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I. Heinrich Schenker materials
Ia. MANUSCRIPT DIARIES OF HEINRICH SCHENKER
Schenker, Heinrich. Tagebücher, 1896-1935, ms. up to 1912 largely in Heinrich Schenker's hand; thereafter in Jeanette Schenker's hand with occasional preliminary drafts, additions and corrections by Heinrich Schenker.
Scope and Content Note
Scope and Content Note
Series A (1896-1899). Irregular foliation; original entries by Heinrich Schenker, in part scored through and copied later by Jeanette Schenker on uniform sheets.
(1896-97) leaves 3-4 in Heinrich's hand; leaves 1b-3b (copied in part from 3-4, part from Ser. B) in Jeanette's hand.
(1898) leaf 5 in Heinrich's hand; leaves 6-7, 7a-7b in Jeanette's hand.
(1899) leaves 8, 8c-8f, (9-10 omitted), 11a-11c, 11f-11g, entirely in Jeanette's hand with corrections in Heinrich's hand.
Note
Series B (1898-1906). A parallel and overlapping series, in part taking precedence over Ser. A; some entries were later copied into Ser. A. Entirely in the hand of Heinrich Schenker. Cover leaf (with dates 1896-1905); numbered leaves 1-7, 8a-8b, 9, 9 bis, 10, 10a-10b, 11, 11 bis, 12-20, 21a-21b, 22-27.
Series A (1906-1911). Irregular foliation; in Heinrich and Jeanette Schenker's hand.
(1906) leaves 12, 12a, 13-14 (15 on verso of 14), 16-17 (18 on verso), 19-26, 26a-26c, 27-31.
(1907) leaves 32-43, 43a-43b, 44-48, 48a-48b, 49-50, 50a-50b, 51-55, 55a, 56.
(1908) 57-88, 89a-89c, 90-94.
(1909) 95, 95 bis, 96-97, 97 bis, 98-100, 100a-100b (101 omitted), 102-109.
(1910) 110, 110 bis, 111-119, 119a-119b, 120, 120 bis, 121, 122a-122b, 123, 124a-124b.
(1911) 125-131, 131 bis, 132, 132 bis, 133-135, 135 bis, 135 again, 136-146, 146a, 147-152, 152 bis (on verso of leaf of corrected proof for Instrumentations Tabelle), 153, 153 bis, 153 again, 154-161, 161 bis, 162-172, 173a-173b, 174-193, 194a-194b, 195-197. Also a parallel series of repeated numbers 162-166, with discontinuous text, dated 23.8-28.8 [1911].
Series A (1912-1918). For the most part in the hand of Jeanette Schenker; uniform foliation, leaves 198-2026, with exceptions as noted below. Leaves 198 and 203 abraded, slightly affecting text on right margin.
Additional leaves: (1912) 223a, 225b-225c; (1913) 368b, 425b-425c; (1914) 571a-571b, 593b-593d.
Numbers omitted in foliation: (1915) 905-914.
Leaf 1045: photocopy; original attached to index filed at end of Box 4. From 1. Oktober 1915 to 4. Oktober 1918, leaves 1046-2004 are numbered in new series 1-959.
Beginning with n.s. 960 (5.X.1918), old series foliation is resumed with leaf 2000 (i.e., o.s. 2001-2004 are repeated).
Series C (28. November 1918-6.VI.1919). A parallel and overlapping series in six sewn booklets without foliation, entirely in Jeanette Schenker's hand and written on both sides of leaves.
Scope and Content Note
Series A (1919-1935). In Jeanette Schenker's hand; uniform foliation, 2027-3970, with exceptions as noted below. Beginning with October 1918-September 1919, the diary is divided into "Saisons" from October to September of each year.
Leaves 2082-2137 (19.VI.19-9.X.19) not numbered by Jeanette Schenker; numbered in pencil in another hand 1-56; old series foliation resumed with leaf 2138.
Leaf 2287 (29.-30.IX.20) abraded with some loss of text.
Numbers 2330-2339 (8.IV.21) omitted in foliation (with no break in text).
Leaf 2393: bottom third of leaf cut off with some loss of text.
Leaf 2462 has been cut apart. The top (30. September 1922) is pasted to the bottom of 2461; the remaining half of 2462 begins Saison 1922-23 with entry for 1.X.22.
Leaves 2462-2576 (Saison 1922-23) are followed by 44 leaves (numbered 1-32 plus 12 note fragments) of diary and correspondence notes relating to Universal-Edition, written chiefly on the verso of galley proofs entirely in Heinrich Schenker's hand and entitled "U. E. diarium." Dates range from 11.IX.1923 to 9.XII.1924.
Leaf 2646 (1924): beginning with this leaf the text is written on slightly larger sheets,
Leaf 2946 (1926) worn and abraded at right margin, slightly affecting text.
Additional leaf 2963 ab (1926), written on both sides, inserted.
Leaf 3045 (1927) cut off two lines from bottom and neatly rejoined to a new piece of paper with substitute lines of text.
Leaf 3192: clipping of Schubert Gedächtniskonzert program ( Radio Wien, 26. März 1928) pasted to the right margin.
Leaves 3491 (1930) and 3654 (1931): fragments of music ms. in Heinrich Schenker's hand pasted in diary leaves.
Leaf 3770 (6. September 1932): fragment of final page of ms. of Der freie Satz ("Mit Gott!!!" in Heinrich Schenker's hand) pasted to diary leaf.
Following leaf 3970:
(a) Leaf of notes in Heinrich Schenker's hand for diary entry of 4. Januar 1935 (written on verso of Tonwille corrected proof, no. 2, p. 30) with envelope inscribed in Moriz Violin's hand, "Letztes Tagebuchblatt Schenkers, am 22.I.35 von der Witwe mir geschenkt."
(b) Typed transcript of Tagebuch leaves 3966-3970, with corrections in Jeanette Schenker's hand,
INDEX (names and subjects) to Tagebücher (1896-1912 Sept. 23) up to leaf 232. Filed at end of Box 4.
Manuscript in Jeanette Schenker's hand with revisions and additions in Heinrich Schenker's hand, written in bound indexed notebook, 9 cm × 14.6 cm, glued to leaf 1045 of year 1915.
Ib. CORRESPONDENCE (FROM THE SCHENKERS)
Scope and Content Note
Unidentified recipients.
ALS 1 undated
ALS 3 1908-1933
ALU 2 undated
ALU 2 1908-1912
Postal receipts.
10 1913-1933
Adler, Guido.
ALU 1 1927
Akademie für Musik und darstellende Kunst in Wien.
ALU 4 [1915]-1927
Albersheim, Josef (father of Gerhard Albersheim).
ALU 1 1927 (addressed "Sehr geehrter Herr Sanitätsrat!")
Busoni, Ferruccio.
ALS 14 1897-1903 (photocopies of originals in Deutsche Staatsbibliothek, Berlin [East])*
Note
Cotta'sche Buchhandlung Nachfolger, J. G., Stuttgart; Berlin.
ALS 1 undated
ALS 2 1909-1910
ALU 2 [1908-1909]
Cube, [Felix] von (i.e., Felix-Eberhard von Cube).
ALU 1 1926 (in Jeanette Schenker's hand)
1 postal receipt 1926
Cube, [Felix] von (from Heinrich Schenker).
ALS 22 circa 1926-1934 (photocopies)
APS 28 circa 1928-1931 (photocopies)
Cube, Gustav von.
ALS 1 1926
Cube, Gustav von (from Heinrich Schenker).
ALS 1 1925 (photocopy)
Deutsch, Otto Erich.
ALS 1 1927
1 leaf of music in Schenker's hand, inscribed "für Deutsch, Schubert, L[ied] ohne Text. 11.4.31"
ALS 2 1930
3 leaves of music notation.
Dohrn, Georg
ALS 1 April 5, 1926 (original and copy)
Einschenk, Franz.
APS 1 1917
Furtwängler, Wilhelm.
ALS 1 1931
[Gärtner], Eduard.
ALU 1 1912 (in Jeanette Schenker's hand)
General-Anzeiger für Bonn und Umgebung, Bonn.
LU [1927] (draft reply to letter of 3. Jan. 1927, in Jeanette Schenker's hand)
Genossenschaft der Blas- und Saiteninstrumentemacher, Wien.
ALU 1 1934
Gesellschaft der Musikfreunde, Wien.
ALS 2 1912
Grunsky, Karl.
ALS 1 undated [incomplete]
ALS 2 undated [incomplete]
ALU 2 1908 [incomplete]
Hammer, Victor*
Note
ALS 1 undated [1925?] (photocopy)
ALS 14 1921-1927 (photocopies)
APS 1 undated [1926?] (photocopy)
APS 18 1922-1931 (photocopies)
Hertzka, Emil.
ALS 2 1908-1909
ALU 4 1909-1924
APS 1 1913
Hindemith, Paul.
ALU 1 [1926], together with a typed transcript of Schenker's draft, and an enlarged photocopy of Schenker APS to Violin, 10. November 1926, mentioning Hindemith's letter.
Jonas, Oswald.
ALS 29 1928-1934 (including 5 in photocopy, some incomplete)
APS 29 1918-1934
APS 1 undated
1 envelope postmarked 1932
Scope and Content Note
[Kalbeck, Max].
ALS 3 undated
ALS 9 1897-[1906] (addressed "Sehr geehrter Herr Redacteur" and similarly)
Kalmus, Alfred.
ALS 1 1923
ALU 1 undated
ALU 1 1923
Klein, Fritz.
ALU 1 1933
Klett, Ernst.
ALU 1 1926
Lafite, Carl.
ALU 1 1912 (includes photocopy of Schenker draft ALU 19.IX.12 written on verso of Lafite's TLS 18. September 1912. For original see Box 12 f.29)
Lamberg, [Ernst].
ALU 1 1924
Marx, [Joseph].
ALS 2 [1927]-1933
Die Musik, Wien.
ALS 1 1911 (addressed "Sehr geehrter Herr Redakteur")
Pairamall, Evelina.
ALS 1 1913
1 envelope postmarked 1913
Peters, C. F., Leipzig.
ALS 1 1913
ALU 1 undated
ALU 2 [1923]
Scope and Content Note
Piper-Verlag.
ALU 1 1924
[Praetorius, Ernst].
ALS 1 [1931]
Reigersberg, Heinrich von.
APU 1 [1939] unfinished, from Jeanette Schenker, with her copy of 1925 card from Hans Joachim Moser to Reigersberg mentioning Schenker.
Rinn, Hermann.
ALU 1 1931
APS 1 1932
ANU 1 undated
11 postal receipts to Rinn 1930-1931
Roth, Hermann.
ALS 1 1926
Rothschild, Alphonse Mayer, Baron.
ALU 2 1911-1934 (1934 draft, incomplete, in the hand of Jeanette Schenker with corrections by Heinrich Schenker)
1 postal receipt 1934
Rothschild, Clarice Sebag-Montefiore, Baronin.
ALS 1 undated
Rudorff, Ernst.
ALS 2 1908-[1909]
ALU 3 [1908]
1 set of notes relating to a letter of 1908
1 leaf of printed music
Scope and Content Note
Salzer, Felix and Oswald Jonas.
ALU 1 1935 (letter by Jeanette Schenker, in her hand, addressed "Sehr geehrte Herren"; date 2.VII.35)
Schenker, Jeanette.
LU 1 1926
LS 1 1927
LS 1 1930
Scope and Content Note
Schenker, Wilhelm.
ALS 10 undated
ALS 48 1918-1934
ALU 1 undated
ALU 1 1930
APS 4 undated
APS 42 1923-1934
[Schubert, Kurt].
ALS 1 1922 (photocopy)
Universal-Edition.
ALU 2 1924 (addressed to the "Buchhaltung der U.-E.")
Violin, Carl Raphael.
ALS 3 [1922]-1928 (ALS 1 1922 addressed to Karl and Eva)*
Note
APS 2 1914-1929
1 telegram 1914
Violin, Moriz. See separate section, Box 6-8 below.
Vrieslander, Otto.
ALU 1 undated
ALU 1 1912
Waechter, Eberhard.
ALS 1 1918
Waldeck, Arthur.
ALS 3 1929-1934
ALU 1932 (with typed transcript)
Weigl, Karl.
APS 1 1934 (photocopy)
Weisse, Hans.
ALS 3 1915-1931 (includes two drafts of a letter of recommendation for Weisse)
ALU 1 1923
APS 2 1919-1923
Letters from the Schenkers to Moriz and Valerie Violin
Moriz Violin addressed familiarly as Floriz, Fiorello, Florizello, or simply "Fl"; Valerie Violin as Wally or Vally.
Items found with letters from the Schenkers to Moriz Violin.
Scope and Content Note
Undated letters.
ALS 28 undated, 17 with envelopes
Letters dated 1897-1900.
ALS 3 1897
ANS 1 1897
ALS 4 1899
ALS 9 1900
Letters dated 1901-1910.
ALS 4 [1901]
ALS 8 1903
ALS 8 1904
ALS 3 1905
ALS 6 1906
ALS 4 1907
ALS 7 1908
ALS 3 1909
ALS 4 1910
Letters dated 1911-1914.
ALS 4 1911
ALS 16 1912
ALS 14 1913
ALS 8 1914
Letters dated 1916-1919.
ALS 2 1916
ALS 3 1917
ALS 3 1918
ALS 2 1919
Letters dated 1921-1930.
ALS 1 1921
ALS 3 1922
ALS 3 1923
ALS 8 1924
ALS 11 1925
ALS 4 1926
ALS 5 1927
ALS 2 1928
ALS 7 1929
ALS 5 1930
Letters dated 1931-1935.
ALS 9 1931
ALS 6 1932
ALU 1 1932
ALS 11 1933
ALS 6 1934
ALS 6 1935 (from Jeanette Schenker after Heinrich's death)
Postcards dated 1896-1910.
APS 73 unidentified date.
Postcards dated 1896-1900.
APS 2 1896
APS 8 1897
APS 23 1898
APS 36 1899
APS 32 1900
Postcards dated 1901-1905.
APS 17 1901
APS 15 1902
APS 20 1903
APS 7 1904
APS 31 1905
Postcards dated 1906-1910.
APS 17 1906
APS 26 1907
APS 8 1908
APS 8 1909 (including APS from Jeanette Schenker signed "Jenny Kornfeld")
APS 10 1910
Postcards dated 1911-1913.
APS 16 1911
APS 29 1912
APS 66 1913
Postcards dated 1914-1915.
APS 42 1914
APS 32 1915
Postcards dated 1916-1920.
APS 21 1916
APS 27 1917
APS 9 1918
APS 10 1919
APS 11 1920
Postcards dated 1921-1929.
APS 9 1921
APS 6 1922
APS 6 1923
APS 6 1924
APS 6 1925
APS 3 1926
APS 7 1927
APS 7 1928
APS 1 1929
Postcards dated 1930-1934.
APS 1 1930
APS 7 1931
APS 3 1932
APS 11 1933
APS 8 1934
Ic. CORRESPONDENCE (TO THE SCHENKERS)
Envelopes. 14 items, 1906-1939.
Scope and Content Note
Unidentified correspondents. Signature may include first name or initials.
ALS 1 undated
ALS 6 1894-1933
APS 4 1893-1934
APS 5 1938-1939 (addressed to Jeanette Schenker)
2 unaddressed picture postcards of Mariazell, one postcard with note in Jeanette Schenker's hand
Adler, Guido (with letterhead of Beethoven-Zentenarfeier, Wien, and Internationale Musik-Gesellschaft, Wien).
ALS 3 1901-1902
TLS 3 1926-1927
2 printed programs of Beethoven-Zentenarfeier, 1927
Akademie für Musik und darstellende Kunst, Wien.
TLS 3 1925-1929 (signatures not identified)
1 mimeographed invitation
Albersheim, Gerhard.
ALS 3 1926-1928
d'Albert, Eugen.
ALS 8 undated
ALS 32 1894-1912
APS 1 undated
APS 16 1897-1912
ANS 2 undated
ANS 12 1897-1914
1 printed invitation
1 autobiographical sketch in d'Albert's hand, 4 leaves, undated
d'Albert, Hermine.
ALS 1 undated
ALS 1 1913
Altmann, Wilhelm.
ALS 1 1925
APS 4 1927-1933
ANS 1 1932
TPS 1 1933
Arbeitsauschuss des Kongresses für "Lebendige Musik in Wien 1934."
1 mimeographed invitation to participate [1934]; torn and repaired
Archiv für Photogramme musikalischer Meisterhandschriften. Musiksammlung, Nationalbibliothek, Wien. ( See also Haas, Robert; Hoboken, Anthony van; Kromer, Julius.)
1 telegram 1928 (signed "Fotogrammarchiv")
2 printed leaflets, "Aufruf" 1927, and "Verzeichnis der Aufnahmen" 1928
1 invitation card 1936
16 newspaper clippings, 1928-1936, annotated in Jeanette Schenker's hand
Bahr, Hermann (includes letterhead of Die Zeit, Wien).
ALS 2 1895
Balassa, Ottilie von.
ALS 1 1933 (with typed subscription form for her monograph on Brahms)
Bamberger, Carl.
ALS 8 1924-1927
Note
Baumgarten, _____.
ALS 1 1933
Beethoven-Zentenarfeier, Wien, 1927. See Adler, Guido.
Berrsche, Alexander.
ALS 2 1930
Bienenfeld, Elsa.
ANS 3 1933 (one mailed as postcard)
Binder, _____.
ALS 1 1906
Blaschik, A. J.
TLS 1 undated
TPS 2 1929
Bopp, Wilhelm (with letterhead of Direktor, Akademie für Musik und darstellende Kunst, Wien).
TLS 5 1910-1911
Botstiber, Hugo.
ALS 1 1913
ANU 1 undated (written on calling card)
Breitkopf & Härtel, Leipzig.
ALS 27 1894-1913
APS 2 1905-1912
TLS 4 1900-1920
Scope and Content Note
2 publications agreements 1897-1910
4 records of accounts 1899-1910
1 form letter 1902
Brockhaus, F. A., Leipzig.
APU 1 1933
TPS 2 1932-1933 (signed "F. A. Brockhaus")
1 printed form letter 1932
Bruck, Hedwig.
ALS 1 undated
ALS 1 1938
APS 1 1938
Brüll, Ignaz.
ALS 4 undated (one written on verso of program of 2. März 1899 where Brüll played Schenker's Clavierstücke Nr. 2)
ALS 6 1891-1906
ANS 1 1907 (written on calling card of Eugen Brüll)
Bürgermeister und Landeshauptmann der Bundeshauptstadt, Wien.
1 printed invitation card 1928
Bundesminister für Unterricht [Österreich].
4 printed invitation cards 1928-1933
Bundespräsident [Österreich].
1 printed invitation card 1928
Busoni, Ferruccio.
ALS 3 undated
ALS 12 1897-1903
Transcripts of Busoni letters in Jeanette Schenker's hand,
1 calling card
Busoni, Gerda.
ANS 1 1909
2 calling cards
Carreño, Teresa.
ALS 1 1898
Colbert, Carl and Tony [Herr und Frau Colbert].
ALS 5 undated
ALS 3 1912-1920
ANS 1 undated (MS on calling card, invitation to Paula Szalit recital)
1 printed "zu Hause" invitation card [1920?]
Conne, Paul de
ANS 1 undated (written on calling card)
Cotta'sche Buchhandlung Nachfolger, J. G., Stuttgart; Berlin. [folder 1].
ALS 34 1905-1912 (company signature)
ALS 1 1908 signature not identified
TLS 11 1913-1921 (company signature)
1 carbon of TLU 1921
2 notices concerning authorized company signatures, 1907-1911
1 printed greeting card undated
Cotta'sche Buchhandlung Nachfolger, J. G., Stuttgart; Berlin. [folder 2].
36 records of accounts 1906-1921
5 postal receipts 1914-1918
Csillag-Stern, Hermann.
APS 1 1927
Cube, Felix von (i.e., Felix-Eberhard von Cube).
ALS 2 undated
ALS 45 1923-1934 (4.×.34 letter from Cube to Schenker includes a transcript of 1934 letter from Wilhelm Furtwängler to Cube)
APS 6 1924-1931
1 printed card of thanks 1931
1 printed announcement 1934
1 printed program 1929 (program includes two works by Cube)
1 newspaper clipping undated
1 pencil sketch undated
Cube, Gustav von.
ALS 2 1925-1926
Dahms, Walter.
ALS 4 undated
ALS 59 1913-1926
APS 2 undated
APS 29 1915-1927
TLS 7 1922-1931
TPS 1 1925
1 front cover leaf, Berliner Illustrierte Zeitung, 1919, annotated by Dahms
1 telegram 1919
1 wedding announcement 1921
d'Albert, Eugen. See d'Albert, Eugen, above, filed under "A."
d'Albert, Hermine. See d'Albert, Hermine, above, filed under "A."
de Conne, Paul. See Conne, Paul de.
Deetjen, Gottfried
1 printed announcement of a wedding engagement (Verlobung); the left side is signed by "Frau Valeska Schreiber." and the right side by "Gottfried Deetjen / Organist an der alten Wupperfelder Kirche / und Dirigent des Bachvereins," October 1921.
Deutsch, Otto Erich and Hanna (includes letterhead of Seidelsche Sortiments-Buchhandlung, O. E. Deutsch & Co., Wien).
ALS 17 1919-1932 (note of 18.11.25 supplied in photocopy; for original see Box 21 f.23)
APS 28 1920-1934
TLS 89 1913-1939
TPS 85 1913-1934
1 picture postcard view of Salzkammergut with "Eschenhaus" marked; no address, message or date
1 printed announcement of birth of Franz Peter, 1920
Deutsch, Sofie.
ALS 1 1916
Deutsche Allgemeine Zeitung, Berlin. See Klein, Fritz.
Deutsche Bank.
1 record of account 1920 (signature not identified)
Deutsche Brahms-Gesellschaft, Berlin.
1 printed invitation card (to Johannes Brahms-Fest opening, 1933, co-sponsored with the Gesellschaft der Musikfreunde Wien)
Deutsche Gesandtschaft, Wien.
1 printed invitation card to lecture, 1927.
Deutsche Nothilfe, Berlin.
TLS 2 1924 (signatures not identified)
Deutsche Zeitschrift, München. See Rinn, Hermann.
Dewanger, Anton.
ALS 1 1932
1 printed invitation card to performance of Dewanger work, 1934
Dommer, Anton von.
ANU 1 1898 (written on calling card)
Drei Masken Verlag, Berlin.
TLS 6 1932-1939 (signature not identified)
TPS 1 1939
Dunn, Aline Petrie.
ALS 2 1931
1 newspaper clipping 1931 (obituary of John Petrie Dunn, in part by D. F. Tovey, with typed translation into German)
Dunn, John Petrie.
ALS 8 1926-1930
1 recital program, Edinburgh, undated
Ehrmann, Alfred von.
ALS 1 1929
TLS 1 1929
Eibenschütz, Flora.
ALS 1 undated
Einschenk, Franz.
ALS 1 1917
APS 1 1917
Einstein, Alfred (with letterhead of Riemann's Musik-Lexikon, Berlin).
