box 68, folder 11
Providence (Rhode Island School of Design)
box 68, folder 12
Rembrandt (Vereeniging Rembrandt)
box 68, folder 12
Ruffino (Chianti Ruffino)
box 68, folder 14
Toledo Museum of Art (Otto Wittmann)
box 68, folder 14
Toronto. Royal Ontario Museum
box 68, folder 14
Treviso. (Luigi Menegazzi)
box 68, folder 15
Vieille (La Vieille Russie)
box 68, folder 15
Villegas y Urzaiz, Manuel de
box 68, folder 16
Wiluzanski, W. (Gallery "58")
box 68, folder 16
Wurfbain, H. W. J. Fockema
November 1963-December 1963
box 69, folder 1
Amsterdam. Rijksmuseum (J. W. Niemeijer)
box 69, folder 2
Bank voor Handel en Scheppvaart
box 69, folder 2
Berlin. Staatliche Museen. Kupferstichkabinett (Fedja Anzelewsky)
box 69, folder 2
Boston (Perry T. Rathbone)
box 69, folder 2
Braunschweig. Herzog-Anton-Ulrich-Museum
box 69, folder 2
Bruxelles. Musées des Beaux-Arts de Belgique
box 69, folder 4
Dresden. Staatliche Kunstsammlungen Dresden
box 69, folder 4
Düsseldorf. Kunstmuseum, Kupferstichkabinett (Eckhard Schaar)
box 69, folder 5
Firenze. Galleria Luigi Bellini
box 69, folder 5
Frankfurt am Main. Städtische Galerie Liebighaus
box 69, folder 6
Haagse Kunsthistorische Kring
box 69, folder 6
Haagse (Vereeniging van Haagse Museumvrienden)
box 69, folder 6
Hehewerth, Jacobus Hendrik
box 69, folder 6
Hoerschelmann, Alessandro von
box 69, folder 6
Hoorens van Heyningen, D. E.
box 69, folder 7
Kamer van Koophandel en Fabrieken voor 's-Gravenhage
box 69, folder 7
Kassel. Staatliche Kunstsammlungen
box 69, folder 7
Köln. Wallraf-Richartz Museum (Horst Vey)
box 69, folder 7
Kopenhagen. Statens Museum for Kunst
box 69, folder 8
Lempertz (Kunsthaus Lempertz)
box 69, folder 8
Meier-Siem, Martin und Jutta
box 69, folder 8
Milwaukee Art Center (Tracey Atkinson)
box 69, folder 9
New Haven. Yale University (E. Haverkamp Begemann)
box 69, folder 9
Northampton. Smith College Museum of Art
box 69, folder 9
Nürnberg. Germanisches Nationalmuseum
box 69, folder 10
Paris. Palais du Louvre (Hélène Adhemar)
box 69, folder 10
Phillips (Ewan Phillips (Fine Arts) Limited)
box 69, folder 10
Providence (Rhode Island School of Design)
box 69, folder 12
Thyssen-Bornemisza, H. H. Baron
box 69, folder 12
Twentsche [De Twentsche Bank]
box 69, folder 13
University Park. Pennsylvania State University, College of Arts and Architecture
box 69, folder 13
Vicentini Cortese, Concetta
box 69, folder 14
Wenz zu Niederlahnstein, Walter Baron von
box 69, folder 14
Wiluzanski, W. (Gallery "58")
box 69, folder 14
Wurfbain, H. W. J. Fockema
box 69, folder 15
Ziegenweidt, C. F. Th. Von
box 70, folder 1
Aachen. Museen der Stadt Aachen
box 70, folder 1
Amsterdam. Stedelijk Museum
box 70, folder 1
Augsburg. Städtische Kunstsammlungen (Bruno Bushart)
box 70, folder 2
Bank voor Handel en Scheepvaart
box 70, folder 2
Bellini, Giuseppe (Galleria Luigi Bellini)
box 70, folder 2
Berlin. Staatliche Museen (L. Reidemeister)
box 70, folder 2
Bonn. Rheinisches Landesmuseum
box 70, folder 2
Boston. Museum of Fine Arts (Hanns Swarzenski)
box 70, folder 2
Braunschweig. Herzog-Anton-Ulrich-Museum
box 70, folder 2
Bremen. Kunsthalle Bremen
box 70, folder 3
Caresana, Giorgio Allario
box 70, folder 4
Darmstadt. Hessisches Landesmuseum
box 70, folder 4
Den Haag. Dienst voor Schone Kunsten der Gemeente 's-Gravenhage (R. N. M. Deurvorst)
box 70, folder 4
Dortmund. Museum für Kunst und Kulturgeschichte
box 70, folder 4
Düsseldorf. Kunstmuseum der Stadt Düsseldorf (Werner Schmalenbach)
box 70, folder 6
Frankfurt am Main. Städelsches Kunstinstitut
box 70, folder 6
Frera, Peter ("La Scala" Galleria d'arte e antiquariato)
box 70, folder 7
Greenville. Bob Jones University
box 70, folder 8
Haagse Kunsthistorische Kring
box 70, folder 8
Hannover. Niedersächsische Landesgalerie
box 70, folder 8
Hartford. Wadsworth Atheneum
box 70, folder 8
Hehewerth, Jacobus Hendrik
box 70, folder 9
Jacksonville. Cummer Gallery of Art
box 70, folder 9
Karlsruhe. Staatliche Kunsthalle Karlsruhe
box 70, folder 9
Kassel. Staatliche Kunstsammlungen
box 70, folder 9
Katz (Galerie Katz, David Katz)
box 70, folder 9
Köln. Wallraf-Richartz Museum (Horst Vey)
box 70, folder 10
Lempertz (Kunsthaus Lempertz)
box 70, folder 10
Lewinski (Darmstadt, Germany)
box 70, folder 10
London. National Maritime Museum
box 70, folder 11
Müller (Charlotte Otto u. Gerhard Müller)
box 70, folder 11
München. Direktion der Bayerischen Staatsgemäldesammlungen)
box 70, folder 12
Nederlanden (Levensverzekering Maatschappij van de Nederlanden)
box 70, folder 12
Northhampton. Smith College
box 70, folder 12
Nürnberg. Germanisches Nationalmuseum
box 70, folder 13
Ottawa. The National Gallery of Canada
box 70, folder 13
Paris. Bibliothèque Nationale. Cabinet des Estampes
box 70, folder 13
Providence. Rhode Island School of Design
box 70, folder 14
Richmond. Virginia Museum of Fine Arts (Paul L. Grigaut)
box 70, folder 14
Rijksgebouwendienst ('s-Gravenhage)
box 70, folder 17
Stuttgart. Staatliche Kunstsammlungen Stuttgart (Bruno Bushart)
box 70, folder 17
Syndicat National des Antiquaires
box 70, folder 18
Thyssen-Bornemisza, H. H. Baron
box 70, folder 18
Toledo Museum of Art (Otto Wittmann)
box 70, folder 18
Toronto. The Royal Ontario Museum
box 70, folder 19
Utrecht. Centraal Museum der Gemente Utrecht
box 70, folder 19
Vereeniging van Handelaaren in Oude Kunst in Nederland
box 70, folder 19
Villages y Urzais, Manuel de
box 70, folder 20
Wenz zu Niederlahnstein, Walter Baron von
box 70, folder 20
Zürich. Schweizerisches Instituut für Kunstwissenschaft
box 71, folder 1
Annuaire International des Galeries d'Art
box 71, folder 1
Antwerpen. Kunsthistorische Musea
box 71, folder 2
Bellini, Giuseppe (Galleria Luigi Bellini)
box 71, folder 2
Berlin. Staatliche Museen (I. Kühnel-Kunze)
box 71, folder 2
Boerner (C. G. Boerner, Eduard Trautscholdt)
box 71, folder 2
Boston. Museum of Fine Arts (Hanns Swarzenski)
box 71, folder 2
Brod (Alfred Brod Gallery)
box 71, folder 4
Domela Niewenhuis, O. J. Tj. N.
box 71, folder 4
Dresden. Staatliche Kunstsammlungen Dresden
box 71, folder 6
Genova. Direzione Belle Arti del Comune di Genova
box 71, folder 7
Hague. Rijksgebouwendienst
box 71, folder 7
Hannover. Niedersächsische Landesgalerie
box 71, folder 7
Hartford. Wadsworth Atheneum
box 71, folder 7
Houston. Museum of Fine Arts (James Johnson Sweeney)
box 71, folder 7
Humphries (Lund Humphries)
box 71, folder 8
Jacksonville. Cummer Gallery of Art
box 71, folder 8
Kamer van Koophandel en Fabrieken voor 's-Gravenhage
box 71, folder 8
Kansas City. William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts (Ralph T. Coe)
box 71, folder 9
Kassel. Staatliche Kunstsammlungen
box 71, folder 9
Katz (Galerie Katz, David Katz)
box 71, folder 9
Köln. Wallraf-Richartz Museum (Horst Vey)
box 71, folder 9
Kopenhagen. The State Collection of Photographic Reproductions of Art
box 71, folder 10
Leningrad (Ermitage, Kuznetsov, J.)
box 71, folder 10
London. The National Gallery
box 71, folder 11
Northern (The Northern Gallery)
box 71, folder 12
Paris. Syndicat National des Antiquaires
box 71, folder 12
Providence. Rhode Island School of Design
box 71, folder 13
Raleigh. The North Carolina Museum of Art
box 71, folder 13
Richmond. Virginia Museum of Fine Arts (Paul L. Grigaut)
box 71, folder 13
Rome. P. Accademia dei Virtuosi al Pantheon
box 71, folder 13
Rotterdam. (B. L. D. Ihle)
box 71, folder 13
Roy (Roland Du Roy de Blicquy)
box 71, folder 14
Schaetzen de Schaetzenhoff, Baron de
box 71, folder 14
Stuker (Galerie Jürg Stuker)
box 71, folder 15
Thyssen-Bornemisza, H. H. Baron
box 71, folder 15
Toledo Museum of Art (Otto Wittmann)
box 71, folder 15
Utrecht. Aartsbisschoppelijk Museum
box 71, folder 16
Visart de Bocarmé, Fernand
box 71, folder 16
Washington, DC. National Gallery of Art
box 71, folder 16
Wernicke, Herbert J. (Herzog-Anton-Ulrich-Museum)
box 72, folder 1
Ann Arbor.Museum of Art of the University of Michigan
box 72, folder 2
Baltimore. The walters Art Gallery
box 72, folder 2
Bank voor Handel en Scheepvaart (Bakker)
box 72, folder 2
Bellini, Giuseppe (Galleria Luigi Bellini)
box 72, folder 2
Berlin. Das Kunstgewerbemuseum
box 72, folder 3
Boerner (C. G. Boerner, Eduard Trautscholdt)
box 72, folder 3
Brunswick. Bowdoin College Museum of Art
box 72, folder 3
Bresia. Municipio di Brescia, Direzione Musei e Pinacoteca
box 72, folder 3
Brouwers van Wylick, D. C. M.
box 72, folder 4
Cambridge. Fogg Art Museum
box 72, folder 5
Domela Niewenhuis, O. J. Tj. N.
box 72, folder 5
Dreesmann-van Rijckevorsel, Y.
box 72, folder 5
Düsseldorf. Kunstmuseum der Stadt Düsseldorf (Eckhard Schaar)
box 72, folder 6
Fischer (Galerie Fischer)
box 72, folder 7
Genova. Direzione Belle Arti del Comune di Genova
box 72, folder 7
Grazia, Edgardo (Soprintendenza ai Monumenti dell'Emilia)
box 72, folder 7
Greenville. Bob Jones University
box 72, folder 7
Guyot, R. (Rijksbureau voor Kunsthistorische Documentatie)
box 72, folder 8
Hartford. Wadsworth Atheneum
box 72, folder 9
Jacksonville. Cummer Gallery of Art
box 72, folder 9
Jerusalem. The Bezalel National Museum
box 72, folder 9
Kamphuisen-Jürgens, N. F. M.
