobkowicz, Antoine,
1986
Scope and Content Note
1 letter from Held. Attribution of a painting referred to as
The Last
Judgement
to Rubens.
box 23, folder 58
Loch, David,
1988
Scope and Content Note
5 items: 1 letter to Held from Loch & Mayberry Fine Art Inc. in Winnipeg, and
4 photographs, including 1 in color. [Color photograph is shelved in Box 160, F.
18.]
box 23, folder 59
Locker, Sidney,
1969
Scope and Content Note
2 items: 1 letter to Held and 1 photograph.
box 23, folder 60
Locks, Thomas & Angelika,
1987
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 photograph. Attribution of a
portrait painting.
box 23, folder 61
Lopez, Diego,
1998
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Attribution of a painting
referred to as
Death of the Virgin to Rembrandt.
box 23, folder 62
Lorenz, John R.,
1994
Scope and Content Note
5 items: 1 letter to Held and printed and illustrated matter. Attribution of
Portrait of a nobleman to Jan Gossaert.
box 23, folder 63
Lucido, Charles,
1991
Scope and Content Note
1 letter to Held. Attribution of a painting referred to as
Atalante et
Hippomene
[
Hippomenes and Atalanta] from the collection
of Duc Osena.
box 24
Alfredo Manganelli - Wiktoria Oseka
box 24, folder 1
Manganelli, Alfredo,
1954
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held, and 1 photograph. Attribution of
a portrait painting.
box 24, folder 2
Marcheselli, Pietro,
1989
Scope and Content Note
3 items: 1 photograph, 2 letters to Held. Attribution to van Dyck of a painting
referred to as
Moses and the Brazen Serpent . [Photograph is
shelved in Box 150*, F. 2.]
box 24, folder 3
Martinelli, Emily,
1993
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Attribution of a painting to
Rubens.
box 24, folder 4
Matteson, Robin S.,
1982
Scope and Content Note
2 letters to Held (3 leaves). Attribution of a painting to van Dyck.
box 24, folder 5
Matthiesen, Patrick,
1969-1970
Scope and Content Note
2 items: 1 letter from Held and 1 letter to Held. Attribution of a painting
referred to as the
Holy Family to Rubens.
box 24, folder 6
Mauldin, Howard Thomas,
1983-1996
Scope and Content Note
10 items: 3 letters to Held, 1 letter from Held, illustrated matter, and 3
photographs. Attribution of two drawings to Rembrandt.
box 24, folder 7
McEwan, Rhod N. T.,
1994
Scope and Content Note
18 items (29 leaves): 1 letter to Held from McEwan Gallery in Ballater, Scotland,
printed matter and typescripts, and 3 photographs, including 2 in color. Rubens
attribution of a painting referred to as head study for a portrait of Maria de
Medici. [Color photographs are shelved in Box 160, F. 19.]
box 24, folder 8
Mc Kay, Robert E.,
1967
Scope and Content Note
3 items: 1 letter to Held, photocopy of a manuscript, and 1 photograph.
Attribution of a painting referred to as
Venus at the forge of
Vulcan
to Rubens.
box 24, folder 9
McNamara, RuthAnn,
1981
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held.
box 24, folder 10
Mehr, Wolfgang,
1991
Scope and Content Note
6 items: 1 letter to Held, 1 letter from Held, a cerificate, typescript (1 leaf),
and 2 color photographs. Attribution of a painting refererd to as
Satyr mit
Früchtekorb und Mädchen
to Rubens. [Color photographs are shelved in Box
160, F. 20.]
box 24, folder 11
Merrin, Esther,
1987
Scope and Content Note
1 letter to Held.
box 24, folder 12
Mesterton-Radinsky, Jean-Jacques de,
1988
Scope and Content Note
3 items: 1 note addressed to Held, typescript (2 leaves), and 1 photograph.
Attribution of a painting referred to as
St. Peter in the manger to
Rubens.
box 24, folder 13
Meulemeester, Jean-Paul,
1998
Scope and Content Note
ca. 14 items (56 leaves): 2 letters to Held, 1 photograph, illustrated and
printed matter, and typescripts. Attribution of a painting referred to as
Portrait of Cornelis van der Geest to van Dyck.
box 24, folder 14
Meyers, Ellen Jo,
1984
Scope and Content Note
1 letter from Held. Attribution of an artwork to Rubens.
box 24, folder 15
Michaelis, Kurt W.,
1978
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 photograph. Attribution of a
portrait painting.
box 24, folder 16
Middleton, Robert W.,
1979-1980
Scope and Content Note
5 items: 1 letter to Held, 1 letter from Held, 1 letter to Middleton from Barbara
Sax, expert opinion by N. W. Vogelsang, and a business card. Attribution of a
painting to Rubens or van Dyck.
box 24, folder 17
Miraglia, Frank,
1991
Scope and Content Note
6 items: correspondence between Miraglia, Held, and Christie's in New York, and 2
color photographs. Atribution of a painting to the studio of Rubens. [Color
photographs are shelved in Box 160, F. 21.]
box 24, folder 18
Montgomery, Rioger R.,
1962
Scope and Content Note
3 items: 1 letter to Held, 1 slide, and 1 photograph. [Slide is shelved in Box
160, F. 22.]
box 24, folder 19
Moore, Effie M.,
1972
Scope and Content Note
1 letter to Held and 1 letter from Held. Attribution of a painting from the
estate of Dr. Walter M. Howlett to Rubens.
box 24, folder 20
Morrison, David,
undated
Scope and Content Note
1 letter to Held.
box 24, folder 21
Moses, Andy,
1993, undated
Scope and Content Note
3 items (4 leaves): 2 letters from Held and 1 letter to Held. Attribution to
Rubens of a painting referred to as
Moses erects the Brazen Serpent
.
box 24, folder 22
Moss, Stanley,
1972, 1985
Scope and Content Note
7 items: 2 letters to Held, 1 letter from Held, 1 color transparency, and 3
photographs. Attribution of a still life painting and a painting referred to as
Prophet Elijah to Francesco Fracanzano or Ribera. [Color
transparency is shelved in Box 160, F. 23.]
box 24, folder 23
Mougne, Marcel-Louis,
1971-1972
Scope and Content Note
11 items (12 leaves): 6 letters to Held, 2 letters from Held, 1 letter to Mougne
from Lord Chamberlain's Office, and 2 photographs, including 1 in color.
Attribution of a pastel portrait painting. [Color photograph is shelved in Box
160, F. 24.]
box 24, folder 24
Mould, Anthony,
1992
Scope and Content Note
1 letter to Held.
box 24, folder 25
Mühsam, Alice,
1962
Scope and Content Note
1 letter to Held.
box 24, folder 26
Muñoz Cortes, Sebastian,
1989
Scope and Content Note
4 items: 1 letter to Held, postal delivery notice, and 2 photographs, including 1
in color. [Color photograph is shelved in Box 160, F. 25.]
box 24, folder 27
Mussienko, Boris A.,
1984
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. Attribution to Raphael of a
painting referred to as
Holy Family called La Perla . [Color
photograph is shelved in Box 160, F. 26.]
box 24, folder 28
Navias, Eugene B.,
1964
Scope and Content Note
2 items: 1 letter to Held from the Unitarian Universalist Association in Boston,
Mass. and 1 letter from Held.
box 24, folder 29
Neider, Charles,
1965
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. Attribution of a painting to
Jan Both. [Color photograph is shelved in Box 160, F. 27.]
box 24, folder 30
Nelson, James D.,
1990?
Scope and Content Note
2 items: 1 letter to Held and 1 photograph.
box 24, folder 31
Newbery,
undated
Scope and Content Note
1 photograph of a painting or oil sketch depicting
Adoration of the
shepherds
. With label of Newbery in Oxted, Surrey [England] on verso.
Annotated by Held.
box 24, folder 32
Newton, H. Travers,
1989
Scope and Content Note
1 letter to Held from the art conservator. Attribution of paintings referred to
as
Virgin and Child and
Salomé.
box 24, folder 33
Nierman, Lewis G.,
1966
Scope and Content Note
2 items: 1 letter to Held from Nordest Gallery in Boston, Mass. and 1 photograph.
Attribution of a painting referred to as
Venus and Vulcan to Jan
Bruegel the Elder and Johann Rottenhammer.
box 24, folder 34
Oberhelman, Carl F.,
1964
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. [Color photograph is shelved in
Box 160, F. 28.]
box 24, folder 35
Ochalski, Andrzej,
1993
Scope and Content Note
12 items (ca. 20 leaves): 1 letter to Held from auction house Unicum in Warsaw,
Poland, 1 letter from Held, illustrated and printed matter, expert opinions,
conservation report, 1 color transparency and 1 color photograph. Attribution of a
painting referred to as
St. Helena to Rubens. [Color transparency
and color photograph are shelved in Box 160, F. 29.]
box 24, folder 36
Olkein, Irwin J.,
1965-1967
Scope and Content Note
5 items: 3 letters to Held and 2 letters from Held. Attribution to van Dyck of a
painting referred to as
Jesus and St. John embracing.
box 24, folder 37
Ommeren, W. L. M. van,
1984
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Attribution of a painting to
the school of Rubens.
box 24, folder 38
William O'Reilly & Company, Ltd.,
1995-1996, undated
Scope and Content Note
ca. 8 items (12 leaves): 1 letter to Held (no date), copies of 2 letters from
Michael Jaffé to Adam Stolpen, printed and illustrated matter, typescript by Jaffé
(4 leaves) on Rubens's portraits of the Archdukes in Brussels, 1 color
transparency, and 1 color photograph. [Color transparency and color photograph are
shelved in Box 160, F. 30.]
box 24, folder 39
Osborne, Robert G.,
1969
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Regarding attribution of four
paintings to Rubens.
box 24, folder 40
Oseka, Wiktoria,
1989
Scope and Content Note
4 items: 1 letter to Held and 3 color transparencies. Attribution to Rubens of a
paining referred to as
St. Helen [
St. Helena] to
Rubens, and attribution to van Dyck of 2 portrait painings. [Color transparencies
are shelved in Box 160, F. 31.]
box 25
Henry G. Paerio - Judith Russi Kirshner
box 25, folder 1
Paerio, Henry G.,
1986
Scope and Content Note
7 items: 1 letter to Held, 3 expert opinions and conservation reports, and 3
photographs. Attribution of a painting depicting Virgin Mary with Christ Child,
St. Elizabeth, and St. John the Baptist to Rubens.
box 25, folder 2
Pallardy, Charles M.,
1987
Scope and Content Note
ca. 21 items: 3 letters to Held, 2 letters from Held, copies of 2 letters from
Didier Bodart, printed matter, 1 color transparency, and 9 photographs, including
3 in color. Attribution of a painting referred to as
Le Jugement
dernier
[
Last Judgement] to Rubens. [Color transparency
and color photographs are shelved in Box 160, F. 32.]
box 25, folder 3
Palmer, Herbert B.,
1964
Scope and Content Note
4 items: 2 letters to Held from Feigen Palmer Gallery in Los Angeles, 1 letter
from Held, and 1 photograph. Attribution of a portrait painting to van Dyck.
box 25, folder 4
Paolis, Alessandra de,
1981
Scope and Content Note
5 items: 2 letters to Held, 2 letters from Held, and 1 color transparency.
Attribution of a portrait painting of a boy to Peter Lely or van Dyck. [Color
transparency is shelved in Box 160, F. 33.]
box 25, folder 5
Parkerson John E.,
1986
Scope and Content Note
ca. 8 items (9 leaves): 1 letter to Held, 1 letter from Held, printed and
illustrated matter. Attribution of
Portrait of Sir Francis Crane to
van Dyck.
box 25, folder 6
Parro, Robert Francis,
1994
Scope and Content Note
1 letter to Held (2 leaves); with a color photograph pasted in. Attribution of a
drawing referred to as
The Creation of Eve to Rubens.
box 25, folder 7
Parsons, Gilman D.,
1991
Scope and Content Note
5 items: 1 letter to Held, 1 letter from Held, and 3 color photographs.
Attribution of a painting to Rubens. [Color photographs are shelved in Box 160, F.
34.]
box 25, folder 8
Paul, Eberhard,
1993
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. [Color photograph is shelved in
Box 160, F. 35.]
box 25, folder 9
Paul, Etter,
1989
Scope and Content Note
3 items: Paul's business card, 1 letter from Held, and a note.
box 25, folder 10
Peacock, Ross L.,
1965
Scope and Content Note
4 items: 1 letter to Held and 3 photographs.
box 25, folder 11
Pearce, David,
1982
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. Attribution of a painting of
Saint Sebastian. [Color photograph is shelved in Box 160, F. 36.]
box 25, folder 12
Peebles, B.,
1962
Scope and Content Note
1 letter to Held (2 leaves).
box 25, folder 13
Perez, R. R.,
1964
Scope and Content Note
5 items: 3 letters to Held and 2 letters from Held. Attribution of a painting
referred to as
Queen Tomyris receiving the Head of Cyrus to
Rubens.
box 25, folder 14
Petersen, H. P.,
1955
Scope and Content Note
2 items: 1 letter to Held and 1 photograph.
box 25, folder 15
Peterson, Martin E.,
1972
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 25, folder 16
Petrides, Avra,
1983
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Attribution of a painting to
Rubens.
box 25, folder 17
Posselt, Joseph F.,
1964-1965
Scope and Content Note
ca. 6 items (9 leaves): 2 letters to Held and 1945 letter from Theodore R.
Racoosin to Edward J. Fay (copy).
box 25, folder 18
Pichler, R.,
1972
Scope and Content Note
5 items: 2 letters to Held, 2 letters from Held, and 1 photograph. Attribution of
a painting referred to as
Der trunkene Silen [
Drunken
Silenus
] to van Dyck.
box 25, folder 19
Pick, Anita,
1990
Scope and Content Note
10 items: 2 letters to Held, 3 color photographs, illustrated and printed matter.
Attribution of three paintings to Jan van Goyen. [Color photographs are shelved in
Box 160, F. 37.]
box 25, folder 20
Pifrader, Felix,
1989
Scope and Content Note
1 letter to Held from Argayall-Invest S.A. in Marbella, Malaga, Spain. Regarding
a painting referred to as a Michelangelo.
box 25, folder 21
Pimentel, Ursula M.,
1992
Scope and Content Note
3 items: 1 letter to Held, and 2 photographs, including 1 in color. Attribution
of a painting to Karel Philips Spierincks. With a mention of a signature by
Poussin. [Color photograph is shelved in Box 160, F. 38.]
box 25, folder 22
Poesch, Jessie,
1993
Scope and Content Note
3 items (5 leaves): 1 letter to Held, and printed matter. Attribution of several
paintings from the collection of James Robb.
box 25, folder 23
Polo, Julio E.,
1989
Scope and Content Note
ca. 10 items: correspondence between Polo, Sotheby's New York, and Held,
typescripts, printed matter, and 4 photographs, including 2 in color. Attribution
of two paintings from Polo's collection referred to as
Lion hunt
and
Magdalen and Christ in the house of Simon the Pharisee. [Color
photographs are shelved in Box 160, F. 39., The large photo is shelved in Box
165*, F. 2.]
box 25, folder 24
Ponthier, Ferdinand,
1966
Scope and Content Note
2 items: 1 letter to Held and 1 photograph. Attribution of a painting to
Rembrandt.
box 25, folder 25
Pontremoli, Maurizio,
1988-1989
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Attribution of a painting
referred to as
Adoration of the Magi to Rubens.
box 25, folder 26
Posner, Wendy L.,
1990
Scope and Content Note
5 items (6 leaves): 1 letter to Held from the Francine Ellman Gallery, 1 color
photograph, printed matter, a manuscript, and a 1995 letter from Erik Larsen to
Alex Schiffebian [?]. Attribution of a painting referred to as
Magdalene in
Penitence
to van Dyck. [Color photograph is shelved in Box 160, F.
40.]
box 25, folder 27
Prestley, Arthur F.,
1976
Scope and Content Note
4 items: 1 letter to Held and 3 color photographs. Attribution of a painting
referred to as
Der Engel führt Lot, sein Weib und seine beiden Töchter aus
dem brennenden Sodom und Gomorra
to Jacob Jordaens. [Color photographs
are shelved in Box 160, F. 41.]
box 25, folder 28
Proweller, William,
1972
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding a Rembrandt
drawing.
box 25, folder 29
Randall, Catherine Sreckee,
1962
Scope and Content Note
1 letter to Held (3 leaves). Regarding a silver beaker.
box 25, folder 30
Read, Howard K.,
1968-1969
Scope and Content Note
6 items: 2 letters to Held, 1 letter from Held, printed matters, and 2
photographs. Attribution to Rubens of a painting referred to as
Tribute
money
.
box 25, folder 31
Reddig, Karl J., Mrs.
1966-1967
Scope and Content Note
8 items (9 leaves): 4 letters to Held, 2 letters from Held, and 2 photographs.
Attribution of a miniature painting to Rubens.
box 25, folder 32
Redmond, J. L.,
1981
Scope and Content Note
4 items: 2 letters to Held, and 2 photographs. Attribution of a painting to Jacob
Jordaens.
box 25, folder 33
Reeves, George N.,
1968
Scope and Content Note
7 items: 1 letter to Held, 1 letter from Held, 1 letter to Reeves from Philippe
de Montebello at Metropolitan Museum of Art, NY, typescripts, copy of a 1940
letter by Senator A. Venturi of Italy, and 1 photograph. Attribution of a painting
referred to as
Saint John the Apostle to Francesco Trevisani.
box 25, folder 34
Renzoni, Jack A.,
1967
Scope and Content Note
2 items: 1 letter from Held and 1 letter to Held. Attribution of a drawing.
box 25, folder 35
Ridley Finch, Edward,
1983
Scope and Content Note
5 items: 2 letters to Held, including 1 from Joseph Keiffer at William Doyle
Galleries in New York, 1 letter and an invoice from Held, and Held's letter to
Keiffer. Attribution of artwork from von Fluegge estate.
box 25, folder 36
Rodda, Jenni M.,
1981
Scope and Content Note
2 items: 1 letter to Held and illustrated matter (photocopy). Attribution of a
painting referred to as
St. Peter in prison summond by the Angel
to Carel Fabritius.
box 25, folder 37
Roffman, Richard H.,
undated
Scope and Content Note
1 letter to Held. Concerning C. Bosseron Chambers.
box 25, folder 38
Rohe, Michael,
1993
Scope and Content Note
1 letter to Held (2 leaves). Attribution of an oil sketch in a private collection
in Munich.
box 25, folder 39
Romare, Ramond di,
1987
Scope and Content Note
4 items: 1 letter to Held, and 3 photographs, including 2 in color. [Color
photographs are shelved in Box 160, F. 42.]
box 25, folder 40
Rosenberger, John R.,
1982
Scope and Content Note
1 letter to Held from Rosenberger Gallery in Centerport, N.Y. and 1 letter from
Held. Attribution of a painting to Rubens.
box 25, folder 41
Rosenvinge, Arve,
1991
Scope and Content Note
3 items: 1 letter to Held and 2 photographs, including 1 in color. Attribution to
Rubens of a painting referred to as the
Tribute money . [Color
photograph is shelved in Box 160, F. 43.]
box 25, folder 42
Rudd, William A.,
1965
Scope and Content Note
12 items (13 leaves): 7 letters to Held, 4 letters from Held, and a note.
Attribution of a painting referred to as
Death of Seneca to
Rubens.
box 25, folder 43
Rullan, Yolanda B.,
1980, 1990
Scope and Content Note
15 items: 3 letters to Held, 2 letters from Held, 3 color photographs, and 7
slides. Attribution of a painting referred to as
Briseis returned to
Achilles
. [Color photographs and slides are shelved in Box 160, F.
43.]
box 25, folder 44
Rush, Robert,
1964
Scope and Content Note
8 items: 5 letters to Held, 1 letter from Held, and 2 photographs. Attribution of
a painting to Rubens.
box 25, folder 45
Russi Kirshner, Judith,
1972
Scope and Content Note
7 items: 3 letters to Held, 2 letters from Held, and 2 photographs. Attribution
of a drawing to Rubens.
box 26
Makoto Saïto - C. A. Struve
box 26, folder 1
Saïto, Makoto,
1990
Scope and Content Note
6 items: 3 letters to Held, 1 letter from Held, and Makoto Saïto's letters to
Luis A. Ferré and to Ponce Art Museum. Concerning exibition of van Dyck in
Japan.
box 26, folder 2
Sakowski, Rainer,
1998
Scope and Content Note
2 items (3 leaves); 1 letter to Held and 1 letter from Held.
box 26, folder 3
Salvatore, Vanella,
1998
Scope and Content Note
1 letter to Held.
box 26, folder 4
Scannell, Alice,
1969
Scope and Content Note
2 items: 1 letter to Held and 1 photograph. Attribution to van Dyck of a painting
referred to as
Portrait of the Earl of Strafford with secretary
.
box 26, folder 5
Schade, Dr.,
1997
Scope and Content Note
1 letter from Held to [Werner?] Schade concerning a painting referred to as
Agony in the garden.
box 26, folder 6
Schaik, C. van,
1988
Scope and Content Note
4 items: 1 letter and 1 mailgram to Held, and 2 photographs. Attribution of two
paintings to Rubens.
box 26, folder 7
Schlegell, Virginia L. D. von,
1981
Scope and Content Note
3 items: 1 letter to Held, and 2 color photographs. Attribution of a portrait
painting. [Color photographs are shelved in Box 160, F. 45.]
box 26, folder 8
Schöne, Brigitte,
1984
Scope and Content Note
3 items (4 leaves): 1 letter to Held, 1 letter from Held, and illustrated matter.
Attribution of a drawing.
box 26, folder 9
Schori, Ward K.,
1972
Scope and Content Note
2 items: 1 letter to Held and 1 photograph. Attribution of a painting to
Rubens.
box 26, folder 10
Schott, Walter,
1987
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 typescript (bound, 20
leaves, with 1 color photograph pasted in). Schott's paper
Die Korngabe als
Symbol der Eucharistie auf den Beweinungsbildern von Peter Paul
Rubens
.
box 26, folder 11
Schrager, A. J.,
1965
Scope and Content Note
4 items: 2 letters to Held from Milwaukee Auction Galleries, 1 letter from Held,
and 1 photograph. Attribution of
Potrait of Sir Henry Vane, Jr. to
van Dyck.
box 26, folder 12
Schreyer Loebl, Greta,
1990
Scope and Content Note
10 items: 1 letter to Held, 1 letter to Held, a 1971 letter to Held from Apet
Chalikian, expert opinions, and 2 photographs, including 1 color polaroid.
Attribution of a painting referred to as
Head of a man. [Color
photograph is shelved in Box 160, F. 46.]
box 26, folder 13
Schubert, C. H. J.,
1992
Scope and Content Note
4 items: 1 letter to Held, 1 leaf of illustrated matter, and 2 copies of a
typescript. Pasted in are several photographs. Attribution of a painting referred
to as
Hero and Leander to Rubens.
box 26, folder 14
Schütte, Sven,
1997
Scope and Content Note
3 items: 2 letters to Held and Schütte's paper
Rubens: Diogenes sucht
einen Menschen
with numerous color photographs pasted in.
box 26, folder 15
Schweitzer, Wilhelm,
1969, undated
Scope and Content Note
4 items: 1 letter to Held, copies of a manuscript text and letter to Schweitzer
from Iconographisch Bureau in Hague, and 1 photograph. Attribution to Van Dyck of
a painting referred to as
Portrait of Gustaf II Adolf King of
Sweden
.
box 26, folder 16
Semowich, Charles,
1989
Scope and Content Note
1 letter to Held.
box 26, folder 17
Sergold, Leon M.,
1978
Scope and Content Note
17 items, including 6 letters to Held and 8 photographs. Attribution of several
paintings.
box 26, folder 18
Shepherd Gallery,
undated
Scope and Content Note
6 items: a note to Held, illustrated and printed matter, and expert opinion.
Attribution of a portrait painting referred to as
Saint-Louis de
Gonzagues
to Rubens.
box 26, folder 19
Silverman, Peter,
1986
Scope and Content Note
3 items (4 leaves): 1 letter to Held, 1 color transparency, and 1 photograph.
Attribution of a portrait painting to van Dyck. [Color transparency is shelved in
Box 160, F. 47.]
box 26, folder 20
Simon, Steven I.,
1963
Scope and Content Note
3 items: 1 letter to Held, and 2 photographs, including 1 in color. Attribution
of a portrait painting. [Color photograph is shelved in Box 160, F. 48.]
box 26, folder 21
Simpson, Michael,
1991
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 photograph. Attribution of a
painting to Rubens.
box 26, folder 22
Smith, Calvin R.,
1972
Scope and Content Note
3 items (4 leaves) 1 letter to Held, 1 letter from Held, and 1 color photograph.
Attribution of a painting to Rembrandt. [Color photograph is shelved in Box 160,
F. 49.]
box 26, folder 23
Smolar-Meynart, A.,
1978
Scope and Content Note
3 items: 1 letter and 1 postcard to Held, and 1 letter from Held.
box 26, folder 24
Snyder, Eugene K.,
1962
Scope and Content Note
3 items: 1 letter to Held, 1 color transparency, and 1 photograph. Attribution of
a painting referred to as
Crucifixion with Madonna to Jacob
Jordaens. [Color transparency is shelved in Box 160, F. 50.]
box 26, folder 25
Solovici, Eric,
1989
Scope and Content Note
3 items (4 leaves): 1 letter to Held from Gismondi gallery in Paris, illustrated
matter, and 1 color photograph. Attribution of a drawing to Rubens. [Color
photograph is shelved in Box 160, F. 51.]
box 26, folder 26
Spetz, Marshall A.,
1966
Scope and Content Note
1 letter to Held. Attribution to Rubens of a painting referred to as
Death
of Seneca
.
box 26, folder 27
Springman, Charles W.,
1967
Scope and Content Note
2 items: 1 letter to Held and 1 photograph. Attribution of a painting to
Rubens.
box 26, folder 28
Srnic, Vojislav,
1997
Scope and Content Note
9 items: correspondence between Held, Srnic and Kupferstichkabinett, Staatliche
Museen zu Berlin, Preussischer Kulturbesitz (Holm Bevers), and 3 photographs,
including 1 in color. One of the photographs is of a 1932 typescript. Attribution
of a drawing to Rubens. [Color photograph is shelved in Box 160, F. 52.]
box 26, folder 29
Stassart, Andrée,
1985
Scope and Content Note
7 items: 3 letters to Held, 2 letters from Held, and 2 business cards.
Attribution of a painting referred to as
Crowning of the victor
.
box 26, folder 30
Stair Sainty, Guy,
1988
Scope and Content Note
1 letter to Held.
box 26, folder 31
Steinberger, Michael,
1981
Scope and Content Note
ca. 34 items (ca. 47 leaves): 6 letters to Held and 3 letters from Held. Also
present are letters to Held from Albert Cohen at Sapho Gallery, Yamilé d'Arrigo,
and Gerard Stora, manuscript notes, printed and illustrated matter, typescript (5
leaves) by Stephen Pepper, 1 slide, 1 color transparency, and 13 photographs.
Attribution of a painting referred to as
Fortuna and Virtus joining hands.
[Slide and color transparency are shelved in Box 160, F. 53.]
box 26, folder 32
Stern, Leonard N.,
1965
Scope and Content Note
2 items: 1 letter to Held and 1 photograph. Attribution of a portrait painting to
van Dyck.
box 26, folder 33
Sternfeld, Bert E.,
1986
Scope and Content Note
3 items: 1 letter to Held, typescript (1 leaf), and 1 photograph. Attribution of
a drawing to Rubens. [Also see letter to Held filed in Box 62, F14.]
box 26, folder 34
Stewart, Robert G.,
1970
Scope and Content Note
3 items: 1 letter to Held from National Portrait Gallery [Washington D.C.], and 2
leaves of illustrated matter. Regarding paintings
Three graces by
Henry Benbridge and
Discovery of Achilles.
box 26, folder 35
Stockwell, Richard E.,
1963
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held, and 1 photograph. Attribution of
a portrait painting of Rubens.
box 26, folder 36
Stoeckert, Hans J.,
1985
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. [Color photograph is shelved in
Box 160, F. 54.]
box 26, folder 37
Stolbach, Michael Hunt,
1990
Scope and Content Note
1 letter to Held.
box 26, folder 38
Stoll, Germaine,
1987
Scope and Content Note
3 items: 1 letter to Held, copy of a letter to Stoll from Gruppo Rizzoli Corriere
della sera (Francesco Tombolini), and a provenance statement regarding a painting
referrred to as
Virgin and child.
box 26, folder 39
Stone, Alan,
1997
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. Attribution of a drawing from
the collection of Antoine Ferrand de Monthelon. [Color photograph is shelved in
Box 160, F. 55.]
box 26, folder 40
Stone, James L.,
1963
Scope and Content Note
2 items: 1 letter to held and 1 photograph. Attribution of a painting to van
Ostade.
box 26, folder 41
Stroesser, Robert J.,
1989
Scope and Content Note
1 letter to Held from the curator at the Denver Art Museum.
box 26, folder 42
Struve, C. A.,
1990
Scope and Content Note
8 items: 1 letter from Held, an expert opinion by Erik Larsen, 1 color
photograph, envelope with Struve's address, and printed matter. Attribution of a
painting referred to as
Portrait of General Fairfax to van Dyck.
[Color photograph is shelved in Box 160, . 56.]
box 27
Jack Tanzer - Herbert Zohn
box 27, folder 1
Tanzer, Jack,
1987, 1992
Scope and Content Note
7 items: 2 letters to Held, 2 lettes from Held, 2 photographs, including 1 in
color, and 1 color transparency. Attribution of a painting to Rembrandt and a
painting referred to as
Lybian King. [Color photograph and color
transparency are shelved in Box 160, F. 57.]
box 27, folder 2
Tapparo, Dr.,
undated
Scope and Content Note
3 items (4 leaves): 1 letter to Held, and 2 color transparencies. [Color
transparencies are shelved in Box 160, F. 58.]
box 27, folder 3
Taylor, Elizabeth,
1969
Scope and Content Note
1 letter to Held regarding a painting attributed to van Dyck.
box 27, folder 4
Telemundi Europe e.V.,
1990
Scope and Content Note
4 items: 2 telefax messages to Held (Roland Cracco). Attribution of a painting
referred to as
Suzanne et les viellards [
Susanna and the
Elders
] to Rubens .
box 27, folder 5
Terry-Engell, Herbert,
1989
Scope and Content Note
8 items: 1 letter to Held, 1 letter from Held, printed matter, business card, and
2 photographs, including 1 in color. Attribution to Rubens of an oil sketch
referred to as
Sacrifice of Abraham . [Color photograph is shelved
in Box 160, F. 59.]
box 27, folder 6
Thiem, G.,
1956
Scope and Content Note
3 items: 2 letters to Held, and 1 photograph of a silver panel depicting Virgin
Mary.
box 27, folder 7
Thomas, Harold C.,
1969
Scope and Content Note
2 items: 1 letter to Held (3 leaves) and 1 photograph. Attribution of a portrait
painting to Rembrandt.
box 27, folder 8
Thomas, Sigrid,
1995
Scope and Content Note
3 items (4 leaves): 1 letter to Held, 1 letter from Held, and 1 color photograph.
Attribution to van Dyck of a
Crucifixion painting. [Color
photograph is shelved in Box 160, F. 60.]
box 27, folder 9
Titus, Joseph H., Mrs.,
1960
Scope and Content Note
1 letter to Held. Attribution of a painting referred to as the
Woman of
Samaria
.
box 27, folder 10
Trafas, Molly,
1988
Scope and Content Note
1 letter to Held and 1 letter from Held. Attribution of a painting referred to as
St. John the Evangelist.
box 27, folder 11
Trembley, Phillip W.,
1975
Scope and Content Note
3 items: 1 letter to Held (and copy) and 1 color photograph. Attribution of a
landscape painting. [Color photograph is shelved in Box 160, F. 61.]
box 27, folder 12
Turquin, Eric,
1992
Scope and Content Note
2 items: 1 letter to Held and 1 color transparency. Attribution of a painting
referred to as
Study for a Saint Peter. [Color transparency is
shelved in Box 160, F. 62.]
box 27, folder 13
Tyler, Charles B.,
1993
Scope and Content Note
8 items: 1 letter to Held (2 leaves) and 7 photographs, including 2 in color.
Attribution to Rubens of a painting referred to as
Portrait of a young
capitain
. [Color photographs are shelved in Box 160, F. 63.]
box 27, folder 14
Udekem d'Acoz, Marie-Eliane de,
1991-1992
Scope and Content Note
2 letters to Held.
box 27, folder 15
Do Vale, Sisenando G. P.,
1988
Scope and Content Note
4 items: 1 letter to Held, printed and illustrated matter. Attribution of a
painting referred to as
Meleager and Atalanta.
box 27, folder 16
Valiant, Ralph L.,
1954
Scope and Content Note
3 items: 2 letters to Held from American Fund for Israel Institutions, and 1
photograph. Attribution of a painting to Pieter de Hoogh.
box 27, folder 17
Vallejo y Patiño, Alfonso de,
1993
Scope and Content Note
4 items: 1 letter to Held, expert opinion by Justus Müller Hofstede, illustrated
matter, and a business card. Attribution of a painting referred to as
Atalanta and Meleager to Rubens.
box 27, folder 18
Varsano, Daniel,
1983, undated
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Attribution of a painting
referred to as
Hunt of Diana.
box 27, folder 19
Vernimmen, Marie-Louise,
1986
Scope and Content Note
5 items: 2 letters to Held, a typescript, and Held's correspondence with Julius
Szakaly. Attribution of painting
Saint Magdalen, the repentant
Sinner
from collection of Herman Linde to Rubens.
box 27, folder 20
Vetter, Eve,
1965
Scope and Content Note
2 items (3 leaves): 1 letter to Held and illustrated matter. Attribution of a
painting referred to as
Suzanna taking a bath [
Susanna and
the Elders
].
box 27, folder 21
Vilmorin, Antoine de,
1994
Scope and Content Note
3 items: 2 letters to Held (3 leaves) and 1 color transparency. Attribution of a
painting to Rubens. [Color transparency is shelved in Box 160, F. 64.]
box 27, folder 22
Violante, Marcello,
1990
Scope and Content Note
5 items: 1 letter to Held from Chaucer Fine Arts Inc. in London, printed matter,
1 color transparency, and 2 photographs. Attribution to Frans Francken the Younger
of a painting referred to as
Triumph of Bacchus . [Color
transparency is shelved in Box 160, F. 65.]
box 27, folder 23
Wachter, George,
1994
Scope and Content Note
ca. 6 items: Held's correspondence with Sotheby's in New York (Wachter, Gourd), 1
letter to Ph. Leclerc-Lestienen from Kunsthandel J. Goudstikker (dated 1937),
expert opinion by Gustav Glück, 1 color transparency, and 1 photograph.
Attribution of a painting referred to as
Portrait of a child.
[Color transparency is shelved in Box 160, F. 66.]
box 27, folder 24
Wachters, Reggy,
1982
Scope and Content Note
ca. 14 items: letter to Wachters from Erik Vandamme, expert opinions by Wachters,
Louis Delvaulx, and Florent Bex. Attribution to Rubens of a painting referred to
as
Treaty of Angoulème .
box 27, folder 25
Wakhevitch, Alexandre,
1990
Scope and Content Note
ca. 6 items (13 leaves): 1 letter to Held, printed matter, 1 color transparency,
and 1 photograph. Attribution of a portrait painting. [Color transparency is
shelved in Box 160, F. 67.]
box 27, folder 26
Warshaw, Monroe,
1996
Scope and Content Note
4 items: 1 letter to Held, illustrated matter, 1 loosely inserted and 5 color
photographs pasted in a bound volume. Attribution of a drawing to Jacob
Jordaens.
box 27, folder 27
Weatherbie, Matthew A.,
1994
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and typescript (1 leaf).
Attribution to Rubens of an oil sketch referred to as
Holy Family under the
apple tree
.
box 27, folder 28
Webster, Elmer R.,
1972
Scope and Content Note
6 items (7 leaves): 2 letters to Held, 2 letters from Held, and 2 color
photographs. Attribution of a painting referred to as
Virgin Mary and Holy
Infant. [Color photographs are shelved in Box 160, F. 68.]
box 27, folder 29
Weeks, Edward F.,
1984
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 photograph. Attribution of a
drawing to Rubens.
box 27, folder 30
Wellesley College Museum,
1979
Scope and Content Note
1 letter to Held from Ann Gabhart, and 1 photograph. Attribution of a marble
relief referred to as
Flora.
box 27, folder 31
Wells, Paul J.,
1994
Scope and Content Note
3 items: 2 letters to Held, and 2 color photographs pasted on cardboard. [Color
photographs are shelved in Box 160, F. 69.]
box 27, folder 32
Wentworth, Michael,
1968
Scope and Content Note
1 letter to Held.
box 27, folder 33
Werschak, Gernot,
1984
Scope and Content Note
1 item: Persona Verlag advertisement for the novel
Manja by Anna
Gmeyner. Annotated by Held with Werschak's name.
box 27, folder 34
West, Val A. Jr.,
1989
Scope and Content Note
3 items: 1 letter to Held (5 leaves), a note, and 1 photograph. Attribution of a
portrait painting to Rubens.
box 27, folder 35
Weston, Robert T.,
1975
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. [Color photograph is shelved in
Box 160, F. 70.]
box 27, folder 36
Whistler, Joe,
undated
Scope and Content Note
3 items: 1 color transparency, 1 photograph, and illustrated matter. Photograph
annotated with Whistler's name on verso. A painting from Estate Bertha
[Goodrian?]. [Color transparency is shelved in Box 160, F. 71.]
box 27, folder 37
Wijs, R. E. G. de,
1985
Scope and Content Note
3 items: 1 letter to Held and 2 photographs, including 1 in color. Rubens
attribution of a painting referred to as
Boreas and Oreithuia.
[Color photograph is shelved in Box 160, F. 72.]
box 27, folder 38
Williams, David,
1984
Scope and Content Note
1 letter (3 leaves) to Held.
box 27, folder 39
Wilmoth, George,
1985
Scope and Content Note
2 items: 1 letter to Held (2 leaves) and 1 color transparency. [Color
transparency is shelved in Box 160, F. 73.]
box 27, folder 40
Wilson, Robert E.,
1967
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. Attribution of a painting
depicting a swan. [Color photograph is shelved in Box 160, F. 74.]
box 27, folder 41
Winokur, Ronald L.,
1986
Scope and Content Note
3 items: 1 letter from Held, 1 photograph and catalog entry. Attribution of a
painting refererd to as
Christ and the penitent sinners to Jacob
Jordaens.
box 27, folder 42
Wiseman, Larry,
1969
Scope and Content Note
3 items: 1 letter to Held and 2 photographs, including 1 in color. Attribution of
a painting referred to as
Christ Child on a globe. [Color
photograph is shelved in Box 160, F. 75.]
box 27, folder 43
Wolf, Edmund O.,
1969
Scope and Content Note
1 letter to Held.
box 27, folder 44
Wolf, Daniel,
1982
Scope and Content Note
3 items: 1 letter to Held, and 2 color photographs. [Color photographs are
shelved in Box 160, F. 76.]
box 27, folder 45
Wolf, Peter,
1990
Scope and Content Note
1 letter to Held from Dorotheum in Vienna.
box 27, folder 46
Wolfe, Karin Elizabeth,
1991
Scope and Content Note
5 items: 1 letter and a card to Held, 2 leaves of typescript (catalog entries),
and 1 photograph. Rubens attribution of two paintings from Ascot House collection
referred to as
Hélène Fourment and
The Madonna and
Child
. With a mention of Michael Jaffé.
box 27, folder 47
Ysequilla, Albert,
1991
Scope and Content Note
16 items (26 leaves): 1 letter to Held, 1 letter from Held, illustrated matter,
typescripts, including one with address of Jack Tanzer Galleries, expert opinion
by Maurizio Marini (2 copies, one annotated by Held), conservation report by
C.E.D.A.R.T., 1 color transparency, and 5 photographs. Attribution to Rubens of a
painting referred to as
St. Helena . [Color transparency is shelved
in Box 160, F. 77.]
box 27, folder 48
Zeitlin & Ver Brugge Booksellers,
1963
Scope and Content Note
4 items: 1 letter to Held signed by James Normile and 3 photographs.
box 27, folder 49
Zafran, Eric M.,
1982
Scope and Content Note
2 items: 1 letter to Held and 1 photograph. Attribution of a drawing to van
Dyck.
box 27, folder 50
Zimmermann, J. M.,
1980
Scope and Content Note
2 items: 1 letter to Held from Gregoire Galleries, Inc. in New York and 1 letter
from Held. Attribution of a painting referred to a
Portrait of Gaston, Duke
of Orleans
to van Dyck.
box 27, folder 51
Zohn, Herbert,
1985
Scope and Content Note
12 items: 1 letter to Held from Zoma Gallery in New York, 1 letter from Held,
expert opinions, including one by Leo van Puyvelde, and 5 photographs. Attribution
to Rubens of a painting referred to as
Hunt of Meleager and
Atalanta
.
box 27, folder 52
Unidentified,
undated
Scope and Content Note
8 items: typescript listing four artworks by Rubens (letterhead of
Euro-Internatsberatung), 2 color transparencies, and 2 photographs, including 1 in
color. [Color transparencies and color photograph are shelved in Box 160, F.
78.]
box 27, folder 53
Unidentified inquiry,
undated
Scope and Content Note
4 items: 3 leaves of typescripts and 1 color photograph. Documents concerning
Paul van Somer attribution of a painting believed to be a
Portrait of
William Shakespeare
, including expert opinions by Stephan Bourgeois and
Barbara C. Matison. [Color photograph is shelved in Box 160, F. 79.]
Series II.
Publication research,
1931-1999
Physical Description:
2.94 Linear
Feet
Scope and Content Note
This series documents Held's research for his various publications: copious notes,
typescript and handwritten drafts, annotated printed matter matter, numerous photographs
and other illustrative material. Related correspondence is frequently included.
Most extensively documented is Held's research for his essays on Willem van Haecht's
painting
Picture Gallery of Cornelis van der Geest and on Jacob van
Campen's portrait of Constantin Huygens and his wife. Other well documented projects by
Held are a catalog of drawings at the New York Public Library; the revised version of
his article on Edward Hick's painting
Peaceable kingdom; the article
"Carolus Scribanius' observations on art in Antwerp" ; the essay for Panofsky
Festschrift "Flora, goddess and courtesan"; the essay "The early appreciation of
drawings"; the essay "Rubens and the Vita Beati P. Ignatii Loiolae of 1609"; research
for the book
17th and 18th century art, research for the exhibition
Rubens and the book ; material on a tapestry donation by Duke Philip
the Good titled
Views of Jerusalem; and material on the Rubens
attribution of tapestry cartoons at the National Museum of Wales in Cardiff.
Also included are items connected to Held's reviews of publications by Ursula
König-Nordhoff, Felice Stampfle, and Karel G. Boon.
A small portion comprises Held's correspondence with various publishing houses filed in
Box 28, Folders 1-4. These items were originally filed by Held together as one group
labelled Publishers (General) but are here filed separately under the name of the
publishing house. Another distict group are press clippings of Held's commentaries on
various cultural and political events filed in Box 33, Folder 6.
The series is arranged chronologically by publication date.
box 28, folder 1-4
Publishers (General),
1951-1968
box 28, folder 1
Holt, Rinehart, and Winston, inc.,
1964
Scope and Content Note
3 items (5 leaves): 1 letter to Held, 1 letter from Held, and 1 leaf of typescript.
Held's commentary on Charles Cuttler's manuscript for
Northern painting from
Pucelle to Bruegel
.
box 28, folder 2
Columbia University Press,
1965
Scope and Content Note
2 items (4 leaves): Held's letter to Henry H. Wiggins at Columbia University Press
and 2 leaves of notes. Held's opinion about Irving Laurence Zupnick's book on
Bruegel.
box 28, folder 3
New York Graphic Society,
1967
Scope and Content Note
6 items of correspondence regarding reissue of
La peinture flamande des van
Eyck à Metsys
by Leo van Puyvelde.
box 28, folder 4
Scott, Foresman and Company,
1968
Scope and Content Note
4 items (6 leaves): 3 letters to Held and 1 letter from Held. Invitation to write a
chapter for a book on history of Western art.
box 28, folder 5
Catalog of drawings at New York Public Library ,
1934?, undated
Scope and Content Note
ca. 120 items: 80 3x5 in. catalog cards, 26 leaves of notes, and 17 photographs. A
note by Held connects these items to a catalog of "P L drawings", a project finished
22 March 1934 and delivered to Frank Weitenkampf.
box 28, folder 6-12
Views of Jerusalem,
1931-1992
Scope and Content Note
ca. 250 items connected to Held's research on a tapestry donation by Duke Philip
the Good. Mostly pre-war material in German. Correspondence: 7 letters to Held and 2
letters from Held; draft for a lecture (10 leaves, manuscript); ca. 140 leaves of
notes; 18 paging slips from Preussische Staatsbibliothek (pre-war, some dated 1931);
ca. 20 leaves of typescripts and printed matter; 1 press clipping; images of
artworks: 1 color transparency, 39 photographs and 3 leaves of illustrations; and
images of Jerusalem: 6 commercially produced photographic images with printed
captions, 6 snapshot photographs, and 9 illustrations. [Items in folder 7 are
fragile; photocopies made on acid-free paper.] [Color transparency from Box 28, F.
11 is shelved in Box 160, F. 80.]
box 28, folder 13
Undated: "Non-entry of Leopold Wilhelm in Antwerp 1648",
undated
Scope and Content Note
26 items: ca. 20 leaves of notes and printed matter, 6 photographs. Held's original
folder, annotated, is preserved. Material connected to an unpublished essay. Folder
annotation points to a publication on the same topic by Hans Vlieghe.
box 28, folder 14-17
1951: "Edward Hicks and the tradition",
1943-1951, undated
Scope and Content Note
Folders 8-11 contain ca. 120 items connected to Held work on a revised version of
his 1949 article on Edward Hicks's painting
Peaceable kingdom, issued
in Art Quarterly [14, 1951, pp. 120-36]. Included are: correspondence (10 items)
with
Art in America ( Jean Lipman), E. P. Richardson and Paul L.
Grigaut at Detroit Institute of Arts, Robert W. Carle, the Long Island Historical
Society, and the Old Print Shop in New York; ca. 70 leaves of notes; 25 library
paging slips, and 16 leaves of images, including 6 photographs, and 2
engravings.
box 29, folder 1-17
1957: "Artis pictoriae amator: an Antwerp art patron and his
collection",
bulk 1952-1959, undated
Scope and Content Note
Folders 1- 17 contain ca. 410 items connected to Held's research for his paper on
Willem van Haecht's painting
Picture Gallery of Cornelis van der Geest,
first issued in
Gazette des beaux-arts [vol. L., 1957], and reprinted
in 1982 in
Rubens and his circle. Photographs are filed in Box 30,
folders 1-5.
box 29, folder 1
Correspondence,
1936-1991, bulk 1952-1959
Scope and Content Note
14 items: 11 letters to Held and 3 letters from Held. Held's letters are to Erica
[Tietze-Conrat?], Fr. Blockmans [Stad Antwerpen Stadsarchief], and Archives de la
Ville d'Anvers. Letters to Held are from Ateneumin Taidekokoelmat in Helsinki
(1936), Rijksbureau voor Kunsthistorische Documentatie in Hague, California Palace
of the Legion of Honor in San Francisco, Musée royal des beaux-arts d'Anvers, Ingvar
Bergström, Walther Bernt, Archives de la Ville d'Anvers, and a 1991 letter to Held
from Citibank, Art Advisory Service in New York.
box 29, folder 2-10
Notes,
undated
Scope and Content Note
Folders 2-10 contain a total of ca. 280 leaves of notes.
box 29, folder 11
Typescript: "Zwei springende Pferde",
undated
Scope and Content Note
1 typescript (2 leaves), inscribed with name of Maurice Garbaty, and annotated.
Inserted are 5 small photographs of bronze statues of horses attributed to Pietro
Tacca.
box 29, folder 12
Typescript: "Antwerpen, Stadsarchief, Schepenregisters",
undated
Scope and Content Note
1 typescript (40 leaves). Includes entries dating from 1586 Feb. 5 to 1638 July 12.
With annotations.
box 29, folder 13
Typescript: "Cornelis van der Geest (Vergeest)",
undated
Scope and Content Note
1 typescript (7 leaves). Annotated. In Dutch.
box 29, folder 14
Typescript on Cornelis van der Geest ,
undated
Scope and Content Note
1 typescript (31 leaves); extensively annotated draft.
box 29, folder 15
Typescript: "Love in the kunstkamer: additions to the work of Guillam van
Hecht (1593-1637)" by Gary Schwartz,
1996
Scope and Content Note
1 typescript (10 leaves). Photocopy. Annotated by Held.
box 29, folder 16
Printed matter, and
1958-1959, undated
Scope and Content Note
7 items: 2 loose leaves of printed matter, 4 offprints, and photocopy of an article
by Frans Baudouin, annotated by Held.
box 29, folder 17
Illustrated matter,
undated
Scope and Content Note
ca. 17 leaves of illustrations: loose leaves and photocopies. Included is a hand
drawn colored plan of Antwerp, and a card printed with name of Jan-Albert Goris.
box 30, folder 1-5
"Artis pictoriae amator: an Antwerp art patron and his
collection",
bulk 1952-1959
Scope and Content Note
90 photographs; several are cropped, marked for cropping, or cut; 1 printed color
illustration.
box 30, folder 1-3
Photographs,
Scope and Content Note
Photographs, including details of van Heacht's painting.
box 30, folder 4-5
Photographs,
Scope and Content Note
Photographs of artworks depicted in van Haecht's painting.
box 30, folder 6-9
"Flora, goddess and courtesan" (publ. 1961),
1946-1973, undated
Scope and Content Note
ca. 200 items connected to Held's essay issued in
Essays in honor of Erwin
Panofsky
: ca. 160 leaves of notes, 27 photographs, 2 postcards, printed and
illustrated matter, and correspondence: 7 letters to Held from Fogg Art Museum (Sydney
Freedberg and Millard Meiss), University of Minnesota (E. Maurice Bloch), Institute
for Advanced Study (Erwin Panofsky); 1 letter from Held to von Erffa, with a
typescript (6 leaves). Also included is a 1973 letter to Held from Samuel Kinser with
typescript (2 leaves) for Kinser's research project
Western Wind.
box 31, folder 1-5
Alteration and mutilation of works of art (publ.
1963),
1960-1976, undated
Scope and Content Note
ca. 145 items connected to Held's research for his book. Correspondence (13 items)
with: Christian Wolters at Bayerische Staatsgemäldesammlungen, Karl Loevenich, Irene
Kühnel at Ehemals Staatliche Museen Berlin Dahlem Gemäldegalerie, Earl Mueller at Duke
University, Museum der Bildenden Künste zu Leipzig, Katherine Paris at Columbus
Gallery of Fine Art, and a letter to Held, with 2 photographs, from Karin Bastian at
Universität Hamburg; ca. 30 leaves of notes; 2 annotated drafts of Held's paper: one
handwritten (20 leaves) and one typed (16 leaves); ca. 30 items of printed and
illustrated matter and press clippings; and 70 photographs. [8 leaves of press
clippings are shelved in Box 145*, F. 9.]
box 31, folder 6-12
"The early appreciation of drawings, studies in Western art" (publ.
1963),
1961-1963, undated
Scope and Content Note
ca. 200 items connected to Held's research for his paper
The early
appreciation of drawings, studies in Western art
, issued in
Acts of
the Twentieth International Congress of the History of Art
[Princton 1963].
Included are: correspondence (5 items) with Princeton University (Mark Roskill and
Rosalie Green), National Museum Stockholm, Anthony Blunt, and Maria E. van Regteren
Altena; ca. 190 leaves of notes; 2 typescripts, including annotated draft (27 leaves)
for Held's paper and 12 leaves beginning with words "Catalogue de quelques dessins du
cabinet de G. G. T. ..."; illustrated matter; and 14 photographs.
box 31, folder 13
"Memorandum concerning the establishement of an American Center for the Study
of Northern European Painting" (publ. 1970?),
ca. 1970
Scope and Content Note
1 item (9 leaves): Held's draft. A Clark Art Institute project; never realized.
box 32, folder 1-3
17th and 18th century art
1972,
Scope and Content Note
ca. 178 items: correspondence with Prentice-Hall, Inc. (2 letters to Held and 3
letters from Held), 2 pen drawings, and ca. 160 leaves of notes.
box 32, folder 4
"Caravaggio and his followers",
1971-1972, undated
Scope and Content Note
21 items (22 leaves): 2 letters from Held to editors of
Art in
America
, 12 leaves of notes, printed matter, and 6 photographs. Items
connected to Held's review of an exhibition held at Cleveland Museum of Art, issued in
Art in America [1972; 60(3): pp. 40-47].
box 32, folder 5
"Rubens and the Vita Beati P. Ignatii Loiolae of 1609" (publ.
1972)
1966, 1972, undated
Scope and Content Note
ca. 70 items connected to Held's essay issued in
Rubens before 1620:
correspondence (13 letters to Held and 3 letters from Held) with Ministère des
affaires culturelles in Paris, Wolfgang Adler, Mrs. Bodmer-Abegg, Marie Thérese
d'Alvermy [?], Biliothèque nationale in Paris, Metropolitan Museum of Art in New York,
State University of New York at Stony Brook, Fordham University, Stadsbibliotheek in
Antwerp, Staatliche Kunstsammlungen Kassel, and Princeton University. Also ca. 60
leaves of handwritten notes, 2 press clippings, and printed matter.
box 32, folder 6
Recommendations for the American Assembly,
1974
Scope and Content Note
5 items: 2 letters to Held, 2 letters from Held, and draft of Held's paper (3 leaves)
for the 46th American Assembly.
box 32, folder 7
Rubens and the book
1973-1983, undated
Scope and Content Note
ca. 113 items connected to the catalog of an exhibition held in 1977 at Chapin
Library in Williamstown, Mass.: Held's correspondence with Léon Voet, letters to Held
from Michael Jaffé, Houghton Library (Eleanor M. Garvey), Winslow Ames, Hans Gerhard
Evers, Keith Andrews, I. Grafe, J. Douglas Stewart at Queen's University, and Jan
Bialostocki; 16 mounted exhibition labels; and ca. 60 leaves of notes, printed and
illustrated matter. With frequent annotations.
box 32, folder 8
"Rubens and Aguilonius: new points of contact"
1976-1978
Scope and Content Note
ca. 19 items connected to Held's article issued
Art Bulletin [June
1979, vol. LXI, no. 2]. Correspondence: 3 letters to Held and 15 leaves of notes,
typescripts, and printed matter.
box 32, folder 9-12
Cardiff cartoons,
1979-1986, undated
Scope and Content Note
ca. 170 items connected to the controversial Rubens attribution of tapestry cartoons
acquired by the National Museum of Wales in Cardiff.
box 32, folder 9
Correspondence,
1979-1986
Scope and Content Note
Ca. 70 items, including ca. 40 letters to Held and ca. 30 letters from Held. The
main portion comprises correspondence with Neil MacGregor at Burlington Magazine.
Other correspondents include: Svetlana Alpers, Peter Cannon-Brooks, Guy Delmarcel,
David Freedberg, Norman Leitman, Christpher Norris, Charles Scribner III, Otto
[Skutsch?], Hans Vlieghe, and others.
box 32, folder 10
Notes, typescripts, printed matter,
1979, undated
Scope and Content Note
ca. 35 items (ca. 110 leaves): notes, annotated printed matter, photocopies, and 3
typescripts, including an interview between Bob Humphrys and Mr. Ciechanowiecki at
Heim Gallery, London.
box 32, folder 11
Press clippings,
1979-1986
Scope and Content Note
20 press clippings, including several photocopies. [4 leaves of press clippings are
shelved in Box 145*, F.10.]
box 32, folder 12
Images,
undated
Scope and Content Note
43 items: 3 drawings [by Held?], 14 leaves of illustrations, and 26 photographs,
including 4 in color. [Color photographs are shelved in Box 160, F. 81.]
box 33, folder 1
"Marginalia on two paintings in the Museo de Arte de Ponce" (publ.
1981)
1963
Scope and Content Note
17 items connected to Held's essay issued in
Ars auro prior : 2
letters to Held from Iconographisch Bureau in The Hague, and 15 leaves of notes.
box 33, folder 2
Rubens-Studien (publ. 1983) and
Rembrandt-Studien (publ. 1987),
1979-1988
Scope and Content Note
ca. 30 items: correspondence with E.A. Seemann Verlag in Leipzig, Held's formal
contract, and notes. Also concerning
Barock-Studien [never
published].
box 33, folder 3
Held's review in
Kunstchronik (publ. 1984),
1977-1983
Scope and Content Note
44 items connected to Held's review of Ursula König-Nordhoff's book
Ignatius
von Loyola
[in: 37 Jahrg. , Feb. 84, Heft 2.]: 7 letters to Held and 4
letters from Held, and 33 leaves of notes. Correspondence with Peter Diemer at
Zentralinstutut für Kunstgeschichte in Munich; also Held's letter to Ursula
König-Nordhoff.
box 33, folder 4
"A Rembrandt 'theme'" (publ. 1984),
1984-1985
Scope and Content Note
9 items (10 leaves) of correspondence: 4 letters to Held from Józef Grabski and 5
letters from Held. Concerning Held's essay issued in
Artibus et
historiae
[1984, no. 10].
box 33, folder 5
"Some studies of heads by Flemish and Dutch seventeenth-century artists"
(publ. 1985-1986),
1985-1986
Scope and Content Note
Correspondence with editors at
Master Drawings regarding Held's essay:
4 letters to Held and 2 letters from Held; 1 note. [In: XXIII-XXIV/1 (spring
1985-1986) 46-53.]
box 33, folder 6-11
"Constantin Huygens and Susanna van Baerle: a hitherto unknown portrait"
(publ. 1991),
1989-1996
Scope and Content Note
ca. 400 items connected to Held's essay on Jacob van Campen's portrait of Constantin
Huygens and his wife, issued in
Art Bulletin [Dec. 1991, vol. LXXIII,
no. 4].
box 33, folder 6
Correspondence with M. F. Bolongaro and others,
1989-1996
Scope and Content Note
ca. 160 leaves: correspondence with the owner of the disputed painting M. F.
Bolongaro from Kendal, Cumbria, England, including ca. 36 letters to Held and ca. 27
letters from Held. Also present is Bolongaro's and Held's correspondence with
Leonard J. Slatkes, Aileen Ribeiro at Courtauld Institute, Christopher Brown at
National Gallery, Alfonso E. Pérez Sánchez at Museo del Prado, Sotheby's London,
Burlington Magazine, Tylers Museum, British Museum, National Galleries of Scotland,
Mauritshuis, and Gary Schwartz. The letters detail the process of Held's research on
identification of the painting, its attribution to Jacob van Campen, and its
significance in context of Dutch portraiture. Arranged chronologically. Numerous
letters include photocopies.
box 33, folder 7
Correspondence: reactions to the essay,
1991-1995, undated
Scope and Content Note
ca. 30 items: 26 letters (several postcards) to Held from scholars and curators
written in response to the essay, and 2 letters from Held. Included are comments
from Quentin Buvelot, Michael Clarke, David Freedberg, Egbert Haverkamp Begemann,
Walter A. Liedtke, Gregory Martin, Jos de Meyere, Otto Naumann, Martin
Royalton-Kisch, Gary Schwartz, David Simons, Leo Steinberg, Carel van Tuyll, and
John Walsh. Also present is an e-mail from Gary Schwartz to Kristin Belkin.
box 33, folder 8
Notes,
undated
Scope and Content Note
ca. 114 leaves, chiefly notes and extensively annotated photocopies of printed
material. Also included is Held's 1984 correspondence with Jefferson C. Harrison at
the Chrysler Museum in Norfolk, Va. concerning attribution of a painting referred to
as
Rape of Proserpina to Cornelis Schut, annotated by Held with
references to his research on Jacob van Campen.
box 33, folder 9
Photocopies of printed matter,
undated
Scope and Content Note
ca. 33 items (ca. 130 leaves): photopcopies of essays and press articles; some are
annotated. Included is photocopy of a typescript (8 leaves) by Jan Willem Schulte
Nordholt titled
Stella matutina; in Dutch.
box 33, folder 10
Printed matter and press clippings,
1992-1993, undated
Scope and Content Note
ca. 24 items, including 1 offprint, printed matter and press clippings. [2 press
clippings are shelved in Box 145*, F.11.]
box 33, folder 11
Images,
undated
Scope and Content Note
50 items: 33 photographs, including 3 in color, 3 color transparencies, 6 color
illustrations, and 8 photocopies of images.
box 34, folder 1
Review of book by Felice Stampfle (publ. 1993),
1992, undated
Scope and Content Note
ca. 34 items (ca. 60 leaves) connected to Held's review of Stampfle's book
Netherlandish drawings of the fifteenth and sixteenth centuries and Flemish
drawings of the seventeenth and eighteenth centuries in the Pierpont Morgan
Library
issued in
Master drawings [vol. XXXI/1993]. Included
are correspondence (15 items: 9 letters to Held and 6 letters from Held) with Felice
Stampfle, Anne-Marie Logan, and Elizabeth Allen at
Master drawings;
typescript (11 leaves) of Peter Dreyer's lecture
Drawings by Peter Bruegel the
Elder and his deceptive imitators
, annotated by Held; printed and
illustrated matter; and 3 photographs.
box 34, folder 2
"Two lost drawings formerly in Dresden" (publ. 1995),
1934-1995
Scope and Content Note
33 items connected to Held's essay issued in
Shop talk : studies in honor of
Seymour Slive
: 8 leaves of notes, 1 photograph, and ca. 25 items of
correspondence with Peter Hahn, K. T. Parker at Asmolean Museum, R. Marqués de
Castronuevo, Rijksbureau voor Kunsthistorische Documentatie, Astrid Tümpel,
Kupferstich-Kabinett Staatliche Kunstsammlungen Dresden, Cynthia P. Schneider, and
Bayerische Staatsgemäldesammlungen.
box 34, folder 3
Review of Karel G. Boon's Lugt catalogue (publ. 1995),
1994-1995, undated
Scope and Content Note
10 items connected to Held's review of Karel G. Boon's book
The Netherlandish
and German drawings of the XVth and XVIth centuries of the Frits Lugt
collection
issued in
Master drawings [vol. XXXIII/1995].
Included are: correspondence with Elizabeth Allen at
Master drawings (1
letter to Held and 1 letter from Held), and 8 leaves of notes.
box 34, folder 4
Held's review in
Master-drawings (publ. 1995),
undated
Scope and Content Note
23 leaves of notes for the review of Karel G. Boon's catalog
The Netherlandish
and German drawings of the XVth and XVIth centuries of the Frits Lugt
collection
issued in
Master-drawings, 1995, v. 33, no. 3,
autumn, p. 324-333.
box 34, folder 5
Unpublished article about a Rubens oil sketch,
1978-1999
Scope and Content Note
27 items connected to Held's article about a Rubens oil sketch submitted for
publication to the magazine
Apollo in London. Included are:
correspondence (ca. 18 items) with Expertise S.A. in Paris (Eric Turquin and Chantal
Mauduit), and
Apollo (David Ekserdijan), and Salomon Lilian in
Amsterdam; printed and illustrated matter; 1 typescript (3 leaves) of Held's article;
2 color transparencies; and 3 photographs. Typescript of article filed with Series
III. Occasional papers [Box 35, F. 43].
box 34, folder 6
Various clippings,
1930-1991, undated
Scope and Content Note
ca 43 leaves of press clippings of Held's personal and political commentaries. Many
in German. The article on the Battle Monument on Bennington, Vt. includes
correspondence with State of Vermont, Historic Sites Division (2 letters to Held and 1
letter from Held, Held's letter to David Sellers, and a letter to Held from John [?]
at Barnard College.
box 34, folder 7-10
"Carolus Scribanus's observations on art in Antwerp" (publ.
1996),
1993-1998, undated
Scope and Content Note
ca. 150 items connected to Held's article "Carolus Scribanus's observations on art in
Antwerp", issued in
Journal of the Warburg and Courtauld Institutes,
[1996, vol. 59].
box 34, folder 7
Correspondence,
1993-1998, undated
Scope and Content Note
ca. 56 items, including 39 letters to Held and 17 letters from Held. The letters
detail Held's research process and also include responses to the article after
publication. Some of correspondents are: Frans Baudouin, Wolfger A. Bulst at
Kunsthistorisches Institut in Florenz, Joachim Classen, Nancy Troy at Getty Center
for the History of Art and the Humanities, Amy Golahny, Andrew P. Gregory, Susan
Koslow, Musées royaux des beaux-arts de Belgique, Wolfgang Prohaska at
Kunsthistorisches Museum in Vienna, Stedelijk Prentenkabinet in Antwerp, Carl van de
Velde at Rubenianum, Karen Wilkin, An Zwollo, and editorial staff at the
Journal of the Warburg and Courtauld Institutes, including
Elizabeth McGrath.
box 34, folder 8
Notes,
undated
Scope and Content Note
ca. 68 items (ca. 75 leaves), including 1 color photograph, 1 offprint, and
annotated typescript titled "Scribanius: Ars Pictoria" (8 leaves, English
translation)
box 34, folder 9
Printed matter,
undated
Scope and Content Note
ca. 12 items ( ca. 90 leaves): photocopies of printed and illustrated matter. Some
are annotated.
box 34, folder 10
Photographs,
undated
Scope and Content Note
14 photographs.
Series III.
Occasional papers,
1918-1998, undated
Physical Description:
1
box(es)
0.42 lin. ft.
Scope and Content Note
This series contains drafs for conference speeches, drafts for lectures, and press
articles. Also included is an obituary; text of an expert opinion for a law suit; and
several checklists for exhibitions held at the Barnard College, compiled by Held.
Several items are unpublished, including the typescript for a chapter for
17th
and 18th century art
, not included in final publication.
The series is arranged chronologically, starting with pre-war items connected to Held's
studies in Germany: several high school composition notebooks with essays on topics
concerning world history and German literature; Held's speech at the celebration of his
Ph.D. examination in Freiburg; and two unpublished stories by Held, illustrated with his
own drawings.
box 35
School essays - "A new oil sketch by Rubens",
1918-1998
box 35, folder 1
Deutsche Aufsätze,
1918-1919
Scope and Content Note
Composition book from gradeschool with label
Deutsche Aufsätze.
Held's annotation on label "Sept. 1918 to Feb. 1919, age 13". Red ink corrections
[by teacher?]. In Sütterlin.
box 35, folder 2
Deutsche Aufsätze,
1921-1922
Scope and Content Note
Composition book from high school with Gymnasium Heidelberg label. Manuscript title
on label:
Deutsche Aufsätze. Dated by Held: "1921-22". Red ink
corrections [by teacher?]. In Sütterlin.
box 35, folder 3
Aufsätze,
1921
Scope and Content Note
Composition book from high school with Gymnasium Heidelberg label. Manuscript title
on label:
Aufsätze. Dated by Held: "1921". Red ink corrections [by
teacher?]. In Sütterlin.
box 35, folder 4
Deutsche Aufsätze von Julius Held,
1922-1923
Scope and Content Note
Composition book from high school without a label. Inscribed on cover:
Deutsche Aufsätze von Julius Held
. Annotated by Held: "Last year of high
school (Oberprima)". Red ink corrections [by teacher?]. In Sütterlin.
box 35, folder 5
Aufsätze. Julius Held,
1920-1921
Scope and Content Note
Composition book from high school with Realprogymnasium Mosbach label. Inscribed on
cover:
Aufsätze. Julius Held. Annotated by Held: "Obersekunda". Red
ink annotation on p. 7 [by teacher?]. In Sütterlin.
box 35, folder 6
Aufsätze. Julius Held,
1921
Scope and Content Note
Composition book from high school with Realprogymnasium Mosbach label. Inscribed on
cover:
Aufsätze. Julius Held. Annotated by Held: "Von meinen
Neigungen und Plänen. Age 15 3/4". Red ink corrections [by teacher?]. In
Sütterlin.
box 35, folder 7
Composition book from high school,
1922
Scope and Content Note
2 items: 1 booklet and a note stating that the booklet is a record of a class on
German 18th century literature, chiefly Lessing und Goethe, conducted by professor
Kirchner in the spring of 1922 in the Gymnasium in Heidelberg. According to note the
text includes a record of political antagonisms in the class caused by a group of
"deutsch-national" students.
box 35, folder 8
""Paradoxical" eulogy of Eugene Byrne, prof. of history at Barnard
College",
undated
Scope and Content Note
1 item (4 leaves). Typescript, carbon copy.
box 35, folder 9
Notes for CAA talk,
undated
Scope and Content Note
1 item (6 leaves): rough notes on Flemish Baroque art for a CAA talk.
box 35, folder 10
"Der Sturz, eine Anekdote mit Pallenberg von Julius Held",
1928-1929
Scope and Content Note
3 items (11 leaves): 5 leaves of typescript of an unpublished story, including 2
leaves of illustrations (pencil drawings by Held); photocopy, and an explanatory
note.
box 35, folder 11
"Padua, zwei Lotsen und die Polizei von Julius Held",
1930
Scope and Content Note
2 items (11 leaves): 5 leaves of typescript of an unpublised story, 1 leaf of
notes; and photocopy. With several black ink drawings by Held.
box 35, folder 12
Speech at the celebration of Ph.D. examination in Freiburg,
1930
Scope and Content Note
2 items: speech (3 leaves) and a note with a press clipping attached.
box 35, folder 13
Paper on Rembrandt,
1936
Scope and Content Note
1 item: typescript (30 leaves), photocopy; with an explanatory note attached.
Held's first paper read before an American audience at a graduate seminar assembled
at the Worcester Art Museum in 1936 in connection with the exhibition
Rembrandt and his circle.
box 35, folder 14
Article on Jacob Jordaens,
1937
Scope and Content Note
2 copies of a typescript: Held's own draft with corrections, and dublicate (39 and
36 leaves). English translation of an article written by Held in 1937 in German and
published only in Danish under the title "Malerier og Tegninger af Jacob Jordaens i
Kunstmuseet" in
Kunstmuseets Aarsskrift, vol. XXVI, 1939.
box 35, folder 15
Obitary Hans Tietze,
1954
Scope and Content Note
1 item (2 leaves): clipping from
College Art Journal with text of
Tietze's obituary. The clipping also includes an article on Lamar Dodd by Daniel
Henry Kahnweiler.
box 35, folder 16
Catalogs of exhibition held in James Room, Barnard College,
1958-1963, undated
Scope and Content Note
6 exhibition catalogs compiled by Held (each [4] p.):
Works of art owned by
Barnard Faculty and staff
[n.d.],
The works of Dr. Fritz Littauer,
1892-1957
[1958],
Loan exhibition of etchings, lithographs and
woodcuts by Kaethe Kollwitz from the collections of Mr. and Mrs. Abe Lerner and
Miss Judith Lerner
[1961],
Exhibition of paintings by Josef
Scharl
[1962],
Modern American paintings from the collection of
Milton and Edith Lowenthal
[1962], and
Old Master drawings from the
Cooper Union Museum
[1963].
box 35, folder 17
"About the origins of the Ponce Art Museum",
ca. 1960
Scope and Content Note
1 typescript (3 leaves), annotated. An article for the
Barnard
Bulletin
.
box 35, folder 18
"What and who sets the price of art",
1962
Scope and Content Note
2 items: press clipping (4 leaves, photocopies) and 1 leaf of notes. Held's article
issued in
The New York Times Magazine, July 29, 1962.
box 35, folder 19
"Remarks by Julius S. Held at the occasion of the opening of the Museo de
Arte de Ponce",
1965
Scope and Content Note
1 typescript (2 leaves).
box 35, folder 20
"Good wish - with all my heart",
1966
Scope and Content Note
2 items: typescript (18 leaves) with full text of Held's account of his trip to
Russia and Eastern Europe in 1966, and photocopy (5 leaves) of excerpts published in
1967 in
Barnard Alumnae Magazine.
box 35, folder 21
Statement about strike at Columbia University,
1968
Scope and Content Note
1 leaf of typescript, dated 16 May 1968. 2 copies.
box 35, folder 22
"Remarks of Dr. Julius Held in connection with obsequies of Harry B. Wehle,
December 18, 1969",
1969
Scope and Content Note
1 typescript (3 leaves).
box 35, folder 23
"The shadow of Antiquity, its influence on art and art theory in the
Baroque",
1970
Scope and Content Note
3 copies of an unpublished chapter for Held's and Posner's book
17th and
18th century art
. Typescript (24, 18, 20 leaves). Copy [1] includes 2
leaves of footnotes. Copy [2] is a corrected copy, before last printout. Copy [3] is
a 1995 version.
box 35, folder 24
Metropolitan Museum of Art, NY lecture "Collecting and art
history,"
1974
Scope and Content Note
1 typescript (2 leaves). Excerpt from a lecture delivered by Held at the
Metropolitan Museum of Art in New York, Nov. 25, 1974.
box 35, folder 25
"Gutachten": expert opinion for Heinz Kisters lawsuit,
1975
Scope and Content Note
2 items: typescript (19 leaves) and an explanatory note. Regarding Rubens
attribution of a painting sold by Kisters to the municipal museum in Siegen. [See
also items in Box 36, F. 4-6.]
box 35, folder 26
Letter to the editor of
Times-Argus,
1978
Scope and Content Note
2 items (5 leaves): 2 copies of a typescript, and photocopy of a press clipping.
Held's writes in defense of the Vermont Council of the Arts.
box 35, folder 27
"Remarks made on the occasion of the ADAA award, New York, 7 May
1980",
1980
Scope and Content Note
2 items: 1 typescript (3 leaves), with corrections; and a clipping from
Archives of American Art Journal.
box 35, folder 28
Postscript to a catalog of works by Joseph Floch,
1981
Scope and Content Note
1 typescript (2 leaves).
box 35, folder 29
Paper on Leo Steinberg's
The sexuality of Christ in Renaissance art
and in modern oblivion
,
1981
Scope and Content Note
1 typescript (11 leaves). Excerpts were published in Steinberg's publication of
1983.
box 35, folder 30
"Julius Held on receipt of the Governor's award",
1982
Scope and Content Note
Issue of
Artsletter [vol. II, Nov.-Dec. 1982, no. 8] with several
articles on Held's Governor's award for excellence in the arts.
box 35, folder 31
"Changing my mind",
1983
Scope and Content Note
2 typescripts (12 and 6 leaves) of a paper read at 1983 CAA meeting.
box 35, folder 32
Address given at the Worcester Art Museum,
1983
Scope and Content Note
1 typescript (7 leaves) of an address given by Held Nov. 19, 1983 on the occasion
of a symposium in his honor.
box 35, folder 33
Memorial speech for Margaretta Salinger,
1985
Scope and Content Note
5 items (7 leaves): Held's speech given at memorial service for Margaretta
Salinger, and correspondence: 4 letters to Held, including letters from Oswaldo
Rodriguez Roque and Philippe de Montebello at Metropolitan Museum of Art, NY.
box 35, folder 34
Letter of thanks read at Julius Samuel Held Clark Lecture at Clark Art
Institute,
1985
Scope and Content Note
2 items: typescript (2 leaves) and carbon copy of Held's thank-you letter read in
his absence by Michael Rinehart.
box 35, folder 35
Talk given at Christie's New York,
1985-1986
Scope and Content Note
14 items: 1 typescript (18 leaves), 1 leaf of notes, and correspondence (8 letters
to Held and 4 letters from Held) with Dulwich Picture Gallery in London and National
Gallery of Design in New York. Regarding Held's talk given at Christie's New York in
connection with an exhibition of paintings from the Dulwich Picture Gallery.
box 35, folder 36
Address given at Southern Vermont College,
1988
Scope and Content Note
1 typescript (3 leaves) of an address given May 15, 1988 on occasion of receiving
an honorary degree.
box 35, folder 37
Letter to the
New York Times editor,
1988
Scope and Content Note
2 items: 1 letter and press clipping. About sale of artwork from New York
Historical Society.
box 35, folder 38
Letter to the
New York Times editor,
1989
Scope and Content Note
1 item (2 leaves): letter (and photocopy). Comments on Conor Cruise O'Brien's
review
A lost chance to save the Jews, especially on his account of
the Dolchstoss legend.
box 35, folder 39
"In search of the Netherlandish tradition",
1989
Scope and Content Note
1 typescript (12 leaves): draft with extensive corrections and a press clipping
attached. Held's keynote speech at CAA meeting in Cleveland.
box 35, folder 40
Text for exhibition catalog
Barnard collects: the educated
eye
,
1989
Scope and Content Note
1 leaf of typescript. Text for catalog of exhibition held in 1989 at
Salander-O'Reilly Galleries in New York.
box 35, folder 41
Preface to
Flemish drawings in the age of
Rubens
,
1993
Scope and Content Note
1 typescript (4 leaves); with corrections.
box 35, folder 43
"A new oil sketch by Rubens",
1989
Scope and Content Note
2 items: typescript (4 leaves) and 1 color illustration. Text of an essay submitted
to
Apollo. [Publication denied. Correspondence filed with Series II.
Publication research, Box 34, F.5].
Series IV.
Legal cases and Art expertising (fake experts),
1927-1998, undated
Physical Description:
0.42 Linear
Feet
Scope and Content Note
This series documents Held's involvement in the capacity as an art expert in various
legal cases. It is divided into two subseries: Legal cases and Art expertising (fake
experts).
Series IV.A.
Legal cases,
1963-1998
Physical Description:
0.2 Linear
Feet
Scope and Content Note
The subseries comprises Held's correspondence with law offices, private art
collectors and institutions, various legal papers, billing statements, expert opinions
by Held and other scholars, notes, printed and illustrated matter, and photographs.
The most extensively represented case is a lawsuit brought by the Swiss art collector
Heinz Kisters against the German publishing house Gruner + Jahr GmbH & Co.
Arranged chronologically.
box 36
Law Offices of Rogerson and Hewes - Robert B. Shaw Law Offices,
1963-1998
box 36, folder 1
Law Offices of Rogerson and Hewes,
1963-1964
Scope and Content Note
6 items (12 leaves): correspondence (3 letters to Held and 2 letters from Held),
and illustrated matter. Identification and Rubens attribution of a portrait
painting from the estate of Ann Colby.
box 36, folder 2
Golding v. Acquavella,
1964-1965
Scope and Content Note
ca. 16 items (30 leaves): correspondence (4 letters to Held, 2 letters from Held)
with law firm Paul, Weiss, Rifkind, Wharton & Garrison in New York and with
Glasgow Museums & Art Galleries; notes (8 leaves), illustrated matter, 8
photographs, including 2 pasted into a typescript. Attribution of a group of
paintings to Frans Hals and Rembrandt. With a frequent mention of Miss
Callman.
box 36, folder 3
Schwartz & Schwartz Attorneys,
1967
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Attribution of a painting
referred to as
Turkish nobleman with turban to Ferdinand Bol.
box 36, folder 4-6
Heinz Kisters v. Gruner + Jahr GmbH & Co.,
1967-1976
Scope and Content Note
ca. 76 items (ca. 160 leaves) connected to a lawsuit regarding a painting sold by
Kisters to the municipal museum in Siegen. Included are: correspondence, legal
papers, expert opinions (Müller Hofstede, Sumowski, Evers, Voss, Burchard,
Benesch); printed matter, a drawing (by Held?) of the disputed art work, and 15
photographs (all pasted on paper). Correspondents include: Heinz Kisters; Justus
Müller Hofstede; Stadt Siegen Der Oberstadtdirektor; Kulturamt der Stadt Siegen;
law offices of Martin Löffler, Karl Egbert Wenzel, Klaus Sedelmeier, and Fritz
Wigger; law offices of Klaus Croissant and Jörg Lang; Landgericht Stuttgart; Johen
Beyer (photographer); Staatliche Museen Preussischer Kulturbesitz, Gemäldegalerie;
Matthias Winner; Bayerische Staatsgemäldesammlungen; and Held. [Held's expert
opinion is filed in Box 35, F.25.]
box 36, folder 7
Services for IRS and United States Department of Justice,
1967-1985
Scope and Content Note
ca. 15 items, including photocopies: 2 letters to Held from United States
Department of Justice, 4 letters to Held from Internal Revenue Service, and 3
letters from Held. Consultation services in the capacity as an art expert.
box 36, folder 8
Hieronymus Bosch painting at Hofstra University,
1968
Scope and Content Note
36 items connected to a suit brought by the Hofstra University's against the IRS
concerning
Adoration of the Magi, a painting attributed to Jerome
[Hieronymus] Bosch, donated to the university by Mr. and Mrs. Farber. Included
are: Held's report as an art expert (typescript, 7 leaves, and photocopy), Held's
letter to Luis E. Bejarano at Hofstra University, ca. 18 leaves of notes, and 16
photographs, including 2 in color.
box 36, folder 9
Law Offices Young & Young,
1972
Scope and Content Note
2 items (4 leaves): 1 letter to Held and 1 letter from Held. Regarding Held's
ability to authenticate expert opinions by Wilhelm Reinhold Valentiner, Justus
Hofstede DeGroot, and Wilhelm von Bode in connection with Rembrandt attribution of
a painting referred to as
Head of an old man and Frans Hals
attribution of a painting referred to as
Boy with a whistle.
box 36, folder 10
Estate of Emily van Nuys,
1975
Scope and Content Note
12 items: correspondence with Law Offices of Johnson, Bannon, Wohlwend &
Johnston in Los Angeles (3 letters to Held, 2 letters from Held), illustrated
matter and 1 photograph. Concerning van Dyck attribution to painting
Portrait of Lady Margarette of Lansdown .
box 36, folder 11
Case Josef M. Guttmann,
1979-1989
Scope and Content Note
ca. 30 items: correspondence, Held's expert opinion, and 3 leaves of notes.
Correspondents include Josef M. B. Guttmann Galleries in Los Angeles; the
Heidelberg based attorney Klaus Zimmermann; Day, Berry & Howard in Boston; and
an invoice from Tatyana M. Thompson (art conservator). Concerning Rembrandt
attribution of a painting, and Rubens attribution of a painting referred to as
Crucifixion. [See also items filed in Box 36, F. 12.]
box 36, folder 12
Case of faked certificates,
1989
Scope and Content Note
12 items: correspondence (4 letters to Held, 4 letters from Held), a billing
statement, Held's expert opinion, and a description of the case. Correspondence
with Richard L. Feigen and Co.; Central Picture Galleries; J. R. Mooney and
Parkcrest Galleries; Day, Berry & Howard; and Joseph M. B. Guttmann Galleries.
Regarding the case of faked letters of authenticity allegedly from Julius Held.
[See also items filed in Box 36, F. 11.]
box 36, folder 13
Robert B. Shaw Law Offices,
1997-1998
Scope and Content Note
ca. 33 items (52 leaves) connected to Rubens attribution of a painting refererd
to as
Christ and the woman taken in adultery. Included are:
correspondence with Law Offices Robert B. Shaw in New York (9 letters to Held, 7
letters from Held and a billing statement); photocopies of Held's 1975
correspondence with Toledo Museum of Art (2 letters to Held and 2 letters from
Held); 2 leaves of notes, 3 business cards, a copyright statement by Held; Held's
deposition typescript (14 leaves); and 1 color transparency.
Series IV.B.
Art expertising (fake experts)
1927-1985, undated
Physical Description:
0.5
box(es)
0.20 lin. ft.
Scope and Content Note
The subseries includes items related to matters of attribution questioned by Held:
correspondence, opinions and appraisals by various experts, photographs, press
clippings, and illustrated matter. Arranged alphabetically by artist. Most items
concern attribution of various artworks to Rubens. Also present are items concerning
artwork by François Boucher, Caravaggio, Anthony van Dyck, Frans Hals, Michelangelo,
Sebastiano del Piombo, Rembrandt, Matthias Stomer, and Verocchio.
box 36
François Boucher - Various,
undated
box 36, folder 14
François Boucher,
1961
Scope and Content Note
2 items: expert opinion by Stephan Bourgeois regarding painting referred to as
La [sic] printemps (Spring) ; and copy of an undated appraisal by
Leo C. Collins of a painting representing a cupid.
box 36, folder 15
Caravaggio,
undated
Scope and Content Note
6 press clippings regarding artworks from a private collection in Pasadena,
Calif., mainly a controversial attribution of a painting referred to as
Maddallena to Caravaggio.
box 36, folder 16
Anthony van Dyck,
1958, undated
Scope and Content Note
2 items: 1 illustration (
Portrait of a gentleman), and copy of a
1958 expert opinion by E. Schaffran regarding van Dyck attribution of a painting
referred to as
Kopf einer trauernden Madonna.
box 36, folder 17
Frans Hals,
1952
Scope and Content Note
1 item: typescript (5 leaves). Description of three portraits of
Malle
Babbe
, including one in the collection of Michel Jacobs of Rumson,
N.J.
box 36, folder 19
Sebastiano del Piombo,
1957
Scope and Content Note
5 items (7 leaves): 2 expert opinions by Amadore Porcella, and 3 press clippings
(all copies). Regarding a portrait of a woman with attributes of Saint Lucy.
box 36, folder 20
Rembrandt,
1963
Scope and Content Note
5 items (12 leaves): 2 photographs, 1 typescript (7 leaves), 2 press clippings
(photocopies). The typescript is a text by A. P. Laurie on Rembrandt's painting
technique, and concerning a portrait of a man from the collection of Mrs. George
Pelz.
box 36, folder 21
Rembrandt,
1973
Scope and Content Note
3 items. Correspondence with Lee Nordness Galleries in New York (2 letters to
Held, 1 letter from Held). With a mention of expert opinion of Erik Larsen, and
with a reference to George Szabo at Lehman Collection, Metropolitan Museum of
Art.
box 36, folder 22
Rembrandt,
1967, undated
Scope and Content Note
2 items: press clipping with a 1967 article from
Rheinische-Post
about Rembrandt's paintings at Galerie Rudolf Beckers in Düsseldorf, and 1 leaf of
typescript concerning a self-portrait of Rembrandt.
box 36, folder 23
Rubens:
Die Vermählung Mariä,
1954-1955
Scope and Content Note
14 items: 3 letters from Josef Deutschmann (to Walters Art Gallery in Baltimore,
to the Currier Gallery of Art in Manchester, and to Held (with envelope));
correspondence with Hermann Konnerth (1 letter to Held and 1 letter from Held); 1
press clipping; 2 postcards; 2 photographs; and 3 color transparencies. Concerning
Rubens attribution of a painting referred to as
Die Vermählung
Mariä
. [Color transparencies are shelved in Box 161, F. 1.]
box 36, folder 24
Rubens:
Holy Family,
1958, undated
Scope and Content Note
2 items: expert opinion by Stephan Bourgeois, and an undated appraisal by Leo C.
Collins.
box 36, folder 25
Rubens: various,
1956-1957, undated
Scope and Content Note
3 items: typescript (1 leaf), and copies of 1956-1957 correspondence between Art
Galleries in Cleveland and J. J. Crompton in Toronto, a statement by conservator
by Edward Jukowski, and letters to Crompton from Royal Academy of Arts in London,
National Hoger Institute en Koninklijke academie voor schone kunsten in Antwerp,
and the National Gallery of Canada. Also present is a copy of an expert opinion by
F. Störi, and 1 leaf of notes regarding Rubens painting from the collection of
Lanckoronski in Vienna. Regarding Rubens attribution paintings referred to as
The marriage feast and
Apple of discord.
box 36, folder 26
Rubens:
Jesus Christ places the keys in the hands of
Peter
,
1973-1975, 1987
Scope and Content Note
2 items (5 leaves): expert opinions by Max F. X. Massot and H. Stolz-Löliger.
box 36, folder 27
Rubens:
Le denier de Cesar,
1927, 1932
Scope and Content Note
2 items (4 leaves): recent typescripts of a 1927 expert opinion by Alfred
Chatain, and a 1932 letter with expert opinion from L. van Puyvelde addressed to
to Sofus Larsen.
box 36, folder 28
Rubens:
Le jardin d'amour,
1984-1985
Scope and Content Note
7 items: correspondence with Margaret Morris at the Peters Corporation in Santa
Fe, N.M. (3 letters to Held, 3 letters from Held), and 1 leaf of notes.
box 36, folder 29
Matthias Stomer:
St. Peter with the key,
undated
Scope and Content Note
2 items: a statement by Anita R. Orienter (1 leaf of typescript), and 1
photograph.
box 36, folder 30
Verrocchio,
undated
Scope and Content Note
2 press clippings.
box 36, folder 31
Various items related to Held's file "Fake experts"s,
undated
Scope and Content Note
2 items: 1 leaf of notes, and original folder from Held's archive.
Series V.
Teaching and lectures,
1935-1991
Physical Description:
8
box(es)
3.34 lin. ft.
Scope and Content Note
This series documents Held's preparatory work for his lecturing and teaching
activities. The predominant portion constitute notes and typescript drafts of lectures.
Occasionaly included are lists of slides, syllabi for seminars, lists of students' term
papers, press clippings, printed matter, correspondence, and photographs and illustrated
matter.
Box 43A cotains Held's library list: photocopies of card catalog of Held's reference
library.
Among the material are notes for numerous courses taught by Held at New York University
and at Columbia University's Barnard College. Also present is material for several
lectures given by Held at the Metropolitan Museum of Art in New York, Williams College
in Williamstown Mass., and Middlebury College in Middlebury, Vt.
Arranged in rough chronological order. Material that could not be dated is filed in Box
37.
box 37
Course on theory of art history - Sources of Rubens and Rubens as a
source,
undated
box 37, folder 1
Course on theory of art history,
undated
Scope and Content Note
ca. 60 leaves of notes, including 31 index cards. A few leaves have letterhead of
the Barnard College.
box 37, folder 2
Lecture at Brooklyn Museum of Art: "Rembrandt - creator of new
horizons",
undated
Scope and Content Note
ca. 30 leaves of notes.
box 37, folder 3
Lectures on Flemish painting at New York University,
undated
Scope and Content Note
81 leaves of notes (mainly typescripts, 9 leaves handwritten). Syllabi for Held's
course Fine Arts 209
Flemish painting.
box 37, folder 4
Brooklyn Museum talk on Kenneth Clark's film about the Baroque
period,
undated
Scope and Content Note
6 leaves of notes with Held's explanatory note attached.
box 37, folder 5
Lecture: "Cities of art: Antwerp",
undated
Scope and Content Note
48 items: typescript of lecture (28 leaves; final version?), list of slides, 2
photographic postcards, including 1 in color, 13 leaves of notes, and printed and
illustrated matter.
box 37, folder 6
Lecture: "Baldung",
undated
Scope and Content Note
ca. 45 items (ca. 67 leaves): typescript of lecture (23 leaves; annotated by Held),
38 leaves of notes, 2 leaves of printed matter, photocopies of slides (3 leaves),
and 1 photograph.
box 37, folder 7
Lecture: "Rembrandt, early and late",
undated
Scope and Content Note
ca. 15 items (ca. 79 leaves): typescript of lecture (31 leaves; annotated by Held),
photocopies of slides (8 leaves), 2 offprints, printed matter and notes (12
leaves).
box 37, folder 8
Lecture: "The sources of Peter Paul Rubens and Rubens as a
source",
undated
Scope and Content Note
46 leaves: typescript of lecture (26 leaves, annotated by Held), handwritten draft
(19 leaves), and 1 leaf with a list of illustrations (slides?).
box 38, folder 1
Notes for a course on Dutch art at New York University,
1935-1936
Scope and Content Note
27 leaves; in German. One leaf includes portion of a letter by Helen J. Adler on
verso.
box 38, folder 2
Notes for a course on Dutch art at New York University,
1936-1938
Scope and Content Note
132 leaves: typescript notes for courses Fine Arts 10 and Fine Arts 210
Dutch painting. 17th century. With bibliographies and a list of
artists.
box 38, folder 3-6
Research material for lectures on forgeries,
ca. 1941-1980
Scope and Content Note
ca. 220 items: ca. 47 leaves of handwritten notes; related correspondence (4
letters to Held and 3 letters from Held); ca. 100 leaves of printed matter and press
clippings; 9 leaves of printed illustrations; and 55 photographs. [Several items are
shelved in Box 145*, F. 12-14.]
box 38, folder 7-8
Notes for lectures at the New York University,
1947-1948
Scope and Content Note
ca. 102 items: 96 leaves of notes, and 6 leaves of press clippings and printed
matter. A significant portion of notes concerns forgeries.
box 39, folder 1
"Art of the Baroque period",
1952-1955
Scope and Content Note
2 typescripts (26 and 84 leaves): syllabi for lectures given by Held at Columbia
University: "Art of the Baroque period", of 1952 and "Baroque art", of 1955.
box 39, folder 2
Pierpont Morgan Library lecture: "Museum: temple, midway, or
morgue",
1956
Scope and Content Note
46 leaves of notes, and typescript (2 leaves) report by Held on a series of
lectures he gave while travelling on a ship.
box 39, folder 3
Seminar on Egmont drawings,
1958
Scope and Content Note
64 items: 37 leaves of notes, 1 leaf of illustrated matter, 23 photographs, and 3
items of related correspondence: letter to Held from George Kubler at Yale
University, Held's letter to Kubler, and Held's letter to Colin T. Eisler.
box 39, folder 4
Lecture given at the Walters Art Gallery in Baltimore: "International
style",
1962
Scope and Content Note
33 items: 29 leaves of notes, and related correspondence with the gallery (2
letters to Held and 2 letters from Held).
box 39, folder 5
Questionnaires for survey project "Print rooms of Europe",
1962?
Scope and Content Note
ca. 120 leaves: ca. 40 questionnaires sent by Held to the leading print and
drawings collections in Europe, in preparation for a talk at the Barnard College.
Most questionnaires include related correspondence. Also present are notes, and
printed matter.
box 39, folder 6
Rubens drawings,
1962
Scope and Content Note
ca. 60 leaves of notes and printed matter (announcement of a symposium at Davison
Art Center held in April 1955).
box 39, folder 7
Lecture on print rooms at Metropolitan Museum of Art, NY,
1962
Scope and Content Note
17 leaves of notes.
box 39, folder 8
Course on drawings at Metropolitan Museum of Art, NY: "The drawings of the
masters, technique, development, collecting",
1963
Scope and Content Note
ca. 60 leaves of notes.
box 39, folder 9
Metropolitan Museum of Art, NY lectures on drawings,
1963
Scope and Content Note
ca. 75 leaves of notes and a letter to Held from Princeton University Press.
box 39, folder 10
Lecture on Rubens,
1964-1967
Scope and Content Note
ca. 14 items (32 leaves): extensively annotated typescript draft of lecture (18
leaves), 9 letters to Held from the Clowes Fund Collection in Indianapolis, the
University of Notre Dame Art Gallery, and the J. B. Speed Art Museum in Louisville,
Ky., 3 leaves of notes, and printed matter.
box 39, folder 11
Barnard College course "Prints and drawings",
1965
Scope and Content Note
ca. 36 leaves of notes for course Art History 68 on techniques of prints and
drawings. Also present is a list of students' names with their class assignments,
and an outline for the final exam.
box 39, folder 12
Notes for Senior Seminar at Barnard College,
ca. 1964
Scope and Content Note
ca. 31 items: 23 leaves of notes taken by a student between Oct. 17 and Dec. 5th
[year not given] and between Feb. 29 and April 18, 1964. Also included are 8 leaves
of notes by Held, and original folder from Held's archive, annotated. Two leaves of
Held's notes are written on verso of a list of students attending course Fine Arts
68.
box 40, folder 1
Lecture on basic reference works in the fine arts,
1965
Scope and Content Note
ca. 18 leaves of notes.
box 40, folder 2
Lecture on Belgium as a country of art,
1965
Scope and Content Note
ca. 15 items (22 leaves): typescript of lecture (6 leaves, annotated), 2 letters to
Held from the Baltimore Museum of Art, typescript notes, printed matter, and
illustrations.
box 40, folder 3
Metropolitan Museum of Art, NY lectures on Rembrandt and
Rubens,
1965
Scope and Content Note
ca. 74 leaves: draft of a lecture (13 leaves, manuscript draft), notes, printed
matter, and 23 copies of typescript bibliographies on Rembrandt and Rubens compiled
by Held.
box 40, folder 4
Metropolitan Museum of Art, NY course on connoisseurship,
1963-1967, undated
Scope and Content Note
ca. 85 leaves: annotated manuscript drafts for lectures 1-10; additional notes for
the lectures, correspondence: a letter to Held from Metropolitan Museum of Art, NY,
and a letter to Hans Tietze from J. G. Rose concerning a painting atrributed to
Tintoretto. Also printed matter and press clippings.[5 leaves of press clippings
from F. 7 are shelved in Box 145*, F. 15.]
box 40, folder 5
Metropolitan Museum of Art, NY course on connoisseurship,
1968
Scope and Content Note
ca. 35 items (ca. 114 leaves): manuscript drafts for lectures 1-6, 8-10, a list of
slides for lectures 1-10 (typescript, 3 copies), ca. 23 leaves of notes, and 1
photograph.
box 40, folder 6-8
Metropolitan Museum of Art, NY course on connoisseurship,
1958-1979
Scope and Content Note
ca. 150 items (ca. 210 leaves) connected to Held's research for his Metropolitan
Museum of Art, NY course on connoisseurship: typescripts; printed and illustrated
matter; offprints; 10 press clippings; ca. 70 leaves of notes; 19 items of
correspondence; and 28 photographs, including 1 in color. [2 items from folder 7 are
shelved in Box 145*, F. 16.]
box 40, folder 9-13
Metropolitan Museum of Art, NY course on connoisseurship:
illustrations,
undated
Scope and Content Note
ca. 85 items: photographs, and illustrated matter. Also present is original folder
from Held's archive [filed in folder 13]. [1 color photograph from Box 40, F. 10 is
shelved in Box 161, F. 2.]
box 41
Seminars and lectures,
1968 - 1976
box 41, folder 1-2
Lecture on Jacob Jordaens at the National Gallery of Canada,
1968
Scope and Content Note
ca. 150 leaves: handwritten and typescript notes, and heavily annotated drafts.
With some correspondence. 1 press clipping.
box 41, folder 3
Dürer Seminar at Columbia,
1968
Scope and Content Note
ca. 100 leaves, mainly notes, typescripts, printed matter, bibliographies, English
translation of Dürer's text on woodcut (typescript, 16 leaves), and 3 items of
correspondence. The typescripts concern the art dealer Tomas Harris, and Dürer
prints in the collection of Thomas Barlow.
box 41, folder 4
Lecture "Death of art",
1968
Scope and Content Note
ca. 40 leaves: draft of lecture (typescript, 12 leaves, extensively annotated),
several press clippings, notes, printed matter, and 2 photographs, including 1
snapshot of the ruins of Frauenkirche in Dresden. The lecture was on the occasion of
Barnard Reunion 1968.
box 41, folder 5
Lectures at Williamstown. Art 312,
1969
Scope and Content Note
30 leaves of notes. Also students' reading and term paper assignments for course
Art 312.
box 41, folder 6
Seminar on art and propaganda at Barnard College,
1970
Scope and Content Note
ca. 34 leaves of notes, typscripts, and press clippings. Included are 6 library
paging slips.
box 41, folder 7-8
Course on iconography at Williams College,
1973-1977
Scope and Content Note
ca. 55 items: ca. 35 leaves of notes, including lists of students' names and
students' papers; a letter to Held from Michael E. Flack; 6 leaves of illustrations,
2 photographic postcards; and 10 photographs. [2 photographs are shelved in Box
145*, F. 17.]
box 41, folder 9
Course on German art at Williams College (undergraduate),
1974
Scope and Content Note
24 leaves of notes, including 1 hand-drawn map of Swabia, and 1 press clipping.
box 41, folder 10-11
Lectures on collecting at Metropolitan Museum of Art, NY,
1974
Scope and Content Note
ca. 160 items: 4 typescript drafts for lectures (total of ca. 100 leaves,
extensively annotated), notes, printed matter and press clippings, and 1 photograph
showing Held with an unidentified woman in James Room at Barnard Hall. [7 leaves of
press clippings are shelved in Box 145*, F. 18.]
box 41, folder 12
Lecture: "Report from a workshop",
1974
Scope and Content Note
ca. 30 leaves, including several typscript drafts. A lecture on Rubens and Held's
methodology in art historical research.
box 41, folder 13
Rubens seminar and exhibition at Williams College in
Williamstown,
1976
Scope and Content Note
ca. 115 leaves of notes, including 3 items of illustrated matter, 3 photographs,
and 7 items of related correspondence with Williams College.
box 42
Lectures, seminars,
1977-1980
box 42, folder 1
Lecture: "Hidden meanings",
1977-1978
Scope and Content Note
ca. 48 items: typescript draft of the lecture (26 leaves), notes, printed matter,
and correspondence (2 letters to Held and 1 letter from Held) with Wadsworth
Atheneum. Included is an announcement of a lecture titled "Hidden meanings in Dutch
and Flemish painting" given by Held at the Ohio State University [no date].
box 42, folder 2
Teaching records (Williams College),
1977-1978
Scope and Content Note
ca. 120 items: notes, typescripts, printed and illustrated matter. Some items
relate to courses Art 503, Art 401 (undergraduate), Art 558 (Rubens seminar), and a
seminar on the Renaissance given by Held in fall 1977 at Columbia University. Also
present are syllabi for lectures 13 and 14 of the course Fine Arts 209 "Flemish
painting" taught by Held at New York University. [1 item (a drawing by Held) is
shelved in Box 145*, F. 19.]
box 42, folder 3-4
Lecture: "Art history and technology",
1979
Scope and Content Note
ca. 180 leaves: 3 drafts for lectures (typescripts, extensively annotated), a term
paper by Catherine B. Scallen "Development of photography as an art historical tool:
1850-1890", ca. 85 leaves of notes, and 11 items of correspondence with University
of Wisconsin, Dept. of Art History, and Washington University in St. Louis, Mo.,
also a letter to Held from Lois Fichner Rathaus. [1 item (poster for lecture) is
shelved in Box 145*, F. 20.]
box 42, folder 5
Lecture: "Rubens: ancient themes", (Smith College),
1979-1981
Scope and Content Note
ca. 87 leaves: notes and 3 drafts for lectures (typescripts, annotated).
box 42, folder 6
Rembrandt seminar at Williams College,
1980?
Scope and Content Note
28 leaves of notes and illustrated matter. Also present are 2 letters from Held to
Bruce Kieffer at German Department, Williams College; 1 letter to Held [from
Kieffer?]; 3 drawings by Held.
box 42, folder 7
Session on forgery,
1980?-1986
Scope and Content Note
ca. 30 leaves, predominantly notes, connecetd to a lecture on forgery. Also present
is printed matter; 1 press clipping; draft of a lecture (typescript, 4 leaves, with
corrections); and 3 letters to Held, including 2 from the International Foundation
for Art Research [IFAR], and 1 from the Brooklyn Museum in New York. [2 items are
shelved in Box 145*, F. 21.]
box 43
Seminars, lectures,
1981-1986
box 43, folder 1-2
Course on German Renaissance art,
1981
Scope and Content Note
ca. 170 leaves of notes, 2 leaves of printed matter. Also present is a hand-drawn
model of a retable. [Printed matter is shelved in Box 145*, F. 22.]
box 43, folder 3
"Otto van Veen or Rubens?",
1982-1983
Scope and Content Note
3 items (37 leaves: draft of lecture (36 leaves, typescript with corrections), and
a note by Held. According to the note, the draft is the first, long version on
Rubens's painting
The battle of the Amazons in Potsdam; portions of
the lecture were presented at a talk Held gave at John and Mable Ringling Museum of
Art in Sarasota, Fla.
box 43, folder 4
Lecture: "Rembrandt's beggars", and other talks on the same
topic,
1983
Scope and Content Note
ca. 85 leaves of notes and typescripts; including 2 letters to Held from Wellesley
College and 1 from Metropolitan Museum of Art, NY.
box 43, folder 5-6
Middlebury lectures,
1983-1986
Scope and Content Note
ca. 125 leaves: 6 drafts for lectures, including (total of ca. 90 leaves,
typescripts, with corrections), notes, lists of slides, and correspondence with
Middlebury College.
box 43, folder 7
Lecture at Clark Art Institute: "Dürer's personality",
1982-1984
Scope and Content Note
ca 50 leaves: draft of lecture (typescript, 26 leaves, with corrections), notes,
printed matter, and correspondence with Friends of the Clark (1982) and the Pierpont
Morgan Library.
box 43, folder 8
CAA Symposium on "Altersstil",
1984-1989
Scope and Content Note
ca. 46 leaves: predominantly notes, also tables and diagrams, a press clipping, and
ca. 14 items of correspondenece with David [?] at Columbia University, Catherine M.
Soussloff at the University of Connecticut, Eugene Victor Thaw, Egbert [?] at New
York University, Maurice Tuchman at Los Angeles County Museum of Art, the National
Gallery in London, Martin S. Lindauer, and Seymour [Slive?] at Harvard University
Art Museums.
box 43, folder 9
Two lectures at Metropolitan Museum of Art, NY: "Drawings and oil sketches,
Rubens and van Dyck",
1986
Scope and Content Note
Both lectures were given by Held at Metropolitan Museum of Art, NY on April 29 and
May 6, 1986. Folder 9 contains ca. 54 leaves connected to lecture on Rubens: draft
of lecture (typescript, 17 leaves, with corrections); contract with Metropolitan
Museum of Art, NY; notes, and 1985-1986 correspondence with Metropolitan Museum of
Art, NY and Frick Art Musem. Also included are 1961 letters to Held from
Kunsthistorisch Instituut der Universiteit van Amsterdam and Nationalmuseum
Stockholm. This folder also includes draft for a short paper prepared for
International Congress (typescript with corrections, 10 leaves). According to an
annotation Held used parts of the text for a text on Ruben's painting
Het
Pelsken
.
box 43, folder 10
Two lectures at Metropolitan Museum of Art, NY: "Drawings and oil sketches,
Rubens and van Dyck",
1986
Scope and Content Note
Folder 10 contains ca.20 leaves connected to lecture on van Dyck: draft of lecture
(typescript, 18 leaves, with corrections); and letter to Held from Metropolitan
Museum of Art, NY with a memo attached.
box 43, folder 11
Lecture at University of Colorado at Boulder: "Rembrandt and the written
word",
1991
Scope and Content Note
ca. 83 leaves: 2 typescripts for lecture (31 and 29 leaves, both versions with
corrections), letter to Held from the University of Colorado at Boulder, and
notes.
box 43A
Held's reference library list,
undated
Scope and Content Note
1 box. Photocopies of card catalog of Held's reference library.
Series VI.
Travel notes, sketches, and letters,
1925-1983, undated
Physical Description:
1.67 Linear
Feet
Scope and Content Note
This series consists of notes taken by Held during his frequent travel to art museums
and architectural sites in Europe, mainly in Belgium and Germany, sketches and notes
made by Held during his travels as an art history student, and letters written to his
wife and daughter in 1949.
Included are notes taken during travel to Austria, England, France, Italy, Netherlands,
and Spain, Liechtenstein, Poland, Portugal, Russia, and Sweden. A few items relate to
Held's visit to Palestine [Box 47, F. 2-3]. About 70 leaves of small sketches were made
by Held during his many study trips as an art history student in Germany during the late
1920s [filed in Box 47, F. 1]. Nearly 40 letters were written by Held to his wife and
daughter during a 1949 trip to Europe as an advanced fellow of the Belgian American
Educational Foundation [filed in Box 47, F.2-3].
Arranged in rough chronological order.
Series VI.A.
Loose-leaf notes and notebooks I-III, V, VII-XVI, XVIII, and
unnumbered,
1925-1963, undated
Physical Description: ca. 40 vols., plus loose
pages
Scope and Content Note
Some notebooks are numbered I - XVIII, others are unlabeled. An index to notebooks
I-XIX is filed in Box 45, F.11; however, a notebook identified as number XIX is not
present in the archive.
The notes are brief but detailed descriptions of particular artworks. Held often
includes dimensions and inventory numbers, transcribes captions, and notes references
to bibliography or other artworks. Frequently present are his own drawings and small
sketches of the artwork, executed in pencil or ink, and copies of artists' signatures.
Notes taken before his departure to United States and some notes from the late 1940s
are in German.
box 44, folder 1
Notes on Crucifix by Coppo di Marcovaldo in San Gimignano,
undated
Scope and Content Note
2 leaves; with Held's pencil drawing of Christ head.
box 44, folder 2
Notes on architecture,
undated
Scope and Content Note
2 leaves. With several pencil drawings of architectural motives, mainly arches and
baldachins. Also a drawing of a street in Berlin at night.
box 44, folder 3
"Various towns",
undated
Scope and Content Note
1 notebook (42 leaves). Notes on artworks in Paris, London, Rotterdam, Munich,
Schleissheim, Basel [Bâle], Hague (Mauritshuis), and Antwerp; and notes on an
exhibition of drawings by Rubens and Jordaens in Cambridge [England?].
box 44, folder 4
Notes on Flemish engravers,
undated
Scope and Content Note
15 leaves. Notes on artworks by several Flemish engravers, mainly Lucas Emil
Vorsterman.
box 44, folder 5
Notes on artwork in Hamburg, Utrecht, Hague, Antwerp, and
Berlin,
undated
Scope and Content Note
15 leaves.
box 44, folder 6
"Pencilled notes from Albertina",
undated
Scope and Content Note
16 leaves.
box 44, folder 7
Notes on artwork in Munich, Mannheim, Hague, Basel,
undated
Scope and Content Note
6 leaves.
box 44, folder 8
"Notes from Italy (all in German!)",
undated
Scope and Content Note
1 notebook (27 leaves): notes on church architecture; with several sketches. Also
notes on artwork in Galleria Borghese.
box 44, folder 9
Notes on artwork in Brussels,
undated
Scope and Content Note
14 leaves.
box 44, folder 10
Notes on woodcuts,
undated
Scope and Content Note
5 leaves. On leaf [1]: "Bibl. Nationale: Ovid, Lyon 1559. (Italian)".
box 44, folder 11
Notes on artwork in Prague and Eberstein [Austria],
undated [after 1977]
Scope and Content Note
10 leaves.
box 44, folder 12
Notes on artwork mainly by Flemish artists,
undated
Scope and Content Note
25 leaves.
box 44, folder 13
Trip to Hungary: Esztergom and Budapest,
ca. 1925
Scope and Content Note
12 leaves of notes and 1 photograph. With several small sketches in ink or pencil;
also with several pencil studies of sleeping or resting human figures.
box 44, folder 14
Caption: "First trip to Russia",
1935
Scope and Content Note
4 leaves. With several small sketches and facsimiles of artists' signatures.
box 44, folder 15
Untitled notebook,
undated [1956?]
Scope and Content Note
1 notebook (59 pages). Notes on artwork by Rubens. Inserted is a paging slip from
Bibliothèque royale de Belgique, dated 16 July 1956.
box 44, folder 16
Notes with added caption: "From first visit to Belgium (1949), record of
ACL photos of works in Belgian museums & churches",
1949
Scope and Content Note
1 notebook (68 leaves).
box 44, folder 17
Notebook no. I,
undated
Scope and Content Note
1 notebook (120 p.), and a loosely inserted note. Travel to France, Spain, and
Italy,
box 44, folder 18
Notebook no. II,
undated
Scope and Content Note
1 notebook (118 p.). Travel to France and Switzerland.
box 44, folder 19
Notebook no. III,
undated
Scope and Content Note
1 notebook (116 p.). Travel to Spain,
box 44, folder 20
Notebook no. V,
1949?
Scope and Content Note
1 notebook (88 p.). Later added notes on p. 1: "1949? Notes from ACL". Travel to
Belgium, Germany, England. Front cover of notebook no. IV. [not present in the
archive] is preserved.
box 44, folder 21
Notebook no. VII,
undated
Scope and Content Note
1 notebook (78 p.) and 100 index cards (3x5 in.) with notes. Inscribed inside the
front cover: "Drawings British Museum, Victoria & Albert Mus.".
box 44, folder 22
Notebook no. VIII,
undated
Scope and Content Note
1 notebook (94 p.) and 3 loosely inserted leaves of notes [facing p. 57]. Travel to
Belgium and Germany.
box 44, folder 23
Notebook no. IX,
1953
Scope and Content Note
1 notebook (78 p.). Inscribed inside the front cover: "Paris, notes from photos at
The Hague and Brussels (from other end)".
box 45, folder 1
Notebook no. X,
undated
Scope and Content Note
1 notebook (72 p.) and 1 loosely inserted note. Inscribed inside the front cover:
"Munich drawings pp. 11- Schleissheim, from back: Antwerp, Cab. des Estampes".
box 45, folder 2
Notebook XI,
undated
Scope and Content Note
1 notebook (128 p.) and 2 leaves of loosely inserted notes (facing p. 73).
Inscribed on front cover: "Chatsworth ..".
box 45, folder 3
Notebook XII,
1953
Scope and Content Note
1 notebook (120 p.) Inscribed on front cover: "Stuttgart - Vienna 1953".
box 45, folder 4
Notebook XIII,
1953
Scope and Content Note
1 notebook (29 leaves, unnumbered). Inscribed on front cover: "Copenhagen
Stockholm". Loosely inserted are 8 leaves of notes. Notes on page number [53] are
dated "VI/2/'53".
box 45, folder 5
Notebook XIV,
undated
Scope and Content Note
1 notebook (53 p.) and 5 leaves loosely inserted notes. Inscribed inside the front
cover: "Vienna, Belgium, Lier, Mons (Bergen)".
box 45, folder 6
Notebook XV,
undated
Scope and Content Note
1 notebook (76 p.). Book mark (facing p. 50).
box 45, folder 7
Notebook XVI,
undated
Scope and Content Note
1 notebook (124 p.). Loosely inserted note (facing p. 111).
box 45, folder 8
Notebook XVIII,
1956
Scope and Content Note
1 notebook (102) leaves. Inscribed on front cover: "Italy, return from Rome".
box 45, folder 9
Notebook,
1950s
Scope and Content Note
1 notebook (92 p.). Inscribed on p. 1: "Notes from Belgium, undated, [?50's?]".
box 45, folder 10
Notebook,
1950s
Scope and Content Note
1 notebook (86 p.). Dated on front cover: "1950s".
box 45, folder 11
Notebook with index,
undated
Scope and Content Note
1 notebook. Notes on Louvre drawings and index to notebooks I-XIX.
box 45, folder 12
Notebook,
1956
Scope and Content Note
1 notebook (137 p.) and an entrance pass to art collections in Italy issued to Held
in 1956. The notebook is inscribed on front fly-leaf: "Italy, ... Milano, followed
by Bergamo, Mantua, Modena, Reggio, Pisa, Pistoia, Florence ... Rome, Vatican".
box 45, folder 13
Notebook,
1958?
Scope and Content Note
1 notebook (112 p.). Inscribed by Held on front fly-leaf: "Notes from ACL and RKD
.. 195? or later". With an index inscribed inside the front cover.
box 45, folder 14
Notebook,
1958
Scope and Content Note
1 notebook (38 p). Inscribed on front cover: "Belgium, Holland, 1958".
box 45, folder 15
Notebook,
1963
Scope and Content Note
1 notebook (103 p.) and 2 loosely inserted leaves of notes. Inscribed by Held on
cover: "1963, Vienna, Milan", and with an index to places inside the front
cover.
box 46, folder 1
Notebook,
1966
Scope and Content Note
1 notebook. Travel to Russia, also Poland (Warsaw), and Germany.
box 46, folder 2
Notebook,
1967
Scope and Content Note
1 notebook and 1 loosely inserted note. Inscribed on cover: Antwerp, Paris,
Brussels, Gent, Frankfurt, Darmstadt".
box 46, folder 3
Notebook,
1967
Scope and Content Note
1 notebook (94 p.). Travel to France. Index inside the front cover.
box 46, folder 4
Notebook,
1967
Scope and Content Note
1 notebook. Inscribed on front cover: "Paris (Lugt), London (Wallace, Nat. Gall.,
Seilern dealers (Dr. Rothman), Hampton Court, Cambridge, Witt-notes on R.
sketches".
box 46, folder 5
Notebook,
1967
Scope and Content Note
1 notebook (114 p.). Inscribed on front cover:" Switzerland, Liechtenstein,
Philadelphia, Portugal, Madrid, Mariette Exh.".
box 46, folder 6
Notebook,
1967
Scope and Content Note
1 notebook. Inscribed on front cover: "Oxford ...". Travel to England and
Ireland.
box 46, folder 7
Notes (disbound),
1968
Scope and Content Note
22 leaves. With an explanatory leaf inscribed: "Vienna (Academy), Prague, Dresden,
Leipzig, Gotha (1st visit)".
box 46, folder 8
Notebook,
1968
Scope and Content Note
1 notebook (96 p.). Travel to Sweden and Denmark. Index on last page.
box 46, folder 9
Notebook,
1968
Scope and Content Note
1 notebook (160 p.). Inscribed on front cover: "Paris". Travel to France and
Germany. Index on last page.
box 46, folder 10
Notebook,
1966-1968
Scope and Content Note
1 notebook (42 p.) and loosely inserted 15 leaves of notes taken during trip to
Moscow in 1966. Inscribed on front cover: "Loose notes from Moscow, also Barnes,
Vostermann, Prague, Dresden, Leipzig, Gotha, Potsdam, Berlin, Cologne, Hamburg, the
Hague".
box 46, folder 11
Notebook,
1973
Scope and Content Note
1 notebook. Inscribed on cover: "1973 July, Munich-Paris".
box 46, folder 12
Notebook,
1973
Scope and Content Note
1 notebook (76 leaves) and 1 loosely inserted leaf. Inscribed on cover: "1973
Scotland to Weimar". Inscribed inside the front cover: "Europe 1973". Index on last
page.
box 46, folder 13
Notebook,
1974
Scope and Content Note
1 notebook (116 p.) "Itinerary" (1 leaf) pasted inside the front cover. Travel to
several cities in Germany, Austria (Salzburg), Belgium (Antwerp), and England
(London).
box 46, folder 14
Notes: Vaduz, Paris, Stuttgart,
1977
Scope and Content Note
9 leaves of notes on artwork in Vaduz [Liechtenstein], Paris, and Stuttgart.
box 46, folder 15
Notebook,
1979
Scope and Content Note
1 notebook. Inscribed on cover: "Dresden, Kassel, Munich, Zürich."
Series VI.B.
Sketches, letters, and travel notes,
1925-1983, undated
Physical Description: ca. 300 items
Scope and Content Note
Held's sketches (ca. 70 leaves) of art works, letters to his wife and daughter
written in 1949 while he was on a study trip, and assorted notes about art works, some
taken on his travels.
box 47, folder 1
Held's student sketches and travel notes,
ca. 1925, undated
Scope and Content Note
100 items, including ca 70 leaves of sketches, executed in pencil or black ink on
tracing paper; also ca. 8 leaves of pre-war notes in German, and ca. 22 leaves of
post-war notes in English. Present is a note inscribed: "Notebook, from travels (as
student) ca. 1925 (or 1927-8) with various sketches (all in German)". The sketches
are studies of details in paintings such as rock formations, gestures, drapery and
clothing.
box 47, folder 2-3
Trip to Europe (and Palestine),
1949
Scope and Content Note
39 letters from Held to his wife and daughter Anna. Preserved is Held's original
folder inscribed: "Trip to Europe, summer 1949, Belgium, Holland, France, Spain,
Italy, Palestine, England, with grant, Belgian - Am. Educational Foundation". The
letters are rich in detail concerning Held's visits to art museums and information
concerning his professional contacts to art historians. Held also relates his
personal impressions of post-war Europe, and writes about family matters. Most
letters are in German, some are in English.
box 47, folder 4
Prints at Albertina,
undated
Scope and Content Note
1 typescript (6 leaves), captioned "List of prints photographed for me in Vienna
(Albertina). I have films".
box 47, folder 5
Notes on artwork by Philipp and Cornelis Galle and by Rubens,
undated
Scope and Content Note
8 leaves. Place unknown.
box 47, folder 6
Notes about drawings in Philadelphia museum,
undated
Scope and Content Note
4 leaves.
box 47, folder 7
Notes about paintings in Rouen museum,
undated
Scope and Content Note
3 leaves.
box 47, folder 8
Various notes,
1920-1983, undated
Scope and Content Note
ca. 100 leaves of various notes. Held's annotation on folder identifies items as
travel notes from 1982 to1983, but the majority seems to be from 1950s to 1970s;
some notes may be dated as early as 1920s. Also included is printed matter, 2
negatives, and a letter to Held from Amy Golahny (dated April 6 1976). [Negatives
are shelved in Box 161, F. 3.]
box 47, folder 9
"Medici sketches, Munich",
undated
Scope and Content Note
24 leaves numered 47-93, and note inscribed: Medici sketches, Munich, notes from
Munich depot (pp. 61ff.), Weimar (p. 67 ff.) (drawings), Leipzig (pp. 77 ff.)
(drawings).
box 47, folder 10
Notes: "Leizpig, Mus. der bildenden Künste",
undated
Scope and Content Note
7 leaves.
box 47, folder 11
Notes: "Pal. Bianco, Genova" and translation of Philostratus,
undated
Scope and Content Note
11 leaves: 6 leaves of notes about palazzo Bianco in Genoa, and 4 leaves of
translation from Philostratus.
box 47, folder 12
Notes: trip to Belgian towns,
undated
Scope and Content Note
5 leaves: 4 leaves of typescript notes, and 1 leaf inscribed: "Notes taken on a
trip to Belgian towns - typed up from notes taken on the spot. Together with remarks
about ACL photos."
box 47, folder 13
"Notes about ACL photos, related to individual Flemish 17th c.
artists",
undated
Scope and Content Note
20 leaves.
Series VII.
Ponce Art Museum,
1954-1999, , undated
Physical Description:
4.6 Linear
Feet
Scope and Content Note
This series documents Held's involvement in the capacity as a consultant in the process
of building the collection of the Museo de Arte de Ponce in Puerto Rico. It consists of
correspondence, papers documenting the museums acquisition activities and accreditation
process, and photographs of paintings and sculptures in the museum's collection.
Series VII.A.
Correspondence,
1954-1999
Physical Description:
6
box(es)
2.5 lin. ft.
Scope and Content Note
The main portion comprises Held's correspondence with the founder of the Ponce Art
Museum and Governor of Puerto Rico Luis A. Ferré, and with members of the museum's
curatorial and administrative staff; also with firm Ferré Export Corporation in New
York. Also present is correspondence with private art collectors, dealers and auction
houses, scholars, conservators, and consulting firms. Occasionally included are notes
and typescripts, photographs of artworks, printed and illustrated matter, and various
business papers, mainly Held's travel expenses. Arranged chronologically.
box 48, folder 1
1954-1957
Scope and Content Note
46 items (60 leaves), including correspondence with Sandro Bartolucci, Michel
Benisovitch, Roberto Longhi (University of Florence) and Wilhelm Reinhold
Valentiner (Los Angeles County Museum). Also present is a list of artworks, with
prices, sold to Ferré at Savoy Art & Auction Galleries in New York on 10 May
1957.
box 48, folder 2
1958
Scope and Content Note
59 items (77 leaves), including correspondence with P. Baur de Boer, French &
Company, and Gaston de la Haye. Also present is a note by Held listing his 1958
professional services and charges to Ferré, and 1 telegram.
box 48, folder 3-5
1959
Scope and Content Note
ca. 120 items (ca. 165 leaves), including 9 photographs, 1 telegram, and
correspondence with
The Art Quarterly (Paul L. Grigaut), Daan
Cevat, Anne Marie del Drago, Kunsthandel P. de Boer, Mira Salomon, Germain
Seligman,and E. and A. Silberman Galleries (Abris Silberman).
box 48, folder 6-7
1960
Scope and Content Note
ca. 93 items (ca. 123 leaves), including 3 telegrams, 4 leaves of notes, and
correspondence with Daan Cevat, Max Forchheimer, Samuel H. Kress Foundation (Guy
Emerson), Dwight Miller (University of Illinois), John P. Nicholson, J. O'Connor
Lynch, and Marcel Roethlisberger (Yale University).
box 49, folder 1-3
1961
Scope and Content Note
ca. 160 items (ca. 200 leaves), including 3 leaves of notes, 1 offprint, 1
telegram, and correspondence with Piero Bigongiari,
Burlington
Magazine
, Centre National de Recherches "Primitifs Flamands", William
Georg Constable, Norbert Fischman Gallery, Frick Art Reference Library, François
Heim, Hunterian Society, Marcel Joly, Arthur Kilgore, Samuel H. Kress Foundation
(Alessandro Contini-Bonacossi), Edward R. Lubin, Misión Permanente del Perú ante
las Naciones Unidas, Frederick Mont, Inc. (Betty Mont), Priscilla E. Muller, Serge
Pakswer, Philip Pouncey (British Museum), Victor D. Spark, [countess?] Helen
Suchecki, Julius H. Weitzner, and Hans Wentzel (Technische Hochschule Stuttgart).
Also present is copy of a letter from Walter Muir Whitehill (Boston Athenaeum) to
Mr. [Paul?] Ganz.
box 49, folder 4-5
1962
Scope and Content Note
ca. 108 items (ca. 130 leaves), including 1 telegram and correspondence with
Siegfried F. Aram, Art Association of Indianapolis,
Art Quarterly
(Paul L. Grigaut), P. Baur de Boer, Jan Bialostocki,
Burlington
Magazine
, Edward Durell Stone, Horst Gerson, Instituto Amatller de Arte
Hispánico in Barcelona, John Herron Museum of Art (Wilbur D. Peat), Samuel H.
Kress Foundation (Alessandro Contini-Bonacossi, Guy Emerson), Liana Linardos,
Musée du Louvre, Antonio Morassi, Norton Galleries (Bert C. Norton), Hal O'Nians,
Philip Pouncey (British Museum), Rhode Island School of Design (David G. Carter),
Henry M. Roland (Roland, Browse & Delbanco), Julius H. Weitzner, and Federico
Zeri.
box 49, folder 6-8
1963
Scope and Content Note
ca. 107 items (ca. 124 leaves), including correspondence with Art Association of
Indianapolis John Herron Museum of Art (Curtis G. Coley),
Art
Quarterly
(Paul L. Grigaut), Berry-Hill Galleries, Kunsthandel P. de
Boer, Guglielmo Canessa, Nathan Chaikin, Richard A. Debs, Bernard Dressler Fine
Art Studio, Edward Durell Stone, Mrs. Giorgio Fubini, Galerie Sanct Lucas, Paul
Ganz, Hans Herbs (Dorotheum), Werner Hofman, J. O. Leegenhoek, Frederick Mont,
Inc. (Betty Mont), Paul Moro, Samuel Newman, Norton Galleries (Bert C. Norton),
James A. O'Toole, Henry Francis du Pont Winterthur Museum, Ernest de Popper,
Armando Rivera, Franco Russoli, Sotheby & Co., Léon Voet, and Federico Zeri.
Also present are 3 telegrams, 2 leaves of notes, 1 photograph and a bank
statement.
box 50, folder 1-3
1964
Scope and Content Note
ca. 160 items (ca. 190 leaves), including 4 leaves of notes, 2 telegrams, and
correspondence with Siegfried F. Aram,
The Art Quarterly (Astrid E.
Gettier; with typescript (4 leaves) of Held's article on the Ponce Art Museum), T.
Augarde, P. Baur de Boer, Berry-Hill Galleries (Henry D. Hill and Sidney Hill),
Miss Betty Brandeis, Chapman & Hall Limited, Central Picture Galleries (Jan
Klein), Moses Eisemann (a relative of Held), Helmut von Erffa, French &
Company (Helene Barland), Galerie Sanct Lucas, Mina Gregori, Henry Hawley
(Cleveland Museum of Art), Hans Herbst (Dorotheum), Erich Herzog (Staatliche
Kunstsammlungen Kassel), Hirsch & Adler Galleries, Mrs. Henry Hughes Oliver,
Ludwig Los[?]ichler Gutjahr,Samuel H. Kress Foundation, Kroch's & Brentano's
Inc., Michael Mallory, Erwin Mitsch (Graphische Sammlung Albertina), Frederick
Mont, Inc. (Betty Mont), Gallery of John Nicholson Limited, Norton Simon (Norton
Simon Foundation), Nystad Antiquairs, Konrad Oberhuber (Graphische Sammlung
Albertina), Charles E. Redfield Investment Counsel, Theodore Rousseau (
Metropolitan Museum of Art, NY), Schoneman Galleries, Germain Seligman, Miss Ala
Storey, University of Miami in Coral Gables, Vassar College Art Gallery (Thomas J.