1 form letter undated, concerning revision of Riemann, with ms. annotations
Elias, Angi.
ALS 15 1922-1939
APS 2 1938
ANU 2 undated (written on calling cards)
ANU 2 1937-1939 (written on calling cards)
Elias, Manolo.
ALS 1 1934
Emil-Hertzka-Gedächtnisstiftung, Wien.
1 form letter 1932
1 printed invitation card to memorial concert 1932
Engelhardt, W.
ALS 2 1938-1939
Engelsmann, Walter.
ALS 2 1924-1925
Epstein, Julius.
APS 1 1903
ANS 2 1902 (1 written on calling card)
ANU 1 undated (written on calling card)
Epstein, Richard.
ALS 3 1903-1906
APS 4 1905-1906
2 programs for London performances by Epstein of Bach Concerto in A minor edited by Schenker, 1906-1907
Fayer, _____ (with letterhead of Atelier Pietzner-Fayer, Wien).
TLS 1 1927
Fischer, Emma.
ALS 3 1923-1932
Fischer, Jacob.
ANU 2 1911-1913 (written on calling cards)
APS 2 1908-1909
Fock, Dirk.
ALS 1 1926.
Foerster, Josef Bohuslav.
ALS 1 1908
Forberg, Otto.
APS 2 1905
Forberg, Robert (with letterhead of Rob. Forberg Musikalien-Verlag und Commission, Leipzig).
ALS 1 1898
Fotogrammarchiv, Wien. See Archiv für Photogramme musikalischer Meisterhandschriften, Musiksammlung, Nationalbibliothek, Wien.
Franz, Leo.
TLS 1 1929
Frimmel, Fanny von.
ANU 3 undated (1 written on calling card)
Frimmel, Theodor von.
ALS 6 1902-1921
APS 12 1902-1927
APS 4 undated
ANS 4 undated (written on calling cards)
ANU 1 undated (with Frimmel's address and fragment of music)
1 calling card
1 printed article, "Bemerkungen zur angeblich `Kritischen' Ausgabe der Briefe Beethovens," Wien, 1907.
Fritsch, Ernst Wilhelm (with letterhead of Redaction des Musikalischen Wochenblattes).
ALS 1 1892
Frotzler, Carl (with letterhead of Brünner Musik-Verein, Brno).
ALS 1 1903
Frühmann, _____.
ALS 1 1931
Fuchs, A.
APS 2 1932-1933
Fuchs, Robert.
ANU 1 1902 (ms. inscription on printed card of thanks)
Furtwängler, Wilhelm.
ALS 6 undated
ALS 11 1919-1934 (signature has been cut from letter dated 16.XI.32)
APS 2 1923
TLS 5 1932-1937
Gärtner, Eduard.
ALS 1 undated
ALS 1 1912
1 printed funeral notice for Gärtner, 1918
Geck, _____ (with letterhead of Frankfurter Zeitung, Frankfurt).
TLS 1 1914
Gelber, Adolf.
APS 3 1893.
General-Anzeiger für Bonn und Umgebung, Bonn.
TLS 2 1927 (signatures not identified)
Gerstberger, Karl.
ALS 3 1929-1930
Gesellschaft der Musikfreunde, Wien.
APS 1 undated (signed "Bella", making appointment for Schenker with Mandyczewski)
TLS 2 1933 (signatures not identified)
1 typed document 1912, signed "für die Direktion" (signatures not identified); proposal to Schenker for a series of lectures, Saison 1912-1913.
1 newspaper clipping concerning lecture series, including Schenker's, 1912
Scope and Content Note
Die Gnosis, Wien.
ALS 1 1903 ("Redaktion," signature not identified)
Grädener, Hermann.
ALS 1 1901
Graf, Max.
ALS 2 undated [1910?]
Gross, Max.
TLS 2 1914-1915
TPS 1 1912 (copy of letter from Gross to Moriz Schenker re legal dispute)
1 bill for legal services 1912
3 receipts 1913-1915
Grosz, Carl.
ALS 1 1935
Grünfeld, Alfred.
ANU 1 undated (written on calling card)
Grunsky, Karl.
ALS 3 1908-1910
APS 2 1908
Gurlitt, Wilibald.
APS 1 1918
Guttmann, Sophie (sister of Heinrich Schenker) to Jeanette Schenker.
ALS 3 1938-1939
APS 1 1939
Haas, Robert (includes letterheads of Archiv für Photogramme, Wien, and National-Bibliothek, Musiksammlung, Wien). See also Internationaler Kongress für Schubertforschung, Wien, 1928.
ALS 3 1933-1935
APS 3 1930-1932
TLS 12 1927-1933
TPS 1 1932
Hahn, Harry.
ALS 1 1928
Halberstam, Julius (includes letterhead of Wiener Sanatorium Dr. Anton Loew, Wien).
ALS 1 1934
Halm, August.
ALS 20 1917-1925
APS 7 1917-1927
2 autograph letter fragments undated
1 death notice 1929
Included with the correspondence: 2 published scores autographed by the composer (Halm's Drei Serenaden für Streichtrio of 1919 with Serenade in A-moll; Vier Tänze und nächtlicher Marsch of 1927)
Hammer, Victor.
ALS 1 undated
ALS 19 1913-1926
APS 8 1922-1927
1 typed transcript of Schenker diary entries (Nov. 22, 1925, and Jan. 25, 1926) concerning Hammer and the word Urlinie,
Hammer, Victor (graphic material. See also Group V)
4 reproductions of paintings, each with overlay and autograph diagram of composition; on verso autograph analyses of composition [1926]
1 loose overlay, autograph diagram [1926], included with the 4 reproductions in original envelope addressed to Schenker
1 publisher's brochure (Verlag Schmidt-Dengler, Graz) announcing book on Hammer's work [1926]
1 printed invitation to Hammer exhibition (Wiener Secession) 1924
Hammerschlag, Paul.
ALS 1 1919 (with typed transcript)
Hanslick, Eduard.
ALS 3 1894-1899
1 autograph letter fragment 1894 (bottom portion and signature cut away)
APS 1 1895
ANU 1 1898 (written on calling card)
Harand-Bewegung, Weltorganisation gegen Rassenhass und Menschennot, Wien.
1 form letter unsigned 1933, with note on envelope in Jeanette Schenker's hand.
Harburger, Walter.
ALS 1 undated
Harden, Maximilian (includes letterhead of Die Zukunft, Berlin).
ALS 10 1892-1897
APS 18 1892-1897
ANS 2 undated
ANS 1 [1893] (photocopy; for original, see ALS from Hermann Wolff to Harden, Box 71 f.42)
Hatschek, Oskar (brother-in-law of Jeanette Schenker, husband of her sister Klara).
APS 1 1934
Hausenstein, Wilhelm.
ALS 1 1924
ANU 1 1924 (written on calling card)
Hayek, _____ von (with letterhead of Bezirksgericht Innere Stadt, Wien). 1 copy of typed legal document with stamped signature 1917
Hellmesberger, Josef.
ALS 1 undated
Herders Konversationslexikon, Der grosse Herder, Freiburg im Breisgau.
1 form letter 1933
Hertzka, Emil. See Emil-Hertzka-Gedächtnisstiftung, Wien; also see Weinberger, Josef, for two LS 1903 jointly signed by Weinberger and Hertzka.
Herzfeld, V. von.
APS 1 1916
Heuberger, Richard.
APS 3 1899-1905
ANS 1 1903 (written on calling card of thanks)
Heydusek, A.
ALS 1 1894
Hindemith, Paul.
TLS 1 1926
Hinterberger, Heinrich.
ALS 1 1935
TPS 1 1938
Hirschl, D.
ALS 1 1901
Hoboken, Anthony van.
ALS 2 undated
ALS 22 1924-1935
APS 8 1926-1932
ANU 2 undated (written on calling cards)
TLS 7 1928-1935
Hoesslin, Franz von (with letterheads of Dirigent des Rigaschen Symphonie-Orchesters, and Generalmusikdirektor der Städte Barmen/Elberfeld, Elberfeld).
ALS 1 undated [ca. 1912-1914]
TLS 1 1927
TPS 1 1927
Hunderisser, Franziska.
ALS 1 1935 (to Jeanette Schenker)
Illustriertes Wiener Extrablatt, Wien. See Liebstoeckl, Hans.
Internationale Musik-Gesellschaft, Wien. See Adler, Guido.
Internationaler Kongress für Schubertforschung, Wien, 1928.
TLS 1 1928 (signed by Robert Haas and Alfred Orel)
2 printed cards for participant 1928
Israelitische Kultusgemeinde, Wien.
TLS 1 1916 (signature not identified)
Jerusalem, Wilhelm.
ANU 1 undated (written on calling card)
Jodl, Friedrich.
ALS 1 1913
Jodl, Margarete.
1 printed funeral notice for Friedrich Jodl 1914
1 printed card of thanks 1914
Johannes-Brahms-Denkmal-Komitte, Wien.
1 printed invitation to ceremonies 1908
Jokl, Ernst.
ANS 1 undated
Jonas, Oswald.
ALS 4 undated
ALS 28 1928-1935
APS 9 1928-1935
TLS 3 1932 (with enclosures: typed outlines of proposed book [ Das Wesen des musikalischen Kunstwerks], 2 leaves; biographical sketch of Schenker, 1 leaf)
TLU 1 1934 (with enclosures: typed German translation, 2 leaves, of review of Das Wesen des musikalischen Kunstwerks in Monthly Musical Review, Dec. 1934)
Kalbeck, Max.
ALS 3 1897-1906
APS 1 1899
ANS 3 1897-1903
ANU 1 1898 (written on calling card)
Kalmus, Alfred (with letterhead of Universal-Edition, Wien, and Wiener Philharmonischer Verlag, Wien).
TLS 30 1922-1936
TPS 3 1923-1925
Karpath, Ludwig (includes letterhead of Der Merker, Wien, and Neues Wiener Tagblatt, Wien).
ALS 14 1911-1931 (ALS of 6 III 1916 is on verso of TLS 1916 from Emil Kammerer to Karpath; photocopy. For original see Box 71 f.19)
APS 1 1908-1932
ANU 1 1915 (written on calling card)
TLS 6 1913-1931
TPS 1 1931
1 printed form letter 1917
Klein, Fritz (with letterhead of Deutsche Allgemeine Zeitung, Berlin).
ALS 1 1927
TLS 2 1933
Klein, Fritz Heinrich, composer and theorist.
ALS 1 1927
Klenau, Paul August von.
ALS 2 undated [1927]
ALS 8 1923-1927
ANS 1 1924 (written on calling card)
Klett, Ernst (with letterhead of Carl Grüniger Nachf. Ernst Klett, Stuttgart).
TLS 1 1926
Koenig, A.
ALS 1 1934
Koller, O. (with letterhead of Internationale Musik-Gesellschaft, Wien).
ALS 1 1902
Komité zur Ehrung Wilhelm Kienzl's, Wien.
1 printed invitation 1927
Komitee für ein Brahms-Denkmal in Thun.
1 printed form letter 1933, with subscription form
Komorn, Maria.
ALS 6 1923-1935
APS 4 1923-1938
ANS 2 1927-1928 (written on greeting card and on calling card)
Konzertdirektion Otto Bauer, München.
TLS 1 1924 (signature not identified)
Kornfeld, Felix. See Schenker/Schiff families; Box 14
Korngold, Julius.
ANU 1 1902 (written on calling card)
Krasny, Emil. See Lanzer, Alfred and Emil Krasny (Rechtsanwälte, Wien)
Kraus, Ernst (with letterhead of Gesellschaft der Musikfreunde, Wien).
APS 1 1925
TLS 1 1935
Krebs, E.
ALS 1 1912
Krehl, Stephan.
ALS 2 1923
APS 1 1923
Kröner, Adolf (with letterhead of J. G. Cotta'sche Buchhandlung Nachfolger, Stuttgart; Berlin).
ALS 1 1909
Kromer, Julius (also known as Julo von Kromer; includes letterhead of Archiv für Photogramme, Wien).
ALS 2 1931-1935
APS 2 1939
ANS 2 1931 (written on calling cards)
TLS 2 1932-1933
TPS 4 1932-1939
Kudryk, Borys.
ALS 2 1925
Der Kunstwart. See Rinn, Hermann ( Der Kunstwart, München)
Kuratorium der Freiherrlich von Rothschild'schen Künstlerstiftung, Wien.
ALS 1 1899 (signatures not identified; award of grant and payment receipt)
TLS 1 1916 (signature not identified)
Kurz, H. (with letterhead of J. G. Cotta'sche Buchhandlung Nachfolger, Stuttgart; Berlin).
ALS 14 1906-1913
APS 1 1910
Kux, Wilhelm.
ANU 1 undated (written on calling card)
ANU 4 1905-1910 (written on calling cards)
Lafite, Carl (includes letterhead of Gesellschaft der Musikfreunde, Wien).
APS 2 1904
ANS 1 1902
ANU 1 undated (written on calling card)
TLS 3 1912 (two with autograph notes by Schenker; on verso of Lafite TLS 18. September 1912 is draft ALU response by Schenker 19.IX.12)
TPS 1 1912
Lahusen, Christian.
ALS 4 1931-1932
Lamberg, Ernst.
TLS 3 1923-1924
Landau, Heinrich.
APS 1 1927
Landowska, Wanda.
ALS 3 1910-1911
ANU 1 [ ca. 1910] (written on calling card)
Lanzer, Alfred and Emil Krasny, Rechtsanwälte, Wien.
ALS 1 1935
TLS 48 1930-1938
TPS 3 1931-1935
1 receipt 1935
Lese- und Redehalle jüdischer Hochschüler, Wien.
1 printed invitation 1903
Leuckart (F.E.C.) Buch- & Musikalien-Verlag, Leipzig.
ALS 1 1903 (firm name signature)
Library of Congress, Washington, D. C.
1 printed postcard initialed 1933 (request by Catalog Division for biographical and bibliographical data)
Liebstoeckl, Hans (includes letterhead of Illustriertes Wiener Extrablatt, Wien).
ALS 3 undated
APS 1 1928
Lienau, Robert, Jr. (with letterhead of Carl Haslinger, Musik-Verlag, Berlin).
ALS 1 1897
Liliencron, Detlev von.
ALS 1 1901
APS 1 1900
1 printed program 1900 (Liederabend Eduard Gärtner; photocopy, see also Siebenlist, Ottilie, Box 14 f.23a)
Löwe, Amalie.
ALS 1 1906
ANU 1 undated (written on calling card)
Löwe, Ferdinand.
ALS 1 1905
ANS 1 1907
ANU 1 undated
Loewe, Theodor (includes letterhead of Direktion des Stadt-Theaters, Breslau).
ALS 2 1889-1891
Lothar, Rudolf (includes letterhead of Die Wage, eine Wiener Wochenschrift, Wien).
ALS 1 1898
APS 1 1898
ANS 1 undated
Ludwig, Ernst.
ANU 1 undated (written on calling card)
Lytle, Victor.
ALS 2 1930
TLS 1 1930
Mach, E[rnst].
APS 1 1896
Mahler, Gustav.
ANS 1 undated (photocopy)
Mandyczewski, Eusebius (includes letterhead of Gesellschaft der Musikfreunde, Wien, and Internationaler Kongress für Schubertforschung, Wien)
ALS 1 undated
ALS 2 1912
LS 1 1908 (signed by Mandyczewski as Bibliothekar, acknowledging gift of Schenker's Beitrag zur Ornamentik)
APS 4 1908-1925
ANS 1 undated (written on calling card)
ANS 1 1898
1 printed form letter 1928
Martin, Bernhard.
ALS 3 undated
ALS 4 1929
2 leaves of musical analysis in Martin's hand
Marx, Joseph (with letterhead of Akademie für Musik und darstellende Kunst, Wien).
TLS 1 1924
Mendl, Fritz (with letterhead of Futtermittel-Zentrale, Wien).
TLS 1 1917
Der Merker, Wien. See Karpath, Ludwig.
Mercurbank, Wien.
TLS 3 1938
2 receipts 1938
1 printed form letter 1938
Messchaert, Johannes.
ALS 1 undated
ALS 4 1899
APS 6 1896-1901
Miller, L.
ALS 1 1927
Mittler, Franz.
ALS 8 undated
ALS 7 1917-1932
APS 5 1919-1932
Moll, Carl.
ANU 2 undated (written on calling cards)
Müller, Paul.
ALS 1 1923
Müller, Siegfried Fritz.
ALS 5 1922-1924
1 printed recital program [1923]
5 newspaper clippings 1923 concerning Müller piano recital
Münchheimer, Adam.
ANS 1 undated (written on calling card)
National-Zeitung, Basel.
TLS 1 1933 (signature not identified)
Neff, L. (J. G. Cotta'sche Buchhandlung Nachfolger, Stuttgart; Berlin).
LS 2 1919-1920 (text in a secretarial hand)
ANS 1 1920 (written on ALS 4.10.20 Otto Vrieslander to Schenker; photocopy; for original see Box 15 f.4)
TLS 1 1917
Neue Musik-Zeitung, Schriftleitung, Stuttgart.
TPS 1 1920 (signature not identified)
Neue Schule für Musik und Bühnenkunst, Wien.
TLS 2 1933 (signatures of Alfred Weissberger and Marianne Munk-Weissberger)
1 curriculum announcement [1933?],
Neumann, Carl.
ALS 1 1935
Neumann, Lotte.
ALS 1 1924
Niederösterreichische Escompte-Gesellschaft, Wien.
ALS 1 1912 (signature not identified)
TLS 3 1906-1920 (signatures not identified)
Nolle, Hugo ( Neue Musik-Zeitung, Schriftleitung, Stuttgart).
TLS 1 1924
Ochs, Siegfried.
ALS 2 1898-1903
Odelga, Freiherr _____ von.
ANU 1 undated (written on calling card)
Oesterreichische Musiklehrerschaft, Wien.
1 printed invitation 1927
Oppel, Reinhard (includes letterhead of Kirchenmusikalisches Institut, Landeskonservatorium der Musik, Leipzig).
ALS 3 undated
ALS 124 1919-1939
APS 85 1921-1939
1 telegram 1928
1 wedding announcement 1930
1 lecture announcement [1931]
7 concert and recital programs 1914-[1932]
1 newspaper clipping
2 leaves of music manuscript
Oppel, Ulrich.
ALS 3 1928-1929
Ornstein, Christiane.
ALS 4 1939 (including multiple signatures; all addressed to Jeanette Schenker)
3 children's drawings
Osten, Heinrich (with letterhead of Neue Revue, Wien).
ALS 4 1894-1898
Oster, Ernst.
ALS 1 1938 (to Jeanette Schenker)
APS 1 1938 (to Jeanette Schenker)
Paumgartner, Bernhard.
ALS 1 1915
Pensionsanstalt deutscher Journalisten und Schriftsteller, München.
1 statement 1908
Peters, C. F., Leipzig.
ALS 2 1897
TLS 5 1913-1920
TPS 1 1928
Pfeiffer,_____(with letterhead of Deutsche Gesandtschaft, Wien).
TLS 1 1923
Photogrammarchiv, Wien. See Archiv für Photogramme musikalischer Meisterhandschriften
Pollak, Felix.
APS 1 1905
Pollak, Frieda and Karl.
ALS 1 1925
ANU 1 1926
TLS 1 1926
Reichert, Ernst.
ALS 1 1933
TLS 1 1933
Reigerberg, Heinrich von.
ALS 9 1924-1935
APS 12 1925-1938
Réti, Rudolf.
ALS 1 1913 (annotated in Heinrich Schenker's hand)
Riemann, Hugo ( Musik-Lexikon, Leipzig).
1 form letter, with ms. corrections, 1913
Riesling, Elfi von.
ALS 1 1937
Rinn, Hermann (with letterheads of Deutsche Zeitschrift, München, and Der Kunstwart, München).
TLS 39 1927-1935 (together with an LS 1927 in an unidentified hand, written on behalf of Rinn)
TPS 5 1930-1933
1 printed announcement, "An unsere Leser!" [1932], concerning change of name from Deutsche Zeitschrift to Der Kunstwart
Robert, Richard.
APS 3 1902-1914
Röntgen, Julius.
ALS 1 undated
ALS 5 1901-1908
APS 3 1901-1915
Rosenthal, Felix.
ALS 1 1931
ANS 1 1932 (written on calling card)
Rosenthal, Moriz.
ALS 2 undated
ALS 6 1894-1912
APS 1 1912
ANS 1 1902 (written on calling card)
ANU 2 undated (written on calling cards)
Roth, Herman (includes letterhead of Hamburger Nachrichten, Hamburg).
ALS 10 undated
ALS 26 1912-1932
APS 5 undated, including card [Christmas 1917?] with greetings from Roth and from Otto and Helene Vrieslander
APS 33 1913-1927
ANS 1 undated
TLS 1 undated
TLS 5 1923-1933
TPS 4 1924-1925
1 wedding announcement of Tony and Herman Roth 1923
1 telegram 1913
Rothberger, Hilda.
ALS 3 undated
ALS 9 1933-1938 (including letters from Karl Rothberger)
APS 16 1929-1938 (including card from Karl Rothberger)
ANS 1 undated
ANU 1 1935
Rothschild, Alphonse de.
ANS 1 undated (written on calling card)
ANU 3 undated (written on calling cards, of which one is the card of Albert de Rothschild)
Rottenberg, [Ludwig].
1 calling card
Rottensteiner, Kati and family.
ALS 3 1938 (to Jeanette Schenker)
Rubinraut, Hilde.
ALS 3 1922-1923
ANU 1 1922 (written on calling card)
Rudorff, Elisabeth.
ALS 1 1909
1 printed funeral notice for Ernst Rudorff 1916
1 printed card of thanks 1917
Rudorff, Ernst Friedrich Karl.
ALS 10 1908-1910
APS 2 1909-1910
1 printed letter signed, on the occasion of Rudorff's seventieth birthday, 1910
Schenker/Schiff Families
Scope and Content Note
Schenker Family
Guttmann, Sophie (Box 11, Folder 31)
Guttmann, Hans (Box 14, Folder 4)
Guttmann, Julian (Box 14, Folder 5)
Schenker, Moriz, and family (Box 14, Folder 5)
Schenker, Wilhelm (Box 14, Folder 6)
Schiff Family
Hatschek, Oskar (Box 11, Folder 43)
Kornfeld, Felix (Box 14, Folder 7)
Schiff, Paul and Anna (Box 14, Folder 8)
Schiff, Victor (Box 14, Folder 9)
Weil, Arnold and Rosa (Box 14, Folder 10)
Salzer, Felix.
ALS 3 1921-1934
APS 2 1921-1938
AL in Oswald Jonas's hand, signed by Jonas and Salzer, to Jeanette Schenker 27.VI.35, photocopy. For original, see Jonas letters to the Schenkers, Box 12 f.6
Sambeth, H. M.
ALS 1 1926
Saphir, Mathilde.
TLS 1 1917
Schenker and Schiff families. Genealogical tables (prepared by R. Lang), 5 ms. leaves. Genealogical tables (prepared by Heribert Esser), 3 ms. leaves.