box 72, folder 9
Kassel. Staatliche Kunstsammlungen
box 72, folder 9
Kopenhagen. The Royal Musuem of Fine Arts
box 72, folder 10
London. Victoria & Albert Museum
box 72, folder 10
Ministerie van Onderwijs, Kunsten en Wetenschappen
box 72, folder 11
Nantes. Musées Départementaux de Loire-Atlantique
box 72, folder 11
Nieuwe Rotterdamsche Courant
box 72, folder 11
Paris. Syndicat National des Antiquaires
box 72, folder 12
Pretoria. Nederlands Cultuurhistorisch Instituut aan de Universiteit van Pretoria (G. van Alphen)
box 72, folder 13
Rijksdienst voor de Monumentenzorg
box 72, folder 13
Rotterdam. Museum Boymans-van Beuningen
box 72, folder 13
Roy (Roland Du Roy de Blicquy)
box 72, folder 14
San Diego State College (Paul S. Anderson)
box 72, folder 14
Sparks (John Sparks Limited, Peter Vaughan)
box 72, folder 14
Stuttgart. Staatliche Kunstsammlungen Stuttgart
box 72, folder 15
Thyssen-Bornemisza, H. H. Baron
box 72, folder 15
Toledo Museum of Art (Otto Wittmann)
box 72, folder 16
Utrecht. Kunsthistorisch Instituut der Rijksuniversiteit
box 72, folder 16
Wihelm, Gustav (Fürst Liechtensteinische Gemäldegalerie)
box 72, folder 16
Villegas y Urzaiz, Manuel de
box 72, folder 17
Warszawa. Biblioteka Instytutu Sztuki Polskiej Akademii Nauk
box 72, folder 17
Washington, DC. The Library of Congress
box 72, folder 17
Wernicke, Herbert J. (Herzog-Anton-Ulrich-Museum)
box 72, folder 18
Williamstown. Sterling and Francine Clark Art Institute
box 72, folder 18
Wiluzanski, W. (Gallery "58")
box 72, folder 18
Zadoks-Josephus Jitta. A. N.
box 72, folder 18
Zentral-Antiquariat der Deutschen Demokratischen Republik
box 72, folder 18
Ziegenweidt, C. F. Th. Von
September 1964-October 1964
box 73, folder 1
Ann Arbor.Museum of Art of the University of Michigan
box 73, folder 1
Antwerpen. Museum Ridder Smidt van Gelder
box 73, folder 3
Berlin. Deutsches Archäologisches Institut
box 73, folder 3
Bernier, Georges (L'Oeil Galerie d'Art)
box 73, folder 3
Bodenheim-Rehrmann, A. F. M.
box 73, folder 3
Bolzano (Museo Civico di Bolzano)
box 73, folder 4
Brugge (Gemeentebestuur van Brugge)
box 73, folder 4
Brunswick. Bowdoin College Museum of Art
box 73, folder 4
Bruxelles. Centre National de Recherches Primitifs Flamans
box 73, folder 5
Callum (Mc Callum Charles Ray)
box 73, folder 5
Cambridge. Fogg Art Museum
box 73, folder 5
Caresana, Giorgio Allario
box 73, folder 5
Chateaubriand, Francesco de Assis, Senator
box 73, folder 5
Crawford and Balcarres, The Earl of (National Art Collection Fund Balcarres)
box 73, folder 6
Deurne (Antwerpen). Provinciaal Museum voor Kunstambachten
box 73, folder 6
Donnell (A. J. L. McDonnell)
box 73, folder 6
Draper, Robert (Mirell Gallery)
box 73, folder 6
Dussler, Luitpold (Kunstgeschichtliches Institut Technische Hochschule München)
box 73, folder 8
Figueiredo, Frederico Caroca de
box 73, folder 8
Fischer (Galerie Fischer)
box 73, folder 8
Firenze. Mostra Mercato Internazionale dell'Antiquariato
box 73, folder 8
Flotow, F. H. Freiherr von
box 73, folder 8
Fontaine Verwey, H. de la
box 73, folder 8
Foresti de la Foresta, Gianfranco Conte
box 73, folder 8
Frankfurt am Main. Städtische Galerie Liebighaus
box 73, folder 9
Genova. Direzione Belle Arti del Comune di Genova
box 73, folder 9
Geus van den Heuvel, B. de
box 73, folder 9
Gurlitt (Galerie Wolfgang Gurlitt)
box 73, folder 9
Guyot, R. (Rijksbureau voor Kunsthistorische Documentatie)
box 73, folder 10
Hartford. Wadsworth Atheneum (C. C. Cunningham)
box 73, folder 12
Heuschen (Galerie Heuschen)
box 73, folder 12
Houston. The Museum of Fine Arts
box 73, folder 13
Jacksonville. Cummer Gallery of Art
box 73, folder 13
Jerusalem. The Bezalel National Museum
box 73, folder 13
Jong Schouwenburg, J. W. de
box 73, folder 14
Kamerling-Ritsema van Eck, A. D. M.
box 73, folder 14
Kansas City. William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts (Ralph T. Coe)
box 73, folder 14
Kassel. Staatliche Kunstsammlungen
box 73, folder 14
Kerchove de Denterghem, Charles O. F.
box 73, folder 14
Kingston. University of Rhode Island
box 73, folder 14
Köln. Wallraf-Richartz Museum (O. Metzger)
box 73, folder 14
Krakow. Akademia Sztuk Pięknych (Julia Strachowa)
box 73, folder 15
Limburg Stirum, Philippe de
box 73, folder 15
Lisboa. Museu-Escola de Artes Decorativas
box 73, folder 16
Medeiros e Almeida, A. de
box 73, folder 16
Menegazzi, Luigi (Comune di Treviso)
box 73, folder 16
Mexico. Universidad Iberoamericana (Felipe Pardinas)
box 73, folder 17
Neubauer (Firma F. A. Neubauer)
box 73, folder 17
New York. The Huntington Hartford Collection
box 73, folder 17
Nienhuys-Versteegh, A. M.
box 73, folder 17
Nispen tot Sevenaer, C. C. C. M. van
box 73, folder 17
Northampton. Smith College Museum of Art
box 73, folder 18
Ottawa. The National Gallery of Canada
box 73, folder 18
Otten-Philips, Ir. P. F. S.
box 73, folder 19
Palo SAlt0. Stanford University (Dwight C. Miller)
box 73, folder 19
Poughkeepsie. Vassar College (Thomas J. McCormick)
box 73, folder 20
Raleigh. The North Carolina Museum of Art
box 73, folder 20
Rijksdienst voor de Monumentenzorg
box 73, folder 21
San Diego State College (Paul S. Anderson)
box 73, folder 22
Stuttgart. Staatliche Kunstsammlungen Stuttgart
box 73, folder 23
Thyssen-Bornemisza, H. H. Baron
box 73, folder 23
Toledo Museum of Art (Otto Wittmann)
box 73, folder 23
Truesdell, C. (The Johns Hopkins University)
box 73, folder 24
Utrecht. Centraal Museum der Gemente Utrecht
box 73, folder 24
Wernicke, Herbert J. (Herzog-Anton-Ulrich-Museum)
November 1964-December 1964
box 74, folder 1
Berlin. Staatliche Museen. Gemäldegalerie
box 74, folder 2
Bernier, Georges (L'Oeil Galerie d'Art)
box 74, folder 3
Chicago. (E. A. Evans, Jr.)
box 74, folder 3
Den Haag. Rijksdienst voor Kunsthistorische Documentatie
box 74, folder 4
Fischer (Galerie Fischer)
box 74, folder 4
Frankfurt am Main. Städelsches Kunstinstitut
box 74, folder 5
Garner (Mrs. Freetwood Garner)
box 74, folder 5
Gurlitt (Galerie Wolfgang Gurlitt)
box 74, folder 6
Hamburg. Museum für Kunst und Gewerbe Hamburg
box 74, folder 6
Hartford. Wadsworth Atheneum
box 74, folder 6
Houston. Museum of Fine Arts (James Johnson Sweeney)
box 74, folder 8
Limburg Stirum, Philippe de
box 74, folder 8
Lodi (Brienner Galerie Lodi)
box 74, folder 8
Lunsingh Scheurleer, Th. H.
box 74, folder 9
Medeiros e Almeida, A. de
box 74, folder 9
Müller Hofstede, Cornelius
box 74, folder 10
Northampton. Smith College Museum of Art (Leonard Baskin)
box 74, folder 10
Norte Dame. University of Notre Dame, Art Gallery
box 74, folder 10
Ommeren (PHs. Van Ommeren NV)
box 74, folder 11
Paolo-Alto. Stanford University (Dwight C. Miller)
box 74, folder 11
Possollo, Guilherme (Fundaçao Ricardo do Espírito Santo Silva)
box 74, folder 11
Poughkeepsie. Vassar College (Thomas J. McCormick)
box 74, folder 11
Pradelli, Francesco Molinari
box 74, folder 11
Preuschen, Gebhard Frhr. Von
box 74, folder 12
Raleigh. The North Carolina Museum of Art
box 74, folder 12
Reznicek, Emil Karel Josef
box 74, folder 12
Rockefeleller, Governor Nelson A. Esq.
box 74, folder 13
Sabin, W. (W. Sabin & Sons)
box 74, folder 13
San Francisco. M. H. de Young Memorial Museum
box 74, folder 13
Schiffer-Regattieri, Emmi
box 74, folder 14
Smits van Oyen, M. L. J. C. V.
box 74, folder 14
Speyart van Woerden, E. L. M. H. de
box 74, folder 15
Sthyr, Jørgen (NY Carlsbergfondets Direktion)
box 74, folder 15
Stuttgart. Staatsgalerie Stuttgart
box 74, folder 15
Swetzoff (The Swetzoff Gallery )
box 74, folder 16
Thyssen-Bornemisza, H. H. Baron
box 74, folder 16
Toledo Museum of Art (Otto Wittmann)
box 74, folder 17
Utrecht. Centraal Museum der Gemente Utrecht
box 74, folder 17
Viñolas, Manuel Augusto Garcia
box 74, folder 17
Visart de Bocarmé, Fernand
box 74, folder 17
Voorst Vader, P. J. A. van
box 74, folder 18
Wijnbergen, T. A. M. Baron van
box 74, folder 18
Witt Hamer-Honig, J. C. de
box 75, folder 16
San Francisco - Schreiner
box 76, folder 2
Bier -
Burlington Magazin
September 1965-October 1965
box 78, folder 10
International - Kunsthaus
November 1965-December 1965
box 79, folder 3
Berckel -
Burlington Magazin
box 79, folder 15
Onderdenwijngaard - Puyvelde
January 1966-February 1966
box 80, folder 2
Bachmann -
Burlington Magazine
box 80, folder 9
Lagerberg - Müller-Hofstede
box 82, folder 11
Meier-Siem - Müller-Hofstede
November 1966-December 1966
box 84, folder 4
Böhler -
Burlington Magazin
box 84, folder 10
Gabrilovitsch - Gudlaugsson
January 1967-February 1967
box 88, folder 6
Madison - Müller-Hofstede
October 1967-December 1967
box 91, folder 3
Blaisse -
Burlington Magazine
September 1968-October 1968
November 1968-December 1968
January 1969-February 1969
box 95, folder 3
Canadian Collector - Crowther
box 95, folder 5
Eccentric Club - Friedländer
box 95, folder 6
Gemeenschappelijk - Groth
Internationales - Kulturheft
Scope and Contents
Correspondence with L. Korsten includes a color photograph.
box 97, folder 6
Televisiestichting - Tyler
A'dam - Buisson
Scope and Contents
Correspondence with D. Bentley includes a color photograph.
box 98, folder 12
Sanders - Strengholt (Bakker)
box 98, folder 14
Utrecht - Worcester
Scope and Contents
Correspondence with Hans Wieschendorf includes two photographs.
September 1969-October 1969
box 98, folder 17
Blom -
Burlington Magazine
November 1969-December 1969
box 100, folder 2
Bachmann -
Burlington Magazine
Sandick - Stokvis
Scope and Contents
Correspondence with A. Stokvis includes two color photographs.
Series I.E.
1970-1979
Physical Description: 31.28 Linear Feet(75 boxes)
Scope and Content Note
During the 1970s, the most extensive correspondence is with the German art collector Heinrich Becker, especially in 1973 and
1974. After Becker's death in 1975, the correspondence continues occasionally with Ricarda Becker. In the late 1970s, the
gallery's exchange with Hans Joachim Saemann concerns the Becker collection. The Becker collection is also discussed within
the correspondence with the Dutch art collector and banker F. van Lanschot and with the German bank Deutsche Bank (filed under
D).
