Oswald Jonas memorial collection

Processed by Robert Lang and Joan Kunselman; machine-readable finding aid created by Apex Data Services, 1999.

Special Collections & University Archives

The UCR Library

P.O. Box 5900

University of California

Riverside, California 92517-5900

Phone: 951-827-3233

Fax: 951-827-4673

Email: specialcollections@ucr.edu

URL: http://library.ucr.edu/libraries/special-collections-university-archives

Descriptive Summary

Title: Oswald Jonas memorial collection

Date (inclusive): circa 20th century, undated

Collection Number: MS 067

Creator: Jonas, Oswald

Creator: Schenker, Heinrich, 1868-1935

Creator: Violin, Moriz, 1879-1956

Extent: 85.0 linear feet (86 document boxes, 10 record storage boxes, 1 flat storage box, unboxed material)

Repository: Rivera Library. Special Collections Department.

Riverside, California 92517-5900

Abstract: The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished, including music manuscripts, theoretical and analytical studies, critical essays, letters, Schenker's Tagebücher kept over forty years (1896-1935), biographical materials and printed scores from Schenker's working library, often heavily annotated. In addition there are books, pamphlets, periodical publications, corrected galley and page proofs, notebooks, drafts and fragments from Schenker's work table, photographs and other memorabilia, together with related correspondence and research materials assembled by Jonas.

Languages: The collection is predominantly in German; materials in English are also present.

Access

This collection is open for research.

Publication Rights

Copyright has not been assigned to the University of California, Riverside Libraries, Special Collections & University Archives. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Director of Distinctive Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher.

Preferred Citation

[identification of item], [date if possible]. Oswald Jonas memorial collection (MS 067). Special Collections & University Archives, University of California, Riverside.

Acquisition Information

From the scraps and jottings of his early diary to the bills, tickets and discarded letterheads on which notes for his work in progress were written, Schenker kept nearly everything. After Heinrich and Jeanette began their life together, Jeanette was able to bring order out of his notes and fragments, meticulously copying drafts, taking dictation for the diary and letters, labeling and arranging material, preparing manuscripts for the press. It was this extensive Nachlass that she carefully guarded after his death and, as the Nazi menace drew closer, took steps to protect and preserve for future scholars. Ernst Oster, a Jonas pupil, was among the Jewish intellectuals leaving for New York and Jeanette took this opportunity to send part of the Nachlass with Oster across the Atlantic to a place of safety. She kept with her, however, a large trunk filled with the rest of the Nachlass, only relinquishing it when she was sent to a concentration camp. Jeanette was among those sent to Theresienstadt (now Terezin) but shortly before she was taken away she entrusted the trunk to Erwin Ratz, a musicologist and devoted friend. Jeanette died in Theresienstadt in 1945, and it was not until ten years later that Jonas, investigating the trunk with his old friend Ratz, became aware of its contents. Jonas told the story this way to JoAn Kunselman:

Together we looked inside and found the Schenker materials. I realized immediately how important this would be for my work on Schenker, and we agreed on my acquiring everything that was important.... The materials I acquired include about eight hundred letters to Schenker, four thousand pages of his diary, and his own compositions both in manuscript and published editions. It also includes much other music such as the complete Beethoven sonatas with Schenker's notes.

All of Jonas's collections were brought with him when he came to Riverside in 1965. One of his small but choice gatherings, the First and Early Editions, was acquired by the UCR library in 1976, but Jonas, in frail health, was reluctant to part with the Schenker materials. Negotiations had virtually halted when Jonas died in 1978, and it remained for his stepdaughter and heir, concert pianist Irene Schreier Scott, to complete the transfer that year of the Schenker materials, together with Jonas's own papers and those of Violin, to the UCR library. Since that time the Oswald Jonas memorial collection has grown slowly but significantly with the addition of photocopies of other Schenker manuscripts (for details see Appendix).

The collection of First and Early Editions (Group VI) was painstakingly built up by Jonas to further his research into the precise intentions of the great composers of tonal works. He was concerned not only with the reliability of the first and early editions in relation to an autograph manuscript, but also to determine whether the composer made corrections through the early printings-corrections which would not, of course, appear in the original manuscripts. Jonas began to acquire this segment of his collection soon after his arrival in the United States in 1938. When the war ended in 1945, he contacted various German dealers, and when it was again possible for him to visit Europe he tracked down rarities in obscure bookshops. He eventually acquired, particularly from dealers in Germany and England, many variant editions beyond what he needed at the time for his own work.

Other Jonas material now added to the collection, including his early journal essays, was given later by Heribert Esser.

Moriz Violin carried with him to America as much of his literary and musical estate as he could, and much of what he brought related to his life-long friend and idol, Heinrich Schenker. Violin had carefully preserved each letter and postcard from Schenker (Boxes 6-8 in the Schenker materials). Violin even tried to reconstruct the orchestration of Schenker's Syrische Tänze, originally orchestrated by Schoenberg in 1903 and long lost.

When Violin with his wife and daughter arrived in America in June, 1939, they found a temporary haven with Edith Schreier-soon to become Jonas's wife-in San Francisco. Later, the Jonases moved to Chicago, but Violin continued to live in San Francisco where he died in 1956. Much of his Nachlass, including the Schenker correspondence, was given to Jonas and through Jonas it came to UCR. Other Violin material, including letters from Schoenberg, Walter, and Monteux, was given to the Jonas collection later by Violin's daughter, Eva Windsor.

Footnotes:

*Milton Babbitt has described how Schenker was ignored or held up to ridicule by much of the Viennese musical world, fractured as it was by coteries and quarrels. He quotes pianist and composer Eduard Steuermann on Schenker: "This funny little man who haunted the back streets exposing his analytical graphs which no one understood" (M. Babbitt, A Life of Learning, Charles Homer Haskins Lecture. Washington, D.C.: American Council of Learned Societies, 1991, p.10)

*Publication in preparation; edited by Heribert Esser.

Biography

Oswald Jonas, 1897-1978

In 1965 my stepfather Oswald Jonas, then 68 years old, faced a difficult decision. Retired from Roosevelt University in Chicago where he had taught since 1942, he was currently lecturing at the Music Academy in Vienna. Should he settle in Vienna, his original home, or should he return to his adopted country? Many factors were pulling in both directions when a temporary answer came in the form of an unexpected invitation to be Regents' Professor at the University of California, Riverside, for the academic year 1965/66. He accepted delightedly. Although neither he nor my mother was acquainted with Riverside, California had always been their favorite state. Indeed, some of his earliest American musical contacts had been made at Berkeley.

The "temporary answer" was to become happily permanent. Thanks to the warm, enthusiastic reception by faculty and students alike, thanks to their openminded response to his highly individual approach to music, thanks particularly to the great personal friendship of Professor William Reynolds, then Department Chairman, and his family, Riverside became a new home. When the Regents' Professorship was over, Jonas remained as Adjunct Professor until his death in 1978.

Over the years, Jonas's work on manuscripts and editions led to his gradual acquisition of an excellent library of first and rare editions. Additionally, he received a substantial part of the Nachlass of Heinrich Schenker from his friend and first student, the Viennese musicologist Erwin Ratz. Ratz, who had heroically rescued Mrs. Schenker twice from concentration camps during the Hitler years, was unable to prevent her final fate; before being taken away by the Gestapo, she entrusted her husband's remaining papers (letters, music, manuscripts and his voluminous diaries) to him. Jonas devoted his last years' work almost exclusively to this fascinating material. It seems entirely appropriate that the University which was so hospitable and enabled him to work freely during those years should be the recipient and guardian of his unique library.

Irene Schreier Scott

Vorwort

In den letzten dreissing Jahren hat Heinrich Schenker als Musiktheoretiker zunehmende Beachtung gefunden. Insbesondere in den U.S.A. ist sein Name weithin bekannt geworden. Schüler und Enkelschüler von ihm haben für die Verbreitung seiner musiktheoretischen Ideen gesorgt und diese zum Teil in verschiedener Richtung fortgeführt. Dieser Prozess ist derzeit noch in vollem Gange. Die meisten seiner Veröffentlichungen erschienen zunächst nur in deutscher Sprache. Erst seit 1979 sind sein Hauptwerk Der freie Satz, seit 1987 sein Kontrapunkt auch in amerikanischen Übersetzungen ( Free Composition, Counterpoint) zugänglich. Ihnen vorausgegangen ist die Übersetzung der Harmonielehre von 1906. Sie ist als Harmony 1954 mit einem ausführlichen Kommentar von Oswald Jonas erschienen, der seit 1966 als Regents' Professor of Music an der University of California, Riverside lehrte. Ein Grossteil des Nachlasses von Heinrich Schenker befand sich in seinem Besitz. Er gelangte nach dem Tode von Oswald Jonas zusammen mit dem eigenen und dem musikalischen Nachlass von Moriz Violin, dem vertrautesten Freunde Schenkers, im Jahre 1978 als Oswald Jonas memorial collection in den Besitz der Universitätsbibliothek Riverside.

Als Schüler von Oswald Jonas und Moriz Violin in Wien in den Jahren 1935-36 und daher vertraut mit der Lehre Schenkers seit meiner Studienzeit ist die Erforschung seiner Persönlichkeit mein besonderes Anliegen. Die in der Oswald Jonas memorial collection vereinigten Nachlässe bieten dazu die beste Grundlage.

Ich begrüsse daher die Fertigstellung des vorliegenden Kataloges, der diesen wertvollen Bestand sachgerecht aufschlüsselt, und bin der festen Überzeugung, dass Forscher aus verschiedenen Disziplinen Anregung und Belehrung aus ihm schöpfen werden.

Hellmut Federhofer, Mainz, 1992

Foreword

Over the past thirty years, Heinrich Schenker has been steadily gaining recognition as a music theorist, particularly in the United States. Several generations of Schenker students have been responsible for the dissemination of his ideas on music theory and for expanding those theories in various directions. This process is still continuing today, in part because many of his works, originally available only in German, have more recently been published in English. In 1979 his main work Der freie Satz (Free Composition) and in 1987 his Kontrapunkt (Counterpoint) became available in English translations, preceded by Harmony, the 1954 translation of Schenker's Harmonielehre (1906) with an extensive commentary by Oswald Jonas, professor of music at the University of California, Riverside, from 1966 on. Jonas possessed a considerable portion of Heinrich Schenker's literary estate, and upon his death in 1978, the Library of the University of California, Riverside, established the Oswald Jonas memorial collection, containing the Schenker materials, Jonas's own library, and the musical collection of Schenker's closest friend, Moriz Violin.

As a student of Oswald Jonas and Moriz Violin in Vienna from 1935 to 1936 I became familiar with Schenker's teachings, and since that time, the study of his personality has been a special interest of mine. The papers gathered in the Oswald Jonas memorial collection offer the best resources for this purpose.

I am therefore pleased to see the completion of the present catalogue, which provides systematic access to this valuable collection, and I am firmly convinced that researchers in many disciplines will find both inspiration and information therein.

Hellmut Federhofer, Mainz, 1992

Acknowledgments

Many people have contributed their knowledge and skills to this Checklist. First, there were Oswald Jonas's friends and colleagues; it was through their efforts that the collection was kept together, ultimately to find a permanent home at the University of California, Riverside. Unhappily, though he had long considered depositing his papers at UCR, that hoped-for decision was not reached until after Jonas's death.

Both editors were privileged to know Oswald Jonas and often talked with him about his collection. We did not, however, have access to his papers at that time, and it was not until his stepdaughter and heir, Irene Schreier Scott, entrusted his collection to UCR that his treasured manuscripts could be examined. Without Oswald Jonas himself to explain, many questions about his papers have remained unanswered. Nevertheless, Irene Scott's intimate knowledge of Ossi's career and her sympathetic support have been invaluable; two of Ossi's old friends, Heribert Esser and Hellmut Federhofer, have also examined the entire collection; they have been exceptional in their knowledge and generous with their help. Eva Violin Windsor provided biographical information about her father, Moriz Violin.

Our gratitude goes to William Reynolds, Associate Dean of Humanities and Professor of Music. Professor Reynolds was instrumental in bringing Oswald Jonas to the UCR campus, a prime mover in acquisition of his collection and unswerving in his support. Encouragement and financial support for preparation of the Checklist came from three University Librarians, Eleanor Montague, Joan Chambers, and James C. Thompson; John Tanno, associate university librarian, himself a musicologist, fostered and continued the Library's commitment to the project. Other Library staff members, Sidney Berger, Peter Briscoe, Diane David, and Gladys Murphy, contributed expertise; Heidi Hutchinson prepared English translations and Clifford Wurfel helped decipher Schenker's handwriting. Horst Hoffmann, assistant director of international services, worked on the correspondence at an early stage and identified unfamiliar names.

Acknowledgments are also due the following for information, suggestions and courtesies indispensable to our task: Carolyn Hammer, Donald Johns, Jorun B. Johns, Walter Jansen, Robert Kosovsky, Margit McCorkle, Nicholas Marston, Patrick Miller, Nicholas Rast, John Rothgeb, John Ruggiero, Jutta Theurich.

The onerous task of producing the checklist was undertaken by several student typists, including Christie Hammond, Katja Koerdt, Kelly Myers, Ariel Vitale, and Andrea Brandt, who successfully typed most of the last revision. Pamela Munro, Allen Munro, and J.P. Munro, all computer experts, and Peter Lang, graphic designer, provided reassuring advice, improved the text, and solved technical problems. Allan Crosthwaite skillfully prepared the final format for camera-ready copy.

We owe a debt to all who have helped us avoid blunders; nevertheless it is the editors who must in the end be held responsible for the accuracy of this Checklist. We hope its usefulness will outweigh its limitations.

Robert Lang, University of California, Riverside

Joan Kunselman, California State University, Los Angeles

Riverside and Los Angeles, December 1993

Collection Scope and Contents

The Oswald Jonas memorial collection combines the papers of the Austrian music theorist Heinrich Schenker (1868-1935) with the papers of Oswald Jonas (1897-1978), a distinguished Schenker pupil and loyal disciple. Added to these are the papers of Moriz Violin (1879-1956), concert pianist and Schenker's closest friend, including the monumental Schenker-Violin correspondence extending from 1896 to 1935. The total collection comprises about 75,000 leaves of manuscript largely unpublished, including music manuscripts, theoretical and analytical studies, critical essays, letters, Schenker's Tagebücher kept over forty years (1896-1935), biographical materials and printed scores from Schenker's working library, often heavily annotated. In addition there are books, pamphlets, periodical publications, corrected galley and page proofs, notebooks, drafts and fragments from Schenker's work table, photographs and other memorabilia, together with related correspondence and research materials assembled by Jonas.

After Heinrich Schenker's death his widow, Jeanette Schenker, divided portions of his Nachlass among his circle of pupils and disciples-Wilhelm Furtwängler, Anthony van Hoboken, Jonas, Felix Salzer, Otto Vrieslander, and others. A major portion, including many of the manuscript analytical studies, was entrusted in 1938 to Ernst Oster, a Jonas pupil, when Oster left Vienna for New York. Most of the remainder, faithfully preserved by Frau Schenker, eventually passed after the war to Jonas; it is this portion, with later additions, that forms the present Schenker materials in the Oswald Jonas memorial collection at the University of California, Riverside. The Oswald Jonas memorial collection and the Oster collection, now in the New York Public Library, are the two largest surviving collections of Schenker manuscript and research materials.

A portion of this collection remains unprocessed. Please contact Special Collections & Archives for additional information regarding this material.

Heinrich Schenker materials

At various stages of his career Schenker was a composer, concert pianist and accompanist, music critic, musicologist, research scholar and editor of authoritative editions of composers (notably Beethoven), diarist and shrewd observer of contemporary Viennese life, and teacher, with a devoted circle of pupils and friends who became scholars and performers in their own right. All these phases are illuminated in the collection. But above all Schenker was a giant among music theorists; his concept of musical structure and his analytical method may be seen taking shape in the Archive's manuscripts. A brief overview follows, arranged according to the order of contents of the Checklist.

I a. Schenker's Diary. The Tagebücher, written daily between 1896 and Schenker's death in 1935, are preserved on more than four thousand leaves of manuscript. Up until 1912, when Jeanette became his amanuensis, Schenker hastily scribbled diary notes on odd scraps of paper in his special mixture of Sütterlinschrift and Lateinschrift; later, Jeanette's precise script takes over and the entries are far more detailed. Often there are working drafts of diary pages in Heinrich's hand, later recopied by Jeanette (the same process occurs in the correspondence).

In the diary Schenker writes of his trip to Berlin in 1903 for the first performance of his Syrische Tänze, orchestrated by Schoenberg. We read of Schenker's struggles to achieve recognition within the Viennese musical establishment, particularly from the Akademie für Musik, and of his lean years during the devastating inflation of the 1920s. * At the same time Schenker writes of his often difficult relations with Emil Hertzka and the powerful Universal-Edition, as well as his relations with other publishers. Yet with the aid of patrons an almost constant stream of his essays, monographs and editions came from the press; the progress of these publications is documented in the diary.

Schenker comments on hundreds of performances in the concert hall (by Caruso, Casals, Rubenstein, Schnabel, and many others) and on the radio. He remarks on the events of the day, news and weather, but most expansively on his visitors and his mail. His diary reports on conversations with other musicians, such as Furtwängler, are often more significant and more trenchant than comments in his correspondence or other writings. Schenker talks of his work, of the theatre, art, and his reading-ranging from the classics (Goethe and Shakespeare) to contemporaries such as Hauptmann, Ibsen, Kraus, Mann, Shaw, and Wedekind. In later life Schenker stayed in Vienna, retreating only in the summer heat to his beloved Galtür in the Austrian Tyrol. Afflicted with then-uncontrolled diabetes, Schenker labored to complete the last of his theoretical works; his fervent "Mit Gott!!!" (flanked by a drawing of two lighted menorahs), written on the last manuscript page of Der freie Satz (Free Composition), is pasted to the diary leaf for September 5-6, 1932. Two years later the diary ends abruptly with Schenker's death, January 22, 1935.

I b,c. Correspondence. Beginning about 1888 and continuing until 1935, Schenker's more than three hundred correspondents include Eugen d'Albert, Ignaz Brüll, Ferruccio Busoni, Walter Dahms, Otto Erich Deutsch, John Petrie Dunn, Wilhelm Furtwängler, August Halm, Eduard Hanslick, Maximilian Harden, Paul Hindemith, Anthony van Hoboken, Paul von Klenau, Wanda Landowska, Arnold Schoenberg, and Karl Weigl. In most cases we do not have Schenker's replies, a notable exception being the massive correspondence with Violin already mentioned, but other significant examples are preserved, most notably the Schenker-Busoni and Schenker-Hindemith exchanges. Other instances of prolonged epistolary friendships include the substantial numbers of letters from Felix von Cube (1923-1934), Reinhard Oppel (1919-1935), Herman Roth (1912-1933), and Hans Weisse (1911-1935). Editors of critical reviews, like Harden, Ludwig Karpath, and Hermann Rinn, also wrote many letters to Schenker about his proposed essays.

Other interesting letters include those from the typographer and printer Victor Hammer (Schenker's replies are also preserved); bass Johannes Messchaert, with whom Schenker toured as accompanist; pianist Moriz Rosenthal; and poet Detlev von Liliencron, whose Wiegenlied Schenker set to music.

I d. Schenker's Publications: Critical and Analytical Works. The Archive contains manuscripts, corrected galley and page proofs, and published versions of many of Schenker's critical works, beginning with the excerpt from his dissertation, "Der Geist der musikalischen Technik" (1895), and including most of his writings on Beethoven: the Erläuterungsausgaben der letzen fünf Sonaten Beethovens (1913-1920); analysis of the Third Symphony; Beethovens Neunte Sinfonie (1912); and Schenker's final edition of the Beethoven piano sonatas with his manuscript corrections (filed in section I f). Of his major theoretical works, Schenker's Harmonielehre (1906) is represented by manuscript material for Jonas's English edition and Der freie Satz (1935) by typescripts (incomplete) for Jonas's second edition; the Generalbasslehre, never published and described as an earlier version of Der freie Satz, is present in a typescript prepared by Felix Salzer. Other theoretical studies are substantially represented by original manuscripts, notably Der Tonwille (1921-1924) and Das Meisterwerk in der Musik, Band II (1926). There are also the draft manuscript and notes for revisions of Schenker's planned major work on performance, Die Kunst des Vortrags. * Finally, there are Schenker's reviews and periodical essays, written largely when he was a music critic in the 1890s, and here collected in printed versions and photocopies.

I e. Schenker as Composer. In the fervor of youth Schenker was an active composer. He wrote more than thirty songs, a number of piano pieces including the Syrische Tänze (actually Hassidic dances) for four hands; chamber music; and incidental music and songs for Hamlet (possibly sketches for an opera). A few songs and piano works were published, but most of his compositions exist only in manuscript and are found in the Jonas Collection.

I f. Schenker as Editor. When Schenker embarked on his editing of Beethoven's last piano sonatas in 1912-13 he turned to the holograph manuscripts for an authentic reading of Beethoven's intention, seeking to eliminate corrupt readings while paying special attention to the smallest markings and refinements of notation-details previously misunderstood or ignored though often intended by the composer to carry performance indications. Schenker pioneered among modern editors in his recognition that among the performing arts music is uniquely able to convey in manuscript far more of the composer's creative vision, again through performance directions. Here Schenker's theories of musical structure also play a role; many of his studies and annotations in published scores convey his ideas of the composer's deeper intention, to be revealed in performance.

Schenker took practical steps to give other scholars access to the best manuscript scores. His friend and pupil Anthony van Hoboken, a scholar and wealthy man, established with Schenker's blessing the Archiv für Photogramme musikalischer Meisterhandschriften, where photocopies of rare manuscripts were assembled for study in Vienna's Nationalbibliothek.

Schenker's modern critical approach is abundantly demonstrated in the early Beethoven editions (see I d). Later, in the 1920s, Schenker republished all the Beethoven sonatas; this is the edition that remains in print today. Here in Schenker's own copies of those scores are preserved his manuscript corrections, revised in proof as soon as they came from the printer (section I f); the revisions were incorporated in a later printing only after Schenker's death in 1935.

Other Schenker editions, notably Bach and Brahms, exist in the archive; almost equally important are his extensive annotations, often in multi-colored pencil and ink, in his copies of scores, not only of Beethoven and Brahms, but also of Chopin, Handel, and Haydn among others.

I g. Biographical Documents. Past controversy has obscured the date and place of Schenker's birth; the archive, however, provides documentation. Heinrich Schenker was born in Galicia in 1868 (1867, some sources state), within the largely Polish-speaking province of Lemberg (now Lvov), then part of the Austro-Hungarian Empire and now in Ukraine; his parents were German-speaking Jews.

Other documents relate to Schenker's later career; these include autobiographical sketches in his own hand; his academic studies at the University of Vienna; itineraries of concert tours he undertook as accompanist to Messchaert; concert programs where Schenker appeared as composer or pianist, and the sale catalogue of Schenker's library dispersed after his death.

Oswald Jonas materials

Oswald Jonas, pupil and friend of Schenker from the early 1920s, had the almost unique opportunity, as Schenker's private student of piano and theory for six years, thoroughly to absorb Schenker's musical ideas. Jonas was born in Vienna in 1897 and took his J. D. degree at the University in 1921. At an early age he was passionately devoted to music and in 1915 became a piano student of Moriz Violin, Schenker's intimate friend and confidant. After attending the University Jonas began to take private lessons from Schenker, continuing to see him frequently until in 1930 he moved to Berlin, the center of German musical life. Before long Jonas was teaching at Berlin's Stern Conservatory, at the same time beginning to write, with rare empathy and clarity, an introduction to Schenker theory. This first book-length exposition of Schenker's ideas, Das Wesen des musikalischen Kunstwerks (1934), won Schenker's warm approval and led to Jonas's abiding friendship with Wilhelm Furtwängler, another of Schenker's admirers. After Schenker's death in 1935 Jonas and others founded a Schenker Institute at the University of Vienna, and in partnership with another pupil, Felix Salzer, established a periodical, Der Dreiklang, based upon Schenker theory. Der Dreiklang lasted less than a year; the Anschluss soon brought Hitler to Vienna. Pressure on Jews was increasing and ominous war clouds were gathering. Jonas, Salzer, Violin, Oster and many others were soon to make their way to America.

In 1941 Jonas became a professor of music theory at Roosevelt University in Chicago and in 1965 Regents' professor and adjunct professor at the University of California, Riverside, where he remained until his death. After the war Jonas frequently returned to Europe, and it was on these trips that he began to collect his library of early editions, facsimiles and photocopies of music manuscripts. While he always asserted that he was not a collector and acquired manuscripts and rare editions only for their scholarly value, he managed to obtain autograph manuscripts of Brahms (mainly corrected proofs and Stichvorlagen; these are not part of the Jonas memorial collection) and, of course, the Schenker materials which came to light in Vienna after the war. Though continuing to teach Schenker theory, Jonas increasingly turned his attention to the study of manuscripts, contributing scholarly articles to music journals and editing the texts of Bach, Beethoven, Brahms and Haydn as well as new editions of Schenker.

Oswald Jonas always thought of himself as a musician rather than musicologist or pure theorist, perhaps a philosopher of the language of music, as Rothgeb says, and a highly original thinker whose ideas were thoroughly compatible with Schenkerian theory. Trained as a pianist as well as theoretician and, like Schenker, interested above all in performance, Jonas brought new depth of understanding of the repertory especially to pianists and singers (his classes in German song were famous). Besides reediting two of Schenker's theoretical works, Jonas followed Schenker's lead in his research into the autograph intentions of the great composers. All these aspects of Jonas's career, including those relating directly to Schenker, are represented in group II of the collection.

The arrangement of Jonas's papers in group II generally follows the outline observed in group I, the Schenker materials. This in turn reflects Jonas's own ordering of the material.

II a,b. Correspondence. Jonas's correspondents are primarily musicians, musicologists and editors. Among nearly two hundred names there are first of all those who knew Schenker, pupils and other members of the Schenker circle: Paul Breisach, Wilhelm Furtwängler, Anthony van Hoboken, Reinhard Oppel, Felix Salzer, Moriz Violin, and Hans Weisse. Then there is a later generation of musicians and scholars, many associated with Schenker studies or with Jonas's research interests, including Paul Badura-Skoda, Milton Babbitt, Franz Eibner, Heribert Esser, Hellmut Federhofer, Imogen Fellinger, Walter Gerstenberg, Günter Henle, Greta Kraus, Jan La Rue, Ernst Oster, and Erwin Ratz. Many other distinguished names will be found in the list.

II c. Publications. This section contains Der Dreiklang as well as most of Jonas's scholarly articles, though not his editions of Bach, Beethoven, Brahms, Schenker and others, some of which are located in sections I d, I f, and II d. Source material and notes relating to his research will be found in II d.

II d. Jonas Research Materials. When Jonas visited research libraries he collected films or other photocopies of manuscripts he had examined, and these, together with his research notes, are filed under composer's names in this section. The source of some of these photocopies, owing to the dispersal of library collections in Germany, may be difficult to identify; others are incomplete and a few were obtained from private collections with certain restrictions attached. Still others have been superseded by published facsimiles. Nevertheless this section, which also includes some early editions (see also group VI), represents a considerable gathering of source material for those composers, notably Beethoven, Brahms, Mozart, of special interest to Jonas. There are also annotations and extensive notes for Jonas publications, including the Schenker editions, and for projected publications about Schenker as well as Brahms. The material about Schenker, which includes most of Jonas's writings on the subject as well as secondary sources, supplements group I.

II e. Biographical Materials. Besides essential documents and a curriculum vitae, included here are obituaries, bibliographies, data about other scholars and colleagues of Jonas, reviews and publicity clippings, and letters of recommendation, notably those from Furtwängler.

Moriz Violin materials

From 1896, when Schenker first met Moriz Violin, a brilliant seventeen-year-old pianist making his debut in Vienna, until Schenker's death in 1935, Schenker and Violin were fast friends, often writing daily postcards or letters whenever they were apart. Schenker's diary begins the year they met; Violin received the last page of the diary at Schenker's deathbed.

At fifteen Violin won the coveted Brahms prize for composition at the Gesellschaft der Musikfreunde (1894) and went on to a career as a concert pianist and teacher, both at the Gesellschaft and the Akademie. Arnold Schoenberg considered his artistry "truly remarkable"; Violin also performed in Berlin with Erich von Wolzogen's Überbrettl and later was a private teacher in Hamburg, 1922-1933. He was a founding member of two chamber groups, the Violin-Fischer-Klengel trio in Vienna and the Violin-Van den Berg-Buxbaum trio in Berlin. In 1939, as the Jewish persecution in Vienna grew more intense, Violin at the age of sixty abandoned his career, made his way to America and settled in San Francisco, where he conducted occasional master classes but never was able fully to resume his brilliant pianism. Schoenberg sought to help him as he did other expatriates, but for Violin there were few performance opportunities in America. He died in San Francisco in 1956.

III a,b. Correspondence. Schenker's letters to Violin, the most extensive part of Violin's correspondence, are filed in the Schenker materials under I b, Boxes 6-8. Next to the Tagebücher, the Schenker-Violin letters provide the most complete record of Schenker's daily life and activities from 1896 to 1935. Other correspondents in III a,b include Eugen d'Albert, Ignaz Brüll, Friedrich Buxbaum, Wilhelm Furtwängler, Johannes Messchaert, Pierre Monteux, Arnold Schoenberg, Otto Vrieslander, Bruno Walter, and Hans Weisse. Letters of recommendation written for Violin are filed in III c.

III c. Works by and about Violin. Writings by Violin include an attack on the Akademie written at the time of his resignation (1912), reminiscences of Brahms, and eulogies of his friend Schenker. Biographical materials include documents from the Akademie für Musik and Gesellschaft der Musikfreunde, together with reviews of performances (some with Schenker) in Vienna, Berlin, and Hamburg. Letters of recommendation are from or to such figures as Busoni, Furtwängler, Goldschmidt, Nikisch, Schalk, Richard Strauss, Schoenberg, and Bruno Walter.

Other Correspondence

Group IV. The letters in this section exclude Schenker, Jonas or Violin as primary correspondents, though there are a few postscripts addressed to Schenker. Among the names included here are Deutsch, Eibner, Hanslick, Harden, Hoboken, Oster, Reményi, Weisse, and Vrieslander.

Photographs and Other Portraits

Group V. Besides snapshots and studio portraits, this section includes two mezzotints by Victor Hammer and a bronze plaque of Schenker by Alfred Rothberger. In all there are twenty-five portraits of Heinrich Schenker, ca. 1900-1935, plus photos of Jeanette and of Schenker's relations, as well as six interior views of the Schenker apartment in the Keilgasse, Vienna. Photos found in the correspondence have been transferred for better preservation to this section. Among others these include portraits of d'Albert, Brahms, Deutsch, Dunn, Jonas, Roth, Weisse, Violin, and Vrieslander.

First and Early Editions

Group VI. Supplementing Oswald Jonas's research materials, gathered largely in II d, is a separately catalogued group of 430 early editions of the work of eighteenth and nineteenth century composers. A summary describes the scope of Jonas's collections of the printed scores of Beethoven, Brahms, Chopin, Handel, Haydn, Liszt (one item only), Mendelssohn, Mozart, Schubert, and Robert and Clara Schumann.

How To Use the Checklist

Manuscripts and related material in the Jonas Collection are filed by box and folder number. In turn these boxes and folders are divided into groups (I-V) and sections (a-g). The general arrangement is apparent in the table of contents, the major manuscript sections being Group I, Schenker materials; Group II, Jonas materials; and Group III, Violin materials.

Manuscripts in the Jonas collection for the most part were written on acidcontent paper, now grown brittle after nearly a century. Frequent handling of the material results in damage and in some loss of text. For this reason the original manuscripts will be protected, microfilmed, and enclosed in mylar. Access will primarily be to the microfilm (which will also be keyed to box and folder numbers) with the originals available to be consulted when necessary for verification.

Details of arrangement in each section are given below:

Tagebücher (I a). Pagination in Schenker's Diaries is very irregular and the collation attempts to describe the actual sequence of numbered leaves. Series A is the basic diary; B and C are parallel series with overlapping dates covering shorter periods.

The Tagebücher are not indexed except for the small notebook compiled by the Schenkers (Box 4 f.9) covering names and subjects up to Sept. 23, 1912. *

Correspondence (I b, c; II a, b; III a, b; IV). Letters or other documents where Schenker is the writer or recipient are all found in Group I. Next in priority are letters with Jonas as writer or recipient (Group II) and third, letters with Violin as writer or recipient (Group III). Thus, if the Schenkers are recipients, all such letters, even if from Jonas or Violin, are found in Group I. Listed in Group IV are a small number of letters in which none of the three principals is involved as correspondent.

Correspondence is identified as autograph (A) or typed (T), whether a letter (L), postcard (P), or note (N), and whether signed (S) or unsigned (U). For each correspondent file, letters are arranged in the following order:

ALS: Autograph Letter Signed
ALU: Autograph Letter Unsigned
APS: Autograph Postcard Signed
APU: Autograph Postcard Unsigned
ANS: Autograph Note Signed
ANU: Autograph Note Unsigned
TLS: Typed Letter Signed
TLU: Typed Letter Unsigned
TPS: Typed Postcard Signed
TPU: Typed Postcard Unsigned
TNS: Typed Note Signed
TNU: Typed Note Unsigned

Correspondence files are arranged alphabetically by recipient (e.g., letters from Schenker, I b) or by writer (letters to Schenker, I c). Within each folder, letters are arranged by type (such as ALS) and within each type chronologically, undated letters first, followed by the earliest date. Inclusive dates and number of letters of each type are given but not pagination or other bibliographic data. Documents other than letters or cards are listed at the end. In the following entry listing letters from Furtwängler to Schenker (I c), folder 16 of Box 11 contains six undated autograph letters signed, eleven autograph letters signed and dated between 1919 and 1934 (with one signature missing), two autograph postcards signed and dated 1923, and five typed letters signed and dated between 1932 and 1937, (Letters after 1935 were addressed to Jeanette Schenker):

11 f.16 Furtwängler, Wilhelm
- ALS 6 undated
- ALS 11 1919-1934 (signature has been cut from letter of 16.XI.32)
- APS 2 1923
- TLS 5 1932-1937

Dates enclosed in square brackets have been derived from other evidence than the writer's own dating. Original envelopes are included when found.

Letterheads provide clues to the writer's connections and are listed in parentheses after the signatory's name. Thus in I c:

12 f.49 Mandyczewski, Eusebius (includes letterhead of Gesellschaft der Musikfreunde, Wien, and Internationaler Kongress für Schubertforschung, Wien)

indicates that Mandyczewski wrote at least one letter on the letterhead of each of the organizations listed. The parenthetical qualifier "(with letterhead of...)"; indicates that all of the correspondence includes the letterhead. Neither qualifier is intended to describe the subject of the correspondence.

Schenker's Critical and Analytical Works (I d). In this group, largely Jonas's arrangement, are listed many of Schenker's published critical works, comprising original manuscripts as prepared for the printer, some page proofs, and printed editions with corrections. Included are Jonas's editions of Schenker's work. The material is divided into six subsections (with some overlap):

Box 16-17. Schenker's critical writings arranged by composer; largely Beethoven, excluding the complete edition of the piano sonatas listed in I f.
Box 18-19. Schenker's major works on theory and analysis arranged by date. Includes some Jonas editions, e.g., his English edition of the Harmonielehre.
Box 20. Essays and reviews by Schenker as first published in the periodical press. Arranged by periodical title and then by date. Few original issues; largely Jonas transcripts and photocopies.
Box 21 f.1-6. Other writings by Schenker. Minor works; non-musical writings.
Box 21 f. 7-21. Notes and drafts for Die Kunst des Vortrags and other projects.
Box 21 f.22-25. Essays and announcements concerning Schenker's works.

Schenker As Composer (I e). Manuscripts in Schenker's hand, manuscripts in a copyist's hand, and published editions. There are seven subsections:

Box 22 f.1-13. Vocal music with opus numbers (arranged by opus).
Box 22 f.14-36. Vocal music without opus numbers (arranged by title).
Box 23 f.1-7. Instrumental music: solo piano works.
Box 23 f.8-16. Works for piano 4 hands (includes orchestral versions of Syrische Tänze by Violin [1922-] not part of the Schenker Nachlass).
Box 23 f.17-24. Trios.
Box 23 f.25-28. String quartets.
Box 23 f.29-30. Other instrumental works and sketches.

Schenker's Research and Teaching (I f). Box 24-34. Arranged by composer; under composer by opus number. Included are published editions by Schenker (and revisions by Jonas), published editions by others with autograph annotations by Schenker, manuscript copies by others, performance copies, analytical studies and related material. The extensive Beethoven section (Box 26-30) includes annotated copies and corrected page proofs of Schenker's edition of the complete piano sonatas. Following the composer section are three smaller sections:

Box 33 f.4-6. Other research and teaching materials. Analytical studies by Schenker and others with musical examples for "Lehre vom Vortrag"; (prepared by Jonas).
Box 34 f.1-14. Articles and publications of others. A small collection of clippings and excerpts, found in the Schenker Nachlass.
Box 34 f.15-17. Miscellany. A few studies for Kontrapunkt; student exercises; periodicals, including annotated pages of Radio Wien.

Schenker Biographical Materials (I g). Box 35. Personal documents, business and financial records.

Jonas Correspondence (II a, b). Box 36. For arrangement, see under Correspondence (I b, c) etc.

Critical Works of Oswald Jonas (II c). Box 37-38. Largely published material, but includes final manuscripts, notes and drafts, arranged alphabetically by title, with Jonas's book reviews at the end.

Jonas's Research and Teaching (II d). Box 39-68. Arranged by composer and opus number. Under "Schenker, Heinrich"; are arranged materials collected by Jonas for his publications:

Box 57. Writings by Jonas about Schenker, including a draft outline for "Lehre vom Vortrag.";
Box 58. Publications by others about Schenker, largely journal articles, including a few items since 1978.
Box 59. Excerpts compiled by Jonas for proposed Schenker biography. Largely typed transcripts from correspondence and the Tagebücher.