McCormick), Claus Virch ( Metropolitan Museum of Art, NY), Carl Weinhardt (Gallery
of Modern Art), Martin Weinberger (NYU), Wildenstein & Co. Inc. (Louis
Goldenberg), and Federico Zeri.
box 50, folder 4-6
1965
Scope and Content Note
ca. 120 items (ca. 146 leaves), including 2 photographs, ca. 10 leaves of notes,
and correspondence with
Art Quarterly, Central Picture Galleries
(Jan Klein), Columbia University, Columbia University Press, Detroit Institute of
Arts (Willis F. Woods), Galerie Sanct Lucas (Robert Herzig), Elizabeth Gardner (
Metropolitan Museum of Art, NY), Hans Herbst (Dorotheum), Pál Kelemen, M. Knoedler
& Co., Karl Lilienfeld (Van Diemen-Lilienfeld Galleries), Edward R. Lubin,
Inc., Umberto Carlo Melina, Erwin Mitsch (Albertina), Morini Company (Franki H.
Morini, art dealer), Adalbert Nemere, Paidon Press Ltd, James Post, John and Mable
Ringling Museum of Art (Robert O. Parks), Theodore Rousseau ( Metropolitan Museum
of Art, NY), The Royal Market Place (Frank Taggart), Mira Salomon, Schaffer
Galleries, and Martin Weinberger (letter to Lubin from 13 Feb. 1964).
box 50, folder 7-8
1966
Scope and Content Note
ca. 83 items (ca. 104 leaves), including 5 leaves of notes, and correspondence
with B. Abraham, Berliner Galleries (J. S. Berliner), Alfred Brod Gallery,
Columbia University Press, Robert D. Dunbar, Michael Hall Fine Arts, Heim Tableaux
de Maîtres (François Heim), Hans Herbst (Dorotheum), Robert Herzig (Galerie Sanct
Lucas), Curtis J. Hoxter, Galerie Lasson (Zola Lasson), Venancio López de Ceballos
y de Ulloa, Edward R. Lubin, Frits Lugt (Institut Néerlandais), Marlborough-Gerson
Gallery Inc. (Gilbert Lloyd), Marqués de Castronuevo, Kurt Meissner (Galerie
Meissner, Zurich), Erwin Mitsch (Albertina), Konrad [Oberhuber?], E. Pincus,
Schwarz & Schwarz Attorneys (letter to Adelberto J. Roig), Victor D. Spark,
Mrs. V. Surtees, Vassar College Art Gallery (Thomas J. McCormick), and Worldwide
Books, Inc. (Eva Kroy Wisbar).
box 50, folder 9-11
1967
Scope and Content Note
ca. 125 items items (ca. 168 leaves), including 1 telegram and a note, typescript
(4 leaves) about paintings by Juan de Pareja, and correspondence with
Art
Gallery Magazine
(Christian R. von Rosenvinge), Hans-Ulrich Beck, Sylvie
Beguin (Musée du Louvre, Conservation), Anthony A. Benis, Mortimer Brandt,William
George Constable, Oswaldo Gonzalez Rodriguez, Heim Old Masters Paintings and
Sculptures (A. S. Ciechanowiecki), Hans Herbst (Dorotheum), Instituto Amatller de
Arte Hispánico in Barcelona, J. J. Ireland, Edgar Kaufmann, David M. Koetser
Gallery (David M. Koetser), Leonard Koetser, J. O. Leegenhoek, F. Lizardi, Mary
Louis Academy (Sister Miriam Therese), Kurt Meissner Gemälde und Handzeichnungen
[also Galerie Meissner Zürich], Mario Modestini (Materpiece Restorers, Inc.),
Musée du Louvre (Madeleine Hours), Gallery of John Nicholson Limited (Peter J.
Nicholson), Schaeffer Galleries, Inc. (Edward T. Nash), Seattle Art Museum, H.
Shickman Gallery (Norman Leitman), United States Educational Foundation in
Belgium, A. Weinmüller Münchener Kunstversteigerungshaus, and Henning Wendland.
Also present is copy of a letter to René Taylor from Hanns Swarzenski at Museum of
Fine Arts in Boston .
box 51, folder 1-3
1968
Scope and Content Note
ca. 104 items (ca. 123 leaves), including 1 telegram, 1 press clipping, ca. 5
leaves of notes, and correspondence with
Art Gallery Magazine
(Christian R. von Rosenvinge), Central Picture Galleries (Jan Klein), Carlos Conde
III, Ephron Gallery (Walter Ephron), Nina Gregori, Michael Hall Fine Arts, Inc.,
Heim Gallery (A. S. Ciechanowiecki), Hans Herbst (Dorotheum),
Horizon (Jay Jacobs), J. O. Leegenhoek, Adelaide Lugo S., Samuel
H. Kress Foundation, Denis Mahon, Kurt Meissner (Galerie Meissner Zürich), Musée
Fabre (Jean Lapeyre), Musée du Louvre, Conservation (Pierre Rosenberg), Dr. [?]
Rothmann, Pan American Union, Ernest de Popper, and Ellis Kirkham Waterhouse. Also
present is a biographical note about Robert W. Vonnoh.
box 51, folder 4
1969
Scope and Content Note
ca. 17 items, including correspondence with Eisemann & Co. (with 3 color
photographs), Hans Herbst (Dorotheum), Peter J. Nicholson (Gallery of John
Nicholson Ltd.), and Daniel Robbins (Museum, Rhode Island School of Design).
box 51, folder 5
1970
Scope and Content Note
37 items, including 6 leaves of notes and correspondence with Jacques de Caro
(University of California, Berkeley), Centre national de recherches "Primitifs
flamands", Hartnoll & Eyre Ltd., Heim Gallery (A. S. Ciechanowiecki), Hans
Herbst, Konrad Oberhuber (Graphische Sammlung Albertina), Seattle Art Museum, and
Specner A. Samuels & Company, Ltd. Letters from Jacques de Caro include a
color slide and 2 photographs.
box 51, folder 6
1971
Scope and Content Note
ca. 40 items (ca. 57 leaves), including 2 telegrams and correspondence with Hans
Herbst (Dorotheum), the Minneapolis Institute of Arts, S. Nystad, Porto Rico Iron
Works, Inc., Anne Poulet ( Metropolitan Museum of Art, NY), and Michael Ward (1
letter and 2 color photographs). Also present is a business card of the art dealer
Czeslaw Bednarczyk in Vienna.
box 51, folder 7
1972
Scope and Content Note
34 items (42 leaves), including correspondence with J. K. Baker (Union Carbide
Co.), Egbert Haverkamp Begemann, Frick Collection (Edgar Munhall), Duncan T.
Kinkead, Musée du Louvre Conservation (Pierre Rosenberg), and Parke-Bernet
Galleries (Nicholas Ward-Jackson).
box 51, folder 8
1973
Scope and Content Note
24 items (33 leaves), including 1 photograph and correspondence with Christie's
in London, Columbia University Press, Hans Herbst, Gabrielle Kopelman, and
Massachusetts Institute of Technology.
box 51, folder 9
1974
Scope and Content Note
ca. 43 items (ca. 73 leaves), including correspondence with James Carder
(University of Pittsburgh), Dumbarton Oaks Center for Byzantine Studies, Frick
Collection, Manuel González (Mardid), Mina Gregori, Heim Gallery (A. S.
Ciechanowiecki), Hans Herbst, Julius Kaplan (UC Santa Barbara), Massachusetts
Institute of Technology (Danny Robbens?),
The New York Times, Olga
Raggio ( Metropolitan Museum of Art, NY), and Jacques Seligmann & Co. (Germain
Seligman).
box 51, folder 10
1975
Scope and Content Note
ca. 23 items (31 leaves), including correspondence with Dumbarton Oaks Center for
Byzantine Studies, Werner Hoffman (Hamburger Kunsthalle), de Menil Collection
(Rachel Berry), Meriden Gravure Company (John Peckham), Musée du Louvre
Conservation (Pierre Rosenberg),
Review de l'art (Pierre Arizzoli
Clementel), and Robert Rosenblum (NYU).
box 51, folder 11
1976
Scope and Content Note
ca. 19 items (30 leaves), including 1 photograph and correspondence with Central
Picture Galleries (Jan Klein), CGP [Conservation of Historic and Artistic Works]
in Cooperstown, Pierre Arizzoli Clémentel (Direction des musées de France), Anton
J. Konrad (art conservator), Meriden Gravure Company (John F. Peckham), Musée du
Louvre Conservation (Pierre Rosenberg), Pyramid Galleries Ltd., and Yale
University Art Gallery (James D. Burke).
box 52, folder 1
1977
Scope and Content Note
18 items (ca. 36 leaves), including correspondence with Art Gallery of Ontario
[Toronto] (Richard J.Wattenmaker ), Marie-Nicole Boisclair (Université Laval),
Brimo de Laroussilhe Antiquités, Anton J. Konrad (art conservator), The Meriden
Gravure Company, Musée de beaux-arts Quebec (Anne S. Fenhaygen), Nigel R. J.
Pocock, Princeton University Art Museum (Peter C. Burnell), and Alfred G.
Schumacher.
box 52, folder 2
1978
Scope and Content Note
6 items (13 leaves), including photocopies of printed matter.
box 52, folder 3
1979
Scope and Content Note
5 items (7 leaves), including correspondence with Instituto Técnico de
Expertixación y Restauración [Madrid],Shickman Galleries (Herman Shickman), and
Rene Taylor.
box 52, folder 4
1980
Scope and Content Note
7 items (8 leaves), including correspondence with Meriden Garvure Company (John
F. Peckham).
box 52, folder 5
Correspondence,
1981
Scope and Content Note
9 items (11 leaves).
box 52, folder 6
1982
Scope and Content Note
10 items, including 1 letter to Held from Rene Taylor, and 1 leaf of notes.
box 52, folder 7
1983
Scope and Content Note
21 items (38 leaves), including 6 leaves of notes and correspondence with Amigos
del Museo de Ponce, Inc. (Carlos E. Chardon), Jan Bialostocki (Muzeum Narodowe w
Warszawie), Richard J. Collins (Richard J. Collins Inc.), Maurizio Marini, Meriden
Gravure Company (William Glick), and Rijksbureau voor Kunsthistorische
Documentatie (C. J. A. Wansink).
box 52, folder 8
1984
Scope and Content Note
ca. 32 items (42 leaves), including notes, printed and illustrated matter and
correspondence with Walter Liedtke and Keith R. Christiansen ( Metropolitan Museum
of Art, NY), Anne Pingeot (conservator at Musée d'Orsay), and Walter Trillmich
(Deutsches Archaeologisches Institut, Madrid). Also present is a typescript (4
leaves ) outline for training painting conservation technicians at Ponce Art
Museum.
box 52, folder 9
1985
Scope and Content Note
ca. 15 items (25 leaves), including correspondence with Matías Díaz Padrón
(conservator at Museo del Prado), and Walter Trillmich (Deutsches Archaeologisches
Institut, Madrid).
box 52, folder 10
1986
Scope and Content Note
ca. 22 items (28 leaves), including correspondence with Ted [Theodore S.
Amussen?] at Dept. of Art History at Columbia University, Smithsonian Institution
(Tom L. Freudenheim), and Walter L. Strauss (
The Illustrated
Bartsch
; Abaris Books, Inc.),
box 52, folder 11
1987
Scope and Content Note
ca. 9 items (13 leaves), including correspondence with Marimar [?], and Alan D.
Ullberg.
box 52, folder 12
Correspondence,
1988
Scope and Content Note
ca. 13 items (ca. 28 leaves), including notes, 2 invoices, illustrated
matter.
box 52, folder 13
1989
Scope and Content Note
ca. 26 items (33 leaves), including 1 photograph and ca. 9 leaves of notes and
printed matter.
box 52, folder 14
1990
Scope and Content Note
11 items (13 leaves), including a letter to Rene Taylor from University of
Nebraska Lincoln, a circular letter from Association of Art Museum Directors (John
Walsh and Mimi Gaudieri), and correspondence with Sotheby's New York, Rene Taylor,
and H. Barbara Weinberg.
box 52, folder 15
1991
Scope and Content Note
11 items (17 leaves), including correspondence with Walter Liedtke ( Metropolitan
Museum of Art, NY), National Maritime Museum (Richard Ormond), Patricia Rose (The
Florida State University, Tallahassee), and Yolanda Rullán.
box 52, folder 16
1992
Scope and Content Note
9 items, including a note, and April-May 1992 issue of
Trazos.
box 52, folder 17
1993
Scope and Content Note
ca. 18 items (58 leaves), including typescript (32 leaves) titled
Proposal
for the sale of old master paintings and nineteenth century paintings from the
collection of the Museo de Arte de Ponce, September 17, 1993
; 2 leaves
of typescript titled
The problem of the library; a painting
examination report for
The port of Delft by Daniel Vosmaer. Also
present are 2 letters from Walter Liedtke ( Metropolitan Museum of Art, NY) to the
Ponce Art Museum, one with enclosed price list, inventory of artwork at Ponce
Museum, and copy of a letter from Marion Spewer [?] to Rene Taylor.
box 53, folder 1
1994
Scope and Content Note
25 items, including April-May 1994 issue of
Trazos, typescript (2
leaves) title
Welcome to the museum in Ponce, and letters to Ponce
Art Museum from Walter Liedtke ( Metropolitan Museum of Art, NY) and Sir Philip
Dowson, president of the Royal Academy of Arts.
box 53, folder 2
1995
Scope and Content Note
ca. 28 items (ca. 40 leaves), including Feb.-March issue of
Trazos, photocopies of printed and illustrated matter, and
correspondence with Christie's New York, Philippe de Montebello (Metropolitan
Museum of Art, NY), Norton Museum of Art, and U.S. Air (Frank Salzzomi,
President).
box 53, folder 3
1996
Scope and Content Note
ca. 60 items (ca. 76 leaves), including travel receipts and expense reports, 2
photographs, (1 in color), and correspondence with Eric Domela Niewenhuis (Rijks
Universiteit Leiden), Betty Elzea, Hamish Dewar (art conservator), Michiel Kersten
(Gemeente Musea Delft), National Museum of Women in the Arts, Otto Naumann, Ltd.,
Earl A. Powoll III (National Gallery of Art), Marcel Roethlisberger (Université de
Genève), Thomas Rusche, Schweitzer Gallery, Inc., Sotheby's New York, and Albert
Wagner (National Gallery of Art). Also present is an invitation to a birthday
party for Rene Taylor, and photocopy of Sonja Klee's master's thesis
Charles-François Daubigny (1817-1878): die Mondscheinlandschaften
(University Bonn).
box 53, folder 4
1997
Scope and Content Note
ca. 55 items (ca. 88 leaves), including 4 photographs (2 in color, snapshots),
and correspondence with William B. Jordan, Rosario Ferré, Louis Peter Grijp, Leon
Krempel, and Marcel Roetlisberger. Also present is a typescript (3 leaves) by
Roetlisberger about the painting
Saint Francis and Saint Catherine holding
a painting of the Madonna and Child
by Cornelis Schut and Frans Ykens;
and correspondence with Otto Naumann, Ltd. concerning the painting
The
Crucifixion
by Francisco de Zurbarán.
box 53, folder 5
1998
Scope and Content Note
ca. 25 items (35 leaves), including 5 photographs (one in color), illustrated
matter, and correspondence with Derek Johns (Derek Johns Ltd.), and Marcel
Roetlisberger (University of Geneva).
box 53, folder 6
1999
Scope and Content Note
ca. 26 items (33 leaves), including 1 press clipping, 1 photograph, typescript (2
leaves) on Rombout van Troyen, a travel bill, and correspondence with Anna Held
Audette, Marcel Roetlisberger and Margaret H. Smith. [The press clipping is
shelved in Box 146*, F. 1.]
Series VII.B.
Held's correspondence with Rene Taylor,
1963-1996
Physical Description:
0.48 Linear
Feet
Scope and Content Note
Held's correspondence with the director emeritus of Ponce Art Museum, Rene Taylor,
with occasional correspondence with Luis A. Ferré, various art dealers, collectors,
conservators, museum curators, and scholars. Arranged chronologically.
box 54, folder 1
1963
Scope and Content Note
17 items (25 leaves): 12 letters to Held, 5 letters from Held, and draft for a
telegram.
box 54, folder 2
1964
Scope and Content Note
18 items (29 leaves): 12 letters to Held, 5 letters from Held, 1 illustration
(clipping), and copy of a letter to Taylor from John J. Cunningham. Also included
is a typescript (5 leaves) of Held's speech at the groundbreaking of the new
structure for the Ponce Art Museum.
box 54, folder 3
1965
Scope and Content Note
ca. 50 items (ca. 70 leaves): 27 letters to Held, 18 letters from Held, including
1 to Miss Harkness, a letter to Taylor from Galerie Sanct Lucas (Robert Herzig),
and copy of a letter from J. H. Cooke & Sons (art conservators) to Leger
Galleries in London.
box 54, folder 4
1966
Scope and Content Note
28 items (35 leaves): 15 letters to Held, 7 letters from Held, and correspondence
with Bayerische Staatsbibliothek München, Paul J. Gillette (editor of
Psychology), Ernest A. Koelliker, Eva Kroy Wisbar, Jan Walgrave,
and Wittenborn and Company.
box 54, folder 5
1967
Scope and Content Note
11 items (14 leaves): 7 letters to Held, 2 letters from Held, and correspondence
with Dennis R. Reid (National Gallery of Canada), and Hanns Swarzenski (Museum of
Fine Arts Boston).
box 54, folder 6
1968
Scope and Content Note
20 items (31 leaves): 12 letters to Held, 2 letters from Held, and correspondence
with American Federation of Arts (Konrad G. Kuchel), Erik Lervold Gómez,
Horizon (Jay Jacobs), Instituto "Diego Velazquez" (Alfonso E.
Pérez Sánchez), David McKibbin (Library of the Boston Athenaeum), and William S.
Lieberman (Metropolitan Museum of Art, NY).
box 54, folder 7
1969
Scope and Content Note
7 items (11 leaves): 6 letters to Held, and copy of a letter to Taylor from Art
Dealers Association of America, Inc. (Gilbert S. Edelson).
box 54, folder 8
1970
Scope and Content Note
3 letters to Held (4 leaves).
box 54, folder 9
1971
Scope and Content Note
12 items (15 leaves): 8 letters to Held, 3 letters from Held, 1 note, and 1
photograph.
box 54, folder 10
1972
Scope and Content Note
1 letter to Held and 1 letter from Held.
box 54, folder 11
1973
Scope and Content Note
6 items: 3 letters to Held, copy of a letter to Taylor from William P. Campbell,
and 2 photographs.
box 54, folder 12
1974
Scope and Content Note
ca. 4 items (7 leaves): 2 letters to Held, 1 note, and copy of Held's typescript
(3 leaves) draft regarding Ponce Art Museum Board of Trustees.
box 54, folder 13
1975
Scope and Content Note
ca. 13 items (19 leaves): 7 letters to Held, including 1 from Luis A. Ferré, 2
letters to Taylor from François Heim (with 6 leaves of illustrated matter), 2
letters from Held, and a note regarding Federico Zeri's remarks on the Ponce Art
Museum.
box 54, folder 14
1976
Scope and Content Note
11 items (13 leaves): 7 letters to Held, 2 letters from Held, and Taylor's
correspondence with magazine
The Art Gallery (William C.
Bendig).
box 54, folder 15
1977
Scope and Content Note
3 items (4 leaves): 2 letters to Held from Taylor, and Held's letter to
Ferré.
box 54, folder 16
1980
Scope and Content Note
9 items (11 items): 7 letters to Held from Taylor, and 2 letters from Held to
Ferré.
box 54, folder 17
1981
Scope and Content Note
7 items (10 leaves): 3 letters to Held, 3 letters from Held, including 1 to
Ferré, 1 leaf of illustrated matter (clippig), and a letter to Taylor from Meriden
Gravure Company (William J. Glick).
box 54, folder 18
1982
Scope and Content Note
ca. 17 items (30 leaves): 10 letters to Held, 3 letters from Held, and
correspondence with Winterthur Museum (Joyce Hill Stoner), and Stanley Moss &
Company, Inc. Also present are two Ponce Art Museum memorandums, and a curriculum
vitae of Edeltraud F. Bronold.
box 54, folder 19
1983
Scope and Content Note
ca. 16 items (19 leaves): 12 letters to Held, 2 letters from Held, including
correspondence with Ferré, and a billing statement from Meriden-Stinehour
Incorporated, annotated by Taylor. Also present is copy of a letter from Richard
J. Collins to Carlos Conde.
box 54, folder 20
1984
Scope and Content Note
6 items (10 leaves): 2 letters to Held, 3 letters from Held, and a note.
box 54, folder 21
1985
Scope and Content Note
11 items (24 leaves): 5 letters to Held, 3 letters from Held, Held's letter to
Ferré, a letter signed by the Board of Directors of the Ponce Art Museum, and a
letter from Taylor to Ferré.
box 54, folder 22
1986
Scope and Content Note
6 items (8 leaves): 4 letters to Held, and letters to Taylor from Marcel
Roetlisberger (Université de Genève) and George Keyes (Minneapolis Institute of
Arts).
box 54, folder 23
1989
Scope and Content Note
9 items: 5 letters to Held, Held's letter to Ferré, 1 typescript note, and 2
color photographs (snapshots).
box 54, folder 24
1990
Scope and Content Note
1 letter to Held.
box 54, folder 25
1994
Scope and Content Note
4 items (6 leaves): 3 letters to Held, and copy of a letter to Taylor from Walter
Liedtke (Metropolitan Museum of Art, NY).
box 54, folder 26
1995
Scope and Content Note
1 letter to Held.
box 54, folder 27
1996
Scope and Content Note
4 items: 1 letter to Held, 1 letter and 1 telegram from Held, and copy of a
letter to Taylor from Marcel Roetlisberger (Université de Genève).
Series VII.C.
Papers about Ponce Art Museum,
1960, undated
Physical Description:
0.48 Linear
Feet
Scope and Content Note
This subseries consists of items regarding Ponce Art Museum's acquisitions
activities, Luis A. Ferré, social events and conferences, and the new building
designed by Edward Durell Stone. Present are publications about the museum, numerous
press clippings and other printed matter, also photographs of museum's galleries and
building. A separate group details the museum accreditation process. 2 items related
to the accreditation process were moved to Box 161, F. 5.
Also included are Held's business papers (ca. 15 items) and numerous handwritten
notes which provide insight into his advisory role in museum's acquisitions
activities. Several offprints concern paintings by Francisco Zurbarán.
box 55
Papers about Ponce Art Museum,
1960-1996, undated
box 55, folder 1
Accreditation of Ponce Art Museum,
1960-1985, undated
Scope and Content Note
13 items (total of 86 leaves) related to the process of accreditation of Ponce
Art Museum: correspondence, notes, meeting minutes, memorandums, an NEA [National
Endowment for the Arts] grant application, drafts of bylaws, and reports.
box 55, folder 2
Accreditation of Ponce Art Museum,
1995
Scope and Content Note
3 items (56 leaves): document titled
Museo de Arte de Ponce, self study
for the American Association of Museums, July 5, 1995
, typescript (54
leaves); and related correspondence: letter to Held from Ponce Art Museum director
Carmen T. Ruíz-Fischler, and Ruíz-Fischler's letter to American Association of
Museums.
box 55, folder 3
Museum galleries: floor plans and photographs,
undated
Scope and Content Note
2 groups of items: floor plans of galleries with titles of artworks, annotated by
Held, (typescript (17 leaves); and 52 color snapshots with labels corresponding to
floor plans. [Color photographs are shelved in Box 161, F. 4]
box 55, folder 4
Photographs of Ponce Art Museum,
undated
Scope and Content Note
15 items: 7 press clippings and illustrated matter (9 leaves), and 9 photographs,
including 8 of the new museum building designed by Edward Durell Stone: 4 exterior
views of the building and 4 interior views of galleries. Also present is a
photograph of the millionth visitor to the Ponce Art Museum. [Press clippings and
printed matter, and 3 photographs of museum's interior are shelved in Box 146*, F.
2-3.]
box 55, folder 5
Held's business papers,
1960-1996, undated
Scope and Content Note
ca. 15 items (20 leaves): itemized lists of Held's commissions and fees for
1960-1968, a list of recipients of museum catalog, two1974 billing statements for
restoration work by Ingrid-Märta Held, and Held's travel expenses of March 18
1996. Also present is typescript annotated draft of Held's speech at the opening
of Ponce Art Museum (2 leaves).
box 55, folder 6
Press clippings, printed and illustrated matter,
1960-1997, undated
Scope and Content Note
ca. 82 items (ca. 140 leaves) concerning the museum and the artworks.
box 55, folder 7
Notes on artworks,
undated
Scope and Content Note
ca. 60 leaves of mainly handwritten notes.
box 55, folder 8
Papers about paintings by Francisco Zurbarán,
undated
Scope and Content Note
ca. 11 offprints (ca. 40 leaves): mostly photocopies of pages from books and art
journals, mainly concerning Zurbarán's painting
Holy House of
Nazareth
.
box 55, folder 9
Publications on artwork at Ponce Art Museum,
1974-1984
Scope and Content Note
1 offprint:
Trimmlich,
Walter.
Beobachtungen am Bildnis der Agrippina Maior oder:
Probleme und Grenzen der 'Typologie'.
; Sonderdruck aus den Madrider
Mittleilungen 25, 1984. Mainz : Philipp von Zabern, 1984
Series VII.D.
Photographs of collections groups,
undated
Physical Description:
3
box(es)
1.25 lin. ft.
Scope and Content Note
This subseries consists of ca. 700 study photographs of paintings and sculptures in
the collection of Ponce Art Museum. A small number of photographs show artworks held
by other institutions or artworks deaccessioned from the collection of Ponce Art
Museum. Notes and stamps on verso provide information regarding attribution,
provenance, conservation work, and photographer. Occasionally included are
bibliographical references, and Ponce Art Museum inventory numbers. Some photographs
are extensively annotated by Held on verso. Some are marked for cropping. Frequently,
multiple photographs of an artwork are present. Arranged alphabetically by national
school and artists' name. Paintings are followed by drawings (1 postcard), and
sculptures. Unidentified items are filed at end of each group.
box 56
American school - French school,
undated
box 56, folder 1
Paintings, American school: Avery - Lawson,
undated
Scope and Content Note
8 photographs. Milton Avery, William Merritt Chase, Frederick E. Church, John J.
Enneking, George Innes, John Lavalle, Ernest Lawson.
box 56, folder 2
Paintings, American school: Russell - West,
undated
Scope and Content Note
8 photographs: Walter Russell, John Singer Sargent, Louis Comfort Tiffany,
Charles Frederick Ulrich, Robert William Vonnoh, Benjamin West.
box 56, folder 3
Paintings, British school: Beechey - Constable,
undated
Scope and Content Note
11 photographs: William Beechey, Richard Parkes Bonington, Edward Coley
Burne-Jones, John Constable.
box 56, folder 4
Paintings, British school: Etty - Hunt,
undated
Scope and Content Note
9 photographs: William Etty, Edward William Frost, Thomas Gainsborough, George
Harcourt, William Holman Hunt.
box 56, folder 5
Paintings, British school: Kettle - Roberts,
undated
Scope and Content Note
11 photographs: Tilly Kettle, Sir Thomas Lawrence, Lord Frederick Leighton, John
Linnell, Arthur Nowell, Matthew William Peters, Sir Henry Raeburn, Sir Joshua
Reynolds, David Roberts.
box 56, folder 6
Paintings, British school: Romney - Weguelin, and
unidentified,
undated
Scope and Content Note
14 photographs: George Romney, Dante Gabriel Rossetti, Frederick Sandys, Thomas
Seddon, William Clarkson Stanfield, JamesWard, John Reinhard Weguelin, and 1
photograph of a landscape by an unidentified artist.
box 56, folder 7
Painting: Byzantine,
undated
Scope and Content Note
9 photographs.
box 56, folder 8
Painting, Dutch school: Aertsen - Duck,
undated
Scope and Content Note
16 photographs: Pieter Aertsen, Ludolph Backhuysen, Abraham Bloemaert, Ferdinand
Bol, Jan Both, Salomon de Bray, Gerard van Bronckhorst, Jan van Bylert, Pieter
Claesz [?], Cornelis Cornelisz. van Haarlem, Cornelis Cruys, Dirck van Delen, and
Jacob Duck.
box 56, folder 9
Painting, Dutch school: Dujardin - Koninck,
undated
Scope and Content Note
15 photographs: Karel Dujardin, Allaert van Everdingen, Johannes Fabritius,
Govert Flinck, Jan Josephsz. van Goyen, Bartholomeus van der Helst, Josef Israels,
Abraham van Kalraet, and Salomon Koninck.
box 56, folder 10
Painting, Dutch school: de Lairesse - van Ruisdael,
undated
Scope and Content Note
18 photographs: Gerard de Lairesse, Lucas van Leyden, Nicholas Maes, Barent van
der Meer, Hendrik Willem Mesdag, Jan Miense Molenaer, Paulus Moreelse, Pieter de
Neyn, Adriaen van Ostatde, Pieter Gerritsz van Roestraeten, Jacob Isaacksz. van
Ruisdael, and Salomon van Ruysdael. [For large photograph of painting by Mesdag
see Box 146*, F. 4.]
box 56, folder 11
Painting, Dutch school: Striep - Vosmaer,
undated
Scope and Content Note
30 photographs, including 8 in color, and 1 negative. Christian Jansz. Striep,
Lambert Sustris (incl. copy after Titian), Hendrick Terbrugghen, Rombout van
Troyen, Pieter Verelst, Hendrik Cornelisz. van Vliet, Cornelis van der Voort, and
Daniel Vosmaer. The 8 color photographs are of painting
The port of Delft
by Daniel Vosmaer. The negative is of Lambert Sustris'
Susanna and
the Elders
. [For color photographs and the negative see box Box 161, 6.]
Also included is a catalog entry [typescript, 2 leaves] for Rombout van Troyen's
painting
Sacrifice of Polyxena in front of the burning Troy.
box 56, folder 12
Painting, Dutch school: van Walscapelle - Wtewael and
unidentified,
undated
Scope and Content Note
12 items: Jacob van Walscapelle, Jan Baptist Weenix the Elder, Adriaen van der
Werff, Isaac Willaerts, Jan Woutersz., Joachim Antonisz. Wtewael, and portrait of
a women by an unknown artist.
box 56, folder 13
Painting, Flemish school: Bril - Jordaens,
undated
Scope and Content Note
29 photographs: Paul Bril, Hendrick de Clerck, Joos van Cleve, Anthony van Dyck,
Frans Floris, Hugo van der Goes, Abraham Janssens van Nuyssen, and Jacob Jordaens.
[For the photograph of painting by van Dyck see Box 146*, F.5.]
box 56, folder 14
Painting, Flemish school: Key - van Roymerswaele,
undated
Scope and Content Note
8 photographs. Adriaen Thomasz. Key, Andries Cornelis Lens, Bonaventura Peeters
the Elder, Theodore Rombouts, Martinus van Roymerswaele.
box 56, folder 15
Painting, Flemish school: Rubens - Teniers and unidentified,
undated
Scope and Content Note
7 photographs and 1 photographic postcard. Peter Paul Rubens, Frans Snyders,
David Teniers the Younger, and 1 photograph of an unidentified detail.
box 56, folder 16
Painting, French school: Berthelemy - Bouguereau,
undated
Scope and Content Note
10 photographs and 1 printed illustration of a drawing by Pierre-Charles
Trémolières. Jean Simon Berthelemy, Charles Bigee, Trophime Bigot, Louis Boilly,
and William-Adolphe Bouguereau. Photograph of painting by Boilly is a negative
print.
box 56, folder 17
Painting, French school: Cazin - Doré,
undated
Scope and Content Note
31 photographs. Jean Charles Cazin, Philippe de Champaigne, Jean Baptiste
Charpentier the Elder, Félix Chrétien, Gustave Courbet, Antoine Coypel,
Charles-François Daubigny, Alexandre-Gabriel Decamps, Jean-François Delyen,
Narcise-Virgile Diaz de la Peña, Gustave Doré.
box 56, folder 18
Painting, French school: Dughet - de La Hyre,
undated
Scope and Content Note
20 photographs. Gaspard Dughet called Poussin, Pierre-Louis Dumenil le Jeune,
Jean Fouquet, Jean Léon Gérôme, Marie-François-Firmin Girard, Anne-Louis
Girodet-Troison, Henri Joseph Harpignies, Jean Jacques Henner, Jean-Baptiste Huet
the Elder, Emile Charles Jacque, Louis-Jean François Lagrenée [with a note], and
Laurent de La Hyre.
box 56, folder 19
Painting, French school: Langlois - Nattier,
undated
Scope and Content Note
29 photographs and 1 color transparency. Jerome Martin Langlois, Nicolas de
Largillierre, Henri Lebasque, Charles Le Brun, Nicolas Bernard Lepicie, Claude
Lorrain, Charles Mellin [also attributed to Lafranco and Vouet], Jean François
Millet, Gustave Moreau, Charles Joseph Natoire [?], and Jean Marc Nattier. [1
photograph of Natoire's painting is shelved in Box 146*, F.6.] Color transparency
of Largillierr's portrait of
Marquise de la Roche Boussau , and 3
color photographs of Lorrain's
View of a port are shelved in Box
161, 7.]
box 56, folder 20
Painting, French school: Petit - de Troy,
undated
Scope and Content Note
21 photographs. Eugene Petit, Pierre Paul Prud'hon, Jean Regnault, Henri François
Riesener, Etienne Pierre Theodore Rousseau, Pierer Subleyras, James Jacques Joseph
Tissot, Jean François de Troy.
box 56, folder 21
Painting, French school: Vernet - Ziem,
undated
Scope and Content Note
13 photographs. Claude Joseph Vernet, Joseph Marie Vien, Elisabeth-Louise
Vigee-Le Brun, Claude Vignon the Elder, François André Vincent, and Felix
Ziem.
box 57
German school - Italian school,
undated
box 57, folder 1
Painting, German school (including Austrian and Swiss): Cranach -
Rottenhammer,
undated
Scope and Content Note
20 photographs. Lucas Cranach the Elder, Albrecht Dürer (school of), Angelica
Kauffmann, Master "M.S." (Danube School), Anton Raphael Mengs (portrait of infant
was originally filed by Held with Spanish school), Johann Georg Platzer, and Hans
Rottenhammer. [For 2 photographs of painting
Judith with the head of
Holofernes
by Lucas Cranach the Elder see Box 146*, F. 7.]
box 57, folder 2
Painting, Italian school: Amigoni - Badalocchio,
undated
Scope and Content Note
11 photographs: Jacopo Amigoni, Filippo d'Angeli, Sofonisba Anguisciola, Antonio
Veneziano, and Sisto Badalocchio.
box 57, folder 3
Painting, Italian school: Baschenis - Batoni,
undated
Scope and Content Note
14 photographs: Evaristo Baschenis, Jacopo Bassano, Leandro Bassano, and Pompeo
Girolamo Batoni. [For large print of Baschenis' painting
An assortment of
musical instruments
see Box 146*, F. 8.]
box 57, folder 4
Painting, Italian school: Biagio d'Antonio da Firenze - Carlo
Bononi,
undated
Scope and Content Note
12 photographs: Biagio d'Antonio da Firenze, Pietro Bianchi, Giovanni del Biondo,
Giovanni Boccati da Camerico, and Carlo Bononi.
box 57, folder 5
Painting, Italian school: Brandi - Casanova,
undated
Scope and Content Note
8 photographs: Giacinto Brandi, Agnolo Bronzino, Guido Cagnacci, and Francesco
Giuseppe Casanova.
box 57, folder 6
Painting, Italian school: Caracciolo - di Chirico,
undated
Scope and Content Note
9 photographs: Giovanni Battista Caracciolo, Giovanni Benedetto Castiglione,
Giuseppe Chiari, and Giacomo di Chirico.
box 57, folder 7
Painting, Italian school: Cigoli - Cipper,
undated
Scope and Content Note
10 photographs: Ludovico Cigoli (Lodovico Cardi), Jacopo di Cione, and Giacomo
Francesco Cipper. [For large print of Cipper's
Self portrait see
Box 146*, F. 9.]
box 57, folder 8
Painting, Italian school: Conca - Duccio, follower of,
undated
Scope and Content Note
14 photographs and 1 leaf of illustrated matter: Sebastiano Conca, Placido
Costanzi, Francesco Curradi, Cesare Dandini, Carlo Dolci, and Duccio, follower of.
[For large print of painting by a follower of Duccio see Box 146*, F. 10.]
box 57, folder 9
Painting, Italian school: Fontebasso - Furini,
undated
Scope and Content Note
8 photographs and 1 leaf of illustrated matter. Francesco Fontebasso, Giovanni
Battista Franco, and Francesco Furini.
box 57, folder 10
Painting, Italian school: Gaulli - Gimignani,
undated
Scope and Content Note
12 photographs. Giovanni Battista Gaulli, Francesco Giovanni Gessi, Giampietrino,
Corrado Giaquinto, and Giacinto Gimignani.
box 57, folder 11
Painting, Italian school: Luca di Tommé - Giovenone,
undated
Scope and Content Note
17 photographs and 1 leaf of illustrated matter. Luca di Tommé, Luca Giordano,
Giovanni da Milano, and Gerolamo Giovenone. [For large prints of Luca Gordano's
paintings
St. Luke painting the Virgin and
Death of
Seneca
see Box 146*, F.11.]
box 57, folder 12
Painting, Italian school: Grammatica - Guarino,
undated
Scope and Content Note
7 photographs: Antiveduto Grammatica, Francesco Granacci, Ercole Graziani the
Younger, Francesco Guarino.
box 57, folder 13
Painting, Italian school: Guercino - Italian school 18th
cent.,
undated
Scope and Content Note
12 photographs. Guercino, 1 painting by unidentified artist of 17th century
French or Italian school, 1 painting by an unidentified 17th century artist of
Florentine school (Onorio Marinari?), 1 painting by an unidentified 17th century
artist of North Italian school, 2 paintings by an unidentified 18th century
artist, and painting
Still life with onions attributed to several
artists, including Bartolomeo Bimbi, or Giuseppe Maria Crespi.
box 57, folder 14
Painting, Italian school: Langetti - Master of the Petricaja
Triptych,
undated
Scope and Content Note
9 photographs and 1 leaf of illustrated matter. Giovanni Battista Langetti,
Filippino Lippi, Alessandro Magnasco, and Master of the Petricaja Triptych.
box 57, folder 15
Painting, Italian school: Matteis - Francesco de Mura,
undated
Scope and Content Note
10 photographs. Paolo de Matteis, Ludovico Mazzolino, Monsu Desiderio, Morazzone
(Pier Francesco Mazzucchelli), and Francesco de Mura.
box 57, folder 16
Painting, Italian school: Neri di Bicci - Nuvolone,
undated
Scope and Content Note
4 photographs and 1 leaf of illustrated matter. Neri di Bicci, Pietro Novelli,
and Carlo Francesco Nuvolone.
box 57, folder 17
Painting, Italian school: Pacino di Bonaguida - Simone
Pignone,
undated
Scope and Content Note
8 photographs ans 1 color transparency. Pacino di Bonaguida, Pietro Paolini,
Giovanni Antonio Pellegrini, and Simone Pignone. [Color transparency of Pignone's
St. Praxedis is shelved in Box 161, F. 8].
box 57, folder 18
Painting, Italian school: Reni - Rosa,
undated
Scope and Content Note
16 photographs. Guido Reni, Sebastiano Ricci, Giovanni Francesco Romanelli,
Francesco de Rosa.
box 57, folder 19
Painting, Italian school: Rosa - Sirani,
undated
Scope and Content Note
12 photographs. Salvator Rosa, Sassoferrato (Giovanni Battista Salvi), Paolo
Schiavo, Sebastiano del Piombo, Sienese school 14th cent., and Elisabetta
Sirani.
box 57, folder 20
Painting, Italian school: Solimena - Pietro della Vecchia,
undated
Scope and Content Note
16 photographs. Francesco Solimena, Giovanni Sorbi, Bernardo Strozzi, Gaspare
Traversi, and Pietro della Vecchia (Pietro Muttoni).
box 58
Puertorican School - Sculpture,
box 58, folder 1
Painting, Puertorican: Anonymous - Solana,
undated
Scope and Content Note
16 photographs, 1 negative, and 1 leaf with illustrations of two paintings by
anonymous artists of South American school:
The Virgin of Candlemas
(ca. 1700) and
The Christ Child with the crown of thorns (18th
cent.). Alfonso Arama, Jose Campeche, Francisco Oller y Cestero, and José
Gutierrez Solana. [For negative of Campeche's painting
La Virgen del
Carmen
see Box 161, F. 9.]
box 58, folder 2
Painting, Spanish school: Antolínez y Sarabia - Camilo,
undated
Scope and Content Note
6 photographs. Francesco Antolínez y Sarabia, Bartolomé Bermejo (de Cardenas),
and Francisco Camilo.
box 58, folder 3
Painting, Spanish school: Coello - Egusquiza,
undated
Scope and Content Note
11 photograps, and 1 note. Claudio Coello, Juan Correa de Vivar, Gonzalo Diaz
(with Nicolas Carlos), and Rogello Egusquiza.
box 58, folder 4
Painting, Spanish school: de Leon y Escosura - Lucas y
Velazquez,
undated
Scope and Content Note
6 photographs. Ignacio de Leon y Escosura, Sebastian Llanos y Valdes, and Eugenio
Lucas y Velazquez.
box 58, folder 5
Painting, Spanish school: Machuca - del Mazo,
undated
Scope and Content Note
8 photographs. Pedro Machuca, Raimundo Madrazo y Kuntz, and Juan Bautista
Martinez del Mazo.
box 58, folder 6
Painting, Spanish school: Meifren y Roig - Murillo,
undated
Scope and Content Note
5 photographs and 1 negative. Eliseo Meifren y Roig, and Bartolomé Esteban
Murillo. [The negative of Murillo's painting
Immaculate Conception of the
Mirror
is shelved in Box 161, F. 10.]
box 58, folder 7
Painting, Spanish school: de Pereda y Salgado - Ruis
Gonzalez,
undated
Scope and Content Note
8 photographs. Antonio de Pereda y Salgado, Jusepe de Ribera, Pedro Ruis
Gonzalez.
box 58, folder 8
Painting, Spanish school: Sanchez-Perrier - Vazquez,
undated
Scope and Content Note
6 photographs. Emilio Sanchez-Perrier, Joaquin Sorolla y Bastida, and Alonso
Vazquez.
box 58, folder 9
Painting, Spanish school: Velazquez - Villegas,
undated
Scope and Content Note
7 photographs. Diego Rodriguez de Silva y Velazquez and José Villegas.
box 58, folder 10
Painting, Spanish school: Zuolaga y Zabaleta - de Zurbarán,
undated
Scope and Content Note
5 photographs. Ignacio Zuolaga y Zabaleta, and Francisco de Zurbarán.
box 58, folder 11
Painting, Spanish school: unidentified,
undated
Scope and Content Note
10 photographs.
box 58, folder 12
Painting, other schools, and unidentified,
undated
Scope and Content Note
3 photographs. Jaroslav Czermak (Bohemian school), Konstantin Jergorovitch
Makovskii (Russian school), and an unidentified painting of the
Last
Supper
.
box 58, folder 13
Drawings: Oskar Klein,
1962
Scope and Content Note
1 postcard.
box 58, folder 14
Sculpture, American: Epstein - Saint Gaudens,
undated
Scope and Content Note
2 photographs. Sir Jacob Epstein, Augustus Saint-Gaudens.
box 58, folder 15
Sculpture, Austrian school, 18th century,
undated
Scope and Content Note
6 items: 4 photographs and 2 color slides. [See Box 161, F. 11 for slides.]
box 58, folder 16
Sculpture, British: Nollekens,
undated
Scope and Content Note
1 photograph. Joseph Nollekens.
box 58, folder 17
Sculpture, French: Carrier-Belleuse - French school 13th
cent.,
undated
Scope and Content Note
16 photographs and 1 leaf of illustrated matter. Albert-Ernest Carrier-Belleuse,
Emile-Antoine Bourdelle, Charles Henri Joseph Cordier, Jerome Derbais, Leon-Ernest
Drivier, Jacques Gautier, and a crucifix identified as 13th cent. French school
from Limoges.
box 58, folder 18
Sculpture, German: Jorhann - Klinger,
undated
Scope and Content Note
4 photographs. Christian Jorhann the Elder [Jorhan], Max Klinger, and a bust of
Saint identified as 16th cent. German school.
box 58, folder 19
Sculpture, Greek (Ancient),
undated
Scope and Content Note
1 photograph.
box 58, folder 20
Sculpture, Italian: Credi - Roman school, 16th cent.,
undated
Scope and Content Note
5 photographs and 1 leaf of illustrated matter. Lorenzo di Credi, Giambologna,
Luca della Robbia (workshop), and 16th cent. Roman school.
box 58, folder 21
Sculpture, Roman (Ancient),
undated
Scope and Content Note
2 photographs and 1 leaf of typescript catalog record.
box 58, folder 22
Sculpture, Spanish: 17th-18th cent.,
undated
Scope and Content Note
3 photographs: 2 artworks identified as 17th c. Spanish school, and as 18th c.
Cordoban school.
box 58, folder 23
Sculpture: coat of arms ,
undated
Scope and Content Note
3 items: 1 photograph, an ink drawing and 1 leaf of notes. A coat of arms,
possibly of Manrique de Lara family.
box 58, folder 24
Sculpture: unidentified,
undated
Scope and Content Note
5 photographs.
Series VIII.
Photographs (Artists' files),
ca. 1921-1999
Physical Description:
69
box(es)
29 lin. ft.
Scope and Content Note
This series is comprised of study photographs and other visual material of artwork by
Peter Paul Rubens, Anthony van Dyck, Jacob Jordaens, Rembrandt, and numerous other
artists, mainly Dutch and Flemish from the 15th to 18th centuries. Arranged by artist,
subsequently by medium (i.e. drawings, oil sketches, paintings), and within each medium
by topic.
The photographs are usually annotated on verso with references to auction sales,
bibliographical sources, and opinions by other scholars; stamps and labels provide
provenance information. Besides study photographs, frequently present is printed and
illustrated matter, also color transparencies, and a few negatives, polaroids, and
slides. The printed and illustrated matter is usually annotated by Held. It consists
frequently of pages from various auction catalogs (Christie's or Sotheby's in most
cases), offprints, postcards, plates, and some press clippings. Also included are notes
and correspondence directly relating to a specific artwork or topic, concerning matters
of attribution, conservation work, provenance, requests for photoreprints, or scholarly
research. Included are expert opinions of other scholars (generally photocopies), mainly
those of Justus Müller Hofstede, Ludwig Burchard and Michael Jaffé.
Series VIII.A.
Peter Paul Rubens,
1923-1999
Physical Description:
12.6 Linear
Feet
Scope and Content Note
The largest subseries, comprising ca. 9,200 items about Rubens, is subarranged into
four groups: drawings, oil sketches, and paintings; followed by correspondence and
notes related to Held's publications and research on Rubens.
The drawings group includes ca. 1300 items, of which ca. 1000 are photographs,
subarranged into categories portraits, single studies, religious compositions, secular
compositions, drawings after other artists (Northern, Spanish, and Italian), drawings
after sculptures, anatomical studies, drawings for engravings and book illustrations,
dubious drawings, and a small numer of unidentified items. A few photographs of
Rubens's paintings after paintings by other artists were also found filed with this
group. Dubious drawings comprise ca. 80 photographs, of which some are annotated with
references to other artists, mainly Jacob Jordaens or Anthony van Dyck.
The oil sketches group includes ca. 3100 items, of which ca. 1500 are photographs.
The topical arrangement follows Held's catalog
The oil sketches of Peter Paul
Rubens
. Also included are photographs of oil sketches of human heads, and
ca. 130 other images collected by Held as comparative material. A distinct group
present ca. 140 items of questionable or rejected attribution to Rubens (Box 65). A
main large portion of correspondence and notes concerning oil sketches is filed in box
64. There are also numerous small portions of correspondence and notes, filed together
with items to which they directly relate.
The paintings group of ca. 3860 items, of which ca. 3000 are photographs, is divided
into two categories: secular subjects (ca. 2440 items) and religious subjects (ca.
1620 items). The topical subarrangement of secular subjects includes portraits (women,
men, self-portraits, and portraits of Rubens's family); landscapes; hunts (also
animals); secular history; allegory; genre; and mythological themes called
Venus, Graces, and Nymphs and
Hercules, Diana, and Bacchic
Scenes
. A group named
Pythagors comprises photographs,
printed matter, and correspondence concerning Rubens's collaboration with Frans
Snyders. Another distinct group relates to Held's research for his paper
Rubens
and Titian
. Several groups pertain to particular themes:
Satyr and
Nymph
,
Meleager and Atalanta,
Alexander and
Roxana
,
Diana returning from the Hunt,
Judgement of
Paris
,
Leopards,
Jupiter and Cupid,
Portrait of Charles V, and
Roman Emperors (a series).
A group called
Rubens school: copies, imitations, etc. comprises
photographs of artworks of questionable or rejected attribution to Rubens.
Miscellaneous items (secular topics) are filed in Box 80, F. 16 (ca. 20 items).
Religious subjects are subarranged into followiong groups: Old Testament; New
Testament; Daniel in the lions' den; Virgin, Holy Family; Christ (further subdivided
into Childhood of Christ, Adult life of Christ, Crucified Christ, Passion of Christ,
and Resurrection); Saints; and Angels. Three distinct groups comprise items concerning
paintings
The Gonzaga family in adoration of the Most Holy Trinity, and
Holy women at the Sepulchre, and a group called Copies and
Imitations.
The final group (Boxes 86-89) contains correspondence and notes (ca. 940 items,
including ca. 500 leaves of notes) relating to Held's research and various
publications on Rubens. Arranged by topic into following groups: Correspondence
related to book
Rubens, selected drawings ; Correspondence related to
article "New oil sketches by Peter Paul Rubens" (in
Burlington
Magazine
); Rubens research (1990-1995); Paper on
Battle of Greeks and
Amazons
for 1982 Rubens Symposium; Paintings by Rubens and Flemish school in
the collection of Sir Joshua Reynolds (Francis Broun's dissertation); Notes on
Delacroix and Rubens; Notes on
De Antwerpsche "Konstkamers" by Jean
Denucé; Notes and correspondence on Rubens drawings;
Rubens in America
correspondence; Miscellaneous correspondence (1954-1997); and notes by Held (total of
ca. 380 leaves), including notes and printed matter relating to prints after Rubens by
Willem Panneels.
Large photographas and illustrated matter of various artworks by Rubens are shelved
in Box 165*.
38 items, including 37 color transparencies, and 1 letter to Held from Elizabeth
Llewellyn were moved from Box 65 to Box 161, F. 30-31. 7 items found in Box 89 were
moved to Box 150*, F. 13. 1 negative related to Rubens's Ceiling of the Banqueting
House, Whitehall, was moved from Box 67 and is shelved in Box 162, F. 2. 5 items
related to Rubens's Decoration of the Torre de la Parada were moved from Box 67 and
are shelved in Box 162, F. 4
Ca. 18 items related to Rubens's painting
Christ and St. John were
moved from Box 70 and are shelved in Box 162, F. 20-26.
4 color photographs of a painting titled
Tribute money were moved from
Box 86 and are shelved in Box 164, F. 46.
box 59, folder 1
Portraits: Hélène Fourment,
undated
Scope and Content Note
11 items: 10 photographs and 1 leaf of illustrated matter. [Color photograph in
shelved in Box 161, F. 12.]
box 59, folder 2
Portraits: children,
undated
Scope and Content Note
20 items: 17 photographs, 1 postcard, and 2 leaves of illustrated matter.
Includes portrait of Ferdinando I Gonzaga, Prince of Mantua.
box 59, folder 3
Portraits: women,
undated
Scope and Content Note
18 items: 13 photographs, 2 postcards, and 3 leaves of illustrated matter.
Included are portraits of Susanna Fourment, and Elizabeth Brandt. Drawing titled
Lady with a pearl earring includes a typescript catalog record
(1 leaf) and a letter to Held from Alexander Hume.
box 59, folder 4
Portraits: women,
undated
Scope and Content Note
8 items: 7 photographs and 1 leaf of illustrated matter. Included are portraits
of Maria de Medici, and Marchesa Brigida Spinola Doria.
box 59, folder 5
Portraits: men,
undated
Scope and Content Note
15 items: 13 photographs and 2 postcards. Included are portraits of Jan
Cossiers [?], Lucas van Leyden, Thomas Howard 2nd Earl of Arundel, Hendrik van
Thulden, Sir Theodore Turquet de Mayerne, an equestrian portrait of Charles V,
and a selfportrait of Rubens. [1 item is shelved in Box 146*, F. 12.]
box 59, folder 6
Single studies of female figures,
undated
Scope and Content Note
19 photographs.
box 59, folder 7
Single studies of male figures,
undated
Scope and Content Note
28 items: 24 photographs, 5 leaves of printed and illustrated matter concerning
Study for the garden of love and
A young soldier with a
halberd
, and a catalog record for
A Tartar horseman.
Includes photograph of A blind man.
box 59, folder 8
Single studies of male nude figures,
undated
Scope and Content Note
29 items: 27 photographs (2 in color), 2 leaves of illustrated and printed
matter, and 2 letters to Held: from Ian Kenendy at Simon Dickinson Inc. and from
Francis Russel at Christie's London. [Color photographs are shelved in Box 161,
F. 13.]
box 59, folder 9
Single studies: heads and other body parts,
undated
Scope and Content Note
ca. 17 items: 15 photographs, 3 leaves of printed and illustrated matter, and a
letter to Held from Elizabeth Llewellyn at Sotheby's London.
box 59, folder 10
Single studies: Jesuits in Chinese costume,
undated
Scope and Content Note
ca. 21 items: 5 photographs, 1 color transparency, and 16 leaves of prined and
illustrated matter. [Color transparency is shelved in Box 161, F. 14.] Included
are
Portrait of Nicolas Trigault S.J. and two other Jesuit
missionaries.
box 59, folder 11
Single studies: monks and priests,
undated
Scope and Content Note
9 items: 7 photographs and a letter [to Held?] from Ludwig Burchard.
box 59, folder 12
Single studies: religious figures,
undated
Scope and Content Note
13 photographs, including 3 in color. Saints, Christ on the cross, angel with
trumpet, head of an old man (St. Paul?), and a figure from the
Descent of
the Damned
. [Color photographs are shelved in Box 161, F. 15.]
box 59, folder 13
Single studies: Moses striking the rock,
undated
Scope and Content Note
4 items: 1 photograph, printed and illustrated matter, and 1 leaf of typescript
(catalog record).
box 59, folder 14
Single studies: mythological and allegorical figures,
undated
Scope and Content Note
4 photographs: allegorical figure of Discord, an eagle, a harpy, and
Silenus.
box 59, folder 15
Single studies: animals,
undated
Scope and Content Note
2 photographs. Drawings of a lion and a wild boar's head.
box 59, folder 16
Single studies: landscapes,
undated
Scope and Content Note
4 photographs, including drawings of hay wagons [hayracks], and photograph of
painting
Return from the fields (in an envelope annotated by
Held). [See also photographs of drawings filed with Rubens's landscape
paintings, Box. 74, F. 25.]
box 59, folder 17
Religious compositions: Christ,
undated
Scope and Content Note
ca. 23 items: 19 photographs, a letter to Held from Sotheby's London, and 4
leaves of printed and illustrated matter. Included are: Baptism of Christ, Ecce
Homo, Crucifixion, Descent from the Cross, Lamentation, and Christ giving the
keys of heaven to Peter.
box 59, folder 18
Religious compositions: Virgin Mary,
undated
Scope and Content Note
ca. 14 items: 13 photographs and 2 leaves of illustrated matter. Included are:
Birth of the Virgin, Annunciation, Nativity, Holy Family, and Assumption.
box 59, folder 19
Religious compositions: various sketches,
undated
Scope and Content Note
20 photographs.
box 59, folder 20
Religious compositions: various sketches,
undated
Scope and Content Note
20 photographs.
box 59, folder 21
Religious compositions: various sketches,
undated
Scope and Content Note
16 items: 15 photographs and 1 leaf of illustrated matter.
box 59, folder 22
Religious compositions: Saints,
undated
Scope and Content Note
12 photographs, including 4 in color. [Color photographs are shelved in Box
161, F. 16.]
box 59, folder 23
Religious compositions: biblical scenes,
undated
Scope and Content Note
6 photographs. Included are:
Judith and Holofernes,
Salome [?]
,
David and Goliath,
Samson and
Deliah [?]
.
box 59, folder 24
Religious compositions: various,
undated
Scope and Content Note
6 items: 5 photographs and 1 leaf of printed matter. Includes: I
nfanta
Isabella with patron Saint Elisabeth
, a male figure with a patron
saint,
Sepulcral sculpture with a half-open door, and
Cartouche supported by cherubs.
box 59, folder 25
Religious compositions: related material,
undated
Scope and Content Note
4 items: 2 leaves of notes and 2 drawings of Saint Christophorus [skeches drawn
by Held?].
box 60, folder 1
Secular compositions: battle scenes,
undated
Scope and Content Note
18 items: 15 photographs and 4 leaves of illustrated matter. Includes
The rape of the Sabins
, drawings of male wrestling figures,
Battle of the Amazons.
box 60, folder 2
Secular compositions: Hercules [Heracles],
undated
Scope and Content Note
8 photographs. Includes
Hercules stepping on Discord,
Hercules and Nemean Lion, and
Minerva and Hercules
fighting Mars
.
box 60, folder 3-4
Secular compositions: mythological scenes,
undated
Scope and Content Note
ca. 40 items: photographs, including 5 in color, and 1 negative (
Drunken Silenus?). [Negative and color photographs are shelved
in Box 161, F. 17.]
box 60, folder 5
Secular compositions: mythological scenes,
undated
Scope and Content Note
31 items: 30 photographs, including 2 in color, and 1 leaf of printed matter.
[2 color photographs are shelved in Box 161, F. 18.]Captions identify the
drawings as:
The death of Dido (3),
The death of
Hippolyte
,
Venus and Cupid,
Decius Mus,
Ajax and Cassandra,
Neptune (5),
Meleager
and Atalanta
,
Bath of Diana,
Tomyris with the
head of Cyrus
,
Venus lamenting Adonis (
Death of
Adonis
, 5),
Medea and her children (4),
Niobe
,
Diana and her nymphs,
A nymph
asleep
, and
Silenus and Aegle, and other figures.
box 60, folder 6
Secular compositions: scenes and motives (not
mythological?),
undated
Scope and Content Note
14 photographs. Includes a hunting scene, a figure riding an elephant, a sketch
for
Roma triumphans,
Return of victorious
Horatius
, design for decoration at Rubens's house, and drawing showing
embracing couples.
box 60, folder 7
Secular compositions:
Allegory of Peace,
undated
Scope and Content Note
3 photographs, including 1 in color. [Color photograph is shelved in Box 161,
F. 19.]
box 60, folder 8
Secular compositions:
Garden of Love,
undated
Scope and Content Note
1 photograph.
box 60, folder 9
Secular compositions: various figures,
undated
Scope and Content Note
11 photographs.
box 60, folder 10
Secular compositions: kermesse and paysants,
undated
Scope and Content Note
10 photographs. Includes
Sermon in the barn.
box 60, folder 11
Drawings after Northern artists: Holbein's
Dance of
death
,
undated
Scope and Content Note
ca. 10 items: 4 photographs, 2 negatives, and printed and illustrated matter.
[The negatives are shelved in Box 161, F. 20.]
box 60, folder 12
Drawings after Northern artists: Tobias Stimmer,
undated
Scope and Content Note
6 items: 3 photographs, and 3 leaves of printed and illustrated matter.
box 60, folder 13
Drawings after Northern artists: Hans Weiditz [?],
undated
Scope and Content Note
2 items (7 leaves): printed and illustrated matter, and photocopy of a
certificate by Ludwig Burchard. Concerning drawing
Landknechts fighting
around the table
.
box 60, folder 14
Drawings after Northern artists: various,
undated
Scope and Content Note
17 photographs.
box 60, folder 15
Drawings by Heinrich Vogtherr,
undated
Scope and Content Note
12 items: 11 photographs, including 1 negative and 5 small clippings, and 1
leaf of printed matter. The photographs are of Voghtherr's woodcut images of
female heads in different headdresses, and of various hand gestures.
box 60, folder 16
Filed with drawings: Rubens copy after a painting by Jan Cornelisz
Vermeyen,
undated
Scope and Content Note
3 photographs of Rubens's copy of Vermeyen's painting
Portrait of Mulay
Ahmed
.
box 60, folder 17
Filed with drawings: Rubens paintings after various Northern
artists,
undated
Scope and Content Note
10 items: 8 photographs, 1 letter, and 2 leaves of illustrated matter.
Includes:
Judith after Lucas Cranach;
Portrait of
Sebastian Munster
after Joos van Cleve (2);
Saint Christophorus
by Adam Elsheimer (a copy by Rubens?);
Adam and Eve in
Paradise
(by Rubens?); portrait drawing of François II by Albert
Clouet (copy by Rubens?); portrait painting of Paracelsus (by Rubens?); a 1952
letter to Held from Terisio Pignatti concerning Lucas van Leyden attribution of
a portrait drawing (2); and painting of genealogical tree of Comtesse de
Hainauit.
box 60, folder 18
Drawings after Northern artists: various,
undated
Scope and Content Note
4 items: 3 photographs and illustratration of Rubens's drawing
Drunken
peasants
after an early 17th cent. Flemish artist. Photographs: a
drawing labelled Sebald Beham?, drawing of monkeys by Hans Weiditz from
Von der Artzney bayder Glück by Francesco Petrarca (1532); and
a drawing of male heads after Lucas van Lyden.
box 60, folder 19-20
Drawings after Northern artists:
Costume
book
,
undated
Scope and Content Note
ca. 66 items: 62 photographs, 1 photocopy of a drawing, 1 leaf of notes, a
letter to Held from Richard Ettinghausen at Freeer Gallery of Art, and a list of
photographs from Gernsheim Corpus Photographicum (2 leaves, carbon copy).
box 60, folder 21
Drawings after Northern artists: Jacob van Cobaert,
undated
Scope and Content Note
4 items: 2 photographs, letter to Held from L. Franklin in London (17 Feb.
1958), and a copy of a letter by L. Burchard (23 Feb. 1957). Rubens attribution
questioned by Held.
box 60, folder 22
Drawings after Northern artists: Theodoor van Thulden,
undated
Scope and Content Note
2 photographs.
box 60, folder 23
Drawings after Spanish artists: Juan Fernández de
Navarrete,
undated
Scope and Content Note
3 items: 2 photographs and a letter to Held from Sotheby Parke Bernet.
box 61, folder 1
Drawings after Italian artists: Michelangelo Merisi da
Caravaggio,
undated
Scope and Content Note
1 photograph of Rubens's painting after Caravaggio's
Entombment of
Christ
.
box 61, folder 2
Drawings after Italian artists: Annibale Carracci,
undated
Scope and Content Note
1 leaf of illustrated matter (painting
Birth of the Virgin at
Louvre).
box 61, folder 3
Drawings after Italian artists: Correggio,
undated
Scope and Content Note
1 photograph.
box 61, folder 4
Drawings after Italian artists: Battista Franco,
undated
Scope and Content Note
2 photographs.
box 61, folder 5
Drawings after Italian artists: Leonardo da Vinci,
1969, 1990, undated
Scope and Content Note
5 items: 3 photographs of
Battle of the Standard, including a
drawing by Gerard Edelinck (after Rubens?), letter to Held from Frank Zöllner at
Bibliotheka Hertziana (1990), and Held's letter to Edward L. Holt (1969).
box 61, folder 6
Drawings after Italian artists: Pirro Ligorio,
undated
Scope and Content Note
1 photograph.
box 61, folder 7
Drawings after Italian artists: Andrea Mantegna,
undated
Scope and Content Note
3 photographs.
box 61, folder 8
Drawings after Italian artists: Michelangelo Buonarroti,
undated
Scope and Content Note
17 items: 15 photographs and printed matter.
box 61, folder 9
Drawings after Italian artists: Bartolomeo Passarotti,
undated
Scope and Content Note
1 photograph (
Two studies of arms).
box 61, folder 10
Drawings after Italian artists: Giovanni Antonio Pordenone,
undated
Scope and Content Note
1 photograph.
box 61, folder 11
Drawings after Italian artists: Francesco Primaticcio,
undated
Scope and Content Note
6 items: 3 photographs and illustrated matter (
The chariot of Apollo),
and notes.
box 61, folder 12
Drawings after Italian artists: Polidoro da Caravaggio,
1984, undated
Scope and Content Note
ca. 17 items: 5 photographs, 3 color transparecies, and printed and illustrated
matter. [Color transparencies are shelved in Box 161, F. 21.] Included is letter
to Held from Francis Russell at Christie's London. Concerning drawings:
Soldiers destroying a bridge,
Rape of Sabins,
and
Centaurs and women.
box 61, folder 13
Drawings after Italian artists: Marcantonio Raimondi,
undated
Scope and Content Note
1 photograph.
box 61, folder 14
Drawings after Italian artists: Raphael,
1957, 1983, 1991, undated
Scope and Content Note
18 items: 6 photographs, 1 color transparency, printed and illustrated matter,
correspondence with Eldridge Sanders Associates, David Acton at Worcester Art
Museum, and a 1957 letter to Held from Horst Vey. Concerning Rubens's drawing
The council of the gods. Also included is a photograph of
Raphael's portrait painting of Castiglione. [Color transparency is shelved in
Box 161, F. 14.]
box 61, folder 15
Drawings after Italian artists: Giulio Romano,
1970, 1991, undated
Scope and Content Note
ca. 16 items: 5 photographs, 1 color transparency, 1 color slide, printed and
illustrated matter, and Held's correspondence with Brod Gallery in London, and
with Arline Leven at Washington University in St. Louis, Mo. Concerning Rubens's
drawing
The triumph of Scipio. [Color transparency and color
slide are shelved in Box 161, F. 23.]
box 61, folder 16
Drawings after Italian artists: Andrea del Sarto,
undated
Scope and Content Note
1 photograph.
box 61, folder 17
Drawings after Italian artists: Sodoma (Giovanni Antonio
Bazzi),
undated
Scope and Content Note
1 item (5 leaves of printed and illustrated matter).
box 61, folder 18
Drawings after Italian artists: Titian,
1967, undated
Scope and Content Note
ca. 13 items: 4 photographs, printed and illustrated matter, English
translation of expertises by Ludwig Burchard, Wilhelm von Bode, text regarding
provenance of Rubens's
Mädchen mit Pelz (4 leaves, photocopy),
and Held's correspondence with Leonard Koetser. Concerning painting
Entombment by Rubens, and Rubens's drawing
Studies of
women
.
box 61, folder 19
Drawings: unidentified items filed with Rubens's drawings after Italian
artists,
1991, undated
Scope and Content Note
17 photographs and 7 leaves of notes, and letter to Held from Sotheby's London
(dated 10 May 1991).
box 61, folder 20
Drawings after sculptures: mythological figures,
undated
Scope and Content Note
11 items: 9 photographs, 1 leaf of illustrated matter, and letter to Held from
Sotheby's London. Figures of Pan, satyrs, centaurs, and a Roman altar with
sphinxes.
box 61, folder 21
Drawings after sculptures: male heads,
undated
Scope and Content Note
3 photographs of male heads looking upward.
box 61, folder 22
Drawings after sculptures: sleeping Hermaphrodite,
undated
Scope and Content Note
3 photographs.
box 61, folder 23
Drawings after sculptures: river god Tiber,
undated
Scope and Content Note
6 items: 2 leaves of notes and 4 photographs (3 drawings and photograph
sculpture at the Louvre).
box 61, folder 24
Drawings after sculptures: Laocoon Group,
undated
Scope and Content Note
21 items: 20 photographs and 1 leaf of notes (typed).
box 61, folder 25
Drawings after sculptures: Hercules [Heracles],
undated
Scope and Content Note
8 items: 7 photographs (1 sepia), and 1 leaf of notes. [Sepia photograph is
shelved in Box 161, F. 24.]
box 61, folder 26
Drawings after sculptures: various Classical sculptures,
undated
Scope and Content Note
17 items: 16 photographs and 1 leaf of illustrated matter. Included drawings of
Ariadne (sepia), sleeping Diana, Roman statue of a comic actor, Romulus and
Remus, Flora Farnese, a man in toga, photograph labelled
Studies in
classical sculpture
, and Ares and Aphrodite. [Sepia photograph stored
in Box 161, F. 25.]
box 61, folder 27
Drawings after sculptures: male heads,
undated
Scope and Content Note
12 photographs (1 sepia): Menander, Democritus, Aristotle, Plato, and Nero.
[Sepia photograph stored in Box 161, F. 26.]
box 61, folder 28
Drawings after sculptures: eagle,
1974-1978, undated
Scope and Content Note
10 items: 3 photographs, 1 leaf of illustrated matter, Held's correspondence
with St. Louis Art Museum, letter from Michael Jaffé to Emile E. Wolf at
Fitzwilliam Museum, and Held's letter to Andrew Robison at National Gallery of
Art in Washington.
box 61, folder 29
Drawings after sculptures: Roman gems,
undated
Scope and Content Note
15 items: 12 photographs, 1 color transparency, and printed and illustrated
matter. [Color transparency is shelved in Box 161, F. 27.]
box 61, folder 30
Drawings after sculptures: Seneca,
undated
Scope and Content Note
16 items: 14 photographs, letter to Held from Sylvan Barnet, and 1 press
clipping. [The press clipping is shelved in Box 146*, F. 13.]
box 61, folder 31
Drawings after sculptures: Silenus,
undated
Scope and Content Note
ca. 12 items: 4 photographs, 3 leaves of illustrated and printed matter, 3
leaves of notes, and Held's correspondence with Frank Waill.
box 61, folder 32
Drawings after sculptures: unidentified items,
undated
Scope and Content Note
4 photographs of drawings, including 3 drawings of a male head titled on verso
as Jungenkopf mit Mütze and annotated with names of Rubens and Pieter van Lint.
Also an unidentified sketch of two female figures [after a sculpture?].
box 62, folder 1
Drawings: anatomical studies,
undated
Scope and Content Note
14 photograhs.
box 62, folder 2
Drawings: anatomical studies,
undated
Scope and Content Note
32 leaves of illustrated matter (photocopies).
box 62, folder 3
Drawings: anatomical studies,
1987, undated
Scope and Content Note
4 items: typescript titled
Ecorché drawings in the Cantoor group
(10 leaves, photocopy, includes correspondence between Francis Russell at
Christie's London and Anne-Marie Logan); 2 leaves of notes, and portions of
Christie's London catalog from 6-7 July 1987.
box 62, folder 4
Drawings: anatomical studies: related correspondence,
1979, 1987
Scope and Content Note
7 items (8 leaves). Letter to Held from James Mundy at Nortwestern University,
Held's correspondence with Francis Russell at Christie's London, and letter to
Held from Anne-Marie Logan.
box 62, folder 5
Drawings for engravings and book illustrations: religious
subjects,
undated
Scope and Content Note
ca. 40 items: ca. 31 photographs, 6 leaves of illustrated matter, 1 leaf of
notes, and catalog entry for drawing
Heilige Familie mit Johannes dem
Täufer
. Included are 2 photographs of woodcuts by Christoffel
Jegher.
box 62, folder 6
Drawings for engravings and book illustrations: various
subjects,
undated
Scope and Content Note
22 items: 20 photographs, and 3 leaves of printed and illustrated matter. Also
present is a letter to Held from Shaunagh Fitzgerald at P.& D. Colnaghi
concerning Rubens's drawing
Thomyris presented with the head of
Cyrus
. Included are:
The Garden of Eden,
Bacchus
and Satyrs
,
The defeat of Sennacherib by Pieter Claesz.
Soutman, several drawings after antique coins,
Standing Hapsburg
Emperor
, and
Portrait of Justus Lipsius.
box 62, folder 7
Drawings for engravings and book illustrations: sepulchral
monuments,
undated
Scope and Content Note
4 photographs.
box 62, folder 8
Drawings for engravings and book illustrations: various book
illustrations,
undated
Scope and Content Note
9 photographs.
box 62, folder 9
Drawings for engravings and book illustrations: various
engravings,
undated
Scope and Content Note
25 small photographs of engravings (ca. 1.5 x 1 in.) pasted on 4 leaves.
Annotated with names of Cornelis Galle, Schelte Bolswert, Willem Vorsterman,
Paulus Pontius, and Alexander Voët.
box 62, folder 10
Drawings for engravings and book illustrations: from
Francisci
Agvilonii e Societate Iesv opticorvm libri sex
,
undated
Scope and Content Note
8 photographs of illustrations included in Wolfgang Jaeger's book
Die
Illustrationen von Peter Paul Rubens zum Lehrbuch der Optik des Franciscus
Aguilonius/1613
.
box 62, folder 11
Drawings for engravings and book illustrations:
title-pages,
undated
Scope and Content Note
48 photographs of engraved title-pages, predminantly imprints of Plantin Press
of Balthasar Moretus (Officina plantiniana Balthasaris Moreti) in Antwerp.
box 62, folder 12
Drawings for engravings and book illustrations: various book
illustrations,
undated
Scope and Content Note
32 photographs and 1 leaf of illustrated matter of drawings and engravings by
Rubens, Cornelis Galle and Erasmus Quellinus: mainly title-page designs, also
emblematic vignettes, and portraits of Balthasar Moretus. Also present are
woodcuts of Roman coins, and photograph of a letter by Erasmus Quellinus to
Cornelis Galle.
box 62, folder 13
Drawings for engravings and book illustrations: lives of
Saints,
undated
Scope and Content Note
32 photographs, mainly illustrating life of Saint Ignatius of Loyola, from
Vita Beati P. Ignatii Loiolae ... (1609). Also included is an
etching by Audran after Raphael (?)' s drawing
Nightmare.
box 62, folder 14
Drawings for engravings and book illustrations: related
correspondence,
1958-1990, undated
Scope and Content Note
14 items (15 leaves: 2 leaves of notes, and correspondence with Wildenstein
& Co. (Vladimir Visson), Thos Agnew & Sons, Ltd. (Sir Geoffrey Agnew),
Andrew Robison at National Gallery of Art, Bert Sternfeld, Helen Braham, Private
Collection V in London, Sotheby's London, and Jan Garff at the Royal Museum of
Arts in Copenhagen.
box 62, folder 15
Dubious drawings: correspondence with Keith Andrews,
undated
Scope and Content Note
2 items: 1 photograph and Held's letter to Andrews. Concerning a crucifixion
scene with arguing horsemen.
box 62, folder 16
Dubious drawings: correspondence with George A. Born,
1962
Scope and Content Note
1 letter from Held.
box 62, folder 17
Dubious drawings: correspondence with W. Mark Brady,
1989
Scope and Content Note
2 items: letter to Held from Brady at W.M. Brady & Co. in New York, and 1
photograph. Concerning attribution of a drawing of Neptune [?] to Rubens.
box 62, folder 18
Dubious drawings: correspondence with J. Cassayd-Smith,
1985-1990
Scope and Content Note
ca. 19 items: correspondence between J. Cassayd-Smith, Held, Sotheby's London
(George Gordon), Christe's London (Francis Russell), and a letter from Sotheby's
to Anne-Marie Logan; 2 photographs; 2 color transparencies; and printed and
illustrated matter. Concerning attribution of a drawing of Hygieia. [Color
transparencies are shelved in Box 161, F. 28.]
box 62, folder 19
Dubious drawings: photograph signed by Nathan Chaikin,
undated
Scope and Content Note
1 photograph inscribed with Chaikin's name and date1962.
box 62, folder 20
Dubious drawings: correspondence with Harold Lee
Colvocoresses,
1969, undated
Scope and Content Note
11 items: 3 letters to Held, 3 photographs, copy of a letter to Colvocoresses
from British Museum (1938), and copies of Colvocoresses's correspondence with
Belgian Government Information Center (1949). Concerning attribution of a
drawing of a male head referred to as
Head of Boreas.
box 62, folder 21
Dubious drawings: Herbert E. Feist,
undated
Scope and Content Note
1 photograph; with a stamp of Herbert E. Feist.
box 62, folder 22
Dubious drawings: Walter Hugelshofer,
undated
Scope and Content Note
1 photograph, inscribed with the name of Hugelshofer.
box 62, folder 23
Dubious drawings: Leon Franklyn,
undated
Scope and Content Note
1 illustration pasted on cardboard. Inscribed with the name of Leon
Franklyn.
box 63, folder 1
Dubious drawings: correspondence with Rudolph S. Joseph,
undated
Scope and Content Note
6 photographs. Joseph's copyright statement on verso.
box 63, folder 2
Dubious drawings: correspondence with Aage Kristensen,
1970, undated
Scope and Content Note
5 items: letter to, from Held, 1 photograph, and an original drawing of a
watermark.
box 63, folder 3
Dubious drawings: correspondence with Peter Kröker,
undated
Scope and Content Note
2 photographs:
Death of Seneca and
Satyr and
Amor
, both annotated on verso.
box 63, folder 4
Dubious drawings: correspondence with Library of Congress,
1962
Scope and Content Note
5 items: letter to Held from Alan Fern (curator), and 5 photographs.
box 63, folder 5
Dubious drawings: correspondence with Agnes Mongan,
1958
Scope and Content Note
1 letter to Held from curator and director at Fogg Art Museum, with carbon copy
of Held's reply on verso.
box 63, folder 6
Dubious drawings: correspondence with Justus Müller
Hofstede,
1962-1964, undated
Scope and Content Note
ca. 19 items (23 leaves): 9 letters to Held, 4 letters from Held, 1 letter from
Held to Jan Bialostocki, 1 leaf of notes by Held concerning drawings by Anthony
van Dyck, and 4 photographs: head of a satyr, drawing after Michelangelo
(centaurs), head of a horse (after a Classical sculpture), and a female figure
(portrait of Helene Fourment).
box 63, folder 7
Dubious drawings: correspondence with National Gallery of Art,
Washington, DC,
1974, undated
Scope and Content Note
3 items: 2 letters to Held, from Charles Parkhurst and Andrew Robison, and 1
photograph a drawing after Titian's
Pentecost.
box 63, folder 8
Dubious drawings: correspondence with National Gallery of
Scotland,
1978
Scope and Content Note
1 letter to Held.
box 63, folder 9
Dubious drawings: correspondence with Gustav Nebehay,
undated
Scope and Content Note
1 photograph of a drawing of lions. On verso stamp of Gustav Nebehay in Berlin
and an annotation by Held.
box 63, folder 10
Dubious drawings: correspondence with Donald F. Rowe,
1967-1975, undated
Scope and Content Note
3 items: 2 letters to Held and 1 color photograph. [The photograph is shelved
in Box 161, F. 29.]
box 63, folder 11
Dubious drawings: correspondence with János Scholz,
1973, undated
Scope and Content Note
2 photographs, both annotated on verso. Annotations include Held's opinion
about the artwork, dated May 31 1993.
box 63, folder 12
Dubious drawings: correspondence with Sotheby's London,
1975, undated
Scope and Content Note
7 items: letter to Held and 6 photograph: an akt figure (by van Dyck?), and
male heads.
box 63, folder 13
Dubious drawings: correspondence with Bertina Suida
Manning,
1973
Scope and Content Note
3 items: letter to Held, letter from Held, and 1 photograph.
box 63, folder 14
Dubious drawings: correspondence with Emile Verrijken,
1975-1979, undated
Scope and Content Note
ca. 8 items: 1 letter to Held, 1 letter from Held; 1 letter to Held signed
Roemers (dated 15 April 1979); 2 photographs; photocopies of expert opinions by
Ludwig Burchard, J. P. Leemans, and Robert Eichenberger; and 2 leaves of printed
matter (photocopies).
box 63, folder 15
Dubious drawings: Emile E.Wolf,
undated
Scope and Content Note
2 photographs, inscribed with Wolf's name.
box 63, folder 16
Dubious drawings by subject: single heads,
undated
Scope and Content Note
9 photographs
box 63, folder 17
Dubious drawings by subject: scenes with several figures,
undated
Scope and Content Note
17 items: 16 photographs and 1 note.
box 63, folder 18
Dubious drawings by subject: studies of nude figures,
undated
Scope and Content Note
5 photographs.
box 63, folder 19
Dubious drawings by subject: human figures,
undated
Scope and Content Note
6 photographs, including 2 attributed to Jacob Jordaens, a sleeping infant, a
sitting cardinal, and a scene titled
Reconsiliation of Jacob and
Esau
.
box 63, folder 20
Dubious drawings by subject: various studies,
undated
Scope and Content Note
8 photographs: a landscape, a boar's head, studies of hands, 2 photograohs of a
drawing bearing the signature of Anthony van Dyck, and 3 sketches of human
figures.
box 63, folder 21
Drawings: unidentified items filed with drawings,
1953, undated
Scope and Content Note
6 items: 1 photograph and 5 leaves of notes, including a chart titled
The Mantuan Princess, letter to Held from F. de Croix dated 27
July 1953, and 1 leaf with sketches of trees [by Held?].
box 63, folder 22
Notes,
undated
Scope and Content Note
20 leaves.
box 63, folder 23
Notes,
undated
Scope and Content Note
30 leaves, including 1 leaf of printed matter.
box 63, folder 24
Notes,
undated
Scope and Content Note
19 leaves. Includes notes for an article on
Occasio, and a
student paper
The hunt of Meleager and Atalanta (by Nina A.
Garber, typescript, carbon copy, 7 leaves), annotated by Held.
box 63, folder 25
Notes,
undated
Scope and Content Note
2 leaves, including 1 pen drawing by Held.
box 63, folder 26
Notes,
undated
Scope and Content Note
21 leaves.
box 63, folder 27
Notes,
undated
Scope and Content Note
25 leaves.
box 63, folder 28
Notes,
undated
Scope and Content Note
25 leaves.
box 63, folder 29
Notes,
undated
Scope and Content Note
23 leaves, including 1 leaf of printed matter.
box 63, folder 30
Notes,
undated
Scope and Content Note
32 leaves, including 1 leaf of printed matter, and Held's letter to François
Heim, dated Oct. 28 1974.
box 63, folder 31
Notes,
undated
Scope and Content Note
17 leaves, including typescript
A chronological list of Rubens's oil
sketches
(6 leaves, annotated), 1 press clipping, 1 photograph, and
printed matter.
box 63, folder 32
Notes,
undated
Scope and Content Note
29 leaves, including printed matter, a list of Rubens sketches at the Ermitage,
3 manuscript essays:
The portrait of Charles de Longueval (4
leaves),
The lion hunt (2 leaves), and a text on Rubens (2
leaves); and a typescript draft on
Lion hunt (5 leaves).
box 64
Correspondence,
1956-1989
box 64, folder 1
Thos. Agnew and Sons Ltd.,
1975-1976
Scope and Content Note
2 letters to Held. With a mention of Vincent Korda collection in London.
box 64, folder 2
Alpers, Svetlana,
1966
Scope and Content Note
1 letter to Held concerning Alpers's dissertation on Torre de la Parada.
box 64, folder 3
Amherst College,
1976
Scope and Content Note
3 items: 2 letters to Held from Frank A. Trapp and condition report of Rubens's
painting
Charity with three children (typescript, 1 leaf).
box 64, folder 4
Ashmolean Museum. Dept. of Western Art,
1973
Scope and Content Note
1 letter to Held. Includes inventory numbers and measurenments of several oil
sketches by Rubens.
box 64, folder 5
Bartholoni, Alain,
1976
Scope and Content Note
ca. 10 items: 5 letters to Held, 3 letters from Held, and 2 leaves of
notes.
box 64, folder 6
Bayerische Staatsgemäldesammlungen,
1966-1974
Scope and Content Note
5 items (6 leaves): 4 letters to Held, including 3 from Ulla Krempel, and 1
letter from Held.
box 64, folder 7
Beit, Alfred,
1967
Scope and Content Note
1 letter to Held.
box 64, folder 8
Béguin, Sylvie,
1975
Scope and Content Note
1 letter to Held concerning
Résurection de Lazare at the
Louvre.
box 64, folder 9
Benediktinerstift St. Paul (Sankt Paul im Lavanthal,
Austria),
1975
Scope and Content Note
1 letter to Held concerning oil sketch
St. Paul.
box 64, folder 10
Brand, Aimée,
undated
Scope and Content Note
1 letter to Held from Aug 9 [year?]. Annotated by Held: "Glynde sketch".
box 64, folder 11
Brochhagen, Dr.,
1966
Scope and Content Note
1 letter from Held, requesting photographs.
box 64, folder 12
Buch, Max R. von,
1971-1973
Scope and Content Note
2 letters to Held, concerning Rubens sketches from Alfredo and Lisa Hirsch
collection.
box 64, folder 13
Buchthal, Hugo,
1968
Scope and Content Note
1 letter to Held.
box 64, folder 14
Burchard, Ludwig,
1956
Scope and Content Note
2 items: Burchard's letter to Paul Wengraft (copy) and catalog record of
Entombment of Christ at Casa Colonna in Rome.
box 64, folder 15
Cavalli-Björkman, Görel,
1978
Scope and Content Note
1 letter to Held from the national Swedish Art Museum regarding a Rubens
painting in private collection of Ylva Granbeger.
box 64, folder 16
Cincinnati Art Museum,
1967
Scope and Content Note
2 letters to Held.
box 64, folder 17
College of William and Mary,
1985
Scope and Content Note
2 items: letter to Held and 1 photograph.
box 64, folder 18
P. & D. Colnaghi & Co. Ltd.,
1974-1975
Scope and Content Note
7 items: 4 letters to Held and 3 letters from Held. Correspondence with Michael
Simpson.
box 64, folder 19
Coolidge, William A.,
1967
Scope and Content Note
1 letter to Held concerning a Rubens sketch at Althorp Park.
box 64, folder 20
Davis, Mary M.,
1972
Scope and Content Note
1 letter to Held from the Samuel H. Kress Foundation.
box 64, folder 21
Du Bon, David,
1970
Scope and Content Note
1 letter to Held.
box 64, folder 22
Ebbinge Wubben, J. C.,
1967-1968
Scope and Content Note
4 items (7 leaves): 1 letter to Held and 2 letters from Held. Correspondence
with the director of Museum Boymans-van Beuningen in Rotterdam.
box 64, folder 23
Egorova, K. S.,
1967
Scope and Content Note
1 letter to Held.
box 64, folder 24
Feilchenfeldt, Marianne,
1966
Scope and Content Note
1 letter to Held, with carbon copy of Held's reply on verso.
box 64, folder 25
Fleischman, Lawrence A.,
1964
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding an oil sketch
referred to as
The judgement of Cambyses. [Also see items filed
in Box 88, F. 48.]
box 64, folder 26
Foucart, Jacque,
1967
Scope and Content Note
1 letter to Held from the Louvre conservatort.
box 64, folder 27
Fredlund, Björn,
1975-1978
Scope and Content Note
4 items (5 leaves): 2 letters to Held and 2 letters from Held. Scholarly
discussion of Rubens' s artwork with the Swedish art historian at Göteborgs
Konstmuseum.
box 64, folder 28
Gaggiotti, Roberto,
1967
Scope and Content Note
1 item: invoice.
box 64, folder 29
Lord Galway,
undated
Scope and Content Note
1 letter to Held.
box 64, folder 30
Gepts, Gilberte,
1966-1967
Scope and Content Note
ca. 5 items: 1 letter to Held, 1 letter from Held, and 2 leaves of typescript
regarding various artworks by Rubens and van Dyck.
box 64, folder 31
Glasgow Museums & Art Galleries,
1970
Scope and Content Note
2 letters to Held from Alasdair Auld and George Buchanan (curators).
box 64, folder 32
Grange, T. P.,
1967, undated
Scope and Content Note
2 letters to Held.
box 64, folder 33
Hallsborough Gallery,
1972
Scope and Content Note
1 letter from Held concerning sketch
Continence of Scipio
offered for sale Dec. 8 1971 at Sotheby's.
box 64, folder 34
Heiland, Susanne,
1968
Scope and Content Note
1 letter from Held (2 leaves).
box 64, folder 35
Heinemann, Fritz,
1976
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 64, folder 36
Herbert, Robert L.,
1967
Scope and Content Note
1 letter to Held. With a mention of a Rubens sketch in Helsinki.
box 64, folder 37
Herbst, Hans,
1980
Scope and Content Note
1 letter from Held (draft).
box 64, folder 38
Hubala, Erich,
1972
Scope and Content Note
1 letter from Held (2 leaves). Scholarly.
box 64, folder 39
Institut royal du patrimoine artistique (Belgium),
1966
Scope and Content Note
1 letter to Held.
box 64, folder 40
John G. Johnson Collection (Philadelphia, Pa.),
1975
Scope and Content Note
2 letters to Held (4 leaves).
box 64, folder 41
Joly, Marcel,
1961-1962
Scope and Content Note
8 items (9 leaves): 4 letters to Held, 1 letter from Held, 1 leaf of notes.
Also present is copy of Held's letter to Hanns Schaeffer (Schaeffer Galleries),
and letter to Held from Marcel Rothlisberger.
box 64, folder 42
Kaplan, Alice M.,
1967
Scope and Content Note
1 letter to Held (4 leaves).
box 64, folder 43
Kauffmann, C. M.,
1969
Scope and Content Note
1 letter to Held.
box 64, folder 44
Koella, Rudolf,
1972
Scope and Content Note
5 items (6 leaves): 2 letters to Held from Sammlung Oskar Reinhart "Am
Römerholz" in Winterthur, 2 letters from Held, and 2 leaves of typescript on
Rubens's oil sketch
Der Konsul Decius Mus befragt die
Auguren
.
box 64, folder 45
Kühn, Margarete,
1975
Scope and Content Note
1 letter to Held from editor of
Zeitschrift für
Kunstgeschichte
.
box 64, folder 46
Kunsthaus Zürich,
1976
Scope and Content Note
1 letter to Held concerning oil sketch
Orpheus und Eurydice.
box 64, folder 47
Los Angeles County Museum of Art [LACMA],
1973
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding Rubens's painting
Gathering of manna.
box 64, folder 48
Martin, John R.,
1975
Scope and Content Note
1 letter to Held from Martin at Princeton University. Concernng Rubens's
Portrait of the Infanta Maria, Queen of Hungary, and van Dyck's
Lamentation and
Mocking of Christ.
box 64, folder 49
Mauritshuis (Hague, Netherlands),
1973
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Concerning
Assumption
of the Virgin
by Rubens.
box 64, folder 50
MD magazine,
1985
Scope and Content Note
1 letter to Held.
box 64, folder 51
Meiner-Siem, Martin,
1966
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and conservation report for
St. Basilius by Rubens (typescript, 1 leaf).
box 64, folder 52
Mertens, Peter,
1968-1974
Scope and Content Note
3 letters to Held.
box 64, folder 53
Messer, Thomas M.,
1967
Scope and Content Note
1 short note to Held.
box 64, folder 54
Museen der Stadt Aachen,
1967
Scope and Content Note
1 letter to Held.
box 64, folder 55
Musées de Besançon,
1967
Scope and Content Note
1 letter to Held.
box 64, folder 56
Museum Boymans-van Beuningen,
1976
Scope and Content Note
2 items (3 leaves): 1 letter to Held from Saskia Nijstad, and 1 letter from
Held. Concerning
The discovery of Callisto's pregnancy by
Diana
.
box 64, folder 57
National Gallery (Great Britain),
1972
Scope and Content Note
1 letter to Held concerning x-rays of Rubens's
Lion hunt and
Apotheosis of the Duke of Buckingham.
box 64, folder 58
National Gallery of Art (U.S.),
1981
Scope and Content Note
1 letter to Held (2 leaves).
box 64, folder 59
National Gallery of Scotland,
1980
Scope and Content Note
2 items: 1 letter to Held and copy of a letter from Edith F. Howard to Hugh
Macandrew.
box 64, folder 60
Nationalmuseum Stockholm,
1977
Scope and Content Note
1 letter to Held from Börje Magnusson.
box 64, folder 61
Neff, Terry Ann R.,
1972, 1980
Scope and Content Note
3 letters to Held.
box 64, folder 62
Nieuwenhuizen, J. van den,
1989
Scope and Content Note
2 letters from the Stadsarchief in Antwerp to Ann. H. Havenith regarding
various members of Clarisse family in 17th century Antwerp.
box 64, folder 63
Nordback, G.,
1967
Scope and Content Note
1 letter from Held.
box 64, folder 64
O'Connor, Patrick,
1967
Scope and Content Note
1 letter to Held regarding Rubens or Jordaens attribution of a painting.
box 64, folder 65
Pariset, Jean-François,
1972
Scope and Content Note
1 letter from Held.
box 64, folder 66
Poch-Kalous, Margarethe,
1972
Scope and Content Note
1 letter from Held to the director of Gemäldegalerie at Akademie der Bildenden
Künste in Wien.
box 64, folder 66
Duke of Portland,
1967
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held.
box 64, folder 67
Rossacher, Kurt,
1968
Scope and Content Note
1 letter to Held.
box 64, folder 68
Salinger, Margaretta M.,
1976
Scope and Content Note
2 letters from Held.
box 64, folder 69
Sammlungen des Regierenden Fürsten von Liechtenstein,
1966
Scope and Content Note
1 letter to Held.
box 64, folder 70
Seilern, Antoine, Count,
1967-1975
Scope and Content Note
8 items: 4 letters to Held, 4 letters from Held, and 1 leaf of notes.
box 64, folder 71
Sickman, Laurence,
1967
Scope and Content Note
1 letter to Held from director of William Rockhill Nelson Gallery of Art
regarding oil sketch
Battle of Constantine and Licinius,
Sacrifice of Abraham, and other artworks.
box 64, folder 72
Siemer, Meinolf,
1987-1988
Scope and Content Note
2 letters to Held (3 leaves) from director of Kurhessische Hausstiftung in
Eichenzell. Regarding oil sketch
Maria, von acht Heilgen
verehrt
.
box 64, folder 73
Somerville & Simpson Ltd.,
1975-1976
Scope and Content Note
5 items: 3 letters to Held and 2 letters from Held.
box 64, folder 74
Sotheby & Co.,
1972
Scope and Content Note
2 letters from Held to Neil Maclaren at Sotheby's London concerning oil sketch
Martyrdom of St. Ursula, and a "curious little sketch of angels
rowing a boat".
box 64, folder 75
J. B. Speed Art Museum,
1976
Scope and Content Note
1 letter to Held.
box 64, folder 76
Staatliche Kunsthalle Karlsruhe,
1976
Scope and Content Note
1 letter to Held regarding
Enthauptung Johannes des Täufers.
box 64, folder 77
Staatliche Museen Preussischer Kulturbesitz,
1973
Scope and Content Note
1 letter to Held from Henning Bock.
box 64, folder 78
Staatliche Schlösser und Gärten Potsdam-Sanssouci,
1975
Scope and Content Note
5 items (7 leaves): 2 letters to Held, 2 letters from Held, and catalog entries
for Rubens's
Der Richtspruch des Kambyses 1 leaf, typescript).
Correspondence with Götz Eckardt regarding several artworks.
box 64, folder 79
Städelsches Kunstinstitut,
1967
Scope and Content Note
1 letter to Held.
box 64, folder 80
Varshavskaia, M. IA.,
1966-1967
Scope and Content Note
4 items (5 leaves): 3 letters to Held and 1 letter from Held.
box 64, folder 81
Velde, C. van de,
1971
Scope and Content Note
1 items (2 leaves): letter from C. van de Velde at Nationaal Centrum voor de
Plastische Kunsten van de XVIde en XVIIde Eeuw in Antwerp, addressed to Lord
Malmesbury, regarding Rubens sketches representing four Virtues. Photocopy,
annotated by Held.
box 64, folder 82
Vey, Horst,
1978
Scope and Content Note
1 letter to Held from Vey at Staatliche Kunsthalle Karlsruhe, regarding
Kreuzigung des Hl. Andreas.
box 64, folder 83
Villinger, Carl J. H.,
1972
Scope and Content Note
1 letter to Held from stiftung Heylshof in Worms regarding Rubens sketch
Atalante.
box 64, folder 84
Virginia Museum of Fine Arts,
1967
Scope and Content Note
1 letter to Held from curator Pinkney Near regarding Rubens's
Pallas and
Arachne
.
box 64, folder 85
Walter, Maria Rosa,
1986
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held, regarding Rubens sketch
Die Freigebigkeit und die Bedachtsamkeit.
box 64, folder 86
Wildenstein & Co. (London, England),
1969
Scope and Content Note
1 letter to Held.
box 64, folder 87
Wright, Gail,
1976
Scope and Content Note
1 letter to Held.
box 65, folder 1
Oil sketches: x-ray images,
undated
Scope and Content Note
9 photographs. [2 photographs are shelved in Box 146*, F. 14.]
box 65, folder 2
Questionable and rejected attributions: images of Christ,
undated
Scope and Content Note
13 items: 12 photographs and 4 leaves of typescript regarding oil sketch
Three Crosses, including expert opinions by Burchad and
Valentiner.
box 65, folder 3
Questionable and rejected attributions: Virgin Mary and
Nativity,
undated
Scope and Content Note
5 photographs.
box 65, folder 4
Questionable and rejected attributions: Saint George,
undated
Scope and Content Note
8 photographs.
box 65, folder 5
Questionable and rejected attributions: Biblical, historical and
mythological subjects,
undated
Scope and Content Note
14 items: 9 photographs and 1 color transparency. Photograph of
The rapt
of the Sabine women
includes a letter to Gunder Nordbäck from Galerie
Hörhammar (Dorthy Aminoff, dated May 10 1961), and 1 leaf of notes. Also inludes
Apollo chasing Diana ,
Eliezer and Rebecca,
Diogenes searching for wise man,
Gideon overcoming the
Midianites
, and
Alexander crowning Roxana. [Color
transparency is shelved in Box 161, F. 32; 2 photographs are shelved in Box
146*, F.15.]
box 65, folder 6
Questionable and rejected attributions: Saints,
undated
Scope and Content Note
10 items, including 1 color transparency. Includes
The four
Evangelists
St. Paul pointing out the unknown God,
Seelen im Fegefeuer,
Conversion of St. Bavo,
St. Augustine, and
St. Gregory the Great with Sts.
Maurus and Papianus
. [Color transparency is shelved in Box 161, F.
33.]
box 65, folder 7
Questionable and rejected attributions: allegorical and mythological
scenes,
undated
Scope and Content Note
17 photographs. Includes
Mars, Venus, and Cupid.
box 65, folder 8
Questionable and rejected attributions: various
photographs,
undated
Scope and Content Note
4 photographs, including 1 in color (Study of two pairs of praying hands).
[Color photograph is shelved in Box 161, F. 34.]
box 65, folder 9
Questionable and rejected attributions: correspondence with Julian
Agnew,
1997
Scope and Content Note
1 letter to Held from Agnew's in London. concerning
The four
Evangelists
.
box 65, folder 10
Questionable and rejected attributions: correspondence with Frans
Baudouin,
1979
Scope and Content Note
1 letter to Leon Sergold. In French with English translation. Concerning
Apostles heads.
box 65, folder 11
Questionable and rejected attributions: correspondence with Marc
Bruner,
1989, undated
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held.
box 65, folder 12
Questionable and rejected attributions: correspondence with Michael
Dollard,
1980-1981
Scope and Content Note
4 items: 3 letters to Held and 1 letter from Held. Concerning
St.
George
.
box 65, folder 13
Questionable and rejected attributions: correspondence with Eberhart
Auktionen AG.,
1982, 1988
Scope and Content Note
7 items: 1 color photograph, a 1988 letter to Held from U. Eberhart,
photocopies of a letter to Reggy Wachters from Paul Huvenne at Stad Antwerpen,
and statements by Florent Bex, Louis Delvaulx, and Reggy Wachters. Regarding
The treaty of Angoulème. [Color photograph is shelved in Box
161, F. 35.]
box 65, folder 14
Questionable and rejected attributions: correspondence with Guy
Folkner,
1992
Scope and Content Note
1 letter to Held.
box 65, folder 15
Questionable and rejected attributions: correspondence with Michael
Jaffé,
1978-1979
Scope and Content Note
2 letters to Leon M. Sergold regarding
Landscape with Mercury, Argus and
Io
and
St. Jerome penitent in the wilderness.
box 65, folder 16
Questionable and rejected attributions: correspondence with Hilton
Kramer,
1972, undated
Scope and Content Note
3 items: 1 letter to Held and 1 letter from Held, 1 photograph. Regarding an
oil sketch of David , after beheading Goliath. [Photograph is shelved in Box
146*, F. 16.]
box 65, folder 17
Questionable and rejected attributions: correspondence with Gunder
Nordbäck,
1967
Scope and Content Note
1 letter to Held regarding
The rape of the Sabins.
box 65, folder 18
Questionable and rejected attributions: correspondence with Joaneath A.
(Joaneath Ann) Spicer,
1983
Scope and Content Note
1 letter to Held regarding a sketch from Malcove collection. [See correpondence
with Michael Dollard in Box 65, F.14.]
box 65, folder 19
Questionable and rejected attributions: correspondence with Hans
Verbeek,
1987-1993
Scope and Content Note
ca. 8 items (10 leaves): 3 letters to Held from Verbeek at Noortman in
Maastricht, and 2 letters from Held. Also present are a catalog record and
restoration report for the oil sketch
Christ bestowing a
wreath
.
box 65, folder 20
Questionable and rejected attributions: correspondence with Wildenstein
& Co.,
1991
Scope and Content Note
2 letters to Held from Joseph Baillio. Regarding
Allegory of War
at Palazzo Pitti.
box 65, folder 21
Questionable and rejected attributions: notes,
undated
Scope and Content Note
13 leaves of notes.
box 65, folder 22
Story of Decius Mus,
undated
Scope and Content Note
26 photographs.
box 65, folder 23
Story of Decius Mus,
undated
Scope and Content Note
ca. 8 items, including 1 postcard, and a conservation report.
box 65, folder 24
Story of Decius Mus,
undated
Scope and Content Note
ca. 47 leaves of notes.
box 65, folder 25
Story of Decius Mus: correspondence,
1967-1973
Scope and Content Note
6 items: letters to Held from Wolf-Dieter Dube (conservator at Bayerische
Staatsgemäldesammlungen), Ann Percy at Pennsylvania State University Press, and
Erik Duverger in Ghent; also letters by Held to Ann Percy and Erik Duverger.
box 65, folder 26
Ceiling paintings of the Jesuit Church at Antwerp,
1967-1973, undated
Scope and Content Note
16 photographs.
box 65, folder 27
Ceiling paintings of the Jesuit Church at Antwerp,
undated
Scope and Content Note
15 photographs.
box 65, folder 28
Ceiling paintings of the Jesuit Church at Antwerp,
undated
Scope and Content Note
19 photographs.
box 65, folder 29
Ceiling paintings of the Jesuit Church at Antwerp,
1967-1973
Scope and Content Note
7 items, including 2 letters to Held: from Anne Wertheimer and Thomas N.
Maytham at Seattle Art Museum. [2 leaves of illustrated matter are shelved in
Box 146*, F. 17.]
box 65, folder 30
Life of Constantine the Great,
undated
Scope and Content Note
15 photographs and 1 color transparency. [Color transparency is shelved in Box
161, F. 30.]
box 65, folder 31
Life of Constantine the Great,
undated
Scope and Content Note
13 photographs.
box 65, folder 32
Life of Constantine the Great,
undated
Scope and Content Note
14 photographs. [6 photographs of tapestries are shelved in Box 146*,F.
18.]
box 65, folder 33
Life of Constantine the Great,
undated
Scope and Content Note
23 photographs, including 4 in color. [Color photographs are shelved in Box
161, F. 37.]
box 65, folder 34
Life of Constantine the Great,
1982-1994 and undated
Scope and Content Note
23 leaves of printed and illustrated matter, including 1 drawing by Held. [6
items are shelved in Box 146*, F. 19.]
box 65, folder 35
Life of Constantine the Great: correspondence,
1970-1982
Scope and Content Note
5 items (7 leaves): 2 letters to Held from Pierre Rosenberg (conservator), 1
letter to Held from an unidentified person, and letters from Held to Rosenberg
and to Marcus S. Sopher.
box 66, folder 1
Projects for the Luxembourg Palace (Life of Maria de' Medici; Life of
Henry IV),
undated
Scope and Content Note
11 photographs.
box 66, folder 2
Projects for the Luxembourg Palace (Life of Maria de' Medici; Life of
Henry IV),
undated
Scope and Content Note
11 photographs and 2 photographic postcards.
box 66, folder 3
Projects for the Luxembourg Palace (Life of Maria de' Medici; Life of
Henry IV),
undated
Scope and Content Note
12 photographs.
box 66, folder 4
Projects for the Luxembourg Palace (Life of Maria de' Medici; Life of
Henry IV),
undated
Scope and Content Note
14 photographs.
box 66, folder 5
Projects for the Luxembourg Palace (Life of Maria de' Medici; Life of
Henry IV),
undated
Scope and Content Note
12 photographs.
box 66, folder 6
Projects for the Luxembourg Palace (Life of Maria de' Medici; Life of
Henry IV),
undated
Scope and Content Note
12 photographs.
box 66, folder 7
Projects for the Luxembourg Palace (Life of Maria de' Medici; Life of
Henry IV),
undated
Scope and Content Note
13 photographs.
box 66, folder 8
Projects for the Luxembourg Palace (Life of Maria de' Medici; Life of
Henry IV): correspondence,
1976-1984
Scope and Content Note
5 items (12 leaves): letter to Held from W. von Simson; Held's letter to Joseph
M. B. Guttmann, and letter to Held from Arthur Wheelock at National Gallery of
Art in Washington, D.C. Held's letter to Guttmann includes conservation report
(5 leaves) for Rubens' painting
Traîté d'Angoulème by Reggy
Wachters, and printed matter.
box 66, folder 9
Projects for the Luxembourg Palace (Life of Maria de' Medici; Life of
Henry IV),
undated
Scope and Content Note
29 leaves of printed and illustrated matter, and notes, including 2 drawings by
Held. [1 item: ill. of painting
Arrival of Maria de'Medici in the Harbour
of Marseille
is shelved in Box 147*, F. 1.]
box 66, folder 10
Triumph of the Eucharist,
undated
Scope and Content Note
9 items: 1 color transparency, 1 negative, 1 polaroid image, and 6 color
photograps. [5 items: 1 color transparency, 1 negative, 1 polaroid image, and 2
color photographs are shelved in Box 162, F. 1.]
box 66, folder 11
Triumph of the Eucharist,
undated
Scope and Content Note
15 items: 13 photographs and 2 photographic postcards.
box 66, folder 12
Triumph of the Eucharist,
undated
Scope and Content Note
15 photographs.
box 66, folder 13
Triumph of the Eucharist,
undated
Scope and Content Note
17 photographs. [2 photographs are shelved in Box 147*, F.2.]
box 66, folder 14
Triumph of the Eucharist:
undated
Scope and Content Note
15 photographs.
box 66, folder 15
Triumph of the Eucharist,
undated
Scope and Content Note
15 photographs.
box 66, folder 16
Triumph of the Eucharist,
undated
Scope and Content Note
15 photographs.
box 66, folder 17
Triumph of the Eucharist,
undated
Scope and Content Note
18 photographs. [4 items: 1 photograph of
Charity and 3
photographs of the
Princes of the church adoring the Eucharist
are shelved in Box 147*, F.2.]
box 66, folder 18
Triumph of the Eucharist,
undated
Scope and Content Note
10 leaves of notes.
box 66, folder 19
Triumph of the Eucharist,
1949, undated
Scope and Content Note
4 items (11 leaves): text on
Charity (typescript, 1 leaf),
The Isrealites gathering manna in the desert (typescript, 5
leaves); and Nov 10, 1949 letter and expert opinion by Ludwig Burchard on
Le tromphe de la Foi Catholique sur la Science et la
Philosophie
(copy of manuscript, in French, 5 leaves).
box 66, folder 20
Triumph of the Eucharist,
1967-1989, undated
Scope and Content Note
18 items of printed and illustrated matter, including 2 press clippings.
box 66, folder 21
Triumph of the Eucharist: correspondence with Cormack, Jarratt,
Foucart,
1968, 1983
Scope and Content Note
4 items: Malcolm Cormack at Fitzwilliam Museum (1 letter to Held); Alvin Q.
Jarratt (1 letter to Held and Held's reply); Foucart at Musée du Louvre (1
letter to Held).
box 66, folder 22
Triumph of the Eucharist: correspondence with Koerner and
Vliege,
1976
Scope and Content Note
9 items: correspondence between Walter Koerner, Hans Vlieghe and Held, 1
photograph, a note and Koerner's business card.
box 66, folder 23
Triumph of the Eucharist: correspondence with Mont, O'Connor,
Plon,
1967
Scope and Content Note
5 items: letters to Held from Frederick Mont, Partick O'Connor, and Léonce Plon
(conservator at Musée des beaux-arts in Tournai).
box 66, folder 24
Triumph of the Eucharist: correspondence with Ruggiero and
Rosenberg,
1965-1966, 1987
Scope and Content Note
6 items (8 leaves): Laurence J. Ruggiero (The John & Mable Ringling Museum
of Art; 2 letters and 1 photograph); Saemy Rosenberg (Rosenberg and Stiebel; 2
letters to Held, 1 note by Held).
box 66, folder 25
Triumph of the Eucharist: correspondence with Scribner, Stiebel,
Toole,
1967, 1985
Scope and Content Note
2 items (5 leaves): Charles Scribner III (1 letter to Held); Eric Stiebel
(Rosenberg & Stiebel, 1 letter to Held with a letter to Held from Margaret
C. Toole at Amherst College attached).
box 66, folder 26
Triumph of the Eucharist: correspondence with Wolf,
1923
Scope and Content Note
2 items: postcard to Julius Wolf (uncle of Held) from Willy Hess and wife. Also
transcription and explanatory note by Held.
box 66, folder 27
Life of Achilles,
undated
Scope and Content Note
16 photographs. [1 item is shelved in Box 147*, F.2.]
box 66, folder 28
Life of Achilles,
undated
Scope and Content Note
17 photographs.
box 66, folder 29
Life of Achilles: notes, printed and illustrated matter, and
correspondence,
1975-1979, undated
Scope and Content Note
11 items, including Held's correspondence with Max Eichman (1 letter to Held
and 1 letter from held), and 1 letter to Held from Felix Bronner.
box 67, folder 1
Ceiling of the Banqueting House, Whitehall,
undated
Scope and Content Note
17 photographs. [1 item is shelved in Box 147*, F. 3.]
box 67, folder 2
Ceiling of the Banqueting House, Whitehall,
undated
Scope and Content Note
20 photographs.
box 67, folder 3
Ceiling of the Banqueting House, Whitehall,
undated
Scope and Content Note
15 photographs.
box 67, folder 4
Ceiling of the Banqueting House, Whitehall,
undated
Scope and Content Note
14 photographs.
box 67, folder 5
Ceiling of the Banqueting House, Whitehall,
undated
Scope and Content Note
12 items (23 leaves) of notes, printed and illustrated matter, including a
drawing, and a postcard. [1 item shelved in Box 147*, F. 4.]
box 67, folder 6
Ceiling of the Banqueting House, Whitehall: correspondence,
1983
Scope and Content Note
1 item: Held's letter to Sir Oliver Millar, keeper of the Queen's
collections.
box 67, folder 7
Ceiling of the Banqueting House, Whitehall: correspondence,
1985-1989, undated
Scope and Content Note
ca. 15 items (25 leaves): Held's correspondence with Jürgen von Quernheim, copy
of a letter from Michaela E. von Asen to William O'Reilly, and a letter to Held
from Art Gallery of Ontario in Toronto; 2 copies of expert opinion by Justus
Müller Hofstede (typescripts, annotated by Held); 1 note, 4 photographs,
inlucing 1 in color, and 1 color transparency. [Color photograph and color
transparency are shelved in Box 162, F. 3.]
box 67, folder 8
Triumphal entry of Cardinal-Infante Ferdinand into Antwerp,
undated
Scope and Content Note
16 photographs
box 67, folder 9
Triumphal entry of Cardinal-Infante Ferdinand into Antwerp,
undated
Scope and Content Note
10 photographs.
box 67, folder 10
Triumphal entry of Cardinal-Infante Ferdinand into Antwerp,
undated
Scope and Content Note
14 photographs.
box 67, folder 11
Triumphal entry of Cardinal-Infante Ferdinand into Antwerp,
undated
Scope and Content Note
10 photographs.
box 67, folder 12
Triumphal entry of Cardinal-Infante Ferdinand into Antwerp,
undated
Scope and Content Note
14 photographs.
box 67, folder 13
Triumphal entry of Cardinal-Infante Ferdinand into Antwerp,
1973, undated
Scope and Content Note
ca. 42 leaves of notes, printed and illustrated matter. Included is Held's
letter to Millard Meiss from Feb. 1 1973 (copy, annotated by Held).
box 67, folder 14
Decoration of the Torre de la Parada: photographs,
undated
Scope and Content Note
13 photographs, including 1 in color. [Color photograph is shelved in Box 162,
F. 5.]
box 67, folder 15
Decoration of the Torre de la Parada: photographs,
undated
Scope and Content Note
12 photographs.
box 67, folder 16
Decoration of the Torre de la Parada,
undated
Scope and Content Note
15 photographs.
box 67, folder 17
Decoration of the Torre de la Parada,
undated
Scope and Content Note
16 photographs.
box 67, folder 18
Decoration of the Torre de la Parada,
undated
Scope and Content Note
15 photographs.
box 67, folder 19
Decoration of the Torre de la Parada,
undated
Scope and Content Note
15 photographs.
box 67, folder 20
Decoration of the Torre de la Parada,
undated
Scope and Content Note
15 photographs.
box 67, folder 21
Decoration of the Torre de la Parada,
undated
Scope and Content Note
15 photographs. Photograph labelled
Hunt of Diana includes
letter to Held from Christian Klemm at Kunsthaus Zürich.
box 67, folder 22
Decoration of the Torre de la Parada,
undated
Scope and Content Note
15 photographs. Photograph of painting
Danaë by Vincent Sellaer
includes 1 leaf of text.
box 67, folder 23
Decoration of the Torre de la Parada,
undated
Scope and Content Note
4 photographs. [1 large photograph is shelved in Box 147*, F. 5.]
box 67, folder 24
Decoration of the Torre de la Parada,
undated
Scope and Content Note
ca. 40 leaves of printed and illustrated matter, notes. [2 leaves of
illustrated matter are shelved in Box 147*, F.6.]
box 67, folder 25
Decoration of the Torre de la Parada: correspondence,
1967-1991, undated
Scope and Content Note
ca. 10 items (15 leaves): Held's correspondence with Albert J. Elen at
Netherlands Office for Fine Arts and with Museum Boymans-van Beuningen; letters
to Held from Pinkney Near at Virginia Museum of Fine Arts, George Newman Corp.
in Boston, Michael Rohe, Edward Speelman Ltd. in London, William Suhr at the
Frick Collection, and John Williams at University of Pittsburgh; and letter from
Held to Heidi Paterson at Sotheby's London. Also present is copy of a letter
from Alfonso E. Perez Sanchez (conservator at Prado Museum) to Anthony Catauro
in Cincinnati, dated Sept. 22 1967.
box 68, folder 1
"Hunts" for Philip IV,
1987, undated
Scope and Content Note
19 items: 18 photographs, including 2 in color, and 1 color transparency. One
of the photographs is attached to Held's letter to Gisela Geuer, dated Aug. 31
1987. [Color photographs and color transparency are shelved in Box 162, F.
6.]
box 68, folder 2
"Hunts" for Philip IV,
undated
Scope and Content Note
10 photographs.
box 68, folder 3
"Hunts" for Philip IV,
undated
Scope and Content Note
11 photographs.
box 68, folder 4
"Hunts" for Philip IV,
1937-1996, undated
Scope and Content Note
ca. 26 leaves of printed and illustrated matter. Included is photocopy of
expert opinion by Gustav Glück dated Feb. 15 1937, also signed by Robert
Eigenberger.
box 68, folder 5
"Hunts" for Philip IV: correspondence,
1966-1995
Scope and Content Note
ca. 7 items (8 leaves): Held's correspondence with William C. Seitz at Rose Art
Museum in Waltham, Mass. (1 letter to Held and 1 letter from Held); letters to
Held from Jan Kelch at Staatliche Museen Preussischer Kulturbesitz
Gemäldegalerie in Berlin (with 2 leaves of notes), Galerie Bruno Meissner in
Zurich, and Ann Tzeutschler Lurie at Cleveland Museum of Art. Also present is
copy of a 1995 letter from Michael Jaffé to Gisela Geuer.
box 68, folder 6
Allegory,
undated
Scope and Content Note
20 items: 5 color transparencies and 15 photographs. [Color transparencies are
shelved in Box 162, F. 7.]
box 68, folder 7
Allegory,
undated
Scope and Content Note
15 photographs.
box 68, folder 8
Allegory,
undated
Scope and Content Note
16 photographs.
box 68, folder 9
Allegory,
1972-1997, undated
Scope and Content Note
ca. 14 items, chiefly illustrated matter. Present is letter to Held from Harold
H. Lutiger at George F. Harding Museum in Chicago, dated Dec. 5 1972, annotated
by Held.
box 68, folder 10
Mythology, poetry and legend,
undated
Scope and Content Note
15 items, including 2 color transparencies, and 13 photographs (3 in color).
Photograph of
Group of many women has attached a letter to Held
from Museum of Fine Arts Boston, dated Aug. 22 1982, annotated by Held. [Color
photographs and color transparencies are shelved in Box 162, F. 8.]
box 68, folder 11
Mythology, poetry and legend,
undated
Scope and Content Note
16 photographs. [Oil sketch of Ganymede is shelved in Box 147*, F.6.]
box 68, folder 12
Mythology, poetry and legend,
undated
Scope and Content Note
15 photographs.
box 68, folder 13
Mythology, poetry and legend,
undated
Scope and Content Note
15 photographs.
box 68, folder 14
Mythology, poetry and legend,
1972-1996, undated
Scope and Content Note
ca. 37 leaves of printed and illustrated matter, including 2 leaves of a press
clipping and 3 leaves of notes by Held.
box 68, folder 15
Mythology, poetry and legend: correspondence with Müller Hofstede,
Warburg Institute, Cavalli-Björkman, Turquin,
1970-1980
Scope and Content Note
5 items: letters to Held from Justus Müller Hofstede, EA [?] at the Warburg
Institute, Held's correspondence (1 letter to Held and 1 letter from Held) with
Görel Cavalli-Björkman at the National Swedish Art Musuems, and Held's letter to
Eric Turquin at Sothebys London.
box 68, folder 16
Mythology, poetry and legend: correspondence with Thronsen,
1958-1987
Scope and Content Note
15 items: Held's correspondence with Jan Fr. Thronsen at Christiania Bank in
New York regarding attribution of
Venus aand Jupiter to Rubens.
Also present are 4 letters from Ludwig Burchard to Ernst F. Siegenthaler, a
letter to [?] from Michael Jaffé, 2 letters to [?] from Roger Adolf d'Hulst, and
1 letter to [?] from Didier Bodart (all letters exept Thronsen's letter to Held
are copies). Also included are 4 leaves of printed and illustrated matter.
box 68, folder 17
History and portraiture,
undated
Scope and Content Note
16 items: 2 color transparenies and 13 photographs, including 3 in color.
[Color transparencies and color photographs are shelved in Box 162, F. 9.]
box 68, folder 18
History and portraiture,
undated
Scope and Content Note
20 photographs. [2 items are shelved in Box 147*, F.7.]
box 68, folder 19
History and portraiture,
undated
Scope and Content Note
15 photographs.
box 68, folder 20
History and portraiture,
undated
Scope and Content Note
15 photographs.
box 68, folder 21
History and portraiture,
undated
Scope and Content Note
15 photographs.
box 68, folder 22
History and portraiture,
undated
Scope and Content Note
8 photographs.
box 68, folder 23
History and portraiture,
1911-1963, undated
Scope and Content Note
26 leaves of printed and illustrated matter, notes.
box 68, folder 24
History and portraiture: correspondence with Ludwig
Burchard,
1947
Scope and Content Note
2 items (3 leaves) letter from Burchard to an unknown receipient, dated Feb. 15
1947 confirming Rubens attribution of an oil sketch of Cardinal-Infant Ferdinand
on horseback. With illustration. All items are photocopies.
box 68, folder 25
History and portraiture: correspondence with Burlington Magazine
Publications Ltd.,
1976
Scope and Content Note
ca. 14 items: 5 lettesr to Held from Benedict Nicolson at The Burlington
Magazine Publications Ltd., 2 letters from Held; also correspondence between
Held, Nicolson and David M. Robb at Kimbell Art Museum in Fort Worth Texas, and
copy of a letter to Robb from Midred Steinbach at Frick Art reference Library.
Also included are notes and ptinted matter.
box 68, folder 26
History and portraiture: correspondence with Clarendon Gallery
Ltd.,
1987
Scope and Content Note
2 items: letter to Held and 1 color transparency. [Color transparency is
shelved in Box 162, F. 10.]
box 68, folder 27
History and portraiture: correspondence with Lothar Graf zu
Dohna,
1985
Scope and Content Note
5 items (9 leaves): letter to Held, and expert opinions (copies) by Justus
Müller Hofstede (typescript, 5 leaves), Ludwig Burchard, Gustav Glück, and
Wilhelm Reinhold Valentiner. Concerning Rubens attrbution of oil sketch of
Cardinal-Infant Ferdinand on horseback.
box 68, folder 28
History and portraiture: correspondence with Joseph M. B. Guttmann
Galleries,
1986, undated
Scope and Content Note
4 items: letter to Held, 1 color transparency, 1 photograph, and printed
matter. [Color transparency is shelved in Box 162, F. 11.]
box 68, folder 29
History and portraiture: correspondence with Jan Kelch,
1977
Scope and Content Note
1 letter to Held from Staatliche Museen Preussischer Kulturbesitz,
Gemäldegalerie regarding portrait of a child.
box 68, folder 30
History and portraiture: correspondence with Feyten Luc,
1987
Scope and Content Note
3 items (4 leaves): 2 letters to Held and 1 letter from Held. Regarding oil
sketch of
Duke of Buckingham on horseback.
box 68, folder 31
History and portraiture: correspondence with Hanns
Schaeffer,
1962
Scope and Content Note
2 items: letter from Held and 1 leaf of notes.
box 68, folder 32
History and portraiture: correspondence with Somerville &
Simpson,
1976
Scope and Content Note
3 items: 2 letters to Held from Michael Simpson and 1 letter from Held.
Regarding Rubens sketch of the Duke of Buckingham.
box 69, folder 1
Hunts and genre,
undated
Scope and Content Note
13 items: 11 photographs and 2 color transparencies. [Color transparencies are
shelved in Box 162, F. 12.]
box 69, folder 2
Hunts and genre,
undated
Scope and Content Note
13 photographs.
box 69, folder 3
Hunts and genre,
1952-1998, undated,
Scope and Content Note
13 leaves of printed and illustrated matter.
box 69, folder 4
Old Testament,
undated
Scope and Content Note
15 items: 2 color transparenciers, and 13 photographs (3 in color). [Color
photographs and color transparencies are shelved in Box 162, F. 13.]
box 69, folder 5
Old Testament,
undated
Scope and Content Note
11 photographs.
box 69, folder 6
Old Testament,
undated
Scope and Content Note
13 photographs. [2 items are shelved in Box 147*, F. 8.]
box 69, folder 7
Old Testament:
Capture of Simson,
1983-1986, undated,
Scope and Content Note
11 items: 3 color transparencies, 2 photographs, 1 postcard, illustrated
matter, and Held's correspondence with Sotheby's London. Concerning attribution
of oil sketch
Capture of Simson [
Gefangennahme
Simsons
]. [Color transparencies are shelved in Box 162, F. 14.]
box 69, folder 8
Old Testament:
Lot's flight from Sodom,
1948-1991
Scope and Content Note
ca. 20 items: letter to Held from Frans Baudouin (dated Oct. 27 1970); 1991
Held's correspondence with Art probe International, Inc. (Rocco Pannese);
printed matter; photocopies of expert opinions by Didier Bodart, Hermann Voss,
Ludwig Burchard, and Ludwig von Baldass; conservation report by C.E.D.A.R.T.;
and 1 color transparency [Color transparency is shelved in Box 162, F. 15].
box 69, folder 9
Old Testament,
1966-1986, undated
Scope and Content Note
ca. 10 leaves of printed and illustrated matter. Includes pages (photocopies)
from the
John and Johanna Bass collection at Miami Beach, Florida
(4 leaves).
box 69, folder 10
Old Testament: correspondence with Bass Museum of Art,
1985-1986
Scope and Content Note
4 letters to Held.
box 69, folder 11
Old Testament: correspondence with Rainer von Braun,
1996
Scope and Content Note
6 items: 2 letters to Held, 1 letter from Held, printed and illustrated matter,
and 1 color photograph. [Color photograph is shelved in Box 162, F. 16.]
box 69, folder 12
Old Testament: correspondence with Cincinnati Art Museum,
1972-1973
Scope and Content Note
2 letters to held from director Philip R. Adams.
box 69, folder 13
Old Testament: correspondence with Ann Lott-Huyghues
Despointes,
1995
Scope and Content Note
2 items: letter to Held and card annotated by Held.
box 69, folder 14
Virgin,
undated
Scope and Content Note
13 photographs, including 3 in color. [Color photograph is shelved in Box 162,
F. 17].
box 69, folder 15
Virgin,
undated
Scope and Content Note
9 photographs.
box 69, folder 16
Virgin,
undated
Scope and Content Note
10 photographs.
box 69, folder 17
Virgin,
undated
Scope and Content Note
12 photographs.
box 69, folder 18
Virgin,
1959-1992
Scope and Content Note
11 leaves of printed and illustrated matter, including 1 note.
box 69, folder 19
Virgin: correspondence with Ciechanowiecki,
1974
Scope and Content Note
1 letter from Held.
box 69, folder 20
Virgin: correspondence with Anna Pianosi,
1984
Scope and Content Note
3 items (4 leaves): 1 letter to Held, illustrated matter, and 1 letter from
Held.
box 69, folder 21
Virgin: correspondence with Jean Plasse,
1983-1998
Scope and Content Note
7 items: 2 letters and 1 fax to Held, 3 letters from Held, and 1
photograph.
box 69, folder 22
Infancy of Christ,
undated
Scope and Content Note
12 items: 10 photographs and 2 color transparencies. [Color transparencies are
shelved in Box 162, F. 18].
box 69, folder 23
Infancy of Christ,
untitled
Scope and Content Note
12 items: 10 photographs, 1 leaf of notes, and 1 photographic postcard to Held
from Kate Schaeffer.
box 69, folder 24
Infancy of Christ,
undated
Scope and Content Note
10 photographs.
box 69, folder 25
Infancy of Christ,
undated
Scope and Content Note
11 photographs.
box 69, folder 26
Infancy of Christ,
1972, undated
Scope and Content Note
4 leaves of printed and illustrated matter, notes.
box 69, folder 27
Infancy of Christ: correspondence with Claude Aubry,
1976
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held and 1 leaf of text about the oil
sketch
David and Abigail by Rubens.
box 69, folder 28
Infancy of Christ: correspondence with Lord Bute
(secretary),
1975
Scope and Content Note
2 items: 1 letter to Held from Lod Bute's secretary Deborah Glenn, and 1 letter
from held to Glenn.
box 69, folder 29
Infancy of Christ: correspondence with Cavalli-Björkman,
1982
Scope and Content Note
1 letter to Held from Görel Cavalli-Björkman (curator at the National Swedish
Art Musuems).
box 69, folder 30
Infancy of Christ: correspondence with Rüdiger Klessmann,
1974
Scope and Content Note
2 letters to Held from director of Herzog Anton Ulrich-Museum in Braunschweig
regarding a Rubens sketch from the collection of Sir William van Horne.
box 69, folder 31
Infancy of Christ: correspondence with Newhouse Galleries,
1991
Scope and Content Note
1 letter to Held from Adam Williams. Annotated by Held.
box 69, folder 32
Infancy of Christ: correspondence with Peter Jay Sharp,
1991
Scope and Content Note
4 items: 1 letter to Held, 2 letters from Held, and 1 leaf of illustrated
matter (photocopy).
box 70, folder 1
Adult life and Passion of Christ,
undated
Scope and Content Note
ca. 24 items: 1 negative, 2 color transparencies, and 18 photographs, including
3 in color. Also included are 1 leaf of printed matter and Held's correspondence
with Gregory Martin at Christie's London (1 letter to Held and 1 letter from
Held). [Color photographs, negative, and color transparencies are shelved in Box
162, F. 19.]
box 70, folder 2
Adult life and Passion of Christ,
undated
Scope and Content Note
16 photographs. [1 photograph is shelved in Box 148*, F. 1.]
box 70, folder 3
Adult life and Passion of Christ,
undated
Scope and Content Note
15 photographs.
box 70, folder 4
Adult life and Passion of Christ,
undated
Scope and Content Note
15 photographs.
box 70, folder 5
Adult life and Passion of Christ,
undated
Scope and Content Note
15 photographs.
box 70, folder 6
Adult life and Passion of Christ,
undated
Scope and Content Note
15 photographs.
box 70, folder 7
Adult life and Passion of Christ,
undated
Scope and Content Note
7 photographs.
box 70, folder 8
Adult life and Passion of Christ,
1953-1992, undated
Scope and Content Note
18 leaves of printed and illustrated matter.
box 70, folder 9
Adult life and Passion of Christ: correspondence with Art Gallery of
Ontario,
1969, 1980
Scope and Content Note
3 items: 2 letter to Held and 1 drawing (measurenments of
Elevation of
the Cross
by Rubens).
box 70, folder 10
Adult life and Passion of Christ: correspondence with Art Gallery of
Toronto,
1957-1966
Scope and Content Note
5 items (6 leaves): 3 letters to Held, and 2 letters from Held.
box 70, folder 11
Adult life and Passion of Christ: correspondence with François
Heim,
1976
Scope and Content Note
1 letter to Held.
box 70, folder 12
Adult life and Passion of Christ: correspondence with Gregory
Martin,
1967
Scope and Content Note
1 letter from Held (2 leaves) to Martin (assistant keeper at the National
Gallery, London).
box 70, folder 13
Adult life and Passion of Christ: correspondence with Justus Müller
Hofstede,
1975
Scope and Content Note
2 items: 1 letter to Held and 1 leaf of illustrated matter.
box 70, folder 14
Adult life and Passion of Christ: correspondence with Osborne Gallery,
Inc.