Extensive correspondence continuous with the Dutch businessman, politician, and art collector Sidney J. van den Bergh; the
Brod Gallery in London; the American art collector in Los Angeles, Edward William Carter (occasionally filed under Los Angeles);
the Dutch art collector E. ten Cate; the German art collector in Bad Godesberg, Diethelm Doll; the Dutch art collector in
Haarlem, K.W. Gratama; the Dutch art collector in The Hague, F. van Lanschot; the Americam art collector in New York, John
Lowenthal (also filed under New York); the Dutch art dealer in The Hague, S. Nystad; the art collector Herbert Schaefer; the
Spanish art collector Joachín Serra Belda; the German art collector in Düsseldorf, Hans-Günther Sohl; the German art collector
Karl-Heinz Sonne; the Swiss art collectors Edward and Hugo Stokvis, and also in Switzerland, Baron H.H. Thyssen-Bornemisza.
The gallery's clients during the 1970s are predominantly private art collectors, established clients from the 1950s and 1960s
as well as numerous new clients. Among the art collectors with whom the gallery continues to correspond are C.J.K. van Aalst;
Chris van Eeghen; Agnes Farner-Hasler in Zurich; Herbert Girardet; P.W. Kamphuisen; J.C. Koning; J. William Middendorf II
(filed under Middendorf, New York, or American Embassy); Michael Reusch in Oslo, Norway (also filed under the firm Lars Espeland);
Vieten; Manuel de Villegas y Urzáiz in Bad Godesberg and Madrid; and Albert Weidenbusch in Solingen.
Among the gallery's many new clients are the art collectors Th. Bakker in The Hague (very extensive and continuous); Hans-Ulrich
Beck in Augsburg; David Feldman from Arlington, Virginia (an intermediary for a private estate in Los Angeles); Hans-Georg
Gallenkamp in Germany; Erich Grabher in Austria; Horst Gregor in Germany; C.E. Grol in the Netherlands; J.E. Hueting in Belgium;
P. Kasteel-Balthussen in Rome, Italy; Jörg Kastl in Belgium; E.A. Klatte in Switzerland; H. Kohn in France (extensive); J.
Kuyper in The Netherlands; Ernst M.M. Lemberger in Amsterdam; Heinrich Lindenberg in Switzerland; J.A. Freiherr von Lucius
in Germany; Frits Markus in New York; Gerhard Miele in Germany; N.G. Nightinggale in England; the German entrepreneur Rudolf
August Oetker in Germany (since 1975); Helmuth Pickhardt in Germany; Theo Regout in Lausanne, Switzerland (extensive); Werner
Sagebiel in Germany; W. von Scheibler in the Netherlands; Carl Schünemann in Germany; Bernard C. Solomon, president of The
Everest Record Group in Los Angeles; and Gerhard Zeiser in Vaduz, Liechtenstein.
Among the art dealers, the gallery continues to correspond with the Abels Gemälde-Galerie in Cologne; Manfred Bader in Milwaukee,
Wisconsin; C.G. Boerner Kunstantiquariat in Düsseldorf; Julius Böhler in Munich (especially in 1974); Galerie Wilhelm Grosshennig
in Düsseldorf; the Art Gallery of Hamilton in Canada (filed under Hamilton); David Katz in Basel; Elisabeth Baronin von Klopmann
in Berlin; Galerie Müllenmeister in Solingen; and Curt Reinheldt in Berlin. New business contacts begin with The Currier Gallery
of Art in Manchaster, N.H. (also filed under Manchester); Gudrun Kirchwehm, Galerie "g" in Berlin; Silvano Lodi in Munich;
H. Schlichte Berge in Amsterdam; Helmut Seling in Munich; H. Shickman in London and New York; Eugene V. Thaw in New York;
among numerous others.
The gallery also continues to correspond with the following art museums and other cultural institutions: the Michigan Museum
of Art (filed under Ann Arbor); the Bayerische Staatsbibliothek (filed under München); the Staatliche Museen zu Berlin (filed
under Berlin); the Art Institute of Chicago (correspondence with C.C. Cunningham, filed under Chicago); the Sterling and Francine
Clark Art Institute (correspondence with C.C. Cunningham, filed under Williamstown); the Cleveland Museum of Art (filed under
Cleveland); the Kimbell Art Foundation (filed under Forth Worth); the William Rockhill Nelson Gallery of Art, Atkins Museum
of Fine Arts (filed under Kansas City, Missouri); the Norton Simon Museum of Art (mostly correspondence with Barbara Roberts
at the Norton Simon Foundation in Fullerton; in the early 1970s filed under Fullerton, then under Los Angeles, or Pasadena;
also filed under the curator Darryl E. Isley, and Jennifer Jones Simon); the Allen Memorial Art Museum, Oberlin College (filed
under Oberlin); the Seattle Art Museum (filed under Seattle); the National Museum of Western Art (filed under Tokyo); the
Toledo Museum of Art, Toledo, Ohio (filed under Toledo, correspondence mainly with Otto Wittmann); the Art Gallery of Ontario
(filed under Toronto); and the National Gallery of Art (filed under Washington DC, correspondence with Charles P. Parkhurst,
Arthur K. Wheelock, and Sheldon Grossman).
Among new museums corresponding with the gallery since the 1970s are the Rijksmuseum Twenthe in Enschede (filed under Enschede);
the Museo de Arte de Ponce in San Juan, Puerto Rico (filed under San Juan, correspondence with Luis A. Ferré); the J. Paul
Getty Museum (filed under Malibu, correspondence with Burton B. Fredericksen); the Metropolitan Museum of Art in New York;
and the Muzeum Narodowe we Wroclawiu (filed under Wroclaw).
Extensive correspondence continues with the auction house Sotheby & Co. in London and New York. Business dealings begin with
the auction house Kunsthaus Lemperts in Cologne.
There is also occasional correspondence with art historians, including Julius Held (in 1970, 1979); Antonio Morassi (in 1970);
Wolfgang J. Müller in Kiel (early 1970s); Marcel Roethlisberger; Harold E. Wheethey in Ann Arbor, Michigan; and Rudolf Wittkower
at the National Gallery of Art in Wahington DC.
The gallery also continues to correspond with Ben Snyder III (B.M. Snijder III) at the Cranbrook School, in Bloomfield, Michigan
(filed under Snyder).
Arrangement
Arranged chronologically by year and within each year by every two months, and within each two month period alphabetically
by name of correspondent.
January 1970-February 1970
box 101, folder 9
Elseviers Magazine - Fullerton
Scope and Contents
The correspondence with R.G. Ferguson includes a photograph.
box 101, folder 14
Nat. Bureau Tourisme - Rotterdam
box 102, folder 2
Bakker -
Burlington Magazine
box 102, folder 7
Jansen -
Kunst und das schöne Heim
box 102, folder 11
Otterlo - Rotterdam (Wubben)
box 102, folder 22
Interkunst -
Kunst und das schöne Heim
box 103, folder 6
Telefoondistrict - Weidenbusch
box 103, folder 7
Weltkunst - Zürich-Kloten
box 104, folder 7
Kaars -
Kunst und das schöne Heim
September 1970-October 1970
November 1970-December 1970
box 106, folder 20
Weidenbush - Zweites Deutsches Fernsehen
box 107, box 108, box 109, box 110, box 111, box 112, box 113, box 114
box 115, box 116, box 117, box 118, box 119, box 120, box 121, box 122
box 123, box 124, box 125, box 126, box 127, box 128, box 129, box 130
box 131, box 132, box 133, box 134, box 135, box 136, box 137, box 138
box 139, box 140, box 141, box 142, box 143, box 144, box 145
box 146, box 147, box 148, box 149, box 150, box 151, box 152
box 931, folder 6
Color photographs from Staatliche Kunstsammlungen Dresden
box 153, box 154, box 155, box 156, box 157, box 158, box 159, box 160
box 931, folder 7
Color photographs from Alte Kurpfalz
box 931, folder 8
Color photograph from Erika Roje
box 161, box 162, box 163, box 164, box 165, box 166, box 167
box 168, box 169, box 170, box 171, box 172, box 173, box 174, box 175
box 931, folder 9
Color photograph from R. van der Bilt
Scope and Contents
Pulled from box 185, folder 3.
Series I.F.
1980-1989
Physical Description: 40.45 Linear Feet(97 boxes)
Scope and Content Note
During the 1980s, private art collectors are the core of the clientele. Most of Hans Max Cramer's correspondents are private
art collectors in Europe and United States, including many with whom a business relationship had already been established
in the 1960s and 1970s. His correspondence with other art dealers seems decreased. Instead, Cramer corresponds more frequently
with international auction houses such as Sotheby's, Christie's or the Kunsthaus Lempertz in Cologne, Germany.
Correspondence continues with the Dutch art collectors Th. Bakker, Chris van Eeghen, E. ten Cate; K. W. D. Gratama, Hans
Hagemann, and J. L. W. Sillevis Smitt. The 1988 correspondence with the Dutch industrialist and art collector Hans Hagemann
includes a substantial exchange with John Walsh at the J. Paul Getty Museum in Malibu, California. The Hagemann correspondence
is filed under Hagemann as well as under Malibu.
Among the German art collectors are Diethelm Doll in Bad Godesberg, the enterpreneur Rudolf August Oetker, Herbert Schaefer,
the merchant and publisher in Bremen Carl Schünemann Jr., Hans-Günther Soll in Düsseldorf-Gerresheim, and Albert Weidenbusch
in Solingen.
Correspondence also continues with the Swiss art collector Baron Hans Heinrich Thyssen-Bornemisza in Castagnola, Switzerland;
and with the Spanish art collector Manuel de Villegas y Urzáiz in Bad Godesberg, Germany and in Madrid, Spain.
Among the art collectors in the United States Cramer continues to correspond with Edward William Carter in Los Angeles (occasionally
filed under Los Angeles) and John Lowenthal in New York. New is his correspondence with the Barbara Piasecka-Johnson Collection
in Princeton, New Jersey (filed under Johnson); Frits Markus in New York; Baronne Gabriella Bentinck in Paris, France; and
the architect and art collector Tino Walz in Munich.
During the 1980s Cramer also continues to correspond with and sell artworks to several museums in Europe and United States
with whom he already established a business relationship during the 1960s and the 1970s; but the most frequent correspondence
is with J. Paul Getty Museum in Malibu, California; Norton Simon Museum of Art in Pasadena, California; Metropolitan Museum
of Art in New York; Toledo Museum of Art in Toledo, Ohio; and Staatsgalerie Stuttgart in Stuttgart, Germany. New is the correspondence
with the Art Gallery of Windsor in Windsor, Ontario, Canada (filed under Windsor).
Among the art dealers the correspondence continues especially with S. Nystad in The Hague. New is the correspondence with
the Kunsthaus Bühler in Stuttgart (filed under Kurt and Gabriele Zimmermann); and Maria-Christina zu Sayn-Wittgenstein at
Sayn-Wittgenstein Fine Art Inc. in New York.
Correspondence also continues with Ben and Margot Snyder at the Cranbrook School in Bloomfield, Michigan; and with the Rembrandt
scholar Werner Sumowski. New is the correspondence with the art historian and director of Staatliche Kunsthalle Karlsruhe
Horst Vey; and with Cramer's lawyer Egon Trockel in Essen.
Besides letters, the 1980s correspondence increasingly includes short handwritten notes stating the name of the client who
called or visited the gallery, usually with date and time, and a short summary about the nature of the inquiry.
The correspondence from 1983, 1984, 1985 and 1986 includes letters sent and notes concerning organizing the exhibition
Holland in Engadin, which was curated by Hans M. Cramer and John Hoogsteder and held at the museum Chesa Planta [Plantahaus] in Zuoz, Switzerland.
The letters are filed in folders labelled Zuoz exhibition.
Arrangement
Arranged chronologically by year and within each year by month and within each month alphabetically by name of correspondent.
Occasionally, notes, letters and printed matter, such as press clippings, are kept in the first or the last folder of a monthly
sequence.
Museums and other institutions are filed under the name of the city, in which they are located. Museums and other institutions
in Austria are filed under the letter O for Österreich. Museums and other institutions in The Hague are filed under D for
Den Haag oder under H for Haag. Art galleries are filed under the name of the gallery.
box 176, box 177, box 178, box 179, box 180, box 181, box 182, box 183, box 184
box 931, folder 10
Color Polaroids from Veronica Freifrau von Hammerstein
Scope and Contents
Pulled from box 179, folder 9.
