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Always and Forever Subseries 131.
Arsenic and Old Lace Subseries 110.
Bailout at 43,000 Subseries 111.
Correspondence
United Artists Corp. Correspondence
The Bandit Subseries 2.
A Sad Day (cue title)
Al Hombre (introduction) (cue title)
Cantina Music (cue title)
End Title
Guntz Shot (cue title)
I Was Too Young (cue title)
I Was Too Young (cue title)
Leave Manuel (cue title)
Little Drunk, A (cue title)
Love Scene (cue title)
Manuel Decides to Kill (cue title)
Manuel Stalking (cue title)
Manuel Stalking (cue title)
Manuel Wakes Up (cue title)
Maria Anticipates Santiago (cue title)
Maria Confesses (cue title)
Meet Manuel (cue title)
Take Money (cue title)
Vicente Buried (cue title)
Vicente Dies (cue title)
Barker's Luck Subseries 3.
Agreements, Cue Sheets, Correspondence 1956
Big Caper Subseries 112.
Correspondence
United Artists Corp. Correspondence
Big Valley Subseries 5.
Agreement between Herschel Burke Gilbert and Four Star Television
Full Score
Full Score
Main Title
Main Title
The Marauders (episode title) 1965 September 5
The Marauders (episode title) 1965 September 5
The Marauders (episode title) 1965 September 6
The Marauders (episode title) 1965 September 5
The Marauders (episode title) 1965 September 6
The Marauders (episode title) 1965 September 5
The Big Wheel Subseries 118.
Recording and Music Reports 1949
Dooley Dies (cue title) 1955 September 1
Fiamma 1956 May 8
First Kiss; Stay With Me;Love Scene (cue titles) 1955 July 21
Instrumental Breakdown 1955 August 8
Main Title
Memories (cue title) 1955 August 30
Preacher Reforms (cue title) 1955 August 8
Recording and Music Reports 1949
Shoot or Else; Trapped (cue titles) 1955 July 28
The Bold and the Brave Vocal Parts
Bronco Apache Subseries 117.
Tentative Budgets 1953
Burke's Law Subseries 7.
Notebook binder of Recording Logs, 1963-64: Burke's Law, The Rogues
Sound Recording 1964
Cara Williams Show Subseries 8.
Carmen Jones Subseries 9.
Agreements, Cue Sheets, Correspondence
Conductor's Score
Conductor's Score
Conductor's Score
Conductor's Score
Conductor's Score
Conductor's Score
Conductor's Score
Comanche Subseries 10.
Coral Records - Bob Thiele contract for "Comanche" album 1958
Horns, 10B-1 14633
Introducing Puffer (cue title) 1956 January 2
Puffer & Read Ride (cue title) 1956 January 1
Puffer & Read Ride (cue title) 1956 January 1
Quanah's Brother Faints (cue title)
Quanah's Brother Faints (cue title)
Record Album Correspondence 1956
Reed Sees Cavalry (cue title) 1956 January 25
Reed Sees Cavalry (cue title) 1956 January 25
The Last Handshake (cue title) 1956 January 19
Crime and Punishment U.S.A. Subseries 11.
Correspondence, Cue Sheets, and Newspaper Clippings 1960
Full Score
Full Score
Instrumental Breakdown 1959 January 16
Instrumental Breakdown 1959 January 16
Main Title 1959 January 13
Main Title 1959 January 13
Night Walk (cue title) 1959 January 3
Night Walk (cue title) 1959 January 3
Death Valley Days Subseries 12.
Letter from TVT Records regarding ownership and use of The Detectives theme and Death Valley Days theme
Music Cue Sheets, Bills, Licenses
The Detectives Starring Robert Taylor Subseries 13.
Cue Sheets
Cue Sheets
Cue Sheets
Letter from TVT Records regarding ownership and use of The Detectives theme and Death Valley Days theme
Diamond City Subseries 116.
Main Title, Finances
Dick Powell Show Subseries 14.
Correspondence from Jimmie Haskell to HB Gilbert re: ASCAP and Dick Powell Show Cues
The Durante Show Subseries 16.
The Four Seasons Subseries 19.
From Hell It Came Subseries 106.
Assignment of Rights
Sync license by American Contemporary Entertainment for background music 1981
The Gemini Affair Subseries 21.