1966
Scope and Content Note
1 letter from Held (2 leaves).
box 70, folder 15
Adult life and Passion of Christ: correspondence with Hans Göran
Sjöström,
1985
Scope and Content Note
1 letter to Held. Regarding
Flagellation of Christ.
box 70, folder 16
Adult life and Passion of Christ: correspondence with Erik
Wedenberg,
1987-1988
Scope and Content Note
9 items (24 leaves): 5 letters to Held, 3 letters from held, and typescript (5
leaves) on
Flagellation of Christ by Wedenberg.
box 70, folder 17
Christ and St. John,
undated
Scope and Content Note
14 photographs.
box 70, folder 18
Christ and St. John,
1956-1998, undated
Scope and Content Note
24 leaves of illustrated matter, including 3 color postcards. Mostly
photocopies.
box 70, folder 19
Christ and St. John,
1980-1988
Scope and Content Note
ca. 40 leaves of printed matter, typescripts, and notes. Included are: a notary
statement by Hans Georg Graf Lambsdorff; typescript (6 leaves) on the Hermitage
painting of Christ and St. John; expert opinions (photocopies) by M. O. Binder,
and Leo van Puyvelde; catalog record of a Self portrait by van Dyck; and 5
leaves of typesctipt on
The infant Christ and the young St. John with a
lamb in a landscape
.
box 70, folder 20
Christ and St. John: correspondence with Bayerische
Staatsgemäldesammlungen,
1981-1994
Scope and Content Note
4 items (6 leaves): Held's letters to Erich Steingräber and to Konrad Renger,
letter to Held from Rüdiger an der Heiden, and a letter from Konrad Renger to
Neal Castleman in Malibu.
box 70, folder 21
Christ and St. John: correspondence with John Cauffiel,
1969
Scope and Content Note
2 items: Cauffiel's letter to Held and a letter to Cauffiel from Bernice
Davidson at the Frick Collection.
box 70, folder 22
Christ and St. John: correspondence with Central Picture
Galleries,
1981-1989
Scope and Content Note
3 items (8 leaves): 2 letters from Held to Oscar Klein, and 1 letter to Held
from Jan Kein. (3 copies of Held letter from March 12 1982).
box 70, folder 23
Christ and St. John: correspondence with Day, Berry &
Howard,
1989
Scope and Content Note
3 letters and 2 invoices to Held.
box 70, folder 24
Christ and St. John: correspondence with Richard L. Feigen &
Co.,
1985-1989
Scope and Content Note
6 items: 4 letters to Held from Sarah E. Lawrence, and a letter from Held to
[?] annotated by Held, and with a mention of Sarah E. Lawrence and Ron
Simmons.
box 70, folder 25
Christ and St. John: correspondence with Gallery Rodeo,
1977-1991
Scope and Content Note
4 items (5 leaves): 1991 letter to Held from Stephen M. Thompson; and 3 letters
from Held (copies) dating from 1977, 1978, and 1982, one of which is addressed
to Jan.
box 70, folder 26
Christ and St. John: correspondence with Ulrich Gloza,
1981
Scope and Content Note
2 items (5 leaves): 1 letter to Held with 3 leaves of text about painting
Das Jesuskind mit dem Kinde Johannes, spielend mit einem Lamm in der
Landschaft...
, and 1 letter from Held.
box 70, folder 27
Christ and St. John: correspondence with Brigitte Graneau,
1987
Scope and Content Note
2 items: 1 letter to Held and photocopy of expert opinion by Leo van
Puyvelde.
box 70, folder 28
Christ and St. John: correspondence with IFAR [International Foundation
for Art Research],
1995
Scope and Content Note
3 items (4 leaves): 2 letters to Held from Nancy J. Little, and 1 letter from
Held.
box 70, folder 29
Christ and St. John: correspondence of J.R. Mooney Galleries of
Art,
1989
Scope and Content Note
1 letter to Ivana Trump. Copy, annotated by Held.
box 70, folder 30
Christ and St. John: correspondence of Justus Müller
Hofstede,
1981
Scope and Content Note
4 items (7 leaves): Müller Hofstede's letter to [?] dated Match 11 1981, and 3
leaves of notes listing versions of painting of Christ and St. John.
box 70, folder 31
Christ and St. John: correspondence with R. Neubert,
1984
Scope and Content Note
1 letter to Held.
box 70, folder 32
Christ and St. John: correspondence with Mark M. Pockros,
1980-1981, undated
Scope and Content Note
8 items: 1 letter to Held, 1 letter from Held, letter to Held from Mark Winston
Douglas (no date), and printed and illustrated matter. s
box 70, folder 33
Christ and St. John: correspondence with Terry T. Ray,
1983-1984
Scope and Content Note
3 items (5 leaves): 1 letter to Held from agent of Paul Reed, 1 letter from
Held, and insurance papers annotated by Held. With a mention of Werner
Wintermeyer.
box 70, folder 34
Christ and St. John: correspondence with Hans A. Reinecker,
1993
Scope and Content Note
4 items (9 leaves): 1 letter to Held, 1 leaf with provenance information on
Infant Jesus and St. John stroking a lamb, and expert opinions
by Didier Bodart and by Franz Mairinger.
box 70, folder 35
Christ and St. John: correspondence with Andras G. Rekey,
1984-1985
Scope and Content Note
7 items (9 leaves): 3 letters to Held, 1 letter to Rekey from Held, 2 letters
to Rekey from Konrad Renger at Bayerische Staatsgemäldesammlungen, and 1 leaf of
catalog record of Ruben's painting.
box 70, folder 36
Christ and St. John: correspondence with Pierre Rosenberg,
1990
Scope and Content Note
5 items: 3 letters to Held, 1 letter from Held, and 1 letter to Rosenberg from
Ministère de la culture in Paris (Christian Prevost Marcilhacy).
box 70, folder 37
Christ and St. John: correspondence with Kamal Taki,
1981
Scope and Content Note
3 items: 1 letter from Held and 2 leaves of notes.
box 70, folder 38
Christ and St. John: correspondence with Kunsthandel K. & V.
Waterman,
1982
Scope and Content Note
1 letter to Held.
box 70, folder 39
Christ and St. John: correspondence with Judith E. Webster,
1982
Scope and Content Note
1 letter to Held from the conservator at Washington Conservation Studio.
box 70, folder 40
Christ and St. John: correspondence with Susan Weisberger,
1984
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held.
box 71, folder 1
Saints: St. Bavo,
undated
Scope and Content Note
4 items: 3 photographs and 1 leaf of printed matter.
box 71, folder 2
Saints: Christ with Saints,
undated
Scope and Content Note
2 photographs.
box 71, folder 3
Saints: St. Chrysanthus,
1995, undated
Scope and Content Note
13 items: 8 photographs, 1 color transparency, and Held's correspondence with
Larry A. Ross and Vanna White. [Color transparency is shelved in Box 162, F.
27.]
box 71, folder 4
Saints: St. Domitilla,
undated
Scope and Content Note
8 photographs.
box 71, folder 5
Saints: St. Francis,
undated
Scope and Content Note
3 photographs.
box 71, folder 6
Saints: St. Francis of Paola,
undated
Scope and Content Note
16 items: 13 photographs, 1 leaf of notes, and catalog record (typescript, 3
leaves) of
The miracles of Saint Francis of Paola at the J. Paul
Getty Musem.
box 71, folder 7
Saints: St. Gregory,
undated
Scope and Content Note
2 photographs (
St. Gregory, with St. Maurus and St. Papianus; St.
Domitilla with St. Nereus and St. Achilleus
).
box 71, folder 8
Saints: St. Hadrianus,
undated
Scope and Content Note
1 photograph.
box 71, folder 9
Saints: St. Ignatius of Loyola,
1975-1983, undated,
Scope and Content Note
7 items: 5 photographs, a 1975 letter to Held from Nat Leeb, and Held's
correspondence with Giles Waterfield at Dulwich Picture Gallery.
box 71, folder 10
Rubens. Oil sketches: Saints: St. Ildefonso,
undated,
Scope and Content Note
7 items: 2 photographs, 1 leaf of notes, a 1967 letter to Held from Kathleen M.
Fenwick at the National Gallery of Canada in Ottawa, Held's correspondence with
Joanne Follows at The Twenty-First Century Gallery in Toronto, and text
concerning Rubens's drawing
The apparition of the Virgin before St.
Ildefonso
(typescript, 2 leaves).
box 71, folder 11
Saints: St. John the Baptist,
undated,
Scope and Content Note
3 photographs.
box 71, folder 12
Saints: St. Just,
undated,
Scope and Content Note
1 photograph.
box 71, folder 13
Saints: St. Livinius,
undated,
Scope and Content Note
5 items: 3 photographs and 2 leaves of printed and illustrated matter.
box 71, folder 14
Saints: St. Martin.
undated,
Scope and Content Note
11 items: 4 photographs and 7 leaves of printed and illustrated matter.
box 71, folder 15
Saints: St. Michael,
undated,
Scope and Content Note
6 photographs.
box 71, folder 16
Saints: St. Norbert,
undated,
Scope and Content Note
3 photographs.
box 71, folder 17
Saints: St. Paul,
undated,
Scope and Content Note
9 items: 6 photographs and 3 leaves of printed and illustrated matter. [2
photographs of the
Beheading of St. Paul are shelved in Box 148*,
F. 5.]
box 71, folder 18
Saints: St. Peter and St. Paul,
1988-1999, undated,
Scope and Content Note
9 items: 4 photographs, 1 leaf of illustrated matter, and Held's correspondence
with Beata Bulaj at Barbara Piasecka Johnson Collection in Princeton, and
Jacques Lovenbach.
box 71, folder 19
Saints: St. Roch,
undated
Scope and Content Note
3 photographs.
box 71, folder 20
Saints: St. Sebastian,
1984-1986, undated,
Scope and Content Note
ca. 18 items (30 leaves): 1 postcard, 1 color transparency, Held's letter to
Radu Varia in Houston, Held's correspondence with Janet Gleeson at Bonhams
Auctioneers and Valuers in London, 10 photographs, 1 leaf of notes, and
typescript and printed matter. Regarding an oil sketch of Virgin Mary with
Saints. [Color transparency and correspondence with Gleeson are shelved in Box
162, F. 28.]
box 71, folder 21
Saints: St. Stephen,
undated
Scope and Content Note
4 photographs.
box 71, folder 22
Saints: St. Theresa,
undated
Scope and Content Note
2 photographs.
box 71, folder 23
Saints: Trinity with Saints,
undated
Scope and Content Note
1 photograph of
Trinity glorified by All Saints.
box 71, folder 24
Saints: St. Ursula,
1985, undated
Scope and Content Note
19 items: 11 photographs, 3 color transparencies, 3 leaves of printed and
illustrated matter, and 2 letters to Held from Edmund P. Pillsbury at Kimbell
Art Museum. [Color transparencies are shelved in Box 162, F. 29.]
box 71, folder 25
Virgin Mary with Saints,
undated
Scope and Content Note
8 items: 4 photographs and 4 leaves of printed and illustrated matter.
box 71, folder 26
Virgin Mary with Saints,
undated
Scope and Content Note
4 items: 2 photographs and 2 leaves of printed and illustrated matter.
box 71, folder 27
Virgin Mary with Saints,
undated
Scope and Content Note
5 items: 4 photographs and 1 leaf of printed and illustrated matter.
box 71, folder 28
Saints: various unidentified sketches,
undated
Scope and Content Note
10 photographs.
box 71, folder 29
Heads: children,
1982, undated
Scope and Content Note
ca. 7 items: 4 photographs, 1 leaf of printed and illustrated matter, and
Held's correspondence with Sotheby's London. Also included is portion of
original folder inscribed by Held.
box 71, folder 30
Heads: head of a young man.
1975-1976, undated
Scope and Content Note
ca. 18 items: 9 photographs, 1 color transparency, Sotheby's description of
Rubens's
Study of the head of a young warrior, Held's
correspondence with Günter Henle (4 letters to Held and 1 letter from Held), 1
letter to Henle from Wallraf-Richartz-Museum conservator Wolfgang Hahn, and 2
conservation reports by Hahn. [Color transparency is shelved in Box 162, F. 30.]
[1 photograph is shelved in Box 148*, F. 2.]
box 71, folder 31
Heads: African heads,
undated
Scope and Content Note
ca. 17 items: 11 photographs, 1 photographic postcard, 2 leaves of illustrated
matter, and 3 leaves of notes.
box 71, folder 32
Heads: an African weraing a turban,
undated
Scope and Content Note
3 items: 1 photographs and 2 leaves of printed and illustrated matter.
box 71, folder 33
Heads: female heads,
1968, undated
Scope and Content Note
9 items: 8 photographs and a 1968 letter to Held from Allen Staley at
Philadelphia Museum of Art.
box 71, folder 34
Heads: two heads,
undated
Scope and Content Note
7 items: 3 photographs, 3 leaves of printed and illustrated matter, 1 leaf of
notes.
box 71, folder 35
Heads: old man with curly hair,
undated
Scope and Content Note
ca. 11 items: 7 photographs, 2 postcards, 1 color transparency, 4 leaves of
illustrated matter, and 1 leaf of notes. [Color transparency is shelved in Box
162, F. 31].
box 71, folder 36
Heads: old man with long beard,
undated
Scope and Content Note
8 photographs, including 1 in color. Various artworks. [Color photograph is
shelved in Box 162, F. 32.] [1 photograph is shelved in Box 148*, F. 3.]
box 71, folder 37
Heads: male heads,
undated
Scope and Content Note
17 items: 8 photographs and 9 leaves of printed and illustrated matter.
box 71, folder 38
Heads: male heads,
1955, undated
Scope and Content Note
ca. 16 items: 1 color transparency, 11 photographs, printed and illustrated
matter, and 1 leaf of typescript by Held from 12 Feb. 1955. [Color transparency
is shelved in Box 162, F. 33.]
box 71, folder 39
Heads: Apostle heads,
1926-1937, 1981-1983, undated
Scope and Content Note
ca. 40 items: 9 photographs, including 1 in color; 1 color transparency;
typescript notes; printed and illustrated matter; Held's correspondence with
Leon M. Sergold and World Fine Antiques WFA-Exchange; and copies of 1926 and
1937 correspondence between Ludwig Burchard and Kunstsammlungen der Stadt
Düsseldorf (H. W. Rupp) regarding an artwork in the collection of Edmund
Dilthey. Also included are expert opinions by Cornelis Hofstede de Groot, Robert
Eigenberger, and Franz Mairinger. [Color photograph and transparency are shelved
in Box 162, F. 34.]
box 72, folder 1
Heads: comparative material,
1962-1983, undated
Scope and Content Note
ca. 32 items: 19 photographs, including 4 in color, 1 color transparency, 2
postcards, printed and illustrated matter, and correspondence with Christie's
New York (Ian G. Kennedy). [Color photographs, letter to Held from George A.
Born, and color transparency are shelved in Box 162, F. 35.]
box 72, folder 2
Heads: comparative material,
1957-1975, undated
Scope and Content Note
ca. 40 items (50 leaves): 8 photographs, including 1 in color; 1 postcard;
printed and illustrated mater; copies of expert opinions; paper by Michael
Harvard
Portrait of a girl with curly hair by Rubens (copy of
typescript, 15 leaves), and Held's correspondence with Günter Henle, Herbert
Leyendecker, and David M. Koetser Gallery. [Color photograph and a letter to
Held from David M. Koetser are shelved in Box 162, F. 36.]
box 72, folder 3
Comparative material (general),
1978, undated
Scope and Content Note
21 items: 17 photographs, 3 leaves of illustrated matter, and letter to Held
from Nasjonalgalleriet Oslo conservator Leif Einar Plahter.
box 72, folder 4
Comparative material (general),
undated
Scope and Content Note
17 photographs and 3 leaves of illustrated matter.
box 72, folder 5
Comparative material (general),
undated
Scope and Content Note
15 photographs, including 1 in color. [Color photograph is shelved in Box 162,
F. 37.]
box 72, folder 6
Comparative material (general),
1973, undated
Scope and Content Note
15 items: 11 photographs, including 1 in color, illustrated matter, and letter
to Held from Christopher Brown at the National Gallery in London. [Color
photograph is shelved in Box 162, F. 38.]
box 72, folder 7
Portraits of women:
1933-1985, undated
Scope and Content Note
17 items: 8 photographs, including 2 in color, Held's correspondence with Franz
Stiassny, expert opinions by Ludwig Burchard and Justus Müller Hofstede, letter
to Held from D. Bingham, and notes.
Portrait of a young Lady,
formerly in the collection of Tel Aviv Museum. [2 color photographs are shelved
in Box 162, F. 39.] [1 photograph is shelved in Box 148*, F. 6.]
box 72, folder 8
Portraits of women: Isabella Clara Eugenia,
1969-1984, undated
Scope and Content Note
17 items: 7 photographs, correspondence with Evansville Museum of Arts and
Science (John W. Streetman), Sotheby's London, Norton Simon Museum, and Harari
& Johns Ltd in London, catalog record from Schloss Rohoncz collection, and 1
leaf of printed matter.
box 72, folder 9
Portraits of women: Isabella Clara Eugenia as a nun,
1957, undated
Scope and Content Note
8 items: 6 photographs, 1 color transparency, and letter from Ludwig Burchard
to an unknown recipient dated 12 July 1957. [Color transparency is shelved in
Box 162, F. 40.] [1 photograph is shelved in Box 148*, F. 7.]
box 72, folder 10
Portraits of women:
Dame van Parys,
1967-1993, undated
Scope and Content Note
ca. 42 items: 12 photographs, 1 color transparency, printed and illustrated
matter, and Held's correpondence with Citybank (J. Patrick Cooney), Robert G.
Jan, the Burlington Magazine (Benedict Nicolson), Diethelm Doll, and François
Heim. [Color transparency is shelved in Box 162, F. 41.]
box 72, folder 11
Portraits of women: Isabella Brandt [Isabelle Brant],
1982, undated
Scope and Content Note
13 items (16 leaves): 5 photographs, including 1 in color, 1 color
transparency, printed and illustrated matter, letter to Held from Ellen Melas
Kyriazi, and typescript (3 leaves) annotated by Held. [Color photograph and
transparency are shelved in Box 162, F. 42.] [2 photographs are shelved in Box
148*, F. 8.]
box 72, folder 12
Portraits of women: Portrait of a lady from the collection of Ernst
Dreyfuss-Wurmser,
1948-1973, undated
Scope and Content Note
6 items: 1 photograph, letter to Held from Hugo Dreyfuss, and copies of
prinnted matter and of expert opinions by Ludwig Burchard, Max J. Friedländer,
and Justus Müller Hofstede.
box 72, folder 13
Portraits of women: Portrait of a lady,
1988, undated
Scope and Content Note
3 items: 1 color photograp and 2 leaves of printed and illustrated matter
(Christie's London catalog). [Color photograph is shelved in Box 162, F.
43.]
box 72, folder 14
Portraits of women: details,
undated
Scope and Content Note
6 photographs of hands, including 3 from a portrait of Rogier Clarisse. 3 have
labels on verso of M. H. de Young Memorial Museum, and references to Maltz
Collection.
box 72, folder 15
Portraits of women: portrait of a lady from the collection of Viscount
Ridley,
undated
Scope and Content Note
4 photographs. Two have labels on verso of M. H. de Young Memorial Museum, and
references to collection of B. N. Maltz.
box 72, folder 16
Portraits of women:
undated
Scope and Content Note
3 photographs of a portrait of an older woman in the Hermitage collection.
box 72, folder 17
Portraits of women: Jeanne Rivière,
undated
Scope and Content Note
2 photographs.
box 72, folder 18
Portraits of women: a family group,
undated
Scope and Content Note
3 items: 1 color transparency and 2 leaves of illustrated matter. Color
transparency is a single female portrait. [Color transparency is shelved in Box
162, F. 44.]
box 72, folder 19
Portraits of women: portrait of an Italian lady [?],
1953-1983, undated
Scope and Content Note
ca. 9 items: 2 photographs, printed matter, expert opinion by Ludwig Burchard
(from 1957) and Michael Jaffé (1953), and 2 letters to Held from Patty P. Bladon
at Brooks Memorial Art Gallery (1983).
box 72, folder 20
Portraits of women: Eléonore de Bourbon,
1966-1987, undated
Scope and Content Note
ca. 13 items (25 leaves): 4 photographs, 1 postcard, notes and illustrated
matter, Held's letter to Rosenberg and Stiebel (dated 5 Feb. 1966; with 2
copies) and letter to Held from Kahren Arbitman at the Frick Art Museum. [1
photograph is shelved in Box 148*, F. 9.]
box 72, folder 21
Portraits of women: Maria de' Medici,
1988, undated
Scope and Content Note
7 items: 2 photographs, including 1 in color, illustrated matter, and letters
to Held from Gregory Martin at Christie's London and David Koetser Gallery.
[Color photograph is shelved in Box 162, F. 45.]
box 72, folder 22
Portraits of women: Madame de Vicq,
1992, undated
Scope and Content Note
3 leaves of printed and illustrated matter.
box 72, folder 23
Portraits of women: Elizabeth of Valois [Isabel of Valois],
undated,
Scope and Content Note
2 items: 1 photograph and 1 leaf of illustrated matter.
box 72, folder 24
Portraits of women:
1977, undated
Scope and Content Note
4 items: 2 photographs, 1 color transparency, and letter to Held from E.
Kropik. [Color transparency is shelved in Box 162, F. 24.]
box 72, folder 25
Portraits of women: Susanna Fourment,
1967, undated
Scope and Content Note
8 items: 3 photographs, printed and illustrated matter, and Held's
correspondence with Anne Poulet at Metropolitan Museum of Art, NY concerning
Portrait of a Lady in the Wrightsman Collection. [1 leaf of
illustrated matter is shelved in Box 148*, F. 10.]
box 72, folder 26
Portraits of women: Anne of Austria,
1935-1992
Scope and Content Note
ca. 10 items: 3 photographs, 1 color transparency, printed and illustrated
matter, and Held's letter from 4 Sept. 1983 to Joseph Keiffer at William Doyle
Galleries. [Color transparency is shelved in Box 162, F. 47.] [1 photograph is
shelved in Box 148*, F. 10.]
box 72, folder 27
Portraits of women: Isabella of Spain (Elisabeth de
Bourbon),
1990-1993, undated
Scope and Content Note
12 items (14 leaves): 3 photographs, 1 color transparency, Held's corespondence
with Anthony Mould Ltd., and with Newby Toms, letter to held from Sir Philip
Hendy, 1 leaf of notes, and typescript (2 leaves) on Rubens's painting
Elisabeth de Bourbon, Queen of Spain, annotated by Held. [Color
transparency is shelved in Box 162, F. 48.]
box 72, folder 28
Portraits of women: various images,
undated
Scope and Content Note
15 items: 11 photographs, and 4 leaves of illustrated matter.
box 72, folder 29
Portraits of women: correspondence, notes, printed matter,
1978, undated
Scope and Content Note
letter to Held from Lucrecia el-Abd at Sotheby's London, with copy of Held's
reply on verso, an ink drawing by Held, printed and illustrated matter, and ca.
37 leaves of notes.
box 73, folder 1
Portraits of men: Philip II, King of Spain,
1984, undated
Scope and Content Note
11 items: 10 photographs and illustrated matter. Equestrian portrait
King Phillip II of Spain at the battle of St. Quentin, and 1
photograph of Infant Philipp standing.
box 73, folder 2
Portraits of men: Philip III, King of Spain,
undated
Scope and Content Note
1 photograph. Annotations on verso include mention of Jacob Jordaens.
box 73, folder 3
Portraits of men: Philip IV, King of Spain,
undated
Scope and Content Note
ca. 13 items (ca. 22 leaves): 1 color transparency, 6 photographs, printed and
illustrated matter, notes, and 2 typescripts, including an article by August L.
Mayer. [The color transparency and business card of Christian Klemm at Kunsthaus
Zürich are shelved in Box 162, F. 49.]
box 73, folder 4
Portraits of men: Cardinal-Infante Ferdinand of Spain,
1993, undated
Scope and Content Note
ca. 12 items: 10 photographs and 2 leaves of printed and illustrated
matter.
box 73, folder 5
Portraits of men: Cardinal-Infante Ferdinand of Spain in cardinal's
robe,
1982-1983, undated
Scope and Content Note
18 items: 7 photographs, including 3 in color, 1 color transparency, letters to
Held from Edward J. Fey,Ion Track Instruments (Thomas Theohary), Fleming
Associates, and Held's correspondence with Nick G. Pappas. [Color transparency
and color photographs are shelved in Box 162, F. 5.]
box 73, folder 6
Portraits of men: portrait of a Cardinal,
1988, undated
Scope and Content Note
8 items: 1 color transparency, and letters to Held from Michael Simpson and
John M. Brealey at Metropolitan Museum of Art, NY, and Held's correspondence
with Peter Jay Sharp. [Color transparency is shelved in Box 162, F. 51.]
box 73, folder 7
Portraits of men: Maximilian III, Archduke of Austria,
1949, undated
Scope and Content Note
ca. 14 items (28 leaves): 3 color transparencies, 8 photographs, printed and
illustrated matter, and copy of a 1949 letter by Ludwig Burchard concerning the
painting. [Color transparencies are shelved in Box 162, F. 52.]
box 73, folder 8
Portraits of men: Thomas Howard, Earl of Arundel,
undated
Scope and Content Note
3 items: 1 photograph, 1 postcard, and 1 leaf of illustrated and printed matter
regarding exhibition held at Ashmolean Museum in Oxford.
box 73, folder 9
Portraits of men: Ambrogio Spinola,
1984-1987, undated
Scope and Content Note
6 items: 2 photographs, printed and illustrated matter, and letter to Held from
Sotheby's New York (George Wachter).
box 73, folder 10
Portraits of men: Sigismund III, King of Poland and Sweden,
1953
Scope and Content Note
2 items (3 leaves): 1 photographic postcard and copy of a June 30 1953 letter
by Ludwig Burchard about the equestrian portrait of the king.
box 73, folder 11
Portraits of men: Louis XIII, King of France,
1992, undated
Scope and Content Note
7 items: 5 photographs and Held's correspondence with Anhaltische
Gemäldegalerie Dessau (werner Schade). Two portraits of Luis XIII, including one
equestrian. [1 photograph is shelved in Box 148*, F. 11.]
box 73, folder 12
Portraits of men: Francesco IV Gonzaga,
1952
Scope and Content Note
1 postcard, sent to Held by Mary Heuser.
box 73, folder 13
Portraits of men: Albert, Archduke of Austria,
1957-1995, undated
Scope and Content Note
15 items (18 leaves): 7 photographs, including 1 in color, notes, printed and
illustrated matter, Held's 1957 correspondence with E. A. Anderson in
Montevideo, and a 1972 letter to Held from Felice Stampfle at the Pierpont
Morgan Library. [Color photograph is shelved in Box 162, F. 53.]
box 73, folder 14
Portraits of men: Antonius de Roore [Henricus Lancellotus],
1984-1996, undated
Scope and Content Note
12 items: 1 photograph and 11 leaves of printed and illustrated matter.
box 73, folder 15
Portraits of men: unindentified,
undated
Scope and Content Note
6 items: 2 color transparencies and 4 photographs. With a mention of art dealer
Jan de Maere in Brussels. Attribution to Rubens questioned by Held. [Color
transparencies are shelved in Box 162, F. 54.]
box 73, folder 16
Portraits of men: Jan Bruegel the Elder and his family,
1990
Scope and Content Note
1 leaf of illustrated matter.
box 73, folder 17
Portraits of men: Anthony vam Dyck,
1995, undated
Scope and Content Note
3 items: 1 photograph, 1 postcard, and 1 leaf of illustrated matter. Portrait
of Anthony van Dyck aged about 15.
box 73, folder 18
Portraits of men: Jan Brant,
1990-1994, undated
Scope and Content Note
ca. 17 items: 1 color transparency, 7 photographs (1 of an x-ray image), notes,
printed and illustrated matter, 3 letters to Held from J. Barry Donahue, and
correspondence between Donahue and the conservator Konrad Renger. [Color
transparency is shelved in Box 162, F. 55.]
box 73, folder 19
Portraits of men: a bearded man,
1986-1988, undated
Scope and Content Note
ca. 11 items: 1 color transparency, 3 photographs, 1 postcard, printed and
illustrated matter, and Held's correspondence with E. V. Thaw and Co. [Color
transparency is shelved in Box 162, F. 56.]
box 73, folder 20
Portraits of men: a Dominican monk,
undated
Scope and Content Note
4 items: 2 photographs, and 2 leaves of illustrated matter.
box 73, folder 21
Portraits of men: Jan Wildens,
1991, undated
Scope and Content Note
6 items: 1 color transparency, 3 photographs, and 2 leaves of printed and
illustrated matter. [Color transparency is shelved in Box 162, F. 57.]
box 73, folder 22
Portraits of men: unidentified,
undated
Scope and Content Note
3 items: 2 photographs and 1 color transparency. Title on label:
Mars. [Color transparency is shelved in Box 162, F. 58.]
box 73, folder 23
Portraits of men: Nicolaas Rockox
1967-1981, undated
Scope and Content Note
5 items (6 leaves): 3 photographs, and letters to Held from Philadelphia Museum
of Art (Allen Staley and Peter Sutton).
box 73, folder 24
Portraits of men: Sir Theodore Turquet de Mayerne,
1965-1989, undated
Scope and Content Note
14 items (16 leaves): 1 color transparency, 8 photographs, printed and
illustrated matter,a 1965 letter to Held from Charles Davis at University of
North Carolina at Chapel Hill, and a 1988 letter to Held from Christie's New
York (Ian Kennedy). [Color transparency is shelved in Box 162, F. 59.] [3
photographs are shelved in Box 148*, F. 12.]
box 73, folder 25
Portraits of men: a bearded man,
1987-1989, undated
Scope and Content Note
ca. 8 items: 3 photographs, and printed and illustrated matter.
box 73, folder 26
Portraits of men: Ludovicus Nonnius,
undated
Scope and Content Note
2 photographs.
box 73, folder 27
Portraits of men: Philippe Rubens,
undated
Scope and Content Note
1 photograph. Portrait of the artist's brother. Label of Detroit Institute of
Arts.
box 73, folder 28
Portraits of men: Christopher Plantin,
undated
Scope and Content Note
2 photographs.
box 73, folder 29
Portraits of men: Duke of Lerma,
1980
Scope and Content Note
1 postcard, inscribed to Held. Equestrian portrait of El Duque de Lerma at the
Escorial.
box 73, folder 30
Portraits of men: a gentleman,
1982, undated
Scope and Content Note
ca. 10 items: 1 photograph, 1982 letter to Held from the Chrysler Museum, and
10 leaves of printed and illustrated matter (copies).
box 73, folder 31
Portraits of men: Jan Vermoelen,
undated
Scope and Content Note
1 photograph.
box 73, folder 32
Portraits of men: a gentleman,
1982, undated
Scope and Content Note
5 items: 1 photograph, 1 color transparency, Held's correspondence with John W.
Streetman III at Evansville Museum of Arts and Science concerning Rubens or van
Dyck attribution of the painting. Also present is copy of a letter from Saint
Louis Art Museum (James D. Burke) to Streetmann III. Color transparency is
shelved in Box 162, F. 60.]
box 73, folder 33
Portraits of men: Marcellianus de Barea,
undated
Scope and Content Note
2 photographs. Spanish Capuchin monk.
box 73, folder 34
Portraits of men: an equestrian portrait,
1971, undated
Scope and Content Note
2 items (3 leaves): 1 photograph and letter to Held from Jakob Werner in
Schaffhausen. Werner relates details regarding provenance and conservation
history of the painting.
box 73, folder 35
Portraits of men: an equestrian portrait,
1981, undated
Scope and Content Note
6 items: 2 photographs and Held's correspondence with Julius H. Weitzner.
box 73, folder 36
Portraits of men: Adriaen Baeck,
undated
Scope and Content Note
1 photograph.
box 73, folder 37
Portraits of men: a bearded man,
1947, undated
Scope and Content Note
2 photographs, of which one includes Held's expert opinion on verso, typed and
dated Dec. 22 1947.
box 73, folder 38
Portraits of men: a young Genoese,
1979-1980, undated
Scope and Content Note
6 items (11 leaves): 2 photographs, a letter to Held from Kenneth Hari, Held's
correspondence with Virgilia Pancoast at IFAR [International Foundation for Art
Research], and copy of IFAR report #80.4 (typescript, 6 leaves).
box 73, folder 39
Portraits of men: unidentified man,
undated
Scope and Content Note
3 items: 2 photographs, and 1 color transparecncy. Annotations on verso mention
collection of H. Kisters in Kreuzlingen, Switzerland. [Color transparency is
shelved in Box 162, F. 61.]
box 73, folder 40
Portraits of men: a young man [Rockox?]
1973, undated
Scope and Content Note
2 items: 1 photograph and letter to Held from A.A. Auld at Glasgow Museums
& Art Galleries.
box 73, folder 41
Portraits of men: a man with a book,
undated
Scope and Content Note
4 photographs, including 1 in color. [Color photograph is shelved in Box 162,
F. 62.]
box 73, folder 42
Portraits of men: head of a boy [Don Juan of Austria],
undated
Scope and Content Note
2 photographs.
box 73, folder 43
Portraits of men: unidentified man,
undated
Scope and Content Note
2 items: 1 color transparency and 1 photograph. Annotations on verso include
provenance information. [Color transparency is shelved in Box 162, F. 63.]
box 73, folder 44
Portraits of men: unidentified man,
undated
Scope and Content Note
2 photographs, one with label of Dayton Art Institute on verso.
box 73, folder 45
Portraits of men: Johannes de la Court,
undated
Scope and Content Note
1 photograph.
box 73, folder 46
Portraits of men: unidentified man,
undated
Scope and Content Note
3 items: 2 photographss and 1 color transparency. Annotations on verso.[Color
transparency is shelved in Box 162, F. 64.]
box 73, folder 47
Portraits of men: Rogier Clarisse,
undated
Scope and Content Note
3 photographs. Labels of M. H. de Young Memorial Museum on verso.
box 73, folder 48
Portraits of men: Don Diego Messia, Marquis of Leganés,
undated
Scope and Content Note
2 items: 1 photograph., 1 color transparency. [Color transparency is shelved in
Box 162, F. 65.]
box 73, folder 49
Portraits of men: Abbot Matthaeus Yrsselius,
1954
Scope and Content Note
1 postcard, sent to Held from Erik Fischer. Painting in the collection of the
Royal Museum of Fine Arts in Copenhagen.
box 73, folder 50
Portraits of men: various unidentified,
undated
Scope and Content Note
10 items: 9 photographs and 1 color transparency. [Color transparency is
shelved in Box 162.]
box 73, folder 51
Portraits of men: various unidentified,
undated
Scope and Content Note
12 items: 11 photographs, including 1 of an x-ray image, 1 leaf of illustrated
matter. [Illustrated matter is shelved in Box 148*, F. 12.]
box 73, folder 52
Portraits of men: various unidentified,
undated
Scope and Content Note
7 items: 2 photographs, and 5 leaves of illustrated matter.
box 73, folder 53
Portraits of men: correspondence with Rudolf Chadraba,
1976
Scope and Content Note
1 letter to Held regarding photoreprint of
Buckingham at a
museum in Karlovy Vary. Letterhead of Académie tchécoslovaque des sciences in
Prague.
box 73, folder 54
Portraits of men: correspondence with Colnaghi,
1986, undated
Scope and Content Note
9 items: 3 letters to Held (Donald Garstang), 3 letters from Held to Richard
Knight at Colnaghi, 2 leaves of notes, and 1 leaf of illustrated matter.
Regarding Rubens attribution of a portrait of an old man with grey hair.
box 73, folder 55
Portraits of men: correspondence with Charles Graves,
1962
Scope and Content Note
1 letter (2 leaves) from Held. Detailed evaluation of an x-ray image of a
painting referred to as the New York version of the Duke of Mantua.
box 73, folder 56
Portraits of men: correspondence with Myron Laskin,
1967, undated
Scope and Content Note
3 items (4 leaves): 1 letter to Held, 1 letter from Held, and 1 leaf of notes.
Concerning attribution of a painting referred to as Rubens's self-portrait.
box 73, folder 57
Portraits of men: correspondence with Alvaro R. de la Minna (and
William Rafael Gelpi-Toro),
1977-1978, undated
Scope and Content Note
9 items: 1 letter to Held and 1 letter from Held, copy of de la Minna's letter
to Luis A. Ferré, and 3 letters to Held from William Rafael Gelpi-Toro. Also
present is an expert opinion by Gustav Glück, printed matter and a typescript
(copies). Concerning Rubens attribution of a portrait painting.
box 73, folder 58
Portraits of men: correspondence with Howard Young,
1954
Scope and Content Note
6 items: 3 letters to Held and 3 letters from Held. Concerning attribution of a
painting referrd to as Rubens's self-portrait.
box 73, folder 59
Portraits of men: correspondence of J. Edward Hancock,
1948-1974, undated,
Scope and Content Note
4 items: letter from the appraiser Hancock to P. Malcolm Koch regarding
attribution of
Portrait of a gentleman to Rubens or van Dyck, and
copies of expert opinions by Eduard Plietzsch, H. Zimmerman, and F. Winkler.
box 73, folder 60
Portraits of men: expert opinion by Gustav Glück,
1934, 1958
Scope and Content Note
2 items (3 leaves): copy of Glück's expert opinion from May 24 1934, and a
press clipping regarding sale of a portrait painting at Galerie Lempertz in
Cologne.
box 74, folder 1
Rubens self-portraits,
1987, undated
Scope and Content Note
17 items: 2 color transparencies, 1 polaroid photograph, 10 photographs, and 2
leaves of illustrated matter. Polaroid is attached to a letter to Held from Fred
J. Stone. [Color transparencies, polaroid, and letter from Stone, with 1 b&w
photograph attached are shelved in Box 162, F. 66.] [1 photograph and 1 leaf of
illustrated matter are shelved in Box 149*, F. 1.]
box 74, folder 2
Rubens self-portraits,
undated
Scope and Content Note
2 items: paper by André Thoulouze titled
Une oeuvre célebre de Rubens
retrouvée dans une vente à Londres
, (typescript, 36 leaves of text and
8 leaves of plates with photographs pasted on); and letter from Thoulouze to
Held dated Dec. 19 1977.
box 74, folder 3
Rubens self-portraits,
1986
Scope and Content Note
2 items (ca. 30 leaves): photocopy of David Jaffé's essay
The first
owner of the Canberra Rubens, Nicholas-Claude Fabri de Peiresc (1580-1637) and
his picture collection
, issued in
Australian Journal of
Art
; and a related press article.
box 74, folder 4
Rubens self-portraits: correspondence with Robert Adler,
1989
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. With a mention of Patrick
O'Connor.
box 74, folder 5
Rubens self-portraits: correspondence with David Carritt,
1980
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held.
box 74, folder 6
Rubens self-portraits: correspondence with Terry Ingram,
1988, undated
Scope and Content Note
3 items (4 leaves) 1 letter to Held from Ingram at the Australian Financial
Review in Sydney, 1 letter from Held, and and a manuscript draft by Held.
Regarding a painting at Australian National Gallery.
box 74, folder 7
Rubens self-portraits: correspondence with David Jaffé,
1982-1986
Scope and Content Note
3 items: Jaffé's 1982 letter to Held, and related 1986 correspondence between
Held and Marjon [van den Meulen?].
box 74, folder 8
Rubens self-portraits: correspondence with Sir Oliver
Millar,
1978
Scope and Content Note
3 items: 2 letters from Held and 1 letter to Held from Millar at Lord
Chamberlain's Office.
box 74, folder 9
Rubens family portraits,
undated
Scope and Content Note
15 items: 6 photographs, 1 postcard, and 8 leaves of illustrated matter.
Several portraits of Hélène Fourment, including
Het pelsken,
portrait of Rubens with first wife Isabella Brandt [Isabelle Brant], and
Rubens's sons. [4 items are shelved in Box 149*, F. 2.]
box 74, folder 10
Rubens family portraits,
undated
Scope and Content Note
13 items: 9 photographs, 1 postcard, and 3 leaves of printed matter. Included
are several portraits of Rubens by van Dyck, [1 photograph of a portrait of
Rubens by van Dyck is shelved in Box 149*, F. 2.]
box 74, folder 11
Rubens family portraits: a self-portrait,
1958, undated
Scope and Content Note
4 items: 1 color transparency and correspondence: letter and report by Held
addressed to A. A. Capparis, and letter to Held from William George Constable at
Museum of Fine Arts in Boston. Regarding a self-portrait by Rubens. [Color
transparency is shelved in Box 162, F. 67.]
box 74, folder 12
Rubens family portraits:
Four philosophers,
1981, undated
Scope and Content Note
14 items: 9 photographs (1 in color), 1 postcard, 2 leaves of illustrated
matter, and related 1981 correspondence between Held and Gregory Martin at
Christie's London (1 letter to Held and 1 letter from Held). Concerning portrait
of Peter Paul Rubens, his brother Philip Rubens, Justus Lipsius, and Jan van de
Wouwere. [Color photograph is shelved in Box 162, F. 68.]
box 74, folder 13
Rubens family portraits
1942, undated
Scope and Content Note
5 items: notes. Included are copy of an expert opinion by Adrien Jean Joseph
Delen, and copy of a letter in Italian by Rubens, dated 8 July 1622, concerning
a portrait medallion of Carlo Borromeo and a mention of Brueghel [Bruegel].
box 74, folder 14
Rubens family portraits: correspondence with Karl Arndt,
1988
Scope and Content Note
1 letter to Held.
box 74, folder 15
Rubens family portraits: correspondence with Ludwig
Burchard,
1956
Scope and Content Note
1 letter [to Held?] regarding a self-portrait by Rubens from Arenberg
collection in Brussels.
box 74, folder 16
Rubens family portraits: correspondence with A. Capparis,
1958
Scope and Content Note
2 letters to Held concerning a self-portrait by Rubens. With a mention of Mr.
Niarchos.
box 74, folder 17
Rubens family portraits: correspondence with Silvia
Hochfield,
1978
Scope and Content Note
2 items: letter to Held to Hochfield at
Art news, and Held's
summary of his phone conversation with Hochfield on the topic of art
conservation in American museums.
box 74, folder 18
Rubens family portraits: correspondence with Julius H.
Weitzner,
1976
Scope and Content Note
1 letter to Held.
box 74, folder 19
Rubens family portraits:
Rubens, his wife Hélène Fourment, and
their child,
1977-1982, undated
Scope and Content Note
20 items (37 leaves): 11 photographs, 1 color transparency, 2 leaves of
illustrated matter, and correspondence: a 1977 letter to Held from Harry A.
Brooks at Wildenstein & Co., and two 1982 letters to Held from Metropolitan
Museum of Art, NY (Walter Liedtke and Polly J. Sartori. Also included are three
typescripts: a technical examination report by Laura Juszczak, a catalog record
for the painting with bibliography, and paper by Gabrielle Kopelman
The
evolution of a Rubens family portrait ...
(13 leaves), annotated by
Held. [3 photographs are shelved in Box 149*, F. 3, color transparency is
shelved in Box 165*, F. 2.]
box 74, folder 20
Landscapes,
undated
Scope and Content Note
18 items: 15 photographs, including 7 in color, and 3 color transparencies.
[Color photographs and transparencies are shelved in Box 162, F. 69.]
box 74, folder 21
Landscapes,
undated
Scope and Content Note
16 photographs. [4 items are shelved in Box 149*, F. 4.]
box 74, folder 22
Landscapes,
undated
Scope and Content Note
14 photographs.
box 74, folder 23
Landscapes,
undated
Scope and Content Note
18 photographs.
box 74, folder 24
Landscapes,
1950-1972, undated
Scope and Content Note
4 items: 1 photographs, 1 leaf of typescript (copy) on painting
A
watering place
by Lucas van Uden, a 1950 letter [to Held?] from Ludwig
Burchard, and a 1972 letter to held from the art dealer Henry Phillips (Phillips
Harris in London).
box 74, folder 25
Landscapes (drawings),
undated
Scope and Content Note
21 photographs. [See also items filed in Box 59, F.16.]
box 74, folder 26
Landscapes,
undated
Scope and Content Note
22 leaves of illustrated matter. [1 leaf is shelved in Box 149*, F. 5.]
box 74, folder 27
Landscapes,
1959-1973, undated
Scope and Content Note
ca. 12 items: notes, printed matter, including an expert opinion by Ludwig
Burchard (1959).
box 74, folder 28
Landscapes:
Landschap met een in het slijk vastzittende
kar
,
1989, undated
Scope and Content Note
6 items: Held's correspondence with Horst Lehnert, and printed and illustrated
matter. With a mention of Konrad Renger.
box 74, folder 29
Landscapes:
Stormy landscape,
1982-1983, undated
Scope and Content Note
12 items (13 leaves): 2 photographs, 1color transparency, notes, 2 leaves of
typescript text about the painting, letters to Held from Hugh Macandrew at
National Gallery of Scotland and Thomas Kren at J. Paul Getty Museum, and Held's
correspondence with Julian Agnew at Thos. Agnew & Sons and Horst Vey. [Color
transparency is shelved in Box 162, F. 70.]
box 74, folder 30
Landscapes: correspondence with Gaston Dulière,
1963
Scope and Content Note
1 letter to Held.
box 74, folder 31
Landscapes: correspondence with Mathias F. Hans,
1985
Scope and Content Note
2 items: letter to Held and 1 photograph.
box 74, folder 32
Landscapes: correspondence with Jan Kelch,
1979
Scope and Content Note
2 letters to Held from Kelch at Staatliche Museen Preussischer Kulturbesitz,
Gemäldegalerie.
box 74, folder 33
Landscapes: correspondence with Ulla Krempel,
1974
Scope and Content Note
2 items: letter to Held from conservator at Bayerische Staatsgemäldesammlungen,
and copy of a registration form.
box 74, folder 34
Landscapes: correspondence with Carolyn A. Larson,
1989-1990
Scope and Content Note
6 items (9 leaves): 1 photograph, correspondence with Larson, typescript ( 2
leaves) about the painting, and expert opinion by Justus Müller Hofstede.
Concerning
Landscape with the rainbow [
Landschaft mit
dem Regenbogen
].
box 74, folder 35
Landscapes: correspondence with Norton Simon,
1960-1962
Scope and Content Note
2 items: 1960 letter from Ludwig Burchard to [?] and 1962 letter from Held to
Norton Simon concerning the newly discovered sketch of the
Hunt of
Meleager and Atalanta
.
box 74, folder 36
Landscapes: correspondence with Julian Stock,
1978
Scope and Content Note
2 items: 1 letter to Held from Stock at Sotheby's London and 1 photograph of a
drawing.
box 74, folder 37
Landscapes: correspondence with Toledo Museum of Art,
1953-1957
Scope and Content Note
2 items (3 leaves): 1957 letter to Held and copy of expert opinion form 1953 by
Ludwig Burchard.
box 74, folder 38
Landscapes: correspondence with Jiri Verner,
1985-1987
Scope and Content Note
2 items (3 leaves): 1987 letter to Held and 1985 expert opinion by Justus
Müller Hofstede concerning
Landschaft mit musizierenden und lauschenden
Hirten und Hirtinnen
.
box 74, folder 39
Landscapes: correspondence with Klaus Zerhusen,
1985
Scope and Content Note
1 letter to Held from art dealer in Cologne. With a mention of Gustav
Glück.
box 75, folder 1
Hunts:
Tiger hunt,
Hippopotamus hunt,
Lion hunt,
Wild bull hunt,
1971
Scope and Content Note
12 items: 7 photographs, 1 leaf of notes, printed and illustrated matterm and
Held's correspondence with Victor J. Hammer (Hammer galleries). Concerning 4
paintings in a private colletcion in Rome. [1 photograph of a detail of the
Wild bull hunt is shelved in Box 149*, F. 6.]
box 75, folder 2
Hunts:
Boar hunt,
1947-1981, undated
Scope and Content Note
ca. 30 items: 8 photographs, including 3 in color; 2 color transparencies;
conservation report by F. Bender (Musée royal des beaux-arts in Antwerp); a
typescript note; expert opinions by Ludwing Burchard, José Gudiol, [?] Seghers,
Justus Müller Hofstede, and Didier Bodart; correspondence of Manuel Gonzalez in
Madrid with Luis A. Ferré, Leon van Puyvelde, José Gudiol,
Wallraf-Richartz-Museum (Hella Robels), and conservator Ph. Roberts-Jones. Also
present is a letter to Walter Shapira from Pierre Audubert; and Held's
correspondence with Wildenstein & Co. (Roy Fisher), Pierre Audubert; and
M.W. Boome. [Color photographs and transparencies are shelved in Box 163, F.
1.]
box 75, folder 3
Hunts:
Wolf and fox hunt,
1990-1993
Scope and Content Note
7 items (18 leaves): printed and illustrated matter, Held's correspondence with
Susan Koslow, and Koslow's paper
Law and order in Rubens's Wolf and fox
hunt
, delivered at 1993 CAA in Seattle (13 leaves).
box 75, folder 4
Hunts:
Bear hunt on horseback,
1937-1998
Scope and Content Note
ca. 8 items (15 leaves): l photographs and letter to Held from Gisela Geuer;
with copies of expert opinions by Glück [unsigned], Valentiner, Suida, Justus
Müller-Hofstede, and Michael Jaffé.
box 75, folder 5
Hunts:
Diana hunting,
1957-1978
Scope and Content Note
7 items: 3 photographs, 1 color transparency, letter to held from Alvaro de la
Minna, and expert oipnions by Ludwig Burchard (1957) and Didier Bodart (1978).
[Color transparency is shelved in Box 163, F. 2.]
box 75, folder 6
Hunts: various items,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of notes and an unsigned project description (3
leaves) titled
Seventeenth-century account books in Antwerp: a study in
art patronage, commerce and taste
.
box 75, folder 7
Animals (horses and dogs):
1980-1997
Scope and Content Note
ca. 26 items (36 leaves): 3 photographs, 3 color transparencies, and printed
matter. Included is correspondence with Heinz Schneider regarding painting
A rearing horse, with an conservation report [see also items
filed in Box 85, F. 3 and Box 86, F.1]. Also included is a letter to Held from
Gregory Rubinstein at Sotheby's London regarding studies of horses in red chalk
[see also items in Box 16, F.31], and correspondence with Countess Reine de
Bertier de Sauvigny (1 letter from Held and 2 letters to Held) regarding a
painting of two horses. Also present is a small illustration of dogs' heads.
[Color transparencies are shelved in Box 163, F. 3.]
box 75, folder 8
Pythagoras,
undated
Scope and Content Note
6 items: 5 photographs and 1 leaf of illustrated matter.
box 75, folder 9
Pythagoras: correspondence with Elizabeth McGrath,
1980-1983
Scope and Content Note
14 items: 1 postcard and 6 letters to Held, 3 letters from Held, draft of a
paper by McGrath, annotated by Held, and McGrath curriculum vitae (1 leaf).
Scholarly correspondence related to McGrath's research on Rubens's collaboration
with Frans Snyders in the painting
Pythagoras preaching
vegetarianism
.
box 75, folder 10
Pythagoras: correspondence with Sidney Kaplan,
1984
Scope and Content Note
2 items: 1 letter to Held and 2 leaves of printed matter, annotated by
Held.
box 75, folder 11
Pythagoras,
undated
Scope and Content Note
ca. 11 items (24 leaves) of notes and printed matter. Included is cover of
original archival folder, 2 press clippings of an article by Bernard D. Davis,
and an unsigned typescript (6 leaves), annotated by Held.
box 75, folder 12
Held's paper "Rubens and Titian",
undated
Scope and Content Note
22 photographs, including 9 in color. Various scenes, mostly mythological; also
1 drawing (studies of female heads). Paper issued in 1982 by David Rosand in
Titian, his world and his legacy(
Bampton lectures in
America
, vol. 21). [Color photographs are shelved in Box 163, F.
4.]
box 75, folder 13
Rubens. Paintings, secular: Held's paper "Rubens and
Titian",
1957, undated
Scope and Content Note
14 items: 2 color transparencies, 11 photographs, copies of expert opinions by
Wilhem von Bode and Ludwig Burchard, and 1 leaf of typescript record for
Portrait of a Lady. [Color transparencies are shelved in Box
163, F. 5.]
box 75, folder 14
Held's paper "Rubens and Titian",
undated
Scope and Content Note
4 photographs of
Toilette of Venus.
box 75, folder 15
Held's paper "Rubens and Titian",
undated
Scope and Content Note
2 photographs of
Adam and Eve: Titian's painting and copy by
Rubens.
box 75, folder 16
Held's paper "Rubens and Titian",
undated
Scope and Content Note
12 photographs of
Entombment of Christ.
box 75, folder 17
Held's paper "Rubens and Titian",
1954-1990
Scope and Content Note
14 items (33 leaves) of illustrated and printed matter, including 2 offprints
(photocopies) annotated by Held, and 1 postcard inscribed to Held by Elizabeth
McGrath.
box 75, folder 18
Held's paper "Rubens and Titian",
undated
Scope and Content Note
43 leaves of notes.
box 75, folder 19
Held's paper "Rubens and Titian": correspondence with Kristin Lohse
Belkin,
1987
Scope and Content Note
2 items: letter to Held and Belkin's paper
Titian, Rubens and van Dyck:
a new look at old evidence
(14 leaves), annotated by Held.
box 75, folder 20
Held's paper "Rubens and Titian: correspondence with Edward L.
Holt,
1969
Scope and Content Note
1 letter to Held.
box 75, folder 21
Held's paper "Rubens and Titian": correspondence with Nancy C.
Little,
1982
Scope and Content Note
2 items: 1 letter to Held from librarian at M. Knoedler & Co., and 1 letter
from Held.
box 75, folder 22
Held's paper "Rubens and Titian": correspondence with Morton D.
May,
1971
Scope and Content Note
6 items (7 leaves): 3 letters to Held from May (May Department Stores Company),
2 letters from Held, and copy of a letter to May from Michael Jaffé. Concerning
attribution of painting
Woman with fur to Rubens.
box 75, folder 23
Held's paper "Rubens and Titian: correspondence with Ruth-Maria
Muthmann,
1987
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Regarding a painting owned
by Erhard Göpel.
box 75, folder 24
Held's paper "Rubens and Titian": correspondence with Christopher
Norris,
1982
Scope and Content Note
1 letter to Held.
box 75, folder 25
Held's paper "Rubens and Titian": correspondence with David
Rosand,
1977-1979
Scope and Content Note
3 items: 1 letter from Held and 2 letters to Held. Concerning editing of Held's
paper/lecture "Rubens and Titian" for Rosand's book.
box 75, folder 26
Held's paper "Rubens and Titian": correspondence with Zarmina
Sherzad,
1993
Scope and Content Note
1 letter from Held. Concerning painting referred to by Held as
Discovery
by Actaeon of Diana
. Annotated by Held.
box 75, folder 27
Held's paper "Rubens and Titian": correspondence with Harold E.
Wethey,
1972
Scope and Content Note
1 letter to Held. Concerning Rubens attribution of a painting referred to as
Zambeccari portrait. Annotated by Held.
box 75, folder 28
Painting
Satyr and nymph,
undated
Scope and Content Note
14 items: 12 photographs, including 3 in color, and 2 leaves of illustrated
matter. [Color photographs are shelved in Box 163, F. 6.] [See also items filed
in Box 78, F. 54.]
box 75, folder 29
Painting
Satyr and nymph,
undated
Scope and Content Note
ca. 33 leaves of notes and printed matter.
box 75, folder 30
Paintings
Satyr and nymph: correspondence with comtesse
d'Aubigny,
1971
Scope and Content Note
3 items: 2 letters to Held, and examination report of painting
Faune
tenant une corbeille de fruits
by Justus Müller Hofstede (copy of
typescript, 3 leaves).
box 75, folder 31
Painting
Satyr and nymph: correspondence with George
Drago,
1989-1993
Scope and Content Note
ca. 16 items: 6 letters to Held, 3 letters from Held, 2 letters to Held from
Gunther Zart, and 5 examination reports of painting
Satyr und Nymphe mit
Früchtekorb
(or
Faune et Bacchante): in German
(unsigned), by Frans Baudouin, Michael Jaffé, L. Kockaert, and G. van de
Voorde.
box 75, folder 32
Painting
Satyr and nymph: correspondence with A. M.
Fernandez,
1990
Scope and Content Note
1 letter from Held.
box 76, folder 1
Painting
Meleager and Atalanta ,
undated
Scope and Content Note
45 photographs, including 1 x-ray and 19 in color, 4 color transparencies, and
1 polaroid (attached to a 1986 letter to Held from Pat F. Squillante at Concord
Financial Resources in Saddle Brook, N.J.). [Color photographs, transparencies,
1 leaf of related printed matter, and polaroid are shelved in Box 163, F. 7.] [2
photographs are shelved in Box 149*, F. 7.]
box 76, folder 2
Painting
Meleager and Atalanta,
1987-1989, undated
Scope and Content Note
ca. 8 items (36 leaves): printed and illustrated matter, typescript notes.
box 76, folder 3
Painting
Meleager and Atalanta: correspondence with
Charles R. Juliano,
1988
Scope and Content Note
ca. 9 items: 2 letters to Held, 1 letter from Held, notes by Held, printed
matter (copies), and 3 color photographs. [Color photographs are shelved in Box
163, F. 8.]
box 76, folder 4
Painting
Meleager and Atalanta: correspondence with
Landschaftsverband Rheinland,
1984-1986
Scope and Content Note
6 items: 4 letters to Held from Ingeborg Krueger, and 2 letters from Held.
box 76, folder 5
Painting
Meleager and Atalanta: correspondence with
Caroline LaShelle,
1994
Scope and Content Note
ca. 9 items: 3 letters to Held, 3 letters from Held, expert opinion by Justus
Müller Hofstede, and printed and illustrated matter. s
box 76, folder 6
Painting
Meleager and Atalanta: correspondence with Nat
Leeb,
1979-1984
Scope and Content Note
11 items (14 leaves): 5 letters to Held, 2 letters from Held, copy of 1 1937
letter by Gustav Glück, conservation report, and copies of inscriptions.
box 76, folder 7
Painting
Meleager and Atalanta [Roxane]: correspondence
with Russel Wiener (Donruss Company),
1962, undated
Scope and Content Note
1 letter from Held and 1 photograph.
box 76, folder 8
Painting
Alexander and Roxana [Roxane],
undated
Scope and Content Note
9 items: 8 photographs, including 3 in color, and 1 color transparency. [Color
photographs and transparencies are shelved in Box 163, F. 9.] [1 photograph is
shelved in Box 149*, F. 8.]
box 76, folder 9
Paintings
Alexander and Roxana [Roxane],
1984-1991, undated
Scope and Content Note
7 leaves: notes, printed matter.
box 76, folder 10
Painting
Alexander and Roxana [Roxane]: correspondence
with L. Scott Bailey,
1983-1984
Scope and Content Note
3 items (4 leaves): 2 letters to Held and 1 letter from Held.
box 76, folder 11
Painting
Alexander and Roxana [Roxane]: correspondence
with Philip Conisbee,
1989-1990
Scope and Content Note
3 items: 1 letter from Held to the curator at Los Angeles County Museum of Art
[LACMA], and 2 letters to Held.
box 76, folder 12
Painting
Diana returning from the hunt,
undated
Scope and Content Note
10 photographs. Several with labels of Cleveland Museum of Art (
Diana
and her nymphs departing for the chase
). [3 photographs are shelved in
Box 149*, F. 8.]
box 76, folder 13
Painting
Diana returning from the hunt,
undated
Scope and Content Note
12 items: 10 photographs, including 4 of x-ray images, and 2 leaves of
photocopies (Cleveland version and Getty version).
box 76, folder 14
Painting
Diana returning from the hunt: correspondence
with J. Paul Getty,
1964-1972
Scope and Content Note
14 items: 4 letters to Held and 4 letters to from Held, including one to
Getty's secretary Barbara M. Collins; 1 letter to Held from Juilliard School of
Music (Bennet Ludden), and Getty's correspondence with Raymond H. Williams
(Williams Advertising) in Cincinnati. Also present are 2 typescripts (copies),
including one on
Madonna del popolo, attributed to Raphael.
Correspondence related chiefly to Getty's book
The joys of collecting
.
box 76, folder 15
Painting
Diana returning from the hunt: correspondence
with J. Paul Getty Museum,
1967-1984
Scope and Content Note
14 items: 8 letters to Held and 4 letters from Held. Held's correspondence with
Burton B. Fredericksen, Thomas Kren, Deborah Marrow, and John Walsh. Also
included is a blank form of J. Paul Getty Trusts's
Publication program
guidelines
(4 leaves), and an expense report for Held's trip to the J.
Paul Getty Museum in Malibu.
box 76, folder 16
Painting
Diana returning from the hunt:
correspondence,
1961-1983
Scope and Content Note
3 letters to Held: from Colin Agnew (Thos Agnew & Sons), Eugene H. Winick
(law firm Ernst, Cane, Berner & Gitlin), and Jacqueline Folie (Institut
royal du patrimoine artistique in Brussels).
box 76, folder 17
Painting
Diana returning from the hunt,
undated
Scope and Content Note
7 leaves of notes.
box 76, folder 18
Historical themes,
1973, undated
Scope and Content Note
22 items: 1 color transparency, 20 photographs, including 4 in color, a 1973
letter to Held from John A. Mattmiller, and 1 leaf of illustrated matter.
Included are:
Head of Cyrus brought to Queen Thomyris,
Death of Dido
,
Flucht der Cloelia (
Escape of
Cloelia
),
Hirten finden Romulus and Remus (
Romulus and Remus found by shepherds), 2 photos of
Death
of Seneca
, including photograph of an x-ray image, and an unnamed
painting from Lord Trevor collection. [Color photographs and transparency are
shelved in Box 163, F. 10.] [Photograph of an x-ray image of Death of Seneca is
shelved in Box 149*, F. 8.]
box 76, folder 19
Historical themes,
1983-1991, undated
Scope and Content Note
ca. 12 items of printed and illustrated matter, including a postcard.
box 76, folder 20
Historical themes: expert opinion by Puyvelde,
1963
Scope and Content Note
1 item: certified copy of Puyvelde's 1948 expert opinion regarding Rubens
attribution of
Aeneas assisting Dido to dismount.
box 76, folder 21
Historical themes: correspondence with IFAR [International Foundation
for Art Research],
1990
Scope and Content Note
4 items: 1 letter to Held from Virgilia H. Pancoast, 1 letter from Held,
printed matter, and 1 color photograph labelled
Adventures of
Philopoemen
. [Color photograph is shelved in Box 163, F. 11.]
box 76, folder 22
Allegorical themes,
1984, undated
Scope and Content Note
16 items: 14 photographs and Held's correspondence with Heinrich Geissler at
Staatsgalerie Stuttgart, Graphische Sammlung (1 letter to Held and 1 letter from
Held).
box 76, folder 23
Allegorical themes:
Hygie [or
Cleopatra],
undated
Scope and Content Note
8 items: 1 color transparency, and 7 photographs, including 1 of a drawing. One
of the photographs is titled
Kleopatra. [Color transparency is
shelved in Box 163, F. 12.]
box 76, folder 24
Allegorical themes: three female figures with cornucopia,
undated
Scope and Content Note
3 items: 2 photographs and 1 color transparency. [Color transparency is shelved
in Box 163, F. 13.]
box 76, folder 25
Allegorical themes:
Fruit dance,
1988, undated
Scope and Content Note
ca. 6 items: letter to Held from John Z. Miller Jr. at Nova Developments
Limited, with a Fact Sheet regarding painting
The fruit dance by
Rubens and Frans Snyders, and 4 color photographs. [Color photographs are
shelved in Box 163, F. 14.]
box 76, folder 26
Allegorical themes:
Angelica and the hermit,
1951, undated
Scope and Content Note
4 items: 1 photograph, 1 leaf of illustrated matter, letter to Held from Eugene
Slatter, and a catalog record of the painting.
box 76, folder 27
Allegorical themes,
1987-1988, undated
Scope and Content Note
9 leaves of illustrated matter, notes.
box 76, folder 28
Genre:
A nymph and a satyr,
1991, undated
Scope and Content Note
6 items: 5 photographs and 1 leaf of illustrated matter. Photograph of painting
at Pinakothek in Munich is is titled
Schäferscene.
box 76, folder 29
Genre:
Fisherman and peasant woman
embracing
,
1990, undated
Scope and Content Note
9 items: 4 photographs, including 3 of x-rays, 2 color transparencies, Held's
letter to Ian Kennedy at Christie's New York, and 3 leaves of illustrated
matter. [Color transparencies are shelved in Box 163, F. 15.]
box 76, folder 30
Genre:
Lovers,
1974-1994, undated
Scope and Content Note
16 items: 7 photographs, 1 color transparency, 2 leaves of illustrated matter,
1 note, a 1976 letter to Held from Donald D. Keyes at Smith College, expert
opinion of painting
Le soldat et la jeune fille by Didier Bodart,
and expert opinion of painting
Der Soldat und das Mädchen by
Justus Müller Hofstede. [Color transparency with a note are shelved in Box 163,
F. 16.]
box 76, folder 31
Genre:
Woman and boy by candlelight,
undated
Scope and Content Note
ca. 5 items: 3 photographs, 1 color transparency and 2 leaves of printed and
illustrated matter. [Color transparency is shelved in Box 163, F. 17.]
box 76, folder 32
Genre:
Garden of love,
1988, undated
Scope and Content Note
3 items: 1 photograph and 2 leaves of illustrated matter.
box 76, folder 33
Genre:
Peasants dancing and
Kermesse,
1988, undated
Scope and Content Note
5 items: 1 photograph, 1 leaf of illustrated matter, 1 postcard labelled
Bauerntanz, 1988 letter to Held from Heribert R. Hutter at
Gemäldegalerie der Akademie der bildenden Künste in Wien, and 1 leaf of printed
matter. The photograph is extensively annotated by Held on verso. [The
illustrated matter (
Kermesse) is shelved in Box 149*, F.8.]
box 76, folder 34
Genre:
Drinking bout,
1987-1992, undated
Scope and Content Note
3 items: 1 color photograph, expert opinion of painting referred to as
Beuverie de soldats devant une ferme
by Didier Bodart (copy of
typescriupt, 5 leaves), and Held's correspondence with M. D. Acosta at
Wallach-Gracer Export Corporation in New York. [Color photograph is shelved in
Box 163, F. 18.]
box 76, folder 35
Genre:
Drinking bout,
undated
Scope and Content Note
16 items: 8 photographs, including 1 in color. Titles on verso of some
photographs:
Zechende Soldaten,
Soldaten vor der
Schenke
,
Landsknechte. Included are 2 expert opinions
from 1946 and 1951 by Ludwig Burchard, and 1941 expert opinion by Simon Muller
concerning Rubens attribution of a painting referred to as
Maraudeurs. Also present is Held's correspondence with Olav Le
Maire Amundsen in Oslo (4 letters to Held and 1 letter from Held) regarding
painting
Swiss knights and farmers. [Color photograph is shelved
in Box 163, F. 19.]
box 76, folder 36
Genre: correspondence with Colnaghi,
1991
Scope and Content Note
1 letter to Held from Richard Knight at Colnaghi. With a mention of Donald
Garstang.
box 76, folder 37
Genre: correspondence with H. M. Cramer,
1959
Scope and Content Note
2 letters to Held from H. M. Cramer at G. Cramer Oude Kunst in Hague concerning
a painting in the Mary S. Berg collection. With a mention of J. G. Wurfbain.
box 76, folder 38
Genre: correspondence with J. G. Wurfbain,
1957
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 77, folder 1
Painting:
Judgement of Paris,
1962-1989, undated,
Scope and Content Note
20 items: 16 photographs, including 4 in color, 1 color transparency, 1
postcard, and letters to Held from Iliana Linardos (1962), Robert L. Sandblom at
Sandrobel Investment Group (1989). [Color photographs and transparency are
shelved in Box 163, F. 20.]
box 77, folder 2
Painting:
Judgement of Paris,
1964-1989, undated
Scope and Content Note
ca. 6 items: offprint from
Wallraf-Richartz-Jahrbuch (1989) with
an article by Justus Müller Hofstede
Stolidi iudicium Parisis: zur
Ikonologie des Parisurteils bei Peter Paul Rubens
, annotated by Held;
selected pages from the article (photocopies); expert opinion by Justus
Müller-Hofstede (German and English versions; 1964 and 1986 versions); and an
expert opinion by Leo van Puyvelde from (French and English translation).
box 77, folder 3
Painting:
Judgement of Paris,
undated
Scope and Content Note
12 items: notes, typescripts, printed and illustrated matter. Included is
Walter Vanbeselaere's paper "Judgement of Paris" (typescript, 8 leaves).
box 77, folder 4
Painting:
Judgement of Paris: correspondence with C.
Kielland,
1990
Scope and Content Note
1 letter to Held.
box 77, folder 5
Painting:
Judgement of Paris: correspondence with Fred
Salaff,
1990-1991
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held.
box 77, folder 6
Painting:
Judgement of Paris: correspondence with Robert
L. Sandblom,
1985-1990
Scope and Content Note
18 items: 10 letters to Held and 8 letters from Held.
box 77, folder 7
Painting:
Judgement of Paris: correspondence with
Sotheby's New York,
1987
Scope and Content Note
1 letter to Held from Heidi Chin. Extensively annotated by Held.
box 77, folder 8
Painting:
Judgement of Paris: correspondence with
Staatliche Kunstsammlungen Dresden,
1977-1985
Scope and Content Note
1 letter to Held from A. Mayer-Meintschel (1985). Also present is copy of a
l977 letter to Walther Vanbeselaere from Manfred Bachmann and A.
Mayer-Meintschel.
box 77, folder 9
Painting:
Judgement of Paris: correspondence with
Charles B. Tyler,
1990
Scope and Content Note
1 letter to Held from an art consultant in Los Angeles.
box 77, folder 10
Roman Emperors: Julius Caesar,
1986-1987, undated
Scope and Content Note
ca. 16 items: 5 photographs, 1 postcard, printed and illustratd matter, and
Held's 1986-1987 correspondence with Stephen Mazoh & Co. (1 letter to Held
and 1 letter from Held).
box 77, folder 11
Roman Emperors: Gaius Caligula,
1950, undated
Scope and Content Note
10 items: 7 photographs, illustrated matter, and a 1950 conservation report and
letterhead of Sigmund Rothschild. (Caligula, Emperor of Rome, 12-41.)
box 77, folder 12
Roman Emperors: Octavian Augustus,
undated
Scope and Content Note
7 items: 4 photographs, 1 color transparency with a short note, and 1 leaf of
illustrated matter. [Color transparency with note are shelved in Box 163, F.
21.](Augustus, Emperor of Rome, 63 B.C.-14 A.D.)
box 77, folder 13
Roman Emperors: Vitellius,
undated
Scope and Content Note
5 items: 2 photographs, 1 color transparency with a short note, and 2 leaves of
illustrated matter. (Vitellius, Aulus, Emperor of Rome, 15-69.) [Color
transparency with note are shelved in Box 163, F. 22.]
box 77, folder 14
Roman Emperors: Commodus,
1962, undated
Scope and Content Note
12 items: 8 photographs, 2 color transparencies, 1 leaf of illustrated matter,
and Held's letter to Rudolph Condon in Valley Forge, Pa. from 18 Oct. 1962.
(Commodus, Emperor of Rome, 161-192.) [Color transparencies are shelved in Box
163, F. 23.]
box 77, folder 15
Roman Emperors: Vespasian,
1985-1995, undated
Scope and Content Note
ca. 6 items: 1 color transparency, 3 leaves of illustrated matter, and a 1995
letter to Held from Ian Kenendy at Simon Dickinson in New York regarding
Rubens's painting
The Emperor Vespasian. (Vespasian, Emperor of
Rome, 9-79.) [Color transparency is shelved in Box 163, F. 24.]
box 77, folder 16
Roman Emperors: Sergius Galba,
1990-1992
Scope and Content Note
ca. 9 items (16 leaves): 1 photograph, 1 color transparency, Held's 1992
correspondence with Charles Alabaster (1 letter to Held and 1 letter from Held),
and printed and illustrated matter. (Galba, Servius Sulpicius, Emperor of Rome,
3 B.C.-69 A.D.) [Color transparency is shelved in Box 163, F. 25.]
box 77, folder 17
Roman Emperors: Marcus Aurelius,
1981, undated
Scope and Content Note
8 items: 5 photographs, including 1 in color, 1 color transparency, and 2
leaves of illustrated matter. (Marcus Aurelius, Emperor of Rome, 121-180).
[Color photograph and transparency are shelved in Box 163, F. 26.]
box 77, folder 18
Roman Emperors: Dominitianus Nero,
1978, undated
Scope and Content Note
ca. 5 items: 2 photographs, including portrait
Nero and Galba,
and printed and illustrated matter. (Nero, Emperor of Rome, 37-68.)
box 77, folder 19
Roman Emperors: Nerva,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of illustrated matter. (Nerva, Emperor of
Rome, ca. 30-98.)
box 77, folder 20
Roman Emperors: Trianus,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of illustrated matter. (Emperor Trianus (98 -
117 AD.)
box 77, folder 21
Roman Emperors: Antonius Pius,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of illustrated matter.
box 77, folder 22
Roman Emperors: Ottho,
undated
Scope and Content Note
3 items: 1 photograph and 2 leaves of illustrated matter. (Otho, Marcus
Salvius, Emperor of Rome, 32-69.)
box 77, folder 23
Roman Emperors: marble plaques at Vizcaya Museum and
Gardens,
undated
Scope and Content Note
4 photographs. Labels on verso include provenance information. Marble images of
Titus (Vespasianus), Julius Caesar, Aulus Vitellius, and Claudius
(Tiberius).
box 77, folder 24
Roman Emperors: various images,
1986, undated
Scope and Content Note
17 items: 13 photographs, 1 leaf of illustrated matter, a 1986 letter to
Schaeffer Galleries in New York from Thomas Habeck at Dr. Habeck OHG, and
illustrated matter. 9 photographs are of engravings after Rubens's drawings of
sculptures, busts of Marcus Tullius Cicero, Demosthenes, Publius Cornelius
Scipio Africanus, Hippocrates, Democritus, Lucius Annaeus Seneca, Sophocles, and
Brutus. [3 items: 2 photographs and illustrated matter are shelved in Box 149*,
F. 9.]
box 77, folder 25
Roman Emperors,
1971-1990, undated
Scope and Content Note
ca. 25 leaves of various notes and printed and illustrated matter. Included is
photocopy of an article by Michael Jaffé "Rubens's Roman Emperors" (published in
Burlington Magazine).
box 77, folder 26
Roman Emperors: correspondence with Avanti Galleries,
1994
Scope and Content Note
1 letter to Held from director Donald Taglialatella regarding
Portrait
of Emperor Gaius (Caius) Caligula
.
box 77, folder 27
Roman Emperors: correspondence with Dino Fabbri,
1978
Scope and Content Note
1 letter from Held regarding a painting of two Roman Emperors at Colnaghi.
box 77, folder 28
Roman Emperors: correspondence with Stanley Kenneth Jernow,
1982-1991, undated
Scope and Content Note
13 items (14 leaves): 8 letters to Held and 5 letters from Held, mainly
regarding portrait of Emperor Commodus.
box 77, folder 29
Roman Emperors: correspondence with Robert Lauwers,
1994
Scope and Content Note
1 letter from Robert Lauwers to Walter Liedtke at Metropolitan Museum of Art,
NY regarding a painting referred to as
Augustus.
box 77, folder 30
Roman Emperors: correspondence with Walther Liedtke,
1994
Scope and Content Note
1 letter to Held, annotated by Held.
box 77, folder 31
Roman Emperors: correspondence with Raimund Wünsche,
1978
Scope and Content Note
2 items: letter to Held from Wünsche at Staatliche Antikensammlungen und
Glyptothek in Munich, and 1 leaf of illustrated matter. [See item from Box. 77,
F. 24 shelved in Box. 149*, F. 9.]
box 77, folder 32
Paintings:
Leopards and
Procession into the
arch
,
1973-1997, undated
Scope and Content Note
45 items: 2 color transparencies, 1 negative, 25 photographs, and 17 leaves of
printed and illustrated matter. Other captions:
Pan and Syrinx ,
Leopards with a satyr and a nymph. [8 photographs of
Leopards with a satyr and a nymphare shelved in Box 149*, F.
10; the color transparencies and the negative are shelved in Box 163, F.
27.]
box 77, folder 33
Paintings:
Leopards and
Procession into the
arch
,
undated
Scope and Content Note
ca. 30 leaves of notes, printed matter.
box 77, folder 34
Painting:
Leopards,
1990
Scope and Content Note
1 item (59 leaves) and additional copies of pages 29-34, 39. Conservation
report of Institut canadien de conservation; Communications Canada by
Marie-Claude Corbeil, Jeremy J. Powell, P. Jane Sirois, and Ian N. M.
Wainwright. Annotated by Held.
box 77, folder 35
Painting:
Leopards : correspondence with Francis
Broun,
1986
Scope and Content Note
2 items: letter to Held from Broun at Art Gallery of Ontario, and 4 leaves of
typescipt and illustrated matter concerning a painting of leopards at Manchester
City Art Gallery, attributed to the school of Snijders.
box 77, folder 36
Painting:
Leopards : correspondence with Central Picture
Galleries,
1971-1975
Scope and Content Note
5 items: letter to Jan Klein at Central Picture Galleries from Metropolitan
Museum of Art, NY curator Everett Fahy; letter to Klein from Princeton
University Art Museum (registrar Robert H. Lafond), with a loan form; a Central
Picture Galleries invoice; and letter to Klein from The Montreal Museum of Fine
Arts (director David G. Carter).
box 77, folder 37
Painting:
Leopards : correspondence with Michael
Hornstein,
1990, undated
Scope and Content Note
ca 6 items: 2 letters to Held, 3 letters to Held (1 original), and typescript
draft of an expert opinion by Held, (several copies, some annotated, total of 17
leaves).
box 77, folder 38
Painting:
Leopards : correspondence with Michael
Jaffé,
1973, undated
Scope and Content Note
2 items (3 leaves): Jaffé'e letter to Jan Klein at Central Picture Galleries,
and David G. Carter's letter to Jaffé (includes Carter's reply to Hornstein;
draft, extensively annotated).
box 77, folder 39
Painting:
Leopards : correspondence with E. J.
Kalf,
1974
Scope and Content Note
2 letters to Held.
box 77, folder 40
Painting:
Leopards : correspondence with Oskar
Klein,
1969-1971
Scope and Content Note
2 items : letters to Klein at Central Picture Galleries from Held and Michael
Jaffé.
box 77, folder 41
Painting:
Leopards : correspondence of John Rupert
Martin,
1973
Scope and Content Note
1 letter to Oskar Klein at Central Picture Galleries from John Rupert Martin
(Princeton University, Department of Art and Archaeology).
box 77, folder 42
Painting:
Leopards : correspondence with Gerard F.
Tempest,
1974
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 78, folder 1
Painting:
Jupiter and Cupid (Forbes
collection),
undated
Scope and Content Note
7 photographs. [1 item is shelved in Box 149*, F.11.]
box 78, folder 2
Painting:
Jupiter and Cupid (Forbes
collection),
1958-1959, undated
Scope and Content Note
ca. 9 items: Held's letter to Mr. Henderson, several press clippings, offprint
of an article by John Rupert Martin, drawings by Held, and typescript regarding
painting
Portrait of a bearded man with a gold chain by
Rembrandt.
box 78, folder 3
Painting:
Jupiter and Cupid (Forbes collection):
correspondence with Pierre Dubaut,
1955
Scope and Content Note
1 letter to Held.
box 78, folder 4
Painting:
Jupiter and Cupid (Forbes collection):
correspondence with Kathleen M. Fenwick,
1955, undated
Scope and Content Note
2 items: 1 photograph and letter to Held from Fenwick at National Gallery of
Canada.
box 78, folder 5
Painting:
Jupiter and Cupid (Forbes collection):
correspondence with Malcolm S. Forbes,
1970
Scope and Content Note
8 items: 5 letters to Held and 3 letters from Held.
box 78, folder 6
Painting:
Jupiter and Cupid (Forbes collection):
correspondence with Frederick and Betty Mont,
1970
Scope and Content Note
1 letter to Held.
box 78, folder 7
Venus, Graces, and nymphs:
Judgement of
Paris
,
undated
Scope and Content Note
ca. 8 items: 4 photographs, including 1 in color, and printed and illustrated
matter. [Color photograph is shelved in Box 163, F. 28.]
box 78, folder 8
Venus, Graces, and Nymphs:
Venus and Adonis,
1968-1971, undated
Scope and Content Note
12 items: 3 photographs, including 1 in color, 3 leaves of illustrated matter,
copies of expert opinions by G. Heim-Gairac, Arthur Sambon, and Paul Lambotte,
letter to Held from John R. Martin at Princeton University, and Held's
correspondence with Madame Y. Froustey-Jaffre in Paris. [Color photograph is
shelved in Box 163, F. 29.]
box 78, folder 9
Venus, Graces, and Nymphs:
Three Graces,
undated
Scope and Content Note
3 items: 1 photograph and 2 leaves of illustrated matter.
box 78, folder 10
Venus, Graces, and Nymphs:
Diana preparing for the
hunt
,
undated
Scope and Content Note
2 photographs.
box 78, folder 11
Venus, Graces, and Nymphs:
Venus, Cupid, and
Mars
,
1981, undated
Scope and Content Note
3 items: 2 photographs, including 1 in color, and letter to Held from Steven
Juvelis at The Burlington Trust. [Color photograph is shelved in Box 163, F.
30.]
box 78, folder 12
Venus, Graces, and Nymphs:
Venus taking a thorn out of her foot,
with Cupids
,
undated
Scope and Content Note
ca. 11 items: 9 photographs, expert opinion by Held (dated April 28 1950), and
2 leaves of printed matter.
box 78, folder 13
Venus, Graces, and Nymphs:
undated
Scope and Content Note
6 photographs, including 6 in color. [Color photographs are shelved in Box 163,
F. 31.]
box 78, folder 14
Venus, Graces, and Nymphs:
Cupid and Psyche,
1934-1949, undated
Scope and Content Note
8 items: 5 photographs, 1 color transparency, 1 leaf of illustrated matter, and
a 1949 letter to Minneapolis Art Gallery from C. E. Fritzes Kungl. Hovbokhandel
in Stockholm. The photographs include a statement by Wilhelm Reinhold Valentiner
dated Sept. 22 1934. [Color transparency is shelved in Box 163, F. 32.]
box 78, folder 15
Venus, Graces, and Nymphs:
Centaurs in a wooded
landscape
(or
Loves of the centaurs),
undated
Scope and Content Note
10 items: 8 photographs, including 4 in color, and 2 leaves of printed and
illustrated matter. [Color photographs are shelved in Box 163, F. 33.]
box 78, folder 16
Venus, Graces, and Nymphs:
Mars and Rhea
Sylvia
,
undated
Scope and Content Note
1 photograph.
box 78, folder 17
Venus, Graces, and Nymphs:
Hero and Leander,
1992, undated
Scope and Content Note
5 items: 4 photographs and letter to Held from H.C.P.M. Schubert, annotated by
Held.
box 78, folder 18
Venus, Graces, and Nymphs:
Battle of Greeks and
Amazons
,
undated
Scope and Content Note
11 items: 8 photographs, including 1 in color, 2 color transparencies, and 1
leaf of printed matter. [Color photograph and transparencies are shelved in Box
163, F. 34.]
box 78, folder 19
Venus, Graces, and Nymphs:
Mercury and
Argus
,
undated
Scope and Content Note
9 items: 4 photographs, 1 color transparency, 1 postcard, and illustrated
matter. [Color transparency is shelved in Box 163, F. 35.]
box 78, folder 20
Venus, Graces, and Nymphs:
Fall of Phaeton,
1947-1987, undated
Scope and Content Note
ca. 4 items: 2 color photographs, 1987 letter to Held from Kurt Delbanco at
Delbanco Arts, and copy of a 1947 expert opinion by Ludwig Burchard. [Color
photographs are shelved in Box 163, F. 36.]
box 78, folder 21
Venus, Graces, and Nymphs:
Pythagoras,
undated
Scope and Content Note
2 photographs. One extensively annotated by Held on verso.
box 78, folder 22
Venus, Graces, and Nymphs:
Gods of Olympus,
undated
Scope and Content Note
6 items: 5 photographs and 1 postcard.
box 78, folder 23
Venus, Graces, and Nymphs:
Finding of
Erichthonius
,
1962, undated
Scope and Content Note
9 items: 8 photographs, including 1 in color, and a 1962 letter to Held from
Edgar C. Mayo. [Color photograph and Mayo's letter are shelved in Box 163, F.
37.]
box 78, folder 24
Venus, Graces, and Nymphs:
Diana and
Actaeon
,
1988-1997, undated
Scope and Content Note
5 items: 1 photograph, 1 color transparency, 1 leaf of illustrated matter, and
Held's correspondence wuth Albin Chalandon at Ministère de la justice in Paris.
[Color transparency is shelved in Box 163, F. 38.]
box 78, folder 25
Venus, Graces, and Nymphs:
Abduction of Leucippos's
daughters
,
undated
Scope and Content Note
2 photographs.
box 78, folder 26
Venus, Graces, and Nymphs:
Death of Adonis,
undated
Scope and Content Note
14 items: 11 photographs, typescript (3 leaves) about the painting, and 2
leaves of illustrated matter.
box 78, folder 27
Venus, Graces, and Nymphs:
Battle of Greeks and
Amazons
,
undated
Scope and Content Note
3 photographs.
box 78, folder 28
Venus, Graces, and Nymphs: various images,
undated
Scope and Content Note
12 items: 8 photographs, 2 postcards, and 2 leaves of illustrated matter.
Included are:
Rape of Ganymede,
Mercury at the
peasants
?,
Tarquinius and Lucretia,
Venus
frigida
,
Birth of the red rose,
Prometheus
bound
,
Putti with a basket of fruit,
Death of
Hippolytus
,
Feast of Venus,
Venus disarming
Mars
, a battle scene, goddes Diana, Venus with Cupid. [2 photographs
of
Venus disarming Mars are shelved in Box 149*, F. 12.]
box 78, folder 29
Venus, Graces, and Nymphs,
1951-1992, undated
Scope and Content Note
ca. 17 leaves of notes and printed matter. Includes pages from Christies' 1988
catalog concerning Rubens's painting
Hercules, bust length, in
profile
.
box 78, folder 30
Venus, Graces, and Nymphs: correspondence with Duits Ltd.,
1970
Scope and Content Note
3 items: 2 letters to Held: from Thomas P. Brod and Graham Duits, and 1 leaf of
typescript about
Death of Adonis.
box 78, folder 31
Venus, Graces, and Nymphs: correspondence with Claire
Hatvany,
1974
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 leaf of typescript about
Ceres & Pan.
box 78, folder 32
Venus, Graces, and Nymphs: correspondence with Fiona Healy,
1990
Scope and Content Note
1 letter to Held (2 leaves) concerning
Judgement of Paris.
box 78, folder 33
Venus, Graces, and Nymphs: correspondence with John
Lowenthal,
1988
Scope and Content Note
2 items: 1 letter from Held and 2 leaves of printed matter. Concerning a
painting referred to as
Mars.
box 78, folder 34
Venus, Graces, and Nymphs: correspondence with Casper
Kielland,
1990
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 78, folder 35
Venus, Graces, and Nymphs: correspondence with Annalise
Mayer,
1985
Scope and Content Note
2 items (3 leaves): 1 letter to Held from Mayer at Staatliche Kunstsammlungen
Dresden, and 1 letter from Held.
box 78, folder 36
Venus, Graces, and nymphs: correspondence with Mr. [Michael]
Milkovich,
1964
Scope and Content Note
1 letter from Held.
box 78, folder 37
Venus, Graces, and Nymphs: correspondence with Stanley
Moss,
1986, 1991
Scope and Content Note
ca. 4 items: 1 letter to Held and 1 letter to Held. Enclosed is a 1986 letter
to Held from Gallozzi-la Placa Gallery, with an expert opinion in Spanish by
Justus Müller Hofstede. Concerning painting referred tio as
Enamoured
centaurs
, or
Centaurs mating [also see items filed in
Box 87, F.24]. Also mentioned is a painting referred to as
Zeus and
Io
.
box 78, folder 38
Venus, Graces, and Nymphs: correspondence with W. L. M. van
Ommeren-Korremans,
1983 - 1984
Scope and Content Note
5 items: 2 letters to Held, 1 letter from Held, and a letter to van
Ommeren-Korremans from W. Hesterman (conservator), in Dutch with English
translation. Concerning painting referred to as
Argos and
Mercury
.
box 78, folder 39
Venus, Graces, and Nymphs: correspondence with Vincent
Riportella,
1965
Scope and Content Note
1 letter from Held.
box 78, folder 40
Venus, Graces, and nymphs: correspondence with Andrew C.
Ritchie,
1962
Scope and Content Note
2 items ( 3 leaves): 1 letter to Held (2 leaves) and 1 letter from Held.
Concerning painting referred to as
Hero and Leander.
box 78, folder 41
Venus, Graces, and Nymphs: correspondence with Emile
Verrijken,
1984
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding painting referred
to as
Battle of the Amazones.
box 78, folder 42
Hercules, Diana, Bacchic scenes:
undated
Scope and Content Note
5 photographs. Various paintings of Diana, nymphs, and the theme of Diana and
Acteon.
box 78, folder 43
Hercules, Diana, Bacchic scenes:
Jupiter and
Calisto
,
undated
Scope and Content Note
2 items: 1 photograph and 1 postcard.
box 78, folder 44
Hercules, Diana, Bacchic scenes:
undated
Scope and Content Note
15 items: 7 photographs and 8 leaves of illustrated matter, including photocopy
of a print. Various paintings of sleeping Diana, with nymphs, dogs, satyrs, and
Diana with nymphs, and with satyrs. [2 items are shelved in Box 149*, F.14.]
box 78, folder 45
Hercules, Diana, Bacchic scenes:
Nymphs and satyrs at the fruit
harvest
,
undated
Scope and Content Note
2 photographs.
box 78, folder 46
Hercules, Diana, Bacchic scenes: Hercules,
undated
Scope and Content Note
3 photographs, including a scene of drunken Hercules.
box 78, folder 47
Hercules, Diana, Bacchic scenes:
Death of
Adonis
,
undated
Scope and Content Note
1 photograph.
box 78, folder 48
Hercules, Diana, Bacchic scenes:
Silenus,
undated
Scope and Content Note
21 items: 13 photographs, 2 color transparencies, 5 leaves illustrated matter
annotated by Held, and Held's correspondence with D. Füssl at Galerie Füssl
& Jakob in Munich (1 letter to Held and 1 letter from Held). [Color
transparencies are shelved in Box 163, F. 39.]
box 78, folder 49
Hercules, Diana, Bacchic scenes:
Diana returning from the
hunt
,
1987, undated,
Scope and Content Note
6 items: 4 photographs, 1 postcard, and letter to Held from Harold A. E. Day in
Tasmania, Australia. [1 item is shelved in Box 149*, F. 14.]
box 78, folder 50
Hercules, Diana, Bacchic scenes:
Nymphs and satyrs in a
landscape
,
1966-1990, undated
Scope and Content Note
15 items: 13 photographs, 1 leaf of illustrated matter, and a note dated 24
Nov. 1966, which mentions [Heinz?] Kisters in Kreuzlingen.
box 78, folder 51
Hercules, Diana, Bacchic scenes:
Abduction of
Ganymede
,
undated
Scope and Content Note
3 photographs, including 1 in color. One of the photographs is labelled
Collection Goudstikker. [Color photograph is shelved in Box 163, F. 40.]
box 78, folder 52
Hercules, Diana, Bacchic scenes:
Abduction of Dejanira by
Nessus
,
1970, undated
Scope and Content Note
5 items: 2 photographs, including 1 in color, and Held's correspondence with
Burton D. Fisher (2 letters to Held and 1 letter from Held). [Color photograph
is shelved in Box 163, F. 41.]
box 78, folder 53
Hercules, Diana, Bacchic scenes:
Education of
Bacchus
,
1984-1991, undated
Scope and Content Note
ca. 9 items: 5 photographs, printed and illustrated matter, letter to Held from
Newhouse Galleries, and typescript text in French, with English translation
(total of 6 leaves), about painting referred to as
Faune pressant une
grappe de raisins
.
box 78, folder 54
Hercules, Diana, Bacchic scenes:
Satyr and
nymph
,
1978-1995, undated
Scope and Content Note
9 items: 2 photographs, including 1 in color, notes and printed and illustrated
matter, 2 letters to Held from Emile E. Wolf, English translation of a letter to
Wolf from Janos Scholz, and copy of a short statement by Max Rooses. [See also
items filed in Box 75, F. 28.] [Color photograph is shelved in Box 163, F.
42.]
box 78, folder 55
Hercules, Diana, Bacchic scenes:
Pan and
Syrinx
,
1965-1973, undated
Scope and Content Note
ca. 3 items (5 leaves): 1 leaf of notes and printed and illustrated matter.
box 78, folder 56
Hercules, Diana, Bacchic scenes:
Bacchus and
Satyr
,
1973-1982, undated
Scope and Content Note
ca. 12 items: 3 photographs, including 1 in color, printed matter, Held's
1973-1974 correspondence with T. Matsuo in Brussels, and a 1982 letter to held
from Sotheby's London (Julian Stock?), and a small red ink drawing by Held.
Sotheby's letter is annotated by Held. [Color photograph is shelved in Box 163,
F. 43.]
box 78, folder 57
Hercules, Diana, Bacchic scenes:
Hercules and the Nemean
Lion
,
1982-1989
Scope and Content Note
ca. 20 items: 7 photographs, 1 color transparency, typescript and illustrated
matter, Held's corespondence with Michael Hunt Stolbach and the Elkon Gallery,
and letter to Held from Alain Tarica. [Color transparency is shelved in Box 163,
F. 44.] [4 color photographs are shelved in Box 165*, F. 3.]
box 78, folder 58
Hercules, Diana, Bacchic scenes:
Nessus and
Dejanira
,
1986
Scope and Content Note
6 items: 2 photographs, 1 x-ray image, and Held's correspondence with Stephen
M. Kellen (2 letters to Held, 1 letter from Held).
box 78, folder 59
Hercules, Diana, Bacchic scenes,
undated
Scope and Content Note
8 items: 7 photographs and 1 leaf of illustrated matter. Various images.
box 78, folder 60
Hercules, Diana, Bacchic scenes: various images,
undated
Scope and Content Note
10 items: 5 photographs and 5 leaves of illustrated matter. Various images.
Included are:
Sophonisba drinking the poison,
Bacchanal,
Garland of fruit,
Perseus and
Andromeda
,
Hercules and Omphale, and illustration of a
bronze sculpture of three female figures, annotated by Held.
box 79, folder 1
Hercules, Diana, Bacchic scenes: expert opinion by Ludwig
Burchard,
1948
Scope and Content Note
1 item (2 leaves, negative copy), regarding attribution of a painting of Aeneas
and Dido to Rubens. In English. Certified in German by E. Wackernagel.
box 79, folder 2
Hercules, Diana, Bacchic scenes:
Dejanira,
1951-1953, undated
Scope and Content Note
9 items (14 leaves): manuscript and printed matter and correspondence
concerning Rubens attribution of a painting referred to as
Dejanira. Correspondence comprises letters to Sir William
Worsley from Michael Jaffé and from City of York Art Gallery. Also present is a
statement by Ludwig Burchard. Photocopies, annotated by Held.
box 79, folder 3
Hercules, Diana, Bacchic scenes: correspondence with Julian
Agnew,
1983
Scope and Content Note
2 items: 1 letter to Held from Thos. Agnew & Sons, Ltd and 1 letter from
Held.
box 79, folder 4
Hercules, Diana, Bacchic scenes: correspondence with Matthias
Bleyl,
1981-1983
Scope and Content Note
3 items (4 leaves): 2 letters to Held and 1 letter from Held.
box 79, folder 5
Hercules, Diana, Bacchic scenes: correspondence with Carlo
Cavaglià,
1982
Scope and Content Note
3 items: letter to Held, copy of a cashier's check, and 1 letter from Held.
box 79, folder 6
Hercules, Diana, Bacchic scenes: correspondence with Christie's New
York,
1984
Scope and Content Note
2 items: 1 letter to Held from Ian G. Kennedy, and 1 letter from Held to Simon
Dickinson.
box 79, folder 7
Hercules, Diana, Bacchic scenes: correspondence with Michael
Milkovich,
1977
Scope and Content Note
2 items: 1 letter to Held from Milkovich at The Dixon Gallery and Gardens in
Memphis, Tenn., and 1 letter from Held. Regarding painting referred to as
Bacchus and satyr.
box 79, folder 8
Hercules, Diana, Bacchic scenes: correspondence with Konrad
Renger,
1983
Scope and Content Note
1 letter from Held.
box 79, folder 9
Hercules, Diana, Bacchic scenes: correspondence with Mary Crawford
Volk,
1980
Scope and Content Note
1 letter to Held from Volk at Brown University, Department of Art in
Providence, R.I.
box 79, folder 10
Hercules, Diana, Bacchic scenes: correspondence with Emile E.
Wolf,
1979
Scope and Content Note
2 letters to Wolf: from Michael Jaffé at Fitzwilliam Museum, and from Richard
H. Randall at Walters Art Gallery. Both letters are annotated by Held.
box 79, folder 11
Painting:
Portrait of Charles V,
undated
Scope and Content Note
ca. 15 items: 4 color slides, 10 photographs, including x-rays, and front cover
of original folder from Held's archive. [Slides, with envelope, are shelved in
Box 163, F. 45.]
box 79, folder 12
Painting:
Portrait of Charles V,
undated
Scope and Content Note
12 photographs, including photographs of x-rays.
box 79, folder 13
Painting:
Portrait of Charles V:
correspondence,
1978-1979
Scope and Content Note
ca. 20 items (30 leaves): correspondence between Held, Julius H. Weitzner,
Frederick J. Cummings at Detroit Institute of Arts, and Michael Jaffé. Also
present is Held's letter to Susan [?], a letter from S. Rees Jones to
conservator Abraham Joel, and three typescripts.
box 79, folder 14
Painting:
Portrait of Charles V,
undated
Scope and Content Note
6 items (13 leaves) of : notes, typescripts, printed matter.
box 79, folder 15
Rubens school: copies, imitations, etc.: so-called Bacchus,
1956-1995, undated
Scope and Content Note
ca. 15 items (38 leaves): 1 photograph, including 1 in color, printed and
illustrated matter, and photopcopies of typescripts and expert opinions,
including letters by Ludwig Burchard. [The color photograph is shelved in Box
163, F. 46; one large photograph is shelved in Box 149*, F. 15.]
box 79, folder 16
Rubens school: copies, imitations, etc.,
undated
Scope and Content Note
12 items: 10 photographs, including 2 in color, and 2 color transparencies.
Various images. [Color photographs and transparencies are shelved in Box 163, F.
16.]
box 79, folder 17
Rubens school: copies, imitations, etc.,
undated
Scope and Content Note
23 items: 20 photographs, including 13 in color (copies after Rubens's Apostle
series), and 3 leaves of illustrated matter. Various images. [Color photographs
are shelved in Box 163, F. 48.]
box 79, folder 18
Rubens school: copies, imitations, etc.,
undated
Scope and Content Note
8 items: 6 photographs and illustrated matter. Various images.
box 79, folder 19
Rubens school: copies, imitations, etc.: correspondence with Huguette
Bassier,
1976
Scope and Content Note
2 items; letter to Held and 1 color photograph. [Color photograph is shelved in
Box 163, F. 49.]
box 79, folder 20
Rubens school: copies, imitations, etc.: correspondence with P. Baur de
Boer,
1964
Scope and Content Note
1 letter to Held. Annotated by Held.
box 79, folder 21
Rubens school: copies, imitations, etc.: correspondence with Ronald W.
Beresford,
1983
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 color photograph. [Color
photograph is shelved in Box 163, F. 50.]
box 79, folder 22
Rubens school: copies, imitations, etc.: correspondence with Christie's
London,
1986
Scope and Content Note
2 items: Held's letter to Francis Russell at Christie's London, and 1
photograph.
box 79, folder 23
Rubens school: copies, imitations, etc.: correspondence with Christie's
New York,
1989
Scope and Content Note
5 items: 1 photograph, 1 color transparency, 1 leaf of illustrated matter, 1
letter to Held from Alexander Parish, and Held's letter to Ian Kennedy. [Color
transparency is shelved in Box 163, F. 51.]
box 79, folder 24
Rubens school: copies, imitations, etc.: correspondence with Harold
Day,
1986
Scope and Content Note
3 items: 2 photographs, including 1 in color, and letter to Held. [Color
photograph is shelved in Box 163, F. 52.]
box 79, folder 25
Rubens school: copies, imitations, etc.: correspondence with Ebbs &
Ebbs,
1967
Scope and Content Note
4 items (6 leaves): 2 letters to Held and 2 letters from Held to R. J. McGurk.
Regarding paintings from the estate of Violet Bird Mann.
box 79, folder 26
Rubens school: copies, imitations, etc.: correspondence with Hans S.
Erichsen,
1952
Scope and Content Note
1 letter to Held (2 leaves).
box 79, folder 27
Rubens school: copies, imitations, etc.: correspondence with Casimir G.
Erzegovich,
1964-1965
Scope and Content Note
5 items: 3 letters to Held and 2 letters from Held.
box 79, folder 28
Rubens school: copies, imitations, etc.: correspondence with George
Farkas,
1960
Scope and Content Note
1 letter to Held from Farkas at Alexanders Department Stores, Inc. in New
York.
box 79, folder 29
Rubens school: copies, imitations, etc.: correspondence with Thomas L.
Fawick,
1959
Scope and Content Note
1 letter to Held.
box 79, folder 30
Rubens school: copies, imitations, etc.: correspondence with Wen
Fong,
1971
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding a painting referred
to as
Massacre of the innocents.
box 79, folder 31
Rubens school: copies, imitations, etc.: note by Ingrid Maerta
Held,
undated
Scope and Content Note
1 note regarding drawing
Bacchus & nymph (Ariadne?) in
Dresden.
box 79, folder 32
Rubens school: copies, imitations, etc.: painting from collection of
Willitts J. Hole,
undated
Scope and Content Note
3 items: 1 photographs, text about painting
Three angel heads ,
and a 1917 statement by [?] (both texts are photocopies).
box 79, folder 33
Rubens school: copies, imitations, etc.: correspondence with Alex.
Hume,
1976
Scope and Content Note
1 letter to Held.
box 79, folder 34
Rubens school: copies, imitations, etc.: correspondence with Hans Huth
[?],
1954
Scope and Content Note
1 letter to Held from director of Staatliche Schlösser und Gärten
Potsdam-Sanssouci.
box 79, folder 35
Rubens school: copies, imitations, etc.: correspondence with Donald D.
Keyes,
1967
Scope and Content Note
3 items (4 leaves): 2 letters to Held and 1 letter from Held. Regarding
attribution of a drawing referred to as
The ecstacy of St.
Augustine
to Rubens.
box 79, folder 36
Rubens school: copies, imitations, etc.: correspondence with Kurt von
Kroemer,
1974
Scope and Content Note
5 items: 3 letters to Held and 2 letters from Held.
box 79, folder 37
Rubens school: copies, imitations, etc.: correspondence with J.
Marciano [?],
undated
Scope and Content Note
2 items: letter to Held, with label of Communication Systems in Westfield,
Massachusetts attached, and 1 color photograph. [Color photograph is shelved in
Box 163, F. 53.]
box 79, folder 38
Rubens school: copies, imitations, etc.: correspondence with Fielding
Marshall,
1965
Scope and Content Note
2 items: letter to Held and 2 leaves of typescript about painting
St.
George and the dragon
.
box 79, folder 39
Rubens school: copies, imitations, etc.: correspondence with Kurt
Meissner,
1971-1975, undated
Scope and Content Note
24 items (38 leaves): 4 photographs, 2 color transparencies, 3 leaves of notes,
1 offprint (article by Justus Müller Hofstede), 3 letters to Held, 2 letters
from Held, and photocopies of expert opinions by Kurt Bauch, Günter Busch, Hans
Gerhard Evers, Eduard Hüttinger, Justus Müller Hofstede (with a letter to Held
from Michael Jaffé), and Werner Sumowski. Concerning controversial Rubens
attribution of a painting referred to as
Rastende Schafhirten im
Weideland
from the Hornstein collection in Montreal. With a mention of
David Carter and Konrad Oberhuber. [Color photograph is shelved in Box 163.]
box 79, folder 40
Rubens school: copies, imitations, etc.: correspondence with Alice T.
Miner,
1949
Scope and Content Note
2 items: 1 letter to Held from The William H. Miner Foundation Heart's Delight
Farm in Chazy, N.Y., and a booklet describing
Tribute money by
Rubens.
box 79, folder 41
Rubens school: copies, imitations, etc.: correspondence with Jeffrey H.
Parnes,
1978
Scope and Content Note
1 letter to Held regarding work referred to as charcoal etching by Rubens.
box 79, folder 42
Rubens school: copies, imitations, etc.: correspondence with Federico
Olvera,
1985
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and 1 color photograph. [Color
photograph is shelved in Box 163, F. 55.]
box 79, folder 43
Rubens school: copies, imitations, etc.: correspondence with John
Rewald,
1973
Scope and Content Note
2 items: 1 letter to Held and 1 photograph. Regarding a drawing believed to be
by Cezanne after Rubens.
box 80, folder 1
Rubens school: copies, imitations, etc.: correspondence with David R.
Russell,
1957
Scope and Content Note
2 items: letter to Held from Russell at Southern Methodist University, and 1
photograph.
box 80, folder 2
Rubens school: copies, imitations, etc.: correspondence with B.
Schuster,
1974
Scope and Content Note
6 items: 4 letters to Held and 2 letters from Held.
box 80, folder 3
Rubens school: copies, imitations, etc.: correspondence with Monique
Seefried,
1980
Scope and Content Note
1 letter to Held.
box 80, folder 4
Rubens school: copies, imitations, etc.: correspondence with Fred L.
Shelor, Jr.,
1953
Scope and Content Note
3 items: 2 letters to Held and 1 color photograph. [Color photograph is shelved
in Box 163, F. 56.]
box 80, folder 5
Rubens school: copies, imitations, etc.: correspondence with Sotheby's
London,
1975
Scope and Content Note
3 items: 2 letters to Held from Julien Stock, and 1 color photograph. Regarding
a painting from the collection of Mr. Kornan in Australia and a drawing
belonging to a Swiss art collector. With a mention of Justus Müller Hofstede.
[Color photograph is shelved in Box 163, F. 57.]
box 80, folder 6
Rubens school: copies, imitations, etc.: correspondence with Winship A.
Todd,
1960
Scope and Content Note
1 letter to Held.
box 80, folder 7
Rubens school: copies, imitations, etc.: correspondence with Toledo
Museum of Art,
1976, undated
Scope and Content Note
5 items (8 leaves): 2 photographs, 1 letter to Held, 1 letter from Held, and
printed matter. Regarding a painting referred to as
Holy Family with St.
Elizabeth and St. John
.
box 80, folder 8
Rubens school: copies, imitations, etc.: correspondence with W. Tumulka
at Euro-Internatsberatung,
1985
Scope and Content Note
7 items: 3 color photographs, 3 letters to Held, and 1 letter from Held.
Regarding paintings referred to as
Madonna and Child,
David's fight with the bear,
Portrait of the archduke
Albert of Austria
, and
Portrait of child (infant) Isabella of
Spain
. [Color photographs are shelved in Box 163, F. 58.] [See also
items filed in Box 81, F. 52.]
box 80, folder 9
Rubens school: copies, imitations, etc.: correspondence with Margaret
Watherston,
1968
Scope and Content Note
1 letter to Held regarding a painting referred to as
Adoration of the
Magi
.
box 80, folder 10
Rubens school: copies, imitations, etc.: correspondence with Cecil
Zinkan,
1963
Scope and Content Note
2 items: 1 letter to Held from director of Lightner Museum of Hobbies in St.
Augustine, Fla. and 1 letter from Held.
box 80, folder 11
Rubens school: copies, imitations, etc.,
undated
Scope and Content Note
6 items (8 leaves): various notes, typescript and printed matter, including a
typescript titled "Zur sog. Cumberland-Serie" (3 leaves) inscribed with name of
Gregor J. M. Weber [also see items filed in Box 7, F. 24].
box 80, folder 12
Rubens school: copies, imitations, etc.:
Three
Graces
,
undated
Scope and Content Note
3 items: 2 photographs, including 1 in color, and 2 leaves of printed matter
(1924 sale of Louis Fournier collection). [Color photograph is shelved in Box
163, F. 59.]
box 80, folder 13
Rubens. Paintings, secular: Rubens school: copies, imitations,
etc.,
undated,
Scope and Content Note
14 items: 9 photographs, including 2 in color, 2 color transparencies, and 3
leaves of illustrated matter. [Color photographs and transparencies are shelved
in Box 163, F. 60.]
box 80, folder 14
Rubens. Paintings, secular: Rubens school: copies, imitations,
etc.,
undated
Scope and Content Note
8 photographs.
box 80, folder 15
Rubens school: copies, imitations, etc.,
undated
Scope and Content Note
10 items: 9 photographs and 1 postcard. [1 photograph is shelved in Box 150*,
F. 1.]
box 80, folder 16
Rubens: miscellaneous material (not religious topics),
1945, undated
Scope and Content Note
22 items: 18 photographs and 4 leaves of illustrated matter: various paintings,
drawings, prints, and sculptures, photographs of Rubens's house in Antwerp, and
caricatures (press clippings). Some items are stamped or annotataed on verso.
Included is an uncredited photograph, with stamps of Signal Corps U.S. Army and
dated 21 April 1945, of an American infantryman resting on Herman Goering's bed
in the lodge at Neuhaus, Germany. Interior decoration includes Rubens's
Abduction of Leucippos's daughters above the bed. [1 photograph
is shelved in Box 150*, F. 2.]
box 80, folder 17
Old Testament:
Samson and Delilah,
1983-1989, undated
Scope and Content Note
ca. 36 items (39 leaves): 14 photographs, including 1 in color, printed and
illustrated matter, notes, Held's letter to Christopher [Brown?], and
correspondence with Joanna Woodall at Courtauld Insitute of Art (1 letter to
Held and 1 letter from Held). [Color photograph is shelved in Box 163, F.
61.]
box 80, folder 18
Old Testament:
David slaying the bear,
1987-1990, undated
Scope and Content Note
ca. 33 items (ca. 40 leaves): 10 photographs, including 3 in color, printed
matter, notes, and correspondence with Wolfgang Tumulka at
Euro-Internatsberatung in Munich (2 letters to Held and 2 letters from Held), 2
letters from Held to Galerie Margrit Bernard, and correspondence with law firm
Werner, Luger & Werner (Klaus Werner) in Munich, with a power of attorney
document, and a letter to Held from Spencer Samuels at Spencer A. Samuels &
Company, Ltd. in New York. [Color photographs are shelved in Box 163, F.
62.]
box 80, folder 19
Old Testament:
Susanna and the Elders [Susannah and the
Elders]
,
1968-1987, undated
Scope and Content Note
ca. 50 items: 26 photographs, including 6 in color; 2 leaves of notes; 1
postcard; printed and illustrated matter; letters from Held to John D. Herring
(E.V. Thaw & Co.) and Umberto Averni; letter to Held from Emile E. Wolf; and
Held's correpondence with John Maxon (Art Institute of Chicago), Stuart J.
Nelson, and Ksenija Rozman at Narodna Galerija in Ljubljana. Also present is
copy of a letter to Nelson from Christie's New York (Peggy Stone). [Color
photographs are shelved in Box 163, F. 63.]
box 80, folder 20
Old Testament:
Adam and Eve,
undated
Scope and Content Note
3 items: 1 photograph and 2 leaves of illustrated matter.
box 80, folder 21
Old Testament:
Samson destroying the temple,
1999, undated
Scope and Content Note
4 items: 2 color transparencies, letter to Held from Ann Sutherland Harris, and
a press clipping regarding sale of a painting referred to as
Samson
destroying the temple
to J. Paul Getty Museum. [Color transparencies
are shelved in Box 163, F. 64.]
box 80, folder 22
Old Testament:
Death of Holofernes,
[Holophernes]
1985, undated
Scope and Content Note
4 items: 3 photographs and letter to Held from Brian F. O'Neill.
box 80, folder 23
Old Testament:
Bathsheba at the fountain,
undated
Scope and Content Note
5 items: 4 photographs and a typed note.
box 80, folder 24
Old Testament:
Flight from Sodom and
Departure of
Lot and his family from Sodom
,
1963, undated
Scope and Content Note
9 items: 3 photographs, including 1 in color, 2 leaves of illustrated matter
and correspondence with F. Stanley Hoffman at Gettysburg College (2 letters to
Held and 2 letters from Held). [Color photograph is shelved in Box 163, F.
65.]
box 80, folder 25
Old Testament:
Lot and his daughters,
1976, undated
Scope and Content Note
7 items: 2 photographs, copy of an 1882 Metropolitan Museum of Art, NY receipt,
1 leaf of printed matter, and correspondence with Linda Gentis Larrimer at
Columbus Gallery of Fine Arts (1 letter to Held and 1 letter from Held).
box 80, folder 26
Old Testament:
Judgement of Solomon,
1960, undated
Scope and Content Note
3 items: 1 photograph and correspondence with Robert S. Draper (1 letter to
Held and 1 letter from Held).
box 80, folder 27
Old Testament:
Sacrifice of Isaac,
undated
Scope and Content Note
4 photographs.
box 80, folder 28
Old Testament:
Daniel in the lions' den,
1979, undated
Scope and Content Note
6 items: 3 photographs, including 1 in color, printed matter, and 2 letters to
Held from Lode Seghers in Antwerp. [Color photograph is shelved in Box 163, F.
66.]
box 80, folder 29
Old Testament:
Meeting of Abraham and
Melchizedek
,
1983, undated
Scope and Content Note
3 items: 1 photograph and 2 leaves of illustrated matter.
box 80, folder 30
Old Testament:
David and Goliath,
1972, undated
Scope and Content Note
8 items: 5 photographs, 1 color transparency, and correspondence with Darryl E.
Isley at The Norton Simon Foundation (1 letter to Held and 1 letter from Held).
[Color transparency is shelved in Box 163, F. 67.] [3 photographs of
David slaying Goliath are shelved in Box 150*, F. 3.]
box 80, folder 31
Old Testament: Man with a vase,
1989-1993
Scope and Content Note
ca. 20 items (29 leaves): 5 photographs, including 2 in color, 2 color
transparencies, printed and illustrated matter and Held's correspondence: with
Kurt Delbanco at Delbanco Arts in New York, and with James Bruce-Gardyne and
Rachel Mauro at Christie's London. Present is an expert opinion (copy) by Roger
Adolf d'Hulst. [Color photographs and transparencies are shelved in Box 163, F.
68.]
box 80, folder 32
Old Testament:
Arrest of Samson [
Samson taken by
the Philistines
],
undated
Scope and Content Note
3 photographs. [1 photograph is shelved in Box 150*, F.3.]
box 80, folder 33
Old Testament:
Cain kills Abel and
Death of
Abel
,
undated
Scope and Content Note
5 items: 4 photographs and 1 typed label (detached).
box 80, folder 34
Old Testament:
Destruction of Pharoah's host in the Red
Sea
,
undated
Scope and Content Note
4 items: 2 photographs and 2 leaves of notes.
box 80, folder 35
Old Testament:
Meeting of David and Abigail,
1959-1973, undated
Scope and Content Note
16 items: 12 photographs, German translation of a 1959 expert opinion by Ludwig
Burchard, correspondence with Carmen Gronau at Sotheby's London (1 letter to
Held and 1 letter from Held), and letter to Held from Günter Henle.
box 80, folder 36
New Testament:
Feast of Herod,
1976, undated
Scope and Content Note
3 items: letter to Held from Linda Gentis Larrimer [Columbus Gallery of Fine
Arts] and 1 leaf of illustrated matter. [Photograph is shelved in Box 150*, F.
4.]
box 80, folder 37
Old Testament (various):
undated
Scope and Content Note
6 items: 3 photographs:
Hagar (portrait of Helene Fourment),
Gideon overcoming the Midianites, and
Niederlage
Sanheribs
(
Defeat of Sanherib); 2 leaves of
illustrated matter (
Reconciliation of Jacob and Esau ,
illustrated matter
Return of the Prodigal Son, and a 1959 typed
note regarding Rubens's painting
Der sieche Jacob, signed by
Ernst Kramer. [
Return of the Prodigal Son is shelved in Box
150*, F.4.].
box 81, folder 1
Painting:
Daniel in the lions' den:
undated
Scope and Content Note
26 photographs of Rubens's painting. [See also items filed in Box 80, F.
28.]
box 81, folder 2
Painting:
Daniel in the lions' den,
undated
Scope and Content Note
14 photographs of drawings, mainly of lions, for Rubens's painting
Daniel in the lions' den. Also present is a drawing of Daniel,
and of a head of an elephant. Included is photograph of an engraving by
Wenceslaus Hollar after a drawing by Rubens.
box 81, folder 3
Painting:
Daniel in the lions' den,
1988, undated
Scope and Content Note
5 items: 4 photographs and 1 leaf of illustrated matter: two paintings
Daniel in the lions' den
after Rubens.
box 81, folder 4
Painting:
Daniel in the lions' den,
undated
Scope and Content Note
6 photographs of various paintings with animals by Rubens and other
artists.
box 81, folder 5
Painting
Daniel in the lions' den,
1981-1993, undated
Scope and Content Note
12 items of illustrated matter, including 1 postcard of Rubens's painting of a
tiger
Säugende Tigerin.
box 81, folder 6
Painting:
Daniel in the lions' den,
undated
Scope and Content Note
ca. 10 items (17 leaves) of typescripts, manuscript and printed matter.
Included is a carbon copy of typescript (5 leaves) titled "Chronology of Ruben's
Daniel in the lions' den", and 8 leaves of photostat copies of 17th century
manuscripts, including a letter from Rubens to his wife, a list of paintings at
his house, a page from Hamilton inventory, and 3 leaves of an inventory of
paintings in
Beare Gallorie.
box 81, folder 7
Painting:
Daniel in the lions' den,
undated
Scope and Content Note
12 leaves of notes.
box 81, folder 8
Painting:
Daniel in the lions' den: correspondence with
Carter Brown,
1969
Scope and Content Note
1 letter from Held to Carter Brown at National Gallery in Washington, D.C.
box 81, folder 9
Painting:
Daniel in the lions' den: correspondence with
Central Picture Galleries,
1968-1969
Scope and Content Note
3 items (4 leaves): 2 statements by Held regarding a painting representing a
satry, a nymph, two children, and three playful leopards, and Held's letter to
Oskar Klein at Central Picture Galleries.
box 81, folder 10
Paintings:
Daniel in the lions' den: correspondence with
William F. Davidson,
1965
Scope and Content Note
Held's memorandum for Willaim F. Davidson regarding Rubens's paintings of lion
hunts.
box 81, folder 11
Painting:
Daniel in the lions' den: correspondence with
Burton B. Fredericksen,
1969
Scope and Content Note
4 items (5 leaves): 2 letters to Held and 2 letters from Held. Correspondence
with curator at J. Paul Getty Museum regarding Rubens's painting of leopards.
With a mention of Oskar and Jan Klein.
box 81, folder 12
Painting:
Daniel in the lions' den: correspondence with
Ruth Goldenberg,
undated
Scope and Content Note
1 letter to Held from the niece of Herman Krankel regarding photograph of
painting
Daniel in the lions' den.
box 81, folder 13
Painting:
Daniel in the lions' den: correspondence with
Knoedler Art Galleries,
1964-1969
Scope and Content Note
5 items (9 leaves): 3 letters from Held to Roland Balay and Bill Davidson, and
1 letter to Held from Agnes Brody [?] at M. Knoedler & Co. Also present is a
letter to Held from Jacob Rosenberg at National Gallery of Art in Washington
D.C. Regarding Rubens's painting
Daniel in the lions' den.
box 81, folder 14
Painting:
Daniel in the lions' den: correspondence with
Herman Krankel,
1963
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding photographs of
Rubens's painting
Daniel in the lions' den.
box 81, folder 15
Paintings:
Daniel in the lions' den: correspondence with
National Fire Insurance Company,
1963
Scope and Content Note
1 letter from Held regarding damages in a painting referred to as
Daniel
in the lions' den
. With a mention of Mr. Nikolenko in New York.
box 81, folder 16
Painting:
Daniel in the lions' den: correspondence with
Clyde Newhouse,
1976-1981, undated
Scope and Content Note
5 items: 1 letter to Held from Clyde Newhouse, a letter to Newhouse from
Wulbrecht Hendrik in Brugge, 1 leaf of typescript and photocopy of illustrated
matter, and a letter [to?] by Michael Jaffé. Concerning Rubens's painting
Hercules overcoming the Nemean Lion.
box 81, folder 17
Painting:
Daniel in the lions' den: correspondence with
Jakob Rosenberg,
1966
Scope and Content Note
4 items (5 leaves): 2 letters to Held from Rosenberg at the National Gallery in
Washington D.C., and 2 letters from Held. With a mention of William F. Davidson
and Julius Weitzner. Regarding Davidson's comparison of Rubens's painting of
Daniel with earlier representations of the theme by Jan Brueghel [Bruegel].
box 81, folder 18
Painting:
Daniel in the lions' den: correspondence with
David E. Rust,
1969
Scope and Content Note
1 letter to Held from the curator at National Gallery of Art in Washington
D.C.
box 81, folder 19
Painting:
Daniel in the lions' den: correspondence with
Eugene Victor Thaw,
1976
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding photograph of a
darwing of an elephant from Paul Wallraf's collection.
box 81, folder 20
Painting:
Daniel in the lions' den: correspondence with
Monika Titze,
1982-1989
Scope and Content Note
4 items: letter to Held, expert opinions by Justus Müller Hofstede and Leo van
Puyvelde, and 1 color photograph of a painting of
Daniel in the lions'
den
. [Color photograph is shelved in Box 163, F. 69.]
box 81, folder 21
Painting:
Daniel in the lions' den: correspondence with
Maria Walz,
1966, undated
Scope and Content Note
2 items: letter to Held and a postcard. Regarding painting of
Daniel in
the lions' den
in her possesion. With a mention of Julius
Weitzner.
box 81, folder 22
Paintings:
Daniel in the lions' den: correspondence with
Julius Weitzner,
1963
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 81, folder 23
Paintings:
Daniel in the lions' den: unidentified
correspondence,
1964, 1973
Scope and Content Note
2 items: letter to Held dated 1 April 1964 concerning a "Rubens lion" from the
collection of Victor Koch in London, and Held's letter dated 11 Oct. 1973 to
Jack [?] regarding a drawing of a satyr by [?] Borel.
box 81, folder 24
Virgin: Madonna with Child,
1988-1991, undated
Scope and Content Note
24 items: 20 photographs, 4 color transparencies, illustrated matter, 1
postcard, and clipping of envelope inscribed: "Newhouse Virgin". [3 large color
transparencies and the clipping are shelved in Box 165*, F. 4.] [1 color
transparency is shelved in Box 163, F. 70.] [3 black and white photographs are
shelved in Box 150*, F. 5.]
box 81, folder 25
Virgin:
Assumption of the Virgin and
Coronation
of the Virgin by the Holy Trinity
,
undated
Scope and Content Note
4 photographs.
box 81, folder 26
Virgin:
Annunciation,
undated
Scope and Content Note
7 photographs. Various artworks. [1 photograph is shelved in Box 150*, F.
5.]
box 81, folder 27
Virgin:
Crowning of Saint Catherine,
1977-1985, undated
Scope and Content Note
7 items: 5 photographs, a 1985 letter to Held from William Hutton at The Toledo
Museum of Art and museum's collections record dated Oct. 1977 (typescript, 3
leaves).
box 81, folder 28
Virgin: details of various
Assumption of the Virgin
paintings,
undated
Scope and Content Note
7 photographs.
box 81, folder 29
Virgin:
Mater Dolorosa,
1989, undated
Scope and Content Note
7 items (13 leaves): 4 photographs, including 2 in color, 1 color transparency,
illustrated matter, text about
Mater Dolorosa painting in the
collection of Sven Schütte (typescript, 5 leaves) and Sotheby's record for the
same painting (typescript, 2 leaves), annotated by Held. [Color photographs and
transparency are shelved in Box 163, F. 71.]
box 81, folder 30
Virgin:
Madonna and Child surrounded by Saints Bonaventura,
George and Jerome with angels and other figures
and
Virgin with
angels bringing fruits
,
undated
Scope and Content Note
6 items: 1 photograph, 2 color transparencies, 1 leaf of illustrated matter,
and 2 leaves of notes. [Color transparencies are shelved in Box 163, F. 72.]
box 81, folder 31
Virgin:
Virgin and Child,
1985-1994, undated
Scope and Content Note
3 items: 1 photograph and 2 leaves of illustrated matter. The paintings are
attributed to Erasmus Quellinis II and to Theodoor van Thulden.
box 81, folder 32
Virgin: printed and illustrated matter, typescripts,
1972-1988, undated
Scope and Content Note
7 items (13 leaves): included is photocopy of Michael Jaffé's article
Rubens's Le Christ a la paille, from
Apollo
(1972).
box 81, folder 33
Virgin: correspondence with IFAR [International Foundation for Art
Research],
1986
Scope and Content Note
4 items: 3 letters to Held from Virgilia H. Pancoat at International Foundation
for Art Research, and 1 letter from Held. Regarding a
Madonna and
Child
painting.
box 81, folder 34
Virgin: correspondence with Theodore Rousseau,
1950
Scope and Content Note
2 items (3 leaves): 1 letter to Held from the curator at Metropolitan Museum of
Art, NY, and 1 letter from Held. Concerning a painting by Rubens from the Koppel
collection. Photocopies. Rousseau's letter is annotated by Held. [See also items
filed in Box 10, F. 11.]
box 81, folder 35
Virgin: M. H. de Young Memorial Museum,
1960-1961
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with museum's
director Walter Heil regarding an artwork by Rubens owned by Mrs.