Schenker Family
Guttmann, Hans (son of Sophie Guttman).
ALS 1 1922
1 telegram 1918
Schenker, Moriz (Heinrich Schenker's brother; Moriz's name also appears as Moritz, Maurice, Mozio) and family.
ALS 28 1918-1930
APS 6 1918-1924
TLS 5 1920-1930
ALS 2 1912-1914 (Moriz to Julia Schenker, his mother)
APS 1 1917 (from Julian, son of Sophie Guttmann, with photograph; photocopy, for original see Box 72 f.16)
Schenker, Wilhelm (Heinrich Schenker's brother).
ALS 8 1930-1939
Schiff Family
Kornfeld, Felix (Jeanette Schenker's son from her first marriage).
ALS 1 1939 (to Jeanette Schenker)
Scope and Content Note
Schiff, Paul and Anna (Jeanette Schenker's brother and sister-in-law).
ALS 6 1925-1926 (LU 1925 Victor Schiff to Klara Schiff, and LU 1925 Victor Schiff to Paul Schiff, transcribed by Anna Schiff, included with ALS from Paul Schiff to Jeanette Schenker 18.XI.1925)
APS 4 1925-1934
TLS 1 1938
Schiff, Victor (Jeanette Schenker's brother).
ALS 1 1926
LU 1925 Victor Schiff and Klara Schiff, and LU 1925 Victor Schiff to Paul Schiff, translated from the Hebrew and transcribed by Anna Schiff; photocopies, for originals, see Schiff, Paul and Anna.
Weil, Arnold and Rosa [née Schiff] (Jeanette Schenker's sister and brother-in-law).
ALS 22 1932-1939
APS 10 1932-1939 (APS of 16. Juli 1934 also signed by Paul and Lisl Schiff)
TLS 1 1933
1 telegram undated [192-?]
Scherber, Ferdinand.
ANS 1 1906 (written on calling card with address, "k.k. Hof bibliothek")
Schiff, Anna, Paul or Victor. See Schenker/Schiff Families
Schmid, Edmund.
TLS 1 1927
Schmid, Ernst (Ferdinand) Fritz.
APS 1 1932
Schnabel, Artur.
ALS 1 1925
Schoenberg, Arnold.
Schoenberg-Schenker material is present only in photocopy.
ALS 1 undated [ ca. 1907], photocopy
ALS 10 1903-[1907; some dates supplied in pencil by Oswald Jonas]; photocopies
ALU 1 undated [1903], photocopy
Circular letter 1904, ms. in an unidentified hand, from Alexander von Zemlinsky, Gustav Gutheil, and Schoenberg, concerning formation of a "Verein schaffender Tonkünstler," addressed to Schenker in another hand; photocopy
Printed card 1904 from the Wiener Ansorge Verein with handwritten invitation to Schenker to attend an "Ansorge Grube-Schönberg Abend," 11.12.1904; photocopy
Printed invitation 1907, addressed to Schenker, to a performance of compositions by Schoenberg's students (Berg, Webern, etc.), 7. November 1907; photocopy
Schott's Söhne, B., Mainz.
ALS 1 1902
APS 1 1902
Schrader, Bruno.
APS 1 1917
1 newspaper clipping (review by Schrader of Schenker's Beethovens neunte Symphonie in Die Zeit am Montag, 25.März 1913), with envelope
Schubert, Kurt.
ALS 1 1922
Schütt, Eduard.
ANU 2 1894 (written on calling cards)
Schuster, Bernhard (with letterhead of Die Musik, Stuttgart; Berlin).
ANS 1 [1922] autograph note written on printed form letter announcing fiftieth anniversary of Die Musik
TLS 2 1923-1925
TPS 3 1922
1 proof of music illustration with corrections for Schenker's article [1923]
Seidel'sche Sortiments-Buchhandlung, O. E. Deutsch & Co., Wien. ( See also Deutsch, Otto Erich.)
7 bills and receipts 1921-1924
Selbsthilfe der Wiener Künstler, Wien.
TLS 1 1935 (to Jeanette Schenker)
Seligmann, Adalbert Franz.
ALS 4 undated
ALS 3 1911-1916
APS 16 1902-1935
1 printed invitation to Seligmann exhibition 1903
1 printed note of thanks 1918
Siebenlist, Ottilie.
ALS 1 1900 (enclosing printed program of Liederabend Eduard Gärtner, 1 December 1900, Alexander von Zemlinsky, accompanist, with new songs by Schenker, Wolf, Zemlinsky, and Schönberg. Photocopy)
Simrock, N., Musikverlag, Berlin (with letterhead.)
ALS 4 1898-1900
APS 2 1898-1899
Singer, J. (with letterhead of Die Zeit, Wiener Wochenschrift, Wien).
ALS 2 1895
Singverein der Gesellschaft der Musikfreunde, Wien.
1 printed invitation to concerts 1908
1 ticket 1908
Soebs-Brünauer, Ida.
ALS 1 1924
1 newspaper clipping, article by Jürgen Fehling 1924
Spiegler, Albert.
ALS 1 1924
Spiegler, Nina.
APS 1 1924
ANS 1 undated
Srb-Debrnov, Josef.
ALS 1 1894
Staeps, Hans Ulrich.
ALS 2 1931
Stahl, Albert, Musikalien-Handlung und Leih-Institut, Berlin.
1 form letter 1909, printed announcement of work by Ernst Rudorff
Steglich, Rudolf.
ALS 4 1914-1918
APS 1 1918
Steiner, Franz.
ALS 1 1908
ANU 1 1913 (written on calling card)
Steinhoff, Elisabeth.
ALS 1 1924
Symbolische Grossloge von Ungarn, Budapest.
ALS 1 1904 (membership certified at Loge "Zukunft", Pressburg)
1 signed certificate 1907
Szalit, Paula.
ALS 1 1918
ANS 2 undated (written on calling cards)
Tedesko, Salo.
ALS 1 1908
Toifl, Hans.
ALS 1 1933
Türkel, Siegfried.
TLS 1 1918
1 typed draft of contract with ms. annotations, undated
Ullreich, M_____.
ALS 1 1918
Die Umschau, Frankfurt am Main.
APS 1 1897 (signature not identified)
Universal-Edition, Wien.
TLS 20 1920-1939 (signatures not identified)
TPS 7 1934-1935 (signatures not identified)
33 book orders, bills and receipts 1917-1924
1 book order undated
7 receipts undated
3 ms. fragments (one dated 1921) in the hand of Heinrich and of Jeanette Schenker
Vereinigung Wiener Musikreferenten, Wien.
ALS 1 1910 (signatures not identified)
Violin, Moriz (signed Floriz, Fiorello, Florizello) and Valerie (Wally).
ALS 2 undated
ALS 75 [1900]-1935
APS 19 1915-1938 (2 APS 1915 in photocopy; for originals see Box 72 f.23)
Violin, Fanny (Moriz's sister), Genovefa (also Eva or Everl, Moriz's daughter), Karl (also Karli or Carli, Moriz's son), and Moriz. Letters written singly or in combinations.
ALS 2 undated
ALS 2 1914-1935
APS 4 1922-1938
ANS 1 undated
1 drawing (bookmark?) by Eva and Karl Violin, pencil and water color, undated, inscribed "für Herrn Dr. Schenker"
Voraus, Grete.
ALS 1 undated
ALS 2 1933-1934
Vornkeller, Maja.
ALS 3 1932
1 printed announcement of Vornkeller's instruction in piano and in Schenker method, München, undated
Voss, Gotthilf Erich.
ALS 9 1930-1934
APS 1 1932
1 printed and signed announcement of Voss lectures on Schenker, undated
1 New Year's greeting card, undated
Vrieslander, Klaus.
ALS 1 1918
Vrieslander, Otto and Helene.
Scope and Content Note
ALS 2 1917-1920 (addressed to Heinrich)
ALS 5 1935
APS 2 1935-1939
TPS 3 1935-1939
Waechter, Eberhard.
ALS 8 1918-1921
Die Wage. See Lothar, Rudolf.
Wahle, Richard (Fritz).
ALS 2 undated
ALS 8 1899-1913
APS 1 1903
ANS 2 1896-1907 (1896 on calling card)
1 printed announcement of book edited by Wahle, 1912
Waldeck, Arthur.
ALS 1 1929
Waldheim, R. v. Jos. Eberle & Co., Wien.
TLS 5 1905-1908
APS 1 1906
Waltershausen, Philippine von (with letterhead of Professor Hermann Wolfgang Sartorius, Freiherr v. Waltershausen, Direktor der Staatlichen Akademie der Tonkunst, München).
TLS 1 1931
Wanek, Marlies.
ALS 3 1939 (to Jeanette Schenker)
Weigl, Karl and Vally.
ALS 1 1929
APS 2 dates not identified
APS 6 1931-1934
TLS 1 1934
TPS 1 1934
Weil, Arnold and Rosa [née Schiff]. See Schenker/Schiff families.
Weinberger, Josef (with letterhead of Josef Weinberger, Bühnen-Verlag, Musikalien-Verlags-Handlung, Wien).
LS 3 1900-1903 (two LS 1903 jointly signed by Weinberger and by Emil Hertzka; texts of all LS written in clerk's hand)
LU 1 1903 (written in clerk's hand and signed with stamp)
PU 1 1904 (written in clerk's hand)
ANU 3 undated (written on calling cards)
Weiss-Hausleithner, Tity.
ALS 1 1933 (to Jeanette Schenker)
Weisse, _____ (father of Hans Weisse).
APS 1 1896
Weisse, Hans and Hertha.
ALS 11 undated
APS 98 1911-1935
APS 5 undated (photocopy of 1 APS ca. 1913: for original see Box 72 f.24)
APS 55 1913-1931
ANS 1 undated
1 telegram 1919
Program of Quartett Mairecker-Buxbaum Wien, 1921, announcing a forthcoming performance of Weisse quartet, Op. 9.
"Das Werk Heinrich Schenkers." Review by Karl Gerstberger of a lecture by Weisse in Vienna, ca. 1930. Newspaper clipping.
Weissgärber, _____.
ALS 1 1928
Wiener Bank-Verein, Wien.
3 records of Schenker transactions 1919
Wiener Konzerthausgesellschaft, Wien.
ALS 1 1914 (signatures not identified)
TLS 4 1914-1924 (signatures not identified)
Wiener Philharmonischer Verlag, Wien.
TLS 1 1923 (signature not identified)
3 receipts 1924
Wiener Tonkünstler-Verein, Wien.
1 printed invitation to memorial service for Karl Goldmark 1915
Willfort, Manfred.
ALS 11 1931-1935
Winkler, O. (with letterhead of C. F. Kahnt Nachfolger, Leipzig).
TLS 1 1911
Wittgenstein, Paul.
ALS 1 undated
APS 1 1913
TLS 1 1913
1 telegram 1913
Wöss, Josef Venantius von.
APS 1 1906
Wolf, Hans.
ALS 1 1935 (to Jeanette Schenker)
APS 3 1934-1935
Wolfart, Lina.
ALS 1 1924 (to Jeanette Schenker)
Wolters, Rosa.
APS 1 1938 (to Jeanette Schenker)
Wüllner, Ludwig.
ANS 1 undated
Württembergische Vereinsbank, Stuttgart.
2 records of Schenker transactions 1920-1921
Wunsch, Hermann.
ALS 2 1924
1 issue of Rheinische Musik- und Theater-Zeitung, Köln, 23. Februar 1924; containing biographical article on Wunsch
Wurmbrand, Ernst.
ANU 1 undated (written on calling card)
Die Zeit, Wiener Wochenschrift, Wien. See Singer, J.
Zollner, Otto.
ALS 3 1920
ANS 1 1920 (written on New Year's calling card)
Zuckerkandl, Victor [Zauner, Victor, pseud.].
ALS 3 undated
Die Zukunft, Berlin. See Harden, Maximilian.
Id. SCHENKER'S CRITICAL AND ANALYTICAL WORKS: MANUSCRIPT AND PUBLISHED COPIES
Scope and Content Note
Critical Writings arranged by Composer or Musician
Bach, Johann Sebastian
"Joh. Seb. Bach: Wohltemperiertes Klavier, Band I, Präludium C-moll." Die Musik XV/9 (Juni 1923), 641-51. Complete issue of Heft 9 as published.
"Die Kunst der Fuge." Note on Wolfgang Gräser's ordering of Die Kunst der Fuge, dated 15.II.27.
Scope and Content Note
Beethoven, Ludwig van
Sonata. Op. 14, no. 2.
Scope and Content Note
Sonata. Op. 27, no. 2.
Ms. and printer's proofs of Schenker's introduction for facsimile edition: Sonate Opus 27 Nr. 2 (Die sogenannte Mondscheinsonate). Mit drei Skizzenblättern des Meisters, hrsg. in Facsimile-Reproduction von Heinrich Schenker. Wien: Universal-Edition, 1921. (Musikalische Seltenheiten, Wiener Liebhaberdrücke, Bd. I, geleitet von Otto Erich Deutsch).
Scope and Content Note
Symphony No. 3. Op. 55.
Urlinie analyses, 37 ms. leaves in Schenker's hand, black ink with additions in black, red and green pencil. (For published work in Das Meisterwerk in der Musik, see Box 19 f. 17.)
Symphony No. 5. Op. 67.
Scope and Content Note
Sonata. Op. 101.
Ms. in Jeanette Schenker's hand, with revisions in Heinrich Schenker's hand, for Schenker's Erläuterungsausgaben der letzten fünf Sonaten Beethovens, Op. 101 (1920). (See also Box 28 f. 9 for Jonas's published revision.)
Scope and Content Note
Sonata. Op. 109.
"Paralipomena zu Opus 109!" Ms. in Jeanette Schenker's hand, dated 5.VIII.13.
Scope and Content Note
Sonata. Op. 109.
Ms. in Jeanette Schenker's hand, with revisions in Heinrich Schenker's hand, for Schenker's Erläuterungsausgaben der letzten fünf Sonaten Beethovens, Op. 109 (1913). (See also Box 28 f. 11 for Jonas's published revision.)
Scope and Content Note
Sonata. Op. 110.
Ms. in Jeanette Schenker's hand, with revisions in Heinrich Schenker's hand, for Schenker's Erläuterungsausgaben der letzten fünf Sonaten Beethovens, Op. 110 (1914). (See also Box 28 f. 12 for Jonas's published revision).
Scope and Content Note
Sonata. Op. 111.
Ms. in Jeanette Schenker's hand, with revisions in Heinrich Schenker's hand, for Schenker's Erläuterungsausgaben der letzten fünf Sonaten Beethovens, Op. 111 (1915). (See also Box 28 f. 14 for published edition.)
Scope and Content Note
Sonata. Op. 111.
Fragments of galley proofs for Schenker's Erläuterungsausgaben. 5 leaves numbered 53, 65-68, with corrections in Heinrich and Jeanette Schenker's hands.
Symphony No. 9. Op. 125.
Ms. in Jeanette Schener's hand (revisions in Heinrich Schenker's hand) for Beethovens neunte Sinfonie (1912).
Scope and Content Note
"Beethoven-`Retouche'." Article by Schenker in Wiener Abendpost, Beilage zur Wiener Zeitung, 9 Jan. 1901, p. 6-7. Photocopy (for original publication see Box 20 f. 5).
"Beethoven und seine Nachfahren." Article by Schenker in General-Anzeiger für Bonn und Umgegend (1927).
Scope and Content Note
Brahms, Johannes
"Erinnerungen an Brahms." Deutsche Zeitschrift XXXXVI/8 (Mai, 1933), 475-482.
Scope and Content Note
"Ein Gruss an Johannes Brahms zu seinem 60. Geburtstag."
Scope and Content Note
"Johannes Brahms." Die Zukunft, XIX (8. Mai 1897), 261-265. Photocopy.
"Kritik: Johannes Brahms. Fünf Gesänge für gemischten Chor a capella, Op. 104. Berlin, N. Simrock." Musikalisches Wochenblatt (Leipzig), XXIII nos. 33/34, 35, 36 (Aug.-Sept. 1892), 409-11, 425-26, 437-38. Photocopy,
Scope and Content Note
"Oktaven u. Quinten u. A., Studie von Johannes Brahms, aus dem Nachlass herausgegeben u. erläutert von Heinrich Schenker." ms. leaves 1-22 in the hand of Jeanette Schenker. With 2 ms. leaves in an unidentified hand and 30 ms. note fragments in Heinrich Schenker's hand.
Bruckner, Anton
"Psalm 150 für Chor, Soli und Orchester. Wien, Ludwig Doblinger." Musikalisches Wochenblatt (Leipzig), XXIV (9 März 1893), 159-60. Transcript of Schenker article in Jonas's hand, 3 ms. leaves. With bibliographical notes in Jonas's and Jeanette Schenker's hands, 11 ms. leaves.
"Anton Bruckner." Die Zukunft, V (21. Oktober 1893), 135-37. Photocopy.
Furtwängler, Wilhelm
Excerpts from Schenker's Tagebücher concerning Furtwängler, his musicianship and his performances, selected by Jonas. 4 typescript leaves titled "Vortrag."
Vrieslander, Otto
"Eine Anzeige une eine Selbstanzeige." Deutsche Zeitschrift XLVI (1933), 194-96. Photocopy (for original see Box 20 f. 10).
Scope and Content Note
Major Works on Theory and Analysis arranged by date
Ein Beitrag zur Ornamentik: Als Einführung zu Ph. Em. Bach's Klavierwerken, umfassend auch die Ornamentik Haydns, Mozarts u. Beethovens, etc., von Heinrich Schenker. [1904-08]
[variant 1] Universal-Edition No. 812. Wien: "Universal-Edition" [n.d.]. 43pp. Autographed "Dem liebsten Floriz / Heinrich". With extensive revisions in Heinrich Schenker's hand. Lacks "Vorwort"; place of publication identified as "in Wien." [1904]
[variant 2] Neu revidierte u. vermehrte Auflage. Universal-Edition No. 812. Wien: "Universal-Edition" [n.d.] 72,[2]pp. Autograph presentation copy to Dr. Robert Brünauer, with a few marginal ms. annotations. "Vorwort" dated "Wien, im Juni 1908;" place of publication stated as "in Wien." Lacks back cover.
[variant 3] Neu revidierte u. vermehrte Auflage. Universal-Edition No. 812. Wien: "Universal-Edition" [n.d.] 72,[2]pp., and 37 interleaves. Rebound in cloth and interleaved with blank pages on which Schenker has written additions and revisions. "Vorwort" dated "Wien, im Juni 1908;" place of publication "in Wien." With 2 ms. leaves of musical illustrations in Schenker's hand, including 9 further examples for p. 39, laid in.
[variant 4] Neue [sic] revidierte u. vermehrte Auflage. Universal-Edition No. 812. Wien; Leipzig: "Universal-Edition" [n.d.] 72,[2]pp. Publisher's advertisement on back cover dated X-1921. Title-page differs slightly; agents in Budapest, Leipzig and London omitted. Place of publication "Wien-Leipzig." "Vorwort" dated "Wien, im Juni 1908." This variant not annotated.
"Anhang zum Beitrag zur Ornamentik....Gefunden...im Nachlass von Dr. Heinrich Schenker." 2 typescript leaves; draft title-pages for a projected work.
[Harmonielehre. 1906] "Nachträge" [zu Schenkers Harmonielehre, mit Druckfehlerverzeichnis und Erläuterungen von Otto Vrieslander]. 156 leaves in an unidentified hand, with cover sheet marked "Reinschrift zu Schenker: Nachträge...Druckvorlage." Prepared for the press but never published.
Scope and Content Note
Harmonielehre. Manuscript and typescript drafts, notes, and related material for Jonas's English edition (1954).
Scope and Content Note
Instrumentations-Tabelle, von Artur Niloff [pseud. of Heinrich Schenker]. Wien: "Universal-Edition," c1908. Plate 1999. [2]pp., folding table. On cover: II. Aufl.
Instrumenten-Tabelle, mit einer Einführung, [von] Artur Niloff. Wien: Universal-Edition, c1908. [4]pp., folding table. A later edition with expanded introduction.
Kontrapunkt (Neue musikalische Theorien und Phantasien, Bd. 2) [1910-22].
Scope and Content Note
Beethovens neunte Sinfonie (1912). See Box 17 f. 1.
"Vom Vortrag." Draft ms. of Die Kunst des Vortrags, in Jeanette Schenker's hand with additions by Heinrich Schenker. [ca. 1912.] 86 ms. leaves. (For Schenker's ms. notes, see Box 21 f. 7-21. For related material prepared by Jonas, see Box 33 f. 4 and Box 57 f. 2-5).
Der Tonwille; Flugblätter zum Zeugnis unwandelbarer Gesetze der Tonkunst einer neuer Jugend, dargebracht von Heinrich Schenker, Jahrg. I-IV, 1.-10. Heft der Gesamtfolge (1921-Oktober 1924). Wien: Tonwille-Verlag (A. Guttmann); Leipzig: F. Hofmeister, 1921-24.
Scope and Content Note
Tonwille mss. as prepared for the printer, all (except as noted) in Jeanette Schenker's hand with additions in Heinrich Schenker's hand, for the following numbers of the publication:
Tonwille. Heft 1.
Scope and Content Note
Heft 3.
Scope and Content Note
Heft 5.
Scope and Content Note
Heft 5 [continued]
Scope and Content Note
Heft 5 [continued]. "Vermischtes."
Scope and Content Note
Heft 6.
Scope and Content Note
Heft 7.
Scope and Content Note
Heft 8/9.
Scope and Content Note
Heft 10.
Scope and Content Note
Unidentified mss. found with Der Tonwille.
Scope and Content Note
Musical examples for Der Tonwille, as prepared for the engraver:
13 ms. leaves of music including 2 conjugate leaves, and 3 leaves (with 3 captions) mounted on heavy art paper.
15 ms. leaves of music including 2 pairs of conjugate leaves and mounted fragments; also 1 leaf printer's proof of text with ms. quotations from Goethe attached.
21 ms. leaves of music for Heft 6, many leaves consisting of fragments mounted on heavy paper, but including 3 pairs of conjugate leaves; also 2 leaves engraver's proof of Urlinie tables for Beethoven Symphony no. 5, extensively revised in Heinrich Schenker's hand.
13 ms. leaves of music for Heft 8/9, including 4 conjugate leaves; also 9 leaves of engraver's proofs dated 11./9./1924 with extensive revisions in proof by Heinrich Schenker, and 1 typescript leaf, "Titelsatz."
Note
Separate issue of Heft 2 as published (Wien: Tonwille-Flugblätterverlag, 1922). 48pp., 2 folded tables, original grey covers.
Note
[ Beethovens V. Sinfonie. Wien: Universal-Edition, 1925.] For original mss. see Der Tonwille, Heft 1, 5, 6 (Box 19 f. 1, 4, 6).
Das Meisterwerk in der Musik, Band II. München: Drei Masken Verlag, 1926. Mss. as prepared for the printer, all in Jeanette Schenker's hand with additions in Heinrich Schenker's hand.