Gene Barry Sings of Love and Things Subseries 127.
Geronimo Subseries 119.
Correspondence,Choral Score, Cue Sheets 1962
The Getter and the Holder Subseries 125.
Gilligan's Island Subseries 22.
The Girl in My Heart Subseries 23.
"Goldilocks and Three Bears" also called "Mother Goose Land": "Baby Bear's Christmas Wish", "Eeny and Meeny", "Little Red Riding Hood" & "Jack & the Beanstalk"
Christmas Music (episode title)
Goldilocks Wishes (episode title)
Old King Cole (episode title)
Who's in My Chair (episode title)
Gunsmoke Subseries 25.
Has Anybody Here Seen Chris Subseries 27.
Agreements, Correspondence 1968
Music Timings, Lyrics
The Highwayman Subseries 28.
Agreements and Music Recording Breakdown 1951
Cue Numbers M100-102,M200-202,M300,M402-4,M500,M600,M600A-B,M601-2,M700-1,M800,M900-1
Honey West Subseries 29.
Iron Butterfly Subseries 30.
Script, Recording and Demo Logs 1968
It's Up to You Subseries 31.
Budget, Cost, Cues
The Jackie Robinson Story Subseries 32.
Assorted Materials 1950
TeleCinema, Inc memo re Music Sync for American Dreamers, Jackie Robinson Story Cue by HB Gilbert
License, Affair In Athens (The Dupont Show with June Allyson Series), BNP Publishing & John Paul Music 1961 January 6
Assorted Materials 1952
Freight Yard (episode title) 1952 February 7
Music Timing Sheets, Music Cue Sheets
Loan Shark Subseries 113.
The Long Wait Subseries 114.
Tentative Music Breakdown 1953
The Magic Face Subseries 44.
Cue Sheets, Financial Papers, Correspondence 1951
Man Crazy Subseries 115.
Tentative Budget 1952
The Man Who Stole the Word "Beautiful" Subseries 45.
Script and Recording Logs 1968
McKeever and the Colonel Subseries 47.
Models, Inc. Subseries 49.
Cue Sheets, Timings, Budget
A Moment in the Sun Subseries 50.
Monster That Challenged the World, The Subseries 107.
United Artists Corp. Correspondence
The Moon is Blue Subseries 51.
Chloro-foam T.V. Show
Contract, Cue Sheets, Recording Breakdown 1953-1954
Correspondence 1953
Cue Sheets 1953 April 1
End Title 1953 March 29
Main Title 1953 March 19-21
Pick Up (cue title) 1953 March 25
United Artists Corp. Correspondence 1956-1967
Mr. District Attorney Subseries 52.
CBS Release
The Naked Dawn Subseries 55.
Agreements, cue sheets, correspondence, printed/published score "I Love A Stranger"
The Naked Hills Subseries 56.
Contract for the song, "The Four Seasons" 1956
Neuteronomy Subseries 126.
Nightmare Subseries 58.
Agreements, Cue Sheets, Correspondence 1961
No Place to Hide Subseries 59.
Contract, Cue Sheets, Correspondence 1955-1958
No Time for Flowers Subseries 60.
Agreements, Cue Sheets, Correspondence 1951
Four Regimes (cue title)
An Old Fashioned Girl Subseries 61.
Agreements, Budgets and Correspondence
Penelope Subseries 63.
Correspondence 1972
Opera Script Masters
Script and Tape Covers and Backs
Seattle Opera Association schedule, bills, etc. 1970-1971
Synopsis
Perry Mason Subseries 64.
Peter and the Wolf Subseries 130.
Pinocchio Subseries 65.
Correspondence, Musical Breakdown 1949
Poor Albert and Little Annie Subseries 67.
Correspondence 1972
Pop Goes the Weasel Subseries 120.
Unidentified Material 1947
Project Moonbase Subseries 68.
Financial Papers 1953
Project Moonbase Conductor's Sketches and Cue Numbers 1953 January
The Rifleman Subseries 70.