Following the composer section are three subgroups:

Box 61-62 f.4. Miscellaneous Jonas lecture notes, largely unfinished drafts or outlines.
Box 62 f.5-63 f.8. Collected bibliographic and historical excerpts, largely clipping files and pamphlets.
Box 64-68. Slides and microfilm collection.

Jonas Biographical Materials (II e). Box 69. Personal documents, lists of scholars, etc.

Moriz Violin materials (III a, b, c). Box 70. Arranged like Groups I and II.

Box 70 f.1-48. Correspondence. For arrangement, see under Correspondence (I b, c), etc.
Box 70 f.49-73. Works by and about Moriz Violin; biographical materials, performance reviews, etc.; letters of recommendation for Violin.

Other Correspondence (IV). Box 71. Arranged by writer. See Correspondence (I b, c), etc.

Photographs and Other Portraits (V). Box 72-73. Arranged by subject; oversize items also listed in Box 72 but physically located in Box 73.

First and Early Editions (VI). Not physically located with the Jonas memorial collection but catalogued and shelved in the book stacks of Special Collections & Archives.

Appendix: List of Acquisitions Since 1978. Contains information about new items added since Jonas's death.

Index. Locates all personal names and corporate names listed in the Checklist; also indexes (selectively) titles of musical works, titles of books reviewed by Schenker, and periodical titles. Expanded entries for Jonas, Schenker, and Violin index works by the three authors.

Note

A Note on Names and Titles Cited In Checklist Entries

Names of institutions and titles of works cited are normally given in the language of original publication. Places of publication or places where institutions are located are given in the form used in the language of origin, in this case often in the German form.

Titles of musical works are usually given in the language of the composer, unless much better known by the English title. Conventional titles of musical works are given in roman type; titles of published works appear in italics, and manuscript titles are given within quotation marks.

Most of the Checklist copy was prepared before the destruction of the Berlin Wall and the reunification of Germany, hence the designations Berlin [East] and [West] in entries. These descriptions have been allowed to stand as geographic terms; they may also help to identify libraries as they existed in Jonas's post-war Germany.

Footnotes:

*For a summary and excerpts from the diaries and correspondence, see Hellmut Federhofer, Heinrich Schenker nach Tagebüchern und Briefen in der Oswald Jonas memorial collection. Hildesheim: Georg Olms, 1985 [Special Collections ML423 S33F45 1985]

Index

Personal names and institutional names (societies and other corporate entities) appearing in the checklist are indexed by box and folder number. Also indexed selectively are distinctive titles of musical works (such as operas reviewed by Schenker), titles of books reviewed by Schenker, and titles of periodicals, including those in which Schenker's essays and reviews first appeared.

Aber, Adolf, 36 f.2, 36 f.80

Abert, Anna Amalie, 52 f.16

Adams, Ansel, 72 f.8

Adams, Horst, 36 f.81

Adini, Ada, 20 f.41

Adler, Guido, 5 f.3, 9 f.3, 48 f.1

Aida (Verdi), 20 f.4

Akademie für Musik und darstellende Kunst, Wien, 5 f.4, 9 f.4, 9 f.18, 35 f.4, 36 f.58, 36 f.228, 70 f.49a, 70 f.59

Albersheim, Gerhard, 9 f.5, 21 f.23

Albersheim, Josef, 5 f.5

Albert, Eugen d', 9 f.6, 20 f.2, 20 f.4, 44 f.3, 50 f.12, 59 f.3, 70 f.6, 71 f.17, 72 f.1

Albert, Herminie d', 9 f.7

Albrecht, Hans, 36 f.82

Aldermann, Pauline, 36 f.3

Altmann, Wilhelm, 9 f.8

Ambrosius, Johanna see Voigt, Johanna Ambrosius

American Musicological Society, New York, 36 f.173

Anders, Mariedi, 36 f.83, 71 f.1

Archiv für Musikwissenschaft, 36 f.114

Archiv für Photogramme, Wien, 9 f.10, 12 f.24, 20 f.10

Associated Music Publishers, 36 f.126, 36 f.247

Atlantis-Verlag, 36 f.156

Auber, Daniel F.E., 20 f.4

Avé-Lallemant, Theodore, 42 f.14

Avé-Lallemant, Waldlieb, 36 f.86

Babbitt, Milton, 36 f.4, 36 f.87, 58 f.1

Bach, C. P. E., 39 f.1-2, Box 64-66

Bach, J. S., 19 f.3, 19 f.5, 19 f.7, 19 f.9, 19 f.16, 20 f.4, 20 f.7, 39 f.3-13, 58 f.17, Box 64-66

Bacher, Eduard, 71 f.14

Badura-Skoda, Paul, 36 f.88

Bärenreiter-Verlag, 36 f.89, 36 f.108, 36 f.164, 36 f.208,

Bahr, Hermann 9 f.10a

Balassa, Ottilie von, 9 f.11

Bamberger, Carl, 9 f.12

Barbi, Alice, 70 f.56

Barnes, Richard G., 36 f.90, 36 f.195, 71 f.2, 71 f.16

Bauer, Maria, 71 f.41

Bauer, Otto, Konzertdirektion, 12 f.18

Baum, R., 36 f.5, 36 f.91

Baumeyer, Marie, 20 f.4

Bayerischer Rundfunk, Munich, 36 f.92

Beach, David W., 36 f.93, 58 f.1

Beck, Hermann, 36 f.94

Beck, Sidney, 36 f.6, 36 f.95, 69 f.10

Becker, Heinz, 36 f.7

Beckerath, Heinz von, 48 f.2

Beer, Berta Lahn, 70 f.7

Beethoven, Ludwig van, 16 f.3-11, 17 f.1-3, 19 f.4-7, 19 f.10, 19 f.13, 20 f.5-6, 20 f.8, 21 f.3, Box 26-30, 33 f.5, Box 40 - 41, 50 f.13, Box 64-66, Box 67, 70 f.66, Group VI

Beethoven'schen Clavier-Sonaten (Reinecke), 20 f.4

Beethoven Archiv, Bonn, 36 f.222

Beethoven-Zentenarfeier, Wien, 9 f.3

Bell, Alice M., 71 f.3

Bente, Hella, 36 f.96, 71 f.4

Beroldingen, Lukas, 36 f.97

Berrsche, Alexander, 9 f.14

Besag, Hilda, 71 f.5

Billroth, Else, 70 f.8

Binder,____, 9 f.16

Bienenfeld, Elsa, 9 f.15

Bizet, Georges, 20 f.3

Blaschik, A. J., 9 f.17

Bloch, Richard, 36 f.160

Blume, Friedrich, 36 f.8, 36 f.98

Böhmische Streichquartet, 20 f.4

Boetticher, Wolfgang, 60 f.17

Boieldieu, François-Adrien, 20 f.4

Bopp, Wilhelm, 9 f.18, 70 f.49a

Botstiber, Hugo, 9 f.19

Brahms, Johannes, 16 f.1-2, 17 f.4-8, 19 f.8, 20 f.1-2, 20 f.4, 20 f.10, 31 f.1-15, 33 f.5, 33 f.6, Box 42-50, 51 f.2, 57 f.5, 59 f.12, Box 64-66, Box 68, 72 f.2, Group VI

Deutsche Brahms-Gesellschaft, Berlin, 10 f.6

Johannes-Brahms-Denkmal-Komitee, Wien, 12 f.4

Komitee für ein Brahms-Denkmal in Thun, 12 f.16

Breisach, Paul, 36 f.99

Breitkopf & Härtel, 9 f.20, 22 f.1, 36 f.100, 36 f.226

Brennecke, Wilfried, 36 f.9, 36 f.101

Brockhaus, F. A., firm, 9 f.21

Broder, Nathan, 58 f.22

Bruck, Hedwig, 9 f.22

Bruckner, Anton, 17 f.9-10, 20 f.1-2, 20 f.4, 51 f.3, 71 f.42

Brüll, Ignaz, 9 f.23, 63 f.5, 70 f.9

Brünauer, Robert, 21 f.24, 71 f.37

Bülow, Hans von, 20 f.1, 20 f.4

Bundesministerium für Unterricht, Wien, 36 f.84

Busoni, Ferruccio, 5 f.5a, 9 f.27, 23 f.2, 70 f.67, 71 f.6

Busoni, Gerda, 9 f.28

Buxbaum, Friedrich, 70 f.10

Byron, G. 22 f.31

Cappell, Richard, 36 f.102

Carreno, Teresa, 9 f.29

Carruth, Hayden, 36 f.103

Chambrun, Comte de, 20 f.4

Le Chapeau Rouge (Boieldieu), 20 f.4

Chapman, Roger, 71 f.30

Chopin, Frédéric, 19 f.18, 31 f.16-26, 33 f.5, 52 f.1-5, 57 f.5, Box 64-66, Group VI

Christus (Kiel), 20 f.4

Chrysander, Friedrich, 53 f.4

Citkowitz, Israel, 58 f.2

Clarke, Dennis S., 36 f.104

Clementi, Muzio, 52 f.6

Colbert, Carl and Tony, 9 f.30

Colvin, J. L., 36 f.9a

Conne, Paul de, 9 f.30a

Conservatorium für Musik und darstellende Kunst, Wien, 35 f.1

Cotta'sche Buchhandlung Nachfolger, 5 f.6, 9 f.31, 9 f.32, 12 f.23, 12 f.27, 12 f.62

Creanza, Joseph, 36 f.10, 36 f.105

Csillag-Stern, Hermann, 9 f.33

Cube, Felix Eberhard von, 5 f.7, 9 f.34, 34 f.11, 36 f.11, 38 f.106, 58 f.3, 70 f.2, 70 f.11

Cube, Gustav von, 5 f.8, 9 f.35

Cuningham, Charles E., 36 f.107, 71 f.39

Cutter, Margot, 71 f.8, 71 f.38

Czerny, Carl, 50 f.13

Dahms, Walter, 10 f.1, 58 f.5

Daily Telegraph and Morning Post, London, 36 f.102

Damm, Marianne, 36 f.108

Davies, Ben, 20 f.4

Dehmel, Richard, 22 f.2-4

Derby, Roger, 36 f.109

Deutsch family, 36 f.110

Deutsch, Hanna, 10 f.3

Deutsch, Otto Erich, 5 f.9, 10 f.3, 14 f.21, 52 f.7-8, 59 f.4, 71 f.9, 71 f.19, 71 f.21, 72 f.3

Deutsch, Sofie, 10 f.4

Deutsche Allgemeine Zeitung, Berlin, 10 f.4;

essay by Schenker in, 20 f.11

Deutsche Bank, 10 f.5

Deutsche Brahms-Gesellschaft, Berlin, 10 f.6

Deutsche Gesandschaft, Wien, 10 f.7

Deutsche Nothilfe, Berlin, 10 f.8

Deutsche Staatsbibliothek, Musikabteilung, Berlin [East], 36 f.165

Deutsche Zeitschrift, 13 f.25;

essays by Schenker in, 20 f.10

Deutsches Musikgeschichtliches Archiv, Kassel, 36 f.143

Dewanger, Anton, 10 f.9

Djamileh (Bizet), 20 f.3

Doane, Marguerite T., 71 f.3

Doblinger, Ludwig, 23 f.1

Dohrn, Georg, 5 f.9a

Don Giovanni (Mozart), 20 f.4

Donizetti, Gaetano, 20 f.4

Dorian, Frederick, 38 f.61

Drei Masken Verlag, 10 f.11, 35 f.8

Der Dreiklang, Monatsschrift für Musik, 36 f.188, 37 f.1-7;

essays by Schenker in, 20 f.12

Dunn, Aline Petrie, 10 f.12

Dunn, John Petrie, 10 f.13, 72 f.4

Dürr, Walther, 36 f.112, 60 f.15

Dvorak, Antonin, 20 f.4

Dyson, Sir George, 36 f.113

Ebert, Alfred, 41 f.23

Eggebrecht, Hans, 36 f.12, 36 f.114

Eggert, Hanna, 36 f.115

Ehrlich, Theodore, 70 f.12

Ehrmann, Alfred von, 10 f.14

Eibenschütz, Flora, 10 f.15

Eibl, Joseph Heinz, 55 f.10

Eibner, Franz, 36 f.13, 36 f.116, 36 f.157, 52 f.9, 58 f.6, 71 f.27

Eichendorff, J. von, 22 f.3

Einschenk, Franz, 5 f.10, 10 f.16

Einstein, Alfred, 10 f.17, 36 f.117, 54 f.5

Elias, Angie, 10 f.18, 33 f.5, 58 f.7

Elias, Manolo, 10 f.19

Engel, Marie, 71 f.10

Engelhaft, W., 10 f.22

Engelsmann, Walter, 10 f.21

Epp, Margaret, 36 f.118

Epstein, Julius, 10 f.23, 23 f.1

Epstein, Richard, 10 f.24

Erben, Andre, 55 f.9

Esser, Heribert, 36 f.119, 71 f.10a, 71 f.21a

Erwin, Charlotte E., 58 f.8

Der Evangelimann (Kienzl), 20 f.4

Ewing, G. A., 36 f.12

Fallersleben, Hoffman von, 22 f.10-11

Falstaff, (Verdi), 20 f.2

Faust (Goethe), 21 f.5

Fayer, _____, 11 f.1

Federhofer, Hellmut, 36 f.14, 36 f.121, 39 f.13, 48 f.3, 52 f.10, 58 f.9-11, 60 f.3, 70 f.13, 71 f.36

Feil, Arnold, 36 f.122

Fellerer, Karl Gustav, 36 f.15

Fellinger, Imogen, 36 f.123, 48 f. 4-6

Fidelio (Beethoven), 40 f.12

Figaros Hochzeit ( Marriage of Figaro, Mozart), 20 f.4

Figl, Leopold, 36 f.16

Fischer, Edwin, 36 f.17, 36 f.124

Fischer, Emma, 11 f.2, 72 f.5

Fischer, Jacob, 11 f.3

Fischer, Johannes, 41 f.24

Flemming, Hans, 34 f.1

Floersheim, Georg, 62 f.5

Fock, Dirk, 11 f.4

Foerster, Josef Bohuslav, 11 f.5, 70 f.1

Forberg, Otto, 11 f.6

Forberg, Robert, 11 f.7

Forte, Allen, 36 f.199

Fra Diavolo (Auber), 20 f.4

Frankenstein, Alfred V, 36 f.125

Frankfurter, Albert, 70 f.15

Franz, Leo, 11 f.8

French, Richard F., 36 f.18, 36 f.126

Friedlaender, Max, 47 f.8, 48 f.7

Frimmel, Fanny von, 11 f.9

Frimmel, Theodore von, 11 f.10 34 f.2

Fritsch, Ernst Wilhelm, 11 f.11

Fröhlich, Theodor, 52 f.11

Fromm, Norman, 71 f.1

Frotzler, Carl, 11 f.12

Frühmann,-, 11 f.13

Fry, Stephen, 63 f.5

Fuchs, A., 11 f.14

Fuchs, Robert, 63 f.5, 70 f.16

Funk-Stunde, Berlin, 36 f.128

Furtwängler, A., 17 f.11

Furtwängler, Wilhelm, 5 f.11, 11 f.16, 35 f.4, 36 f.12, 36 f.19, 52 f.13-14, 59 f.5, 69 f.11, 70 f.17, 70 f.68, 71 f.11

Füssl, Karl Heinz, 36 f.20, 36 f.127, 52 f.12

Gärtner, Eduard, 5 f.12, 11 f.17, 14 f.23a, 22 f.3

Galitzin, Nicholas B., 41 f.20

Galston, Gottfried, 48 f.8

Geck,-, 11 f.18

Gering, Arnold, 36 f.130

Geiringer, Karl, 48 f.9, 52 f.15

Gelber, Adolf, 11 f.19

General-Anzeiger für Bonn und Umgebung, 5 f.12a,

essay by Schenker in, 11 f.20, 20 f.8

Genossenschaft der Bildenden Künstler Wiens, 70 f.18

Genossenschaft der Blas und Saiteninstrumentenmacher, Wien, 5 f.13

Georgii, Walter, 44 f.3, 45 f.10-11

Gerstberger, Karl, 11 f.21, 15 f.15-16

Gerstenberg, Walter, 36 f.21, 36 f.131, 69 f.12, 71 f.12

Gesellschaft der Musikfreunde in Wien, 5 f.14, 11 f.22, 12 f.20, 12 f.29, 12 f.49, 14 f.26, 20 f.4, 70 f.60

Gesellschaft der Musikfreunde, Wien, Concert (3 reviews), 20 f.4

Gesellschaft für Musikforschung, Kiel, 36 f.98

Glasbena Matica, 20 f.4

Glaser, Karl, 36 f.132

Gluck, Christoph Willibald, Ritter von, 20 f.4, 52 f.16

Die Gnossis, Wien, 11 f.23

Görlich, Elizabeth, 36 f.133

Goethe, J. W. von, 19 f.12, 21 f.4-5, 22 f.3, 22 f.6, 22 f.15, 22 f.20, 22 f.33

Goldberg, Albert, 36 f.22, 36 f.134

Goldberg, Szymon, 36 f.135, 71 f.26

Goldmark, Karl, 20 f.2, 20 f.4

Goldschmidt, Adalbert von, 70 f.69, 71 f.13

Goll, Ernst, 34 f.3

Gotwals, Vernon, 36 f.136, 48 f.10

Grädener, Hermann, 11 f.24

Gräser, Wolfgang, 16 f.2

Graf, Max, 11 f.25

Grieg, Edvard Hagerup, 20 f.4

Grodzins, Morton M., 71 f.24

Gross, Max, 11 f.26

Grossman, Orin, 19 f.16

Grosz, Carl, 11 f.27

Grünfeld, Alfred, 11 f.28, 20 f.4

Grünfeld, Ludwig, 35 f.5

Grunsky, Karl, 5. f.15, 11 f.29, 59 f.6

Günzberg, Olga de, 6 f.1

Gura, Eugen, 20 f.4

Gurlitt, Wilibald, 11 f.30

Guttmann, Sophie, 11 f.31

Haas, Robert, 11 f.32

Haase, Hans, 36 f.137

Handel-Gesellschaft, Kiel, 34 f.13

Hahn, Harry, 11 f.33

Halberstam, Julius, 11 f.34

Halm, August, 11 f.35, 34 f.4, 53 f.1, 58 f.12

Hamburger Nachrichten, 13 f.30

Hamlet, Schenker's music for, 22 f.36

Hammer, Victor, 5 f.15a, 11 f.36-37, 72 f.6, 72 f.14

Hammerl, Lissy, 70 f.19

Hammerschlag, Paul, 11 f.38

Handel, George Frideric, 32 f.1-2, 33 f.6, 50 f.13, 51 f.1, 53 f.2-4, Box 64-66, Group VI

Hansen, Conrad, 36 f.138

Hanslick, Eduard, 11 f.39, 20 f.4, 59 f.7, 71 f.14,

Harand-Bewegung, 11 f.40

Harburger, Walter, 11 f.41

Harden, Miximilian, 11 f.42, 59 f.8, 71 f.42

Harpner, Stefan G., 36 f.23, 36 f.139, 71 f.15

Harris, F. W., 36 f.23a

Hartmann, Ernst, 36 f.140

Hartry, Theodore G., 36 f.141

Hassler, Hans Leo, 33 f.5

Hatschek, Oskar, 11 f.43

Hausenstein, Wilhelm, 11 f.44

Hauser, Arthur A., 36 f.142

Hausmann, Robert, 20 f.4

Haydn, Joseph, 19 f.2, 19 f.9, 19 f.16, 20 f.4, 20 f.12, 32 f.3-5, 53 f.5-22, Box 64-66, Group VI

Haye,- von, 11 f.45

Heartz, Daniel, 55 f.11

Heckmann, Harald, 36 f.143

Heide, Martha von der, 70 f.20

Heide, Rose, 36 f.24, 36 f.144

Das Heimchen am Herd (Goldmark), 20 f.2, 20 f.4

Heimler, Hans, 36 f.145, 58 f.13

Heineman Foundation, New York City, 36 f.158

Heinitz, Ernst, 36 f.146

Heinrich-Schenker Akademie, Hamburg, 36 f.106

Hellmesberger, Josef, 11 f.46

Henle, G., Verlag, 36 f.218, 71 f.3

Henle, Günter, 36 f.25, 36 f.147

Henschel, Lillian, 20 f.4

Herders Konversationslexikon, 11 f.47

Hermelink, Siegfried, 36 f.25, 36 f.148

Hertzka, Emil, 5 f.16, 15 f.12

Emil-Hertzka-Gedächtnisstiftung, Wien, 10 f.20

Herzfeld, V. von, 11 f.48

Heuberger, Richard, 11 f.49, 53 f.23, 70 f.59

Heydusek, A., 11 f.50

Heyse, P., 22 f.17, 22 f.24, 22 f.26

Hift, Elena, 36 f.195, 71 f.2, 71 f.16

Hilbrandt, F, 70 f.20a, 72 f.7

Hill, Richard S., 36 f.27, 36 f.149, 56 f.5

Hindemith, Paul, 5 f.17, 11 f.51, 36 f.2

Hinderaker, Birk, 36 f.150

Hinrichsen, Hans, 36 f.29

Hinrichsen, Max, 36 f.30, 36 f.151

Hinterberger, Heinrich, 11 f.52, 35 f.2

Hirschl, D., 11 f.53

Hoboken, Anthony van, 11 f.54, 36 f.31, 36 f.152, 53 f.21, 58 f.14, 71 f.9

Hoch, D. B., 71 f.17

Hochgrassl, Wilhelm, 70 f.21

Hoesslin, Franz von, 11 f.55

Hoffmann, E. T. A., 19 f.6, 53 f.24

Hoffman, R. S., 70 f.49

Hofmeister, Friedrich, firm, Leipzig, 71 f.18

Holländischer Terzett, 20 f.4

Holler, Karl Heinz, 36 f.153

Holschneider, Andreas, 36 f.154

Holstein, Hedwig von, 53 f.25

Holz, Carl, 41 f.19

Hubermann, Bronislav, 20 f.4

Hucklenbroich, Volker, 36 f.155

Hürlimann, Martin, 36 f.32

Humbert, Georges, 41 f.25

Hunderisser, Franziska, 11 f.56

Internationale Kongress für Schubertforschung, Wien, 11 f.57, 12 f.49

Internationale Musik-Gesellschaft, Wien, 9 f.3, 12 f.14

Internationale Schubert Gesellschaft, Kassel-Wilhelmshöhe, 36 f.208

Internationalen Musikwissenschaftlicher Kongress, Wien, 36 f.219

Ilse, Hubert, 70 f.22

Israelitische Kultusgemeinde Wien, 11 f.8, 35 f.6

Jacobowski, L., 22 f.1

Jarecki, Gerschon, 36 f.157

Jenkner, Hans, 58 f.15

Jensen, Ivonne, 36 f.158

Jepperson, K., 56 f.5

Jerusalem, Wilhelm, 12 f.1

Jirak, Karel B., 36 f.33, 36 f.159

Jodl, Friedrich, 12 f.2

Jodl, Margarete, 12 f.3

Johannes-Brahms-Denkmal-Komitee, Wien, 12 f.4

Johnson, Robert Underwood, 71 f.29

Jokl, Ernst, 12 f.5

Jonas, Edith Schreier, 69 f.1

Jonas, Olga, 36 f.159a, 69 f.1

Jonas, Oswald

biographical materials Box 69;

correspondence 5 f.18, 5 f.36, 12 f.6, Box 36;

photographs Box 72 f.8;

essays and critical works Box 37-38;

editions including annotated scores, Box 39-60

editor, Beethoven, Die letzten fünf Sonaten, ed. Schenker, rev. 1970-1972, 28 f.9, f.11-12;

Beethoven Op. 109 facsimile, 41 f.7-8;

Schenker, Harmonielehre, Engl. tr., 18 f.7;

Schenker, Die freie Satz, 2d ed., 19 f.21-23;

Brahms, Sonatas Op. 120, 42 f.18, 45 f.14

works:

Der Dreiklang, Box 37

"Heinrich Schenker,"; 38 f.22

"Heinrich Schenker und grosse Interpreten,"; 38 f.23

"Die Kunst des Vortrags nach Schenker,"; 57 f.2-5

"Der Nachlass Heinrich Schenkers,"; 38 f.37

"Die `Variationen für eine liebe Freundin' von Brahms,"; 38 f.51, 42 f.12

Das Wesen des musikalischen Kunstwerks, 38 f.53;

rev. ed. pub. as

Einführung in die Lehre Heinrich Schenkers, 36 f.195, 38 f.54,

English transl., 38 f.54

other references, 19 f.18, 21 f.18, 21 f.21, 33 f.4

Joseph, Sol, 36 f.160

Just, Martin, 36 f.161

Kahn, Robert, 48 f.11

Kalbeck, Max, 5 f.19, 12 f.7

Kalmus, Alfred, 5 f.20, 12 f.8, 71 f.19

Kammerer, Emil, 71 f.19a

Karpath, Ludwig, 12 f.9, 35 f.4, 70 f.66, 71 f.11, 71 f.19a

Katz, Adele, 56 f.5

Kauder, Albert, 20 f.4

Kaufmann, Harald, 58 f.16

Kendall, Raymond, 36 f.34, 36 f.162

Kessler, E. v., 36 f.227

Kestenberg, Leo, 71 f.20

Kienzl, Wilhelm, 20 f.4

Komité zur Ehrung Wilhelm Kienzl's, Wien, 12 f.15

Kinberger, J.P., 38 f.26

King, A. Hyatt, 55 f.12

Kinkeldey, Otto, 36 f.163

Kinsey, Barbara, 48 f.12

Kinsky, Georg, 71 f.21

Klein, Fritz, 5 f.21, 12 f.10

Klein, Fritz Heinrich, 12 f.10a

Klenau, Paul August von, 12 f.11 41 f.6

Klengel, Julius, 70 f.23

Klett, Ernst, 5 f.22, 12 f.12

Koch, Louis, 62 f.5

Koch, Rosemarie, 36 f.164

Köhler, K.H., 36 f.165

Koenig, A., 12 f.13

Kokoschka, Oscar, 34 f.1

Koller, O., 12 f.14

Kolneder, Walter, 58 f.17

Komorn, Maria, 12 f.17

Kopetsky, Regina Winterberg, 35 f.1

Kornfeld, Felix, 14 f.7

Kornfeld, Tomás, 71 f.10a, 71 f.21a, 72 f.9

Korngold, Julius, 12 f.19

Kramer, Jos., 35 f.5

Krasny, Emil, 12 f.19 12 f.34

Kraus, Ernst, 12 f.20

Kraus, Greta, 36 f.166

Krautwurst, Franz, 36 f.167

Krebs, E., 12 f.21

Krehl, Stephan, 12 f.2

Kröner, Adolf, 12 f.23

Kromer, Julius, 12 f.24

Kross, Siegfried, 47 f.7

Krueger, Theodore Howard, 19 f.23, 36 f.35, 36 f.168, 71 f.22, 71 f.35

Krystall-Verlag, Wien, 36 f.169

Kudryk, Boris, 12 f.25

Kulenkampff, Hans-Wilhelm, 48 f.13

Der Kunstwart, 13 f.25;

essays by Schenker in, 20 f.10

Kurth, Ernst, 58 f.11

Kurz, H., 12 f.27

Kurzmeyer, H., 36 f.170

Der Kuss (Smetana), 20 f.3

Kux, Wilhelm, 12 f.2 23 f.5

Lach, Robert, 55 f.13

Landowska, Wanda, 12 f.33

Lafite, Carl, 12 f.29

Lagner, Thomas M., 36 f.36, 36 f.172

Lahusen, Christian, 12 f.30

Lamberg, Ernst, 5 f.24, 12 f.31

Landau, Heinrich, 12 f.32

Landon, Christa Fuhrmann, 36 f.157, 36 f.171, 53 f.20, 71 f.34

Landon, H.C. Robbins, 36 f.127

Lanzer, Alfred, 12 f.34, 35 f.8

Larson, Jens Peter, 53 f.22

LaRue, Jan, 36 f.173

Lavart, Louis, 23 f.29

"Lebendige Musik in Wien 1934";, 9 f.9

Lederer, Joseph, 36 f.37, 36 f.174

Legis, Stanislas, 20 f.4

Lehman, Robert Owen, 36 f.38, 36 f.174, 36 f.175, 71 f.2

Leoncavallo, Ruggero, 20 f.2

Lese- und Redehalle jüdischer Hochschüler, Wien, 12 f.35

Leuckart (F.E.C.) Buch & Musikalien-Verlag, Leipzig, 12 f.36

Levarie, Sigmund, 71 f.24

Leygraf, Willy, 36 f.176

Library of Congress, Washington, D.C., 12 f.37, 36 f.245

Lichtenwanger, William, 36 f.39

Liebstoeckl, Hans, 12 f.38

Lienau, Robert Jr., 12 f.39

Liliencron, Detlev von, 12 f.40, 22 f.1, 59 f.10

Lissa, Zofia, 36 f.177

Liszt, Franz, Group VI

Löwe, Amalie, 12 f.4

Löwe, Ferdinand, 12 f.42, 70 f.24

Loewe, Theodor, 12 f.43

Lothar, Rudolf, 12 f.44

Lucia di Lammermoor (Donizetti), 20 f.4

Ludwig, Ernst, 12 f.45

Lytle, Victor Vaughn, 12 f.46, 21 f.25

Maasz, Gerhard, 36 f.178

Mach, Ernst, 12 f.47

Das Mädchen von Navarra ( La Navarraise, Massenet), 20 f.4

Mahler, Gustav, 12 f.48

Mahides, Barbara, 36 f.180

Maitland, Margaret, 36 f.181

Mandyczewski, Eusebius, 12 f.49, 70 f.25, 70 f.59

Mann, Alfred, 55 f.11

Mann, Michael, 58 f.18

Marbach, Gertrude, 36 f.182

The Marriage of Figaro ( Le nozze di Figaro, Mozart), 20 f.4

Marschner, Franz, 34 f.5

Marschner, Heinrich August, 20 f.4

Martin, Bernhard, 12 f.50

Marx, Joseph, 5 f.25, 12 f.51

Mascagni, Pietro, 20 f.2

Mason, Daniel Gregory, 36 f.183

Massenet, J., 20 f.4

Mast, Paul, 58 f.18a

Mayer-Mahr, Moriz, 44 f.3

Mayerhofer, Frau Irene, 23 f.4

McGiffin, Hadassah, 36 f.179

Mendelssohn, Felix, 19 f.9, 32 f.6, Group VI

Mendl, Fritz, 12 f.52

Mengelberg, Willem, 70 f.26

Mercurbank, Wien, 12 f.53

Der Merker, Wien, 12 f.9;

essay by Schenker in, 20 f.6

Messchaert, Johannes, 12 f.54 20 f.4, 35 f.5, 59 f.11, 70 f.27, 72 f.10

Meyer, Ernst H., 36 f.41, 36 f.184

Michel, R., 36 f.185

Michelmann, Emil, 48 f.14

The Mikado (Sullivan), 20 f.4

Miller, L., 12 f.55

Miller-Aichholz, Eugen von, 72 f.2

Mitchell, William, 36 f.42, 36 f.186

Mittelemann, Aron, 70 f.28

Mittler, Franz, 12 f.56

Mörike, E. 22 f.10

Monteux, Pierre, 70 f.29

Moldenhauer, Hans, 36 f.187

Moll, Carl, 12 f.57

Morik, Werner, 47 f.6

Moser, Hans Joachim, 5 f.31

Motta, J. Vianna da, 20 f.4

Mozart, Wolfgang Amadeus, 19 f.16, 20 f.4, 20 f.10, 32 f.7-8, Box 54, Box 55 f.1-14, 57 f.5, Box 64-66, Group VI

Mozart-Ausgabe, Neue, 36 f.115, 36 f.201, 36 f.221

Muffat, Gottlieb, 55 f.15

Mühlau, Walter G., firm, Kiel, 71 f.25

Mühlfeld, Richard, 20 f.4, 50 f.12

Müller, Paul, 12 f.58

Müller, Siegfried Fritz, 12 f.59, 36 f.188

Müller, Wilhelm, 22 f.1, 22 f.16, 22 f.19

Münchheimer, Adam, 12 f.60

Music Library Association, 38 f.61

Musical Quarterly, 36 f.43

Die Musik, 5 f.26, 14 f.20,

essay by Schenker in, 16 f.1

Musik in Geschichte und Gegenwart, 36 f.9, 36 f.101, 36 f.137, 36 f.189, 36 f.223

Musikalisches Wochenblatt,

essays by Schenker in, 20 f.1

Die Musikforschung, 36 f.44, 36 f.82

National-Zeitung, Basel, 12 f.61

La Navarraise (Massenet), 20 f.4

Neff, L., 12 f.62

Nettl, Paul, 38 f.29

Neue Musik-Zeitung, 13 f.1, 13 f.6

Neue Revue, Wien, 13 f.3;

essays by Schenker in, 20 f.3

Neue Schule für Musik und Bühnenkunst, Wien 13 f.2

Neues Wiener Tagblatt, 12 f.9

Neumann, Carl, 13 f.3

Neumann, Eduard, 36 f.160

Neumann, Friedrich, 36 f.191

Neumann, Lotte, 13 f.4

Newberry Library, Chicago, 36 f.192

Newman, Ernest, 36 f.193, 69 f.13

Ney, Elly, Sekretariat, Bonn, 36 f.96, 71 f.4

Niederösterreichische Escompte-Gesellschaft, Wien, 13 f.5

Nikisch, Arthur, 71 f.13

Niloff, Artur, pseud. of Heinrich Schenker, 18 f.8-9

Nolle, Hugo, 13 f.6

Norddeutsche Rundfunk, Hamburg, 36 f.194

Northwestern University Press, 36 f.195

Novello & Co., London, 36 f.80, 36 f.196

Nowak, Leopold, 53 f.7, 71 f.26

Nowakowski, Anton, 36 f.197

Ochs, Siegfried, 13 f.7

Odelga, Freiherr _____ von, 13 f.8

Oesterreichische Musiklehrerschaft, Wien, 13 f.9

Ohe, Adele aus der, 20 f.4

Ondricek-Popper-Door, 20 f.3

Oppel, Reinhard, 13 f.10, 32 f.9-11, 33 f.6, 34 f.6, 36 f.198, 70 f.30, 71 f.25, 72 f.11

Oppel, Ulrich, 13 f.11

Ornstein, Christiane, 13 f.12

Orpheus (Gluck), 20 f.4

Osten, Heinrich, 13 f.13

Oster, Ernst, 13 f.14, 19 f.23, 36 f.45, 36 f.199, 71 f.7, 71 f.27, 71 f.31

Pairamall, Evelina, 5 f.27

Pálffy, _____, Comtesse, 70 f.31

Palisca, Claude V., 36 f.200, 71 f.23

Pascall, Robert, 48 f.15

Paumgartner, Bernhard, 13 f.15, 59 f.13

Pensionsanstalt deutscher Journalisten und Schriftsteller, München, 13 f.16

Perl, Carl Johann, 51 f.3

Perks, W. R., 71 f.28

Peters, C. F., Leipzig, 5 f.28, 13 f.17, 59 f.14

Pfeiffer, _____, 13 f.18

Pfitzner, Hans, 71 f.21

Philharmonische Concert, Wien (8 reviews), 20 f.4

Piper-Verlag, 5 f.29

Plath, Wolfgang, 36 f.201

Plettner, Arthur, 56 f.5

Polzin, Jörg, 36 f.202

Pollak, Egon, 70 f.32

Pollak, Felix, 13 f.18a

Pollak, Frieda and Karl, 13 f.19

Possart, Ernst, 20 f.4

Praetorius, Ernst, 5 f.30

Presser, Theodore, Company, 36 f.142

Preussner, Eberhard, 36 f.203

Prohaska, Felix, 36 f.204

Prüfer, Arthur, 20 f.4

Pruhaska, C., 70 f.59

Rabes, Alfred, 36 f.46, 36 f.205

Radio-Wien, 4f.1, 33 f.5, 34 f.15

Rantzau (Mascagni), 20 f.2

Rast, Nicholas, 58 f.19

Ratz, Erwin, 36 f.47, 36 f.206, 71 f.22, 71 f.35

Rech, Geza, 36 f.48, 36 f.207

Reger, Max, 19 f.16

Rehm, Wolfgang, 36 f.208

Reich, Willi, 38 f.3, 38 f.52, 60 f.18

Reichert, Ernst, 13 f.20

Reichert, Georg, 36 f.49, 36 f.209

Reigerberg, Heinrich von, 5 f.31, 13 f.21

Reinecke, Carl, 20 f.4

Reinken, Johann Adam, 55 f.16

Reményi, Eduard, 71 f.29

Réti, Rudolf, 13 f.2

Reynolds, William H., 36 f.210, 71 f.30

Reznicek, Emil Nikolaus von, 70 f.33

RIAS, Berlin [West], 36 f.120, 36 f.172

Richter, Hans, 50 f.12

Riemann, Hugo, 13 f.2, 58 f.11

Riesling, Elfi von, 13 f.24

Riezler, Walter, 21 f.24

Rinn, Hermann, 5 f.32, 13 f.25

Robert, Richard, 13 f.26

Röntgen, Julius, 13 f.27, 20 f.4, 72 f.12

Rosé, Quartett, 20 f.4

Rosenthal, Felix, 13 f.28

Rosenthal, Moriz, 13 f.29, 70 f.3

Rosenwald, Hans, 36 f.50, 36 f.211

Ross, Colin, 34 f.7

Rostal, Max, 36 f.212

Roth, Herman, 5 f.33, 13 f.30, 25 f.1, 34 f.8, 72 f.13

Rothberger, Alfred, 72 f.14

Rothberger, Hilda, 13 f.31

Rothgeb, John, 38 f.54

Rothkäppchen ( Le Chapeau Rouge, Boieldieu), 20 f.4

Rothschild, Alphonse de, 13 f.32, 23 f.8-16

Rothschild, Alphonse Mayer, Baron, 5 f.34

Rothschild, Clarice Sebag-Montefiore, Baronin, 5 f.34a

Rothschild'schen Künstlerstiftung, Kuratorium, Wien, 12 f.26

Rottenberg, Ludwig, 13 f.33

Rottensteiner, Kati and family, 13 f.34

Rousseau, Jean-Jacques, 36 f.213

Rousseau, Martha, 36 f.213

Rubenstein, Anton, 20 f.2

Rubenstein Preis, 20 f.4

Rubinraut, Hilde, 13 f.35

Rudorff, Elisabeth, 13 f.36

Rudorff, Ernst Friedrich Karl, 5 f.35, 13 f.37, 59 f.15

Russell, S. A., 36 f.51

Sadie, Stanley, 36 f.52

Salzer, Felix, 5 f.36, 14 f.1, 36 f.53, 36 f.169, 36 f.188, 36 f.214, 38 f.61, 71 f.31