Katzenellenbogan in Santa Monica, Calif. Heil's letter is extensively annotated
by Held.
box 81, folder 36
Painting:
Virgin praying over the sleeping
Child
,
undated
Scope and Content Note
11 items: 10 photographs, including 3 in color, and 1 color transparency.
[Color photographs and transparency are shelved in Box 163, F. 73.]
box 81, folder 37
Painting:
Virgin praying over the sleeping
Child
,
1965?, undated
Scope and Content Note
3 items (5 leaves) of notes, printed matter. Inluded is an expert opinion
regarding painting
Madone et enfant by Ateliers de conservations
H. & P. Boissonnas in Zurich.
box 81, folder 38
Painting:
Virgin praying over the sleeping Child: expert
opinion by Didier Bodart,
1987
Scope and Content Note
ca. 10 items (15 leaves). Included are statements and reports by Bodart in
French, German, and English. Photocopies.
box 81, folder 39
Painting:
Virgin praying over the sleeping Child: expert
opinion by Justus Müller Hofstede,
1964
Scope and Content Note
2 items: expert opinion (2 photocopies) of painting
Maria in Verehrung
des Kindes
.
box 81, folder 40
Painting:
Virgin praying over the sleeping Child: expert
opinion by Leo van Puyvelde,
1965
Scope and Content Note
5 items: expert opinion, a letter by Puyvelde regarding painting
La
Vierge vénérant l'Enfant
, and printed and illustrated matter.
Photocopies.
box 81, folder 41
Painting:
Virgin praying over the sleeping Child:
¦Larsen version,
1959-1986, undated
Scope and Content Note
10 items: 2 photographs, including 1 in color, expert opinions by Erik Larsen
and Rolf Z. Medgessy, 1 leaf of typescript (record of painting
Madonna
and Child
), a 1959 letter from Erik Larsen addressed "Dear Madam", and
Held's correspondence with J. Valevicius at 19th-century & Old Masters
Gallery in Toronto (2 letters to Held and 2 letters from Held), and with Jeff
Kiehl (1 letter to Held and 1 letter from Held). Label of original folder
preserved. [Color photograph is shelved in Box 163, F. 74.]
box 81, folder 42
Painting:
Virgin praying over the sleeping Child:
correspondence with Klaus Allenspach,
1987-1993
Scope and Content Note
5 items (6 leaves): Held's 1993 correspondence with Allenspach (2 letters to
Held and 2 letters from Held), and 1987 letter from Held to Germaine Stoll.
box 81, folder 43
Painting:
Virgin praying over the sleeping Child:
correspondence with E. & P. Bolli,
1981
Scope and Content Note
3 items (4 leaves): 2 letters to Held and 1 letter from Held to Elfi and P.
Bolli at Galerie beim Rathaus in Zug, Switzerland. Regarding painting referred
to as
Maria in Verehrung des Kindes.
box 81, folder 44
Painting:
Virgin praying over the sleeping Child:
correspondence with Ludwig Burchard,
1960
Scope and Content Note
2 items (4 leaves): letter/expert opinion from Burchard [to Held?] regarding
painting
Virgin praying over the sleeping Child. 2
photocopies.
box 81, folder 45
Painting:
Virgin praying over the sleeping Child:
correspondence with Max R. Bütler,
1987
Scope and Content Note
1 letter to Held from a photographer in Luzern. With a mention of G. Stoll.
box 81, folder 46
Painting:
Virgin praying over the sleeping Child:
correspondence with Eduard Hüttinger,
1965
Scope and Content Note
1 letter to Held (2 photocopies) from Kunsthaus Zürich Musée des beaux-arts
Zürcher Kunstgesellschaft. Regarding painting
Maria in Verehrung des
Kindes
.
box 81, folder 47
Painting:
Virgin praying over the sleeping Child:
correspondence with Jack Kilgore,
1990
Scope and Content Note
3 items: 2 letters to Held from Kilgore at Christie's New York, and copy of
Kilgore's letter to an undisclosed client. With a mention of Julius Weitzner.
Kilgore also mentions a Rubens painting at Newhouse Gallery to which he referrs
as
Mars.
box 81, folder 48
Painting:
Virgin praying over the sleeping Child:
correspondence with Sarah E. Lawrence,
1988
Scope and Content Note
1 letter from Held to the director of resarch at Richard L. Feigen & Co. in
New York regarding a painting referred to as
Madonna adoring the sleeping
Child
.
box 81, folder 49
Painting:
Virgin praying over the sleeping Child:
correspondence with Miss Newhouse,
1989
Scope and Content Note
1 letter fro Held concerning a painting described as a Virgin with Child
upright on her knees.
box 81, folder 50
Painting:
Virgin praying over the sleeping Child:
correspondence with Germaine Stoll,
1987
Scope and Content Note
1 letter to Held concerning painting
Maria in Verehrung des
Kindes
. Annotated by Held with a reference to [Klaus?] Allenspach.
box 81, folder 51
Painting:
Virgin praying over the sleeping Child:
correspondence: Francesco Tombolini to Germaine Stoll,
1986
Scope and Content Note
1 letter from an editor at Tombolini at Rizzoli in Milan to Germaine Stoll.
box 81, folder 52
Painting:
Virgin praying over the sleeping Child:
correspondence with W. Tumulka,
1985
Scope and Content Note
3 items: 1 letter to Held from Euro-Internatsberatung in Munich and 2 letters
from Held. Concerning paintings referred to as
David fighting with
bear
, portraits [no titles], and
Madonna with
tChristchild
. [See also items filed in Box 80, F.8.]
box 81, folder 53
Painting:
Virgin praying over the sleeping Child:
correspondence with Julius H. Weitzner,
1960
Scope and Content Note
3 items: 1 letter to Held and 1 letter from Held, with 1 leaf of illustrated
matter extensively annotated by Held. Regarding a
Madonna and
Child
painting at Schloss Schleissheim.
box 82, folder 1
Painting:
Virgin nursing Child: images,
undated
Scope and Content Note
23 items: 8 photographs, including 1 in color, 4 color transparencies, 1
b&w transparency, 2 postcards, and illustrated matter. [Color photograph and
transparencies are shelved in Box 164, F. 1.]
box 82, folder 2
Painting:
Virgin nursing Child,
1951-1964, undated
Scope and Content Note
8 items (12 leaves) of : notes, printed matter, typescripts. Concerning
painting exhibited at Hudnot Gallery (University of Utah). Present is a
typescript (5 leaves) titled "Hudnut Art Collection" by Ellen Falsetti, and
photocopies of expert opinions by H. [Hans Dieter?] Zimmermann and Max F. X.
Massot.
box 82, folder 3
Painting:
Virgin nursing Child: correspondence with
Daphne Alazraki,
1991-1992
Scope and Content Note
6 items: 3 letters to Held from the art daeler and 2 letters from Held (1 with
photocopy).
box 82, folder 4
Painting:
Virgin nursing Child: correspondence with
Gordon Baker,
1998
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 82, folder 5
Painting:
Virgin nursing Child: correspondence with
Ursula M. Pimentel,
1991-1992
Scope and Content Note
3 items (5 leaves): 2 letters to Held and 1 letter from Held.
box 82, folder 6
Painting:
Virgin nursing Child: correspondence with Utah
Museum of Fine Arts,
1991
Scope and Content Note
2 letters to Held: from director E. F. Sanguinetti and registrar David M.
Carroll. Regarding provenance of a painting aquired from the estate of Mrs.
Richard A. Hudnut. Held's annotation mentions Ursula M. Pimentel.
box 82, folder 7
Painting:
Virgin with Saints in landscape,
undated
Scope and Content Note
20 photographs, including 6 in color. [Color photographs are shelved in Box
164, F. 2.]
box 82, folder 8
Painting:
Virgin with Saints in landscape,
undated
Scope and Content Note
9 leaves of notes.
box 82, folder 9
Painting:
Virgin with Saints in landscape:
correspondence with Robert A. Cestari,
1972
Scope and Content Note
2 items: letter to Held asking for expert opinion about a painting referred to
as
Rest on the flight into Egypt, and 1 color photograph. [Color
photograph is shelved in Box 164, F. 3.]
box 82, folder 10
Painting:
Virgin with Saints in landscape:
correspondence with Michael Harvard,
1978-1980
Scope and Content Note
2 items: 1 letter to Held and 1 letter addressed to Andrew [?].
box 82, folder 11
Painting:
Virgin with Saints in landscape:
correspondence with Hedy [?],
1962
Scope and Content Note
1 letter to Held signed Hedy. Concerning painting
Virgin and Christ with
attendants, resting in the garden of roses
.
box 82, folder 12
Painting:
Virgin with Saints in landscape:
correspondence with Werner Holtkamp,
1991, undated
Scope and Content Note
2 items: 1 letter to Held and 1 color photograph. [Color photograph is shelved
in Box 164, F. 4.]
box 82, folder 13
Painting:
Virgin with Saints in landscape:
correspondence with M. M. Pockros,
1982
Scope and Content Note
1 letter to Held regarding painting
The rest on the flight into
Egypt
.
box 82, folder 14
Painting:
Virgin with Saints in landscape:
correspondence with Peter H. Tillou,
1982
Scope and Content Note
4 items (6 leaves): 3 letters to Held from Tillou Gallery in Litchfield, CT.,
and 1 letter from Held.
box 82, folder 15
Painting:
Holy Family,
undated
Scope and Content Note
3 items: 2 photographs and 1 leaf of illustrated matter (photocopy).
box 82, folder 16
Painting:
Holy Family in a landscape with an angel bearing
fruit
,
1992, undated
Scope and Content Note
5 items: 3 photographs, 1 leaf of illustrated matter, and 1 press clipping.
Press clipping is inscribed to Held by Jost Neubauer.
box 82, folder 17
Painting:
Holy Family with Elizabeth and
John
,
1972, undated
Scope and Content Note
3 items: 2 photographs and 1 leaf of illustrated matter.
box 82, folder 18
Painting:
Holy Family with Elizabeth and
John
,
undated
Scope and Content Note
2 leaves of illustrated matter (1 photocopy). Painting at
Wallraf-Richartz-Museum in Cologne.
box 82, folder 19
Painting:
Holy Family,
undated
Scope and Content Note
2 leaves of illustrated matter (photocopies). Paintings from collections W. H.
Crocker and A. van Buuren.
box 82, folder 20
Painting:
Holy Family with Elizabeth and
John
undated
Scope and Content Note
8 items: 7 photographs, including 1 in color, and 1 leaf of illustrated matter.
[Color photograph is shelved in Box 164, F. 5.]
box 82, folder 21
Painting:
Mary with Child, St. Elizabeth and St. John with
lamb
,
undated
Scope and Content Note
2 items: 1 photograph and 1 postcard. On verso of photograph references to
Walker Art Gallery in Liverpool.
box 82, folder 22
Painting:
Holy Family with the Infant Saint John the
Baptist
,
1945-1993, undated
Scope and Content Note
ca. 12 items (16 leaves): 5 photographs and printed and printed and illustrated
matter (some photocopies) of painting
Holy Family with the Infant Saint
John the Baptist
, including one attributed to Erasmus Quellinus. Also
present is an article from 1945 on art forgeries
Fact or Fancy: the
Walker Art Center calls in the experts
by Daniel S. Defenbacher.
box 82, folder 23
Painting:
Holy Family,
1980-1982, undated
Scope and Content Note
ca. 8 items (10 leaves): 2 photographs, including 1 in color, 1 color
transparency, printed matter, expert opinion by Klaus Demus, a 1924 statement by
[Karl Ring?] (photocopy), a letter to Held form Stad Antwerpen (Nora De
Poorter), letter to Held from Wesley M. Burnside at Brigham Young University Art
Gallery, and a letter to [?] in Salt Lake City, in German, addressed to Hans
[?]. [Color photograph and color transparency are shelved in Box 164, F. 6.]
box 82, folder 24
Painting:
Madonna and Child with Saint Elisabeth and the Infant
Saint John the Baptist
,
1989-1991, undated
Scope and Content Note
11 items: 3 photographs, 1 color transparency, 1 postcard, and illustrated
matter. Included is an illustration of a painting attributed to Balthasar
Beschey. [Color transparency is shelved in Box 164, F. 7.]
box 82, folder 25
Painting:
Holy Family with the Infant John the
Baptist
,
undated
Scope and Content Note
28 items: 20 photographs, 3 color transparencies, 1 postcard, 1 leaf of
illustratd matter, and 2 typescripts (total of 5 leaves). [Color transparencies
are shelved in Box 164, F. 8.] [1 photograph is shelved in Box 150*, F. 6.]
box 82, folder 26
Painting:
Holy Family,
undated
Scope and Content Note
2 items: 1 photograph and 1 color transparency. Held's annotation on verso of
photograph mentions attribution of the garland of flowers [floral wreath] to Jan
Bruegel the Younger. [Color transparency is shelved in Box 164, F. 9.]
box 82, folder 27
Painting:
Holy Family with Saint Elizabeth, Saint John, and a
dove
,
undated
Scope and Content Note
7 photographs.
box 82, folder 28
Painting:
Holy Family (various),
undated
Scope and Content Note
12 items: 7 photographs, including 1 in color, 2 postcards, and 3 leaves of
illustrated matter. Also:
Caritas,
Education of the
Virgin
,
Nativity, and a detail showing putti with
flowers a a dove. Included is a photograph of
Holy Family under the apple
tree
(School of Rubens) at Bass Museum of Art in Miami Beach, Fla.
[Color photograph is shelved in Box 164, F. 10.]
box 82, folder 29
Painting:
Holy Family with Saint Anne,
1966, undated
Scope and Content Note
8 items: 6 photographs, 1 color transparency, and 1 leaf of typescript
certificate of authentification by Wilhelm Reinhold Valentiner. [Color
transparency is shelved in Box 164, F. 11.]
box 82, folder 30
Painting:
Holy Family,
1966, undated
Scope and Content Note
7 items: 4 photographs, Held's correspondence with Lorenzo Peratoner (1 letter
to Held and 1 leter from Held), and conservation report by Vittorio Granchi
(typescript, 2 leaves, in Italian).
box 82, folder 31
Painting:
Holy Family,
1991, undated
Scope and Content Note
4 items: 3 photographs, inlcluding 2 in color, and Held's letter to S. G.
Fassoulis at CIC International Ltd. in New York. [Color photographs are shelved
in Box 164, F. 12.]
box 82, folder 32
Painting:
Holy Family,
1978
Scope and Content Note
3 items: 1 photograph and Held's correspondence with Joan G. Caldwell at New
Orleans Museum of Art (1 letter to Held and 1 letter from Held).
box 82, folder 33
Painting:
Holy Family,
1959-1993, undated
Scope and Content Note
10 items: 7 photographs, copy of an expert opinion by Leo vam Puyvelde, and
correspondence with Beatrix Wyss at Galerie Fischer in Luzern (1 letter to Held
and 1 letter from Held).
box 82, folder 34
Painting:
Holy Family,
1971-1977
Scope and Content Note
ca. 6 items: 1 color photograph, copy of a 1971 letter to Baroness von af
Helmersen from the Deputy Surveyor of the Queen's Pictures, printed matter and
expert opinion by Justs Müller Hofstede, Konrad Oberhuber's letter to Stuart
Denenberg at Fogg Art Museum, and Stuart Denenberg's (Denenberg Fine Arts)
letter to Held. [Color photograph is shelved in Box 164, F. 13.]
box 82, folder 35
Painting:
Holy Family,
1990, undated
Scope and Content Note
4 items: 3 photographs, including 1 in color, and letter to Held from David P.
Connell at University of Leeds.
Holy Family under the apple tree
(Clark Art Institute),
Holy Family (Fine Arts Gallery, San Diego,
Calif. ), and a drawing (
Madonna with Child, color photograph).
[Color photograph is shelved in Box 164, F. 14.]
box 82, folder 36
Painting:
Holy Family,
1972, undated
Scope and Content Note
4 items (6 leaves) of notes and press clippings.
box 82, folder 37
Painting:
Holy Family: correspondence with Julian
Agnew,
1990-1993
Scope and Content Note
6 items (11 leaves): 4 letters to Held, 1 letter from Held, and a "With
compliments" note by Julian Agnew.
box 82, folder 38
Painting:
Holy Family: correspondence with Frederic M.
Bancroft,
1993
Scope and Content Note
3 items (4 leaves): 1 letter to Held from director of Agnew's Inc. in New York,
and 2 letters from Held.
box 82, folder 39
Painting:
Holy Family: correspondence with Jonathan
Bergen,
1966-1989
Scope and Content Note
ca. 9 items: 1 letter to Held (1989); notes; printed matter; and copies of
expert opinions by Justus Müller Hofstede, Edith Greindl, and [?] at Museo
Poldi-Pezzoli; statements by Pinakothek München and Staatliche Kunstsammlungen
Kassel (Erich Herzog). Concerning
Madonna with Child and Saint
Anne
.
box 82, folder 40
Painting:
Holy Family: correspondence with L.
Bernays,
1989
Scope and Content Note
3 items: 1 letter to Held and 1 letter from Held, and letter to Bernays from
Reinhold Baumstark, director of Sammlungen des Fürsten von Liechtenstein.
box 82, folder 41
Painting:
Holy Family: correspondence with Christopher
Brown,
1989
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Concerning a
Nativity by Rubens on loan to National Gallery in Washington
D.C.
box 82, folder 42
Painting:
Holy Family: correspondence with Adam
Butrymowicz,
1954
Scope and Content Note
2 items: 1 photograph and 1 letter to Held. Concerning Rubens attribution of a
drawing of
Holy Family with Saint Anne.
box 82, folder 43
Painting:
Holy Family: correspondence with Nancy
Chase,
1977
Scope and Content Note
1 letter to Held regarding
Holy Family with a dove.
box 82, folder 44
Painting:
Holy Family: correspondence with Hans S.
Erichsen,
1952
Scope and Content Note
1 letter from Held regarding two version of a painting attribute dto Rubens,
one in San Francisco, and another in the Larson collection in Norway.
box 82, folder 45
Painting:
Holy Family: correspondence with Jan Albert
Goris,
1948
Scope and Content Note
1 letter to Goris at the Belgium Information Center in New York from the
attorneys at Mitchell, Capron, Marsh, Angulo & Cooney concerning items from
the estate of Jeanne Le Collen and a
Holy Family painting in St.
Albert's Church. With a mention of Held and Louis Joseph Braekevelt.
box 83, folder 1
Painting:
Holy Family: correspondence with Klaus
Höhne,
1981
Scope and Content Note
2 items: 1 letter to Held and 1 photograph.
box 83, folder 2
Painting:
Holy Family: correspondence with Christian
Klemm,
1986
Scope and Content Note
2 letters from Held.
box 83, folder 3
Painting:
Holy Family: correspondence with Edward Lee
Cave,
1983
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held.
box 83, folder 4
Painting:
Holy Family: correspondence with Walter
Liedtke,
1982
Scope and Content Note
1 letter from Held.
box 83, folder 5
Painting:
Holy Family: correspondence with Stephen
Mazoh,
1994, undated
Scope and Content Note
12 items: 1 letter and a card to Held, 1 letter from Held, copies of Held's
letters to Paul Oskar [Kristeller] (1994) and Clyde Newhouse (1972), 1 leaf of
notes, conservation report by David Bull, 3 photographs, 1 color transparency,
and photocopy of drawing
Death of Procris, attributed to Rubens.
[Color transparency is shelved in Box 164, F. 15.]
box 83, folder 6
Painting:
Holy Family: correspondence with Richard G.
Moser,
1959
Scope and Content Note
2 letters to Held, annotated. Regarding painting
Holy Family with Saint
Anne
at Parado Museum in Madrid.
box 83, folder 7
Painting:
Holy Family: correspondence with L.
Muresan,
1977
Scope and Content Note
1 letter to Held. Letterhead of Abc Importers of Fine Art, in Montreal.
box 83, folder 8
Painting:
Holy Family: correspondence with Kenneth
Newman,
1974
Scope and Content Note
1 letter to Held.
box 83, folder 9
Painting:
Holy Family: correspondence with James St. L.
O'Toole,
1974
Scope and Content Note
1 item: expert opinion by O'Toole of painting
Holy Family with Saint
Anne
.
box 83, folder 10
Painting:
Holy Family: correspondence with Thomas W.
Phelps,
1968
Scope and Content Note
1 letter to Held regarding
Adoration of the Magi from St. Thomas
Episcopal Church. With a mention of Margaret Watherston.
box 83, folder 11
Painting:
Holy Family: correspondence with Kathleen
Reif,
1971-1975
Scope and Content Note
14 items (18 leaves): 7 letters to Held, 6 letters from Held, and leaf of
notes.
box 83, folder 12
Painting:
Holy Family: correspondence with Margarita
Russell,
1985-1986
Scope and Content Note
4 items (6 leaves): 2 letters to Held, 1 letter from Held, and a 1958 expert
opinion by Ludwig Burchard about a
Holy Family with Saint
Anne
painting from the collection of Sir Francis Cook. Correspondence
with visiting curator at the Bass Museum of Art in Miami Beach, Fla. concerning
paintings
Nymphs and Satyrs,
Flight of Lot and his
family
,
Adoration of the Magi,
Holy Family with
Saint Anne
,
Holy Family under the apple tree, and a
painting by Seghers.
box 83, folder 13
Painting:
Holy Family: correspondence with Margaretta
Salinger,
1973
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding
Holy Family
with the dove
.
box 83, folder 14
Painting:
Holy Family: correspondence with Harald M.
Südkamp,
1971-1990, undated
Scope and Content Note
6 items (8 leaves): 1 letter to Held, 1 leaf of notes, typescript (1 leaf) on
Rubens's painting
The Holy Family with St. John and St. Elizabeth
, and copies of expert opinions by Justus Müller-Hofstede (1971), and Michael
Jaffé. Jaffé refers to paintings
Madonna with the lamb,
Holy Family with St. John and St. Elizabeth, and
Calvary.
box 83, folder 15
Painting:
Holy Family: correspondence with George
Wachter,
1983
Scope and Content Note
3 items: 1 letter to Held from Wachter at Sotheby's New York, 1 letter from
Held, and 1 photograph. Regarding
Holy Family with Saint
Anne
.
box 83, folder 16
Painting:
Holy Family: correspondence with Walters Art
Gallery,
1974
Scope and Content Note
1 letter to Held from Edward S. King asking to authenticitate Rubens
attribution of a painting of Holy Family at Loyola College in Baltimore.
box 83, folder 17
Painting:
Holy Family: correspondence with Stanley S.
Wulc,
1965
Scope and Content Note
1 letter from Held.
box 83, folder 18
Childhood of Christ:
Massacre of the
innocents
,
undated
Scope and Content Note
2 photographs. Paintings at Musées royaux des beaux-arts in Brussels and at
Bayerische Staatsgemäldesammlungen (with label:
Bethlehemitischer
Kindermord
).
box 83, folder 19
Childhood of Christ:
Flight into Egypt,
undated
Scope and Content Note
5 items: 4 photographs and 1 postcard. Printed on postcard: Amtliche Ausgabe
der königlichen Gemäldegalerie zu Cassel, Verlag Julius Bard Berlin.
box 83, folder 20
Childhood of Christ:
Adoration of the Magi,
1982, undated
Scope and Content Note
5 items (14 leaves): 1 photograph, correspondence with Ida Ely Rubin (Mrs.
Jerome S. Rubin) (1 letter to Held and 1 letter from Held), typescript (copy, 3
leaves) annotated by Held, and printed an illustrated matter.
box 83, folder 21
Childhood of Christ:
Adoration of the Magi,
1987, undated
Scope and Content Note
7 items: 2 photographs, illustrated matter, and correspondence with the estate
of Shirley Lewis Oakes Butler (1 letter to Held, 2 letters from Held). Painting
at Vassar College. Present is photograph of a drawing after Rubens at the
Louvre.
box 83, folder 22
Childhood of Christ:
Adoration of the Magi,
undated
Scope and Content Note
5 items: 4 photographs, 1 leaf of illustrated matter. Paintings at Museo del
Prado and at Royal Museum of Fine Arts, Antwerp. [Illustrated matter is shelved
in Box 150*, F. 7.]
box 83, folder 23
Childhood of Christ:
Adoration of the Magi,
undated
Scope and Content Note
10 items: 9 photographs and 1 leaf of illustrated matter. Painting (triptych)
at Church of Saint John in Malines (Mechelen), Belgium.
box 83, folder 24
Childhood of Christ:
Adoration of the Magi,
undated
Scope and Content Note
1 photograph: detail of painting in Brussels.
box 83, folder 25
Childhood of Christ:
Adoration of the Magi,
undated
Scope and Content Note
3 items: 1 photograph and 2 leaves of illustrated matter
box 83, folder 26
Childhood of Christ:
Adoration of the Magi,
1988-1990, undated
Scope and Content Note
15 items: 6 photographs, notes and illustrated matter, letter to Held from
Maurizio Pontremoli in Milan, copy of an expert opinion by Didier Bodart (1988),
and 2 letters to Held from William E. O'Reilly (1990). Painting at Saint Thomas
Church in New York.
box 83, folder 27
Childhood of Christ:
Nativity,
undated
Scope and Content Note
1 photograph.
box 83, folder 28
Childhood of Christ:
Adoration of the
shepherds
,
undated
Scope and Content Note
7 items: 6 photographs, 1 leaf of illustrated matter. [Illustrated matter is
shelved in Box 150*, F. 7.]
box 83, folder 29
Childhood of Christ: various artworks,
undated
Scope and Content Note
5 items: 2 photographs and 2 leaves of illustrated matter, and 1 leaf of notes.
Adoration of the Bergers [Shepherds] at Musée des beaux-arts in
Marseille,
Circumcision,
Presentation in the
temple
, and a painting of Infant Jesus.
box 83, folder 30
Childhood of Chris,
1974-1993
Scope and Content Note
2 items (9 leaves): photocopies of pages from publications.
The mystic
marriage of Saint Catherine
(Christie's June 28, 1974 sale), and
Histoire d'un tableau de Rubens 1577-1640 l'adoration des bergers de la
cathédrale de Soissons
.
box 83, folder 31
Childhood of Christ:
Return of the Holy Family from Egypt
,
undated
Scope and Content Note
2 leaves of illustrated matter, including illustration of a print by Lucas Emil
Vorsterman.
box 83, folder 32
Childhood of Christ:
Infant Christ and Saint John with
cherubs
, and
Infant Christ and Saint John with a
lamb
,
1969-1994
Scope and Content Note
9 items: 1969 letter to Held from Anthony Catauro, with a color slide; 1994
letter to Held from Norman Geske at The Estuary Bookstore, with a color
photograph, and 2 leaves of illustrated matter. [Color photograph and slide are
shelved in Box 164, F. 16.] [2 photographs of
The infant Christ and Saint
John with a lamb
are shelved in Box 150*, F. 8.]
box 83, folder 33
Childhood of Christ:
Adoration of the Magi,
1983, undated,
Scope and Content Note
4 items: 2 leaves of illustrated matter (
L'adoration des rois
at Musée de Lyon) and correspondence with Alberto Antoniono (1 letter to Held
and 1 letter from Held).
box 83, folder 34
Adult life of Christ:
Calling of Matthew,
1984-1986
Scope and Content Note
ca. 19 items: 5 photographs, 1 color transparency, printed matter, a small
sketch by Held, Held's correspondence with Julius Weitzner, Françoise Baligand
(conservator), and with Alex Wengraf. [Color transparency is shelved in Box 164,
F. 17.]
box 83, folder 35
Adult life of Christ:
Franciscus Hovius and his parents before
the court of Christ
,
undated
Scope and Content Note
2 photographs, one with label of Bayerische Staatsgemäldesammlungen in Munich:
Rechenschaft der geistlichen und weltlichen Stände.
box 83, folder 36
Adult life of Christ:
Christ giving the keys to Saint
Peter
,
1975-1978
Scope and Content Note
7 items: 3 photographs, 1 x-ray image, 1974 letter to Held from Herdis Bull
Teilman at Museum of Art in Pittsburgh, and 1978 correspondence with Sabrina
Sigal (1 letter to Held and 1 letter from Held).
box 83, folder 37
Adult life of Christ:
Christ in the house of Martha and
Mary
,
undated
Scope and Content Note
2 photographs.
box 83, folder 38
Adult life of Christ:
Tribute money,
1991, undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of illustrated matter.
box 83, folder 39
Adult life of Christ:
Christ and the
penitents
,
1961, undated
Scope and Content Note
2 items: 1 photograph and 1 letter to Held from the Museum of Fine Arts in
Boston (Thomas N. Maytham).
box 83, folder 40
Adult life of Christ:
Christ and the woman taken in
adultery
,
1989, undated
Scope and Content Note
3 items: 1 photograph, a postcard (painting at Musée de Bruxelles), and 1 leaf
of illustrated matter.
box 83, folder 41
Adult life of Christ: various paintings,
undated
Scope and Content Note
7 items: 6 photographs and 1 postcard. Head of Jesus, two photographs of
Christ in the storm on the lake of Galilee (also titled
Wunder der Hl. Walburga), two paintings of
Miraculous
fishing
(one attributed also to Jordaens), and
Baptism of
Christ
.
box 83, folder 42
Crucified Christ:
Christ on the Cross,
1959-1984, undated
Scope and Content Note
29 items: 14 photographs; 1 color transparency; 1 leaf of illustrated matter; 4
leaves of notes; letter to Held from Herman Kater, with copy of expert opinion
by Ludwig Burchard; letter to Held from George Hermans; and Held's
correspondence with Bernard Chesnais and Clyde Newhouse. [Color transparency is
shelved in Box 164, F. 18.]
box 83, folder 43
Crucified Christ:
Head of Christ (
Christ with
crown of thorns
),
1981-1992
Scope and Content Note
17 items: 13 photographs, including 8 in color, 1 leaf of illustrated matter,
Held's letter to Bob P. Haboldt, and letters to Held from the collectors Seena
and Arnold Davis, and from Graeme M. Cameron of Templestowe, Australia. [Color
photographs, pasted onto 4 sheets, are shelved in Box 165*, F. 5.]
box 84, folder 1
Passion of Christ:
Lamentation (formerly called
Entombment),
1974-1993
Scope and Content Note
ca. 30 items: 15 photographs, 1 color transparency, 1 leaf of printed matter,
typescript (3 leaves), and Held's correspondence with the Cummer Art Gallery in
Jacksonville, Fla. (Joseph J. Dodge, John A. Mahey, Mary C. Gristina) (3 letters
to Held and 2 letters from Held), conservation reports by Washington
Conservation Studio (2 copies, one annotated by Held), and a letter to Held from
the conservator Judith E. Webster. [Color transparency is shelved in Box 164, F.
19.] [2 color photographs are shelved in Box 165*.] [1 leaf of illustrated
matter is shelved in Box 150*, F. 9.]
box 84, folder 2
Passion of Christ:
Entombment [
Deposition],
undated
Scope and Content Note
2 photographs. Painting at Galleria Borghese in Rome.
box 84, folder 3
Passion of Christ:
Entombment [
Deposition],
1992, undated
Scope and Content Note
3 items: 1 photograph, 1 leaf of illustrated matter, and letter to Held from
Otto Naumann, Ltd. Painting at the J. Paul Getty Museum.
box 84, folder 4
Passion of Christ:
Descent from the cross,
1988, undated
Scope and Content Note
10 items: 5 photographs, 1 color transparency, and Held's correspondence with
Sotheby's London (T. D. Llewellyn, Etienne Breton) (2 letters to Held and 2
letters from Held). [Color transparency is shelved in Box 164, F. 20.]
box 84, folder 5
Passion of Christ:
Coup de lance,
1982, undated
Scope and Content Note
2 items: 1 color transparency and letter to Held from Ian G. Kenendy at
Christie's New York asking for opinion regarding a painting currently attributed
to Anthony van Dyck; annotated by Held. [Color transparency is shelved in Box
164, F. 21.]
box 84, folder 6
Passion of Christ:
Entombment,
1979-1983, undated
Scope and Content Note
10 items: 4 photographs, including 1 in color, 2 leaves of illustrated matter,
and Held's correspondence with Andrew Bowyer at Phillips Fine Art Auctioneers in
London and with Sotheby's London (David Fyfe-Jamieson). Regarding Rubens
attribution of a painting also ascribed to Gerard Seghers. [Color photograph is
shelved in Box 164, F. 22.]
box 84, folder 7
Passion of Christ:
Descent from the cross (various
paintings),
1988-1995, undated
Scope and Content Note
10 items: 4 photographs, 1 color transparency, and 6 leaves of illustrated
matter. [Color transparency is shelved in Box 164, F. 23.] [1 leaf of
illustrated matetr is shelved in Box 150*, F. 9.]
box 84, folder 8
Passion of Christ:
Last Supper,
1984, undated
Scope and Content Note
2 leaves of illustrated matter and 3 photographs. [Photographs are shelved in
Box 150*, F.10.]
box 84, folder 9
Passion of Christ:
Trinity,
1987
Scope and Content Note
4 items: 2 photographs, and correspondence with Stanley Moss (1 letter to Held
and 1 letter from Held).
box 84, folder 10
Passion of Christ:
Lamentation of Christ,
1973-1983
Scope and Content Note
18 items: 6 photographs, condition report (typescript, 3 leaves), copies of
expert opinions by Wilhelm Reinhold Valentiner and Max J. Friedländer, 1973
letter from Held to Father Mike Bransfield (The Maryknoll Fathers) in Chicago,
1974 correspondence with Del Schilz (1 letter to Held and 1 letter from Held),
and 1983 correspondence with William C. Beck (4 letters to Held and 2 letters
from Held). [2 photographs are shelved in Box 150*, F. 9.]
box 84, folder 11
Passion of Christ:
Christ triumphant over sin and
death
,
undated
Scope and Content Note
8 items: 7 photographs and 1 typescript (6 leaves).
box 84, folder 12
Passion of Christ:
Crucified Christ with
Saints
,
undated
Scope and Content Note
8 items: 5 photographs, 1 x-ray (?), and 2 notes.
box 84, folder 13
Passion of Christ:
Entombment of Christ,
1933, undated
Scope and Content Note
3 items: 1 photographs and 2 postcards of a copy after Caravaggio by Rubens [
Grablegung]. One of the postcards was sent to Held in Berlin,
text by [?] dated Nov. 12 1933. Painting in Vienna.
box 84, folder 14
Passion of Christ:
Ecce Homo,
undated
Scope and Content Note
2 photographs.
box 84, folder 15
Passion of Christ:
Arresting of Christ,
undated
Scope and Content Note
1 photograph.
box 84, folder 16
Passion of Christ:
Pieta,
undated
Scope and Content Note
3 items: 1 photograph, 1 postcard, and 1 leaf of illustrated matter.
box 84, folder 17
Passion of Christ:
Christ with the Cross,
undated
Scope and Content Note
2 photographs: a painting at National Gallery of Canada and an engraving by
[Aegidius?] Sadeler after [Cornelis or Paul] de Vos.
box 84, folder 18
Passion of Christ: correspondence with Alex Finck,
1965
Scope and Content Note
1 letter to Held regarding Rubens attribution of a painting referred to as
Tête du Christ from Windland collection. With a mention of
expert opinions by Leo van Puyvelde and [Alfred?] Stange. Held's reply (carbon
copy) on verso.
box 84, folder 19
Resurrection:
Christ bestowing a wreath,
1980-1981
Scope and Content Note
14 items: 2 photographs, 1 color transparency, printed matter, Held's letter to
Janet Wright Bijesse, and correspondence with Jay Schlesinger at Mac Beth
Gallery in New York (5 letters to Held and 5 letters from Held). [Color
transparency is shelved in Box 164, F. 24.]
box 84, folder 20
Resurrection:
Resurrection of Christ,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of illustrated matter.
box 84, folder 21
Resurrection:
Christ appears to Saint Mary Magdalen after His
resurrection
,
undated
Scope and Content Note
3 photographs. Painting at M. H de Young Memorial Museum also by Jan Brueghel
[Bruegel] the Elder. Also included is painting
Holy women and two angels
at the sepulcre
.
box 84, folder 22
Resurrection:
Christ in Emmaus,
1993, undated
Scope and Content Note
5 items: 2 photographs, printed matter, and correspondence with Jan Kelch at
Staatliche Museen zu Berlin Preussischer Kulturbesitz Gemäldegalerie.
box 84, folder 23
Resurrection:
Trinity,
undated
Scope and Content Note
3 photographs.
box 84, folder 24
Resurrection:
Last Judgement,
1990, undated
Scope and Content Note
ca. 13 items: 6 photographs, including 1 in color, printed matter, copy of
expert opinion by Didier Bodart, and correspondence between Held, Jay M. Starr
(Starr & Associates), and Chantal Thomas, and a letter to Thomas from lawyer
Vincenzo Grasso. [Color photograph is shelved in Box 164, F. 25.]
box 84, folder 25
Resurrection:
Resurrection,
undated
Scope and Content Note
4 photographs, including
Auferstehung at Bayerische
Staatsgemäldesammlungen in Munich.
box 84, folder 26
Resurrection:
Fall of the rebel angels,
undated
Scope and Content Note
5 items: 4 photographs, 1 leaf of illustrated matter. [Illustrated matter is
shelved in Box 150*, F.9.]
box 84, folder 27
Resurrection: correspondence with Anna Pianosi,
1984, undated
Scope and Content Note
6 items: 4 photographs, and correspondence with Pianesi (1 letter to Held and 1
letter from Held). Regarding a series of tapestries in Ancona with scenes of
Nativity,
Last Supper,
Assumption of the
Virgin
, and
Resurrection of Christ.
box 84, folder 28
Resurrection: various images with resurrected Christ,
undated
Scope and Content Note
3 items: 2 photographs:
Saint Augustine between Christ and the Holy
Virgin
and
St. Francis of Assisi in adoration before the
crucified Christ
; and a postcard with caption:
Intercession of
the Virgin and St. Francis
(
St. Francis of Assisi protecting
the world from the wrath of Christ
).
box 84, folder 29
Various religious themes:
undated
Scope and Content Note
7 photographs: detail of a painting in Potsdam, painting
Dead child
carried to heaven by angels
, print
Parable of the Good
Samaritan
by Michael Kirmer [Kirchmayer], drawing?
Das Alte und
das Neue Testament
, detail of painting
Christ and the two
Lazars (Le coup de la lance)
, panels depicting
Saviour
and
Virgin Mary (parts of altarpiece at Koninklijk Museum voor
Schone Kunsten in Antwerp), and an unidentified detail.
box 84, folder 30
Saint Ignatius of Loyola,
undated
Scope and Content Note
4 items: 3 photographs and 1 leaf of illustrated matter. Painting at Norton
Simon Foundation.
box 84, folder 31
Saint Theresa of Avila,
undated
Scope and Content Note
3 photographs of painting
St. Theresa's vision of the Dove.
box 84, folder 32
Saint Peter and Saint Paul,
undated
Scope and Content Note
2 photographs. Held's annotattions on verso include name of Rudolf
Heinemann.
box 84, folder 33
Saint Laurentius (Saint Laurence),
undated
Scope and Content Note
1 photograph. Painting at Schloss Schleissheim.
box 84, folder 34
Four Latin Fathers of the Church,
undated
Scope and Content Note
2 photographs of
Real presence in the Holy Sacrament at St
Paul's, Antwerp.
box 84, folder 35
Saint Livinus,
undated
Scope and Content Note
3 photographs, including 1 in color.
Martyrdom of St
Livinus
.[Color photograph is shelved in Box 164, F. 26.]
box 84, folder 36
Saint Justus,
1962, undated
Scope and Content Note
5 items (20 leaves): 1 photograph of
Miracle of St. Justus,
correspondence with Saemy Rosenberg at Rosenberg & Stiebel (1 letter to Held
and 1 letter from Held), and copies of various printed matter, manuscripts, and
typescripts.
box 84, folder 37
Saint Peter and Saint Paul,
undated
Scope and Content Note
3 photographs. Various artworks. [1 photograph is shelved in Box 150*,
F.10.]
box 84, folder 38
Saint Ives of Treguier,
undated
Scope and Content Note
13 photographs. Painting at Detroit Institute of Arts. [6 photographs are
shelved in Box 150*, F.11.]
box 84, folder 39
Saint Paul:
Conversion of Saint Paul,
1980-1995, undated
Scope and Content Note
ca. 8 items (18 leaves): an undated letter to Held from Norman Leitman, a
statement by Held dated 3 Jan. 1980, copy of a 1942 statement by Jacques Mathey,
typescript (8 leaves) by Hans Gerhard Evers titled
Eine Zeichnung zur
Bekehrung des Paulus von Rubens
, and illustrated and printed
matter.
box 84, folder 40
Saint Jerome,
1967-1987
Scope and Content Note
14 items: 9 photographs, printed matter, a note to Held from [Christian?]
Wolters, copies of 2 letters to Julius Weitzner from Michael Jaffé, and a letter
to Held from Law Offices Alvord and Alvord (Robert W. Alvord) regarding
paintings referred to as
Saint Jerome and
Head of Helene
Fourment
; with a mention of H. Stolz-Loeliger. [1 photograph is
shelved in Box 150*.]
box 85, folder 1
Saint Anthony,
1991, undated
Scope and Content Note
3 items: 1 photograph of
Death of St. Anthony Abbot, and 2
letters to Held from Marie-Eliane d'Udekem d'Acoz, annotated by Held.
box 85, folder 2
Saints:
Distribution of the rosary,
1988, undated
Scope and Content Note
11 items: 4 photographs, 1 color transparency with a note attached, 2 letters
to Held from Susan Hunting, 1 letter from held to Hunting, 1 leaf of typescript,
and printed matter. Annotations on verso of photographs and the note detail
provenance. Correspondence with Hunting also concerns Rubens attribution of
painting referred to as
Head of a turbaned African. [Color
transparency is shelved in Box 164, F. 27.]
box 85, folder 3
Saint George,
1982-1983, undated
Scope and Content Note
7 items: 5 photographs, and correspondence with Heinz Schneider (1 letter to
Held and 1 letter from Held). [See also items filed in Box 75, F.7 and Box 86,
F.1.]]
box 85, folder 4
Madonna [Virgin Mary] with several Saints,
1967-1974, undated
Scope and Content Note
7 items: 1 photograph, 2 letters to Held and a conservation report by Rodolphe
Langbank, copy of a letter to Langbank from conservator R. de Voeght, and copies
of 2 statements by Simone Bergmans concerning a painting referred to as
Vierge au rosaire, from the collection of Duc de
Marlborough.
box 85, folder 5
Saint Matthew,
1987-1988, undated
Scope and Content Note
7 items: 2 color photographs, 1 leaf of illustrated matter, letter to Held from
A. Kinis, and copies of expert opinions by Gustav Glück, Ludwig Burchard, and
Henri Parent. [Color photographs are shelved in Box 164, F. 28.]
box 85, folder 6
Saint Sebastian,
1970, undated
Scope and Content Note
4 items: 2 photographs, 1 photographic postcard (van Dyck painting at Galleria
Corsini in Rome), and printed matter.
box 85, folder 7
Saint John the Baptist:
Feast of Herod,
1963-1989
Scope and Content Note
16 items (ca. 50 leaves): 5 photographs, including 1 in color, 1 color
transparency, printed and illustrated matter, letter to Held from Gibbes Art
Gallery (Helen G. McCormack), correspondence with Effie M. Moore (Mrs. Robert
Moore) (2 letters to Held and 1 letter from Held), and letter to Held from Marco
Grassi. [Color photograph and transparency are shelved in Box 164, F. 29.]
box 85, folder 8
Rubens. Paintings, religious: Saints: Saint John the Baptist:
The head of John the Baptist presented to Salome,
1988, undated
Scope and Content Note
7 leaves of printed and illustrated matter.
box 85, folder 9
Saint Magdalen,
1959-1997
Scope and Content Note
15 items: 6 photographs, including 2 in color, a small sketch by Held,
illustrated matter, 1959 letters to Held from Gaspard Beurms and F. van Molle
(Université catholique de Louvain), and 3 leaves of typescripts concernng
painting referred to as
Ste Madeleine repentante. [Color
photographs are shelved in Box 164, F. 30.]
box 85, folder 10
Saint Magdalen,
1972, undated
Scope and Content Note
5 items: 1 photograph, 1 color slide, and correspondence with Jeanne Chenault
(University of Tennessee, Knoxville) (1 letter and a card to Held, and 1 letter
from Held). Painting referred to as
Repenting Magdalen. [Slide
shelved in Box 164, F. 31.]
box 85, folder 11
Saint Bavo,
undated
Scope and Content Note
2 items: 1 leaf of illustrated matter and 1 photographic postcard of
Conversion of St. Bavo in Ghent. Postcard inscribed to Held
(1954).
box 85, folder 12
Saint Catherine,
1980-1981, undated
Scope and Content Note
9 items: 4 photographs, 2 leaves of illustrated matter, 2 letters from Held to
Erwin Mitsch at Graphische Sammlung Albertina, and 1 letter from Held to
Mercedes Royo-Villanova at Museo del Prado. [1 leaf of illustrated matter
shelved in Box 150*, F. 12.] Paintings:
Saint Catherine of
Alexandria
,
Crowning of St. Catherine, and
Mystic marriage of St. Catherine.
box 85, folder 13
Saint Cecilia,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of illustrated matter. Two various paintings
of
Saint Cecilia playing the virginals.
box 85, folder 14
Saint Thomas,
undated
Scope and Content Note
2 photograph. Painting at Prado, Madrid and
Martryrdom of Saint Thomas
in Prague.
box 85, folder 15
Saint Gregory,
undated
Scope and Content Note
1 photograph of
Saint Gregory the Great surrounded by other
Saints
.
box 85, folder 16
Saint Ildefonso,
undated
Scope and Content Note
1 photograph of the center panel of
Triptych of Saint
Ildefonso
.
box 85, folder 17
Saint Jerome,
undated
Scope and Content Note
1 photograph of
Saint Jerome in his study.
box 85, folder 18
Saint Michael,
undated
Scope and Content Note
1 photograph of
Saint Michael striking down the rebellious
angels
.
box 85, folder 19
Saint John the Baptist and Saint Martina,
undated
Scope and Content Note
2 photographs of the side panels of
Resurrection of Christ,
called
Moretus triptych, at Antwerp Cathedral.
box 85, folder 20
Saint Ambrose [Ambrosius],
undated
Scope and Content Note
1 photograph of painting
Emperor Theodosius is forbidden by Saint
Ambrose to enter Milan Cathedral
.
box 85, folder 21
Saint Christopher,
undated
Scope and Content Note
1 photograph:
Saint Christopher carrying the Christ Child, the
left panel of the triptych
Descent from the Cross (altarpiece
closed) at Antwerp Cathedral.
box 85, folder 22
Saint Francis Xavier
1990, undated
Scope and Content Note
2 items: 1 color transparency and 1 leaf of illustrated matter. Color
transparency includes label inscribed by Held with a reference to painting
Miracles of Saint Francis Xavier. Illustrated matter is of
painting
Dominican Saint performing miracles. [Color
transparency is shelved in Box 164, F. 32.]
box 85, folder 23
Saints: various images,
1989, undated
Scope and Content Note
6 items: 1 color transparency, 2 postcards, and 3 leaves of illustrated matter.
Color transparency is inscribed on mount with a reference to [Heinz?] Kisters.
Postcard illustrations are of paintings at Notre-Dame's Church in Mechelen
(Malines). [Color transparency is shelved in Box 164, F. 33.]
box 85, folder 24
Saints: unidentified?
1994, undated
Scope and Content Note
3 items: letter to Hed from Travers Newton, and 2 color photographs of
paintings at Museu de Arte de São Paulo. [Color photographs are shelved in Box
164, F. 34.]
box 85, folder 25
Saints: notes and correspondence,
1953, undated
Scope and Content Note
3 items: letter to Held from Jean Cailleux (3 Sept. 1953), an undated letter to
Held from Barbara E. Ernst, and an undated note by Held concerning a painting
form the collection of Christopher Norris.
box 85, folder 26
Angels: Archangel,
undated
Scope and Content Note
ca. 15 items: 11 photographs, including 3 in color and 3 of x-ray images, 1
color transparency, illustrated matter and 2 typescripts (total 4 leaves).
Painting at Flint Institute of Arts. Painting was formerly part of
Erection of the Cross triptych at Church of St. Walburga in
Antwerp. [Color photographs and transparency are shelved in Box 164, F. 35.]
box 85, folder 27
Angels:
undated
Scope and Content Note
2 photographs of paintings at Galerie Liechtenstein in Vaduz. Paintings were
originally organ wings.
box 85, folder 28
Painting:
Gonzaga Family in Adoration of the Most Holy
Trinity
: images,
undated
Scope and Content Note
27 items: 20 photographs, including several clippings, 1 color transparency,
and 6 negatives. [Color transparency and negatives are shelved in Box 164, F.
36.]
box 85, folder 29
Paintings:
Gonzaga Family in Adoration of the Most Holy
Trinity
,
1985, undated
Scope and Content Note
3 items (6 leaves) of printed and illustrated matter. Includes photocopy of an
article by Michael Jaffé.
box 85, folder 30
Painting:
Gonzaga Family in Adoration of the Most Holy
Trinity
,
undated
Scope and Content Note
17 items: 10 leaves of notes and 7 leaves of pencil drawings by Held.
box 85, folder 31
Painting:
Gonzaga Family in Adoration of the Most Holy
Trinity
,
undated
Scope and Content Note
25 items: notes and clippings of photographs, including envelope.
box 85, folder 32
Painting:
Gonzaga Family in Adoration of the Most Holy
Trinity
: correspondence with Mina Gregori,
1990
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 85, folder 33
Painting:
Gonzaga Family in Adoration of the Most Holy
Trinity
: correspondence with Frederick Hartt,
undated
Scope and Content Note
1 letter to Held.
box 85, folder 34
Painting:
Gonzaga Family in Adoration of the Most Holy
Trinity
: correspondence with Thomas C. Howe,
1941-1946
Scope and Content Note
3 letters to Held from director of the California Palace of the Legion of Honor
in San Francisco.
box 85, folder 35
Painting:
Gonzaga Family in Adoration of the Most Holy
Trinity
: correspondence with Rachel Kaminsky,
1994
Scope and Content Note
1 letter from Held.
box 85, folder 36
Painting:
Holy Women at the Sepulchre,
undated
Scope and Content Note
11 items: 9 photographs, 1 color transparecy and 1 negative. [Color
transparency and negative are shelved in Box 164, F. 37.]
box 85, folder 37
Painting:
Holy Women at the Sepulchre,
1983-1990, undated
Scope and Content Note
10 leaves of illustrated matter. Mostly photocopies.
box 85, folder 38
Painting:
Holy Women at the Sepulchre,
undated
Scope and Content Note
ca. 55 leaves of notes, including a few typescripts and annotated printed
matter.
box 85, folder 39
Painting:
Holy Women at the Sepulchre: correspondence
with Richard Brilliant,
undated
Scope and Content Note
1 letter to Held.
box 85, folder 40
Painting:
Holy Women at the Sepulchre: correspondence
with David Davis,
1981
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 85, folder 41
Painting:
Holy Women at the Sepulchre: correspondence
with M. E. Havenith,
1989
Scope and Content Note
1 letter to Held.
box 85, folder 42
Painting:
Holy Women at the Sepulchre: correspondence
with Selma Holo,
1978
Scope and Content Note
4 items: 1 letter to Held from the curator at Norton Simon Museum of Art at
Pasadena, 1 letter from Held, and 2 leaves of notes.
box 85, folder 43
Painting:
Holy Women at the Sepulchre: correspondence
with Anne W. Lowenthal,
1989
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held.
box 85, folder 44
Painting:
Holy Women at the Sepulchre: correspondence
with Laurie Schneider,
undated
Scope and Content Note
1 letter to Held from editor of
Source : notes for history of
art
.
box 86, folder 1
Painting:
Rearing horse,
1982, undated
Scope and Content Note
3 items (5 leaves): correspondence with Heinz Schneider (1 letter to Held and 1
letter from Held) concerning painting
A rearing horse and 1 color
transparency. [See also items filed in Box 75, F.7 and Box 85. F.3.] [Color
transparency is shelved in Box 164, F. 38.]
box 86, folder 2
Copies, imitations:
Judgement of Solomon,
1969, undated
Scope and Content Note
4 items: 1 photograph, typescript (6 leaves, copy), and correspondence with
Myron Laskin (1 letter to Held and 1 letter from Held).
box 86, folder 3
Copies, imitations:
Lamentation,
1966-1992, undated
Scope and Content Note
6 items: 1 color transparency, correspondence with Lucas Schormans (1 letter to
Held and 1 letter from Held), expert opinions by Justus Müller Hofstede and J.
P. Kastner, and conservation estimate from Sabine Euler-Künsemüller and Roswitha
Friedelt. [Color transparency is shelved in Box 164, F. 39.]
box 86, folder 4
Copies, imitations:
Mater Dolorosa,
1986, undated
Scope and Content Note
8 items: 2 photographs, copies of expert opinions by Gustav Glück and Wilhelm
von Bode (both undated), and correspondence with Gregory Martin at Christie's
London (1 letter to Held and 1 letter from Held) and Rosemarie Riemke (1 letter
to Held and 1 letter from Held).
box 86, folder 5
Copies, imitations:
Adoration of the Magi,
1994, undated
Scope and Content Note
12 items: 6 color photographs, 2 letters to Held from Paul J. Wells, and 4
leaves of copies of typescript and manuscript matter, including texts of
certificates by Com. Hofstede de Groot and W. E. Valentiner. [Color photographs
are shelved in Box 164, F. 40.]
box 86, folder 6
Copies, imitations:
Salome with head of Saint John the
Baptist
?,
1957, undated
Scope and Content Note
5 items: 3 photographs, 1 color transparency and 1 press clipping. [Color
transparency is shelved in Box 164, F. 41.]
box 86, folder 7
Copies, imitations:
Susanna and the Elders,
1961, undated
Scope and Content Note
2 items: 1 photograph and letter to Held from Henry R. Hope, chairman at
Indiana University in Bloomington.
box 86, folder 8
Copies, imitations:
Saint Simeon and Infant
Jesus
,
undated
Scope and Content Note
2 photographs.
box 86, folder 9
Copies, imitations:
Adoration of the shepherds or
Nativity,
1963
Scope and Content Note
2 items: 1 photograph and letter to Held from V. Y. Metcalf at Paul Metcalf Art
Galleries.
box 86, folder 10
Copies, imitations:
Last Judgement,
1973, undated
Scope and Content Note
2 items: 1 photograph and letter to Held from art dealer Ronald Cohen at Cohen
& Sons in London.
box 86, folder 11
Copies, imitations:
Madonna with Child,
1965-1974
Scope and Content Note
5 items: letter to Held from Marie-Antoinette Vézac, and copies of illustrated
matter and expert opinions by Leo van Puyvelde (with English translations).
box 86, folder 12
Copies, imitations:
Conversion of Saint
Paul
,
1967, undated
Scope and Content Note
5 items (7 leaves): 1 photograph and correspondence with V. Stephan Krajcovic
(3 letters to Held and 1 letter from Held).
box 86, folder 13
Copies, imitations:
Martyrdom of Saint
Livinius
,
1969, undated
Scope and Content Note
3 items: 1 photograph, and correspondence with Michele Schiavone (1 letter to
Held and 1 letter from Held).
box 86, folder 14
Copies, imitations: painting of a dragon entangled with men and
lions,
1975, undated
Scope and Content Note
3 items: 1 photograph, 1 color transparency, and letter to Held from Jacques
Petit-Hory. [Color transparency is shelved in Box 164, F. 42.]
box 86, folder 15
Copies, imitations:
Holy Family,
1981
Scope and Content Note
3 items: 1 photograph, 1 color transparency, and letter to Held from Joseph
Guttmann regarding a painting attributed to Jacques Della Faille. [Color
transparency is shelved in Box 164, F. 43.]
box 86, folder 16
Copies, imitations:
Mystic marriage of St.
Catherine
,
1974, undated
Scope and Content Note
2 items: 1 photograph and letter to Held from Rolan Robert regarding Rubens
attribution of a painting from the collection of Marquis de Pastoret.
box 86, folder 17
Copies, imitations:
Deposition of Christ
(sculpture),
1976, undated
Scope and Content Note
3 items: 1 photograph and correspondence with Rev. Donald F. Rowe at Loyola
University of Chicago (1 letter to Held and 1 letter from Held).
box 86, folder 18
Copies, imitations:
Adoration of the Magi,
1976, undated
Scope and Content Note
4 items: 1 photograph, 2 color polaroids, and letter to Held from Helmut Demme.
[Polaroids are shelved in Box 164, F. 44.]
box 86, folder 19
Copies, imitations:
Assumption of the
Virgin
,
1982-1989, undated
Scope and Content Note
6 items (9 leaves): 1 color photograph, printed and illustrated matter, letter
to Held from Virgilia Pancoast at IFAR [International Foundation for Art
Research] and an IFAR examination report of painting
Virgin with
Angels
. [Color photograph is shelved in Box 86, F. 19.]
box 86, folder 20
Copies, imitations:
Adoration of the
shepherds
,
1953, undated
Scope and Content Note
3 items : 2 photographs, including 1 in color, and letter to Held from Paul H.
North Jr. in Columbus, Ohio. [Color photograph is shelved in Box 164, F.
47].
box 86, folder 21
Copies, imitations:
Adoration of the
shepherds
,
undated
Scope and Content Note
1 photograph. on verso: collection Fernand Fievez, Bruxelles.
box 86, folder 22
Copies, imitations:
Adoration of the Magi,
1968-1969
Scope and Content Note
3 items: 2 letters to Held from Thomas W. Phelps, and 1 letter from Held.
box 86, folder 23
Copies, imitations: various artworks,
1987-1990
Scope and Content Note
18 items: 9 photographs, including 2 in color, and 9 leaves of illustrated
matter. [Color photographs are shelved in Box 164, F. 48.]
box 86-89
Research on Rubens: correspondence and notes
box 86, folder 24
Rubens, selected drawings: Ackland Art
Center,
1962
Scope and Content Note
1 letter to Held from Joseph C. Sloane, director of the William Hayes Ackland
Memorial Art Center regarding
Portrait of an Emperor and
Empress
.
box 86, folder 25
Rubens, selected drawings: Matthias Bleyl,
1986
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, and letter to Held from Carl
Benno Heller at Hessisches Landesmuseum Darmstadt. Regarding Rubens attribution
of drawing referred to as
Madonna with Child and Sainte Anne.
box 86, folder 26
Rubens, selected drawings: Ludwig Burchard,
1945
Scope and Content Note
2 photographs of letter to Held regarding a [drawing?] referred to as
Madonna with Child.
box 86, folder 27
Rubens, selected drawings: Günter Busch,
1956
Scope and Content Note
1 letter to Held from the director of Kunsthalle Bremen regarding drawing
Versöhnung der Maria von Medici mit ihrem Sohne (
The
Queen's Reconciliation with Her Son
).
box 86, folder 28
Rubens, selected drawings: Trudy Busch,
1954
Scope and Content Note
2 items (4 leaves): 1 letter to Held from the daughter of the cellist Hermann
Busch, and a small sketch by Held.
box 86, folder 29
Rubens, selected drawings: Civici musei veneziani d'arte
e di storia,
undated
Scope and Content Note
1 letter to Held, dated 25 Aug. [year?] regarding a drawing representing a
young man. Signature illegible.
box 86, folder 30
Rubens, selected drawings: Anne V. Dort,
1956
Scope and Content Note
4 items: 1 letter to Held from Dort at Fogg Art Museum, 1 letter from Held to
Dort, and Dort's correspondence with Clarence L. Hay. Concerning a drawing
referred to as
Saint Gregory Nazianzus.
box 86, folder 31
Rubens, selected drawings: Ludwig
Goldscheider,
1953
Scope and Content Note
1 letter to Held regarding Rubens's copies after Italian artists.
box 86, folder 32
Rubens, selected drawings: Frederick Hartt,
1953
Scope and Content Note
3 items: 1 letter to Held, a small sketch in pencil, and 1 letter from Held
(incomplete).
box 86, folder 33
Rubens, selected drawings: Clarence L. Hay,
1952-1955
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held.
box 86, folder 34
Rubens, selected drawings: Minna H. Horwitz,
1952
Scope and Content Note
1 letter from Held to the conservator at Metropolitan Museum of Art, NY. With a
mention of Clarence L. Hay.
box 86, folder 35
Rubens, selected drawings:
The London
Times
,
1959
Scope and Content Note
1 letter from Held to the editor of
London Times regarding an
article about a painting in Geneva.
box 86, folder 36
Rubens, selected drawings: J. Hall
Pleasants,
1951
Scope and Content Note
1 letter to Held (2 leaves) regarding a painting from the Peeters-Stier
collection.
box 86, folder 37
Rubens, selected drawings: R. A. [?],
1953
Scope and Content Note
1 letter to Held
box 86, folder 38
Rubens, selected drawings: Staatliche Kunstsammlungen in
Weimar,
1954
Scope and Content Note
1 letter to Held from director Scheidig regarding artworks
Allegory of
Peace
,
Portrait of a child, and
Portrait of Duke
of Lerma
.
box 86, folder 39
Burlington Magazine article: correspondence with Cliff
Ackley,
1986
Scope and Content Note
1 letter from Held to Ackley at Museum of Fine Arts Boston concerning a sketch
by Rubens of
Danaë in the collection of Quinct A. Shaw in
Boston.
box 86, folder 40
Burlington Magazine article: correspondence with Julian
Agnew,
1980-1987
Scope and Content Note
7 items: 4 letters to Held and 3 letters from Held. Correspondence with the art
dealer at Thos. Agnew & Sons Ltd in London regarding a
Crucifixion attributed to Rubens by Michael Jaffé, and a Rubens
oil sketch from a private collection in France.
box 86, folder 41
Burlington Magazine article: correspondence with Robert
Baldwin,
1985
Scope and Content Note
1 letter to Held (3 leaves) regarding artworks by Rubens referred to as
resurrection scenes.
box 86, folder 42
Burlington Magazine article: correspondence with Stuart
R. Beeson,
1986-1987
Scope and Content Note
4 items: 2 letters from Held and 2 letters to Held from Gordon, Dadds & Co.
in London regarding oil sketch
Holy Trinity from the estate of
Lt. Col. H.R.H. Davies at Museums and Art Gallery in Birmingham. With a mention
of Richard Lockett.
box 86, folder 43
Burlington Magazine article: correspondence with Paul
Boerlin,
1987
Scope and Content Note
3 items: 1 letter to Held from the director of Öffentliche Kunstsammlung Basel
and 1 letter from Held. Attached is letter to Held from Stuart R. Beeson at
Gordon, Dadds & Co. in London. Correspondence regarding oil sketch
Holy Trinity from the estate of Lt. Col. H.R.H. Davies.
box 86, folder 44
Burlington Magazine article: correspondence with
Bruckmann München,
1986
Scope and Content Note
1 letter to Held from an editor of the art magazine
Pantheon
Stefanie Bielmeier.
Burlington Magazine article.
box 86, folder 45
Burlington Magazine article: correspondence with editors
of
Burlington Magazine,
1986-1987
Scope and Content Note
22 items: 8 letters to Held and 11 letters from Held. Correspondence with
editors Neil Mac Gregor and Caroline Elam. Also present is copy of an invoice
from Burlington Magazine Publications to Brod Gallery in London, annotated by
Held.
box 86, folder 46
Burlington Magazine article: correspondence with Gregory
Callimanopulos,
1986
Scope and Content Note
4 items: Held's correspondence with secretary of Gregory Callimanopulos (Wanda
Slepokura), and correspondence between Callimanopulos (his secretary) and
Alexander Parish at Christie's New York.
box 86, folder 47
Burlington Magazine article: correspondence with Peter
Cannon-Brookes,
1981
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with the
curator at National Museum of Wales in Cardiff regarding oil sketch
Holy
Trinity
from the estate of Lt. Col. H.R.H. Davies.
box 86, folder 48
Burlington Magazine article: correspondence with
Christie's London,
1977-1986
Scope and Content Note
7 items: 5 letters to Held from Gregory Martin, and 2 letters from Held.
Correspondence regarding Rubens attribution of an oil sketch referred to as
Danaë.
box 86, folder 49
Burlington Magazine article: correspondence with
Christie's New York,
1986
Scope and Content Note
1 letter to Held from Alexander Parish. With a mention of Gregory
Callimanopulos.
box 87, folder 1
Burlington Magazine article: correspondence with Lavinia
Davies,
1987, undated
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with the niece
of Lt. Col. H.R.H. Davies regarding oil sketch
Holy Trinity , and
two other oil sketches.
box 87, folder 2
Burlington Magazine article: correspondence with Jacques
Foucart,
1984-1986
Scope and Content Note
6 items: 3 letters to Held, 2 letters from Held to Foucart , and Held's letter
to Gregory Martin at Christie's London.
box 87, folder 3
Burlington Magazine article: correspondence with
Giovanni Ghezzi,
1987
Scope and Content Note
1 letter to Held authorizing Held to publish a sketch of Ganymede. With a
mention of Frederick Mont.
box 87, folder 4
Burlington Magazine article: correspondence with Paul L.
Grigaut,
1964, undated
Scope and Content Note
5 items (6 leaves): 1 letter to Held from director of Virginia Museum of Fine
Arts in Richmond, 1 letter from Held, 2 leaves of typescript (copy), and 1
photograph of a portrait of Henriette de Joyeuse attributed to Frans Pourbus.
Mainly concerning paintings
Portrait of Helene Fourment and
Pallas and Arachne.
box 87, folder 5
Burlington Magazine article: correspondence with Joseph
M. B. Guttmann,
1987
Scope and Content Note
1 letter from Held.
box 87, folder 6
Burlington Magazine article: correspondence with Richard
Lockett,
1986
Scope and Content Note
2 items: 1 letter from Held and 1 letter to Held. Correspondence with the
curator at Museums and Art Gallery in Birmingham, England concerning oil
sketches
The Holy Trinity from the estate ol Col. Davies, and
Sketch for the Banqueting House Ceiling, Whitehall.
box 87, folder 7
Burlington Magazine article: correspondence with
Anne-Marie Logan,
1985-1987
Scope and Content Note
3 items: 2 letters to Held and 1 color slide. [Color slide is shelved in Box
164, F. 49.]
box 87, folder 8
Burlington Magazine article: correspondence with Betty
Mont,
1980-1986
Scope and Content Note
13 items (21 leaves): 5 letters to Held and 5 letters from Held, including 1 to
Frederick Mont. Also present are letters from Held to Clyde Newhouse, and to
Kurt Allen Brod, and printed matter (photocopy). Regarding the oil sketch
Rape of Ganymede. With a mention of Michael Jaffé.
box 87, folder 9
Burlington Magazine article: correspondence with Konrad
Oberhuber,
1987
Scope and Content Note
1 letter from Held regarding oil sketch
Holy Trinity.
box 87, folder 10
Burlington Magazine article: correspondence with Michael
Rich,
1986-1987
Scope and Content Note
8 items: a note and 3 letters (1 copy) to Held and 3 letters from Held.
Regarding oil sketch depicting Jupiter's visit to Danaë.
box 87, folder 11
Burlington Magazine article: correspondence with
Sotheby's Paris,
1986
Scope and Content Note
4 items: 3 letters to Held from Jacques Leegenhoek and 1 letter from Held.
Regarding oil sketch
Virgin adorned by Saints.
box 87, folder 12
Burlington Magazine article: correspondence with Nicole
Veronée,
1986, undated
Scope and Content Note
3 items (4 leaves): 1 letter to Held, and 2 letters from Held, including an
undated letter from Veronée to Held written on verso of an illustration of her
residence at Maison de Chanoine. Regarding oil sketch
Coronation of the
Virgin
. With a mention of Hans Vlieghe.
box 87, folder 13
Burlington Magazine article: correspondence with Hans
Vlieghe,
1986
Scope and Content Note
6 items: 3 letters from Held and 3 letters to Held from Vlieghe at Rubenianum
in Antwerp. Regarding oil sketches
Assumption of the Virgin and
Coronation of the Virgin.
box 87, folder 14
Burlington Magazine article: correspondence with Mary
Crawford Volk,
1979
Scope and Content Note
1 letter to Held. Volk mentions her manuscript on Leganés' collection, and a
newly discovered
Samson and the Lion in the collection of the
Duke of Hernani at Madrid.
box 87, folder 15
Burlington Magazine article: correspondence with Arthur
K. Wheelock,
1993-1996
Scope and Content Note
4 items: 3 letters to Held from the curator at National Gallery of Art in
Washington DC, and copy of an expert opinion by Wilhelm Reinhold Valentiner.
Regarding an oil sketch representing Henry IV.
box 87, folder 16
Burlington Magazine article,
undated
Scope and Content Note
17 leaves of notes. Also an undated circular letter by Held.
box 87, folder 17
Rubens research (1990-1995): correspondence with Bryan
Greene,
1993
Scope and Content Note
4 items: 1 letter to Held, 1 letter to Held, copy of a 1977 letter by [?] (with
King's College Cambridge letterhead), and 1 color transparency. Regarding
painting referred to as
Jupiter and Venus or
Jupiter
supplicated by Venus
, from the collection of Ernst Sleganthaler.
[Color transparency is shelved in Box 164, F. 50.]
box 87, folder 18
Rubens research (1990-1995): correspondence with Hinnant &
Co.,
1990-1993, undated,
Scope and Content Note
13 items: 4 letters to Held from Joyce T. and Rick Hinnant, 2 letters from
Held, WCCFA condition report (typescript, 4 leaves, annotated by Held), 2
photographs, 1 color transparency, and 2 leaves of illustrated matter. Also
present is a letter to Held from Timothy J. Standring at the Denver Art Museum.
Regarding a painting referred to a
Gethsemane, or
Agony in
the garden
. [Color transparency is shelved in Box 164, F. 51.]
box 87, folder 19
Rubens research (1990-1995): correspondence with Timothy J.
Hmielewski,
1993, undated
Scope and Content Note
5 items (9 leaves): 1 letter to Held, conservation report (4 leaves) by Pauline
Pocock, 2 color photographs, and 1 leaf of illustrated matter. Concerning
painting referred to as
Allegory of War, or
Horrors of
War
, also as
Allegory of Europe at War. [Color
photographs are shelved in Box 164, F. 52.]
box 87, folder 20
Rubens research (1990-1995): correspondence with Peter A.
Lipp,
1992-1993
Scope and Content Note
5 items: 2 letters to Held from the art dealer in Berlin, copy of an expert
opinion by Justus Müller Hofstede (painting
Die Heilige Familie mit der
Hl. Anna
), 1 color photograph, and 1 color transparency. [Color
photograph and transparency are shelved in Box 164, F. 53.]
box 87, folder 21
Rubens research (1990-1995): correspondence with Francine de
Nave,
1993-1994
Scope and Content Note
2 items: 1 letter from Held to de Nave (conservator at Museum Plantin-Moretus
in Antwerp), and 1 letter to Held from Carl Depauw at Stad Antwerpen Historische
Musea. Concerning drawing
Nymphs and Satyrs, attributed to Jacob
Jordaens.
box 87, folder 22
Rubens research (1990-1995): correspondence with Zarmina
Sherzad,
1993, undated
Scope and Content Note
1 letter to Held, 10 color photographs, and 4 leaves of notes. With a mention
of Arthur Wheelock at National Gallery of Art. Concerning a painting
Diana and Acteon [after Titian?]. [Color photographs are
shelved in Box 164, F. 54.]
box 87, folder 23
Rubens research (1990-1995): correspondence with Werner
Signer,
1992-1993
Scope and Content Note
15 items: 3 letters to Held from the art dealer, 9 photographs, including 8 in
color, and 3 color transparencies. Draft of Held's reply on verso of Signer's
letter dated 1 Feb. 1993. Regarding painting referred to as
Pan and
Syrinx
. [Color photographs and transparencies are shelved in Box 164,
F. 55.]
box 87, folder 24
Rubens research (1990-1995): correspondence with Clovis
Whitfield,
1995
Scope and Content Note
4 items: 2 letters to Held from the art dealer (Whitfield Fine Art Limited,
London), copy of an examination report by Justus Müller Hofstede (in Italian) of
painting referred to as
Centauri in amore, and photocopy of
illustrated matter. Regarding painting
Love of the centaurs.
[Also see items filed in Box 78, F. 37.]
box 87, folder 25
Rubens research (1990-1995): correspondence with Frank
Zöllner,
1992
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Concerning drawing
The
fight for the standard
at the Louvre.
box 87, folder 26
Paper on
Battle of Greeks and Amazonsfor 1982 Rubens
Symposium: correspondence with Frans Baudouin,
1978-1985
Scope and Content Note
3 items (5 leaves): 2 letters to Held and 1 letter from Held.
box 87, folder 27
Paper on
Battle of Greeks and Amazonsfor 1982 Rubens
Symposium: correspondence with Anne-Marie Logan,
1978
Scope and Content Note
2 letters to Held.
box 87, folder 28
Paper on
Battle of Greeks and Amazonsfor 1982 Rubens
Symposium: correspondence with Staatliche Schlösser und Gärten Potsdam
-Sanssouci,
1978
Scope and Content Note
1 letter to Held. Signed by director Giersberg and by G. Bartoschek.
box 87, folder 29
Paper on
Battle of Greeks and Amazonsfor 1982 Rubens
Symposium: correspondence with Emile Verrijken,
1977-1983, undated
Scope and Content Note
5 items (11 leaves): 3 letters to Held and 2 letters from Held.
box 87, folder 30
Paper on
Battle of Greeks and Amazonsfor 1982 Rubens
Symposium: correspondence with Hans Vlieghe,
1982
Scope and Content Note
1 letter from Held.
box 87, folder 31
Paper on
Battle of Greeks and Amazonsfor 1982 Rubens
Symposium: correspondence with William H. Wilson,
1982-1983
Scope and Content Note
6 items: 2 letters to Held from the curator at John and Mable Ringling Museum
of Art in Sarasota, Fla., and 1 letter from Held. Also included are
correspondence with museum's staff Wendy H. McFarland regarding scheduling of
the Rubens Symposium, and a note.
box 87, folder 32
Paper on
Battle of Greeks and Amazonsfor 1982 Rubens
Symposium,
undated
Scope and Content Note
14 items: 3 photographs and 11 leaves of illustrated matter. Images of various
battle scenes and other related iconographical motives, by Rubens and other
artists, including painting
Battle of Hercules and the Amazons by
Hendrik van Balen the Elder.
box 87, folder 33
Paper on
Battle of Greeks and Amazonsfor 1982 Rubens
Symposium,
undated
Scope and Content Note
ca. 120 leaves of notes, also 1 press clipping.
box 87, folder 34
Paintings by Rubens and Flemish school in the collection of Sir Joshua
Reynolds (Francis Broun's dissertation),
1985-1986, undated
Scope and Content Note
5 items (ca. 40 leaves): correspondence with Broun (2 letters to Held and 1
letter from Held), and draft entries from Broun's dissertation (41 leaves).
Draft annotated by Held.
box 87, folder 35
Notes on Delacroix and Rubens,
undated
Scope and Content Note
9 leaves of notes taken by Held from
Journal de Eugène Delacroix
for a planned study.
box 87, folder 36
Notes from
De Antwerpsche "Konstkamers" by Jean
Denucé,
undated
Scope and Content Note
4 leaves of notes.
box 87, folder 37
Notes and correspondence on Rubens's drawings: correspondence with
Martin B. Asscher [?],
undated
Scope and Content Note
1 letter to Held (2 leaves) regarding drawing of an angel blowing a
trumpet.
box 87, folder 38
Notes and correspondence on Rubens's drawings: J. Anthony
Betts,
1954-1955
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Concerning a drawing
referred to as portrait of Mary de Medicis, from the collection of Sir Joshua
Reynolds.
box 87, folder 39
Notes and correspondence on Rubens's drawings: J.
Bruchot-[?],
1956
Scope and Content Note
1 letter to Held from conservator at Cabitet des dessins, Palais du Louvre,
regarding reprints.
box 87, folder 40
Notes and correspondence on Rubens's drawings: Herman
Liebaers,
1956
Scope and Content Note
1 letter to Held from Bibliothèque royale de Belgique.
box 87, folder 41
Notes and correspondence on Rubens's drawings: notes,
undated
Scope and Content Note
ca. 20 leaves of notes, including several small sketches in pencil and pen; and
an empty envelope addressed to Otto Kurz at Warburg Institute of Art in London,
postmarked 1956, with stamp of Franz Reichsman in Rochester, N.Y. on verso.
box 88, folder 1
Rubens in America correspondence: American Federation of
Arts,
1946
Scope and Content Note
1 letter from Book Sales Service staff Elizabeth Medinger to Pantheon Books.
Annotated by Held.
box 88, folder 2
Rubens in America correspondence: The Art Institute of
Chicago,
1946
Scope and Content Note
2 letters to Held. Regarding an artwork from Epstein collection.
box 88, folder 3
Rubens in America correspondence: Barnes
Foundation
1949
Scope and Content Note
1 letter from Albert C. Barnes to Pantheon Books Inc. (copy).
box 88, folder 4
Rubens in America correspondence: The Baltimore Museum
of Art,
1944-1946
Scope and Content Note
2 letters (3 leaves) to Held from Gertrude Rosenthal regarding painting
Portrait of a man from Epstein collection, and
Portrait
of Duchess of Cruye
from Mary Frick Jacobs Collection.
box 88, folder 5
Rubens in America correspondence: Richard
Bernheimer,
1946
Scope and Content Note
2 letters to Held from the scholar regarding location of several artworks by
Rubens in various American museums.
box 88, folder 6
Rubens in America correspondence: Brooks Memorial Art
Gallery,
1946
Scope and Content Note
1 letter to Held from director Louise B. Clark reagarding a portrait by Rubens.
With a mention of Wilhelm Reinhold Valentiner.
box 88, folder 7
Rubens in America correspondence: Cincinnati Art
Museum,
1946
Scope and Content Note
1 letter to Held from registrar Marie Blatherwick regarding etching
Saint Catherine in the clouds, and painting
Holy
Family
by Rubens.
box 88, folder 8
Rubens in America correspondence: Columbia University,
Library,
1946
Scope and Content Note
1 letter to Held signed by Mary W. Chamberlei [?] regarding a tapestry after
Rubens.
box 88, folder 9
Rubens in America correspondence: Detroit Institute of
Arts,
1946
Scope and Content Note
2 letters to Held from director E. P. Richardson. Regarding a drawing of two
cupids by Rubens.
box 88, folder 10
Rubens in America correspondence: Fogg Museum of
Art,
1946
Scope and Content Note
4 items (5 leaves): 3 letters to Held from Charles L. Kihn and Agnes Mongan,
and 1 letter to Jan-Albert Goris from Mary Wadsworth.
box 88, folder 11
Rubens in America correspondence: Maurice
Garbáty,
1946
Scope and Content Note
3 items: 2 letters to Held and 1 leaf of description of painting
Opfer
Abrahams
from the collection of J. Unger taken from 1917 auction
catalogue of Cassirer & Helbing.
box 88, folder 12
Rubens in America correspondence: Gustav
Glück,
1921, 1946
Scope and Content Note
2 items: 1946 letter to Held, and expert opinion of painting
Krönung
Mariens
[
Coronation of the Virgin] from 1921
(typescript, 4 leaves).
box 88, folder 13
Rubens in America correspondence: Jan-Albert
Goris,
1946, undated
Scope and Content Note
ca. 25 items (28 leaves): 18 letters to Held, 3 letters from Held (undated),
and notes.
box 88, folder 14
Rubens in America correspondence: M. Knoedler &
Co.,
1946
Scope and Content Note
1 letter to Held regarding photograph of Rubens's
Archduke
Ferdinand
.
box 88, folder 15
Rubens in America correspondence: David M.
Koetser,
1946
Scope and Content Note
1 letter to Held from the art dealer regarding a sketch
Saint George and
the dragon
.
box 88, folder 16
Rubens in America correspondence: Lilly Research
Laboratories,
1946
Scope and Content Note
1 letter to Goris regarding
Portrait of a man by Rubens.
box 88, folder 17
Rubens in America correspondence: Los Angeles Art
Association,
1946
Scope and Content Note
1 letter to Held regarding an artwork referred to as Miss Davies' Helena
Fourmont [Fourment].
box 88, folder 18
Rubens in America correspondence: Minneapolis Institute
of Arts,
1946
Scope and Content Note
1 letter to Held.
box 88, folder 19
Rubens in America correspondence: Museum of Fine Arts,
Boston,
1946
Scope and Content Note
1 letter to Held from curator William George Constable regarding an artwork
refererd to as the Tessaro-Darlington picture; also collectors George James
Welbore Agar-Ellis, Marquess of Westminster, and Lord Hertford.
box 88, folder 20
Rubens in America correspondence: National Gallery of
Canada Ottawa,
1946
Scope and Content Note
2 letters to Held from H. O. McCurry regarding painting
Head of an old
woman
from the collection of the Earl of Darnley, and another artwork
from the van Horne collection. McCurry mentions current market value of
paintings
Adoration of the shepherds and
Feast of
Herod
, both referred to as school pieces.
box 88, folder 21
Rubens in America correspondence: Howard A.
Noble,
1946
Scope and Content Note
2 letters to Held from the art collector.
box 88, folder 22
Rubens in America correspondence: Allen Memorial Art
Museum,
1946
Scope and Content Note
1 letter to Held from art historian Ellen Johnson at the Dudley Peter Allen
Memorial Art Museum at Oberlin College regarding drawing referred to as
Head of a man.
box 88, folder 23
Rubens in America correspondence: Parke-Bernet
Galleries,
1946
Scope and Content Note
1 letter to Held signed by M. Harrison regarding an artwork by Rubens referred
to as
Crowning of Roxana. With a mention of art dealers Rosenberg
& Stiebel, and art collector Isabel van Wie Willys.
box 88, folder 24
Rubens in America correspondence: Pennsylvania Academy
of the Fine Arts,
1946
Scope and Content Note
1 letter to Held regarding print
Head of a Saint. With a mention
of Agnes Mongan.
box 88, folder 25
Rubens in America correspondence: Philadelphia Museum of
Art,
1946
Scope and Content Note
1 letter to Held. With a mention of Mr. Taylor.
box 88, folder 26
Rubens in America correspondence: Pierpont Morgan
Library,
1946
Scope and Content Note
1 letter from Felice Stampfle to B. Schwartz at Belgian Government Information
Center in New York regarding photographs of several artworks by Rubens or his
school.
box 88, folder 27
Rubens in America correspondence: Rochester Memorial Art
Gallery,
1946
Scope and Content Note
1 letter to Held regarding a sketch representing Henry IV.
box 88, folder 28
Rubens in America correspondence: Margaretta
Salinger,
undated
Scope and Content Note
1 letter to Held from Salinger at Metropolitan Museum of Art, NY.
box 88, folder 29
Rubens in America correspondence: Scott &
Fowles,
1946
Scope and Content Note
1 letter to Held.
box 88, folder 30
Rubens in America correspondence: [Frank?]
Seiberling,
1946
Scope and Content Note
1 letter from Held (incomlete, only 1 page is present in the archive].
box 88, folder 31
Rubens in America correspondence: Edit Ullstein
Glaser,
1946
Scope and Content Note
1 letter to Held regarding an artwork referred to as
Apostle
Paulus
in her collection.
box 88, folder 32
Rubens in America correspondence: Wadsworth
Atheneum,
1946
Scope and Content Note
2 letters to Held from director Charles Crehore Cunningham regarding painting
Return from the flight into Egypt.
box 88, folder 33
Rubens in America correspondence: Walker Art
Center,
1946
Scope and Content Note
1 letter from curator Malcolm E. Lein to Jan-Albert Gosris regarding painting
Samian Sybil prophesying the birth of Christ.
box 88, folder 34
Rubens in America correspondence: Wayne University,
College of Liberal Arts,
1946
Scope and Content Note
1 letter to Held from Ernst Scheyer regarding his former student Jeanette
Sherman.
box 88, folder 35
Rubens in America correspondence: Julius
Weitzner,
1946
Scope and Content Note
1 letter to Held regarding measurenments of artworks referred to as
Infanta and
Holy Family.
box 88, folder 36
Rubens in America correspondence: William Rockhill
Nelson Gallery of Art and Mary Atkins Museum of Fine Arts,
1946
Scope and Content Note
1 letter to Jan-Albert Goris. With a mention of Miss [Gertrude?] Rosenthal.
box 88, folder 37
Rubens in America correspondence: Worcester Art
Museum,
1946
Scope and Content Note
4 letters to Held from Perry B. Cott and Edna McClure regarding
Coronation of the Virgin ,
Lion hunt, and a
drawing [after portrait of Isabella Brant?].
box 88, folder 38
Rubens in America correspondence: various
items,
1946, undated
Scope and Content Note
8 items: 2 letters to Held from Paul [?], a letter from Held to [?], and notes
and typescripts about various artworks, including 1 leaf of typescript regarding
provenance of painting
The Annunciation compiled by Ludwig
Burchard.
box 88, folder 39
Miscellaneous correspondence: Thos. Agnew & Sons,
1969
Scope and Content Note
1 letter to Held from Evelyn Joll regarding Rubens sketch
Aeneas at the
threshold of hell
.
box 88, folder 40
Miscellaneous correspondence: Arnout Balis,
1992
Scope and Content Note
1 letter from Held regarding attrubution of several sketches to Rubens, van
Dyck and other artsists.
box 88, folder 41
Miscellaneous correspondence : Didier Bodart,
1980-1981
Scope and Content Note
6 items: 2 letters to Held and 4 letters from Held regarding shipments of
recent publications by both scholars. Held comments on Bodart's
Rubens e
l'incisione
.
box 88, folder 42
Miscellaneous correspondence: Brigid Cleaver,
1987-1988
Scope and Content Note
6 items: 2 letters to Held from Cleaver at Christ Church Oxford, 2 letters from
Held, and 2 leaves of illustrated matter. regarding a drawing of
A nude
reclining
. With a mention of Michael Jaffé.
box 88, folder 43
Miscellaneous correspondence: Christie's London,
1973
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with Gregory
Martin regarding a sketch representing Henry IV.
box 88, folder 44
Miscellaneous correspondence: Ellen Craig,
1967 , undated
Scope and Content Note
3 items: letter to Held from Mrs. Frank Craig and 1 letter from Held. Attached
is English translation of an 1928 expertise given to Kurt Reichel by Ludwig
Burchard. Regarding artwork referred to as portrait of a man.
box 88, folder 45
Miscellaneous correspondence: H. M. Cramer,
1974
Scope and Content Note
2 letters to Held from G. Cramer Oude Kunst in Hague.
box 88, folder 46
Miscellaneous correspondence: John B. Davidson,
1987
Scope and Content Note
1 letter from Held rearding photograph of the chalk drawing of an ancient
sculptures (Seneca).
box 88, folder 47
Miscellaneous correspondence: Mrs. John Elliot Jr.,
1974
Scope and Content Note
1 letter to Held.
box 88, folder 48
Miscellaneous correspondence: Barbara Fleischman,
1964-1997
Scope and Content Note
ca. 5 items: 1997 correspondence with Fleischman (1 letter to Held and 1 letter
from Held), printed and illustrated matter (4 leaves), and 2 letters from
Michael Jaffé at the Fitzwilliam Museum to the collector Lawrence A. Fleischman
in Detroit. Concerning oil sketch
Judgement of Cambyses. [See
also items filed in Box 64, F.25.]
box 88, folder 49
Miscellaneous correspondence: Burkhardt Göres,
1967
Scope and Content Note
1 letter to Held (2 leaves) regarding two missing artworks referred to as
Diana and Calisto and
Romulus and Remus.
box 88, folder 50
Miscellaneous correspondence: Egbert Haverkamp Begemann,
1974
Scope and Content Note
1 letter to Held conforming request for financial support for the coming
academic year at Yale University.
box 88, folder 51
Miscellaneous correspondence: Heim tableaux de maitres
sculptures,
1975
Scope and Content Note
3 items: 2 letter to Held from Gerard Stora, and 1 leaf of printed matter (in
Japanese?).
box 88, folder 52
Miscellaneous correspondence: High Museum of Art,
1983
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with Eric M.
Zafran regarding Rubens attribution of a drawing of the head of Hercules.
box 88, folder 53
Miscellaneous correspondence: Institut royal de patrimoine artistique
[Brussels],
1974
Scope and Content Note
1 letter from Held to the director René Sneyers regarding an
Four
African heads
.
box 88, folder 54
Miscellaneous correspondence: Werner Isensee,
1987
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding a sketch referred
to as
Vitellius.
box 89, folder 1
Miscellaneous correspondence: P. Kartschmaroff,
1997, undated
Scope and Content Note
ca. 10 items (16 leaves): 1 letter to Held (annotated by Held), printed matter
and illustrated matter, and 6 photographs, including 1 in color. Concerning
painting
Phaëton im Sonnenwagen. Kartschmaroff provides detailed
provenance information about the painting and copy of 1895 catalog and auction
sale of Galerie Enea Lanfranconi. [Color photograph is shelved in Box 164, F.
56.]
box 89, folder 2
Miscellaneous correspondence: Samuel H. Kress Foundation,
1968
Scope and Content Note
1 letter from Held to Mary Davis inquiring for finanncial aid.
box 89, folder 3
Miscellaneous correspondence: Galerie Nathan,
1974
Scope and Content Note
3 letters to Held from Peter Nathan. With a mention of Dr. [Robert?]
Herzig.
box 89, folder 4
Miscellaneous correspondence: Nationalmuseum Stockholm,
1976
Scope and Content Note
4 items: correspondence between Börje Magnusson, curator at Nationalmuseum
Stockholnm and Margaretta M. Salinger at Metropolitan Museum of Art, NY (1
letter from Magnusson and 1 letter to Magnusson), and 2 leaves of illustrated
matter (photocopies). Regarding a drawing referred to as
Christ
triumphant
.
box 89, folder 5
Miscellaneous correspondence: Ann Percy,
1974
Scope and Content Note
3 items: 1 letter from Held to the curator at Philadelphia Museum of Art, and 2
letters to Held. Regarding a drawing referred to as
Meeting of Abraham
and Melchisedek
.
box 89, folder 6
Miscellaneous correspondence: Phaidon Press,
1974
Scope and Content Note
1 letter to Held from I. Grafe.
box 89, folder 7
Miscellaneous correspondence: Salzburger Barockmuseum,
1974
Scope and Content Note
1 letter to Held from Kurt Rossacher.
box 89, folder 8
Miscellaneous correspondence: Sammlungen des Regierenden Fürsten von
Liechtenstein,
1978
Scope and Content Note
5 items (8 leaves): correspondence with director Reinhold Baumstark (2 letters
to Held and 1 letter from Held), and 2 leaves of illustrated matter
(photocopies). Concerning drawings related to the tapestry series
Story
of Decius Mus
. Letters from Baumstark are annotated by Held.
box 89, folder 9
Miscellaneous correspondence: Staatliche Kunstsammlungen in
Weimar,
1954
Scope and Content Note
1 letter to Held regarding a drawing representing Henry IV, referred to as
Heinrich IV schliesst Frieden.
box 89, folder 10
Miscellaneous correspondence: Stephan Tschudi Madsen,
1953
Scope and Content Note
1 letter to Held regarding several drawings at the National Gallery in
Oslo.
box 89, folder 11
Miscellaneous correspondence: Mrs. A. F. von Türk,
1969
Scope and Content Note
1 letter to Held.
box 89, folder 12
Miscellaneous correspondence: Claus Virch,
1974
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding an oil sketch
referred to as
Deposition.
box 89, folder 13
Miscellaneous correspondence: Léon Voet,
1974
Scope and Content Note
2 items (3 leaves): 1 letter to Held and 1 letter from Held. Regarding an oil
sketch from the Moretus collection.
box 89, folder 14
Miscellaneous correspondence: [Richard J.?] Wattenmaker,
1965
Scope and Content Note
4 items: 1 letter from Held, 2 photographs, and 1 leaf of notes.
box 89, folder 15
Miscellaneous correspondence: Margot [Wittkower?],
1974
Scope and Content Note
1 letter to Held.
box 89, folder 16
Notes by Held,
undated
Scope and Content Note
20 leaves
box 89, folder 17
Notes by Held,
undated
Scope and Content Note
9 leaves.
box 89, folder 18
Notes by Held,
undated
Scope and Content Note
21 leaves.
box 89, folder 19
Notes by Held,
undated
Scope and Content Note
18 leaves.
box 89, folder 20
Notes by Held,
undated
Scope and Content Note
17 leaves.
box 89, folder 21
Notes by Held,
1935, undated
Scope and Content Note
25 leaves: notes, 1935 letter to Held from Belle da Costa Greene, director of
the Pierpont Morgan Library, and an explanatory note by Held: Notes for my paper
on the mosaics of Kharic Djami? [i.e. Karie Camii, Istanbul, Turkey at Church of
Saint Saviour in Chora] for the seminar of Morey (of Princeton), given at the
Morgan Library (ca. 1936). In German.
box 89, folder 22
Notes by Held,
undated
Scope and Content Note
25 leaves.
box 89, folder 23
Notes by Held,
undated
Scope and Content Note
11 leaves.
box 89, folder 24
Notes by Held,
undated
Scope and Content Note
21 leaves.
box 89, folder 25
Notes by Held,
undated
Scope and Content Note
ca. 15 items: 13 leaves of notes, 1 small photograph of a painting by Friedrich
Matthäi (
Potrait of children of Ferdinand Gruner), and printed
matter (catalog of an exhibition of early German graphic art at the National
Gallery (
Early German drawings & prints; 11 p., text by
Andrew Robison).
box 89, folder 26
Notes by Held.
undated
Scope and Content Note
20 leaves.
box 89, folder 27
Notes by Held
undated
Scope and Content Note
ca. 23 leaves.
box 89, folder 28
Notes by Held,
undated
Scope and Content Note
9 items: 5 leaves of notes, 1 drawing by Held, illustrated matter, 1 photograph
(drawing, sketches for cherubin in clouds), a list of Rubens drawings
(typescript, 1 leaf) in the collection of Kunstsammlungen zu Weimar (annotated
by Held), and a small note with Paris address of Anne Wertheimer.
box 89, folder 29
Notes by Held,
1972, undated,
Scope and Content Note
ca. 10 items (ca. 14 leaves): notes and 1 leaf of printed matter.
box 89, folder 30
Notes by Held,
undated
Scope and Content Note
23 leaves.
box 89, folder 31
Notes by Held,
undated
Scope and Content Note
ca. 27 leaves.
box 89, folder 32
Notes by Held regarding Philip Rubens,
undated
Scope and Content Note
ca. 10 items (11 leaves): notes, 3 photographs, and copy of a 1610 letter by
Rubens.
box 89, folder 33
Notes by Held: Willem Panneels,
1991, undated
Scope and Content Note
14 items: 12 leaves of notes and 2 letters to Held from Anne-Marie Logan.
box 89, folder 34
Notes by Held: Willem Panneels,
undated
Scope and Content Note
28 leaves.
Series VIII.B.
Anthony van Dyck,
1929-1997
Physical Description:
7
box(es)
2.9 lin. ft.
Scope and Content Note
This subseries consists of ca. 2300 items, subarranged into two main groups:
correspondence and notes, and artworks.
Correspondence and notes comprise ca. 260 items, of which the main portion consists
of correspondence with scholars, art dealers, private collectors, museums, and
conservators; also included are ca. 100 leaves of unsorted notes. The letters concern
predominantly matters of attribution, requests of photoreprints, provenance and
conservation work. Two distinct groups of correspondence provide insight into Held's
advisory role in legal cases Hurst versus Travelers Insurance Company, and George and
Ruth D. Gilmer versus United States. Two other distinct groups form items concerning
Held's revision of his article on van Dyck for the online version of
Encyclopaedia Britannica, and items related to the editing process of
his paper delivered at the 1991 symposium
Van Dyck 350.
The artworks are arranged into groups: drawings, oil sketches, paintings (secular and
religious subjects), series of portraits called
Iconography , and
dubious artworks. Frequently included are printed and illustrated matter, notes, and
correspondence.
The drawings group comprises ca. 190 items with mainly religious topics (Old
Testament, Christ's life and passion, Virgin Mary, saints); also numerous portraits
and studies of human figures; some historical and mythological themes; equestrian
figures; studies of horses; and landscapes.
The oil sketches comprise ca. 300 items with predominantly religious topics,
including ca. 60 photographs, some illustrated and printed matter, and ca. 200 leaves
of unsorted notes.
The paintings with secular subjects, ca. 840 items, are mainly of portraits (further
sudivided into portraits of men, women, children, group portraits, and portrait of
Charles I known as
Le roi à la ciasse); numerous studies of heads; a
group called horses; and items related to particular artworks. The paintings with
religious subjects, ca. 260 items, include representations of saints, Christ's life
and passion, the Holy Family, and a series known as
Apostles'
heads
.
The group called
Iconographygroup comprises ca. 370 items related to a
series of portrait prints of well-known contemporaries executed between 1630 and 1632
by various engravers after van Dyck's paintings and drawings. Included are photographs
and illustrated matter (ca. 195 items) of prints and paintings or drawings they
reproduce; numerous notes; and some correspondence and printed matter; frequently
marked with references to bibliographies, mainly to Franz Wibiral's catalogue
raisonné.
The group called dubious artworks comprise ca. 139 items: photographs, illustrated
and printed matter, certificates, and correspondence. Most artworks are portrait
paintings of men. Several items, mainly correspondence, concern a painting referred to
as a portrait of Queen Henrietta Maria, consort of Charles I, King of England.
Correspondence and notes,
1955-1998
box 90, folder 1
Thos. Agnew & Sons,
1985
Scope and Content Note
2 items: correspondence with Christopher Kingzett (1 letter from Held and 1
letter to Held)
box 90, folder 2
Akademie der bildenden Künste in Wien. Gemäldegalerie,
1990
Scope and Content Note
1 letter to Held from Renate Trnek (2 leaves). Regarding van Dyck's
Mariä
Himmelfahrt
[
Assumption of the Virgin] from the Lamberg
collection.
box 90, folder 3
Ashmolean Museum,
1988-1989
Scope and Content Note
2 letters to Held from Christopher White. Regarding a painting referred to as
Charity, and other artworks.
box 90, folder 4
James O. Belden,
1984
Scope and Content Note
1 letter from Held.
box 90, folder 5
Belgium. Ministère de l'instruction publique,
1955
Scope and Content Note
1 letter to Held signed by J. van Lerberghe asking Held to join a van Dyck
exhibition committee.
box 90, folder 6
Gertrud Blumel,
1988
Scope and Content Note
1 letter to Held from a conservator. Regarding
Assumption of the
Virgin
.
box 90, folder 7
Christopher Brown,
1983
Scope and Content Note
1 letter to Held from the curator at the National Gallery in London.
box 90, folder 8
Klaus Demus,
1984-1985
Scope and Content Note
5 items: 3 letters to Held and 2 letters from Held.
box 90, folder 9
International Fine Art,
1994
Scope and Content Note
3 items: correspondence with Reiner Liedtke (1 letterto Held and 1 letter from
Held), and Held's letter to Klaus Zimmermann; with photocopy of a bank cheque.
Regarding a painting identified by Held as a copy after Rubens.
box 90, folder 10
Jan Kelch,
1984
Scope and Content Note
1 letter from Held.
box 90, folder 11
Kunsthaus Zürich,
1990
Scope and Content Note
1 letter from Held to Christian Klemm.
box 90, folder 12
Roger La Freniere,
1977, undated
Scope and Content Note
ca. 12 items: 1 letter to Held; 1 color slide; photocopies of expert opinions by
Leo van Puyvelde, Eduardo Mottini, and Xavier Delaquis; and copy of Delaquis' 1956
letter to H. M. Barschall. Concerning painting representing
Repentant
Magdalen
. [Color slide is shelved in Box 164, F. 57.]
box 90, folder 13
Lexbourne Limited,
1985
Scope and Content Note
2 items: letter to Held and an invoice.
box 90, folder 14
Los Angeles County Museum of Art,
1985
Scope and Content Note
2 letters from Held: to Earl A. Powell III and to Scott Schaefer, printed matter,
and 4 photographs of
Descent from the cross.
box 90, folder 15
Anne-Marie Logan,
1984-1989
Scope and Content Note
3 items: 2 letters to Held and 1 letter to Held from the conservator Pierre
Rosenberg (Louvre).
box 90, folder 16
Metropolitan Museum of Art,
1989
Scope and Content Note
1 item: Held's copy of a letter from J. Carter Brown to Philippe de Montebello at
Metropolitan Museum of Art, NY.
box 90, folder 17
Museum Boymans-van Beuningen,
1990
Scope and Content Note
2 items (3 leaves): 1 letter from Held to the curator Jeroen Giltay, and 1 letter
to Held.
box 90, folder 18
National Gallery of Art, (Washington, DC)
1985-1990
Scope and Content Note
ca. 20 items: letters to Held from Anne Borden Evans, J. Carter Brown, Arthur K.
Wheelock, Anke van Wagenberg, Gail Feigenbaum, and Mary Anderson McWilliams.
Held's letters to Arthur K. Wheelock, Christopher Brown, Anderson McWilliams, and
Neal Turtell. Also present is copy of a letter from J. Carter Brown to Christopher
Butler, 2 lists of artworks by van Dyck for an 1991 exhibition, and 1 color
transparency of
Martyrdom of Saint Sebastian from the Warwick
collection. [Color transparency is shelved in Box 164, F. 58.]
box 90, folder 19
National Gallery of Canada,
1989
Scope and Content Note
1 item (2 leaves): Held's copy of a letter from J. Carter Brown (National Gallery
of Art) to Shirley Thompson at the National Gallery of Canada.
box 90, folder 20
National Gallery of Scotland,
1984
Scope and Content Note
3 items: 1 letter to Held from Keith Andrews, and 2 letters from Held.
box 90, folder 21
Konrad Renger,
1984
Scope and Content Note
2 letters to Held from the conservator at Bayerische Staatsgemäldesammlungen.
box 90, folder 22
Seymour Slive,
1984
Scope and Content Note
1 letter from Held.
box 90, folder 23
Joaneath Spicer,
1984
Scope and Content Note
2 items: 1 letter to Held from Spicer at University of Toronto, and 1 letter from
Held.
box 90, folder 24
Stad Antwerpen,
1989
Scope and Content Note
ca. 5 items: 1 letter to Held from Nora De Poorter, billing statement, 1 leaf of
typescriopt text about van Dyck, and photocopies of annotations on verso of
photographs. [Photographs not present].
box 90, folder 25
J. Douglas Stewart,
1985
Scope and Content Note
1 letter to Held from the art historian at Queen's University in Kingston,
Canada.
box 90, folder 26
Horst Vey,
1983-1989
Scope and Content Note
3 items: 2 letters to Held from Vey at Staatliche Kunsthalle Karlsruhe, and 1
letter from Held.
box 90, folder 27
Yale University Art Gallery,
1978
Scope and Content Note
2 letters from Held to Andrea S. Norris ragarding an artwork referred to as
Pieter de Jode sketch.
box 90, folder 28
Helmut H. W. Zimmermann,
1985
Scope and Content Note
5 items: 1 letter to Held from the art dealer in Frankfurt a. Main, 1 letter from
Held, and 3 photographs, including 2 in color. Regarding a painting of an angel
[Saint Catherine]. [Color photographs are shelved in Box 164, F. 59.]
box 90, folder 29
Legal cases: Hurst versus Travelers Insurance Company,
1957-1959
Scope and Content Note
ca. 24 items relating to the case of a painting referred to as a self-portrait by
van Dyck: Held's correspondence with Powers Kaplan & Berger (7 letters to Held
and 4 letters from Held), and with Jacqueline Folie at Ministère de l'instruction
publique, Institut royal du patrimoine artistique in Brussels (1 letter to Held
and 1 letter from Held); 4 photographs; 3 leaves of notes; and 1 press clipping.
Also present are a statement by Sigmund Rothschild; letters to Albert R. Lee and
Company from W. R. Valentiner, M. L. Friedländer (translation), and Tyler &
Co.; and a letter from Ludwig Burchard to Tyler & Co. (all copies). [Press
clipping is shelved in Box 151*, F. 1.]
box 90, folder 30
Legal cases: George and Ruth D. Gilmer versus United States,
1968-1969
Scope and Content Note
ca. 26 items relating to the case of a painting referred to as
Queen
Henrietta Maria
: Held's correspondence with United States Department of
Justice (5 letters to Held and 6 letter from Held, and copy of a letter from US
Dept. of Justice to Clyde Newhouse), and with Annelise Mayer at Staatliche
Kunstsammlungen Dresden (2 letters to Held and 2 letters from Held). Also present
is correspondence with Sturla J. Gudlaugsson at Rijksbureau voor Kunsthistorische
Documentatie (1 letter to Held and 1 letter from Held); 1 photograph; 3 leaves of
notes; and printed matter.
box 90, folder 31
Article for the online version of
Encyclopaedia Britannica
,
1957, 1998
Scope and Content Note
ca. 11 items (32 leaves): 2 letters to Held, dated 1957, from EB editors Walter
Yust and John V. Dodge; 1998 correspondence with EB editor Juliette Hayes (1
letter to Held and 2 letters from Held); and a 1998 letter to Held from EB
bibliographer Anne-Marie Bogdan. Also present are typescripts:
Contributors' guidelines
(1 leaf);
Additions to bibliography
(1 leaf); and 3 annotated drafts of the 1998 version of the article.
box 90, folder 32
Essay for National Gallery of Art publication
Van Dyck
350
,
1993-1994, undated
Scope and Content Note
19 items related to Held's essay delivered at 1991 symposium held at University
of Maryland at College Park: correspondence with Arthur K. Wheelock (1 letter to
Held and 2 letters from Held); 2 letters to Held from editors Carol Eron and
Ulrike Mills; 4 photographs; 6 leaves of illustrated matter (photocopies);
photopcopies of letters by van Dyck and Rubens; and 1 leaf of notes.
box 90, folder 33
Notes (unsorted):
undated
Scope and Content Note
20 leaves.
box 90, folder 34
Notes (unsorted):
undated
Scope and Content Note
22 leaves.
box 90, folder 35
Notes (unsorted):
undated
Scope and Content Note
27 leaves, including some printed matter.
box 90, folder 36
Notes (unsorted):
1983, undated
Scope and Content Note
18 leaves. Included is a letter to Held from [?] at the National Gallery in
London.
box 90, folder 37
Various items,
1996, undated
Scope and Content Note
11 items: letter to Held from Carlos Navarro, with a color slide attached,
annotated by Held; 4 photographs, including 1 in color; 1 color transparency, a
note, printed matter (Oliver Millar's article on Christopher Brown's book
Van Dyck), and an annotated list of works by van Dyck
(typescripts, 5 leaves). [Color transparency, slide, and color photograph are
shelved in Box 164, F. 60.]
Photographs of artworks,
undated
box 91, folder 1
Drawings: Christ,
undated
Scope and Content Note
17 items: 13 photographs, 3 leaves of printed and illustrated matter, and 2
leaves of notes.
box 91, folder 2
Drawings: Christ,
undated
Scope and Content Note
11 photographs.
box 91, folder 3
Drawings: Christ,
1983, undated
Scope and Content Note
16 items: 12 photographs, 2 leaves of illustrated matter, and Held's 1983
correspondence with Alfred Moir at University of California, Santa Barbara (1
letter to Held and 1 letter from Held).
box 91, folder 4
Drawings: Virgin Mary,
undated
Scope and Content Note
16 items: 12 photographs, and printed and illustrated matter, including portion
of an essay by Otto Benesch, annotated by Held.
box 91, folder 5
Drawings: Saints,
undated
Scope and Content Note
16 items: 13 items: 9 photographs and 3 leaves of illustrated matter.
box 91, folder 6
Drawings: Old Testament,
1990, undated
Scope and Content Note
9 items: 5 photographs and 4 leaves of printed and illustrated matter (pages from
Master drawings).
box 91, folder 7
Drawings: portraits and studies of human figures,
1939, undated
Scope and Content Note
ca. 8 items: 6 photographs, 2 leaves of typescript notes, and 3 leaves of printed
and illustrated matter.
box 91, folder 8
Drawings: portraits and studies of human figures,
1960, undated
Scope and Content Note
4 items: 2 photographs, letter to Held fromRoberta W. Mullin, and a typescript
note by Held.
box 91, folder 9
Drawings: portraits and studies of human figures,
undated
Scope and Content Note
11 items: 9 photographs and 2 leaves of illustrated matter.
box 91, folder 10
Drawings: portraits and studies of human figures,
undated
Scope and Content Note
10 photographs.
box 91, folder 11
Drawings: portraits and studies of human figures,
undated
Scope and Content Note
12 items: 9 photographs and 3 leaves of illustrated matter.
box 91, folder 12
Drawings: historical subjects,
undated
Scope and Content Note
4 items: 2 photographs, 1 leaf of illustrated matter, and 1 offprint from April
1993 issue of
Gazette des beaux-arts.
box 91, folder 13
Drawings: mythological subjects,
undated
Scope and Content Note
7 photographs.
box 91, folder 14
Drawings: equestrian figures and studies of horses,
undated
Scope and Content Note
8 items: 6 photographs and 2 leaves of illustrated matter.
box 91, folder 15
Drawings: landscapes,
1984, undated
Scope and Content Note
9 items: 6 photographs, 2 leaves of illustrated matter, and 1984 letter to Held
from the Pierpont Morgan Library.
box 91, folder 16
Drawings: miscellaneous,
undated
Scope and Content Note
18 items: 15 photographs and 3 leaves of illustrated matter.
box 91, folder 17
Drawings: notes filed with drawings,
undated
Scope and Content Note
11 leaves.
box 91, folder 18
Oil sketches:
Descent from the cross,
undated
Scope and Content Note
3 items: 2 photographs and 1 note.
box 91, folder 19
Oil sketches: Crucifixion,
undated
Scope and Content Note
2 items: 1 photograph and annotated enclosure.
box 91, folder 20
Oil sketches: Crucifixion,
undated
Scope and Content Note
1 photograph.
box 91, folder 21
Oil sketches: Crucifixion,
1991, undated
Scope and Content Note
7 items: 3 photographs, 1991 letter to Held from Newhouse Galleries (Adam
Williams), notes, and annotated printed matter.
box 91, folder 22
Oil sketches: Lamentation,
1990, undated
Scope and Content Note
4 items: 1 photograph, 1990 letter to Felix Baumann (Kunsthaus Zürich) from J.
Carter Brown at the National Gallery of Art, notes, and annotated printed
matter.
box 91, folder 23
Assumption of the Virgin,
undated
Scope and Content Note
3 items: 2 photographs and 1 leaf of illustrated matter.
box 91, folder 24
Oil sketches: Holy family,
undated
Scope and Content Note
3 items: 2 photographs and annotated enclosure.
box 91, folder 25
Oil sketches: Adoration scene,
undated
Scope and Content Note
4 items: 3 photographs, and 1 leaf of illustrated matter. Held's annotation on
verso of one of the photographs: Sts. Anthony Abbot & St. Mark.
box 91, folder 26
Oil sketches: Adoration of the shepherds,
1991, undated
Scope and Content Note
15 items: 3 photographs, 1 color transparency, 1991 letter to Held from Newhouse
Galleries (Joan Pope), and 9 leaves of notes and annotated printed matter. [Color
transparency is shelved in Box 164, F. 61.]
box 91, folder 27
Adoration of the shepherds,
1994, undated
Scope and Content Note
6 items: 1 color transparency, 2 leaves of text about the painting, 1 leaf of
notes, an undated letter to Held from H. Shickman Gallery, and a 1994 letter to
Held from Clovis Whitfield. All laid into a Whitfield Fine Art Limited folder.
[Color transparency is shelved in Box 164, F. 62.]
box 91, folder 28
Oil sketches: Martyrdom of Saint George,
1994-1995
Scope and Content Note
5 items: 3 photographs, offprint of Frans Baudouin's essay (from
Journal
of the Warburg and Courtauld Institutes
, and Held's letter to
Baudouin.
box 91, folder 29
Oil sketches: Saint Augustin in ecstasy,
undated
Scope and Content Note
12 items: 11 photographs, and annotated enclosure.
box 91, folder 30
Oil sketches: Martyrdom of Saint Sebastian,
1989, undated
Scope and Content Note
9 items: 2 photographs, 2 color transparencies, 1989 letter to Held from
Wildenstein & Co. (Joseph Baillio), and printed and illustrated matter. [Oil
sketches are shelved in Box 164, F. 63.]
box 91, folder 31
Oil sketches: Saint Sebastian tended by an angel,
undated
Scope and Content Note
5 items: 3 photographs and 2 leaves of illustrated and printed matter.
box 91, folder 32
Oil sketches: Diana hunting the stag,
undated
Scope and Content Note
5 items (6 leaves): 1 photograph, an undated letter from Held to Jeroen Giltay at
Museum Boymans-van Beuningen, inventory record (2 leaves); and printed and
illustrated matter.
box 91, folder 33
Oil sketches: Rinaldo and Armida,
undated
Scope and Content Note
ca. 12 items: 4 photographs, and 8 leaves of notes.
box 91, folder 34
Oil sketches: various,
undated
Scope and Content Note
7 photographs
box 91, folder 35
Oil sketches: unsorted notes,
undated
Scope and Content Note
25 leaves.
box 91, folder 36
Oil sketches: unsorted notes,
1983-1984, undated
Scope and Content Note
22 leaves, including printed and illustrated matter (an essay by Gustav Glück), a
typescript about painting
St. Sebastian bound for martyrdom , 1983
correspondence with Galerie de la Scala (Hélène Bucaille, 1 letter to Held and 1
letter from Held), and a 1984 letter from Held addressed to Bob and Bertina.
box 91, folder 37
Oil sketches: unsorted notes,
undated
Scope and Content Note
23 leaves, including Held's correspondence with Christie's New York (Ian G.
Kennedy, 1 letter to Held and 1 letter from Held).
box 91, folder 38
Oil sketches: unsorted notes,
undated
Scope and Content Note
25 leaves.
box 91, folder 39
Oil sketches: unsorted notes,
undated
Scope and Content Note
21 leaves.
box 91, folder 40
Oil sketches: unsorted notes,
undated
Scope and Content Note
13 leaves.
box 91, folder 41
Oil sketches: unsorted notes,
undated
Scope and Content Note
23 leaves.
box 91, folder 42
Oil sketches: unsorted notes,
undated
Scope and Content Note
11 leaves
box 91, folder 43
Oil sketches: unsorted notes,
undated
Scope and Content Note
20 leaves.
box 91, folder 44
Oil sketches: unsorted notes,
undated
Scope and Content Note
25 leaves.
box 92, folder 1
Portraits of women,
undated
Scope and Content Note
8 items: 3 photographs, including 1 in color, notes, and 2 letters to Held from
the art dealer Joseph Guttmann. Two portraits of Lady Mary Villiers:
Lady
Mary Villiers with Mrs. Gibson, her Dwarf
and a half-length portrait
from Williams collection. [Color photograph is shelved in Box 164, F. 64.]
box 92, folder 2
Portraits of women,
undated
Scope and Content Note
2 items: 1 photograph and an undated letter to Held from Elizabeth Rus.
Isabella Clara Eugenia as a nun.
box 92, folder 3
Portraits of women,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of illustrated matter.
Marchesa Geronima
Spinola
.
box 92, folder 4
Portraits of women,
undated
Scope and Content Note
2 items: 1 photograph and a typed note, annotated.
Nell Gwyne
[Nell Gwyn].
box 92, folder 5
Portraits of women,
undated
Scope and Content Note
4 items: 2 photographs and Held's correspondence with Jo Ann Uscola (1 letter to
Held and 1 letter from Held). Held mentions van Dyck's portrait of Anna Wake.
box 92, folder 6
Portraits of women,
1980, undated
Scope and Content Note
5 items: 1 photograph, 1 leaf of illustrated matter, and Held's correspondence
with Steven A. Nash at Dallas Museum of Fine Arts (2 letters to Held and 1 letter
from Held).
Countess of Oxford.
box 92, folder 7
Portraits of women,
1982, undated
Scope and Content Note
3 items: 1 photograph, 1982 letter to Held from Clyde Newhouse, and 3 leaves of
typescript about portrait of Dona Polyxena Spinola Guzmán de Leganés.
box 92, folder 8
Portraits of women,
1988, undated
Scope and Content Note
3 items: 1 color transparency and correspondence between Roggero Roggeri and J.
Dustin Wees. Letter by Roggeri is annotated by Held. Portrait of
Sofonisba
Anguissola
at old age. [Color transparency is shelved in Box 164, F.
65.]
box 92, folder 9
Portraits of women,
1985, undated
Scope and Content Note
8 leaves of printed and illustrated matter concerning artwork in the Bus de
Gisignies collection (by Edouard Fetis). Portraits of
Maria Louisa de
Tassis
and
Président Roose.
box 92, folder 10
Portraits of women,
1986, undated
Scope and Content Note
4 items: 1 photograph, 1 slide, 1 leaf of illustrated matter, and Held's 1986
letter to Sam Edgerton. A portrait painting owned by Robert Littman, and portrait
titled
Portrait of a Lady, said to be Lady Swan. [Slide is shelved
in Box 164, F. 66.]
box 92, folder 11
Portraits of women,
1981, undated
Scope and Content Note
11 items: 1 photograph, 1 color transparency, 2 leaves of notes, correspondence
with Paul Pfister (3 letters to Held and 2 letters from Held), copy of a 1981
letter from Bernhard Maas to Veith Turske, and 1 leaf of typescript about the
painting
Portrait of Lady d'Aubigny. [Color transparency is shelved
in Box 164, F. 67.]
box 92, folder 12
Portraits of women,
undated
Scope and Content Note
7 items: 3 photographs, 1 color transparency, and photocopies of expert opinions
by Gustav Glück (with English translation) and Ludwig Burchard.
Venus and
Amor
from Paul Baecher collection in Prague. [Color transparency is
shelved in Box 164, F. 68.]
box 92, folder 13
Portraits of women,
1963, undated
Scope and Content Note
6 items: 1 photograph,1963 letter to Held from Claude A. R. Kagan at The Red
House, notes and printed matter.
Portrait of an old lady of the Balbi
family of Genoa
.
box 92, folder 14
Portraits of women,
1979, undated
Scope and Content Note
2 items: 1 photograh and 1979 letter to Held from A. S. Ciechanowiecki at Heim
Old Masters Paintings and Sculptures in London.
Portrait of Queen
Henrietta Maria
.
box 92, folder 15
Portraits of women,
1989, undated
Scope and Content Note
6 items: 1 photographs, correspondence with Etter Paul (2 letters to Held and 2
letters from Held), and 2 leaves of printed and illustrated matter. Reference to
Marchesa Lomellini on verso of photograph.
box 92, folder 16
Portraits of women,
undated
Scope and Content Note
6 items: 4 photographs, including 1 in color, and 2 postcards. Various portraits
of
Queen Henrietta Maria. [Color photograph is shelved in Box 164,
F. 69.]
box 92, folder 17
Portraits of women,
undated
Scope and Content Note
7 items: 6 photographs and 1 leaf of illustrated matter (illustration of
Christina Bruce, Countess of Devonshire). The photographs are
annotated on verso:
Caterina Durazzo with two sons ,
Marchesa Durazzo-Adorno,
Paola Adorno,
Anne, Countess of Clanbrassil,
Jacqueline de Caestre
[?]
,
Marchesa Giovanna Cattaneo, and four other
portraits.
box 92, folder 18
Portraits of women,
undated
Scope and Content Note
ca. 8 items: 4 photographs, 2 post cards, and printed and illustrated matter
(total of 10 leaves). The photographs are annotated on verso:
Marchesa
Lercare
[?],
Sofonisba Anguisola on death bed, ,
Margareta Snyders (also 2 postcards).
box 92, folder 19
Portraits of women,
undated
Scope and Content Note
10 items: 9 photographs and 1 leaf of illustrated matter. Various portraits.
box 92, folder 20
Portraits of women,
undated
Scope and Content Note
1 leaf of typescript regarding painting
Portrait of a Lady,
formerly owned by Herman Goering.
box 92, folder 21
Portraits of women,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of illustrated matter.
Portrait of a
Lady
, formerly in the collection Viscount Feilding of Newnham Paddox,
Rugby.
box 92, folder 22
Portraits of women,
undated
Scope and Content Note
2 items: 1 photograph and 1 postcard.
Portrait of a young woman at
Pinacoteca di Brera.
box 92, folder 23
Portraits of women,
1972, undated
Scope and Content Note
3 items: 1 photograph and 1972 correspondence with Linda Averbach at the Denver
Art Museum (2 letters to Held and 1 letter from Held).
Portrait of a young
Genoese woman
(also referred to as
Portrait of an Italian
Lady
).
box 92, folder 24
Portraits of women,
1985, undated
Scope and Content Note
5 items: 1 photograph, correspondence with Jensina Feldstein, director of
Estherwood (1 letter to Held and 1 letter from Held), and with Helena Vieira de
Carvalho (1 letter to Held and 1 letter from Held). Held refers to a painting at
Isabella Stewart Gardner Museum.
box 92, folder 25
Portraits of women,
1962, undated
Scope and Content Note
3 items: 1 photograph and printed and illustrated matter.
Portrait of
Venetia Stanley, Lady Digby as Prudence
.
box 92, folder 26
Portraits of women,
1982-1989, undated
Scope and Content Note
5 items: 2 color photographs of a painting from the collection of Robert Draper,
inscribed on vesro as version of van Dyck's
Anne Sophie Herbert, Countess
of Carnarvon
; and 3 leaves of illustrated matter:
Portrait of Ann
Carr, Countess of Bedford
,
Portrait of Anne Crofts, Countess of
Cleveland
, and an unidentified portrait. [Color photographs are shelved
in Box 164, F. 70.]
box 92, folder 27
Portraits of women,
undated
Scope and Content Note
3 items: 2 photographs and 1 leaf of illustrated matter.
box 92, folder 28
Portraits of women,
undated
Scope and Content Note
3 items: 1 photograph, 1 leaf of illustrated matter,a nd 1 leaf on notes.
Portrait of Marchesa Balbi.
box 92, folder 29
Portraits of women,
undated
Scope and Content Note
2 photographs.
box 92, folder 30
Portraits of women,
undated
Scope and Content Note
2 photographs, inscribed on verso as Margareta and as portrait of Isabella
Brant.
box 92, folder 31
Portraits of men,
1991, undated
Scope and Content Note
4 items: 2 photographs, including 1 in color, press clipping, and 1991 letter to
Held from Adam D. Stolpen. Portrait painting from the collection of Humphry Ward.
[Color photograph is shelved in Box 164, F. 71.]
box 92, folder 32
Portraits of men,
1997, undated
Scope and Content Note
4 items (5 leaves): 1 photograph, 1 color transparency, a fax from Held to Jinny
Wright, and 3 leaves of fax t from Seattle Art Museum with text on van Dyck's
painting
Pompone II de Bellièvre, Chevalier seigneur de Grignon.
[Color transparency is shelved in Box 164, F. 72.]
box 92, folder 33
Portraits of men,
undated
Scope and Content Note
2 items: 5 leaves of text and 1 color transparency.
Portrait of Prince
Charles Louis, the Elector Palatine
. [Color transparency is shelved in
Box 164, F. 73.]
box 92, folder 34
Portraits of men,
undated
Scope and Content Note
2 photographs, inscribed on verso as Ambrogio Spinola.
box 92, folder 35
Portraits of men,
1967, undated
Scope and Content Note
5 items: 4 photographs and 1967 letter to Held from the art dealer Leonard F.
Koetser. Koetser mentions an
Entombment by Rubens.
box 92, folder 36
Portraits of men,
undated
Scope and Content Note
2 objects: 1 photograph and 1 leaf of illustrated matter.
Earl of
Wicklow
, at the Heckscher Museum.
box 92, folder 37
Portraits of men,
1983, undated
Scope and Content Note
3 items: 1 photograph and correspondence with George Wachter at Sotheby's (1
letter to Held and 1 letter from Held).
box 92, folder 38
Portraits of men,
undated
Scope and Content Note
2 items: 1 photograph and 1 color transparency. Verso of photograph: Sotheby Jan.
1985. [Color transparency is shelved in Box 164, F. 74.]
box 92, folder 39
Portraits of men,
1991 - 1992, undated
Scope and Content Note
9 items: 5 photographs, 1 postcard, correspondence with Richard Spear at Oberlin
College (1 letter to Held and 1 letter from Held), and typescript (7 leaves) by
Spear.
box 92, folder 40
Portraits of men,
undated
Scope and Content Note
3 items: 2 photographs and 1 color transparency. [Color transparency is shelved
in Box 164, F. 75.]
box 92, folder 41
Portraits of men,
1955, undated
Scope and Content Note
5 items: 3 photographs and 2 1955 letters to Held from Clyde Newhouse.
The
Duke Wolfgang Wilhelm of Pfalz-Neuburg
[
Herzog Wolfgang Wilhelm
von Pfalz- Neuburg
].
box 92, folder 42
Portraits of men,
1972, undated
Scope and Content Note
2 items: 1 color photograph and letter to Held from Capitain Lawrence Danz.
Inscription on painting mentions Königliche Gemälde Galerie zu Dresden. [Color
photograph is shelved in Box 164, F. 76.]
box 92, folder 43
Portraits of men,
1970, undated
Scope and Content Note
3 items: 1 photograph and correspondence with Dan Moore (1 letter to Held and 1
letter from Held).
box 92, folder 44
Portraits of men,
1977, undated
Scope and Content Note
4 items: 2 photographs, including 1 in color, and correspondence with Jean Plasse
(1 letter to Held and 1 letter from Held). [Color photograph is shelved n Box 164,
F. 77.]
box 92, folder 45
Portraits of men,
undated
Scope and Content Note
2 photographs.
box 92, folder 46
Portraits of men,
undated
Scope and Content Note
3 items: 1 photograph and 2 leaves of illustrated matter.
Thomas Howard,
2nd Earl of Arundel
.
box 92, folder 47
Portraits of men,
undated
Scope and Content Note
4 items: 3 photographs and 1 leaf of text about painting
Portrait of a
gentleman in black
. H. Shickman Gallery letterpress.
box 92, folder 48
Portraits of men,
undated
Scope and Content Note
2 photographs of a painting in Gulbenkian collection.
box 92, folder 49
Portraits of men,
1979, undated
Scope and Content Note
7 items: 2 photographs, 1 color transparency, 1979 letter to Held from Spencer A.
Samuels, and 4 leaves of typescript and printed matter.
Antoine Triest,
Bishop of Ghent
. [Color transparency is shelved in Box 164, F. 78.]
box 92, folder 50
Portraits of men,
1973, undated
Scope and Content Note
2 items: 1 photograph and letter to Held from Barry Snyder at Princeton Gallery
of Fine Art. Regarding an artwork referred to as possibly an early portrait of Jan
Bruegel the Younger.
box 93, folder 1
Portraits of men,
undated
Scope and Content Note
3 photographs.
Portrait sketch of Lucas van Uffel in the
collection of the Detroit Institute of Arts.
box 93, folder 2
Portraits of men,
1966-1978, undated
Scope and Content Note
6 items: 1 photograph, printed matter (photocopy of 1931 auction sale, 3 leaves),
1978 correspondence with John Richardson at Artemis Fine Arts U.S. (1 letter to
Held and 1 letter from Held), 1966 letter to Held from F. Lahusen at Staatliche
Kunstsammlungen Kassel, and business card of Franklin H. Middleton (Franklin
National Bank).
Portrait of Jan Wildens.
box 93, folder 3
Portraits of men,
undated
Scope and Content Note
3 photographs.
Portrait of Lucas Emil Vorsterman.
box 93, folder 4
Portraits of men,
undated
Scope and Content Note
3 items: 1 photograph, 1 color transparency, and 1 leaf of illustrated matter.