Air Dates
BMG correspondence re" Treasury of the West Vol 2 - The Rifleman and referenced clearance
Cue Sheets
Dubbing and Production Shooting Schedules 1959
End Credits 1958 July 17
End Credits 1958 July 17
End Credits 1958 July 17
Fan Letters to Gilbert
Letter from tambourine re: mechanical license for The Rifleman, unsigned agreement
Lively Lucas based on "Lively Lucas Theme" 1961 May 17
Lively Lucas based on "Lively Lucas Theme" 1961 May 17
Lively Lucas based on "Lively Lucas Theme" 1961 May 17
Lou Mallory (cue title) 1962 September 30
Lou Mallory (cue title) 1962 September 30
Lou Mallory (cue title) 1962 September 30
Lou Mallory (cue title) 1962 September 30
Lou Scared (cue title) 1962 October 2
Lou Scared (cue title) 1962 October 2
Lou Scared (cue title) 1962 October 2
Lou Scared (cue title) 1962 October 2
Lou's Playoff (cue title) 1962 October 2
Lou's Playoff (cue title) 1962 October 2
Mechanical License Agreement unsigned for The Rifleman between Herschel Gilbert and The Benson Company, Inc.
Music Catalogues
Recording Budgets, Costs of European Venture
Recording Costs 1959
Request by Sparrow Communications Group for synchronization licensing of Theme from The Rifleman 1994
Theme 1958
Theme 1958
Theme 1958
Timing Sheets
Transfer records, The Rifleman (Four Star)
Transfer records, The Rifleman (Four Star)
Video Mechanical License Agreement between HB Gilbert/John Paul Music & Benson Music Group 1992
Rin Tin Tin Subseries 108.
Cue Sheets
The Ring Subseries 71.
Cue Sheets, Correspondence 1958
Riot in Cell Block 11 Subseries 72.
Piano conductor score, financial papers, cue sheets and correspondence 1953
The Rogues Subseries 121.
Notebook binder of Recording Logs, 1963-64: Burke's Law, The Rogues
Sabre Jet Subseries 75.
Correspondence, Financial Papers, Cue Sheets 1953
Gil Tells Marge (episode title) 1953 July 16
United Artists Corp. Correspondence 1956-1967
Sam Whiskey Subseries 76.
Agreements, Cue Sheets, Clippings, Contracts 1970
Music Recording Logs, Timing Charts 1969
Music Timings, Cue Sheets, Orchestra Breakdowns, Correspondence 1969-1970
Orchestra Breakdowns
Sam Sees Gold (cue title) 1968 September 29
Sam Sees Gold (cue title) 1968 September 29
Sam Sees Gold (cue title) 1968 September 29
Sam Sees Gold (cue title) 1968 September 29
Shamrock Hill Subseries 81.
Skip Taylor: United States Air Force Subseries 128.
Slaughter on Tenth Avenue Subseries 84.
Mum's the Word (cue title) 1957 July 23
Stage 57 Subseries 86.
Star in the Wind Subseries 129.
Screenplay
The Theif Subseries 123.
Three Husbands Subseries 92.
Correspondence and Music Budget 1965
The Vampire Subseries 93.
Contracts and Agreements
Cue Sheets
Cue Sheets
United Artists Corp. Correspondence
Vice Squad Subseries 94.
While the City Sleeps Subseries 99.
Whiskey's Renegades Subseries 109.
Cover letter from HB Gilbert to Herbert Nusbaum & agreement between HBG and Brighton Pictures
Shooting Schedule, Script 1968 April 17
Wicked Woman Subseries 124.
Cue Sheets
The Wind in the Willows Subseries 101.
Recording logs and catalogs 1969
Without Warning Subseries 102.
Witness to Murder Subseries 103.
Assorted Materials
handwritten orchestration (number of each instrument) for individual cues on 5 x 7 cards "Vote for Joe Mullendore"
The Witch Who Came Out of the Sea Subseries 104.
Sound Recordings Series 2.
Physical Characteristics and Technical Requirements
Imua Music: Hawaiian Albums 1970-71
Liberty Hootenanny, Liberty Records
Jim West demo pasc_m268_177_001 1964
Physical Characteristics and Technical Requirements
Cue Sheets Series 3.