Sambeth, H. M., 14 f.2

Sandresky, Clemens, 69 f.14

Saphir, Mathilde, 14 f.3

Sappho, 22 f.18

Saturn-Verlag, Wien, 69 f.17, 71 f.4

Savler, Roberta, 36 f.215

Scanlon, John D., 36 f.54, 36 f.216

Schabes, Ezra, 36 f.217

Schaefer, Josef, 36 f.55, 36 f.218, 45 f.16, 71 f.10

Schalk, Franz, 70 f.70, 71 f.32

Schein, Johann Herman, 20 f.4

Schenk, Erich, 36 f.219

Schenker, Frieda, 72 f.18

Schenker, Hans, 14 f.4, 72 f.18

Schenker, Heinrich

autobiography (diaries), Box 1-4; 35 f.2;

other biographical materials, Box 35, 56-59;

photographs, 72 f.14-15, 72 f.19;

publications about, 21 f.22-25, Box 37, 38 f.22-23, 38 f.29, 38 f.37, 38 f.53-54, Box 58, 70 f.53-54;

correspondence, Box 5-15, 71 f.11, 71 f.19a, 71 f.42;

critical and analytical works, Box 16-21;

editions, including annotated scores, Box 16-17, 24-34

as composer: vocal music, Box 22,

instrumental music, Box 23

journal articles and reviews, Box 20; also 17 f.2-7, 17 f.9-10, 17 f.12

editor, Bach, J. S., Chromatische Fantasie und Fuge, D moll, 24 f.1-2;

Beethoven, L. van, Samtliche Klaviersonaten, 26 f.1;

Beethoven piano sonatas separately published, 16 f.3-4, 27 f.1-19, 28 f.1-14;

Beethoven, Sonata Opus 27 Nr.2 (facsimile edition), 16 f.4;

Beethoven, Die letzen fünf Sonaten, 16 f.6-11, 28 f.9-14, 41 f.6-8;

Brahms, J., Oktaven und Quinten u. A., 17 f.8, 31 f.1-1a;

Handel, G. F., Grosse Concerte IV, Op. 6, 31 f.1

works:

Beethovens dritte Sinfonie, 16 f.5, 19 f.17

Beethovens V. Sinfonie, 19 f.1, 4, 6

Beethovens neunte Sinfonie, 17 f.1, 57 f.7

Ein Beitrag zur Ornamentik, 18 f.1-5

Der freie Satz, 19 f.20-23

Fünf Urlinie-Tafeln, 19 f.19

Der Geist der musikalischen Technik, 21 f.1

Generalbasslehre, 19 f.18

Harmonielehre, 18 f.6-7

Instrumentations-Tabelle, 18 f.8-9

Kontrapunkt, 34 f.17

Die Kunst des Vortrags, 18 f.10, 19 f.6, 21 f.7-21, 33 f.4, 57 f.2-5

Das Meisterwerk in der Musik, 19 f. 16-17

Tagebücher, Box 1-4

Der Tonwille, 19 f.1-15

other references, 42 f.9, 48 f.16

Schenker, Julien (Julko), 72 f.18

Schenker, Jeanette, 35 f.1, 35 f.9-10, 72 f.15-16; also passim

Schenker, Johann, 72 f.17

Schenker, Moriz, 14 f.5, 35 f.8, 72 f.18

Schenker, Wilhelm, 14 f.6

Schenker and Schiff families, 14 f.3a

Schenker-Institut, Hamburg, 36 f.106 58 f.4

Schenker-Institut, Wien, 56 f.3

Scherber, Ferdinand, 14 f.11

Schiff, Otto M., 71 f.28

Schiff, Paul and Anna, 14 f.8

Schiff, Victor, 14 f.9, 72 f.21

Schindler, Anton, 20 f.12

Schlee, Alfred, 36 f.220, 71 f.22, 71 f.35

Schmid, Edmund, 14 f.12

Schmid, Ernst, 14 f.13

Schmid, Ernst Fritz, 36 f.56, 36 f.221

Schmidt, Franz, 70 f.34

Schmidt-Görg, Joseph, 36 f.222, 41 f.17

Schmidt-Preuss, Dorothea, 36 f.223

Schnabel, Artur, 14 f.14

Schneider, Hans, 36 f.224

Schoenberg, Arnold, 14 f.15, 58 f.8, 58 f.20, 59 f.12, 60 f.1-4, 70 f.1, 70 f.35, 70 f.71

Schott's Söhne, B., Verlag, Mainz, 14 f.16, 36 f.225, 36 f.231, 36 f.239

Schrader, Bruno, 14 f.17

Schroeder, Oswald, 70 f.36

Schubert, Franz, 3 f.5, 19 f.1, 19 f.6, 19 f.9, 20 f.3, 33 f.5, 60 f.5-15, Box 64-66, Group VI

Schubert, Kurt, 5 f.39, 14 f.18

Schubert-Ausgabe, Neue, 36 f.112

Schünemann, Georg, 53 f.15

Schulter, Rose H., 36 f.57

Schumann, Clara, 60 f.8, Group VI

Schumann, Robert, 19 f.9, 50 f.13, 60 f.16-17, Box 64-66, Group VI

Schuster, Bernhard, 14 f.20

Schütt, Eduard, 14 f.19

Secession, Wiener, 11 f.37

Seidel'sche Sortiments-Buchandlung, O. E. Deutsch & Co., Wien, 14 f.21

Seifert, Wolfgang, 53 f.24

Selbsthilfe der Wiener Künstler, Wien, 14 f.2

Seligmann, Adalbert Franz, 14 f.23

Sessions, Roger, 56 f.5, 70 f.37, 71 f.33

Shakespeare, Hamlet, Schenker's music for, 22 f.36

Siebenlist, Ottilie, 14 f.23a

Sievers, Gerd, 36 f.220

Silver, Martin A., 52 f.15

Simms, Bryan R., 58 f.8, 58 f.20

Simrock, N., 36 f.240, 50 f.14

Simrock, N., Musikverlag, Berlin, 14 f.24; Hamburg, 36 f.227

Singer, J., 14 f.25

Sittner, Hans, 36 f.58, 36 f.228

Smetana, Bedrich, 20 f.2-3

Smith, Datus C., 71 f.33

Soebs-Brünauer, Ida, 14 f.27

Sölle, Dorothee, 53 f.24

Soldat-Roeger Streichquartett, 20 f.4

Somfai, László, 71 f.34

Sonzogno, Eduardo, 20 f.2

Sparling, Edward J., 36 f.59, 36 f.229

Spiegler, Albert, 14 f.28

Spiegler, Nina, 14 f.29

Srb-Debrnov, Josef, 14 f.30

Staatsbibliothek Preussicher Kulturbesitz, Berlin [West], 36 f.60

Staeps, Hans Ulrich, 14 f.31

Stahl, Albert, Musikalien-Handlung und Leih-Institut, Berlin, 14 f.32

Steglich, Rudolf, 14 f.33, 34 f.9

Stein, Fritz, 34 f.10

Stein, Josef, 71 f.15

Stein, Leon, 48 f.17

Steiner, Franz, 14 f.34

Steiner, H., 70 f.59

Steinhoff, Elisabeth, 14 f.35

Steuermann, Eduard, 45 f.10-11

Sternberg, Daniel, 36 f.230

Stern'sches Konservatorium der Musik, Berlin, 69 f.4

Stifter, Adalbert, 21 f.3

Stochmann, Bernhard, 36 f.61, 36 f. 231

Storm, Theodor, 22 f.8

Straube, Karl, 21 f.3

Strauss, Johann (Jr.), 20 f.4

Strauss, Richard, 20 f.4, 59 f.12, Box 64-66, 71 f.32

Struzl, Paul, 36 f.232

Stuart, R. E., 70 f.38

Stubenrauch, Maria, 36 f.233

Stummvoll, Joseph, 71 f.23

Sullivan, Arthur, 20 f.4

Sun Times, Chicago, 36 f.62

Symbolische Grossloge von Ungarn, Budapest, 14 f.36

Syrische Tänze für Pianoforte zu 4 Händen (Schenker), 23 f.8-16

Szabolsci, Benze, 36 f.234

Szalit, Paula, 14 f.37, 20 f.4, 72 f.22

Tannhäuser (Wagner), 20 f.4

Tedesko, Salo, 14 f.38

Der Templer und die Jüdin (Marschner), 20 f.4

Thoms-Paetow, Johanna, 52 f.13

Thorsch, Madame Edouard, 70 f.39

Tobin, J. Raymond, 36 f.235

Todt, D. B., 20 f.4

Toifl, Hans, 14 f.39

Türkel, Siegfried, 14 f.40

Uhland, L., 22 f.10, 22 f.12, 22 f.13

Ullreich, M_____., 14 f.41

Die Umschau, Frankfurt am Main, 14 f.42

Universal-Edition, Leipzig, 71 f.5

Universal-Edition, Wien, 3 f.5, 5 f.40, 14 f.43, 36 f.63, 36 f.127, 36 f.139, 36 f.140, 36 f.195, 36 f.202, 36 f.220, 36 f.236, 36 f.249, 70 f.40, 71 f.35, 71 f.41

University of Chicago Press, 36 f.103

Vademecum durch die Bach'schen Cantaten (Todt), 20 f.4

Valentin, Erich, 36 f.64

Verdi, Giuseppe, 20 f.4

Verein zur Abhaltung akademischer Vorträge für Damen, Wien, 70 f.41

Vereinigung Wiener Musikreferenten, Wien, 14 f.44

Vetter, Walther, 36 f.237, 71 f.36

Violin, Carl Raphael, 5 f.4, 70 f.42

Violin, Eduard, 70 f.5

Violin, Eva, see Windsor, Eva Violin

Violin, Fanny, 14 f.46

Violin, Frau Genovefa, 70 f.4

Violin, Karl, 14 f.46

Violin, Moriz

Biographical materials, 70 f.57-73;

correspondence, Box 6-8, 70 f.1-48, 70 f.67-72;

photographs, 72 f.33;

essays and critical works, 70 f.49-49a, 70 f. 51-54

works:

"My Personal Recollections of Brahms";, 70 f.51

Ueber das sogenannte Continuo, 70 f.49

War Diary, 70 f.50

"Zu Dr. Schenker's 50ten Geburtstage";, 70 f.53

"Zur Erinnerung an Heinrich Schenker";, 70 f.54

Die Zustände an der k. k. Akademie, 70 f.49a

other references, 14 f.45, 20 f.4, 36 f.65, 36 f.238, 59 f.12

Violin, Valerie, Box 6-8

Violin-Fischer-Klengel (trio), Wien, 70 f.63, 70 f.66

Violin-van den Berg-Buxbaum (trio), 70 f.65

Virneisl, Wilhelm, 36 f.66

Voigt, Johanna Ambrosius, 22 f.7, 22 f.9, 22 f.25, 22 f.29

Volk, Arno, 36 f.67, 36 f.239, 71 f.12

Voraus, Greta, 15 f.1

Vornkeller, Maja, 15 f.2

Voss, Gotthilf Erich, 15 f.3

Vrieslander, Klaus, 15 f.3a

Vrieslander, Otto, 17 f.12, 34 f.12, 58 f.21, 70 f.43, 71 f.37, 71 f.40, 72 f.13

Vrieslander, Otto and Helene, 5 f.42, 15 f.4

Waechter, Eberhard, 5 f.43, 15 f.5

Die Wage, Wien, 12 f.44

Wagner, Karl Dieter, 36 f.68, 36 f.240

Wagner, Richard, 20 f.4, 20 f.5, 33 f.1

Wagner, Siegfried, 20 f.2

Wahle, Richard (Fritz), 15 f.6

Waldeck, Arthur, 5 f.44, 15 f.7, 36 f.69, 36 f.241, 58 f.22, 71 f.8, 71 f.38

Waldheim, R. v.-Jos. Eberle & Co., Wien, 15 f.8

Waldmeister (J. Strauss), 20 f.4

Walter, Bruno, 70 f.44, 70 f.72

Waltershausen, Philippine von, 15 f.9

Walther, Arnold, 36 f.70, 36 f.242

Walther von der Vogelweide (Kauder), 20 f.4

Wanek, Marlies, 15 f.10

Warburg, Gerald Felix, 36 f.71

Wasita, Ryszard, 36 f.243

Wasserman, Georg, 36 f.244

Waters, Edward N., 36 f.72, 36 f.245, 69 f.15, 71 f.39

Webb, O. W., 70 f.45

Weber, Carl Maria von, 51 f.2, Box 64-66

Webern, Anton, 60 f.18

Weigl, Karl, 33 f.2

Weigl, Karl and Vally, 5 f.44a, 15 f.11

Weil, Arnold and Rosa, 14 f.9

Weinberger, Josef, 15 f.12

Weingartner, Felix, 20 f.1, 60 f.19

Weiss-Hausleithner, Tity, 15 f.13

Weissberger, Alfred, 13 f.2

Weisse, _____ (father of Hans), 15 f.14

Weisse, Hans, 5 f.45, 15 f.15-16, 33 f.3, 36 f.73, 36 f.246, 69 f.16, 70 f.46, 70 f.55, 71 f.20, 71 f.40, 72 f.24

Weisse, Hertha, 15 f.15-16

Weissgärber, _____, 15 f.17

Wellesz, Egon, 60 f.4

Wiederer, Eva, 36 f.247, 71 f.35, 71 f.41

Wiener Abendpost, essay by Schenker in, 20 f.5

Wiener Bank-Verein, Wien, 15 f.18

Wiener, Herr _____, 70 f.49a

Wiener Konzerthausgesellschaft, Wien, 15 f.19

Wiener Philharmonischer Verlag, Wien, 15 f.20

Wiener Singakademie, Wien, 35 f.5

Wiener Tonkünstler-Verein, Wien, 15 f.21

Wildgans, Friedrich, 36 f.74

Wilhelm Meister (Goethe), 21 f.4

Will, Roy, 36 f.75

Willfort, Manfred, 15 f.22, 33 f.5

Williams, J. Emlyn, 36 f.248

Willnauer, Franz, 36 f.76, 36 f.249

Windsor, Eva Violin, 14 f.46, 70 f.26

Winkler, O., 15 f.23

Wirth, Hellmut, 36 f.77

Wittgenstein, Paul, 15 f.24

Wittgenstein, Poldy, 70 f.47

Wöss, Josef Venatius von, 15 f.21

Wolf, Hans, 15 f.22

Wolfart, Lina, 15 f.23

Wolff, Hermann, 71 f.42

Wollner, Anny, 35 f.8

Wolters, Rosa, 15 f.24

Wolzogen, Ernst von, 70 f.48

Wüllner, Ludwig, 15 f.29

Württembergische Vereinsbank, Stuttgart, 15 f.30

Wunsch, Hermann, 15 f.31

Wurmbrand, Ernst, 15 f.32

Zagiba, Franz, 36 f.78, 36 f.250

Zanetto (Mascagni), 20 f.4

Zeigler, L., 70 f.48a

Die Zeit, Wien, 9 f.10a, 14 f.25;

essays by Schenker in, 20 f.4

Zeitschrift für Musik, essays by Schenker in, 20 f.9

Zemlinsky, Alexander von, 14 f.23a

Zollner, Otto, 15 f.33

Zuckerkandl, Victor, 15 f.34

Die Zukunft, Berlin, 11 f.42;

essays by Schenker in, 20 f.2

I. Heinrich Schenker materials

Ia. MANUSCRIPT DIARIES OF HEINRICH SCHENKER

Physical Description: Boxes 1-4

Box 1-4

Schenker, Heinrich. Tagebücher, 1896-1935, ms. up to 1912 largely in Heinrich Schenker's hand; thereafter in Jeanette Schenker's hand with occasional preliminary drafts, additions and corrections by Heinrich Schenker.

Scope and Content Note

Contents:

Box 1: 1896-1915
Box 2: 1916-Sept. 30, 1919
Box 3: "Saison" Oct. 1919-Sept. 1927
Box 4: "Saison" Oct. 1927-Jan. 1935

Scope and Content Note

COLLATION: Manuscript entirely in loose sheets (except for Series C); dated 7. Dez. 1896-22. Januar 1935; Series A, leaves numbered 3-3970 with many irregularities in foliation prior to 1912. Series B and Series C overlap with Series A and cover approximately the same dates for shorter periods, as noted below. Written in ink (with corrections in pencil) on one side of leaf (except for Series C); occasional leaves written on both sides or with a single sentence completed on verso. Paper size varies, especially prior to 1912; thereafter usually on graph paper (ruled horizontally and vertically), size (1912-24) approx. 22.8 cm × 28.8 cm; (1924-35) approx. 23.1 cm × 29.2 cm, consisting of loose sheets torn from notebooks. (Exact dates are cited in the form used in the manuscript.)

Series A (1896-1899). Irregular foliation; original entries by Heinrich Schenker, in part scored through and copied later by Jeanette Schenker on uniform sheets.

Box 1 , Folder 1

(1896-97) leaves 3-4 in Heinrich's hand; leaves 1b-3b (copied in part from 3-4, part from Ser. B) in Jeanette's hand.

Box 1 , Folder 2

(1898) leaf 5 in Heinrich's hand; leaves 6-7, 7a-7b in Jeanette's hand.

Box 1 , Folder 3

(1899) leaves 8, 8c-8f, (9-10 omitted), 11a-11c, 11f-11g, entirely in Jeanette's hand with corrections in Heinrich's hand.

Note

(Series A ceases here until 1906, but see Ser. B following)

Box 1 , Folder 4

Series B (1898-1906). A parallel and overlapping series, in part taking precedence over Ser. A; some entries were later copied into Ser. A. Entirely in the hand of Heinrich Schenker. Cover leaf (with dates 1896-1905); numbered leaves 1-7, 8a-8b, 9, 9 bis, 10, 10a-10b, 11, 11 bis, 12-20, 21a-21b, 22-27.

Series A (1906-1911). Irregular foliation; in Heinrich and Jeanette Schenker's hand.

Box 1 , Folder 5

(1906) leaves 12, 12a, 13-14 (15 on verso of 14), 16-17 (18 on verso), 19-26, 26a-26c, 27-31.

Box 1 , Folder 6

(1907) leaves 32-43, 43a-43b, 44-48, 48a-48b, 49-50, 50a-50b, 51-55, 55a, 56.

Box 1 , Folder 7

(1908) 57-88, 89a-89c, 90-94.

Box 1 , Folder 8

(1909) 95, 95 bis, 96-97, 97 bis, 98-100, 100a-100b (101 omitted), 102-109.

Box 1 , Folder 9

(1910) 110, 110 bis, 111-119, 119a-119b, 120, 120 bis, 121, 122a-122b, 123, 124a-124b.

Box 1 , Folder 10

(1911) 125-131, 131 bis, 132, 132 bis, 133-135, 135 bis, 135 again, 136-146, 146a, 147-152, 152 bis (on verso of leaf of corrected proof for Instrumentations Tabelle), 153, 153 bis, 153 again, 154-161, 161 bis, 162-172, 173a-173b, 174-193, 194a-194b, 195-197. Also a parallel series of repeated numbers 162-166, with discontinuous text, dated 23.8-28.8 [1911].

Box 1-2 , Folder 11 - f.12

Series A (1912-1918). For the most part in the hand of Jeanette Schenker; uniform foliation, leaves 198-2026, with exceptions as noted below. Leaves 198 and 203 abraded, slightly affecting text on right margin.

Additional leaves: (1912) 223a, 225b-225c; (1913) 368b, 425b-425c; (1914) 571a-571b, 593b-593d.

Numbers omitted in foliation: (1915) 905-914.

Leaf 1045: photocopy; original attached to index filed at end of Box 4. From 1. Oktober 1915 to 4. Oktober 1918, leaves 1046-2004 are numbered in new series 1-959.

Beginning with n.s. 960 (5.X.1918), old series foliation is resumed with leaf 2000 (i.e., o.s. 2001-2004 are repeated).

Box 2 , Folder 13

Series C (28. November 1918-6.VI.1919). A parallel and overlapping series in six sewn booklets without foliation, entirely in Jeanette Schenker's hand and written on both sides of leaves.

Scope and Content Note

[Booklet 1] (28. November 1918-1.I.19). School notebook with blue covers, originally 24 leaves of which 5 have been torn out; the remaining 19 (38 pages) all written on both sides. Size approx. 19.5 cm × 24.5 cm.
[Booklets 2 to 5] (1.I.19-5.V.19). Sewn without covers, each booklet with 20 leaves (40 pages) written on both sides. Size approx. 20 cm × 25.5 cm.
[Booklet 6] (13.V.19-6.VI.19). Sewn without covers, 20 leaves, leaves 1-7 (14 pages) written on both sides, the rest blank. Size approx. 20 cm × 25.5 cm.

Box 2-4 , Folder 14 - f.8

Series A (1919-1935). In Jeanette Schenker's hand; uniform foliation, 2027-3970, with exceptions as noted below. Beginning with October 1918-September 1919, the diary is divided into "Saisons" from October to September of each year.

Leaves 2082-2137 (19.VI.19-9.X.19) not numbered by Jeanette Schenker; numbered in pencil in another hand 1-56; old series foliation resumed with leaf 2138.

Leaf 2287 (29.-30.IX.20) abraded with some loss of text.

Numbers 2330-2339 (8.IV.21) omitted in foliation (with no break in text).

Leaf 2393: bottom third of leaf cut off with some loss of text.

Leaf 2462 has been cut apart. The top (30. September 1922) is pasted to the bottom of 2461; the remaining half of 2462 begins Saison 1922-23 with entry for 1.X.22.

Box 3 , Folder 5

Leaves 2462-2576 (Saison 1922-23) are followed by 44 leaves (numbered 1-32 plus 12 note fragments) of diary and correspondence notes relating to Universal-Edition, written chiefly on the verso of galley proofs entirely in Heinrich Schenker's hand and entitled "U. E. diarium." Dates range from 11.IX.1923 to 9.XII.1924.

Leaf 2646 (1924): beginning with this leaf the text is written on slightly larger sheets,

Physical Description: 23.1 cm × 29.2 cm.

Leaf 2946 (1926) worn and abraded at right margin, slightly affecting text.

Additional leaf 2963 ab (1926), written on both sides, inserted.

Leaf 3045 (1927) cut off two lines from bottom and neatly rejoined to a new piece of paper with substitute lines of text.

Box 4 , Folder 1

Leaf 3192: clipping of Schubert Gedächtniskonzert program ( Radio Wien, 26. März 1928) pasted to the right margin.

Leaves 3491 (1930) and 3654 (1931): fragments of music ms. in Heinrich Schenker's hand pasted in diary leaves.

Leaf 3770 (6. September 1932): fragment of final page of ms. of Der freie Satz ("Mit Gott!!!" in Heinrich Schenker's hand) pasted to diary leaf.

Box 4 , Folder 8

Following leaf 3970:

(a) Leaf of notes in Heinrich Schenker's hand for diary entry of 4. Januar 1935 (written on verso of Tonwille corrected proof, no. 2, p. 30) with envelope inscribed in Moriz Violin's hand, "Letztes Tagebuchblatt Schenkers, am 22.I.35 von der Witwe mir geschenkt."

(b) Typed transcript of Tagebuch leaves 3966-3970, with corrections in Jeanette Schenker's hand,

Physical Description: 4 leaves.

Box 4 , Folder 9

INDEX (names and subjects) to Tagebücher (1896-1912 Sept. 23) up to leaf 232. Filed at end of Box 4.

Manuscript in Jeanette Schenker's hand with revisions and additions in Heinrich Schenker's hand, written in bound indexed notebook, 9 cm × 14.6 cm, glued to leaf 1045 of year 1915.

Ib. CORRESPONDENCE (FROM THE SCHENKERS)

Physical Description: Boxes 5-8

Scope and Content Note

Except for those letters from Heinrich Schenker addressed either to Busoni, Deutsch, Hammer, Jonas, or Violin, the items listed below generally are drafts of proposed Schenker letters.

Box 5 , Folder 1

Unidentified recipients.

ALS 1 undated

ALS 3 1908-1933

ALU 2 undated

ALU 2 1908-1912

Box 5 , Folder 2

Postal receipts.

10 1913-1933

Box 5 , Folder 3

Adler, Guido.

ALU 1 1927

Box 5 , Folder 4

Akademie für Musik und darstellende Kunst in Wien.

ALU 4 [1915]-1927

Box 5 , Folder 5

Albersheim, Josef (father of Gerhard Albersheim).

ALU 1 1927 (addressed "Sehr geehrter Herr Sanitätsrat!")

Box 5 , Folder 5a

Busoni, Ferruccio.

ALS 14 1897-1903 (photocopies of originals in Deutsche Staatsbibliothek, Berlin [East])*

Note

*Acquisition after 1978. See also Appendix.

Box 5 , Folder 6

Cotta'sche Buchhandlung Nachfolger, J. G., Stuttgart; Berlin.

ALS 1 undated

ALS 2 1909-1910

ALU 2 [1908-1909]

Box 5 , Folder 7

Cube, [Felix] von (i.e., Felix-Eberhard von Cube).

ALU 1 1926 (in Jeanette Schenker's hand)

1 postal receipt 1926

Box 5 , Folder 7a

Cube, [Felix] von (from Heinrich Schenker).

ALS 22 circa 1926-1934 (photocopies)

APS 28 circa 1928-1931 (photocopies)

Box 5 , Folder 8

Cube, Gustav von.

ALS 1 1926

Box 5 , Folder 8a

Cube, Gustav von (from Heinrich Schenker).

ALS 1 1925 (photocopy)

Box 5 , Folder 9

Deutsch, Otto Erich.

ALS 1 1927

1 leaf of music in Schenker's hand, inscribed "für Deutsch, Schubert, L[ied] ohne Text. 11.4.31"

ALS 2 1930

3 leaves of music notation.

Box 5, Folder 9a

Dohrn, Georg

ALS 1 April 5, 1926 (original and copy)

Scope and Content Note:

Folder also includes copy of letter (and transcript) from Georg Dohrn to Heinrich Schenker dated April 2, 1926 and a copy of the article "Ein Lehrbrief Heinrich Schenkers" by Hellmut Federhofer that discusses this correspondence between Schenker and Dohrn.

Box 5 , Folder 10

Einschenk, Franz.

APS 1 1917

Box 5 , Folder 11

Furtwängler, Wilhelm.

ALS 1 1931

Box 5 , Folder 12

[Gärtner], Eduard.

ALU 1 1912 (in Jeanette Schenker's hand)

Box 5 , Folder 12a

General-Anzeiger für Bonn und Umgebung, Bonn.

LU [1927] (draft reply to letter of 3. Jan. 1927, in Jeanette Schenker's hand)

Box 5 , Folder 13

Genossenschaft der Blas- und Saiteninstrumentemacher, Wien.

ALU 1 1934

Box 5 , Folder 14

Gesellschaft der Musikfreunde, Wien.

ALS 2 1912

Box 5 , Folder 15

Grunsky, Karl.

ALS 1 undated [incomplete]

ALS 2 undated [incomplete]

ALU 2 1908 [incomplete]

Box 5 , Folder 15a

Hammer, Victor*

Note

*Acquisitions after 1978. Photocopies of originals in private collection; see also Appendix.

ALS 1 undated [1925?] (photocopy)

ALS 14 1921-1927 (photocopies)

APS 1 undated [1926?] (photocopy)

APS 18 1922-1931 (photocopies)

Box 5 , Folder 16

Hertzka, Emil.

ALS 2 1908-1909

ALU 4 1909-1924

APS 1 1913

Box 5 , Folder 17

Hindemith, Paul.

ALU 1 [1926], together with a typed transcript of Schenker's draft, and an enlarged photocopy of Schenker APS to Violin, 10. November 1926, mentioning Hindemith's letter.

Box 5 , Folder 18

Jonas, Oswald.

ALS 29 1928-1934 (including 5 in photocopy, some incomplete)

APS 29 1918-1934

APS 1 undated

1 envelope postmarked 1932

Scope and Content Note

see also Salzer, Felix

Box 5 , Folder 19

[Kalbeck, Max].

ALS 3 undated

ALS 9 1897-[1906] (addressed "Sehr geehrter Herr Redacteur" and similarly)

Box 5 , Folder 20

Kalmus, Alfred.

ALS 1 1923

ALU 1 undated

ALU 1 1923

Box 5 , Folder 21

Klein, Fritz.

ALU 1 1933

Box 5 , Folder 22

Klett, Ernst.

ALU 1 1926

Box 5 , Folder 23

Lafite, Carl.

ALU 1 1912 (includes photocopy of Schenker draft ALU 19.IX.12 written on verso of Lafite's TLS 18. September 1912. For original see Box 12 f.29)

Box 5 , Folder 24

Lamberg, [Ernst].

ALU 1 1924

Box 5 , Folder 25

Marx, [Joseph].

ALS 2 [1927]-1933

Box 5 , Folder 26

Die Musik, Wien.

ALS 1 1911 (addressed "Sehr geehrter Herr Redakteur")

Box 5 , Folder 27

Pairamall, Evelina.

ALS 1 1913

1 envelope postmarked 1913

Box 5 , Folder 28

Peters, C. F., Leipzig.

ALS 1 1913

ALU 1 undated

ALU 2 [1923]

Scope and Content Note

(all letters addressed "Sehr geehrter Herr")

Box 5 , Folder 29

Piper-Verlag.

ALU 1 1924

Box 5 , Folder 30

[Praetorius, Ernst].

ALS 1 [1931]

Box 5 , Folder 31

Reigersberg, Heinrich von.

APU 1 [1939] unfinished, from Jeanette Schenker, with her copy of 1925 card from Hans Joachim Moser to Reigersberg mentioning Schenker.

Box 5 , Folder 32

Rinn, Hermann.

ALU 1 1931

APS 1 1932

ANU 1 undated

11 postal receipts to Rinn 1930-1931

Box 5 , Folder 33

Roth, Hermann.

ALS 1 1926

Box 5 , Folder 34

Rothschild, Alphonse Mayer, Baron.

ALU 2 1911-1934 (1934 draft, incomplete, in the hand of Jeanette Schenker with corrections by Heinrich Schenker)

1 postal receipt 1934

Box 5 , Folder 34a

Rothschild, Clarice Sebag-Montefiore, Baronin.

ALS 1 undated

Box 5 , Folder 35

Rudorff, Ernst.

ALS 2 1908-[1909]

ALU 3 [1908]

1 set of notes relating to a letter of 1908

1 leaf of printed music

Scope and Content Note

(above addressed variously to "Professor Rudorff" or to "Professor")

Box 5 , Folder 36

Salzer, Felix and Oswald Jonas.

ALU 1 1935 (letter by Jeanette Schenker, in her hand, addressed "Sehr geehrte Herren"; date 2.VII.35)

Box 5 , Folder 37

Schenker, Jeanette.

LU 1 1926

LS 1 1927

LS 1 1930

Scope and Content Note

(the above are copies, in an unidentified hand, of three brief notes, two signed "Heinrich")

Box 5 , Folder 38

Schenker, Wilhelm.

ALS 10 undated

ALS 48 1918-1934

ALU 1 undated

ALU 1 1930

APS 4 undated

APS 42 1923-1934

Box 5 , Folder 39

[Schubert, Kurt].

ALS 1 1922 (photocopy)

Box 5 , Folder 40

Universal-Edition.

ALU 2 1924 (addressed to the "Buchhaltung der U.-E.")

Box 5 , Folder 41

Violin, Carl Raphael.

ALS 3 [1922]-1928 (ALS 1 1922 addressed to Karl and Eva)*

Note

*Acquisition after 1978. See also Appendix.

APS 2 1914-1929

1 telegram 1914

Violin, Moriz. See separate section, Box 6-8 below.

Box 5 , Folder 42

Vrieslander, Otto.

ALU 1 undated

ALU 1 1912

Box 5 , Folder 43

Waechter, Eberhard.

ALS 1 1918

Box 5 , Folder 44

Waldeck, Arthur.

ALS 3 1929-1934

ALU 1932 (with typed transcript)

Box 5 , Folder 44a

Weigl, Karl.

APS 1 1934 (photocopy)

Box 5 , Folder 45

Weisse, Hans.

ALS 3 1915-1931 (includes two drafts of a letter of recommendation for Weisse)

ALU 1 1923

APS 2 1919-1923

Box 6-8

Letters from the Schenkers to Moriz and Valerie Violin

Moriz Violin addressed familiarly as Floriz, Fiorello, Florizello, or simply "Fl"; Valerie Violin as Wally or Vally.

Box 6 , Folder 1

Items found with letters from the Schenkers to Moriz Violin.

Scope and Content Note

ANU 2 undated, written on calling cards, including one with musical signature, inscribed "Heinrich Schenker. Noten-Lenker."
ANS 1 undated written on calling card
Macaronic verses, 1 leaf addressed to Violin, in an unidentified hand
1 telegram 1905
2 dinner place cards
1 calling card of Olga de Günzberg
Caricature of Violin drawn by Schenker, with note addressed to "Florizissime," undated (photocopy)
1 leaf printed testimonial for Blüthner piano, Hamburg, undated, listing Violin's name
1 newspaper clipping concerning Mozart, dated 31.I.32 in Jeanette Schenker's hand
printed excerpt on card from an apocryphal letter of Mozart

Box 6 , Folder 2

Undated letters.

ALS 28 undated, 17 with envelopes

Box 6 , Folder 3

Letters dated 1897-1900.

ALS 3 1897

ANS 1 1897

ALS 4 1899

ALS 9 1900

Box 6 , Folder 4

Letters dated 1901-1910.

ALS 4 [1901]

ALS 8 1903

ALS 8 1904

ALS 3 1905

ALS 6 1906

ALS 4 1907

ALS 7 1908

ALS 3 1909

ALS 4 1910

Box 6 , Folder 5

Letters dated 1911-1914.

ALS 4 1911

ALS 16 1912

ALS 14 1913

ALS 8 1914

Box 6 , Folder 6

Letters dated 1916-1919.

ALS 2 1916

ALS 3 1917

ALS 3 1918

ALS 2 1919

Box 6 , Folder 7

Letters dated 1921-1930.

ALS 1 1921

ALS 3 1922

ALS 3 1923

ALS 8 1924

ALS 11 1925

ALS 4 1926

ALS 5 1927

ALS 2 1928

ALS 7 1929

ALS 5 1930

Box 6 , Folder 8

Letters dated 1931-1935.

ALS 9 1931

ALS 6 1932

ALU 1 1932

ALS 11 1933

ALS 6 1934

ALS 6 1935 (from Jeanette Schenker after Heinrich's death)

Box 7 , Folder 1

Postcards dated 1896-1910.

APS 73 unidentified date.

Box 7 , Folder 2

Postcards dated 1896-1900.

APS 2 1896

APS 8 1897

APS 23 1898

APS 36 1899

APS 32 1900

Box 7 , Folder 3

Postcards dated 1901-1905.

APS 17 1901

APS 15 1902

APS 20 1903

APS 7 1904

APS 31 1905

Box 7 , Folder 4

Postcards dated 1906-1910.

APS 17 1906

APS 26 1907

APS 8 1908

APS 8 1909 (including APS from Jeanette Schenker signed "Jenny Kornfeld")

APS 10 1910

Box 8 , Folder 1

Postcards dated 1911-1913.

APS 16 1911

APS 29 1912

APS 66 1913

Box 8 , Folder 2

Postcards dated 1914-1915.

APS 42 1914

APS 32 1915

Box 8 , Folder 3

Postcards dated 1916-1920.

APS 21 1916

APS 27 1917

APS 9 1918

APS 10 1919

APS 11 1920

Box 8 , Folder 4

Postcards dated 1921-1929.

APS 9 1921

APS 6 1922

APS 6 1923

APS 6 1924

APS 6 1925

APS 3 1926

APS 7 1927

APS 7 1928

APS 1 1929

Box 8 , Folder 5

Postcards dated 1930-1934.

APS 1 1930

APS 7 1931

APS 3 1932

APS 11 1933

APS 8 1934

Ic. CORRESPONDENCE (TO THE SCHENKERS)

Physical Description: Boxes 9-15

Box 9 , Folder 1

Envelopes. 14 items, 1906-1939.

Scope and Content Note

Where identifiable as covers, envelopes are filed with letters from correspondents. Envelopes gathered here were found detached from correspondence or were used to hold collections of letters. Most of the envelopes are annotated by Jeanette Schenker or at a later date by Oswald Jonas.

Box 9 , Folder 2

Unidentified correspondents. Signature may include first name or initials.

ALS 1 undated

ALS 6 1894-1933

APS 4 1893-1934

APS 5 1938-1939 (addressed to Jeanette Schenker)

2 unaddressed picture postcards of Mariazell, one postcard with note in Jeanette Schenker's hand

Box 9 , Folder 3

Adler, Guido (with letterhead of Beethoven-Zentenarfeier, Wien, and Internationale Musik-Gesellschaft, Wien).

ALS 3 1901-1902

TLS 3 1926-1927

2 printed programs of Beethoven-Zentenarfeier, 1927

Box 9 , Folder 4

Akademie für Musik und darstellende Kunst, Wien.

TLS 3 1925-1929 (signatures not identified)

1 mimeographed invitation

Box 9 , Folder 5

Albersheim, Gerhard.