Portrait of the Marquis Cattaneo. [Color transparency is shelved
in Box 165, F. 1.]
box 93, folder 5
Portraits of men,
1984-1987, undated
Scope and Content Note
6 items: 1 photograph, 1 leaf of illustrated matter, and correspondence with
Laura lewis Meyer at the Saint Louis Art Museum (2 letters to Held and 1 letter
from Held), with 2 leaves of text about the painting
Portrait of a
goldsmith
.
box 93, folder 6
Portraits of men,
1989, undated
Scope and Content Note
19 items: 1 color photograph, 1 color transparency, correspondence with Johannes
P. Graf von Schoenborn (1 letter to Held and 1 letter from Held), copy of a letter
from Luis-Alfonso Vidal de Barnola to Conde de Orssich; and 5 leaves of printed
and illustrated matter (photocopies).
Portrait of Franciso (?), Marques de
Mirabel
. [Color photograph and transparency are shelved in Box 165, F.
2.]
box 93, folder 7
Portraits of men,
1992, undated
Scope and Content Note
5 items: 1 photograph and 4 leaves of printed and illustrated matter.
Portrait of Count Wolfgang Wilhelm of Pfalzneuburg.
box 93, folder 8
Portraits of men,
1989, undated
Scope and Content Note
3 items: 1 photograph and 2 leaves of printed and illustrated matter.
Portrait of a cavalier in the collection of the Kimbell Art
Foundation.
box 93, folder 9
Portraits of men,
1992-1994, undated
Scope and Content Note
4 items: 1 color photograph, letter to Held from Patricia W. Hewitt, and 2 leaves
of printed and illustrated matter.
Portrait of an officer, possibly
Raffaele Raggi (the Prefect Raphael Racius)
. [Color photograph is
shelved in Box 165, F. 3.]
box 93, folder 10
Portraits of men,
1993, undated
Scope and Content Note
3 items: 1 photograph, and 2 leaves of printed and illustrated matter,
Portrait of an old man.
box 93, folder 11
Portraits of men,
1950-1993, undated
Scope and Content Note
ca. 14 items: 2 photographs, 4 color transparencies, 1 leaf of illustrated matter
(extensively annotated by Held), 1993 correspondence with Roger Ward at
Nelson-Atkins Museum of art (3 letters to Held and 2 letters from Held), 1950
letter from David M. Koetser to Winslow Ames, and a 1950 letter from Ames to Held.
[Color transparencies are shelved in Box 165, F. 4.]
box 93, folder 12
Portraits of men,
1987
Scope and Content Note
2 items: 1 color transparency and letter to Held (2 leaves) from Charles T.
Rosoff at Altman Fine Arts.
Portrait of a nobleman. [Color
transparency is shelved in Box 165, F. 5.]
box 93, folder 13
Portraits of men,
1988, undated
Scope and Content Note
8 items: 3 photographs, including 1 in color, 2 leaves of illustrated matter, and
1988 correspondence with Hilary Koprowski at the Wistar Institute (2 letters to
Held and 1 letter from Held). Various portraits of Charles I, King of England.
[Color transparency is shelved in Box 165, F. 6.]
box 93, folder 14
Portraits of men,
1988, undated,
Scope and Content Note
9 items: 2 photographs, 4 color transparencies, correspondence with Donald
Garstang at Colnaghi (1 letter to Held and 1 letter from Held), and 1 leaf of text
about
Portrait of a Genoese nobleman, possibly a member of the Spinola
family
. [Color transparencies are shelved in Box 165, F. 7.]
box 93, folder 15
Portraits of men,
undated,
Scope and Content Note
4 items: 2 photographs and 2 color transparencies. Annotations on verso include
mention of Sotheby's January 1985 sale. [Color transparencies are shelved in Box
165, F. 8.]
box 93, folder 16
Portraits of men,
1988-1989,
Scope and Content Note
7 items: 1 photograph, 4 color transparencies, 1 leaf of illustrated matter, and
1988 letter to Held from Adam Williams at Newhouse Galleries. [Color
transparencies are shelved in Box 165, F. 16.]
box 93, folder 17
Portraits of men,
undated,
Scope and Content Note
8 items: 3 photographs, 1 color transparency, 1 infra-red negative, and 1
negative of x-ray, and printed matter (4 leaves). Oval portrait of Nicolaas
Rockox. [Color transparency and negatives are shelved in Box 165, F. 10.]
box 93, folder 18
Portraits of men,
1929-1954, undated,
Scope and Content Note
ca. 6 items: 1 photograph; and photocopies: a 1930 receipt from the Gallery of P.
Jackson Higgs to David L. Loew (annotated by Held), a 1929 certificate by Wilhelm
Reinhold Valentiner, 1954 letter to David L. Loew from Valentiner at Los Angeles
County Museum, and 2 leaves of typescript and printed matter.
Portrait of
a gentleman
from the collection of Lord Mount-Stephen.
box 93, folder 19
Portraits of men,
1961, undated,
Scope and Content Note
ca. 11 items: 5 photographs, including 1 in color, 2 postcards, 3 leaves of
typescript by Andras G. Rekey about van Dyck's three-quarter length self-portrait,
and 1961 conservation report by Heinrich Zimmermann (German, with English
translaton). Several self-portraits of van Dyck. [Color photograph is shelved in
Box 165, F. 11.]
box 93, folder 20
Portraits of men,
undated,
Scope and Content Note
13 photographs. Labels or inscriptions on verso identify the portraits as:
Charles Lewis [Karl Ludwig] and
Charles, Lord
Herbert
, both at the Corcoran Gallery of Art,
Enrico conte di
Berg
at Prado,
Bildnis eines Feldherrn mit roter Armbinde
at Königliche Sammlungen Dresden,
James Stuart, Duke of Lenox [
James Stuart, Duke of Richmond and Lenox] (2 various portraits),
Duke of Westminster,
Jan de Wouver (by
Gainsborough after van Dyck),
William Laud Archbishop of
Canterbury
, and three portraits of uknown sitters, one annotated as
Algernon Percy, 10th earl of Northumberland. [Photograph of Laud is shelved in Box
151*, F. 2.]
box 93, folder 21
Portraits of men,
undated,
Scope and Content Note
19 items: 5 photographs, 1 postcard, and 3 leaves of illustrated matter. Labels
or inscriptions on verso identify the portraits as
Mountjoy Blount, Earl of
Newport
,
Sir John Suckling at the Frick Collection,
Portrait of a nobleman at Ringling Museum of Art, and an
equestrian portrait of
Antonio Giulio Brignole-Sala. Also included
are three unmarked portraits, including portrait of
Robert Rich, 2nd Earl
of Warwick
, a painting in the collection of E. Havenith in Antwerp, and
an equestrian portrait.
box 93, folder 22
Portraits of men,
undated,
Scope and Content Note
14 items: 7 photographs, and 7 leaves of illustrated matter. Items as marked as:
[Agostino] Palavicini at the J. Paul Getty Museum,
Ottaviano Canevari
at the Frick Collection,
Jean Charles de
Cordes
,
Sir Walter Pye in the collection of the Duke of
Norfolk,
Nicolas Larniere at the Kunsthistorisches Museum in
Vienna,
Member of the family of Charles de Nieuwenhove of Waes
owned by M. Knoedler & Co., and six other portraits.
box 93, folder 23
Portraits of men,
undated,
Scope and Content Note
14 items: 7 photographs, including 1 in color; 1 postcard (inscribed by Henry S.
Stern); and 6 leaves of illustrated matter. Included are portraits:
Thomas
François de Carignan
,
Frans Snyders;
Goldsmith;
Ferdinand de Boisschot,
Baron de
Saventhem
;
Genoese Senator (with 2 leaves of typescript
matter, and appraisal by David Schaff Fine Arts);
Charles, Marquis de la
Vieuville
;
Portrait of a bearded gentleman;
Portrait of a collector (Shafford Still collection); and untitled
photographs of portraits at Palazzo Durazzo-Pallavicini in Genoa and at Herzog
Anton-Ulrich-Museum Braunschweig. Three photographs are of details of unknown
paintings. Color photograph is of a painting in the collection of Wayne Morrell.
[Color photograph is shelved in Box 165, F. 12.]
box 93, folder 24
Portraits of men,
undated,
Scope and Content Note
2 items: an undated letter to Held from Charles Griffin, and 1 color polaroid
with caption: Antonio van Dyke Spinxel. [Polaroid is shelved in Box 165, F.
13.]
box 93, folder 25
Portraits of men: notes
undated,
Scope and Content Note
15 leaves, including 4 leaves of typescript and printed matter.
box 93, folder 26
Portraits of men: correspondence: ADAA,
1980,
Scope and Content Note
1 letter to Held from Raplph F. Colin at Art Dealers Association of America,
Inc.
folder 27
Portraits of men: correspondence: Winslow Ames,
1961,
Scope and Content Note
1 postcard ro Held.
box 93, folder 28
Portraits of men: correspondence: Jack Berkman,
1970-1977,
Scope and Content Note
ca. 8 items (11 leaves), photocopies: 1970 letter to Berkman from Smithsonian
Institution (S. Dillon Ripley); 1977 letter from Berkman to Bernard S. Adams,
president of Ripon College; expert opinions by Jacob Kainen, and Ludwig Burchard;
printed and illustrated matter; and an IRS income tax statement (2 leaves)
concerning estate of Marc B. Rojtman.s
box 93, folder 29
Portraits of men: correspondence: Colnaghi,
1987, undated
Scope and Content Note
2 items: letter to Held from Nicholas Hall, and an undated letter to Held from
conservator David Chesterman. Concerning
Portrait of François
Langlois
.
box 93, folder 30
Portraits of men: correspondence: Uitgeverij "De Sikkel",
1961
Scope and Content Note
1 letter (2 copies) to Held regarding
Portrait of Cornelius van der
Geest
at the National Gallery in London.
box 93, folder 31
Portraits of men: correspondence: Fitzwilliam Museum,
1976
Scope and Content Note
1 item. Copy of a letter from Michael Jaffé at the Fitzwilliam Museum to
Margaretta M. Salinger at Metropolitan Museum of Art, NY regarding
Portrait
of a Genoese nobleman
.
box 93, folder 32
Portraits of men: correspondence: National Gallery (Great
Britain),
1970
Scope and Content Note
1 letter to Held from Gregory Martin concerning an artwork referred to as
Jordaens drawing. Annotated by Held.
box 93, folder 33
Portraits of men: correspondence: A. J. Rimberg,
1951
Scope and Content Note
1 letter to Held. with a mention of Gustav Glück.
box 93, folder 34
Portraits of men: correspondence: Hanns Schaeffer,
1951
Scope and Content Note
1 letter to from Held to Schaeffer regarding van Dyck attribution of a painting
from the sale of the property of Earl of Lathom, held at Christie's on June 11,
1926, referred to as portrait of Lady Mayo.
box 93, folder 35
Portraits of men: correspondence: Max Victor,
1948,
Scope and Content Note
1 short letter to held regarding photograph of an Antwerp Rubens.
box 93, folder 36
Portraits of children,
undated,
Scope and Content Note
6 photographs, including 1 in color of
Portrait of Charles II.
Also present: the
Balbi children, and three paintings at Palazzo
Durazzo Pallavicini with handwritten captions:
White boy,
Tobiolo,
Three children. [Color photograph is
shelved in Box 165, F. 14.]
box 93, folder 37
Portraits of children,
1966, undated
Scope and Content Note
4 items: 1 photograph and correspondence with art dealer A. F. Grunwald (1 letter
from Held and 2 letters to Held). Portrait of
Prince William II of
Orange
.
box 93, folder 38
Group portraits,
undated,
Scope and Content Note
3 photographs, including 1 in color.
Paul Lord Bayning & his
Lady
. [Color photograph is shelved in Box 165, F. 15.]
box 93, folder 39
Group portraits,
1989, undated
Scope and Content Note
5 items: 1 photograph, 2 letters to Held from Harari & Johns Ltd (Derek
Johns), a letter to Held from Srad Antwerpen (conservator Nora De Poorter), with a
press clipping attached.
The Marriage portrait of George Villiers, Marquis,
later First Duke of Buckingham, and Katherine, Lady manners, as Venus and
Adonis
.
box 93, folder 40
Group portraits,
undated
Scope and Content Note
2 leaves of illustrated matter. Portrait of van Dyck's family.
box 93, folder 41
Group portraits,
undated
Scope and Content Note
2 photographs of portraits of couples, including portrait of
Jan Wildens
and his wife
(at the Detroit Institute of Arts).
box 93, folder 42
Group portraits,
undated
Scope and Content Note
4 items: 3 photographs and 1 color transparency. Photographs:
4th Earl of
Pembroke and his family
(with color transparency),
Thomas
Killigrew and Thomas Care
, and
Family of Oliver St. John, Earl of
Bolingbroke
. [Color transparency is shelved in Box 165, F. 16.]
box 93, folder 43
Group portraits,
undated
Scope and Content Note
3 photographs:
Family of Count Johannes von Nassau-Siegen.
Extensive annotations on verso.
box 93, folder 44
Portrait of Charles I.
Le roi à la ciasse,
undated
Scope and Content Note
8 items (9 leaves): 3 photographs, 6 leaves of printed and illustrated matter.
Items related to Held's paper published in the
Art Bulletin (June
1958).
box 93, folder 45
Portrait of Charles I.
Le roi à la ciasse:
correspondence,
1956-1958, undated
Scope and Content Note
8 items: letter to Held from Mrs. Horace W. Chandler (undated, with envelope); 2
letters to Held from Fogg Art Museum (Helen D. Willard, Millard Meiss); letter to
Held from the
Art Bulletin; Held's letter to C. W. Lanner at the
Royal Academy of Art in London; Held's letter to Jim [?]; and correspondence with
Charles Sterling in Paris (1 letter to Held and 1 letter from Held).
box 93, folder 46
Portrait of Charles I.
Le roi à la ciasse,
undated
Scope and Content Note
10 leaves of notes.
box 93, folder 47
Portrait of Charles I.
Le roi à la ciasse,
undated
Scope and Content Note
20 leaves of notes.
box 93, folder 48
Portrait of Charles I.
Le roi à la ciasse,
undated
Scope and Content Note
24 leaves of notes.
box 93, folder 49
Portrait of Charles I.
Le roi à la ciasse,
undated
Scope and Content Note
14 leaves of notes.
box 94, folder 1
Heads,
undated
Scope and Content Note
5 items: 4 photographs, including 1 of x-ray, and 1 leaf of notes. Note by Held:
head of a beardless youth with curly hair at the National Gallery of Art in
Washington.
box 94, folder 2
Heads,
undated
Scope and Content Note
5 items: 2 photographs, 1 color transparency, and 2 leaves notes. Head of a young
man, 3/4 view, with beard & moustache. [Color transparency is shelved in Box
165, F. 17.]
box 94, folder 3
Heads,
1987, undated
Scope and Content Note
7 items: 3 photographs, 2 color transparencies, and 2 leaves of illustrated
matter. Head of a man, turned three-quarters to the left. [Color transparencies
are shelved in Box 165, F. 18.]
box 94, folder 4
Heads,
1985, undated
Scope and Content Note
ca. 7 items: 2 photographs, 2 leaves of notes, and 1985 correspondence with
Alfonso E. Pérez Sánchez at Museo del Prado (1 letter to Held and 1 letter from
Held). Two Prado paintings of a head of an old man.
box 94, folder 5
Heads,
1972, undated
Scope and Content Note
ca. 5 items: 1 photograph, 1 postcard, 1 note, and 2 leaves of printed and
illustrated matter. Two studies of a man's head at Rockox House in Antwerp.
box 94, folder 6
Heads,
1970, undated
Scope and Content Note
5 items: 1 photograph, 2 leaves of notes, and correspondence with Philippe de
Montebello at the Museum of Fine Arts in Houston. Head of a man. Notes are on
verso of Held's 1988 letter (partial, first page only) to Helmut Joho in Eberbach,
Germany, in which Held provides details regarding his family's history and fate in
the Holocaust.
box 94, folder 7
Heads,
1984, undated
Scope and Content Note
7 items: 2 photographs, 1 leaf of illustrated matter, 3 leavess of notes, and
1984 letter to Held from Jan Kelch at Staatliche Museen Preussischer Kulturbesitz,
Gemäldegalerie. Study of a bearded man by van Dyck and Jordaens.
box 94, folder 8
Heads,
1979-1991, undated
Scope and Content Note
10 items: 3 photographs, including 1 in color, illustrated matter, two 1979
letters to Held from Charles Payne, 1991 correspondence with R. G. Rhett (1 letter
to Held and 1 letter from Held), and 1991 letter from Christopher Brown (The
National Gallery, London) to Anita Prentice. Title on printed matter: St. John the
Evangelist. [Color photograph is shelved in Box 165, F. 19.]
box 94, folder 9
Heads,
undated
Scope and Content Note
3 items: 1 photograph, and printed and illustrated matter (2 leaves). The head of
an old man from the collection of Sir Watkin-Williams-Wynn.
box 94, folder 10
Heads,
1988, undated
Scope and Content Note
2 items (4 leaves): 1 photograph and 3 leaves of printed and illustrated matter,
extensively annotated by Held.
The Apostle St. Judas Thaddaeus.
box 94, folder 11
Heads,
undated
Scope and Content Note
3 items: 1 photoengraving, and 2 leaves of typed notes, annotated. Head of a boy,
at the Louvre.
box 94, folder 12
Heads (male)
undated
Scope and Content Note
ca. 11 items (13 leaves): 2 photographs, 2 postcards, and printed and illustrated
matter. Various artworks, including a self-portrait as a study for Saint John.
box 94, folder 13
Heads,
undated
Scope and Content Note
8 items: 7 photographs, and 1 postcard. Various artworks.
box 94, folder 14
Heads (female)
1989, undated
Scope and Content Note
5 items: 4 photographs and 1989 letter to Held from Anthony Mould regarding a
painting from the de Zoete collection. Study head of a young woman looking down,
from the Liechtenstein collection; and 2 photographs of a young woman, looking
up.
box 94, folder 15
Heads,
1983, undated
Scope and Content Note
5 items: 2 photographs, 1 color transparency, 3 leaves of printed and illustrated
matter.
Young woman, resting her head on her head. [Color
transparency is shelved in Box 165, F. 20.]
box 94, folder 16
Heads,
1985, undated
Scope and Content Note
3 items: 1 photograph, 1985 letter from Held to Valerie Evans at Lexbourne
Limited, and illustrated matter.
Princess Elizabeth and Princess Anne, the
daughters of Charles I.
box 94, folder 17
Heads,
1989, undated
Scope and Content Note
4 items: 2 photographs, illustrated matter (1 leaf, extensively annotated), and
1989 letter to Held from Meg Newhouse at Newhouse Galleries. Head of a young
child, also labelled as
Head of an angel.
box 94, folder 18
Heads,
1978-1991, undated
Scope and Content Note
ca. 11 items: 3 photographs, including 2 in color; 1 color transparency; printed
and illustrated matter; and notes; 1978 correspondence with Bernard C. Solomon at
the Everest Record Group (1 letter to Held and 1 letter from Held); and 1991
letter to Held from Wilhelm Ott in Düsseldorf. Concerning painting referred to as
Repentant Magdalene. [Color photographs and transparency are
shelved in Box 165, F. 21.]
box 94, folder 19
Heads,
undated
Scope and Content Note
12 leaves of notes.
box 94, folder 20
Heads: correspondence: Ludwig Burchard,
1953
Scope and Content Note
Copy of Burchard's expert opinion about Rubens attribution of a painting referred
to as head and shoulders of a bearded man, in life size, seen in front view.
box 94, folder 21
Heads: correspondence: David Carritt,
1981
Scope and Content Note
1 letter to Held.
box 94, folder 22
Heads: correspondence: Bob P. Haboldt,
1991
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Habold's letter is annotated by
Held. Regarding an oil sketch representing
Adoration of the
shepherds
. With a mention of Richard Platoff.
box 94, folder 23
Heads: correspondence: Walter [Liedtke?],
1984
Scope and Content Note
1 letter from Held (copy).
box 94, folder 24
Heads: correspondence: Henry H. Weldon,
1984
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 94, folder 25
Heads: dubious,
undated
Scope and Content Note
20 items: 19 photographs and 1 leaf of illustrated matter.
box 94, folder 26
Heads: dubious,
1987-1988, undated
Scope and Content Note
7 items: 1 photograph, 1 color transparency, 2 letters to Held from Piero
Corsini, notes and illustrated and printed matter.
The Apostle, St. Judas
Thaddaeus
. [Color transparency is shelved in Box 165, F. 22.]
box 94, folder 27
Heads: dubious,
1984, undated
Scope and Content Note
3 items: 1 photograph, and correspondence with James O. Belden (1 letter to Held
and 1 letter from Held). With a mention of Arthur Wheelock and of Mr. Rothmann in
London.
box 94, folder 28
Heads: dubious,
1928-1984, undated
Scope and Content Note
6 items: 1984 letter from Held to Susan Rossen, notes, catalog record, and expert
opinions by Ludwig Burchard (1928) and Leo van Puyvelde (1956). All copies.
Head of a girl at Art Institute of Chicago, Charles H. and Mary
F. S. Worcester collection. Formerly at Van Diemen Gallery in Berlin. With a small
sketch by Held.
box 94, folder 29
Heads: dubious,
1979-1983,
Scope and Content Note
ca. 7 items: correspondence with Spencer A. Samuels (1 letter to Held and 1
letter from Held), a letter to Samuels from Emile Verrijken in Antwerp, an undated
letter to [?] from Rheinisches Landesmuseum Bonn, expert opinion about
Bildnis des Jasper Karel van Nieuwenhove by Justus Müller
Hofstede (typescript, 3 leaves), and printed and illustrated matter.
box 94, folder 30
Painting:
Venus and Adonis,
undated
Scope and Content Note
15 items: 1 leaf of illustrated matter, annotated by Held, and 14 color
transparencies. [Color transparencies are shelved in Box 165, F. 23.]
box 94, folder 31
Painting:
Boys making bubbles,
1977-1986, undated
Scope and Content Note
ca. 15 items: 3 photographs; typescript, printed and illustrated matter; notes;
receipt from École nationale supérieure des beaux-arts in Paris; 1977
correspondence with Ian Kenendy at Christie's New York (1 letter to Held and 1
letter from Held); copy of 1977 letter to Jan Klein from Michael Jaffé at the
Fitzwilliam Museum; and 1982 correspondence with Norbert du Carrois at Galerie
Keller in Zurich (2 letters to Held and 1 letter from Held).
box 94, folder 32
Painting:
Rider mounting a horse,
undated
Scope and Content Note
ca. 12 items: 6 photographs, notes and illustrated matter.
box 94, folder 33
Painting:
Bacchus returning from harvesting grapes [
Bacchanalian scene],
1959-1981, undated
Scope and Content Note
12 items: 8 photographs (3 in color); 1981 letter to Held from David M. Koetser;
1959 expert opinion by Ludwig Burchard and a letter to Koester from Burchard's son
Wolfgang; and typescript matter. [Color photographs are shelved in Box 165, F.
24.] [2 photographs are shelved in Box 151*, F. 2.]
box 94, folder 34
Painting:
Crowning of Venus,
1986
Scope and Content Note
3 items: 1 color photograph and 2 letters to Held from Kathy D. Ouzounian [?].
[Color photograph is shelved in Box 165, F. 25.]
box 94, folder 35
Painting:
Four ages of man,
1986-1987,
Scope and Content Note
6 items: 1 color photograph, 1 color transparency, correspondence with Frances F.
L. Beatty at Richard L. Feigen & Co. (1 letter to Held and 1 letter from
Held), letter to Held from Juan Morales Mayoni, and press clipping. [Color
photograph and transparency are shelved in Box 165, F. 26.]
box 94, folder 36
Painting:
Andromeda chained to the rock,
1978, undated
Scope and Content Note
4 items: 2 photographs, letter to Held from Ian Kennedy at Christie's New York;
and 1 leaf of typescript.
box 94, folder 37
Painting:
Jupiter and Antiope,
1972-1987, undated
Scope and Content Note
6 items: 3 photographs, postcard, illustrated mater, and 1972 letter from Held to
J. O. Connor Lynch.
box 94, folder 38
Painting:
Drunken Silenus,
1962, undated
Scope and Content Note
7 items (12 leaves): 2 photographs, 1 postcard, copies of expert opinions by
Robert Eigenberger, Leo van Puyvelde, and Ernst H. Buschbeck.
box 94, folder 39
Painting:
Allegory of Charity [
Caritas],
undated
Scope and Content Note
6 photographs, including 3 in color. Painting and study. Photograph of study is
extensively annotated on verso. [Color photographs are shelved in Box 165, F.
27.]
box 94, folder 40
Various,
undated
Scope and Content Note
10 items: 5 photographs, including 3 in color, 1 postcard, illustrated matter,
and a folder from Held's archive. Included are: a study of hands, a study of a
dog's head,
Two greyhounds,
Fischmarket (by Frans
Snyders),
Rinaldo and Armida ,
Scipio's magnanimity,
Achiles among the daughters of Lycomedes, and photograph of a
print (with illustrated matter attached).
box 94, folder 41
Horses: images,
1978-1984, undated
Scope and Content Note
9 items: 4 photographs, 2 color transparencies, and illustrated matter. [Color
transparencies are shelved in Box 165, F. 28.]
box 94, folder 42
Horses,
undated
Scope and Content Note
27 leaves of notes and printed matter.
box 94, folder 43
Horses: correspondence with Christie's London,
1990
Scope and Content Note
1 item: copy of a letter from Charles Beddington to Masoud Rejaee in New York.
Regarding a painting referred to
Startled horse.
box 94, folder 44
Horses: correspondence with Michael Jaffé,
1990
Scope and Content Note
1 item: copy of a letter from Jaffé at the Fitzwilliam Museum to Derek Johns.
Regarding a painting of a white stallion referred to as Horse.
box 94, folder 45
Horses: correspondence with Metropolitan Museum of Art, NY,
1983-1984
Scope and Content Note
5 items: correspondence between Keith Christiansen at Metropolitan Museum of Art,
NY and Masoud Rejaee (1 letter to Rejaee and 1 letter from Rejaee); a Metropolitan
Museum of Art, NY loan receipt for return of van Dyck's painting
White
stallion
; and Held's correspondence with Metropolitan Museum of Art, NY
conservator John M. Brealey (1 letter to Held and 1 letter from Held).
box 94, folder 46
Horses: correspondence with Henry Wyndham,
1989
Scope and Content Note
1 letter to Held regarding painting referred to as Arab stallion. With a mention
of Walter Chrysler. Letterhead of The St James's Art Group in London.
box 94, folder 47
Horses: correspondence with Jack Tanzer,
1990
Scope and Content Note
1 letter to Held. With a mention of an artwork referred to as Leopards.
box 95, folder 1
Painting:
Samson and Delilah,
1962
Scope and Content Note
4 items: 2 photographs and 2 letters to Held: from Hohn Ronay and from Pál
Kelemen.
box 95, folder 2
Painting:
Saint John the Baptist [?],
undated
Scope and Content Note
1 photograph. On verso; Picchetto. Central Picture Galleries (Ian Klein).
box 95, folder 3
Painting:
Saint Mary Magdalen,
1991, undated
Scope and Content Note
3 items: 2 photographs, and a 1991 letter from Held to Wilhelm Ott in
Düsseldorf.
box 95, folder 4
Painting:
Saint Sebastian,
1987-1992, undated
Scope and Content Note
6 items: 2 photographs, illustrated matter, notes, and expert opinion by Erik
Larsen. Two different paintings.
box 95, folder 5
Painting:
Saint Sebastian,
1988
Scope and Content Note
3 items: 1 color transparency, letter from Otto Kaufman to Clark Art Institute
(J. Dustin Wees), and a letter from Wees to Christian Heck at Musée d'Unterlinden
in Colmar. [Color photograph is shelved in Box 165, F. 29.]
box 95, folder 6
Painting:
Saint Sebastian,
1977-1985
Scope and Content Note
7 items: 1 photograph, 1977 correspondence with John R. Martin (1 letter from
Held and 1 letter to Held), 1985 correspondence with Christopher Kingzett at Thos.
Agnew & Sons (2 letters to Held and 2 letters from Held). With a mention of
other works by Van Dyck refererd to as
Adoration,
Princess
Elizabeth and Princess Anne
, and
Assumption.
box 95, folder 7
Painting:
Saint Sebastian,
1983-1987
Scope and Content Note
7 items: 2 photographs, including 1 in color, correspondence with Louvre
conservator Pierre Rosenberg (1 letter to Held and 1 letter from Held), and with
George Wachter at Sotheby's (1 letter to Held (+ color photo) and 1 letter from
Held). Also present is copy of expert opinion by Erik Larsen. [Color photograph is
shelved in Box 165, F. 30.]
box 95, folder 8
Painting:
Saint Jerome,
1933, 1985-1990
Scope and Content Note
6 items: 3 photographs, copy of 1933 expert opinion by Gustav Glück, and printed
and illustrated matter. Three various artworks.
box 95, folder 9
Painting:
Saint Jerome,
1986
Scope and Content Note
3 items: correspondence with David Landen at
Print Quarterly, and
1 leaf of illustrated matter.
box 95, folder 10
Painting:
Saint Martin,
1984-1987
Scope and Content Note
9 items: 1 photograph, 1 postcard, notes, printed and illustrated matter,
including an offprint, and letters to Held from William Hutton at the Toledo
Museum of Art, and from the National Gallery of Art.
box 95, folder 11
Painting:
Saint Laurentius,
undated
Scope and Content Note
3 items: 2 photographs and printed matter.
box 95, folder 12
Painting:
Adoration of the shepherds,
undated
Scope and Content Note
ca. 24 items: 1 photograph, 1 leaf of notes, and 22 leaves of various printed
matter (photocopies).
box 95, folder 13
Painting:
Rest on the flight into Egypt,
1982, undated
Scope and Content Note
7 items: 4 photographs, notes, and correspondence with T. D. Llewellyn at
Sotheby's London (1 letter to Held and 1 letter from Held). Painting referred to
as
Holy Family with dancing angels.
box 95, folder 14
Painting:
Rest on the flight into Egypt,
1988
Scope and Content Note
7 items: 3 photographs, including 1 in color, 1 color transparency, and
correspondence with Sarah E. lawrence at Richard L. Feigen & Co. (1 letter to
Held, with 1 leaf of typescript, and 1 letter from Held). [Color photograph and
transparency are shelved in Box 165, F. 31.]
box 95, folder 15
Painting:
Madonna and Child: various images,
undated
Scope and Content Note
11 items: 7 photographs, 1 postcard, and 3 leaves of illustrated matter.
box 95, folder 16
Religious subjects: various,
undated
Scope and Content Note
4 photographs, including 3 with labels of the Bob Jones University Gallery:
Madonna and Child,
Mother of sorrows, and
Man of sorrows. Also
Head of St. Anthony.
box 95, folder 17
Painting:
Madonna and Child with two musical
angels
,
1979-1990, undated
Scope and Content Note
ca. 25 items (43 leaves): 10 photograhs; printed and illustrated matter;
Treatize on a van Dyck painting , paper by Hans H. Amtmann (16
leaves); correspondence with Mrs. Arves (2 letters to Held and 1 letter from
Held); and with Hans H. Amtmann (6 letters to Held and 4 letters from Held).
Amtmann's paper includes 3 small photographs, pasted in.
box 95, folder 18
Painting:
Madonna and Child,
1989, undated
Scope and Content Note
3 items: 1 photograph, typed note (annotated), and 1 leaf of illustrated matter.
Painting from the collection of Thomas Hakewill.
box 95, folder 19
Painting:
Madonna and Child,
undated
Scope and Content Note
2 items: 1 photograph and 2 leaves of typescript about the painting, including
provenance information and text of two 1943 letters from the Frick Library.
box 95, folder 20
Painting:
Madonna and Child,
1963
Scope and Content Note
2 items: 1 photograph and letters to Held (2 leaves) from R. M. Custer.
box 95, folder 21
Painting:
Madonna and Child,
undated
Scope and Content Note
5 photographs, including 3 of x-rays, and 1 infra-red.
box 95, folder 22
Painting:
Madonna and Child,
1969-1976
Scope and Content Note
7 items: 1 color photograph, copies of Francis B. Trepagnier's correspondence
with Irwing Tarrant and Held, 1 letter to Trepagnier from David Carritt at
Christie's London, and conservation report by Louis Pomerantz (3 leaves). [Color
photograph is shelved in Box 165, F. 32.]
box 95, folder 23
Painting:
Virgin and Child with Saint Anne,
1984-1998 , undated
Scope and Content Note
8 items: 1 color transparency, 1 leaf of notes, printed and illlustrated matter,
and correspondence with Charles Tyler (2 letters to Held and 1 letter from Held).
Painting also captioned as
Madonna mit Elisabeth. [Color
transparency is shelved in Box 165, F. 33.]
box 95, folder 24
Painting:
Saint Rosalie,
1963,
Scope and Content Note
4 items: 3 photographs, and Held's letter to Saemy Rosenberg (2 leaves). [2
photographs are shelved in Box 151*, F. 3.]
box 95, folder 25
Painting:
Taking of Christ on the Mount of
Olives
,
1982-1984, undated
Scope and Content Note
8 items: 1 color photograph; a statement by Kurt Löcher; typescript (2 leaves);
and correspondence with Oscar Klein at Central Picture Galleries (1 letter to Held
and 1 letter from Held), and with Heidemarie Svensson (1 letter to Held and 1
letter from Held). [Color photograph is shelved in Box 165, F. 34.]
box 95, folder 26
Painting:
Reed offered to Christ,
1957, undated
Scope and Content Note
9 items: 4 photographs, illustrated matter, correspondence with Steven Hecton (1
letter to Held and 2 letters from Held), and Hecton's letter to Theodore Rousseau
at Metropolitan Museum of Art, NY.
box 95, folder 27
Painting:
Lamentation,
undated
Scope and Content Note
ca. 5 items: 3 photographs, notes, and printed matter (copies).
box 95, folder 28
Painting:
Christ blessing the children,
undated
Scope and Content Note
2 items: 1 photograph and printed matter (3 leaves).
box 95, folder 29
Painting:
Lamentation: various paintings,
1984, undated
Scope and Content Note
5 items: 2 photographs, a typescript note, and 2 leaves of illustrated
matter.
box 95, folder 30
Painting:
Crucifixion: various paintings,
1972-1988, undated
Scope and Content Note
ca. 9 items: printed and illustrated matter, and notes, including a leaf of notes
with letterhead of Zangrilli, Brady & Co.
box 95, folder 31
Painting:
Descent from the cross,
1968
Scope and Content Note
2 items: 1 letter to Held from Kenneth Donahue at Los Angeles County Museum of
Art, with carbon copy of Held's reply on verso; and 1 leaf of notes.
box 95, folder 32
Painting:
Salvator mundi,
1979, undated
Scope and Content Note
9 items: 1 photograph; correspondence with Frank J. Mangano (1 letter to Held and
2 letters from Held, with a receipt); letter to Held from Edward T. Nash at
Schaeffer Galleries in New York; typescript (1 leaf) about a painting from the
Earl of Northington collection; and copies of certificates by Ludwig Burchard and
Wilhelm Reinhold Valentiner. Burchard's certificate is extensively annotated by
Held.
box 95, folder 33
Painting:
Healing of the lame man,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of notes. Painting from Henle collection,
Duisburg.
box 95, folder 34
Painting:
Betrayal of Christ,
1959-1979, undated
Scope and Content Note
3 items: 1 color transparency; 1959 letter to Held from Sam Hunter at the
Minneapolis Institute of Arts; and 1 leaf of typescript by John Rupert Martin.
[Color transparency is shelved in Box 165, F. 35.]
box 95, folder 35
Painting:
Tribute money,
1989, undated
Scope and Content Note
3 items: 1 photograph and correspondence with Ron Cayen 91 letter to Held and 1
letter from Held).
box 95, folder 36
Painting:
Infants Christ and Saint John the
Baptist
,
1967, undated
Scope and Content Note
7 items: 4 photographs, including one of engraving by Arnold de Jode; printed
matter; and correspondence with Irwin J. Olkein (1 letter to Held and 1 letter
from Held). Painting also labelled as
Jesus and St. John
embracing
.
box 95, folder 37
Religious subjects: various items,
1987, undated
Scope and Content Note
16 items : 8 photographs, 4 leaves of illustrated matter, printed matter, a
receipt from Institut royal du patrimoine artistique in Brussels, and 1 leaf of
notes. [2 photographs, including
Resurrection are shelved in Box
151*, F. 3.]
box 95, folder 38
Apostles' heads
1979-1988, undated
Scope and Content Note
ca. 22 items: 7 photograhs; 2 color transparencies; 12 leaves of printed and
illustrated matter; 2 leaves of notes; 1979 correspondence with William H. Wilson
at John and Mable Ringling Museum of Art (1 letter to Held and 1 letter from
Held); and two 1988 letters to Held from Donald Garstang and Nicholas Hall at
Colnaghi (with a photograph and 2 leaves of typescript). [Color transparencies
(with 1 leaf of notes) are shelved in Box 165, F. 36.]
box 96, folder 1
Iconography series: Álvaro de Bazan, marquês de Santa
Cruz,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 96, folder 2
Iconography series: Henri van Balen,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 96, folder 3
Iconography series: Jan Baptist Barbé,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 96, folder 4
Iconography series: Jacobus de Breuck,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 96, folder 5
Iconography series: Pieter Bruegel the Younger
[Brueghel],
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 96, folder 6
Iconography series: Adriaen Brouwer,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 96, folder 7
Iconography series: Jacomo de Cachiopin, Jacques
Callot,
undated
Scope and Content Note
3 leaves of illustrated matter.
box 96, folder 8
Iconography series: Wenceslas Coeberger, Charles I, King
of England,
undated
Scope and Content Note
5 items: 2 photographs, 3 leaves of illustrated matter.
box 96, folder 9
Iconography series: Carlos de Colonna [Coloma], Andreas
Colyns de Nole,
undated
Scope and Content Note
6 items: 2 photographs, 4 leaves of illustrated matter (also with portrait of
Cornelius Poelenbourch).
box 96, folder 10
Iconography series: Antonis Cornelissen,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 96, folder 11
Iconography series: Adam de Coster,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 96, folder 12
Iconography series: Gaspar de Crayer, Sir Kenelm Digby,
Sir Anthony van Dyck,
undated
Scope and Content Note
8 items: 3 photographs, 5 leaves of illustrated matter.
box 96, folder 13
Iconography series: Hubert van den Eynden,
undated
Scope and Content Note
3 leaves of illustrated matter.
box 96, folder 14
Iconography series: François Franck the Younger, Don
Emanuel Frockas,
undated
Scope and Content Note
6 items: 2 photographs, 4 leaves of illustrated matter.
box 96, folder 15
Iconography series: Theéodore Galle, Gaston de France, duc
d'Orléan,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 96, folder 16
Iconography series: Cornelis van der Geest,
undated
Scope and Content Note
6 items: 4 photographs, 2 leaves of illustrated matter.
box 96, folder 17
Iconography series: Orazio Gentileschi,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 96, folder 18
Iconography series: Caspar Gervartius,
undated
Scope and Content Note
3 leaves of illustrated matter.
box 96, folder 19
Iconography series: Gustaf II Adolf, King of Sweden, Diego
Felipe de Guzman,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter.
box 96, folder 20
Iconography series: Paulus Halmalius, Willem Hondius,
Pieter de Jode I,
undated
Scope and Content Note
5 items: 1 photograph, 4 leaves of illustrated matter.
box 96, folder 21
Iconography series: Inigo Jones, Jacob Jordaens, Jan
Lievens, Theodor van Loon, Henriette de Lorraine,
undated
Scope and Content Note
7 items: 2 photographs, 5 leaves of illustrated matter.
box 96, folder 22
Iconography series: Karel van Mallery,
undated
Scope and Content Note
8 items: 1 color transparency, 3 photographs, and 3 leaves of illustrated matter.
[Color transparency is shelved in Box 165, F. 37.]
box 96, folder 23
Iconography series: Marie de Médicis,
undated
Scope and Content Note
3 items: 2 photographs, and 1 leaf of typescript text about the painting (with
letterhead of Zangrilli, Brady & Co.).
box 96, folder 24
Iconography series: Hans van Mildert,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 96, folder 25
Iconography series: Josse de Momper, Francisco de
Moncade,
1985, undated
Scope and Content Note
5 items: 2 letters to Held from Felice Stampfle at the Pierpont Morgan Library,
and 3 leaves of illustrated matter.
box 96, folder 26
Iconography series: Daniel Mytens,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 96, folder 27
Iconography series: Johan III, Prince of Nassau-Siegen,
Adam van Noort,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter.
box 96, folder 28
Iconography series: Palamedes Palamedessen,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 96, folder 29
Iconography series: Nicolas-Claude Fabri de Peiresc,
Martin Pepyn,
undated
Scope and Content Note
2 photographs.
box 96, folder 30
Iconography series: Paulus Pontius,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 96, folder 31
Iconography series: Erycius Puteanus,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 96, folder 32
Iconography series: Jan van Ravesteyn,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 96, folder 33
Iconography series: Nicolaas Rockox, Theodore Rombouts,
Peter Paul Rubens, Martin Ryckaert,
undated
Scope and Content Note
10 items: 2 photographs, 8 leaves of illustrated matter. Photograph of Rockox
portrait shows detail only: hand of Rockox and bust of Demosthenes.
box 96, folder 34
Iconography series: Cornelis Saftleven,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 96, folder 35
Iconography series: François-Thomas, prince de
Savoie-Carignan,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 96, folder 36
Iconography series: Alessandro Scaglia,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 96, folder 37
Iconography series: Cornelis Schut,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 96, folder 38
Iconography series: Gerard Seghers,
undated
Scope and Content Note
3 leaves of illustrated matter. Included is illustration of a portrait of Hendrik
van Steenwijck [Steenwyck] the Younger. [See also item in Box 96, F. 41.]
box 96, folder 39
Iconography series: Jan Snellinck, Frans
Snyders,
undated
Scope and Content Note
6 leaves of illustrated matter.
box 96, folder 40
Iconography series: Ambrogio Spinola, Adriaen van
Stalbemt,
undated
Scope and Content Note
6 items: 3 photographs, 3 leaves of illustrated matter.
box 96, folder 41
Iconography series: Henri van Steenwyck
[Steenwijck],
undated
Scope and Content Note
1 leaf of illustrated matter. [See also item in Box 96, F. 38.]
box 96, folder 42
Iconography series: Adriaen van Stalbent,
undated
Scope and Content Note
2 items: 1 photograph, and 1 color transparency. [Color transparency is shelved
in Box 165, F. 38.]
box 96, folder 43
Iconography series: Peter Stevens,
undated,
Scope and Content Note
2 items: 1 photograph, 2 leaves of illustrated matter.
box 96, folder 44
Iconography series: Theodoor van Thulden, Jean t'Serclaes
de Tilly,
undated
Scope and Content Note
4 items: 1 photograph, 3 leaves of illustrated matter.
box 96, folder 45
Iconography series: Lucas van Uden,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 96, folder 46
Iconography series: Lucas van Uffele, Geneviève
d'Urfé,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 96, folder 47
Iconography series: Robertus van Voerst,
undated
Scope and Content Note
3 leaves of illustrated matter.
box 96, folder 48
Iconography series: Cornelis de Vos, Simon de
Vos,
undated
Scope and Content Note
4 items: 1 photograph, 3 leaves of illustrated matter.
box 96, folder 49
Iconography series: Willem de Vos,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 96, folder 50
Iconography series: Lucas Vosterman, Simon
Vouet,
undated
Scope and Content Note
3 leaves of illustrated matter.
box 96, folder 51
Iconography series: Sebastian Vrancx,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter.
box 96, folder 52
Iconography series: Jan de Wael, Albert de
Wallenstein,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 96, folder 53
Iconography series: Jan Wildens,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 96, folder 54
Iconography series: Artus Wolfaert [Wolfart],
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter.
box 96, folder 55
Iconography series: Duke Wolfgang Wilhelm of
Pfalz-Newberg,
1974-1988, undated
Scope and Content Note
7 items: 1 photograph, 1 color slide, 2 leaves of illustrated matter, text about
disappearance of van Dyck's portrait of the duke (typescript, 1 leaf), letter to
Held from Joaneath Spicer, with [her?] paper about the painting (typescript, 9
leaves). [Color slide is shelved in Box 165, F. 39.]
box 96, folder 56
Iconography series: correspondence with Duke of
Buccleuch,
1984-1989,
Scope and Content Note
11 items: correspondence with the Duke (2 letters to Held and 4 letters from
Held), Duke's secretary Lorna MacEchern (letter and postcard to Held and 1 letter
from Held), 1 letter from the Duke [?] to Keith Andrews at the National Gallery of
Scotland, and Held's letter to Beedle & Cooper in Northampton.
box 96, folder 57
Iconography series: correspondence with Christie's
London
1985
Scope and Content Note
3 items: 2 letters to Held from Francis Russell, and 1 letter from Held.
box 96, folder 58
Iconography series: correspondence with Edward
Hill,
1987
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 96, folder 59
Iconography series: correspondence with Sarah E.
Lawrence,
1988
Scope and Content Note
1 letter from Held to Lawrence at Richard L. Feigen.
box 96, folder 60
Iconography series: correspondence with José
Pascual,
1986
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Regarding portrait of Carel van
Mallery.
box 96, folder 61
Iconography series: correspondence with Catherine
Scallen,
1984, undated
Scope and Content Note
3 items (26 leaves): 1 letter from Held, 1 letter to Held, and Scallen's paper on
van Dyck's
Iconography (copy of typescript, 22 leaves).
box 96, folder 62
Iconography series: correspondence with Scottish National
Portrait Gallery,
1984
Scope and Content Note
1 letter from Held to July Murphy at the Scottish National Portrait Gallery.
box 96, folder 63
Iconography series: correspondence with Seymour
[Slive?],
1984, undated
Scope and Content Note
ca. 6 items: letter to Held from Seymour [Slive?] at Harvard University Art
Museums, and 5 leaves of printed and illustrated matter concerning collections of
Duke of Buccleuch.
box 97, folder 1
Iconography series: unsorted notes,
undated
Scope and Content Note
7 items: 4 leaves of notes, illustrated matter, and folder inscribed:
Maucquoy [Marie Mauquoy-Hendrickx?].
box 97, folder 2
Iconography series: unsorted notes,
undated
Scope and Content Note
31 leaves.
box 97, folder 3
Iconography series: unsorted notes,
1985, undated
Scope and Content Note
ca. 24 leaves, including a 1985 letter to Held from Nancy C. Little at M.
Knoedler & Co. Notes concern mainly artworks in the collection of the Duke of
Buccleuch.
box 97, folder 4
Iconography series: unsorted notes,
undated
Scope and Content Note
22 leaves, concerning mainly artworks in the collection of the Duke of Buccleuch,
and at the Nationalmuseum in Munich [Bayerische Staatsgemäldesammlungen].
box 97, folder 5
Iconography series: unsorted notes,
undated
Scope and Content Note
20 leaves, concerning mainly artworks in the collection of the Duke of Buccleuch,
and at the Nationalmuseum in Munich [Bayerische Staatsgemäldesammlungen].
box 97, folder 6
Iconography series: unsorted notes,
undated
Scope and Content Note
ca. 12 items: 10 leaves of notes, and a label inscribed:
Portraits with
Wibiral nos. over 100
; typescript (7 leaves) about a portrait of Rubens;
and printed matter (photocopies) from
Rubens and his circle
box 97, folder 7
Iconography series: unsorted notes,
undated
Scope and Content Note
31 leaves of notes; many refer to Wibiral's catalogue raisonné.
box 97, folder 8
Dubious artworks: correspondence with Michael Black,
1982-1983,
Scope and Content Note
11 items: 2 color photographs, and correspondence with the collector Michael
Black (Almadén Vineyards) (6 letters to Held and 3 letters from Held) concerning a
portrait painting purchased in London in 1977 by Bud Grossman. With a mention of
Alfred Bader. [Color photographs are shelved in Box 165, F. 40.]
box 97, folder 9
Dubious artworks: various portraits of men,
undated ,
Scope and Content Note
15 items: 16 photographs, 1 leaf of illustrated matter. [Illustrated matter is
shelved in Box 151*, F. 4.]
box 97, folder 10
Dubious artworks: portrait of the Duke of Strafford,
1968, undated
Scope and Content Note
4 items: 2 photographs, letter to Held from Alvin L. Herald at Fairleigh
Dickinson University, and a typed note.
box 97, folder 11
Dubious artworks: portrait of Paulus Pontius,
1969, undated
Scope and Content Note
3 items: 2 photographs, and a letter to Held from W. J. Withrow at the Art
Gallery of Ontario.
box 97, folder 12
Dubious artworks: portrait of Jan Malderus,
1980, undated
Scope and Content Note
3 items (3 leaves): 1 photograph, letter to Held from Cronstedt, and copy of a
letter to Cronstedt from G. Kotting at Rijksbureau voor Kunsthistorische
Documentatie. Also regarding Memling's
King David and a boy.
box 97, folder 13
Dubious artworks: portrait of Paul de Vos,
1976, undated
Scope and Content Note
4 items: 2 photographs, letter to Held from Kenneth Saltmarche at the Art Gallery
of Windsor, and expert opinion by Wyly Grier.
box 97, folder 14
Dubious artworks: portrait painting of Cardinal Guido
Bentivoglio,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of typescript.
box 97, folder 15
Dubious artworks: portrait of a man,
undated
Scope and Content Note
2 items: 1 photograph and 1 color transparency. [Color transparency is shelved in
Box 165, F. 41.] Annotations on verso of photograph include name of [Robert?]
Herzig [Galerie Sanct Lucas in Vienna?], and a reference to Rubens.
box 97, folder 16
Dubious artworks: portrait [?] of a man praying,
1923-1928, 1984, undated
Scope and Content Note
5 items: 1 photograph; letter to Held from U. Eberhart at the auction house
Bukowskis Zürich; photocopies of 1923 and 1928 certificates by Wilhelm von Bode
and A. L. Mayer. Von Bode's statement certified by Irene Kunze. Photograph is
annotated on verso with a reference to van Dyck's painting
Abbé Scaglia
adoring the Virgin and Child
.
box 97, folder 17
Dubious artworks: Holy Family [?]
undated
Scope and Content Note
2 items: 1 photograph and 1 color transparency. Photograph annotated on verso:
Sotheby's May 19, 1995, lot 82, 114.3 x 93.3 cm, Circle A. V. Dyck. [Color
transparency is shelved in Box 165, F. 42.]
box 97, folder 18
Dubious artworks: portrait of Count William Hocuet,
1957-1993
Scope and Content Note
7 items: 1 photograph, 1993 letter to Held from Elizabeth Ourusoff de
Fernandez-Gimenez at the Milwaukee Art Museum, notes (1 leaf) and photocopies of
certificate by A. Zlatoff Mirsky (1957 fax from Diana Corp.), English translations
of two 1901 letters from Laszlo Fulop to the Duke of Siklos regarding collection
of Louis Thiers, and an expert opinion by Raimondo Sirotti at Museo dell'Accademia
linguistica di belle arti in Genoa.
box 97, folder 19
Dubious artworks: portrait of Rubens [?],
1972
Scope and Content Note
5 items: 4 photographs, 1 color transparency, and a letter to Held from Denver
Art Museum, annotated by Held. Painting referred to as a portrait of Rubens.
[Color transparency is shelved in Box 165, F. 43].
box 97, folder 20
Dubious artworks: portrait of Lady Isabella Rich,
undated
Scope and Content Note
1 photograph, on verso extensively annotated by Held.
box 97, folder 21
Dubious artworks: a double portrait,
1968
Scope and Content Note
8 items: 4 photographs, and correspondence with Robert E. Peck (2 letters to Held
and 2 letters from Held). Concerning van Dyck or Peter Lely attribution of a
double portrait of a man and a woman with cupid offering a basket with
flowers.
box 97, folder 22
Dubious artworks: portrait of Henrietta Maria, Queen of
England,
1957-1985, undated
Scope and Content Note
ca. 12 items: 3 photographs, including 2 in color, a 1985 letter to Held from
Thomas Habeck; an undated [1985?] letter to Held from Kjell I. Petersson (3
leaves); and photopcopies: text about the history of the painting (typescript, 2
leaves), certificates by Ludwig Burchard (dated 5 Aug. 1957, for Rudolf Beckers,
with English translation), Erik Larsen, and Michael Jaffé, and printed matter.
[Color photographs are shelved in Box 165, F. 44.]
box 97, folder 23
Dubious artworks: portrait of Henrietta Maria, Queen of
England,
1957-1979
Scope and Content Note
6 items: 2 photographs, including 1 in color, correspondence with Heidi du
Carrois at Galerie Koller (1 letter to Held and 1 letter from Held), photocopies
of certificate by Ludwig Burchard (dated 5 Aug 1957 for Rudolf Beckers), and
printed matter. [Color photograph is shelved in Box 165.]
box 97, folder 24
Dubious artworks: portrait of Henrietta Maria, Queen of
England,
1981-1982
Scope and Content Note
12 items: 2 photographs, 1 color polaroid, correspondence with the Swedish
auctioneer Gunnar Serneblad (4 letters to Held and 2 letters from Hedl, with a
press clipping), and 2 copies of Held's letter to Elisabeth Einarsdotter. [Color
polaroid is shelved in Box 165, F. 45.]
box 97, folder 25
Dubious artworks: portrait of Henrietta Maria, Queen of
England,
undated
Scope and Content Note
ca. 15 leaves of various printed matter; all photocopies.
box 97, folder 26
Dubious artworks:
Lamentation and other unidentified
items,
1993, undated
Scope and Content Note
ca. 12 items: 10 photographs, including 9 in color, printed and illustrated
matter. The color photographs (with a note by Held) are of an unidentified
painting representing
Lamentation. [Color photographs and note are
shelved in Box 165, F. 46.]
Series VIII.C.
Jacob Jordaens,
1928-1994
Physical Description:
11
box(es)
4.6 lin. ft.
Scope and Content Note
This subseries consists of ca. 2640 items arranged in two groups: images of artworks,
and notes and correspondence.
Images of artworks comprise photographs, color transparencies, and other
illustrations of Jordaens's paintings and drawings, a total of ca. 1140 items,
subarranged into two main categories: religious and secular, and within each category
by topic. The religious topics are the Old and New Testament, the Life of the Virgin
and Infancy of Christ, the Life of Christ, the Passion of Christ, the Saints, and
religious allegory. The secular topics are tapestries and designs, proverbs and
allegory, portraits, mythology, history and legend, studies of heads and figures,
genre scenes and fables, and animals.
Notes and correspondence comprise ca. 1500 items: ca.1200 leaves of notes; ca. 80
pieces of correspondence, and ca. 220 photographs and other illustrated matter. Most
notes are in German. Frequently included are small compositional sketches in pencil or
ink drawn by Held after Jordaens for study purposes. The subarrangement is topical and
includes several distinct groups of material.
The first group of ca. 100 items consists of correspondence, notes, photographs, and
illustrated matter concerning Held's review, published in 1978 in the
Art
Bulletin
, of the catalogue raisonné
Jordaens drawings , by
the Belgian art historian Roger Adolf d'Hulst (Box 102, F. 41-49).
The second group of ca. 90 items consists of correspondence, notes, printed and
illustrated matter concerning Held's own research on drawings by Jordaens called
"Jordaens review". This group includes correspondence with d'Hulst regarding d'Hulst's
1956 monograph
De tekeningen van Jakob Jordaens (Box 103, F. 1-17).
A group of ca. 75 pieces of correspondence with scholars, museums curators, private
collectors, art dealers and auction houses provides insight into Held's research on
various artworks by Jordaens, chiefly their provenance and attribution. The letters
date from 1935 to 1985, with the bulk dating from 1935 to 1939. (Box 103, F. 18-41).
A distinct group present ca. 190 leaves originally kept by Held in an envelope
inscribed
Notes taken in the 1930s in preparation of a book on Jacob
Jordaens
. The notes on Jordaens's paintings and drawings; are arranged by
topic and frequently include a description of the compostion, as well as details
regarding measurements, current location, dates of auction sales, and bibliographical
references (Box 104, F. 1-11).
Ca. 140 leaves of notes are unsorted (Box 104, F. 12-20). A group called "2nd group"
of ca. 230 leaves comprises further notes written in 1930s in preparation for a book
on Jordaens (Box 105, F. 1-12).
Another distinct group comprises ca. 70 leaves of notes on reproductive prints after
Jordaens. They are arranged alphabetically by the name of the printer, except for
folder 17 which includes various unsorted items (Box 105, F. 13-17).
Boxes 106-107 contain notes on Jordaens' drawings compiled on ca. 400 index cards.
Ca. 30 leaves of notes originally kept with the index cards are filed in box 108,
folders 1-3. The index cards are arranged alphabetically by city and within each city
by repository, with inventory numbers given for some of the repositories. Ca. 50 of
the index cards contain notes on drawings sold at auctions, held in private
collections, or with unspecified location or provenance.
Another group of ca. 90 leaves of unsorted notes, with an occasional addition of
photographs and illustrated matter, are filed in Box 108, F. 4-11; followed by a few
offprints with articles on Jordaens by various scholars, filed with notes,
photographs, and correspondence (total of ca. 70 items).
box 97, folder 27
Old Testament:
Adam and Eve,
1974-1987, undated
Scope and Content Note
8 items: 2 letters dated 1974 from Held to James Fack at Sotheby Parke-Bernet in
New York; one 1987 letter to Held from Alex Wengraf, typescript (2 leaves) about
The tempation of Eve, 3 photographs, 1 color transparency, and
illustrated matter (1 leaf). [Color transparency is shelved in Box 165, F.
47.]
box 97, folder 28
Old Testament:
Moses striking the rock,
undated
Scope and Content Note
5 items: 3 photographs, 1 postcard, and 1 leaf of illustrated matter. Captions on
images:
Moses vor dem Felsenquell,
Moses schlägt Wasser aus
dem Felsen
,
Wüste.
box 97, folder 29
Old Testament:
Sacrifice of Isaac,
1938, undated
Scope and Content Note
6 items: 1938 letter to Held from Francis Fournier-Liberton [?], and 5
photographs.
box 97, folder 30
Old Testament:
Isaac's blessing (of Jacob and
Esau)
,
undated
Scope and Content Note
7 items: 5 photographs, 2 leaves of illustrated matter.
box 97, folder 31
Old Testament:
Susanna and the Elders,
undated
Scope and Content Note
9 items: 8 photographs, 1 leaf of illustrated matter.
box 97, folder 32
Old Testament:
Adoration of the golden calf,
undated
Scope and Content Note
2 photographs.
box 97, folder 33
Old Testament: various images,
undated
Scope and Content Note
8 items: 5 photographs, 2 leaves of illustrated matter, 1 leaf of notes.
Captions:
Boas [Boaz],
Noemi et Ruth [Naomi],
Jeroboam & prophet Abijah,
Der Besessene von
Ephesus
,
Les prophéties d'Amos, (Amos III, 12 et VIII,
2)
, and an unidentified scene.
box 98, folder 1
Life of the Virgin and the Infancy of Christ:
Annunciation,
undated
Scope and Content Note
2 photographs. Various artworks.
box 98, folder 2
Life of the Virgin and the Infancy of Christ:
Visitation of Mary
to Saint Elizabeth
,
undated
Scope and Content Note
2 photographs.
box 98, folder 3
Life of the Virgin and the Infancy of Christ:
Marriage of the
Virgin
,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 98, folder 4
Life of the Virgin and the Infancy of Christ:
Assumption of the
Virgin
,
undated
Scope and Content Note
3 photographs (2 paintings and a drawing).
box 98, folder 5
Life of the Virgin and the Infancy of Christ:
Adoration of the
shepherds
,
undated
Scope and Content Note
18 items: 16 photographs and 2 postcards. Various artworks. [1 photograph is
shelved in Box 151*, F. 5.]
box 98, folder 6
Life of the Virgin and the Infancy of Christ:
Adoration of the
shepherds
,
undated
Scope and Content Note
7 items: 4 photographs, 1 postcard, and 1 leaf of illustrated matter with a
pencil drawing (by Held?) attached.
box 98, folder 7
Life of the Virgin and the Infancy of Christ:
Adoration of the
shepherds
,
undated
Scope and Content Note
3 photographs.
box 98, folder 8
Life of the Virgin and the Infancy of Christ:
Adoration of the
shepherds
,
undated
Scope and Content Note
2 photographs.
box 98, folder 9
Life of the Virgin and the Infancy of Christ:
Adoration of the
shepherds
,
undated
Scope and Content Note
4 items (5 leaves): 1 photograph, printed and illustrated matter, and a note.
box 98, folder 10
Life of the Virgin and the Infancy of Christ:
Adoration of the
Magi
,
undated
Scope and Content Note
9 items: 6 photographs, 3 leaves of illustrated matter.
box 98, folder 11
Life of the Virgin and the Infancy of Christ:
Flight into
Egypt
,
undated
Scope and Content Note
14 items: 12 photographs and illustrated matter. Various artworks.
box 98, folder 12
Life of the Virgin and the Infancy of Christ:
Holy Family embarked
(Ferry boat)
,
undated
Scope and Content Note
3 items: 1 photograph and 2 leaves of illustrated matter.
box 98, folder 13
Life of the Virgin and the Infancy of Christ:
Return from the
flight into Egypt
,
undated ,
Scope and Content Note
3 items: 2 photographs and 1 leaf of illustrated matter.
box 98, folder 14
Life of the Virgin and the Infancy of Christ:
Presentation of
Jesus in the temple
,
undated
Scope and Content Note
4 photographs. Various artworks.
box 98, folder 15
Life of the Virgin and the Infancy of Christ:
Presentation of
Jesus in the temple
,
undated
Scope and Content Note
5 items: 3 photographs, 2 leaves of illustrated matter.Various artworks.
box 98, folder 16
Life of the Virgin and the Infancy of Christ:
Christ among the
doctors
,
undated
Scope and Content Note
4 photographs. Various artworks.
box 98, folder 17
Life of the Virgin and the Infancy of Christ:
Holy
Family
,
undated
Scope and Content Note
4 photographs.
box 98, folder 18
Life of the Virgin and the Infancy of Christ:
Holy
Family
,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. Various artworks,
including
Holy Family with Saint Anne and an angel.
box 98, folder 19
Life of the Virgin and the Infancy of Christ:
Holy
Family
,
undated
Scope and Content Note
7 items: 4 photographs, 3 leaves of notes with drawings by Held. Various
artworks.
box 98, folder 20
Life of the Virgin and the Infancy of Christ:
Holy
Family
,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Includes painting of
Holy Family in an oval frame decorated with fruits, and 2 images
of
Virgin and Child in an oval frame decorated with flowers.
box 98, folder 21
Life of the Virgin and the Infancy of Christ:
Holy Family with
Saint John the Baptist and his parents
,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 98, folder 22
Life of the Virgin and the Infancy of Christ:
Holy Family with
Saint Anne
,
undated
Scope and Content Note
4 photographs.
box 98, folder 23
Life of the Virgin and the Infancy of Christ:
Holy
Family
,
1997, undated
Scope and Content Note
4 items: 1 photograph, 3 leaves of illustrated matter.
box 98, folder 24
Life of the Virgin and the Infancy of Christ:
Holy
Family
,
1991, undated
Scope and Content Note
4 items (6 leaves): 1 photograph, 5 leaves of printed and illustrated matter.
box 98, folder 25
Life of the Virgin and the Infancy of Christ:
Holy Family with
Saints Anne and Francis
,
1983-1994, undated
Scope and Content Note
3 items: 1 photograph, 1983 letter to Held from Georg Wachter at Sotheby's New
York, and 1 leaf of illustrated matter.
box 98, folder 26
Life of the Virgin and the Infancy of Christ:
Holy
Family
,
undated
Scope and Content Note
12 items: 7 photographs, 5 leaves of illustrated matter. Various artworks.
Includes studies of two women with child.
box 98, folder 27
Life of the Virgin and the Infancy of Christ:
Holy
Family
,
undated
Scope and Content Note
2 photographs. Various artworks.
box 98, folder 28
Life of the Virgin and the Infancy of Christ:
Holy Family with
Elizabeth and John
,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter. Annotated on verso as
Jordaens' family-portrait. [Large photo was originally filed with portraits.]
box 98, folder 29
Life of the Virgin and the Infancy of Christ:
Holy Family with God
the Father and the Holy Ghost
,
undated
Scope and Content Note
4 photographs.
box 98, folder 30
Life of the Virgin and the Infancy of Christ: various
artworks,
undated
Scope and Content Note
11 items: 9 photographs, 1 leaf of illustrated matter, 1 note.
box 98, folder 31
Life of Christ:
Christ heals the sick,
undated
Scope and Content Note
2 items: 1 leaf of illustrated matter (of a drawing), and a pencil drawing by
Held.
box 98, folder 32
Life of Christ:
Christ driving the money-changers from the
temple
,
1971, undated
Scope and Content Note
5 items; 3 photographs, 1 leaf of illustrated matter, and a 1971 letter to Held
from Ann Tzeutschler Lurie at the Cleveland Museum of Art regarding paintings
Crowning with thorns,
Moses striking the rocks,
and
Moneychangers.
box 98, folder 33
Life of Christ:
Christ on the sea of Galilee,
undated
Scope and Content Note
1 photograph.
box 98, folder 34
Life of Christ:
Christ in the house of Martha and
Mary
,
undated
Scope and Content Note
6 items: 3 photographs, 3 leaves of printed matter.
box 98, folder 35
Life of Christ:
Parable of the prodigal son,
undated
Scope and Content Note
7 items: 4 photographs, 3 leaves of illustrated matter.
box 98, folder 36
Life of Christ:
Suffer little children to come unto
me
,
undated
Scope and Content Note
2 photographs. various artworks.
box 98, folder 37
Life of Christ:
Last supper and
Christ in
Emmaus
,
undated
Scope and Content Note
6 items: 5 photographs, 1 leaf of illustrated matter. Also included is photograph
of painting
Mercury entertained by Calypso.
box 98, folder 38
Life of Christ:
Christ in Emmaus,
1975-1981, undated
Scope and Content Note
6 items: 3 photographs, 1 leaf of illustrated matter, 1975 letter from Held to
Ira Spanierman, and a 1981 letter to Held from Stuart Greenspan.
box 98, folder 39
Life of Christ: various artworks,
undated
Scope and Content Note
12 items: 9 photographs, 1 postcard, 2 leaves of illustrated matter.
box 98, folder 40
Passion of Christ:
Christ being taken in the garden of
Gethsemane
,
1971, undated
Scope and Content Note
3 items: 1 photograph, and correspondence with Ann Tzeutschler Lurie at the
Cleveland Museum of Art (1 letter from Held and 1 letter to Held) regarding
several paintings.
box 98, folder 41
Passion of Christ:
Ecce Homo,
undated
Scope and Content Note
2 photographs.
box 98, folder 42
Passion of Christ:
Road to Calvary,
undated
Scope and Content Note
5 items: 4 photographs, 1 leaf of illustrated matter.
box 98, folder 43
Passion of Christ:
Christ before Caiphas,
Christ
on the cross
,
Descent from the cross,
undated
Scope and Content Note
4 photographs of prints.
box 98, folder 44
Passion of Christ:
Christ on the cross,
undated
Scope and Content Note
4 items: 3 photographs, 1 postcard.
box 98, folder 45
Passion of Christ:
Descent from the cross,
undated
Scope and Content Note
3 photographs.
box 98, folder 46
Passion of Christ:
Descent from the cross,
undated
Scope and Content Note
4 items: 3 photographs (various artworks), and a leaf with drawn measurements of
an unidentified artwork by Jordaens.
box 98, folder 47
Passion of Christ:
Descent from the cross,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. Various artworks.
box 98, folder 48
Passion of Christ:
Lamentation,
undated
Scope and Content Note
5 items: 3 photographs, 2 leaves of illustrated matter.
box 98, folder 49
Passion of Christ:
Washing and anointing of the body of
Christ
,
undated
Scope and Content Note
5 items: 3 photographs, 2 leaves of illustrated matter.
box 98, folder 50
Passion of Christ:
Resurrection,
undated
Scope and Content Note
3 photographs. Various artworks.
box 98, folder 51
Passion of Christ:
Christ as a gardener,
undated
Scope and Content Note
1 photograph.
box 98, folder 52
Passion of Christ:
Last Judgement,
undated
Scope and Content Note
1 photograph.
box 98, folder 53
Passion of Christ: various and unidentified,
1957, undated
Scope and Content Note
4 items: 2 photographs, and 1 leaf of illustrated matter: drawings
Pieta and
Adoration of the shepherds; detail of
painting
Am Grabe Heilands (no. 1013 at Gemäldegalerie Dresden);
and drawing
Flagellation of Christ . Also present is Held's letter
to Lane [?], dated Jan. 20 1957, concerning a drawing in Berlin, which Held
attributes to Jordaens or Leendert van Cooghen.
box 99, folder 1
Saints: various artworks,
undated
Scope and Content Note
3 photographs. Various scenes of martyrs.
box 99, folder 2
Saints: Christ appears to [?],
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 99, folder 3
Saints: Isabella Clara Eugenia [?],
undated
Scope and Content Note
2 items: 1 photograph, annotated on verso, 1 drawing of coats of arms (by
Held?).
box 99, folder 4
Saints: Saint Magdalen,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 99, folder 5
Saints:
Beheading of Saint Perpetua,
undated
Scope and Content Note
2 photographs.
box 99, folder 6
Saints: various,
1991, undated
Scope and Content Note
6 items: 4 postcards, 2 leaves of illustrated matter. Includes: Saint Martin,
Saint Charles Borromée, Saint Apollonia, Saint Ives [Yves, Yvo]
box 99, folder 7
Saints:
Saint Peter finding the stater,
undated
Scope and Content Note
6 items: 4 photographs, 2 postcards. Various images.
box 99, folder 8
Saints: various,
1985, undated
Scope and Content Note
17 items: 13 photographs, 4 leaves of illustrated matter. Male saints, mostly
representations of Apostles, including Saint Simon. Also filed with this group:
Portrait of Abraham Grapheus.
box 99, folder 9
Saints:
Four Evangelists with an Angel
[Apostles],
1971, undated
Scope and Content Note
6 items: 3 photographs, 1 leaf of illustrated matter, and 1971 correspondence
with Spencer A. Samuels (1 letter to Held and 1 letter from Held).
box 99, folder 10
Saints: Saint Christophorus,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 99, folder 11
Saints: Saint John the Baptist,
undated
Scope and Content Note
4 photographs. Two representations: Saint John the Baptist in his youth and in
his maturity.
box 99, folder 12
Saints:
Sacrifice at Lystra (Paul and
Barnabas),
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter. [2 photographs are shelved
in Box 151*, F. 6.]
box 99, folder 13
Saints: various,
undated
Scope and Content Note
13 items: 10 photographs, 1 postcard, 1 leaf of illustrated matter, and a note.
[1 items shelved in Box 151*, F. 4 [
Four Fathers of the
Church)
].
box 99, folder 14
Religious allegory,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of notes (by Emil Wolf).
box 99, folder 15
Religious allegory:
Justice,
undated
Scope and Content Note
3 photographs.
box 99, folder 16
Religious allegory:
Youth between Vice and
Virtue
,
undated
Scope and Content Note
3 photographs. Various images.
box 99, folder 17
Religious allegory: various images,
undated
Scope and Content Note
11 items: 10 photographs, 1 postcard.
box 99, folder 18
Religious allegory:
Triumph of the Eucharist,
undated
Scope and Content Note
8 items: 7 photographs, 1 leaf of illustrated matter.
box 99, folder 19
Religious allegory: various,
undated
Scope and Content Note
15 items: 11 photographs, 1 postcard, 3 leaves of illustrated matter. Images with
Christ.
box 99, folder 20
Tapestries and designs:
Riding school (
Young
Cavalier
),
undated
Scope and Content Note
7 items: 6 photographs, 1 leaf of illustrated matter. Various images.
box 99, folder 21
History of Alexander the Great,
undated
Scope and Content Note
9 photographs. Various images.
box 99, folder 22
Tapestries and designs:
Proverbs,
undated
Scope and Content Note
7 photographs. Various images.
box 99, folder 23
Tapestries and designs:
History of
Charlemagne
,
undated
Scope and Content Note
2 photographs. [1 item is shelved in Box 151*, F. 23.]
box 99, folder 24
Tapestries and designs:
Life of Achilles,
undated
Scope and Content Note
1 photograph.
box 99, folder 25
Tapestries and designs:
Life of Odysseus,
undated
Scope and Content Note
3 photographs. Various images.
box 99, folder 26
Tapestries and designs:
Scenes of country
life
,
undated
Scope and Content Note
7 photographs. Various images.
box 99, folder 27
Tapestries and designs:
Famous women of
Antiquity
,
undated
Scope and Content Note
6 photographs.
box 99, folder 28
Tapestries and designs: rejected works,
undated
Scope and Content Note
1 photograph.
box 99, folder 29
Tapestries and designs: freezes, details, unidentified works, and items
shelved in oversize,
undated
Scope and Content Note
12 photographs. Various images. [2 items are shelved in Box 151*, F. 8, including
Gentleman playing the lute for his Lady.]
box 99, folder 30
Tapestries and designs: illustrated matter,
undated
Scope and Content Note
8 leaves of various illustrated matter, including 1 postcard.
box 99, folder 31
Tapestries and designs: various notes,
undated
Scope and Content Note
7 leaves of notes.
box 99, folder 32
Tapestries and designs: notes on Alexander the Great
tapestries,
1934, undated
Scope and Content Note
14 leaves: 13 photographs, 1 leaf of illustrated matter. Various artworks.
box 99, folder 33
Tapestries and designs: notes on Alexander the Great
tapestries,
undated
Scope and Content Note
13 leaves.
box 99, folder 34
Tapestries and designs: notes on Alexander the Great
tapestries,
undated
Scope and Content Note
12 leaves.
box 99, folder 35
Tapestries and designs: notes on Alexander the Great
tapestries,
undated
Scope and Content Note
10 leaves.
box 99, folder 36
Tapestries and designs: notes on Alexander the Great
tapestries,
undated
Scope and Content Note
12 leaves.
box 99, folder 37
Tapestries and designs: notes on Alexander the Great
tapestries,
undated
Scope and Content Note
7 items: 6 leaves of notes; an enveloppe (postmarked).
box 99, folder 39
Tapestries and designs: correspondence relating to Alexander the Great
tapestries,
1934,
Scope and Content Note
7 items: copies of Held's letters to Repertori Iconogràfic d'Espanya, and
Abelardo Lonares in Toledo; and correspondence with H. C. Marillier at Morris
& Company Art-Workers in London (4 letters to Held, 1 letter from Held).
box 99, folder 40
Tapestries and designs: correspondence relating to Alexander the Great
tapestries,
undated
Scope and Content Note
1 item: small spiral notebook
box 99, folder 41
Tapestries and designs: offprints,
1939, 1940
Scope and Content Note
2 offprints with articles by Marthe Crick-Kuntziger.
box 100, folder 1
Proverbs, allegory,
undated
Scope and Content Note
8 photographs. Various images. [3 items are shelved in Box 151*, F. 9.]
box 100, folder 2
Proverbs, allegory,
undated
Scope and Content Note
9 photographs. Various images of several figures sitting at a table.
box 100, folder 3
Proverbs, allegory,
undated
Scope and Content Note
7 items: 6 photographs, 1 leaf of illustrated matter. Various images with the
motif of a fool.
box 100, folder 4
Proverbs, allegory,
undated
Scope and Content Note
6 photographs of painting
Allegory of Fertility (
Homage to
Pomona; Allegory of fruitfulness
). [See also items filed under
Mythology, Box 101, F. 26.]
box 100, folder 5
Proverbs, allegory,
undated
Scope and Content Note
5 items: 4 photographs, 2 leaves of illustrated matter. Various images with the
motif of a horse or an equestrian figure.
box 100, folder 6
Proverbs, allegory,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter of painting
Satyr and
Peasant
and
Peasant at his Porridge [?].
box 100, folder 7
Proverbs, allegory,
undated
Scope and Content Note
7 items: 6 photographs, 1 leaf of illustrated matter. Various images.
box 100, folder 8
Proverbs, allegory,
undated
Scope and Content Note
12 photographs: allegorical images of the months and signs of the Zodiac,
including
Abduction of Europa.
box 100, folder 9
Proverbs, allegory,
undated
Scope and Content Note
19 items: 16 photographs, 4 leaves of illustrated matter. Drawings, various
images, including
Homage to the poet.
box 100, folder 10
Portraits: men,
undated
Scope and Content Note
11 items: 7 photographs, 4 leaves of illustrated matter. Various images,
including 2 of prints.
box 100, folder 11
Portraits: men,
undated
Scope and Content Note
6 photographs. Various images.
box 100, folder 12
Portraits: men,
1988, undated
Scope and Content Note
4 items (5 leaves): 1 photograph, 4 leaves of illustrated matter. Portrait of a
gentleman, seated, three-quarter length, wearng a black costume and cap.
box 100, folder 13
Portraits: men,
undated
Scope and Content Note
4 photographs of a portrait of a man holding a violine, accompanied by a female
figure holding a tambourine.
box 100, folder 14
Portraits: men,
1979, undated
Scope and Content Note
9 items (15 leaves): 7 photographs, typepscript (3 leaves), and correspondence
with conservator Mervin Richard at Intermuseum Laboratory in Oberlin, Ohio (1
letter to Held and 1 letter from Held); with a geometrical drawing. Painting
referred to as
Portrait of a bearded gentleman (a magistrate).
box 100, folder 15
Portraits: women,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of typescript note.
Portrait of Catherine
van Noort
.
box 100, folder 16
Portraits: women,
undated
Scope and Content Note
9 items: 1 color transparency, 6 photographs, 1 postcard, and 1 leaf of
illustrated matter. Various images. [Color transparency is shelved in Box 165, F.
48; 2 items are shelved in Box 151*, F. 11.]
box 100, folder 17
Portraits: women,
undated
Scope and Content Note
7 items: 6 photographs, 1 postcard. Various images of older women.
box 100, folder 18
Portraits:
Lady with a small dog,
1971, undated
Scope and Content Note
5 items: 2 photographs, typescript (1 leaf) about the painting, and
correspondence with Rudolf Koella at Sammlung Oskar Reinhart in Winterthur (1
letter to Held and 1 letter from Held).
box 100, folder 19
Portraits:
Lady with a parrot,
1962, undated
Scope and Content Note
2 items: 1 photograph, 1 press clipping.
box 100, folder 20
Portraits: artist's mother [?],
undated
Scope and Content Note
3 items; 2 photographs, 1 leaf of thin paper with typed caption.
box 100, folder 21
Portraits: children,
undated
Scope and Content Note
4 items: 3 photographs, 1 postcard: Rubens's children, Jacob Jordaens the
Younger, Anna Catherine Jordaens, and an infant.
box 100, folder 22
Portraits: children,
1967, undated
Scope and Content Note
3 items: 1 photograph, and 1967 correspondence with Julius H. Weitzner (1 letter
to Held and 1 letter from Held). Portrait of a girl and boy in a landscape, with a
dog and sheep.
box 100, folder 23
Portraits: double portraits (couples),
undated
Scope and Content Note
4 items: 3 photographs, 1 postcard.
box 100, folder 24
Portraits: Rogier Le Witer and his wife Catharina Behagel,
undated
Scope and Content Note
4 photographs: two pendant portraits. Photographs are of paintings and
drawings.
box 100, folder 25
Portraits:
Ill-assorted couple,
undated
Scope and Content Note
4 items: 2 photographs, 1 leaf of illustrated matter, 1 leaf of notes concerning
painting referred to as
Das ungleiche Paar Artist and his
wife)
.
box 100, folder 26
Portraits: families,
undated
Scope and Content Note
5 items: 4 photographs, 1 leaf of illustrated matter. Various images.
box 100, folder 27
Portraits:
Young man with relief sculpture of Combat of Eros and
Anteros
,
undated
Scope and Content Note
4 items: 2 photographs, and correspondence with Christopher Brown at the National
Gallery in London (1 letter to Held and 1 letter from Held).
box 100, folder 28
Portraits:
Portrait of a man with a broad hat,
undated
Scope and Content Note
2 items: 1 photograph, typescript about the painting (1 leaf). Painting from
Willitts J. Hole Collection, University of California, Los Angeles.
box 101, folder 1
Mythology: nymphs,
undated
Scope and Content Note
10 items: 7 photographs, 3 leaves of illustrated matter. Drawings, various
images.
box 101, folder 2
Mythology: nymphs,
undated
Scope and Content Note
6 items: 5 photographs, 1 leaf of illustrated matter. Paintings. Includes
Diana and Calisto.
box 101, folder 3
Mythology: Silenus, Bacchic scenes,
undated
Scope and Content Note
5 photographs. Paintngs and one drawing, various images, including
Silenus
and Amphitrite [Venus]
.
box 101, folder 4
Mythology: Silenus, Bacchic scenes,
undated
Scope and Content Note
8 photographs. paintings and drawinsg, various images. Includes two paintings
representing Pan or Satyr playing the flute, inscribed on verso as
The
golden age?
.
box 101, folder 5
Mythology: Silenus and Diana,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 101, folder 6
Mythology: nymphs,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Painting and drawing.
box 101, folder 7
Mythology: Neptune,
undated
Scope and Content Note
3 photographs of paintings. Various images.
box 101, folder 8
Mythology:
Diana and Acteon,
undated
Scope and Content Note
1 photograph of painting in the Hanfstaengl collection in Munich.
box 101, folder 9
Mythology:
Ariadne and Bacchus,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 101, folder 10
Mythology:
Diana returning from hunt,
undated
Scope and Content Note
2 photographs. Drawing and print.
box 101, folder 11
Mythology:
Jupiter and Antiope,
1985, undated
Scope and Content Note
2 items: 1 photograph of a chalk drawing, and 1985 letter to Held from Adolphe
Stein.
box 101, folder 12
Mythology:
Nymphs and satyrs,
undated
Scope and Content Note
5 items: 3 photographs, 1 leaf of illustrated matter, and small clipping of
printed matter. Painting.
box 101, folder 13
Mythology:
Sleeping Venus,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 101, folder 14
Mythology:
Finding of Erichthonius,
undated
Scope and Content Note
4 items: 3 photographs, leaf of illustrated matter. Various images.
box 101, folder 15
Mythology:
Bath of Diana,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 101, folder 16
Mythology:
Meleager and Atalanta,
undated
Scope and Content Note
3 photographs. Various paintings.
box 101, folder 17
Mythology:
Bacchus with nymphs and a goat,
undated
Scope and Content Note
2 items: 1 photograph, 1 postcard.
box 101, folder 18
Mythology:
Marsyas and nymphs,
undated
Scope and Content Note
3 items: 2 photographs, 1 postcard.
box 101, folder 19
Mythology:
Jupiter and Mercury at Philemon and
Baucis
,
1975, undated
Scope and Content Note
17 items: 13 photographs, 1 color slide, 1 small note, and 1975 correspondence
with Lucien Jung (1 letter to Held and 1 letter from Held). Various paintings.
[Color slide is shelved in Box 165, F. 49.]
box 101, folder 20
Mythology:
Bacchus and Venus,
1974, undated
Scope and Content Note
9 items: 7 photographs, 1 leaf of notes, and a 1974 letter to Held from Dagmar
Reutlinger at Worcester Art Museum.
box 101, folder 21
Mythology: a Bacchic scene,
1982, undated
Scope and Content Note
4 items: 3 photographs, and a 1982 letter to Held from Clyde Newhouse.
box 101, folder 22
Mythology:
Triumph of Bacchus,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter.
box 101, folder 23
Mythology:
Abduction of Europa,
undated
Scope and Content Note
1 photograph.
box 101, folder 24
Mythology:
Venus and Eros punishing a Satyr,
undated
Scope and Content Note
3 photographs. Painting at the J. Paul Getty Museum.
box 101, folder 25
Mythology:
Feast of Achelous?,
undated
Scope and Content Note
3 photographs, including 2 of prints. Various images, including
Achelous
entertains Theseus in his grotto
.
box 101, folder 26
Mythology:
Allegory of Fertility (
Homage to
Pomona; Allegory of fruitfulness
),
undated
Scope and Content Note
6 items: 1 photograph, 5 leaves of illustrated matter. [See also items filed
under Proverbs, Allegory in Box 100, F. 4.]
box 101, folder 27
Mythology:
Infant Jupiter fed by the goat
Amalthea
,
1988, undated
Scope and Content Note
11 items: 8 photographs, 3 leaves of illustrated matter. Various paintings, and 1
drawing.
box 101, folder 28
Mythology:
Story of Io,
1989, undated
Scope and Content Note
17 items: 11 photographs, 5 leaves of illustrated matter, and a drawing [by
Held?]. Included are 2 photographs of prints representing
Infant Jupiter
fed by the goat Amalthea
. Various images of
Mercury and
Argus
,
Jupiter and Io.
box 101, folder 29
Mythology:
Ulysses takes leave of Circe,
undated
Scope and Content Note
6 photographs.
box 101, folder 30
Mythology:
Abduction of Europa,
1990, undated
Scope and Content Note
6 items: 5 photographs, including 1 in color, and 1 leaf of illustrated matter.
[Color photograph is shelved in Box 165, F. 50.]
box 101, folder 31
Mythology:
Satyr and the peasant,
1987, undated
Scope and Content Note
4 leaves of illustrated matter, including illustration of
Christ in
Emmaus
.
box 101, folder 32
Mythology:
Pan and Syrinx,
1986, undated
Scope and Content Note
6 items: 3 photographs, 1 postcard, 2 leaves of illustrated matter. Various
images.
box 101, folder 33
Mythology:
Ulysses and Nausicaa,
1994, undated
Scope and Content Note
2 item: 1 photograph, and printed and illustrated matter (2 leaves).
box 101, folder 34
Mythology:
Venus and Adonis,
1994, undated
Scope and Content Note
4 items: 1 photograph, 1 color transparency, 1994 letter to Held from Alex
Wengraf, and 1 leaf of typescript about the painting. [Color transparency is
shelved in Box 165, F. 51.]
box 101, folder 35
Mythology:
Hercules and Antaeus,
undated
Scope and Content Note
7 items: 4 photographs, 2 color transparencies, and printed matter (3 leaves).
[Color transparencies are shelved in Box 165, F. 52.] [1 photograph is shelved in
Box 151*, F. 12.]
box 101, folder 36
Mythology:
Fable of Amor and Psyche (ceiling
pictures),
1980, undated
Scope and Content Note
ca. 8 items: letter to Held from Walter A. Liedtke at Metropolitan Museum of Art,
NY, copy of a letter from Ernest Vanderlinden to Karl Katz at Metropolitan Museum
of Art, NY, and printed and illustrated matter.
box 101, folder 37
Mythology:
Prometheus bound,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 101, folder 38
Mythology:
Thetis presenting Achilles to the
temple
,
undated
Scope and Content Note
1 photograph.
box 101, folder 39
Mythology: various images,
undated
Scope and Content Note
12 items: 10 photographs and 2 leaves of illustrated matter, including
Death of Cleopatra,
Apollo flaying Marsyas, a
study for
Triumph of Bacchus,
Psyche receives water from
Styx
, and other unidentified artworks. Paintings and drawings.
box 101, folder 40
Mythology: various images,
undated
Scope and Content Note
11 items: 6 photographs, 1 postcard, and printed and illustrated matter,
including a press clipping (4 leaves) on Veronese's frescos at Villa Maser. [Press
clipping is shelved in Box 151*, F. 11.]
box 102, folder 1
History and legend: various images (paintings),
undated
Scope and Content Note
11 items: 8 photographs, 2 leaves of illustrated matter, and 1 leaf of notes.
box 102, folder 2
History and legend: various images (drawings),
undated
Scope and Content Note
8 items: 5 photographs, 3 leaves of illustrated matter.
box 102, folder 3
History and legend:
King Candaules,
undated
Scope and Content Note
1 photograph.
box 102, folder 4
History and legend:
Democritos and Heraclites,
1978, undated
Scope and Content Note
2 items: copy of Held's letter to François Heim, and 1 photograph.
box 102, folder 5
History and legend:
Diogenes in search of a
man
,
undated
Scope and Content Note
3 items: 2 photograph, 1 leaf of illustrated matter (photocopy).
box 102, folder 6
History and legend:
Odysseus and Polyphemus,
undated
Scope and Content Note
3 items: 2 photographs, 1 color transparency. [Color transparency is shelved in
Box 165, F. 53.]
box 102, folder 7
History and legend:
Satyr and the peasant's
family
,
undated
Scope and Content Note
5 items: 4 photographs, 1 leaf of illustrated matter. Various images. [1 item is
shelved in Box 151*, F. 13.]
box 102, folder 8
Studies of heads: several heads,
undated
Scope and Content Note
6 items: 5 photographs, 1 leaf of illustrated matter. Various images with male or
female heads, also heads of musician, and a painting representing figures of three
musicians.
box 102, folder 9
Studies of heads: male heads,
undated
Scope and Content Note
6 items: 5 photographs, 1 leaf of illustrated matter.
box 102, folder 10
Studies of heads: an old man,
1989, undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 102, folder 11
Heads: old men,
undated
Scope and Content Note
4 photographs.
box 102, folder 12
Studies of heads: old men looking up (Apostles' heads),
undated
Scope and Content Note
10 items: 8 photographs, 2 postcards.
box 102, folder 13
Studies of heads:
Study of a man's head and shoulders with his
right hand raised
,
1989, undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 102, folder 14
Studies of heads: two male heads,
undated
Scope and Content Note
3 items: 2 photographs, 1 postcard.
box 102, folder 15
Studies of heads: two head of African men,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 102, folder 16
Studies of heads: female heads,
undated
Scope and Content Note
5 photographs. Various images.
box 102, folder 17
Studies of heads: childrens' heads,
undated
Scope and Content Note
4 items: 3 photographs, including one of a print showing an infant, sitting and
playing a flute, and a sheep; and 1 leaf of annotated printed matter.
box 102, folder 18
Studies of heads: head of a girl,
1968, undated
Scope and Content Note
3 items: 1 photograph, and correspondence with Nina van Dyke (1 letter to Held
and 1 letter from Held).
box 102, folder 19
Studies of heads: drawings,
undated
Scope and Content Note
21 items: 10 photographs, 10 leaves of illustrated matter, and 1 drawing (by
Held?). Various images.
box 102, folder 20
Studies of heads: head of Jupiter,
1978
Scope and Content Note
2 items: correspondence with Tony Janson at Indianapolis Museum of Art (1 letter
to Held and 1 letter from Held). Artwork referred to as Jupiter.
box 102, folder 21
Studies of figures: female figures,
undated
Scope and Content Note
11 items: 7 photographs, 3 leaves of illustrated matter, and 1 drawing (by
Held?). Included is a study of female hands, and a group of female and male
heads.
box 102, folder 22
Studies of figures: female figures,
undated
Scope and Content Note
2 photographs: a sitting female figure and painting of Eliezer and Rebecca.
box 102, folder 23
Studies of figures: various drawings,
undated
Scope and Content Note
17 items: 15 photographs, 2 leaves of illustrated matter.
box 102, folder 24
Genre scenes and fable:
King drinks,
1988, undated
Scope and Content Note
16 items: 9 photographs, 5 leaves of illustrated matter, 1 postcard, and a note
by Held. Various images.
box 102, folder 25
Genre scenes and fable:
King drinks,
1979, undated
Scope and Content Note
5 items: 3 photographs, and 1979 correspondence with Daniel R. Goldenson (1
letter to Held and 1 letter from Held).
box 102, folder 26
Genre scenes and fable:
Rustic courtship (
Fruit
sellers
),
1975, undated
Scope and Content Note
ca. 10 items: 4 photographs, 4 leaves of illustrated matter, and 1975
correspondence with Herman H. Hunger (2 letters to Held and 1 letter from Held).
Various images of a man pinching the cheeks of a woman.
box 102, folder 27
Genre scenes and fable:
Well fed man at the table (
Ein wohlgenährter Mann bei Tisch),
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter. Various images.
box 102, folder 28
Genre scenes and fable:
Man playing the
bagpipes
,
1988, undated
Scope and Content Note
4 items: 1 photograph, 1 typed note, and correspondence with Heidi Chin at
Sotheby's New York (1 letter to Held and 1 letter from Held).
box 102, folder 29
Genre scenes and fable: various,
undated
Scope and Content Note
10 items: 8 photographs, 1 postcard, and 1 leaf of printed matter. Various images
of figures eating, drinking, playing music, etc., and image of a fool holding a
cat.
box 102, folder 30
Genre scenes and fable:
Head of a young boy playing a
flute
,
1955, undated
Scope and Content Note
3 items: 1 photograph, copy of a 1955 letter from Ludwig Burchard, annotated by
Held, and 1 leaf of illustrated matter. Study for
The king
drinks
.
box 102, folder 31
Genre scenes and fable:
As the old sang, so the young
pipe
,
undated
Scope and Content Note
9 items: 8 photographs, 1 leaf of illustrated matter. Various images.
box 102, folder 32
Genre scenes and fable: Still life with human figures,
1991, undated
Scope and Content Note
3 items: 1 photograph, 1 leaf of printed matter, and 1 leaf of illustrated
matter. Various images.
box 102, folder 33
Genre scenes and fable:
Family group,
1990, undated
Scope and Content Note
ca. 6 items: 2 photographs, condition report and treatment proposal (3 leaves),
and 1990 correspondence with Lynnda Arrasmith at the Canton Art Institute (1
letter to Held and 1 letter from Held).
box 102, folder 34
Genre scenes and fable:
Old man and young woman with
parrot
and
Portrait of a young woman with a
baskett
,
undated
Scope and Content Note
5 items: 3 photographs, and 2 leaves of illustrated and printed matter. [1
photograph of
Old man and young woman with parrot is shelved in Box
151*, F. 13.]
box 102, folder 35
Genre scenes and fable:
Satyr and peasant,
undated
Scope and Content Note
16 items: 13 photographs, 4 leaves of illustrated matter. Various images. [1 item
shelved in Box 151*, F.14.]
box 102, folder 36
Genre scenes and fable:
Portrait of Elisabeth Jordaens
(?)
,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf with typescript caption. Detail of
The king
drinks
.
box 102, folder 37
Genre scenes and fable:
Wine and song,
undated
Scope and Content Note
2 items: 1 photograph, 1 postcard.
box 102, folder 38
Genre scenes and fable: pastoral scenes,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter. Various images.
box 102, folder 39
Genre scenes and fable: various artworks,
undated
Scope and Content Note
8 items: 7 photographs, 1 leaf of illustrated matter.
box 102, folder 40
Animals,
undated
Scope and Content Note
6 items: 4 photographs, 2 leaves of illustrated matter. Images of cows, a goat,
and dogs.
Jacob Jordaens. Notes and correspondence,
1928-1985
box 102, folder 41
Review of d'Hulst's
Jordaens drawings:
correspondence,
1964-1978
Scope and Content Note
5 items: 2 letters to Held from Horst Gerson from 1964 and 1965; 1969 letter from
Held to Benedict Nicolson, 1977 letter to Held from
Art Bulletin
editor Juergen Schultz at Brown University; and 1978 letter to Held from
C. A. Ryskamp at the Pierpont Morgan Library.
box 102, folder 42
Review of d'Hulst's
Jordaens drawings: notes,
undated
Scope and Content Note
ca. 23 leaves of notes.
box 102, folder 43
Held's review of d'Hulst's
Jordaens drawings:
notes,
undated
Scope and Content Note
ca. 18 leaves of notes.
box 102, folder 44
Review of d'Hulst's
Jordaens drawings: images,
undated
Scope and Content Note
11 photographs. Various images. [2 items are shelved in Box 151*, F. 15.]
box 102, folder 45
Review of d'Hulst's
Jordaens drawings: images,
undated
Scope and Content Note
12 photographs. Various images.
box 102, folder 46
Review of d'Hulst's
Jordaens drawings: images,
undated
Scope and Content Note
13 photographs. Various images.
box 102, folder 47
Review of d'Hulst's
Jordaens drawings: images,
undated
Scope and Content Note
15 photographs, including 12 with an overlay of tracing paper with pencil
markings.
box 102, folder 48
Review of d'Hulst's
Jordaens drawings: images with
notes,
undated
Scope and Content Note
6 items: 3 leaves of illustrated matter, 3 leaves of notes.
box 102, folder 49
Review of d'Hulst's
Jordaens drawings: images,
undated
Scope and Content Note
3 photographs.
box 103, folder 1
Jordaens review: correspondence with Otto Benesch,
1951-1953
Scope and Content Note
4 items: 1 letter to d'Hulst and 3 letters to Held from Graphische Sammlung
Albertina.
box 103, folder 2
Jordaens review: correspondence with Centre national de recherches
'Primitifs flamands',
1970
Scope and Content Note
2 items: 1 letter to Held from Micheline Sonkes, and 1 letter from Held.
box 103, folder 3
Jordaens review: correspondence with Duke of Devonshire,
1932
Scope and Content Note
1 letter to Held (3 leaves) from Francis Thompson, librarian and keeper of
collections of the Duke of Devonshire.
box 103, folder 4
Jordaens review: correspondence with the Herzog Anton Ulrich
Museum,
1953
Scope and Content Note
1 letter to Held.
box 103, folder 5
Jordaens review: correspondence with Roger Adolf d'Hulst,
1951-1954
Scope and Content Note
15 items: 13 letters to Held, 2 letters from Held.
box 103, folder 6
Jordaens review: correspondence with John R. Martin,
1969
Scope and Content Note
1 letter to Held from Martin at Princeton University.
box 103, folder 7
Jordaens review: correspondence with S. Nystad,
1969
Scope and Content Note
1 letter to Held from the art dealer in the Hague.
box 103, folder 8
Jordaens review: correspondence with François-Georges
Pariset,
1962
Scope and Content Note
1 letter to Held.
box 103, folder 9
Jordaens review: correspondence with the Rochester Memorial Art
Gallery,
1961
Scope and Content Note
1 letter to Held.
box 103, folder 10
Jordaens review: correspondence with Marcel Röthlisberger,
1961-1962
Scope and Content Note
2 letters to Held. Concerning an artwork referred to as Rubens sketch.
box 103, folder 11
Jordaens review: correspondence with Harold R. Sandford,
1969
Scope and Content Note
2 items: letter to Held and 1 color photograph (with envelope). Regarding
Jordaens attribution of a painting. [Color photograph is shelved in Box 165, F.
54.]
box 103, folder 12
Jordaens review: correspondence with Scott & Fowles,
1946
Scope and Content Note
1 letter to Held regarding an artwork referred to as Rubens painting.
box 103, folder 13
Jordaens review: notes (unsorted),
undated
Scope and Content Note
15 items: 14 leaves of notes, and enclosure with label Allgemeine Fragen
Literatur Jordaens.
box 103, folder 14
Jordaens review: notes (unsorted),
undated
Scope and Content Note
15 leaves of notes.
box 103, folder 15
Jordaens review: notes (unsorted),
1930-1931, undated
Scope and Content Note
15 leaves of notes, including nine on verso of loose leaves from a German
calendar of 1930 and 1931.
box 103, folder 16
Jordaens review: notes (unsorted),
undated
Scope and Content Note
13 leaves of notes.
box 103, folder 17
Jordaens review: printed and illustrated matter,
1993, undated
Scope and Content Note
4 items: 2 photographs, 1 leaf of illustrated matter, printed ephemera (1993
Jordaens exhibition in Antwerp).
box 103, folder 18
Correspondence: Duke of Abercorn,
1935
Scope and Content Note
1 letter to Held from the Governor of Northern Ireland regarding Jordaens
attribution of painting
Soldiers carousing.
box 103, folder 19
Correspondence: Colin Agnew,
1939
Scope and Content Note
1 letter to Held regarding portrait of a woman by Jordaens.
box 103, folder 20
Correspondence: [P?] de Boer,
1950
Scope and Content Note
1 letter from Held regarding a double portrait by Jordaens.
box 103, folder 21
Correspondence: W. G. Constable,
1942
Scope and Content Note
1 letter to Held from the curator at the Museum of Fine Arts in Boston regading a
double portrait by Jordaens.
box 103, folder 22
Correspondence: Russell J. Donnelly,
1957
Scope and Content Note
3 items: 2 letters to Held and 1 letter from Held. Regarding drawings by
Jordaens.
box 103, folder 23
Correspondence: Horst Gerson,
1938
Scope and Content Note
1 letter to Held. With a mention of Puyvelde and Schneider.
box 103, folder 24
Correspondence: Ernst Gombrich,
1961, undated
Scope and Content Note
2 letters to Gombrich. Regarding a Jordaens painting in Schwerin. With a mention
of Mr. Bielefeld.
box 103, folder 25
Correspondence: Robert Lehman (collection),
1939, undated
Scope and Content Note
2 items: 1 letter to Held from the librarian Helen Holstein regarding Held's
appointment to see drawings in Robert Lehman's collection; and Held's letter to
Lehman. [Held's letter incomplete, only first page is present.]
box 103, folder 26
Correspondence: H.C. Marillier,
1933
Scope and Content Note
1 letter to Held regarding Philip of Macedon tapestry. With a mention of a book
by Dr. Göbel.
box 103, folder 27
Correspondence: Kurt Meissner,
1956-1957
Scope and Content Note
5 items: 2 letters to Held from the art dealer Kurt Meissner and 3 letters to
Held from Berta Segesser in Zurich. Concerning a drawing by Jordaens referred to
as
Ulysses und Polyphen.
box 103, folder 28
Correspondence: Irma Meyers-Richter [?],
1959
Scope and Content Note
1 letter to Held.
box 103, folder 29
Correspondence: Newhouse Galleries,
1970-1985, undated
Scope and Content Note
24 items: 5 letters to Held from Clyde Newhouse, 1 letter from Held, 3 leaves of
notes, 3 color transparencies, and 12 photographs, and 1 leaf of illustrated
matter. [Color transparencies are shelved in Box 165, F. 55.]
box 103, folder 30
Letters from Josef Pielage,
1937-1940
Scope and Content Note
2 letters to Held (3 leaves).
box 103, folder 31
Correspondence: Princeton University Library,
1957
Scope and Content Note
1 letter from Held.
box 103, folder 32
Letter from Roland & Delbanco,
1939
Scope and Content Note
1 letter to Held regarding artworks by Jordaens referred to as
Satyr beim
Bauern
(
Satyr and peasant) and
Anbetung (
Adoration).
box 103, folder 33
Correspondence: Stanley Richter,
1939
Scope and Content Note
1 letter from Held regarding Rubens's painting
Feast of the
gods
.
box 103, folder 34
Correspondence: Sotheby's New York,
1983
Scope and Content Note
2 items: correspondence with George Wachter (1 letter to Held and 1 letter from
Held. Regarding attribution of a portrait to Jordaens.
box 103, folder 35
Letter from Wolfgang Stechow,
1944
Scope and Content Note
1 letter to Held concerning an altarpiece by Jacob van Utrecht, and his own
Jordaens research.
box 103, folder 36
Correspondence: Erik Steneberg,
1937
Scope and Content Note
4 items: 1 letter to Held from the Swedish art historian, 2 press clippings, and
envelope. [Large press clipping of Steinberg's article is shelved in Box 151*, F.
16.]
box 103, folder 37
Correspondence: R. Stora & Company,
1952
Scope and Content Note
1 letter to Held reagarding an artwork referred to as a water color of an apostle
by Jordaens.
box 103, folder 38
Correspondence: Jack Tanzer,
1983, undated
Scope and Content Note
ca. 5 items: 1983 correspondence with Jack Tanzer at Knoedler-Modarco in New York
(1 letter to Held and 1 letter from Held), printed matter, 1 photograph, and 1
color transparency. Concerning painting
The king drinks from the
Chrysler Collection. [Color transparency is shelved in Box 165, F. 56.]
box 103, folder 39
Correspondence: Toledo Museum of Art,
1939
Scope and Content Note
4 items: 1 letter to Held from Frank Seiberling at the museum, copy of Held's
letter to the archivist of Antwerp Cathedral, and 2 leaves of notes by Held.
box 103, folder 40
Correspondence: Ivan Traugott,
1935-1939
Scope and Content Note
9 items: 1939 correspondence with Ivan Traugott (2 letters to Held and 1 letter
from Held, in Swedish and German) regarding a painting of Adam and Eve in
Traugott's collection, formerly in the collection of Wilhelm Trübner. Included are
1939 letters to Held from D. Reder and Horst Gerson; 1935 letters to Held from
Marthe Crick-Kuntziger, M. M. van Valkenburg, and Anthony F. Reyre at The Ver Meer
Gallery in London concerning various artworks by Jordaens. Also present is one
small leaf of notes by Held.
box 103, folder 41
Correspondence: Mr. Zahle,
1939
Scope and Content Note
1 letter from Held regarding editoral changes of an article by Held.
box 104, folder 1
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
ca. 22 leaves of notes and envelope inscribed by Held: "Notes taken in the 1930s
in preparation of a book on Jacob Jordaens". Subjects include various scenes from
the Old Testament.
box 104, folder 2
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
ca. 23 leaves. Subjects include various scenes from the New Testament, mainly
connected to life of the Virgin Mary.
box 104, folder 3
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
14 leaves. About various artworks representing
Adoration of the
shepherds
.
box 104, folder 4
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
12 leaves. Subjects include various scenes from the New Testament, mainly
connected to early life of Christ.
box 104, folder 5
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
16 leaves. Subjects include various scenes from the New Testament, mainly
connected to early and adult life of Christ.
box 104, folder 6
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
21 leaves. Subjects include various scenes from the New Testament, mainly
connected to adult life of Christ and to the Passion of Christ.
box 104, folder 7
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
15 leaves. Subjects include various scenes from the New Testament, mainly
connected to the Passion of Christ.
box 104, folder 8
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
16 leaves. Subjects include various scenes from the New Testament, mainly
connected to the life of the Apostles; also several Apostles' heads.
box 104, folder 9
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
20 leaves. Subjects include various scenes from the New Testament, mainly
connected to the life of the Apostles; also several Apostles' heads; also scenes
from the life and martyrdom of Saints.
box 104, folder 10
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
20 leaves. Subjects include various scenes from the life and martyrdom of Saints;
and several allegories.
box 104, folder 11
Notes taken in 1930s for a book on Jordaens,
1930s
Scope and Content Note
13 leaves. Subjects include several allegories; and paintings from Jordaens'
house.
box 104, folder 12
Notes (unsorted),
undated
Scope and Content Note
22 leaves.
box 104, folder 13
Notes (unsorted),
undated
Scope and Content Note
18 leaves.
box 104, folder 14
Notes (unsorted),
1940, undated
Scope and Content Note
18 items: notes, 1 leaf of illustrated matter, 3 press clippings, and envelope.
Press clippings are of articles about 1940 Jordaens exhibition at the Mortimer
Brandt Gallery in New York. [Press clippings and envelope are shelved in Box 151*,
F.17.]
box 104, folder 15
Notes (unsorted),
undated
Scope and Content Note
12 leaves.
box 104, folder 16
Notes (unsorted),
undated
Scope and Content Note
13 leaves.
box 104, folder 17
Notes (unsorted),
undated
Scope and Content Note
10 leaves.
box 104, folder 18
Notes (unsorted),
undated
Scope and Content Note
20 leaves.
box 104, folder 19
Notes (unsorted),
undated
Scope and Content Note
15 leaves.
box 104, folder 20
Notes (unsorted),
undated
Scope and Content Note
14 leaves.
box 105, folder 1
Notes (unsorted),
undated
Scope and Content Note
21 items: envelope and 20 leaves of notes. Topics include: family portraits,
various allegories, Alexander the Great, and mythological scenes of Jupiter and
Antiope, and bacchic scenes.
box 105, folder 2
Notes (unsorted),
undated
Scope and Content Note
11 leaves. Various images of Satyr and peasants.
box 105, folder 3
Notes (unsorted),
undated
Scope and Content Note
19 leaves. Mythological and historical topics: Ceres and Proserpina, Diana,
Hercules, nymphs, Dedalus [Daedalus] and Icarus, Diogenes, Heraclit and Democrit,
Rinaldo and Armida, Hippomenes and Atalanta, Argus (story of Io).
box 105, folder 4
Notes (unsorted),
undated
Scope and Content Note
22 leaves. Mythological and historical topics, including Jupiter's childhood and
story of Io, Candaules, story of Erichthonius, Meleager and Atalanta, Mecury and
Argus (story of Io), Apollo and Marsyas.
box 105, folder 5
Notes (unsorted),
undated
Scope and Content Note
23 leaves. Mythological topics, including Neptune, Aphrodite [Venus], story of
Ulysses [Odyseus], Pan and Syrinx, Judgement of Paris, Pegasus, Philemon and
Paucis.
box 105, folder 6
Notes (unsorted),
undated
Scope and Content Note
17 leaves. Mythological topics, including story of Prometheus, Psyche, satyrs and
nymphs, Silenus, Venus, and Venus and Adonis.
box 105, folder 7
Notes (unsorted),
undated
Scope and Content Note
21 leaves. Portraits, including self-portraits.
box 105, folder 8
Notes (unsorted),
undated
Scope and Content Note
18 leaves. Portraits.
box 105, folder 9
Notes (unsorted),
undated
Scope and Content Note
19 items: 18 leaves of notes and 1 postcard. Proverbs, and genre scenes.
box 105, folder 10
Notes (unsorted),
undated
Scope and Content Note
19 leaves. Genre scenes.
box 105, folder 11
Notes (unsorted),
undated
Scope and Content Note
20 leaves. Studies of heads.
box 105, folder 12
Notes (unsorted),
undated
Scope and Content Note
17 leaves. Studies of heads, and various other artworks, including historical and
allegorical topics, mythological figures, Noli me tangere, and proverbs, by
Jordaens.
box 105, folder 13
Notes on prints after Jordaens,
undated
Scope and Content Note
14 items: 12 leaves of notes and 2 envelopes. Arranged alphabetically by printer.
Prints by Schelte Bolswert and Adam von Bartsch.
box 105, folder 14
Notes on prints after Jordaens,
undated
Scope and Content Note
16 leaves. Prints by [?] (titled
Stich der Eitelkeit), Abraham
Blooteling, Jean Dambrun, Cornelis Danckerts, Jeremiasz Falck, Valentine Green,
Heinrich Guttenberg, Blasius Höfel, Pieter de Jode, Ephraim Gottlieb Krüger,
Nicolaes Lawers, and un unidentified artist.
box 105, folder 15
Notes on prints after Jordaens,
undated
Scope and Content Note
16 leaves. Prints by Christian Gottlob Liebe, Jean César Macret, Ign. Corn.
Marinus [Marin Robin van der Goez], François Auguste Moitte, [Joh. Chr. F.]
Müller, and Jacobus Neeffs.
box 105, folder 16
Notes on prints after Jordaens,
undated
Scope and Content Note
16 leaves. Prints by Paulus Pontius, J. F. Poletnich, François Ragot, Johann
Elias Ridinger, Jan van Rymsdyck, Hendrik Snyers, Pierre-Louis de Surugue, Claes
Jansz. Visscher, Nicolas Jansz. Visscher [Nicolaes Visscher], Alexander Voët, and
Lucas Emil Vorsterman.
box 105, folder 17
Notes on prints after Jordaens,
undated
Scope and Content Note
9 leaves. Prints by James Watson, a list of prints after Adam van Noort by
various artists (1 leaf), a list of prints after Gaspar de Crayer by various
artist (1 leaf), Paul Gleditsch, Vincenzo della Bruna, and Johann Heinrich Wilhelm
Tischbein.
box 106
Index cards with notes on drawings: sections by city A - K,
undated
Scope and Content Note
Ca. 200 index cards. Amsterdam (including collection of N. Beets), Antwerp,
Bayonne, Berlin, Bennebroek (Holland, collection of A. Rhodius), Braunschweig,
Brussels, Budapest, Cambridge [England], Chantilly, Châteauroux, Chicago,
Darmstadt, Dresden, Edinburgh, Frankfurt am Main, Ghent, Glasgow, Greboble, Hague,
Haarlem, Hamburg, Hannover, Kassel, Koburg [Coburg], Kopenhagen [Copenhagen],
box 107
Index cards with notes on drawings: sections by city L - V,
undated
Scope and Content Note
Ca. 200 index cards. Leipzig, Leningrad [Saint Petersburg], Lille, London
(including South Kensington), Munich, Moscow, New York, Oxford, Paris, Rotterdam,
Stockholm, Turin, Uppsala, Vienna, and 47 index cards with notes regarding
Jordaen's drawings sold at auctions, in private collections, and drawings with
unspecified provenance.
box 108, folder 1
Notes on drawings,
undated
Scope and Content Note
5 leaves of notes. Origially filed with index cards [see boxes 106-107].
box 108, folder 2
Notes on drawings (paintings?),
undated
Scope and Content Note
15 items: 14 leaves of notes and envelope inscribed: "Nicht Zeichnungen u. a.
Notizen, Gemälde". Origially filed with index cards [see boxes 106-107].
box 108, folder 3
Notes on drawings: false attributions and copies,
undated
Scope and Content Note
8 items: 6 leaves of notes, 1 leaf of illustrated matter, and envelope inscribed:
"Notizen über Zeichnungen die fälschlich Jordaens zugeschrieben oder Kopien nach
Jordaenszeichnungen. Origially filed with index cards [see boxes 106-107].
box 108, folder 4
Notes on various artworks (unsorted),
undated
Scope and Content Note
15 leaves, including 4 library calling slips, and 1 postcard with illustration of
a
Crucifixion by Jordaens in Bordeaux. Present is a list of
drawings by Jordaens in the Hermitage Museum in Saint petersburg and in Moscow
Museum of Fine Arts (typescript, 1 leaf, annotated).
box 108, folder 5
Notes on various artworks (unsorted),
undated
Scope and Content Note
15 leaves, including 1 photograph.
box 108, folder 6
Notes on various artworks (unsorted),
undated
Scope and Content Note
7 leaves, including 6 leaves with drawings by Held. Notes on various types of
standing and crouching figures by Jordaens (Zu Typenbildung).
box 108, folder 7
Notes on various artworks (unsorted),
1944, undated
Scope and Content Note
10 items: 7 leaves of notes, 1 photograph, 2 leaves of illustrated matter, and 1
leaf of typescript regarding provenance of
Portrait of Catherine van
Noort
.
box 108, folder 8
Printed matter filed with notes on various artworks,
1983, undated
Scope and Content Note
4 items (6 leaves): copy of Walter A. Liedtke's article on Jordaens and Rombouts
(
Tableau, Feb 1983), 2 photographs and 1 leaf of illustrated
matter. Annotated by Held.
box 108, folder 9
Illustrated matter filed with notes on various artworks,
1933-1983, undated
Scope and Content Note
30 leaves, including 3 postcards.
box 108, folder 10
Photographs filed with notes on various artworks,
undated
Scope and Content Note
9 photographs.
box 108, folder 11
Photographs filed with notes on various artworks,
undated
Scope and Content Note
9 photographs, including 1 in color. [Color photograph is shelved in Box 165, F.
57.]
box 108, folder 12
Articles by other scholars: Ludwig Burchard,
1928
Scope and Content Note
6 leaves. Article with title
Jugendwerke von Jacob Jordaens (pp.
207-218). Annotated by Held. Title and date of source unknown.
box 108, folder 13
Articles by other scholars: Marian C. Donnelly,
1959-1960
Scope and Content Note
2 items: 1 offprint with Donnelly's article
Calvinism in the work of Jacob
Jordaens
reprinted from
Art Quarterly (winter 1959), and
Donnelly's letter to Held.
box 108, folder 14
Articles by other scholars: Rüdiger Klessmann,
1991-1993
Scope and Content Note
2 offprints with articles by Klessmann:
Auf dem Markplatz von Athen
Diogenes sucht einen Menschen
, from:
Kunst und
Antiquitäten
(10-91); and
Jacob Jordaens Zur Ikonographie und
Bildregie seiner Historienbilder
, from;
Von Bruegel bis Rubens
(exhibition Cologne and Vienna, 1992-1993).
box 108, folder 15
Articles by other scholars: R.-A. d'Hulst,
undated
Scope and Content Note
1 item. Article
Jordaens and his early activities in the field of
tapestry
. Translated by René Muller. Title and date of source
unknown.
box 108, folder 16
Articles by other scholars: R.-A. d'Hulst,
1967
Scope and Content Note
1 item. D'Hulst's article
Drie vroegere schilderijen van Jakob
Jordaens,
from:
Gentse bijdragen tot de kunstgeschiedenis en de
oudheidkunde
(XX, 1967).
box 108, folder 17
Articles by other scholars: R.-A. d'Hulst,
1969
Scope and Content Note
1 item. D'Hulst's article
Enkele tekeningen van Jacob Jordaens;
from:
Miscellanea I.Q. van Regteren Altena (1969).
box 108, folder 18
Article by Julius S. Held,
undated
Scope and Content Note
2 leaves of typescript. English summary of Held's article about paintings and
drawings by Jordaens in the Copenhagen Museum of Fine Arts.
box 108, folder 19
Correspondence filed with articles by other scholars: Zoltán von
Boér,
1967
Scope and Content Note
3 items: letter to Held from the conservator, and 2 photographs of details of a
sketch in von Boér's possesion.
box 108, folder 20
Correspondence filed with articles by other scholars: R.-A.
d'Hulst,
1956
Scope and Content Note
1 letter from Held to d'Hulst (Carbon copy, annotated by Held).
box 108, folder 21
Correspondence filed with articles by other scholars: Milton J.
Lewine,
1974
Scope and Content Note
1 letter to Held.
box 108, folder 22
Correspondence filed with articles by other scholars: Konrad
Oberhuber,
1977
Scope and Content Note
1 letter to Held.
box 108, folder 23
Notes filed with articles by other scholars,
undated
Scope and Content Note
5 leaves.
box 108, folder 24
Illustrated matter filed with articles by other scholars,
undated
Scope and Content Note
26 leaves. Various artworks by Jordaens. [1 items is shelved in Box 152*, F.
1.]
box 108, folder 25
Photographs filed with articles by scholars,
undated
Scope and Content Note
12 photograhs.
box 108, folder 26
Photographs filed with articles by scholars,
undated
Scope and Content Note
14 items: 13 photographs and 1 small sketch by Held.
Series VIII.D.
Rembrandt,
1921-1992
Physical Description:
4
box(es)
1.6 lin. ft.
Scope and Content Note
A subseries of ca. 1400 items divided into two main groups: items relating to Held's
various publications and research on Rembrandt; and images of artworks by Rembrandt.
The first group of ca. 960 items comprises photographs, illustrated matter, numerous
notes, printed matter, and correspondence. The most extensive portion of ca. 600 items
documents Held's research for his essays on the paintings
Polish rider,
Juno, and
Aristotle contemplating the bust of Homer,
and the theme of
Book of Tobit. The essays were initially published
separately in various periodicals between 1944 and 1967, and were reissued
collectively in 1969 under the title
Rembrandt's Aristotle and other Rembrandt
studies
. The items are arranged by essay and further subdivided into groups
of photographs and illustrated matter, notes, and printed matter, which includes press
clippings with reviews of Held's book, and two drafts of papers on the theme of Tobit
by Rembrandt by Madlyn Kahr and Susan Silberman. Ca. 60 pieces of correspondence with
scholars and editors of art magazines, arranged alphabetically by correspondent,
provide insight into the first spontaneous reception of Held's book within the
scholarly community.
Also present are photographs and illustrated matter relating to Held's essays on
subjects involving spoken words, first given as a lecture in Berlin in 1969, and the
theme of the beggar, first given as a lecture in 1984. Both essays were added to the
revised and expanded edition of
Rembrandt's Aristotle and other Rembrandt
studies
, issued in 1991 under the title
Rembrandt studies.
Other material related to Held's publications and research on Rembrandt includes notes
written in preparation for his essay
Rembrandt and the Ancient world,
issued in 1972 in Dutch translation in
De kroniek van het
Rembrandthuis
. There are also items representing teaching material for
graduate school (ca. 75 items), and items related to Held's various research on
Rembrandt (ca. 140 items), including additional material concerning his essays on
Polish rider,
Aristotle,
Juno, and
Book of Tobit.
Noteworthy is a small (ca. 10 leaves) group of notes referring to Mieke Bal's book
Reading Rembrandt (published in 1991) which offers a glimpse into
Held's critical reaction to Bal's interpretation of Rembrandt's painting
Lucretia (Box 111, F.1). Another small group (26 items) consists of
black-and-white transparencies with corresponding photocopies, which represent
material used by Held to study the effects of reversals (Box 111, F. 24).
The second main group (ca. 450 items) consists predominantly of photographs of
artworks by Rembrandt, with occasional inclusion of illustrated, printed, and
typescript matter, and a few pieces of correspondence. It is further subdivided by
medium into drawings, etchings, and paintings, and within each medium by topic. The
paintings portion comprises almost exclusively portraits and self-portraits. There is
a small group of 10 photographs of x-rays of various artworks by Rembrandt (Box 112,
F.28). Separately filed are photographs of artworks considered by Held to be executed
by other artists, referred to as the Rembrandt school, and artworks doubtfully
attributed to Rembrandt (together ca. 150 items).
box 109
Held's publications and research on Rembrandt,
ca. 1940-1967
box 109, folder 1
Essay on
Polish rider,
undated
Scope and Content Note
6 items: 5 photographs and 1 leaf of illustrated matter.
box 109, folder 2
Essay on
Polish rider,
undated
Scope and Content Note
12 items: 10 photographs, 2 leaves of illustrated matter.
box 109, folder 3
Essay on
Polish rider,
undated
Scope and Content Note
17 items: 14 photographs, including
Portrait of a man attributed
to Paris Bordone, and 3 leaves of illustrated matter.
box 109, folder 4
Essay on
Polish rider,
undated
Scope and Content Note
20 leaves of notes. With several pencil drawings by Held. Some notes are in
German.
box 109, folder 5
Essay on
Polish rider,
undated
Scope and Content Note
22 leaves of notes. With a few small pencil drawings by Held. Some notes are in
German.
box 109, folder 6
Essay on
Polish rider,
undated
Scope and Content Note
16 leaves of notes. Several notes refer to research of
Polish
rider
by Jan Bialostocki.
box 109, folder 7
Essay on
Polish rider,
undated
Scope and Content Note
7 leaves of notes.
box 109, folder 8
Essay on
Polish rider,
undated
Scope and Content Note
13 leaves of notes.
box 109, folder 9
Essay
Polish rider,
undated
Scope and Content Note
11 leaves of notes, including 1 typescript.
box 109, folder 10
Essay on
Polish rider,
undated
Scope and Content Note
16 leaves of notes.
box 109, folder 11
Essay on
Aristotle
undated
Scope and Content Note
4 photographs of painting
Aristotle contemplating the bust of
Homer
.
box 109, folder 12
Essay on
Aristotle,
undated
Scope and Content Note
21 items: 19 photographs, 2 leaves of illustrated matter.
box 109, folder 13
Essay on
Aristotle,
undated
Scope and Content Note
10 items: 8 photographs, 1 postcard, 1 leaf of illustrated matter.
box 109, folder 14
Essay on
Aristotle,
undated
Scope and Content Note
10 photographs.
box 109, folder 15
Essay on
Aristotle,
undated
Scope and Content Note
23 leaves of notes.
box 109, folder 16
Essay on
Aristotle,
undated
Scope and Content Note
21 leaves of notes.
box 109, folder 17
Essay on
Aristotle,
undated
Scope and Content Note
20 leaves of notes.
box 109, folder 18
Essay on
Aristotle,
undated
Scope and Content Note
16 leaves of notes.
box 109, folder 19
Essay on
Aristotle,
undated
Scope and Content Note
20 leaves of notes.
box 109, folder 20
Essay
Aristotle,
undated
Scope and Content Note
21 leaves of notes.
box 109, folder 21
Essay on
Aristotle,
undated
Scope and Content Note
13 leaves of notes.
box 109, folder 22
Essay on
Aristotle,
undated
Scope and Content Note
16 leaves of notes.
box 109, folder 23
Essay on
Juno,
undated
Scope and Content Note
13 photographs.
box 109, folder 24
Essay on
Juno,
undated
Scope and Content Note
17 leaves of notes, including 1 leaf of typescript about the painting.
box 109, folder 25
Essay on
Juno,
undated
Scope and Content Note
6 leaves of notes.
box 109, folder 26
Essay on
Juno,
undated
Scope and Content Note
15 leaves of notes.
box 109, folder 27
Essay
Rembrandt and the Book of Tobit,
undated
Scope and Content Note
14 photographs.
box 109, folder 28
Essay
Rembrandt and the Book of Tobit,
undated
Scope and Content Note
19 photographs.
box 109, folder 29
Essay
Rembrandt and the Book of Tobit,
undated
Scope and Content Note
19 items: 17 photographs, 2 leaves of illustrated matter.
box 109, folder 30
Essay
Rembrandt and the Book of Tobit,
undated
Scope and Content Note
23 leaves of notes.
box 109, folder 31
Essay
Rembrandt and the Book of Tobit,
undated
Scope and Content Note
21 leaves of notes.
box 109, folder 32
Essay
Rembrandt and the Book of Tobit,
1962, undated
Scope and Content Note
25 leaves of notes, including 1 press clipping. One leaf of notes is written on
verso of a letter to Held from Gordon M. Smith, director of the Albright-Knox Art
Gallery in Buffalo, New York, dated April 25, 1962.
box 109, folder 33
Essay
Rembrandt and the Book of Tobit: paper by Madlyn
Kahr,
1962
Scope and Content Note
1 item (typescript, 5 leaves). Draft of Kahr's paper "Some thoughts about
Rembrandt and blindness", dated 14 March 1962.
box 109, folder 34
Essay
Rembrandt and the Book of Tobit: paper by Susan
Silberman,
1962
Scope and Content Note
2 items: 1 typescript (11 leaves) and 1 note by Held. Silberman's paper
"Rembrandt and the Book of Tobit", dated: May 15, 1963 from March 1962.
box 110, folder 1
Book
Rembrandt's Aristotle and other Rembrandt
studies
,
undated
Scope and Content Note
12 leaves of printed matter: 2 lists with names of reciepients of complimentary
copies of the book, one list in manuscript; and 10 loose plates from the book,
some annotated (by Held?).
box 110, folder 2
Book
Rembrandt's Aristotle and other Rembrandt
studies
,
1931-1970
Scope and Content Note
4 items (16 leaves) of printed matter; photocopies. Included are: Walter
Liedtke's article "Rembrandt and the Rembrandt style" (n.d.), and pages from Otto
Grossmann's 1931 publication
Das Reiterbild in Malerei und
Plastik
.
box 110, folder 3
Book
Rembrandt's Aristotle and other Rembrandt
studies
,
1970
Scope and Content Note
5 items (7 leaves) of printed matter. Photocopies of various press reviews.
box 110, folder 4
Book
Rembrandt's Aristotle and other Rembrandt
studies
,
1970
Scope and Content Note
ca. 21 items: press clippings (mostly photocopies) with articles and press
reviews of Held's boook. [1 item is shelved in Box 152*, F.2.]
box 110, folder 5
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Avetlana Alpers,
1970
Scope and Content Note
1 lettter to Held.
box 110, folder 6
Book
Rembrandt's Aristotle and other Rembrandt studies:
correspondence with
Art in America,
1970
Scope and Content Note
4 items: letters to Held from Jean [?] at
Art in America, Harriet
Anderson at Princeton University Press, and Jay Jacobs at
Art Gallery
Magazine
; and 1 letter from Held to Jacobs. Regarding Jacob's review of
Held's book in
Art in America.
box 110, folder 7
Book
Rembrandt's Aristotle and other Rembrandt studies:
correspondence with Paul Barolsky,
1970
Scope and Content Note
2 items: 1 letter to Held from the art history professor at University of
Virginia in Charlottesville, and 1 letter from Held. Concerning Held's
interpretation of blindness and his essay on Rembrandt and the Book of Tobit.