1981
Scope and Contents
Included is a list of phone calls from January 1981 (box 185, folder 1).
box 185, box 186, box 187, box 188, box 189, box 190, box 191, box 192
box 931, folder 11
Color photograph from Langlois-Kennedy
Scope and Contents
Pulled from box 185, folder 11.
box 931, folder 12
Color Polaroid from F.W. Rutten
Scope and Contents
Pulled from box 187, folder 18.
1982
Scope and Contents
Correspondence from December 1982 includes some correspondence from January 1983.
box 194, box 195, box 196, box 197, box 198, box 199, box 200, box 201, box 202
box 931, folder 13
Color photographs from J. Wissink
box 931, folder 14
Color photograph from Horst Vey
Scope and Contents
Pulled from box 197, folder 12.
1983
Scope and Contents
Letters sent and notes concerning the exhibition
Holland in Engadin are filed in box 210, folder 21.
box 203, box 204, box 205, box 206, box 207, box 208, box 209, box 210
box 931, folder 15
Color photograph from Oskar Volkmann
Scope and Contents
Pulled from box 209, folder 19.
1984
Scope and Contents
Letters sent and notes concerning the exhibition
Holland in Engadin are filed in box 211, folders 23-25.
box 211, box 212, box 213, box 214, box 215, box 216, box 217, box 218, box 219, box 220
box 931, folder 16
Color photograph from Alwin Kaufmann
Scope and Contents
Pulled from box 215, folder 11.
box 931, folder 17
Color photograph sent to Myron Laskin at the J. Paul Getty Museum
Scope and Contents
Pulled from box 217, folder 12.
box 931, folder 18
Color photographs and color slides from Charles E. March
Scope and Contents
Pulled from box 219, folder 11.
box 221, box 222, box 223, box 224, box 225, box 226, box 227, box 228, box 229, box 230, box 231, box 232, box 233
1985
Scope and Contents
Letters sent and notes concerning the exhibition
Holland in Engadin are filed in box 233.
1986
Scope and Contents
Letters sent and notes concerning the exhibition
Holland in Engadin are filed in box 234.
box 234, box 235, box 236, box 237, box 238, box 239, box 240, box 241, box 242, box 243
box 931, folder 19
Color photograph from Frederic de Hoffmann at the Salk Institute
Scope and Contents
Pulled from box 238, folder 7.
box 244, box 245, box 246, box 247, box 248, box 249, box 250, box 251, box 252
box 931, folder 20
Color transparencies from Geneviève Rits
Scope and Contents
Pulled from box 246, folder 15.
box 931, folder 21
Color polaroids from Galerie Hoogsteder
Scope and Contents
Twelve color polaroids. Pulled from box 250, folder 9.
box 253, box 254, box 255, box 256, box 257, box 258, box 259, box 260, box 261
box 931, folder 22
Color photograph and greeting card from Antiquitat zum Kaiser
Scope and Contents
Pulled from box 261, folder 4.
box 262, box 263, box 264, box 265, box 266, box 267, box 268, box 269, box 270, box 271, box 272
box 931, folder 23
Letter and color photograph from Pardede-van Boetzelaer
Scope and Contents
Pulled from box 262, folder 13.
Series I.G.
1990-1998
Physical Description: 29.61 Linear Feet(71 boxes)
Scope and Content Note
During the 1990s, private art collectors continue to be the core of the clientele, including numerous new clients from Europe
and the United States. Especially frequent and extensive is the correspondence with the Dutch art collectors Theo Bakker,
Jacobus Hendrikus Bakker, Chris van Eeghen, K. W. D. Gratama, and Hans Hagemann; the German art collectors Diethelm Doll,
Rudolf August Oetker, and Albert Weidenbush; the Swiss art collector Baron H. H. Thyssen-Bornemisza; and the art collectors
in Spain Herbert Schaefer and Manuel de Villegas y Urzáiz. Among the art collectors from United States the most frequent and
extensive is the correspondence with Alfred Bader in Milwaukee, Wisconsin.
Among the numerous new clients are the art collectors Peter and Hilde Alexander in Vienna and Willem Arntz in Wassenaar in
the Netherlands. There is also a frequent exchange with the legal firm Russel Advocaten in The Hague. In 1998 Hans Max Cramer
writes to the Chairman of Microsoft Corporation, William H. Gates. The letters concern the sale of a private residence and
art collection in Switzerland.
Cramer also maintains contacts with other art dealers, especially with the Old Master dealer John Hoogsteder (Galerie Hoogsteder)
in The Hague and the art gallery Kunsthaus Bühler in Stuttgart (filed under Kurt and Gabriele Zimmermann). Generally, in comparison
with the previous decades, his business contacts with other art dealers seem decreased. Instead, Cramer corresponds with auction
houses, predominantly with the Kunsthaus Lempertz in Cologne, Germany.
Several American art museums continue to be clients of the Oude Kunst gallery; among others the J. Paul Getty Museum in Malibu,
California (correspondence with John Walsh); the Minneapolis Institute of Arts; the National Gallery of Art in Washington
DC.; and the Norton Simon Museum of Art in Pasadena, California. In Europe, the most frequent correspondence is with Horst
Vey, art historian and director of Staatliche Kunsthalle Karlsruhe.
Besides letters, the 1990s correspondence also includes a large number of short handwritten notes stating the name of the
client who called or visited the gallery, usually with date and time, and a short summary about the nature of the inquiry.
box 273, box 274, box 275, box 276, box 277, box 278, box 279, box 280, box 281, box 282, box 283, box 284
box 285, box 286, box 287, box 288, box 289, box 290, box 291, box 292, box 293, box 294
1991
Scope and Contents
Correspondence from June 1991 (box 290) also includes accounts for the same time period.
1992
Scope and Contents
Box 307 contains correspondence and printed matter concerning proposed EU regulations for the art trade.
box 295, box 296, box 297, box 298, box 299, box 300, box 301, box 302, box 303, box 304, box 305, box 306, box 307
Correspondence
Scope and Contents
Correspondence from July 1992 (box 301) includes C.I.N.O.A. material.
box 931, folder 24
Color Polaroids from Walter Irell
box 308, box 309, box 310, box 311, box 312, box 313, box 314, box 315, box 316, box 317, box 318
box 853, box 854, box 855, box 856, box 857, box 858, box 859, box 860, box 861
box 931, folder 25
Color slides from Greta Alsberg
Scope and Contents
Pulled from box 857, folder 1.
box 873, box 874, box 875, box 876, box 877, box 878, box 879, box 880
1995
Scope and Contents
Letters and documents from 1995 concerning Banque Finindus and the Robeco Groep, and a list of clients, are filed in Box 874.
box 891, box 892, box 893, box 894, box 895
box 903, box 904, box 905, box 906, box 907, box 908, box 909, box 910
box 922, box 923, box 924, box 925
box 931, folder 26
Color photographs from W. F. Dutilh
Scope and Contents
Pulled from box 922, folder 6.
Indexes to correspondence, Series I.H.
1962-1996
Physical Description: 0.83 Linear Feet(2 boxes)
Scope and Contents note
Included are indexes to correspondence for the years 1962 to 1996.
Arrangement
Arranged chronologically by year.
Financial records, Series II.
1920-1998
Physical Description: 206.75 Linear Feet(497 boxes)
Arrangement
Arranged in six subseries by document type and chronologically by year within each subseries.
Scope and Content Note
This series is comprised of account files, bank statements, tax documents, the gallery's expense reports, records of commissions,
and records of insurance payments for the shipment of artworks.
Various financial documents are also filed with Series V.B. Documents.
Account files, Series II.A.
1933-1998
Physical Description: 143.45 Linear Feet(344 boxes)
Language of Material: English.
Scope and Content Note
The account files include predominantly billing statements, receipts, business letters, and printed matter related to the
gallery's daily expenditures, advertising in magazines, and housekeeping. Also included are Hans Max Cramer's business travel
expenses. Occasionally interfiled are financial documents regarding shipment and insurance of artworks.
Receipts and bills for artworks sold by the gallery are only occassionally present in this subseries. They can rather be found
filed together with letters in Series I. Correspondence and with in Series V. Miscellaneous papers. The Subseries V.B.Documents
includes a substantial amount of invoices and commission agreements from the years 1929 to 1944, 1961 to 1965, 1969 to 1976,
and 1994. Present in this group are several wartime invoices for artworks sold to Adolf Hitler's art museum in Linz. Also
part of Series V.B. are Hans Max Cramer's commission agreements with various clients, including the art collector Heinrich
Becker and the Estate of Ernst Proehl.
Arrangement
Arranged chronologically by year and within each year by month and within each month alphabetically by name of person, organization,
or company.
box 353, box 354, box 355
box 356, box 357, box 358, box 359
box 360, box 361, box 362
box 363, box 364, box 365
box 366, box 367, box 368, box 369
box 370, box 371, box 372, box 373
box 374, box 375, box 376, box 377
box 378, box 379, box 380, box 381
box 382, box 383, box 384, box 385, box 386
box 387, box 388, box 389, box 390, box 391, box 392
box 393, box 394, box 395, box 396, box 397, box 398
box 399, box 400, box 401, box 402, box 403
box 404, box 405, box 406, box 407, box 408
Bank statements, Series II.B.
1933-1998
Physical Description: 53.79 Linear Feet(129 boxes)
Scope and Content Note
This subseries icludes bank statements, cheque stubs, and other bank documents of the gallery's business accounts as well
as of the Cramer family's personal accounts. Most statements are from the Algemene Bank Nederland, the Bank voor Handel en
Scheepvaart, the Rotterdamsche Bank, and the Postcheque- en Girodienst; but statements from several other mostly Dutch banks
are also present.
Arrangement
Where several years are covered by consecutive boxes, the statements in those boxes are arranged chronologically by year,
and then alphabetically by the name of the bank. Statements for personal accounts, when identifiable as such, are placed after
that year's statements for business accounts, in a separate sequence arranged in the same order.
box 647
1938-1940
Scope and Contents
Postcheque-en Girodienst statements.
Taxes Series II.C.
1920s-1995
Physical Description: 4.59 Linear Feet12 boxes
Arrangement
Arranged chronologically by date.
Scope and Contents
Included are predominantly income tax documents for the gallery as well as individual income tax documents for Gustav Cramer
and Hans Max Cramer. Some salary, wages, and sales tax documents are also present. Only a few reports of tax payments for
artwork sold to clients were found in the archive. They are dated from 1968 to 1987 and are filed in box 776, folder 10.
A fews tax documents are also filed with Series V.B., such as Gustav Cramer's sales taxes for the years 1933 to 1936 (box
328, folder 6), documents regarding 1951 taxation (box 330, folder 3), and other taxation related documents for the years
1959 to 1963 (box 330, folders 9-18).
Expense reports, Series II.D.
1942-1993
Physical Description: 1.46 Linear Feet(5 boxes)
Scope and Content Note
This subseries consists of reports of the gallery's annual expenses prepared by the accounting firms Haket Ammerlaan & Partners,
Haket den Haag, Kooijman & Co., Nassette & Klomp, Van Dien + Co., Nedac-Den Haag, Obers & Co., and Vereeniging van Handelaren
in Oude Kunst in Nederland, and other accounting firms.
Arrangement
Arranged chronologically by year.
Commission books, Series II.E.
1964-1992
Physical Description: 1.46 Linear Feet(4 boxes)
Scope and Content Note
This subseries consists of commission books, in which artworks are recorded chronologically by year and within each year alphabetilacally
by name of the individual client or museum. Sometimes included are indexes of names of artists whose artwork was sold, along
with prices and references to the commission number and the number of the artwork in the gallery's sales catalog. Several
commission books record the artworks by the artist's name, with notes regarding the history of the sale, the name of the buyer,
and prices. The commission books for 1980 to 1992 include correspondence with clients, pasted in or inserted.
Arrangement
Arranged chronologically by year. The years overlap in most volumes.
Insurance records, Series II.F.
1936-1988
Physical Description: 2.00 Linear Feet(3 boxes)
Scope and Content Note
This subseries includes registers of certified letters sent to clients and registers of insurance payments made to various
firms for shipment of artworks, predominantly to the firm Blom & Van der Aa. Also included are insurance policy documents
from various agencies.