ALS 3 1926-1928

Box 9 , Folder 6

d'Albert, Eugen.

ALS 8 undated

ALS 32 1894-1912

APS 1 undated

APS 16 1897-1912

ANS 2 undated

ANS 12 1897-1914

1 printed invitation

1 autobiographical sketch in d'Albert's hand, 4 leaves, undated

Box 9 , Folder 7

d'Albert, Hermine.

ALS 1 undated

ALS 1 1913

Box 9 , Folder 8

Altmann, Wilhelm.

ALS 1 1925

APS 4 1927-1933

ANS 1 1932

TPS 1 1933

Box 9 , Folder 9

Arbeitsauschuss des Kongresses für "Lebendige Musik in Wien 1934."

1 mimeographed invitation to participate [1934]; torn and repaired

Box 9 , Folder 10

Archiv für Photogramme musikalischer Meisterhandschriften. Musiksammlung, Nationalbibliothek, Wien. ( See also Haas, Robert; Hoboken, Anthony van; Kromer, Julius.)

1 telegram 1928 (signed "Fotogrammarchiv")

2 printed leaflets, "Aufruf" 1927, and "Verzeichnis der Aufnahmen" 1928

1 invitation card 1936

16 newspaper clippings, 1928-1936, annotated in Jeanette Schenker's hand

Box 9 , Folder 10a

Bahr, Hermann (includes letterhead of Die Zeit, Wien).

ALS 2 1895

Box 9 , Folder 11

Balassa, Ottilie von.

ALS 1 1933 (with typed subscription form for her monograph on Brahms)

Box 9 , Folder 12

Bamberger, Carl.

ALS 8 1924-1927

Note

APS 1 1933

Xerox (original missing)

Box 9 , Folder 13

Baumgarten, _____.

ALS 1 1933

Beethoven-Zentenarfeier, Wien, 1927. See Adler, Guido.

Box 9 , Folder 14

Berrsche, Alexander.

ALS 2 1930

Box 9 , Folder 15

Bienenfeld, Elsa.

ANS 3 1933 (one mailed as postcard)

Box 9 , Folder 16

Binder, _____.

ALS 1 1906

Box 9 , Folder 17

Blaschik, A. J.

TLS 1 undated

TPS 2 1929

Box 9 , Folder 18

Bopp, Wilhelm (with letterhead of Direktor, Akademie für Musik und darstellende Kunst, Wien).

TLS 5 1910-1911

Box 9 , Folder 19

Botstiber, Hugo.

ALS 1 1913

ANU 1 undated (written on calling card)

Box 9 , Folder 20

Breitkopf & Härtel, Leipzig.

ALS 27 1894-1913

APS 2 1905-1912

TLS 4 1900-1920

Scope and Content Note

(company signature "Breitkopf & Härtel" used in all of the above)

2 publications agreements 1897-1910

4 records of accounts 1899-1910

1 form letter 1902

Box 9 , Folder 21

Brockhaus, F. A., Leipzig.

APU 1 1933

TPS 2 1932-1933 (signed "F. A. Brockhaus")

1 printed form letter 1932

Box 9 , Folder 22

Bruck, Hedwig.

ALS 1 undated

ALS 1 1938

APS 1 1938

Box 9 , Folder 23

Brüll, Ignaz.

ALS 4 undated (one written on verso of program of 2. März 1899 where Brüll played Schenker's Clavierstücke Nr. 2)

ALS 6 1891-1906

ANS 1 1907 (written on calling card of Eugen Brüll)

Box 9 , Folder 24

Bürgermeister und Landeshauptmann der Bundeshauptstadt, Wien.

1 printed invitation card 1928

Box 9 , Folder 25

Bundesminister für Unterricht [Österreich].

4 printed invitation cards 1928-1933

Box 9 , Folder 26

Bundespräsident [Österreich].

1 printed invitation card 1928

Box 9 , Folder 27

Busoni, Ferruccio.

ALS 3 undated

ALS 12 1897-1903

Transcripts of Busoni letters in Jeanette Schenker's hand,

Physical Description: 19 leaves

1 calling card

Box 9 , Folder 28

Busoni, Gerda.

ANS 1 1909

2 calling cards

Box 9 , Folder 29

Carreño, Teresa.

ALS 1 1898

Box 9 , Folder 30

Colbert, Carl and Tony [Herr und Frau Colbert].

ALS 5 undated

ALS 3 1912-1920

ANS 1 undated (MS on calling card, invitation to Paula Szalit recital)

1 printed "zu Hause" invitation card [1920?]

Box 9 , Folder 30a

Conne, Paul de

ANS 1 undated (written on calling card)

Box 9 , Folder 31

Cotta'sche Buchhandlung Nachfolger, J. G., Stuttgart; Berlin. [folder 1].

ALS 34 1905-1912 (company signature)

ALS 1 1908 signature not identified

TLS 11 1913-1921 (company signature)

1 carbon of TLU 1921

2 notices concerning authorized company signatures, 1907-1911

1 printed greeting card undated

Box 9 , Folder 32

Cotta'sche Buchhandlung Nachfolger, J. G., Stuttgart; Berlin. [folder 2].

36 records of accounts 1906-1921

5 postal receipts 1914-1918

Box 9 , Folder 33

Csillag-Stern, Hermann.

APS 1 1927

Box 9 , Folder 34

Cube, Felix von (i.e., Felix-Eberhard von Cube).

ALS 2 undated

ALS 45 1923-1934 (4.×.34 letter from Cube to Schenker includes a transcript of 1934 letter from Wilhelm Furtwängler to Cube)

APS 6 1924-1931

1 printed card of thanks 1931

1 printed announcement 1934

1 printed program 1929 (program includes two works by Cube)

1 newspaper clipping undated

1 pencil sketch undated

Box 9 , Folder 35

Cube, Gustav von.

ALS 2 1925-1926

Box 10 , Folder 1

Dahms, Walter.

ALS 4 undated

ALS 59 1913-1926

APS 2 undated

APS 29 1915-1927

TLS 7 1922-1931

TPS 1 1925

1 front cover leaf, Berliner Illustrierte Zeitung, 1919, annotated by Dahms

1 telegram 1919

1 wedding announcement 1921

d'Albert, Eugen. See d'Albert, Eugen, above, filed under "A."

d'Albert, Hermine. See d'Albert, Hermine, above, filed under "A."

de Conne, Paul. See Conne, Paul de.

Box 10 , Folder 2

Deetjen, Gottfried

1 printed announcement of a wedding engagement (Verlobung); the left side is signed by "Frau Valeska Schreiber." and the right side by "Gottfried Deetjen / Organist an der alten Wupperfelder Kirche / und Dirigent des Bachvereins," October 1921.

Box 10 , Folder 3

Deutsch, Otto Erich and Hanna (includes letterhead of Seidelsche Sortiments-Buchhandlung, O. E. Deutsch & Co., Wien).

ALS 17 1919-1932 (note of 18.11.25 supplied in photocopy; for original see Box 21 f.23)

APS 28 1920-1934

TLS 89 1913-1939

TPS 85 1913-1934

1 picture postcard view of Salzkammergut with "Eschenhaus" marked; no address, message or date

1 printed announcement of birth of Franz Peter, 1920

Box 10 , Folder 4

Deutsch, Sofie.

ALS 1 1916

Deutsche Allgemeine Zeitung, Berlin. See Klein, Fritz.

Box 10 , Folder 5

Deutsche Bank.

1 record of account 1920 (signature not identified)

Box 10 , Folder 6

Deutsche Brahms-Gesellschaft, Berlin.

1 printed invitation card (to Johannes Brahms-Fest opening, 1933, co-sponsored with the Gesellschaft der Musikfreunde Wien)

Box 10 , Folder 7

Deutsche Gesandtschaft, Wien.

1 printed invitation card to lecture, 1927.

Box 10 , Folder 8

Deutsche Nothilfe, Berlin.

TLS 2 1924 (signatures not identified)

Deutsche Zeitschrift, München. See Rinn, Hermann.

Box 10 , Folder 9

Dewanger, Anton.

ALS 1 1932

1 printed invitation card to performance of Dewanger work, 1934

Box 10 , Folder 10

Dommer, Anton von.

ANU 1 1898 (written on calling card)

Box 10 , Folder 11

Drei Masken Verlag, Berlin.

TLS 6 1932-1939 (signature not identified)

TPS 1 1939

Box 10 , Folder 12

Dunn, Aline Petrie.

ALS 2 1931

1 newspaper clipping 1931 (obituary of John Petrie Dunn, in part by D. F. Tovey, with typed translation into German)

Box 10 , Folder 13

Dunn, John Petrie.

ALS 8 1926-1930

1 recital program, Edinburgh, undated

Box 10 , Folder 14

Ehrmann, Alfred von.

ALS 1 1929

TLS 1 1929

Box 10 , Folder 15

Eibenschütz, Flora.

ALS 1 undated

Box 10 , Folder 16

Einschenk, Franz.

ALS 1 1917

APS 1 1917

Box 10 , Folder 17

Einstein, Alfred (with letterhead of Riemann's Musik-Lexikon, Berlin).

1 form letter undated, concerning revision of Riemann, with ms. annotations

Box 10 , Folder 18

Elias, Angi.

ALS 15 1922-1939

APS 2 1938

ANU 2 undated (written on calling cards)

ANU 2 1937-1939 (written on calling cards)

Box 10 , Folder 19

Elias, Manolo.

ALS 1 1934

Box 10 , Folder 20

Emil-Hertzka-Gedächtnisstiftung, Wien.

1 form letter 1932

1 printed invitation card to memorial concert 1932

Box 10 , Folder 21

Engelhardt, W.

ALS 2 1938-1939

Box 10 , Folder 22

Engelsmann, Walter.

ALS 2 1924-1925

Box 10 , Folder 23

Epstein, Julius.

APS 1 1903

ANS 2 1902 (1 written on calling card)

ANU 1 undated (written on calling card)

Box 10 , Folder 24

Epstein, Richard.

ALS 3 1903-1906

APS 4 1905-1906

2 programs for London performances by Epstein of Bach Concerto in A minor edited by Schenker, 1906-1907

Box 11 , Folder 1

Fayer, _____ (with letterhead of Atelier Pietzner-Fayer, Wien).

TLS 1 1927

Box 11 , Folder 2

Fischer, Emma.

ALS 3 1923-1932

Box 11 , Folder 3

Fischer, Jacob.

ANU 2 1911-1913 (written on calling cards)

APS 2 1908-1909

Box 11 , Folder 4

Fock, Dirk.

ALS 1 1926.

Box 11 , Folder 5

Foerster, Josef Bohuslav.

ALS 1 1908

Box 11 , Folder 6

Forberg, Otto.

APS 2 1905

Box 11 , Folder 7

Forberg, Robert (with letterhead of Rob. Forberg Musikalien-Verlag und Commission, Leipzig).

ALS 1 1898

Fotogrammarchiv, Wien. See Archiv für Photogramme musikalischer Meisterhandschriften, Musiksammlung, Nationalbibliothek, Wien.

Box 11 , Folder 8

Franz, Leo.

TLS 1 1929

Box 11 , Folder 9

Frimmel, Fanny von.

ANU 3 undated (1 written on calling card)

Box 11 , Folder 10

Frimmel, Theodor von.

ALS 6 1902-1921

APS 12 1902-1927

APS 4 undated

ANS 4 undated (written on calling cards)

ANU 1 undated (with Frimmel's address and fragment of music)

1 calling card

1 printed article, "Bemerkungen zur angeblich `Kritischen' Ausgabe der Briefe Beethovens," Wien, 1907.

Physical Description: 20 pp.

Box 11 , Folder 11

Fritsch, Ernst Wilhelm (with letterhead of Redaction des Musikalischen Wochenblattes).

ALS 1 1892

Box 11 , Folder 12

Frotzler, Carl (with letterhead of Brünner Musik-Verein, Brno).

ALS 1 1903

Box 11 , Folder 13

Frühmann, _____.

ALS 1 1931

Box 11 , Folder 14

Fuchs, A.

APS 2 1932-1933

Box 11 , Folder 15

Fuchs, Robert.

ANU 1 1902 (ms. inscription on printed card of thanks)

Box 11 , Folder 16

Furtwängler, Wilhelm.

ALS 6 undated

ALS 11 1919-1934 (signature has been cut from letter dated 16.XI.32)

APS 2 1923

TLS 5 1932-1937

Box 11 , Folder 17

Gärtner, Eduard.

ALS 1 undated

ALS 1 1912

1 printed funeral notice for Gärtner, 1918

Box 11 , Folder 18

Geck, _____ (with letterhead of Frankfurter Zeitung, Frankfurt).

TLS 1 1914

Box 11 , Folder 19

Gelber, Adolf.

APS 3 1893.

Box 11 , Folder 20

General-Anzeiger für Bonn und Umgebung, Bonn.

TLS 2 1927 (signatures not identified)

Box 11 , Folder 21

Gerstberger, Karl.

ALS 3 1929-1930

Box 11 , Folder 22

Gesellschaft der Musikfreunde, Wien.

APS 1 undated (signed "Bella", making appointment for Schenker with Mandyczewski)

TLS 2 1933 (signatures not identified)

1 typed document 1912, signed "für die Direktion" (signatures not identified); proposal to Schenker for a series of lectures, Saison 1912-1913.

Physical Description: 2 leaves conjugate

1 newspaper clipping concerning lecture series, including Schenker's, 1912

Scope and Content Note

see also Kraus, Ernst; Lafite, Carl; Mandyczewski, Eusebius

Box 11 , Folder 23

Die Gnosis, Wien.

ALS 1 1903 ("Redaktion," signature not identified)

Box 11 , Folder 24

Grädener, Hermann.

ALS 1 1901

Box 11 , Folder 25

Graf, Max.

ALS 2 undated [1910?]

Box 11 , Folder 26

Gross, Max.

TLS 2 1914-1915

TPS 1 1912 (copy of letter from Gross to Moriz Schenker re legal dispute)

1 bill for legal services 1912

3 receipts 1913-1915

Box 11 , Folder 27

Grosz, Carl.

ALS 1 1935

Box 11 , Folder 28

Grünfeld, Alfred.

ANU 1 undated (written on calling card)

Box 11 , Folder 29

Grunsky, Karl.

ALS 3 1908-1910

APS 2 1908

Box 11 , Folder 30

Gurlitt, Wilibald.

APS 1 1918

Box 11 , Folder 31

Guttmann, Sophie (sister of Heinrich Schenker) to Jeanette Schenker.

ALS 3 1938-1939

APS 1 1939

Box 11 , Folder 32

Haas, Robert (includes letterheads of Archiv für Photogramme, Wien, and National-Bibliothek, Musiksammlung, Wien). See also Internationaler Kongress für Schubertforschung, Wien, 1928.

ALS 3 1933-1935

APS 3 1930-1932

TLS 12 1927-1933

TPS 1 1932

Box 11 , Folder 33

Hahn, Harry.

ALS 1 1928

Box 11 , Folder 34

Halberstam, Julius (includes letterhead of Wiener Sanatorium Dr. Anton Loew, Wien).

ALS 1 1934

Box 11 , Folder 35

Halm, August.

ALS 20 1917-1925

APS 7 1917-1927

2 autograph letter fragments undated

1 death notice 1929

Included with the correspondence: 2 published scores autographed by the composer (Halm's Drei Serenaden für Streichtrio of 1919 with Serenade in A-moll; Vier Tänze und nächtlicher Marsch of 1927)

Box 11 , Folder 36

Hammer, Victor.

ALS 1 undated

ALS 19 1913-1926

APS 8 1922-1927

1 typed transcript of Schenker diary entries (Nov. 22, 1925, and Jan. 25, 1926) concerning Hammer and the word Urlinie,

Physical Description: 1 leaf

Box 11 , Folder 37

Hammer, Victor (graphic material. See also Group V)

4 reproductions of paintings, each with overlay and autograph diagram of composition; on verso autograph analyses of composition [1926]

1 loose overlay, autograph diagram [1926], included with the 4 reproductions in original envelope addressed to Schenker

1 publisher's brochure (Verlag Schmidt-Dengler, Graz) announcing book on Hammer's work [1926]

1 printed invitation to Hammer exhibition (Wiener Secession) 1924

Box 11 , Folder 38

Hammerschlag, Paul.

ALS 1 1919 (with typed transcript)

Box 11 , Folder 39

Hanslick, Eduard.

ALS 3 1894-1899

1 autograph letter fragment 1894 (bottom portion and signature cut away)

APS 1 1895

ANU 1 1898 (written on calling card)

Box 11 , Folder 40

Harand-Bewegung, Weltorganisation gegen Rassenhass und Menschennot, Wien.

1 form letter unsigned 1933, with note on envelope in Jeanette Schenker's hand.

Box 11 , Folder 41

Harburger, Walter.

ALS 1 undated

Box 11 , Folder 42

Harden, Maximilian (includes letterhead of Die Zukunft, Berlin).

ALS 10 1892-1897

APS 18 1892-1897

ANS 2 undated

ANS 1 [1893] (photocopy; for original, see ALS from Hermann Wolff to Harden, Box 71 f.42)

Box 11 , Folder 43

Hatschek, Oskar (brother-in-law of Jeanette Schenker, husband of her sister Klara).

APS 1 1934

Box 11 , Folder 44

Hausenstein, Wilhelm.

ALS 1 1924

ANU 1 1924 (written on calling card)

Box 11 , Folder 45

Hayek, _____ von (with letterhead of Bezirksgericht Innere Stadt, Wien). 1 copy of typed legal document with stamped signature 1917

Box 11 , Folder 46

Hellmesberger, Josef.

ALS 1 undated

Box 11 , Folder 47

Herders Konversationslexikon, Der grosse Herder, Freiburg im Breisgau.

1 form letter 1933

Hertzka, Emil. See Emil-Hertzka-Gedächtnisstiftung, Wien; also see Weinberger, Josef, for two LS 1903 jointly signed by Weinberger and Hertzka.

Box 11 , Folder 48

Herzfeld, V. von.

APS 1 1916

Box 11 , Folder 49

Heuberger, Richard.

APS 3 1899-1905

ANS 1 1903 (written on calling card of thanks)

Box 11 , Folder 50

Heydusek, A.

ALS 1 1894

Box 11 , Folder 51

Hindemith, Paul.

TLS 1 1926

Box 11 , Folder 52

Hinterberger, Heinrich.

ALS 1 1935

TPS 1 1938

Box 11 , Folder 53

Hirschl, D.

ALS 1 1901

Box 11 , Folder 54

Hoboken, Anthony van.

ALS 2 undated

ALS 22 1924-1935

APS 8 1926-1932

ANU 2 undated (written on calling cards)

TLS 7 1928-1935

Box 11 , Folder 55

Hoesslin, Franz von (with letterheads of Dirigent des Rigaschen Symphonie-Orchesters, and Generalmusikdirektor der Städte Barmen/Elberfeld, Elberfeld).

ALS 1 undated [ca. 1912-1914]

TLS 1 1927

TPS 1 1927

Box 11 , Folder 56

Hunderisser, Franziska.

ALS 1 1935 (to Jeanette Schenker)

Illustriertes Wiener Extrablatt, Wien. See Liebstoeckl, Hans.

Internationale Musik-Gesellschaft, Wien. See Adler, Guido.

Box 11 , Folder 57

Internationaler Kongress für Schubertforschung, Wien, 1928.

TLS 1 1928 (signed by Robert Haas and Alfred Orel)

2 printed cards for participant 1928

Box 11 , Folder 58

Israelitische Kultusgemeinde, Wien.

TLS 1 1916 (signature not identified)

Box 12 , Folder 1

Jerusalem, Wilhelm.

ANU 1 undated (written on calling card)

Box 12 , Folder 2

Jodl, Friedrich.

ALS 1 1913

Box 12 , Folder 3

Jodl, Margarete.

1 printed funeral notice for Friedrich Jodl 1914

1 printed card of thanks 1914

Box 12 , Folder 4

Johannes-Brahms-Denkmal-Komitte, Wien.

1 printed invitation to ceremonies 1908

Box 12 , Folder 5

Jokl, Ernst.

ANS 1 undated

Box 12 , Folder 6

Jonas, Oswald.

ALS 4 undated

ALS 28 1928-1935

APS 9 1928-1935

TLS 3 1932 (with enclosures: typed outlines of proposed book [ Das Wesen des musikalischen Kunstwerks], 2 leaves; biographical sketch of Schenker, 1 leaf)

TLU 1 1934 (with enclosures: typed German translation, 2 leaves, of review of Das Wesen des musikalischen Kunstwerks in Monthly Musical Review, Dec. 1934)

Box 12 , Folder 7

Kalbeck, Max.

ALS 3 1897-1906

APS 1 1899

ANS 3 1897-1903

ANU 1 1898 (written on calling card)

Box 12 , Folder 8

Kalmus, Alfred (with letterhead of Universal-Edition, Wien, and Wiener Philharmonischer Verlag, Wien).

TLS 30 1922-1936

TPS 3 1923-1925

Box 12 , Folder 9

Karpath, Ludwig (includes letterhead of Der Merker, Wien, and Neues Wiener Tagblatt, Wien).

ALS 14 1911-1931 (ALS of 6 III 1916 is on verso of TLS 1916 from Emil Kammerer to Karpath; photocopy. For original see Box 71 f.19)

APS 1 1908-1932

ANU 1 1915 (written on calling card)

TLS 6 1913-1931

TPS 1 1931

1 printed form letter 1917

Box 12 , Folder 10

Klein, Fritz (with letterhead of Deutsche Allgemeine Zeitung, Berlin).

ALS 1 1927

TLS 2 1933

Box 12 , Folder 10a

Klein, Fritz Heinrich, composer and theorist.

ALS 1 1927

Box 12 , Folder 11

Klenau, Paul August von.

ALS 2 undated [1927]

ALS 8 1923-1927

ANS 1 1924 (written on calling card)

Box 12 , Folder 12

Klett, Ernst (with letterhead of Carl Grüniger Nachf. Ernst Klett, Stuttgart).

TLS 1 1926

Box 12 , Folder 13

Koenig, A.

ALS 1 1934

Box 12 , Folder 14

Koller, O. (with letterhead of Internationale Musik-Gesellschaft, Wien).

ALS 1 1902

Box 12 , Folder 15

Komité zur Ehrung Wilhelm Kienzl's, Wien.

1 printed invitation 1927

Box 12 , Folder 16

Komitee für ein Brahms-Denkmal in Thun.

1 printed form letter 1933, with subscription form

Box 12 , Folder 17

Komorn, Maria.

ALS 6 1923-1935

APS 4 1923-1938

ANS 2 1927-1928 (written on greeting card and on calling card)

Box 12 , Folder 18

Konzertdirektion Otto Bauer, München.

TLS 1 1924 (signature not identified)

Kornfeld, Felix. See Schenker/Schiff families; Box 14

Box 12 , Folder 19

Korngold, Julius.

ANU 1 1902 (written on calling card)

Krasny, Emil. See Lanzer, Alfred and Emil Krasny (Rechtsanwälte, Wien)

Box 12 , Folder 20

Kraus, Ernst (with letterhead of Gesellschaft der Musikfreunde, Wien).

APS 1 1925

TLS 1 1935

Box 12 , Folder 21

Krebs, E.

ALS 1 1912

Box 12 , Folder 22

Krehl, Stephan.

ALS 2 1923

APS 1 1923

Box 12 , Folder 23

Kröner, Adolf (with letterhead of J. G. Cotta'sche Buchhandlung Nachfolger, Stuttgart; Berlin).

ALS 1 1909

Box 12 , Folder 24

Kromer, Julius (also known as Julo von Kromer; includes letterhead of Archiv für Photogramme, Wien).

ALS 2 1931-1935

APS 2 1939

ANS 2 1931 (written on calling cards)

TLS 2 1932-1933

TPS 4 1932-1939

Box 12 , Folder 25

Kudryk, Borys.

ALS 2 1925

Der Kunstwart. See Rinn, Hermann ( Der Kunstwart, München)

Box 12 , Folder 26

Kuratorium der Freiherrlich von Rothschild'schen Künstlerstiftung, Wien.

ALS 1 1899 (signatures not identified; award of grant and payment receipt)

TLS 1 1916 (signature not identified)

Box 12 , Folder 27

Kurz, H. (with letterhead of J. G. Cotta'sche Buchhandlung Nachfolger, Stuttgart; Berlin).

ALS 14 1906-1913

APS 1 1910

Box 12 , Folder 28

Kux, Wilhelm.

ANU 1 undated (written on calling card)

ANU 4 1905-1910 (written on calling cards)

Box 12 , Folder 29

Lafite, Carl (includes letterhead of Gesellschaft der Musikfreunde, Wien).

APS 2 1904

ANS 1 1902

ANU 1 undated (written on calling card)

TLS 3 1912 (two with autograph notes by Schenker; on verso of Lafite TLS 18. September 1912 is draft ALU response by Schenker 19.IX.12)

TPS 1 1912

Box 12 , Folder 30

Lahusen, Christian.

ALS 4 1931-1932

Box 12 , Folder 31

Lamberg, Ernst.

TLS 3 1923-1924

Box 12 , Folder 32

Landau, Heinrich.

APS 1 1927

Box 12 , Folder 33

Landowska, Wanda.

ALS 3 1910-1911

ANU 1 [ ca. 1910] (written on calling card)

Box 12 , Folder 34

Lanzer, Alfred and Emil Krasny, Rechtsanwälte, Wien.

ALS 1 1935

TLS 48 1930-1938

TPS 3 1931-1935

1 receipt 1935

Box 12 , Folder 35

Lese- und Redehalle jüdischer Hochschüler, Wien.

1 printed invitation 1903

Box 12 , Folder 36

Leuckart (F.E.C.) Buch- & Musikalien-Verlag, Leipzig.

ALS 1 1903 (firm name signature)

Box 12 , Folder 37

Library of Congress, Washington, D. C.

1 printed postcard initialed 1933 (request by Catalog Division for biographical and bibliographical data)

Box 12 , Folder 38

Liebstoeckl, Hans (includes letterhead of Illustriertes Wiener Extrablatt, Wien).

ALS 3 undated

APS 1 1928

Box 12 , Folder 39

Lienau, Robert, Jr. (with letterhead of Carl Haslinger, Musik-Verlag, Berlin).

ALS 1 1897

Box 12 , Folder 40

Liliencron, Detlev von.

ALS 1 1901

APS 1 1900

1 printed program 1900 (Liederabend Eduard Gärtner; photocopy, see also Siebenlist, Ottilie, Box 14 f.23a)

Box 12 , Folder 41

Löwe, Amalie.

ALS 1 1906

ANU 1 undated (written on calling card)

Box 12 , Folder 42

Löwe, Ferdinand.

ALS 1 1905

ANS 1 1907

ANU 1 undated

Box 12 , Folder 43

Loewe, Theodor (includes letterhead of Direktion des Stadt-Theaters, Breslau).

ALS 2 1889-1891

Box 12 , Folder 44

Lothar, Rudolf (includes letterhead of Die Wage, eine Wiener Wochenschrift, Wien).

ALS 1 1898

APS 1 1898

ANS 1 undated

Box 12 , Folder 45

Ludwig, Ernst.

ANU 1 undated (written on calling card)

Box 12 , Folder 46

Lytle, Victor.

ALS 2 1930

TLS 1 1930

Box 12 , Folder 47

Mach, E[rnst].

APS 1 1896

Box 12 , Folder 48

Mahler, Gustav.

ANS 1 undated (photocopy)

Box 12 , Folder 49

Mandyczewski, Eusebius (includes letterhead of Gesellschaft der Musikfreunde, Wien, and Internationaler Kongress für Schubertforschung, Wien)

ALS 1 undated

ALS 2 1912

LS 1 1908 (signed by Mandyczewski as Bibliothekar, acknowledging gift of Schenker's Beitrag zur Ornamentik)

APS 4 1908-1925

ANS 1 undated (written on calling card)

ANS 1 1898

1 printed form letter 1928

Box 12 , Folder 50

Martin, Bernhard.

ALS 3 undated

ALS 4 1929

2 leaves of musical analysis in Martin's hand

Box 12 , Folder 51

Marx, Joseph (with letterhead of Akademie für Musik und darstellende Kunst, Wien).

TLS 1 1924

Box 12 , Folder 52

Mendl, Fritz (with letterhead of Futtermittel-Zentrale, Wien).

TLS 1 1917

Der Merker, Wien. See Karpath, Ludwig.

Box 12 , Folder 53

Mercurbank, Wien.

TLS 3 1938

2 receipts 1938

1 printed form letter 1938

Box 12 , Folder 54

Messchaert, Johannes.

ALS 1 undated

ALS 4 1899

APS 6 1896-1901

Box 12 , Folder 55

Miller, L.

ALS 1 1927

Box 12 , Folder 56

Mittler, Franz.

ALS 8 undated

ALS 7 1917-1932

APS 5 1919-1932

Box 12 , Folder 57

Moll, Carl.

ANU 2 undated (written on calling cards)

Box 12 , Folder 58

Müller, Paul.

ALS 1 1923

Box 12 , Folder 59

Müller, Siegfried Fritz.

ALS 5 1922-1924

1 printed recital program [1923]

5 newspaper clippings 1923 concerning Müller piano recital

Box 12 , Folder 60

Münchheimer, Adam.

ANS 1 undated (written on calling card)

Box 12 , Folder 61

National-Zeitung, Basel.

TLS 1 1933 (signature not identified)

Box 12 , Folder 62

Neff, L. (J. G. Cotta'sche Buchhandlung Nachfolger, Stuttgart; Berlin).

LS 2 1919-1920 (text in a secretarial hand)

ANS 1 1920 (written on ALS 4.10.20 Otto Vrieslander to Schenker; photocopy; for original see Box 15 f.4)

TLS 1 1917

Box 13 , Folder 1

Neue Musik-Zeitung, Schriftleitung, Stuttgart.

TPS 1 1920 (signature not identified)

Box 13 , Folder 2

Neue Schule für Musik und Bühnenkunst, Wien.

TLS 2 1933 (signatures of Alfred Weissberger and Marianne Munk-Weissberger)

1 curriculum announcement [1933?],

Physical Description: 4 pp.

Box 13 , Folder 3

Neumann, Carl.

ALS 1 1935

Box 13 , Folder 4

Neumann, Lotte.

ALS 1 1924

Box 13 , Folder 5

Niederösterreichische Escompte-Gesellschaft, Wien.

ALS 1 1912 (signature not identified)

TLS 3 1906-1920 (signatures not identified)

Box 13 , Folder 6

Nolle, Hugo ( Neue Musik-Zeitung, Schriftleitung, Stuttgart).

TLS 1 1924

Box 13 , Folder 7

Ochs, Siegfried.

ALS 2 1898-1903

Box 13 , Folder 8

Odelga, Freiherr _____ von.

ANU 1 undated (written on calling card)

Box 13 , Folder 9

Oesterreichische Musiklehrerschaft, Wien.

1 printed invitation 1927

Box 13 , Folder 10

Oppel, Reinhard (includes letterhead of Kirchenmusikalisches Institut, Landeskonservatorium der Musik, Leipzig).

ALS 3 undated

ALS 124 1919-1939

APS 85 1921-1939

1 telegram 1928

1 wedding announcement 1930

1 lecture announcement [1931]

7 concert and recital programs 1914-[1932]

1 newspaper clipping

2 leaves of music manuscript

Box 13 , Folder 11

Oppel, Ulrich.

ALS 3 1928-1929

Box 13 , Folder 12

Ornstein, Christiane.

ALS 4 1939 (including multiple signatures; all addressed to Jeanette Schenker)

3 children's drawings

Box 13 , Folder 13

Osten, Heinrich (with letterhead of Neue Revue, Wien).

ALS 4 1894-1898

Box 13 , Folder 14

Oster, Ernst.

ALS 1 1938 (to Jeanette Schenker)

APS 1 1938 (to Jeanette Schenker)

Box 13 , Folder 15

Paumgartner, Bernhard.

ALS 1 1915

Box 13 , Folder 16

Pensionsanstalt deutscher Journalisten und Schriftsteller, München.

1 statement 1908

Box 13 , Folder 17

Peters, C. F., Leipzig.

ALS 2 1897

TLS 5 1913-1920

TPS 1 1928

Box 13 , Folder 18

Pfeiffer,_____(with letterhead of Deutsche Gesandtschaft, Wien).

TLS 1 1923

Photogrammarchiv, Wien. See Archiv für Photogramme musikalischer Meisterhandschriften

Box 13 , Folder 18a

Pollak, Felix.

APS 1 1905

Box 13 , Folder 19

Pollak, Frieda and Karl.

ALS 1 1925

ANU 1 1926

TLS 1 1926

Box 13 , Folder 20

Reichert, Ernst.

ALS 1 1933

TLS 1 1933

Box 13 , Folder 21

Reigerberg, Heinrich von.

ALS 9 1924-1935

APS 12 1925-1938

Box 13 , Folder 22

Réti, Rudolf.

ALS 1 1913 (annotated in Heinrich Schenker's hand)

Box 13 , Folder 23

Riemann, Hugo ( Musik-Lexikon, Leipzig).

1 form letter, with ms. corrections, 1913

Box 13 , Folder 24

Riesling, Elfi von.

ALS 1 1937

Box 13 , Folder 25

Rinn, Hermann (with letterheads of Deutsche Zeitschrift, München, and Der Kunstwart, München).

TLS 39 1927-1935 (together with an LS 1927 in an unidentified hand, written on behalf of Rinn)

TPS 5 1930-1933

1 printed announcement, "An unsere Leser!" [1932], concerning change of name from Deutsche Zeitschrift to Der Kunstwart

Box 13 , Folder 26

Robert, Richard.

APS 3 1902-1914

Box 13 , Folder 27

Röntgen, Julius.

ALS 1 undated

ALS 5 1901-1908

APS 3 1901-1915

Box 13 , Folder 28

Rosenthal, Felix.

ALS 1 1931

ANS 1 1932 (written on calling card)

Box 13 , Folder 29

Rosenthal, Moriz.

ALS 2 undated

ALS 6 1894-1912

APS 1 1912

ANS 1 1902 (written on calling card)

ANU 2 undated (written on calling cards)

Box 13 , Folder 30

Roth, Herman (includes letterhead of Hamburger Nachrichten, Hamburg).

ALS 10 undated

ALS 26 1912-1932

APS 5 undated, including card [Christmas 1917?] with greetings from Roth and from Otto and Helene Vrieslander

APS 33 1913-1927

ANS 1 undated

TLS 1 undated

TLS 5 1923-1933

TPS 4 1924-1925

1 wedding announcement of Tony and Herman Roth 1923

1 telegram 1913

Box 13 , Folder 31

Rothberger, Hilda.

ALS 3 undated

ALS 9 1933-1938 (including letters from Karl Rothberger)

APS 16 1929-1938 (including card from Karl Rothberger)

ANS 1 undated

ANU 1 1935

Box 13 , Folder 32

Rothschild, Alphonse de.

ANS 1 undated (written on calling card)

ANU 3 undated (written on calling cards, of which one is the card of Albert de Rothschild)

Box 13 , Folder 33

Rottenberg, [Ludwig].

1 calling card

Box 13 , Folder 34

Rottensteiner, Kati and family.

ALS 3 1938 (to Jeanette Schenker)

Box 13 , Folder 35

Rubinraut, Hilde.

ALS 3 1922-1923

ANU 1 1922 (written on calling card)

Box 13 , Folder 36

Rudorff, Elisabeth.

ALS 1 1909

1 printed funeral notice for Ernst Rudorff 1916

1 printed card of thanks 1917

Box 13 , Folder 37

Rudorff, Ernst Friedrich Karl.

ALS 10 1908-1910

APS 2 1909-1910

1 printed letter signed, on the occasion of Rudorff's seventieth birthday, 1910

Schenker/Schiff Families

Scope and Content Note

For relationships consult the charts filed in Box 14, Folder 3a.

Letters to the Schenkers arranged by correspondent as follows:

Schenker Family

Guttmann, Sophie (Box 11, Folder 31)

Guttmann, Hans (Box 14, Folder 4)

Guttmann, Julian (Box 14, Folder 5)

Schenker, Moriz, and family (Box 14, Folder 5)

Schenker, Wilhelm (Box 14, Folder 6)

Schiff Family

Hatschek, Oskar (Box 11, Folder 43)

Kornfeld, Felix (Box 14, Folder 7)

Schiff, Paul and Anna (Box 14, Folder 8)

Schiff, Victor (Box 14, Folder 9)

Weil, Arnold and Rosa (Box 14, Folder 10)

Box 14 , Folder 1

Salzer, Felix.

ALS 3 1921-1934

APS 2 1921-1938

AL in Oswald Jonas's hand, signed by Jonas and Salzer, to Jeanette Schenker 27.VI.35, photocopy. For original, see Jonas letters to the Schenkers, Box 12 f.6

Box 14 , Folder 2

Sambeth, H. M.

ALS 1 1926

Box 14 , Folder 3

Saphir, Mathilde.

TLS 1 1917

Box 14 , Folder 3a

Schenker and Schiff families. Genealogical tables (prepared by R. Lang), 5 ms. leaves. Genealogical tables (prepared by Heribert Esser), 3 ms. leaves.

Schenker Family

Box 14 , Folder 4

Guttmann, Hans (son of Sophie Guttman).

ALS 1 1922

1 telegram 1918

Box 14 , Folder 5

Schenker, Moriz (Heinrich Schenker's brother; Moriz's name also appears as Moritz, Maurice, Mozio) and family.

ALS 28 1918-1930

APS 6 1918-1924

TLS 5 1920-1930

ALS 2 1912-1914 (Moriz to Julia Schenker, his mother)

APS 1 1917 (from Julian, son of Sophie Guttmann, with photograph; photocopy, for original see Box 72 f.16)

Box 14 , Folder 6

Schenker, Wilhelm (Heinrich Schenker's brother).

ALS 8 1930-1939

Schiff Family

Box 14 , Folder 7

Kornfeld, Felix (Jeanette Schenker's son from her first marriage).