Cue Sheets 1938, 1955-1967
Cue sheets and cover letter 1957
Cue Sheets for: Four Star, John Paul, Laurel Enterprises
John Paul Music/ASCAP, John Paul Music "100" Series TV Library Music Cues
Pertaining to Multiple Production Titles 1938, 1955-1967
Barker's Luck 1955
Hot and the Cool, The 1957 November
Last Temptation, The 1957-1959
Notebook with lyrics of Alfred Perry
Assorted Correspondence 1950-1969
Between Gilbert and Martin Machat, law office (RKO-Lamas Music Corp) 1956-1958
Correspondence 1958
Correspondence from L.M. Fine (Who's Who in Music), Johnny Green (Metro Goldwyn Mayer Studios) 1956
Correspondence re establishment of Laurel Records and John Paul Music 1967
Correspondence with Bob Silverman, Tamarin Music, then Mills Music
Edward Kassner Music Co, Ltd, John Paul Music
Edward Kassner Music Co. (Canada), Ltd. John Paul Music Corp
From Gilbert to Miss Vera Caspary regarding "The Whistling Shadow" 1957
John Paul Music Corp. 1960-1968
MCA - Louis De Rochmont
Music Corporation of America 1951-1958
Notice of address change for John Paul Music
Pertaining to Multiple Productions 1959-1993
Pertaining to Multiple Production Titles 1938, 1955-1967
Regarding use of music between Gilbert and Campbell Connelly and Co. Ltd, Music Publishers, London 1958
Songwriters' Protective Association letter to HB Gilbert re: Edward Ocnoff contract with John Paul Music
Univ. of Wyoming
Unsigned agreements for various productions and correspondence 1957-1961
Academy of Motion Pictures Arts and Sciences 1957
Academy of Motion Pictures Arts and Sciences 1958-1970
Academy of Motion Pictures Arts and Sciences 1958-1970
Academy of Motion Pictures Arts and Sciences 1959
Academy of Motion Pictures Arts and Sciences 1960
American Federation of Musicians 1948, 1964-1990
American Federation of Musicians and Musicians Mutual Protection Associations 1949-1957
ASMAC 1989
Film Music Society - The Cue Sheet Newsletter 1989-2001
Film Music Society (Society for the Preservation of Film Music) 1991
memos, rules booklets, eligible releases (including 1952 - The Moon is Blue), membership lists 1951-1956
National Film Music Council 1950-1958
Publisher Advisory Committee Members 1966
Screen Composers' Association, documents, correspondence, minutes 1958-1965 no.2-3 (Apr-Jul 2001), Journal of the Film Music Society, formerly known as the Society for the Preservation of Film Music
Screen Composers of America (SCA) and Composers & Lyricists Guild of America (CLGA)
Screen Composers of America (SCA)
Southern California Chapter of Los Angeles of the Juilliard Alumni Association, Directory 1960-1961
Tariff Controls Committee
Contracts and Agreements Series 7.
"Bailout at 43,000", "The Big Caper", "The Monster that Challenged the World", and "The Vampire" Zissu, Marcus & Stein 1966
"Christmas is a Time for Children" song agreement with John Paul Music Corp and Carmino Ravosa and record-music report and for the song "Civilization" 1959
"Full of Love" song music by Heinz Roemheld lyric by Alan Bergman and Marilyn Keith Uniform Popular Songwriters Contract for song based on the theme from the United Artists picture "The Monster that Challenged the World" 1957
"Georgia Ann" song words and music by Hylton R. Socher, correspondence and agreement with John Paul Music Corp. 1959
"Ha-Bee-Bee-Rock" music and words by Edward E. Ocnoff, Uniform Popular Songwriters Contract 1957
"Haven't You Heard" music and words by Joe Mullendore and Uniform Popular Songwriters Contract with John Paul Music Corp. 1958
"How Wrong You Are" song music by Hylton Socher lyrics by Ronald Miller, Uniform Popular Songwriters Contract with John Paul Music Corp and correspondence including promotion with WAMO radio Pittsburgh, PA 1958
"If You're Asking Me" song music by Albert Glasser lyrics by Alan Bergman and Marilyn Keith, Uniform Popular Songwriters Contract
"If You're Asking Me" song music by Albert Glasser lyrics by Alan Bergman and Marilyn Keith, Uniform Popular Songwriters Contractwith John Paul Music Corp. 1957
"Lost Love" song music by Ernst Jacobi & Bill Marky words by Loren Gardner, agreement with John Paul Music Corp. 1959