Scope and Content Note
Das Meisterwerk in der Musik, Band III. München: Drei Masken Verlag, 1930. "Figuren" (musical examples) 1-49 prepared for "Beethovens Dritte Sinfonie." ms. leaves 1-23 and 2 conjugate half-leaves; ink and colored pencil in Schenker's hand.
"Beethovens Dritte Sinfonie zum erstenmal in ihrem wahren Inhalt dargestellt." Das Meisterwerk in der Musik, III (München: Drei Masken Verlag, 1930), 25-101. Lacking original Anhang (supplied in photocopy). Not annotated; Jonas's copy? (Shelved in bookstacks, Spec. Coll. ML21.M45 v.3 1930.)
Generalbasslehre. Prepared by Felix Salzer from a manuscript work by Schenker, never published in this form but comprising "eine frühere Fassung seines Hauptwerkes `Der freie Satz.' "
Scope and Content Note
Fünf Urlinie-Tafeln. Five Analyses in Sketchform. Wien: Universal-Edition [1932]. Two copies; copy 1 inscribed by Heinrich Schenker to Jeanette, "Zu Ehren meines theuren LieLiechens der Schutzheiligen meiner Arbeiten!"
Der freie Satz (Neue musikalische Theorien und Phantasien, Bd. 3) [1935]:
Fragmentary ms. notes in the hands of Heinrich and Jeanette Schenker for a portion of the manuscript of Der freie Satz. 13 leaves of ms. fragments (in folded sheet marked in Jonas's hand "Zwischen 444 und 450"). Together with 12 numbered ms. leaves in photocopy of a portion of the first version, in Jeanette Schenker's hand with revisions in Heinrich Schenker's hand, and microfilm negatives for the same; leaves numbered 649a, 652, 654, zu 654 bl. 1, zu 654 bl. 2, 655, 656, 656 bis, 656a, 656b, 657, 657fn.
Der freie Satz. Typescript and trial page proofs for Jonas's second edition (1956). Typescript (incomplete, ending with section 230), 12 preliminary leaves, unnumbered leaves 1-133. Together with 115 leaves of ms. notes for the revision in Jonas's hand. Also "Vorwort des Herausgeber," draft typescript for Jonas's second ed.,
Der freie Satz. Anhang: Figurentafeln. Wien: Universal-Edition [c.1935] (Neue musikalische Theorien und Phantasien. Bd. 3) Plate 6869a. 119pp. 2 copies; cop. 1 with corrections in Jeanette Schenker's and another hand.
Scope and Content Note
Der freie Satz [publisher's prospectus for the first edition]. Wien: Universal-Edition [1935]. 4 copies, 2 annotated by Jonas.
Note
Scope and Content Note
Note
Essays and Reviews by Schenker as first published in the Periodical Press
Title Arrangement:
Musikalisches Wochenblatt, 1891-95
Die Zukunft, 1892-97
Neue Revue, 1894, 1896-98
Die Zeit, 1895-96
Wiener Abendpost, 1901
Der Merker, 1916
Die Musik, 1923
General-Anzeiger für Bonn und Umgegend, 1927
Zeitschrift für Musik, 1929-30
Der Kunstwart and Deutsche Zeitschrift, 1929-34
Deutsche allgemeine Zeitung, 1933
Der Dreiklang, 1937-38
Musikalisches Wochenblatt, Leipzig (articles by Schenker published 1891-95). Photocopies and ms. transcripts in Jonas's hand.
Scope and Content Note
Die Zukunft, Berlin (articles by Schenker published 1892-97). Photocopies, incomplete, some annotated by Jonas, together with 6 leaves of Jonas's typed and ms. notes.
Scope and Content Note
Neue Revue, Wien (articles by Schenker published 1894, 1896-98). Photocopies, many annotated in Jonas's hand.
Scope and Content Note
Die Zeit, Wien (articles by Schenker published 1895-96). Photocopies and typed copies, incomplete. Together with 4 leaves of typed and ms. notes, in Jonas's and an unidentified hand, listing Schenker's contributions to Die Zeit.
Scope and Content Note
Wiener Abendpost, Beilage zur Wiener Zeitung, Wien (article by Schenker published 1901).
Scope and Content Note
Der Merker, Wien (article by Schenker published 1916).
Scope and Content Note
` Die Musik, Berlin (article by Schenker published 1923).
Scope and Content Note
General-Anzeiger für Bonn und Umgegend, Bonn (article by Schenker published 1927). Clipping excerpted from newspaper.
Scope and Content Note
Zeitschrift für Musikwissenschaft, Leipzig (Article by Schenker published 1929/30).
Scope and Content Note
Der Kunstwart, München, and its successor Deutsche Zeitschrift (articles by Schenker published 1929-1934). Photocopies and excerpts.
Scope and Content Note
Deutsche allgemeine Zeitung, Berlin (article by Schenker published 1933).
Scope and Content Note
Der Dreiklang, Wien (posthumously published articles by Schenker 1937-38). Photocopies.
Scope and Content Note
Other Writings arranged by date
"Der Geist der musikalischen Technik." Offprint, Musikalisches Wochenblatt. Leipzig: E. W. Fritsch, 1895. 27 pp. At foot of title: "Die nachfolgende Abhandlung ist ein Teil eines grösseren noch im Manuscript befindlichen Werkes und bildet den Gegenstand an der Universität Wien."
"Das deutsche Genie im Kampf und Sieg (Betrachtungen sub specie aeternitatis)." 8 ms. leaves in Heinrich and Jeanette Schenker's hands. Schenker's ms. was submitted for publication to the Frankfurter Zeitung in September, 1914, but was rejected ( See letter from Geck, -, Frankfurter Zeitung, postmarked 26.9.14. Box 11, f.18).
Various essays and fragments:
Scope and Content Note
Wilhelm Meister (Goethe): Schenker's commentary and notes transcribed in the hand of Jeanette Schenker, with annotations in the hand of Heinrich Schenker.
Scope and Content Note
"Das Laben als Lobgesang Gottes." Miscellany of Schenker's reflections, aphorisms and comments on his reading, including literature, religion, politics, and current affairs. Ms. in Jeanette Schenker's hand, two parts, paged continuously and enclosed in paper boards.
Scope and Content Note
"Was wird aus der Musik?" Ms. in Jeanette Schenker's hand with corrections and title in Heinrich Schenker's hand, 10 numb. leaves. Published in Deutsche allgemeine Zeitung, Berlin, 1933 ( See Box 20, f.11).
Notes and Drafts for Die Kunst des Vortrags and Other Projects
Scope and Content Note
"Vorwort [ Die Kunst des Vortrags]." 3 leaves of ms. notes in Jeanette Schenker's hand with revisions by Heinrich Schenker.
"Vorwort. Meine Schule," 4 leaves of ms. notes in the hand of Heinrich and Jeanette Schenker.
"Klavier: Hand." 2 leaves of ms. notes; 39 fragments of ms. notes, all in the hands of Heinrich and Jeanette Schenker.
"Oktavenspiel; Gruppierung von Oktaven." 3 leaves of ms. notes; 4 fragments of ms. notes in the hands of Heinrich and Jeanette Schenker.
"Legato." 2 ms. leaves in the hand of Heinrich Schenker; 27 fragments of ms. notes in the hands of Heinrich and Jeanette Schenker.
"Non legato." 1 ms. leaf and 7 ms. fragments, all in Heinrich Schenker's hand.
"Ornamentik." 5 ms leaves, one headed "Vortrag;" 31 fragments of ms. notes in envelope; all in Heinrich and Jeanette Schenker's hands. (Included is a note written on verso of a card from Hanna Deutsch dated 18.11.25).
"Pedal." 1 ms. leaf and 14 ms. fragments in the hands of Heinrich and Jeanette Schenker.
"Selbstilisierung." 6 leaves of ms. notes dated 1926-1928 and 6 ms. fragments in the hands of Heinrich and Jeanette Schenker and of Oswald Jonas.
"Vom Üben." 6 leaves of ms. notes, some dated 1927, and 2 fragments in the hands of Heinrich and Jeanette Schenker; 6 ms. leaves of notes in Jonas's hand. Also, a newspaper clipping dated 1927, "Der unsichtbare Gegenspieler" by Arthur Kahane, with pencilled notes by Heinrich Schenker.
"Fingersatz." 3 leaves of ms. notes and 17 ms. fragments, all in the hands of Heinrich and Jeanette Schenker.
Further ms. notes for Die Kunst des Vortrags in the hands of Heinrich and Jeanette Schenker, as later assembled, from an arrangement ca. 1927-1929, by Oswald Jonas.
Scope and Content Note
Outlines for Die Kunst des Vortrags and related fragments in the hands of Heinrich and Jeanette Schenker.
Scope and Content Note
Notes and fragments in Heinrich Schenker's hand; newspaper clippings dated in Jeanette Schenker's hand.
Scope and Content Note
Other ms. notes relating to Die Kunst des Vortrags, as assembled by Jeanette Schenker and Oswald Jonas. 9 envelopes containing 73 fragments in the hands of Heinrich and Jeanette Schenker and 34 leaves of notes in Jonas's hand, variously labeled "Zum Vortrag 18.X.35" (Jeanette Schenker's hand), "Zu verwenden," "Zum Entwurf," "Schreiben: Üben, Dynamik," "Teils geschrieben" [etc.] (Jonas's hand).
Essays and Announcements about Schenker's Work
Scope and Content Note
Publisher's announcements for Schenker's work, 1924-1932.
Scope and Content Note
Albersheim, Gerhard. "Heinrich Schenker. Grundlagen und Bedeutung seines Werkes," Rheinische Musik- und Theater-Zeitung, Jahrg. 1930, Nr. 15-16. Offprint,
Brünauer, Robert. "Die Urlinie. Eine Entgegnung." Carbon transcript with corrections in pencil, 9 leaves, inscribed in Jeanette Schenker's hand, "Riezler-Brünauer." [1930] Reply to an article by Walter Riezler, Die Musik, April 1930.
Lytle, Victor Vaughn. "Music Composition of the Present," American Organist, 14 no. 11 (November 1931), 661-666. Complete issue. Article mentions Schenker theory.
Ie. SCHENKER AS COMPOSER: MUSIC MANUSCRIPTS AND PUBLISHED EDITIONS
Vocal Music Arranged by Opus Numbers
Sechs Lieder für eine Singstimme mit Begleitung des Pianoforte. Op. 3. (Deutscher Liederverlag). Leipzig, Brussels, London, New York: Breitkopf & Härtel, c1898, c1901. Plate no. D.L.-V. 4760. With ms. notes in Schenker's hand. Pictorial cover title, 31,[1] pp. Series title, p.1: Werke von Heinrich Schenker.
Scope and Content Note
"Mondnacht." Op. 3, Heft 1, no.1. (Richard Dehmel). 4 voice (SATB) with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in the hand of a copyist, with pencil revisions in Schenker's hand. Open score.
"Drei Gesänge für eine tiefere Stimme mit Pianoforte-Begleitung. H. Schenker Op. 6." 9 ms. leaves (i.e., 14 pages). Nos. 1-2 in ink, largely in the hand of a copyist, with pencil revisions and notes in Schenker's hand. No. 3, ink, in Schenker's hand. Cover title, ink, in Schenker's hand.
Scope and Content Note
"Heimat." Op. 6, no. 1. (Richard Dehmel). Solo with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in the hand of a copyist, with ink and pencil revisions in Schenker's hand. Marked "Gärtner."
"Nachtgruss." Op. 6, no. 2. (J. v. Eichendorff). Solo voice with piano accompaniment. 3 ms. leaves (i.e., 5 pp.), ink, in Schenker's hand, with pencil revisions.
"Wandrers Nachtlied." Op. 6, no. 3. (Goethe). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 3 pp.), ink, in the hand of a copyist, with pedal markings in ink in another hand (Schenker's?). Text: "Über allen Gipfeln ist Ruh."
"Was ich liebe?" Op. 7, no. 1. (Johanna Ambrosius). 2 ms. leaves (i.e., 4 pp.), ink in Schenker's hand. 4 voice a cappella (SATB).
Scope and Content Note
"Die Nachtigall." Op. 7, no. 2 (Th. Storm). 2 ms. leaves (4 pp.), ink, in Schenker's hand. 4 voice a cappella (SATB).
"Vorüber." Op. 7, no. 3 (Ambrosius). Photocopy of 4 printed pp. numbered 151-154 (from a published collection?). 4 voice a cappella (SATB).
"Drei Gesänge für Frauenstimmen a cappella." Heinrich Schenker. Op. 8. 8 ms. leaves (i.e., 14 pp.), conjugate, sewn, ink, in a copyist's hand, title page in another hand. 4 voice (SSAA).
Scope and Content Note
"Im Rosenbusch die Liebe schlief." (Hoffman v. Fallersleben). Op. 8, no. 2. 3 ms. leaves, the first leaf blank, ink, in Schenker's hand (title in another hand?). 4 voice madrigal (SSAA).
"Der Traum." (Uhland). Op. 8, no. 3 [written in ink as Op. 7, no. 3; the 8 written in pencil over the 7]. 1 ms. leaf, ink with pencil additions, written on both sides in Schenker's hand. 4 voices (SSAA).
"Tausend schöne goldne Sterne." (Uhland). [Op. 8, no. 4]. 2 ms. leaves, conjugate, the second leaf blank, ink, in Schenker's hand; opus numbering added in pencil in another hand (Jonas's?). 4 voice a cappella (SSAA).
Vocal Music without Opus Numbers (arranged by title)
"Der Abschied." 3 ms. leaves, leaves 1 and 3 conjugate, ink, in the hand of a copyist; cover title in pencil (Schenker's hand?). Solo voice with piano accompaniment.
"Blumengruss." (Goethe). 2 conjugate ms. leaves, ink in copyist's hand; cover title in pencil (Schenker's hand?). Solo voice with piano accompaniment.
"Die Braut." (W. Müller). 3 ms. leaves, leaves 1-2 conjugate, ink with pencil revisions, in Schenker's hand. Signed: H. Schenker; dated (Schenker's hand) 14. V. 1898.
"Drunten auf der Gassen. Ein Mädchenlied." (P.Heyse). Solo voice with piano accompaniment. 3 ms. versions:
Scope and Content Note
"Eros rüffelt mich wieder. Ode." (Sappho). Solo voice with piano accompaniment. 1 ms. leaf (i.e., 2 pp.), ink with extensive revisions in pencil, the whole in Schenker's hand.
"Der Gang von Wittow nach Jasmund." (Wilhelm Müller). Solo voice with piano accompaniment. 2 ms. versions:
Scope and Content Note
"Harfenspieler." (Goethe). 4-voice a capella (SATB). 1 ms. leaf, ink with pencil additions, in Schenker's hand, dated 10.VII. 1897.
"Ich hör im Himmel Rosse traben." Solo voice with piano accompaniment. 3 ms. leaves (i.e., 6 pp.), ink, in the hand of a copyist; pencil revisions and cover title in Schenker's hand.
"Der Lindenbaum." (H. Meyerhofer). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink with pencil revisions; part in copyist's hand, but chiefly Schenker's hand. Signed: H. Schenker.
"Mädchenlied, No. 1." ("Auf die Nacht in der Spinnstub'n.") Solo voice with piano accompaniment. 2 ms. versions:
Scope and Content Note
"Mädchenlied" ("Der Himmel hat Keine Sterne so klar." P. Heyse). Solo voice with piano accompaniment. 2 ms. leaves (part of second leaf cut away), ink with pencil additions, all in Schenker's hand. Some corrections on pasteover; pencil sketch on second leaf.
[Mädchenlied] "Ich bin bei dir gewesen.' Mädchenlied." (Johanna Ambrosius). Solo voice with piano accompaniment. 2 ms. leaves conjugate (i.e., 4 pp.), ink, in a copyist's hand, including small pasteover correction; additions in ink and blue pencil in Schenker's hand, including changes in cover title. Signed: H. Schenker.
"Mädchenlied" ("Mir träumte von einem Myrthenbaum." P. Heyse). Solo voice with piano accompaniment. 6 ms. versions:
Scope and Content Note
"Mailied" ("Zwischen Weizen und Korn." Goethe). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in a copyist's hand (?); pencil revisions and additional ink sketches in Schenker's hand; verso of second leaf contains notes on tempo markings in ink (Schenker's hand?).
"Mei' Schatz hat mir `n Kuss geb'n." Solo voice with piano accompaniment. A compilation of fragments. 4 ms. leaves (i.e., 8 pp.), ink, in a copyist's hand, ink and pencil additions in Schenker's hand. Also 3 leaves (i.e., 6 pp.) of sketches, ink and pencil in Schenker's hand.
"Mein einsam Kissen" see "O mein einsam, einsam, einsam Kissen."
"Mein Freund" (Johanna Ambrosius). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in Schenker's hand. Signed: H. Schenker.
"Mir träumte von einem Myrthenbaum" see " Mädchenlied" ("Mir träumte...")
"Die Nachtigallen" (Eichendorff). Solo voice with piano accompaniment. 1 ms. leaf (i.e., 2 pp.), ink, in Schenker's hand; recto has corrections on pasteover. Dated 19, VI. 1897.
"O mein einsam, einsam, einsam Kissen" (Byron). Solo voice with piano accompaniment. 4 versions:
Scope and Content Note
"Rosenzeit." Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink and pencil in Schenker's hand (second leaf completed in pencil).
"Das Sträusschen. Altböhmisch." (Goethe). 5 mixed voices a capella with soprano solo. 4 ms. leaves (i.e., 6 pp.); beginning of song on pasteover; ink, in Schenker's hand; cover title in another hand. Dated 23. VI. 1897.
"Wiegenlied" ("Bienchen, Bienchen wiegt sich in Sonnenschein." Richard Dehmel). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in copyist's hand.
Sketches for songs. 6 ms. leaves (i.e., 11 pp.), ink and pencil.
Music for Hamlet. Orchestra and voices. Includes, all in Schenker's hand:
Scope and Content Note
Instrumental Music: Solo Piano Works
Zwei Klavierstücke von Heinrich Schenker. Op. 1 [for piano] No. 1, Etude. No. 2, Capriccio. Wien: Ludwig Doblinger [n.d.] Plate D. 1740. 9, [1] pp. At head of title: "An Julius Epstein."
Fantasie. Op. 2 [for piano]. Breitkopf & Härtel's Klavier-Bibliothek. Leipzig: Breitkopf & Härtel, c1898. Plate Klav. Bibl. 22290. 37 [1] pp. At head of title: "An F. B. Busoni." Autograph inscription, "Seinem liebsten treuen `Floriz' H. Schenker."
5 Klavierstücke Morceaux de Piano Pianoforte Pieces von Heinrich Schenker. Op. 4. Leipzig, Brüssel, London, New York: Breitkopf & Härtel, c1898. Plate no. 22055. At head of title: "Eugen d'Albert gewidmet." 19 leaves. Photocopy of Gesellschaft der Musikfreunde, Wien, acquisition no. VII. 33170. With original cover, variant design, 1 leaf, autograph inscription on verso from Schenker to Moriz Violin.
Zweistimmige Inventionen. Op. 5 [for piano]. (Werke von Heinrich Schenker.) Breitkopf & Härtel's Klavier-Bibliothek. Leipzig: Breitkopf & Härtel c1898/1901. Plate Klav. Bibl. 23266. 11, [1] pp. At head of title: "Frau Irene Mayerhofer gewidmet."
Ländler für Pianoforte von Heinrich Schenker. Op. 10. Berlin: N. Simrock, c1899. Plate 11163. Cover title, 11, [1] pp. At head of title: "Herrn Wilhelm Kux." Composer's autograph presentation copy to "Lielie-Lieliechen" [i.e. Jeanette Schenker]. Also with detached covers from a variant issue.
Piano manuscript headed "Monolog." For piano. 2 ms. versions: [untitled], 2 ms leaves (i.e., 3 pp.), ink and pencil in Schenker's hand. "Monolog." 2 ms. leaves (i.e., 4 pp.), ink, in a copyist's hand.
Piano manuscript headed "V. Träumerisch bewegt." 2 ms. versions: 2 ms. leaves (i.e., 4 pp.), ink and blue pencil, numerous corrections, some of which do not appear in the other versions; all in Schenker's hand. 2 ms. leaves (i.e, 4 pp.), ink, in a copyist's hand; dated in pencil 1893.
Works for Piano 4 Hands
Scope and Content Note
Heft I, No. 1, 2. Plate J.W. 1092a. Cover: green ink on tan paper.
Heft II, No. 1, 2. Plate J.W. 1092b. Cover: green ink on tan paper.
Heft I, No. 1, 2, bound with Heft II, No. 1, 2. Plate J.W. 1092a [and] J.W. 1092b. Covers as in f. 8-9.
[Variant 2], Printed covers (both with dealer's stamp: Alexander Rosé, 1. Kärntnerring 11, Wien):
Scope and Content Note
"Syrische Tänze von Heinrich Schenker, instrumentiert von M. Violin." 2 ms. versions of each Heft.
Heft I. Nr. 1 u. 2. 13 ms. leaves (i.e., 23pp.), black and red ink and pencil. Dated "9 Juni 22 beendet."
Heft I, Nr. 1 u. 2. 18 ms. leaves (i.e. 34 pp.), ink, black and red pencil. Includes some annotations in English; written on English or American 24-stave paper.
Heft II, Nr. 1 u. 2. 10 ms. leaves (i.e., 18 pp.), black and red ink, black and blue pencil. Includes 2 versions of Allegretto.
Heft II, Nr. 1 u. 2. 10 ms. leaves (i.e., 19 pp.), ink and red and black pencil on English or American 24-stave paper.
"Tänze der Chassidim." (For piano 4 hands) 5 ms. leaves (i.e., 10 pp.), ink, in the hand of a copyist, with ink and pencil additions by Schenker. Cover title in Schenker's hand, inscribed "Alphons frh. v. Rothschild zugeeignet." Incomplete: 4 leaves and recto of leaf 5 are Heft I, Nr. 1; verso of leaf 5 begins Heft I, Nr. 2. Leaf 5 is virtually identical with the first page of Syrische Tänze as published.
Trios
[Trio (violin, viola, piano)] "Allegro moderato" ["moderato" crossed out]. 6 ms. leaves (i.e., 12 pp.), ink with a few pencil additions, all in Schenker's hand.
[Trio (violin, viola, piano)] "II. Allegretto." 7 ms. leaves (i.e., 13 pp. numbered in pencil 7-19), ink in a copyist's hand; blue and black pencil revisions in Schenker's hand. Earlier pages missing.
[Trio (violin, viola, piano)] "Andante." 3 ms. leaves (i.e., 5 pp.), ink, in Schenker's hand. Dated (without year) 4. IV.
[Trio (violin, viola, piano)] "Scherzo." 2 ms. leaves (i.e., 4 pp.), pencil, in Schenker's hand.
[Trio (violin, cello, piano)] "Finale." 9 ms. leaves (17 [i.e., 18] pp., the last page entirely crossed through), ink with pencil revisions, in Schenker's hand.