ALS 1 1939 (to Jeanette Schenker)

Scope and Content Note

(For Kornfeld, Tomás, son of Felix, see Box 71 [Other Correspondence] and Box 72 [Photographs])

Box 14 , Folder 8

Schiff, Paul and Anna (Jeanette Schenker's brother and sister-in-law).

ALS 6 1925-1926 (LU 1925 Victor Schiff to Klara Schiff, and LU 1925 Victor Schiff to Paul Schiff, transcribed by Anna Schiff, included with ALS from Paul Schiff to Jeanette Schenker 18.XI.1925)

APS 4 1925-1934

TLS 1 1938

Box 14 , Folder 9

Schiff, Victor (Jeanette Schenker's brother).

ALS 1 1926

LU 1925 Victor Schiff and Klara Schiff, and LU 1925 Victor Schiff to Paul Schiff, translated from the Hebrew and transcribed by Anna Schiff; photocopies, for originals, see Schiff, Paul and Anna.

Box 14 , Folder 10

Weil, Arnold and Rosa [née Schiff] (Jeanette Schenker's sister and brother-in-law).

ALS 22 1932-1939

APS 10 1932-1939 (APS of 16. Juli 1934 also signed by Paul and Lisl Schiff)

TLS 1 1933

1 telegram undated [192-?]

Box 14 , Folder 11

Scherber, Ferdinand.

ANS 1 1906 (written on calling card with address, "k.k. Hof bibliothek")

Schiff, Anna, Paul or Victor. See Schenker/Schiff Families

Box 14 , Folder 12

Schmid, Edmund.

TLS 1 1927

Box 14 , Folder 13

Schmid, Ernst (Ferdinand) Fritz.

APS 1 1932

Box 14 , Folder 14

Schnabel, Artur.

ALS 1 1925

Box 14 , Folder 15

Schoenberg, Arnold.

Schoenberg-Schenker material is present only in photocopy.

ALS 1 undated [ ca. 1907], photocopy

ALS 10 1903-[1907; some dates supplied in pencil by Oswald Jonas]; photocopies

ALU 1 undated [1903], photocopy

Circular letter 1904, ms. in an unidentified hand, from Alexander von Zemlinsky, Gustav Gutheil, and Schoenberg, concerning formation of a "Verein schaffender Tonkünstler," addressed to Schenker in another hand; photocopy

Printed card 1904 from the Wiener Ansorge Verein with handwritten invitation to Schenker to attend an "Ansorge Grube-Schönberg Abend," 11.12.1904; photocopy

Printed invitation 1907, addressed to Schenker, to a performance of compositions by Schoenberg's students (Berg, Webern, etc.), 7. November 1907; photocopy

Box 14 , Folder 16

Schott's Söhne, B., Mainz.

ALS 1 1902

APS 1 1902

Box 14 , Folder 17

Schrader, Bruno.

APS 1 1917

1 newspaper clipping (review by Schrader of Schenker's Beethovens neunte Symphonie in Die Zeit am Montag, 25.März 1913), with envelope

Box 14 , Folder 18

Schubert, Kurt.

ALS 1 1922

Box 14 , Folder 19

Schütt, Eduard.

ANU 2 1894 (written on calling cards)

Box 14 , Folder 20

Schuster, Bernhard (with letterhead of Die Musik, Stuttgart; Berlin).

ANS 1 [1922] autograph note written on printed form letter announcing fiftieth anniversary of Die Musik

TLS 2 1923-1925

TPS 3 1922

1 proof of music illustration with corrections for Schenker's article [1923]

Box 14 , Folder 21

Seidel'sche Sortiments-Buchhandlung, O. E. Deutsch & Co., Wien. ( See also Deutsch, Otto Erich.)

7 bills and receipts 1921-1924

Box 14 , Folder 22

Selbsthilfe der Wiener Künstler, Wien.

TLS 1 1935 (to Jeanette Schenker)

Box 14 , Folder 23

Seligmann, Adalbert Franz.

ALS 4 undated

ALS 3 1911-1916

APS 16 1902-1935

1 printed invitation to Seligmann exhibition 1903

1 printed note of thanks 1918

Box 14 , Folder 23a

Siebenlist, Ottilie.

ALS 1 1900 (enclosing printed program of Liederabend Eduard Gärtner, 1 December 1900, Alexander von Zemlinsky, accompanist, with new songs by Schenker, Wolf, Zemlinsky, and Schönberg. Photocopy)

Box 14 , Folder 24

Simrock, N., Musikverlag, Berlin (with letterhead.)

ALS 4 1898-1900

APS 2 1898-1899

Box 14 , Folder 25

Singer, J. (with letterhead of Die Zeit, Wiener Wochenschrift, Wien).

ALS 2 1895

Box 14 , Folder 26

Singverein der Gesellschaft der Musikfreunde, Wien.

1 printed invitation to concerts 1908

1 ticket 1908

Box 14 , Folder 27

Soebs-Brünauer, Ida.

ALS 1 1924

1 newspaper clipping, article by Jürgen Fehling 1924

Box 14 , Folder 28

Spiegler, Albert.

ALS 1 1924

Box 14 , Folder 29

Spiegler, Nina.

APS 1 1924

ANS 1 undated

Box 14 , Folder 30

Srb-Debrnov, Josef.

ALS 1 1894

Box 14 , Folder 31

Staeps, Hans Ulrich.

ALS 2 1931

Box 14 , Folder 32

Stahl, Albert, Musikalien-Handlung und Leih-Institut, Berlin.

1 form letter 1909, printed announcement of work by Ernst Rudorff

Box 14 , Folder 33

Steglich, Rudolf.

ALS 4 1914-1918

APS 1 1918

Box 14 , Folder 34

Steiner, Franz.

ALS 1 1908

ANU 1 1913 (written on calling card)

Box 14 , Folder 35

Steinhoff, Elisabeth.

ALS 1 1924

Box 14 , Folder 36

Symbolische Grossloge von Ungarn, Budapest.

ALS 1 1904 (membership certified at Loge "Zukunft", Pressburg)

1 signed certificate 1907

Box 14 , Folder 37

Szalit, Paula.

ALS 1 1918

ANS 2 undated (written on calling cards)

Box 14 , Folder 38

Tedesko, Salo.

ALS 1 1908

Box 14 , Folder 39

Toifl, Hans.

ALS 1 1933

Box 14 , Folder 40

Türkel, Siegfried.

TLS 1 1918

1 typed draft of contract with ms. annotations, undated

Box 14 , Folder 41

Ullreich, M_____.

ALS 1 1918

Box 14 , Folder 42

Die Umschau, Frankfurt am Main.

APS 1 1897 (signature not identified)

Box 14 , Folder 43

Universal-Edition, Wien.

TLS 20 1920-1939 (signatures not identified)

TPS 7 1934-1935 (signatures not identified)

33 book orders, bills and receipts 1917-1924

1 book order undated

7 receipts undated

3 ms. fragments (one dated 1921) in the hand of Heinrich and of Jeanette Schenker

Box 14 , Folder 44

Vereinigung Wiener Musikreferenten, Wien.

ALS 1 1910 (signatures not identified)

Box 14 , Folder 45

Violin, Moriz (signed Floriz, Fiorello, Florizello) and Valerie (Wally).

ALS 2 undated

ALS 75 [1900]-1935

APS 19 1915-1938 (2 APS 1915 in photocopy; for originals see Box 72 f.23)

Box 14 , Folder 46

Violin, Fanny (Moriz's sister), Genovefa (also Eva or Everl, Moriz's daughter), Karl (also Karli or Carli, Moriz's son), and Moriz. Letters written singly or in combinations.

ALS 2 undated

ALS 2 1914-1935

APS 4 1922-1938

ANS 1 undated

1 drawing (bookmark?) by Eva and Karl Violin, pencil and water color, undated, inscribed "für Herrn Dr. Schenker"

Box 15 , Folder 1

Voraus, Grete.

ALS 1 undated

ALS 2 1933-1934

Box 15 , Folder 2

Vornkeller, Maja.

ALS 3 1932

1 printed announcement of Vornkeller's instruction in piano and in Schenker method, München, undated

Box 15 , Folder 3

Voss, Gotthilf Erich.

ALS 9 1930-1934

APS 1 1932

1 printed and signed announcement of Voss lectures on Schenker, undated

1 New Year's greeting card, undated

Box 15 , Folder 3a

Vrieslander, Klaus.

ALS 1 1918

Box 15 , Folder 4

Vrieslander, Otto and Helene.

Scope and Content Note

With the following two exceptions, all of Otto Vrieslander's letters to Heinrich Schenker were returned to the writer by Jeanette Schenker after Heinrich's death, and are now in a private collection. The remainder, 1935-39, are addressed to Jeanette Schenker.

ALS 2 1917-1920 (addressed to Heinrich)

ALS 5 1935

APS 2 1935-1939

TPS 3 1935-1939

Box 15 , Folder 5

Waechter, Eberhard.

ALS 8 1918-1921

Die Wage. See Lothar, Rudolf.

Box 15 , Folder 6

Wahle, Richard (Fritz).

ALS 2 undated

ALS 8 1899-1913

APS 1 1903

ANS 2 1896-1907 (1896 on calling card)

1 printed announcement of book edited by Wahle, 1912

Box 15 , Folder 7

Waldeck, Arthur.

ALS 1 1929

Box 15 , Folder 8

Waldheim, R. v. Jos. Eberle & Co., Wien.

TLS 5 1905-1908

APS 1 1906

Box 15 , Folder 9

Waltershausen, Philippine von (with letterhead of Professor Hermann Wolfgang Sartorius, Freiherr v. Waltershausen, Direktor der Staatlichen Akademie der Tonkunst, München).

TLS 1 1931

Box 15 , Folder 10

Wanek, Marlies.

ALS 3 1939 (to Jeanette Schenker)

Box 15 , Folder 11

Weigl, Karl and Vally.

ALS 1 1929

APS 2 dates not identified

APS 6 1931-1934

TLS 1 1934

TPS 1 1934

Weil, Arnold and Rosa [née Schiff]. See Schenker/Schiff families.

Box 15 , Folder 12

Weinberger, Josef (with letterhead of Josef Weinberger, Bühnen-Verlag, Musikalien-Verlags-Handlung, Wien).

LS 3 1900-1903 (two LS 1903 jointly signed by Weinberger and by Emil Hertzka; texts of all LS written in clerk's hand)

LU 1 1903 (written in clerk's hand and signed with stamp)

PU 1 1904 (written in clerk's hand)

ANU 3 undated (written on calling cards)

Box 15 , Folder 13

Weiss-Hausleithner, Tity.

ALS 1 1933 (to Jeanette Schenker)

Box 15 , Folder 14

Weisse, _____ (father of Hans Weisse).

APS 1 1896

Box 15 , Folder 15-16

Weisse, Hans and Hertha.

ALS 11 undated

APS 98 1911-1935

APS 5 undated (photocopy of 1 APS ca. 1913: for original see Box 72 f.24)

APS 55 1913-1931

ANS 1 undated

1 telegram 1919

Program of Quartett Mairecker-Buxbaum Wien, 1921, announcing a forthcoming performance of Weisse quartet, Op. 9.

"Das Werk Heinrich Schenkers." Review by Karl Gerstberger of a lecture by Weisse in Vienna, ca. 1930. Newspaper clipping.

Box 15 , Folder 17

Weissgärber, _____.

ALS 1 1928

Box 15 , Folder 18

Wiener Bank-Verein, Wien.

3 records of Schenker transactions 1919

Box 15 , Folder 19

Wiener Konzerthausgesellschaft, Wien.

ALS 1 1914 (signatures not identified)

TLS 4 1914-1924 (signatures not identified)

Box 15 , Folder 20

Wiener Philharmonischer Verlag, Wien.

TLS 1 1923 (signature not identified)

3 receipts 1924

Box 15 , Folder 21

Wiener Tonkünstler-Verein, Wien.

1 printed invitation to memorial service for Karl Goldmark 1915

Box 15 , Folder 22

Willfort, Manfred.

ALS 11 1931-1935

Box 15 , Folder 23

Winkler, O. (with letterhead of C. F. Kahnt Nachfolger, Leipzig).

TLS 1 1911

Box 15 , Folder 24

Wittgenstein, Paul.

ALS 1 undated

APS 1 1913

TLS 1 1913

1 telegram 1913

Box 15 , Folder 25

Wöss, Josef Venantius von.

APS 1 1906

Box 15 , Folder 26

Wolf, Hans.

ALS 1 1935 (to Jeanette Schenker)

APS 3 1934-1935

Box 15 , Folder 27

Wolfart, Lina.

ALS 1 1924 (to Jeanette Schenker)

Box 15 , Folder 28

Wolters, Rosa.

APS 1 1938 (to Jeanette Schenker)

Box 15 , Folder 29

Wüllner, Ludwig.

ANS 1 undated

Box 15 , Folder 30

Württembergische Vereinsbank, Stuttgart.

2 records of Schenker transactions 1920-1921

Box 15 , Folder 31

Wunsch, Hermann.

ALS 2 1924

1 issue of Rheinische Musik- und Theater-Zeitung, Köln, 23. Februar 1924; containing biographical article on Wunsch

Box 15 , Folder 32

Wurmbrand, Ernst.

ANU 1 undated (written on calling card)

Die Zeit, Wiener Wochenschrift, Wien. See Singer, J.

Box 15 , Folder 33

Zollner, Otto.

ALS 3 1920

ANS 1 1920 (written on New Year's calling card)

Box 15 , Folder 34

Zuckerkandl, Victor [Zauner, Victor, pseud.].

ALS 3 undated

Die Zukunft, Berlin. See Harden, Maximilian.

Id. SCHENKER'S CRITICAL AND ANALYTICAL WORKS: MANUSCRIPT AND PUBLISHED COPIES

Physical Description: Boxes 16-21

Scope and Content Note

The arrangement of the material in this section generally follows that left by Oswald Jonas. Often the sequence of material appears to have survived from the original Schenker Nachlass of 1935; in a few cases there is evidence of later rearrangement by Jonas. Cross references have been provided where the arrangement results in the separation of related materials. Most of the manuscripts are in Heinrich or Jeanette Schenker's hand.

Box 16-17

Critical Writings arranged by Composer or Musician

Bach, Johann Sebastian

Box 16 , Folder 1

"Joh. Seb. Bach: Wohltemperiertes Klavier, Band I, Präludium C-moll." Die Musik XV/9 (Juni 1923), 641-51. Complete issue of Heft 9 as published.

Box 16 , Folder 2

"Die Kunst der Fuge." Note on Wolfgang Gräser's ordering of Die Kunst der Fuge, dated 15.II.27.

Scope and Content Note

ms. leaves 1-5 and 5 ms. note fragments, in the hands of Heinrich and Jeanette Schenker.

Schenker's major writings about Bach are scattered throughout his theoretical work, especially in Der Tonwille and Das Meisterwerk in der Musik. Consult the index, also Box 24 (Bach editions).

Beethoven, Ludwig van

Box 16 , Folder 3

Sonata. Op. 14, no. 2.

Scope and Content Note

"Schindlers Beschreibung von Beethovens Vortrag der Sonate Op. 14, no. 2 [und] Schenkers Erläuterungen hiezu." ms. leaves 1-40 written in parallel columns in an unidentified hand.
"Zitate aus Schindlers `Beethoven'." 5 conjugate ms. leaves in an unidentified hand.
"Auszug aus Schindlers `Beethoven'." 21 conjugate ms. leaves, the last 5 blank, in an unidentified hand.
"Schindlers Beschreibung von Beethovens Vortrag...." 20 ms. leaves in an unidentified hand.
"Beethoven, Sonate Op. 14, no. 2. I. Satz, T. 47-63." 2 ms. leaves in an unidentified hand 4 ms. note fragments, largely in Schenker's hand

Box 16 , Folder 4

Sonata. Op. 27, no. 2.

Ms. and printer's proofs of Schenker's introduction for facsimile edition: Sonate Opus 27 Nr. 2 (Die sogenannte Mondscheinsonate). Mit drei Skizzenblättern des Meisters, hrsg. in Facsimile-Reproduction von Heinrich Schenker. Wien: Universal-Edition, 1921. (Musikalische Seltenheiten, Wiener Liebhaberdrücke, Bd. I, geleitet von Otto Erich Deutsch).

Scope and Content Note

16 ms. leaves in Jeanette Schenker's hand; signed, with additions, by Heinrich Schenker; dated in another hand 16. Dezember 1920.
6 leaves galley proofs, dated 25 Jänner 1921, with corrections in Heinrich Schenker's hand.
1 ms. leaf musical examples beginning "Takt 1 bis Takt 13 des ersten Satzes" of Op. 27 no. 2.

Box 16 , Folder 5

Symphony No. 3. Op. 55.

Urlinie analyses, 37 ms. leaves in Schenker's hand, black ink with additions in black, red and green pencil. (For published work in Das Meisterwerk in der Musik, see Box 19 f. 17.)

Symphony No. 5. Op. 67.

Scope and Content Note

See Der Tonwille, Heft 1, 5, 6 (Box 18 f. 11, 14, 16).

Box 16 , Folder 6

Sonata. Op. 101.

Ms. in Jeanette Schenker's hand, with revisions in Heinrich Schenker's hand, for Schenker's Erläuterungsausgaben der letzten fünf Sonaten Beethovens, Op. 101 (1920). (See also Box 28 f. 9 for Jonas's published revision.)

Scope and Content Note

"Vorwort." 1 ms. leaf dated 30. August 1920.
"Vorbemerkung zur Einführung." ms. leaves 1-33.
"Einführung. 1. Satz." ms. leaves 1-45.
"2. Satz." ms. leaves 46-84.
"3. Satz." ms. leaves 85-191.
"Literatur." ms. leaves 1-101.

Box 16 , Folder 7

Sonata. Op. 109.

"Paralipomena zu Opus 109!" Ms. in Jeanette Schenker's hand, dated 5.VIII.13.

Scope and Content Note

"I. Satz." ms. leaves 1-12.
"II. Satz." ms. leaves 13-21.
"III. Satz." ms. leaves 22-40.

Box 16 , Folder 8

Sonata. Op. 109.

Ms. in Jeanette Schenker's hand, with revisions in Heinrich Schenker's hand, for Schenker's Erläuterungsausgaben der letzten fünf Sonaten Beethovens, Op. 109 (1913). (See also Box 28 f. 11 for Jonas's published revision.)

Scope and Content Note

"Vorwort, Inhalt." ms. leaves 1-2.
"[Vorbemerkung zur] Einführung." ms. leaves 1-9, the first with stamp "Universal-Edition" and dated "18.4.13 zum Satz!" Marked U.E. 3976.
"I. Satz." ms. leaves 1-25.
"II. Satz. Prestissimo." ms. leaves 26-34.
[III. Satz.] "Andante, molto cantabile ed expressivo." ms. leaves 35-56.
"Literatur." ms. leaves numbered 57-78, 17-25 but with continuous text.
Corrections to the score. ms. leaves 1-5, pasted together in accordion folds, all in Heinrich Schenker's hand; note to the typesetter signed "H Sch."

Box 16 , Folder 9

Sonata. Op. 110.

Ms. in Jeanette Schenker's hand, with revisions in Heinrich Schenker's hand, for Schenker's Erläuterungsausgaben der letzten fünf Sonaten Beethovens, Op. 110 (1914). (See also Box 28 f. 12 for Jonas's published revision).

Scope and Content Note

"Vorwort, Inhalt, Abkürzungen." 1 ms. leaf stamped "Universal-Edition" and dated "15 April 1914 zum Satz!"
"Vorbemerkung zur Einführung." ms. leaves 1-15.
"Einführung. I. Satz." ms. leaves 1-55, stamped "13. März 1914 zum Satz!"
"II. Satz." ms. leaves 56-68.
"III. Satz." ms. leaves 69-153

Box 16 , Folder 10

Sonata. Op. 111.

Ms. in Jeanette Schenker's hand, with revisions in Heinrich Schenker's hand, for Schenker's Erläuterungsausgaben der letzten fünf Sonaten Beethovens, Op. 111 (1915). (See also Box 28 f. 14 for published edition.)

Scope and Content Note

"Inhalt, Abkürzungen." 1 ms. leaf.
"Vorwort." ms. leaves 1-3.
"Vorbemerkung zur Einführung." ms. leaves 1-15.
"Einführung. I. Satz." ms. leaves 1-72.
"II. Satz." ms. leaves 73-166.
"Literatur." ms. leaves 1-68.

Box 16 , Folder 11

Sonata. Op. 111.

Fragments of galley proofs for Schenker's Erläuterungsausgaben. 5 leaves numbered 53, 65-68, with corrections in Heinrich and Jeanette Schenker's hands.

Box 17 , Folder 1

Symphony No. 9. Op. 125.

Ms. in Jeanette Schener's hand (revisions in Heinrich Schenker's hand) for Beethovens neunte Sinfonie (1912).

Scope and Content Note

Title page and dedication page (dated 16/IV). 2 ms. leaves.
"Vorrede." ms. leaves 1-27.
"I. Satz." ms. leaves 1a (chart), 1b-158.
"II. Satz." ms. leaves 159-232.
"III. Satz." ms. leaves 233-284.
"IV. Satz." ms. leaves 284-433.

Box 17 , Folder 2

"Beethoven-`Retouche'." Article by Schenker in Wiener Abendpost, Beilage zur Wiener Zeitung, 9 Jan. 1901, p. 6-7. Photocopy (for original publication see Box 20 f. 5).

Box 17 , Folder 3

"Beethoven und seine Nachfahren." Article by Schenker in General-Anzeiger für Bonn und Umgegend (1927).

Scope and Content Note

Ms., 9 leaves, in Jeanette Schenker's hand, with cover dated 27.III.27; together with 3 newspaper clippings, 1926-28, concerning Beethoven mss.
Photocopy of published article (for clipping of original newspaper publication see Box 20 f. 8).

Brahms, Johannes

Box 17 , Folder 4

"Erinnerungen an Brahms." Deutsche Zeitschrift XXXXVI/8 (Mai, 1933), 475-482.

Scope and Content Note

2 copies of published article.
1 ms. leaf in Heinrich Schenker's hand.

Box 17 , Folder 5

"Ein Gruss an Johannes Brahms zu seinem 60. Geburtstag."

Scope and Content Note

1 ms. leaf in Jonas's hand, transcript of the Schenker article published in Die Zukunft, Feb. 1893. (For the published version see Box 20 f. 2.)

Box 17 , Folder 6

"Johannes Brahms." Die Zukunft, XIX (8. Mai 1897), 261-265. Photocopy.

Box 17 , Folder 7

"Kritik: Johannes Brahms. Fünf Gesänge für gemischten Chor a capella, Op. 104. Berlin, N. Simrock." Musikalisches Wochenblatt (Leipzig), XXIII nos. 33/34, 35, 36 (Aug.-Sept. 1892), 409-11, 425-26, 437-38. Photocopy,

Physical Description: 9 leaves.

Scope and Content Note

5 ms. leaves, transcripts of Schenker articles on Brahms in Jonas's hand.

Box 17 , Folder 8

"Oktaven u. Quinten u. A., Studie von Johannes Brahms, aus dem Nachlass herausgegeben u. erläutert von Heinrich Schenker." ms. leaves 1-22 in the hand of Jeanette Schenker. With 2 ms. leaves in an unidentified hand and 30 ms. note fragments in Heinrich Schenker's hand.

Bruckner, Anton

Box 17 , Folder 9

"Psalm 150 für Chor, Soli und Orchester. Wien, Ludwig Doblinger." Musikalisches Wochenblatt (Leipzig), XXIV (9 März 1893), 159-60. Transcript of Schenker article in Jonas's hand, 3 ms. leaves. With bibliographical notes in Jonas's and Jeanette Schenker's hands, 11 ms. leaves.

Box 17 , Folder 10

"Anton Bruckner." Die Zukunft, V (21. Oktober 1893), 135-37. Photocopy.

Furtwängler, Wilhelm

Box 17 , Folder 11

Excerpts from Schenker's Tagebücher concerning Furtwängler, his musicianship and his performances, selected by Jonas. 4 typescript leaves titled "Vortrag."

Vrieslander, Otto

Box 17 , Folder 12

"Eine Anzeige une eine Selbstanzeige." Deutsche Zeitschrift XLVI (1933), 194-96. Photocopy (for original see Box 20 f. 10).

Scope and Content Note

Review of Vrieslander's "Lieder" and "Ländler" (Verlag Emil Grunert, Leipzig); also Schenker's comment on the progress of his own work.

Box 18-19

Major Works on Theory and Analysis arranged by date

Ein Beitrag zur Ornamentik: Als Einführung zu Ph. Em. Bach's Klavierwerken, umfassend auch die Ornamentik Haydns, Mozarts u. Beethovens, etc., von Heinrich Schenker. [1904-08]

Box 18 , Folder 1

[variant 1] Universal-Edition No. 812. Wien: "Universal-Edition" [n.d.]. 43pp. Autographed "Dem liebsten Floriz / Heinrich". With extensive revisions in Heinrich Schenker's hand. Lacks "Vorwort"; place of publication identified as "in Wien." [1904]

Box 18 , Folder 2

[variant 2] Neu revidierte u. vermehrte Auflage. Universal-Edition No. 812. Wien: "Universal-Edition" [n.d.] 72,[2]pp. Autograph presentation copy to Dr. Robert Brünauer, with a few marginal ms. annotations. "Vorwort" dated "Wien, im Juni 1908;" place of publication stated as "in Wien." Lacks back cover.

Box 18 , Folder 3

[variant 3] Neu revidierte u. vermehrte Auflage. Universal-Edition No. 812. Wien: "Universal-Edition" [n.d.] 72,[2]pp., and 37 interleaves. Rebound in cloth and interleaved with blank pages on which Schenker has written additions and revisions. "Vorwort" dated "Wien, im Juni 1908;" place of publication "in Wien." With 2 ms. leaves of musical illustrations in Schenker's hand, including 9 further examples for p. 39, laid in.

Box 18 , Folder 4

[variant 4] Neue [sic] revidierte u. vermehrte Auflage. Universal-Edition No. 812. Wien; Leipzig: "Universal-Edition" [n.d.] 72,[2]pp. Publisher's advertisement on back cover dated X-1921. Title-page differs slightly; agents in Budapest, Leipzig and London omitted. Place of publication "Wien-Leipzig." "Vorwort" dated "Wien, im Juni 1908." This variant not annotated.

Box 18 , Folder 5

"Anhang zum Beitrag zur Ornamentik....Gefunden...im Nachlass von Dr. Heinrich Schenker." 2 typescript leaves; draft title-pages for a projected work.

Box 18 , Folder 6

[Harmonielehre. 1906] "Nachträge" [zu Schenkers Harmonielehre, mit Druckfehlerverzeichnis und Erläuterungen von Otto Vrieslander]. 156 leaves in an unidentified hand, with cover sheet marked "Reinschrift zu Schenker: Nachträge...Druckvorlage." Prepared for the press but never published.

Scope and Content Note

[There are no original Schenker manuscripts or early editions of Harmonielehre (1906) in the collection.]

Box 18 , Folder 7

Harmonielehre. Manuscript and typescript drafts, notes, and related material for Jonas's English edition (1954).

Scope and Content Note

"Einleitung" [by Oswald Jonas], typescript leaves [1]-26, 1 leaf of musical examples. Jonas's original German text, with corrections and additions in his hand. Lacks final leaf of text.
"Introduction" [by O. Jonas], typescript leaves 1-6; incomplete early version in English, with photocopy of Jonas's introduction as published in the translation by Elizabeth Mann Borghese [second impression, 1960].
"Anmerkungen zu Schenker's Harmonielehre," "Ergänzungen," "Korrekturen," and "Corrections." Four typescripts, 14,5,5,3 numb. leaves. "Index," three versions, including carbon of final typescript, 9 ms. leaves. Together with ms. notes in Jonas's hand.
Editorial opinions, recommendations, and reviews of Jonas's edition, together with title-page proof.
Bound vol., 1st ed. Harmony, by Heinrich Schenker. Ed. and annotated by Oswald Jonas. Trans. by Elisabeth Mann Borgese. Chicago: Univ. of Chicago Press, 1954. Shelved in the bookstacks (SpecColl MT40.S35).

Box 18 , Folder 8

Instrumentations-Tabelle, von Artur Niloff [pseud. of Heinrich Schenker]. Wien: "Universal-Edition," c1908. Plate 1999. [2]pp., folding table. On cover: II. Aufl.

Box 18 , Folder 9

Instrumenten-Tabelle, mit einer Einführung, [von] Artur Niloff. Wien: Universal-Edition, c1908. [4]pp., folding table. A later edition with expanded introduction.

Kontrapunkt (Neue musikalische Theorien und Phantasien, Bd. 2) [1910-22].

Scope and Content Note

[Some fragmentary studies for Kontrapunkt will be found in Box 34 f.17. No other ms. material for Kontrapunkt is present in the Schenker materials. The English translation ( Counterpoint, ed. John Rothgeb. New York: Schirmer Books, 1987. 2 vols.) is shelved in the bookstacks (Spec Coll MT55.S3313 1987 v.1-2)]*

Beethovens neunte Sinfonie (1912). See Box 17 f. 1.

Box 18 , Folder 10

"Vom Vortrag." Draft ms. of Die Kunst des Vortrags, in Jeanette Schenker's hand with additions by Heinrich Schenker. [ca. 1912.] 86 ms. leaves. (For Schenker's ms. notes, see Box 21 f. 7-21. For related material prepared by Jonas, see Box 33 f. 4 and Box 57 f. 2-5).

Box [19 , Folder 1-15]

Der Tonwille; Flugblätter zum Zeugnis unwandelbarer Gesetze der Tonkunst einer neuer Jugend, dargebracht von Heinrich Schenker, Jahrg. I-IV, 1.-10. Heft der Gesamtfolge (1921-Oktober 1924). Wien: Tonwille-Verlag (A. Guttmann); Leipzig: F. Hofmeister, 1921-24.

Scope and Content Note

A complete bound set of Tonwille is shelved in the bookstacks of Special Collections & Archives [Spec Coll ML5.T65 nos. 1-10].

Tonwille mss. as prepared for the printer, all (except as noted) in Jeanette Schenker's hand with additions in Heinrich Schenker's hand, for the following numbers of the publication:

Box 19 , Folder 1

Tonwille. Heft 1.

Scope and Content Note

"Die Urlinie. Eine Vorbemerkung." ms. leaves 1-12.
"Franz Schubert: Ihr Bild." ms. leaves 1-7.
"Sebastian Bach: Wohltempiertes Klavier Band I, Präludium Es moll." ms. leaves 1-23.
"Beethoven. V Symph. 1. Satz." ms. leaves 1-32.
"Von der Sendung des deutsche Genies" (1. Heft). ms. leaves 1-60.
"Vermischtes: Eine Verwahrung" (1. Heft). ms. leaves 1-18.

Box 19 , Folder 2

Heft 3.

Scope and Content Note

"Die Kunst zu hören." ms. leaves 1-9.
"Haydn: Sonate Es-dur." ms. leaves 1-59.
"Vermischtes." ms. leaves 1-47 (incomplete, lacking last two paragraphs).

Box 19 , Folder 3

Heft 5.

Scope and Content Note

"J. S. Bach: Zwölf kleine Präludien, No. 3." ms. leaves 1-3.
"J. S. Bach:...No. 4." ms. leaves 4-7.
"J. S. Bach:...No. 5." ms. leaves 8-11.

Box 19 , Folder 4

Heft 5 [continued]

Scope and Content Note

[Beethoven: V. Sinfonie] "2. Satz (Andante con moto)." ms. leaves 1-26.

Box 19 , Folder 5

Heft 5 [continued]. "Vermischtes."

Scope and Content Note

"Bach-Beethoven." ms. leaves 1-8.
"Urlinie und Stimmführung." ms. leaves 9-13.
"Deutsche Form." ms. leaves 14-22.
"Epigonen." ms. leaves 23-36a.
"Ein Seb. Bach-Präludien." ms. leaves 45-58.

Box 19 , Folder 6

Heft 6.

Scope and Content Note

"Franz Schubert: Gretchen am Spinnrade. Neue Ergebnisse eine Handschrift-Studie." ms. leaves 1-12.
[Beethoven. V. Symphonie] "3. Satz (Allegro), 4. Satz (Allegro)," ms. leaves 27-84; "E. T. A. Hoffmann schreibt zum Andante," ms. leaves 1-13.
"Zum Vortrag" [published as "Der wahre Vortrag"]. ms. leaves 1-13.
"Vermischtes." ms. leaves 1-11.

Box 19 , Folder 7

Heft 7.

Scope and Content Note

"Beethoven: Sonate opus 57." ms. leaves 1-81.
"J. Seb. Bach: Matthäuspassion `Erbarm es Gott' Recitativ (Alt)." ms. leaves 1-9; 2 leaves galley proofs, with extensive revisions in Heinrich Schenker's hand, dated 3. Mai 1924.
"Beethoven zu seinem opus 127." ms. leaves 1-4.
"Vermischtes [Aus Beethoven-Briefen]." ms. leaves 10-15; 2 leaves galley proofs with extensive revisions in Heinrich Schenker's hand.

Box 19 , Folder 8

Heft 8/9.

Scope and Content Note

"Brahms. Variationen und Fuge über ein Thema von Händel, op. 24." ms. leaves 1-77, 1-33.
"Wirkung und Effekt." ms. leaves 34-36.
"Erläuterungen." ms. leaves 1-3.
"Vermischtes." ms. leaves 1-9, 1 (i.e., 10).
2 ms. sheets of music examples pasted on cardboard.

Box 19 , Folder 9

Heft 10.

Scope and Content Note

"J. S. Bach: Matthäuspassion, Einleitungschor (Erste Choral-Fantasie)." ms. leaves 1-18; "Abkürzungen" and "Inhalt," 2 ms. leaves; "Urlinientafel," 3 ms. leaves.
"Haydn: Oesterreichische Volkshymne." ms. leaves 1-4.
"Schubert: Quatre Impromptus op. 90, no. 3." ms. leaves 1-16.
"Schubert: Impromptu F moll op. 94, no. 3." ms. leaves 1-7.
"Mendelssohn: Venetianisches Gondellied op. 30, no. 6." ms. leaves 1-12.
"Mendelssohn: Lieder ohne Worte op. 67 no. 6." ms. leaves 13-23.
"Schumann: Kinderscenen...." ms. leaves 1-12.

Box 19 , Folder 10

Unidentified mss. found with Der Tonwille.

Scope and Content Note

"Zu den für den Druck..." concerning performance of Beethoven Symphony no. 5. ms. leaves 1-6.
"In einem der letzten Konzerte der Wiener Phiharmoniker...." ms. leaves 1-8.

Musical examples for Der Tonwille, as prepared for the engraver:

Box 19 , Folder 11

13 ms. leaves of music including 2 conjugate leaves, and 3 leaves (with 3 captions) mounted on heavy art paper.

Box 19 , Folder 12

15 ms. leaves of music including 2 pairs of conjugate leaves and mounted fragments; also 1 leaf printer's proof of text with ms. quotations from Goethe attached.

Box 19 , Folder 13

21 ms. leaves of music for Heft 6, many leaves consisting of fragments mounted on heavy paper, but including 3 pairs of conjugate leaves; also 2 leaves engraver's proof of Urlinie tables for Beethoven Symphony no. 5, extensively revised in Heinrich Schenker's hand.

Box 19 , Folder 14

13 ms. leaves of music for Heft 8/9, including 4 conjugate leaves; also 9 leaves of engraver's proofs dated 11./9./1924 with extensive revisions in proof by Heinrich Schenker, and 1 typescript leaf, "Titelsatz."

Note

[End of musical examples for Der Tonwille]

Box 19 , Folder 15

Separate issue of Heft 2 as published (Wien: Tonwille-Flugblätterverlag, 1922). 48pp., 2 folded tables, original grey covers.

Note

[End of Der Tonwille entries]

[ Beethovens V. Sinfonie. Wien: Universal-Edition, 1925.] For original mss. see Der Tonwille, Heft 1, 5, 6 (Box 19 f. 1, 4, 6).

Box 19 , Folder 16

Das Meisterwerk in der Musik, Band II. München: Drei Masken Verlag, 1926. Mss. as prepared for the printer, all in Jeanette Schenker's hand with additions in Heinrich Schenker's hand.

Scope and Content Note

"Inhalt;" "Abkürzungen." 2 ms. leaves.
"Urlinie-Betrachtungen (Fortsetzung s. Jhrb. I, aus `Freier Satz')." ms. leaves 1-52.
"Der Sonatensatz nur aus dem Stegreif" [published as "Vom Organischen der Sonatenform"]. ms. leaves 52-70. Together with English translation by Orin Grossman, "Organic Structure in Sonata Form," Journal of Music Theory, XII (1968), 164-183, photocopy.
"Das Organische der Fuge." ms. leaves 71-125; leaves 126-130 consist of pages from Schenker's article, "Joh. Seb. Bach: Wohltempiertes Klavier" ( Die Musik, XV [Juni 1923], 641-51), revised by him to form the conclusion of "Das Organische der Fuge."
"Joh. Seb. Bach: Suite II C-dur für Violoncello Solo, Sarabande." ms. leaves 131-44, concluding with an unpublished passage on leaves 143-44.
"Mozart: Sinfonie G-moll." ms. leaves 145-250.
"Haydn: Die Schöpfung. Die Vorstellung des Chaos." ms. leaves 1-19.
"Ein Gegenbeispiel. Max Reger, op. 81: Variationen und Fuge über ein Thema von Joh. Seb. Bach für Klavier." ms. leaves 20-52.
"Vermischtes." ms. leaves 53-84.
Heinrich Schenker. Das Meisterwerk in der Musik. München: Drei Masken Verlag [1927]. 8pp. Publisher's announcement for Band II.

Box 19 , Folder 17

Das Meisterwerk in der Musik, Band III. München: Drei Masken Verlag, 1930. "Figuren" (musical examples) 1-49 prepared for "Beethovens Dritte Sinfonie." ms. leaves 1-23 and 2 conjugate half-leaves; ink and colored pencil in Schenker's hand.