"Now I Believe" song, music and words by Carl Ravosa, agreement with John Paul Music Corp. 1959
"Oh Daddy" music and words by Gary Jonke and Mike Metzger, agreement and Certificate of Registration of claim to Copyright 1958
"One Night in Acapulco" song words and music by Buddy Baker and Joe Mullendore, Uniform Popular Songwriters Contract 1958
"Simple Folk" song, music and words by Carmino Ravosa, agreement with John Paul Music Corp. 1958
"Stolen Fruit" song, music and words by Carmino Ravosa, agreement with John Paul Music Corp. 1958
"Talking Over You" song, music and words by Carmino Ravosa, agreement with John Paul Music corp and Certificate of Registration of a claim to Copyright 1958
"The Thought of Christmas" song, music by Carmino Ravosa lyric by Jon Shepodd, agreement with John Paul Music Corp. 1959
"This Town Isn't Big Enough for Both of Us" song, words and music by Joe Mullendore, Uniform Popular Songwriters Contract 1958 and correspondence 1958
"Tight, White Capris" song, music by Edward Ocnoff lyric by Lee Bishop & Edward Ocnoff, Uniform Popular Songwriters Contract 1959
"Wicked Woman" and "One Night in Acapulco" 1958, 1966
"Wicked Woman" song, music by Norman Dale and Joe Mullendore, Uniform Popular Songwriters Contract 1958, includes correspondence and cue sheets 1958
Agreement between Herschel Burke Gilbert and Martin J. Machat and Lamas Music, a Division of RKO 1957 February 28
Agreement between John Paul Music & Nazionalmusic Organizzazione Musicale re: royalties representation in Italy 1965
Agreement between Mirisch Bros. Productions, Inc. & United Artists Corporation 1957 July 19
Agreement between Mirisch Bros. International Productions, Inc. & United Artists Corporation 1957 July 19
American Federation of Musicians Phonograph Record Labor Agreement for HB Gilbert and DBAs 1984 August
Ashley Famous Agency Inc agreement with Herschel Burke Gilbert 1966 August 31
Assignments - Cues 1-90 from Dave Chudnow for Byron Music Company, Mutel
Bailout at 43,000, The Monster That Challenged the World, The Big Caper, The Vampire
Basic agreement for independent motion picture producers
BMI Publisher agreement with Gilbey Music Company 1963
Chartwell Artists - "Summer of '42" 1969-1970
Consortium Records, articles of incorporation of Consortium recordings
Correspondence and agreements with Bourne, Inc (Saul Bourne and then Bonnie Bourne)
Correspondence re: accounting (John McCutcheon), rights, Chappell, Martin Machat 1957-1967
Definition of Net Profits, Agreement for songs 1965
Executed agreements
Gilbey Music Company 1977-1978
Gilbey Music Company for various television films 1963
IMUA Music Company blank agreement, "Variety" newspaper clipping 1971, correspondence and blank sample of IMUA letterhead
License forms for use of music (and correspondence on Four Star letterhead)
Major motion picture contract, summary of revisions May 1955 1955 May
Marlen Music Company, motion picture agreements 1950-1953
Minimum prices for music composition per picture and/or per minute basis 1955 July
Motion Picture minimum wage chart - includes budget of picture, rate per minute, minutes of music up to and including 60
Mutel Corporation original contracts, original filing sheets & recoding code & list of cues
Mutel with John Paul Music and Herschel Burke Gilbert 1957-1961
Producer - Screen Actors Guild, Codified Basic Agreement of 1952 1952
Revised Uniform Popular Songwriters Contract 1947
Revised Uniform Popular Songwriters Contract Sept 15, 1957 between John Paul Music Corp & Edward Ocnoff 1947
RKO (1955) and Allied Artists Productions (1953) 1953, 1955
Sandre Films of Colorado 1949-1956
Screenplay contract "The Whistling Shadow", Mr. John Briard Harding 1955-1956
Settlement agreement with RKO-Lamas and related correspondence
Songs, Bill Mundy, Janice and Bill Mundy
Telemount Mutual - notation "Old" on HB Gilbert's file
Undated agreement between Unique Record Manufacturing Corp and Max Steiner 1957
William Morris Agency, composing contracts and related information 1952-1953
Woman With a Whip, music composed by Harry Sukman
Rights and Royalties Series 8.