Barolsky's letter is annotated by Held.
box 110, folder 8
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Jan Bialostocki,
1970
Scope and Content Note
1 letter to Held.
box 110, folder 9
Book
Rembrandt's Aristotle and other Rembrandt studies:
correspondence with Bruckmann München,
1970
Scope and Content Note
1 letter to Held from the German publishing house. Annotated by Held with a list
of names of art historians he recommends to write a review.
box 110, folder 10
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Peter Burke,
1967
Scope and Content Note
1 letter to Held from the art historian at the University of Sussex. Regarding an
emblem by Alciati.
box 110, folder 11
Book
Rembrandt's Aristotle and other Rembrandt studies:
correspondence with Christie's New York,
1989
Scope and Content Note
3 items: 1 letter to Held from Ian Kennedy, 1 leaf of illustrated matter, and 1
color transparency. Regarding an equestrian portrait by Adriaen Beeldemaker.
[Color transparency is shelved in Box 165, F. 58.]
box 110, folder 12
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Rosalie Littell Colie,
1970
Scope and Content Note
1 letter to Held.
box 110, folder 13
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Colin Eisler,
1967
Scope and Content Note
1 letter to Held.
box 110, folder 14
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Mrs. John Elliott, Jr.,
1970
Scope and Content Note
1 letter to Held.
box 110, folder 15
Book
Rembrandt's Aristotle and other Rembrandt studies:
correspondence with Gerald F. Else,
1971
Scope and Content Note
2 items: 1 letter to Held from the director of the Center for Coördination of
Ancient and Modern Studies at the University of Michigan, and 1 letter from
Held.
box 110, folder 16
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from J. A. Emmens,
1970
Scope and Content Note
1 letter to Held from the professor of art history at the Kunsthistorisch
Instituut der Rijksuniversiteit te Utrecht.
box 110, folder 17
Book
Rembrandt's Aristotle and other Rembrandt studies:
correspondence with Richard Ettinghausen,
1943
Scope and Content Note
1 letter to Held from the art historian at the Research Seminary in Islamic Art,
University of Michigan.
box 110, folder 18
Book
Rembrandt's Aristotle and other Rembrandt studies:
correspondence with the Frick Collection,
1945-1989, undated
Scope and Content Note
6 items: a 1945 letter to Held, and 1988-1989 correspondence with Bernice
Davidson (3 letters to Held and 1 letter from Held), and printed matter.
Concerning Held's essay on
Polish rider.
box 110, folder 19
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Felton Gibbons,
1967
Scope and Content Note
1 letter to Held from the art history professor and curator at Princeton
University.
box 110, folder 20
Book
Rembrandt's Aristotle and other Rembrandt studies:
correspondence with Egbert Haverkamp-Begemann,
1967-1970
Scope and Content Note
2 items (3 leaves): 1 letter to Held, extensively annotated by Held; and 1 letter
from Held. Scholarly discussion of Held's essay on Artistotle, and Held's reaction
to Haverkamp-Begemann's draft for his review of Held's book in the
Art
Bulletin
.
box 110, folder 21
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Heim Gallery,
1970
Scope and Content Note
2 items: 1 letter to Held from A. S. Ciechanowiecki, with copy. Regarding sale of
artworks to Luis Ferré. Ciechanowiecki also mentions the motif of a gold chain in
a self-portrait by Pietro Liberi.
box 110, folder 22
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Madlyn Millner Kahr,
1963
Scope and Content Note
1 letter to Held. Annotated by Held.
box 110, folder 23
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from David Mandel,
1970
Scope and Content Note
1 letter from the lawyer to Francis Brown, editor of the
Book
Review
, regarding Held's book. Mandel also mentions managing the estate
of the poet Louise Bogan.
box 110, folder 24
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Millard Meiss,
1970
Scope and Content Note
1 letter to Held.
box 110, folder 25
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from The Meridan Gravure Company,
1970
Scope and Content Note
1 letter to Held from the manager John F. Peckham.
box 110, folder 26
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from J. William Middendorf, II,
1970
Scope and Content Note
1 letter to Held from the office of the US Ambassador in the Hague.
box 110, folder 27
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter to Museum of Fine Arts Boston,
1966
Scope and Content Note
1 letter from Held who accepts invitation to give a lecture at the museum at the
occasion of the exhibition
The Age of Rembrandt.
box 110, folder 28
Book
Rembrandt's Aristotle and other Rembrandt studies:
correspondence with Paladin Pictures Ltd.,
1982-1992
Scope and Content Note
7 items: correspondence with Paladin Pictures Ltd. in London (2 letters to Held
and 2 letters from Held). Regarding Held's talk on BBC TV about
The Polish
Rider
. Also present is Held's letter to Christopher [?], a letter from
Anne Sinclair at Arts Council Films to Sarah Gibson at the Clark Art Institute,
and a fax from Charles Scribner III to Susan Wittenberg at Arts &
Entertainment.
box 110, folder 29
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from François-George Pariset,
1970
Scope and Content Note
1 letter to Held.
box 110, folder 30
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Phaidon Press,
1959
Scope and Content Note
1 letter to Held from E. Miller regarding prints of Van Dyck's
Self-portrait with sun flower.
box 110, folder 31
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from Princeton University Press,
1970
Scope and Content Note
1 letter to Held. With a mention of a review of Held's book by B. A. Rifkin in
Book world.
box 110, folder 32
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from I. Q. Regteren Altena,
1969
Scope and Content Note
1 letter to Held (2 leaves).
box 110, folder 33
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from E. P. Richardson,
1945
Scope and Content Note
1 letter to Held from assistant director at Detroit Institute of Arts. Richardson
comments of Held's essay on
Polish rider.
box 110, folder 34
Book
Rembrandt's Aristotle and other Rembrandt studies:
letters from Jacob Rosenberg,
1945-1969
Scope and Content Note
2 letters to Held at Harvard University, Fogg Art Musem regarding Held's essays
Polish rider and
Artistotle.
box 110, folder 35
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from H. -M. Rotermund,
1964
Scope and Content Note
1 letter to Held regarding photoreprints for Rotermund's own research
purposes.
box 110, folder 36
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from David Simons,
1970
Scope and Content Note
1 letter to Held (2 leaves).
box 110, folder 37
Book
Rembrandt's Aristotle and other Rembrandt studies:
correspondence with Seymour Slive,
1967-1970
Scope and Content Note
2 letters to Held, including one from Slive, and one signed by Zinka [?].
box 110, folder 38
Book
Rembrandt's Aristotle and other Rembrandt studies:
letter from H. van de Waal,
1970
Scope and Content Note
1 letter to Held from van de Waal at the Prentenkabinet der Rijksuniversiteit te
Leiden.
box 110, folder 39
Book
Rembrandt's Aristotle and other Rembrandt studies:
various correspondents,
1945
Scope and Content Note
9 short letters to Held confirming the receipt of an offprint with Held's article
Polish rider. Present are letters from Winslow Ames, G. Barno[?]
at the Department of Germanic Languages at Columbia University, Edward T. Booth,
Joseph van der Elst, A. M. Hind, Franz Landberger, [? of Lansing], [?] at Milbank,
Tweed & Hope, and a letter signed Ricardo.
box 110, folder 40
Book
Rembrandt's Aristotle and other Rembrandt studies:
various correspondents,
1967-1992, undated
Scope and Content Note
7 items: a short letter to Held from Kazuko Higuchi at Department of Art and
Archaeology at Princeton University (1967); Held's letter to Ted [Theodore S.
Amussen?] (1968) regarding Rembrandt's
Aristotle; letter to Held
from the editor of
Zeitschrift für Kunstgeschichte Margarete Kühn
(1971); 1 letter to Held from Astrid Tümpel (1971); 1 letter to Held from
Christian Tümpel (1971); a 1992 postcard sent to Held from Amsterdam by Nick
Rowling; and an undated letter to Held from Fiona [Healy?].
box 110, folder 41
Essay
Rembrandt and the spoken word: images,
undated
Scope and Content Note
22 items: 21 photographs and 1 leaf of illustrated matter.
box 110, folder 42
Essay
Rembrandt and the spoken word: correspondece with
Jan Kelch,
1971
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 110, folder 43
Essay
Rembrandt and the spoken word: notes,
undated
Scope and Content Note
3 leaves.
box 110, folder 44
Essay
Rembrandt's interest in beggars,
undated
Scope and Content Note
18 items: 17 photographs, 1 leaf of illustrated matter.
box 110, folder 45
Essay
Rembrandt and the Ancient world: correspondence with
Ade Vries,
1971-1978
Scope and Content Note
4 items: one 1972 letter to Held from the editor of
De kroniek van het
Rembrandthuis
regarding translation of Held's essay into Dutch
"Rembrandt en de klassieke wereld"; and two 1978 letters to Held from H. M. van
der Meulen regarding mainly van der Meulen's various research on Rembrandt. Also
included is a related letter to Held from Karel G. Boon at Rijksmuseum in
Amsterdam.
box 110, folder 46
Essay
Rembrandt and the Ancient world,
undated
Scope and Content Note
22 leaves of notes.
box 110, folder 47
Essay
Rembrandt and the Ancient world,
undated
Scope and Content Note
7 leaves of notes. The notes are numbered and annotated with the name of the
Dutch art historian J. A. Emmens (Emmens, 1969).
box 110, folder 48
Essay
Rembrandt and the Ancient world,
undated
Scope and Content Note
18 leaves of notes.
box 111, folder 1
Rembrandt research by Mieke Bal,
undated
Scope and Content Note
10 items: 9 leaves of notes by Held and an envelope.
box 111, folder 2
Notes for graduate school seminars,
undated
Scope and Content Note
11 leaves, including 1 leaf of printed matter.
box 111, folder 3
Illustrations for graduate school seminars,
undated
Scope and Content Note
15 items: 8 photographs, 2 postcards, and 5 leaves of illustrated matter. Various
images of the Life and Passion of Christ. [1 item is shelved in Box 152*, F.
3.]
box 111, folder 4
Illustrations for graduate school seminars,
undated
Scope and Content Note
12 items: 5 photographs, 3 postcards, 4 leaves of illustrated matter. Various
images of the Holy Family and the Infancy of Christ.
box 111, folder 5
Illustrations for graduate school seminars,
undated
Scope and Content Note
8 items: 4 photographs, 4 leaves of illustrated matter. Various images from the
Old Testament.
box 111, folder 6
Illustrations for graduate school seminars,
undated
Scope and Content Note
3 photographs of the painting
Lucretiaat the Mellon
Collection.
box 111, folder 7
Illustrations for graduate school seminars,
undated
Scope and Content Note
3 items: 2 photographs, and 2 leaves of typed matter regarding painting
Saint Francis prayingat the Columbus Gallery of Fine Arts.
box 111, folder 8
Illustrations for graduate school seminars,
undated
Scope and Content Note
8 items: 6 photographs, 2 leaves of illustrated matter. Various images of
Senses
:
Hearing and
Touch.
box 111, folder 9
Illustrations for graduate school seminars,
undated
Scope and Content Note
15 items. 10 photographs, 1 postcard, 4 leaves of illustrated matter. Various
images, including
Night watch,
Saskia as Flora,
Anatomy lecture of Dr. Nicolaes Tulp,
St.
Bartholomew
[at J. Paul Getty Museum], and
Mill.
box 111, folder 10
Various research material on
Lucretia,
undated
Scope and Content Note
4 photographs of Rembrandt's paintings of Lucretia (at National Gallery, Mellon
Collection and at the Minneapolis Institute of Arts).
box 111, folder 11
Various research material on
Juno,
undated
Scope and Content Note
18 items: 15 photographs, including several details; 2 leaves of press clippings
(photocopies); and an auction catalog perspectus of the 1960 sale at Christie,
Manson & Woods in London
Christies pictures from the van Aalst
collection to be sold on 1st April
, annotated.
box 111, folder 12
Various research material on essay on
Polish
rider
,
undated
Scope and Content Note
8 items: 6 photographs, 1 negative, 1 leaf of illustrated matter.
box 111, folder 13
Various research material on essay on
Aristotle,
1984, undated
Scope and Content Note
10 items: 9 photographs, and a 1984 letter to Held from C. G. Boerner
Kunstantiquariat in Düsseldorf regarding etched portrait of Johann Ulrich Mayr by
Johann Conrad Schnell.
box 111, folder 14
Various research material on essay on the Book of Tobit,
undated
Scope and Content Note
4 photographs.
box 111, folder 15
Various research material: photographs of various artworks,
undated
Scope and Content Note
8 photographs, including the
Jewish Bride (Loving couple),
Man in armour,
Saint Bartholomew, and photographs
of details and x-ray images.
box 111, folder 16
Various research material,
undated
Scope and Content Note
11 photographs of drawings and prints.
box 111, folder 17
Various research material,
undated
Scope and Content Note
7 leaves of illustrated matter. Mostly etchings, drawings, and portrait of Titus
(painting).
box 111, folder 18
Various research material,
undated
Scope and Content Note
11 leaves of unsorted notes.
box 111, folder 19
Various research material,
undated
Scope and Content Note
ca. 25 leaves of unsorted notes.
box 111, folder 20
Various research material,
undated
Scope and Content Note
9 leaves of unsorted notes.
box 111, folder 21
Various research material,
undated
Scope and Content Note
11 leaves of unsorted notes, including 2 leaves of printed matter.
box 111, folder 22
Various research material,
undated
Scope and Content Note
4 leaves of unsorted notes.
box 111, folder 23
Various research material,
undated
Scope and Content Note
9 leaves of unsorted notes.
box 111, folder 24
Material to study effects of reversals,
undated
Scope and Content Note
26 items: a caption note stating "Material to study effects of reversals", 12
black-and-white transparencies, and 13 leaves of illustrated matter with the
images present in transparencies.
box 112, folder 1
Drawings: human figures,
undated
Scope and Content Note
14 items: 7 photographs, 7 leaves of illustrated matter. Various images.
box 112, folder 2
Drawings: human figures,
undated
Scope and Content Note
17 leaves of illustrated matter. Various images.
box 112, folder 3
Drawings: landscapes and animals,
undated
Scope and Content Note
11 items: 2 photographs, 9 leaves of illustrated matter. Various images.
box 112, folder 4
Drawings: Life and Passion of Christ,
undated
Scope and Content Note
14 items: 3 photographs, printed and illustrated matter. Various images.
box 112, folder 5
Drawings: Old and New Testament,
undated
Scope and Content Note
18 items: 8 photographs, 10 leaves of illustrated matter. Various images.
box 112, folder 6
Drawings: Book of Tobit,
undated
Scope and Content Note
5 items: 4 photographs, 1 leaf of illustrated matter. Various images.
box 112, folder 7
Drawings:
1981, undated
Scope and Content Note
2 items: 1 photograph, and a 1981 letter to Held from Elizabeth Llewellyn at
Sotheby's London regarding a drawing referred to as
Priests of Baal and
Elijah
, or as
Jeroboam and the prophet.
box 112, folder 8
Etchings: portraits, self-portraits, and human figures,
undated
Scope and Content Note
27 items: 7 photographs, 20 leaves of illustrated matter. Various images.
box 112, folder 9
Etchings: landscapes,
undated
Scope and Content Note
16 leaves of illustrated matter. Various images.
box 112, folder 10
Etchings:
Triumph of Mordecai,
undated
Scope and Content Note
4 leaves of illustrated matter.
box 112, folder 11
Etchings: Life and Passion of Christ,
undated
Scope and Content Note
22 leaves of illustrated matter. [1 item is shelved in Box 152*, F. 4.]
box 112, folder 12
Etchings: various,
undated
Scope and Content Note
8 leaves of illustrated matter.
box 112, folder 13
Paintings: self-portraits,
undated
Scope and Content Note
15 items: 5 photographs, 8 leaves of illustrated matter, 2 postcards. Various
images.
box 112, folder 14
Paintings: self-portraits,
undated
Scope and Content Note
3 items: 1 photogarphs, 1 leaf of illustrated matter, and 1 leaf of
typescript.
box 112, folder 15
Paintings: portraits of men,
undated
Scope and Content Note
11 items: 6 photographs, 7 leaves of illustrated matter.
box 112, folder 16
Paintings: portraits of men,
undated
Scope and Content Note
ca. 11 items (18 leaves): 6 photographs, and printed and illustrated matter, 1
leaf of notes with a sketch by Held.
box 112, folder 17
Paintings:
Portrait of a man holding a hat,
undated
Scope and Content Note
11 photographs, including several photographs of details.
box 112, folder 18
Paintings: portraits of women,
undated
Scope and Content Note
7 photographs. Various images.
box 112, folder 19
Paintings: portraits of women,
undated
Scope and Content Note
ca. 17 leaves of illustrated matter. [3 items are shelved in Box 152*, F. 5.]
box 112, folder 20
Paintings: various portraits,
undated
Scope and Content Note
8 items (9 leaves): 4 photographs, 5 leaves of illustrated matter. Various
artworks, including:
Syndics of the Drapers Guild,
Portrait
of an old man
(from the Duke of Devonshire collection),
Man with
golden helmet
,
Descent from the cross (detail),
Holy Family, a female portrait (inscribed on verso: A[lfred?]
Bader, Milwaukee), and
Head of Christ.
box 112, folder 21
Paintings by other artists filed with Rembrandt,
undated
Scope and Content Note
7 items: portrait paintings by Ferdinand Bol (Portrait of a man), Pieter Nason
(self-portrait?), and two female portraits by Bartholomeus van der Helst.
Preserved is a folder inscribed by Held. Also present is photograph of a painting
by Hendrick Cornelisz. van Vliet of the interior of the Oude Kirk in Delft.
box 112, folder 22
Letter from Philadelphia Museum of Art,
1965
Scope and Content Note
1 letter to Held from Theodor Siegl regarding authenticity an artwork referred to
as the Stuttgart self-portrait of Rembrandt.
box 112, folder 23
letter from Mrs. J. Warner Prins,
1964
Scope and Content Note
1 letter to Held (2 leaves) concerning a painting referred to as
High
priest
in her collection.
box 112, folder 24
Correspondence with the Shelburne Museum,
1985
Scope and Content Note
ca. 7 items (8 leaves): 3 letters to Held (from Celia Y. Oliver and Laura C.
Luckey), 1 letter from Held; copy of a letter from Laura C. Luckey to Katherine
Baetjer at Metropolitan Museum of Art, NY, and 2 leaves of typescripts about
paintings referred to as
Treasurer and
Portrait of a young
man in a broad-brimmed hat
.
box 112, folder 25
Conservation report by Christian Wolters,
1961
Scope and Content Note
1 item (2 leaves) copy of a conservation report by Wolters at Bayerische
Staatsgemäldesammlungen in Munich of a painting referred to as portrait or
self-portrait attributed to Rembrandt.
box 112, folder 26
Unsorted notes,
undated
Scope and Content Note
14 leaves, including 1 leaf of printed matter.
box 112, folder 27
Unsorted notes,
undated
Scope and Content Note
14 leaves.
box 112, folder 28
Photographs of x-rays,
undated
Scope and Content Note
12 items: 11 photographs, 1 leaf of illustrated matter. Various artworks.
box 112, folder 29
School and doubtful: images with Christ,
undated
Scope and Content Note
7 items: 6 photographs, 1 leaf of illustrated matter. Includes a
Head of
Christ
.
box 112, folder 30
School and doubtful:
Rest on the flight into
Egypt
,
undated
Scope and Content Note
15 items: 13 photographs, 1 color transparency, 3 leaves of annotated printed
matter. [Color transparency is shelved in Box 165, F. 59.]
box 112, folder 31
School and doubtful: painting from the collection of H.
Kisters,
undated
Scope and Content Note
4 photographs, annotated on verso: Coll. H. Kisters in Kreuzlingen.
box 112, folder 32
School and doubtful: religious and Old Testament,
undated
Scope and Content Note
10 items: 5 photographs, 5 leaves of illustrated matter. Various subjects.
box 112, folder 33
School and doubtful:
Joseph and Potiphar's
wife
,
undated
Scope and Content Note
2 items: 1 photograph and a note.
box 112, folder 34
School and doubtful: various artworks,
undated
Scope and Content Note
11 items: 6 photographs, 5 leaves of illustrated matter.
box 112, folder 35
School and doubtful: various artworks,
undated
Scope and Content Note
6 leaves of printed and illustrated matter: essay by Charles C. Cunningham
Four paintings of the Rembrandt school at Boston, annotated by
Held; and
Peeter Rottermondt en Jan Lutma II by B.J.A.
Renckens.
box 112, folder 36
School and doubtful: drawings,
undated
Scope and Content Note
13 items: 9 photographs, 4 leaves of illustrated matter. Various artworks.
box 112, folder 37
School and doubtful:
Portrait of a cavalier,
1986, undated
Scope and Content Note
ca. 6 items: 1 color transparency, letter to Held from Jan Klein at Central
Picture Galleries, and 8 leaves of printed matter. [Color transparency is shelved
in Box 165, F. 60.]
box 112, folder 38
School and doubtful:
Portrait of an old bearded
man
,
undated
Scope and Content Note
4 items: 2 photographs, copy of an expert opinion by H. Zimmermann, and a
certified copy of expert opinions by W. Bode, Corn. Hofstede de Groot, and W.
Martin (copy, 1 leaf).
box 112, folder 39
School and doubtful:
Head of an old man with white beard and
whiskers
,
1921-1922, 1960, undated
Scope and Content Note
ca. 5 items: 1 photograph, 1 leaf of typescript, and copies of expert opinions by
Corn. Hofstede de Groot, and Alfred Stange, and copy of printed matter.
box 113, folder 1
School and doubtful: portraits of women,
undated
Scope and Content Note
11 items: 4 photographs, 7 leaves of illustrated matter. Various images.
box 113, folder 2
School and doubtful:
Young woman with a book,
undated
Scope and Content Note
3 items; 2 photographs, 1 leaf of illustrated matter.
box 113, folder 3
School and doubtful:
Rembrandt's sister,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of typescript.
box 113, folder 4
School and doubtful:
Saskia (18th century
copy),
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of typescript.
box 113, folder 5
School and doubtful: self-portraits,
undated
Scope and Content Note
4 items: 1 photograph, 3 leaves of illustrated matter.
box 113, folder 6
School and doubtful:
Portrait of an Oriental with a fur
cap
,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of typed text.
box 113, folder 7
School and doubtful: a self-portrait,
1981, undated
Scope and Content Note
3 items: 1 photograph, and correspondence with Armand Hammer (1 letter to Held
and 1 letter from Held). Concerning a painting at the Knoedler Gallery, considered
to be a self-portrait of Rembrandt. With a mention of Jack Tanzer.
box 113, folder 8
School and doubtful:
Portrait of a Jewish
student
,
undated
Scope and Content Note
2 items: 1 photograph, and 3 leaves of typescript about the painting.
box 113, folder 9
School and doubtful:
Philosopher,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of typescript text about the painting.
box 113, folder 10
School and doubtful:
Elderly man in an
armchair
,
undated
Scope and Content Note
2 items: 1 photograph, 1 postcard. Painting at the Corcoran Gallery of Art.
box 113, folder 11
School and doubtful: portrait of a man,
undated
Scope and Content Note
2 photographs. Portrait of a man wearing a turban.
box 113, folder 12
School and doubtful: portraits of young men,
undated
Scope and Content Note
4 items: 1 photograph, 3 leaves of illustrated matter. Includes 2 portraits of
Rembrandt's son Titus.
box 113, folder 13
School and doubtful: portraits of old men,
undated
Scope and Content Note
10 items: 7 photographs, 1 postcard, 2 leaves of illustrated matter. Various
images.
box 113, folder 14
School and doubtful: portraits of men,
undated
Scope and Content Note
18 items: 14 photographs, including 1 in color, 2 postcards, and 3 leaves of
illustrated matter. Various images. [Color photograph is shelved in Box 165, F.
61.]
Series VIII.E.
Other artists,
ca. 1924-1998
Physical Description:
12.9 Linear
Feet
Scope and Content Note
This subseries consists predominantly of photographs and illustrated matter, with
some notes and letters. Arranged alphabetically by artist, except for items filed in
box 138 which contains illustrations of artworks by unidentified artists. Some of the
topical groups filed in this category are artworks by various Antwerp masters, 17th
century Flemish portraits, Flemish drawings, and a group originally labelled by Held
as Albertina engravings. Illustrations of artworks by unidentified artists from
Brugges and Ghent are filed alphabetically under Brugges and Ghent. Artists identified
only by the first letter of their name are filed at the end of the alphabetic sequence
to which they belong.
The majority of the artists are 16th and 17th century Dutch and Flemish masters.
German artists are also represented, mainly Albrecht Dürer, Albrecht Altdorfer, and
Lucas Cranach the Elder. There is two large groups labelled by Held as German School,
and Flemish School.
Most extensively represented are Johannes Boekhorst, Ferdinand Bol, Hieronimus Bosch,
Dieric Bouts, Crispin van den Broeck, the four Bruegels, Joos van Cleve, Jacob
Cornelisz van Oostsanen, Gaspar de Crayer, Abraham van Diepenbeeck, Frans Floris and
his followers, Hugo van der Goes, Hendrick Golzius, Jan Gossaert, Jan Sanders van
Hemessen, Jan van den Hoecke, Abraham Janssens, Lucas van Lyden, Master of Frankfurt,
Quentin Metsys, Erasmus Quellinus, Anthonis Sallaert, Cornelis Schut, David Teniers
the Younger, Theodoor van Thulden, Dirck Jacobsz. Vellert, Pieter Crynse Volmaryn,
Marten de Vos (1576-1613), and Artus Wolfert.
2 items related to Joos van Gent found in Box 129 were moved to Box 153*, F. 7.
1 item related to Adriaen van Nieulandt found in Box 135 were moved to Box 154*, F.
5.
An unidentified photograph of an x-ray of a painting with religious topic found in
Box 144 was moved to Box 155*, F.6.
16 items (9 photographs, 8 leaves of illustrated matter) of various unidentified
artworks found in Box 144 were moved to Box 155*, F. 7.
1 unidentified press clipping found in Box 144 was moved to Box 155*, F. 8.
4 color transparencies of artworks by Jan Bruegel and family were moved from Box 116
to Box 165, F. 74.
1 color photograph of a painting by Antonie Verstraelen was moved from Box 141 to Box
166, F. 66.
Part 1 Willem van Aelst - Albrecht Dürer
box 113, folder 15
Willem van Aelst,
undated
Scope and Content Note
1 leaf of illustrated matter. Painting
Poultry and game.
box 113, folder 16
Pieter Aertsen,
1982-1985, undated
Scope and Content Note
ca. 20 items: 16 photographs, including 1 in color, 1982 correspondence with
James Deely (1 letter to Held and 1 letter from Held), 1 types note, and
typescript (4 leaves) about the painting
A butchers shop. Various
artworks. [Color photograph is shelved in Box 165, F. 62.]
box 113, folder 17
Pieter Aertsen,
undated
Scope and Content Note
ca. 21 items: 4 postcards, 15 leaves of illustrated matter, 1 leaf of notes, and
printed matter (7 leaves). Various artworks.
box 113, folder 18
Heinrich Aldegrever,
undated
Scope and Content Note
3 leaves of illustrated matter. Various artworks.
box 113, folder 19
Dennis van Alsloot,
undated
Scope and Content Note
5 items: 4 leaves of illustrated matter, 1 offprint from Oud-Holland with an
article by W. Wegner. Various artworks.
box 113, folder 20
Rudolf von Alt,
undated
Scope and Content Note
1 photograph.
box 113, folder 21
Albrecht Altdorfer,
undated
Scope and Content Note
4 photographs.
box 113, folder 22
Albrecht Altdorfer,
undated
Scope and Content Note
25 items: 3 postcards, 22 leaves of illustrated matter. Various artworks.
box 113, folder 23
Erhard Altdorfer,
undated
Scope and Content Note
1 leaf of illustrated matter. A drawing.
box 113, folder 24
Christoph Amberger,
undated
Scope and Content Note
4 items: 2 photograph, 2 postcards. Various artworks, including 3 portraits. [1
photograph is shelved in Box 152*, F. 6.]
box 113, folder 25
Jost Amman,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 113, folder 26
Jan van Amstel,
undated
Scope and Content Note
3 items: 1 photograph, 1 postcard, 1 offprint with an article by Robert Genaille.
Various artworks.
box 113, folder 27
Pieter Angellis,
undated
Scope and Content Note
11 items: 5 photographs, 6 leaves of illustrated matter. Various artworks.
box 113, folder 28
Pieter van Anraedt,
undated
Scope and Content Note
1 photograph.
box 113, folder 29
Cornelis Anthonisz,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Various artworks.
box 113, folder 30
Thomas van Apshoven,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 113, folder 31
Ulrich Apt der Ältere,
undated
Scope and Content Note
1 photograph.
box 113, folder 32
Arent Arentsz.,
undated
Scope and Content Note
2 photographs. Various artworks.
box 113, folder 33
Jacques d'Arthois,
undated
Scope and Content Note
4 items: 2 photographs, 1 leaf of illustrated matter, 1 leaf of printed
matter.
box 113, folder 34
Hendrick Arts,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 113, folder 35
Andries van Artvelt,
undated
Scope and Content Note
1photograph.
box 113, folder 36
Jan Asselijn,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 113, folder 37
Balthasar van der Ast,
undated
Scope and Content Note
7 leaves of illustrated matter. Various artworks.
box 113, folder 38
Barent Avercamp,
undated
Scope and Content Note
4 leaves of illustrated matter. Various artworks.
box 113, folder 39
Hendrick Avercamp,
undated
Scope and Content Note
14 items: 2 photographs, 1 postcard, 11 leaves of illustrated matter.
box 113, folder 40
Unidentified A,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of ilustrated matter (a woodcut).
box 113, folder 41
Dirck van Baburen,
undated
Scope and Content Note
14 items: 6 photographs, 7 leaves of printed and illustrated matter, 1 leaf of
typescript description by B. Nicolson of painting
A philosopher. [1
item: photograph of painting
Granida and Daifilo is shelved in Box
152*, F. 6.]
box 113, folder 42
Jacob Adriaensz. Backer,
undated
Scope and Content Note
8 items: 3 photographs, 3 postcards, 2 leaves of illustrated matter. [1
photograph is ahelved in Box 152*, F. 6.]
box 113, folder 43
Jacques Backereel,
1952, undated
Scope and Content Note
3 items: 2 photographs, and a 1952 letter to Held from Victor Spark. Various
artworks.
box 113, folder 44
Ludolf Backhuysen,
undated
Scope and Content Note
6 items: 2 photographs, 4 leaves of illustrated matter. Various artworks.
box 113, folder 45
Derick Baegert,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 113, folder 46
Cornelis de Baellieur,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 113, folder 47
David Bailly,
undated
Scope and Content Note
2 items: 1 photograph, 1 postcard. Portraits, various artworks.
box 113, folder 48
Hans Baldung,
undated
Scope and Content Note
15 items: 6 photographs, 4 postcards, 4 leaves of illustrated matter, 1 offprint
with an article by Winslow Ames.
box 113, folder 49
Hendrik van Balen,
undated
Scope and Content Note
19 photographs. Various artworks.
box 113, folder 50
Hendrik van Balen,
undated
Scope and Content Note
16 items: 15 photographs, 1 leaf of typescript. Various artworks.
box 113, folder 51
Hendrik van Balen,
undated
Scope and Content Note
12 leaves of illustrated matter. Various artworks.
box 113, folder 52
Jan van Balen ,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.
box 113, folder 53
Peeter Baltens,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 113, folder 54
Willem Bartsius,
undated
Scope and Content Note
1 photograph.
box 113, folder 55
Bartholomeus van Bassen,
undated
Scope and Content Note
1 photograph.
box 113, folder 56
Gerrit van Battem,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 113, folder 57
Johann Wilhelm Baur,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 113, folder 58
Nicolaas Baur,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 113, folder 59
Jacques de Becker,
1982, undated
Scope and Content Note
11 items: 1 photograph, 1 postcard, printed and illustrated matter, 1 leaf of
notes, and a 1982 letter to Held from Tassilo Blittersdorff at Dorotheum.
box 113, folder 60
Adriaen Cornelisz. Beeldemaker,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 113, folder 61
Jan de Beer,
undated
Scope and Content Note
3 photographs. Various artworks.
box 113, folder 62
Joost de Beer,
undated
Scope and Content Note
1 photograph.
box 113, folder 63
Osias Beert,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.
box 113, folder 64
Cornelis Pietersz Bega,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 113, folder 65
Abraham Jansz. Begeyn,
undated
Scope and Content Note
3 items: 1 postcard, 2 leaves of illustrated matter. Various artworks.
box 113, folder 66
Barthel Beham,
undated
Scope and Content Note
5 items: 3 photographs, 2 leaves of illustrated matter. Portraits, various
artworks.
box 113, folder 67
Hans Sebald Beham,
undated
Scope and Content Note
7 leaves of printed and illustrated matter. various artworks.
box 113, folder 68
Josse van der Beke,
undated
Scope and Content Note
2 photographs. Portrait of a young man.
box 113, folder 69
Jean Bellegambe,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 114, folder 1
Ambrosius Benson,
undated
Scope and Content Note
11 items: 8 photographs, 1 typed note, 2 color transparencies. Portraits, various
artworks. [Color transparencies are shelved in Box 165, F. 63.]
box 114, folder 2
Ambrosius Benson,
undated
Scope and Content Note
15 photographs. Religious subjects, various artworks.
box 114, folder 3
Ambrosius Benson,
undated
Scope and Content Note
20 items: 17 leaves of illustrated matter, 1 leaf of notes, 2 leaves of
description of paintings
Portrait of Cornelius Duplicius de Scheppere
and
Portrait of his wife, Elizabeth Donche. Various
artworks.
box 114, folder 4
Gillis Gillisz. de Berch,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 114, folder 5
Nicolaas Pietersz Berchem,
undated
Scope and Content Note
16 items: 3 photographs, 4 postcards, 9 leaves of illustrated matter. Various
artworks.
box 114, folder 6
Gerrit Adriaensz. Berckheyde,
undated
Scope and Content Note
8 items: 2 photographs, 1 postcard, 5 leaves of illustrated matter. Various
artworks.
box 114, folder 7
Job Berckheyde,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 114, folder 8
Bertram of Minden,
undated
Scope and Content Note
1 item (6 leaves): offprint with an article by Friedrich Winkler.
box 114, folder 9
Joachim Beuckelaer,
undated
Scope and Content Note
ca. 30 items: 5 photographs, 3 postcards, 8 leaves of illustrated matter, ca. 11
leaves of notes, and 1 offprint with an article by Burr Wallen. Various
artworks.
box 114, folder 10
Abraham van Beyeren,
undated
Scope and Content Note
7 items: 3 photographs, 4 leaves of illustrated matter.
box 114, folder 11
Jan van Bijlert,
undated
Scope and Content Note
18 items: 4 photographs, 13 leaves of illustrated and printed matter, 1 leaf of
notes. [2 items are shelved in Box 152*, F. 7.]
box 114, folder 12
Peter Binoit,
undated
Scope and Content Note
1 photograph.
box 114, folder 13
Cornelis Bisschop,
undated
Scope and Content Note
1 photograph. [Shelved in Box 152*, F. 8.]
box 114, folder 14
Henri Bles,
undated
Scope and Content Note
15 items: 14 photographs, 1 color transparency. Various artworks. [Color
transparency is shelved in Box 165, F. 64.]
box 114, folder 15
Henri Bles,
undated
Scope and Content Note
13 items: 12 leaves of printed and illustrated matter, 1 postcard. Various
artworks.
box 114, folder 16
Henri Bles,
undated
Scope and Content Note
ca. 40 leaves of notes.
box 114, folder 17
Karl Blechen,
undated
Scope and Content Note
1 photograph.
box 114, folder 18
Gerrit Claesz. Bleker,
undated
Scope and Content Note
5 items: 2 postcards, 3 leaves of illustrated matter. Various artworks.
box 114, folder 19
Daniel de Blieck,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 114, folder 20
Anthonie Blocklandt,
undated
Scope and Content Note
1 leaf of notes.
box 114, folder 21
Abraham Bloemaert,
undated
Scope and Content Note
9 items: 7 photographs, 2 leaves of notes. Various artworks.
box 114, folder 22
Abraham Bloemaert,
undated
Scope and Content Note
15 items: 1 photograph, 14 leave sof various printed and illustrated matter.
Mainly concerning painting
Vertumnus and Pomona, and various other
artworks.
box 114, folder 23
Abraham Bloemaert,
undated
Scope and Content Note
11 items: 1 postcard, 10 leaves of illustrated matter. Various artworks.
box 114, folder 24
Abraham Bloemaert,
1965, 1976, 1990
Scope and Content Note
3 offprints with articles by Marilyn Aronberg Lavin, Regina Shoolman Slatkin, and
Marcel Roethlisberger.
box 114, folder 25
Abraham Bloemaert: correspondence with Indianapolis Museum of
Art,
1980
Scope and Content Note
6 items (7 leaves): 3 letters to Held from curator Anthony F. Janson, and 3
letters from Held.
box 114, folder 26
Cornelis Bloemaert,
undated
Scope and Content Note
1 photograph.
box 114, folder 27
Hendrick Bloemaert,
undated
Scope and Content Note
4 items: 1 photograph, 2 postcards, 1 leaf of illustrated matter. Various
artworks.
box 114, folder 28
Norbert van Bloemen,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 114, folder 29
Lancelot Blondel,
undated
Scope and Content Note
10 items: 5 photographs, 1 postcard, 3 leaves of illustrated matter, and
photocopy of an article by K.G. Boon (12 leaves). Various artworks.
box 114, folder 30
Pieter de Bloot,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 114, folder 31
Melchior Boederlam,
undated
Scope and Content Note
2 items: 1 postcard, 1 leaf of illustrated matter. Various artworks.
box 114, folder 32
Johannes Boekhorst,
undated
Scope and Content Note
20 photographs. Various artworks.
box 114, folder 33
Johannes Boekhorst,
undated
Scope and Content Note
13 photographs. Various artworks.
box 114, folder 34
Johannes Boekhorst,
untitled
Scope and Content Note
5 items: 3 photographs, 1 color transparency, 1 leaf of illustrated matter.
Various artworks, mostly religious subjects. [Color transparency is shelved in Box
165, F. 65.]
box 114, folder 35
Johannes Boekhorst,
undated
Scope and Content Note
9 items: 8 photographs, including 1 in color, 1 color slide, and 1 leaf of
illustrated matter. Various artworks. [Color photograph and color slide are
shelved in Box 165, F. 66.]
box 114, folder 36
Johannes Boekhorst,
undated
Scope and Content Note
4 items: 3 photographs, 1 postcard.
King David.
box 114, folder 37
Johannes Boekhorst,
undated
Scope and Content Note
4 items: 2 photographs, 1 postcard, 1 leaf of illustrated matter.
Portrait
of a Lady, said to be Charlotte de la Tremouille
.
box 114, folder 38
Johannes Boekhorst,
undated
Scope and Content Note
2 items: 1 photograph, 1 color transparency. Portrait of a young boy. [Color
transparency is shelved in Box 165, F. 67.]
box 114, folder 39
Johannes Boekhorst,
undated
Scope and Content Note
10 items: 1 photograph, 1 postcard, 7 leaves of illustrated matter, and 1 leaf of
notes. Various artworks.
box 114, folder 40
Johannes Boekhorst,
undated
Scope and Content Note
ca. 35 leaves of notes.
box 114, folder 41
Johannes Boekhorst,
undated
Scope and Content Note
6 leaves of notes.
box 114, folder 42
Johannes Boekhorst,
undated
Scope and Content Note
22 leaves of various printed matter, mostly photocopies. Included is an offprint
with a letter by Hans Vliege
The Cardiff cartoons: Boekhorst after
all
.
box 114, folder 43
Johannes Boekhorst,
1990
Scope and Content Note
1 offprint from
Westfalen with an article by Angelika Lorenz and
Annegret Rittmann.
box 114, folder 44
Johannes Boekhorst: various attributions,
undated
Scope and Content Note
7 items: 6 photographs, 1 leaf of illustrated matter. Various artworks.
box 114, folder 45
Johannes Boekhorst: various attributions,
undated
Scope and Content Note
4 photographs, including 2 in color. [Color photographs are shelved in Box 165,
F. 68.]
box 114, folder 46
Johannes Boekhorst: various attributions,
undated
Scope and Content Note
4 items: 2 photographs, including 1 in color, 1 color transparency, 1 leaf of
illustrated matter. [Color photograph and color transparency are shelved in Box
165, F. 69.]
box 114, folder 47
Johannes Boekhorst: various attributions,
undated
Scope and Content Note
8 items: 3 photographs, 1 color transparency, printed and illustrated matter.
Resurrection and
Crucifixion. [Color transparency
is shelved in Box 165, F. 70.]
box 114, folder 48
Johannes Boekhorst: various attributions,
undated
Scope and Content Note
9 leaves of notes and printed matter.
box 114, folder 49
Johannes Boekhorst: various attributions: correspondence with Herbert
Schaefer,
1974
Scope and Content Note
4 items (5 leaves): 3 letters to Held, 1 letter from Held.
box 114, folder 50
Johannes Boekhorst: various attributions: correspondence with Sotheby's
New York,
1981
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held. Correspondence with Beverly
Schreiber. Also present is copy of a letter to J. Stock at Sotheby's London from
The Northhumberland Estates.
box 114, folder 51
Johannes Boekhorst: letter to George Abrams,
1984
Scope and Content Note
1 letter from Held regarding a
Lamentation drawing.
box 114, folder 52
Johannes Boekhorst: letters from Ackland Art Museum,
1988
Scope and Content Note
3 items (6 leaves): 2 letters to Held, and photocopy of printed matter (pages
from 1971 exhibition catalog of Heim Gallery
Faces and figures of the
Baroque
.
box 114, folder 53
Johannes Boekhorst: correspondence with Bayerische
Staatsgemäldesammlungen,
1984
Scope and Content Note
2 items: 1 letter to held from Konrad Renger, and 1 letter from Held.
box 114, folder 54
Johannes Boekhorst: letter from Eduard Behrens,
1969
Scope and Content Note
2 items: 1 letter to Held, 1 leaf of typescript (copy) about the
Portrait
of Charlotte de la Tremouille
.
box 114, folder 55
Johannes Boekhorst: correspondence with Bildarchiv Foto
Marburg,
1984
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held.
box 114, folder 56
Johannes Boekhorst: letter to Dalzell Hatfield Galleries,
1976
Scope and Content Note
1 letter from Held.
box 114, folder 57
Johannes Boekhorst: correspondence with The Everest Record
Group,
1978
Scope and Content Note
7 items: 4 letters to Held from Bernard C. Solomon, and 3 letters from Held.
box 114, folder 58
Johannes Boekhorst: letter to Zirka Filipczak,
1967
Scope and Content Note
2 items: 1 letter from Held and 1 leaf of typescript with notes on Boekhorst.
box 114, folder 59
Johannes Boekhorst: letter from Jacqueline Folie,
1973
Scope and Content Note
1 letter to Held.
box 115, folder 1
Johannes Boekhorst: letter from Harvard University Art
Museums,
1985
Scope and Content Note
1 letter to Held from Miriam Stewart.
box 115, folder 2
Johannes Boekhorst: correspondence with Herzog Anton
Ulrich-Museum,
1990
Scope and Content Note
2 items: Held's letter to Jochen Luckhardt at the Herzog Anton Ulrich-Museum, and
a letter to Anne-Marie Logan from Thomas Döring at the Herzog Anton
Ulrich-Museum.
box 115, folder 3
Johannes Boekhorst: letter from David M. Koetser Gallery,
1967
Scope and Content Note
1 letter to Held from David M. Koetser.
box 115, folder 4
Johannes Boekhorst: correspondence with Joseph Lammers,
1984-1988
Scope and Content Note
14 items: 7 letters to Held and 7 letters from Held. Correspondence with the
editor of the magazine
Westfalen.
box 115, folder 5
Johannes Boekhorst: correspondence with Robert M. Light,
1973, 1984
Scope and Content Note
5 items: 3 letters to Held, 2 letters from Held.
box 115, folder 6
Johannes Boekhorst: correspondence with Anne-Marie Logan,
1984-1991
Scope and Content Note
11 items (13 leaves): 6 letters from Logan to Held, and 3 letters from Held to
Logan. Also present are a 1991 letter to Logan from Thomas Döring at Herzog Anton
Ulrich Museum, and a 1991 letter to Held from Helmut Lahrkamp.
box 115, folder 7
Johannes Boekhorst: letter from Frits Lugt,
1967
Scope and Content Note
1 letter to Held.
box 115, folder 8
Johannes Boekhorst: letter to Brigitte Lymant,
1982
Scope and Content Note
1 letter from Held to the editor of
Wallraft-Richartz-Jahrbuch.
box 115, folder 9
Johannes Boekhorst: correspondence with Erwin Mitsch,
1984
Scope and Content Note
2 items: 1 letter to Held from Mitsch at Graphische Sammlung Albertina, and 1
letter from Held.
box 115, folder 10
Johannes Boekhorst: correspondence with Frederick Mont,
1964, 1977
Scope and Content Note
3 items: 2 letters to Held, 1 letter from Held.
box 115, folder 11
Johannes Boekhorst: letters from National Gallery of Art,
1984, 1991,
Scope and Content Note
2 letters to Held from Jerry M. Mallick and Margaret Morgan Grasselli.
box 115, folder 12
Johannes Boekhorst: correspondence with National Gallery of
Scotland,
1973
Scope and Content Note
4 letters: 2 letters to Held, and 2 letters from Held.
box 115, folder 13
Johannes Boekhorst: letters from The John and Mable Ringling Museum of
Art,
1984-1985
Scope and Content Note
3 items: 2 letters to Held, and 1 leaf of typescript.
box 115, folder 14
Johannes Boekhorst: letter to Rhode Island School of Design,
1984
Scope and Content Note
1 letter from Held to Franklin W. Robinson.
box 115, folder 15
Johannes Boekhorst: correspondence with Städelsches
Kunstinstitut,
1984-1985
Scope and Content Note
2 items (3 leaves): 1 letter from Held to M. Stuffmann, and 1 letter to Held from
Michael Maek-Gérard.
box 115, folder 16
Johannes Boekhorst: correspondence with Stadtarchiv Münster,
1980-1993
Scope and Content Note
9 items. Correspondence with Helmut Lahrkamp: 5 letters to Held, 2 letters from
Held, and illustrated matter.
box 115, folder 17
Johannes Boekhorst: correspondence with Stadtmuseum Münster,
1982-1983, 1991
Scope and Content Note
3 items (4 leaves). Correspondence with Helmut Lahrkamp (1 letter to Held and 1
letter from Held), and letter to Held from Museumsdirektor Galen.
box 115, folder 18
Johannes Boekhorst: correspondence with J. Douglas Stewart,
1988-1991
Scope and Content Note
5 items: 2 letters to Held from art history professor at Queen's University in
Kingston, 2 letters from Held, and 1 leaf of printed matter (title page of
magazine
Westfalen).
box 115, folder 19
Johannes Boekhorst: correspondence with Léon Voet,
1967
Scope and Content Note
6 items: 1 letter from Held, 2 letters from Léon Voet to Emily S. Rauh at the
City Art Museum of St. Louis, annotated illustrated matter, and notes (3
leaves).
box 115, folder 20
Johannes Boekhorst: letter from Winer and Abrams,
1985
Scope and Content Note
1 letter to Held from George S. Abrams.
box 115, folder 21
Johannes Boekhorst: letter to Karin Elizabeth Wolfe,
1991
Scope and Content Note
1 letter from Held.
box 115, folder 22
Johannes Boekhorst: letter to Liesel,
1985
Scope and Content Note
1 letter from Held..
box 115, folder 23
Johannes Boekhorst: drawings,
undated
Scope and Content Note
20 items: 17 photographs, 3 leaves of illustrated matter. Various artworks.
box 115, folder 24
Johannes Boekhorst: drawings,
undated
Scope and Content Note
25 items: 20 photographs, including 3 in color, 4 leaves of illustrated matter,
and original folder from Held's archive. [Color photographs are shelved in Box
165, F. 71.]
box 115, folder 25
Johannes Boekhorst: typescript of a lecture,
undated
Scope and Content Note
1 item (10 leaves): computer printout of a lecture titled
Jan Boekhorts as
a draftsman
. Author not given. Annotated
box 115, folder 26
Johannes Boekhorst: printed matter,
1983, undated
Scope and Content Note
2 offprints with articles by Hans Vlieghe concerning the Cardiff cartoons.
box 115, folder 27
Johannes Boekhorst: offprints,
1966-1985, undated
Scope and Content Note
4 offprints.
Jean Boekhorts, satellite de Rubens by Marie_Louise
Hairs, from
Revue belge d'archéologie et d'histoire de l'art
(1966);
Jan van Boekhorst as draughtsman by Julius S. Held,
from
Bulletin - Musées royaux des beaux-arts de Belgique (1967);
Nachträge zum Werk des Johann Bockhorst (alias Jan Boekhorst) by
Julius S. Held, from
Westfalen (1985);
Jan Boeckhorst als
Zeichner
by Anne-Marie Logan; from an unidentified source.
box 115, folder 28
Ferdinand Bol: portraits,
1967-1968, undated
Scope and Content Note
10 items: 8 photographs, copies of expert opinions by Walther Bernt (1968), and
Hermann Voss (1967). Various artworks. [1 photograph is shelved in Box 152*.]
box 115, folder 29
Ferdinand Bol:
Portrait of a Lady - Helena Eckout (Helena
Sterche)
,
1975, undated
Scope and Content Note
6 items: 3 photographs, 1 label, a 1975 letter to Held from Elizabeth Evans at
Herbert F. Johnson Museum of Art in Ithaca, NY, and 1 leaf of text about the
painting.
box 115, folder 30
Ferdinand Bol: various subjects,
undated
Scope and Content Note
10 items: 8 photographs, label of The Columbus Gallery of Fine Arts, and 2 leaves
of typed text about the painting
The temptation.
box 115, folder 31
Ferdinand Bol,
undated
Scope and Content Note
12 items: 6 postcards, 6 leaves of illustrated and printed matter. Various
artworks.
box 115, folder 32
Ferdinand Bol,
undated
Scope and Content Note
6 leaves of notes, 3 leaves of printed matter, and 1 offprint with an article by
Jan Bialostocki.
box 115, folder 33
Hans Bol,
undated
Scope and Content Note
10 items: 1 postcard, 9 leaves of illustrated matter. Various artworks.
box 115, folder 34
Paulus Bor,
undated
Scope and Content Note
2 photographs of painting titled
Avarice.
box 115, folder 35
Anthonie van Borssom,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of a typed text about the painting.
box 115, folder 36
Cornelis Bosch,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 115, folder 37
Hieronymus Bosch,
1968, undated
Scope and Content Note
18 items: 17 photographs, including one of an x-ray image; and a 1968 letter to
Held from Henri Marceau at the John G. Johnson Collection in Philadelphia
regarding painting
Adoration of the magi. Various artworks.
box 115, folder 38
Hieronymus Bosch,
undated
Scope and Content Note
16 items: 5 postcards, 10 leaves of illustrated matter, 1 leaf of notes. Various
artworks.
box 115, folder 39
Hieronymus Bosch,
undated
Scope and Content Note
15 leaves of illustrated matter.
box 115, folder 40
Hieronymus Bosch,
1967, undated
Scope and Content Note
4 items: 1 leaf of printed matter, 2 offprints with articles by E. H. Gombrich
(from:
Journal of the Warburg and Courtauld Institutes), and by
Konrad Renger (from:
Oud-Holland), and September 16 1967 issue of
Brabandts Dagblad with several articles on Hieronymus Bosch.
[Newspaper is shelved in flat file folder 1**.]
box 115, folder 41
Pieter van den Bosch,
undated
Scope and Content Note
3 photographs. Various artworks.
box 115, folder 42
Abraham Bosse,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 115, folder 43
Ambrosius Bosschaert the Elder,
undated
Scope and Content Note
10 items: 1 photograph, 9 leaves of printed and illustrated matter. Various
artworks.
box 115, folder 44
Ambrosius Bosschaert,
undated
Scope and Content Note
8 items: 2 photographs, 1 postcard, 2 leaves of illustrated matter, 3 leaves of
notes. Various artworks.
box 115, folder 45
Jan Both,
undated
Scope and Content Note
9 items: 2 photographs, 7 leaves of printed and illustrated matter. Various
artworks.
box 115, folder 46
Jan Philipsz. Bouckhorst,
undated
Scope and Content Note
3 photographs. Various drawings.
box 115, folder 47
Victor Bouquet,
undated
Scope and Content Note
5 items: 3 photographs, 2 leaves of illustrated matter. Various artworks.
box 115, folder 48
Esaias Boursse,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 115, folder 49
Dieric Bouts,
undated
Scope and Content Note
24 photographs.Various artworks.
box 115, folder 50
Dieric Bouts,
undated
Scope and Content Note
22 leaves of illustrated matter. Various artworks.
box 115, folder 51
Dieric Bouts,
undated
Scope and Content Note
15 items: 8 postcards, 7 leaves of illustrated matter. Various artworks.
box 115, folder 52
Dieric Bouts,
1986?
Scope and Content Note
2 items: a letter by Alain Tarica, and Tarica's typescript (9 leaves) of article
"The forgery of the century?" concerning
Annunciation at the J.
Paul Getty Museum.
box 115, folder 53
Dieric Bouts,
1986, undated
Scope and Content Note
8 items: offprints and pressclippings, 2 leaves of notes, and 1 book issued on
the occasion of an exhibition held April 6, 1993 to April 6, 1995 at The
Metropolitan Museum of Art, titled
Facsimile in early Netherlandish
painting: Dieric Bout's Virgin and Child
.
box 115, folder 54
Dieric Bouts: correspondence with M.H. de Young Memorial
Museum,
1970
Scope and Content Note
2 items: 1 letter to Held from curator F. Lanier Graham, 1 photograph.
box 115, folder 54
Dieric Bouts: correspondence with David [?],
1985
Scope and Content Note
2 items (4 leaves): Held's letter to David [?], and a press clipping. Concerning
Annunciation at the J. Paul Getty Museum.
box 115, folder 56
Dieric Bouts: correspondence with Susan Koslow,
1987
Scope and Content Note
7 items: 1 letter from Koslow, 1 letter from Held, 2 leaves of printed matter,
and 4 leaves of drawings by Koslow. Concerning
Annunciation at the
J. Paul Getty Museum.
box 116, folder 1
Théodore Boyermans,
undated
Scope and Content Note
25 photographs. Various artworks.
box 116, folder 2
Théodore Boyermans,
undated
Scope and Content Note
9 items: 6 postcards, 2 leaves of illustrated matter, 1 note.
box 116, folder 3
Théodore Boyermans,
1974, undated
Scope and Content Note
4 items: a 1974 letter to Held from Renato Tavares de Magalhães Gouvêa, printed
and illustrated matter, and 1 color transparency. [Color transparency is shelved
in Box 165, F. 72.]
box 116, folder 4
Ferdinand de Braekeleer,
undated
Scope and Content Note
1 photograph.
box 116, folder 5
Richard Brakenburgh,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 116, folder 6
Leonaert Bramer,
undated
Scope and Content Note
5 items: 2 photographs, 3 leaves of illustrated matter. Various artworks.
box 116, folder 7
Jan de Bray,
undated
Scope and Content Note
11 items: 3 photographs, 4 leaves of illustrated matter, 3 postcards, 1 leaf of
notes. Various artworks by Jan de Bray (1626 or 7-1697).
box 116, folder 8
Salomon de Bray,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. various artworks.
box 116, folder 9
Bartholomeus Breenbergh,
undated
Scope and Content Note
15 items: 11 photographs, 4 leaves of illustrated and printed matter. Various
artworks.
box 116, folder 10
Quiringh Gerritsz. Brekelenkam,
1946, undated
Scope and Content Note
15 items: 3 photographs, 12 leaves of illustrated matter, and a 1946 letter to
Held from Leo Collins.
box 116, folder 11
Jörg Breu,
undated
Scope and Content Note
2 leaves of illustrated matter. Various drawings. Jörg Breu the Elder (ca.
1480-1537).
box 116, folder 12
Jörg Breu,
undated
Scope and Content Note
5 photographs. Various artworks. Jörg Breu the Younger, (ca. 1510-1547).
box 116, folder 13
Paul Bril,
undated
Scope and Content Note
ca. 20 items. 8 photographs, 16 leaves of printed and illustrated matter. Various
artworks.
box 116, folder 14
Paul Bril,
1984
Scope and Content Note
2 items: 1 photograph and a 1984 letter to Held from Angela W. Fowler at Richard
L. Feigen & Co.
box 116, folder 15
Crispin van den Broeck,
undated
Scope and Content Note
20 items: 18 photographs, 2 leaves of illustrated matter.
box 116, folder 16
Crispin van den Broeck: correspondence with the Ministry of Works,
London,
1956-1957
Scope and Content Note
14 items: 5 letters to Held from the Ministry of Works (J.M. Melhuish), 1 letter
from Held to Melhuish, 2 letters to Held from Lord Chamberlain's Office, an
invoice to Held from Photo Studios Limited, London, and 4 postal receipts.
box 116, folder 17
Crispin van den Broeck: letter from David P. Becker,
1981
Scope and Content Note
1 letter to Held.
box 116, folder 18
Crispin van den Broeck: notes,
undated
Scope and Content Note
17 leaves of notes by Held.
box 116, folder 19
Richard Brokenberg,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 116, folder 20
Jan Gerritsz. [?] van Bronchorst,
undated
Scope and Content Note
7 items: 5 photographs, 1 color transparency with a note by Held, 1 leaf of
illustrated matter. [Color transparency is shelved in Box 165, F. 73.]
box 116, folder 21
Hans Brosamer,
undated
Scope and Content Note
3 leaves of illustrated matetr. Various portraits of men.
box 116, folder 22
Jan van Brosterhuisen,
undated
Scope and Content Note
3 leaves of illustrated matter. Various artworks.
box 116, folder 23
Adriaen Brouwer,
undated
Scope and Content Note
10 photographs. Various artworks.
box 116, folder 24
Adriaen Brouwer,
undated
Scope and Content Note
18 items: 14 leaves of illustrated and printed matter, 4 postcards. Various
artworks.
box 116, folder 25
Jan Bruegel and family,
undated
Scope and Content Note
16 photographs. Various artworks.
box 116, folder 26
Jan Bruegel and family,
undated
Scope and Content Note
11 items: 10 photographs, 1 leaf of illustrated matter. Various artworks.
box 116, folder 27
Jan Bruegel and family,
undated
Scope and Content Note
5 photographs. Various artworks.
box 116, folder 28
Jan Bruegel and family,
undated
Scope and Content Note
6 photographs. Various artworks.
box 116, folder 29
Jan Bruegel and family,
undated
Scope and Content Note
8 photographs. Various artworks.
box 116, folder 30
Jan Bruegel and family,
undated
Scope and Content Note
8 items: 7 photographs, 2 leaves of typescript concerning the painting
Rest on the flight into Egypt by Hendrik van Balen and Jan Buegel
the Elder. Various artworks.
box 116, folder 31
Jan Bruegel and family,
undated
Scope and Content Note
18 items: 18 leaves of illustrated and printed matter, 1 leaf of notes. Various
artworks.
box 116, folder 32
Jan Bruegel and family,
undated
Scope and Content Note
5 items: 1 postcard, 4 leaves of illustrated matter. Various artworks.
box 116, folder 33
Jan Bruegel and family,
undated
Scope and Content Note
27 items: 2 postcards, 25 leaves of illustratd matter. Various artworks.
box 116, folder 34
Jan Bruegel and family: correspondence with William Doyle
Galleries,
1983
Scope and Content Note
2 items: letter to Held from director Joseph Keiffer, and copy of a letter to
Keiffer from Klaus Ertz.
box 116, folder 35
Jan Bruegel and family: letter to Thos. Agnew & Sons,
Ltd.,
1984
Scope and Content Note
1 letter from Held to Christopher Kingzett.
box 116, folder 36
Jan Bruegel and family: correspondence with Emile E. Wolf,
1984
Scope and Content Note
3 items: 1 letter to Held, 2 letters from Held, including one marked as not
sent.
box 116, folder 37
Pieter Bruegel the Elder,
undated
Scope and Content Note
ca. 40 items: 1 photograph and illustrated matter. Various artworks.
box 116, folder 38
Pieter Bruegel the Younger,
undated
Scope and Content Note
21 items: 20 leaves of printed and illustrated matter, and 1 photograph (of a
negative). Various artworks.
box 116, folder 39
Pieter Bruegel the Younger,
undated
Scope and Content Note
ca. 30 leaves of printed and illustrated matter. Various artworks.
box 116, folder 40
Pieter Bruegel the Younger,
undated
Scope and Content Note
13 leaves of illustrated matter. Various artworks.
box 116, folder 41
Pieter Bruegel the Younger,
undated
Scope and Content Note
11 items: 10 photographs, 1 leaf of illustrated matter. Various artworks.
box 116, folder 42
Pieter Bruegel the Elder or the Younger,
undated
Scope and Content Note
12 items: 11 photographs, 1 leaf of illustrated matter. Various artworks.
box 116, folder 43
Pieter Bruegel the Elder or the Younger,
undated
Scope and Content Note
29 items: 18 photographs, including 3 in color, 10 leaves of illustrated matter,
1 leaf of typescript. [2 large color photographs are shelved in Box 167*, F. 6; 1
smaller color photograph is shelved in Box 165, F. 75; 10 leaves of illustrated
matter are shelved in Box 152*, F. 9.]
box 116, folder 44
Pieter Bruegel the Elder or the Younger,
undated
Scope and Content Note
13 leaves of notes.
box 117, folder 1
Pieter Bruegel the Elder or the Younger,
1930-1979, undated
Scope and Content Note
9 items (ca. 60 leaves): offprints, and other printed matetr, including
exhibition checklist of John Nicholson Gallery, extensively annotated by Held.
Included are essays and articles by Burton B. Fredericksen, Gustav Glück, Fritz
Grossmann, Otto Kurz, Konrad Oberhuber, and Alexander Wied.
box 117, folder 2
Pieter Bruegel: letter from Walter Bazar,
1988
Scope and Content Note
2 items: 1 letter to Held from the art colelctor regarding attribution of
painting Battle between carnival and lent to Pieter Bruegel the Younger; and 1
color photograph. [Color photograph is shelved in Box 166, F. 1.]
box 117, folder 3
Pieter Bruegel: correspondence with Milton D. Feltenstein,
1970
Scope and Content Note
2 items: 1 letter to Held regarding attribution of a painting to the school of
Breugel, 1 photograph.
box 117, folder 4
Pieter Bruegel: correspondence with John Herron Museum of
Art,
1962
Scope and Content Note
3 items: 2 letters to Held from the director Wilbur D. Peat, 1 letter from
Held.
box 117, folder 5
Pieter Bruegel: correspondence with National Gallery of Art, Washington
D.C.,
1962
Scope and Content Note
5 items: 1 letter to Held from Lester Cooke, 1 letter to Held from curator Perry
B. Cott, Held's letter to Wilbur D. Peat, 1 leaf of notes by Held, and a
typescript (13 leaves, carbon copy) regarding painting Landscape with
Christ appearing to the Apostles at the Sea of Tiberias by Pieter
Bruegel the Elder.
box 117, folder 6
Pieter Bruegel: letter from Walker Art Center,
1945
Scope and Content Note
1 letter to Held.
box 117, folder 7
Brugges and Ghent,
undated
Scope and Content Note
12 photographs. Various artworks.
box 117, folder 8
Brugges and Ghent,
undated
Scope and Content Note
18 photographs. Various artworks.
box 117, folder 9
Brugges and Ghent,
undated
Scope and Content Note
18 photographs. Various artworks.
box 117, folder 10
Brugges and Ghent,
undated
Scope and Content Note
8 items: 5 postcards, 3 leaves of illustrated matter. Various artworks.
box 117, folder 11
Brugges and Ghent,
undated
Scope and Content Note
10 leaves of notes.
box 117, folder 12
Brugges and Ghent,
1940-1986, undated
Scope and Content Note
5 offprints. Article by Florent Bex
Een niet gekend werk van Jacob van
Oost de Jonge
; article by F. J. de Waele
Kunstwerekn van de 17e
en 18e eeuw in de St. Catharinakerk van Sinaai-Waas
, in:
Mededeelingen van de Koninklijke vlaamsche academie voor wetenschappen,
letteren en schoone kunsten van België
(1940); article by A.P. de
Mirimonde
Les sujets de musique chez les Caravagistes flamands, in:
Jaarboek Koninklijk museum voor schone kunsten Anywerpen (1965);
article by Carl van de Velde
Enkele gegevens over Gentse
schilderijen
, in:
Gentse bijdragen tot de kunstgeschiedenis en de
oudheidkunde
(1967); and article by Leonard J. Slatkes on Jan Janssens;
in Colnaghi [catalog?] (1986).
box 117, folder 13
Brugges and Ghent: correspondence with The Detroit Institute of
Arts,
1982
Scope and Content Note
3 items: 1 letter to Held from Susan L. Caroselli, 1 letter from Held, and 1
photograph. Concerning attribution of a portrait of a man to Philippe de
Champaigne.
box 117, folder 14
Brugges and Ghent: correspondence with New Orleans Museum of
Art,
1972
Scope and Content Note
2 items: 1 letter to Held from William A. Fagaly, 1 letter from Held.
box 117, folder 15
Brugges and Ghent: correspondence with L. Piso,
1972
Scope and Content Note
2 items: 1 letter to Held, 1 letter from Held. Correspondence related to the
correspondence with William A. Fagaly at the New Orleans Museum of Art.
box 117, folder 16
Brugges and Ghent: correspondence with the William Hayes Ackland Memorial
Art Center,
1969,
Scope and Content Note
2 items: 1 letter to Held from Gay Hertzman, 1 letter from Held.
box 117, folder 17
Brugges and Ghent: various correspondence,
1968, 1981?, undated
Scope and Content Note
3 items: 1 letter to Held from the Seattle Art Museum (1968); 1 letter to Held
sent from Ghent, signed Lucienne (1981?); and 1 letter to Held from D. Rogger
(undated).
box 117, folder 18
Brunswick Monogrammist,
undated
Scope and Content Note
7 items: 2 photographs, 5 leaves of illustrated matter. Various artworks.
box 117, folder 19
Artus de Bruyn,
1969
Scope and Content Note
1 offprint from
Jaarboek of Koninklijk museum voor schone kunsten
Antwerpen with article
Artus of Antoni De Bruyn? by Hans
Vlieghe.
box 117, folder 20
Bartholomäus Bruyn the Elder,
undated
Scope and Content Note
9 items: 2 photographs, 2 postcards, 5 leaves of illustrated matter. Various
artworks.
box 117, folder 21
Bartholomäus Bruyn the Elder and Bartholomaeus Bruyn the
Younger,
undated
Scope and Content Note
7 photographs. Various portrait paintings. [2 items of a painting by B. Bruyn the
Elder are shelved in Box 152*, F. 10.]
box 117, folder 22
Theodor de Bry,
undated
Scope and Content Note
5 photographs. Various artworks.
box 117, folder 23
Hendrick van der Burch,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter. Various artworks.
box 117, folder 24
Hans Burgmair,
1956, undated
Scope and Content Note
12 items: 5 photographs, 3 postcards, 3 leaves of illustrated matter, 1 offprint
with an article by T. Gerszi. Various artworks.
box 117, folder 25
Cornelis Cornelisz. Buys,
undated
Scope and Content Note
4 items: 3 photographs, 1 postcard.
box 117, folder 26
Willem Pietersz Buytewech,
undated
Scope and Content Note
9 items: 4 photographs, 5 leaves of illustrated matter. Various artworks.
box 117, folder 27
B: unidentified artist: correspondence with Mrs. Farnham L.
Hanks,
1954
Scope and Content Note
1 letter to Held (2 leaves) regarding attribution of a painting from an
undisclosed private collection to Rubens. Also metioned is a painting by
Canaletto. With a reference to Mr. Sheldon Keck of the Brooklyn Museum. Filed by
Held with other B artists.
box 117, folder 28
B: unidentified artists,
undated
Scope and Content Note
6 items: 2 photographs, 4 leaves of illustrated matter. Various artworks.
box 117, folder 29
A. van Calraet,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 117, folder 30
Govert Dircksz. Camphuysen,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of printed and illustrated matter. Painting
Sleeping shepherd with two sheep.
box 117, folder 31
Candidus,
undated
Scope and Content Note
1 photograph. Artist also known as Peter de Witte.
box 117, folder 32
Jan van de Cappelle,
1986, undated
Scope and Content Note
8 items: 1 photograph, 1 postcard, 4 leaves of illustrated matter, and two 1986
letters to Held from Kurt Meissner in Zurich. Various artworks.
box 117, folder 33
Louis de Caullery,
undated
Scope and Content Note
5 items: 1 postcard, 1 leaf of illustrated matter, 1 photograph, and 1 offprint
by Carl van de Velde.
box 117, folder 34
Petrus Christus,
undated
Scope and Content Note
15 items: 1 photograph, 2 postcards, 13 leaves of illustrated matter. Various
artworks.
box 117, folder 35
P. Claessius of Bruges,
undated
Scope and Content Note
1 photograph.
box 117, folder 36
Pieter Claesz,
undated
Scope and Content Note
27 items: 1 photograph, 1 postcard, 25 leaves of printed and illustrated matter.
Various artworks.
box 117, folder 37
Allaert Claesz.,
unadted
Scope and Content Note
1 leaf of illustrated matter.
box 117, folder 38
Caravaggio followers,
undated
Scope and Content Note
24 items: 23 photographs, 1 leaf of illustrated matter. Various artworks.
box 117, folder 39
Caravaggio followers,
undated
Scope and Content Note
12 items: 1 postcard, 11 leaves of illustrated and printed matter. Various
artworks.
box 117, folder 40
Caravaggio followers,
1971
Scope and Content Note
3 items: correspondence with Frances M. Lamont (1 letter to Held, 1 letter from
Held), 1 photograph.
box 117, folder 41
Caravaggio followers,
1976
Scope and Content Note
2 items: letter to Held from Linda Gentis Larrimer at The Columbus Gallery of
Fine Arts, 1 photograph of a painting attributed to Gerard Seghers
Figures
round a table by candlelight
.
box 117, folder 42
Caravaggio followers,
1961
Scope and Content Note
2 items: letter to Held from Nicole Verhaegen at Centre national de recherches
"Primitifs flamands", 1 photograph.
box 117, folder 43
Hendrik de Clerck,
undated
Scope and Content Note
19 photographs, including 5 in color. Various artworks. [Color photographs are
shelved in Box 166, F. 2.]
box 117, folder 44
Hendrik de Clerck,
undated
Scope and Content Note
9 leaves of printed and illustrated matter. Various artworks.
box 118, folder 1
Cornelius van Cleve,
undated
Scope and Content Note
2 photographs. Various artworks.
box 118, folder 2
Hendrik van Cleve,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 118, folder 3
Joos van Cleve: religious subjects,
undated
Scope and Content Note
26 items: 10 photographs, including 1 in color, 1 postcard, 12 leave sof
illustrated matter, 3 leave sof printed matter. va paintings of Virgin Mary, Holy
Family, and scenes from the life of the Virgin. [Color photograph is shelved in
Box 166, F. 3.]
box 118, folder 4
Joos van Cleve: religious subjects,
undated
Scope and Content Note
ca. 15 items: 5 photographs, 8 leaves of illustrated matter, and printed matter.
Various paintings of life of Christ, Saints.
box 118, folder 5
Joos van Cleve: religious subjects,
undated, 1972
Scope and Content Note
7 items: 3 photographs, 2 leaves of illustrated matter, 1 postcard, and a 1972
letter to Held from Monique Gierts at La Connaissance in Brussels. Various
paintings of Saint Jerome (Hieronymus).
box 118, folder 6
Joos van Cleve: portraits,
undated
Scope and Content Note
18 items: 3 photographs, including 2 in color, 2 postcards, 13 leaves of
illustrated matter. Various artworks. [Color photographs are shelved in Box 166,
F. 4.]
box 118, folder 7
Marten van Cleve,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter. Various artworks.
box 118, folder 8
Jacob Cornelisz Cobaert,
undated
Scope and Content Note
1 photograph of bronze relief
King Midas feasting the arrival of
Silenus
.
box 118, folder 9
Jan de Cock,
undated
Scope and Content Note
ca. 20 items: 11 photographs, 1 postcard, 9 leaves of printed and illustrated
matter. Various artworks.
box 118, folder 10
Jan de Cock: correspondence with Springfield Museum of Fine
Arts,
1957-1958,
Scope and Content Note
2 items: correspondence with the director Frederick B. Robinson. 1 letter to Held
and 1 letter from Held.
box 118, folder 11
Jan de Cock: notes
undated
Scope and Content Note
12 leaves of notes.
box 118, folder 12
Jan Wellens de Cock,
undated
Scope and Content Note
3 items: 1 postcard, 2 leaves of illustrated matter. Various artworks.
box 118, folder 13
Pieter Coecke van Aelst,
undated
Scope and Content Note
21 items: 16 photographs, 1 postcard, 4 leaves of illustrated matter.
box 118, folder 14
Pieter Coecke van Aelst,
1930-1931, 1969, undated
Scope and Content Note
10 items: a 1969 letter to Held from the curator Edith A. Standen at the
Metropolitan Museum of Art, 2 offprints from 1930 and 1931 with essays by A.J.J.
Delen, 1 leaf of illustrated matter, and 7 leaves of notes.
box 118, folder 15
Pieter Coecke van Aelst,
undated
Scope and Content Note
10 items: 1 photograph, 1 leaf of illustrated matter, 8 leaves of unsorted notes,
including 2 leaves of small ink sketches by Held.
box 118, folder 16
Pieter Jacobsz. Codde,
1985-1991, undated
Scope and Content Note
9 items: 2 photographs, 1 postcard, 4 leaves of illustrated matter, and 1985
correspondence with Henry H. Weldon (1 letter to Held and 1 letter from Held).
Various artworks.
box 118, folder 17
Edwaert Collier,
1983, undated
Scope and Content Note
10 items: 4 photographs, 6 leaves of illustrated and printed matter. Various
artworks.
box 118, folder 18
Jan ten Compe,
undated
Scope and Content Note
1 leaf of illustrated matter. Painting
The timber yards.
box 118, folder 19
Cornelis II van Coninxloo,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of notes. Panel painting
The conception of
the Virgin
.
box 118, folder 20
Gillis van Coninxloo, .
1988 undated
Scope and Content Note
6 items: 1 photograph, 1 postcard, 3 leaves of illustrated matter, and 1 leaf of
notes. Various artworks.
box 118, folder 21
Jan II van Coninxlo,
undated
Scope and Content Note
4 items: 2 postcards, 2 leaves of illustrated matter. [1 item is shelved in Box
152*, F. 10.]
box 118, folder 22
Leendert van der Cooghen,
1984, undated
Scope and Content Note
5 items: 1 photograph, 1984 correspondence with Julien Stock at Sotheby's London
(1 letter to Held and 1 letter from Held) concerning a drawing of an old Satyr,
and 2 leaves of illustrated matter.
box 118, folder 23
Dirk Volkertszoon Coornhert,
undated
Scope and Content Note
2 leaves of illustrated matter. Three engravings after Martin van Heemskerck.
box 118, folder 24
Adriaen S. Coorte,
undated
Scope and Content Note
1 leaf of illustrated matter.
Still life with asparagus.
box 118, folder 25
Alexander Coosemans,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 118, folder 26
Gonzales Coques,
undated
Scope and Content Note
13 items: 4 photographs, 9 leaves of illustrated and printed matter.
box 118, folder 27
Cornelisz van Oostsanen, Jacob: Life and Passion of Christ:
paintings,
undated
Scope and Content Note
16 items: 9 photographs, 6 leaves of illustrated matter, 1 leaf of text.
box 118, folder 28
Cornelisz van Oostsanen, Jacob: Life of the Virgin and Infancy of Christ:
paintings,
undated
Scope and Content Note
15 items: 9 photographs, 3 postcards, 3 leaves of illustrated matter.
box 118, folder 29
Cornelisz van Oostsanen, Jacob: Life and Passion of Christ:
prints,
undated
Scope and Content Note
21 items: 19 photographs, 2 leaves of illustrated matter.
box 118, folder 30
Cornelisz van Oostsanen, Jacob: various prints and drawings,
undated
Scope and Content Note
7 items: 7 photographs, 2 leaves of illustrated matter.
box 118, folder 31
Cornelisz van Oostsanen, Jacob: various other topics:
paintings,
undated
Scope and Content Note
15 items: 11 photographs, 2 postcards, 2 leaves of illustrated matter.
box 118, folder 32
Cornelisz van Oostsanen, Jacob: unsorted notes,
undated
Scope and Content Note
13 leaves.
box 118, folder 33
Cornelisz van Oostsanen, Jacob: unsorted notes,
undated
Scope and Content Note
5 leaves.
box 118, folder 34
Cornelisz van Oostsanen, Jacob: unsorted notes,
undated
Scope and Content Note
7 leaves.
box 118, folder 35
Cornelisz van Oostsanen, Jacob: unsorted notes,
undated
Scope and Content Note
7 leaves.
box 118, folder 36
Cornelisz van Oostsanen, Jacob: unsorted notes,
undated
Scope and Content Note
5 leaves.
box 118, folder 37
Cornelisz van Oostsanen, Jacob: unsorted notes,
undated
Scope and Content Note
7 leaves.
box 118, folder 38
Cornelisz van Oostsanen, Jacob: unsorted notes,
undated
Scope and Content Note
14 leaves, including 2 index cards.
box 118, folder 39
Cornelisz van Oostsanen, Jacob: unsorted notes,
undated
Scope and Content Note
9 leaves, including 3 index cards.
box 118, folder 40
Cornelisz van Oostsanen, Jacob: unsorted notes,
undated
Scope and Content Note
10 leaves, including 1 leaf with small pencil sketches by Held.
box 118, folder 41
Giacomo Cortese (Jacques Courtois),
undated
Scope and Content Note
1 photograph. Artist also known as Giacomo Borgognone delle Battaglie.
box 119, folder 1
Jan Cossiers,
undated
Scope and Content Note
15 items: 14 photographs, 1 color slides. Various artworks. Portraits and human
heads. [Color slide is shelved in Box 166, F. 5.]
box 119, folder 2
Jan Cossiers,
undated
Scope and Content Note
10 photographs. Various artworks.
box 119, folder 3
Jan Cossiers,
undated
Scope and Content Note
21 items: 15 leaves of printed and illustrated matter, 6 postcards. Various
artworks.
box 119, folder 4
Jan Cossiers,
undated
Scope and Content Note
7 items (15 leaves): notes and printed matter, and 2 copies of a typescript
Adraen Brouwer and Jan Cossiers, both annotated by Held.
box 119, folder 5
Jan Cossiers: : correspondence with Fred Bancroft,
1986
Scope and Content Note
3 items: correspondence with Bancroft at Sotheby's New York (1 letter to Held, 1
letter from Held) and 1 photograph.
box 119, folder 6
Jan Cossiers: letter to Galerie Bernard,
1987
Scope and Content Note
1 letter from Held to Margrit Bernard.
box 119, folder 7
Jan Cossiers: correspondence with Konrad Oberhuber,
1988
Scope and Content Note
2 items (3 leaves): 1 letter to Held, 1 letter from Held.
box 119, folder 8
Colyn de Coter,
undated
Scope and Content Note
9 items: 4 photographs, 5 leaves of illustrated matter. Various artworks.
box 119, folder 9
Christiaen Gillisz. van Couwenbergh,
1988
Scope and Content Note
1 leaf of illustrated matter. Painting
The death of Croesus.
box 119, folder 10
Michiel Coxcie,
1960, undated
Scope and Content Note
22 items: 7 photographs, 1 color transparency, 2 postcards, 8 leaves of
illustrated matter, notes, and 1960 letter to Held from John Bass. Various
artworks. [Color transparency is shelved in Box 166, F. 6.]
box 119, folder 11
Frans Crabbe van Espleghem,
undated
Scope and Content Note
2 items: 1 photograph, printed matter
box 119, folder 12
Joos van Craesbeeck,
1987, undated
Scope and Content Note
8 items: 3 photographs, 2 postcards, 3 leaves of illustrated matter. Various
artworks.
box 119, folder 13
Lucas Cranach der Ältere: Life and Passion of Christ,
undated
Scope and Content Note
10 items: 3 photographs, 3 postcards, 4 leaves of illustrated matter. Various
artworks.
box 119, folder 14
Lucas Cranach der Ältere: Life of the Virgin and the Infancy of
Christ,
undated
Scope and Content Note
8 items: 1 photograph, 2 postcards, 5 leaves of illustrated matter (also Saint
Christophorus, and portrait of a man). Various artworks.
box 119, folder 15
Lucas Cranach der Ältere: Saints and other religious
subjects,
undated
Scope and Content Note
9 items: 2 photographs,1 postcard, 7 leaves of illustrated matter. Various
artworks.
box 119, folder 16
Lucas Cranach der Ältere: Old Testament,
undated
Scope and Content Note
7 items: 1 photograph, 6 leaves of illustrated matter. Various artworks.
box 119, folder 17
Lucas Cranach der Ältere:
Venus and Amor,
undated
Scope and Content Note
6 items. Various artworks.
box 119, folder 18
Lucas Cranach der Ältere: mythological subjects,
undated
Scope and Content Note
6 items: 3 photographs, 3 leaves of illustrated matter. Various artworks.
box 119, folder 19
Lucas Cranach der Ältere:
The judgement of
Paris,
undated
Scope and Content Note
2 items (7 leaves). Printed matter: offprint of an an article by Harry B.
Wehle.
box 119, folder 20
Lucas Cranach der Ältere: portraits of men,
undated
Scope and Content Note
19 items: 3 photographs, 2 postcards, 13 leaves of illustrated matter.
box 119, folder 21
Lucas Cranach der Ältere: portraits of women, children, and
couples,
undated
Scope and Content Note
ca. 15 items: 2 photographs, 4 postcards, 11 leaves of illustrated matter.
box 119, folder 22
Lucas Cranach der Ältere:
Portrait of Princess Sibyl of
Cleves
,
undated
Scope and Content Note
5 items: 1 color photograph, and printed and typed matter, including 2 leaves of
typescript with letterhead of Richard L. Feigen & Co. [Color photograph is
shelved in Box 166, F. 7.]
box 119, folder 23
Lucas Cranach der Ältere: various subjects,
undated
Scope and Content Note
11 items: 6 photographs, 5 leaves of illustrated matter.
box 119, folder 24
Lucas Cranach der Ältere: prints,
undated
Scope and Content Note
9 items: 1 photograph, 8 leaves of illustrated matter. Various artworks.
box 119, folder 25
Lucas Cranach der Ältere: printed matter,
1933, 1960, undated
Scope and Content Note
5 items: 2 leaves of printed matter, 2 offprints of a 1933 issue of the Norwegian
periodical
Kunst Kultur with an article by Max J. Friedländer, and
catalog of an exhibition held May 1-31 1960 at Duveen Brothers in New York
annotated by Held.
box 119, folder 26
Gaspar de Crayer,
undated
Scope and Content Note
10 photographs. Various artworks (paintings).
box 119, folder 27
Gaspar de Crayer,
undated
Scope and Content Note
2 items: 1 photograph and 1 color transparency. [Color transparency is shelved in
Box 166, F. 8.]
box 119, folder 28
Gaspar de Crayer,
undated
Scope and Content Note
11 photographs. Various drawings.
box 119, folder 29
Gaspar de Crayer,
undated
Scope and Content Note
13 items: 12 photographs, 1 color transparency. Portrait of a woman. [Color
transparency is shelved in Box 166, F. 9.]
box 119, folder 30
Gaspar de Crayer,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
Rinaldo and
Armida
.
box 119, folder 31
Gaspar de Crayer,
undated
Scope and Content Note
15 items (22 leaves): 3 postcards, printed matter, including several photocopies.
Various artworks.
box 119, folder 32
Gaspar de Crayer,
undated
Scope and Content Note
18 leaves of notes and annotated printed matter.
box 119, folder 33
Gaspar de Crayer,
undated
Scope and Content Note
2 items (22 leaves): photocopies of printed matter:
Valère Maxime et
l'iconographie des temps modernes
by André Pigler; an article on Claude
Luython by R. Verdeyen, from
De gulden passer (1924, vol. 2).
box 119, folder 34
Gaspar de Crayer,
1966-1967, 1985-1986, undated
Scope and Content Note
4 offprints:
More on Gaspar de Crayer by Julius S. Held, from
Master drawings (undated);
Ongepubliceerde documenten over
het werk van Gaspar de Crayer
by Hans Vlieghe, from
Gentse
bijdragen tot de kunstgeschiedenis
(1967);
De marteldood van de
H. Petrus, een olieverfschets door Gaspar de Crayer
by Hans Vlieghe,
from
Bulletin of Museum Boymans-Van Beuningen (1966); and
Some studies of heads by Flemish and Dutch seventeenth-century
artists
by Julius S. Held, in
Master drawings
(1985-1986).
box 119, folder 35
Gaspar de Crayer:
Caritas Romana (Cimon and
Pero)
,
1987
Scope and Content Note
4 items: letter to Held from Galerie Tanagra in Paris, and 3 color photographs.
[Color photographs are shelved in Box 166, F. 10.]
box 119, folder 36
Gaspar de Crayer:
Caritas Romana (Cimon and
Pero)
,
undated
Scope and Content Note
16 items: 2 photographs, 14 leaves of notes.
box 119, folder 37
Gaspar de Crayer:
Caritas Romana (Cimon and
Pero)
,
undated
Scope and Content Note
3 items: 2 copies of an annotated typescript (each 8 leaves) on Cimon and Pero,
and photocopy of article
La charité romaine dans la littérature et dans
l'art
by Adolf de Ceuleneer, from
Annales de l'Académie royale
d'archéologie de Belgique
(1919, vol. 67).
box 119, folder 38
Gaspar de Crayer: letter from E.H. Begemann,
1973
Scope and Content Note
1 letter to Held.
box 119, folder 39
Gaspar de Crayer: letter from Birmingham Museum of Art,
1977
Scope and Content Note
2 items: letter to Held from director John David Farmer, 1 photograph.
box 119, folder 40
Gaspar de Crayer: correspondence with C. G. Boerner,
1988
Scope and Content Note
3 items: correspondence with Ruth-Maria Muthmann (1 letter to Held, 1 letter from
Held), and 1 leaf of notes.
box 119, folder 41
Gaspar de Crayer: correspondence with Stephen Chizick,
1986
Scope and Content Note
4 items: 1 letter to Held, 1 letter from Held, copy of an appraisal, and 1 color
photograph of a
Caritas Romana painting [Color photograph is
shelved in Box 166, F. 11.]
box 119, folder 42
Gaspar de Crayer: letter from Jacqueline Folie,
1988
Scope and Content Note
1 letter to Held.
box 119, folder 43
Gaspar de Crayer: correspondence with Hessisches Landesmuseum
Darmstadt,
1988
Scope and Content Note
2 items (3 leaves): 1 letter to Held from Peter Märker, 1 letter from Held to
Rainer Schoch.
box 119, folder 44
Gaspar de Crayer: correspondence with Anne-Marie Logan,
1989
Scope and Content Note
3 items (4 leaves): 1 letter from Held, 1 letter to Held from Logan at
Master Drawings, and copy of a letter from Logan to Hans [?]
dated 2 Feb 1989.
box 119, folder 45
Gaspar de Crayer: letter from Master Drawings Association,
1990
Scope and Content Note
1 letter to Held from editor Elizabeth Allen.
box 119, folder 46
Gaspar de Crayer: letter from Muzeum Narodowe w Poznaniu,
1963
Scope and Content Note
1 letter to Held from Anna Dobrzycka regarding photographs of paintings by
Diepenbeeck and Veen.
box 119, folder 47
Gaspar de Crayer: correspondence with Otto Naumann, Ltd.
1990
Scope and Content Note
4 items: Held's letter to Otto Naumann, letter from Naumann to David Steadman at
the Toledo Museum of Art, 1 note by Naumann, 1 photograph.
box 119, folder 48
Gaspar de Crayer: correspondence with Konrad Oberhuber,
1988
Scope and Content Note
1 letter to Held from Oberhuber at the Graphische Sammlung Albertina.
box 119, folder 49
Gaspar de Crayer: correspondence with Colin Thompson,
1973
Scope and Content Note
4 items: 1 letter to Held from Thompson at the National Gallery of Scotland, 1
letter from Held, 1 photograph, and 1 offprint from
Gentse bijdragen tot
de kunstgeschiedenis
with an article by Hans Vlieghe
Gaspar de
Crayer: addenda et corrigenda
.
box 119, folder 50
Gaspar de Crayer: letter from Hans Vlieghe,
1990
Scope and Content Note
1 letter to Held.
box 119, folder 51
Creberger (Craeberger),
undated
Scope and Content Note
21 leaf of illustrated matter.
box 119, folder 52
Adriaen van Cronenburg,
undated
Scope and Content Note
2 photographs. Portraits. Various artworks.
box 119, folder 53
Anthony Jansz. van der Croos,
undated
Scope and Content Note
2 photographs. Landscapes. Various artworks.
box 119, folder 54
Aelbert Jacobsz. Cuyp,
undated
Scope and Content Note
20 items: 9 photographs, 5 postcards, 6 leaves of illustrated matter. Various
artworks.
box 119, folder 55
Benjamin Gerritsz Cuyp,
undated
Scope and Content Note
8 items: 5 photographs, 1 postcards, and printed and illustrated matter. Various
artworks.
box 119, folder 56
Jacob Gerritsz. Cuyp,
undated
Scope and Content Note
6 items: 3 photographs, 1 postcard, 2 leaves of illustrated matter. Various
artworks.
box 120, folder 1
Cornelis van Dalem,
1963-1968, undated
Scope and Content Note
5 items: 3 photographs, 2 offprints with articles by Ernst Brochhagen, and Carl
van de Velde. Various artworks.
box 120, folder 2
Josef Danhauser,
undated
Scope and Content Note
1 leaf of illustrated matter. Drawing
The young violinst.
box 120, folder 3
Jacques Daret,
1957,
Scope and Content Note
1 offprint.
box 120, folder 4
Gérard David: Life of the Virgin and Infancy of Christ,
undated
Scope and Content Note
32 items: 10 pgotographs, 3 postcards, 19 leaves of illustrated matter. Various
artworks.
box 120, folder 5
Gérard David: Life of the Virgin and Infancy of Christ,
1969, 1992, undated
Scope and Content Note
3 items: a 1969 letter to Held from Everett Fahy at Metropolitan Museum of Art,
NY regarding
Virgin and Child with four Angels, Fahy's article
about the painting (printed matter, 4 leaves), and a 1992 exhibition booklet by
National Gallery about David's
The Saint Anne Altarpiece .
box 120, folder 6
Gérard David: The Passion of Christ,
undated
Scope and Content Note
12 items: 4 photographs, 3 postcards, 5 leaves of illustrated matter. Various
artworks.
box 120, folder 7
Gérard David: various artworks,
undated
Scope and Content Note
8 items: 3 photographs, 1 postcard, 4 leaves of illustrated matter. Various
artworks, including portraits.
box 120, folder 8
Cornelis Gerritsz. Decker,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 120, folder 9
Dirk van Delen,
undated
Scope and Content Note
3 photographs. Various artworks.
box 120, folder 10
[?] Delff,
undated
Scope and Content Note
1 photograph. A female portrait.
box 120, folder 11
Frans Denys,
1983,
Scope and Content Note
5 items: correspondence with Godelieve Spiessens (2 letters to Held, 1 letter
from Held), 2 leaves of illustrated matter.
box 120, folder 12
Abraham van Diepenbeeck,
undated
Scope and Content Note
15 items: 13 photographs, including 1 in color, and 2 leaves with several small
photographs pasted on. Various artworks. [Color photograph is shelved in Box 166,
F. 12.]
box 120, folder 13
Abraham van Diepenbeeck,
undated
Scope and Content Note
15 photographs. Various artworks.
box 120, folder 14
Abraham van Diepenbeeck,
undated
Scope and Content Note
16 items: 15 photographs, 1 leaf of printed matter. Various artworks.
box 120, folder 15
Abraham van Diepenbeeck,
undated
Scope and Content Note
12 photographs. Various artworks.
box 120, folder 16
Abraham van Diepenbeeck,
1986, 1996
Scope and Content Note
6 items: 2 letters to Held from Jean-Max Tassel, 1 photograph, 2 color
transparencies, 1 leaf of illustrated matter. Concerning painting referred to as
Arion saved by the dolphin. [Color transparencies are shelved in Box 166, F.
13.]
box 120, folder 17
Abraham van Diepenbeeck,
undated
Scope and Content Note
2 items: 1 photograph, 1 black and white negative. With original envelope. [The
negative is shelved in Box 166, F. 14.]
box 120, folder 18
Abraham van Diepenbeeck,
undated
Scope and Content Note
ca. 20 leaves: illustrated and printed matter, including an offrprint with
article by Marc Vandenven
box 120, folder 19
Abraham van Diepenbeeck,
undated
Scope and Content Note
16 leaves of notes.
box 120, folder 20
Abraham van Diepenbeeck: correspondence with The Art Institute of
Chicago,
1984
Scope and Content Note
7 items: correspondence with Susan F. Rossen (1 letter to Held, 1 letter from
Held), copy of a 1963 letter to institute's director John Maxen from Michael W.
Straus, 3 photographs of painting
Flight into Egypt, and catalog
record of the painting (1 leaf).
box 120, folder 21
Abraham van Diepenbeeck: correspondence with The Art Museum at Princeton
University,
1972-1973, 1987
Scope and Content Note
4 items: correspondence with David W. Steadman (3 letters to Held, 1 letter from
Held).
box 120, folder 22
Abraham van Diepenbeeck: correspondence with The Chrysler
Museum,
1982
Scope and Content Note
2 items: 1 letter to Held, 1 letter from Held.
box 120, folder 23
Abraham van Diepenbeeck: correspondence with Vassar College Art
Gallery,
1963-1965
Scope and Content Note
3 items: 2 letters to Held from Thomas J. McCormick, 2 letters from Held, of
which one is written on verso of McCormick's letter to Held.
box 120, folder 24
Abraham Diepraem,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 120, folder 25
Jacob van der Does,
undated
Scope and Content Note
1 leaf of illustrated matter. Print after a drawing of sheep.
box 120, folder 26
Gerard Donck,
undated
Scope and Content Note
1 photograph of painting
Farmer at market.
box 120, folder 27
Lambert Doomer,
undated
Scope and Content Note
4 items: 1 photograph, 3 leaves of printed and illustrated matter. Various
artworks.
box 120, folder 28
Gerard Dou,
undated
Scope and Content Note
15 items: 3 photographs, 2 postcards, 10 leaves of printed and illustrated
matter. Various artworks.
box 120, folder 29
Gérard Douffet,
undated
Scope and Content Note
1 index card with notes on
Pool of Bethesda.
box 120, folder 30
Martin Drölling,
1984
Scope and Content Note
1 leaf of illustrated matter.
box 120, folder 31
Joost Cornelisz. Droochsloot,
undated
Scope and Content Note
3 items: 1 photograph, 1 postcard, 1 leaf of illustrated matter. Various
artworks.
box 120, folder 32
Willem Drost,
1939-1988, undated
Scope and Content Note
ca. 15 items: 3 photographs, 1 postcard, printed and illustrated matter,
including 2 offprints, and 3 leaves of notes by Held. Various artworks.
box 120, folder 33
Guillam Dubois,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 120, folder 34
Jacob Duck,
undated
Scope and Content Note
11 items: 4 photographs, 7 leaves of illustrated matter. Various artworks.
box 120, folder 35
Karel Dujardin,
undated
Scope and Content Note
7 items: 4 photographs, 1 postcard, 2 leaves of illustrated matter.
box 120, folder 36
Heyman Dullaert,
undated
Scope and Content Note
1 leaf of illustrated matter. Portrait of a man.
box 120, folder 37
Balthasar Anton Dunker,
undated
Scope and Content Note
1 photograph. Drawing of a child.
box 120, folder 38
Albrecht Dürer: the Passion of Christ: woodcuts and drawings,
undated
Scope and Content Note
6 items: 2 photographs, 1 postcard, 3 leaves of illustrated matter.
box 120, folder 39
Albrecht Dürer: the Life and Passion of Christ: paintings,
undated
Scope and Content Note
6 items: 5 photographs, 1 leaf of illustrated matter.
box 120, folder 40
Albrecht Dürer: the Life and Passion of Christ: woodcuts and
drawings,
undated
Scope and Content Note
11 items: 9 photographs, 2 leaves of illustrated matter.
box 120, folder 41
Albrecht Dürer: the Life of the Virgin and Infancy of Christ: woodcuts
and drawings,
undated
Scope and Content Note
28 items: 25 leaves of illustrated matter, 3 postcards. Various artworks.
box 120, folder 42
Albrecht Dürer: the Life of the Virgin and Infancy of Christ: woodcuts
and drawings,
undated
Scope and Content Note
7 photographs. Various artworks.
box 120, folder 43
Albrecht Dürer: the Life of the Virgin and Infancy of Christ:
paintings,
undated
Scope and Content Note
14 items: 8 photographs, 6 leaves of illustrated matter. Various artworks. [3
items are shelved in Box 152*, F.12.]
box 120, folder 44
Albrecht Dürer: various woodcuts,
undated
Scope and Content Note
6 leaves.
box 120, folder 45
Albrecht Dürer: various woodcuts and etchings,
undated
Scope and Content Note
10 items: 3 photographs, 7 leaves of illustrated matter.
box 120, folder 46
Albrecht Dürer: akt figures: drawings, prints, sculpture,
undated
Scope and Content Note
11 items: 9 photographs, 2 leaves of illustrated matter. Various artworks.
box 120, folder 47
Albrecht Dürer: various prints and drawings,
undated
Scope and Content Note
15 leaves of illustrated matter.
Part 2 Albrecht Dürer - Willem Key
box 121, folder 1
Albrecht Dürer: various prints and drawings,
undated
Scope and Content Note
8 photographs.
box 121, folder 2
Albrecht Dürer: portraits, human figures, and heads: prints and
drawings,
undated
Scope and Content Note
17 items: 6 photographs, 11 leaves of illustrated matter.
box 121, folder 3
Albrecht Dürer: self-portraits,
undated
Scope and Content Note
7 items: 2 photographs, 2 postcards, 2 leaves of illustrated matter, and printed
matter: prospectus of an exibition titled
Albrecht Dürer zeichnet das
Panorama von Antwerpen
, held in 1995 at the Albrecht-Dürer-Haus in
Nuremberg. various artworks.
box 121, folder 4
Albrecht Dürer: portraits,
undated
Scope and Content Note
9 items: 6 photographs, 3 leaves of illustrated matter. Various artworks.
box 121, folder 5
Albrecht Dürer: prints and drawings,
undated
Scope and Content Note
25 items: 11 photographs, 1 postcard, 13 leaves of illustrated matter. Various
artworks, including several equestrian figures, knights, and couples.
box 121, folder 6
Albrecht Dürer: various woodcuts and drawings,
undated
Scope and Content Note
21 items: 20 photographs, 1 leaf of illustrated matter. Various artworks,
including book illustrations, heraldic motives, battle scenes, photographs of
manuscripts, and 2 photographs of
Sylvan men with heraldic shields.
Also photograph of a drawing depicting hands holding a fruit.
box 121, folder 7
Albrecht Dürer: drawings,
undated
Scope and Content Note
11 items: 10 photographs, 1 leaf of illustrated matter. Various artworks,
including several studies of proportions of human bodies.
box 121, folder 8
Albrecht Dürer: animals and plants,
undated ,
Scope and Content Note
17 items: 11 photographs, 1 postcard, 5 leaves of illustrated matter. Various
artworks, mostly drawings and prints.
box 121, folder 9
Albrecht Dürer: various drawings and prints,
undated
Scope and Content Note
11 items: 7 photographs, 4 leaves of illustrated matter. Various artworks,
includinng several studies of ornaments.
box 121, folder 10
Albrecht Dürer: various artworks and details,
unadted,
Scope and Content Note
16 items: 10 photographs, 7 leaves of illustrated matter, 1 index card with
notes. Mostly religious subjects, including images of saints.
box 121, folder 11
Cornelis Dusart,
undated
Scope and Content Note
1 leaf of illustrated matter. Painting in the collection P. de Boer.
box 121, folder 12
Willem Cornelisz. Duyster,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.
box 121, folder 13
Abraham van Dyck,
undated
Scope and Content Note
1 photograph.
box 121, folder 14
Floris van Dyck,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 121, folder 15
Philipp van Dyck (Philip van Dijk),
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 121, folder 16
Dutch school: religious topics,
undated
Scope and Content Note
22 items: 14 photographs, 4 leaves of illustrated matter, 4 postcards.
box 121, folder 17
Dutch school: Arendt van Lyden,
1953, undated
Scope and Content Note
2 items: 1 photograph, and a 1953 letter to Held from F. Delius in new York
concerning the painting
The Last Judgement by Aerent van Leyden
(Aert Claesz.).
box 121, folder 18
Dutch school: portraits of men,
undated
Scope and Content Note
15 photographs. Mostly paintings, and two drawings, including one of two male
heads. Various artworks.
box 121, folder 19
Dutch school: portraits of women and group portraits,
undated
Scope and Content Note
7 items: 4 photographs, 2 postcards, 1 leaf of illustrated matter. Various
artworks.
box 121, folder 20
Dutch school: still-life,
undated
Scope and Content Note
7 photographs. Mostly various still-life paintings with fish, one with a
rabbit.
box 121, folder 21
Dutch school: genre scenes,
undated ,
Scope and Content Note
8 items: 4 photographs, 4 leaves of illustrated matter. Various artworks.
[Illustrated matter is shelved in Box 152*, F. 13.]
box 121, folder 22
Dutch school: landscapes,
undated
Scope and Content Note
5 items: 4 photographs, 1 leaf of illustrated matter. Various artworks.
box 121, folder 23
Dutch school: various artworks,
undated
Scope and Content Note
11photographs. Various artworks, paintings and drawings, including painting
The Baker of Eeklo.
box 121, folder 24
Dutch school: various artworks,
undated
Scope and Content Note
6 leaves of illustrated matter.
box 121, folder 25
Dutch school:
Josef interpreting dreams,
1984, undated
Scope and Content Note
2 items: 1 photograph, and a 1984 letter to Held from Emile E. Wolf.
box 121, folder 26
Dutch school: letters from Bowdoin College Museum of Fine
Arts,
1941,
Scope and Content Note
3 letters to Held from G. Roger Edwards regarding Dutch and Flemish paintings in
the collection of the Bowdoin College.
box 121, folder 27
Albert van der Eeckhout,
undated
Scope and Content Note
6 leaves of printed and illustrated matter. Various artworks.
box 121, folder 28
Gerbrand van den Eeckhout,
undated
Scope and Content Note
29 items: 8 photographs, 9 leaves of printed and illustrated matter, 2 postcards.
Various artworks.
box 121, folder 29
Gerbrand van den Eeckhout, ,
1968, undated
Scope and Content Note
3 items: letter to Held from Emile E. Wolf, and 2 photographs. Wolf's letter is
annotated by Held. Regarding attribution of a painting to Peter Lastman.
box 121, folder 30
Justus van Egmont,
1969, undated
Scope and Content Note
6 photographs, 6 leaves of illustrated matter, 1 leaf of notes, and a 1969 letter
to Held from Edith A. Standen at The Metropolitan Museum of Art.
box 121, folder 31
Nicolaes Eliasz. (Pickenoy),
undated
Scope and Content Note
3 photographs. Various portraits.
box 121, folder 32
Ottmar Ellinger,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Various artworks.
box 121, folder 33
Adam Elsheimer,
1958, undated
Scope and Content Note
ca. 30 items: 10 photographs, 19 leaves of printed and illustrated matter, 2
postcards, and a 1958 letter from Emile E. Wolf [to Held?]. Various artworks.
box 121, folder 34
Cornelis Engelbrechtszoon,
undated
Scope and Content Note
18 items: 10 photographs, 3 postcards, 5 leaves of illustrated matter. Various
artworks.
box 121, folder 35
Allart van Everdingen,
undated
Scope and Content Note
6 items: 4 photographs, 2 leaves of illustrated matter. Various artworks.
box 121, folder 36
Caesar van Everdingen,
1975, undated
Scope and Content Note
5 items: 4 photographs and a 1975 letter to Held from Diane M. Tsurutani at
Toledo Museum of Art.
box 121, folder 37
Hans Eworth,
undated
Scope and Content Note
2 photographs. Various portraits.
box 122, folder 1
Jan van Eyck:
Ghent Altarpiece,
undated
Scope and Content Note
14 items: 1 photograph, 13 leaves of illustrated matter. [3 leaves are shelved in
Box 153*, F. 1.]
box 122, folder 2
Jan van Eyck,
undated
Scope and Content Note
23 items: 7 photographs, including 6 in color, 16 leaves of illustrated matter.
Various artworks. [Color photographs are shelved in Box 166, F. 15.]
box 122, folder 3
Jan van Eyck,
undated
Scope and Content Note
11 items: 1 photograph, 10 leaves of illustrated matter. Various artworks.
box 122, folder 4
Jan van Eyck,
undated
Scope and Content Note
16 photographs
box 122, folder 5
Jan van Eyck,
undated
Scope and Content Note
10 leaves: 1 photograph, 1 postcard, 8 leaves of illustrated matter.
box 122, folder 6
Jan van Eyck,
undated
Scope and Content Note
14 leaves: 8 photographs, including 1 in color, 6 leaves of illustrated matter.
[Color photograph is shelved in Box 166., F. 16] Various artworks.
box 122, folder 7
Jan van Eyck:
Marriage of Giovanni Arnolfini and Giovanna
Cenami
,
1984, undated
Scope and Content Note
7 items: 6 leaves of illustrated matter, photocopy of an article by Robert
Baldwyn from
Oud Holland (10 leaves), and copy of Held's 1984
letter to Baldwin. Various artworks.
box 122, folder 8
Jan van Eyck,
undated
Scope and Content Note
8 items: 6 photographs, 2 leaves of illustrated matter. Various portraits, and
images of Christ.
box 122, folder 9
Jan van Eyck,
undated
Scope and Content Note
8 postcards. various artworks.
box 122, folder 10
Jan van Eyck,
1974, 1932, undated
Scope and Content Note
6 offprints, 11 leaves of notes, 1 press clipping. Various artworks. [Press
clipping and 1 offprint (article by Larry Silver) are shelved in Box 153*, F.
2.]
box 122, folder 11
Barent Fabritius,
1945, undated
Scope and Content Note
12 items: 3 photographs, 3 leaves of illustrated matter, 5 postcards, and a 1945
offprint from
Bulletin of the Fogg Museum of Art with an article by
Jakob Rosenberg. Various artworks.
box 122, folder 12
Carel Fabritius,
1917, 1990, undated
Scope and Content Note
ca. 20 items: 5 photographs, 13 leaves of illustrated matter, 1 postcard, and 2
offprints with articles by Gustav Glück, and David R. Smith. Various artworks.
box 122, folder 13
Johannes Fabritius,
undated
Scope and Content Note
1 photograph.
box 122, folder 14
Anton Faistenberger,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 122, folder 15
J. Falck,
undated
Scope and Content Note
1 photograph.
box 122, folder 16
Juan de Flandes,
1966, undated
Scope and Content Note
ca. 20 items: 14 photographs, 3 leaves of illustrated matter, 1 press clipping,
and a 1966 letter from Held to A.L. Erlanger. Various artworks.
box 122, folder 17
Georg Flegel,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 122, folder 18
Maître de Flémalle,
undated
Scope and Content Note
ca. 20 items: 15 leaves of illustrated matter, 6 postcards. Various artworks. [4
items are shelved in Box 153*, F. 3.]
box 122, folder 19
Maître de Flémalle,
undated
Scope and Content Note
20 items: 5 photographs, 13 leave sof illustrated matter, 2 postcards. Various
artworks.
box 122, folder 20
Maître de Flémalle,
1945-1966, undated
Scope and Content Note
4 offprints. Articles by Meyer Schapiro, Charles de Tolnay, Jean Squilbeck, and
Max J. Friedländer.
box 122, folder 21
Flemish school,
undated
Scope and Content Note
15 items: 9 photographs, 6 leaves of illustrated matter. Various artworks. Virgin
Mary.
box 122, folder 22
Flemish school,
undated
Scope and Content Note
18 items: 9 photographs, including 4 in color, 1 postcard, 8 leaves of
illustrated matter. Various artworks. Virgin Mary. [Color photographs are shelved
in Box 166, F. 17.]
box 122, folder 23
Flemish school,
undated
Scope and Content Note
23 items: 12 photographs, 11 leaves of illustrated matter. Various artworks.
Virgin Mary.
box 122, folder 24
Flemish school,
undated
Scope and Content Note
17 items: 15 photographs, 2 postcards, 1 leaf of illustrated matter. Various
artworks. Life and Passion of Christ.
box 122, folder 25
Flemish school,
undated
Scope and Content Note
16 items: 4 photographs, 4 postcards, 8 leaves of illustrated matter. Various
artworks. Life and Passion of Christ.
box 122, folder 26
Flemish school,
undated
Scope and Content Note
ca. 20 items: 7 photographs, 2 postcards, 9 leave sof illustrated and printed
matter. Various artworks. Life and Passion of Christ.
box 122, folder 27
Flemish school: correspondence with Anthony J. Feeney,
1974
Scope and Content Note
4 items: 1 letter to Held and 1 letter from Held, 2 photographs. Regarding
attribution of two paintings, including a
Noli me tangere
theme.
box 122, folder 28
Flemish school,
undated
Scope and Content Note
25 items: 20 photographs, 1 postcard, 3 leaves of illustrated matter, and 1 leaf
of typescript in Dutch. Various religous topics, mainly images of saints.
box 122, folder 29
Flemish school,
undated
Scope and Content Note
9 items: 8 photographs, 1 leaf of illustrated mater. Various scenes, mostly from
the Old Testament.
box 123, folder 1
Flemish school,
undated
Scope and Content Note
19 items: 10 photographs, 2 postcards, 7 leaves of illustrated matter. Various
artworks.
box 123, folder 2
Flemish school,
undated
Scope and Content Note
5 items: 1 photograph, 2 leaves of illustrated matter, 2 leaves of notes. Various
artworks, some with caption: Meister von Zwolle.
box 123, folder 3
Flemish school,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter, annotated. Painting
A
nobleman on horseback
.
box 123, folder 4
Flemish school,
undated, 1954
Scope and Content Note
19 items: 12 photographs, a 1945 letter to Held from Frederick A. Stern, 1
postcard, 5 leaves of illustrated matter. Various drawings.
box 123, folder 5
Flemish school,
undated
Scope and Content Note
4 items: 3 photographs, printed illustrated matter (2 leaves) with an article by
Charles Scribner III. Various artworks.
box 123, folder 6
Flemish school,
undated
Scope and Content Note
4 photographs. Caption:
Legends of St. James the Great by the
school of Dierick Bouts.
box 123, folder 7
Flemish school,
undated
Scope and Content Note
4 photographs. Four paintings depicting the twelve months.
box 123, folder 8
Flemish school,
1963
Scope and Content Note
3 items: correspondence with Edgar P. Richardson, director of Henry Francis
Dupont Winterthur Museum (1 letter to Held, 1 letter from Held), 1 photograph.
Regarding a painting of fourteen putti dancing.
box 123, folder 9
Flemish school,
1980
Scope and Content Note
2 items: a 1980 letter to Held from Sydney L. Shaper, 1 photograph.
box 123, folder 10
Flemish school,
1949
Scope and Content Note
2 items: a 1949 letter to Held (2 leaves) from L. Jacobs van Merlen, 1
photograph. Regarding a relief sculpture referred to as an image of the
sarcophagus of Tycho Brache.
box 123, folder 11
Flemish school,
undated
Scope and Content Note
4 photographs.
Adoration of the Magi from the Kisters
collection.
box 123, folder 12
Flemish school,
undated
Scope and Content Note
3 items: printed matter. A review by J. Q. v. R.A. of
Catalogue of the D.
G. van Beuningen collection
, and articles by L. Sillevis, and C. H. de
Jonge.
box 123, folder 13
Flemish and Dutch schools: portraits,
undated
Scope and Content Note
26 items: 20 photographs, 1 postcard, 5 leaves of illustrated matter. Various
artworks.
box 123, folder 14
Flemish school: 17th century: religious topics,
undated
Scope and Content Note
23 items: 21 photographs, 1 postcard, 1 leaf of illustrated matter. Various
artworks. Predominantly, Passsion of Christ.
box 123, folder 15
Flemish school: 17th century: portraits,
undated
Scope and Content Note
6 items: 5 photographs, 1 postcard. Various artworks.
box 123, folder 16
Flemish school: 17th century: portraits,
undated
Scope and Content Note
2 items: 1 photograph, 1 color transparency. [Color transparency is shelved in
Box 166, F. 18.]
box 123, folder 17
Flemish school: 17th century: mythological topics, Old
Testament,
undated
Scope and Content Note
21 items: 12 photographs, 1 postcard, 8 leaves of printed and illustrated matter.
Various artworks.
box 123, folder 18
Flemish school: 17th century: various topics,
undated
Scope and Content Note
12 items: 11 photograophs, 1 leaf of illustrated matter. Various artworks:
still-life, landscapes, studies of human figures, genre scenes, sculpures by
Jerome Duquesnoy.
box 123, folder 19
Flemish school: 17th century: various topics,
undated
Scope and Content Note
20 items: 13 photographs, 1 postcard, 8 leaves of illustrated matter. Various
artworks: still-life, landscapes, studies of human figures, genre scenes, a study
of horses.
box 123, folder 20
Flemish school: 17th century: correspondence with Neil
Morris,
1983
Scope and Content Note
6 items: 2 letters to Held, 2 letters from Held, 1 photograph, 1 small leaf of
printed matter (photocopy).
box 123, folder 21
Flemish school: 17th century: letter from John G. Wilson,
1969
Scope and Content Note
4 items: 1 letter to Held, including a list of paintings (1 leaf, typescript), 2
photographs.
box 123, folder 22
Flemish school: 17th century: correspondence with Mia N. Weiner at
Old master drawings,
1985
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, 1 photograph. Regarding a drawing
referred to as
Stoning of the Elders.
box 123, folder 23
Flemish school: 17th century: correspondence with Joseph
Guttmann,
1978-1980
Scope and Content Note
9 items: 1 from Held (2 copies), 2 letters to Held, 4 photographs, 1 color
transparency. Regarding paintings referred to as
Sleeping Diana and
St. Jerome in the wilderness. [Color transparency is shelved in
Box 166, F. 19.]
box 123, folder 24
Flemish school: 17th century:
Jupiter and Mercury at Philemon and
Baucis
,
1846, 1889
Scope and Content Note
3 items: 1 photograph, printed matter (photocopies).
box 123, folder 25
Flemish school: 17th century: correspondence with Elio
Ciolini,
1978
Scope and Content Note
3 items: 1 letter to Held from Ciolini, 1 letter from Didier Bodart to Ciolini, 1
photograph. Regarding painting
Prométhéé déchire par l'aigle. [See
also items filed in Box 123, F. 29.]
box 123, folder 26
Flemish school: 17th century: correspondence with Wildenstein &
Co.,
1973
Scope and Content Note
4 items: 1 letter to Held from M. Roy Fisher, 1 letter and a billing statement
from Held, 1 photograph. Regarding painting referred to as portrait of a
child.
box 123, folder 27
Flemish school: 17th century: letter from Parke-Bernet
Galleries,
1970
Scope and Content Note
2 items: 1 letter to Held, 1 color photograph. [Color photograph is shelved in
Box 166, F. 20.]
box 123, folder 28
Flemish school: 17th century: letter from Gaston Dulière,
1975
Scope and Content Note
6 items: 5 photographs, including photograph of a radiograph
box 123, folder 29
Flemish school: 17th century: letters from Torquato Gozzini,
1971
Scope and Content Note
4 items: 2 letters to Held, 2 photographs. Regarding painting referred to as
Prometeus. [See also items filed in Box 123, F. 25.]
box 123, folder 30
Flemish school: 17th century: letter from William H. Schab
Gallery,
1977
Scope and Content Note
2 items: 1 letter to Held from Frederick G. Schab, 1 photograph of drawing
Head of a blind man.
box 123, folder 31
Flemish school: 17th century: attribution of various artworks to van
Dyck,
1960, undated
Scope and Content Note
6 items: a list of comments Held made on paintings in the Hole Collection, dated
18 April 1960 (typescript, 1 leaf); 2 leaves of notes, and expert opinions,
including one by Valentiner.
box 123, folder 32
Flemish school: 17th century: letter from Herbert E. Feist,
1969
Scope and Content Note
1 letter to Held. Regarding drawing
Judith returning with the head of
Holofernes
.
box 123, folder 33
Flemish school: 17th century: correspondence with Daniel B.
Grossmann,
1976
Scope and Content Note
4 items: 2 letters to Held, 1 letter from Held, and copy of a letter to Grossman
from Lia de Bruyn at Rijksbureau voor kunsthistorische documentatie. Regarding
portrait of Christophorus Butkens.
box 123, folder 34
Flemish school: 17th century: correspondence with Ernst
Johansson,
1955
Scope and Content Note
1 letter to Held regarding attribution of a painting to van Dyck. Held's reply on
verso.
box 123, folder 35
Flemish school: 17th century: letter from Christian Klemm,
1986
Scope and Content Note
1 letter to Held.
box 123, folder 36
Flemish prints,
undated
Scope and Content Note
9 photographs. Various artworks.
box 123, folder 37
Flemish prints,
undated
Scope and Content Note
17 photographs of woodcuts. Various artworks: pictorial initials, book
illustrations.
box 123, folder 38
Flemish prints,
undated
Scope and Content Note
26 leaves of illustrated matter. Various artworks.
box 123, folder 39
Govaert Flinck,
undated
Scope and Content Note
18 items: 9 photographs, 2 postcards, 7 leaves of illustrated matter. Various
artworks, mostly portraits.
box 123, folder 40
Frans Floris,
undated
Scope and Content Note
1 photograph of a painting of Virgin and Child.
box 123, folder 41
Frans Floris and followers,
undated
Scope and Content Note
14 items: 11 photographs, 1 postcard, 3 leaves of illusrated matter. Various
artworks.
box 124, folder 1
Frans Floris and followers,
undated
Scope and Content Note
21 items: 20 photographs, 1 postcard. Religious topics. Various artworks.
box 124, folder 2
Frans Floris and followers,
undated
Scope and Content Note
13 items: 8 photographs, 5 leaves of illustrated matter. Portraits and human
heads. Various artworks.
box 124, folder 3
Frans Floris and followers,
undated
Scope and Content Note
22 items: 14 photographs, 6 leaves of illustrated matter, 1 negative, 1 leaf of
notes. [Negative is shelved in Box 166, F. 21.]
box 124, folder 4
Frans Floris and followers,
undated
Scope and Content Note
6 leaves of notes.
box 124, folder 5
Frans Floris and followers: correspondence with Centre national de
recherches "Primitifs flamands",
1957
Scope and Content Note
1 letter to Held from Nicole [?] regarding an artwork referred to as Zoutleeuw
panels.
box 124, folder 6
Frans Floris and followers: correspondence with Virgilia
Pancoast,
1982
Scope and Content Note
3 items: 1 letter to Held from research associate at IFAR [International
Foundation for Art Research], 1 letter from Held, 1 photograph. Regarding painting
referred to as
Nativity.
box 124, folder 7
Frans Floris and followers: correspondence with Museo Nacional de Bellas
Artes in Bueros Aires,
1962
Scope and Content Note
8 items: 2 letters to Held from Celia Alegret, 1 letter from Held, 5 photographs.
Regarding attribution of painting referred to as
Moses and the brazen
serpent
.
box 124, folder 8
Frans Floris and followers,
1962-1963, 1973, 1983-1985
Scope and Content Note
3 offprints: articles by J. Bruyn on Frans I Francken, Hans Vlieghe on Jonge
Handboog, and Carl van de Velde on Monogrammist T.G.
box 124, folder 9
Jan Baptist van Fornenburgh,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 124, folder 10
Fouceel,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 124, folder 11
Jacques Fouquier,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 124, folder 12
Lucas Franchoys,
undated
Scope and Content Note
17 photographs. Various artworks
box 124, folder 13
Lucas Franchoys,
undated
Scope and Content Note
5 photographs, including 1 in color. Various portraits of men. [Color photograph
is shelved in Box 166, F. 22.]
box 124, folder 14
Lucas Franchoys,
undated
Scope and Content Note
8 leaves of printed and illustrated matter. Various artworks.
box 124, folder 15
Lucas Franchoys,
undated
Scope and Content Note
10 leaves of notes.
box 124, folder 16
Lucas Franchoys: correspondence with David Barclay,
1992
Scope and Content Note
2 items: 1 letter to Held, 1 letter from Held.
box 124, folder 17
Lucas Franchoys: correspondence with Heidi Colsoul,
1985
Scope and Content Note
3 items: 2 letters to Held, 1 letter from Held.
box 124, folder 18
Lucas Franchoys: correspondence with Anne-Marie Logan,
1992
Scope and Content Note
1 letter from Held.
box 124, folder 19
Lucas Franchoys: letter to Hanns [Swarzenski?],
undated
Scope and Content Note
1 letter from Held.
box 124, folder 20
Pauwels Franck,
undated
Scope and Content Note
1 photograph. Painting
Baptism of Christ.
box 124, folder 21
Frans Francken,
undated
Scope and Content Note
29 photographs, including 10 in color. [Color photographs are shelved in Box 166,
F. 23.]
box 124, folder 22
Frans Francken,
undated
Scope and Content Note
18 items: 17 photographs, 1 leaf of illustrated matter.
box 124, folder 23
Frans Francken,
undated
Scope and Content Note
22 items: 16 leaves of illustrated matter, 6 postcards. Various artworks.
box 124, folder 24
Frans Francken,
1960-1973, undated
Scope and Content Note
4 items: a 1960 letter to Held from Roderic M. Koch, a 1973 letter to Held from
Gabriella Befani Canfield, 1 leaf of notes, and 1 offprint from
Jaarboek
1968 Koninklijk Museum voor schone kunsten in Antwerp
with an article by
Hans Vliege.
box 124, folder 25
Jacques Francquart,
1962, undated
Scope and Content Note
9 items: 7 photographs, printed matter, and a 1962 letter from Held to Wilbur D.
Peat (4 leaves). Various artworks.
box 124, folder 26
Caspar David Friedrich,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Various artworks.
box 124, folder 27
Jan Fris,
undated
Scope and Content Note
1 photograph.
box 124, folder 28
Rueland Frueauf,
undated
Scope and Content Note
3 leaves of illustrated matter. Various artworks.
box 124, folder 29
Philip Fruytiers,
undated
Scope and Content Note
9 photographs. Various artworks.
box 124, folder 30
Philip Fruytiers,
undated
Scope and Content Note
6 leaves of illustrated matter. Various artworks.
box 124, folder 31
Philip Fruytiers,
undated
Scope and Content Note
6 items: 5 leaves of notes, 1 offprint from
Jaarboek 1967 Koninklijk
Museum voor schone kunsten
in Antwerp with an article by Frans
Baudouin.
box 124, folder 32
Philip Fruytiers: correspondence with Kurt Meissner,
1970
Scope and Content Note
2 items: 1 letter to Held, 1 letter from Held.
box 124, folder 33
Hinrik Funhof,
undated
Scope and Content Note
1 item (7 leaves): printed and illustrated matter. Various artworks.
box 124, folder 34
Lukas Furtenagel,
1972
Scope and Content Note
1 offprint with an article by Gert von der Osten.
box 124, folder 35
Jan Fyt,
undated
Scope and Content Note
12 items: 10 photographs, 2 leaves of illustrated matter.
box 124, folder 36
Guilliam Gabron,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of typescript.
Still-life on an draped
carpet
.
box 124, folder 37
Adriaen van Gaesbeek,
undated
Scope and Content Note
1 photograph.
box 124, folder 38
Wybrand de Geest,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 124, folder 39
Geertgen tot Sint Jans,
1975, undated
Scope and Content Note
20 items: 14 leaves of illustrated matter, 4 postcards, and printed matter (2
offprints, 11 leaves). Various artworks.
box 124, folder 40
Aert de Gelder,
undated
Scope and Content Note
17 items: 4 photographs, 3 postcards, 10 leaves of illustrated matter. Various
artworks.
box 124, folder 41
Gortzius Geldorp,
undated
Scope and Content Note
2 photographs. Portraits. Various artworks.
box 124, folder 42
Hubert Gerhard,
undated
Scope and Content Note
1 photograph of sculpture.
box 125, folder 1
German school: the Life of the Virgin and Infancy of Christ,
undated
Scope and Content Note
13 photographs. Various artworks, including Meister der Münchner Marientafeln,
Meister des Hl. Barbara Altars, and school of Cologne.
box 125, folder 2
German school: the Life of the Virgin and Infancy of Christ,
undated
Scope and Content Note
19 items: 1 postcard, 18 leaves of illustrated matter. Various artworks.
box 125, folder 3
German school: the Life and Passion of Christ,
undated
Scope and Content Note
10 photographs.
box 125, folder 4
German school: the Life and Passion of Christ,
undated
Scope and Content Note
11 photographs.
box 125, folder 5
German school: the Life and Passion of Christ,
undated
Scope and Content Note
7 items: 1 postcard, 6 leaves of illustrated matter.
box 125, folder 6
German school: the Life and Passion of Christ,
undated
Scope and Content Note
4 items: 1 photograph, 3 leaves of illustrated matter. Artworks by Franz
Christian Janneck, Franz Karl Palko, and Franz Anton Maulpertsch
[Maulbertsch].
box 125, folder 7
German school: other religious topics,
undated
Scope and Content Note
2 items: 1 photograph of an anonymous, 15th century painting of
The
Archangel Gabriel
, and 1 leaf of illustrated matter (an ex voto by
Oswald Dienstl).
box 125, folder 8
German school: scenes from Old Testament,
undated
Scope and Content Note
7 items: 2 photographs,2 postcards, and 3 leaves of illustrated matter. Various
artworks, including painting
Judith by Hans von Aachen, also an
artwork by Andreas Stech, stained glass panel
Tobias and Sara
(Cologne school)
box 125, folder 9
German school: 17th-18th century paintings and frescos,
undated
Scope and Content Note
12 items: 9 photographs, 4 leaves of illustrated matter. Various artworks,
including by Johann Wolfgang Baumgartner, Johann Georg Bergmüller, Samuel
Bottschild, Johann Baptist Enderle, Johann Jakob Sandrart, Johann Heinrich
Schönfeld, and Daniel Seiter.
box 125, folder 10
German school: religious (saints)
undated
Scope and Content Note
3 photographs, including a painting by an unknown Austrian painter
A
family group adoring the Holy Veronica
at the Ringling Museum of
Art.
box 125, folder 11
German school: portraits of women, couples, children,
undated
Scope and Content Note
11 items: 2 photographs, 4 postcards, 4 leaves of illustrated matter. Various
artworks including by Conrad von Creuznach [Conrad Faber], Master of the Sterzing
Altarpiece, Jakob Seisenegger, Jerome Francken, Ludwig von Siegen, Franz Xaver
Winterhalter, and Johann Zoffany.
box 125, folder 12
German school: portraits of men,
undated
Scope and Content Note
10 photographs, including 1 in color. [Color photograph is shelved in Box 166, F.