"Beethovens Dritte Sinfonie zum erstenmal in ihrem wahren Inhalt dargestellt." Das Meisterwerk in der Musik, III (München: Drei Masken Verlag, 1930), 25-101. Lacking original Anhang (supplied in photocopy). Not annotated; Jonas's copy? (Shelved in bookstacks, Spec. Coll. ML21.M45 v.3 1930.)

Box 19 , Folder 18

Generalbasslehre. Prepared by Felix Salzer from a manuscript work by Schenker, never published in this form but comprising "eine frühere Fassung seines Hauptwerkes `Der freie Satz.' "

Scope and Content Note

(a) Bound in one volume:
1. "Von der Stimmführung im Generalbass." Excerpt from Der Dreiklang, 3 (Juni 1937), 75-81.
2. "Von der Stimmführung des Generalbasses." Carbon typescript edited from Schenker's ms., leaves i-iii, [1]-103. Note on p. [1]: "Zeitenzahlen und Zitate aus Ph. E. Bachs `Versuch'...."
(b) In Jonas's hand, music ms. in blank notebook: "Beispiele zu `Schenker, Generalbass.' "
(c) Bound in one volume: "Kommentar zum `Versuch.' Carbon typescript, leaves I/1-I/3, I/7-I/16, I/4-I/6 [misbound], 1-36. With one leaf of notes in Jonas's hand.
(d) "Chopin Op. 24/1 Freier Satz." 3 leaves of ms. notes in Jonas's hand.

Box 19 , Folder 19

Fünf Urlinie-Tafeln. Five Analyses in Sketchform. Wien: Universal-Edition [1932]. Two copies; copy 1 inscribed by Heinrich Schenker to Jeanette, "Zu Ehren meines theuren LieLiechens der Schutzheiligen meiner Arbeiten!"

Box [19 , Folder 20-23]

Der freie Satz (Neue musikalische Theorien und Phantasien, Bd. 3) [1935]:

Box 19 , Folder 20

Fragmentary ms. notes in the hands of Heinrich and Jeanette Schenker for a portion of the manuscript of Der freie Satz. 13 leaves of ms. fragments (in folded sheet marked in Jonas's hand "Zwischen 444 und 450"). Together with 12 numbered ms. leaves in photocopy of a portion of the first version, in Jeanette Schenker's hand with revisions in Heinrich Schenker's hand, and microfilm negatives for the same; leaves numbered 649a, 652, 654, zu 654 bl. 1, zu 654 bl. 2, 655, 656, 656 bis, 656a, 656b, 657, 657fn.

Box 19 , Folder 21

Der freie Satz. Typescript and trial page proofs for Jonas's second edition (1956). Typescript (incomplete, ending with section 230), 12 preliminary leaves, unnumbered leaves 1-133. Together with 115 leaves of ms. notes for the revision in Jonas's hand. Also "Vorwort des Herausgeber," draft typescript for Jonas's second ed.,

Physical Description: 4 leaves

Box 19 , Folder 22

Der freie Satz. Anhang: Figurentafeln. Wien: Universal-Edition [c.1935] (Neue musikalische Theorien und Phantasien. Bd. 3) Plate 6869a. 119pp. 2 copies; cop. 1 with corrections in Jeanette Schenker's and another hand.

Scope and Content Note

Also 2 copies of 2. Aufl., hrsg. und bearb. von Oswald Jonas. Wien: Universal-Edition, 1956. Plate UE 6869a. 119pp.

Box 19 , Folder 23

Der freie Satz [publisher's prospectus for the first edition]. Wien: Universal-Edition [1935]. 4 copies, 2 annotated by Jonas.

Note

*Acquisition after 1978.

Scope and Content Note

[Editions of Der freie Satz in the bookstacks:

Der freie Satz.... 2. Aufl., hrsg. und bearb. von Oswald Jonas. Wien: Universal-Edition, 1956. (MT40.S348 1956)
Der freie Satz; a complete tr. and reediting by T. Howard Krueger. Thesis (Ph.D.), State University of Iowa, 1960. Photocopy. (Special Collections)*
Note

*Acquisition after 1978.
Free Composition (Der freie Satz), tr. and ed. by Ernst Oster. New York: Longman, c.1979. 2 vols. (Spec. Coll. MT40.S34813 and Suppl.)*]

Box 20

Essays and Reviews by Schenker as first published in the Periodical Press

Title Arrangement:

Folder 1

Musikalisches Wochenblatt, 1891-95

Folder 2

Die Zukunft, 1892-97

Folder 3

Neue Revue, 1894, 1896-98

Folder 4

Die Zeit, 1895-96

Folder 5

Wiener Abendpost, 1901

Folder 6

Der Merker, 1916

Folder 7

Die Musik, 1923

Folder 8

General-Anzeiger für Bonn und Umgegend, 1927

Folder 9

Zeitschrift für Musik, 1929-30

Folder 10

Der Kunstwart and Deutsche Zeitschrift, 1929-34

Folder 11

Deutsche allgemeine Zeitung, 1933

Folder 12

Der Dreiklang, 1937-38

Box 20 , Folder 1

Musikalisches Wochenblatt, Leipzig (articles by Schenker published 1891-95). Photocopies and ms. transcripts in Jonas's hand.

Scope and Content Note

"Johannes Brahms. Fünf Lieder für eine Singstimme mit Pianoforte, Op. 107." XXII (1. Oktober 1891), 514-17. Part photocopy, part ms. transcript in Jonas's hand
"Johannes Brahms. Fünf Gesänge für gemischten Chor a capella, Op. 104." XXIII (18. August-1. September 1892), 409-12, 425-26, 437-38. (See also Box 17 f. 7)
"Anton Bruckner. Psalm 150 für Chor, Soli und Orchester." XXIV (9. März 1893), 159-60. Photocopy of ms. transcript by Jonas. (Reprinted in Der Dreiklang, 7 (Oktober 1937), 173-74).
"Johannes Brahms. Fantasien für Pianoforte, Op. 116." XXV (1. September 1894), 37. Photocopy of ms. transcript by Jonas.
"Der Geist der musikalischen Technik." XXVI (2. Mai-20. Juni 1895), 245-46, 257-59, 273-74, 285-86, 297-98, 309-10 [lacking Schluss]. (For offprint, see Box 21 f. 1)
"Bülow-Weingartner." XXVI (1895), 610-11.

Box 20 , Folder 2

Die Zukunft, Berlin (articles by Schenker published 1892-97). Photocopies, incomplete, some annotated by Jonas, together with 6 leaves of Jonas's typed and ms. notes.

Scope and Content Note

"Mascagni in Wien." I (15. Oktober 1892), 137-39.
"Eine jung-italienische Schule?" I (3. Dezember 1892), 460-62.
"Mascagnis `Rantzau.' " II (11. Februar 1893), 280-84.
"Ein Gruss an Johannes Brahms. Zu seinem 60. Geburtstag, 7. Mai 1893." III (6. Mai 1893), 279.
"Notizen zu Verdis Falstaff." III (3. Juni 1893), 474-76. (Reprinted in part in Der Dreiklang, 4/5 [Juli/August 1937], 126-27.)
"Friedrich Smetana." IV (1. Juli 1893), 37-40. (Reprinted in part in Der Dreiklang, 4/5 [Juli/August 1937], 121-23.)
"Der Sonzogno-Markt in Wien." IV (5. August 1893), 282-83.
"Anton Bruckner." V (21. Oktober 1893), 135-37. (Reprinted in part in Der Dreiklang, 7 [Oktober 1937], 172-73.)
"Ruggiero Leoncavallo." VI (20. Januar 1894), 138-40.
"Konzertdirigenten." VII (14. April 1894), 88-92.
"Verdis Falstaff." VII (5. Mai 1894), 230-33. (Reprinted in part in Der Dreiklang, 4/5 [Juli/August 1937], 123-26.)
"Tantiemen für Instrumentalkomponisten?" VII (9. Juni 1894), 477-79.
"Anton Rubenstein." VIII (18. August 1894), 326-29.
"Eugen d'Albert." IX (6. Oktober 1894), 33-36.
"Deutsch-Oesterreichischer Musikverkehr." XI (27. April 1895), 182-85.
"Siegfried Wagner." XIV (8. Februar 1895), 182-85.
"Das Heimchen am Herd" [Karl Goldmark]. XV (18. April 1896), 132-34.
"Johannes Brahms." XIX (8. Mai 1897), 261-65.

Box 20 , Folder 3

Neue Revue, Wien (articles by Schenker published 1894, 1896-98). Photocopies, many annotated in Jonas's hand.

Scope and Content Note

"Die Musik von heute (Neue Variationen über ein altes Thema)." V (3. Januar 1894), 87-88.
"Das Hören in der Musik." V (25. Juli 1894), 115-21.
"Ondricek-Popper-Door." V (14. Februar 1894), 278-80.
"In Wiener Conservatorium." V (21. Februar 1894), 318.
"Smetana's `Kuss' (Zur ersten Aufführung in der Hofoper)." V (1894), 347-50.
"Volksmusik in Wien." V (1894), 516-21.
"Routine in der Musik." VII (4. November 1896), 555-58.
"Ein Epilog zur Schubertfeier." VIII (12. Februar 1897), 211-16.
"Unpersönliche Musik." VIII (9. April 1897), 464-68.
"Johannes Brahms." VIII (23. April 1897), 516-20.
"Musikalische Reisebetrachtungen." VIII (23. Juni 1897), 788-93.
"Hofoperntheater... `Djamileh,'... Oper Bizet's." IX (28. Januar 1898), 143-44.
"Komponisten und Dirigenten: Die Première von Leoncavallo's `Bohme.' " IX (20. März 1898), 349-50.

Box 20 , Folder 4

Die Zeit, Wien (articles by Schenker published 1895-96). Photocopies and typed copies, incomplete. Together with 4 leaves of typed and ms. notes, in Jonas's and an unidentified hand, listing Schenker's contributions to Die Zeit.

Scope and Content Note

"Kunst und Leben... der Rubenstein Preis."IV (7.September1895), 156-57.
Kunst und Leben... Eduard Hanslick, seinen 70. Geburtstag." IV (14. September 1895), 17.
"Zur musikalischen Erziehung." IV (21.-28. September 1895), 185-86, 201-202.
"Bücher... Le Comte de Chambrun et Stanislas Legis: Wagner. Paris,... 1895" [review]. IV (28. September 1895, 206-7.
"Oper. (Das Mädchen von Navarra... von Jules Massenet... Hofoperntheater)." V (5. Oktober 1895), 12. Photocopy and typed copy.
"Bücher... Johann Herman Schein von Arthur Prüfer. Leipzig... Breitkopf & Härtel, 1895" [review]. V (12. Oktober 1895), 30.
"Kunst und Leben... Marschners `Templer und Jüdin'... Hofoperntheater." V (19. Oktober 1895), 44.
"Kunst und Leben... Richard Wagners `Tannhäuser' im Dresdner Hoftheater." V (19. Oktober 1895), 44.
"Eine neue Haydn-Oper... im Carltheater." V (19. Oktober 1895), 90-91. Photocopy and typed copy.
"Bücher... Vademecum durch die Bach'schen Cantaten... von Prof. Dr. B. Todt. Leipzig, 1895, Breitkopf & Härtel" [review]. V (9. November 1895), 94.
"Concerte. (1. Gesellschaftsconcert.-Ben Davies.-Quartett Rosé)." V (16. November 1895), 108. Photocopy and typed copy.
"Kunst und Leben... A. Fr. Boieldieus `Rothkäppchen'... im Hofoperntheater." V (23. November 1895), 126.
"Kunst und Leben... die Philharmonischen Concerte haben nun ihren Anfang genommen." V (23. November 1895), 126.
"Kunst und Leben... Das sogenannte `böhmische Streichquartett'." V (30. November 1895), 142-43.
"Kunst und Leben... Johann Strauss... `Waldmeister'." V (7. December 1895), 157.
"Kunst und Leben... das zweite philharmonische Concert." V (14. December 1895), 173.
"Concerte. Bachs `Weinachtsoratorium', Gura, d'Albert, II. Soriée [sic] des böhmischen Streichquartettes, III. philharmonisches Concert." V (21. December 1895), 186-87.
"Kunst und Leben... Das letzte (IV.) Concert der Philharmoniker." VI (4. Jänner 1896), 13.
"Oper. `Der Evangelimann' von W. Kienzl..." VI (18. Jänner 1896), 44-45. Photocopy and typed copy.
"Kunst und Leben... Das V. Concert der Philharmoniker." VI (18. Jänner 1896), 46.
"Die jungen Dirigenten." VI (25. Jänner 1896), 57-58. Photocopy and typed copy.
"Kunst und Leben... Lillian Henschel... vier Concerte." VI (1. Februar 1896), 78. Entire issue of Die Zeit as published, together with photocopy. Schenker's article mentions the "17 jähriger Künstler, Moriz Violin."
"Kunst und Leben... das `böhmische Streichquartett'." VI (8. Februar 1896), 94.
"Kunst und Leben... Gesellschaftsconcert." VI (15. Februar 1896), 113.
"Kunst und Leben. Der erste Liederabend des Herrn Johannes Meschaert [sic]." VI (15. Februar 1896), 113-14.
"Kunst und Leben... das Damen-Streichquartett Soldat-Roeger... das `böhmische Streichquartett'... Robert Hausmann... Marie Baumeyer... Adele aus der Ohe... ein neunjähriges Kind, Paula Szalit." VI (22. Februar 1896), 130.
"Bücher... J. Vianna da Motta: `Nachtrag zu Studien über Hans von Bülow' von Theodore Pfeiffer, Berlin und Leipzig. Verlag von Friedrich Luckhardt, 1896" [review]. VI (29. Februar 1896), 146.
"Concerte... der zweite Abend Johannes Meschaerts [sic]... Prof. [Julius] Röntgen... Alfred Grünfeld... Quartett Rosé... das VI. und VII. philharmonische und das Festconcert des `Haydn' Vereines." VI (7. März 1896), 158-59.
"Kunst und Leben... Albert Kauders romantische Oper... `Walther von der Vogelweide'... im Hofoperntheater" [brief note]. VI (7. März 1896), 160.
"Kunst und Leben... Das Concert des Holländischen Terzetts." VI (7. März 1896), 161.
"Kunst und Leben... Das IV. Gesellschaftsconcert und der Quartettabend Rosé." VI (14. März 1896), 178.
"Kunst und Leben... im Theater a. d. Wien eine Vorstellung der Donizetti'schen Oper: `Lucia di Lammermoor'." VI (21. März 1896), 193.
"Kunst und Leben... Bronislav Hubermann... Kammermusik-Abend des Damen-Streichquartetts Soldat-Roeger... Richard Mühlfeld... `Trio-Vereinigung' aus Berlin... Das letzte philharmonische Concert." VI (21. März 1896), 194.
"Oper. `Heimchen am Herd.' Oper von Carl Goldmark." VI (28. März 1896), 207-208. Photocopy and typed copy.
"Concerte. ( `Glasbena Matica.' Meschaert [sic] und Röntgen. Grieg. Dvorak. Strauss' Till Eulenspiegel'; Kiels `Christus'.)" VII (11. April 1896), 26-27.
"Zur Mozartfeier." VII (25. April 1896), 60. Photocopy and typed copy. (Reprinted in part in Der Dreiklang, 4/5 [Juli/August 1937), 120-21.
"Kunst und Leben... Frau Ada Aïni... in der Rolle der Aïda... im Hofoperntheater." VII (25. April 1896), 62.
"Oper. (Ein Vorschlag zur Inscenierung des Gluck'schen `Orpheus'.)" VII (9. Mai 1896), 91-92. Photocopy and typed copy.
"Kunst und Leben... Unser Hofoperntheater-Institut." VII (9. Mai 1896), 93-94.
"Kunst und Leben... Mozartfeierwoche... `Figaros Hochzeit'." VII (16. Mai 1896), 109-110.
"Kunst und Leben... Johannes Brahms hat das Ehrenzeichen für Kunst und Wissenschaft erhalten." VII (16. Mai 1896), 110. Photocopy and typed copy. (Reprinted in Der Dreiklang, 2 [Mai 1937], 61.)
"Anton Bruckner." VII (20. Juni 1896), 184-86. (Reprinted in Der Dreiklang, 7 [Oktober 1937], 166-72.)
"Bücher... Die Beethoven'schen Clavier-Sonaten. Briefe an eine Freundin von Prof. Dr. Carl Reinecke. Leipzig. Verlag von Gebrüder Reinecke" [review]. VIII (4. Juli 1896), 184-86.
"Bücher... Ernst Possart: `Ueber die Neueinstudierung und Neuinscenierung des Mozart'schen Don Giovanni (Don Juan) auf dem kgl. Residenztheater zu München.' München, A. Bruckmanns Verlag. 1896" [review]. VIII (1. August 1896), 78.
"Kunst und Leben... Fra Diavolo von Auber." VIII (5. September 1896), 157.
"Kunst und Leben... das Theater an der Wien.... Mascagnis `Zanetto.'... Sullivans `Mikado'." VIII (5. September 1896), 157.

Box 20 , Folder 5

Wiener Abendpost, Beilage zur Wiener Zeitung, Wien (article by Schenker published 1901).

Scope and Content Note

"Beethoven-`Retouche.' " Nr. 7 (9 Jänner 1901), 6-7. Complete newspaper issue, together with typed transcript and photocopy.

Box 20 , Folder 6

Der Merker, Wien (article by Schenker published 1916).

Scope and Content Note

"Heinrich Schenker's Beethoven-Ausgaben" [by Heinrich Schenker]. 7. Jahrg. Hft. 3 (1. Februar 1916), 81-89. Photocopy.

Box 20 , Folder 7

` Die Musik, Berlin (article by Schenker published 1923).

Scope and Content Note

"Joh. Seb. Bach: Wohltempiertes Klavier, Band I, Präludium C Moll." XV Nr. 9 (Juni 1923), 641-651. Complete periodical issue.

Box 20 , Folder 8

General-Anzeiger für Bonn und Umgegend, Bonn (article by Schenker published 1927). Clipping excerpted from newspaper.

Scope and Content Note

"Beethoven und seine Nachfahren." (1927 [March 27]). Special supplement, "Zum 100. Todestage Beethovens," p.3-4. (For original ms., see Box 17 f.3)

Box 20 , Folder 9

Zeitschrift für Musikwissenschaft, Leipzig (Article by Schenker published 1929/30).

Scope and Content Note

"[Miszellen]... In seinem Aufsatz `Pianistische Herausgebertechnik'... belastet mich Herr Eduard Beninger mit einer Flüchtigkeit...." XII (April 1930), 446. Reply to Beninger, Zeitschrift für Musikwissenschaft XII (Februar 1929), 280-98.

Box 20 , Folder 10

Der Kunstwart, München, and its successor Deutsche Zeitschrift (articles by Schenker published 1929-1934). Photocopies and excerpts.

Scope and Content Note

"Eine Rettung der klassischen Musik-Texte: Das Archiv für Photogramme in der National-Bibliothek, Wien." Der Kunstwart XLII (März 1929), 359-67.
"Gedanken über Kultur, Kunst und Musik." Der Kunstwart XLIV (Januar 1931), 222-30. (Reprinted from Das Meisterwerk in der Musik, III, 1930.) Excerpt.
"Ein verschollener Brief von Mozart und das Geheimnis seines Schaffens." Deutsche Zeitschrift, XLIV (Juli 1931), 660-66.
"Eine Anzeige und eine Selbstanzeige." Deutsche Zeitschrift XLVI (1933), 194-96.
"Erinnerung an Brahms." Deutsche Zeitschrift XLVI (Mai 1933), 475-82. Excerpt.
"Vom Unterschied zwischen der italienischen und der deutschen Musik." Deutsche Zeitschrift XLVII (August 1934), 700-703. Photocopy.

Box 20 , Folder 11

Deutsche allgemeine Zeitung, Berlin (article by Schenker published 1933).

Scope and Content Note

"Was wird aus der Musik?" Das Unterhaltungsblatt, Beilage, 28 April 1933, unpaged. Excerpt, together with one ms. leaf in Schenker's hand. ( See also Box 21, f.6).

Box 20 , Folder 12

Der Dreiklang, Wien (posthumously published articles by Schenker 1937-38). Photocopies.

Scope and Content Note

"Urlinientafel zu Haydns `Chorale St. Antoine'." 6 (September 1937), 138-139. Previously unpublished; printed from the manuscript in the Schenker Nachlass.
"Ein Kommentar zu Schindler, Beethovens Spiel betreffend." Heft 8/9 (November 1937 / Februar 1938), 190-199. Previously unpublished; printed from manuscript in the Schenker Nachlass. ( See also Box 16, f.3).

Other Writings arranged by date

Box 21 , Folder 1

"Der Geist der musikalischen Technik." Offprint, Musikalisches Wochenblatt. Leipzig: E. W. Fritsch, 1895. 27 pp. At foot of title: "Die nachfolgende Abhandlung ist ein Teil eines grösseren noch im Manuscript befindlichen Werkes und bildet den Gegenstand an der Universität Wien."

Physical Description: 2 copies.

Box 21 , Folder 2

"Das deutsche Genie im Kampf und Sieg (Betrachtungen sub specie aeternitatis)." 8 ms. leaves in Heinrich and Jeanette Schenker's hands. Schenker's ms. was submitted for publication to the Frankfurter Zeitung in September, 1914, but was rejected ( See letter from Geck, -, Frankfurter Zeitung, postmarked 26.9.14. Box 11, f.18).

Box 21 , Folder 3

Various essays and fragments:

Scope and Content Note

[Beethoven] "Missa solemnis." 3 typescript leaves.
"Zur Formenlehre." 2 typescript leaves.
"Mappe Sonatenform." 5 typescript leaves. Dated 1912; "Jahrg. 1916" in pencil on fourth leaf.
"Schenker über Stifter." (1927); "Fortschritt." 3 typescript leaves.
"Konzert Karl Straube." 5 ms. leaves in an unidentified hand.

Box 21 , Folder 4

Wilhelm Meister (Goethe): Schenker's commentary and notes transcribed in the hand of Jeanette Schenker, with annotations in the hand of Heinrich Schenker.

Scope and Content Note

"Wilhelm Meisters Lehrjahre." Summary and commentary; cover title, 99 numb. leaves; notes, 9, 35 numb. ms. leaves; "Literatur", "Orte", 3 ms. leaves. Transcribed in 1935, after Schenker's death, from stenographic and other notes of 1916-1917.
"Verzeichnis der Personen." 2 ms. leaves; genealogical chart, 1 ms. leaf in Heinrich Schenker's hand.
Fragmentary notes, 10 ms. leaves dated 1916-1917.
"Wilhelm Meister-Wanderjahre-1. Buch-1. Kapitel." Summary and commentary; 25 numb. ms. leaves (a leaf of earlier stenographic notes is attached to leaf 25); "Personen", "Orte", "Zeit", 3 ms. leaves; "Notizen", 3 leaves. Dated "1920 in Seefeld diktiert, 1931 in Galtür aus... Stenogram kopiert."

Box 21 , Folder 5

"Das Laben als Lobgesang Gottes." Miscellany of Schenker's reflections, aphorisms and comments on his reading, including literature, religion, politics, and current affairs. Ms. in Jeanette Schenker's hand, two parts, paged continuously and enclosed in paper boards.

Scope and Content Note

[Part 1] "Bemerkungen zu Faust" [etc.], ms. leaves [1],1-258, dated at end "Igls, 26 VIII 32"; entries dated from 13.X.1917 to 1932.
[Part 2] "Aphorismen 2. Serie," ms. leaves 259-298, dated Mai, 1935; entries dated from 28.VIII.1931 to 1934.

Box 21 , Folder 6

"Was wird aus der Musik?" Ms. in Jeanette Schenker's hand with corrections and title in Heinrich Schenker's hand, 10 numb. leaves. Published in Deutsche allgemeine Zeitung, Berlin, 1933 ( See Box 20, f.11).

Box 21 , Folder 7-21

Notes and Drafts for Die Kunst des Vortrags and Other Projects

Scope and Content Note

In this section are ms. notes and fragments for work on Die Kunst des Vortrags, with related materials, arranged, for the most part, as found in the Schenker Nachlass. See Also Box 18, f.10.

Box 21 , Folder 7

"Vorwort [ Die Kunst des Vortrags]." 3 leaves of ms. notes in Jeanette Schenker's hand with revisions by Heinrich Schenker.

Box 21 , Folder 8

"Vorwort. Meine Schule," 4 leaves of ms. notes in the hand of Heinrich and Jeanette Schenker.

Box 21 , Folder 9

"Klavier: Hand." 2 leaves of ms. notes; 39 fragments of ms. notes, all in the hands of Heinrich and Jeanette Schenker.

Box 21 , Folder 10

"Oktavenspiel; Gruppierung von Oktaven." 3 leaves of ms. notes; 4 fragments of ms. notes in the hands of Heinrich and Jeanette Schenker.

Box 21 , Folder 11

"Legato." 2 ms. leaves in the hand of Heinrich Schenker; 27 fragments of ms. notes in the hands of Heinrich and Jeanette Schenker.

Box 21 , Folder 12

"Non legato." 1 ms. leaf and 7 ms. fragments, all in Heinrich Schenker's hand.

Box 21 , Folder 13

"Ornamentik." 5 ms leaves, one headed "Vortrag;" 31 fragments of ms. notes in envelope; all in Heinrich and Jeanette Schenker's hands. (Included is a note written on verso of a card from Hanna Deutsch dated 18.11.25).

Box 21 , Folder 14

"Pedal." 1 ms. leaf and 14 ms. fragments in the hands of Heinrich and Jeanette Schenker.

Box 21 , Folder 15

"Selbstilisierung." 6 leaves of ms. notes dated 1926-1928 and 6 ms. fragments in the hands of Heinrich and Jeanette Schenker and of Oswald Jonas.

Box 21 , Folder 16

"Vom Üben." 6 leaves of ms. notes, some dated 1927, and 2 fragments in the hands of Heinrich and Jeanette Schenker; 6 ms. leaves of notes in Jonas's hand. Also, a newspaper clipping dated 1927, "Der unsichtbare Gegenspieler" by Arthur Kahane, with pencilled notes by Heinrich Schenker.

Box 21 , Folder 17

"Fingersatz." 3 leaves of ms. notes and 17 ms. fragments, all in the hands of Heinrich and Jeanette Schenker.

Box 21 , Folder 18

Further ms. notes for Die Kunst des Vortrags in the hands of Heinrich and Jeanette Schenker, as later assembled, from an arrangement ca. 1927-1929, by Oswald Jonas.

Scope and Content Note

"Dynamik: forte, piano usw., nach Instrumenten u. Lage." 1 ms. leaf.
"Dynamik: Rhetorische Akzente im besonderen." 3 ms. leaves.
"Dynamik; Reflexspiel." Envelope containing 11 ms. fragments; title in Jonas's hand.
"Dynamik." Folded double leaf containing 21 fragments of ms. notes, music, and a newspaper clipping.
"Vortrag-Dynamik." 5 ms. leaves.
"Licht-Schatten, Druck-Entspannung." 2 ms. leaves and 8 ms. fragments, the latter in envelope.
"Rhythmus-Tempo." 3 ms. leaves
"Rhetorische Akzente; Tonwiederholung; Rahmenausschlag." Envelope containing 21 ms. fragments; title in Jonas's hand.
3 envelopes containing 56 ms. fragments, some with the heading "Vortrag".
31 ms. fragments, many headed "Vortrag" or "Vtg."
Many of the above were originally interleaved between 33 leaves of Radio Wien, ca. 1927-1929, a few of which have brief annotations in Schenker's hand.

Box 21 , Folder 19

Outlines for Die Kunst des Vortrags and related fragments in the hands of Heinrich and Jeanette Schenker.

Scope and Content Note

"Vortrag (Allg.)." 5 ms. leaves in Heinrich Schenker's hand, 4 of the leaves scored through in pencil.
"Anweisungen der Meister-ein Lehrbuch der Vorträger." 2 ms. leaves, in Heinrich Schenker's hand, together with one fragment and a cover label, "Vortrag," dated in Jeanette Schenker's hand 18.X.35.

Box 21 , Folder 20

Notes and fragments in Heinrich Schenker's hand; newspaper clippings dated in Jeanette Schenker's hand.

Scope and Content Note

"Methodik." 1 ms. leaf.
15 ms. fragments, many marked "Vortrag."
3 newspaper clippings, including "Die Kunst der Rede," from Frankfurter Allgemeine Zeitung, marked "Vtg." and dated 25.V.14; two others dated 1929 and 1932.

Box 21 , Folder 21

Other ms. notes relating to Die Kunst des Vortrags, as assembled by Jeanette Schenker and Oswald Jonas. 9 envelopes containing 73 fragments in the hands of Heinrich and Jeanette Schenker and 34 leaves of notes in Jonas's hand, variously labeled "Zum Vortrag 18.X.35" (Jeanette Schenker's hand), "Zu verwenden," "Zum Entwurf," "Schreiben: Üben, Dynamik," "Teils geschrieben" [etc.] (Jonas's hand).

Essays and Announcements about Schenker's Work

Scope and Content Note

These items were found in the Schenker Nachlass. For other materials about Schenker collected by Jonas, see Box 58.

Box 21 , Folder 22

Publisher's announcements for Schenker's work, 1924-1932.

Scope and Content Note

Heinrich Schenker. Einige Urteile über Schenker und seine Werke. Wien: Universal-Edition [1924?]. 12 pp.
Draft of prospectus for Schenker's work published by Drei Masken Verlag, Berlin [1932]. 5 ms. leaves in Jeanette Schenker's hand.

Box 21 , Folder 23

Albersheim, Gerhard. "Heinrich Schenker. Grundlagen und Bedeutung seines Werkes," Rheinische Musik- und Theater-Zeitung, Jahrg. 1930, Nr. 15-16. Offprint,

Physical Description: 6 pp.

Box 21 , Folder 24

Brünauer, Robert. "Die Urlinie. Eine Entgegnung." Carbon transcript with corrections in pencil, 9 leaves, inscribed in Jeanette Schenker's hand, "Riezler-Brünauer." [1930] Reply to an article by Walter Riezler, Die Musik, April 1930.

Box 21 , Folder 25

Lytle, Victor Vaughn. "Music Composition of the Present," American Organist, 14 no. 11 (November 1931), 661-666. Complete issue. Article mentions Schenker theory.

Ie. SCHENKER AS COMPOSER: MUSIC MANUSCRIPTS AND PUBLISHED EDITIONS

Physical Description: Boxes 22-23

Box 22

Vocal Music Arranged by Opus Numbers

Box 22 , Folder 1

Sechs Lieder für eine Singstimme mit Begleitung des Pianoforte. Op. 3. (Deutscher Liederverlag). Leipzig, Brussels, London, New York: Breitkopf & Härtel, c1898, c1901. Plate no. D.L.-V. 4760. With ms. notes in Schenker's hand. Pictorial cover title, 31,[1] pp. Series title, p.1: Werke von Heinrich Schenker.

Scope and Content Note

Contents:

Op. 3, no. 1. "Versteckte Jasminen. `Mädchen, was hast du.' " (D. von Liliencron)

Op. 3, no. 2. "Wiegenlied. `Vor der Thüre schläft der Baum.' " (D. von Liliencron)

Op. 3, no. 3. "Vogel im Busch. `Kleiner Vogel in den Zweigen.' " (D. von Liliencron)

Op. 3, no. 4. "Ausklang: `Es wird kein Leid.' " (L. Jacobowski)

Op. 3, no. 5. "Allein: `Ich sah sie wohl schon Wochen nicht.' " (L. Jacobowski)

Op. 3, no. 6. "Einkleidung: `Sie stand in Kinderröckchen.' " (W. Müller)

Box 22 , Folder 2

"Mondnacht." Op. 3, Heft 1, no.1. (Richard Dehmel). 4 voice (SATB) with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in the hand of a copyist, with pencil revisions in Schenker's hand. Open score.

Box 22 , Folder 3

"Drei Gesänge für eine tiefere Stimme mit Pianoforte-Begleitung. H. Schenker Op. 6." 9 ms. leaves (i.e., 14 pages). Nos. 1-2 in ink, largely in the hand of a copyist, with pencil revisions and notes in Schenker's hand. No. 3, ink, in Schenker's hand. Cover title, ink, in Schenker's hand.

Scope and Content Note

Op. 6, no. 1. "Heimat" (Richard Dehmel). Marked "Gärtner."
Op. 6, no. 2. "Nachtgruss" (J. v. Eichendorff). Marked "Gärtner."
Op. 6, no. 3. "Meeres Stille" (Goethe).

Box 22 , Folder 4

"Heimat." Op. 6, no. 1. (Richard Dehmel). Solo with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in the hand of a copyist, with ink and pencil revisions in Schenker's hand. Marked "Gärtner."

Box 22 , Folder 5

"Nachtgruss." Op. 6, no. 2. (J. v. Eichendorff). Solo voice with piano accompaniment. 3 ms. leaves (i.e., 5 pp.), ink, in Schenker's hand, with pencil revisions.

Box 22 , Folder 6

"Wandrers Nachtlied." Op. 6, no. 3. (Goethe). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 3 pp.), ink, in the hand of a copyist, with pedal markings in ink in another hand (Schenker's?). Text: "Über allen Gipfeln ist Ruh."

Box 22 , Folder 7

"Was ich liebe?" Op. 7, no. 1. (Johanna Ambrosius). 2 ms. leaves (i.e., 4 pp.), ink in Schenker's hand. 4 voice a cappella (SATB).

Scope and Content Note

Ambrosius throughout Schenker's mss. refers to Johanna Ambrosius Voigt.

Box 22 , Folder 8

"Die Nachtigall." Op. 7, no. 2 (Th. Storm). 2 ms. leaves (4 pp.), ink, in Schenker's hand. 4 voice a cappella (SATB).

Box 22 , Folder 9

"Vorüber." Op. 7, no. 3 (Ambrosius). Photocopy of 4 printed pp. numbered 151-154 (from a published collection?). 4 voice a cappella (SATB).

Box 22 , Folder 10

"Drei Gesänge für Frauenstimmen a cappella." Heinrich Schenker. Op. 8. 8 ms. leaves (i.e., 14 pp.), conjugate, sewn, ink, in a copyist's hand, title page in another hand. 4 voice (SSAA).

Scope and Content Note

Op. 8, no. 1. "Agnes." (Möricke [sic] i.e., Mörike).
Op. 8, no. 2. "Im Rosenbusch die Liebe schlief." (Hoffmann v. Fallersleben).
Op. 8, no. 3. "Der Traum." (Uhland).
Another version of Op. 8 containing only no. 1-2:
- "Gesänge für Frauenstimmen, Heinrich Schenker, Op. 8, no. 1 & 2." Photocopy, 8 leaves, with cover title, of ms. V. 30702, Gesellschaft der Musikfreunde in Wien, ink, in a copyist's hand.
- [Op. 8, no. 1] "Agnes." Numbered in the ms. Op. 8, no.2.
- [Op. 8, no. 2] "Im Rosenbusch die Liebe schlief." Ms. without opus no.
Another version of Op. 8, no. 3. Photocopy, 7 leaves with cover title, Ms. V. 30702, Gesellschaft der Musikfreunde in Wien, ink, in a copyist's hand.

Box 22 , Folder 11

"Im Rosenbusch die Liebe schlief." (Hoffman v. Fallersleben). Op. 8, no. 2. 3 ms. leaves, the first leaf blank, ink, in Schenker's hand (title in another hand?). 4 voice madrigal (SSAA).

Box 22 , Folder 12

"Der Traum." (Uhland). Op. 8, no. 3 [written in ink as Op. 7, no. 3; the 8 written in pencil over the 7]. 1 ms. leaf, ink with pencil additions, written on both sides in Schenker's hand. 4 voices (SSAA).

Box 22 , Folder 13

"Tausend schöne goldne Sterne." (Uhland). [Op. 8, no. 4]. 2 ms. leaves, conjugate, the second leaf blank, ink, in Schenker's hand; opus numbering added in pencil in another hand (Jonas's?). 4 voice a cappella (SSAA).

Vocal Music without Opus Numbers (arranged by title)

Box 22 , Folder 14

"Der Abschied." 3 ms. leaves, leaves 1 and 3 conjugate, ink, in the hand of a copyist; cover title in pencil (Schenker's hand?). Solo voice with piano accompaniment.

Box 22 , Folder 15

"Blumengruss." (Goethe). 2 conjugate ms. leaves, ink in copyist's hand; cover title in pencil (Schenker's hand?). Solo voice with piano accompaniment.

Box 22 , Folder 16

"Die Braut." (W. Müller). 3 ms. leaves, leaves 1-2 conjugate, ink with pencil revisions, in Schenker's hand. Signed: H. Schenker; dated (Schenker's hand) 14. V. 1898.

Box 22 , Folder 17

"Drunten auf der Gassen. Ein Mädchenlied." (P.Heyse). Solo voice with piano accompaniment. 3 ms. versions:

Scope and Content Note

1 ms. leaf (i.e., 2 pp.) ink, in Schenker's hand, without text; title "Mädchenlied" in pencil in Schenker's hand.
3 ms. leaves (i.e., 5 pp.) leaves 1-2 conjugate, ink, in Schenker's hand. Signed: "comp. von H. Schenker."
4 ms. leaves, conjugate, sewn, ink, in a copyist's hand; pencil and ink additions in another hand.

Box 22 , Folder 18

"Eros rüffelt mich wieder. Ode." (Sappho). Solo voice with piano accompaniment. 1 ms. leaf (i.e., 2 pp.), ink with extensive revisions in pencil, the whole in Schenker's hand.

Box 22 , Folder 19

"Der Gang von Wittow nach Jasmund." (Wilhelm Müller). Solo voice with piano accompaniment. 2 ms. versions:

Scope and Content Note

4 ms. leaves, conjugate (i.e., 6 pp., the last leaf blank), ink in Schenker's hand.
4 ms. leaves, conjugate (i.e., 7 pp.), ink, in a copyist's hand; pencil additions on last leaf (Schenker's hand?).