[Trio (violin, viola, piano)] 2 ms. fragments:
Scope and Content Note
[Trio (violin, viola, piano)] 3 ms. fragments:
Scope and Content Note
"Streichtrio" [for violin, viola, cello]. 4 ms. leaves (i.e., 7 pp.), ink and black and blue pencil; probably in copyist's hand, with revisions and title in Schenker's hand. Also 1 ms. leaf, sketch of two measures headed "S.3," ink, in Schenker's hand.
String Quartets
Scope and Content Note
"Aria" 6 ms. leaves (i.e., 10 pp., the last leaf blank), ink with pencil revisions, in Schenker's hand.
"Scherzo. III." 2 ms. leaves (i.e., 4 pp.), ink with pencil revisions, in Schenker's hand. Autograph inscription: "Marburg a/d Lahn."
"Largo." 4 ms. leaves (i.e., 8 pp.), ink with revisions in black and green pencil, in Schenker's hand.
Sketches for string quartet. 4 ms. leaves (i.e., 7 pp.), ink and pencil, in Schenker's hand.
Other Instrumental Works
"Serenade für Horn und Clavier von Heinrich Schenker" [Horn in F and piano]. 2 ms. leaves (i.e., 4 numb. pp.), ink, black and blue pencil, in Schenker's hand. Autograph inscription at head of title: "An seinen lieben Freund Louis Lavart."
Various sketches and fragments. 25 leaves, ink and pencil, in Schenker's hand and various others.
If. SCHENKER RESEARCH AND TEACHING: SCORES, TEXTS, AND EDITIONS
Bach, Johann Sebastian
Keyboard Works
Chromatische Fantasie und Fuge, D moll. Kritische Ausgabe mit Anhang von Heinrich Schenker. Universal-Edition No. 2540. Wien: Universal-Edition, c1910. 50 pp. 3 copies, cop. 1-2 with a few pencil annotations; advertisement on back cover dated X.1920.
Chromatische Phantasien und Fuge. Kritische Ausgabe von Heinrich Schenker, revidiert von Oswald Jonas. Wiener Urtext Ausgabe, Herausgeber Karl Heinz Füssel, H. C. Robbins Landon. Wien: Universal-Edition, c1969.
Chromatische Fantasie und Fuge, nach den Urtexten revidiert von Julius Röntgen. Plate U. E. 520. Wien: Universal-Edition [1946?] 16 pp. (Acquired by Jonas to replace copy known to Schenker.)
Notes found with copies of Bach's Chromatische Fantasie und Fuge.
Scope and Content Note
Die 6 Französischen Suiten und 2 Suiten in A-moll und Es-dur. (Klavierwerke. Band II, Heft 1.) Kritische Ausgabe mit Fingersatz und Vortragsbezeichnungen versehen von Hans Bischoff. Plate 150a. Leipzig: Steingräber-Verlag [n.d.] 66 pp. Contains pencil annotations.
Das Wohltemperierte Klavier I. Peters Edition. Plate 2635. 95 pp. Lacking cover, title page, and first 10 pp. of score. With annotations in Schenker's and another hand. Together with 2 leaves of photocopy of Schenker's analysis of Fuga VI (pp. 26-27) in another copy of this edition.
Klavierwerke, hrsg. von Czerny, Griepenkerl und Roizsch. Plate 8040. Leipzig: C. F. Peters [n.d.] 40 pp. [incomplete], with extensive pencil annotations in Schenker's hand.
Contents:
1. Concerto (im italienischen Styl), pp. 4-19.
2. Fantasia cromatica e Fuga, pp. 20-35 (possibly Schenker's working copy for preparation of his edition)
3. Fantasia (C moll), pp. 36-39.
4. Preludio con Fuga (A moll) [incomplete], p.40
Vocal Works
25 Geistliche Lieder (aus dem Schemellischen Gesangbuch) für eine Singstimme und basso continuo. Für den praktischen Gebrauch hrsg. von Herman Roth. Plate 9747. Leipzig: C. F. Peters [n.d.] 44 pp. With annotations (Schenker's hand).
Scope and Content Note
Ich will den Kreuzstab gerne tragen. Kantate No. 56. Plate Part. B. 1665. Breitkopf & Härtel's Partitur-Bibliothek. Leipzig: Breitkopf & Härtel [n.d.]
Ich will den Kreuzstab gerne tragen. Cantate für Basstimme an 19ten Sonntage nach Trinitatis. Klavier-Auszug. Plate 5933. Leipzig: C. F. Peters [n.d.] 19 pp.; contains handwritten annotations.
" `Ich will den Kreuzstab gerne tragen' für Basstimme." Manuscript, ink, in a copyist's hand, with pencil annotations in the hand of Schenker and another.
Scope and Content Note
Selig ist der Mann. Cantate No. 57 für Sopran und Bass. Hrsg. von der Bach-Gesellschaft. Plate B.W. XII. (2). Leipzig: Breitkopf & Härtel [1902]. pp. 107-132. 2 copies, 1 copy inscribed "Ernst Oster 1926."
" `Seilig ist der Mann.' Cantate Nr. 57 für Sopran und Bass." Manuscript, ink, the work of a copyist, with pencil annotations, probably in Schenker's hand
Scope and Content Note
Passions-Musik nach dem Evangelisten Matthäus. Vollständiger Klavier-Auszug mit Worten bearbeitet von F. Ed. Wilsing. Plate B. & B. 3698. Berlin: Ed. Bote & G. Bock [n.d] 189 pp.; includes pencil annotations. Signature on title page: "Heinrich Schenker."
Passionsmusik nach dem Evangelisten Johannes. Klavierauszug, nach der Ausgabe der Bach-Gesellschaft, bearbeitet von S. Jadassohn. Plate V.A.480. Leipzig: Breitkopf & Härtel [n.d.] 127 pp.; includes pencil annotations. Signature on title page: "Schenker."
Die Hohe Messe in H moll. Klavierauszug. Plate 5966. Leipzig: C.F. Peters [n.d.] 155 pp. Signature on cover: "Dr. Heinrich Schenker" and his musical signature H Es (B and E flat). Signature on p. 3: "Heinrich Schenker 1888."
Beethoven, Ludwig van
Piano Sonatas (Collections)
Sämtliche Klaviersonaten. Nach den Autographen rekonstruiert von Heinrich Schenker. Band I, Nos. 1-7. Plate U.E.8. Wien: Universal-Edition [1922]. Pp. 1-142. Includes minimal handwritten corrections in red, green, and black pencil. Galley proof of "Erstes Vorwort unveröffentlicht" (Schenker's ms. note), dated 1923, pasted inside front cover.
Sonaten für Clavier. Erster Band. Op. 2, Nr. 1-Op. 26. Nos. 1-12. Plate A.A.87-A.A.98. Leipzig: Breitkopf & Härtel [n.d.]. Lacks front cover and title page. Pp. 1-204. Extensive annotations in Schenker's hand in various colors of ink and pencil.
Sonaten für Clavier. Zweiter Band. Op. 27, Nr. 1-Op. 78. Nos. 13-24. Urtext classischer Musikwerke, hrsg. auf Veranlassung und unter Verantwortung der Königlichen Akademie der Künste zu Berlin. Plate A.A. 99-A.A. 110. Leipzig: Breitkopf & Härtel [n.d.]. Pp. 1-200. With annotations in Schenker's hand in various colors of ink and pencil.
Sonaten für Clavier. Dritter Band. Op. 79, 81a, 90, 101, 106, 109, 110, 111 and Sonate Es: Sonate F moll; Sonate D; Leichte Sonate, C; Leichte Sonate, Nr. 1, G; Leichte Sonate, Nr. 2, F. Urtext classischer Musikwerke, hrsg. auf Veranlassung und unter Verantwortung der Königlichen Akademie der Künste zu Berlin. Plate A.A. 111-A.A. 115, A.A. 117-A.A. 124 (lacking Plate A.A. 116, Sonate Nr. 30, Op. 109). Pp. 1 - 96, 113-188. Leipzig: Breitkopf & Härtel [n.d.]. With Schenker's ms. annotations in various colors of pencil and ink.
Piano Sonatas separately published
Sonate. Op. 2, No. 1, F moll. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4010. Plate U.E.8. [Wien] Universal-Edition [1921]. Cover title; 19, [1] pp. 2 copies; 1 copy includes annotations in Schenker's hand, with date, "Ausgegeben am 5. IX. 1921."
Sonate. Op. 2, No. 2. A dur.
Scope and Content Note
Sonate. Op. 2, No. 3. C dur. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4012. Plate U.E.8. [Wien] Universal-Edition [1921]. Cover title; [2], 43-68, [2] pp. 2 copies, copy 1 with annotations and date in Schenker's hand, "ausgegeben 4.X.1921."
Sonate. Op. 7. Es dur.
Scope and Content Note
Sonate. Op. 10, No. 1. C moll. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4014. Plate U.E.8. [Wien] Universal-Edition [1921] Cover title; [1], 94-107, [1] pp. 2 copies; Copy 1 with annotations and date in Schenker's hand, "ausgegeben 13.I.1922," and initial "H" on cover.
Sonate. Op. 10, No. 2. F dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4015. Plate U.E.8. [Wien] Universal-Edition [1922]. Cover title; [1], 108-121, [1] pp. 2 copies; both copies annotated in Schenker's hand; copy 1 marked "erhalten 25.VIII.1922."
Sonate. Op. 10, No. 3. D dur.
Scope and Content Note
Sonate. Op. 13 (Pathétique). C moll. Piano Solo. [Hrsg. von] H. Schenker. No. 4017. Plate U.E.8.338. [Wien] Universal-Edition [1922]. Cover title; 21, [3] pp. Also paged at top, 143-161. With annotations in pencil in Schenker's hand and marked "ausgegeben 4.XI.1922."
Sonate. Op. 14, No. 2. G dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4019. Plate U.E.8. [Wien] Universal-Edition [1923]. Cover title; 18, [2] pp. With annotations in pencil in Schenker's hand and marked "ausgegeben 26.I.1923."
Sonate. Op. 22, B dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4020. Plate U.E.8. [Wien] Universal-Edition [1923]. Cover title; 25, [3] pp. With annotations in pencil and 1 ms. leaf of notes, all in Schenker's hand, and marked "ausgegeben 6.IV.1923."
Sonate. Op. 26, As dur. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4021. U.E.8. [Wien] Universal-Edition [1921]. Cover title; [1], 214-231, [1] pp. 2 copies; both copies annotated in Schenker's hand; copy 1 marked "ausgegeben 4.X.1921;" copy 2 inscribed "Seinem lieben Dr. Robert Brunauer gewidmet von H. Schenker." Copy 2 disbound, torn and frayed. With 1 ms. leaf of notes and the name "Bela Bartok."
Sonate. Op. 27, No. 1. Es dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4022. Plate U.E.8. [Wien] Universal-Edition [1923]. Cover title; [2], 17, [3] pp. Annotated in Schenker's hand and dated 6.IV.1923.
Sonate. Op. 27, No. 2. Cis moll. Piano solo. [Hrsg. von] H. Schenker. No. 4023. Plate U.E.8.
Scope and Content Note
Sonate. Op. 28. D dur. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4024. Plate U.E.8. [Wien] Universal-Edition [1921]. Cover title; [1], 262-284,
Sonate. Op. 31, No. 1. G dur.
Scope and Content Note
Sonate. Op. 31, No. 2. D moll. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4026. Plate U.E.9. [Wien] Universal-Edition [1921]. Cover title; [2], 311-331, [1] pp. 2 annotated copies; copy 1 corrected in Schenker's hand and marked "ausgegeben 10.1.1922." Copy 2 corrected by Schenker but dated by the engraver 25/II 35; 2 leaves of corrected page proofs inserted.
Sonate. Op. 31, No. 3. Es dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4027. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; [2], 24, [2] pp. With note and date in Schenker's hand: 18.IV.1923.
Sonate. Op. 49, No. 1. G moll. Piano Solo. [Hrsg. von] H. Schenker. No. 4028. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; 10, [2] pp. 2 copies. (Folder continued on following page.)
Scope and Content Note
Sonate. Op. 49, No. 2. G dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4029. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; 9,
Scope and Content Note
Sonate. Op. 53. C dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4030. Plate U.E.9. [Wien] Universal-Edition [1922]. Cover title; [2], 33, [3] pp. Numbered at top of pages 370-401. 4 copies: copies 1-3 with corrections in Schenker's hand; copy 1 marked "ausgegeben 4.XI 1922;" copies 2-3 marked "Korrekturen," with 10 leaves of page proofs dated 26.XI.35 in the hand of Jeanette Schenker.
Sonate. Op. 54. F dur Piano Solo. [Hrsg. von] H. Schenker. No. 4031. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; [2], 14, [2] pp. Dated 7.VI.23 in Jeanette Schenker's hand.
Sonate. Op. 57 Appassionata. F moll. Piano Solo.
Scope and Content Note
[Sonate. Op. 57. 3d edition] Corrected engraver's page proofs for revision of 2d edition. Plate U.E.9. 8 leaves, with additional corrections [engraver's date 1935].
Sonate. Op. 78. Fis dur. Piano Solo. [Hrsg von] H. Schenker. No. 4033. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; [2], 11,
Scope and Content Note
Sonate. Op. 79. G. dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4034. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; [2], 10, [2] pp. 2 copies with annotations in Schenker's hand; copy 1 marked "ausgegeben 22.VI.1923;" copy 2 marked "Korrektur," dated by engraver 27.II 35, with 1 leaf page proof inserted.
Sonate. Op. 81a. Es dur. [Hrsg. von] Heinr. Schenker. No. 4035. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; 19,[1] pp. 2 copies; Copy 1 marked "Korr." with corrections in Schenker's hand; with 3 leaves of page proofs inserted.
Sonate. Op. 90. E moll. Piano Solo. [Hrsg. von] H. Schenker. No. 4036. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; [2], 16, [2] pp. 4 copies; all with annotations in the hands of Heinrich and Jeanette Schenker; Copy 1 dated: "8.IX.1923 H. Sch"; Copy 3 marked "Korrekturen" and dated by engraver 28/II.35, with 8 leaves of page proofs inserted; Copy 4 lacking 2 leaves (covers).
Sonate. Op. 101. A dur.
Scope and Content Note
Sonate. Op. 106 (Hammerklavier). B dur. [Hrsg. von] H. Schenker. No. 4038. Plate U.E.9. [Wien] Universal-Edition [1923]. Covers only, marked "Korrekturen," with corrections listed inside front cover in Schenker's hand, and 11 leaves of page proofs; engraver's date 27.II.35.
Sonate. Op. 109. E dur. Piano Solo.
Scope and Content Note
Sonate. Op. 110. As dur. Piano Solo.
Scope and Content Note
Sonata. Op. 111. (C minor). Photocopy, 16 leaves, of ms. in Bonn, Beethoven Haus. With 2 other leaves of photocopy and envelope addressed to Schenker from photographer, H. Rose, postmarked Bonn, 24.1.14.
Sonate. Op. 111. C moll. 3 copies, 2 editions.
Scope and Content Note
Violin and Piano Sonatas
Sonate. Op. 12, Nr. 1 in D. Für Pianoforte und Violine. Cover title; Breitkopf & Härtel's Violin-Bibliothek. Plate B.92. Leipzig: Breitkopf & Härtel [n.d.] Violin score, 6pp.; piano score, 22pp.
Sonate. Op. 12, Nr. 2, A dur, für Violine und Pianoforte. Cover title: Breitkopf & Härtel's Violin-Bibliothek. Plate B.93. Leipzig: Breitkopf & Härtel [n.d.] Violin score, 6pp.; piano score, [2], 18pp.
Sonate. Op. 12, Nr.3, in Es. Für Pianoforte und Violine. Cover title: Breitkopf & Härtel's Violin-Bibliothek. Plate B.94. Leipzig: Breitkopf & Härtel [n.d.] Violin Score, 6pp.; piano score, [2], 22 pp. Pages also numbered 13-18; 41-62.
Sonate. Op. 23 in A moll. Für Violine und Pianoforte. Cover title: Breitkopf & Härtel's Violin-Bibliothek. Plate B.95. Leipzig: Breitkopf & Härtel [n.d.] Violin score, 6pp.; piano score, [2], 20 pp.
Sonate. Op. 24.in F. Für Violine und Pianoforte. Cover title: Breitkopf & Härtel's Violin-Bibliothek. Plate B.96. Leipzig: Breitkopf & Härtel [n.d.] Violin score, 8 pp.; piano score [2], 24 pp. Piano score annotated in Schenker's hand.
Sonate. Op. 30, Nr. 2 in Cm. Für Violine und Pianoforte. Breitkopf & Härtel's Violin-Bibliothek. Plate B.98. Leipzig: Breitkopf & Härtel [n.d.] Violin score, 8 pp.; piano score [2], 28 pp. Pages also numbered 39-46; 125-152. Piano score with annotations in Schenker's hand.
Sonata (Kreutzer gewidmet). Op. 47 in A für Violine und Pianoforte. Breitkopf & Härtel's Violin-Bibliothek. Plate B.100. Leipzig: Breitkopf & Härtel [n.d.] Violin score, [4],14,[2]pp.; piano score [4],40,[2]pp. Piano score with annotations in Schenker's hand.
Trios
Trio, Kinsky WoO 39. Photocopy, 10 leaves of ms. in Bonn, Beethoven Haus.
Concertos for Piano and Orchestra
Konzert Nr.1. C dur. Op. 15. Für Pianoforte mit Orchester. Breitkopf & Härtel's Partitur-Bibliothek. Plate B.65. Leipzig: Breitkopf & Härtel [n.d.]. Cover title; [4],75,
Klavier-Concerte. Op. 73. Concerto V [Es dur] Plate 5250. Leipzig: C.F. Peters [n.d.]. Cover title; [2],157,[1]pp. Partitur only. With annotations in Schenker's hand.
Symphonies
Dritte Symphonie (Eroica). Op. 55. [Es dur] Plate 5444. (Neun Symphonien für Orchester...) Peters [n.d.] Partitur only. Series title page; 93,[1]pp. Includes annotations in Schenker's hand in various colors of pencil. Lacks covers. Frayed and worn.
Symphonie III (Eroica). Op. 55. [Es dur] Plate 2767. (Collection Litolff) Braunschweig: Henry Litolff's Verlag [n.d.] Partitur only. Series title page; caption title,90pp. Bound in cloth boards. With a few annotations in pencil in an unidentified hand.
Symphonie No.4, B dur [Op. 60] Plate 5445 (Neun Symphonien für Orchester...) Leipzig: C.F. Peters [n.d.] Partitur only. Cover title; [2],79,[3]pp. With annotations in Schenker's hand in various colors of ink.
Symphonie No. 5, C moll. [Op.67] Plate 5446. (Neun Symphonien für Orchester...) Leipzig: C.F. Peters [n.d.] Partitur only. Cover title; [2],96pp., lacking back cover. With annotations, mainly in Schenker's hand, in ink and various colors of pencil.
Symphonie No. 9. [Op. 125] Plate 5450k. Leipzig: C. F. Peters [n.d.] Partitur only. Covers detached. 277,[1]pp. With annotations in Schenker's hand in various colors of pencil.
Brahms, Johannes
Theoretical Works
Oktaven und Quinten u.A., aus dem Nachlass herausgegeben und erläutert von Heinrich Schenker. No.10.508. Wien: Universal-Edition c1933. 16pp. Inscribed by Schenker to "Lie Liechen" (Jeanette Schenker) and dated 21. April 1933. (For ms., see Box 17 f.8.)
Oktaven und Quinten u. A., aus dem Nachlass hrsg. und erläutert von Heinrich Schenker. Plate U.E. 10.508. Wien: Universal-Edition, c.1933. 16 pp. With annotations and ms. notes in Jonas's hand, together with two typescript versions of a proposed Jonas article, "Fifths and Octaves," 15 leaves.
Solo Piano Works
Étude nach Fr. Chopin. (Studien für das Pianoforte von Johannes Brahms, No. 1) Plate 884.885. Leipzig: Bartholf Senff [n.d.]. Front cover lacking. 7,[1]pp. With annotations in Schenker's hand.
51 Uebungen für das Pianoforte. Erstes Heft. Plate 10062. Berlin: N. Simrock c1893. Cover title; [2],27,[3]pp. With annotations in Schenker's hand.
51 Uebungen für das Pianoforte. Zweites Heft. Plate 10065. Berlin: N. Simrock c1893. 27,[1]pp., lacking back cover. With annotations in Schenker's hand.
Drei Intermezzi für Pianoforte. Op. 117. Plate 9876. In die Universal-Edition aufgenommen. Berlin: N. Simrock c1892. 15,[1]pp. With annotations in an unidentified hand, but signed "Sch" on cover in Schenker's hand. Also with another copy of the same edition in photocopy, 13 leaves, containing other annotations by Schenker, and 2 photocopy leaves of Schenker's ms. analysis, marked "117/2".
Variationen und Fuge über ein Thema von Händel für das Pianoforte. Op. 24. Plate 10448. Leipzig: Breitkopf & Härtel [1862]. With extensive annotations in the hand of Heinrich Schenker. Photocopy, 11 leaves, of pp. 3-23 of the original, lacking the title page.
Vier Klavierstücke. Op. 119. Plate 10055. In die Universal-Edition aufgenommen. Berlin: N. Simrock, [c1893]. 19,[1]pp. With annotations in Schenker's hand in various colors of pencil.
Intermezzo in E dur. Op. 116 no.4 (Original Compositionen...) Plate 9875. Berlin: N. Simrock, c1892, c1910. Cover title; 6,[2]pp. Includes annotations in Schenker's hand.
Fantasien für Pianoforte. Zweites Heft. Op. 116 No. 4-7. Plate 9875. Berlin: N. Simrock, 1892. First edition. Cover title; 15,[1]pp. With annotations in Schenker's hand.
Piano Concertos
Concert [B dur]. Op. 83. Plate 8265. Leipzig, Stich und Druck der Föder'schen Officin; [Berlin?: Simrock? n.d.]. Lacks covers and title page. 3-60pp. Piano score only. With annotations in Schenker's hand.
Works for Orchestra
Variationen über ein Thema von Jos. Haydn für Orchester. Op. 56a. Partitur. Plate 7395. Berlin: N. Simrock [n.d.] 83,[1]pp. Front cover loose. With annotations in Schenker's hand in various colors of pencil.
Symphonie No.1, C moll. Op. 68. (Eulenburg's kleine Orchester-Partitur-Ausgabe) Leipzig: Ernst Eulenburg, [n.d.] Plate 11360. [4], 155, [1]pp. Pages and covers loose. With annotations in Schenker's hand in various colors of pencil.
Symphonie No.3, F dur. Op. 90. (Eulenburg's kleine Orchester-Partitur-Ausgabe). Leipzig: Ernst Eulenburg, [n.d.] Plate 11362. [4],135,[1]pp. Pages and covers loose. With annotations in Schenker's hand in various colors of pencil.