24.]
box 125, folder 13
German school: portraits of men,
undated
Scope and Content Note
15 leaves of printed matter, including 3 postcards. Included are paintings
attributed to Conrad von Creuznach [Conrad Faber], W. J. Delff, Nicolaes Eliasz,
Friedrich Oelenhainz, Ferdinand Georg Waldmüller, and Johann Zoffany.
box 125, folder 14
German school: still-life,
undated
Scope and Content Note
1 photograph. Not attributed.
box 125, folder 15
German school: small sculptures and decorative art
(religious),
undated
Scope and Content Note
10 items: 3 photographs, 3 leaves of illustrated matter.
box 125, folder 16
German school: small sculptures (religious),
undated
Scope and Content Note
19 items: 11 photographs, 8 leaves of illustrated matter. Mainly Gothic: wood,
terracotta, and copper sculptures.
box 125, folder 17
German school: mythological and allegorical topics,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. Various artworks,
including paintings by Bartholomeus Spranger, and Johann Carl Loth.
box 125, folder 18
German school: prints,
undated
Scope and Content Note
11 items. 3 photographs, 7 leaves of illustrated matter, and 1 prospectus for
book
Bilder aus deutscher Vergangenheit. Various artworks, mainly
woodcuts.
box 125, folder 19
German school: prints,
undated
Scope and Content Note
8 items: 2 photographs, 6 leaves of illustrated matter. Various artworks, mainly
woodcuts.
box 125, folder 20
German school: various,
undated
Scope and Content Note
9 items: 5 photographs, 8 leaves of illustrated matter, including 5 pages from
Die Kunst und das schöne Heim with an article by Günter Böhmer on
a painting by an unidentified master, annotated by Held
"Bellange-follower-German?". Mainly drawings: 16th century, and fragment of a
drawing by Moritz von Schwind; and painting
Lovers (German, School
of Ulm). [1 item is shelved in Box 152*, F. 16.]
box 125, folder 21
German school: genre schenes 18th-19th century,
undated
Scope and Content Note
7 items: 4 photographs, 3 leaves of illustrated matter. Various artworks,
including Norbert Grund, Johann Michael Neder, Fritz von Uhde, Hans Thoma, Franz
Xaver Winterhalter, and Johann Zoffany. [1 item is shelved in Box 152*, F.
14.]
box 125, folder 22
German school: still-lifes by Josef Lauer,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter. Various artworks.
box 125, folder 23
German school: landscapes, 18th-19th century,
undated
Scope and Content Note
10 photographs. various artworks, including by Karl Theodor Boehme [Böhme],
Charles Conder, Franz Christoph Janneck, Ludwig Munthe, Robert Russ, Jakob Emil
Schindler, Carl Wagner, and Ferdinand Georg Waldmüller.
box 125, folder 24
German school: landscapes, 18th-19th century,
undated
Scope and Content Note
19 leaves of illustrated matter. Various artworks, including Friedrich Gauermann,
Philipp Hackert, J. E. Kasten, Joseph Anton Koch, Pieter Birmann, Friedrich Loos,
and Ridinger.
box 125, folder 25
German school: genre paintings, human figures,
undated
Scope and Content Note
16 items: 4 photographs, 11 leaves of illustrated matter, 1 postcard. Various
artworks, including Josef Danhauser, Josef von Führich, Johann Nepomuk Hoechle,
Alfred Rethel, Rudolf Schlichter, Karl Spitzweg, Hans Thoma,
box 125, folder 26
German school: Ludwig Schnorr von Carolsfeld,
undated
Scope and Content Note
5 items: 1 photograph, 4 leaves of illustrated matter. Various artworks.
box 125, folder 27
German school: Johann Friedrich August Tischbein,
undated ,
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 125, folder 28
German school: various artworks, 20th century,
undated
Scope and Content Note
15 items, including Max Beckmann, Lovis Corinth, Lyonel Feininger, George Grosz,
Josef Herman, Wilhelm Leibl, George Luks, Gustav Klimt, August Macke, and Max
Pechstein. [1 item is shelved in Box 152*, F. 15.]
box 125, folder 29
Claes Gerritsz,
undated
Scope and Content Note
1 leaf of illustrated matter.
Portrait of a lady.
box 125, folder 30
Mathias Gerung,
undated
Scope and Content Note
4 items: 2 photographs of various paintings depicting Hercules (Heracles), and an
undated letter to Held from Mortimer Brandt with photograph of a painting
depicting Hecules and Cerberus.
box 125, folder 31
Marcus Gheeraerts,
undated
Scope and Content Note
3 items: 1 photograph, 1 leaf of typescript, and 1 leaf of illustrated matter.
Portraits:
A noble man and
A royal princess.
box 125, folder 32
Jacques de Gheyn,
undated
Scope and Content Note
5 items: 2 photographs, 3 leaves of illustrated matter. Various artworks.
box 125, folder 33
Nicolaes Gillis,
undated
Scope and Content Note
1 leaf of illustrated matter. Still-life with flowers.
box 125, folder 34
Jan Goeree,
1979, undated
Scope and Content Note
11 photographs, 2 leaves of notes, and a 1979 letter to Held from David P. Becker
at the Houghton Library (with 1 leaf of illustrated matter).
box 125, folder 35
Hugo van der Goes: the Life of the Virgin and Infancy of
Christ,
undated
Scope and Content Note
14 items. 3 photographs, 1 postcard, 9 leaves of illustrated matter, and 1 piece
of printed matter. Various artworks.
box 125, folder 36
Hugo van der Goes: the Life and Passion of Christ,
undated
Scope and Content Note
8 items: 3 photographs, 2 postcards, 3 leaves of illustrated matter.
box 125, folder 37
Hugo van der Goes: portrait of a young man,
1924, undated
Scope and Content Note
3 items: 1 photograph, 1 offprint with text by Charles de Tolnay, and de Tolnay's
1924 letter to Held.
box 125, folder 38
Hugo van der Goes: various artworks,
1944, undated
Scope and Content Note
19 items: 10 photographs, 6 leaves of illustrated matter, 3 postcards. One of the
photographs has attached a 1944 letter to Held from [?] at the Detroit Institute
of Arts. [1 item is shelved in Box 154*, F. 14.]
box 125, folder 39
Hugo van der Goes: unsorted notes,
undated
Scope and Content Note
20 leaves.
box 125, folder 40
Hugo van der Goes: unsorted notes,
undated
Scope and Content Note
18 leaves.
box 125, folder 41
Hugo van der Goes: correspondence and printed matter,
1965-1971, undated
Scope and Content Note
7 items (11 leaves): letters to Held from Rosalie Green, Jacqueline [?] at
Institut royal du patrimonie artistique in Brussels, Clyde Newhouse, and Madlyn
Kahr. 5 leaves of various printed matter.
box 125, folder 42
Vincent van Gogh,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 126, folder 1
Hendrick Goltzius,
undated
Scope and Content Note
10 photographs. Various artworks.
box 126, folder 2
Hendrick Goltzius,
undated
Scope and Content Note
2 postcards, 15 leaves of illustrated matter.
box 126, folder 3
Hendrick Goltzius,
undated
Scope and Content Note
ca. 30 leaves of illustrated matter.
box 126, folder 4
Hendrick Goltzius,
1982, undated
Scope and Content Note
2 items (7 leaves): 1982 letter to Held from Larry Nichols at Columbia
University, and 1 offprint with article "The disgracers: four sinners in one act"
by Anne Walter Lowenthal.
box 126, folder 5
Jan Gossaert: the Life of the Virgin and Infancy of Christ,
undated
Scope and Content Note
13 photographs.
box 126, folder 6
Jan Gossaert: the Life of the Virgin and Infancy of Christ,
1966, undated
Scope and Content Note
ca. 25 items: illustrated matter, including 2 postcards, and 1 offprint with an
article by Edith Greindl. Various artworks.
box 126, folder 7
Jan Gossaert: the Life and Passion of Christ,
undated
Scope and Content Note
13 items: 10 photographs, 1 color transparency, 2 leaves of illustrated matter.
Various artworks. [Color transparency is shelved in Box 166, F. 25.]
box 126, folder 8
Jan Gossaert: portraits,
undated
Scope and Content Note
14 items: 4 photographs, 1 color transparency, 2 postcards, 7 leaves of
illustrated matter. Various artworks. [Color transparency is shelved in Box 166,
F. 26.] [1 photograph is shelved in Box 153*, F. 9.]
box 126, folder 9
Jan Gossaert: prints and drawings,
undated
Scope and Content Note
7 items: 3 photographs, 4 leaves of illustrated matter.
box 126, folder 10
Jan Gossaert: angels and saints,
undated
Scope and Content Note
5 items: 4 photographs, 1 leaf of illustrated matter.
box 126, folder 11
Jan Gossaert: Old Testament and mythology,
undated
Scope and Content Note
8 items: 6 photographs, 1 postcard, 1 leaf of illustrated matter. Various
artworks, including a painting of
Lucretia, several paintings of
Adam and Eve, and
Hercules [Heracles] wrestling with Antaeus.
box 126, folder 12
Jan Gossaert: notes,
undated
Scope and Content Note
12 leaves, including one small pencil drawing by Held.
box 126, folder 13
Jan Gossaert: notes,
undated
Scope and Content Note
7 leaves.
box 126, folder 14
Jan Gossaert: notes,
undated
Scope and Content Note
10 leaves.
box 126, folder 15
Jan Gossaert: notes,
undated
Scope and Content Note
15 leaves.
box 126, folder 16
Jan Gossaert: notes,
undated
Scope and Content Note
15 leaves, including several pencil sketches by Held.
box 126, folder 17
Jan Gossaert: correspondence and printed matter,
1959-1975
Scope and Content Note
6 items: 1 offprint with an article by Jacqueline Folie, and correspondence with
the Toledo Museum of Art (3 letters to Held and 2 letters from Held).
box 126, folder 18
Hendrik Goudt,
undated
Scope and Content Note
8 items: 1 photograph, 6 leaves of illustrated matter (annotated in ink), and
printed matter (4 leaves). Various artworks.
box 126, folder 19
Hendrik Goudt,
1960, undated
Scope and Content Note
3 items: 2 photographs, including 1 in color, and a 1960 letter to Held from
Richard Namon regarding a painting by Goudt from the collection of Count Otto
Wachtmeister. [Color photograph is shelved in Box 166, F. 27.]
box 126, folder 20
Abraham Govaerts,
undated
Scope and Content Note
2 items: 1 photograph and 1 leaf of illustrated matter. Various artworks.
box 126, folder 21
Jan van Goyen,
undated
Scope and Content Note
36 leaves of illustrated matter. Various artworks.
box 126, folder 22
Jan van Goyen,
undated
Scope and Content Note
14 items: 7 photographs, 7 postcards. Various artworks.
box 126, folder 23
Barend Graat,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.
box 126, folder 24
Urs Graf,
undated
Scope and Content Note
3 leaves of illustrated matter. Various artworks.
box 126, folder 25
Anton Graff,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of notes. Two portraits: self-portrait of the
artist, and
King Frederick Wilhelm II of Prussia.
box 126, folder 26
Pieter de Grebber,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 126, folder 27
Abel Grimmer,
undated
Scope and Content Note
13 items; 8 photographs, 5 leaves of illustrated matter. Various artworks.
box 126, folder 28
Matthias Grünewald,
undated
Scope and Content Note
5 photographs. Various artworks.
box 126, folder 29
Matthias Grünewald,
undated
Scope and Content Note
ca. 25 items: 12 postcards, 5 leaves of illustrated matter, 1 offprint, and
printed matter (7 leaves). Various artworks. [Printed matter is shelved in Box
153*, F. 4.]
box 126, folder 30
Matthias Grünewald: correspondence and notes,
1983, undated
Scope and Content Note
6 items: 1 letter to Held from the Museum of Fine Arts Boston, and 5 leaves of
notes.
box 126, folder 31
Nicolaes de Gyselaer,
undated
Scope and Content Note
1 photograph of
Der reiche Prasser.
box 126, folder 32
Peeter Gysels,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 126, folder 33
Matthäus Gundelach,
undated
Scope and Content Note
2 leaves of illustrated matter.
The five senses.
box 126, folder 34
Philip Gyselaer,
undated
Scope and Content Note
1 photograph.
box 127, folder 1
Cornelis Cornelisz. van Haarlem,
undated
Scope and Content Note
19 items: 7 photographs, with 2 leaves of text, 2 postcards, and 8 leaves of
illustrated matter. Various artworks.
box 127, folder 2
Jan Hackaert,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 127, folder 3
Philipp Hackert,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 127, folder 4
Tobias van Haecht,
undated
Scope and Content Note
3 photograph. Various artworks. [1 item is shelved in Box 153*, F. 12.]
box 127, folder 5
Johan van Haensbergen,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 127, folder 6
Leendert van Haester,
undated
Scope and Content Note
1 offrint from
Oud-Holland with an article by J. A. Renckens.
box 127, folder 7
Joris van der Hagen,
undated
Scope and Content Note
1 photograph.
box 127, folder 8
Georg Hainz,
undated
Scope and Content Note
1 photograph.
box 127, folder 9
Dirck Hals,
undated
Scope and Content Note
11 items: 3 photographs, 1 postcard, 7 leaves of illustrated matter.
box 127, folder 10
Frans Hals,
undated
Scope and Content Note
7 photographs: various portraits of children.
box 127, folder 11
Frans Hals,
undated
Scope and Content Note
21 photographs. Various artworks: portrais of men and women, one group portrait.
[1 item is shelved in Box 153*, F. 5.]
box 127, folder 12
Frans Hals,
undated
Scope and Content Note
13 postcards. Various artworks.
box 127, folder 13
Frans Hals,
undated
Scope and Content Note
22 leaves of illustrated matter. Various artworks.
box 127, folder 14
Frans Hals,
undated
Scope and Content Note
21 leaves of illustrated matter. Various artworks.
box 127, folder 15
Frans Hals,
undated
Scope and Content Note
3 items: 2 offprints and 1 press clipping regarding painting
Fishergirl. Offprints are of articles by Horst Gerson and Susan
Koslow.
box 127, folder 16
Nicolaes Hals,
undated
Scope and Content Note
1 photograph.
box 127, folder 17
Adriaen Hanneman,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Various artworks.
box 127, folder 18
Claes Dircksz. van der Heck,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 127, folder 19
Willem Claesz Heda,
undated
Scope and Content Note
5 leaves of illustrated matter. Various artworks.
box 127, folder 20
Cornelis de Heem,
undated
Scope and Content Note
6 items: 4 photographs, 1 leaf of text, 1 leaf of illustrated matter. Various
artworks. [1 photograph is shelved in Box 153*, F. 13.]
box 127, folder 21
Jan Davidsz. de Heem,
undated
Scope and Content Note
11 items: 5 photographs, 1 leaf of text, 1 postcard, 5 leaves of illustrated
matter.
box 127, folder 22
Egbert van Heemskerck,
1948, undated
Scope and Content Note
6 items: 2 photographs, 3 leaves of illustrated matter, 1 leaf of text by
Held.
box 127, folder 23
Martin van Heemskerk,
undated
Scope and Content Note
16 items: 10 photographs, 5 postcards, 1 sketch in pen by Held.
box 127, folder 24
Martin van Heemskerk,
undated
Scope and Content Note
12 items: 9 leaves of illustrated matter, and 3 offprints: Held's article from
Art in America on Max Friedländer, an article by Wolfgang
Stechow, and offprint from
Bulletin de l'Institut royal du patrimoine
artistique
with an article by Jacqueline Folie and Michèle Steuve-De
Poerck.
box 127, folder 25
Thomas Heeremans,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 127, folder 26
Hendrick Heerschop,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 127, folder 27
Daniel van Heil,
undated
Scope and Content Note
1 photograph.
box 127, folder 28
Wolfgang Heimbach,
undated
Scope and Content Note
6 photographs.
box 127, folder 29
Wolfgang Heimbach,
undated
Scope and Content Note
11 items: 10 leaves of notes, 1 leaf of illustrated matter.
box 127, folder 30
Josef Heintz,
undated
Scope and Content Note
1 photograph.
box 127, folder 31
Dirk Helmbrecker,
1977,
Scope and Content Note
1 letter to Held from Machteld J. van-Dijck.
box 127, folder 32
Bartholomeus van der Helst,
undated
Scope and Content Note
3 photographs, 1 postcard, 5 leaves of illustrated matter.
box 127, folder 33
Jan Sanders van Hemessen: religious subjects,
undated
Scope and Content Note
13 photographs of the Tendilla Retable at the Cincinnati Art Museum.
box 127, folder 34
Jan Sanders van Hemessen: religious subjects,
undated
Scope and Content Note
5 photographs of a retable.
box 127, folder 35
Jan Sanders van Hemessen: religious subjects,
undated
Scope and Content Note
15 items: 1 color transparency, 12 photographs, 1 leaf of illustrated matter with
a note by Held. Various paintings about the Life and Passion of Christ. [Color
transparency is shelved in Box 166, F. 28.]
box 127, folder 36
Jan Sanders van Hemessen: religious subjects,
undated
Scope and Content Note
8 photographs. Various paintings of Virgin and Child and images of saints.
box 127, folder 37
Jan Sanders van Hemessen: Old Testament,
undated
Scope and Content Note
5 items: 2 photographs, 1 postcard, 2 leaves of illustrated matter.
Judith
with the head of Holofernes
and
The prodigal son.
box 127, folder 38
Jan Sanders van Hemessen: religious subjects,
undated
Scope and Content Note
9 items: 5 postcards, 4 leaves of illustrated matter. Various artworks.
box 127, folder 39
Jan Sanders van Hemessen: portraits,
undated
Scope and Content Note
6 items: 3 photographs, 2 leaves of illustrated matter, 1 leaf of notes.
box 127, folder 40
Jan Sanders van Hemessen: allegories,
undated
Scope and Content Note
10 items: 1 photograph, 8 leaves of illustrated matter, 1 offprint of an article
by Emanuel Winternitz.
box 127, folder 41
Jan Sanders van Hemessen: the leading the bride to bed theme,
undated
Scope and Content Note
4 photographs, 4 leaves of printed and illustrated matter, 1 offprint, and 9
leaves of notes. Offprint contains article by Konrad Renger. Various artworks.
box 127, folder 42
Jan Sanders van Hemessen:
Vanitas,
undated
Scope and Content Note
3 items: 1 color transparency, 1 leaf of illustrated matter, 1 note. Painting of
an angel with butterfly wings. [Color transparency is shelved in Box 166, F.
29.]
box 127, folder 43
Jan Sanders van Hemessen: correspondence,
1961,
Scope and Content Note
3 items: 1 letter to Held and 2 letters from Held. Correspondence with Worcester
Art Musuem (Daniel Catton Rich) regarding a female portrait attributed to Wilhelm
Key.
box 127, folder 44
Jan Sanders van Hemessen: correspondence,
1984-1985
Scope and Content Note
3 items (4 leaves): 1 letter to Held and 2 letters from Held. Correspondence with
the Koninklijk Kabinet van schilderijen 'Mauritshuis' (H.R. Hoetink).
box 127, folder 45
Jan Sanders van Hemessen: correspondence,
1958
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with the
Cincinnati Art Museum regarding the Tendilla Retable.
box 127, folder 46
Jan Sanders van Hemessen: notes,
undated
Scope and Content Note
14 leaves of notes and annotated printed matter.
box 127, folder 47
Jan Sanders van Hemessen: draft by Burr Edgar Wallen,
undated
Scope and Content Note
2 items: note by Held and typescript (16 leaves) of Wallen's catalog of paintings
of Hemessen, annotated by Held.
box 128, folder 1
Willem van Herp,
undated
Scope and Content Note
13 items: 11 photographs, 2 leaves of illustrated matter. Various artworks.
box 128, folder 2
Willem van Herp,
undated
Scope and Content Note
17 items: 12 leaves of illustrated matter, 5 leaves of notes. Various
artworks.
box 128, folder 3
Jan van der Heyden,
undated
Scope and Content Note
6 items: 2 photographs, 4 leaves of illustrated matter.
box 128, folder 4
Augustin Hirschvogel,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 128, folder 5
Meindert Hobbema,
undated
Scope and Content Note
7 photographs, 2 postcards, 7 leaves of illustrated matter. Various artworks.
box 128, folder 6
Jan van den Hoecke: sybils,
undated
Scope and Content Note
11 items: 10 photographs, 1 leaf of typescript. Various artworks.
box 128, folder 7
Jan van den Hoecke: portraits,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. Various artworks.
box 128, folder 8
Jan van den Hoecke: Old Testament,
undated
Scope and Content Note
7 items: 6 photographs, 1 leaf of illustrated matter. Various artworks.
box 128, folder 9
Jan van den Hoecke: Passion of Christ, Virgin with Child,
undated
Scope and Content Note
15 items: 12 photographs, 3 leaves of illustrated matter. Various artworks.
box 128, folder 10
Jan van den Hoecke: Passion of Christ, Virgin with Child,
1988, undated
Scope and Content Note
12 items: 3 small photographs, 1 leaf of notes, 6 leaves of printed and
illustrated matter, 1988 letter to Held from Fundación Galdiano Museo (conservator
Marina Cano), and 1988 correspondence with Brigid Cleaver (3 letters to Held, 2
letters from Held).
box 128, folder 11
Jan van den Hoecke: various themes,
undated
Scope and Content Note
12 items: 10 photographs, including 2 in color, 1 leaf of illustrated matter, and
printed matter (article by Hans Vlieghe from
Westfalen). Various
artworks. [Color photographs are shelved in Box 166, F. 30.]
box 128, folder 12
Jan van den Hoecke:
The triumph of David and
Lobgesang Mosis und Mirjams,
undated
Scope and Content Note
15 items: 8 photographs, 7 leaves of illustrated matter.
box 128, folder 13
Jan van den Hoecke:
Hercules between Minerva and Venus: the choice
of Hercules between wisdom and love
,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 128, folder 14
Jan van den Hoecke:
Apollon et Pan,
undated
Scope and Content Note
12 items: 9 photographs, 2 leaves of illustrated matter, 1 mylar sleeve,
annotated.
box 128, folder 15
Jan van den Hoecke:
The parable of the Prodigal
Son
,
1984, undated
Scope and Content Note
6 items: 2 photographs, 1 leaf of illustrated matter, 1 leaf of notes, and a 1984
from Held to Gregory Martin. Included is illustration of
Esther and
Ahasuerus
(by Cornelis de Vos).
box 128, folder 16
Jan van den Hoecke: mythological themes,
undated
Scope and Content Note
8 items: 6 photographs, including 1 in color, 1 business card, 1 leaf of
illustrated matter. Various artworks. [Color photograph and business card are
shelved in Box 166, F. 31.]
box 128, folder 17
Jan van den Hoecke:
Philosophers surveying the
city
,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter.
box 128, folder 18
Jan van den Hoecke: various drawings,
undated
Scope and Content Note
9 items: 6 photographs, 3 leaves of illustrated matter, including illustration of
a Roman marble portrait head. Mostly drawings, various artworks.
box 128, folder 19
Jan van den Hoecke: statue of Mars,
undated
Scope and Content Note
23 items: 9 photographs, 8 leaves of illustrated matter, 5 leaves of notes.
box 128, folder 20
Jan van den Hoecke: correspondence with The Art Museum, Princeton
University,
1972
Scope and Content Note
2 items: 1 letter to Held from David W. Steadman, 1 letter from Held.
box 128, folder 21
Jan van den Hoecke: correspondence with Rudolf Heinemann,
1963-1964
Scope and Content Note
3 items: 1 letter from Held to Heinemann, and correspodence with Rosenberg &
Stiebel (Samy Rosenberg) (1 letter to Held, 1 letter from Held).
box 128, folder 22
Jan van den Hoecke: correspondence with Günther Heinz,
1980,
Scope and Content Note
2 items: 1 letter to Held, 1 letter from Held. Correspondence with art history
professor at Institut für Kunstgeschichte der Universität Wien.
box 128, folder 23
Jan van den Hoecke: correspondence with Kimbell Art Museum,
1979, 1985
Scope and Content Note
3 items: Held's letter to the curator Daiv M. Robb (1979), and 1985
correspondence with director Edmund P. Pillsbury (1 letter to Held, 1 letter from
Held).
box 128, folder 24
Jan van den Hoecke: correspondence with Musées royaux des beaux-arts de
Belgique,
1987
Scope and Content Note
2 items: corrspondence with Gisèle Ollinger-Zinque (1 letter to Held, 1 letter
from Held).
box 128, folder 25
Jan van den Hoecke: letter from Patrik Reuterswärd,
1974
Scope and Content Note
1 letter to Held from a professor at Stockholms Universitet.
box 128, folder 26
Jan van den Hoecke: correspondence with Sotheby's London,
1978
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with Julien
Stock.
box 128, folder 27
Jan van den Hoecke: correspondence with Staatliche Kunsthalle
Karlsruhe,
1967, 1977
Scope and Content Note
3 items: 2 letters to Held: from J. E. von Borries (1967) and 1 letter from
Werner Zimmermann (1977).
box 128, folder 28
Jan van den Hoecke: correspondence with Staatliche Museen Preussischer
Kulturbesitz, Gemäldegalerie,
1980-1984
Scope and Content Note
5 items: 2 letters to Held from Jan Kelch, 2 letters from Held, 1 leaf of
notes.
box 128, folder 29
Jan van den Hoecke: correspondence with Szepmmuveszeti Muzeum
Budapest,
1980
Scope and Content Note
2 items: 1 letter from Held, 1 letter to Held. Correspondence with Mirianne
Haraszti-Takacs.
box 128, folder 30
Jan van den Hoecke: letter from Victoria & Albert Museum,
1967,
Scope and Content Note
1 letter to Held from C.M. Kauffmann.
box 128, folder 31
Jan van den Hoecke: Correspondence with Mergler & Engel,
1988-1990
Scope and Content Note
11 items: 2 letters to Held from Mergler & Engel, 2 letters from Held to
Josef Engel, 2 typescripts about the painting
Begegnung von Abraham und
Melchisedek
, including a condition report, expert opinions by Hans
Gerhard Evers, G. Busch, and Kurt Riedler (photocopies), and 2 color photographs.
[Color photographs are shelved in Box 166, F. 32.]
box 128, folder 32
Jan van den Hoecke: miscellaneous correspondence,
1986-1980, undated
Scope and Content Note
6 items: a 1986 letter to Held addressed to Reinhold, 2 1987 letters to Held from
Nicole [?], a 1987 letter to Held from Hana [?], a 1980 letter from Held to
Barbara, and an undated letter to Held from Ted.
box 128, folder 33
Jan van den Hoecke: unsorted notes,
undated
Scope and Content Note
13 leaves, including an undated letter to Held from Jan Bialostocki.
box 128, folder 34
Jan van den Hoecke: unsorted notes,
undated
Scope and Content Note
19 leaves.
box 128, folder 35
Jan van den Hoecke: unsorted notes,
undated
Scope and Content Note
17 leaves.
box 128, folder 36
Jan van den Hoecke: unsorted notes,
undated
Scope and Content Note
23 leaves, including 2 leaves of printed matter.
box 128, folder 37
Jan van den Hoecke: printed matter,
undated
Scope and Content Note
20 leaves of various printed matter, including 2 leaves of notes.
box 128, folder 38
Jan van den Hoecke: typescripts,
undated
Scope and Content Note
19 leaves of various typescripts, some are annotated.
box 128, folder 39
Jan van den Hoecke: typescripts,
undated
Scope and Content Note
21 leaves, including 1 leaf of printed matter. Extensively annotated.
box 128, folder 40
Jan van den Hoecke: printed matter and typescripts,
1977, undated
Scope and Content Note
3 items (total 28 leaves): photocopy of an article by Hans Vlieghe from
Burlington Magazine (1977), and 2 copies of a typescript about an
exhibition of drawings from Christ Church, Oxford (10 leaves each).
box 128, folder 41
Jan van den Hoecke: printed matter,
undated
Scope and Content Note
5 items (total ca. 50 leaves): various printed matter, all photocopies.
box 128, folder 42
Kaspar van den Hoecke,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter. Various artworks.
box 128, folder 43
Robert van den Hoecke,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 128, folder 44
Gerard Hoet,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 128, folder 45
Samuel Hofmann,
undated
Scope and Content Note
1 leaf of illustrated matter. Portrait of a councilor.
box 128, folder 46
Joris Hofnagel,
1974,
Scope and Content Note
1 leaf of printed matter.
box 128, folder 47
Franz Hogenberg,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 128, folder 48
Nikolas Hogenberg,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter. Various artworks.
box 128, folder 49
Ambrosius Holbein,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 128, folder 50
Hans Holbein the Elder,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 128, folder 51
Hans Holbein the Younger,
undated
Scope and Content Note
12 photographs. Various artworks.
box 128, folder 52
Hans Holbein the Younger,
undated
Scope and Content Note
7 postcards. Various artworks.
box 128, folder 53
Hans Holbein the Younger,
undated
Scope and Content Note
17 leaves of illustrated matter. Various artworks. [Six leaves are shelved in Box
153*, F. 6.]
box 128, folder 54
Hans Holbein the Younger,
1982, undated
Scope and Content Note
2 items: 1982 offprint of an article by Burton B. Fredericksen (
J. Paul
Getty Museum Journal
), and 1 leaf of typescript.
box 128, folder 55
Hans Holbein the Younger: portrait painting from Wrangel
collection,
1932, undated
Scope and Content Note
11 items (12 leaves): 1 photograph, 1 leaf of illustrated matter with woodcut
initials by Holbein, a 1932 letter to Held from Kungl. Livrustkammaren in
Stockholm, and 8 leaves of notes.
box 128, folder 56
Wenceslaus Hollar,
undated
Scope and Content Note
6 leaves of illustrated matter. Various artworks.
box 128, folder 57
Gillis Claesz. Hondecoeter,
undated
Scope and Content Note
3 items: 1 postcard, 2 leaves of illustrated matter.
box 128, folder 58
Melchior de Hondecoeter,
undated
Scope and Content Note
15 items: 4 photographs, 11 leaves of illustrated matter.
box 128, folder 59
Abraham Hondius,
undated
Scope and Content Note
2 photographs. Various artworks.
box 129, folder 1
Gerrit van Honthorst,
undated
Scope and Content Note
8 items: 7 photographs, 1 leaf of text. Various artworks.
box 129, folder 2
Gerrit van Honthorst,
undated
Scope and Content Note
19 items: 17 leaves of illustrated matter, 1 postcard, and 1 offprint of an
article by J. Richard Judson.
box 129, folder 3
Willem van Honthorst,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 129, folder 4
Pieter de Hooch,
undated
Scope and Content Note
10 items: 9 photographs, 1 leaf of typescript. Various artworks.
box 129, folder 5
Pieter de Hooch,
undated
Scope and Content Note
6 postcards.
box 129, folder 6
Pieter de Hooch,
undated
Scope and Content Note
11 items: 10 leaves of printed and illustrated matter, and 1 offprint of an
article by W. R. Valentiner.
box 129, folder 7
Romeyn de Hooghe,
1978, undated
Scope and Content Note
5 items: 1 photograph, 1 leaf of notes, 2 leaves of illustrated matter, and
offprint from
Quaerendo with an article by William H. Wilson.
box 129, folder 8
Hoorn, van [?],
undated
Scope and Content Note
1 photograph of man holding a large jug.
box 129, folder 9
Dirck van Hoogstraten,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 129, folder 10
Jan Josef Horemans,
undated
Scope and Content Note
2 items: 1 photograph, 1 postcard. Various artworks.
box 129, folder 11
Peter Jacob Horemans,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 129, folder 12
Franz Theobald Horny,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 129, folder 13
Gerrit Willemsz. Horst,
undated
Scope and Content Note
3 items: 2 leaves of illustrated matter, 4 leaves of printed matter (an article
by W.R. Valentiner).
box 129, folder 14
Arnold Houbraken,
undated
Scope and Content Note
1 photograph.
box 129, folder 15
Gerrit Houckgeest,
undated
Scope and Content Note
2 leaves of printed and illustrated matter. An article by Walter A. Liedtke.
box 129, folder 16
Wolf Huber,
undated
Scope and Content Note
27 items: 18 photographs, 9 leaves of printed matter. Various artworks, mainly
prints and drawings, one portrait painting.
box 129, folder 17
Jan van Huchtenburg,
undated
Scope and Content Note
1 photograph.
box 129, folder 18
Maerten Fransz. van der Hulst,
undated
Scope and Content Note
1 photograph.
box 129, folder 20
Peter Huys,
undated
Scope and Content Note
3 items: 1 photograph, 1 leaf of illustrated matter, and 1 offprint of an article
by Hélène Mund about the painting
The bagpiper.
box 129, folder 21
Jan van Huysum,
undated
Scope and Content Note
6 items: 2 photographs, 4 leaves of illustrated matter. Various artworks.
box 129, folder 22
Adriaen Isenbrant,
undated
Scope and Content Note
19 photographs. Various artworks. [1 item is shelved in Box 153*, F. 8].
box 129, folder 23
Adriaen Isenbrant,
undated
Scope and Content Note
21 leaves of illustrated matter, including 1 postcard. Various artworks. [1 item
is Box 153*, F. 8.]
box 129, folder 24
Jacob van Utrecht,
undated
Scope and Content Note
5 items: 2 photographs, 3 leaves of illustrated matter. Various portraits.
box 129, folder 25
Cornelis Jacobsz.,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 129, folder 26
Dirk Jacobsz.,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 129, folder 27
Jacobus de Voragine,
undated
Scope and Content Note
1 leaf of illustrated matter. Woodcut.
box 129, folder 28
Christoph Jamnitzer,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 129, folder 29
Cornelius Janssen van Ceulen,
undated
Scope and Content Note
9 items: 4 photographs, 5 leaves of illustrated matter. Various artworks.
box 129, folder 30
Abraham Janssens,
undated
Scope and Content Note
8 photographs. Various artworks.
box 129, folder 31
Abraham Janssens,
undated
Scope and Content Note
12 photographs. Various artworks.
box 129, folder 32
Abraham Janssens:
St. Jerome,
undated
Scope and Content Note
11 items: 8 photographs, including 1 in color,1 leaf of illustrated matter, 1
note, and 1 leaf of typescript (photocopy). [Color photograph is shelved in Box
166, F. 33.]
box 129, folder 33
Abraham Janssens:
Toilette der Venus,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 129, folder 34
Abraham Janssens: Passion of Christ,
undated
Scope and Content Note
9 items: 7 photographs, 1 leaf of illustrated matter, 1 postcard. Various
artworks.
box 129, folder 35
Abraham Janssens: Jupiter and Antiope,
1991, undated
Scope and Content Note
5 items: 1 photograph, 1 color transparency, 1 leaf of illustrated matter, 2
leaves of typescript (photocopy), and a 1991 letter to Held from Stanley Moss.
[Color transparency is shelved in Box 166, F. 34.]
box 129, folder 36
Abraham Janssens: allegories and religious subjects,
undated
Scope and Content Note
14 leaves of illustrated matter. Various artworks.
box 129, folder 37
Abraham Janssens: study by Lucienne Henghebaert and notes by
Held,
undated
Scope and Content Note
4 items: an unpublished study on Janssens by Lucienne Henghebaert of Ghent
(typescript, carbon copy, 45 leaves), and 3 leaves of notes by Held.
box 129, folder 38
Abraham Janssens: letter from M. de Beer,
1969
Scope and Content Note
1 letter to Held.
box 129, folder 39
Abraham Janssens: correspondence with David Carter,
1985
Scope and Content Note
1 letter from Held.
box 129, folder 40
Abraham Janssens: correspondence with Piero Corsini,
undated
Scope and Content Note
2 items: letter to Held, and the art dealer's business card.
box 129, folder 41
Abraham Janssens: correspondence with Heim Gallery,
1979
Scope and Content Note
2 items: 1 letter to Held from Alastair Laing, and 1 letter from Held.
box 129, folder 42
Abraham Janssens: correspondence with Christian Rosset,
1978
Scope and Content Note
3 items: 1 letter to Held, 2 letters from Held.
box 129, folder 43
Abraham Janssens: correspondence with Seattle Art Museum,
1972, 1990
Scope and Content Note
4 items (6 leaves): 2 letters to Held, 1 letter from Held, 1 leaf of typescript
about the painting
The origin of the Cornucopia.
box 129, folder 44
Abraham Janssens: correspondence with University of
Pittsburgh,
1977
Scope and Content Note
2 items: 1 letter to Held from David Wilkins at University Art Gallery, and 1
letter from Held.
box 129, folder 45
Pieter Elinga [?] Janssens,
undated
Scope and Content Note
1 photograph.
box 129, folder 46
Govert Jansz.,
undated
Scope and Content Note
2 photographs. Various artworks.
box 129, folder 47
Pieter de Jode,
1984, undated
Scope and Content Note
12 items: 10 photographs, 1 leaf of illustrated matter, and a 1984 letter to Held
from Diane DeGrazia at the National Gallery of Art. Various drawings, and 1 print
after de Jode.
box 129, folder 48
Jan Joest,
undated
Scope and Content Note
2 photographs of paintings by Jan Joest van Kalkar. Various artworks.
box 129, folder 49
Ludolf de Jongh,
1978, undated
Scope and Content Note
7 items: 2 photographs, 3 leaves of illustrated matter, a 1978 letter to Held
from Roland E. Fleischer at the Pennsylvania State University, with offprint of
Fleicher's article on de Jongh and Pieter de Hooch in
Oud
Holland.
box 129, folder 50
Johan Barthold Jongkind,
undated
Scope and Content Note
1 offprint (3 leaves) of an article by Carla Gottlieb in
La revue du
Louvre
.
box 129, folder 51
Hans Jordaens I,
undated
Scope and Content Note
1 photograph.
box 129, folder 52
Jan Jorisz,
1988, undated
Scope and Content Note
2 items: 1 leaf of illustrated matter, 1 offprint of an article by K. G. Boon
from
Medelingen van de Koninklijke Academie voor Wetenschappen, Letteren en
Schone Kunsten van België
. [Illustrated matter is shelved in Box 143*,
F. 10.]
box 129, folder 53
Abraham Kalraet,
undated
Scope and Content Note
2 leaves of printed matter (an article in
Oude Kunst by C.
Hofstede de Groot).
box 129, folder 54
Willem Kalf,
undated
Scope and Content Note
7 items: 4 photographs, 3 leaves of printed matter. Various artworks.
box 129, folder 55
Bernhard Keil,
undated
Scope and Content Note
9 items: 4 photographs, 5 leaves of illustrated and printed matter. Various
artworks.
box 129, folder 56
Alexander Keirincx,
1984, undated
Scope and Content Note
3 photographs, 3 leaves of illustrated matter, and a 1984 letter to Held from the
conservator H. Stewart Treviranus. Various artworks.
box 129, folder 57
Pedro de Campaña [Pieter de Kempener],
undated
Scope and Content Note
6 items: 5 photographs, 1 leaf of illustrated matter. Various artworks.
box 129, folder 58
Ferdinand van Kessel,
undated
Scope and Content Note
1 photograph. Painting depicting monkeys playing cards.
box 129, folder 59
Hieronymus van Kessel,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 129, folder 60
Jan van Kessel,
undated
Scope and Content Note
6 items: 2 photographs, 4 leaves of illustrated matter. Various artworks by Jan
van kessel (1626-1679).
box 129, folder 61
Jan van Kessel,
undated
Scope and Content Note
3 photographs. Various artworks by Jan van Kessel (1641 or 2-1680).
box 129, folder 62
Pieter van Kessel,
undated
Scope and Content Note
2 leaves: illustrated matter and a typescript by Held. Photocopies. A still-life
with skull.
box 129, folder 63
Cornelis Ketel,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 129, folder 64
Kerstiaen de Keuninck,
undated
Scope and Content Note
1 postcard.
box 129, folder 65
Adriaen Thomasz. Key,
undated
Scope and Content Note
4 items: 1 photograph, 2 postcards, 1 leaf of illustrated matter. Various
artworks.
box 129, folder 66
Willem Key,
1963, undated
Scope and Content Note
7 photographs, ca. 12 leaves of printed and illustrated matter, 1 postcard, 1
leaf of notes, and a 1963 letter to Held from Michael Milkovich at the Brooks
Memorial Art Gallery. Various artworks.
Part 3 Thomas de Keyser - Anthonis Sallaert
box 130, folder 1
Thomas de Keyser,
1944, undated
Scope and Content Note
4 photographs, a 1944 letter to Held from W. G. Constable at the Museum of Fine
Arts in Boston, 1 postcard, 11 leaves of illustrated matter. Various artworks.
box 130, folder 2
Johann Adam Klein,
undated
Scope and Content Note
2 photographs. Various artworks.
box 130, folder 3
Gustav Klimt,
undated
Scope and Content Note
3 items: 1 photograph, 1 leaf of illustrated matter, 1 small press clipping.
Various artworks.
box 130, folder 4
Wouter Knijff,
undated
Scope and Content Note
1 photograph.
box 130, folder 5
Nicolaus Küpfer,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Thomas de Keyser, various
artworks.
box 130, folder 6
Wilhelm von Kobell,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 130, folder 7
Isaak Koedijk,
undated
Scope and Content Note
1 postcard.
box 130, folder 8
Barend C. Koekkoek,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.
box 130, folder 9
Käthe Kollwitz,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Various artworks.
box 130, folder 10
Philips Koninck,
undated
Scope and Content Note
20 items: 10 photographs, 2 leaves of illustrated matter, and 8 typed index cards
(catalog cards?). Various artworks.
box 130, folder 11
Salomon Koninck,
undated
Scope and Content Note
7 items: 3 photographs, 1 color transparency, and 3 leaves of illustrated matter.
Various artworks. [Color transparency is shelved in Box 166.]
box 130, folder 12
Daniel de Konink,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 130, folder 13
Cornelis Cruys [Kruys],
undated
Scope and Content Note
1 leaf of illustrated matter.
box 130, folder 14
Cornelis Kuipers,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 130, folder 15
Hans von Kulmbach,
undated
Scope and Content Note
1 photograph.
box 130, folder 16
Pieter Cornelisz. called Kunst,
undated
Scope and Content Note
11 items: 5 photographs, 6 leaves of illustrated matter.
box 130, folder 17
Dirck Jan van der Laen,
undated
Scope and Content Note
1 postcard.
box 130, folder 18
Conrad Laib,
undated
Scope and Content Note
6 leaves of illustrated matter. Various artworks.
box 130, folder 19
Pieter van Laer,
undated
Scope and Content Note
3 items: 1 photograph, 1 postcard, 1 leaf of illustrated matter. Various
artworks.
box 130, folder 20
Pieter van Laer,
1987-1992, undated
Scope and Content Note
4 offprints with articles by David A. Levine, Christopher Brown, and G.J.
Hoogewerff.
box 130, folder 21
Gérard de Lairesse,
undated
Scope and Content Note
5 items: 3 photographs, 1 postcard, 1 leaf of illustrated matter. Various
artworks.
box 130, folder 22
Christoph Jacobsz. van der Lamen,
1965, undated
Scope and Content Note
4 items: 2 photographs, 1 leaf of illustrated matter, and a 1965 letter to Held
from William H. Gerdts at the Newark Museum. Various artworks.
box 130, folder 23
Michel Lasne,
1979
Scope and Content Note
2 items: letter from Elizabeth Hammond at Sothebys London to Anne-Marie S. Logan,
annotated by Held, and 1 leaf of illustrated matter.
box 130, folder 24
Pieter Lastman,
undated
Scope and Content Note
7 items: 6 photographs, 1 leaf of typescript. Various artworks.
box 130, folder 25
Pieter Lastman,
1970-1998, undated
Scope and Content Note
15 items, including 1 press clipping, and 3 offprints with articles by Werner
Sumowski, Gary Schwartz, and Amy Golahny. Various artworks.
box 130, folder 26
Hans Sebald Lautensack,
undated
Scope and Content Note
3 leaves of illustrated matter.
box 130, folder 27
Johannes Leemans,
undated
Scope and Content Note
3 leaves of illustrated matter. Various artworks.
box 130, folder 28
Peter Lely,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 130, folder 29
Jacobus Levecq,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 130, folder 30
[Leyden] Aert Claesz.,
undated
Scope and Content Note
7 items: 3 photographs, 3 leaves of illustrated matter, and 1 offprint with an
article by K.G. Boon. Various artworks.
box 130, folder 31
Lucas van Leyden: religious subjects,
undated
Scope and Content Note
24 photographs. Various artworks, paintings and prints.
box 130, folder 32
Lucas van Leyden: Virgin Mary,
undated
Scope and Content Note
5 items: 1 photograph, 4 leaves of printed matter.
box 130, folder 33
Lucas van Lyden,
undated
Scope and Content Note
15 photographs. Various artworks.
box 130, folder 34
Lucas van Lyden: portraits,
undated
Scope and Content Note
11 items: 2 photographs, 9 leaves of illustrated matter. Various artworks.
box 130, folder 35
Lucas van Lyden,
undated
Scope and Content Note
17 items: 1 postcard, 16 leaves of illustrated matter. Various artworks:
paintings and drawings.
box 130, folder 36
Lucas van Lyden: prints,
undated
Scope and Content Note
20 leaves of illustrated matter. Various artworks.
box 130, folder 37
Lucas van Lyden: prints,
undated
Scope and Content Note
23 leaves of illustrated matter. Various artworks. [1 item is shelved in Box
153*, F. 10.]
box 130, folder 38
Lucas van Lyden,
undated
Scope and Content Note
12 items: 4 photographs, 8 leaves of illustrated matter. Various artworks,
prints.
box 130, folder 39
Lucas van Lyden,
undated
Scope and Content Note
5 offprints with articles by Max J. Friedländer, Ebria Feinblatt, Lawrence A.
Silver, and Walter S. Gibson.
box 130, folder 40
Lucas van Lyden,
1963
Scope and Content Note
4 items: 1 photograph with typed label, and correspondence with I.J. Belmont (1
letter to Held and 1 letter from Held).
box 130, folder 41
Lucas van Lyden: notes,
undated
Scope and Content Note
9 leaves of notes and 1 press clipping.
box 130, folder 42
Lucas van Lyden: correspondence,
1948-1949
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with Robert O.
Parks at The John Herron Art Institute in Indianapolis.
box 130, folder 43
Johannes van den Leyen,
undated
Scope and Content Note
1 photograph. Portrait of a man.
box 130, folder 44
Judith Leyster,
1977, undated
Scope and Content Note
8 items: 2 photographs, 3 leaves of illustrated matter, 1 press clipping, printed
matter, and a 1977 letter to Held from Frima Fox Hofrichter. [2 items are shelved
in Box 153*, F. 11.]
box 130, folder 45
Jacob Liepmann,
undated
Scope and Content Note
1 photograph.
box 131, folder 1
Nicolas de Liemaker,
undated
Scope and Content Note
1 item: printed matter. An essay
Nicolas de Liemaeckere dit Roose
by Hubert Devoghelaere.
box 131, folder 2
Jan Lievens,
undated
Scope and Content Note
25 items: 11 items, 2 postcards, 12 leaves of illustrated matter.
box 131, folder 3
Jan Lievens,
undated
Scope and Content Note
5 items: 4 photographs, 1 color transparency. [Color transparency is shelved in
Box 166, F. 35.]
box 131, folder 4
Jan Lievens: correspondence,
1979
Scope and Content Note
2 items: 1 letter to Held and 1 letter from Held. Correspondence with Joseh
Guttmann at Joseph M. B. Guttmann Galleries.
box 131, folder 5
Jan Lievens,
1985
Scope and Content Note
2 items: letter to Held from Melanie Gifford, with carbon copy of Held's reply on
verso, and Gifford's paper "The lute player by Jan Lievens: technical and
stylistic study" (typescript, photocopy, 10 leaves).
box 131, folder 6
Jan Lievens,
1984-1985, undated
Scope and Content Note
3 offprints with articles by Marten Jan Bok, Gregor J.M. Weber, an Kurt
Bauch.
box 131, folder 7
Johannes Lingelbach,
undated
Scope and Content Note
6 items: 2 photographs, 1 leaf of typescript, 2 leaves of illustrated matter, and
1 offprint with an article by Thomas Kren. Various artworks.
box 131, folder 8
Hendrik Frans van Lint,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 131, folder 9
Pieter van Lint,
undated
Scope and Content Note
25 photographs, including 4 in color. Various artworks. [Color photographs are
shelved in Box 166, F. 36.]
box 131, folder 10
Pieter van Lint,
undated
Scope and Content Note
10 leaves of illustrated matter. Various artworks.
box 131, folder 11
Pieter van Lint,
1979
Scope and Content Note
2 items: 1 offprint from
Jaarboek 1979 Koninklijk museum voor schone
kunsten-Antwerpen
with an article by Hans Vlieghe, and 1 leaf of
notes.
box 131, folder 12
Pieter van Lint: letter from Newhouse Galleries,
1983
Scope and Content Note
1 letter to Held.
box 131, folder 13
Pieter van Lint: letter from Emile E. Wolf,
1978, undated
Scope and Content Note
5 items: 1 letter to Held, 4 photographs of a drawing of Laocoon.
box 131, folder 14
Jan van Linteloo,
undated
Scope and Content Note
1 offprint with an article by Heinrich Geissler.
box 131, folder 15
Johann Liss,
undated
Scope and Content Note
3 items: 1 photograph, 2 postcards. Various artworks.
box 131, folder 16
Stephan Lochner,
undated
Scope and Content Note
5 items: 2 photographs, 2 postcards, 1 leaf of illustrated matter. Various
artworks.
box 131, folder 17
Lambert Lombard,
undated
Scope and Content Note
14 items: 7 photographs, 2 postcards, 5 leaves of illustrated matter. Various
artworks.
box 131, folder 18
Dirk Eversen Lons,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.
box 131, folder 19
[Loo] Carle Vanloo,
undated
Scope and Content Note
3 items: 1 postcard, 2 leaves of illustrated matter. Various artworks.
box 131, folder 20
Jacob van Loo,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter. Various artworks.
box 131, folder 21
Theodor van Loon,
undated
Scope and Content Note
22 photographs. Various artworks.
box 131, folder 22
Theodor van Loon,
undated
Scope and Content Note
9 items: 3 postcards, 6 leaves of illustrated matter. Various artworks.
box 131, folder 23
Theodor van Loon,
undated
Scope and Content Note
4 items: 3 photographs, 1 offprint from
Handelingen van het genootschap
Société d'emulation te Brugge
, with an article by Hans Vlieghe about
The Adoration of the shepherds.
box 131, folder 24
Theodor van Loon,
1957, 1961, undated
Scope and Content Note
5 items: 1 offprint from
Cahiers bruxellois with an article by Ch.
Terlinden, 2 leaves of notes, and copies of expert opinions by Leo van Puyvelde
and Erik Larsen.
box 131, folder 25
Theodor van Loon: correspondence with Helene Hedinger,
1969-1970
Scope and Content Note
3 items: 2 letters to Held, 1 letter from Held.
box 131, folder 26
Theodor van Loon: letter from Bernadette Huvane,
1991
Scope and Content Note
1 letter to Held.
box 131, folder 27
Jan Looten,
undated
Scope and Content Note
2 photographs. Various artworks.
box 131, folder 28
Melchior Lorichs,
undated
Scope and Content Note
1 photograph.
box 131, folder 29
Anthonie de Lorme,
undated
Scope and Content Note
1 photograph.
box 131, folder 30
Johann Carl Loth,
undated
Scope and Content Note
1 photograph.
box 131, folder 31
Gerrit Lundens,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter. Various artworks.
box 131, folder 32
Isaac Luttichuys,
undated
Scope and Content Note
1 photograph. Portrait of a man.
box 131, folder 33
Christiaen Luycks,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 131, folder 34
Gysbrecht Lytens,
undated
Scope and Content Note
4 items: 2 photographs, 1 leaf of illustrated matter, and photocopy of an article
by P.F.J.J. Reelick (6 leaves).
box 131, folder 35
Everard van der Maes
undated
Scope and Content Note
1 postcard. Portrait of a man.
box 131, folder 36
Godfried Maes,
undated
Scope and Content Note
1 leaf of illustrated matter. A print.
box 131, folder 37
Nicolaes Maes,
undated
Scope and Content Note
13 photographs. Various artworks.
box 131, folder 38
Nicolaes Maes,
undated
Scope and Content Note
14 leaves of illustrated matter. Various artworks.
box 131, folder 39
Nicolaes Maes,
undated
Scope and Content Note
7 postcards. Various artworks.
box 131, folder 40
Nicolaes Maes,
1970
Scope and Content Note
2 items: letter to Held from Werner Sumowski and offprint of Sumowski's article
from
Festschrift für Heinz Ladendorf.
box 132, folder 1
Maître de la Légende de Sainte Lucie,
undated
Scope and Content Note
13 items: 7 photographs, 1 color transparency, 3 leaves of illustrated matter, 1
postcard, and a note to Held from Valerie Evans at Lexbourne Limited. Various
artworks. [Color transparency is shelved in Box 166, F. 37.]
box 132, folder 2
Maître du Saint-Sang,
undated
Scope and Content Note
10 items: 6 photographs, 2 leaves of illustrated matter, 1 postcard, and 1 leaf
of text regarding painting
Ecce Homo. [1 photograph is shelved in
Box 154*, F. 7.]
box 132, folder 3
Hans Maler,
undated
Scope and Content Note
2 items:1 photograph, 1 leaf of illustrated matter. Various artworks.
box 132, folder 4
Vincent Malo,
undated
Scope and Content Note
15 items: 14 photographs, including 1 in color, 1 color transparency. [Color
photograph and color transparency are shelved in Box 166, F. 38.]
box 132, folder 5
Vincent Malo,
undated
Scope and Content Note
5 items: 1 postcard, 4 leaves of illustrated matter.
box 132, folder 6
Vincent Malo: correspondence with David DuBon,
1970
Scope and Content Note
2 items: 1 letter to Held, 1 letter from Held.
box 132, folder 7
Vincent Malo,
undated
Scope and Content Note
2 leaves of manuscript, exerpts.
box 132, folder 8
Cornelis de Man,
undated
Scope and Content Note
5 items: 2 photographs, 3 leaves of illustrated matter. Various artworks,
including
Allegory of the liberation of the Netherlands by Joachim
Wttewael.
box 132, folder 9
Jacobus Sibrandi Mancadan,
undated
Scope and Content Note
4 items: 1 photograph, 2 leaves of illustrated matter, 1 note. Various
artworks.
box 132, folder 10
Carel van Mander,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. Various artworks.
box 132, folder 11
Jan Mandyn,
undated
Scope and Content Note
5 items: 3 photographs, 1 leaf of illustrated matter, 1 postcard. Various
artworks.
box 132, folder 12
Niklaus Manuel,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter. Various artworks.
box 132, folder 13
Pierre de Mares,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of notes.
box 132, folder 14
Jan Massys,
undated
Scope and Content Note
7 items: 3 photographs, 2 postcards, 2 leaves of illustrated matter.
box 132, folder 15
Herman van der Mast,
undated
Scope and Content Note
1 photograph. Portrait of a woman.
box 132, folder 16
Master of 1499,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 132, folder 17
Master of 1518,
undated
Scope and Content Note
20 photographs. Various artworks.
box 132, folder 18
Master of Delft,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 132, folder 19
Master of Frankfurt,
undated
Scope and Content Note
10 items: 4 photographs, 6 leaves of illustrated matter. Various artworks. [1
photograph of painting
Adoration of the Magi is shelved in Box
154*, F. 7.]
box 132, folder 20
Master of Frankfurt,
undated
Scope and Content Note
8 items: 6 photographs, 2 leaves of illustrated matter. Various artworks.
box 132, folder 21
Master of Frankfurt,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of notes. Various artworks.
box 132, folder 22
Master of Frankfurt,
undated
Scope and Content Note
5 items: 3 photographs, 1 postcard, 1 leaf of illustrated matter. Various
artworks.
box 132, folder 23
Master of Frankfurt,
undated
Scope and Content Note
5 items: 2 photographs, 3 leaves of illustrated matter.
The Virgin and
Child with Saints
(also titled
Mystic marriage of
Catherine
).
box 132, folder 24
Master of Frankfurt,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter. Various artworks.
box 132, folder 25
Master of Frankfurt,
undated
Scope and Content Note
2 photographs. Various artworks.
box 132, folder 26
Master of Frankfurt,
undated
Scope and Content Note
4 photographs. Various portraits.
box 132, folder 27
Master of Frankfurt: correspondence,
1933-1987
Scope and Content Note
5 items: 1933 letter to Held from Adrien Jean Joseph Delen at Museum
Plantin-Moretus, two 1942 letters to Held from I. van der Est at Ambassade de
Belgique in New York, 1978 letter to Held from Christian Dittrich at Staatliche
Kunstsammlungen Dresden, and 1987 letter from Held to Walter S. Gibson.
box 132, folder 28
Master of Frankfurt: notes,
undated
Scope and Content Note
13 leaves of notes.
box 132, folder 29
Master of Frankfurt: printed matter,
1949, undated
Scope and Content Note
2 items (11 leaves). Portion of December 23 1931 Hotel Drouot auction catalog,
and offprint (loose pages) of an article by A.J.J. Delen.
box 132, folder 30
Master of Frankfurt: offprints,
1981, 1983
Scope and Content Note
3 offprints: article by Burton B. Fredericksen in the
J. Paul Getty Museum
Journal
, and article by S. Goddard in
Jaarboek of
Koninklijk museum voor schoone kunsten-Antwerpen (2 copies).
box 132, folder 31
Master of Saint Gudule,
undated
Scope and Content Note
1 photograph.
box 132, folder 32
Master of the Antwerp Adoration,
undated
Scope and Content Note
1 photograph.
box 132, folder 33
Master of the embroidered foliage,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 132, folder 34
Master of the Female Half length figures,
undated
Scope and Content Note
11 photographs. Various artworks. [1 item is shelved in Box 153*, F.14.]
box 132, folder 35
Master of the Female Half length figures,
undated
Scope and Content Note
8 leaves of illustrated matter. Various artworks.
box 132, folder 36
Master of the Female Half length figures,
1958, undated
Scope and Content Note
4 items: 2 photographs, 1 leaf of illustrated matter, and Held's letter from 1958
to John McAndrew at Wellesley College.
The martyrdom of a female
saint
.
box 132, folder 37
Master of the Forties,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.
box 132, folder 38
Master of the Joseph Sequence,
1939, undated
Scope and Content Note
6 items: 5 photographs, and photocopy of a statement by Held dated 4 Dec 1939.
Various artworks.
box 132, folder 39
Master of the Housebook,
undated
Scope and Content Note
5 items: 3 photographs, 2 postcards. Various artworks.
box 132, folder 40
Master of the Khanenko Adoration,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 132, folder 41
Master of the Krainburg Altar,
undated
Scope and Content Note
1 photograph.
box 132, folder 42
Master of the Mansi Magdalene,
undated
Scope and Content Note
ca. 14 items: 3 photographs, 3 postcards, and printed and illustrated matter.
Various artworks.
box 132, folder 43
Master of the Mansi Magdalene,
undated
Scope and Content Note
4 leaves of notes.
box 132, folder 44
Master of the Morrison Triptych,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of notes.
box 132, folder 45
Master of the Prodigal Son,
undated
Scope and Content Note
3 items: 1 photograph, 1 postcard, 1 leaf of illustrated matter. Various
artworks.
box 132, folder 46
Master of the Saint Bartholomew Altarpiece,
undated
Scope and Content Note
3 items: 1 leaf of illustrated matter, 2 postcards. Various artists.
box 132, folder 47
Master of the Sterzing Altarpiece,
undated
Scope and Content Note
1 photograph.
box 132, folder 48
Master of the Sibyl,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 132, folder 49
Bartholomäus Maton,
undated
Scope and Content Note
1 photograph.
box 132, folder 50
Israel van Meckenem,
undated
Scope and Content Note
10 leaves of illustrated matter. Various artworks.
box 133, folder 1
Peeter Meert,
undated
Scope and Content Note
1 postcard.
box 133, folder 2
Meester van de Magdalena-legende,
undated
Scope and Content Note
9 photographs. Various artworks.
box 133, folder 3
Meester van de Magdalena-legende,
undated
Scope and Content Note
ca. 20 leaves of printed and illustrated matter, including 1 postcard. [1 item is
shelved in Box 153*, F. 15.]
box 133, folder 4
Meester van de Virgo inter virgines,
undated
Scope and Content Note
10 photographs. Various artworks.
box 133, folder 5
Meester van de Virgo inter virgines,
undated
Scope and Content Note
8 items: 5 leaves of illustrated matter, 3 postcards.
box 133, folder 6
Meester van de Virgo inter virgines,
undated
Scope and Content Note
5 items: 3 photographs, 1 leaf of illustrated matter, 1 library pass.
box 133, folder 7
Meester van de Virgo inter virgines,
undated
Scope and Content Note
3 items: 2 photographs, 1 sketch by Held. Postive and negative image of a
Lamentation. Held's sketch of a Christ on Cross.
box 133, folder 8
Meester van de Virgo inter virgines,
undated
Scope and Content Note
25 photographs.
box 133, folder 9
Meester van de Virgo inter virgines,
1968, undated
Scope and Content Note
6 items: 1 color slide with note, notes (8 leaves), and 1 offprint from
Miscellanea Jozef Duverger with an article by K. G. Boon. [Color
slide is shelved in Box 166, F. 39.]
box 133, folder 10
Meister Francke,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 133, folder 11
Meister H. L. ,
undated
Scope and Content Note
2 leaves of illustrated matter. Woodcuts.
box 133, folder 12
Meister J. W.,
undated
Scope and Content Note
2 leaves of illustrated matter. Woodcuts.
box 133, folder 13
Meister N.H.,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 133, folder 14
Meister der Barbaralegende,
undated
Scope and Content Note
1 offprint with an article by Max J. Friedländer.
box 133, folder 15
Meister der Darmstädter Passion,
1984, undated
Scope and Content Note
5 items: 3 photographs, and printed matter. Various artworks.
box 133, folder 16
Meister der Heiligenblutkapelle,
undated
Scope and Content Note
1 postcard.
box 133, folder 17
Meister der heiligen Sippe der Jüngere,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 133, folder 18
Meister der Spielkarten,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 133, folder 19
Meister der Turiner Anbetung,
undated
Scope and Content Note
1 postcard.
box 133, folder 20
Meister des Morrison-Triptichons,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. various artworks.
box 133, folder 21
Meister des Wiener Schottenstiftes,
undated
Scope and Content Note
1 postcard.
box 133, folder 22
Meister mit dem Papagei,
undated
Scope and Content Note
3 items: 2 leaves of illustrated matter, 1 ofprint with an article by Max J.
Friedländer. Various artworks.
box 133, folder 23
[Meister] Kölner Meister um 1410,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 133, folder 24
[Meister] Kölner Meister um 1460,
undated
Scope and Content Note
1 photograph.
box 133, folder 25
Meister von Grossmain,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 133, folder 26
Meister von Hogstraaten,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 133, folder 27
Meister von Kappenberg,
undated
Scope and Content Note
2 photographs. Various artworks.
box 133, folder 28
Meister von Messkirch,
undated
Scope and Content Note
10 items: 1 photograph, 9 postcards. Various artworks.
box 133, folder 29
Meister von Messkirch [Peter Strueb],
undated
Scope and Content Note
19 leaves: printed and illustrated matter. Also included are paintings by Jacob
and Hans Strueb.
box 133, folder 30
Meister von St. Severin,
undated
Scope and Content Note
5 items: 3 photographs, 1 postcard, 1 label for painting, Christ before Pilate,
at Bob Jones University. Various artworks.
box 133, folder 31
Meister von Zwolle,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 133, folder 32
Hans Memling,
undated
Scope and Content Note
16 photographs. Various artworks. [3 items are shelved in Box 154*, F. 7.]
box 133, folder 33
Hans Memling,
undated
Scope and Content Note
14 photographs. Various artworks.
box 133, folder 34
Hans Memling,
undated
Scope and Content Note
16 leaves of illustrated matter. Various artworks. [2 items are shelved in Box
154*, F. 7.]
box 133, folder 35
Hans Memling
undated
Scope and Content Note
11 items: 10 leaves of illustrated matter, 1 leaf of notes. Various artworks.
box 133, folder 36
Hans Memling,
undated
Scope and Content Note
29 leaves of illustrated matter. Various artworks.
box 133, folder 37
Hans Memling,
undated
Scope and Content Note
10 postcards. Various artworks.
box 133, folder 38
Hans Memling,
undated
Scope and Content Note
16 items: 9 photographs, 2 postcards, 5 leaves of illustrated matter. Portraits.
Various artworks.
box 133, folder 39
Jacob Fransz van der Merck,
undated
Scope and Content Note
1 photograph.
box 133, folder 40
Johann Matthäus von Merian,
undated
Scope and Content Note
1 photograph.
box 133, folder 41
Matthaeus Merian,
undated
Scope and Content Note
1 leaf of printed and illustrated matter.
box 133, folder 42
Gabriel Metsu,
undated
Scope and Content Note
6 photographs. Various artworks. [1 item is shelved in Box 153*, F. 16.]
box 133, folder 43
Gabriel Metsu,
1985, undated
Scope and Content Note
11 items: 8 leaves of illustrated matter, 3 postcards. Various artworks.
box 133, folder 44
Cornelis Metsys,
undated
Scope and Content Note
4 items: 2 photographs, 2 labels (detached). Various artworks.
box 134, folder 1
Quentin Metsys,
undated
Scope and Content Note
17 items: 7 photographs, 2 postcards, 9 leaves of illustrated matter. Religious
subjects, mostly Virgin with Child. Various artworks.
box 134, folder 2
Quentin Metsys,
undated
Scope and Content Note
9 items: 4 photographs, 1 postcard, 3 leaves of illustrated matter. Scenes from
lives of saints. Various images.
box 134, folder 3
Quentin Metsys,
undated
Scope and Content Note
18 items: 8 photographs, 5 postcards, 5 leaves of illustrated matter. Scenes from
the Passion of Christ. Various artworks. [5 items are shelved in Box 154*, F.
11.]
box 134, folder 4
Quentin Metsys,
undated
Scope and Content Note
14 leaves of illustrated matter.
St Anne Altarpiece. [4 items are
shelved in Box 154*, F. 2.]
box 134, folder 5
Quentin Metsys,
undated
Scope and Content Note
11 items: 7 photographs, 1 postcard, 3 leaves of illustrated matter. Portraits.
Various artworks. [1 item is shelved in Box 154*, F. 5.]
box 134, folder 6
Quentin Metsys,
undated
Scope and Content Note
20 items: 6 photographs, 14 leaves of printed and illustrated matter. Various
images. [1 item is shelved in Box 154*, F. 4.]
box 134, folder 7
Quentin Metsys,
undated
Scope and Content Note
5 items: notes, printed and illustrated matter.
box 134, folder 8
Johann Martin Metz,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 134, folder 9
Adam Frans van der Meulen,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 134, folder 10
Hans Mielich,
undated
Scope and Content Note
6 photographs. Various artists.
box 134, folder 11
Michiel van Miereveld,
undated
Scope and Content Note
9 items: 3 photographs, 5 leaves of illustrated matter, 1 typed note. Various
artworks, mostly portraits.
box 134, folder 12
Pieter van Miereveld,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 134, folder 13
Frans van Mieris,
undated
Scope and Content Note
7 items: 5 photographs, 2 leaves of illustrated matter. Various artworks.
box 134, folder 14
Willem van Mieris,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 134, folder 15
Abraham Mignon,
undated
Scope and Content Note
1 photograph.
box 134, folder 16
Claes Cornelisz Moeyaert,
undated
Scope and Content Note
14 items: 8 photographs, 1 postcard, 4 leaves of illustrated matter, 1 leaf of
notes. Various artworks.
box 134, folder 17
Peter van Mol,
undated
Scope and Content Note
17 photographs. Various artworks.
box 134, folder 18
Peter van Mol,
undated
Scope and Content Note
9 items: 2 postcards, 7 leaves of illustrated matter.
box 134, folder 19
Peter van Mol,
undated
Scope and Content Note
ca. 16 items: 14 leaves of notes, and printed matter (15 leaves): articles by
Edouard Michel and Edouard de Callataÿ.
box 134, folder 20
Peter van Mol: correspondence,
1965-1989
Scope and Content Note
3 items: letters to Held from Justus Müller Hofstede (1965), Held's copy of a
letter from David M. Robb at Kimbell Art Museum in Fort Worth to Marcus Burke at
Institute of Fine Arts (1977), and letter to Held from Anne-Marie Logan
(1989).s
box 134, folder 21
Jan Miense Molenaar,
undated
Scope and Content Note
6 photographs.
box 134, folder 22
Jan Miense Molenaar,
undated
Scope and Content Note
16 items: 14 leaves of illustrated and printed amtter, 2 postcards.
box 134, folder 23
Klaes Molenaer,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 134, folder 24
Pieter de Molijn,
undated
Scope and Content Note
2 items: 1 postcard, 1 leaf of illustrated matter.
box 134, folder 25
Hendrik Mommers,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 134, folder 26
Josse de Momper,
undated
Scope and Content Note
7 photographs.
box 134, folder 27
Josse de Momper,
undated
Scope and Content Note
20 items: 1 postcard, 18 leaves of illustrated matter, and 1 typescript (10
leaves) on painting
Mountainous landscape with a herd of deer.
box 134, folder 28
Anthonis Mor,
1952, undated
Scope and Content Note
7 items: 5 photographs, 1 leaf of typescript, and a 1952 letter to Held from
Daniel Catton Rich at the Art Institute of Chicago.
box 134, folder 29
Anthonis Mor,
undated
Scope and Content Note
11 items: 1 postcard, 10 leaves of illustrated matter.
box 134, folder 30
Paulus Moreelse,
1978, undated
Scope and Content Note
13 items: 4 photographs, 1 postcard, 6 leaves of illustrated and printed matter,
and Held's 1978 correspondence with Glenn E. Carlson in Studio City, Calif. (1
letter to Held and 1 letter from Held).
box 134, folder 31
Lukas Moser,
1970, undated
Scope and Content Note
2 items: 1 photograph and 1 offprint from
Jahrbuch der Staatlichen
Kunstsammlungen in Baden-Württemberg
with an article by Rolf E. Straub;
with a business card of Straub.
box 134, folder 32
Gillis Mostaert,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 134, folder 33
Jan Mostaert,
undated
Scope and Content Note
11 photographs. Various artworks.
box 134, folder 34
Jan Mostaert,
undated
Scope and Content Note
11 items: 5 leaves of illustrated matter, 3 leaves of notes, 1 leaf of typescript
regarding an
Ecce Homo attributed to Mostaert, printed and
illustrated matter (5 loose leaves), and an offprint from
Oud-Holland with an article by K.G. Boon. Various artworks.
box 134, folder 35
Frederick de Moucheron,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 134, folder 36
Isaac de Moucheron,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 134, folder 37
Michiel van Musscher,
undated
Scope and Content Note
2 items: 1 photograph of a female portrait and typescript (1 leaf) pasted on the
back. Typescript is annotated by Held, and inscribed with address of John L.
Bates.
box 134, folder 38
Herman van der Myn,
undated
Scope and Content Note
1 photograph.
box 134, folder 39
Daniel Mythens,
undated
Scope and Content Note
5 items: 3 photographs, 1 leaf of illustrated matter, and 1 leaf of typescript.
Portraits, various artworks.
box 134, folder 40
Jan Mytens,
undated
Scope and Content Note
9 items: 5 photographs, 4 leaves of printed and illustrated matter. Various
artworks.
box 134, folder 41
Matthys Naiveu,
undated
Scope and Content Note
2 photographs. Various artworks.
box 134, folder 42
Pieter Nason,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 134, folder 43
François-Joseph Navez,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 134, folder 44
Peeter Neeffs,
undated
Scope and Content Note
6 items: 2 photographs, 4 leaves of printed and illustrated matter. Various
artworks.
box 134, folder 45
Aert van der Neer,
undated
Scope and Content Note
6 photographs. Various artworks.
box 134, folder 46
Aert van der Neer,
undated
Scope and Content Note
20 leaves of illustrated matter. Various artworks.
box 134, folder 47
Eglon Hendrick van der Neer,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. Various artworks.
box 134, folder 48
Mathieu van Negre,
undated
Scope and Content Note
1 photograph.
box 135, folder 1
Caspar Netscher,
undated
Scope and Content Note
9 items: 4 photographs, 1 postcard, printed and illustrated matter. Various
artworks.
box 135, folder 2
Nicolas Neufchatel,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 3
Gillis Neyts,
undated
Scope and Content Note
3 leaves of illustrated matter. Various artworks.
box 135, folder 4
Isaak van Nickele,
undated
Scope and Content Note
1 photograph.
box 135, folder 5
Willem van Nieulandt,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 135, folder 6
Reinier Nooms,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 7
Adam van Noort,
undated
Scope and Content Note
8 items: 6 photographs, 2 leaves of illustrated matter. Various artworks.
box 135, folder 8
Jan van Noort,
undated
Scope and Content Note
6 photographs. Various artworks.
box 135, folder 9
Lambert van Noort,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 135, folder 10
Pieter van Noort,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 11
Jacob Ochtervelt,
undated
Scope and Content Note
8 photographs. Various artworks. [1 item is shelved in Box 154*, F. 12.]
box 135, folder 12
Jacob Ochtervelt,
undated
Scope and Content Note
16 leaves of illustrated matter, including 1 postcard.
box 135, folder 13
Adriaen Jansz. Ocker,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 14
Jan Olis,
undated
Scope and Content Note
5 leaves of illustrated matter.
box 135, folder 15
Jacob van Oost,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 16
Kaspar Jacob van Opstal,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 17
Bernard van Orley,
undated
Scope and Content Note
10 photographs. Various artworks.
box 135, folder 18
Bernard van Orley,
undated
Scope and Content Note
12 items: 2 postcards, 9 leaves of illustrated matter, and 1 offprint with an
article by Max J. Friedländer.
box 135, folder 19
Bernard van Orley,
undated
Scope and Content Note
8 items: 6 photographs, 1 postcard, 1 leaf of illustrated matter. Various
artworks depicting scenes from the Life and Passion of Christ. [1 photograph is
shelved in Box 154*, F.12.]
box 135, folder 20
Bernard van Orley,
undated
Scope and Content Note
15 items: 11 photographs, 2 postcards, 2 leaves of illustrated matter. Various
artworks. Religious themes, mostly scenes from the lives of various saints. [1
photograph is shelved in Box 154*, F. 12.]
box 135, folder 21
Bernard van Orley,
undated
Scope and Content Note
8 items: 3 photographs, 1 postcard, 4 leaves of illustrated matter. Portraits,
various artworks.
box 135, folder 22
Bernard van Orley,
1943, undated
Scope and Content Note
3 items: 2 photographs, and a 1943 letter to Held from David M. Koetser at
Koetser Gallery, Amsterdam. [1 photograph is shelved in Box 154*, F. 12.]
box 135, folder 23
Bernard van Orley: notes,
undated
Scope and Content Note
11 leaves.
box 135, folder 24
Bernard van Orley: notes,
undated
Scope and Content Note
6 leaves.
box 135, folder 25
Bernard van Orley: notes,
undated
Scope and Content Note
11 leaves.
box 135, folder 26
Bernard van Orley: notes,
undated
Scope and Content Note
13 leaves.
box 135, folder 27
Bernard van Orley: notes,
undated
Scope and Content Note
10 leaves.
box 135, folder 28
Aert van Ort,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.s
box 135, folder 29
Georg Jakob Joh. Os,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 30
Jan van Os,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 31
Pieter Gerardus van Os,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 32
Jan van Ossenbeeck,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 33
Adriaen van Ostade,
1977, undated
Scope and Content Note
18 photographs. Various artworks.
box 135, folder 34
Adriaen van Ostade,
1977, undated
Scope and Content Note
3 items: 2 photographs, and a 1977 letter to Held from N.F. McKenna.
box 135, folder 35
Adriaen van Ostade,
1960, undated
Scope and Content Note
19 items: 17 leaves of illustrated matter, 2 postcards. Various artworks.
box 135, folder 36
Adriaen van Ostade,
undated
Scope and Content Note
18 leaves of illustrated and printed matter.
box 135, folder 37
Isack van Ostade,
undated
Scope and Content Note
10 items: 4 photographs, 6 leaves of illustrated matter. Various artworks.
box 135, folder 38
Michael Ostendorfer,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 39
Albert van Ouwater,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 135, folder 40
Jürgen Ovens,
undated
Scope and Content Note
8 items: 7 photographs, 1 postcard. Various artworks.
box 135, folder 41
Jürgen Ovens,
1972,
Scope and Content Note
5 items: correspondence with Horst Fleischer in Rudolfstadt, East Germany (1
letter to Held and letter from Held), and 3 color slides. [The slides are shelved
in Box 166, F. 40.]
box 135, folder 42
Adriaen van Overbeke,
undated
Scope and Content Note
1 photograph.
box 135, folder 43
Friedrich Pacher,
undated
Scope and Content Note
1 postcard.
box 135, folder 44
Michael Pacher,
1979-1980, undated
Scope and Content Note
7 items: 3 photographs, 1 postcard, 1 leaf of illustrated matter, printed matter
(copy of an article by Gisela Goldberg, 5 leaves), and a note to Held from the
librarian at the Sterling and Francine Clark Art Institute, with Held's notes on
verso. Various artworks.
box 135, folder 45
Michael Pacher,
undated
Scope and Content Note
22 leaves of illustrated matter. [2 items are shelved in Box 154*, F.6.]
box 135, folder 46
Palamedesz,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 47
Anthonie Palamedesz,
undated
Scope and Content Note
4 leaves of illustrated matter. Various artworks.
box 135, folder 48
Christoph Pandiss,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 49
Abraham van Pape,
undated
Scope and Content Note
1 photograph.
box 135, folder 50
Crispijn van de Passe,
undared,
Scope and Content Note
3 leaves of illustrated matter. Various artworks.
box 135, folder 51
Joachim Patinir,
undated
Scope and Content Note
15 items: 11 photographs, including 1 in color, and 4 leaves of illustrated
matter. Various artworks. [Color photograph is shelved in Box 166, F. 41.]
box 135, folder 52
Joachim Patinir,
1964, undated
Scope and Content Note
21 items: 14 leaves of illustrated matter, 5 postcards, 1 leaf of notes, and a
1964 letter from Held to Juergen Schulz at UC Berkeley. Various artworks.
box 135, folder 53
Bonaventura Peeters,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 135, folder 54
Georg Pencz,
1939, undated
Scope and Content Note
3 items: 2 leaves of illustrated matter, and 1 offprint from Old master drawings
with an article by K.T. Parker (4 leaves). Various artworks.
box 135, folder 55
Marten Pepyn,
undated
Scope and Content Note
1 photograph.
box 136, folder 1
Antoine Pesne,
undated
Scope and Content Note
1 photograph.
box 136, folder 2
Aert Pietersz,
undated
Scope and Content Note
1 photograph.
box 136, folder 3
Gerrit Pietersz,
undated
Scope and Content Note
1 photograph.
box 136, folder 4
Pieter Pietersz,
undated
Scope and Content Note
2 photographs.
box 136, folder 5
Johann Georg Platzer,
undated
Scope and Content Note
9 items: 6 photographs, 2 leaves of illustrated matter, 1 clipping of printed
matter.
box 136, folder 6
Karel van der Pluym,
undated
Scope and Content Note
1 postcard.
box 136, folder 7
Egbert Lievensz. van der Poel,
undated
Scope and Content Note
3 leaves of illustrated matter. Various artworks.
box 136, folder 8
Cornelis van Poelenburg,
undated
Scope and Content Note
7 items: 2 photographs, 4 leaves of illustrated matter, 1 postcard.
box 136, folder 9
Jan Polack,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 136, folder 10
Jacob de Ponder,
undated
Scope and Content Note
10 items: 8 photographs, 2 leaves of illustrated matter (photocopies). Various
artworks.
box 136, folder 11
Willem de Poorter,
undated
Scope and Content Note
6 items: 3 photographs, 3 leaves of illustrated matter. Various artworks.
box 136, folder 12
Jan Porcelis,
undated
Scope and Content Note
1 photograph.
box 136, folder 13
Frans Jansz Post,
undated
Scope and Content Note
7 items: 2 photographs, 5 leaves of illustrated matter. Various artists.
box 136, folder 14
Pieter Post,
undated
Scope and Content Note
1 photograph.
box 136, folder 15
Herman Posthumus,
undated
Scope and Content Note
1 offprint (7 leaves) with an article by Ruth Olitsky Rubinstein.
box 136, folder 16
Hendrick Gerritsz. Pot,
undated
Scope and Content Note
3 items: 1 photograph, 1 postcard, 1 leaf of illustrated matter.
box 136, folder 17
Paulus Potter,
undated
Scope and Content Note
7 items: 2 photographs, 2 postcards, 3 leaves of illustrated matter. Various
artworks.
box 136, folder 18
Frans Pourbus the Elder,
undated
Scope and Content Note
13 photographs. Various artworks.
box 136, folder 19
Frans Pourbus the Elder,
undated
Scope and Content Note
7 items: 2 postcards, 3 leaves of illustrated matter, 1 leaf of notes, and 1
offprint with an article by Max J. Friedländer.
box 136, folder 20
Frans Pourbus the Younger,
undated
Scope and Content Note
10 items: 4 photographs, 5 leaves of illustrated matter, 1 offprint from
Bulletin of the Los Angeles County Museum of Art with an article
by Gregor Norman Wilcox.
box 136, folder 21
Frans Pourbus the Younger,
undated
Scope and Content Note
ca. 10 items: 3 photographs, 1 color transparency, 3 leaves of notes, and several
typescripts (all photocopies) regarding portraits of the Duke Vincenzo I Gonzaga
and the Duchess Eleonora de Medici of Mantua. [Color transparency is shelved in
Box 166, F. 42.]
box 136, folder 22
Pieter Jansz. Pourbus,
undated
Scope and Content Note
5 photographs. Various artworks. One of the photographs has a drawing by Held on
verso.
box 136, folder 23
Pieter Jansz. Pourbus,
undated
Scope and Content Note
19 items: 1 color transparency 8 postcards, 7 leaves of illustrated matter, 1
leaf of notes, printed matter with an article by Paul Huvenen, and 1 offprint from
Gentse bijdragen tot de kunstgeschiedenis with an article by
R.-A. d'Hulst. Various artworks. [Color transparency is shelved in Box 166, F.
43.]
box 136, folder 24
Pieter Jansz. Pourbus,
1944,
Scope and Content Note
2 items: a 1944 letter to Held from Maxine Harrison at Parke-Bernet Galleries in
New Yor, 1 photograph.
box 136, folder 25
Jan Provost,
undated
Scope and Content Note
9 photographs. Various artworks.
box 136, folder 26
Jan Provost,
undated
Scope and Content Note
10 leaves of illustrated matter, including 2 postcards. Various artworks.
box 136, folder 27
Jan Provost,
1932, 1966, undated
Scope and Content Note
11 items: 9 leaves of notes, a postcard sent to Held in 1932, and a 1966 letter
to Held from Arthur L. Erlanger.
box 136, folder 28
Pseudo-van de Venne,
undated
Scope and Content Note
1 photograph.
box 136, folder 29
Adam Pynacker,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. Various artworks.
box 136, folder 30
Jan Symonsz. Pynas,
undated
Scope and Content Note
5 items: 4 photographs, 1 leaf of illustrated matter. Various artworks.
box 136, folder 31
Pieter Jansz. Quast,
undated
Scope and Content Note
3 leaves of illustrated matter, including 1 postcard. Various artworks.
box 136, folder 32
Erasmus Quellinus,
undated
Scope and Content Note
21 photographs. Various artworks.
box 136, folder 33
Erasmus Quellinus,
undated
Scope and Content Note
15 photographs. Various artworks. [1 item is shelved in Box 154*, F. 8.]
box 136, folder 34
Erasmus Quellinus,
undated
Scope and Content Note
11 items: 2 postcards, 9 leaves of illustrated matter. Various artworks.
box 136, folder 35
Erasmus Quellinus,
undated
Scope and Content Note
7 items: 6 leaves of notes, 1 leaf of printed matter (an article by Douglas
Grant).
box 136, folder 36
Erasmus Quellinus,
undated
Scope and Content Note
7 items: typescript (11 leaves) by Gregor J. M. Weber, 1 offprint from
Bulletin of Musées royaux des beaux-arts de Belgique with an
article by Hans Vlieghe, and various printed matter (photocopies).
box 136, folder 37
Erasmus Quellinus: correspondence with The Chrysler Museum,
1982,
Scope and Content Note
3 items: 1 letter to Held from Jefferson C. Harrison, 1 letter from Held, 1
photograph witrh label
Triumphal entry into Antwerp.
box 136, folder 38
Erasmus Quellinus: correspondence with Burton D. Salmon,
1968,
Scope and Content Note
2 items: 1 letter to Held, 1 letter from Held. Regarding a painting referred to
as
Adoration.
box 136, folder 39
Erasmus Quellinus: correspondence with Janos Scholz,
1954,
Scope and Content Note
1 letter to Held.
box 136, folder 40
Erasmus Quellinus: letter from Léon Voet,
1977,
Scope and Content Note
1 letter to Held.
box 136, folder 41
Erasmus Quellinus: letter from Williams College,
1977,
Scope and Content Note
1 letter to Held from Franklin W. Robinson.
box 136, folder 42
August Querfurt,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves illustrated matter. Various artworks.
box 136, folder 43
Josef Raabe,
undated
Scope and Content Note
1 offprint (3 leaves) with an article by Ernst Scheyer.
box 136, folder 44
Jerg Ratgeb,
undated
Scope and Content Note
6 items: 4 photographs, 1 postcard, and 4 leaves of manuscript on the Herrenberg
Altar in Stuttgart.
box 136, folder 45
Jan Anthonisz. van Ravesteyn,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 136, folder 46
Hubert van Ravesteyn,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 136, folder 47
Constantijn Daniel van Renesse,
undated
Scope and Content Note
2 photographs.
box 136, folder 48
Marinus van Reymerswaele,
undated
Scope and Content Note
8 items: 1 photograph, 2 postcards, 5 leaves of illustrated and printed matter.
Various artworks.
box 136, folder 49
Marinus van Reymerswaele,
1934, 1966, undated
Scope and Content Note
1 items: 3 leaves from
Pantheon (1934) with an article by Max J.
Friedländer.
box 136, folder 50
Marinus van Reymerswaele,
undated
Scope and Content Note
10 leaves of notes.
box 136, folder 51
Marinus van Reymerswaele,
1971, undated
Scope and Content Note
4 items: 2 photographs, including 1 in color, and a 1971 correspondence with
William Kennedy in New York (1 letter to Held and 1 letter from Held). [Color
photograph is shelved in Box 166, F. 44.]
box 136, folder 52
Ludwig Richter,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 136, folder 53
Pieter Cornelisz. van Rijck,
undated
Scope and Content Note
2 photographs. Various artworks.
box 136, folder 54
David Rijckaert,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.
box 136, folder 55
Jan van Rillaer,
undated
Scope and Content Note
7 photographs. Various artworks.
box 136, folder 56
Ludger tom Ring,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Various artworks.
box 136, folder 57
Pieter de Ring,
undated
Scope and Content Note
1 photograph.
box 136, folder 58
Hubert Robert,
undated
Scope and Content Note
1 photograph of a painting from Ruth Vanderbilt Twombly collection.
box 136, folder 59
Hermen Rode,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 136, folder 60
Pieter Gerritsz. van Roestraeten,
undated
Scope and Content Note
1 offprint (photocopy, 5 leaves) from the
Burlington Magazine with
an article by Lindsey Bridget Shaw.
box 137, folder 1
Salomon Rombouts,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 137, folder 2
Theodor Rombouts,
undated
Scope and Content Note
13 items: 3 color transparencies, 10 photographs. Various artworks. [Color
transparencies are shelved in Box 166, F. 45.]
box 137, folder 3
Theodor Rombouts,
undated
Scope and Content Note
8 items: 2 postcards, 6 leaves of illustrated matter. Various artworks.
box 137, folder 4
Theodor Rombouts,
1984, undated
Scope and Content Note
5 items: a 1984 letter to Held from L. Wolters, witha photograph of a painting
referred to as
Peasants going to market; a 1984 letter from Held to
Lucien Rabiosi, 1 leaf of notes, and 1 leaf of printed matter.
box 137, folder 5
Willem Romeyn,
undated
Scope and Content Note
1 offprint (9 leaves) of an article by Eckhart Knab.
box 137, folder 6
Jacob Roos,
undated
Scope and Content Note
6 items: 1 photograph, 5 postcards. Various images.
box 137, folder 7
Johann Heinrich Roos,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 137, folder 8
Philipp Peter Roos,
undated
Scope and Content Note
1 photograph.
box 137, folder 9
Jan Albertsz. Rootius,
undated
Scope and Content Note
1 photograph.
box 137, folder 10
Hans Rottenhammer,
undated
Scope and Content Note
8 items: 7 photographs, 1 color transparency. Various artworks. [Color
transparency is shelved in Box 166, F. 46.]
box 137, folder 11
Hans Rottenhammer,
undated
Scope and Content Note
7 items: 6 leaves of illustrated matter, 1 offprint from Niederdeutsche Beiträge
zur Kunstgeschichte with an article by Rüdiger Klessmann.
box 137, folder 12
Georg Philipp Rugendas,
undated
Scope and Content Note
2 photographs. Various artworks.
box 137, folder 13
Jan Ruischer,
undated
Scope and Content Note
1 photograph.
box 137, folder 14
Jacob van Ruisdael,
undated
Scope and Content Note
10 photographs. Various artworks.
box 137, folder 15
Jacob van Ruisdael,
undated
Scope and Content Note
12 photographs. Various artworks.
box 137, folder 16
Jacob van Ruisdael,
undated
Scope and Content Note
2 items: 1 photograph, 1 color transparency. [Color transparency is shelved in
Box 166, F. 47.]
box 137, folder 17
Jacob van Ruisdael,
undated
Scope and Content Note
15 leaves of illustrated matter. Various artworks.
box 137, folder 18
Jacob van Ruisdael,
undated
Scope and Content Note
15 leaves of illustrated matter. Various artworks.
box 137, folder 19
Jacob van Ruisdael,
undated
Scope and Content Note
6 postcards. Various images.
box 137, folder 20
Jacob van Ruisdael,
undated
Scope and Content Note
2 offprints with articles by Ernst Scheyer, and Constance Lowenthal.
box 137, folder 21
Philipp Otto Runge,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 137, folder 22
Rachel Ruysch,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 137, folder 23
Salomon van Ruysdael,
undated
Scope and Content Note
7 photographs. Various artworks.
box 137, folder 24
Salomon van Ruysdael,
undated
Scope and Content Note
18 leaves of illustrated matter. Various artworks.
box 137, folder 25
David Ryckaert,
undated
Scope and Content Note
5 items: 3 photographs, 1 leaf of illustrated matter, and portion of an offprint
(2 copies, total of 11 leaves). Various artworks.
box 137, folder 26
Marten Ryckaert,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. Various artworks.
box 137, folder 27
Pieter Andreas Rysbraeck,
undated
Scope and Content Note
1 photograph.
box 137, folder 28
Raphael Sadeler ,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 137, folder 29
Pieter Jansz Saenredam,
undated
Scope and Content Note
8 items: 3 photographs, 4 leaves of illustrated matter, 2 postcards. Various
artworks.
box 137, folder 30
Cornelis Saftleven,
undated
Scope and Content Note
6 items: 2 photographs, 4 leaves of illustrated matter. Various artworks.
box 137, folder 31
Herman Saftleven,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 137, folder 32
Anthonis Sallaert,
undated
Scope and Content Note
18 items: 17 photographs, 1 leaf of typescript. Various paintings.
box 137, folder 33
Anthonis Sallaert,
undated
Scope and Content Note
29 photographs. Various drawings.
box 137, folder 34
Anthonis Sallaert,
undated
Scope and Content Note
13 photographs. Various drawings and prints.
box 137, folder 35
Anthonis Sallaert,
undated
Scope and Content Note
6 items: 4 photographs, 2 leaves of illustrated matter.
Saint Peter and
the rooster
.
box 137, folder 36
Anthonis Sallaert,
undated
Scope and Content Note
10 items: 3 postcards, 6 leaves of illustrated matter. Various artworks.
box 137, folder 37
Anthonis Sallaert: printed matter,
1940, undated
Scope and Content Note
4 items (32 leaves): printed matter, including 1 offprint from
Revue belge
d'archéologie et d'histoire de l'art
(1940), an article by J. van
Tatenhove, and by Todd D. Weyman.
box 137, folder 38
Anthonis Sallaert: printed matter,
1974-1983, undated
Scope and Content Note
5 items: 4 offprints, 2 leaves of printed matter. Articles by Le comte d'Arschot,
Paulina Junquera de Vega, Marie van der Vennet, and J. van Tatenhove.
box 137, folder 39
Anthonis Sallaert: notes,
undated
Scope and Content Note
ca. 40 leaves of notes.
box 137, folder 40
Anthonis Sallaert: letter from Graphische Sammlung Albertina,
1964
Scope and Content Note
1 letter to Held.
box 137, folder 41
Anthonis Sallaert: letter from Sidney Bregman,
1984
Scope and Content Note
2 items: 1 letter to Held, 1 photograph. Regarding attribution of a drawing to
Camillo Procaccini. Bregman's letter is annotated by Held.
box 137, folder 42
Anthonis Sallaert: letter from Guy Delmarcel.
1982
Scope and Content Note
1 letter to Held from Delmarcel at Musées royaux d'art et d'histoire in
Brussels.
box 137, folder 43
Anthonis Sallaert: correspondence with the J. Paul Getty
Museum,
1967
Scope and Content Note
2 items: 1 letter to Held from Burton B. Fredericksen, and 1 letter from
Held.
box 137, folder 44
Anthonis Sallaert: letters from Elisabeth Kasser,
1970-1971
Scope and Content Note
3 letters to Held.
box 137, folder 45
Anthonis Sallaert: letter from George S. Keyes,
1978
Scope and Content Note
1 letter to Held.
box 137, folder 46
Anthonis Sallaert: correspondence with Peter Kröker,
1969-1976
Scope and Content Note
4 items (6 leaves): 3 letters to Held, 1 letter from Held.
box 137, folder 47
Anthonis Sallaert: letter to Jakobs van Merlen,
1953
Scope and Content Note
1 letter from Held.
box 137, folder 48
Anthonis Sallaert: correspondence with Robert E. Mitchell,
1977
Scope and Content Note
2 items: 1 letter to Held, 1 letter from Held.
box 137, folder 49
Anthonis Sallaert: letter from National centrum voor de plastische
kunsten van de 16de en 17de eeuw,
1973
Scope and Content Note
1 letter to Held from C. van de Velde.
box 137, folder 50
Anthonis Sallaert: letter from Nationalmuseum Stockholm,
1951
Scope and Content Note
1 letter to Held from Kjell Boström.
box 137, folder 51
Anthonis Sallaert: correspondence with Parke-Bernet Galleries in New
York,
1970
Scope and Content Note
2 items: 1 letter to Held from Charles S. Moffett, 1 letter from Held to A.
Kasser.
box 137, folder 52
Anthonis Sallaert: correspondence with Sears, Roebuck and
Co.,
1977
Scope and Content Note
7 items: 3 letters to Held from W.F. McCurdy, copy of a 1959 typescript by Robert
E. Mitchell (3 leaves), 2 photographs, including 1 in color, and 1 leaf of printed
matter. [Color photograph is shelved in Box 166, F. 48.]
box 137, folder 53
Anthonis Sallaert: letter from Sotheby's London,
1973
Scope and Content Note
2 items: 1 letter to Held, 1 photograph.
box 137, folder 54
Anthonis Sallaert: correspondence with Sotheby's New York,
1985
Scope and Content Note
5 items: 1 letter to Held, 2 photographs, 1 color polaroid, and 1 leaf of
illustrated matter. [Color polaroid is shelved in Box 166, F. 49.]
box 137, folder 55
Anthonis Sallaert: correspondence with A. J. Stirling,
1983
Scope and Content Note
3 items: 1 letter to Held, 1 letter from Held, 1 photograph.
box 137, folder 56
Anthonis Sallaert: correspondence with Sutton Realty Co.,
1968-1969
Scope and Content Note
3 items (4 leaves): 2 letters to Held from Helen S. Sutton, 1 leaf of typecsript
about the painting
Quarrel between Athena and Poseidon.
box 137, folder 57
Anthonis Sallaert: letter from University of California, Santa
Barbara,
1984
Scope and Content Note
1 letter to Held from [?] regarding a drawing.
box 137, folder 58
Anthonis Sallaert: letter from Léon Voet,
1971
Scope and Content Note
1 letter to Held.
box 137, folder 59
Anthonis Sallaert: correspondence with Todd D. Weyman,
1994
Scope and Content Note
3 items: 2 letters to Held, 1 letter from Held.
Part 4 Sandrart - miscellaneous
box 138, folder 1
Sandrart,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 138, folder 2
Dirck Dirksz. Santvoort,
undated
Scope and Content Note
6 items: 3 photographs, 3 leaves of printed matter. Various artworks.
box 138, folder 3
Dirck Dirksz. Santvoort,
1966, undated
Scope and Content Note
3 items (4 leaves): 1 photograph, 1 letter to Held from André M. Wauters, and
Wauter's business card.
box 138, folder 4
Roelant Savery,
undated
Scope and Content Note
5 items: 4 photographs, 1 color negative. [Color negative is shelved in Box 166,
F. 50.]
box 138, folder 5
Roelant Savery,
undated
Scope and Content Note
12 leaves of illustrated and printed matter. Various artworks.
box 138, folder 6
Roelant Savery,
1931, 1982
Scope and Content Note
2 offprints. A 1931 article by Arthur Laes from
Revue belge d'archéologie
et d'histoire de l'art
, and a 1982 article by Joaneath Spicer in
Umeni.
box 138, folder 7
Hans Schäufelein,
undated
Scope and Content Note
4 leaves of illustrated matter, including 2 postcards. Various artworks.
box 138, folder 8
Martin Schaffner,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter. Various artworks.
box 138, folder 9
Godfried Schalcken,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. Various artworks.
box 138, folder 10
Gillis van Scheyndel,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 138, folder 11
Hans Schöpfer the Elder,
undated
Scope and Content Note
1 photograph.
box 138, folder 12
Martin Schongauer,
undated
Scope and Content Note
18 items: 1 photograph, 1 postcards, 16 leaves of illustrated matter. Various
artworks.
box 138, folder 13
Floris Gerritsz. van Schooten,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 138, folder 14
Joris van Schooten,
undated
Scope and Content Note
1 postcard.
box 138, folder 15
Otto Marseus van Schrieck,
undated
Scope and Content Note
2 photographs.
box 138, folder 16
Jacob van Schuppen,
undated
Scope and Content Note
1 photograph.
box 138, folder 17
Schwarz, [?]
undated
Scope and Content Note
1 photograph.
box 138, folder 18
Cornelis Schut,
undated
Scope and Content Note
27 items: 22 photographs, including 1 in color, 5 leaves of illustrated matter.
Various artworks with the theme Virgin Mary or Madonna and Child. [Color
photograph is shelved in Box 166, F. 51.]
box 138, folder 19
Cornelis Schut,
undated
Scope and Content Note
6 items: 5 photographs, including 4 in color, 1 color transparency. [Color
transparency and color photographs are shelved in Box 166, F. 52.]
box 138, folder 20
Cornelis Schut,
undated
Scope and Content Note
6 photographs. Various artworks with religious topics.
box 138, folder 21
Cornelis Schut,
undated
Scope and Content Note
4 leaves with small photographs pasted on, 31 photographs mainly of prints and
some drawings. Various artworks.
box 138, folder 22
Cornelis Schut,
undated
Scope and Content Note
10 items: 9 photographs, including 1 in color, 1 transparency. [Color photograph
and transparency are shelved in Box 166, F. 53.]
box 138, folder 23
Cornelis Schut,
undated
Scope and Content Note
12 leaves of illustrated matter. Various artworks.
box 138, folder 24
Cornelis Schut,
undated
Scope and Content Note
10 leaves of notes.
box 138, folder 25
Cornelis Schut,
1987, undated
Scope and Content Note
7 items: 1987 correspondence with Gertrude Wilmers (2 letters to Held, 1 letter
from Held), 1 photograph, 1 leaf of illustrated matter, 1 leaf of printed matter,
and 1 offprint from
Gentse bijdragen tot kunstgeschiedenis en de
oudheidkunde
with an article by Hans Vlieghe.
box 138, folder 26
Cornelis Schut,
undated
Scope and Content Note
4 items: various printed matter. Articles by Marthe Crick-Kuntziger, Gertrude
Wilmers, and Hans Vlieghe.
box 138, folder 27
Cornelis Schut: correspondence with Miles Chappell,
1983
Scope and Content Note
4 items: 2 letters to Held from Chappel at College of William and Mary, 2 letters
from Held.
box 138, folder 28
Cornelis Schut: letter from Ulrike Gauss,
1990
Scope and Content Note
1 letter to Held from Gauss at Graphische Sammlung, Staatsgalerie Stuttgart.
box 138, folder 29
Cornelis Schut: correspondence with Eric E. Hirshler,
1990, 1941
Scope and Content Note
4 items: 1990 correspondence with Hirshler (1 letter to Held, 1 letter from
Held), 1 photograph of painting
Venus and Ceres, and a 1941 letter
to Held from Roger Edwards at Bowdoin College Museum of Fine Arts.
box 138, folder 30
Cornelis Schut: letter from Editz A. Standen,
1969
Scope and Content Note
1 letter to Held from Standen at The Metropolitan Museum of Art.
box 138, folder 31
Christoph Schwarz,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Various artworks.
box 138, folder 32
Jan van Scorel,
undated
Scope and Content Note
9 photographs. Various artworks. [1 item is shelved in Box 154*, F. 9.]
box 138, folder 33
Jan van Scorel,
undated
Scope and Content Note
15 items: 5 postcards, 10 leaves of illustrated matter. Various artworks.
box 138, folder 34
Daniel Seghers,
undated
Scope and Content Note
4 leaves of illustrated matter.
box 138, folder 35
Gerard Seghers,
undated
Scope and Content Note
18 items: 16 photographs, 1 postcard, 1 leaf of illustrated matter. Various
paintings.
box 138, folder 36
Gerard Seghers,
undated
Scope and Content Note
16 items: 13 photographs, 1 leaf of illustrated matter (photocopy), and 2 leaves
with several small photographs pasted on. Various prints and drawings.
box 138, folder 37
Gerard Seghers,
1976, 1955-1956, undated
Scope and Content Note
6 items: 3 leaves of notes, 1 photograph, and 2 offprints: a 1955-1956 article by
D. Roggen and H. Pauwels in
Gentse bijdragen tot de
kunstgeschiedenis
, and an article by Hans Vlieghe in
Jaarboek
1976 Koninklijk museum voor schone kunsten-Antwerpen
.
box 138, folder 38
Gerard Seghers: letter from Frances M. Lamont,
1971
Scope and Content Note
1 letter to Held regarding attribution of a painting referred to as
Denial.
box 138, folder 39
Hercules Seghers,
1956, undated
Scope and Content Note
7 items: 6 photographs, and a 1956 letter to Held from Victor D. Spark.
box 138, folder 40
Hercules Seghers,
undated
Scope and Content Note
8 items: 6 leaves of illustrated matter, and printed matter, including an
offprint with an article by J.G. van Gelder.
box 138, folder 41
Jacob Seisenegger,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 138, folder 42
Vincent Sellaer,
1984, undated
Scope and Content Note
15 items: 7 photographs, 6 leaves of illustrated matter, and 1984 correspondence
with Heidi Chin at Sotheby's (1 letter to Held and 1 letter from Held). Various
artworks.
box 138, folder 43
Michel Sittow,
undated
Scope and Content Note
9 items: 3 photographs, 4 leaves of illustrated matter, 1 postcard, and 1
offprint with an article by Friedrich Winkler.
box 138, folder 44
Michel Sittow,
undated
Scope and Content Note
5 items: 1 photograph and 4 leaves of notes.
box 138, folder 45
Jan Siberechts,
undated
Scope and Content Note
8 items: 3 photographs, 5 leaves of illustrated matter. Various artworks.
box 138, folder 46
Pieter Cornelisz. van Slingeland,
undated
Scope and Content Note
3 postcards.
box 139, folder 1
Jan [?] Snellinck,
undated
Scope and Content Note
4 photographs. Various artworks.
box 139, folder 2
Frans Snyders,
undated
Scope and Content Note
26 photographs. Various artworks.
box 139, folder 3
Frans Snyders,
undated
Scope and Content Note
15 items: 13 leaves of illustrated matter, 2 postcards. Various artworks.
box 139, folder 4
Frans Snyders,
1959, undated
Scope and Content Note
3 items (8 leaves): 1 leaf of notes, 2 press clippings.
box 139, folder 5
Frans Snyders: correspondence with A. B. Davis,
1964-1965, 1962, undated
Scope and Content Note
22 items: 6 letters to Held, 2 letters from Held, 1 1962 letter to Mrs. James B.
Holmes from the secretary Sir Winston Churchill, a color slide with envelope,
Davis's business card annotated by Held, 1 leaf of typescript about the painting
The lion and the mouse, 3 leaves of notes, 1 leaf of illustrated
matter, and 5 photographs. [Color slide is shelved in Box 166, F. 54.]
box 139, folder 6
Frans Snyders: correspondence with Kay Haele,
1965
Scope and Content Note
5 items: 3 letters to Held, 2 letters from Held.
box 139, folder 7
Frans Snyders: letter from Susan Koslow,
1991
Scope and Content Note
2 items: letter to Held, and Koslow's CAA paper
Frans Snyders' Leningrad
Marrkets
. (20 leaves). [The paper includes several color photographs and
is shelved in Box 166, F. 55.]
box 139, folder 8
Frans Snyders: correspondence with Ministry of Public Building and Works
in London,
1965
Scope and Content Note
7 items: 1 letter from Held, 1 letter to Held, 1 letter to Held from Kathleen
Hill at Checquers, 3 leaves of notes. Regarding painting
The lion and the
mouse
.
box 139, folder 9
Frans Snyders: letter from Margaret Richardson,
1965
Scope and Content Note
1 letter to Held from Richardson at Drawing Collection, Royal Institute of
Bristish Architects in London. Regarding painting
The lion and the
mouse
.
box 139, folder 10
Frans Snyders: letter from Nettie Rosenstein,
undated
Scope and Content Note
1 letter to Held.
box 139, folder 11
Joris van Son,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 139, folder 12
Pieter Claesz. Soutman,
1984, undated
Scope and Content Note
7 items: 3 photographs, 3 leaves of illustrated matter, and a 1984 letter to Held
from Felice Stampfle at Pierpont Morgan Library. Various artworks, including 3
portraits of women.
box 139, folder 13
Bartholomeus Spranger,
1964, undated
Scope and Content Note
8 items: 2 photographs, 5 leaves of illustrated matter, 1 offprint with an
article by Konrad Oberhuber.
box 139, folder 14
Cornelis Springer,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 139, folder 15
Adriaen van Stalbemt,
undated
Scope and Content Note
4 items: 2 photographs, 1 leaf of illustrated matter, and printed matter (an
article by Keith Andrews).
box 139, folder 16
Jan Steen,
undated
Scope and Content Note
11 photographs. Various images.
box 139, folder 17
Jan Steen,
undated
Scope and Content Note
20 leaves of illustrated matter. Various artworks. [1 item is shelved in Box
154*, F. 10.]
box 139, folder 18
Jan Steen,
undated
Scope and Content Note
15 leaves of illustrated matter. Various artworks.
box 139, folder 19
Jan Steen,
undated
Scope and Content Note
10 postcards. Various images.
box 139, folder 20
Jan Steen,
1960, undated
Scope and Content Note
3 items: 1 photograph with a 1960 letter from Held to Mr. Koch, and 1960 letter
from Held to Miss Livingston.
box 139, folder 21
Morten van Steenwinkel,
undated
Scope and Content Note
1 photograph.
box 139, folder 22
Harmen van Steenwyck,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 139, folder 23
Hendrik van Steenwyck,
undated
Scope and Content Note
3 photographs. Various artworks.
box 139, folder 24
Alfred Stevens,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 139, folder 25
Peeter Stevens,
undated
Scope and Content Note
2 items: 1 photograph, and 1 offprint with an article by An Zwollo.
box 139, folder 26
Tobias Stimmer,
undated
Scope and Content Note
9 items: 6 leaves of illustrated matter, and three press clippings. Various
artworks. [Press clippings are shelved in Box 154*, F. 11.]
box 139, folder 27
Sebastian Stoffkopf,
undated
Scope and Content Note
2 photographs.
box 139, folder 28
Ignatius van der Stock,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 139, folder 29
Matthias Stomer,
1976, undated
Scope and Content Note
7 items: 6 photographs, and a 1976 letter to Held from R. Cohen at Trafalgar
Galleries regarding painting referred to as
The Evangelists Mark and
Luke
. Various artworks.
box 139, folder 30
Matthias Stomer,
undated
Scope and Content Note
ca. 23 items: 21 leaves of printed and illustrated matter, 2 postcards.
box 139, folder 31
Abraham Storck,
undated
Scope and Content Note
5 items: 1 photograph, 3 leaves of illustrated matter, 1 postcard. Various
artworks.
box 139, folder 32
Jacobus Storck,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 139, folder 33
Veit Stoss,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.
box 139, folder 34
Jan van der Straet,
undated
Scope and Content Note
12 items: 3 photographs, 9 leaves of printed and illustrated matter. Artist also
known as Stradanus. Various artworks.
box 139, folder 35
Juriaen van Streeck,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 139, folder 36
Guillim Stretes,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 139, folder 37
Bernhard Strigel,
undated
Scope and Content Note
5 items: 2 photographs, 2 leaves of illustrated matter, 1 postcard. Various
artworks.
box 139, folder 38
Justus Suttermans, ,
1964, undated
Scope and Content Note
15 items: 7 photographs, 1 postcard, 3 leaves of illustrated matter, and 1964
correspondence with James L. Kirby (2 letters to Held, 1 letter from Held) and 2
leaves of typescript by Kirby about painting referred to as portrait of Maximilian
I, Elector and Duke of Bavaria. Various portraits.
box 139, folder 39
Friedrich Sustris,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 139, folder 40
Lambert Sustris,
undated
Scope and Content Note
4 items: 3 photographs, including 2 in color, 1 postcard. [Color photographs are
shelved in Box 166, F. 40.]
box 139, folder 41
Justus Suttermans,
undated
Scope and Content Note
1 postcard.
box 139, folder 42
Jonas Suyderhoef,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 139, folder 43
Isaac Claesz. Swanenburg,
undated
Scope and Content Note
1 photograph. Self-portrait.
box 139, folder 44
Herman van Swanevelt,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 139, folder 45
Jan Swart van Groningen,
undated
Scope and Content Note
12 photographs. Various artworks.
box 139, folder 46
Jan Swart van Groningen,
1975, undated
Scope and Content Note
7 photographs of various woodcuts, 4 leaves of illustrated matter, 1 offprint
with an article by Max J. Friedländer, and a 1975 letter to Held from Julien Stock
at Sotheby's London.
box 139, folder 47
Jan Swart van Groningen,
undated
Scope and Content Note
ca. 30 leaves of notes; with several drawings in ink or pencil.
box 139, folder 48
Gerrit Pietersz. Sweelink,
undated
Scope and Content Note
1 photograph.
box 139, folder 49
Michiel Sweerts,
1951, undated
Scope and Content Note
ca. 25 items: 5 photographs, 3 postcards, 15 leaves of illustrated matter, and
1951 correspondence with Wolfang Stechow (1 letter to Held, 1 letter from Held).
Various artworks.
box 139, folder 50
Unidentified S,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 139, folder 51
Abraham Teniers,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 139, folder 52
David Teniers the Elder,
undated
Scope and Content Note
8 items: 2 photographs, 5 leaves of illustrated matter, and printed matter (4
leaves)
box 139, folder 53
David Teniers the Younger,
undated
Scope and Content Note
23 items: 20 photographs, 1 leaf of illustrated matter, 2 leaves of notes.
Various artworks.
box 139, folder 54
David Teniers the Younger,
undated
Scope and Content Note
5 items: 4 photographs, including 1 in color, 1 color transparency. [Color
photograph and color transparency are shelved in Box 166, F. 57.]
box 139, folder 55
David Teniers the Younger,
undated
Scope and Content Note
20 leaves of illustrated matter, including 1 postcard. Various artworks.
box 139, folder 56
David Teniers the Younger,
1960, undated
Scope and Content Note
2 postcards, 24 leaves of illustrated matter, and photocopies of 1 leaf of text
about the painting
The prodigal son , a typescript summary of
Held's comments about the paintings in the Hole Collection, and 2 expert opinions
from 1935: by Aram-Ehrhardt Inc. and by Valentiner. Various artworks.
box 139, folder 57
David Teniers III,
undated
Scope and Content Note
1 leaf of illustrated matter.
The flight into Egypt.
box 139, folder 58
David Teniers (unidentified),
undated
Scope and Content Note
24 items: 13 photographs, 1 postcard, 10 leaves of illustrated matter. Various
artworks.
box 139, folder 59
David Teniers (unidentified),
undated
Scope and Content Note
4 photographs, including 2 in color. [Color photographs are shelved in Box 166,
F. 58.]
box 139, folder 60
Johannes Thomas van Ypern,
undated
Scope and Content Note
14 itenms: 13 photographs, 1 color transparency. Various artworks. [Color
transparency is shelved in Box 166, F. 59.]
box 139, folder 61
Johannes Thomas van Ypern,
1978, 1985, undated
Scope and Content Note
5 items: 1 leaf of notes, a 1978 letter to Held from Glieb Eristov regarding
painting referred to as
La visitation, and 1985 correspondence with
Eugene L. Garbaty (1 letter to Held, 1 letter from Held, 1 leaf of illustrated
matter) regarding a grisaille refererd to as
Ruhe auf der
Flucht
.
box 139, folder 62
Johannes Thomas van Ypern,
undated
Scope and Content Note
5 leaves of illustrated matter. Various artworks.
box 139, folder 63
Johannes Thomas van Ypern,
1977
Scope and Content Note
3 items: 2 photographs, and Held's letter to Reinhold Baumstark, at Fürstliche
Sammlungen Schloss Vaduz.
box 140, folder 1
Gerard ter Borch,
undated
Scope and Content Note
12 photographs, including 1 in color. Various artworks. [Color photograph is
shelved in Box 166, F. 60.]
box 140, folder 2
Gerard ter Borch,
undated
Scope and Content Note
4 items: 1 photograph, 3 laeves of typescript and printed matter.
box 140, folder 3
Gerard ter Borch,
undated
Scope and Content Note
29 items: 24 leaves of illustrated matter, 5 postcards. Various artworks.
box 140, folder 4
Gerard ter Borch, ,
1957, undated
Scope and Content Note
3 items: copy of a 1957 expert opinion by Eduard Plietzsch, 1 offprint from
Festschrift Friedrich Winkler with an article by Sturla J.
Gudlaugsson, and printed matter with an article by James D. Breckenridge.
box 140, folder 5
Hendrik Terbrugghen,
undated
Scope and Content Note
9 items: 7 photographs, 1 color transparency, 1 leaf of illustrated matter.
Various artworks. [Color transparency, of the
Gamblers, is shelved
in Box 166, F. 61.]
box 140, folder 6
Hendrik Terbrugghen,
undated
Scope and Content Note
14 items: 2 postcards, 12 leaves of printed and illustrated matter. Various
artworks.
box 140, folder 7
Hendrik Terbrugghen,
undated
Scope and Content Note
3 items: 1 photograph, 1 color transparency, 1 leaf of typescript about the
painting
Scene of mercenary love, on letterhead od Stanley Moss
& Company. [Color transparency is shelved in Box 166, F. 62.]
box 140, folder 8
Theodoor van Thulden,
undated
Scope and Content Note
18 photographs. Various paintings. [2 items are shelved in Box 154*, F. 13.]
box 140, folder 9
Theodoor van Thulden,
undated
Scope and Content Note
16 items: 15 photographs, 1 leaf of illustrated matter. Various drawings.
box 140, folder 10
Theodoor van Thulden,
undated
Scope and Content Note
13 items: 12 photographs, 1 leaf of paper with several small photographs pasted
on. Various prints.
box 140, folder 11
Theodoor van Thulden,
undated
Scope and Content Note
15 items: 1 postcard, 14 leaves of illustrated matter.
box 140, folder 12
Theodoor van Thulden,
undated
Scope and Content Note
7 items: notes and printed matter, including articles by Roger-A. d'Hulst, and
Anne-Marie Logan.
box 140, folder 13
Theodoor van Thulden: correspondence with G. Dulière,
1980
Scope and Content Note
2 items: letter to Held, 1 photograph.
box 140, folder 14
Theodoor van Thulden: correspondence with James P. Marenakos,
1987
Scope and Content Note
2 items: 1 letter from Held, 1 leaf of notes with Marenakos' address.
box 140, folder 15
Theodoor van Thulden: correspondence with Andrew Robison,
1982
Scope and Content Note
1 item: Held's copy of Robison's (curator at National Gallery of Art) letter to
Emile Wolf.
box 140, folder 16
Pieter Thys,
undated
Scope and Content Note
4 photographs. Various artworks.
box 140, folder 17
Pieter Thys,
undated
Scope and Content Note
5 items: 1 postcard, 7 leaves of illustrated and printed matter. Various
artworks.
box 140, folder 18
Gillis van Tilborg,
undated
Scope and Content Note
10 items: 5 photographs, 5 leaves of illustrated matter. Various artworks.
box 140, folder 19
Ludger tom Ring,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 140, folder 20
Jacob Toornvliet,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 140, folder 21
Wolf Traut,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter. Various artworks.
box 140, folder 22
Cornelis Troost,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Various artworks.
box 140, folder 23
Rombout van Troyen,
undated
Scope and Content Note
1 photograph.
box 140, folder 24
Unidentified T,
undated
Scope and Content Note
2 leaves of illustrated matter. Various artworks.
box 140, folder 25
Lucas van Uden,
undated
Scope and Content Note
8 items: 2 photographs, 6 leaves of illustrated matter. Various artworks.
box 140, folder 26
Adriaen van Utrecht,
undated
Scope and Content Note
2 photographs. various artworks.
box 140, folder 27
Jan Jansz. den Uyl,
undated
Scope and Content Note
2 items: 1 postcard, 1 offprint with an article by P. de Boer.
box 140, folder 28
Moysesz van Uyttenbroeck,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 140, folder 29
Lodewyk de Vadder,
1982, undated
Scope and Content Note
7 items: 2 letters to Held from Morris Dorsky at Brooklyn College reagarding a
drawing, printed matter, 1 leaf of notes, 1 photograph, 1 leaf of illustrated
matter. Various artworks.
box 140, folder 30
Frederick van Valckenborgh,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter. Various artworks.
box 140, folder 31
Lucas van Valkenborch,
undated
Scope and Content Note
9 items: 1 photograph, 8 leaves of printed and illustrated matter. Various
artworks.
box 140, folder 32
Werner Jacobsz. van den Valckert,
1955, 1983, undated
Scope and Content Note
ca. 20 items: 9 photographs, including 1 color polaroid, 6 leaves of printed and
illustrated matter, notes, and correspondence: a 1955 letter to Held from Rudolf
Nissen, and 1983 correspondence with Joseph Keiffer at William Doyle Galleries (1
letter to Held, 1 letter from Held). Various artworks. [The color polaroid is
shelved in Box 166, F. 63.]
box 140, folder 33
Otto van Veen,
undated
Scope and Content Note
22 items: 1 color transparency, 22 photographs. Various artworks. [Color
transparency is shelved in Box 166, F. 64.]
box 140, folder 34
Otto van Veen,
undated
Scope and Content Note
10 items: 8 leaves of illustrated matter, 1 leaf of notes, and 1 offprint from
Bulletin Musées royaux des beaux-arts (Brussels) with an article
by Justus Müller-Hofstede.
box 140, folder 35
Adriaen van de Velde,
undated
Scope and Content Note
7 items: 1 photograph, 3 leaves of illustrated matter, 3 postcards. Various
artworks.
box 140, folder 36
Esaias van de Velde,
undated
Scope and Content Note
17 items: 4 photographs, 1 postcard, 12 leaves of illustrated matter. various
artworks.
box 140, folder 37
Jan van de Velde,
undated
Scope and Content Note
12 items: 3 photographs, 8 leaves of illustrated matter, 1 offprint with an
article by J.G. van Gelder. Various artworks.
box 140, folder 38
Willem van de Velde,
undated
Scope and Content Note
13 items: 4 photographs, 1 postcard, 8 leaves of illustrated matter.
box 141, folder 1
Dirck Jacobsz. Vellert,
undated
Scope and Content Note
14 photographs. Various artworks.
box 141, folder 2
Dirck Jacobsz. Vellert,
undated
Scope and Content Note
10 items: 7 leaves of illustrated matter, 1 postcard, 2 copies of offprint with
an article by K.G. Boon. Various artworks.
box 141, folder 3
Dirck Jacobsz. Vellert,
undated
Scope and Content Note
2 items: 1 photograph and a note.
box 141, folder 4
Dirck Jacobsz. Vellert,
undated
Scope and Content Note
2 items: 1 photograph, 1 typescript note by Held regarding attribution to Vellert
of painting
Adoration of the shepherds.
box 141, folder 5
Dirck Jacobsz. Vellert,
undated
Scope and Content Note
11 leaves of notes, some with small sketches by Held.
box 141, folder 6
Dirck Jacobsz. Vellert,
undated
Scope and Content Note
6 leaves of notes.
box 141, folder 7
Dirck Jacobsz. Vellert,
undated
Scope and Content Note
12 leaves of notes and wrapper inscribed: "Miniaturmalerei".
box 141, folder 8
Dirck Jacobsz. Vellert,
undated
Scope and Content Note
11 leaves of notes, including several sketches by Held.
box 141, folder 9
Dirck Jacobsz. Vellert,
undated
Scope and Content Note
35 leaves of notes, including several sketches by Held.
box 141, folder 10
Dirck Jacobsz. Vellert,
undated
Scope and Content Note
16 leaves of notes.
box 141, folder 11
Adriaen Pietersz. van de Venne,
undated
Scope and Content Note
7 photographs, ca. 30 leaves of printed and illustrated matter including articles
by Laurens J. Bol and Jacques Foucart. Various artworks. [1 leaf of illustrated
matter is shelved in Box 155*, F. 1.]
box 141, folder 12
Adriaen Verboom,
undated
Scope and Content Note
1 photograph.
box 141, folder 13
Willem Hendricksz Verboom,
undated
Scope and Content Note
1 photograph.
box 141, folder 14
Dionijs Verburgh,
undated
Scope and Content Note
1 photograph.
box 141, folder 15
Pierre Joseph Verhaghen,
undated
Scope and Content Note
2 photographs. Various artworks.
box 141, folder 16
Nikolaas Verkolje,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 141, folder 17
Johannes Vermeer,
undated
Scope and Content Note
7 photographs, 18 leaves of illustrated matter. Various artworks. [1 item is
shelved in Box 155*, F. 2.]
box 141, folder 18
Johannes Vermeer,
1951, 1975, undated
Scope and Content Note
9 items: a 1975 letter to Held from Robert G. Osborne, copy of a typescript (9
leaves) titled "A Lady seated at the virginals from the collection of Alfred and
Otto Beit, London," printed matter (photocopies), and 2 copies of an offprint with
an article by Kjell Boström.
box 141, folder 19
Jan Vermeulen,
undated
Scope and Content Note
1 photograph.
box 141, folder 20
Jan Cornelisz Vermeyen,
undated
Scope and Content Note
14 items: 3 photographs, 2 postcards, 3 leaves of illustrated matter, 5 press
clippings, 1 offprint with an article by Max J. Friedländer. Various artworks.
box 141, folder 21
Jan Cornelisz Verspronck,
undated
Scope and Content Note
9 items: 5 photographs, 1 postcard, 3 leaves of illustrated matter. Various
portraits.
box 141, folder 22
Daniel Vertangen,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 141, folder 23
Vianen,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 141, folder 24
Jan Victors,
undated
Scope and Content Note
7 items: 5 photographs, 2 leaves of illustrated matter. Various artworks.
box 141, folder 25
Jan Victors,
1961
Scope and Content Note
4 items: a 1961 letter to Held from John Bass, 1 leaf of typescript text,
photocopy of a manuscript, 1 photograph of painting referred to as
Jacob's
blessing
.
box 141, folder 26
Jan Victors,
1982
Scope and Content Note
3 items: 1 photograph, and 1982 correspondence with Milwaukee Art Museum (1
letter to Held, 1 letter from Held). Regarding painting referred to as
Village scene.
box 141, folder 27
David Vinckeboons,
undated
Scope and Content Note
15 items: 8 photographs, 1 postcard, 6 leaves of illustrated matter. Various
artworks.
box 141, folder 28
David Vinckeboons,
1941, undated
Scope and Content Note
14 leaves of notes, printed and illustrated matter, and a 1941 letter to Held
from the editor at
Print Collector's Quarterly.
box 141, folder 29
Arnout Vinkenborg,
undated
Scope and Content Note
9 items: 7 photographs, 2 postcards. Various artworks.
box 141, folder 30
Cornelis Visscher,
undated
Scope and Content Note
4 leaves of illustated matter. Various portraits by Cornelis Visscher
(1629?-1662).
box 141, folder 31
Willem de Visser,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 141, folder 32
Simon de Vleger,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 141, folder 33
Hendrick Cornelisz. van Vliet,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Various artworks.
box 141, folder 34
Jacob Ferdinand Voet,
undated
Scope and Content Note
1 photograph of painting
Young priest at Brooks Memorial Art
Gallery.
box 141, folder 35
Heinrich Voghtherr,
undated
Scope and Content Note
1 photograph.
box 141, folder 36
Ary de Vois,
undated
Scope and Content Note
1 photograph. Label on verso:
Die Pfeife zum Feierabend.
box 141, folder 37
Pieter Crynse Volmaryn,
undated
Scope and Content Note
12 items: 5 photographs, 1 color transparency, 6 leaves of illustrated matter,
including 5 photocopies. Various artworks. [Color transparency is shelved in Box
166, F. 65.]
box 141, folder 38
Pieter Crynse Volmaryn,
undated
Scope and Content Note
11 items: 9 leaves of notes, 2 leaves of printed and illustrated matter.
box 141, folder 39
Pieter Crynse Volmaryn,
1970, undated
Scope and Content Note
3 items: printed matter, articles by Held, and by S. J. Gudlaugsson, and 1
offprint from
Mededelingen van de Koninklijke vlaamse academie voor
wetenschappen, letteren en schone kunsten van België
with an article by
R.-A. d'Hulst.
box 141, folder 40
Pieter Crynse Volmaryn: letter to Dr. Arndt,
1968
Scope and Content Note
1 letter from Held.
box 141, folder 41
Pieter Crynse Volmaryn: letters to The Art Museum of the
Ateneum,
1937, 1975
Scope and Content Note
2 items: a ca. 1937 letter from Held to the museum (incomplete, only page 2 is
present), and a 1975 letter from Held to Tuula Arkio at Ateneumin Taidemuseo in
Helsinki.
box 141, folder 42
Pieter Crynse Volmaryn: correspondence with Anne-Marie Logan,
1981
Scope and Content Note
1 letter from Held (photocopy), annotated by Logan.
box 141, folder 43
Pieter Crynse Volmaryn: correspondence with Paine Furniture,
1989
Scope and Content Note
3 items: 2 letters to Held from Rose Ann O'Connor (Gallery Manager), and 1 letter
from Held.
box 141, folder 44
Pieter Crynse Volmaryn: letter from Walter von Wenz,
1963
Scope and Content Note
1 letter to Held from the art dealer.
box 141, folder 45
Cornelis van der Voort,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 141, folder 46
Cornelis de Vos,
undated
Scope and Content Note
21 items: 20 photographs, 1 leaf of typescript. Various artworks.
box 141, folder 47
Cornelis de Vos,
undated
Scope and Content Note
8 items: 3 postcards, 5 leaves of illustrated matter. Various artworks.
box 141, folder 48
Cornelis de Vos,
1970, undated
Scope and Content Note
4 items: printed matter and 2 offprints: from
Wallraf-Richartz-Jahrbuch with an article by Held, and from
Nederlands kunsthistorisch jaarboek with an article by Justus
Müller Hofstede.
box 141, folder 49
Cornelis de Vos: letter to Hans Vlieghe,
1985
Scope and Content Note
1 letter from Held.
box 141, folder 50
Cornelis de Vos: letter to Clovis Whitfield,
1986
Scope and Content Note
1 letter from Held.
box 141, folder 51
Maerten de Vos,
undated
Scope and Content Note
1 photograph of painting
Madonna and child with angels presenting the
cross
at Worcester Art Museum.
box 141, folder 52
Marten de Vos,
undated
Scope and Content Note
15 items: 14 photographs of prints, 1 leaf of illustrated matter (painting, a
female portrait).
box 141, folder 53
Marten de Vos,
undated
Scope and Content Note
14 items: 6 photographs, 8 leaves of illustrated matter. Various prints.
box 141, folder 54
Marten de Vos,
undated
Scope and Content Note
8 items: 7 photographs, 1 leaf of illustrated matter. Various drawings.
box 141, folder 55
Marten de Vos,
undated
Scope and Content Note
8 photographs. Life and Passion of Christ. Various artworks.
box 141, folder 56
Marten de Vos,
undated
Scope and Content Note
8 items: 4 photographs, 4 leaves of printed and illustrated matter. Life of the
Virgin, and Virgin and Child. Various artworks.
box 141, folder 57
Marten de Vos,
undated
Scope and Content Note
12 items: 4 photographs, 5 postcards, 3 leaves of illustrated matter. Various
topics, mostly religious. Various artworks.
box 141, folder 58
Marten de Vos,
undated
Scope and Content Note
7 items: 3 leaves of notes, and printed matter with articles by J. Richard
Judson, François-Georges Pariset, and Shirley K. Bennett.
box 141, folder 59
Paul de Vos,
undated
Scope and Content Note
2 photographs.
box 142, folder 1
Simon de Vos,
1991, undated
Scope and Content Note
15 items: 14 photographs and a 1991 letter from Held to Arthur [?]. Various
artworks.
box 142, folder 2
Simon de Vos,
1957, 1987, undated
Scope and Content Note
4 leaves of illustrated matter, 1 postcard, 1 offprint from Niederdeutsche
Beiträge zur Kunstgeschichte with an article by Rüdiger Klessmann, Held's 1987
letter to Klessmann, and a 1957 letter to Held from Emil Spaeth.
box 142, folder 3
Daniel Vosmaer,
undated
Scope and Content Note
4 items: 2 photographs, 1 leaf of illustrated matter, 1 offprint with an article
by Susan Donahue. Various artworks.
box 142, folder 4
Jacob Woutersz Vosmaer,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 142, folder 5
Sebastian Vrancx,
1962, undated
Scope and Content Note
21 items: 15 photographs, 4 leaves of illustrated matter, and a 1962 letter to
Held from Clyde Newhouse at Newhouse Galleries. Various artworks.
box 142, folder 6
Jacobus Vrel,
undated
Scope and Content Note
5 items: 3 photographs, 1 postcard, 1 leaf of illustrated matter. Various
artworks.
box 142, folder 7
Abraham de Vries,
undated
Scope and Content Note
1 postcard. Portrait of Simon de Vos.
box 142, folder 8
Adriaen de Vries,
undated
Scope and Content Note
2 photographs of a sculpture of Christ.
box 142, folder 9
Roelof Jansz. van Vries,
undated
Scope and Content Note
1 photograph.
box 142, folder 10
Cornelis Hendriksz. Vroom,
undated
Scope and Content Note
1 postcard. Portrait of Queen Elizabeth I as Diana.
box 142, folder 11
Cornelis de Wael,
undated
Scope and Content Note
1 photograph of an engraving.
box 142, folder 12
Lucas de Wael,
undated
Scope and Content Note
1 leaf of illustrated matter. A self-portrait.
box 142, folder 13
H. Wandelear,
undated
Scope and Content Note
1 photograph of painting
Noli me tangere.
box 142, folder 14
Jan Weenix,
1973, undated
Scope and Content Note
5 items: 2 photographs, 2 leaves of illustrated matter, and a 1973 letter to Held
from Henry D. Hill at Berry-Hill Galleries. Various artworks. [Jan Weenix
(1640-1719).]
box 142, folder 15
Jan Baptist Weenix,
undated
Scope and Content Note
7 items: 1 photograph, 6 leaves of illustrated matter. Various artworks. [Jan
Baptist Weenix (1621-1663).] [1 item is shelved in flat file folder 1**.]
box 142, folder 16
Adriaen van der Werff,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 142, folder 17
Hans Wertinger,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 142, folder 18
Jacob Willemsz de Wet,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 142, folder 19
Goosen van der Weyden,
undated
Scope and Content Note
1 postcard.
box 142, folder 20
Rogier van der Weyden,
undated
Scope and Content Note
17 items: 8 photographs, 2 postcards, 8 leaves of illustrated matter. Various
artworks. Passion of Christ.
box 142, folder 21
Rogier van der Weyden,
undated
Scope and Content Note
10 items: 1 photograph, 2 postcards, 7 leaves of illustrated matter. Various
artworks. Life of the Virgin Mary.
box 142, folder 22
Rogier van der Weyden,
undated
Scope and Content Note
16 items: 9 photographs, 4 leaves of illustrated matter, 2 postcards. Various
artworks. Virgin and Child.
box 142, folder 23
Rogier van der Weyden,
undated
Scope and Content Note
20 items: 17 photographs, 2 leaves of illustrated matter, 1 postcard.