Box 22 , Folder 20

"Harfenspieler." (Goethe). 4-voice a capella (SATB). 1 ms. leaf, ink with pencil additions, in Schenker's hand, dated 10.VII. 1897.

Box 22 , Folder 21

"Ich hör im Himmel Rosse traben." Solo voice with piano accompaniment. 3 ms. leaves (i.e., 6 pp.), ink, in the hand of a copyist; pencil revisions and cover title in Schenker's hand.

Box 22 , Folder 22

"Der Lindenbaum." (H. Meyerhofer). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink with pencil revisions; part in copyist's hand, but chiefly Schenker's hand. Signed: H. Schenker.

Box 22 , Folder 23

"Mädchenlied, No. 1." ("Auf die Nacht in der Spinnstub'n.") Solo voice with piano accompaniment. 2 ms. versions:

Scope and Content Note

1 ms. leaf, ink without text or title, in Schenker's hand.
2 ms. leaves (i.e., 4 pp.), ink, with blue, black and red pencil additions, dated Juli, 1899, all in Schenker's hand.

Box 22 , Folder 24

"Mädchenlied" ("Der Himmel hat Keine Sterne so klar." P. Heyse). Solo voice with piano accompaniment. 2 ms. leaves (part of second leaf cut away), ink with pencil additions, all in Schenker's hand. Some corrections on pasteover; pencil sketch on second leaf.

Box 22 , Folder 25

[Mädchenlied] "Ich bin bei dir gewesen.' Mädchenlied." (Johanna Ambrosius). Solo voice with piano accompaniment. 2 ms. leaves conjugate (i.e., 4 pp.), ink, in a copyist's hand, including small pasteover correction; additions in ink and blue pencil in Schenker's hand, including changes in cover title. Signed: H. Schenker.

Box 22 , Folder 26

"Mädchenlied" ("Mir träumte von einem Myrthenbaum." P. Heyse). Solo voice with piano accompaniment. 6 ms. versions:

Scope and Content Note

1 ms. leaf (i.e., 2 pp.), ink and pencil, in Schenker's hand, without text.
1 ms. leaf (i.e., 2 pp.), ink and pencil, in Schenker's hand, without text.
2 ms. leaves (i.e., 4 pp., with portion of second leaf cut away), ink, in copyist's hand; extensive blue, green, and black pencil revisions in Schenker's hand.
2 ms. leaves (i.e., 4 pp.) cover title and 2 following pages in ink in a copyist's hand, with pencil revisions in Schenker's hand; verso of second leaf contains sketch in Schenker's hand.
2 ms. leaves (i.e., 4 pp.), ink, in copyist's hand.
2 ms. leaves (i.e., 4 pp.), sewn, ink, in copyist's hand; ink and pencil revisions in Schenker's hand. The following leaf is in the same copyist's hand, and appears to have been detached from the sewn folio of this version:
- Loose title page, 1 ms. leaf, recto: title ("Mir träumte...") in copyist's hand; verso: "Der gefundene Text, 1936-1942", solo voice with piano accompaniment, ink, in an unknown hand, dated "am 7ten März 1942"

Box 22 , Folder 27

"Mailied" ("Zwischen Weizen und Korn." Goethe). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in a copyist's hand (?); pencil revisions and additional ink sketches in Schenker's hand; verso of second leaf contains notes on tempo markings in ink (Schenker's hand?).

Box 22 , Folder 28

"Mei' Schatz hat mir `n Kuss geb'n." Solo voice with piano accompaniment. A compilation of fragments. 4 ms. leaves (i.e., 8 pp.), ink, in a copyist's hand, ink and pencil additions in Schenker's hand. Also 3 leaves (i.e., 6 pp.) of sketches, ink and pencil in Schenker's hand.

"Mein einsam Kissen" see "O mein einsam, einsam, einsam Kissen."

Box 22 , Folder 29

"Mein Freund" (Johanna Ambrosius). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in Schenker's hand. Signed: H. Schenker.

"Mir träumte von einem Myrthenbaum" see " Mädchenlied" ("Mir träumte...")

Box 22 , Folder 30

"Die Nachtigallen" (Eichendorff). Solo voice with piano accompaniment. 1 ms. leaf (i.e., 2 pp.), ink, in Schenker's hand; recto has corrections on pasteover. Dated 19, VI. 1897.

Box 22 , Folder 31

"O mein einsam, einsam, einsam Kissen" (Byron). Solo voice with piano accompaniment. 4 versions:

Scope and Content Note

2 ms. leaves (i.e., 3 pp.), ink, in the hand of a copyist, with ink and pencil additions in Schenker's hand. Title: "Mein einsam Kissen." Signed: H. Schenker.
2 ms. leaves (i.e., 4 pp.), ink with pencil additions, Schenker's hand. With text note: "(Klagelied von Byron, übersetzt von O. Gildemeister)." Signed: "comp. von H. Schenker".
2 ms. leaves (i.e., 3 pp.), ink with pencil additions, Schenker's hand. Same text note as above.
2 ms. leaves, the second leaf blank (i.e., 2 pp.), ink with pencil additions and erasures, Schenker's hand. Signed: "H. Schenker op. 8 n." [number missing].

Box 22 , Folder 32

"Rosenzeit." Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink and pencil in Schenker's hand (second leaf completed in pencil).

Box 22 , Folder 33

"Das Sträusschen. Altböhmisch." (Goethe). 5 mixed voices a capella with soprano solo. 4 ms. leaves (i.e., 6 pp.); beginning of song on pasteover; ink, in Schenker's hand; cover title in another hand. Dated 23. VI. 1897.

Box 22 , Folder 34

"Wiegenlied" ("Bienchen, Bienchen wiegt sich in Sonnenschein." Richard Dehmel). Solo voice with piano accompaniment. 2 ms. leaves (i.e., 4 pp.), ink, in copyist's hand.

Box 22 , Folder 35

Sketches for songs. 6 ms. leaves (i.e., 11 pp.), ink and pencil.

Box 22 , Folder 36

Music for Hamlet. Orchestra and voices. Includes, all in Schenker's hand:

Scope and Content Note

"Eintrag der Schauspieler." Piano score. 1 ms. leaf (i.e., 2 pp.), ink, title in pencil [Act 3, scene 2].
"Lied der Ophelia, Act 4, scene 5." 4 ms. leaves (i.e., 8 pp.), voice and orchestra. 3 songs numbered in pencil:
- No. 5 "Wie erkenn' ich." pencil with ink additions, followed by "ein Todtenmarsch [sic] Act 5 scene 2." pencil and ink.
- No. 6 "Auf Morgen ist Sanct Valentin's Tag." pencil and ink.
- No. 7 "Sie trugen ihn auf der Bahre bloss." pencil and ink.
"Trauermarsch" Piano score. 2 ms. leaves (i.e., 4 pp.), ink with pencil additions [for Ophelia, Act 5, scene 1].
"Hamlet's Tod." [Act 5, scene 2]. 2 fragments:
- Piano score. 1 ms. leaf (i.e., 2 pp.), ink, title in pencil.
- Orchestral score. 2 ms. leaves (i.e., 4 pp.), ink with pencil additions.
"Zwischenaktsmusik":
- 1-2 Akt. orchestral score. 2 ms. leaves (i.e., 3 pp.), pencil and ink.
- 2-3 Akt. orchestral score. 4 ms. leaves (i.e., 8 pp.), pencil and ink.
- 4-5 Akt. orchestral score. 2 ms. leaves (i.e., 4 pp.), pencil.
Sketches for No. 9 and No. 11, orchestral score with voice. 2 ms. leaves (i.e., 4 pp.), pencil.

Box 23

Instrumental Music: Solo Piano Works

Box 23 , Folder 1

Zwei Klavierstücke von Heinrich Schenker. Op. 1 [for piano] No. 1, Etude. No. 2, Capriccio. Wien: Ludwig Doblinger [n.d.] Plate D. 1740. 9, [1] pp. At head of title: "An Julius Epstein."

Box 23 , Folder 2

Fantasie. Op. 2 [for piano]. Breitkopf & Härtel's Klavier-Bibliothek. Leipzig: Breitkopf & Härtel, c1898. Plate Klav. Bibl. 22290. 37 [1] pp. At head of title: "An F. B. Busoni." Autograph inscription, "Seinem liebsten treuen `Floriz' H. Schenker."

Box 23 , Folder 3

5 Klavierstücke Morceaux de Piano Pianoforte Pieces von Heinrich Schenker. Op. 4. Leipzig, Brüssel, London, New York: Breitkopf & Härtel, c1898. Plate no. 22055. At head of title: "Eugen d'Albert gewidmet." 19 leaves. Photocopy of Gesellschaft der Musikfreunde, Wien, acquisition no. VII. 33170. With original cover, variant design, 1 leaf, autograph inscription on verso from Schenker to Moriz Violin.

Box 23 , Folder 4

Zweistimmige Inventionen. Op. 5 [for piano]. (Werke von Heinrich Schenker.) Breitkopf & Härtel's Klavier-Bibliothek. Leipzig: Breitkopf & Härtel c1898/1901. Plate Klav. Bibl. 23266. 11, [1] pp. At head of title: "Frau Irene Mayerhofer gewidmet."

Box 23 , Folder 5

Ländler für Pianoforte von Heinrich Schenker. Op. 10. Berlin: N. Simrock, c1899. Plate 11163. Cover title, 11, [1] pp. At head of title: "Herrn Wilhelm Kux." Composer's autograph presentation copy to "Lielie-Lieliechen" [i.e. Jeanette Schenker]. Also with detached covers from a variant issue.

Box 23 , Folder 6

Piano manuscript headed "Monolog." For piano. 2 ms. versions: [untitled], 2 ms leaves (i.e., 3 pp.), ink and pencil in Schenker's hand. "Monolog." 2 ms. leaves (i.e., 4 pp.), ink, in a copyist's hand.

Box 23 , Folder 7

Piano manuscript headed "V. Träumerisch bewegt." 2 ms. versions: 2 ms. leaves (i.e., 4 pp.), ink and blue pencil, numerous corrections, some of which do not appear in the other versions; all in Schenker's hand. 2 ms. leaves (i.e, 4 pp.), ink, in a copyist's hand; dated in pencil 1893.

Box 23 , Folder 8-16

Works for Piano 4 Hands

Scope and Content Note

Syrische Tänze für Pianoforte zu 4 Händen von Heinrich Schenker. Wien, Leipzig, Paris: Josef Weinberger [n.d.]. At head of title: "Alphons Frh. v. Rothschild zugeeignet."

Box 23 , Folder 8

Heft I, No. 1, 2. Plate J.W. 1092a. Cover: green ink on tan paper.

Physical Description: 21 pp.

Box 23 , Folder 9

Heft II, No. 1, 2. Plate J.W. 1092b. Cover: green ink on tan paper.

Physical Description: 15 pp.

Box 23 , Folder 10

Heft I, No. 1, 2, bound with Heft II, No. 1, 2. Plate J.W. 1092a [and] J.W. 1092b. Covers as in f. 8-9.

Physical Description: 21, 15 pp.

Box 23 , Folder 11

[Variant 2], Printed covers (both with dealer's stamp: Alexander Rosé, 1. Kärntnerring 11, Wien):

Scope and Content Note

Heft I. Cover only: black ink on gray paper.
Heft II. Cover only: black ink on tan paper.

Box 23 , Folder 12-15

"Syrische Tänze von Heinrich Schenker, instrumentiert von M. Violin." 2 ms. versions of each Heft.

Box 23 , Folder 12

Heft I. Nr. 1 u. 2. 13 ms. leaves (i.e., 23pp.), black and red ink and pencil. Dated "9 Juni 22 beendet."

Box 23 , Folder 13

Heft I, Nr. 1 u. 2. 18 ms. leaves (i.e. 34 pp.), ink, black and red pencil. Includes some annotations in English; written on English or American 24-stave paper.

Box 23 , Folder 14

Heft II, Nr. 1 u. 2. 10 ms. leaves (i.e., 18 pp.), black and red ink, black and blue pencil. Includes 2 versions of Allegretto.

Box 23 , Folder 15

Heft II, Nr. 1 u. 2. 10 ms. leaves (i.e., 19 pp.), ink and red and black pencil on English or American 24-stave paper.

Box 23 , Folder 16

"Tänze der Chassidim." (For piano 4 hands) 5 ms. leaves (i.e., 10 pp.), ink, in the hand of a copyist, with ink and pencil additions by Schenker. Cover title in Schenker's hand, inscribed "Alphons frh. v. Rothschild zugeeignet." Incomplete: 4 leaves and recto of leaf 5 are Heft I, Nr. 1; verso of leaf 5 begins Heft I, Nr. 2. Leaf 5 is virtually identical with the first page of Syrische Tänze as published.

Trios

Box 23 , Folder 17

[Trio (violin, viola, piano)] "Allegro moderato" ["moderato" crossed out]. 6 ms. leaves (i.e., 12 pp.), ink with a few pencil additions, all in Schenker's hand.

Box 23 , Folder 18

[Trio (violin, viola, piano)] "II. Allegretto." 7 ms. leaves (i.e., 13 pp. numbered in pencil 7-19), ink in a copyist's hand; blue and black pencil revisions in Schenker's hand. Earlier pages missing.

Box 23 , Folder 19

[Trio (violin, viola, piano)] "Andante." 3 ms. leaves (i.e., 5 pp.), ink, in Schenker's hand. Dated (without year) 4. IV.

Box 23 , Folder 20

[Trio (violin, viola, piano)] "Scherzo." 2 ms. leaves (i.e., 4 pp.), pencil, in Schenker's hand.

Box 23 , Folder 21

[Trio (violin, cello, piano)] "Finale." 9 ms. leaves (17 [i.e., 18] pp., the last page entirely crossed through), ink with pencil revisions, in Schenker's hand.

Box 23 , Folder 22

[Trio (violin, viola, piano)] 2 ms. fragments:

Scope and Content Note

2 ms. leaves (i.e., 4 pp.), ink with pencil revisions, Schenker's hand.
1 ms. leaf (i.e., 1 p.) of revisions, ink in Schenker's hand.

Box 23 , Folder 23

[Trio (violin, viola, piano)] 3 ms. fragments:

Scope and Content Note

3 ms. leaves (i.e., 6 pp.), ink with pencil revisions, in Schenker's hand.
2 ms. leaves (i.e., 4 pp.), ink, blue and black pencil, in Schenker's hand.
1 fragment of leaf found with the above, text with musical example [Brahms op. 118 no. 1], ink, black and green pencil, in Schenker's hand. Discarded portion of manuscript on verso, ink and blue pencil, in Jeanette Schenker's hand with revisions in Heinrich Schenker's hand.

Box 23 , Folder 24

"Streichtrio" [for violin, viola, cello]. 4 ms. leaves (i.e., 7 pp.), ink and black and blue pencil; probably in copyist's hand, with revisions and title in Schenker's hand. Also 1 ms. leaf, sketch of two measures headed "S.3," ink, in Schenker's hand.

String Quartets

Scope and Content Note

The following four items, f.25-28, may form the movements of a complete quartet, the possible order being f.27, 28, 26, 25.

Box 23 , Folder 25

"Aria" 6 ms. leaves (i.e., 10 pp., the last leaf blank), ink with pencil revisions, in Schenker's hand.

Box 23 , Folder 26

"Scherzo. III." 2 ms. leaves (i.e., 4 pp.), ink with pencil revisions, in Schenker's hand. Autograph inscription: "Marburg a/d Lahn."

Box 23 , Folder 27

"Largo." 4 ms. leaves (i.e., 8 pp.), ink with revisions in black and green pencil, in Schenker's hand.

Box 23 , Folder 28

Sketches for string quartet. 4 ms. leaves (i.e., 7 pp.), ink and pencil, in Schenker's hand.

Other Instrumental Works

Box 23 , Folder 29

"Serenade für Horn und Clavier von Heinrich Schenker" [Horn in F and piano]. 2 ms. leaves (i.e., 4 numb. pp.), ink, black and blue pencil, in Schenker's hand. Autograph inscription at head of title: "An seinen lieben Freund Louis Lavart."

Box 23 , Folder 30

Various sketches and fragments. 25 leaves, ink and pencil, in Schenker's hand and various others.

If. SCHENKER RESEARCH AND TEACHING: SCORES, TEXTS, AND EDITIONS

Physical Description: Boxes 24-34

Box 24-25

Bach, Johann Sebastian

Keyboard Works

Box 24 , Folder 1

Chromatische Fantasie und Fuge, D moll. Kritische Ausgabe mit Anhang von Heinrich Schenker. Universal-Edition No. 2540. Wien: Universal-Edition, c1910. 50 pp. 3 copies, cop. 1-2 with a few pencil annotations; advertisement on back cover dated X.1920.

Box 24 , Folder 2

Chromatische Phantasien und Fuge. Kritische Ausgabe von Heinrich Schenker, revidiert von Oswald Jonas. Wiener Urtext Ausgabe, Herausgeber Karl Heinz Füssel, H. C. Robbins Landon. Wien: Universal-Edition, c1969.

Physical Description: 51 pp.

Box 24 , Folder 3

Chromatische Fantasie und Fuge, nach den Urtexten revidiert von Julius Röntgen. Plate U. E. 520. Wien: Universal-Edition [1946?] 16 pp. (Acquired by Jonas to replace copy known to Schenker.)

Box 24 , Folder 4

Notes found with copies of Bach's Chromatische Fantasie und Fuge.

Scope and Content Note

30 leaves photocopy of pp. 3-9, 17-46 of Schenker's 1910 edition, with annotations by Schenker and Jonas.
10 leaves of photocopy and ms. notes of Jonas, including ms. copy (Jonas?) of first version of Bach's Prelude in C (Well-Tempered Clavier v. 2) with analysis.

Box 24 , Folder 5

Die 6 Französischen Suiten und 2 Suiten in A-moll und Es-dur. (Klavierwerke. Band II, Heft 1.) Kritische Ausgabe mit Fingersatz und Vortragsbezeichnungen versehen von Hans Bischoff. Plate 150a. Leipzig: Steingräber-Verlag [n.d.] 66 pp. Contains pencil annotations.

Box 24 , Folder 6

Das Wohltemperierte Klavier I. Peters Edition. Plate 2635. 95 pp. Lacking cover, title page, and first 10 pp. of score. With annotations in Schenker's and another hand. Together with 2 leaves of photocopy of Schenker's analysis of Fuga VI (pp. 26-27) in another copy of this edition.

Box 24 , Folder 7

Klavierwerke, hrsg. von Czerny, Griepenkerl und Roizsch. Plate 8040. Leipzig: C. F. Peters [n.d.] 40 pp. [incomplete], with extensive pencil annotations in Schenker's hand.

Contents:

1. Concerto (im italienischen Styl), pp. 4-19.

2. Fantasia cromatica e Fuga, pp. 20-35 (possibly Schenker's working copy for preparation of his edition)

3. Fantasia (C moll), pp. 36-39.

4. Preludio con Fuga (A moll) [incomplete], p.40

Vocal Works

Box 25 , Folder 1

25 Geistliche Lieder (aus dem Schemellischen Gesangbuch) für eine Singstimme und basso continuo. Für den praktischen Gebrauch hrsg. von Herman Roth. Plate 9747. Leipzig: C. F. Peters [n.d.] 44 pp. With annotations (Schenker's hand).

Scope and Content Note

13 note fragments concerning Roth's edition in Jeanette and Heinrich Schenker's hands, some headed "Generalbass." With envelope; "Schenker-Roth (Schemelli)" in Jonas's hand.

Box 25 , Folder 2

Ich will den Kreuzstab gerne tragen. Kantate No. 56. Plate Part. B. 1665. Breitkopf & Härtel's Partitur-Bibliothek. Leipzig: Breitkopf & Härtel [n.d.]

Physical Description: 30 pp.

Box 25 , Folder 3

Ich will den Kreuzstab gerne tragen. Cantate für Basstimme an 19ten Sonntage nach Trinitatis. Klavier-Auszug. Plate 5933. Leipzig: C. F. Peters [n.d.] 19 pp.; contains handwritten annotations.

Box 25 , Folder 4

" `Ich will den Kreuzstab gerne tragen' für Basstimme." Manuscript, ink, in a copyist's hand, with pencil annotations in the hand of Schenker and another.

Scope and Content Note

Partitur: 19 ms. leaves.
Instrumental parts: 43 ms. leaves.

Box 25 , Folder 5

Selig ist der Mann. Cantate No. 57 für Sopran und Bass. Hrsg. von der Bach-Gesellschaft. Plate B.W. XII. (2). Leipzig: Breitkopf & Härtel [1902]. pp. 107-132. 2 copies, 1 copy inscribed "Ernst Oster 1926."

Box 25 , Folder 6

" `Seilig ist der Mann.' Cantate Nr. 57 für Sopran und Bass." Manuscript, ink, the work of a copyist, with pencil annotations, probably in Schenker's hand

Scope and Content Note

Partitur: 1 copy, 21 ms. leaves; 2d copy, 20 ms. leaves.
Vocal Parts: 41 ms. leaves
Instrumental parts: 46 ms. leaves.

Box 25 , Folder 7

Passions-Musik nach dem Evangelisten Matthäus. Vollständiger Klavier-Auszug mit Worten bearbeitet von F. Ed. Wilsing. Plate B. & B. 3698. Berlin: Ed. Bote & G. Bock [n.d] 189 pp.; includes pencil annotations. Signature on title page: "Heinrich Schenker."

Box 25 , Folder 8

Passionsmusik nach dem Evangelisten Johannes. Klavierauszug, nach der Ausgabe der Bach-Gesellschaft, bearbeitet von S. Jadassohn. Plate V.A.480. Leipzig: Breitkopf & Härtel [n.d.] 127 pp.; includes pencil annotations. Signature on title page: "Schenker."

Box 25 , Folder 9

Die Hohe Messe in H moll. Klavierauszug. Plate 5966. Leipzig: C.F. Peters [n.d.] 155 pp. Signature on cover: "Dr. Heinrich Schenker" and his musical signature H Es (B and E flat). Signature on p. 3: "Heinrich Schenker 1888."

Box 26-30

Beethoven, Ludwig van

Piano Sonatas (Collections)

Box 26 , Folder 1

Sämtliche Klaviersonaten. Nach den Autographen rekonstruiert von Heinrich Schenker. Band I, Nos. 1-7. Plate U.E.8. Wien: Universal-Edition [1922]. Pp. 1-142. Includes minimal handwritten corrections in red, green, and black pencil. Galley proof of "Erstes Vorwort unveröffentlicht" (Schenker's ms. note), dated 1923, pasted inside front cover.

Box 26 , Folder 2

Sonaten für Clavier. Erster Band. Op. 2, Nr. 1-Op. 26. Nos. 1-12. Plate A.A.87-A.A.98. Leipzig: Breitkopf & Härtel [n.d.]. Lacks front cover and title page. Pp. 1-204. Extensive annotations in Schenker's hand in various colors of ink and pencil.

Box 26 , Folder 3

Sonaten für Clavier. Zweiter Band. Op. 27, Nr. 1-Op. 78. Nos. 13-24. Urtext classischer Musikwerke, hrsg. auf Veranlassung und unter Verantwortung der Königlichen Akademie der Künste zu Berlin. Plate A.A. 99-A.A. 110. Leipzig: Breitkopf & Härtel [n.d.]. Pp. 1-200. With annotations in Schenker's hand in various colors of ink and pencil.

Box 26 , Folder 4

Sonaten für Clavier. Dritter Band. Op. 79, 81a, 90, 101, 106, 109, 110, 111 and Sonate Es: Sonate F moll; Sonate D; Leichte Sonate, C; Leichte Sonate, Nr. 1, G; Leichte Sonate, Nr. 2, F. Urtext classischer Musikwerke, hrsg. auf Veranlassung und unter Verantwortung der Königlichen Akademie der Künste zu Berlin. Plate A.A. 111-A.A. 115, A.A. 117-A.A. 124 (lacking Plate A.A. 116, Sonate Nr. 30, Op. 109). Pp. 1 - 96, 113-188. Leipzig: Breitkopf & Härtel [n.d.]. With Schenker's ms. annotations in various colors of pencil and ink.

Piano Sonatas separately published

Box 27 , Folder 1

Sonate. Op. 2, No. 1, F moll. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4010. Plate U.E.8. [Wien] Universal-Edition [1921]. Cover title; 19, [1] pp. 2 copies; 1 copy includes annotations in Schenker's hand, with date, "Ausgegeben am 5. IX. 1921."

Box 27 , Folder 2

Sonate. Op. 2, No. 2. A dur.

Physical Description: 3 copies.

Scope and Content Note

Akademische Einzel-Ausgabe No. 4011. Plate U.E. 8. [Wien] Universal-Edition [1909]. Cover title; [1], 20-42, [2] pp. With annotations in an unidentified hand (Schenker's?) in pencil and red ink directly on the score and on 4 separate ms. leaves of "Bemerkungen."
[Hrsg. von] H. Schenker. No. 4011. Plate U.E.8. [Wien] Universal-Edition [1921]. Cover title; [1], 20-42, [2] pp. With pencil annotations in Schenker's hand.
The same without handwritten annotations.

Box 27 , Folder 3

Sonate. Op. 2, No. 3. C dur. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4012. Plate U.E.8. [Wien] Universal-Edition [1921]. Cover title; [2], 43-68, [2] pp. 2 copies, copy 1 with annotations and date in Schenker's hand, "ausgegeben 4.X.1921."

Box 27 , Folder 4

Sonate. Op. 7. Es dur.

Physical Description: 2 copies.

Scope and Content Note

[Hrsg. von] Ant. Door. Akademische Einzel-Ausgabe No. 4013. Plate U.E.8. [Wien] Universal-Edition [1911]. Cover title; [2], 69-93, [1] pp. With annotations in pencil and red ink, and with 10 separate ms. leaves of "Bemerkungen," all in an unidentified hand. Also 1 ms. leaf from Universal-Edition to Erwin Ratz dated 1948, forwarding "Bemerkungen" for U.E. 4011, 4013, 4016, and 4025.
[Hrsg. von] H. Schenker. No. 4013. Plate U.E.8. [Wien] Universal-Edition [1922]. Cover title; [2], 3-27, [1] pp. Includes annotations in Schenker's hand with date, "Galtur, 1.VIII.1922 erhalten," and initial "H" on cover.

Box 27 , Folder 5

Sonate. Op. 10, No. 1. C moll. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4014. Plate U.E.8. [Wien] Universal-Edition [1921] Cover title; [1], 94-107, [1] pp. 2 copies; Copy 1 with annotations and date in Schenker's hand, "ausgegeben 13.I.1922," and initial "H" on cover.

Box 27 , Folder 6

Sonate. Op. 10, No. 2. F dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4015. Plate U.E.8. [Wien] Universal-Edition [1922]. Cover title; [1], 108-121, [1] pp. 2 copies; both copies annotated in Schenker's hand; copy 1 marked "erhalten 25.VIII.1922."

Box 27 , Folder 7

Sonate. Op. 10, No. 3. D dur.

Physical Description: 3 copies.

Scope and Content Note

[Hrsg. von] Ant Door. Akademische Einzel-Ausgabe No. 4016. Plate U.E.8. [Wien] Universal-Edition [1912]. Cover title; [1], 122-142, [2] pp. With annotations in an unidentified hand in pencil and red ink and in ink on 4 separate ms. leaves of "Bemerkungen."
[Hrsg. von] H. Schenker. No. 4016. Plate U.E.8. [Wien] Universal-Edition [1921]. Cover title; 22, [2] pp. Includes annotations in pencil in Schenker's hand and marked "erhalten 25.VIII.1922," with his initial "H" on cover.
The same without annotations.

Box 27 , Folder 8

Sonate. Op. 13 (Pathétique). C moll. Piano Solo. [Hrsg. von] H. Schenker. No. 4017. Plate U.E.8.338. [Wien] Universal-Edition [1922]. Cover title; 21, [3] pp. Also paged at top, 143-161. With annotations in pencil in Schenker's hand and marked "ausgegeben 4.XI.1922."

Box 27 , Folder 9

Sonate. Op. 14, No. 2. G dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4019. Plate U.E.8. [Wien] Universal-Edition [1923]. Cover title; 18, [2] pp. With annotations in pencil in Schenker's hand and marked "ausgegeben 26.I.1923."

Box 27 , Folder 10

Sonate. Op. 22, B dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4020. Plate U.E.8. [Wien] Universal-Edition [1923]. Cover title; 25, [3] pp. With annotations in pencil and 1 ms. leaf of notes, all in Schenker's hand, and marked "ausgegeben 6.IV.1923."

Box 27 , Folder 11

Sonate. Op. 26, As dur. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4021. U.E.8. [Wien] Universal-Edition [1921]. Cover title; [1], 214-231, [1] pp. 2 copies; both copies annotated in Schenker's hand; copy 1 marked "ausgegeben 4.X.1921;" copy 2 inscribed "Seinem lieben Dr. Robert Brunauer gewidmet von H. Schenker." Copy 2 disbound, torn and frayed. With 1 ms. leaf of notes and the name "Bela Bartok."

Box 27 , Folder 12

Sonate. Op. 27, No. 1. Es dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4022. Plate U.E.8. [Wien] Universal-Edition [1923]. Cover title; [2], 17, [3] pp. Annotated in Schenker's hand and dated 6.IV.1923.

Box 27 , Folder 13

Sonate. Op. 27, No. 2. Cis moll. Piano solo. [Hrsg. von] H. Schenker. No. 4023. Plate U.E.8.

Physical Description: 2 copies.

Scope and Content Note

[Wien] Universal-Edition [1921]. Cover title; 15, [1] pp. Annotated in Schenker's hand and marked "ausgegeben 24.V.1921."
[Wien] Universal -Edition [1923]. Cover title; [2], 15, [3] pp. Annotated in Schenker's hand and marked "2. Aufl. ausgegeben 10.III.1923."

Box 27 , Folder 14

Sonate. Op. 28. D dur. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4024. Plate U.E.8. [Wien] Universal-Edition [1921]. Cover title; [1], 262-284,

Physical Description: [2] pp.

Box 27 , Folder 15

Sonate. Op. 31, No. 1. G dur.

Physical Description: 4 copies.

Scope and Content Note

[Hrsg. von] Ant. Door. Akademische Einzel-Ausgabe no. 4025. Plate U.E.9. [Wien] Universal-Edition [1909]. Cover title; [2], 285-310, [2] pp. With annotations in pencil and red ink, and with 4 separate ms. leaves of "Bermerkungen," all in an unidentified hand.
[Hrsg. von] H. Schenker. No. 4025. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; 28, [2] pp. With annotations in pencil in Schenker's hand.
The same with annotations in Schenker's and an unidentified hand. Signed "ausgegeben 28. IV.1923 HSch".
Same as no. 2 above, but marked: "Korrekturen." With revisions in the hands of Heinrich and Jeanette Schenker; dated by the engraver 25.II.35, and with 2 leaves of corrected page proofs inserted.

Box 27 , Folder 16

Sonate. Op. 31, No. 2. D moll. Piano Solo. [Hrsg. von] Heinr. Schenker. No. 4026. Plate U.E.9. [Wien] Universal-Edition [1921]. Cover title; [2], 311-331, [1] pp. 2 annotated copies; copy 1 corrected in Schenker's hand and marked "ausgegeben 10.1.1922." Copy 2 corrected by Schenker but dated by the engraver 25/II 35; 2 leaves of corrected page proofs inserted.

Box 27 , Folder 17

Sonate. Op. 31, No. 3. Es dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4027. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; [2], 24, [2] pp. With note and date in Schenker's hand: 18.IV.1923.

Box 27 , Folder 18

Sonate. Op. 49, No. 1. G moll. Piano Solo. [Hrsg. von] H. Schenker. No. 4028. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; 10, [2] pp. 2 copies. (Folder continued on following page.)

Scope and Content Note

With annotations in Schenker's hand and date: 6.IV.1923.
With correction marked in Schenker's hand, and 1 leaf corrected page proof; engraver's date 25/II 35.

Box 27 , Folder 19

Sonate. Op. 49, No. 2. G dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4029. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; 9,

Physical Description: [3] pp. 2 copies.

Scope and Content Note

With annotations in Schenker's hand; marked "ausgegeben 8. März 1923 H Sch".
Marked "Korrekturen." With corrections in Schenker's hand, and 3 leaves of corrected page proofs; engraver's date 25/II 35.

Box 28 , Folder 1

Sonate. Op. 53. C dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4030. Plate U.E.9. [Wien] Universal-Edition [1922]. Cover title; [2], 33, [3] pp. Numbered at top of pages 370-401. 4 copies: copies 1-3 with corrections in Schenker's hand; copy 1 marked "ausgegeben 4.XI 1922;" copies 2-3 marked "Korrekturen," with 10 leaves of page proofs dated 26.XI.35 in the hand of Jeanette Schenker.

Box 28 , Folder 2

Sonate. Op. 54. F dur Piano Solo. [Hrsg. von] H. Schenker. No. 4031. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; [2], 14, [2] pp. Dated 7.VI.23 in Jeanette Schenker's hand.

Box 28 , Folder 3

Sonate. Op. 57 Appassionata. F moll. Piano Solo.

Physical Description: 5 copies.

Scope and Content Note

[Hrsg. von] H. Schenker. No. 4032. Plate U.E.9: [Wien] Universal-Edition [1923]. Cover title; 31, [3] pp. 3 copies, all with annotations in Schenker's hand; copy 1 dated (in Jeanette Schenker's hand) 9. Juni 1923, disbound, frayed.
[2d edition] Nach Originalen rekonstruiert von Heinrich Schenker. No. 4032. Plate U.E.9. Wien: Universal-Edition [1927]. Cover title; 31, [1] pp. 2 annotated copies marked "Korrekturen zu III [Aufl.]" in Schenker's hand; 1 copy marked "erhalten 9.9.27;" also dated by engraver for 3d edition corrections 25/II 35.

Box 28 , Folder 4

[Sonate. Op. 57. 3d edition] Corrected engraver's page proofs for revision of 2d edition. Plate U.E.9. 8 leaves, with additional corrections [engraver's date 1935].

Box 28 , Folder 5

Sonate. Op. 78. Fis dur. Piano Solo. [Hrsg von] H. Schenker. No. 4033. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; [2], 11,

Physical Description: [2] pp.

Scope and Content Note

Copy 1 marked "ausgegeben 22.VI.1923," with annotations dated 1923 and 1924. (Folder continued on following page.)
Copy 2 with annotations marked "zur Korrektur! 21.II.1924 H. Sch."
Copy 3 marked "Korrekturen," dated by engraver 27.II.35, with 8 leaves of page proofs inserted.

Box 28 , Folder 6

Sonate. Op. 79. G. dur. Piano Solo. [Hrsg. von] H. Schenker. No. 4034. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; [2], 10, [2] pp. 2 copies with annotations in Schenker's hand; copy 1 marked "ausgegeben 22.VI.1923;" copy 2 marked "Korrektur," dated by engraver 27.II 35, with 1 leaf page proof inserted.

Box 28 , Folder 7

Sonate. Op. 81a. Es dur. [Hrsg. von] Heinr. Schenker. No. 4035. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; 19,[1] pp. 2 copies; Copy 1 marked "Korr." with corrections in Schenker's hand; with 3 leaves of page proofs inserted.

Box 28 , Folder 8

Sonate. Op. 90. E moll. Piano Solo. [Hrsg. von] H. Schenker. No. 4036. Plate U.E.9. [Wien] Universal-Edition [1923]. Cover title; [2], 16, [2] pp. 4 copies; all with annotations in the hands of Heinrich and Jeanette Schenker; Copy 1 dated: "8.IX.1923 H. Sch"; Copy 3 marked "Korrekturen" and dated by engraver 28/II.35, with 8 leaves of page proofs inserted; Copy 4 lacking 2 leaves (covers).

Box 28 , Folder 9

Sonate. Op. 101. A dur.

Physical Description: 2 editions.

Scope and Content Note

[Hrsg. von] H. Schenker. No. 4037. Plate U.E.9. [Wien] Universal-Edition [1921]. Cover title; [2], 18, [2] pp. 2 copies with annotations in Schenker's hand: Copy 1 marked "ausgegeben 11.V.1921"; Copy 2 marked "Korrekturen" and dated by engraver 27.II.35, with 2 leaves of page proofs inserted.
Kritische Einführung und Erläuterung von Heinrich Schenker, hrsg. von Oswald Jonas. (Die letzten Sonaten. Wiener Urtext Ausgabe). [Wien] Universal Edition [c.1970]. [4], 108, 495-510 pp. Page proofs. Together with an earlier set of page proofs, lacking preliminary pages and score, and prior to revisions in "Vorwort zur Neuausgabe."

Box 28 , Folder 10

Sonate. Op. 106 (Hammerklavier). B dur. [Hrsg. von] H. Schenker. No. 4038. Plate U.E.9. [Wien] Universal-Edition [1923]. Covers only, marked "Korrekturen," with corrections listed inside front cover in Schenker's hand, and 11 leaves of page proofs; engraver's date 27.II.35.

Box 28 , Folder 11

Sonate. Op. 109. E dur. Piano Solo.

Physical Description: 6 editions.

Scope and Content Note

Berlin: Schlesinger [1821] No plate no. 18 leaves. Negative photocopy. Photographs of 3 ms. leaves inserted.
Plate "Beethoven I.No.28." Wien: Tobias Haslinger [n.d.]. Cover title; [2], 17, [1] pp.
Plate B. 153. Breitkopf & Härtel's Klavierbibliothek. Leipzig: Breitkopf & Härtel [n.d.] Cover title: [2], 16, 3-4 pp. With annotations and 2 leaves of ms. notes in an unidentified hand.
Plate A.A. 116. [lacks title page or cover]. Pp. 97-112. Includes annotations in colored pencil, probably in Schenker's hand.
Kritische Ausgabe mit Einführung und Erläuterung von Heinrich Schenker. ( Die letzten fünf Sonaten.) Plate U.E.3975 and U.E.3976. Wien: Universal-Edition, c1913. Cover title; [4], 3-57,[1]pp. Includes annotations in pencil in Jonas's hand. Title page signed "Ernst Oster 1927." Together with a photocopy (36 leaves) of another copy of this edition, containing only portions of the Einführung interleaved text, but with the score complete and interleaved; both with extensive annotations in Schenker's hand.
[Hrsg. von] Heinr. Schenker. No. 4039. Plate U.E [Wien] Universal-Edition [1921]. Cover title; [2], 557-576, [2] pp. 2 copies; Copy 1 marked "ausgegeben 8.April 1921"; Copy 2 marked "Korrekturen" in Schenker's hand, and dated by engraver 27.II.35, with 1 leaf page proof inserted.