Symphonie No.4, E moll. Op. 98. (Eulenburg's kleine Orchester-Partitur-Ausgabe) Leipzig, Ernst Eulenburg, [n.d.]. Plate 11363. [4],155,[1]pp. Pages and covers loose. With annotations in Schenker's hand in various colors of pencil and ink.
Vocal Works
"4 Ernste Gesänge, [nos.] 1, 3." Op. 121 No. 1,3. Partitur, for orchestra and bass voice. [Arranged for orchestra by H. Schenker?] 10 ms. leaves, pencil, in Schenker's hand.
Deutsche Volkslieder mit Clavier-Begleitung. Nos. 43-49.
1)Plate 10218. Berlin: N. Simrock, c1894. Full score for piano and voices. 19, [1]pp. Bound in red cloth. With annotations, in an unidentified hand, in various colors of pencil, marked "blau Stichvorlage."
2)Plate 10219. Berlin: N. Simrock, c1894. 64pp. of voice parts. With a few annotations in pencil in an unidentified hand.
Chopin, Frédéric
Etude Nr. 12. Op. 10, no.12. Photocopy of published edition (Plate A.A.136), with annotations by Schenker,
Nocturne No. 2. Op. 9, no. 2 Photocopy of piano score. Plate V.A.64. Pp.5-8 of a Breitkopf & Härtel edition with extensive annotations by Schenker. 2 photocopies, 4 leaves each; one set with penciled notes in another hand.
Etude Nr. 17. Op. 25, no. 5. Photocopy of published edition (Plate A.A.111) with annotations by Schenker.
Praeludien für das Pianoforte. Op. 28. Plate V.A.67. Leipzig: Breitkopf & Härtel [n.d.]. [2],38pp (back cover and pages 17-18 are not included). With annotations in Schenker's hand. Also a photographic negative of nos. 4-5 (pp.4-5) of this copy.
Mazurkas No. 15, 16. Op. 33, nos. 3 and 4. Photocopies (incomplete) of published edition (Plate 11485) with annotations by Schenker. 2 leaves, negatives.
Ballade No. 4. Op. 52, no. 4. Plate V.A.65. pp. 23-47 of a Breitkopf & Härtel edition, lacking front cover, title page and pp. 1-22.
Polonaise. Op. 53. Photocopy of published edition, 2 leaves. (Chopin's Werke, Band V, No. 6. Plate CV.6) With annotations by Schenker.
Scherzo. Op. 54. Photocopy of published edition (Plate V.A.68) with annotations by Schenker.
Collections
Verschiedene Werke für das Pianoforte. Brillante Variationen, Op. 12 [and other selections from Op. 19, 29, 36, 46, 49, 57, 60]. Plate V.A.70. Leipzig: Breitkopf & Härtel [n.d.]. [2],82pp. With annotations in Schenker's hand.
Rondo und Scherzos für das Pianoforte. [Selections from Op. 16, 20, 31, 39, 54]. Plate V.A.68. Leipzig: Breitkopf & Härtel [n.d.] Cover title; [2],83,[1]pp. Lacking back cover. With annotations in Schenker's hand.
Mazurkas für das Pianoforte. Neue Ausgabe. [Selections from Op. 17, 24, 30, 33, 41, 56, 63]. Plate V.A.62. Leipzig: Breitkopf & Härtel [n.d.] Cover title; [2],79[1]pp. With annotations in Schenker's hand.
Handel, George Frideric
12 Grosse Concerte. Op. 6. For string orchestra and continuo.
Scope and Content Note
Der Messias. Oratorium. Klavierauszug von Julius Stern. Plate 5964. Leipzig: C.F. Peters [n.d.] 171,[1]pp. Lacking back cover. With annotations (chiefly in nos. 13,23,52) in Schenker's hand; "H. Schenker" and his musical signature on front cover.
Haydn, Joseph
Variations (Un piccolo Divertimento). F moll. For piano. 2 copies excerpted from collected editions.
Scope and Content Note
Kleinere Stücke für Pianoforte. Nos. 1-7. Plate V.A.121. Leipzig: Breitkopf & Härtel [n.d.] 53,[1]pp., Lacking pp.3-14 detached by Schenker and filed in 32 f.3(2). Includes annotations in Schenker's hand.
Die Schöpfung. [Transcription for voices and piano.] Plate 5917. Leipzig: Peters [n.d.] Pp. 3-144. Lacks title-page and part of contents, 2 leaves. Includes annotations in Schenker's hand.
Mendelssohn, Felix
Erstes Concert für Pianoforte. Op. 25. G moll. Partitur. Plate 6027. Leipzig: C. F. Peters [n.d.] 78pp. With covers; back cover advertisement dated XIV.6. Includes annotations in Schenker's hand.
Mozart, Wolfgang Amadeus
Trio für Violine, Viola und Violoncell. Es-dur. Partitur. Plate 70. Leipzig: A. Payne's Musikverlag [n.d.] 34pp. Miniature score. Inscribed: "Dr. H. Schenker" with his musical signature, and with a few annotations in the score.
Requiem. Partitur. Plate 6263. Leipzig: C. F. Peters [n.d.] 87,[1]pp. Includes annotations in Schenker's hand. Cover signed "H. Schenker."
Oppel, Reinhard
Quartett (F moll) für zwei Violinen, Viola und Violoncello. No. 4. Op. 33. Plate 10651. Leipzig: C. F. Peters, [c1929]. 39,[1]pp. With covers. At head of title: Mimy und Walter Schulze-Prisca zu eigen. Name written on cover: "T. Werner."
"Walzer für Klavier." 9 pieces. 4 ms. leaves, ink, in Oppel's hand, with pencil corrections. Cover title inscribed: "Frau L. Schenker zur Erinnerung an den Sommer 1929 in Galtür. Reinhard Oppel VIII 1929." Bound in cloth.
"3 Walzer vom Sommer 1931 in Galtür." For piano. 2 ms. leaves, conjugate; Oppel's hand in black and red ink. Inscribed: "Frau L. Schenker in immer gleicher Verehrung gewidmet von Reinhard Oppel." At end signed: "1.V32/RO/Leipzig." (An autograph letter signed and dated 3.V.32 from Oppel to Frau Schenker, which accompanied the gift of the manuscript, is filed with correspondence, Box 13 f.10.)
Wagner, Richard
Tristan und Isolde. Vollständiger Klavierauszug von Hans von Bülow. Neue revidirte Ausgabe. Plate V.A.31. Leipzig: Breitkopf & Härtel [n.d.] 260pp. Bound in cloth, title-page repaired. Title-page signed "H. Schenker" with his musical signature. Contains a few pencil annotations, possibly in Schenker's hand.
Weigl, Karl
Natur (Nature) (Heinrich Hart), für 8 stimm. gem. Chor a cappella. Op. 29. Plate U.E.10.534. [Wien:] Universal-Edition, c1933. 20pp., reproduced from ms. Composer's autograph presentation copy to Schenker.
Weisse, Hans
Vier Quartette, für Sopran, Alt, Tenor und Bass mit Klavierbegleitung. Op. 6. (Gedichte von Goethe). Plate U.E.7602. [Wien:] Universal-Edition, c1924. Pp. 3-48. At head of title: Carl Bamberger zugeeignet. Composer's autograph on title page: "Meinem lieben, verehrten Meister in Treue und Dankbarkeit! Dezember 1924." Weisse's calling card, laid in, inscribed "mit den herzlichsten Grüssen und Bedauern, Sie nicht angetroffen zu haben!"
Other Research and Teaching Materials
Musical examples for "Entwurf einer `Lehre vom Vortrag.' " 8 ms. leaves, ink on tracing paper, in the hand of Oswald Jonas, and 1 leaf carbon typescript, list of errata in the examples, prepared by Jonas. With photocopy, 8 leaves. (For "Entwurf" ms., see Box 57, f.3.)
Analytical studies, Urlinie tables, etc., by Schenker and others.
Scope and Content Note
Analyses by Reinhard Oppel, largely of Bach and Handel, with comments and further analyses by Schenker. 10 ms. leaves. On verso of leaf 6, analysis of part of Beethoven Sonata Op. 14, no. 2 in Schenker's hand, ink and pencil.
Articles and Publications of Others
Flemming, Hans. "Kokoschka." Article clipped from unidentified newspaper [n.d.] Marginal note, "Das geistige Deutschland," in Schenker's hand.
Frimmel, Theodor, ed. Beethoven-Forschung. 9. Heft. August 1923. 36 pp. Inscribed by the author to Schenker.
Goll, Ernst. "Abschied." Poem copied in Jeanette Schenker's hand, with note by Heinrich Schenker.
Halm, August. "Anton Bruckner." Die Grüne Fahne I, Heft 6 (September 1924), 161-165. Complete issue of Heft 6.
Marschner, Franz. "Zählzeit, Tempo und Ausdruck bei Beethoven." Kongressbericht der Beethoven-Zentenarfeier (Wien, März 1927), 100-103. Offprint.
Oppel, Reinhard. "Das Thema der Violinchaconne und seine Verwandten." Bach-Jahrbuch (1918), 97-116. Offprint. Inscribed by Oppel to Schenker.
Ross, Colin. Excerpt from article in Münchner Neueste Nachrichten, August 1, 1911. Ms., 1 leaf, in Jeanette Schenker's hand.
Roth, Herman. "Händel und Bach: Entwurf einer Antithese." Der Bär, Jahrbuch von Breitkopf & Härtel (1926), 64-78. Offprint.
Steglich, Rudolf. "Karl Philipp Emanuel Bach und der Dresdner Kreuzkantor Gottfried August Homilius im Musikleben ihrer Zeit." Bach-Jahrbuch (1915), 39-145. Offprint. Inscribed by the author to Schenker.
Stein, Fritz. "Noten-Leihsystem und Not der Konzertvereine." Allgemeine Musik-Zeitung, Nr. 22 (1. Juni 1928). 4 pp. Offprint.
"Volks-und Berufsmusikerziehung im Lichte der neuesten Tonkunstforschung." Mitteilungen der Gesellschaft Hamburger Tonkünstler, 8. Jahrg. Nr. 71 (19. Mai 1934), 1-2. Article about Cube's lecture at the Gesellschaft discussing Schenker theory. Marginal note in Moriz Violin's hand.
Vrieslander, Otto. "Carl Philipp Emanuel Bach als Theoretiker," in Von Neuer Music, ed. H. Grues (1925), [222]-279. Photocopy.
Händelfest der Händel-Gesellschaft, Zweites, Kiel, 1928. Fest- und Programmbuch, vom 21. Juni bis 24. Juni. 39,
Signale für die Musikalische Welt (Berlin). 78. Jahrg. no. 23 (9. Juni 1920), 597-612. Note on cover.
Miscellany
Magazines and brochures found with Schenker papers.
Scope and Content Note
Verse written in various hands, collected by Schenker.
Counterpoint and figured bass materials.
Scope and Content Note
Ig. SCHENKER BIOGRAPHICAL MATERIALS
Schenker family documents.
Note
Scope and Content Note
Autobiographical material, chiefly ms. in the hand of Heinrich Schenker.
Scope and Content Note
Schenker address lists. 6 ms. leaves in Schenker's hand. Together with 17 printed calling cards, "Dr. Heinrich Schenker," and 15 cards, "Heinrich Schenker."
Letters from Wilhelm Furtwängler to Ludwig Karpath concerning an appointment for Schenker in the Akademie. Dated 30. Januar 1933. Typed transcripts, unsigned.
Concert Programs and Concert Tour Itineraries.
Scope and Content Note
Last will, death and burial of Heinrich Schenker.
Scope and Content Note
Financial, tax and loan records, 1922-1930; 23 ms. leaves of bank statements, 10 tax receipts, 1 tax book.
Financial transactions between Heinrich Schenker and Moriz Schenker, Anny Wollner, and Drei Masken-Verlag, 1922-1931, 57 ms. leaves. ( See also letters to Heinrich Schenker from Moriz Schenker and Alfred Lanzer.)
Schenker, Jeanette. Travel diary, journey to Chile, April 27, 1936-Sept. 30, 1936. 118 numb. ms. leaves in Jeanette Schenker's hand.
Schenker, Jeanette. Miscellany.
Scope and Content Note
II. Oswald Jonas materials
IIa. CORRESPONDENCE (FROM JONAS)
Scope and Content Note
Unidentified correspondent.
TLU 1 1954, addressed "Sehr geehrter Herr Doktor!" concerning the ms. of Mozart K. 570
Aber, Adolf.
TLU 5 1938-1939
109109
Aldermann, Pauline.
TLS 1 1954
Babbitt, Milton.
TLS 1 1955
Baum, R.
TLS 1 1955
[Beck], Syd [i.e., Sidney].
TLS 1 1965
Becker, Heinz.
TLU 1 1968 (photocopy)
Blume, Friedrich.
TLS 2 1955
Brennecke, Wilfried.
TLU 1 1963
Colvin, J. L.
TLU 1 1952
Creanza, Joseph.
TLS 1 1953
Cube, Felix von (i.e., Felix-Eberhard von Cube).
TLS 1 1950
Eggebrecht, Hans Heinrich.
TLU 1 1955
Eibner, Franz.
TLS 3 1949-1958
Federhofer, Hellmut.
TLS 1 1949
Fellerer, Karl Gustav.
TLS 1 1968
Figl, Leopold (Bundeskanzler, Austria).
TLS 1 1952
Fischer, Edwin.
TLS 1 1955
French, Richard.
TLU 1 1953
Furtwängler, Wilhelm.
TLU 3 1947-1951
Füssl, Karl Heinz.
TLS 3 1960-1963
Gerstenberg, Walter.
TLS 1 1964
Goldberg, [Albert].
TLU 1 1948
Harpner, Stefan.
TLS 1 1970
Harris, F. W.
TLU 1 1952
Heide, Rose.
TLS 2 1955
Henle, G[ünter].
TLS 11 1954-1955
Hermelink, Siegfried.
TLS 1 1968
[Hill, Richard S.]
TLS 1 1955
TLU 1 1953
Hindemith, [Paul].
TLU 1 1950 (together with 2 typed excerpts from Schenker's writings concerning Hindemith)
Hinrichsen, Hans.
TLU 1 1937
Hinrichsen, [Max].
TLS 1 1938
Hoboken, Anthony van.
TLS 2 1948-1949
TLU 1 1939 (incomplete)
TLU 6 1946-1954
TLU 2 undated [ca. 1948-1949]
Hürlimann, M[artin].
TLS 2 1955
Jirak, Karel B.
TLS 1 1961 (with earlier drafts of this letter)
Kendall, Raymond.
TLU 1 1954
Krueger, T[heodore] Howard.
TLS 2 1957-1958
Langner, Thomas M.
TLS 2 1955
[Lederer, Joseph].
TLS 1 1963
Lehmann, Robert Owen.
TLS 2 1964-1965
Lichtenwanger, William.
TLS 1 1954
Lissa, Zofia.
TLS 2 1964
Meyer, Ernst Hermann.
TLU 2 1965-1968
Mitchell, William.
TLS 2 1949-1965
Musical Quarterly, New York.
TLU 1 [1955] (incomplete; addressed "To The Editor")
Die Musikforschung, Kiel.
TLU 1 1956 (addressed "An die Schriftleitung"; together with Jonas's ms. notes)
[Oster], Ernst.
TLS 1 undated
TLS 1 1948
TLU 1 undated, with layout for printer of proposed Schenker Urlinie Tafeln publication
[Rabes, Alfred].
TLS 3 1955
Ratz, Erwin.
TLU 4 1949-1954
Rech, Géza.
TLS 1 1955
Reichart, Georg.
TLS 1 1965
Rosenwald, Hans.
TLS 1 1949
Russell, S. A.
TLU 1 1952
Sadie, Stanley.
TLU 1 1976 (concerning article on Jonas in Grove's Dictionary)
Salzer, Felix.
TLU 1 1948
Scanlon, John D.
TLS 2 1964
Schaefer, Josef.
TLS 4 1955-1958
Schenker, Heinrich see Box 12, f.6.
Schmidt, Ernst Fritz.
TLS 2 1955
Schulter, Rose H.
TLS 1 1958
Sittner, Hans (Akademie für Musik und darstellende Kunst, Wien).
TLS 5 1948-1963
Sparling, Edward J.
TLS 1 1953 (draft with autograph corrections)
Staatsbibliothek Preussischer Kulturbesitz, Berlin [West].
TLU 1 1954 (to an unindentified correspondent at the Staatsbibliothek)
Stochmann, Bernhard.
TLS 4 1964
Sun-Times, Chicago.
TLU 1 1949 (addressed "To the Editor," written in support of the admission of Furtwängler into the United States)
Universal-Edition, Wien.
TLS 1 1959
Valentin, Erich.
TLS 1 1955
Violin, Moriz.
APS 1 1916 (original)
Virneisel, Wilhelm.
TLS 1 1955 (photocopy)
Volk, Arno.
TLS 5 1963-1965
Wagner, Karl Dieter.
TLS 1 1963
[Waldeck], Arthur.
TLU 1 undated [ca. 1951]
Walter, Arnold.
TLU 1 1954
Warburg, [Gerald Felix].
TLU 1 1938 (margins frayed; lacking a few words)
Waters, Edward N.
TLS 1 1956
Weisse, Hans.
TLU 2 1938 (margins frayed; lacking a few words)
Wildgans, Friedrich.
TLS 1 1948
Will, Roy.
TLU 1 1954
Willnauer, Franz.
TLS 4 1959
Wirth, Helmut.
TLS 1 1962
Zagiba, Franz.
TLS 2 1955
IIb. CORRESPONDENCE (TO JONAS)
Unidentified correspondent.
TLS 1 1942, Tanglewood, Lenox, Mass., signed "Jessie."
Aber, Adolf (with letterhead of Novello & Co., London).
TLS 4 1938-1939
Adams, Horst (with letterhead of Riemann Musiklexikon, Mainz).
TLS 1 undated
Albrecht, Hans (with letterhead of Die Musikforschung, Kiel).
TLS 1 1957
TPS 2 1957
Anders, Mariedi.
TLS 6 1963
Austria. Bundesministerium für Unterricht, Wien.
5 letters of appointment to teach courses at the Akademie für Musik und darstellende Kunst, 1962-1965.
Austria. Honorary Consul, Chicago.
1 printed invitation to reception for Chancellor Figl, undated
Avé-Lallemant, Waldlieb.
ALS 1 1959
2 forms relating to photocopying Brahms mss.
Babbitt, Milton.
TLS 1 1950
Badura-Skoda, Paul.
TLU 1 1959 (with autograph additions)
Bärenreiter-Verlag, Kassel-Wilhelmshöhe.
TLS 1 1957 (signed by E. Wengler)
Barnes, Richard G. (with letterhead of Northwestern University Press, Evanston, Ill.).
TLS 1 1970
Baum, R. (with letterhead of Gesellschaft für Musikforschung, Kiel).
TLS 1 1955
Bayerischer Rundfunk, München.
TLS 1 1933 (signature not identified)
Beach, David W. (with letterhead of Yale University, Department of Music, New Haven).
TLS 1 1969
Beck, Hermann (with letterhead of Musikwissenschaftliches Seminar der Universität Würzburg).
TLS 1 1958
Beck, Sydney.
TLS 2 1963-1964
Bente, Hella (with letterhead of Sekretariat Elly Ney, Bonn).
TLS 1 1934
Beroldingen, Lukas (with letterhead of Bundeskanzleramt, Wien).
TLS 1 1952
Bloch, Richard see Joseph, Sol.
Blume, Friedrich (with letterheads of Gesellschaft für Musikforschung, Kiel, and Musikwissenschaftliches Institut der Universität Kiel).
TLS 5 1955-1957 (letter of 4.10.1955, a carbon typescript, is also addressed to two other winners of the Mozart prize essay competition)
Breisach, [Paul].
TLS 1 1934
Breitkopf & Härtel, Wiesbaden.
TLS 2 1963 (signed with firm name only)
Brennecke, Wilfried (with letterhead of Die Musik in Geschichte und Gegenwart, Kassel).
TLS 1 1962
Cappell, Richard (with letterhead of Daily Telegraph and Morning Post, London).
TLS 1 1938
Carruth, Hayden (with letterhead of University of Chicago Press, Chicago).
TLS 1 1952 (photocopy)
Clarke, Dennis S. (with letterheads of British Council, Hamburg, and Anglo-German Centre "Die Brücke," Braunschweig).
TLS 1 1957
TPS 1 1957
Creanza, Joseph (with letterheads of Roosevelt College of Chicago, School of Music; and Chicago Musical College, Roosevelt University, Chicago).
TLS 3 1948-1961
Cube, Felix von [i.e., Felix-Eberhard von Cube] (with letterheads of Schenker-Institut, Hamburg, and Heinrich-Schenker-Akademie, Hamburg).
TLS 1 1950
TPS 1 1958
Cuningham, Charles E. (with letterhead of Macmillan Co., New York).
TLS 1 1950
Damm, Marianne (with letterhead of Bärenreiter-Verlag, Kassel-Wilhelmshöhe).
TLS 2 1965
Derby, Roger.
TLS 1 1938
Deutsch family.
1 printed announcement of Otto Erich Deutsch's death 1967
Deutsche Welle, Berlin.
1 printed and typed performance contract 1932 (signature not identified)
Dürr, Walther (with letterhead of Neue Schubert-Ausgabe, Tübingen).
TLS 1 1969
Dyson, Sir George (with letterhead of Royal College of Music, London).
TLS 2 1938
Eggebrecht, Hans Heinrich (with letterhead of Archiv für Musikwissenschaft).
TLS 2 1955
Eggert, Hanna (with letterhead of Neue Mozart-Ausgabe, Augsburg).
TLS 1 1955
Eibner, Franz.
ALS 1 undated
TLS 2 1954-1963
TLU 1 1953
Einstein, Alfred.
TLS 1 1939
Epp, Margaret.
ALS 1 1950
Esser, Heribert.
ALS 1 1954
TLS 2 undated [ca. 1960]
TLS 13 1954-1960 (many with autograph additions)
Ewing, G. A. (with letterhead of RIAS, Berlin [West]).
TLS 1 1956
Federhofer, Hellmut (includes letterheads of Musikwissenschaftliches Institut der Universität Graz, and of Johannes Gutenberg-Universität, Musikwissenschaftliches Institut, Mainz).
ALS 4 1946-1965
TLS 19 1949-1975
Note
Feil, Arnold (includes letterhead of Musikwissenschaftliches Institut der Universität Tübingen).
ALS 3 1960-1964
TLS 1 1965
1 printed postcard, "Neue Anschrift," 1965
Fellinger, Imogen.
TLS 4 1958-1960
Note
Fischer, Edwin.
ALS 1 1934 (photocopy)
Frankenstein, Alfred V. (with letterhead of San Francisco Chronicle).
TLS 1 undated
French, Richard F. (with letterhead of Associated Music Publishers, New York).
TLS 3 1953
Füssl, Karl Heinz (includes letterhead of Universal-Edition, Wien).
ALU 1 1961
TLS 2 undated [1960-1970]
TLS 15 1960-1970 (letter of 31 März 1970 includes postscript by H. C.