Arrangement
Arranged into two groups: registers and policy documents. The registers are arranged chronologically by year. The policy
documents are arranged alphabetically by the name of the insurance agency.
Photographs Series III.
1910-1997, undated
Physical Description: 18.23 Linear Feet(33 boxes, 3 enclosures)
Arrangement
This series is divided into two subseries. Series III.A. includes photograhic documentation arranged by artist's name. Series
III.B. includes photographic documentation of artworks arranged by technique or category of art such as paintings, prints,
bronzes, and decorative art. Included with this subseries are paintings handled by the gallery for the purpose for expertising,
photographs from the collection of Sydney van den Bergh, separation proofs for publications, ex-rays, and various printed
matter regarding artworks.
Scope and Content Note
This subseries contains only a portion of the photographic documentation of the artwork handled by the gallery. The gallery's
photographic archive is housed at the RKD-Nederlands Instituut voor Kunstgeschiedenis in The Hague. Most photographs are black
and white, but numerous color photographs, color transparencies, and some black-and-white negatives are also present. Occasionally
included are certificates of authenticity, letters, printed matter, or a press clipping.
Also present are photographs of artworks handled by the gallery for the purpose of expertising and photographs of paintings
from the collection of Sidney van den Bergh.
Paintings by artist Series III.A.
1910-1997, undated
Physical Description: 11.68 Linear Feet(28 boxes)
Language of Material: English.
Arrangement
This subseries retains the original arrangement and is devided into two groups. Each group is arranged alphabetically by the
name of the artist.
Scope and Contents
This subseries comprises photographic documentation of attributed paintings. Each artist's file may include black and white
photographs, color photographs, color transparencies, color slides, or a black-and-white negative. Frequently present is printed
matter, such as clippings from a sales catalog or typescripts as well as notes and letters. The inclusion of a certificate
of authenticity is indicated. The gallery's preference of an English, Dutch or German name is retained. Photographs of not
attributed paintings are filed in Series III.B.
Other artworks Series III.B.
1952-1953, 1965, undated
Physical Description: 6.55 Linear Feet(5 boxes, 3 enclosures)
Language of Material: English.
Arrangement
Arranged in approximate alphabetical order by category or technique of art or by topic.
Scope and Content
THis subseries includes photographic documentation of bronzes, miniatures, decorative arts, paintings without attribution,
prints, artworks handled by the gallery for the purpose of expertising, and paintings from the collection of Sidney van den
Bergh. Also included are separation proofs for publications and ex-rays.
box 812
Album of paintings and drawings
undated
box 813, folder 1-9
Bronzes and other scuptures
undated
Furniture and decorative arts
undated
box 813, folder 22-27
Black-and-white photographs
box 944, folder 23
Color slide
Scope and Contents
Color slide of a vase. From box 713, folder 27.
Paintings without attribution
undated
Scope and Contents
Black-and-white photographs, color photographs, and color transparencies of various paintings. No labels with attribution
or other documenation are present, except an occasional photographer's stamp on verso.
box 814, folder 1-8
Black-and-white photographs
box 944, folder 24-28
Color photographs and color transparencies
Photographs of the gallery
undated
box 815, folder 1-7
Black-and-white photographs
box 944, folder 30
Color photographs and black-and-white negatives
box 821, box 822
Printed matter
1952-1953, 1965, undated
Scope and Contents
Press clippings, other printed matter, and some correspondence regarding various artworks.
Queries
undated
Scope and Contents
Photographs of artworks handled by the gallery for the purpose of expertising.
box 816, folder 4-9
Black-and-white photographs
box 944, folder 31
Color photographs and color transparencies
box 816, folder 10
Received [purchased, not in commission]
undated
Scope and Contents
Photos of paintings received by the gallery not in commission and purchased.
box 816, folder 10
Black-and-white photographs
box 816, folder 11-16
Sidney van den Bergh collection
1963, undated
Scope and Contents
Photographs of paintings from the Sidney van den Berghcollection. Also present are clippings from Belgian press of articles
regarding Sidney van den Bergh.
box 816, folder 11-16
Black-and-white photographs
box 944, folder 33
Color photographs and color transparencies
box 817, box 818, box 820
Separation proofs (color)
undated
enclosure 819
X-rays
undated
Scope and Contents
Four large x-rays of unidentied paintings (portraits).
Glass plate negatives Series IV.
undated
Physical Description: 6.67 Linear Feet(10 boxes)
Scope and Content Note
The glass plates are stored in boxes labelled by the firm Gevaert in Belgium. The super chrom anti-halo glass plates are individually
numbered and measure 24 x 18 cm. The negative images are of artworks.
Arrangement
Arranged numerically by the numbers on glass plates.
Miscellaneous papers, Series V.
1873-1998, undated
Physical Description: 33.45 Linear Feet(29 boxes, 11 oversize boxes)
Arrangement
The material in this series was organized by the repository into two subseries: letters and documents. The letters are arranged
alphabetically. The documents are divided into two groups, of which one is arranged chronologically by year and the other
alphabetically by topic.
Scope and Content Note
This series comprises additional prewar and postwar business correspondence of Hugo Cramer, Gustav Cramer, and Hans Max Cramer;
personal correspondence and documents concerning the Cramer family; lists of artworks; some financial documents such as invoices,
sales agreements, and commission agreements; documents of Hans Max Cramer's dealings with the Association of Art Dealers in
the Netherlands, CINOA [International Confederation of Art and Antique Dealers], and the Rotary Club; and various publications,
such as annotated auction catalogs, the gallery's sales catalogs, a collection of newspapers and magazines from the time of
World War II, and a collection of press clippings.
Letters, Series V.A.
1880-1992, undated
Physical Description: 3.13 Linear Feet(8 boxes)
Arrangement
Arranged alphabetically by name of correspondent. Unless specified the letters are letters sent.
Scope and Contents
The predominant portion of materials in this subseries consists of prewar and wartime business correspondence of Gustav and
Hugo Cramer, but some postwar business correspondence of Gustav Cramer and Hans Max Cramer is also present. Occasionally interfiled
are sales and commission agreements with various clients.
There is an extensive correspondence from 1921 and 1922 between Gustav Cramer and the art dealer Kurt Walter Bachstitz in
The Hague, Munich, and Berlin. Also extensive is Hugo and Gustav Cramer's correspondence from 1932 with the law firm Cravath,
de Gersdorff, Swaine & Wood regarding the legal case Mach versus Bachstitz, and Gustav Cramer's exchange from 1930 to 1946
with the administration of the firm Henschel in Kassel (filed under Henschel-Verwaltung).
Also present is Gustav Cramer's prewar and wartime correspondence with the art dealer Kurt Erasmus in Amsterdam, Germanisches
Nationalmuseum in Nuremberg, and the firm Margraf & Co. in Berlin. Among Gustav Cramer's other prewar and wartime business
contacts are the art dealer Julius Böhler in Munich, the auctioneer Hans W. Lange in Berlin, the administrators of the estate
of Herzog von Sachsen Altenburg, and Staatliche Kunstsammlungen Hessisches Landesmuseum in Kassel. The correspondence with
Germanisches Nationalmuseum in Nuremberg includes a frequent mention of Hermann Göring.
Present in this group are carbon copies of circular letters sent by Gustav Cramer in 1948 to numerous art museums in United
States, Canada, South Africa and Australia (filed under the name of the museum).
Some personal family correspondence is also present, such as letters received by Hans Max Cramer from his friend Harald von
Majewski; congratulatory letters received by Gustav Cramer on his 70th birthday and letters of condolences received by the
Cramer family after Gustav Cramer's death in 1961.
Letters from unidentified people are filed at the end. Also filed at the end are greetings cards, mostly Christmas and New
Year's cards, received by the Cramer family in 1953.
box 319, folder 1
Abt, Arthur [Arthur Abt Kunst- und Antiquitäten],
1929, 1947
Physical Description: 2 items
Scope and Contents
Letter received and transcript of a letter sent.
box 319, folder 2
Albany Institute of History and Art [D. J. Hatch],
1948
Physical Description: 2 items
box 319, folder 3
Albright Art Gallery [Andrew C. Ritchie],
1948
Physical Description: 5 items
box 319, folder 4
Armand Hammer Foundation,
1981
Physical Description: 1 item
box 319, folder 5
Art Association of Montreal [C. F. Martin],
1948
Physical Description: 1 item
Scope and Contents
Letter received.
box 319, folder 6
Art Gallery of Toronto,
1948
Physical Description: 4 items
box 319, folder 7
Art Institute of Chicago,
1948
Physical Description: 12 items
box 319, folder 8
Auffarth, August,
1950
Physical Description: 2 items
Scope and Contents
Letter received.
box 319, folder 9-14
Bachstitz, Kurt Walter [Bachstitz Gallery],
1921-1922, undated
Scope and Contents
Gustav Cramer's business correspondence with Kurt Walter Bachstitz in The Hague, Munich and Berlin. Included are letters from
Albert Frisch in Berlin and Leo Roth in The Hague, and an undated list of artworks with prices (folder 14).
box 319, folder 15
Ball, A. R. [A. R. Ball Works of Art],
1946
Physical Description: 1 item
Scope and Contents
Letter received.
box 319, folder 16
Bakker, Jacobus Hendrikus,
1986, 1988
Physical Description: 5 items
Scope and Contents
Photocopies of letters from lawyers and legal documents addressed to Hans Max Cramer, and a press clipping. Concerning Jacobus
Hendrikus Bakker.
box 319, folder 17
Baltimore Museum of Art [Adelyn D. Breeskin],
1948
Physical Description: 1 item
box 319, folder 18
Becker, Hilde,
1977, 1979
Physical Description: 2 items
Scope and Contents
Letters received.
box 319, folder 19
Berenson, Bernard,
1948, 1952
Physical Description: 9 items
Scope and Contents
Correspondence with the art historian. Included is one photograph.
box 319, folder 20
Berkshire Museum [Stuart C. Henry],
1948
Physical Description: 2 items
box 319, folder 21
Bett, L.,
1948
Physical Description: 3 items
Scope and Contents
Letter to Gustav Cramer concerning artwork by Hans Thoma and Thomas de Kayser. Included are two photographs.
box 319, folder 22
Bluett & Sons,
1932
Physical Description: 1 item
Scope and Contents
Letter to Hugo Cramer.
box 319, folder 23
Böhler, Julius W.,
1935
Physical Description: 4 items
Scope and Contents
Correspondence with Gustav Cramer.
box 319, folder 24
Burg [Dr. Burg],
1930
Physical Description: 2 items
Scope and Contents
Letter received.
box 319, folder 25
California Palace of the Legion of Honor [Thomas C. Howe],
1948
Physical Description: 1 item
box 319, folder 26
Capozzoli, Louis J.,
1950
Physical Description: 3 items
Scope and Contents
Letter received.
box 319, folder 27
Carnegie-Institute,
1948
Physical Description: 2 items
box 318, folder 28
Carter, Edward W.,
1978
Physical Description: 1 item
Scope and Contents
Letter from Hans Max Cramer regarding a painting by Willem Claesz Heda.
box 319, folder 29
Cate, E. ten,
1987
Physical Description: 3 items
Scope and Contents
Letters to Hans Max Cramer.
box 319, folder 30
Centrale Dienst voor In- en Uitvoer,
1948
Physical Description: 2 items
Separated Materials
Letters sent and received.
box 319, folder 31
Cincinnati Art Museum,
1948
Physical Description: 1 item
box 319, folder 32
City Art Museum of St. Louis,
1948
Physical Description: 5 items
Scope and Contents
Letters sent and received.
box 319, folder 33
Cleveland Museum of Art,
1948
Physical Description: 5 items
Scope and Contents
Letters sent and received.
box 319, folder 34
Columbus Gallery of Fine Arts,
1948
Physical Description: 1 item
box 319, folder 35
Corcoran Gallery of Art,
1948
Physical Description: 1 item
box 319, folder 36
Courtauld Institute of Art [A. Blunt],
1948
Physical Description: 3 items
Scope and Contents
Letters sent and received.
box 319, folder 37
Cramer family (various members),
1880-1974, undated
Physical Description: 40 items
box 319, folder 40
Cramer, Anna-Paulina,
1980
Physical Description: 3 items
Scope and Contents
Letters and documents regarding Hans Max Cramer's daughter.