Accounting from Chappell & Co. Ltd. 1966
ASCAP letter to John Paul Music re: termination of Chappell & Co
ASCAP Proposed Consent Order 1959
ASCAP royalty payment stubs, John Paul Music 1960s
ASCAP royalty payment stubs, HB Gilbert, 1960s
Chappell & Co. Ltd, correspondence re royalties & royalty statements 1960s
Chappell (later Warner Chappell) royalty statements for John Paul Music
Copyright registration certificate for the "Big Bankroll" 1962
Correspondence between Herschel Burke Gilbert and ASCAP re: rights, 1961 list of Picture Titles and Television Series
Correspondence between Herschel Burke Gilbert & Chappell & Co. Ltd.
Correspondence re: A Kiss But No Petting 1958
Correspondence re: Gigantis, The Fire Monster Cues 1964
Correspondence re: John Paul Music and Marlen Music (and Gordon Music) including Witness to Murder score 1969-1983
Correspondence with Mario Gili re Italy royalties etc 1960s
Correspondence, Edward Kassner Music re: Canadian royalties 1966
Correspondence, Edward Kassner re: England royalties 1966
Correspondence/agreement with Kassner re Italy royalties 1958-1966
Distribution Formula: Background Music 1967
General Music Corporation, correspondence, cue sheets, royalty statements 1966-1967
German distribution of fees 1967
Gilbert and John Paul Music Royalty Statements 1960-1995
HBG correspondence with United Artists Corp (& Mr. Sidney Shemel, attorney) re: rights to scores of Bailout at 43,000, The Big Caper, The Monster That Challenged the World, The Vampire
Information to Cecil F. Read re: Atkinson Case Superior Court, motion pictures from 1942 which have employed Herschel Burke Gilbert 1970 May 15
John Paul Music Corp Statement of Royalties blank form
Legal bills from Herbert S. Nusbaum for legal services re: There's a Girl in My Heart, The Bandit, and Barker's Luck
Letter from HB Gilbert to David Chudnow, Mutel Music Library regarding John Paul Music Corp music cues 1956 December 31
Letter from MGM re: California withholding 1999 May 31
Marlen Music Company statements for royalties 1957-1961
Memo from Harry Fox Agency to All Licensees 1984 April 28
Notes and hotel bill - Chappell Transatlantic, EMI, etc. 1973
Phonograph Record Manufacturers' Special Payments Fund, Music Performance Trust Funds and correspondence 1974-1992
Publisher Distributions 1961
Publisher Distributions 1960
Publisher Performance Records 1957-1960
Publishing Distribution memo 1957
Royalty earnings statement, John Paul Music Corp from Dot Records
Royalty statements (personal) including Famous Music Corp, ABC Records, United Artists, Dot, Decca, Coral Records 1950s-70s
Statement of remittance, royalty statement from Coral Records 1957 February
TV Performance Payment Schedule 1966
Typed and pencil list of Music Performed on TV, Gilbert & Mullendore
Value of Publisher Performance Points 1954-1957
Recording Logs and Catalogs Series 9.
Hand written notations of suggested order of a record album
Handwritten sheet, John Paul Song Catalog
John Paul Music "Eight Thousand" catalog
John Paul Music "Fourteen Thousand" Catalog
John Paul Music "One Hundred" Catalog
John Paul Music "RX" & "X" Bridges & Partials
John Paul Music Dance Music in 14 Thousand Catalog
John Paul Music Humorous-Comedy Catalog of the Fourteen Thousands
John Paul Music Timing Sheets
Mr. Gilbert's Catalogue - John Paul Music
Picture Titles and Television Series Titles Using Music Owned by John Paul Music Corp. 1961 December
Song submission sheets 1959
Television Film Titles containing music owned or controlled by John Paul Music (ASCAP), Gilbey Music (BMI)
Television Film Titles containing music owned or controlled by John Paul Music, Third Edition 1965 June 30
Television Picture Titles & Television Series Titles using music owned by John Paul Music 1958 October 1
Various Recordings 1966-1970
Performing Rights Societies Series 10.
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