St.
Luke painting the Madonna
. [4 photographs are shelved in Box 155*, F.
3.]
box 142, folder 24
Rogier van der Weyden,
undated
Scope and Content Note
13 items: 3 photographs, 1 postcard, 8 leaves of illustrated matter. Various
portraits. [2 leaves of illustrated matter are shelved in Box 155*, F. 4.]
box 142, folder 25
Rogier van der Weyden,
undated
Scope and Content Note
25 items: 13 photographs, 1 postcard, 10 leaves of illustrated matter.
box 142, folder 26
Rogier van der Weyden,
undated
Scope and Content Note
6 items: offprints and other printed matter with articles by E.P. Richardsson,
Émile Renders and Frédéric Lyna, Édouard Michel, Theodore Reff, Paul Wescher,and
Max J. Friedländer.
box 142, folder 27
Rogier van der Weyden,
1956, undated
Scope and Content Note
3 items: a 1956 letter to Held from Martin davis at National Gallery in London
regarding
Exhumation of St. Hubert, and 2 leaves of notes.
box 142, folder 28
Weyer [?],
undated
Scope and Content Note
2 photographs. Various artworks.
box 142, folder 29
Jan Wierix and Jeronimus Wierix,
1934, undated
Scope and Content Note
6 items: 1 photograph, 3 leaves of illustrated matter, 1 leaf of notes, and a
1934 ofprint with an article by Jan de Schuyter. Various artworks.
box 142, folder 30
Thomas Wijk,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 142, folder 31
J. v. Wijckersloot,
undated
Scope and Content Note
1 photograph.
Portrait of ter Borch (Bildnis Terborchs).
box 142, folder 32
Jan Wijnants,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 142, folder 33
Dirck Wijntrack,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 142, folder 34
Jan Wildens,
undated
Scope and Content Note
10 items: 7 photographs, 1 postcard, 2 leaves of illustrated matter. [5
photographs are shelved in Box 155*, F. 5.]
box 142, folder 35
Abraham Willaerts,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter. Various artworks.
box 142, folder 36
Adam Willaerts,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 142, folder 37
Isaac Willaerts,
undated
Scope and Content Note
2 items: 1 photograph, 1 postcard.
box 143, folder 1
Thomas Willeboirts-Bosschaert,
undated
Scope and Content Note
22 items: 19 photographs, 1 color transparency, 1 postcard, 1 leaf of notes.
Various artworks. [Color transparency is shelved in Box 166, F. 67.]
box 143, folder 2
Thomas Willeboirts-Bosschaert: letter from Nat Chasser,
1962
Scope and Content Note
2 items: 1 letter to Held from Nat Chasser at Chasser Interiors, Inc. in New
York, 1 photograph.
box 143, folder 3
Thomas Willeboirts-Bosschaert,
1967, undated
Scope and Content Note
11 items: 9 leaves of illustrated and printed matter, 1 leaf of notes, and 1
offprint from
Oud-Holland with an article by Jacques Foucart.
Various artworks.
box 143, folder 4
Thomas Willeboirts-Bosschaert,
1961-1966, undated
Scope and Content Note
3 items: 1 leaf of notes, printed matter (article by Frans Baudouin), and 1
offprint from
Gentse Bijdragen tot de kunstgeschiedenis en de
oudheidkunde
with an article by R.-A. d'Hulst.
box 143, folder 5
Thomas Willeboirts-Bosschaert,
1965
Scope and Content Note
1 item: copy of a leter from Frans Baudouin to Mortimer Brandt.
box 143, folder 6
Pieter van der Willigen,
undated
Scope and Content Note
3 items: 1 photograph, and 2 offprints with articles by Abraham de Vries and
Jakob Rosenberg.
box 143, folder 7
Jodocus van Winghe,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 143, folder 8
Jacob de Wit,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter. Various artworks.
box 143, folder 9
Emanuel de Witte,
undated
Scope and Content Note
13 items: 2 photographs, 4 postcards, 7 leaves of illustrated matter.
box 143, folder 10
Gaspar van Wittel,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 143, folder 11
Konrad Witz,
undated
Scope and Content Note
11 items: 1 photograph, 6 postcards, 4 leaves of illustrated matter. various
artworks.
box 143, folder 12
Anton Woensam von Worms,
undated
Scope and Content Note
3 photographs. Various artworks.
box 143, folder 14
Artus Wolfert,
undated
Scope and Content Note
19 items: 15 photographs, 4 leaves of illustrated matter. Various artworks.
box 143, folder 15
Artus Wolfert,
undated
Scope and Content Note
17 items: 12 photographs, including 2 in color, 1 postcard, 4 leaves of
illustrated matter. Various artworks. [Color photographs are shelved in Box 166,
F. 68.]
box 143, folder 16
Artus Wolfert,
undated
Scope and Content Note
6 items: 3 photographs, including 2 in color, 1 color transparency, 1 leaf of
printed and illustrated matter. Painting
Salomon empfängt die Königin von
Saba
. [Color transparency and color photographs are shelved in Box 166,
F. 69.]
box 143, folder 17
Artus Wolfert,
undated
Scope and Content Note
7 items: 3 photographs, 1 color transparency, 3 leaves of printed and illustrated
matter. Various paintings of the Evangelists. [Color transparency is shelved in
Box 166, F. 70.]
box 143, folder 18
Artus Wolfert,
undated
Scope and Content Note
8 items: 7 photographs, 1 color transparency. [Color transparency is shelved in
Box 166, F. 71.]
box 143, folder 19
Artus Wolfert,
undated
Scope and Content Note
5 photographs of painting
St. John the Evangelist at Art Galleries
University of Notre Dame.
box 143, folder 20
Artus Wolfert,
1946, undated
Scope and Content Note
9 items: 3 photographs, 1 color transparency, 2 leaves of illustrated matter, 2
leaves of text with a drawing regarding painting
Christ at the pool of
Bethesda
, and 1 offprint from
Kunsthistorische mededeelingen van
het Rijksbureau voor kunsthistorische documentatie 's-Gravenhage
with a
1946 article by Horst Gerson. [Color transparency is shelved in Box 166, F.
72.]
box 143, folder 21
Artus Wolfert,
1938, 1964, undated
Scope and Content Note
8 items: 1 color transparency, 3 leaves of illustrated matter, and printed matter
with articles by Emile Cammaerts, and Leo van Puyvelde. Regarding painting
The feast of Antinous. [Color transparency is shelved in Box 166,
F. 73.]
box 143, folder 22
Artus Wolfert,
undated
Scope and Content Note
4 items: various printed matter, including an article by Hans Vlieghe, and
photocopy of an expert opinion by Leo van Puyvelde.
box 143, folder 23
Artus Wolfert,
undated
Scope and Content Note
18 leaves of notes.
box 143, folder 24
Artus Wolfert: letter from M. F. Bolongaro,
1985
Scope and Content Note
2 items: 1 letter to Held, 1 leaf of illustrated matter.
box 143, folder 25
Artus Wolfert: correspondence with Christie's London,
1984
Scope and Content Note
2 items: 1 letter to Held from Gregory Martin, 1 letter from Held. Regarding
Heraclitus.
box 143, folder 26
Artus Wolfert: correspondence with Count Alexandre de Clios,
1961-1967
Scope and Content Note
4 items: a 1962 letter to Held from the conservator Count Alexandre de Clios, a
1961 letter to de Clios from Leo van Puyvelde, with a typescript (4 leaves) about
painting
Queen of Sheba coming to pay homage to King Solomon, and
copy of a 1967 letter from de Clios to Herbert Cook.
box 143, folder 27
Artus Wolfert: correspondence with Marina de Clois Braver,
1990-1992
Scope and Content Note
3 items: 2 letters to Held, 1 letter from Held. Regarding painting
Queen
of Sheba coming to pay homage to King Solomon
(
Solomon empfängt
die Königin von Saba
).
box 143, folder 28
Artus Wolfert: correspondence with Barbara Divver,
1984
Scope and Content Note
4 items: 2 letters to Held, 2 letters from Held.
box 143, folder 29
Artus Wolfert: letter from Jacqueline Folie,
1980
Scope and Content Note
1 letter to Held.
box 143, folder 30
Artus Wolfert: correspondence with Thomas Habeck,
1957, 1982
Scope and Content Note
4 items: Held's expert opinion from 1982 addressed to Habeck, a 1957 expert
opinion by Ludwig Burchard, and a 1982 expert opinion by Justs Müller Hofstede;
also a business card of attorney Uwe J. Janssen. Regarding painting
The
crying Heraclitus
.
box 143, folder 31
Artus Wolfert: correspondence with Woodrow B. Hood II.,
1983-1985
Scope and Content Note
3 items: a 1985 letter to Held from Woodrow B. Hood II. regarding painting
The crying Heraclitus, 1 color photograph, and copy of a 1983
letter from Held to B. J. Tait-Russell. [Color photograph is shelved in Box 166,
F. 74.]
box 143, folder 32
Artus Wolfert: correspondence with Hoogsteder-Naumann, Ltd.,
1982-1984
Scope and Content Note
3 items: 2 letters to Held, 1 letter from Held. Regarding several paintings,
mainly
Samson and the Philistines.
box 143, folder 33
Artus Wolfert: letter to R.-A. d'Hulst,
1951
Scope and Content Note
1 letter from Held.
box 143, folder 34
Artus Wolfert: correspondence with Kimbell Art Museum,
1977-1981
Scope and Content Note
4 items: a 1977 letter to Held from David M. Robb regarding
St.
Bartholomew
painting, a 1981 letter from Held to Edmund P. Pillsbury at
Kimbell Art Museum, a 1981 letter from Held to Brigitte Lymant at Wallraf-Richartz
Museum, and a 1981 letter from David M. Robb to Lymant regarding painting of St.
Andrew.
box 143, folder 35
Artus Wolfert: correspondence with Paul Makovsky,
1993
Scope and Content Note
2 items: 1 letter to Held, 1 letter from Held. Regarding painting
Christ
at the pool of Bethesda
.
box 143, folder 36
Artus Wolfert: letter from Carl Nordenfalk,
1974
Scope and Content Note
1 letter to Held.
box 143, folder 37
Artus Wolfert: letters to Sotheby's New York,
1998
Scope and Content Note
2 letters from Held to Heidi Chin.
box 143, folder 38
Artus Wolfert: correspondence with B. J. Tait-Russell,
1957, 1982-1983
Scope and Content Note
6 items: 1983 correspondence with Tait-Russell (1 letter to Held, 2 letters from
Held), a 1957 expert opinion by Ludwig Burchard, and a 1982 expert opinion by
Justus Müller Hofstede (with English translation). Regarding painting
Heraclitus with a globe.
box 143, folder 39
Artus Wolfert: letter from University of Notre dame Art
Gallery,
1972
Scope and Content Note
1 letter to Held from the curator Dean A. Porter. Regarding painting
St.
John the Evangelist
.
box 143, folder 40
Artus Wolfert: correspondence with Helmut Vogt,
1985
Scope and Content Note
2 items: 1 letter to Held, 1 letter from Held.
box 143, folder 41
Artus Wolfert: letter to Frank Günter Zehnder,
1980
Scope and Content Note
1 letter from Held to Zehnder at Museum Ludwig in Cologne.
box 143, folder 42
Frans Wouters,
undated
Scope and Content Note
17 photographs. Various artworks.
box 143, folder 43
Frans Wouters,
undated
Scope and Content Note
2 items: 1 photograph and 1 color slide. [Color slide is shelved in Box 166, F.
75.]
box 143, folder 44
Frans Wouters,
undated
Scope and Content Note
12 items: 9 leaves of illustrated matter, 3 leaves of notes.
box 143, folder 45
Frans Wouters,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 143, folder 46
Jan Woutersz,
undated
Scope and Content Note
3 items: 1 photograph, 1 postcard, 1 leaf of illustrated matter. Various
artworks.
box 143, folder 47
Philips Wouwerman,
undated
Scope and Content Note
21 items: 5 photographs, 1 postcard, 15 leaves of illustrated matter. Various
artworks.
box 143, folder 48
Joachim Wtewael,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 143, folder 49
Joachim Wtewael,
undated
Scope and Content Note
20 photographs, including 18 in color, envelope for color photographs, 2
postcards, 16 leaves of illustrated matter, and offprint with an article on the
theme of Lot and his daughters by Anne W. Lowenthal. [Color photographs are
shelved in Box 166, F. 76.]
box 143, folder 50
Peter Wtewael,
undated
Scope and Content Note
2 leaves of printed and illustrated matter.
box 143, folder 51
Abraham Wuchters,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 143, folder 52
Unidentified W,
undated
Scope and Content Note
1 photograph, annotated on verso, and with stamp of Walker Art Center.
box 143, folder 53
Jan Ykens,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 143, folder 54
Giuseppe Zais,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter. Various artworks.
box 143, folder 55
Bartholome Zeitblom,
undated
Scope and Content Note
2 items: 1 postcard, 1 leaf of illustrated matter.
box 143, folder 56
Januarius Zick,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 143, folder 57
Claus Zoege von Manteuffel,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 143, folder 58
Lambert Zutman,
undated
Scope and Content Note
1 leaf of notes, with a pencil sketch by Held. Zutman also known as Suavius.
box 144, folder 1
Unidentified: anonymous 16th century masters,
undated
Scope and Content Note
6 items: 5 photographs, 1 color transparency. Various artists and artworks, 16th
century. [Color transparency is shelved in Box 166, F. 77.]
box 144, folder 2
Unidentified: anonymous 16th century masters,
undated
Scope and Content Note
15 leaves of illustrated matter. Various artists and artworks.
box 144, folder 3
Unidentified: Dutch 17th century master,
undated
Scope and Content Note
1 photograph of a landscape painting. Held's annotation on verso: Dutch, 17th
cent. Also listed are several names.
box 144, folder 4
Unidentified: 19th century genre painting,
undated
Scope and Content Note
1 photograph. Held's annotation on verso: Belgian school? Albany Museum. A genre
scene at night: a produce market in a city.
box 144, folder 5
Unidentified: Moser?
undated
Scope and Content Note
1 leaf of illustrated matter. A family portrait.
folder 6
Unidentified,
undated
Scope and Content Note
1 photograph. Painting of Virgin with Child with other figures.
box 144, folder 7
Unidentified,
undated
Scope and Content Note
1 photograph. Painting of two figures in a landscape. Bob Jones University stamp
on verso. Originally filed by Held under letter S.
box 144, folder 8
Unidentified: a triptych,
undated
Scope and Content Note
3 photographs. Stamp of the Walker Art Center on verso.
box 144, folder 9
Unidentified: an allegory?
undated
Scope and Content Note
2 photographs, including one color polaroid. Two slightly different versions of a
painting of three figures, two women and a jester. [Color polaroid is shelved in
Box 166, F. 78.]
box 144, folder 10
Unidentified: Flemish school,
undated
Scope and Content Note
1 photograph of a painting labelled: Ecole flamande, Vlaamsche school, La vie et
les miracles de St. Benoit, De mirakels van St Bendictus.
box 144, folder 11
Unidentified: Adam and Eve,
undated
Scope and Content Note
1 photograph. Held's annotation on verso: C v H.
box 144, folder 12
Unidentified: a panel painting at the Abbey of Tongerloo,
undated
Scope and Content Note
6 leaves of illustrated matter. With Held's annotation: 22 (7 panels), one has
annotation on verso: Für Abtei Tongerloo, um 1500.
box 144, folder 13
Unidentified: various artworks,
undated
Scope and Content Note
7 photographs. Various artworks and artists.
box 144, folder 14
Unidentified: various prints,
undated
Scope and Content Note
5 photographs of various prints. One includes Held's annotation on verso: Lehr,
no. 74. and label of E.L. Hildreth & Co. on verso.
box 144, folder 15
Unidentified: Gothic sculpture,
undated
Scope and Content Note
8 photographs of various Gothic sculptures, mainly wooden altars.
box 144, folder 16
Unidentified,
undated
Scope and Content Note
6 postcards. Labels:
Entenober aus einem gemalten Kartenspiel, Oberdeutsch
um 1430
at Württ. Landesmuseum Stuttgart; a postcard annotated by Held:
Meister des Rohedorfer Altars, Stuttgart; a postcard annotated by
Held:
Schwäbischer Meister, Stuttgart; a
Verkündigung (Visitation) by Meister Wilhelm's Schule at
Wallraf-Richartz Museum; a postcard annotated by Held:
Zeitblom,
Stuttgart
; and
Madonna und St. Bernhard by Meister des
Marienlebens at Wallraf-Richartz Museum.
box 144, folder 17
Unidentified,
undated
Scope and Content Note
5 leaves of illustrated matter. Captions:
Einblatt-Holzschnitt Oberrhein
(Schweiz) um 1470
;
Hamburger Petri-Altar, Entdeckung des
Sündenfalles
at Hamburg Kunsthalle; and 3 illustrations from the
Friedberger Altar at Diözesanmuseum in Utrecht.
box 144, folder 18
Unidentified:
undated
Scope and Content Note
6 leaves of illustrated matter. Various artworks. Religious subjects.
box 144, folder 19
Unidentified: various Antwerp masters,
undated
Scope and Content Note
15 photographs. Various artworks.
box 144, folder 20
Unidentified: various Antwerp masters,
undated
Scope and Content Note
18 photographs.
box 144, folder 21
Unidentified: various Antwerp masters,
undated
Scope and Content Note
7 postcards.
box 144, folder 22
Unidentified: various Antwerp masters,
undated
Scope and Content Note
13 leaves of illustrated matter. Various prints and drawings.
box 144, folder 23
Unidentified: various Antwerp masters,
undated
Scope and Content Note
22 leaves of illustrated matter. Various artworks.
box 144, folder 24
Unidentified: various Antwerp masters,
undated
Scope and Content Note
9 leaves of illustrated matter. Various artworks.
box 144, folder 25
Unidentified: various Antwerp masters,
undated
Scope and Content Note
9 leaves of illustrated matter. Various artworks. [1 item is shelved in Box 144*,
F.10.]
box 144, folder 26
Unidentified: various Antwerp masters: notes,
undated
Scope and Content Note
14 leaves of notes.
box 144, folder 27
Unidentified: various Antwerp masters: notes,
undated
Scope and Content Note
9 leaves of notes.
box 144, folder 28
Unidentified: Flemish, 17th century: studies of heads,
1969-1972, 1981, undated
Scope and Content Note
10 photographs, including 1 in color, 1 color transparency, 2 leaves of
illustrated matter, 2 leaves of typescript, a 1981 letter to Held from H. Kropk,
and 1 offprint from
Gentse bijdragen tot de kunstgeschiedenis en de
oudheidkunde
with an article by Zirka Zaremba Filipczak. Various
artworks. [Color photograph and color transparency are shelved in Box 166, F.
79.]
box 144, folder 29
Unidentified: Flemish, 17th century: portraits of men,
undated
Scope and Content Note
13 items: 11 photographs, 1 color transparency, 1 leaf of illustrated matter.
Various artworks. [Color transparency is shelved in Box 166, F. 80.]
box 144, folder 30
Unidentified: Flemish, 17th century: portraits of men,
undated
Scope and Content Note
10 items: 9 photographs, 1 leaf of text about a painting.
box 144, folder 31
Unidentified: Flemish, 17th century: portraits of men,
1975
Scope and Content Note
4 items: 2 photographs, 1 leaf of illustrated matter, and a 1975 letter to Held
from Daniel B. Grossman regarding
Potrait of Christophorus
Butkens
.
box 144, folder 32
Unidentified: Flemish, 17th century: portraits of women,
undated
Scope and Content Note
8 items: 6 photographs, 2 leaves of illustrated matter.
box 144, folder 33
Unidentified: Flemish, 17th century: portraits of women,
1973, undated
Scope and Content Note
2 items: 1 photograph, and a 1973 letter to Held from Alfred R. Bader.
box 144, folder 34
Unidentified: Flemish, 17th century: portraits of couples,
undated
Scope and Content Note
6 photographs, including 2 in color. [Color photographs are shelved in Box 166,
F. 81.]
box 144, folder 35
Unidentified: Flemish, 17th century: portraits: letters from George Tano
and Count d'Archot,
1950, undated
Scope and Content Note
4 items: letters to Held from Count d'Archot and George N. Tano (art dealer in
Cairo), and 2 photographs.
box 144, folder 36
Unidentified: Flemish, 17th century: portraits: letter from Joslyn Art
Museum,
1991
Scope and Content Note
1 letter to Held from Janet L. Farber. (2 leaves.
box 144, folder 37
Unidentified: Flemish, 17th century: portraits: letter from Linda L.
Metaxas,
1989
Scope and Content Note
1 letter to Held.
box 144, folder 38
Unidentified: Flemish: drawings,
undated
Scope and Content Note
15 items: 14 photographs, 1 color transparency. Various artworks. [Color
transparency is shelved in Box 166, F. 82.]
box 144, folder 39
Unidentified: Flemish: drawings,
undated
Scope and Content Note
24 items: 21 photographs, 3 leaves of illustrated matter, 1 leaf of notes.
Various artworks.
box 144, folder 40
Unidentified: Flemish: drawings,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of notes.
box 144, folder 41
Unidentified: Flemish: drawings: correspondence with Colnaghi
Drawings,
1985
Scope and Content Note
2 items: 1 letter to Held from Jean-Luc Baroni, and 1 letter from Held (carbon
copy).
box 144, folder 42
Unidentified: Flemish: drawings: correspondence with Werner
Schade,
1973
Scope and Content Note
2 items: 1 letter to Held, 1 photograph.
box 144, folder 43
Unidentified: Flemish: drawings: letter from Sotheby's
London,
1992
Scope and Content Note
1 letter to Held.
box 144, folder 44
Unidentified: Flemish: drawings: letter from Sotheby's New
York,
1981
Scope and Content Note
2 items: 1 letter to Held, 1 photograph.
box 144, folder 45
Flemish engravings Albertina,
undated
Scope and Content Note
23 items (27 leaves): 21 small photographs with envelope, and a manuscript list
(5 leaves). Various artworks.
box 144, folder 46
Flemish engravings Albertina,
undated
Scope and Content Note
46 photographs. Various artworks.
box 144, folder 47
Flemish engravings Albertina,
undated
Scope and Content Note
23 leaves, each with several small photographs pasted on. With captions. Various
artworks.
box 144, folder 48
Miscellaneas unsorted items,
undated
Scope and Content Note
9 photographs, including 3 in color, 11 postcards, ca. 35 leaves of illustrated
and printed matter, and 1 leaf of notes. Various artworks, including several
illustrations of Gothic sculpture. [Color photographs are shelved in Box 166, F.
84.]
box 144, folder 49
Unsorted book illustrations, especially emblems,
undated
Scope and Content Note
19 items: 2 photographs, 2 leaves of notes, and 15 leaves of illustrated and
printed matter. Various prints.
box 144, folder 50
Various other items,
1970, undated
Scope and Content Note
2 items: a press clipping with a political cartoon from the Washington Post
signed Herblock [Herbert Block], dated 1970, with caption
Okay, you dirty
radical-liberal-the game is up
; an a color photograph of five people,
possibly collegues of Held. [The color photograph is shelved in Box 166, F.
85.]
Series IX.
Oversize material, color photography and negatives,
1937-1999, undated
Physical Description:
23
box(es)
9.6 lin. ft.
Scope and Content Note
This series contains oversize items and photographic materials shelved in cold storage.
The predominant portion of oversize items consists of black-and-white photographs, and
illustrated and printed matter. Boxes 156* to 158* contain large x-rays of paintings and
oil sketsches by Rubens. A few x-rays are of paintings by Anthony van Dyck, Ferdinand
Bol, Rembrandt, Jacob Jordaens, and Pieter Claesz. Soutman.
Photographs kept originally with x-rays were pulled and are shelved in box 155*,
folders 9-13. Color photographs, color transparencies, a few slides, and negatives were
pulled for cold storage. Box 162* contains large color photographs.
Series IX.A.
Oversize items,
1955-1999, undated
Physical Description:
14
box(es)
5.8 lin. ft.
Scope and Content Note
Subseries comprises printed materials and large format photographs pulled from files
because of their size.
box 145*
Items from: Box 6, F.3 - Box 43, F.1,
1955-1996, undated
Scope and Content Note
22 folders.
box 145*, folder 1
Items from Box 6, F. 3,
1982
Scope and Content Note
2 leaves of a press clipping.
New York Times article on Katherine
Anne Porter by Elizabeth Hardwick.
box 145*, folder 2
Items from Box 6, F. 8,
1990
Scope and Content Note
2 leaves from the
New York Review with a review of David
Freedberg's
Power of images by E. H. Gombrich.
box 145*, folder 3
Items from Box 6, F. 16,
1975-1996
Scope and Content Note
6 leaves of press clippings concerning mainly Meyer Schapiro, including one by
Hilton Kramer. Also, an article by Paul Jeromack about Getty Museum's plans to
purchase a statue of cupid considered to be by Michelangelo.
box 145*, folder 4
Items from Box 6, F. 19,
1987-1997
Scope and Content Note
5 leaves of press clippings concerning Gary Schwartz's research on Rembrandt.
box 145*, folder 5
Items from Box 6, F. 30,
undated
Scope and Content Note
1 leaf of typescript by Held about Wolfgang Stechow. Draft, extensively
annotated.
box 145*, folder 6
Items from Box 7, F. 1, ,
1984
Scope and Content Note
3 leaves of press clippings.
The New York Review review by Leo
Steinberg of Robert S. Liebert's book
Michelangelo, a psychoanalytic study
of his life and images
.
box 145*, folder 7
Items from Box 7, F. 9,
1976
Scope and Content Note
1 item (3 leaves): press clipping. An article by Deborah Jowitt on Twyla
Tharp.
box 145*, folder 8
Items from Box 17, F.19,
1987, undated
Scope and Content Note
2 items (5 leaves): 2 articles from the
New York Times Magazine
about Richard L. Feigen & Company.
box 145*, folder 9
Items from Box 31, F. 1-5,
1959-1978
Scope and Content Note
6 items (8 leaves): press clippings. Various articles concerning alteration and
mutilation of works of art.
box 145*, folder 10
Items from Box 32, F. 11,
1982-1986
Scope and Content Note
4 items: press clippings with articles by Christine Webb in
Western
Mail
, and by Martin Bailey in
The Observer regarding the
Cardiff cartoons controversy.
box 145*, folder 11
Items from Box 33, F.10,
1990, undated
Scope and Content Note
2 press clippings concerning Jacob van Campen and Constantijn Huygens.
box 145*, folder 12
Items from Box 38, F. 3-6,
1955, 1968, undated
Scope and Content Note
3 press articles (13 leaves) on forgeries.
box 145*, folder 13
Items fom box 38, F. 3-6,
1975, 1984, undated
Scope and Content Note
8 items (11 leaves): 3 press clippings, 2 photographs, 6 leaves of printed and
illustrated matter. Concerning forgeries.
box 145*, folder 14
Items from box 38, F. 3-6,
1965, undated
Scope and Content Note
2 items (3 leaves): Held's letter from 1965 to Nathan Stolow at National Gallery
of Canada, Conservation Department, and Stolow's article
The Canadian art
fraud case
(printed matter, 2 leaves).
box 145*, folder 15
Items from Box 40, F.4, ,
1960-1968
Scope and Content Note
5 items. Press clippings.
box 145*, folder 16
Items from Box 40, F. 7,
1980, undated
Scope and Content Note
2 items (3 leaves). Review of
Diari di lavoro by Federico Zeri,
and printed matter concerning marble busts from Guiness family collection.
box 145*, folder 17
Items from Box 41, F. 7-8,
undated
Scope and Content Note
2 photographs.
box 145*, folder 18
Items from Box 41, F. 9,
1974, undated
Scope and Content Note
7 items. Press clippins.
box 145*, folder 19
Items from box 42, F. 2,
undated
Scope and Content Note
1 item. A drawing by Held.
box 145*, folder 20
Items from Box 42, F. 3-4,
undated
Scope and Content Note
1 item. Poster or announcement of a lecture by Held.
box 145*, folder 21
Items from Box 42, F. 7,
1965, undated
Scope and Content Note
2 press clippings.
box 145*, folder 22
Items from Box 43, F. 1,
undated
Scope and Content Note
1 items (2 leaves). Printed matter with article
The mystery of the Master
ES
.
box 146*
Items from: Box 53, F. 6 - Box 65, F. 37,
1966-1999, undated
Scope and Content Note
19 folders.
box 146*, folder 1
Items from Box 53, F.6,
1999
Scope and Content Note
1 item. Press clipping from
El nuevo dia with an article by Mario
Alegre Barrios.
box 146*, folder 2
Items from Box 55, F. 4,
1966-1994
Scope and Content Note
7 items (9 leaves). Press clippings and printed matter.
box 146*, folder 3
Items from Box 55, F. 4,
undated
Scope and Content Note
3 photographs.
box 146*, folder 4
Items from Box 56, F. 10,
undated
Scope and Content Note
1 photograph.
box 146*, folder 5
Items from Box 56, F. 13,
undated
Scope and Content Note
1 photograph.
box 146*, folder 6
Items from Box 56, F. 19,
undated
Scope and Content Note
1 photograph.
box 146*, folder 7
Items from Box 57, F. 1,
undated
Scope and Content Note
2 photographs.
box 146*, folder 8
Items from Box 57, F. 3,
undated
Scope and Content Note
1 photograph.
box 146*, folder 9
Items from Box 57, F. 7,
undated
Scope and Content Note
1 photograph.
box 146*, folder 10
Items from Box 57, F. 8,
undated
Scope and Content Note
1 photograph.
box 146*, folder 11
Items from Box 57, F. 11,
undated
Scope and Content Note
2 photographs.
box 146*, folder 12
Items from Box 59, F. 5,
undated
Scope and Content Note
1 photograph.
box 146*, folder 13
Items from Box 61, F. 30,
1990
Scope and Content Note
1 press clipping with article by Otto von Simson
Der christliche
Seneca
.
box 146*, folder 14
Items from Box. 65, F. 3,
undated
Scope and Content Note
2 photographs.
box 146*, folder 15
Items from Box 65, F. 7,
undated
Scope and Content Note
2 photographs.
box 146*, folder 16
Items from Box 65, F. 18,
undated
Scope and Content Note
1 photograph.
box 146*, folder 17
Items from Box 65, F. 32,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 146*, folder 18
Items from Box 65, F. 35,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 146*, folder 19
Items from Box 65, F. 37,
undated
Scope and Content Note
6 leaves of illustrated matter.
box 147*
Items from: Box 66 - Box 69,
undated
Scope and Content Note
8 folders.
box 147*, folder 1
Items from Box 66, F. 9,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 147*, folder 2
Items from Box 66, F. 13, F. 17, F. 27,
undated
Scope and Content Note
7 photographs.
box 147*, folder 3
Itema from Box 67, F. 1,
undated
Scope and Content Note
1 photograph, pasted on cardboard.
box 147*, folder 4
Items from Box 67, F. 6,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 147*, folder 5
Items from Box 67, F. 25-26,
undated
Scope and Content Note
3 items: 1 photograph, 2 leaves of illustrated matter.
box 147*, folder 6
Items from Box 68, F. 11,
undated
Scope and Content Note
1 photograph.
box 147*, folder 7
Items from Box 68, F. 18,
undated
Scope and Content Note
2 photographs.
box 147*, folder 8
Items from Box 69, F. 6,
undated
Scope and Content Note
2 photographs.
box 148*
Items from Box: 70, F. 2 - Box 73, F. 24, F. 51,
undated
Scope and Content Note
12 folders.
box 148*, folder 1
Items from Box 70, F. 2,
undated
Scope and Content Note
1 photograph.
box 148*, folder 2
Items from Box 71, F. 30,
undated
Scope and Content Note
1 photograph.
box 148*, folder 3
Items from Box 71, F. 36,
undated
Scope and Content Note
1 photograph.
box 148*, folder 4
Items from Box 71, F. 19,
undated
Scope and Content Note
1 photograph.
box 148*, folder 5
Items from Box. 71, F. 17,
undated
Scope and Content Note
2 photographs.
box 148*, folder 6
Items from Box 72, F. 7,
undated
Scope and Content Note
1 photograph.
box 148*, folder 7
Items from Box 72, F. 9,
undated
Scope and Content Note
1 photograph.
box 148*, folder 8
Items from Box 72, F. 11,
undated
Scope and Content Note
2 photographs.
box 148*, folder 9
Items from Box 72, F. 20,
undated
Scope and Content Note
1 photograph.
box 148*, folder 10
Items from Box 72, F. 25, F.26
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 148*, folder 11
Items from Box 73, F. 11,
undated
Scope and Content Note
1 photograph.
box 148*, folder 12
Items from Box 73, F. 24, F. 51,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter.
box 149*
Items from Box 74, F. 1 - Box 79, F. 15,
undated
Scope and Content Note
15 folders.
box 149*, folder 1
Items from Box 74, F. 1,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 149*, folder 2
Items from Box 74, F. 9-10,
undated
Scope and Content Note
5 items: 1 photograph, 4 leaves of illustrated matter.
box 149*, folder 3
Items from Box 74, F. 19,
undated
Scope and Content Note
3 photographs.
box 149*, folder 4
Items from Box 74, F. 21,
undated
Scope and Content Note
4 photographs.
box 149*, folder 5
Items from Box 74, F. 26,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 149*, folder 6
Items from Box 75, F. 1,
undated
Scope and Content Note
1 photograph.
box 149*, folder 7
Items from Box 76, F. 1,
undated
Scope and Content Note
2 photographs.
box 149*, folder 8
Items from Box 76, F. 8, F.12, F. 33,
undated
Scope and Content Note
4 items: 3 photographs, 1 leaf of illustrated matter.
box 149*, folder 9
Items from Box 77, F. 24,
undated
Scope and Content Note
2 photographs.
box 149*, folder 10
Items from Box 77, F. 32,
undated
Scope and Content Note
8 photographs.
box 149*, folder 11
Items from Box 78, F. 1,
undated
Scope and Content Note
1 photograph.
box 149*, folder 12
Items from Box 78, F. 28,
undated
Scope and Content Note
2 photographs.
box 149*, folder 13
Items from Box 78, F. 44,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 149*, folder 14
Items from Box 78, F. 49,
undated
Scope and Content Note
1 photograph.
box 149*, folder 15
Items from Box 79, F. 15,
undated
Scope and Content Note
1 photograph.
box 150*
Items from: Box 80, F. 15 - Box 85, F. 12,
undated
Scope and Content Note
12 folders.
box 150*, folder 1
Items from Box. 80, F. 15,
undated
Scope and Content Note
1 photograph.
box 150*, folder 2
Items from Box 80, F. 16, Box 81, F. 26, Box 93, F. 20, Box 24, F.
2,
undated
Scope and Content Note
4 photographs.
box 150*, folder 3
Items from Box 80, F. 30, F. 32,
undated
Scope and Content Note
4 photographs.
box 150*, folder 4
Items from Box 80, F. 36, F. 37,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 150*, folder 5
Items from Box 81, F. 24,
undated
Scope and Content Note
3 photographs.
box 150*, folder 6
Items from Box 82, F. 25,
undated
Scope and Content Note
1 photograph.
box 150*, folder 7
Items from Box 83, F. 22, F. 28,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 150*, folder 8
Items from Box 83, F. 32,
undated
Scope and Content Note
2 photographs.
box 150*, folder 9
Items from Box 84, F. 1, F. 10, F. 26,
undated
Scope and Content Note
4 items: 2 photographs, 2 leaves of illustrated matter.
box 150*, folder 10
Items from Box 84, F. 8, F. 37,
undated
Scope and Content Note
4 photographs.
box 150*, folder 11
Items from Box 84, F. 38,
undated
Scope and Content Note
7 photographs.
box 150*, folder 12
Items from Box 85, F. 12,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 150*, folder 13
Items from Box 89, F. 36,
undated
Scope and Content Note
7 items: 5 photographs, 2 leaves of illustrated matter. Various paintings and oil
sketches by Rubens, including
Rape of daughters of
Leukippos,
Shepherds, and
Dejanira. [Pulled
from Box 89.]
box 151*
Items from Box 90, F. 29 - Box 104, F. 14,
undated 1957,
Scope and Content Note
17 folders.
box 151*, folder 1
Items from Box 90, F. 29,
1957
Scope and Content Note
1 press clipping.
box 151*, folder 2
Items from Box 93, F. 20, Box 94, F. 33,
undated
Scope and Content Note
3 photographs: portrait painting of William Laud, Archbishop of Canterbury, and 2
photographs of a painting titled
Bacchanalian Procession.
box 151*, folder 3
Items from Box 95, F. 24, F. 37,
undated
Scope and Content Note
4 photographs.
box 151*, folder 4
Items from Box 97, F. 9,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 151*, folder 5
Items from Box 98, F. 5,
undated
Scope and Content Note
1 photograph.
box 151*, folder 6
Items from Box 99, F. 12
undated
Scope and Content Note
3 photographs.
box 151*, folder 7
Items from Box 99, F. 13,
undated
Scope and Content Note
1 photograph.
box 151*, folder 8
Items from Box 99, F. 23, F. 29,
undated
Scope and Content Note
3 photographs.
box 151*, folder 9
Items from Box 100, F. 1,
undated
Scope and Content Note
2 photographs.
box 151*, folder 10
Items from Box 100, F. 16,
undated
Scope and Content Note
1 photograph.
box 151*, folder 11
Items from Box 101, F. 40,
undated
Scope and Content Note
1 item (4 leaves). Printed and illustrated matter. An article on paintings by
Veronese at Villa Maser.
box 151*, folder 12
Items from Box 101, F. 35,
undated
Scope and Content Note
1 photograph.
box 151*, folder 13
Items from Box 102, F. 7, F. 34,
undated
Scope and Content Note
2 photographs.
box 151*, folder 14
Items from Box 102, F. 35,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 151*, folder 15
Items from Box 102, F. 44,
undated
Scope and Content Note
2 photographs.
box 151*, folder 16
Items from Box 103, F. 36,
1937
Scope and Content Note
1 press clipping from
Svenska Dagblad with an article by Karl Erik
Steneberg.
box 151*, folder 17
Items from Box 104, F. 14,
1940
Scope and Content Note
4 items: 3 press clippings and 1 envelope. Press clippings concern Jordaens
exhibition at Mortimer Brandt Gallery in New York. Envelope has letterhead of
Pauelle Laboratories.
box 152*
Items from Box 108, F. 24 - Box 121, F. 45,
undated
Scope and Content Note
16 folders.
box 152*, folder 1
Items from Box 108, F. 24,
undated
Scope and Content Note
1 leaf of printed and illustrated matter.
box 152*, folder 2
Items from Box 110, F. 4,
1970
Scope and Content Note
1 press clipping from
The New York Review.
box 152*, folder 3
Items from Box 111, F. 3,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 152*, folder 4
Items from Box 112, F. 11,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 152*, folder 5
Items from Box 112, F. 19,
undated
Scope and Content Note
3 leaves of illustrated matter.
box 152*, folder 6
Items from Box 113, F. 24, F. 41, F. 42,
undated
Scope and Content Note
4 photographs.
box 152*, folder 7
Items from Box 114, F. 11,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 152*, folder 8
Items from Box 114, F. 13,
undated
Scope and Content Note
1 photograph.
box 152*, folder 9
Items from Box 116, F. 44,
undated
Scope and Content Note
11 items: 10 leaves of illustrated matter, 1 leaf of typescript.
box 152*, folder 10
Items from Box 117, F. 21,
undated
Scope and Content Note
2 photographs.
box 152*, folder 11
Items from Box 118, F. 21,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 152*, folder 12
Items from Box 120, F. 43,
undated
Scope and Content Note
3 items: 2 photographs, 1 leaf of illustrated matter.
box 152*, folder 13
Items from Box 120, F. 21,
undated
Scope and Content Note
4 leaves of printed and illustrated matter.
box 152*, folder 14
Items from Box 125, F. 21,
undated
Scope and Content Note
1 leaf of printed and illustrated matter.
box 152*, folder 15
Items from Box 125, F. 28,
undated
Scope and Content Note
1 leaf of printed and illustrated matter. Prospectus for a reissue of
Ecce
Homo
by George Grosz .
box 152*, folder 16
Items from Box 125, F. 20,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 153*
Items from Box: 122, F. 1 - Box 129, F. 42,
undated
Scope and Content Note
16 folders.
box 153*, folder 1
Items from Box 122, F1,
undated
Scope and Content Note
3 leaves of illustrated matter.
box 153*, folder 2
Items from Box 122, F. 10,
1932, 1983,
Scope and Content Note
2 items: 1 press clipping, printed matter (offprint with an article by Larry
Silver).
box 153*, folder 3
Items from Box 122, F. 18,
undated
Scope and Content Note
4 items: illustrated matter.
box 153*, folder 4
Items from Box 126, F. 29,
undated
Scope and Content Note
2 items (7 leaves). Printed and illustrated matter.
box 153*, folder 5
Items from Box 127, F. 10,
undated
Scope and Content Note
1 photograph.
box 153*, folder 6
Items from Box 128, F. 53,
undated
Scope and Content Note
6 leaves of printed and illustrated matter.
box 153*, folder 7
Items from Box 129
1957
Scope and Content Note
2 leaves of printed and illustrated matter. An article by Frank Davis about Joos
van Gent in
The illustrated London news. [Pulled from Box 129.]
box 153*, folder 8
Items from Box 129, F. 22, F. 23,
undated
Scope and Content Note
2 items: 1 photograph, 1 leaf of illustrated matter.
box 153*, folder 9
Items from Box 126, F. 8,
undated
Scope and Content Note
1 photograph.
box 153*, folder 10
Items from Box 130, F. 37,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 153*, folder 11
Items from Box 130, F. 44,
1993, undated
Scope and Content Note
2 items: 1 press clipping, 1 leaf of illustrated matter.
box 153*, folder 12
Items from Box 127, F. 4,
undated
Scope and Content Note
1 photograph.
box 153*, folder 13
Items from Box 127, F. 20,
undated
Scope and Content Note
photograph.
box 153*, folder 14
Items from Box 132, F. 34,
undated
Scope and Content Note
1 photograph.
box 153*, folder 15
Items from Box 133, F. 3,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 153*, folder 16
Items from Box 133, F. 42,
undated
Scope and Content Note
1 photograph.
box 154*
Items from Box 130, F. 3 - Box 125, F. 38,
undated
Scope and Content Note
14 folders.
box 154*, folder 1
Items from Box 134, F. 3,
undated
Scope and Content Note
5 leaves of illustrated matter.
box 154*, folder 2
Items from Box 134, F. 4,
undated
Scope and Content Note
4 leaves of illustrated matter.
box 154*, folder 3
Items from Box 134, F. 5,
undated
Scope and Content Note
1 photograph.
box 154*, folder 4
Items from Box 134, F. 6,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 154*, folder 5
Items from Box 135,
undated
Scope and Content Note
1 leaf of illustrated matter related to Adriaen van Nieulandt. [Pulled from Box
135.]
box 154*, folder 6
Items from Box 135, F. 46,
undated
Scope and Content Note
2 leaves of illustrated matter.
box 154*, folder 7
Items from Box 132, F. 2, F. 19; Box 133, F.32, F. 34,
undated
Scope and Content Note
7 items: 5 photographs, 2 leaves of illustrated matter.
box 154*, folder 8
Items from Box 136, F. 33,
undated
Scope and Content Note
1 photograph.
box 154*, folder 9
Items from Box 138, F. 32,
undated
Scope and Content Note
1 photograph.
box 154*, folder 10
Items from Box 139, F. 17,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 154*, folder 11
Items from Box 139, F. 26,
1984
Scope and Content Note
3 leaves of printed matter. An article on Tobias Stimmer by Johannes
Stückelberger in
Basler Magazin.
box 154*, folder 12
Items from Box 135, F. 12, F. 20, F. 21, F. 23,
undated
Scope and Content Note
4 photographs.
box 154*, folder 13
Items from Box 140, F. 8,
undated
Scope and Content Note
2 photographs.
box 154*, folder 14
Items from Box 125, F. 38,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 155*
Items from Box 141 - Box 144,
undated
Scope and Content Note
8 folders.
box 155*, folder 1
Items from Box 141, F. 11,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 155*, folder 2
Items from Box 141, F. 17,
undated
Scope and Content Note
1 photograph.
box 155*, folder 3
Items from Box 142, F. 23,
undated
Scope and Content Note
4 photographs.
box 155*, folder 4
Items from Box 142, F. 24,
undated
Scope and Content Note
1 leaf of illustrated matter.
box 155*, folder 5
Items from Box 142, F. 34,
undated
Scope and Content Note
5 photographs.
box 155*, folder 6
Item from Box 144,
undated
Scope and Content Note
1 photograph. Unidentified photograph of an x-ray of a painting. Label of
Marcheselli on verso.
box 155*, folder 7
Items from Box 144: various unidentified artworks,
undated
Scope and Content Note
16 items: 8 photographs of varios paintings, 8 leaves of illustrated matter of
woodcuts.
box 155*, folder 8
Item from Box 144: Unidentified press clipping,
undated
Scope and Content Note
1 item. Includes color illustrations of paintings by Thomas Benton, Aaron Bohrod,
Joseph Hirsch, Paul Sample, and Georges Schreiber.
box 155*, folder 9
Items from Box 156*, F. 1, F.8, F. 11, F.13,
undated
Scope and Content Note
5 photographs.
box 155*, folder 10
Items from Box 157*, F.3, F. 5
undated
Scope and Content Note
11 items: 10 photographs, 1 leaf of illustrated matter.
box 155*, folder 11
Items from Box 157*, F. 6, F.7, F.8, F.9; Box 158*, F. 5,
undated
Scope and Content Note
10 items: 9 photographs, 1 leaf of typescript.
box 155*, folder 12
Items from Box 158*: Anthony van Dyck. Portrait of a man,
undated
Scope and Content Note
10 items: 9 photographs of x-rays, 1 clipping of envelope with annotations.
[Pulled from Box 158*.]
box 155*, folder 13
Items from Box 158*, F. 15: Rubens.
Adoration of the Magi,
and
Head of a young man,
undated
Scope and Content Note
6 items: 5 photographs, 1 clipping of envelope with annotations. [Pulled from Box
158*, F. 13.]
box 156*
X-rays of paintings by Rubens, Anthony van Dyck, and Ferdinand
Bol,
undated
Scope and Content Note
14 folders.
box 156*, folder 1
Rubens: x-ray and photographs,
undated
Scope and Content Note
3 items: 1 x-ray and 2 photographs. Annotation on envelope: "All Rubens x-rays
(used in my book"). [Photographs are shelved separately in Box 155*, F. 9.]
box 156*, folder 2
Rubens's painting
Martyrdom of St. Chrysanthus, or,
Martyrdom of a Christian,
undated
Scope and Content Note
5 x-rays. Annotations on envelope preserved.
box 156*, folder 3
Rubens's painting
Coronation of the Virgin,
undated
Scope and Content Note
2 x-rays. Annotations on envelope preserved.
box 156*, folder 4
Rubens painting from Henle collection,
undated
Scope and Content Note
2 x-rays. Caption on x-ray: Sammlung Henle: Rubens.
box 156*, folder 5
Rubens's painting
Madonna and Child,
undated
Scope and Content Note
6 items: 3 x-rays, 1 leaf of notes inscribed: Newhouse, Virgin, 2 clippings of
envelope with annotations, and 2 small labels detached from x-rays.
box 156*, folder 6
Rubens's sketch
Abduction of Dejanira,
undated
Scope and Content Note
2 items: x-ray and clipping of envelope with annotation.
box 156*, folder 7
Artist's name not given.
Mocking of Christ and
Neptune and Amphitrite,
undated
Scope and Content Note
2 x-rays.
box 156*, folder 8
Artist's name not given. X-ray of a painting of a satyr,
undated
Scope and Content Note
2 items: x-ray and photograph. [Photograph is shelved in Box 155*, F. 9.]
box 156*, folder 9
Rubens's painting
Head of a man looking up,
undated
Scope and Content Note
2 x-rays, 2 clippings of envelope with annotations.
box 156*, folder 10
Rubens's oil sketch
Presentation in temple,
undated
Scope and Content Note
3 items: x-ray, color transparency, and a note inscribed: formerly collection of
Peter Sharp, 778 Park Ave.
box 156*, folder 11
Various x-rays,
undated
Scope and Content Note
4 items: 3 x-rays and 1 photograph. One of the x-rays is labelled: Nicholas
Rockox, Van Dyck exh. [Photograph is shelved in Box 155*, F. 9.]
box 156*, folder 12
Artist's name not given. Various x-rays,
undated
Scope and Content Note
11 x-rays. Unlabelled.
box 156*, folder 13
Ferdinand Bol. Self-portrait,
undated
Scope and Content Note
4 items: 2 x-rays, 1 photograph of a portrait painting of a young woman, and
clipping of the envelope. [Photograph is shelved in Box 155*, F.9.]
box 156*, folder 14
Rubens. X-rays Leopards,
undated
Scope and Content Note
13 items: 12 x-rays, 1 envelope.
box 157*
X-rays of paintings by Rubens, Anthony van Dyck, Rembrandt
undated
Scope and Content Note
12 folders.
box 157*, folder 1
Name of artist not given.
Ganymede,
undated
Scope and Content Note
1 x-ray and a note.
box 157*, folder 2
Name of artist not given. Various artworks,
undated
Scope and Content Note
3 items: 2 x-rays, including one labelled
Jupiter and Danae, and 1
black and white transparency.
box 157*, folder 3
Various Rubens x-rays,
undated
Scope and Content Note
8 items: 2 x-rays, 6 photographs, 1 envelope. [Photographs are shelved in Box
155*, F. 10.]
box 157*, folder 4
Rubens.
Roman Emperor,
undated
Scope and Content Note
8 items: 1 x-ray, 6 photographs, 1 clipping of envelope.
box 157*, folder 5
Rubens. Portrait of old man, 1986 Colnaghi,
undated
Scope and Content Note
6 items: 4 x-rays, 1 leaf of illustrated matter, and clipping of envelope.
[Illustrated matter is shelved in Box 155*, F. 10.]
box 157*, folder 6
Rubens. Various artworks,
undated
Scope and Content Note
8 items: 2 x-rays, 5 photographs, and envelope, annotated. Annotations on
envelope include: Brussels Negroes, Tokyo Two children, Portrait with page
Detroit, Samson. [Photographs are shelved in Box 155*, F. 11.]
box 157*, folder 7
Van Dyck.
Magdalen,
undated
Scope and Content Note
6 items: 4 x-rays, 1 photograph of an engraving after a painting by Anthony van
Dyck by Arnold de Jode, and clipping of envelope. [Photograph is shelved in Box
155*, F. 11.]
box 157*, folder 8
Rembrandt.
Musician,
undated
Scope and Content Note
3 items: x-ray, 1 photograph, envelope with annotations. [Photograph is shelven
in Box 155*, F. 11.]
box 157*, folder 9
Rubens.
The lovers,
undated
Scope and Content Note
7 items: 4 x-rays, 1 photograph,examination report (1 leaf of typescript),
envelope with annotations. [Photograph and examination report are shelved in Box
155*, F. 11.]
box 157*, folder 10
Style of Rubens.
Calling of Mathew,
undated
Scope and Content Note
4 items: 3 x-rays, envelope with annotations.
box 157*, folder 11
Rubens copy.
Lamentation,
undated
Scope and Content Note
3 items: 2 x-rays, envelope with annotations.
box 157*, folder 12
Rubens.
Charles I as Prince of Wales,
undated
Scope and Content Note
4 items: 3 x-rays, 1 envelope.
box 158*
X-rays,
undated
Scope and Content Note
15 folders.
box 158*, folder 1
Jordaens.
Head of a man,
undated
Scope and Content Note
2 items: x-ray and envelope with annotations.
box 158*, folder 2
Name of artist not viven.
Lot et sa famille quittant
Sodome
,
undated
Scope and Content Note
2 items: x-ray and clipping of envelope.
box 158*, folder 3
Spanish painting, Vienna, Dorotheum,
undated
Scope and Content Note
5 items: 4 x-rays, clipping of wrapper.
box 158*, folder 4
Pieter Claesz. Soutman? Portrait of a woman,
undated
Scope and Content Note
3 items: 2 x-rays, envelope with annotations.
box 158*, folder 5
Rubens. Portrait of Nicolas Rockox,
undated
Scope and Content Note
6 items: 4 x-rays, 1 photograph, clipping of envelope with annotations.
[Photograph is shelved in Box 155*, F. 11.]
box 158*, folder 6
Name of artist not given.
Adoration of the
Magi
,
undated
Scope and Content Note
3 items: 2 x-rays, clipping of envelope with annotations.
box 158*, folder 7
Rubens (attributed).
Esther and Ahasuerus,
undated
Scope and Content Note
8 items: 6 x-rays, 2 clippings of enclosure with annotations.
box 158*, folder 8
Rubens copy from the collection of Jean Plasse,
undated
Scope and Content Note
7 items: 6 x-rays, clipping of envelope with annotations.
box 158*, folder 9
Anthony van Dyck. Various artworks, ,
undated
Scope and Content Note
5 items: 4 x-rays, clipping of envelope with annotations.
box 158*, folder 10
Anthony van Dyck.
Horse [
The white
stallion
],
undated
Scope and Content Note
5 items: 4 x-rays, clipping of envelope with annotations.
box 158*, folder 11
Attribution uncertain (Rubens?, Anthony van Dyck?). Painting of a
girl,
undated
Scope and Content Note
4 items: 3 x-rays, clipping of envelope with annotations.
box 158*, folder 12
Rubens.
Last Supper,
undated
Scope and Content Note
5 items: 4 x-rays, clipping of envelope with annotations.
box 158*, folder 13
Rubens.
Jünglingskopf [
Head of a young
man
] ,
undated
Scope and Content Note
4 items: 2 x-rays, 1 photograph, clipping of envelope with annotations.
[Photograph is shelved in Box 155*, F. 13.]
oversize FF1**
Items from Box 115, F. 40 and Box 142, F. 15,
undated
Scope and Content Note
2 items: an article on Hieronymus Bosch in
Brabants Dagblad from 16
Sept 1967 (2 leaves), and 1 leaf of folded illustrated matter (regarding painting by
Jan Baptist Weenix).
Series IX.B.
Items shelved in cold storage,
ca. 1937-1999
Physical Description:
10
box(es)
4.2 lin. ft.
Scope and Content Note
Comprises color transparencies, negatives, and color photographic prints, pulled from
original files. Occasionally, printed materials or manuscripts are attached to the
photographic items. These items are housed in cold storage for preservation.
box 159
Items from: Box 2, F.5-Box 22, F.45,
undated
box 159, folder 1
Items from Box 2, F. 5,
undated
Scope and Content Note
8 personal color photographs sent to Held from Alessandra Comini.
box 159, folder 2
Items from Box 3, F. 1,
undated
Scope and Content Note
3 personal photographs sent to Held from Amy Golahny.
box 159, folder 3
Items from Box 6, F. 14,
undated
Scope and Content Note
1 color transparency of a portrait of Louis XIII King of France by Rubens.
box 159, folder 4
Items from Box 7, F. 22,
undated
Scope and Content Note
1 color photograph of John Walsh with family.
box 159, folder 5
Items from Box 9, F. 6,
undated
Scope and Content Note
1 personal photograph of Isabelle Emerson's family.
box 159, folder 6
Items from Box 9, F. 9,
undated
Scope and Content Note
1 color photograph of a painting of Christ with an angel.
box 159, folder 7
Items from Box 10, F. 10,
undated
Scope and Content Note
8 items: 1 color transparency and 7 color photographs of a painting depicting
figures in a landscape and a painting of Virgin and Child with a monogram of
Michiel Vriendt.
box 159, folder 8
Items from Box 10, F. 11,
undated
Scope and Content Note
2 items: 1 color photograph of painting
Portrait of a woman and 1
color transparency of painting
Loth and his daughters.
box 159, folder 9
Items from Box 11, F. 7,
undated
Scope and Content Note
1 color photograph of Wedenberg's house.
box 159, folder 10
Items from Box 14, F. 4-5,
undated
Scope and Content Note
3 items: 2 color transparencies and plastic envelope preserved with label:
The return from war: Mars disarmed by Venus.
box 159, folder 11
Items from Box 14, F. 10,
undated
Scope and Content Note
4 color photographs.
box 159, folder 12
Items from Box 16, F. 10,
undated
Scope and Content Note
6 items: 5 color transparencies, 1 plastic envelope. Various portraits.
box 159, folder 13
Items from Box 16, F. 16,
undated
Scope and Content Note
1 color transparency of
Conversion of St. Paul (sketch?) by
Rubens.
box 159, folder 14
Items from Box 16, F. 19,
undated
Scope and Content Note
3 color transparencies.
box 159, folder 15
Items from box 16, F. 29,
undated
Scope and Content Note
4 items: 1 color transparency of a portrait painting of a man, with label, and
color photograph of a painting referred to as
Black servant
(Negerpage)
attributed to Anthony van Dyck, with 1 leaf of notes.
box 159, folder 16
Items from Box 16, F. 30,
undated
Scope and Content Note
4 items: 1 color photograph, 2 color transparencies, and 1 leaf of notes.
box 159, folder 17
Items from Box 16, F. 31,
undated
Scope and Content Note
1 color transparency of a painting of a male saint with a crucifix.
box 159, folder 18
Items from Box 16, F. 32,
undated
Scope and Content Note
1 color transparency of a portrait painting of a man.
box 159, folder 19
Items from Box 16, F. 33,
undated
Scope and Content Note
2 items: 1 color slide (a Holy family painting) and 1 color transparency
(Portrait of a man).
box 159, folder 20
Items from Box 16, F. 35,
undated
Scope and Content Note
1 color photograph of a drawing of a nude male figure seen from the back.
box 159, folder 21
Items from Box 16, F. 37,
undated
Scope and Content Note
6 color transparencies. Various artworks.
box 159, folder 22
Items from Box 16, F. 38,
undated
Scope and Content Note
5 items: 2 color photographs, 3 color transparencies. Various artworks.
box 159, folder 23
Items from Box 16, F. 39,
undated
Scope and Content Note
2 color photographs.
box 159, folder 24
Items from Box 16, F. 40,
undated
Scope and Content Note
2 color transparencies.
box 159, folder 25
Items from Box 17, F. 5,
undated
Scope and Content Note
3 items: 1 color transparency, 1 color photograph, and 1 color slide.
box 159, folder 26
Items from Box 17, F. 13,
undated
Scope and Content Note
3 items: 2 color transparencies, 1 plastic envelope with label.
box 159, folder 27
Items from Box 17, F. 18-19,
undated
Scope and Content Note
11 items: 1 color photograph, 6 color transparencies, 2 plastic envelope with
labels, 1 leaf of printed matter, and 1 leaf of notes.
box 159, folder 28
Items from Box 17, F. 25,
undated
Scope and Content Note
2 color transparencies.
box 159, folder 29
Items from Box 18, F. 2,
undated
Scope and Content Note
1 color photograph: portrait painting of a young woman.
box 159, folder 30
Items from Box 18, F. 3,
undated
Scope and Content Note
4 items: 2 color transparencies, 2 plastic envelopes with labels.
box 159, folder 31
Items from Box 18, F. 4,
undated
Scope and Content Note
1 color transparency of a portrait painting of a young woman.
box 159, folder 32
Items from Box 18, F. 7,
undated
Scope and Content Note
1 color transparency of a drawing of a head of a man.
box 159, folder 33
Items from Box 19, F. 10,
undated
Scope and Content Note
4 items: 2 color transparencies and 2 color photographs of paintings:
Portrait of a Lady seated in an arm chair and
Sacrifice of
Isaac
.
box 159, folder 34
Items from Box 20, F. 9,
undated
Scope and Content Note
1 color transparency.
box 159, folder 35
Items from Box 20, F. 10,
undated
Scope and Content Note
1 color photograph.
box 159, folder 36
Items from Box 20, F. 11,
undated
Scope and Content Note
4 color photographs.
box 159, folder 37
Items from Box 20, F. 23,
undated
Scope and Content Note
1 color photograph.
box 159, folder 38
Items from Box 20, F. 24,
undated
Scope and Content Note
1 color transparency.
box 159, folder 39
Items from Box 20, F. 25,
undated
Scope and Content Note
1 color polaroid photograph of a painting of an old woman.
box 159, folder 40
Items from Box 20: item related to Benjamin Blüh,
1993
Scope and Content Note
1 color photograph of a painting, dated and inscribed with Blüh's name on
verso.
box 159, folder 41
Items from Box 20, F. 34,
undated
Scope and Content Note
2 color photographs of a painting of
Virgin and Child.
box 159, folder 42
Items from Box 20, F. 35,
undated
Scope and Content Note
5 color photographs.
box 159, folder 43
Items from Box 20, F. 36
undated
Scope and Content Note
1 color photograph of a portrait painting of a woman.
box 159, folder 44
Items from Box 20, F. 37,
undated
Scope and Content Note
1 color photograph of a portrait painting (Van Dyck's self-portrait?), annotated
by Held on verso.
box 159, folder 45
Items from Box 20, F. 38,
undated
Scope and Content Note
1 color photograph of a drawing.
box 159, folder 46
Items from Box 20, F. 39,
undated
Scope and Content Note
2 items: 1 color photograph, 1 color transparency.
box 159, folder 47
Items from Box 20, F. 42,
undated
Scope and Content Note
1 color photograph, annotated by Held on verso. Portrait of Albert, Archduke of
Austria.
box 159, folder 48
Items from Box 20, F. 45,
undated
Scope and Content Note
1 color transparency.
box 159, folder 49
Items from Box 20, F. 47,
undated
Scope and Content Note
2 color slides.
box 159, folder 50
Items from Box 20, F. 49,
undated
Scope and Content Note
1 color polaroid.
box 159, folder 51
Items from Box 20, F. 55,
undated
Scope and Content Note
5 color slides.
box 159, folder 52
Items from Box 20, F. 57,
undated
Scope and Content Note
2 color photographs.
box 159, folder 53
Items from Box 20, F. 58,
undated
Scope and Content Note
3 color photographs.
box 159, folder 54
Items from Box 20, F. 65,
undated
Scope and Content Note
1 color photograph.
box 159, folder 55
Items from Box 20, F. 67,
undated
Scope and Content Note
2 color transparencies.
box 159, folder 56
Items from Box 20, F. 69,
undated
Scope and Content Note
1 color photograph.
box 159, folder 57
Items from Box 21, F. 4,
undated
Scope and Content Note
1 color slide.
box 159, folder 58
Items from Box 21, F. 6,
undated
Scope and Content Note
1 color photograph.
box 159, folder 59
Items from Box 21, F. 9,
undated
Scope and Content Note
14 color photographs.
box 159, folder 60
Items from Box 21, F. 10,
undated
Scope and Content Note
2 color photographs.
box 159, folder 61
Items from Box 21, F. 15,
undated
Scope and Content Note
2 color photographs.
box 159, folder 62
Items from Box 21, F. 22,
undated
Scope and Content Note
1 color photograph.
box 159, folder 63
Items from Box 21, F. 23,
undated
Scope and Content Note
1 color photograph.
box 159, folder 64
Items from Box 21, F. 34,
undated
Scope and Content Note
1 color transparency.
box 159, folder 65
Items from Box 21, F. 37,
undated
Scope and Content Note
1 color photograph.
box 159, folder 66
Items from Box 21, F. 47,
undated
Scope and Content Note
1 color transparency.
box 159, folder 67
Items from Box 21, F. 48,
undated
Scope and Content Note
1 color photograph.
box 159, folder 68
Items from Box 22, F. 1,
undated
Scope and Content Note
11 color photographs.
box 159, folder 69
Items from Box 22, F. 8,
undated
Scope and Content Note
2 color photographs.
box 159, folder 70
Items from Box 22, F. 15,
undated
Scope and Content Note
1 color transparency.
box 159, folder 71
Items from Box 22, F. 16,
undated
Scope and Content Note
1 color photograph.
box 159, folder 72
Items from Box 22, F. 22,
undated
Scope and Content Note
1 color photograph.
box 159, folder 73
Items from Box 22, F. 25,
undated
Scope and Content Note
2 color photographs.
box 159, folder 74
Items from Box 22, F. 28,
undated
Scope and Content Note
3 color photographs.
box 159, folder 75
Items from Box 22, F. 29,
undated
Scope and Content Note
3 color photographs.
box 159, folder 76
Items from Box 22, F. 34,
undated
Scope and Content Note
1 color slide.
box 159, folder 77
Items from Box 22, F. 40,
undated
Scope and Content Note
1 color slide.
box 159, folder 78
Items from Box 22, F. 45,
undated
Scope and Content Note
4 color photographs.
box 160
Items from: Box 23 - Box 32
undated
box 160, folder 1
Items from Box 23, F. 3,
undated
Scope and Content Note
2 color photographs.
box 160, folder 2
Items from Box 23, F. 4,
undated
Scope and Content Note
2 items: 1 color photograph, 1 color slide.
box 160, folder 3
Items from Box 23, F. 10,
undated
Scope and Content Note
1 color photograph.
box 160, folder 4
Items from Box 23, F. 11,
undated
Scope and Content Note
1 color photograph.
box 160, folder 5
Items from Box 23, F. 26,
undated
Scope and Content Note
1 color photograph.
box 160, folder 6
Items from Box 23, F. 29,
undated
Scope and Content Note
5 items: 1 color photograph, 2 color transparencies, 2 plastic envelopes with
labels.
box 160, folder 7
Items from Box 23, F. 30,
undated
Scope and Content Note
3 items: 1 color transparencies, 6 photographs, including 5 in color. All but 1
color photographs are pasted on one leaf paper.
box 160, folder 8
Items from Box 23, F. 31,
undated
Scope and Content Note
6 color photographs.
box 160, folder 9
Items from Box 23, F. 32,
undated
Scope and Content Note
1 color photograph.
box 160, folder 10
Items from Box 23, F. 33,
undated
Scope and Content Note
3 color photographs.
box 160, folder 11
Items from box 23, F. 37,
undated
Scope and Content Note
1 color photograph.
box 160, folder 12
Items from Box 23, F. 39,
undated
Scope and Content Note
2 color photographs.
box 160, folder 13
Items from Box 23, F. 42,
undated
Scope and Content Note
1 color photograph.
box 160, folder 14
Items from Box 23, F. 43,
undated
Scope and Content Note
2 color slides.
box 160, folder 15
Items from Box 23, F. 48,
undated
Scope and Content Note
1 color transparency.
box 160, folder 16
Items from Box 23, F. 49,
undated
Scope and Content Note
1 color photograph.
box 160, folder 17
Items from Box 23, F. 55,
undated
Scope and Content Note
1 color transparency.
box 160, folder 18
Items from Box 23, F. 58,
undated
Scope and Content Note
1 color photograph.
box 160, folder 19
Items from Box 24, F. 7,
undated
Scope and Content Note
2 color photographs.
box 160, folder 20
Items from Box 24, F. 10,
undated
Scope and Content Note
2 color photographs.
box 160, folder 21
Items from Box 24, F. 17,
undated
Scope and Content Note
2 color photographs.
box 160, folder 22
Items from Box 24, F. 18,
undated
Scope and Content Note
1 color slide.
box 160, folder 23
Items from Box 24, F. 22,
undated
Scope and Content Note
2 items: 1 color transparency, 1 plastic envelope with label.
box 160, folder 24
Items from Box 24, F. 23,
undated
Scope and Content Note
1 color photograph.
box 160, folder 25
Items from Box 24, F. 26,
undated
Scope and Content Note
1 color polaroid photograph.
box 160, folder 26
Items from Box 24, F. 27,
undated
Scope and Content Note
1 color photograph.
box 160, folder 27
Items from Box 24, F. 29,
undated
Scope and Content Note
1 color photograph.
box 160, folder 28
Items from Box 24, F. 34,
undated
Scope and Content Note
1 color photograph.
box 160, folder 29
Items from Box 24, F. 35,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph.
box 160, folder 30
Items from Box 24, F. 38,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph.
box 160, folder 31
Items from Box 24, F. 40,
undated
Scope and Content Note
3 color transparencies.
box 160, folder 32
Items from Box 25, F. 2,
undated
Scope and Content Note
4 items: 1 color transparency, 3 color photographs.
box 160, folder 33
Items from Box 25, F. 4,
undated
Scope and Content Note
1 color transparency.
box 160, folder 34
Items from Box 25, F. 7,
undated
Scope and Content Note
3 color photographs.
box 160, folder 35
Items from Box 25, F. 8,
undated
Scope and Content Note
1 color photograph.
box 160, folder 36
Items from Box 25, F. 11,
undated
Scope and Content Note
1 color photograph.
box 160, folder 37
Items from Box 25, F. 19,
undated
Scope and Content Note
3 color photographs.
box 160, folder 38
Items from Box 25, F. 21,
undated
Scope and Content Note
1 color photograph.
box 160, folder 39
Items from Box 25, F. 23,
undated
Scope and Content Note
1 color photograph.
box 160, folder 40
Items from Box 25, F. 26,
undated
Scope and Content Note
1 items: 4 color photographs on one sheet.
box 160, folder 41
Items from Box 25, F. 27,
undated
Scope and Content Note
3 color photographs.
box 160, folder 42
Items from Box 160, F. 42,
undated
Scope and Content Note
2 color photographs.
box 160, folder 43
Items from Box 25, F. 41,
undated
Scope and Content Note
1 color photograph.
box 160, folder 44
Items from Box 25, F. 43,
undated
Scope and Content Note
10 items: 3 color photographs, 7 color slides.
box 160, folder 45
Items from Box 26, F. 7,
undated
Scope and Content Note
2 color photographs.
box 160, folder 46
Items from Box 26, F. 12,
undated
Scope and Content Note
1 color polaroid.
box 160, folder 47
Items from Box 26, F. 19,
undated
Scope and Content Note
1 color transparency.
box 160, folder 48
Items from Box 26, F. 20,
undated
Scope and Content Note
1 color photograph.
box 160, folder 49
Items from Box 26, F. 22,
undated
Scope and Content Note
1 color photograph.
box 160, folder 50
Items from Box 26, F. 24,
undated
Scope and Content Note
1 color transparency.
box 160, folder 51
Items from Box 26, F. 25,
undated
Scope and Content Note
1 color photograph.
box 160, folder 52
Items from Box 26, F. 28,
undated
Scope and Content Note
1 color photograph.
box 160, folder 53
Items from Box 26, F. 31,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color slide.
box 160, folder 54
Items from Box 26, F. 36,
undated
Scope and Content Note
1 color photograph.
box 160, folder 55
Items from Box 26, F. 39,
undated
Scope and Content Note
1 color photograph.
box 160, folder 56
Items from Box 26, F. 42,
undated
Scope and Content Note
1 color photograph.
box 160, folder 57
Items from Box 27, F. 1,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph.
box 160, folder 58
Items from Box 27, F. 2,
undated
Scope and Content Note
2 color transparencies.
box 160, folder 59
Items from Box 27, F. 5,
undated
Scope and Content Note
1 color photograph.
box 160, folder 60
Items from Box 27, F. 8,
undated
Scope and Content Note
1 color photograph.
box 160, folder 61
Items from Box 27, F. 11,
undated
Scope and Content Note
1 color photograph.
box 160, folder 62
Items from Box 27, F. 12,
undated
Scope and Content Note
1 color transparency.
box 160, folder 63
Items from Box 27, F. 13,
undated
Scope and Content Note
2 color photographs.
box 160, folder 64
Items from Box 27, F. 21,
undated
Scope and Content Note
1 color transparency.
box 160, folder 65
Items from Box 27, F. 22,
undated
Scope and Content Note
1 color transparency.
box 160, folder 66
Items from Box 27, F. 23,
undated
Scope and Content Note
1 color transparency.
box 160, folder 67
Items from Box 27, F. 25,
undated
Scope and Content Note
1 color transparency. s
box 160, folder 68
Items from Box 27, F. 28,
undated
Scope and Content Note
2 color photographs.
box 160, folder 69
Items from Box 27, F. 31,
undated
Scope and Content Note
2 color photographs of painting labelled
Adoration of the Magi,
pasted on one sheet.
box 160, folder 70
Items from Box 27, F. 35,
undated
Scope and Content Note
1 color photograph.
box 160, folder 71
Items from Box 27, F. 36,
undated
Scope and Content Note
1 color transparency.
box 160, folder 72
Items from Box 27, F. 37,
undated
Scope and Content Note
1 color photograph.
box 160, folder 73
Items from Box 27, F. 39,
undated
Scope and Content Note
1 color transparency.
box 160, folder 74
Items from Box 27, F. 40,
undated
Scope and Content Note
1 color photograph.
box 160, folder 75
Items from Box 27, F. 42,
undated
Scope and Content Note
1 color photograph.
box 160, folder 76
Items from Box 27, F. 44,
undated
Scope and Content Note
2 color photographs.
box 160, folder 77
Items from Box 27, F. 47,
undated
Scope and Content Note
1 color transparency.
box 160, folder 78
Items from Box 27, F. 52,
undated
Scope and Content Note
3 items: 2 color transparencies, 1 color photograph.
box 160, folder 79
Items from Box 27, F. 53,
undated
Scope and Content Note
1 color photograph.
box 160, folder 80
Items from Box 28, F. 11,
undated
Scope and Content Note
1 color transparency.
box 160, folder 81
Items from Box 32, F. 12,
undated
Scope and Content Note
4 color photographs.
box 161
Items from: Box 36 - Box 65,
undated
box 161, folder 1
Items from Box 36, F. 23,
undated
Scope and Content Note
3 items: 2 color slides, 1 color transparency.
box 161, folder 2
Items from Box 40, F. 10,
undated
Scope and Content Note
1 color photograph.
box 161, folder 3
Items from Box 47, F. 8,
undated
Scope and Content Note
2 color slides, unmounted.
box 161, folder 4
Items from Box 55, F. 3,
undated
Scope and Content Note
52 color photographs.
box 161, folder 5
Items moved from Box 55, related to Accreditation of Ponce Art
Museum,
1995
Scope and Content Note
2 vols. with color photographs showing arrangement of artworks in galleries at
Ponce Art Museum.
box 161, folder 6
Items from Box 56, F. 11,
undated
Scope and Content Note
9 items: 8 color photographs, 1 negative.
box 161, folder 7
Items from Box 56, F. 19,
undated
Scope and Content Note
4 items: 3 color photographs, 1 color transparency.
box 161, folder 8
Items from Box 57, F. 17,
undated
Scope and Content Note
2 items: 1 color transparency, 1 envelope, annotated.
box 161, folder 9
Items from Box 58, F. 1,
undated
Scope and Content Note
1 negative.
box 161, folder 10
Items from Box 58, F. 6,
undated
Scope and Content Note
1 negative.
box 161, folder 11
Items from Box 58, F. 15,
undated
Scope and Content Note
2 color slides.
box 161, folder 12
Items from Box 59, F. 1,
undated
Scope and Content Note
1 color photograph.
box 161, folder 13
Items from Box 59, F. 8,
1993, undated
Scope and Content Note
3 items: 2 color photographs, 1 letter to Held from Ian Kennedy at Simon
Dickinson Inc. in London.
box 161, folder 14
Items from Box 59, F. 10,
undated
Scope and Content Note
1 color transparency.
box 161, folder 15
Items from Box 59, F. 12,
undated
Scope and Content Note
3 color photographs.
box 161, folder 16
Items from Box 59, F. 22,
undated
Scope and Content Note
4 color photographs.
box 161, folder 17
Items from Box 60, F. 3-4,
undated
Scope and Content Note
7 items: 5 photographs, 1 negative with envelope.
box 161, folder 18
Items from Box 60, F. 5,
undated
Scope and Content Note
2 color photographs.
box 161, folder 19
Items from Box 60, F. 7,
undated
Scope and Content Note
1 color photograph.
box 161, folder 20
Items from Box 60, F. 11,
undated
Scope and Content Note
4 items: 2 negatives, 2 envelopes.
box 161, folder 21
Items from Box 61, F. 12,
undated
Scope and Content Note
6 items: 3 color transparencies, 3 mylar envelopes with labels.
box 161, folder 22
Items from Box 61, F. 14,
undated
Scope and Content Note
1 color transparency.
box 161, folder 23
Items from box 61, F. 15,
undated
Scope and Content Note
3 items: 1 color transparency, 1 mylar envelope with label, 1 color slide.
box 161, folder 24
Items from Box 61, F. 25,
undated
Scope and Content Note
1 color photograph.
box 161, folder 25
Items from Box 61, F. 26,
undated
Scope and Content Note
1 color photograph.
box 161, folder 26
Items from Box 61, F. 27,
undated
Scope and Content Note
1 color photograph.
box 161, folder 27
Items from Box 61, F. 29,
undated
Scope and Content Note
1 color transparency.
box 161, folder 28
Items from Box 62, F. 18,
undated
Scope and Content Note
2 color transparencies.
box 161, folder 29
Items from Box 63, F. 10,
undated
Scope and Content Note
1 color photograph.
box 161, folder 30-31
Items moved from Box 65,
undated
Scope and Content Note
37 color transparencies, and 1 letter to Held from Elizabeth Llewellyn at
Sotheby's London, dated Oct. 9 1990, regarding provenance of Rubens's oil sketch
Jupiter Lycaon.
box 161, folder 32
Items from Box 65, F. 5,
undated
Scope and Content Note
1 color transparency.
box 161, folder 33
Items from Box 65, F. 6,
undated
Scope and Content Note
1 color transparency.
box 161, folder 34
Items from Box 65, F. 8,
undated
Scope and Content Note
1 color photograph.
box 161, folder 35
Items from Box 65, F. 13,
undated
Scope and Content Note
1 color photograph.
box 161, folder 36
Items from Box 65, F. 30,
undated
Scope and Content Note
1 color transparency.
box 161, folder 37
Items from Box 65, F. 33,
undated
Scope and Content Note
4 photographs.
box 162
Items from: Box 66 - Box 74,
undated
box 162, folder 1
Items from Box 66, F. 10,
undated
Scope and Content Note
5 items: 1 color transparency, 1 negative, 1 color polaroid photograph, 2 color
photographs.
box 162, folder 2
Items from Box 67,
undated
Scope and Content Note
1 negative related to Ruben's Ceiling of the Banqueting House, Whitehall. Moved
from Box 67.
box 162, folder 3
Items from Box 67, F. 7,
undated
Scope and Content Note
3 items: 2 color transparencies, 1 color photograph.
box 162, folder 4
Items from Box 67,
undated
Scope and Content Note
5 items related to Rubens's Decoration of the Torre de la Parad: 1 color
photograph, 1 color polaroid, and 3 color transparencies. Moved from Box 67.
box 162, folder 5
Items from Box 67, F. 16,
undated
Scope and Content Note
1 color photograph.
box 162, folder 6
Items from Box 68, F. 1,
1987, undated
Scope and Content Note
4 items: 1 color transparency, 2 color photographs, and carbon copy of Held's
letter to Mrs. Gisela Geuer, dated 31 Aug. 1987.
box 162, folder 7
Items from Box 68, F. 6,
undated
Scope and Content Note
6 items: 5 color transparencies, 1 leaf of notes by Held.
box 162, folder 8
Items from Box 68, F. 10,
undated
Scope and Content Note
5 items: 2 color transparencies, 3 color photographs.
box 162, folder 9
Items from Box 68, F. 17,
undated
Scope and Content Note
6 items: 3 color photographs, 2 color transparencies, 1 mylar envelope with
label.
box 162, folder 10
Items from Box 68, F. 26,
undated
Scope and Content Note
1 color transparency.
box 162, folder 11
Items from Box 68, F. 28,
undated
Scope and Content Note
1 color transparency.
box 162, folder 12
Items from Box 69, F. 1,
undated
Scope and Content Note
2 color transparencies.
box 162, folder 13
Items from Box 69, F. 4,
undated
Scope and Content Note
5 items: 2 color transparencies, 3 color photographs.
box 162, folder 14
Items from Box 69, F. 7,
undated
Scope and Content Note
3 color transparencies.
box 162, folder 15
Items from Box 69, F. 8,
undated
Scope and Content Note
1 color transparency, 1 leaf with annotations.
box 162, folder 16
Items from Box 69, F. 11,
undated
Scope and Content Note
1 color photograph.
box 162, folder 17
Items from Box 69, F. 14,
undated
Scope and Content Note
3 color photographs.
box 162, folder 18
Items from Box 69, F. 22,
undated
Scope and Content Note
2 color transparencies, one with a note by Held attached.
box 162, folder 19
Items from Box 70, F. 1,
undated
Scope and Content Note
6 items: 2 color transparencies, 1 negative, 3 color photographs.
box 162, folder 20
Items from Box 70: painting
Christ and St. John by
Rubens,
undated
Scope and Content Note
ca. 6 items: 3 color photographs, 1 color transparency, and a letter to Held from
Stephen Pepper. Regarding painting in Munich.
box 162, folder 21
Items from Box 70: painting
Christ and St. John by
Rubens,
undated
Scope and Content Note
2 items: color transparency and explanatory note by Held (Hermitage picture).
.
box 162, folder 22
Items from Box 70: painting
Christ and St. John by
Rubens,
undated
Scope and Content Note
2 items: 1 color transparency and 1 photograph.
box 162, folder 23
Items from Box 70: painting
Christ and St. John by
Rubens,
undated
Scope and Content Note
2 items: 1 color transparency and 1 leaf of illustrated matter.
box 162, folder 24
Items from Box 70: painting
Christ and St. John by
Rubens,
undated
Scope and Content Note
2 items: 1 color transparency and label (Central Picture Galleries II).
box 162, folder 25
Items from Box 70: painting
Christ and St. John by
Rubens,
undated
Scope and Content Note
2 items: 1 color transparency and label (Spinola version).
box 162, folder 26
Items from Box 70: painting
Christ and St. John by
Rubens,
undated
Scope and Content Note
2 color transparencies.
box 162, folder 27
Items from Box 71, F. 3
undated
Scope and Content Note
1 color transparency.
box 162, folder 28
Items from Box 71, F. 20,
1986, undated
Scope and Content Note
3 items: 1 color transparency and Held's 1986 correspondence with Janet Gleeson
at auction house Bonhams in London (1 letter to Held, 1 letter from Held).
box 162, folder 29
Items from Box 71, F. 24,
undated
Scope and Content Note
5 items: 3 color transparencies, 2 mylar envelopes with labels.
box 162, folder 30
Items from Box 71, F. 30,
undated
Scope and Content Note
1 color transparency.
box 162, folder 31
Items from Box 71, F. 35,
undated
Scope and Content Note
1 color transparency.
box 162, folder 32
Items from Box 71, F. 36,
undated
Scope and Content Note
1 color photograph.
box 162, folder 33
Items from Box 71, F. 38,
undated
Scope and Content Note
1 color transparency.
box 162, folder 34
Items from Box 71, F. 39,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph pasted on apper, annotated.
box 162, folder 35
Items from Box 72, F. 1,
1962, undated
Scope and Content Note
1 color transparency, 4 photographs, and a 1962 letter to Held from George A.
Born, annotated by Held.
box 162, folder 36
Items from Box 72, F. 2,
1967, undated
Scope and Content Note
4 items: 1 color photograph, a 1967 letter to Held from David M. Koetser, and 2
types notes regarding Rubens's paintings
Portrait of St. Peter and
Head of the young Bacchus.
box 162, folder 37
Items from Box 72, F. 5,
undated
Scope and Content Note
1 color photograph of a painting of Apollo and Daphnis.
box 162, folder 38
Items from Box 72, F. 6,
undated
Scope and Content Note
1 color photograph, annotated by Held on verso.
box 162, folder 39
Items from Box 72, F. 7,
undated
Scope and Content Note
2 color photographs.
box 162, folder 40
Items from Box 72, F. 9,
undated
Scope and Content Note
1 color transparency.
box 162, folder 41
Items from Box 72, F. 10,
undated
Scope and Content Note
1 color transparency.
box 162, folder 42
Items from Box 72, F. 11,
undated
Scope and Content Note
2 items: 1 color photograph, 1 color transparency.
box 162, folder 43
Items from Box 72, F. 13,
undated
Scope and Content Note
1 color photograph.
box 162, folder 44
Items from Box 72, F. 18,
undated
Scope and Content Note
1 color transparency.
box 162, folder 45
Items from Box 72, F. 21,
undated
Scope and Content Note
1 color photograph.
box 162, folder 46
Items from Box 72, F. 24,
undated
Scope and Content Note
1 color transparency.
box 162, folder 47
Items from Box 72, F. 26,
undated
Scope and Content Note
1 color transparency.
box 162, folder 48
Items from Box 72, F. 27,
undated
Scope and Content Note
1 color transparency.
box 162, folder 49
Items from Box 73, F. 3,
undated
Scope and Content Note
2 items: 1 color photograph, business card of Christian Klemm at Kunsthaus
Zürich.
box 162, folder 50
Items from Box 73, F. 5,
undated
Scope and Content Note
4 items: 1 color transparency, 3 color photographs.
box 162, folder 51
Items from Box 73, F. 6,
undated
Scope and Content Note
1 color transparency.
box 162, folder 52
Items from Box 73, F. 7,
undated
Scope and Content Note
3 color transparencies.
box 162, folder 53
Items from Box 73, F. 13,
undated
Scope and Content Note
1 color photograph. s
box 162, folder 54
Items from Box 73, F. 15,
undated
Scope and Content Note
4 items: 2 color transparencies, 2 frames with labels.
box 162, folder 55
Items from Box 73, F. 18,
undated
Scope and Content Note
1 color transparency.
box 162, folder 56
Items from Box 73, F. 19,
undated
Scope and Content Note
1 color transparency.
box 162, folder 57
Items from Box 73, F. 21,
undated
Scope and Content Note
1 color transparency.
box 162, folder 58
Items from Box 73, F. 22,
undated
Scope and Content Note
2 items: 1 color transparency, 1 mylar envelope with label.
box 162, folder 59
Items from Box 73, F. 24,
undated
Scope and Content Note
1 color transparency.
box 162, folder 60
Items from Box 73, F. 32,
undated
Scope and Content Note
2 items: 1 color transparency, 1 mylar envelope with label.
box 162, folder 61
Items from Box 73, F. 39,
undated
Scope and Content Note
1 color transparency.
box 162, folder 62
Items from Box 73, F. 41,
undated
Scope and Content Note
1 color photograph.
box 162, folder 63
Items from Box 73, F. 43,
undated
Scope and Content Note
1 color transparency.
box 162, folder 64
Items from Box 73, F. 46,
undated
Scope and Content Note
1 color transparency.
box 162, folder 65
Items from Box 73, F. 48,
undated
Scope and Content Note
1 color transparency.
box 162, folder 66
Items from Box 74, F. 1,
undated
Scope and Content Note
3 items: 2 color transparencies, 1 color polaroid photograph.
box 162, folder 67
Items from Box 74, F. 11,
undated
Scope and Content Note
1 color transparency.
box 162, folder 68
Items from Box 74, F. 12,
undated
Scope and Content Note
1 color photograph.
box 162, folder 69
Items from Box 74, F. 20,
undated
Scope and Content Note
10 items: 3 color transparencies, 7 color photographs.
box 162, folder 70
Items from Box 74, F. 29,
undated
Scope and Content Note
1 color transparency.
box 163
Items from: Box 75 - Box 81,
undated
box 163, folder 1
Items from Box 75, F. 2
undated
Scope and Content Note
5 items: 2 color transparencies, with labels, and 3 color photographs.
box 163, folder 2
Items from Box 75, F. 5,
undated
Scope and Content Note
1 color transparency.
box 163, folder 3
Items from Box 75, F. 7,
undated
Scope and Content Note
3 color transparencies.
box 163, folder 4
Items from box 75, F. 12,
undated
Scope and Content Note
9 color photographs.
box 163, folder 5
Items from Box 75, F. 13,
undated
Scope and Content Note
2 color transparencies.
box 163, folder 6
Items from Box 75, F. 28,
undated
Scope and Content Note
3 color photographs.
box 163, folder 7
Items from Box 76, F. 1,
1982, 1986, undated
Scope and Content Note
19 color photographs, 5 color transparencies, 1 color polaroid photograph, 1 leaf
of illustrated matter, a 1982 letter to Held from Brenda J. Auslander at Sotheby
Parke Bernet in New York, and a 1986 letter to Held from Pat F. Squillante at
Concord Financial Resources in Saddle Brook, N.J.
box 163, folder 8
Items from Box 76, F. 3,
undated
Scope and Content Note
3 color photographs.
box 163, folder 9
Items from Box 76, F. 8,
undated
Scope and Content Note
4 items: 1 color transparency, 3 color photographs.
box 163, folder 10
Items from Box 76, F. 18,
undated
Scope and Content Note
5 items: 1 color transparency, 4 color photographs.
box 163, folder 11
Items from Box 76, F. 21,
undated
Scope and Content Note
1 color photograph.
box 163, folder 12
Items from Box 76, F. 23,
undated
Scope and Content Note
1 color transparency.
box 163, folder 13
Items from Box 76, F. 24,
undated
Scope and Content Note
1 color transparency.
box 163, folder 14
Items from Box 76, F. 25,
undated
Scope and Content Note
4 color photographs.
box 163, folder 15
Items from box 76, F. 29,
undated
Scope and Content Note
2 color transparencies.
box 163, folder 16
Items from Box 76, F. 30,
undated
Scope and Content Note
2 items: 1 color transparency, 1 leaf of notes.
box 163, folder 17
Items from Box 76, F. 31,
undated
Scope and Content Note
1 color transparency.
box 163, folder 18
Items from Box 76, F. 34,
undated
Scope and Content Note
1 color photograph.
box 163, folder 19
Items from Box 76, F. 35,
undated
Scope and Content Note
1 color photograph.
box 163, folder 20
Items from Box 77, F. 1,
undated
Scope and Content Note
6 items: 1 color transparency , mylar envelope with label, and 4 color
photographs.
box 163, folder 21
Items from Box 77, F. 12,
undated
Scope and Content Note
2 items: 1 color transparency, 1 small leaf of notes.
box 163, folder 22
Items from Box 77, F. 13,
undated
Scope and Content Note
2 items: 1 color transparency, 1 small leaf of notes.
box 163, folder 23
Items from Box 77, F. 14,
undated
Scope and Content Note
2 color transparencies.
box 163, folder 24
Items from Box 77, F. 15,
undated
Scope and Content Note
1 color transparency.
box 163, folder 25
Items from Box 77, F. 16,
undated
Scope and Content Note
2 items: 1 color transparency, 1 mylar envelope with label.
box 163, folder 26
Items from Box 77, F. 17,
undated
Scope and Content Note
2 itemsL 1 color polaroid, 1 color transparency.
box 163, folder 27
Items from Box 77, F. 32,
undated
Scope and Content Note
2 color transparencies.
box 163, folder 28
Items from Box 78, F. 7,
undated
Scope and Content Note
1 color photograph.
box 163, folder 29
Items from Box 78, F. 8,
undated
Scope and Content Note
1 color photograph.
box 163, folder 30
Items from Box 78, F. 11,
undated
Scope and Content Note
1 color photograph.
box 163, folder 31
Items from Box 78, F. 13,
undated
Scope and Content Note
5 photographs.
box 163, folder 32
Items from Box 78, F. 14,
undated
Scope and Content Note
2 items: 1 color transparency, with frame, annotated.
box 163, folder 33
Items from Box 78, F. 15,
undated
Scope and Content Note
4 color photographs.
box 163, folder 34
Items from Box 78, F. 18,
undated
Scope and Content Note
3 items: 2 color transparencies, 1 color photograph.
box 163, folder 35
Items from Box 78, F. 19,
undated
Scope and Content Note
1 color transparency.
box 163, folder 36
Items from Box 78, F. 20,
undated
Scope and Content Note
2 color photographs.
box 163, folder 37
Items from Box 78, F. 23,
1962, undated
Scope and Content Note
2 items: 1 color photograph, and a 1962 letter to Held from Mrs. Edgar C.
Mayo.
box 163, folder 38
Items from Box 78, F. 24,
undated
Scope and Content Note
1 color transparency.
box 163, folder 39
Items from Box 78, F. 48,
undated
Scope and Content Note
2 color transparencies.
box 163, folder 40
Items from Box 78, F. 51,
undated
Scope and Content Note
1 color photograph.
box 163, folder 41
Items from Box 78, F. 52,
undated
Scope and Content Note
1 color photograph.
box 163, folder 42
Items from Box 78, F. 54,
undated
Scope and Content Note
1 color photograph, annotated on verso.
box 163, folder 43
Items from Box 78, F. 56,
undated
Scope and Content Note
1 color photograph.
box 163, folder 44
Items from Box 78, F. 57,
undated
Scope and Content Note
1 color transparency.
box 163, folder 45
Items from Box 79, F. 11,
undated
Scope and Content Note
5 items: 4 color slides, 1 envelope.
box 163, folder 46
Items from Box 79, F. 15,
undated
Scope and Content Note
1 color photograph.
box 163, folder 47
Items from Box 79, F. 16,
undated
Scope and Content Note
4 items: 2 color transparencies, 2 color photographs.
box 163, folder 48
Items from Box 79, F. 17,
undated
Scope and Content Note
14 items: 13 color photographs, 1 small leaf of notes.
box 163, folder 49
Items from Box 79, F. 19,
undated
Scope and Content Note
1 color photograph.
box 163, folder 50
Items from Box 79, F. 21,
undated
Scope and Content Note
1 color photograph.
box 163, folder 51
Items from Box 79, F. 23,
undated
Scope and Content Note
1 color transparency.
box 163, folder 52
Items from Box 79, F. 24,
undated
Scope and Content Note
1 color photograph.
box 163, folder 53
Items from Box 79, F. 37,
undated
Scope and Content Note
1 color photograph.
box 163, folder 54
Items from Box 79, F. 39,
undated
Scope and Content Note
2 color transparencies.
box 163, folder 55
Items from Box 79, F. 42,
undated
Scope and Content Note
1 color photograph.
box 163, folder 56
Items from Box 80, F. 4,
undated
Scope and Content Note
1 color photograph.
box 163, folder 57
Items from Box 80, F. 5,
undated
Scope and Content Note
1 color photograph.
box 163, folder 58
Items from Box 80, F. 8,
undated
Scope and Content Note
3 color photographs.
box 163, folder 59
Items from Box 80, F. 12,
undated
Scope and Content Note
1 color photograph.
box 163, folder 60
Items from Box 80, F. 13,
undated
Scope and Content Note
4 items: 2 color transparencies, 2 color photographs.
box 163, folder 61
Items from Box 80, F. 17,
undated
Scope and Content Note
1 color photograph.
box 163, folder 62
Items from Box 80, F. 18,
undated
Scope and Content Note
3 color photographs.
box 163, folder 63
Items from Box 80, F. 19,
undated
Scope and Content Note
6 color photographs.
box 163, folder 64
Items from Box 80, F. 21,
undated
Scope and Content Note
2 color transparencies.
box 163, folder 65
Items from Box 80, F. 24,
undated
Scope and Content Note
1 color photograph.
box 163, folder 66
Items from Box 80, F. 28,
undated
Scope and Content Note
1 color photograph.
box 163, folder 67
Items from Box 80, F. 30,
undated
Scope and Content Note
1 color transparency.
box 163, folder 68
Items from Box 80, F. 31,
undated
Scope and Content Note
4 items: 2 color transparencies, 2 color photographs.
box 163, folder 69
Items from Box 81, F. 20,
undated
Scope and Content Note
1 color photograph.
box 163, folder 70
Items from Box 81, F. 24,
undated
Scope and Content Note
1 color transparency.
box 163, folder 71
Items from Box 81, F. 29,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph.
box 163, folder 72
Items from Box 81, F. 30,
undated
Scope and Content Note
2 color transparencies.
box 163, folder 73
Items from Box 81, F. 36,
undated
Scope and Content Note
4 items: 1 color transparency, 3 color photographs.
box 163, folder 74
Items from Box 81, F. 41,
undated
Scope and Content Note
1 color photograph.
box 164
Items from: Box 82 - Box 92,
undated
box 164, folder 1
Items from Box 82, F. 1,
undated
Scope and Content Note
8 items: 4 color transparencies, 2 mylar envelopes with labels, 1 black and white
transparency, 1 color photograph.
box 164, folder 2
Items from Box 82, F. 7,
undated
Scope and Content Note
6 color photographs.
box 164, folder 3
Items from Box 82, F. 9,
undated
Scope and Content Note
1 color photograph.
box 164, folder 4
Items from Box 82, F. 12,
undated
Scope and Content Note
1 color photograph.
box 164, folder 5
Items from Box 82, F. 20,
undated
Scope and Content Note
1 color photograph.
box 164, folder 6
Items from Box 82, F. 23,
undated
Scope and Content Note
2 items: 1 color photograph, 1 color transparency.
box 164, folder 7
Items from Box 82, F. 24,
undated
Scope and Content Note
2 items: 1 color transparency, 1 small note inscribed "copy."
box 164, folder 8
Items from Box 82, F. 25,
undated
Scope and Content Note
3 color transparencies.
box 164, folder 9
Items from Box 82, F. 26,
undated
Scope and Content Note
1 color transparency.
box 164, folder 10
Items from Box 82, F. 28,
undated
Scope and Content Note
1 color photograph.
box 164, folder 11
Items from Box 82, F. 29,
undated
Scope and Content Note
1 color transparency.
box 164, folder 12
Items from Box 82, F. 31,
undated
Scope and Content Note
2 color photographs.
box 164, folder 13
Items from Box 82, F. 34,
undated
Scope and Content Note
1 color photograph.
box 164, folder 14
Items from Box 82, F. 35,
undated
Scope and Content Note
1 color photograph.
box 164, folder 15
Items from Box 83, F. 5,
undated
Scope and Content Note
1 color transparency.
box 164, folder 16
Items from Box 83, F. 32,
undated
Scope and Content Note
4 items: 1 color photograph, 1 color slide with envelope, 1969 letter to Held
from Anthony Catauro.
box 164, folder 17
Items from Box 83, F. 34,
undated
Scope and Content Note
1 color transparency.
box 164, folder 18
Items from Box 83, F. 42,
undated
Scope and Content Note
1 color transparency.
box 164, folder 19
Items from Box 84, F. 1,
undated
Scope and Content Note
2 items: 1 color transparency, 1 mylar envelope with label.
box 164, folder 20
Items from Box 84, F. 4,
undated
Scope and Content Note
1 color transparency.
box 164, folder 21
Items from Box 84, F. 5,
undated
Scope and Content Note
1 color transparency.
box 164, folder 22
Items from Box 84, F. 6,
undated
Scope and Content Note
1 color photograph.
box 164, folder 23
Items from Box 84, F. 7,
undated
Scope and Content Note
1 color transparency.
box 164, folder 24
Items from Box 84, F. 19,
undated
Scope and Content Note
1 color transparency.
box 164, folder 25
Items from Box 84, F. 24,
undated
Scope and Content Note
1 color photograph.
box 164, folder 26
Items from Box 84, F. 35,
undated
Scope and Content Note
1 color photograph.
box 164, folder 27
Items from Box 85, F. 2,
undated
Scope and Content Note
2 items: 1 color transparency, 1 mylar envelope with label.
box 164, folder 28
Items from Box 85, F. 5,
undated
Scope and Content Note
2 color photographs.
box 164, folder 29
Items from Box 85, F. 7,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph.
box 164, folder 30
Items from Box 85, F. 9,
undated
Scope and Content Note
2 color photographs.
box 164, folder 31
Items from Box 85, F. 10,
undated
Scope and Content Note
1 color slide.
box 164, folder 32
Items from Box 85, F. 22,
undated
Scope and Content Note
1 color transparency, with label.
box 164, folder 33
Items from Box 85, F. 23,
undated
Scope and Content Note
1 color transparency, in cardboard frame, annotated.
box 164, folder 34
Items from Box 85, F. 24,
undated
Scope and Content Note
1 color photograph.
box 164, folder 35
Items from Box 85, F. 26,
undated
Scope and Content Note
5 items: 3 color photographs, 1 color transparency, 1 envelope.
box 164, folder 36
Items from Box 85, F. 28,
undated
Scope and Content Note
7 items: 6 negatives, 1 color transparency.
box 164, folder 37
items from Box 85, F. 36,
undated
Scope and Content Note
2 items: 1 negative, 1 color transparency.
box 164, folder 38
Items from Box 86, F. 1,
undated
Scope and Content Note
1 color transparency.
box 164, folder 39
Items from Box 86, F. 3,
undated
Scope and Content Note
1 color transparency.
box 164, folder 40
Items from Box 86, F. 5,
undated
Scope and Content Note
6 color photographs.
box 164, folder 41
Items from Box 86, F. 6,
undated
Scope and Content Note
1 color transparency.
box 164, folder 42
Items from Box 86, F. 14,
undated
Scope and Content Note
1 color transparency.
box 164, folder 43
Items from Box 86, F. 15,
undated
Scope and Content Note
1 color transparency.
box 164, folder 44
Items from Box 86, F. 18,
undated
Scope and Content Note
2 color polaroid photographs.
box 164, folder 45
Items from Box 86, F. 19,
undated
Scope and Content Note
1 color photograph.
box 164, folder 46
Items from Box 86,
undated
Scope and Content Note
4 color photographs of a painting titled
Tribute money.
box 164, folder 47
Items from Box 86, F. 20,
undated
Scope and Content Note
1 color photograph.
box 164, folder 48
Items from Box 86, F. 23,
undated
Scope and Content Note
2 color photographs.
box 164, folder 49
Items from Box 87, F. 7,
undated
Scope and Content Note
1 color slide, unframed.
box 164, folder 50
Items from Box 87, F. 17,
undated
Scope and Content Note
1 color transparency.
box 164, folder 51
Items from Box 87, F. 18,
undated
Scope and Content Note
1 color transparency.
box 164, folder 52
Items from Box 87, F. 19,
undated
Scope and Content Note
2 color photographs. s
box 164, folder 53
Items from Box 87, F. 20,
undated
Scope and Content Note
2 items: 1 color photograph, 1 color transparency.
box 164, folder 54
Items from Box 87, F. 22,
undated
Scope and Content Note
10 color photographs.
box 164, folder 55
Items from Box 87, F. 23,
undated
Scope and Content Note
11 items: 3 color transparencies, 8 color photographs. s
box 164, folder 56
Items from Box 89, F. 1,
undated
Scope and Content Note
1 color photograph.
box 164, folder 57
Items from Box 90, F. 12,
undated
Scope and Content Note
1 color slide.
box 164, folder 58
Items from Box 90, F. 18,
undated
Scope and Content Note
2 items: 1 color transparency, and label.
box 164, folder 59
Items from Box 90, F. 28,
undated
Scope and Content Note
2 color photographs.
box 164, folder 60
Items from Box 90, F. 37,
undated
Scope and Content Note
3 items: 1 color slide, 1 color transparency, 1 color photograph.
box 164, folder 61
Items from Box 91, F. 26,
undated
Scope and Content Note
2 items, 1 color transparency, and label.
box 164, folder 62
Items from Box 91, F. 27
undated
Scope and Content Note
2 items: 1 color transparency, and label.
box 164, folder 63
Items from Box 91, F. 30,
undated
Scope and Content Note
3 items: 2 color transparency, 1 label.
box 164, folder 64
Items from Box 92, F. 1,
undated
Scope and Content Note
1 color transparency.
box 164, folder 65
Items from Box 92, F. 8,
undated
Scope and Content Note
1 color transparency.
box 164, folder 66
Items from Box 92, F. 10,
undated
Scope and Content Note
1 color slide.
box 164, folder 67
Items from Box 92, F. 11,
undated
Scope and Content Note
1 color transparency.
box 164, folder 68
Items from Box 92, F. 12,
undated
Scope and Content Note
1 color transparency.
box 164, folder 69
Items from Box 92, F. 16,
undated
Scope and Content Note
1 color photograph.
box 164, folder 70
Items from Box 164, F. 70,
undated
Scope and Content Note
2 color photographs.
box 164, folder 71
Items from Box 92, F. 31,
undated
Scope and Content Note
1 color photograph.
box 164, folder 72
Items from Box 92, F. 32,
undated
Scope and Content Note
1 color transparency.
box 164, folder 73
Items from Box 92, F. 33,
undated
Scope and Content Note
1 color transparency.
box 164, folder 74
Items from Box 92, F. 38,
undated
Scope and Content Note
1 color transparency.
box 164, folder 75
Items from Box 92, F. 40,
undated
Scope and Content Note
1 color transparency. s
box 164, folder 76
Items from Box 92, F. 42,
undated
Scope and Content Note
1 color photograph.
box 164, folder 77
Items from Box 92, F. 44,
undated
Scope and Content Note
1 color photograph.
box 164, folder 78
Items from Box 92, F. 49,
undated
Scope and Content Note
1 color transparency.
box 165
Items from: Box 93 - Box 116,
undated
box 165, folder 1
Items from Box 93, F. 4,
undated
Scope and Content Note
1 color transparency.
box 165, folder 2
Items from Box 93, F. 6,
undated
Scope and Content Note
2 items; 1 color transparency, 1 photograph.
box 165, folder 3
Items from Box 93, F. 9,
undated
Scope and Content Note
1 color photograph.
box 165, folder 4
Items from Box 93, F. 11,
undated
Scope and Content Note
8 items: 4 color transparencies, 4 labels.
box 165, folder 5
Items from Box 93, F. 12,
undated
Scope and Content Note
1 color transparency.
box 165, folder 6
Items from Box 93, F. 13,
undated
Scope and Content Note
1 color photograph.
box 165, folder 7
Items from Box 93, F. 14,
undated
Scope and Content Note
4 color transparencies.
box 165, folder 8
Items from Box 93, F. 15,
undated
Scope and Content Note
4 items: 2 color transparencies, 2 mylar envelopes with markings.
box 165, folder 9
Items from Box 93, F. 16,
undated
Scope and Content Note
4 color transparencies.
box 165, folder 10
Items from Box 93, F. 17,
undated
Scope and Content Note
5 items: 1 negative of x-ray, 1 infra-red negative, 2 mylar envelopes, 1 color
transparency.
box 165, folder 11
Items from Box 93, F. 19,
undated
Scope and Content Note
1 color photograph.
box 165, folder 12
Items from Box 93, F. 23,
undated
Scope and Content Note
1 color photograph, extensively annotated on verso.
box 165, folder 13
Items from Box 93, F. 24,
undated
Scope and Content Note
1 color polaroid photograph.
box 165, folder 14
Items from Box 93, F. 36,
undated
Scope and Content Note
1 color photograph.
box 165, folder 15
Items from Box 93, F. 38,
undated
Scope and Content Note
1 color photograph.
box 165, folder 16
Items from Box 93, F. 42,
undated
Scope and Content Note
1 color transparency.
box 165, folder 17
Items from Box 94, F. 2,
undated
Scope and Content Note
1 color transparency.
box 165, folder 18
Items from Box 94, F. 3,
undated
Scope and Content Note
2 color transparencies.
box 165, folder 19
Items from Box 94, F. 8,
undated
Scope and Content Note
1 color photograph.
box 165, folder 20
Items from Box 94, F. 15,
undated
Scope and Content Note
1 color transparency.
box 165, folder 21
Items from Box 94, F. 18,
undated
Scope and Content Note
3 items: 1 color transparency, 2 color photographs.
box 165, folder 22
Items from Box 94, F. 26,
undated
Scope and Content Note
1 color transparency.
box 165, folder 23
Items from Box 94, F. 30,
undated
Scope and Content Note
15 items: 14 color transparencies, 1 label.
box 165, folder 24
Items from Box 94, F. 33,
undated
Scope and Content Note
3 color photographs.
box 165, folder 25
Items from Box 94, F. 34,
undated
Scope and Content Note
1 color photograph.
box 165, folder 26
Items from Box 94, F. 35,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph.
box 165, folder 27
Items from Box 94, F. 39,
undated
Scope and Content Note
3 color photographs, two are annotated on verso.
box 165, folder 28
Items from Box 94, F. 41,
undated
Scope and Content Note
3 items: 2 color transparencies, 1 mylar envelope with label.
box 165, folder 29
Items from Box 95, F. 5,
undated
Scope and Content Note
1 color transparency.
box 165, folder 30
Items from Box 95, F. 7,
undated
Scope and Content Note
1 color photograph, annotated on verso.
box 165, folder 31
Items from Box 95, F. 14,
undated
Scope and Content Note
3 items: 1 color photograph, 1 color transparency, 1 label.
box 165, folder 32
Items from Box 95, F. 22,
undated
Scope and Content Note
1 color photograph.
box 165, folder 33
Items from Box 95, F. 23,
undated
Scope and Content Note
1 color transparency.
box 165, folder 34
Items from Box 95, F. 25,
undated
Scope and Content Note
1 color photograph, annotated on verso.
box 165, folder 35
Items from Box 95, F. 34,
undated
Scope and Content Note
1 color transparency.
box 165, folder 36
Items from Box 95, F. 38,
undated
Scope and Content Note
3 items: 2 color transparencies, 1 note.
box 165, folder 37
Items from Box 96, F. 22,
undated
Scope and Content Note
2 items: 1 color transparency, 1 label.
box 165, folder 38
Items from Box 96, F. 42,
undated
Scope and Content Note
2 items: 1 color transparency, 1 label.
box 165, folder 39
Items from Box 96, F. 55,
undated
Scope and Content Note
1 color slide.
box 165, folder 40
Items from Box 97, F. 8,
undated
Scope and Content Note
2 color photographs.
box 165, folder 41
Items from Box 97, F. 15,
undated
Scope and Content Note
1 color transparency.
box 165, folder 42
Items from Box 97, F. 17,
undated
Scope and Content Note
1 color transparency.
box 165, folder 43
Items from Box 97, F. 19,
undated
Scope and Content Note
1 color transparency.
box 165, folder 44
Items from Box 97, F. 22,
undated
Scope and Content Note
1 color photograph.
box 165, folder 45
Items from Box 97, F. 24,
undated
Scope and Content Note
1 color polaroid photograph.
box 165, folder 46
Items from Box 97, F. 26,
undated
Scope and Content Note
11 items: 10 color photographs, 1 handwritten statement by Held.
box 165, folder 47
Items from Box 97, F. 27,
undated
Scope and Content Note
2 items: 1 color transparency, 1 label. s
box 165, folder 48
Items from Box 100, F. 16,
undated
Scope and Content Note
1 color transparency.
box 165, folder 49
Items from Box 101, F. 19,
undated
Scope and Content Note
1 color slide.
box 165, folder 50
Items from Box 101, F. 30,
undated
Scope and Content Note
1 color photograph.
box 165, folder 51
Items from Box 165, F. 52,
undated
Scope and Content Note
2 items: 1 color transparency, 1 label.
box 165, folder 52
Items from Box 101, F. 35,
undated
Scope and Content Note
2 color transparencies.
box 165, folder 53
Items from Box 102, F. 6,
undated
Scope and Content Note
1 color transparency.
box 165, folder 54
Items from Box 103, F. 11,
undated
Scope and Content Note
2 items: 1 color photograph, printed glassine envelope for a negative.
box 165, folder 55
Items from Box 103, F. 29,
undated
Scope and Content Note
3 color transparencies.
box 165, folder 56
Items from Box 103, F. 38,
undated
Scope and Content Note
2 items: 1 color transparency, 1 label.
box 165, folder 57
Items from Box 108, F. 11,
undated
Scope and Content Note
1 color photograph.
box 165, folder 58
Items from Box 110, F. 11,
undated
Scope and Content Note
2 items: 1 color transparency, 1 label.
box 165, folder 59
Items from Box 112, F. 30,
undated
Scope and Content Note
1 color transparency.
box 165, folder 60
Items from Box 112, F. 37,
undated
Scope and Content Note
1 color transparency.
box 165, folder 61
Items from Box 113, F. 14,
undated
Scope and Content Note
1 color photograph.
box 165, folder 62
Items from Box 113, F. 16,
undated
Scope and Content Note
1 color photograph.
box 165, folder 63
Items from Box 114, F. 1,
undated
Scope and Content Note
4 items: 2 color transparencies, 2 labels.
box 165, folder 64
Items from Box 114, F. 14,
undated
Scope and Content Note
1 color transparency.
box 165, folder 65
Items from Box 114, F. 34,
undated
Scope and Content Note
1 color transparency.
box 165, folder 66
Items from Box 114, F. 35,
undated
Scope and Content Note
2 items: 1 color photograph, 1 color slide.
box 165, folder 67
Items from Box 114, F. 38,
undated
Scope and Content Note
1 color transparency.
box 165, folder 68
Items from Box 114, F. 45,
undated
Scope and Content Note
2 color photographs.
box 165, folder 69
Items from Box 114, F. 46,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph.
box 165, folder 70
Items from Box 114, F. 47,
undated
Scope and Content Note
1 color transparency.
box 165, folder 71
Items from Box 115, F. 24,
undated
Scope and Content Note
3 color photographs.
box 165, folder 72
Items from Box 116, F. 3,
undated
Scope and Content Note
1 color transparency.
box 165, folder 73
Items from Box 116, F. 20,
undated
Scope and Content Note
2 items: 1 color transparency, 1 note.
box 165, folder 74
Items from Box 116
undated
Scope and Content Note
4 color transparencies of artworks by Jan Bruegel and family.
box 165, folder 75
Items from Box 116, F. 43,
undated
Scope and Content Note
1 color photograph.
box 166
Items from: Box 117 - Box 144
undated
box 166, folder 1
Items from Box 117, F. 2,
undated
Scope and Content Note
1 color photograph.
box 166, folder 2
Items from Box 117, F. 43,
undated
Scope and Content Note
5 color photographs.
box 166, folder 3
Items from Box 118, F. 3,
undated
Scope and Content Note
1 color photograph.
box 166, folder 4
Items from Box 118, F. 6,
undated
Scope and Content Note
2 color photographs.
box 166, folder 5
Items from Box 119, F. 1,
undated
Scope and Content Note
1 color slide.
box 166, folder 6
Items from Box 119, F. 10,
undated
Scope and Content Note
1 color transparency.
box 166, folder 7
Items from Box 119, F. 22,
undated
Scope and Content Note
1 color photograph.
box 166, folder 8
Items from Box 119, F. 27,
undated
Scope and Content Note
1 color transparency.
box 166, folder 9
Items from Box 119, F. 29,
undated
Scope and Content Note
1 color transparency. s
box 166, folder 10
Items from Box 119, F. 35,
undated
Scope and Content Note
3 color photographs.
box 166, folder 11
Items from Box 119, F. 41,
undated
Scope and Content Note
1 color photograph.
box 166, folder 12
Items from Box 120, F. 12,
undated
Scope and Content Note
1 color photograph.
box 166, folder 13
Items from Box 120, F. 16,
undated
Scope and Content Note
2 transparencies.
box 166, folder 14
Items from Box 120, F. 17,
undated
Scope and Content Note
1 negative.
box 166, folder 15
Items from Box 122, F. 2,
undated
Scope and Content Note
6 color photographs.
box 166, folder 16
Items from Box 122, F. 6,
undated
Scope and Content Note
1 color photograph.
box 166, folder 17
Items from Box 122, F. 22,
undated
Scope and Content Note
4 color photographs.
box 166, folder 18
Items from Box 123, F. 16,
undated
Scope and Content Note
1 color transparency.
box 166, folder 19
Items from Box 123, F. 23,
undated
Scope and Content Note
1 color transparency.
box 166, folder 20
Items from Box 123, F. 27,
undated
Scope and Content Note
1 color photograph.
box 166, folder 21
Items from Box 124, F. 3,
undated
Scope and Content Note
1 negative.
box 166, folder 22
Items from Box 124, F. 13,
undated
Scope and Content Note
1 color photograph.
box 166, folder 23
Items from Box 124, F. 21,
undated
Scope and Content Note
10 color photographs.
box 166, folder 24
Items from Box 125, F. 12,
undated
Scope and Content Note
1 color photograph.
box 166, folder 25
Items from Box 126, F. 7,
undated
Scope and Content Note
1 color transparency.
box 166, folder 26
Items from Box 126, F. 8,
undated
Scope and Content Note
1 color transparency.
box 166, folder 27
Items from Box 126, F. 19,
undated
Scope and Content Note
1 color photograph.
box 166, folder 28
Items from Box 127, F. 35,
undated
Scope and Content Note
1 color transparency.
box 166, folder 29
Items from Box 127, F. 42,
undated
Scope and Content Note
1 color transparency.
box 166, folder 30
Items from Box 128, F. 11,
undated
Scope and Content Note
2 color photographs.
box 166, folder 31
Items from Box 128, F. 16,
undated
Scope and Content Note
2 items: 1 color photograph, 1 business card inscribed with names of Mrs.
Françoise G. Jiskoot and Robert W. Middleton.
box 166, folder 32
Items from Box 128, F. 31,
undated
Scope and Content Note
2 color photographs.
box 166, folder 33
Items from Box 129, F. 32,
undated
Scope and Content Note
1 color photograph.
box 166, folder 34
Items from Box 129, F. 35,
undated
Scope and Content Note
1 color transparency.
box 166, folder 35
Items from Box 131, F. 3,
undated
Scope and Content Note
1 color transparency.
box 166, folder 36
Items from Box 131, F. 9,
undated
Scope and Content Note
4 color photographs.
box 166, folder 37
Items from Box 132, F. 1,
undated
Scope and Content Note
1 color transparency.
box 166, folder 38
Items from Box 132, F. 4,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph.
box 166, folder 39
Items from Box 133, F. 9,
undated
Scope and Content Note
2 items: 1 color slide, 1 leaf of typescript note.
box 166, folder 40
Items from Box 135, F. 41,
undated
Scope and Content Note
3 color slides, unframed.
box 166, folder 41
Items from Box 135, F. 51,
undated
Scope and Content Note
1 color photograph.
box 166, folder 42
Items from Box 136, F. 21,
undated
Scope and Content Note
1 color transparency.
box 166, folder 43
Items from Box 136, F. 23,
undated
Scope and Content Note
1 color transparency.
box 166, folder 44
Items from Box 136, F. 51,
undated
Scope and Content Note
1 color photograph.
box 166, folder 45
Items from Box 137, F. 2,
undated
Scope and Content Note
4 items: 3 color transparencies, 1 label.
box 166, folder 46
Items from Box 137, F. 10,
undated
Scope and Content Note
1 color transparency.
box 166, folder 47
Items from Box 137, F. 16,
undated
Scope and Content Note
1 color transparency.
box 166, folder 48
Items from Box 137, F. 52,
undated
Scope and Content Note
1 color photograph.
box 166, folder 49
Items from Box 137, F. 54,
undated
Scope and Content Note
1 color polaroid photograph.
box 166, folder 50
Items from Box 138, F. 4,
undated
Scope and Content Note
2 items: 1 color negative, 1 envelope.
box 166, folder 51
Items from Box 138, F. 18,
undated
Scope and Content Note
1 color photograph.
box 166, folder 52
Items from Box 138, F. 19,
undated
Scope and Content Note
5 items: 1 color transparency, 4 color photographs.
box 166, folder 53
Items from Box 138, F. 22,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph.
box 166, folder 54
Items from Box 139, F. 5,
undated
Scope and Content Note
1 color slide, unmounted.
box 166, folder 55
Items from Box 139, F. 7,
undated
Scope and Content Note
1 item (21 leaves): includes 15 color photographs, pasted in.
box 166, folder 56
Items from Box 139, F. 40,
undated
Scope and Content Note
2 color photographs.
box 166, folder 57
Items from Box 139, F. 54,
undated
Scope and Content Note
1 color transparency, 1 color photograph.
box 166, folder 58
Items from Box 139, F. 59,
undated
Scope and Content Note
2 color photographs.
box 166, folder 59
Items from Box 139, F. 60,
undated
Scope and Content Note
1 color transparency.
box 166, folder 60
Items from Box 140, F. 1,
undated
Scope and Content Note
1 color photograph.
box 166, folder 61
Items from Box 140, F. 5,
undated
Scope and Content Note
1 color transparency.
box 166, folder 62
Items from Box 140, F. 7,
undated
Scope and Content Note
1 color transparency.
box 166, folder 63
Items from Box 140, F. 32,
undated
Scope and Content Note
1 color polaroid photograph.
box 166, folder 64
Items from Box 140, F. 33,
undated
Scope and Content Note
1 color transparency.
box 166, folder 65
Items from Box 141, F. 38,
undated
Scope and Content Note
1 color transparency.
box 166, folder 66
Item from Box 141,
undated
Scope and Content Note
1 color photograph of a painting by Antonie Verstraelen.
box 166, folder 67
Items from Box 143, F. 1,
undated
Scope and Content Note
1 color transparency.
box 166, folder 68
Items from Box 143, F. 15,
undated
Scope and Content Note
2 color photographs.
box 166, folder 69
Items from Box 143, F. 16,
undated
Scope and Content Note
3 items: 1 color transparency, 2 color photographs.
box 166, folder 70
Items from Box 143, F. 17,
undated
Scope and Content Note
1 color transparency.
box 166, folder 71
Items from Box 143, F. 18,
undated
Scope and Content Note
1 color transparency.
box 166, folder 72
Items from Box 143, F. 20,
undated
Scope and Content Note
1 color transparency.
box 166, folder 73
Items from Box 143, F. 21,
undated
Scope and Content Note
1 color transparency.
box 166, folder 74
Items from Box 143, F. 31,
undated
Scope and Content Note
1 color photograph.
box 166, folder 75
Items from Box 143, F. 43,
undated
Scope and Content Note
1 color slide.
box 166, folder 76
Items from Box 143, F. 49,
undated
Scope and Content Note
18 color photographs.
box 166, folder 77
Items from Box 144, F. 1,
undated
Scope and Content Note
1 color transparency.
box 166, folder 78
Items from Box 144, F. 9,
undated
Scope and Content Note
1 color photograph.
box 166, folder 79
Items from Box 144, F. 28,
undated
Scope and Content Note
2 items: 1 color transparency, 1 color photograph.
box 166, folder 80
Items from Box 144, F. 29,
undated
Scope and Content Note
1 color transparency.
box 166, folder 81
Items from Box 144, F. 34,
undated
Scope and Content Note
2 color photographs.
box 166, folder 82
Items from Box 144, F. 38,
undated
Scope and Content Note
2 items: 1 color transparency, 1 label.
box 166, folder 83
Items from Box 144: Unidentified Brazen serpent,
undated
Scope and Content Note
2 items: 1 color transparency, 1 glassine envelope with printed label of
Marcheselli in London.
box 166, folder 84
Items from Box 144, F.48,
undated
Scope and Content Note
3 color photographs: miscellaneous items.
box 166, folder 85
Items from Box 144, F. 50,
undated
Scope and Content Note
1 color photograph.
box 167*
Oversize items: photographs of paintings by Rubens and Pieter Bruegel [?]
and items from: Box 74, F. 19 - Box 116, F. 44,
undated
box 167*, folder 1
Various paintings by Rubens,
undated
Scope and Content Note
4 color photographs, including 2 pasted onto cardboard:
Birth of Marie de
Medici
,
Birth of Louis XIII (with a post-it note), and a
painting of Virgin and Child with other figures in a landscape setting.
box 167*, folder 2
Item from Box 25, F. 23 and Box 74, F. 19,
undated
Scope and Content Note
2 items: 1 color photograph (from Box 25, F. 23), and 1 color transparency of
Rubens's painting
Rubens, his wife Hélène Fourment, and their
child
.
box 167*, folder 3
Items from Box 78, F. 57,
undated
Scope and Content Note
4 color photographs of
Hercules and the Nemean Lion by Rubens, on
cardboards.
box 167*, folder 4
Items from Box 81, F. 24,
undated
Scope and Content Note
4 items: 3 color transparencies, and clipping from enclosure annotated; "Newhouse
Virgin".
box 167*, folder 5
Items from Box 83, F. 43,
undated
Scope and Content Note
4 items: 8 color photographs pasted onto 4 sheets of paper of
Head of
Christ
(
Christ with crown of thorns) by Rubens.
box 167*, folder 6
Items from Box 116, F. 44,
undated
Scope and Content Note
2 color photographs of a landscape painting by Pieter Bruegel the Elder or the
Younger.