Robbins Landon)
TLU 1 1960
APS 3 1962-1968
TPS 4 1961-1962
Funk-Stunde, Berlin.
3 printed and typed performance contracts for radio appearances by Jonas 1932-1933 (various unidentified signatures)
Furtwängler, Wilhelm.
TLS 3 1949-1954
Gering, A[rnold] (includes letterhead of Musikwissenschaftliches Seminar, Universität Bern).
TLS 1 1962
Note
APS 1 1958
Gerstenberg, Walter (includes letterhead of Musikwissenschaftliches Institut der Universität Heidelberg).
TLS 22 1955-1967
[Glaser], Karl
ALS 1 1960
Görlich, Elizabeth, Rechtsanwalt, Wien.
TLS 1 1963
Goldberg, Albert (with letterhead of Los Angeles Times).
TLS 2 1948-1954
Goldberg, Szymon.
TLS 1 1949
Gotwals, Vernon (with letterhead of Smith College, Department of Music, Northampton, Mass.)
TLS 1 1969
Haase, Hans (with letterhead of Die Musik in Geschichte und Gegenwart, Kiel).
TPS 1 1957
Hantsch, Bruno see Rech, Géza.
Hansen, Conrad.
TLS 1 1962
Harpner, Stefan G. (with letterhead of Universal-Edition, Wien).
TLS 3 1963-1965
Hartmann, Ernst (with letterhead of Universal-Edition, Wien).
TLS 1 1957
Hartry, Theodore G. (with letterhead of U.S. Foreign Service, American Embassy, Vienna).
TLS 1 1964
Hauser, Arthur A. (with letterhead of Theodore Presser Company, Bryn Mawr, Penn.).
TLS 1 1964
Heckmann, Harald (with letterhead of Deutsches Musikgeschichtliches Archiv, Kassel).
TLS 1 1957
Heide, Rose
ALS 2 1955
TLS 4 1954-1955
Heimler, Hans.
ALS 1 1965
TLS 1 1965
Heinitz, Ernst (with letterhead, Der Rektor der Freien Universität Berlin).
TLS 1 1963
Henle, G[ünter].
TLS 28 1953-1955 (a few with autograph additions. Verso of Henle's letter of 29. Oktober 1954 contains ms. notes by Jonas.)
Hermelink, Siegfried (with letterhead of Universität Heidelberg, Der Universitätsmusikdirektor).
TLS 1 1957
Hill, Richard S. (includes letterheads of Library of Congress, Music Division, Washington, D.C., and Music Library Association Notes, Washington, D.C.).
TLS 2 1953-1955
Hinderaker, Birk (to Mrs. Jonas).
ALS 1 1968
Hinrichsen, Max (with letterhead of Hinrichsen Edition Ltd., London).
TLS 1 1938
Hoboken, Anthony van.
TLS 14 1938-1954
Holler, Karl Heinz (with letterhead of Riemann Musiklexikon, Freiburg im Breisgau)
ALS 1 undated, written on printed form letter concerning proposed new edition of Riemann Musiklexikon
Holschneider, Andreas (with letterhead of Universität Hamburg, Musikwissenschaftliches Institut).
TLS 1 1965
Hucklenbroich, Volker, Rechtsanwalt, Berlin [West].
TLS 2 1967-1968 (signatures not identified)
Hürlimann, M[artin] (with letterhead of Atlantis Verlag, Zürich).
TLS 1 1955
Jarecki, Gerschon.
ALS 1 1963 (with postscripts by Franz Eibner, Christa Landon, and others)
Jensen, Yvonne (with letterhead of Heineman Foundation, New York City).
TLS 1 1956
Jirák, Karel B.
ALS 1 1961
Jonas, Olga.
ALS 2 undated [ca. 1960-1965]
Joseph, Sol (includes letterhead of Central YMCA College, Chicago).
ALS 2 1946-1965
TLS 1 1940 (co-signed by Richard Bloch)
Just, Martin (with letterhead of Musikwissenschaftliches Seminar der Universität Würzburg).
TLS 1 1965
Kendall, Raymond (with letterhead of University of Southern California School of Music).
TLS 1 1954
Kinkeldey, Otto.
ALS 1 1954
Koch, Rosemarie (with letterhead of Bärenreiter-Verlag, Kassel-Wilhelmshöhe).
TLS 1 1963
Köhler, K. H. (includes letterhead of Deutsche Staatsbibliothek, Musikabteilung, Berlin [East]).
TLS 2 1958
Kraus, Greta (Mrs. Erwin G. Dentay).
TLS 2 1954
Krautwurst, Franz (with letterhead of Musikwissenschaftliches Seminar der Universität Erlangen).
TLS 1 1957
Krueger, T[heodore] Howard (with letterhead of Elmhurst College, Elmhurst, Illinois).
TLS 4 1957-1958
Krystall Verlag, Wien.
"Vereinbarung" 28. Januar 1937, between Krystall Verlag and Jonas and Salzer concerning publication of Der Dreiklang. Signed for Krystall Verlag by D. Juraschek but not signed by Jonas and Salzer. Typescript,
Kurzmeyer, H. (includes letterhead of Konservatorium Luzern).
TLS 2 1955
Landon, Christa Fuhrmann (Mrs. H. C. Robbins Landon).
ALS 1 1970
TLS 3 1963
Landon, H. C. Robbins see Füssl, Karl-Heinz
Langner, Thomas M. (with letterhead of RIAS, Berlin [West]).
TLS 1 1955
La Rue, Jan (with letterheads of American Musicological Society, New York, and New York University, Graduate School of Art and Science).
TLS 3 1966-1968
Lederer, Joseph (includes letterhead of Robert Owen Lehman Foundation).
ALS 4 1963-1964
TLS 5 1963-1964
APS 2 1963-1964
Lehman, Robert Owen (includes letterhead of Robert Owen Lehman Foundation).
ALS 6 1964-1965
TLS 9 1964-1965
Leygraf, Willy.
ALS 1 1955
Lissa, Zofia.
TLS 6 1964-1965
Maasz, Gerhard.
TLS 1 1959
McGiffin, Hadassah (with letterhead of Northwestern University, Evanston, Ill.).
ALS 1 undated [1954]
Mahides, Barbara.
ALS 1 1953
TLS 1 1954
Maitland, Margaret.
ALS 1 1938
Marbach, Gertrude (includes letterhead of Neue Zeitschrift für Musik).
TLS 3 1958-1964
Mason, Daniel Gregory (with letterhead of Columbia University, Department of Music, New York City).
TLS 1 1939
Meyer, Ernst H. (includes letterhead of Musikwissenschaftliches Institut der Humboldt-Universität, Berlin [East]).
TLS 1 1965
TLU 1 1965 (with autograph additions)
Michel, R. (with letterhead of British Consulate General, Hannover).
TLS 2 1957
Mitchell, William (with letterhead of Columbia University, Department of Music, New York).
ALS 1 1949
TLS 3 1951-1965
Moldenhauer, Hans (with letterhead of Spokane Conservatory, Spokane, Washington).
TLS 2 1958
Müller, Siegfried Fritz.
TLS 1 1937 (addressed to Oswald Jonas and Felix Salzer as joint editors of Der Dreiklang)
Musik in Geschichte und Gegenwart, Kiel.
TPS 1 1957 (from the "Schriftleitung," signature not identified)
Neumann, Eduard (with letterhead of Der Rektor der Freien Universität Berlin).
TLS 1 1960
Neumann, Friedrich.
TLS 1 1960
Newberry Library, Chicago.
TLS 1 1964 (signature not identified)
Newman, Ernest.
TLS 2 1938
Norddeutscher Rundfunk, Hamburg.
TLS 1 1963 (signature not identified)
Northwestern University Press, Evanston, Ill. and Universal-Edition, Wien concerning a proposed English edition of Jonas's Einführung in die Lehre Schenkers (Vom Wesen des musikalischen Kunstwerks).
Scope and Content Note
Novello & Co., London.
TLS 1 1938 (signature not identified)
Nowakowski, Anton.
APS 1 1949
Oppel, Reinhard.
ALS 1 1935
Oster, Ernst.
ALS 2 1935-1951
TLS 5 undated (some with autograph additions)
TLS 35 1938-1964 (some with autograph additions; a few are annotated by Jonas. Letter of 20. November 1960 contains a transcript of a portion of a letter of 14. November [1960] from Allen Forte to Oster)
Palisca, Claude V. (with letterhead of Yale University, School of Music, New Haven).
TLS 1 1962
Plath, Wolfgang (with letterhead of Neue Mozart Ausgabe, Augsburg).
TLS 1 1964
Polzin, Jörg (with letterhead of Universal-Edition, Wien).
TLS 1 1959
Preussner, [Eberhard] (with letterhead of Internationale Sommer-Akademie des Mozarteums in Salzburg).
TLS 1 1950
Prohaska, Felix (with letterhead of Staatliche Hochschule für Musik und Theater, Hannover).
ALS 1 1965
TLS 2 1963-1965 (with autograph additions)
Rabes, Alfred.
TLS 3 1955
Ratz, Erwin.
ALS 1 1947
TLS 9 1948-1954 (with autograph additions)
Rech, Géza (with letterhead of Internationale Stiftung Mozarteum, Salzburg).
TLS 2 1955-1968 (letter of 1955 also signed by Bruno Hantsch)
Rehm, Wolfgang (includes letterheads of Bärenreiter-Verlag, Kassel-Wilhelmshöhe, and Internationale Schubert Gesellschaft, Kassel-Wilhelmshöhe).
TLS 2 1956-1956
Mimeographed LS 1973 enclosing minutes of the Society's meeting
Reichert, Georg (with letterhead of Musikwissenschaftliches Seminar der Universität Würzburg).
TLS 3 1960-1965
Reynolds, William.
TLS 1 1967 (with autograph addition)
Rosenwald, Hans (with letterhead of Chicago Musical College, Chicago).
TLS 2 1949
Rostal, Max.
TLS 1 1949
Rousseau, Martha and Jean-Jacques.
ALS 1 1964
ALS 1 undated
Salzer, Felix.
ALS 1 1948
Savler, Roberta (with letterhead of Summy-Birchard Company, Evanston, Ill.).
TLS 2 1964-1965
Scanlan, John D. (with letterhead of U.S. Embassy, Warsaw).
TLS 1 1964
Schabas, Ezra (with letterhead of Royal Conservatory of Music, University of Toronto).
TLS 1 1955
Schaefer, Josef (with letterhead of G. Henle Verlag, München).
TLS 24 1954-1959 (together with invoices and Jonas's cancelled checks for the purchase of Brahms mss.)
Schenk, Erich (with letterhead of Internationaler musikwissenschaftlicher Kongress Wien-Mozartjahr 1956).
TLS 2 1955
Schenker, Heinrich see Group I b. Correspondence (From the Schenkers). To Jonas, Oswald. Box 5, f.18.
Schlee, Alfred (with letterhead of Universal-Edition, Wien).
TLS 1 1966
Schmid, Ernst Fritz (with letterhead of Neue Mozart-Ausgabe, Augsburg).
TLS 1 1955
Schmidt-Görg, Joseph (with letterhead, Der Direktor des Beethoven-Archivs, Bonn).
TLS 1 1961 (carbon copy, signed)
Schmidt-Preuss, D[orothea] (with letterhead of Die Musik in Geschichte und Gegenwart, Kassel).
TLS 1 1963
Schneider, Hans (with letterhead of Musikantiquariat/Musikverlag Hans Schneider, Tutzing über München).
TLS 4 1962-1964
Invoice 1965
Schott's Söhne, B., Verlag, Mainz.
2 contracts 1964 between Jonas and Schott's Söhne for publication of works by Schubert and Brahms, Urtextausgaben; printed forms, typed and signed by Jonas and the firm
Sievers, Gerd (with letterhead of Breitkopf & Härtel, Wiesbaden).
TLS 6 1964
Simrock, N., firm, Hamburg.
TLS 1 1965 (signed E. v. Kessler, Sekretariat)
1 contract 1963 between Jonas and Simrock for publication of violin/piano version of Brahms, Op. 120 no. 1-2; printed form typed and signed by Jonas and the firm
Sittner, Hans (with letterhead of Akademie für Musik und darstellende Kunst, Wien).
TLS 8 1948-1964
"Vereinbarung" 1952 between Jonas and the Akademie offering a research grant-in-aid in exchange for public lectures
Sparling, Edward J. (with letterhead of Roosevelt College, Chicago).
TLS 1 1947
Sternberg, Daniel (with letterhead of School of Music, Baylor University, Waco, Texas).
TLS 2 1953-1954
Stockmann, Bernhard (with letterhead of B. Schott's Söhne, Mainz).
TLS 7 1964-1965
Struzl, Paul (with letterhead of Akademische Druck- und Verlagsanstalt, Graz).
TLS 1 1949
Stubenrauch, Maria.
Printed invitation to a "Hauskonzert" in Vienna, 1963, at which Franz Eibner lectured on Schubert.
Szabolcsi, B[ence] (with letterhead of Magyar Tudományos Akademia, Bartók Archivum, Budapest).
TLS 1 1963
Tobin, J. Raymond (with letterhead of The Music Teacher & Piano Student), London).
TLS 1 1938
Universal-Edition, Wien ( see also Harpner, Stefan G.; Hartmann, Ernst; Northwestern University Press, Evanston, Ill.; Schlee, Alfred; and Willnauer, Franz).
TLS 2 1959 (signatures not identified)
17 typed letters of agreement (Vereinbarungen) and statements of royalty accounts 1952-1966 for publications by Schenker and Jonas, variously countersigned by Ernst Hartmann, Alfred Schlee, and others, together with ms. notes by Jonas.
12 receipts for royalties 1961-1966
Vetter, Walther.
TLS 2 1965
Violin, Moriz.
ALS 9 undated
ALS 1 1950
Volk, A[rno] (with letterhead of B. Schott's Söhne, Mainz).
TLS 10 1963-1965
Wagner, Karl Dieter (with letterhead of N. Simrock, Hamburg).
TLS 6 1963
Waldeck, Arthur.
ALS 6 1950-1953
TLS 1 1952
Walter, Arnold (with letterheads of Royal Conservatory of Music, University of Toronto).
TLS 4 1954
Wasita, Ryszard.
TLS 1 1965
Wasserman. Georg.
TLS 1 1964
Waters, Edward N. (with letterhead of Library of Congress, Music Division, Washington, D.C.).
TLS 5 1949-1964
Weisse, Hans
ALS 4 1927-1938
APS 2 1928-1929
Wiederer, Eva (with letterhead of Associated Music Publishers, New York).
TLS 3 1960-1961
Williams, J. Emlyn (with letterhead of Christian Science Monitor, Office of Berlin Correspondent, Berlin).
TLS 1 1934
Willnauer, Franz (with letterhead of Universal-Edition, Wien).
TLS 5 1958-1959
Zagiba, Franz.
APS 1 1956
TLS 2 1955
TPS 1 1955
IIc. CRITICAL AND ANALYTICAL WORKS OF OSWALD JONAS: MANUSCRIPTS AND PUBLISHED EDITIONS
Der Dreiklang, Monatsschrift für Musik. Herausgeber: Oswald Jonas, Felix Salzer. Heft 1-8/9 (April 1937-November 1937/Februar 1938). Unbound copies, some imperfect, lacking Heft 6; with partial proof pages for 8/9. A few issues contain annotations in Jonas's hand.
Scope and Content Note
Publications and Unpublished Essays by Jonas (arranged by title)
"Albersheim, Gerhard," "Jonas, Oswald," and "Schenker, Heinrich." Articles by Jonas in Die Musik in Geschichte und Gegenwart. Kassel: Barenreiter [1949-79]. Offprints and photocopies.
"Die Analyse im praktischen Unterricht." Der Dreiklang, 4/5 (July / August 1937), 98-105. Photocopy.
"Ein Auftakt zur Brahmsfeier." Allgemeine Musikzeitung, LX Nr. 1 (6. Januar 1933), 33-34. Complete periodical issue. Together with a reply to this article by Willi Reich, "Brahmsschänder," in 23, Eine Wiener Musikzeitschrift, 10 (15. Mai 1933), 1-5. Photocopy. For further comment see Jonas's "Vorläufer und Nachläufer (ein dokumentarischer Nachweis)."
"The Autograph of Beethoven's Eighth Symphony." Musik & Letters, XX (April 1939), 177-182. Photocopy.
"Das Autograph von Beethovens Violinkonzert." Zeitschrift für Musikwissenschaft, XIII (Mai 1931), 443-450. Photocopy.
"Ein Bach-Präludium, ein Weg zum organischen Hören." Der Dreiklang 1 (April 1937), 13-17. A revised version of this article was published in Musikerziehung, XX (Mai 1967), 205-209. Photocopies.
"Beethoven in der Interpretation." Musikerziehung, XXIII (März 1970), 151-154. Photocopy.
"Beethoveniana." Der Dreiklang, 6 (September 1937), 148-157. Photocopy.
"Beethoven's Piano Technique." Piano Teacher, 3, no. 2 (November/December 1960), 9-11. Complete periodical issue.
"Beethovens Skizzen und ihre Gestaltung zum Werk." Zeitschrift für Musikwissenschaft, XVI (Oktober 1934), 449-459. Photocopy.
"Bemerkungen zu Beethoven's op. 96." Acta Musicologica, XXXVII (1965), 87-91. Offprint, together with 11 leaves of ms. draft in Jonas's hand and in typescript.
"Bewusstes oder unbewusstes Schaffen?" Der Dreiklang, 2 (Mai 1937), 53-54. Photocopy.
"Bibliographische Miszellen zu Mozart und Chopin." Die Musikforschung, IX (1956), 200.
"Brahmsiana." Die Musikforschung, XI (1958), 286-293. Offprint, corrected galley proofs, and 9 leaves of carbon typescript.
"Chopin Handschriften in USA." Typescript draft, 6 leaves with corrections in Jonas's hand, together with a carbon typescript and manuscript notes, 7 leaves.
"The Composer Knew What He Wanted." Music News, September 17, 1942, p. 5. Photocopy.
"Franz Schubert: Wort und Ton im deutschen Lied." Typescript, two versions of essay in lecture format, with a carbon typescript and with corrections in Jonas's hand, 29 leaves; ms. notes including music, 16 leaves, together with photocopies.
"Genie und Gedächtnis." Oesterreichische Musikzeitschrift, VII Nr. 11/12 (November 1952), 347-349. Complete periodical issue.
"The Genius and His Contemporaries." Typescript, 11 leaves with revision in an unidentified hand. Content differs from preceding item.
"Gustav Nottebohm." Allgemeine Musikzeitung, LIX Nr. 43 (28. Oktober 1932), 543-544. Complete periodical issue.
"Haydn's Variations in f minor." Typescript, 33 leaves (of which 11 leaves are in photocopy) with revisions in Jonas's hand; three versions in English and two in German; one of the latter in photocopy with a musical example.
"Heinrich Schenker." Allgemeine Musikzeitung, LXX (1933), 425-427, 437-439. Photocopy. With 2 leaves of ms. and typed transcripts from a letter, Schenker to Violin 5. März 1932, concerning Schenker's opinion of the article.
"Heinrich Schenker und grosse Interpreten." Oesterreichische Musikzeitschrift, XIX Heft 12 (Dezember 1964), 564-589. Complete periodical issue, together with 10 leaves of carbon typescript.
"Improvisation in Mozarts Klavierwerken." In Mozart-Jahrbuch 1967 (Salzburg, 1968), 176-181. Offprint, together with 10 typescript leaves of two versions of the article and 2 leaves of typewritten notes; also printed scores of Mozart's Violin Sonata in B flat major, KV 378, and Fantasia in C minor, KV 475.
"Is Theory Teaching in a Blind Alley?" Musical Courier (January 15, 1946). Offprint, 1 leaf, unpaged.
Kirnberger Collection, Pieces for Piano by Johann Philipp Kirnberger, selected and edited from original sources by Oswald Jonas. Plate 5232. Evanston: Summy-Birchard, c1959.
"Die Krise der Musiktheorie." Der Dreiklang, 3 (Juni 1937), 67-74. Photocopy.
"Die Kunst des Vortrags nach Heinrich Schenker." For Jonas's article in Musikerziehung, see Box 57, f.2.
"A Lesson with Beethoven by Correspondence." Musical Quarterly XXXVIII (1952), 215-221. Photocopy.
"Manuscripts" and other articles by Jonas in Nettl, Paul. Beethoven Encyclopedia (New York: Philosophical Library, 1956). Photocopies:
"Manuscripts." p. 131-133.
"Piano Sonatas." p. 167-174.
"Schenker, Heinrich" [unsigned]. p. 209.
"Sketchbooks." p. 233-235.
"Miscellen.-Ein Beitrag zur Herausgeberkritik.-Nochmals zur Diminution.-Eine Skizze Beethovens.-Zwei Beethoven-Jahrbücher.-Der Untergang der Musik." Der Dreiklang, 4/5 (Juli/August 1937), 113-120. Photocopy.
"Mozart-Handschriften in Amerika." In Bericht über den internationalen musikwissenschaftlichen Kongress, Wien, 1956 (Graz: H. Böhlaus Verlag, 1958), 285-288. Offprint. Together with 2 typescript drafts, the earlier with corrections in Jonas's hand, 23 leaves, and 9 leaves of photocopies of Mozart mss.
[Mozart-Preis] "3. Preis: Dr. Oswald Jonas, Chicago." In Albrecht, Hans, Die Bedeutung der Zeichen Keil, Strich und Punkt bei Mozart. Fünf Lösungen einer Preisfrage, im Auftrag der Gesellschaft für Musikforschung (Kassel: Bärenreiter, 1957), 54-65. Photocopy. Together with corrected galley proofs, 5 leaves, and typescript, headed "Kennwort: Tübingen," 17 leaves, with extensive corrections in Jonas's hand, 2 leaves of ms. notes, and a carbon typescript.
"Mozarts ewige Melodie." Der Dreiklang, 3 (Juni 1937), 84-92. Photocopy.
"Mozart's Sketch to Symphony K. 504." Typescript and carbon typescript, 16 leaves, with musical examples in Jonas's hand, 4 leaves, and photocopy of Mozart sketch.
"Musikalische Meisterhandschriften." In Anthony van Hoboken, Festschrift zum 75. Geburtstag (Mainz: B. Schott's Söhne, 1962), 103-109. Offprint. Together with the original typescript (of which the offprint is an abridgement) written in 1929 and annotated in Jonas's hand, 16 leaves, and 1 leaf of ms. notes. Another version appeared in Der Dreiklang, 1-2 (April - Mai 1937), 23-27, 55-60.
"Musikgeschichte und Kritik." Allgemeine Musikzeitung, LIV Nr. 48 (2. Dezember 1927), 1243-1245. Complete periodical issue, with Jonas's article extensively revised in his hand and another unidentified hand.
Note
"Der Nachlass Heinrich Schenkers." Der Dreiklang, 1 (April 1937), 17-22. Unsigned article attributed to Jonas.