Cramer, Gustav,
1923-1961
box 319, folder 41
1923, 1924
Physical Description: 22 items
Scope and Contents
Letters received by Gustav Cramer from an undisclosed person from Amsterdam and his letters to H. ten Cate in Almelo in the
Netherlands, Joseph Cramer in New York City, the art dealer L. Chenue in London, and Max Cramer in Kassel. Carbon copies.
Also present is a letter from 1924 sent by Gustav Cramer to the administrators of the Liebfrauen church in Halberstadt concerning
a stohlen Gothic statue of
Mandonna and Child.
box 319, folder 42
1935
Physical Description: 7 items
Scope and Contents
Correspondence with the notaries C. von Berg and Flächsner concerning the legal case between Gustav Cramer and Eduard Krüger.
box 319, folder 43
1934-1939, 1982, 1992
Physical Description: 29 items
Scope and Contents
Correspondence with government agencies and the shipping firm Robert Haberling concerning moving of the gallery from Berlin
to The Hague. Also present are two personal letters from Gustav Cramer and Gertrud Cramer from 1938 and 1939, sent to relatives,
which include commentaries on life in Germany under National Socialism. Included with these two letters are a letter from
Hans Max Cramer to C. H. Vaatstra-Cramer, dated 1992; and a photocopy of a letter in Dutch from 1982.
box 319, folder 44
1941-1945, 1947
Physical Description: 9 items
Scope and Contents
Gustav Cramer's letters to Hugo Cramer in New York City, and two letters dated 1947 from [?] Mariano.
box 320, folder 1
1951
Physical Description: 30 items
Scope and Contents
Congratulatory letters and telegrams received from friends and clients on his 70th birthday.
box 320, folder 2-7
1961
Scope and Contents
Letters of condolences.
box 320, folder 8-11
Cramer, Hans Max,
1938-1952, undated
Scope and Contents
Letters received from various correspondents, including Gustav and Hugo Cramer.
box 320, folder 12-16
Cramer, Hugo,
1928-1951
Scope and Contents
Correspondence predominantly with members of the Cramer family.
box 320, folder 17
Cramer, Margot,
1961
Physical Description: 1 item
box 320, folder 18
Cramer, Max,
1896, 1914
Physical Description: 5 items
Scope and Contents
Postcards and letters sent.
box 321, folder 1
Cranbrook Academy of Art,
1948
Physical Description: 1 item
box 321, folder 2
Cravath, de Gersdorff, Swaine & Wood,
1932
Physical Description: 1 item
Scope and Contents
Letter to Hugo Cramer regarding the legal case Mach versus Bachstitz. With a frequent mention of Oskar Henschel and Wilhelm
Striebig.
box 321, folder 3
Cultural Centre du Marais, Paris,
1979
Physical Description: 1 item
Scope and Contents
Certificate of insurance for a painting by Goya.
box 321, folder 4
Currier Gallery of Art,
1948
Physical Description: 1 item
box 321, folder 5
Dallas Museum of Fine Arts,
1948
Physical Description: 1 item
box 321, folder 6
Dellevie [Theodor and Alfred],
1925-1927
Physical Description: 16 items
Scope and Contents
Letters and legal documents received by Gustav Cramer from the lawyers Theodor and Alfred Dellevie in Kassel.
box 321, folder 7
Denver Art Museum,
1948
Physical Description: 1 item
box 321, folder 8
Detroit Institute of Arts,
1948
Physical Description: 1 item
box 321, folder 9
Deutscher Verein für Kunstwissenschaft,
1933
Physical Description: 2 items
Scope and Contents
Letter sent by Gustav Cramer and printed matter.
box 321, folder 10
Dienst van het Koninklijk Huis,
1988
Physical Description: 1 item
Scope and Contents
Letter to Hans Max Cramer.
box 321, folder 11
Doll, Diethelm,
1977, 1980, undated
Physical Description: 5 items
Scope and Contents
Letters received and a legal document.
box 321, folder 12
Dumbarton Oaks Research Library and Collection, Harvard University,
1948
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 321, folder 13-16
Erasmus, Kurt,
1936-1939
Scope and Contents
Letters sent and received.
box 321, folder 17
Feist-Wollheim, Hermine,
1930
Physical Description: 1 item
box 321, folder 18
Finanzamt Charlottenburg Ost,
1933
Physical Description: 3 items
Scope and Contents
Letters sent and received.
box 321, folder 19
Finanzamt Tiergarten,
1934
Physical Description: 12 items
Scope and Contents
Letters sent and received.
box 321, folder 20
Fine Arts Society of San Diego,
1948
Physical Description: 1 item
box 321, folder 21
Fischel, M.,
1950
Physical Description: 2 items
Scope and Contents
Letters to Gustav Cramer.
box 321, folder 22
Fogg Museum of Art,
1948
Physical Description: 1 item
box 321, folder 23
Fondation Pierre Gianadda Martigny,
1982
Physical Description: 1 item
Scope and Contents
Letter to Hans Max Cramer.
box 321, folder 24
Franklin and Hicks,
1930
Physical Description: 2 items
Scope and Contents
Letter to Benjamin N. Cardozo.
box 321, folder 25
Freer Gallery of Art,
1948
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 321, folder 26
Frick Collection,
1948
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 321, folder 27
Galerie Geiger [Ludwig Geiger],
1980
Physical Description: 2 items
box 321, folder 28
Galerie Hoogsteder,
1983
Physical Description: 3 items
Scope and Contents
Letters sent and received.
box 321, folder 29
Galerie van Diemen (Berlin),
1929
Physical Description: 2 items
Scope and Contents
Gustav Cramer's letters to Karl Lilienfeld.
box 321, folder 30
Galerie van Diemen (New York),
1927
Physical Description: 3 items
Scope and Contents
Gustav Cramer's letters to Karl Lilienfeld and notes. See also: Van Diemen Galleries (Box 325, folder 20).
box 321, folder 31
Geissenberger [M. Geissenberger & Söhne],
1929
Physical Description: 1 item
box 321, folder 32
Generalverwaltung des vorm. regierenden Preussischen Königshauses,
1933, 1935
Physical Description: 2 items
Scope and Contents
Letters to Hugo Cramer.
box 321, folder 33
Germanic Museum (Cambridge, Mass.),
1948
Physical Description: 1 item
box 321, folder 34
Germanisches Nationalmuseum Nürnberg,
1934-1936, undated
Physical Description: 22 items
Scope and Contents
Gustav Cramer's correspondence with the museum regarding armor of the duke of Altenburg. With a mention of Hermann Göring.
box 321, folder 35
Gioffredi, Fiorella,
1957
Physical Description: 2 items
Scope and Contents
Letter to Hans Max Cramer.
box 321, folder 36
Gratama, K. W. D.,
1981, 1983
Physical Description: 3 items
box 321, folder 37
Groenewegen, J. Th.,
1979-1980
Physical Description: 3 items
box 321, folder 38
Grol, C. E.,
1973
Physical Description: 3 items
Scope and Contents
Letters to Hans Max Cramer.
box 321, folder 39
Guillermo, George,
1988
Physical Description: 1 item
box 321, folder 40
Guttmann, Joseph M. B.,
1985
Physical Description: 4 items
Scope and Contents
Documents regarding the sale of a painting by Rembrandt.
box 321, folder 41
Haberstock, Karl,
1929
Physical Description: 1 item
Scope and Contents
Letter to Gustav Cramer.
box 321, folder 42
Hadding, Karl,
1939-1941, 1950
Physical Description: 9 items
Scope and Contents
Hadding's correspondence with Gustav Cramer and Hugo Cramer.
box 321, folder 43
Hamburger Kunsthalle,
1980
Physical Description: 2 items
Scope and Contents
Documents regarding a painting by Goya.
box 321, folder 44
Hartig, Hans,
1936-1941
Physical Description: 8 items
Scope and Contents
Gustav Cramer's correspondence with the art dealer Hans Hartig.
box 322, folder 1
Harnoncourt, Alice and Nicolaus,
1979
Physical Description: 4 items
Scope and Contents
Letters sent and received.
box 322, folder 2
Heek, F. van,
1980
Physical Description: 2 items
box 322, folder 3
Heilbronner, Alfons [Deutscher Kunst- und Antiquitäten Handel],
1929
Physical Description: 1 item
box 322, folder 4
Henry, Hildegard,
1947
Physical Description: 1 item
Scope and Contents
Letter from Hildegard Henry to an undisclosed reciepient addressed as Herr Doktor.
box 322, folder 5
Henschel, Hildegard,
1929-1933, undated
Physical Description: 12 items
Scope and Contents
Letters sent and received.
box 322, folder 6
Henschel, Oscar,
1931, 1934
Physical Description: 3 items
box 322, folder 7-10
Henschel-Verwaltung [Wilhelm Striebig],
1930-1946
Scope and Contents
Gustav Cramer's correspondence with [Jacob?] Oppenheimer, Paul Lindtpaintner, Verband des Deutschen Kunst- und Antiquitätenhandels;
Hugo Cramer's correspondnece with the Henschel-Verwaltung, Kurt Walter Bachstitz, and the Bachstitz Gallery in The Hague.
Also included is Hugo Cramer's correspondence with the law firm Cravath, de Gersdorff, Swaine & Wood in New York regarding
the case Mach versus Bachstitz; and his letters to Allen McCarty and Samuel B. Stewart, both in New York.
box 322, folder 11
High Museum of Art,
1985
Physical Description: 1 item
Scope and Contents
Loan agreement.
box 322, folder 12
Honolulu Academy of Arts,
1948
Physical Description: 11 items
Scope and Contents
Letters sent and received.
box 322, folder 13
Hoogendijk [D. A. Hoogendijk & Co.],
1935
Physical Description: 1 item
Scope and Contents
Letter to Gustav Cramer.
box 322, folder 14
Hueting, J. E.,
1980
Physical Description: 1 item
Scope and Contents
A receipt.
box 322, folder 15
Huntington [H. E. Huntington Library and Art Gallery],
1948
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 322, folder 16
Industrie - und Handelskammer Kassel,
1981
Physical Description: 3 items
Scope and Contents
Letters received.
box 322, folder 17
Instituut Schoevers,
1940
Physical Description: 4 items
Scope and Contents
Letters received.
box 322, folder 18
Internationale des Waggons Lits [Thomas Cook Inc.],
1948
Physical Description: 1 item
box 322, folder 19
Isabella Stewart Gardner Museum,
1948
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 322, folder 20
John and Mable Ringling Museum of Art,
1948
Physical Description: 1 item
box 322, folder 21
John Herron Art Museum,
1948
Physical Description: 1 item
box 322, folder 22
Jong, H. W. de [and A. A. M. Ruijgrok],
1979
Physical Description: 2 items
Scope and Contents
Sales documents.
box 322, folder 23
Joslyn Memorial Art Museum,
1948
Physical Description: 1 item
box 322, folder 24
Kahn-Rosenberg, K.,
1946
Physical Description: 1 item
Scope and Contents
Letter from K. Kahn-Rosenberg to Felix Tikotin.
box 322, folder 25
Kansas City Art Institute,
1948
Physical Description: 1 item
box 322, folder 26
Kaufmännischer Verein Cassel,
1916
Physical Description: 1 item
Scope and Contents
Letter of condolences to the widow of Max Cramer.
box 322, folder 27
Kerdel, P. M. [Staatsgalerie Stuttgart],
1965, 1983, undated
Physical Description: 9 items
Scope and Contents
Letters received from Ilse Manke at Menno Hertzberger & Co. on behalf of Staatsgalerie Stuttgart regarding a painting by Emanuel
de Witte. Included is a letter to Manke from Carla Gottlieb, a letter from the conservator Ed Bekkers, a letter to C. L. Kerdel
from Frits Duparc, an an undated typed note about the painting.
box 323, folder 1
Kiepert, Erich,
1937
Physical Description: 1 item
Scope and Contents
Letter to Gustav [?] Cramer.
box 323, folder 2
Kunstgewerbe-Museum der Stadt Köln,
1937
Physical Description: 3 items
Scope and Contents
Letter received and two receipts.
box 323, folder 3
Landesfinanzamt Berlin,
1935
Physical Description: 2 items
Scope and Contents
Letter received and a note.
box 323, folder 4
Lange, Hans W. [Hans W. Lange Gemälde Antiquitäten Kunstversteigerungen],
1941
Physical Description: 8 items
Scope and Contents
Letters sent and received. With a frequent mention of the auction house Frederick Mueller & Co. in Amsterdam.
box 323, folder 5
Lebrun [J. B. P. Lebrun Ltd.],
1983
Physical Description: 2 items
Scope and Contents
Invoice and a note.
box 323, folder 6
Lehigh University Art Gallery,
1948
Physical Description: 1 item
box 323, folder 7
Lemberger, Ernst M. M.,
1979
Physical Description: 1 item
Scope and Contents
Sales agreement.
box 323, folder 8
Leverkuehn, Paul,
1933
Physical Description: 1 item
box 323, folder 9
Loeske, Albert [Margraf Konzern],
1929
Physical Description: 1 item
box 323, folder 10
Loewenstein, Gustav,
1951
Physical Description: 1 item
Scope and Contents
Letter to Gaston J. Cramer in New York City.
box 323, folder 11
Looman, D. W.,
1951
Physical Description: 1 item
Scope and Contents
Letter from D. W. Looman in The Hague to J. D. van B.
box 323, folder 12
Los Angeles County Museum of History, Science and Art,
1948
Physical Description: 1 item
box 323, folder 13
Majewski, Harald von,
1941-1955, undated
Physical Description: 26 items
Scope and Contents
Letters to Hans Max Cramer. Also included are three undated blank picture postcards from Berlin from the time before World
War I.
box 323, folder 14
Mangold, Dr.,
1933
Physical Description: 1 item
Scope and Contents
Letter to Gustav Cramer from the lawyer Mangold in Kassel.
box 323, folder 15
Mareels, Octaaf,
1979
Physical Description: 1 item
Scope and Contents
Tax document regarding a painting by Lucas Cranach the Elder.
box 323, folder 16-18
Margraf & Co.,
1930-1933, undated
Scope and Contents
Gustav Cramer's correspondence with the firm Margraf & Co. in Berlin, predominantly regarding a tapestry. Also included are
financial documents concerning Margraf & Co., Gustav Cramer's correspondence with the art dealer J. Rosenbaum in Frankfurt
am Main, and correspondence between Gustav and Hugo Cramer and the lawyers Manfred Schwersenz and Paul Leverkuehn. With a
mention of Iwan Bloch.
box 323, folder 19
Marine Insurance Company,
1982
Physical Description: 3 items
Scope and Contents
Letters received and printed matter. Regarding an exhibition of Goya.
box 323, folder 20
Mazérand, Marthe and René [Établissements Mazerand],
1918, 1924-1938, undated
Physical Description: 9 items
Scope and Contents
Letters received.
box 323, folder 21
Menno & Co. Bankiers,
1940
Physical Description: 1 item
Scope and Contents
Letter to Gustav Cramer.
box 323, folder 20.1
Meijer [Bouwbedrijf B. Meijer],
1957
Physical Description: 2 items
box 323, folder 22
Metropolitan Museum of Art [Stephen V. Grancsay, Gardner],
1933-1934, 1948
Physical Description: 7 items
Scope and Contents
Letters received and one letter sent.
box 323, folder 23
Milwaukee Art Institute,
1948
Physical Description: 1 item
box 323, folder 24
Ministerie van Cultuur, Recreatie en Maatschappelijk Werk,
1979
Physical Description: 2 items
box 323, folder 25
Ministerie van Financiën,
1965
Physical Description: 1 item
Scope and Contents
Letter received.
box 323, folder 26
Minneapolis Institute of Arts,
1948
Physical Description: 5 items
Scope and Contents
Letters sent and received.
box 323, folder 27
Morini, Frank,
1981
Physical Description: 1 item
Scope and Contents
Regarding a self-portrait by Rembrandt.
box 323, folder 28
Mostra Mercato Internazionale dell'Antiquariato,
1959
Physical Description: 3 items
Scope and Contents
Letters received.
box 323, folder 29
Müller-Clemm, Wolfgang [
National-Zeitung],
1936
Physical Description: 1 item
Scope and Contents
Letter to Mrs. Cramer.
box 323, folder 30
Museum Boymans,
1938
Physical Description: 1 item
Scope and Contents
Postcard received.
box 323, folder 31
Museum of Art Rhode Island School of Design,
1948
Physical Description: 1 item
Scope and Contents
Letter received.
box 323, folder 32
Museum of Fine Arts Johannesburg,
1948
Physical Description: 1 item
box 323, folder 33
Museum of Fine Arts of Houston,
1948
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 323, folder 34
Museumsverband für Kurhessen und Waldeck,
1929
Physical Description: 1 item
box 323, folder 35
Nassette & Klomp,
1946-1947
Physical Description: 5 items
Scope and Contents
Letters received.
box 323, folder 36
National Gallery of Art [John Shapley],
1948
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 323, folder 37
National Gallery of Canada,
1948
Physical Description: 1 item
box 323, folder 38
National Gallery of Victoria,
1948
Physical Description: 1 item
box 324, folder 1
Nationalmuseum Stockholm,
1939
Physical Description: 1 item
Scope and Contents
Letter to Hugo Cramer in New York.
box 324, folder 2
Niedersächsisches Landesmuseum Hannover,
1982
Physical Description: 1 item
Scope and Contents
Letter received.
box 324, folder 3
Nugent, Geo Ainslee [Federal Trade Commission],
1927, 1938
Physical Description: 2 items
box 324, folder 4
Nugent & Nugent,
1947-1948
Physical Description: 2 items
Scope and Contents
Letters to Hugo Cramer in New York.
box 324, folder 5
Oakland Art Gallery,
1948
Physical Description: 1 item
box 324, folder 6
Oberbürgermeister der Stadt Kassel,
1929
Physical Description: 1 item
Scope and Contents
Letter received. Regarding paintings by Max Pechstein.
box 324, folder 7
Oude Kunst- en Antiekbeurs,
1962, undated
Physical Description: 5 items
Scope and Contents
Letters sent and received.
box 324, folder 8
Pasadena Art Institute,
1948
Physical Description: 1 item
box 324, folder 9
Passavant, M. von,
1939
Physical Description: 1 item
Scope and Contents
Letter from Hugo Cramer to Miss M. von Passavant in New York regarding immigration visa to the United States for Miss von
Mach.
box 324, folder 10
Perlowski, Ernest and B. Berg,
1986
Physical Description: 2 items
Scope and Contents
Sales agreement and a note.
box 324, folder 11
Philadelphia Museum of Art,
1948
Physical Description: 1 item
box 324, folder 12
Philippens, K. M. W.,
1940
Physical Description: 2 items
box 324, folder 13
Philips, A. F.,
1933
Physical Description: 1 item
Scope and Contents
Letter to Gustav Cramer.
box 324, folder 14
Philips, A. F.,
1981
Physical Description: 3 items
Scope and Contents
Correspondence with Hans Max Cramer.
box 324, folder 15
Philips, F. J.,
1986
Physical Description: 2 items
Scope and Contents
Letter sent and a note received.
box 324, folder 16
Planiscig, Leo,
1949
Physical Description: 2 items
Scope and Contents
Letter and telegram received.
box 324, folder 17
Pohland, Oskar,
1933
Physical Description: 6 items
box 324, folder 18
Pokutta, Norbert,
1979
Physical Description: 1 item
Scope and Contents
Acknowledgement of receipt.
box 324, folder 19
Portland Art Museum,
1948
Physical Description: 1 item
box 324, folder 20
Princeton University, Museum of Historic Art,
1948
Physical Description: 1 item
box 324, folder 21
Proehl, Ernst [Estate of Ernst Proehl],
1981
Physical Description: 4 items
Scope and Contents
Agreement and invoice.
box 324, folder 22
Range, Hermann,
1935-1938, undated
Physical Description: 10 items
Scope and Contents
Commission invoices.
box 324, folder 23
Reelick, J.,
1942
Physical Description: 1 item
Scope and Contents
Letter from J. Reelick in Amsterdam to Karl Haberstock. Regarding a painting by Boilly.
box 324, folder 24
Redelé, J. M.,
1976
Physical Description: 3 items
box 324, folder 25
Reichskommissar für die Besetzten Niederländischen Gebiete,
1940, 1942
Physical Description: 3 items
Scope and Contents
Letters to Gustav Cramer. The 1942 letter regards the exemption from wearing the yellow star.
box 324, folder 26
Reif, Siegfried,
1936, 1938
Physical Description: 2 items
Scope and Contents
Letters to Gustav Cramer.
box 324, folder 27
Reinheldt, Curt,
1963
Physical Description: 1 item
Scope and Contents
Empty envelope addressed to Hans Max Cramer.
box 324, folder 28
Reisewitz Cramer, Gertrud,
1961
Physical Description: 2 items
Scope and Contents
Letter to Hans Max Cramer and his wife Ada.
box 324, folder 29
Rhode Island School of Design,
1948
Physical Description: 1 item
box 324, folder 30
Rieks, Josef,
1983
Physical Description: 2 items
box 324, folder 31
Riemann, Chr.,
1929-1933
Physical Description: 18 items
Scope and Contents
Letters from Ch. Riemann from Bischhausen to Cramer family.
box 324, folder 31.1
Rietveld, Jan,
1957
Physical Description: 3 items
Scope and Contents
Letters sent and received.
box 324, folder 32
Rijksbureau voor Kunsthistorische Documentatie,
1946-1947, 1951
Physical Description: 5 items
Scope and Contents
Correspondence of Horst Gerson and Ary Robert de Vries concerning Gustav Cramer.
box 324, folder 33
Rijksmuseum Amsterdam,
1951, 1983
Physical Description: 3 items
Scope and Contents
Letters received.
box 324, folder 34
Ringling, John [Estate of John Ringling],
1948
Physical Description: 1 item
box 324, folder 35
Rössler, Ludwig,
1938-1939, undated
Physical Description: 9 items
Scope and Contents
Gustav Cramer's correspondence with Ludwig Rössler and with the firm Van der Werff & Hubrecht.
box 324, folder 36
Rudolph Lepke's Kunst-Auctions-Haus,
1916
Physical Description: 1 item
Scope and Contents
Letter of condolences to Gustav Cramer after the death of Max Cramer.
box 324, folder 37
Ryckman de Betz, Hervé de,
1977-1978
Physical Description: 10 items
Scope and Contents
Letters to Hans Max Cramer.
box 324, folder 38
Sachsen-Altenburg, Herzog Ernst von,
1933-1936
Physical Description: 15 items
Scope and Contents
Letters sent to Walter Kronberg and [?] Bachmann, administrators of the estate of Herzog Ernst von Sachsen Altenburg. One
letter received from Walter Kronberg.
box 324, folder 39
San Francisco Museum of Art,
1948
Physical Description: 4 items
Scope and Contents
Letters sent and received.
box 324, folder 40
Sanson-Steiner, H.,
1975, 1982, 1987
Physical Description: 4 items
Scope and Contents
Commission statement and notes.
box 324, folder 41
Sauerländer, Willibald,
undated
Physical Description: 2 items
Scope and Contents
Two undated letters received.
box 324, folder 42
Schmitz, Hermann,
1930
Physical Description: 1 item
Scope and Contents
Letter to Gustav Cramer.
box 324, folder 43
Schneider, Jenny,
1971
Physical Description: 2 items
Scope and Contents
Letter and postcard received.
box 324, folder 44
Schouten, Aad,
1988
Physical Description: 1 item
Scope and Contents
An invoice.
box 324, folder 45
Schreiner, B. M.,
1981
Physical Description: 1 item
Scope and Contents
Commission agreement.
box 324, folder 46
Schünemann, Carl,
1979, 1982-1983
Physical Description: 4 items
Scope and Contents
Letters sent and received, and a sales agreement.
box 324, folder 47
Secretaire van H. M. de Koningin,
1939
Physical Description: 3 items
Scope and Contents
Letter received.
box 324, folder 48
Simon, Erwin Samuel,
1940
Physical Description: 1 item
Scope and Contents
Letter to Gustav Cramer.
box 324, folder 49
Smith College Museum of Art,
1948
Physical Description: 5 items
Scope and Contents
Letters sent and received.
box 325, folder 1
Spaendonck, Ch. F. J. M. van,
1985
Physical Description: 2 items
Scope and Contents
Letter to Hans Max Cramer.
box 325, folder 2
Springfield Museum of Fine Arts,
1948
Physical Description: 2 items
box 325, folder 3
Staatliche Kunstsammlungen, Hessisches Landesmuseum, Gemäldegalerie, Kassel,
1928-1936
Physical Description: 13 items
Scope and Contents
Letteres received and one letter sent.
box 325, folder 4
Städtisches Museum Erfurt,
1916
Physical Description: 1 item
Scope and Contents
Letter of condolences to Gustav Cramer after the death of Max Cramer.
box 325, folder 5
Stedelijk Museum het Prinsenhof (D. H. G. Bolten],
1962
Physical Description: 2 items
box 325, folder 6
Stichting Nederlands Kunstbezit [A. B. de Vries],
1947, undated
Physical Description: 2 items
box 325, folder 7
Stichting Oude Kunst en Antiekbeurs,
1963
Physical Description: 1 item
Scope and Contents
Letter received.