"Nachtrag zu Schenkers Aufsatz über Schindler." Der Dreiklang, 8/9 (November 1937/Februar 1938), 200-207. Photocopy. (Reprinted in Musikerziehung, XVIII nr. 5 (1965), 205-209.)
"Notes and News: A Misprint in Chopin." Daily Telegraph and Morning Post, London, December 31, 1938, p. 16. Excerpt.
"On the Study of Chopin's Manuscripts." In Chopin Jahrbuch (Wien: Internationale Chopin-Gesellschaft, 1956), 142-155. Offprint. With typescript in German (3 leaves) of a portion of the text.
"The Photogram-Archives in Vienna." Music and Letters, XV (1934), 344-347. Photocopy. (Translated as "Das Wiener Photogramm-Archiv," in Anbruch, 18 (1936), 6-7).
"Eine private Brahms-Sammlung und ihre Bedeutung für die Brahms-Werkstatt-Erkenntnis." In Bericht über den Internationalen musikwissenschaftlichen Kongress, Kassel, 1962 (Kassel: Bärenreiter-Verlag, 1963), 212-215. Offprint.
"Das Problem der Durchführung in der Sonate." Carbon typescript, early draft, 5 leaves, dealing with Mozart.
"Schumann Handschriften in Amerika." Carbon typescript, 7 leaves, with corrections in Jonas's hand. Together with 19 leaves of ms. notes, typed and in Jonas's hand, and musical examples; also 31 leaves of photocopies.
"Eine Skizze von Mozart." Acta Mozartiana, II, Hft. 3/4 (1955), 54-58. Complete periodical issue.
"Ein textkritisches Problem in der Ballade op. 38 von Frédéric Chopin." Acta Musicologica, XXXV (1963), 155-158. Offprint.
"Ueber neue Musik." Der Dreiklang, 6 (September 1937), 133-138. Photocopy.
"An Unknown Mendelssohn Work." American Choral Review, IX (Winter 1967), 16-22. Complete periodical issue.
"An Unknown Sketch by Beethoven." The Musical Quarterly, XXVI (1940), 184-191. Photocopy.
"Der Urlinienbegriff und die musikalische Synthese Heinrich Schenkers." Typescript, 3 leaves, with corrections in an unidentified hand.
"Die `Variationen für eine liebe Freundin' von Johannes Brahms." Archiv für Musikwissenschaft, XII (1955), 319-326. Offprint. Together with 3 typescript and carbon typescript versions in German (40 leaves) and 2 typescript and carbon typescript versions in English (11 leaves). Also 7 leaves of ms. notes in Jonas's hand and 7 leaves of typescript notes by Heribert Esser.
"Vorläufer und Nachläufer (ein dokumentarische Nachweis)." Carbon typescript, 8 leaves, corrected in Jonas's and another hand, dated Berlin, 1934/35. A reply to Willi Reich's "Kant, Schenker und der Nachläufer" in 23, Eine Wiener Musikzeitschrift, 15/16 (25 Oktober 1934), 29-32, included here in photocopy.
Das Wesen des musikalischen Kunstwerks. Eine Einführung in die Lehre Heinrich Schenkers. Wien: Saturn-Verlag, 1934. Unbound pages (incomplete), with corrections and additions in Jonas's hand, and interleaved with further notes and lists of proposed corrections. Together with one leaf of typed excerpts from Schenker letters commending Jonas's work. A bound copy is shelved in the bookstacks of Special Collections & Archives [Spec Coll MT6/J6W4].
[ Das Wesen des musikalischen Kunstwerks.] Revised edition with title: Einführung in die Lehre Heinrich Schenkers... [Wien: Universal-Edition, 1972]. Page proofs, pp. v-ix, 1-139 (lacking title page, preliminary matter, and 37-38), with printer's corrections and a few notes in Jonas's hand. Also a revised set of page proofs, p. 1-139 only.
[Das Wesen des musikalischen Kunstwerks.] Einführung in die Lehre Heinrich Schenkers. English translation with title, Introduction to the Theory of Heinrich Schenker... The Nature of the Musical Work of Art, translated and edited by John Rothgeb. New York: Longman, 1982. xvi,175p. Shelved in the bookstacks of Special Collections & Archives [Spec Coll MT6/J6W413].
"What's Wrong with Your Edition?" Music News, April 2, 1942, p. 4. Lacks continuation on p. 11. Photocopy.
"Zeitschriften und Bücher." Der Dreiklang, 7 (Oktober 1937), 184-188. Photocopy.
"Zu Schumanns op. 68." Neue Zeitschrift für Musik, CXXIV, (1963), 225-226. Photocopy.
"Zum Begriff der Tonalität." Allgemeine Musikzeitung, LIX Nr. 18 (6. Mai 1932), 245-246. Complete periodical issue.
"Zur Chronologie von Beethovens `Opferlied.' " Zeitschrift für Musikwissenschaft, XIV (November 1931), 103-104. At head of title: "Miszellen." Photocopy.
"Zur realen Antwort in der Fuge bei Bach." In Bericht über den internationalen musikwissenschaftlichen Kongress, Kassel, 1962. Kassel: Bärenreiter-Verlag [1962], 364-366. Offprint.
Book reviews by Jonas in Music Library Association Notes, ser. 2, 1947-1961, in photocopy, together with related ms. material. Included are reviews of:
Scope and Content Note
IId. JONAS RESEARCH AND TEACHING MATERIALS
Bach, C. P. E.
Kurze und leichte Clavierstücke mit veränderten Reprisen.
Scope and Content Note
"Sonate per il cembalo solo." Photocopies of various ms. versions and published editions, 34 leaves.
Bach, Johann Sebastian
Christ lag in Todesbanden... Cantata No. 4. Edited... by Arnold Schering. London: Ernst Eulenberg [1932]. [2], 42pp. Paper covers. With annotations in Jonas's hand.
Es erhub sich ein Streit. Cantata no.19. New York: Broude Bros. [n.d.]. [6], 40pp. Paper covers. With a few annotations.
"Mein Seel' erhebt den Herren." 19 photocopy leaves of ms. score in Library of Congress, Washington, D. C.
"Ich hatte viel Bekümmernis..." Organ score. Photocopy, 24 leaves, of ms. in Wiener Singakademie. Figured bass symbols added in pencil by Jonas.
"Clavierbüchlein für Anna Magdalena Bach." Facsimile pages of the Grosses Clavierbüchlein and Kleines Clavierbüchlein, from Bach Gesellschaft facsimile volume, 6 photocopy leaves.
Kleine Praeludien and Inventionen, selected ms. pages. 9 photocopy leaves and 1 leaf printed facsimile.
Das Wohltemperierte Clavier. Praeludien und Fugen [incomplete]. 42 photocopy leaves from ms. in Nationalbibliothek, Wien.
Das Wohltemperierte Clavier. Praeludien und Fugen. 14 photocopy leaves of ms., formerly in the Preussische Staatsbibliothek, Berlin
Das Wohltemperierte Clavier, Zweiter Theil. Nach dem Londoner Autograph. Praeludien und Fugen. Photocopy of B.W. XVI (1), pp. 243-50, 8 leaves.
Chaconne. Violine. Plate 7310, Edition Peters. 8 pp., disbound, with annotations in Jonas's hand
[Bach, J.S.] Federhofer, Hellmut. "Bemerkungen zum Verhältnis von Harmonik und Stimmführung bei Johann Sebastian Bach" in Festschrift Heinrich Besseler, Leipzig, 1962, pp. 343-350. Offprint.
Beethoven, Ludwig van
Music arranged by opus number
Sonata. Op. 2, No. 1. Trois Sonates pour le Clavier... A Vienne: chez Artaria [1796]. Photocopy of p. 1-15 (Sonate I), 8 leaves. Together with ms. notes in Jonas's hand and other photocopies.
String Quartet. Op. 18, No. 1. Beethovens Streichquartett op. 18, Nr.1 und seine erste Fassung... mit Untersuchung von Dr. Hans Josef Wedig. Bonn: Verlag des Beethovenhauses, 1922. 23, [1], 39, [1]pp. plate.
Sonata. Op. 26. Photocopy, 2 leaves, of ms. fragment marked "Andante con Variazione."
Sonata. Op. 28. Photocopy, 49 leaves, of autograph ms. in the Beethovenhaus, Bonn.
Violin Sonata. Op. 30, No. 3. Photocopy, 40 leaves, of ms. in the British Library, London.
Violin Concerto. Op. 61. I. Satz, T. 1-185. Photocopy, 50 leaves, of ms. in the Nationalbibiliothek, Wien.
Violin Concerto. Op. 61. I. Satz, T. 188-353. Photocopy, 51 leaves, of ms. in the Nationalbibliothek, Wien.
Violin Concerto. Op. 61. I. Satz, T. 356-513. Photocopy, 56 leaves, of ms. in Nationalbibliothek, Wien. With 11 leaves of ms. notes by Jonas.
Violin Concerto. Op. 61. II. Satz, T. 1-91 [incomplete]. Photocopy, 28 leaves, of ms. in Nationalbibliothek, Wien.
Violin Concerto. Op. 61. III. Satz, T. 1-359. Photocopy, 54 leaves, of ms. in Nationalbibliothek, Wien.
Sonata for Violoncello and Piano. Op. 69. Photocopy, 15 leaves, of sketches for Op. 69 in ms. 45, Bibliothèque du Conservatoire, Paris.
Fidelio. Op. 72. Early draft, duet, Leonore-Rocco, "Nur hurtig fort..." Photocopy, 41 leaves, of ms. autogr. 6 in Deutsche Staatsbibliothek, Musikabteilung, Berlin [East].
Sonatina, G dur. Op. 79. (Piano). Photocopy, 24 leaves, of ms. in Beethovenhaus, Bonn.
Sonata. Op. 81a (Piano). I. Satz. Two different photo reproductions of ms. in Gesellschaft der Musikfreunde, Wien.
Sonata for Violin and Piano. Op. 96. G major. Photocopy, 19 leaves, of ms. in Pierpont Morgan Library, New York, together with selected photocopied pages from first edition (1816) and 2 photocopy leaves from ms. 60, Bibliothèque du Conservatoire, Paris. With other photocopies and ms. notes in Jonas's hand.
Sonata. Op. 101 (Piano). Photocopy, 29 leaves, of ms. in private collection.
Sonata. Op. 102, No. 1. Photocopy, 2 leaves, from ms. in the Staatsbibliothek Preussischer Kulturbesitz, Berlin [West].
Sonata. Op. 106. Photocopies of ms. sketches.
Scope and Content Note
Sonata. Op. 109. Photocopy, 40 leaves, of autograph ms. in Library of Congress, Washington, D.C.
Sonata. Op. 109. Photocopy, 26 leaves, of ms. and published editions.
Sonata. Op. 109. Photocopy, 19 leaves, of Schindler's copy of first edition (Berlin, Wien, 1821) with corrections by Beethoven, in Deutsche Staatsbibliothek, Musikabteilung, Berlin [East], ms. autograph 39, 1.
Sonata. Op. 109. Photocopy of early edition with annotations in an unidentified hand. 17 leaves.
Sonata. Op. 109. Photocopy, 44 leaves, including p. 36-78 of Skizzenbuch C, Mus. ms. autogr. Beethoven Art. 195 in Staatsbibliothek Preussischer Kulturbesitz, Berlin [West].
Sonata. Op. 109. Photocopies of Schenker correspondence and notes referring to Op. 109. Together with essay by Paul von Klenau, "Die `Klassische' Neunte," Pult und Taktstock, 4 (Juli, 1924), 55-63, mentioning Schenker, in complete issue of periodical.
Sonata. Op. 109. Ms. and typescript notes by Jonas, with photocopies and other materials collected for Jonas's new edition of Schenker's Erläuterungsausgabe of Op. 109 (Wien: Universal Edition, 1971), and for the facsimile of the ms. of Op. 109 in the Library of Congress edited by Jonas (New York: R. O. Lehman Foundation, 1965). Includes Jonas's list of "Schenker's literature conc[erning] op. 109" and of the letters "about search for the mscpt of op. 109;" together with a copy of the score of Schenker's edition annotated by Jonas.
Sonata. Op. 110. Photocopy, 50 leaves, of mus. ms. autogr. Beethoven Art. 196 in Staatsbibliothek Preussischer Kulturbesitz, Berlin [West] together with another photocopy, 56 leaves, of the same Berlin ms.
Sonata. Op. 110. Photocopy, 15 leaves, of autograph revision of Adagio and Fuga, in the Beethovenhaus, Bonn. Lacking the first leaf.
Sonata. Op. 110, and Sonate Op. 111. Photocopy, 30 leaves, of sketches in ms. 51, Bibliothèque du Conservatoire, Paris.
Bagatelles. Op. 119, no. 1-6, 9-11. Photocopy, 22 leaves, of mus. ms. autogr. Beethoven Art. 199 in Staatsbibliothek Preussischer Kulturbesitz, Berlin [West], and 3 photocopy leaves of ms. 70, Bibliothèque du Conservatoire, Paris.
Diabelli Variations. Op. 120. Photocopy, 22 leaves, of selected leaves of ms. in private collection.
Scope and Content Note
Kakadu Variations. Op. 121a. Photocopy, 17 leaves, of ms. in Beethovenhaus, Bonn.
Drei Skizzenbücher zur Missa Solemnis. [Op. 123]. Vollständige, mit einer Einleitung... von Joseph Schmidt-Görg. Bonn: Beethovenhaus, 1952. 51, [1] pp., plates. Wrappers. Review by Jonas excerpted from Music Library Association Notes, 1953, taped to fly leaf.
Bagatelles. Op. 126. Photocopy, 34 leaves, of ms. in Beethovenhaus, Bonn, and 18 photocopy leaves of mss. 74 and 81, Bibliothèque du Conservatoire, Paris.
String Quartet. Op. 130. Photocopy, 11 leaves of ms., 2nd movement (Presto), in Library of Congress, Washington, D.C.; also photocopy of letter from Beethoven to Holz (1825) and typed transcript by Jonas.
String Quartet. Op. 131. Photocopy, 2 leaves, of autograph sketches in Library of Congress, Washington, D.C.; also letter to Galitzin.
Trio. Kinsky-Halm Wo039. Photocopy, 11 leaves, of ms. in Beethovenhaus, Bonn.
[Beethoven]. Photocopies of pages from various mss.
Concerning Beethoven
Ebert, Alfred. "Das Autograph der Gellert-Lieder Op. 48, No. 5 und 6 von Beethoven." Die Musik, Jhrg. IX/1, Bd. XXXIII (1909-1910), 44-63. Photocopy.
Fischer, Johannes. "Nachwort." Photocopy of pp. I-IX from Sonate Op. 106 nach den Quellen, hrsg. von Johannes Fischer. Leipzig: Edition Peters, 1975.
Humbert, Georges. "Ein unbekannter Brief Beethovens and den Fürsten N. von Galitzin." Die Musik, Jhrg. IX/1, Bd. XXXIII (1909-1910), 16-21. Photocopy.
Jonas, Oswald. Outline for an essay, "Beethoven's Life in his Works." 6 ms. leaves in the hand of Jonas.
Brahms, Johannes
Music arranged by opus number
Sonata. Op. 1. Photocopy, 25 leaves, of autograph ms. in Nationalbibliothek, Wien.
Sonata. Op. 5. Photocopy, 28 leaves, of autograph ms. in Staats- und Universitätsbibliothek, Hamburg.
Sonate. Op. 5. F moll. (Drei Sonaten für das Pianoforte.) Plate 20101. Berlin: N. Simrock; [Wien:] Universal-Edition [n.d.]. Cover-title, 39,[1] pp. With annotations in the text and one ms. leaf in Jonas's hand.
[Lieder]. Photocopies, facsimiles and early editions of single songs with various opus numbers: 6/1, 14/8, 46/2, 47/4, 64/2, 69/9, 94/4, 95/6, 96/1. Together with ms. notes and sketches in Jonas's hand.
Variationen für das Pianoforte über ein Thema von Robert Schumann... Op. 9. Plate 8997. Berlin: N. Simrock [n.d.] [2],19,[1]pp. (Cover with series title: Johannes Brahms: Werke für Klavier zu zwei Händen.) Annotated by Jonas from the ms. in Gesellschaft der Musikfreunde, Wien.
Piano Concerto in D minor. Op. 15. Photocopy of autograph ms. in the Deutsche Staatsbibliothek, Berlin [East]. Also, 3 leaves of photocopy of the autograph arrangement for 4 hands in the Library of Congress, Washington, D.C.
Serenade für kleines Orchester... Op. 16. Photocopy of first edition. Plate 6129. Bonn: N. Simrock [1860].
Sextet. Op. 18. Photocopy (copyflow) of ms. in Library of Congress, Washington, D.C.
Duette für Sopran und Alt. Op. 20, 61, 66, 75. Plate 7703. Berlin: N. Simrock; [Wien:] Universal-Edition [n.d.]. Cover title; 19,[1]pp. Copy formerly belonging to Schenker (dated in Jeanette Schenker's hand 10.I.1923) but annotated by Jonas from Brahms's Stichvorlage in Hamburg.
"Variationen über ein ungarisches Lied." Op. 21, no. 2. Photocopy, 7 leaves, of autograph ms. in Staatsbibliothek, Wien.
"Variationen über ein Thema von Robert Schumann für das Pianoforte zu vier Händen." Op. 23. Photocopy, 20 leaves, of autogr. ms. dated 1861 (private collection), together with 27 photocopy leaves of autogr. ms. of parts, as prepared for engraver 1863, in Library of Congress, Washington, D.C. With 1 ms. leaf of Jonas's notes.
Variations and Fugue on a Theme by Handel (for Piano). Op. 24. Photocopy, 20 leaves, of ms. in Library of Congress, Washington, D.C., entitled "Variationen für eine liebe Freundin"; and 22 photocopy leaves of ms. in Darmstadt. (For Jonas's article and ms. notes see Box 38, f. 51).
Piano Quartet. Op. 26. Selected photocopy, 5 leaves of autograph ms., portion of Poco Adagio.
Motet, "Es ist das Heil uns kommen her." Op. 29, no. 1. Photocopy of autograph ms., 13 leaves, with photocopies of letters from Brahms to Theodore Avé-Lallement, 10 leaves. Also another set of photocopies at different reduction.
Lieder und Gesänge. Op. 32, nos. 1, 7, 8, 9. Photocopy, 9 leaves, of autograph mss.
Romanzen aus "Magelone." Op. 33. Photocopy, 28 leaves, of autograph mss. of selected songs.
Sextet. Piano (4 hands) arrangement. Photocopy, 3 leaves, of autograph ms. from Poco Allegro movement, Library of Congress, Washington, D.C.
Two Sonatas for Cello and Piano. Two Sonatas for Clarinet (or Viola) and Piano. Op. 38, 99, 120. Plate J. B. 39, 40, 41, 42. New York: Lea Pocket Scores, c. 1950. [2],29,2-30,26,2 pp. Annotated (with 2 ms. leaves inserted) in Jonas's hand.
Waltzes for Piano. Op. 39
Scope and Content Note
Trio (Es Dur) für das Pianoforte, Violine und Waldhorn (oder Bratsche oder Violoncell). Op. 40. Plate 6503. Berlin: N. Simrock [n.d.] 33, [1]pp. (Simrock Volks-Ausgabe No. 126). With annotations in Jonas's hand, and 1 photocopy leaf (from Scherzo) of autograph ms. in Library of Congress, Washington, D.C.
"Von ewiger Liebe." Op. 43, no. 1. Photocopy, 4 leaves, of autograph ms. in Library of Congress, Washington, D.C.
"Die Mainacht." Op. 43, no. 2. Plate 5998 (2). ( Vier Gesänge. Leipzig: J. Rieter-Biedermann [n.d.]). 5, [1]pp. With annotations in Jonas's hand.
12 Lieder und Romanzen für Frauenchor a cappella. Op. 44, Heft I, II. Plate 10112-10113. Leipzig: C. F. Peters [n.d.] 16,19,[1]pp. With annotations in Jonas's hand.
"Die Liebende schreibt." Op. 47, no. 5. Photocopy, 3 leaves, of autograph ms. in private collection (Gerhard Maasz, Switzerland).
Sieben Lieder. Op. 48, nos. 5, 7. Photocopy, 3 leaves, of autograph ms. of no.5 in private collection (Louis Koch, Basel); photocopy, 3 leaves, of autograph ms. of no. 7 in Library of Congress, Washington, D.C.
Fünf Lieder. Op. 49, nos. 4, 5. Autograph mss.; facsimile of no. 4, 2 leaves; photocopy, 3 leaves, of no. 5 in Library of Congress, Washington, D.C.
String quartets. Op. 51. Each score with annotations in Jonas's hand.
Scope and Content Note
Liebeslieder. Op. 52. Photocopies of autograph mss.
Scope and Content Note
Liebeslieder. Songs of love. Waltzes. Walzer für das Pianoforte zu vier Händen. Op. 52a. Plate 7024. Berlin: N. Simrock [n.d.] 47,[1]pp. With annotations and 1 ms. leaf, all in Jonas's hand.
Alto Rhapsody. Op. 53. Photocopy of autograph ms. of Partitur in the New York Public Library. With piano/vocal score: Rhapsodie für eine Altstimme... Plate 375. Berlin: Simrock [1870]. 15,[1]pp. Ornamental cover-title printed in black and brown.
Schicksalslied. Op. 54.
Scope and Content Note
Triumphlied. Op. 55. Clavierauszug. Plate 7413. Berlin: N. Simrock; London: Alfred Lengnick, 1872. 75,[1]pp. With annotations and 7 leaves of ms. notes in Jonas's hand.
Variationen über ein Thema von Joseph Haydn. Op. 56a. Plate W. Ph. V. 134. Wien: Wiener Philharmonischer Verlag [1951]. [4],68pp. With annotations in Jonas's hand, and with related material.
Lieder und Gesänge. Op. 57. Photocopy, 10 leaves, of autograph ms. of nos. 1, 2, 6, 8 in the Library of Congress, Washington, D.C. With published edition: Heft 1-2. Plate 682a-b. Leipzig: J. Rieter-Biedermann [1871]. 15,[1],15,[1]pp. Ornamental cover-titles, lithographed in color. With annotations in Jonas's hand.
Lieder und Gesänge. Op. 58. Photocopy, 9 leaves, of autograph ms. of nos. 1, 5, 6, 8 (fragment) in the Library of Congress, Washington, D.C. With published edition: Heft 1-2. Für hohe Stimme. Plate 683a-b. Leipzig: J. Rieter-Biedermann [n.d.]. 15,[1],15[1]pp. Together with separate issues of nos. 2 and 5. All annotated in Jonas's hand, and with 1 ms. leaf.
Lieder und Gesänge. Op. 59. Photocopy, 14 leaves, of autograph mss. of no. 3 (in Eastman School of Music, Rochester, N.Y.), 5 (in private collection, Switzerland), 7 and 8 (in Library of Congress, Washington, D.C.).
Lieder und Gesänge. Op. 63. Heft II, nos. 5-9. Plate 6395b. Leipzig: C. F. Peters [n.d.]. 23, [1] pp. With pencil markings in no. 8.
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