Stichting voor den Kunsthandel,
1948
Physical Description: 26 items
Scope and Contents
Letters sent and received, invoices, notes, and three color photographs. Regarding two bronze sculptures by Giovanni da Bologna.
box 325, folder 8
Letters and notes
Physical Description: 23 items
box 931, folder 27
Color photographs
Physical Description: 3 items
box 325, folder 9
Stoffels-Tellegen, H. K. A.,
1987
Physical Description: 1 item
Scope and Contents
Commission agreement.
box 325, folder 10
Stüber, W. J.,
1940
Physical Description: 1 item
box 325, folder 11
Syracuse Museum of Fine Arts,
1948
Physical Description: 1 item
box 325, folder 12
Taft Museum,
1948
Physical Description: 1 item
box 325, folder 13
Thurkow, C. Th. F.,
1938
Physical Description: 4 items
Scope and Contents
Letters from Gustav Cramer to Thurkow and two black-and-white photographs.
box 325, folder 14
Tietze, Hans,
1953
Physical Description: 3 items
Scope and Contents
Two letteres to Gustav Cramer.
box 325, folder 15
Toledo Museum of Art,
1948
Physical Description: 6 items
Scope and Contents
Letters sent and received.
box 325, folder 16
University of Chicago Museum [Ulrich A. Middeldorf],
1948
Physical Description: 1 item
box 325, folder 17
University of Kansas Museum of Art,
1948
Physical Description: 1 item
box 325, folder 18
University of Washington, Henry Art Gallery,
1948
Physical Description: 1 item
box 325, folder 19
Utah Art Center,
1948
Physical Description: 1 item
box 325, folder 20
Van Diemen Galleries, New York,
1929
Physical Description: 1 item
Scope and Contents
Letter to Gustav Cramer. See also: Galerie van Diemen, New York (Box 321, folder 30).
box 325, folder 21
Verachtert, R.,
1982
Physical Description: 1 item
Scope and Contents
Sales agreement.
box 325, folder 22
Verband des Deutschen Kunst- und Antiquitätenhandels,
1931
Physical Description: 2 items
Scope and Contents
Letter to Gustav Cramer.
box 325, folder 23
Vereeniging van Handelaren in Oude Kunst in Nederland,
1963
Physical Description: 3 items
Scope and Contents
Letters received.
box 325, folder 24
Vertova, Luisa,
1953
Physical Description: 5 items
Scope and Contents
Letters to Gustav Cramer.
box 325, folder 25
Villegas y Urzais, Don Manuel de,
1982
Physical Description: 2 items
Scope and Contents
Letter to Hans Max Cramer.
box 325, folder 26
Virginia Museum of Fine Arts,
1948
Physical Description: 1 item
box 325, folder 27
Vrijzinnig-Christelijk Lyceum,
1944
Physical Description: 2 items
box 325, folder 28
Wadsworth Atheneum,
1948
Physical Description: 4 items
box 325, folder 29
Walker Art Center,
1948
Physical Description: 1 item
box 325, folder 30
Walters Art Gallery,
1948
Physical Description: 3 items
Scope and Contents
Letters sent and received.
box 325, folder 31
Warren E. Cox & Associates,
1948
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 325, folder 32
Weezel, A. C. Gualthérie van [Makelaarskantoor Oosterhof 's-Gravenhage],
1976
Physical Description: 2 items
Scope and Contents
Tax statement.
box 325, folder 33
Wichert, Hans Jürgen,
1982
Physical Description: 5 items
Scope and Contents
Sales agreements and invoices. Regarding a painting by Rembrandt.
box 325, folder 34
Wildenstein,
1928
Physical Description: 1 item
Scope and Contents
Letter to Gustav Cramer.
box 325, folder 35
William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts,
1948
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 325, folder 36
Wolffenberg, Adolf,
1939
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 325, folder 37
Worcester Art Museum,
1948
Physical Description: 1 item
box 325, folder 38
Würzburger, Olga,
1939
Physical Description: 2 items
Scope and Contents
Letters to Gustav Cramer.
box 325, folder 39
Yale University Art Gallery,
1948
Physical Description: 2 items
Scope and Contents
Letters sent and received.
box 325, folder 40
Zuyderhoff, J. C. L.,
1947
Physical Description: 1 item
Scope and Contents
Letter to Gustav Cramer.
box 325, folder 41-42
Unidentified,
1896, 1917, 1928-1940, 1978, 1987, undated
Physical Description: 20 items
Scope and Contents
Letters received.
box 332, folder 1-3
Greetings cards,
1953, undated
Physical Description: 33 items
Scope and Contents
Greetings cards, mostly for Christmas and New Year, Gustav Cramer's family received in 1953.
Documents, Series V.B.
1873-1990s, undated
Physical Description: 30.11 Linear Feet(21 boxes, 11 oversize boxes)
Arrangement
The first group in this subseries is arranged chronologically by year; the second group is arranged alphabetically by title.
Scope and Contents
The materials in this subseries date from 1873 to the late 1990s and document the various members of the Cramer family's business
dealings, housekeeping, and professional and personal life.
Also present are lists of artworks, annotated auction catalogs, a few certificates of authenticity, numerous press clippings
and wholes issues of newspapers, occasional invoices and commission agreements, tax documents and other financial documents.
Filed at the end are papers documenting an exhibition held at the G. Cramer Oude Kunst gallery in The Hague in 1939 of artworks
by the Hungarian artist István Zádor.
By date,
1901-1993, undated
Scope and Contents
The materials in this group date from 1901 to 1993 and include business, housekeeping, and personal documents of Max Cramer,
Gustav Cramer, and Hans Max Cramer.
The earliest item is Max Cramer's business account book for the years 1901 to 1918.
The items dating from the time of World War II are predominantly housekeeping invoices, bills, and receipts. Present are documents
related to Gustav Cramer's professional activities as an art dealer, such as receipts and invoices from clients, business
cards, notes, and lists of artworks. Also present are printed matter, financial documents, and letters issued by the German
government which shed light on Gustav Cramer's and his family's personal situation under the Nazi occupation in the Netherlands.
The postwar documents are items related to Hans Max Cramer's professional activities as an art dealer, including press clippings,
printed matter and a few financial documents, such as receipts or invoices from clients. Present are his commission agreements
with Heinrich Becker and the estate of Ernst Proehl.
Also included with this subseries are Gustav Cramer's tax and other financial documents for the years 1951 and 1959 to 1963.
box 328, folder 1
1901
Physical Description: 1 item
Scope and Contents
Max Cramer's art gallery account book for the years 1901 to 1918. With purchase and sale prices.
box 328, folder 2
1913
Physical Description: 1 item (8 leaves)
Scope and Contents
List of artworks with prices.
box 328, folder 3
1919
Physical Description: 1 item
Scope and Contents
Catalog of the J. D. Kruseman auction in The Hague at the auction house Frederik Muller & Co.
box 328, folder 4
1924, 1925
Physical Description: 2 items
Scope and Contents
Authenticity certificate for a Van Dyck painting by Cornelis Hofstede de Groot and a press clipping from
Kasseler Tageblatt.
box 932*, folder 1
1928-1930
Physical Description: 13 items
Scope and Contents
Press clippings with articles regarding the Albert Loeske estate.
box 328, folder 5
1930
Physical Description: 3 items
Scope and Contents
Certificate sent to Hugo Cramer from Staatliche Kunstsammlungen Hessisches Landesmuseum, and two typescripts by Karl Lilienfeld.
box 328, folder 6
1933
Physical Description: 1 item
Scope and Contents
Sales taxes for the years 1933 to 1936.
box 328, folder 7
1934
Physical Description: 1 item
Scope and Contents
Ledger for exported artworks from 1934 to 1936.
box 328, folder 8
1935
Physical Description: 1 item
Scope and Contents
Confirmation of shipment from J. Chenue to Hugo Cramer.
box 328, folder 9
1936
Physical Description: 1 item
Scope and Contents
Ledger for 31 December 1936.
box 328, folder 10
1937
Physical Description: 1 item
Scope and Contents
Book
Arbeitsdienst im Deutschen Osten.
box 328, folder 11
1938
Physical Description: 23 items
Scope and Contents
Housekeeping documents, such as utility bills and invoices, and a rental agreement. Also present are instructions issued
by the Finanzamt Moabit-West regarding the obligatory payments of assets tax for Jews (Judenvermögensabgabe).
1939
Physical Description: 62 items
Scope and Contents
Housekeeping documents, such as utility bills, invoices and a ledger for daily expenses; transcript of certificates of authenticity
for a painting by Lorenzo Lotto; a pamphlet issued by the Dutch employment agency (
Arbeids-overeenkomstenbesluit); and a blank emigration application issued by the Joodsche Raad voor Amsterdam.
box 328, folder 12-14
Housekeeping documents
Physical Description: 58 items
box 328, folder 15
Ledger
Physical Description: 1 item
box 328, folder 16
Transcript
Physical Description: 1 item
box 328, folder 17
Pamphlet and application
Physical Description: 2 items
box 329, folder 1
1940
Physical Description: 39 items
Scope and Contents
Housekeeping documents, such as utility bills and invoices. Included is a handwritten list of artworks sold or purchased between
40 August 1940 and 28 June 1941, with prices.
1941
Physical Description: 63 items
Scope and Contents
Housekeeping documents such as invoices, bills, and receipts. Also included are letters, printed matter and receipts documenting
Gustav Cramer's personal situation in Nazi-occupied Netherlands.
box 329, folder 2
Housekeeping documents
Physical Description: 52 items
box 329, folder 3
Nazi rule related documents
Physical Description: 11 items
1942
Physical Description: 28 items
Scope and Contents
Housekeeping documents such as invoices, bills, and receipts. Also included are letters and printed matter documenting Gustav
Cramer's personal situation in Nazi-occupied Netherlands; a list of artworks; printed matter, and an invoice from the auction
house Frederik Muller & Co.
box 329, folder 4
Housekeeping and other documents
Physical Description: 10 items
box 329, folder 5
Nazi rule related documents
Physical Description: 15 items
box 329, folder 6
List of artworks and Frederik Muller & Co. items
Physical Description: 3 items
1943
Physical Description: 39 items
Scope and Contents
Housekeeping documents such as invoices, bills, and receipts; letters and printed matter documenting Gustav Cramer's personal
situation in Nazi-occupied Netherlands; and documents related to his professional activities as an art dealer, such as invoices,
business cards, notes, and two lists of publicattions. Also included is the catalog of the Menten auction at Marle & Bignell,
annotated with prices and names of buyers.
box 329, folder 7
Housekeeping documents
Physical Description: 11 items
box 329, folder 8
Nazi rule related documents
Physical Description: 8 items
box 329, folder 9
Documents related to professional activities
Physical Description: 19 items
box 329, folder 10
Menten auction catalog
Physical Description: 1 item
box 329, folder 11
1944
Physical Description: 20 items
Scope and Contents
Documents related to Gustav Cramer's professional activities as an art dealer such as invoices for shipments, an invoice from
Fr. L. M. Dony to C. E. Wessel, and various documents related to Cramer family's situation in Nazi-occupied Netherlands. Also
present is a list of artworks dated 1 January 1944.
box 329, folder 12
1945
Physical Description: 11 items
Scope and Contents
Various receipts and statements, printed matter, list of artworks dated 1 Januar 1945, and three unsigned typescripts.
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