Box 28 , Folder 12

Sonate. Op. 110. As dur. Piano Solo.

Physical Description: 3 editions.

Scope and Content Note

Akademische Einzel-Ausgabe No. 4040. Plate U.E.9. [Wien] Universal-Edition [1909]. Cover title; [2], 557-594 pp, lacking back cover. Stamped "Manuskript... zum Stich! 13.März 1914." With complete revisions in Schenker's hand.
[Hrsg. von] Heinr. Schenker. No. 4040. Plate U.E.9. [Wien] Universal-Edition [1921]. Cover title; [2], 577-594, [2]pp. Marked "ausgegeben 1921, 21. März," with annotations in Schenker's hand.
Kritische Einführung und Erläuterung von Heinrich Schenker, hrsg. von Oswald Jonas. (Die letzten Sonaten. Wiener Urtext Ausgabe.) [Wien] Universal Edition [c1972]. [4], 125, I-XVI, (lacking pp. XVII-XVIII of the score). Page proofs, with a few proposed corrections marked by Jonas.

Box 28 , Folder 13

Sonata. Op. 111. (C minor). Photocopy, 16 leaves, of ms. in Bonn, Beethoven Haus. With 2 other leaves of photocopy and envelope addressed to Schenker from photographer, H. Rose, postmarked Bonn, 24.1.14.

Box 28 , Folder 14

Sonate. Op. 111. C moll. 3 copies, 2 editions.

Scope and Content Note

Kritische Ausgabe mit Einführung und Erläuterung von Heinrich Schenker. (Die letzten fünf Sonaten.) Plate U.E. 3978. Wien: Universal-Edition c1916. Cover title; 95,[1]pp. Schenker's commentary annotated in Jonas's hand, with deletions marked for Jonas's published revision.
[Hrsg. von] Heinr. Schenker. No. 4041. Plate U.E.9. [Wien] Universal-Edition [1921]. Cover title; [2],595-615,[1]pp. Marked "ausgegeben 17.IV.1921," with annotations in Schenker's hand.
The same. Marked "Korrekturen" in Schenker's hand; dated by engraver 27/II 35, with 1 leaf of proof inserted.

Violin and Piano Sonatas

Box 29 , Folder 1

Sonate. Op. 12, Nr. 1 in D. Für Pianoforte und Violine. Cover title; Breitkopf & Härtel's Violin-Bibliothek. Plate B.92. Leipzig: Breitkopf & Härtel [n.d.] Violin score, 6pp.; piano score, 22pp.

Box 29 , Folder 2

Sonate. Op. 12, Nr. 2, A dur, für Violine und Pianoforte. Cover title: Breitkopf & Härtel's Violin-Bibliothek. Plate B.93. Leipzig: Breitkopf & Härtel [n.d.] Violin score, 6pp.; piano score, [2], 18pp.

Box 29 , Folder 3

Sonate. Op. 12, Nr.3, in Es. Für Pianoforte und Violine. Cover title: Breitkopf & Härtel's Violin-Bibliothek. Plate B.94. Leipzig: Breitkopf & Härtel [n.d.] Violin Score, 6pp.; piano score, [2], 22 pp. Pages also numbered 13-18; 41-62.

Box 29 , Folder 4

Sonate. Op. 23 in A moll. Für Violine und Pianoforte. Cover title: Breitkopf & Härtel's Violin-Bibliothek. Plate B.95. Leipzig: Breitkopf & Härtel [n.d.] Violin score, 6pp.; piano score, [2], 20 pp.

Box 29 , Folder 5

Sonate. Op. 24.in F. Für Violine und Pianoforte. Cover title: Breitkopf & Härtel's Violin-Bibliothek. Plate B.96. Leipzig: Breitkopf & Härtel [n.d.] Violin score, 8 pp.; piano score [2], 24 pp. Piano score annotated in Schenker's hand.

Box 29 , Folder 6

Sonate. Op. 30, Nr. 2 in Cm. Für Violine und Pianoforte. Breitkopf & Härtel's Violin-Bibliothek. Plate B.98. Leipzig: Breitkopf & Härtel [n.d.] Violin score, 8 pp.; piano score [2], 28 pp. Pages also numbered 39-46; 125-152. Piano score with annotations in Schenker's hand.

Box 29 , Folder 7

Sonata (Kreutzer gewidmet). Op. 47 in A für Violine und Pianoforte. Breitkopf & Härtel's Violin-Bibliothek. Plate B.100. Leipzig: Breitkopf & Härtel [n.d.] Violin score, [4],14,[2]pp.; piano score [4],40,[2]pp. Piano score with annotations in Schenker's hand.

Trios

Box 29 , Folder 8

Trio, Kinsky WoO 39. Photocopy, 10 leaves of ms. in Bonn, Beethoven Haus.

Concertos for Piano and Orchestra

Box 29 , Folder 9

Konzert Nr.1. C dur. Op. 15. Für Pianoforte mit Orchester. Breitkopf & Härtel's Partitur-Bibliothek. Plate B.65. Leipzig: Breitkopf & Härtel [n.d.]. Cover title; [4],75,

Physical Description: [3]pp.

Box 29 , Folder 10

Klavier-Concerte. Op. 73. Concerto V [Es dur] Plate 5250. Leipzig: C.F. Peters [n.d.]. Cover title; [2],157,[1]pp. Partitur only. With annotations in Schenker's hand.

Symphonies

Box 30. , Folder 1

Dritte Symphonie (Eroica). Op. 55. [Es dur] Plate 5444. (Neun Symphonien für Orchester...) Peters [n.d.] Partitur only. Series title page; 93,[1]pp. Includes annotations in Schenker's hand in various colors of pencil. Lacks covers. Frayed and worn.

Box 30 , Folder 2

Symphonie III (Eroica). Op. 55. [Es dur] Plate 2767. (Collection Litolff) Braunschweig: Henry Litolff's Verlag [n.d.] Partitur only. Series title page; caption title,90pp. Bound in cloth boards. With a few annotations in pencil in an unidentified hand.

Box 30 , Folder 3

Symphonie No.4, B dur [Op. 60] Plate 5445 (Neun Symphonien für Orchester...) Leipzig: C.F. Peters [n.d.] Partitur only. Cover title; [2],79,[3]pp. With annotations in Schenker's hand in various colors of ink.

Box 30 , Folder 4

Symphonie No. 5, C moll. [Op.67] Plate 5446. (Neun Symphonien für Orchester...) Leipzig: C.F. Peters [n.d.] Partitur only. Cover title; [2],96pp., lacking back cover. With annotations, mainly in Schenker's hand, in ink and various colors of pencil.

Box 30 , Folder 5

Symphonie No. 9. [Op. 125] Plate 5450k. Leipzig: C. F. Peters [n.d.] Partitur only. Covers detached. 277,[1]pp. With annotations in Schenker's hand in various colors of pencil.

Brahms, Johannes

Theoretical Works

Box 31 , Folder 1

Oktaven und Quinten u.A., aus dem Nachlass herausgegeben und erläutert von Heinrich Schenker. No.10.508. Wien: Universal-Edition c1933. 16pp. Inscribed by Schenker to "Lie Liechen" (Jeanette Schenker) and dated 21. April 1933. (For ms., see Box 17 f.8.)

Box 31 , Folder 1a

Oktaven und Quinten u. A., aus dem Nachlass hrsg. und erläutert von Heinrich Schenker. Plate U.E. 10.508. Wien: Universal-Edition, c.1933. 16 pp. With annotations and ms. notes in Jonas's hand, together with two typescript versions of a proposed Jonas article, "Fifths and Octaves," 15 leaves.

Solo Piano Works

Box 31 , Folder 2

Étude nach Fr. Chopin. (Studien für das Pianoforte von Johannes Brahms, No. 1) Plate 884.885. Leipzig: Bartholf Senff [n.d.]. Front cover lacking. 7,[1]pp. With annotations in Schenker's hand.

Box 31 , Folder 3

51 Uebungen für das Pianoforte. Erstes Heft. Plate 10062. Berlin: N. Simrock c1893. Cover title; [2],27,[3]pp. With annotations in Schenker's hand.

Box 31 , Folder 4

51 Uebungen für das Pianoforte. Zweites Heft. Plate 10065. Berlin: N. Simrock c1893. 27,[1]pp., lacking back cover. With annotations in Schenker's hand.

Box 31 , Folder 5

Drei Intermezzi für Pianoforte. Op. 117. Plate 9876. In die Universal-Edition aufgenommen. Berlin: N. Simrock c1892. 15,[1]pp. With annotations in an unidentified hand, but signed "Sch" on cover in Schenker's hand. Also with another copy of the same edition in photocopy, 13 leaves, containing other annotations by Schenker, and 2 photocopy leaves of Schenker's ms. analysis, marked "117/2".

Box 31 , Folder 5a

Variationen und Fuge über ein Thema von Händel für das Pianoforte. Op. 24. Plate 10448. Leipzig: Breitkopf & Härtel [1862]. With extensive annotations in the hand of Heinrich Schenker. Photocopy, 11 leaves, of pp. 3-23 of the original, lacking the title page.

Box 31 , Folder 6

Vier Klavierstücke. Op. 119. Plate 10055. In die Universal-Edition aufgenommen. Berlin: N. Simrock, [c1893]. 19,[1]pp. With annotations in Schenker's hand in various colors of pencil.

Box 31 , Folder 7

Intermezzo in E dur. Op. 116 no.4 (Original Compositionen...) Plate 9875. Berlin: N. Simrock, c1892, c1910. Cover title; 6,[2]pp. Includes annotations in Schenker's hand.

Box 31 , Folder 8

Fantasien für Pianoforte. Zweites Heft. Op. 116 No. 4-7. Plate 9875. Berlin: N. Simrock, 1892. First edition. Cover title; 15,[1]pp. With annotations in Schenker's hand.

Piano Concertos

Box 31 , Folder 9

Concert [B dur]. Op. 83. Plate 8265. Leipzig, Stich und Druck der Föder'schen Officin; [Berlin?: Simrock? n.d.]. Lacks covers and title page. 3-60pp. Piano score only. With annotations in Schenker's hand.

Works for Orchestra

Box 31 , Folder 10

Variationen über ein Thema von Jos. Haydn für Orchester. Op. 56a. Partitur. Plate 7395. Berlin: N. Simrock [n.d.] 83,[1]pp. Front cover loose. With annotations in Schenker's hand in various colors of pencil.

Box 31 , Folder 11

Symphonie No.1, C moll. Op. 68. (Eulenburg's kleine Orchester-Partitur-Ausgabe) Leipzig: Ernst Eulenburg, [n.d.] Plate 11360. [4], 155, [1]pp. Pages and covers loose. With annotations in Schenker's hand in various colors of pencil.

Box 31 , Folder 12

Symphonie No.3, F dur. Op. 90. (Eulenburg's kleine Orchester-Partitur-Ausgabe). Leipzig: Ernst Eulenburg, [n.d.] Plate 11362. [4],135,[1]pp. Pages and covers loose. With annotations in Schenker's hand in various colors of pencil.

Box 31 , Folder 13

Symphonie No.4, E moll. Op. 98. (Eulenburg's kleine Orchester-Partitur-Ausgabe) Leipzig, Ernst Eulenburg, [n.d.]. Plate 11363. [4],155,[1]pp. Pages and covers loose. With annotations in Schenker's hand in various colors of pencil and ink.

Vocal Works

Box 31 , Folder 14

"4 Ernste Gesänge, [nos.] 1, 3." Op. 121 No. 1,3. Partitur, for orchestra and bass voice. [Arranged for orchestra by H. Schenker?] 10 ms. leaves, pencil, in Schenker's hand.

Box 31 , Folder 15

Deutsche Volkslieder mit Clavier-Begleitung. Nos. 43-49.

1)Plate 10218. Berlin: N. Simrock, c1894. Full score for piano and voices. 19, [1]pp. Bound in red cloth. With annotations, in an unidentified hand, in various colors of pencil, marked "blau Stichvorlage."

2)Plate 10219. Berlin: N. Simrock, c1894. 64pp. of voice parts. With a few annotations in pencil in an unidentified hand.

Chopin, Frédéric

Box 31 , Folder 16

Etude Nr. 12. Op. 10, no.12. Photocopy of published edition (Plate A.A.136), with annotations by Schenker,

Physical Description: 2 leaves.

Box 31 , Folder 17

Nocturne No. 2. Op. 9, no. 2 Photocopy of piano score. Plate V.A.64. Pp.5-8 of a Breitkopf & Härtel edition with extensive annotations by Schenker. 2 photocopies, 4 leaves each; one set with penciled notes in another hand.

Box 31 , Folder 18

Etude Nr. 17. Op. 25, no. 5. Photocopy of published edition (Plate A.A.111) with annotations by Schenker.

Physical Description: 3 leaves.

Box 31 , Folder 19

Praeludien für das Pianoforte. Op. 28. Plate V.A.67. Leipzig: Breitkopf & Härtel [n.d.]. [2],38pp (back cover and pages 17-18 are not included). With annotations in Schenker's hand. Also a photographic negative of nos. 4-5 (pp.4-5) of this copy.

Box 31 , Folder 20

Mazurkas No. 15, 16. Op. 33, nos. 3 and 4. Photocopies (incomplete) of published edition (Plate 11485) with annotations by Schenker. 2 leaves, negatives.

Box 31 , Folder 21

Ballade No. 4. Op. 52, no. 4. Plate V.A.65. pp. 23-47 of a Breitkopf & Härtel edition, lacking front cover, title page and pp. 1-22.

Box 31 , Folder 22

Polonaise. Op. 53. Photocopy of published edition, 2 leaves. (Chopin's Werke, Band V, No. 6. Plate CV.6) With annotations by Schenker.

Box 31 , Folder 23

Scherzo. Op. 54. Photocopy of published edition (Plate V.A.68) with annotations by Schenker.

Physical Description: 4 leaves.

Collections

Box 31 , Folder 24

Verschiedene Werke für das Pianoforte. Brillante Variationen, Op. 12 [and other selections from Op. 19, 29, 36, 46, 49, 57, 60]. Plate V.A.70. Leipzig: Breitkopf & Härtel [n.d.]. [2],82pp. With annotations in Schenker's hand.

Box 31 , Folder 25

Rondo und Scherzos für das Pianoforte. [Selections from Op. 16, 20, 31, 39, 54]. Plate V.A.68. Leipzig: Breitkopf & Härtel [n.d.] Cover title; [2],83,[1]pp. Lacking back cover. With annotations in Schenker's hand.

Box 31 , Folder 26

Mazurkas für das Pianoforte. Neue Ausgabe. [Selections from Op. 17, 24, 30, 33, 41, 56, 63]. Plate V.A.62. Leipzig: Breitkopf & Härtel [n.d.] Cover title; [2],79[1]pp. With annotations in Schenker's hand.

Handel, George Frideric

Box 32 , Folder 1

12 Grosse Concerte. Op. 6. For string orchestra and continuo.

Scope and Content Note

Ausgabe der Deutschen Händelgesellschaft. Plate H.W.30. Leipzig: Deutsche Händelgesellschaft [1870?]. (Georg Friedrich Händel's Werke). [6], 64pp. Disbound. With annotations in Schenker's hand; Concerto IV, pp.46-59, includes extensive notes in various colors of pencil and ink indicating Schenker's editing.
"IV. Concert. G. F. Händel." [1904]. Manuscript copies of Concerto IV partitur, instrumental parts and realized figured bass incorporating the editorial changes entered in item above. Cover title; 65 ms. leaves, ink, largely in copyists' hands, but with continuo entirely in Schenker's hand. Parts signed and marked "bearb. von H. Schenker." Viola part signed, presumably by performer, "Heyereser[?]/Violinconcert-Verein/29.XII.1904." Basso part signed "Karl Agnesy[?]/Wien am 29.XII.1904."
Lists of orchestral parts (4 leaves):
1. Schenker's signed request for parts to be copied,
2. Copyist's list of parts copied,
3. Schenker's list of parts sent to Carl Bamberger, April 1933,
4. Bamberger's signed list indicating receipt of parts April 4. (Folder continued on following page)
Autograph postcard addressed to Schenker from Bamberger, dated 29.3.33, asking to see the score for Schenker's edited Concerto Grosso of Handel (photocopy).

Box 32 , Folder 2

Der Messias. Oratorium. Klavierauszug von Julius Stern. Plate 5964. Leipzig: C.F. Peters [n.d.] 171,[1]pp. Lacking back cover. With annotations (chiefly in nos. 13,23,52) in Schenker's hand; "H. Schenker" and his musical signature on front cover.

Haydn, Joseph

Box 32 , Folder 3

Variations (Un piccolo Divertimento). F moll. For piano. 2 copies excerpted from collected editions.

Scope and Content Note

Plate 11402. Edition Peters. Excerpt, pp. 45-56 and 1 leaf headed "Zur Revision des Notentextes." With annotations in Schenker's hand.
Caption title: Andante con Variazioni. Plate V.A.121. Leipzig: Breitkopf & Härtel [n.d.]. Excerpt from item 32 f.4, detached by Schenker. Pp. 3-11; Fantasia, pp.12-14. With extensive annotations in Schenker's hand.

Box 32 , Folder 4

Kleinere Stücke für Pianoforte. Nos. 1-7. Plate V.A.121. Leipzig: Breitkopf & Härtel [n.d.] 53,[1]pp., Lacking pp.3-14 detached by Schenker and filed in 32 f.3(2). Includes annotations in Schenker's hand.

Box 32 , Folder 5

Die Schöpfung. [Transcription for voices and piano.] Plate 5917. Leipzig: Peters [n.d.] Pp. 3-144. Lacks title-page and part of contents, 2 leaves. Includes annotations in Schenker's hand.

Mendelssohn, Felix

Box 32 , Folder 6

Erstes Concert für Pianoforte. Op. 25. G moll. Partitur. Plate 6027. Leipzig: C. F. Peters [n.d.] 78pp. With covers; back cover advertisement dated XIV.6. Includes annotations in Schenker's hand.

Mozart, Wolfgang Amadeus

Box 32 , Folder 7

Trio für Violine, Viola und Violoncell. Es-dur. Partitur. Plate 70. Leipzig: A. Payne's Musikverlag [n.d.] 34pp. Miniature score. Inscribed: "Dr. H. Schenker" with his musical signature, and with a few annotations in the score.

Box 32 , Folder 8

Requiem. Partitur. Plate 6263. Leipzig: C. F. Peters [n.d.] 87,[1]pp. Includes annotations in Schenker's hand. Cover signed "H. Schenker."

Oppel, Reinhard

Box 32 , Folder 9

Quartett (F moll) für zwei Violinen, Viola und Violoncello. No. 4. Op. 33. Plate 10651. Leipzig: C. F. Peters, [c1929]. 39,[1]pp. With covers. At head of title: Mimy und Walter Schulze-Prisca zu eigen. Name written on cover: "T. Werner."

Box 32 , Folder 10

"Walzer für Klavier." 9 pieces. 4 ms. leaves, ink, in Oppel's hand, with pencil corrections. Cover title inscribed: "Frau L. Schenker zur Erinnerung an den Sommer 1929 in Galtür. Reinhard Oppel VIII 1929." Bound in cloth.

Box 32 , Folder 11

"3 Walzer vom Sommer 1931 in Galtür." For piano. 2 ms. leaves, conjugate; Oppel's hand in black and red ink. Inscribed: "Frau L. Schenker in immer gleicher Verehrung gewidmet von Reinhard Oppel." At end signed: "1.V32/RO/Leipzig." (An autograph letter signed and dated 3.V.32 from Oppel to Frau Schenker, which accompanied the gift of the manuscript, is filed with correspondence, Box 13 f.10.)

Wagner, Richard

Box 33 , Folder 1

Tristan und Isolde. Vollständiger Klavierauszug von Hans von Bülow. Neue revidirte Ausgabe. Plate V.A.31. Leipzig: Breitkopf & Härtel [n.d.] 260pp. Bound in cloth, title-page repaired. Title-page signed "H. Schenker" with his musical signature. Contains a few pencil annotations, possibly in Schenker's hand.

Weigl, Karl

Box 33 , Folder 2

Natur (Nature) (Heinrich Hart), für 8 stimm. gem. Chor a cappella. Op. 29. Plate U.E.10.534. [Wien:] Universal-Edition, c1933. 20pp., reproduced from ms. Composer's autograph presentation copy to Schenker.

Weisse, Hans

Box 33 , Folder 3

Vier Quartette, für Sopran, Alt, Tenor und Bass mit Klavierbegleitung. Op. 6. (Gedichte von Goethe). Plate U.E.7602. [Wien:] Universal-Edition, c1924. Pp. 3-48. At head of title: Carl Bamberger zugeeignet. Composer's autograph on title page: "Meinem lieben, verehrten Meister in Treue und Dankbarkeit! Dezember 1924." Weisse's calling card, laid in, inscribed "mit den herzlichsten Grüssen und Bedauern, Sie nicht angetroffen zu haben!"

Other Research and Teaching Materials

Box 33 , Folder 4

Musical examples for "Entwurf einer `Lehre vom Vortrag.' " 8 ms. leaves, ink on tracing paper, in the hand of Oswald Jonas, and 1 leaf carbon typescript, list of errata in the examples, prepared by Jonas. With photocopy, 8 leaves. (For "Entwurf" ms., see Box 57, f.3.)

Box 33 , Folder 5

Analytical studies, Urlinie tables, etc., by Schenker and others.

Scope and Content Note

By Schenker:
- Schubert. "Auf dem Flüsse." 1 ms. leaf, pencil and ink in a copyist's [Elias?] and Schenker's hands. Signed and dated by Schenker, 6.11.32.
- Beethoven. Sonate. Op. 14 no. 1. 1 ms. leaf, ink and black and red pencil in Schenker's hand.
- Hassler [4 voice a capella]. 1 ms. leaf, ink, in Schenker's hand; on verso, sketch of part of Beethoven Op. 14 no. 1, pencil, in Schenker's hand.
- Brahms. Intermezzo. Op. 76 no. 7. 3 photocopy leaves of ms. in a copyist's and Schenker's hands.
- Brahms. Intermezzo. Op. 117 no.2. 2 photocopy leaves of ms. in Schenker's hand.
- Chopin. Etude. Op. 25 no.1. 2 photocopy leaves of ms. in the hands of Schenker and a copyist.
- Chopin. Mazurkas, Op. 24 nos. 1 and 3, and Op. 17 no. 4. 15 photocopy leaves of ms. in the hands of Schenker and a copyist; also duplicate copies of each of 2 leaves.
- Chopin. Nocturne. Op. 9 no. 2. 1 photocopy leaf of ms. in a copyist's hand with additions and corrections by Schenker.
By others:
- Beethoven. Sonate. Op. 22 no. 1. I. Satz. 4 ms. leaves, pencil, in a student hand [Elias?] with additions in Schenker's hand.
- Beethoven, Sonate Op. 27 no. 2. III. Satz. 8 ms. leaves in conjugate sections, marked "Exposition," "Durchführung," "Reprise u. Coda," ink, in a student hand, signed and dated "M. Willfort Mai 34," with annotations and corrections in pencil in Schenker's hand. Also 6 ms. leaves, two versions, each marked "Reprise und Coda," ink, in a student hand [Elias?] with annotations and corrections in Schenker's hand.
- Beethoven. Sonate. Op. 27 no.2 [I. Satz]. 4 photocopy leaves of ms. in a student hand [Elias?]
- Covers of Radio-Wien (used as folder for the above) inscribed in Jeanette Schenker's hand, "Op. 27 II, Willfort, Elias, 18.X.35."

Box 33 , Folder 6

Analyses by Reinhard Oppel, largely of Bach and Handel, with comments and further analyses by Schenker. 10 ms. leaves. On verso of leaf 6, analysis of part of Beethoven Sonata Op. 14, no. 2 in Schenker's hand, ink and pencil.

Articles and Publications of Others

Box 34 , Folder 1

Flemming, Hans. "Kokoschka." Article clipped from unidentified newspaper [n.d.] Marginal note, "Das geistige Deutschland," in Schenker's hand.

Box 34 , Folder 2

Frimmel, Theodor, ed. Beethoven-Forschung. 9. Heft. August 1923. 36 pp. Inscribed by the author to Schenker.

Box 34 , Folder 3

Goll, Ernst. "Abschied." Poem copied in Jeanette Schenker's hand, with note by Heinrich Schenker.

Physical Description: 1 ms. leaf.

Box 34 , Folder 4

Halm, August. "Anton Bruckner." Die Grüne Fahne I, Heft 6 (September 1924), 161-165. Complete issue of Heft 6.

Box 34 , Folder 5

Marschner, Franz. "Zählzeit, Tempo und Ausdruck bei Beethoven." Kongressbericht der Beethoven-Zentenarfeier (Wien, März 1927), 100-103. Offprint.

Box 34 , Folder 6

Oppel, Reinhard. "Das Thema der Violinchaconne und seine Verwandten." Bach-Jahrbuch (1918), 97-116. Offprint. Inscribed by Oppel to Schenker.

Box 34 , Folder 7

Ross, Colin. Excerpt from article in Münchner Neueste Nachrichten, August 1, 1911. Ms., 1 leaf, in Jeanette Schenker's hand.

Box 34 , Folder 8

Roth, Herman. "Händel und Bach: Entwurf einer Antithese." Der Bär, Jahrbuch von Breitkopf & Härtel (1926), 64-78. Offprint.

Box 34 , Folder 9

Steglich, Rudolf. "Karl Philipp Emanuel Bach und der Dresdner Kreuzkantor Gottfried August Homilius im Musikleben ihrer Zeit." Bach-Jahrbuch (1915), 39-145. Offprint. Inscribed by the author to Schenker.

Box 34 , Folder 10

Stein, Fritz. "Noten-Leihsystem und Not der Konzertvereine." Allgemeine Musik-Zeitung, Nr. 22 (1. Juni 1928). 4 pp. Offprint.

Box 34 , Folder 11

"Volks-und Berufsmusikerziehung im Lichte der neuesten Tonkunstforschung." Mitteilungen der Gesellschaft Hamburger Tonkünstler, 8. Jahrg. Nr. 71 (19. Mai 1934), 1-2. Article about Cube's lecture at the Gesellschaft discussing Schenker theory. Marginal note in Moriz Violin's hand.

Box 34 , Folder 12

Vrieslander, Otto. "Carl Philipp Emanuel Bach als Theoretiker," in Von Neuer Music, ed. H. Grues (1925), [222]-279. Photocopy.

Box 34 , Folder 13

Händelfest der Händel-Gesellschaft, Zweites, Kiel, 1928. Fest- und Programmbuch, vom 21. Juni bis 24. Juni. 39,

Physical Description: [1] pp.

Box 34 , Folder 14

Signale für die Musikalische Welt (Berlin). 78. Jahrg. no. 23 (9. Juni 1920), 597-612. Note on cover.

Miscellany

Box 34 , Folder 15

Magazines and brochures found with Schenker papers.

Scope and Content Note

Radio-Wien, 19 leaves, 1927-1930, with annotations
Mitteilungen des Hauses Breitkopf & Härtel, Juni 1934, 24 pp.
Hausmusik für Jung und Alt, N. Simrock, 8 pp.
Eine Auswahl der besten Bücher des Jahres 1934, Sallmayer'sche Buchhandlung, 15, [1] pp.
Volksbildungsheim in Simmering, Sommersemester 1922, 1 leaf.

Box 34 , Folder 16

Verse written in various hands, collected by Schenker.

Physical Description: 6 ms. leaves.

Box 34 , Folder 17

Counterpoint and figured bass materials.

Scope and Content Note

13 ms. leaves and 4 ms. note fragments. Studies by Schenker for Kontrapunkt (ca. 1915)
4 ms. leaves. Figured bass exercises in various hands, possibly student work.

Ig. SCHENKER BIOGRAPHICAL MATERIALS

Physical Description: Box 35

Box 35 , Folder 1

Schenker family documents.

Note

*Acquisition after 1978. See also Appendix.

Scope and Content Note

3 documents, Heinrich Schenker (Family record, 1895; birth certificate, 1899; Heimatschein, 1915)
2 documents, Jeanette Schenker (Heimatschein, 1939; Reisepass, 1941)
Heinrich Schenker's matriculation papers at Conservatorium für Musik und darstellende Kunst, Wien, 1887-89. 12 photocopy leaves.*
APU 1 1964 to Jonas from an unidentified correspondent re Schenker's degree: "Schenker promoviert/1. Februar 1890/Dr. jur. Wien."
(Found with Schenker documents: Geburtschein, 1917, and Heimatschein, 1919, of Regina Winterberg Kopetsky)

Box 35 , Folder 2

Autobiographical material, chiefly ms. in the hand of Heinrich Schenker.

Scope and Content Note

"Schenker, Heinrich, Dr." Dated 1911. Prepared for C. F. Peters, Leipzig. 1 ms. leaf.
"Schenker, Heinrich, Dr." Dated "26. April 1913 (für Riemann Lexikon)". 1 ms. leaf in the hand of Jeanette Schenker, corrections in Heinrich Schenker's hand.
"Lebensgang" [ca. 1931]. 1 ms. leaf of notes.
"Verzeichnis der im Nachlass nach Dr. Schenker vorhandenen Entwürfe, Skizzen, Fragmente, Urlinien... Kompositionen... Bearbeitungen... Tagebuch... Briefe... aufgenommen am 7.XI.1935." Part II, "aufgenommen am 14.I.1936." Carbon typescript, numbered leaves 1-25, 1-14, with notes in Jeanette Schenker's hand and added notes in Jonas's hand. Bound in gray-green wrappers. Handlist of Schenker's manuscript Nachlass. Together with 9 ms. leaves, in Jonas's hand and typescript, listing portions of the Nachlass.
Musik und Theater, Enthaltend die Bibliothek des Herrn Dr. Heinrich Schenker... Wien, Antiquariat Heinrich Hinterberger [1936?] (Katalog XII). 2 copies annotated in Jonas's hand.

Box 35 , Folder 3

Schenker address lists. 6 ms. leaves in Schenker's hand. Together with 17 printed calling cards, "Dr. Heinrich Schenker," and 15 cards, "Heinrich Schenker."

Box 35 , Folder 4

Letters from Wilhelm Furtwängler to Ludwig Karpath concerning an appointment for Schenker in the Akademie. Dated 30. Januar 1933. Typed transcripts, unsigned.

Physical Description: 2 ms. leaves.

Box 35 , Folder 5

Concert Programs and Concert Tour Itineraries.

Scope and Content Note

14 printed concert programs, 5. November 1893-17.Mai 1911, for performances that include Schenker as composer or performer. Wien, Berlin, Klagenfurt, London: 1893-1911. v. pp., originals and photocopies.
LS 1903, invitation to performance of Wiener Singakademie, 18. Dezember 1903, 1 ms. leaf, clerical hand, signed Jos. Kramer, Sekretär.
Concert-Bureau Ludwig Grünfeld [Wien], printed forms, "Detaillierter Reiseplan, Oesterr. Ung. Tournée des Herrn Prof. Johannes Messchaert mit Herrn Dr. Heinrich Schenker, 7. Januar bis 3. Februar 1899," 2 ms. leaves; "Oesterreichische Tournée, 8. Januar - 3. Februar [1899]," "Programme, Klagenfurt [etc.]," 2 ms. leaves conjugate.

Box 35 , Folder 6

Last will, death and burial of Heinrich Schenker.

Scope and Content Note

"Mein letzter Wille," 2 leaves, photocopy, of ms. in Schenker's hand, dated 18.6.1929 and 20.5.34.
"Erinnerungen an... Dr. Heinrich Schenker... 14. Januar 1935," and interment certificate, Israelitische Kultusgemeinde Wien, Friedhofamt, 2 leaves.
Obituaries excerpted from newspapers and periodicals, 6 items.

Box 35 , Folder 7

Financial, tax and loan records, 1922-1930; 23 ms. leaves of bank statements, 10 tax receipts, 1 tax book.

Box 35 , Folder 8

Financial transactions between Heinrich Schenker and Moriz Schenker, Anny Wollner, and Drei Masken-Verlag, 1922-1931, 57 ms. leaves. ( See also letters to Heinrich Schenker from Moriz Schenker and Alfred Lanzer.)

Box 35 , Folder 9

Schenker, Jeanette. Travel diary, journey to Chile, April 27, 1936-Sept. 30, 1936. 118 numb. ms. leaves in Jeanette Schenker's hand.

Box 35 , Folder 10

Schenker, Jeanette. Miscellany.

Scope and Content Note

18 pieces of business correspondence, 1935-39, some with envelopes
1 draft letter from Jeanette Schenker "an das Steueramt," 5.IX.38
44 bills, statements, receipts
10 postal receipts (6 dated 1920-27)
1 recipe, unidentified hand
2 blank postcards, including view card of U.S. Library of Congress.

II. Oswald Jonas materials

IIa. CORRESPONDENCE (FROM JONAS)

Physical Description: Box 36

Scope and Content Note

Letters in this section are carbon copies of Jonas's originals unless otherwise indicated.

Box 36 , Folder 1

Unidentified correspondent.

TLU 1 1954, addressed "Sehr geehrter Herr Doktor!" concerning the ms. of Mozart K. 570

Box 36 , Folder 2

Aber, Adolf.

TLU 5 1938-1939

109109

Box 36 , Folder 3

Aldermann, Pauline.

TLS 1 1954

Box 36 , Folder 4

Babbitt, Milton.

TLS 1 1955

Box 36 , Folder 5

Baum, R.

TLS 1 1955

Box 36 , Folder 6

[Beck], Syd [i.e., Sidney].

TLS 1 1965

Box 36 , Folder 7

Becker, Heinz.

TLU 1 1968 (photocopy)

Box 36 , Folder 8

Blume, Friedrich.

TLS 2 1955

Box 36 , Folder 9

Brennecke, Wilfried.

TLU 1 1963

Box 36 , Folder 9a

Colvin, J. L.

TLU 1 1952

Box 36 , Folder 10

Creanza, Joseph.

TLS 1 1953

Box 36 , Folder 11

Cube, Felix von (i.e., Felix-Eberhard von Cube).

TLS 1 1950

Box 36 , Folder 12

Eggebrecht, Hans Heinrich.

TLU 1 1955

Box 36 , Folder 13

Eibner, Franz.

TLS 3 1949-1958

Box 36 , Folder 14

Federhofer, Hellmut.

TLS 1 1949

Box 36 , Folder 15

Fellerer, Karl Gustav.

TLS 1 1968

Box 36 , Folder 16

Figl, Leopold (Bundeskanzler, Austria).

TLS 1 1952

Box 36 , Folder 17

Fischer, Edwin.

TLS 1 1955

Box 36 , Folder 18

French, Richard.

TLU 1 1953

Box 36 , Folder 19

Furtwängler, Wilhelm.

TLU 3 1947-1951

Box 36 , Folder 20

Füssl, Karl Heinz.

TLS 3 1960-1963

Box 36 , Folder 21

Gerstenberg, Walter.

TLS 1 1964

Box 36 , Folder 22

Goldberg, [Albert].

TLU 1 1948

Box 36 , Folder 23

Harpner, Stefan.

TLS 1 1970

Box 36 , Folder 23a

Harris, F. W.

TLU 1 1952

Box 36 , Folder 24

Heide, Rose.

TLS 2 1955

Box 36 , Folder 25

Henle, G[ünter].

TLS 11 1954-1955

Box 36 , Folder 26

Hermelink, Siegfried.

TLS 1 1968

Box 36 , Folder 27

[Hill, Richard S.]

TLS 1 1955

TLU 1 1953

Box 36 , Folder 28

Hindemith, [Paul].

TLU 1 1950 (together with 2 typed excerpts from Schenker's writings concerning Hindemith)

Box 36 , Folder 29

Hinrichsen, Hans.

TLU 1 1937

Box 36 , Folder 30

Hinrichsen, [Max].

TLS 1 1938

Box 36 , Folder 31

Hoboken, Anthony van.

TLS 2 1948-1949

TLU 1 1939 (incomplete)

TLU 6 1946-1954

TLU 2 undated [ca. 1948-1949]

Box 36 , Folder 32

Hürlimann, M[artin].

TLS 2 1955

Box 36 , Folder 33

Jirak, Karel B.

TLS 1 1961 (with earlier drafts of this letter)

Box 36 , Folder 34

Kendall, Raymond.

TLU 1 1954

Box 36 , Folder 35

Krueger, T[heodore] Howard.

TLS 2 1957-1958

Box 36 , Folder 36

Langner, Thomas M.

TLS 2 1955

Box 36 , Folder 37

[Lederer, Joseph].

TLS 1 1963

Box 36 , Folder 38

Lehmann, Robert Owen.

TLS 2 1964-1965

Box 36 , Folder 39

Lichtenwanger, William.

TLS 1 1954

Box 36 , Folder 40

Lissa, Zofia.

TLS 2 1964

Box 36 , Folder 41

Meyer, Ernst Hermann.

TLU 2 1965-1968

Box 36 , Folder 42

Mitchell, William.

TLS 2 1949-1965

Box 36 , Folder 43

Musical Quarterly, New York.

TLU 1 [1955] (incomplete; addressed "To The Editor")

Box 36 , Folder 44

Die Musikforschung, Kiel.

TLU 1 1956 (addressed "An die Schriftleitung"; together with Jonas's ms. notes)

Box 36 , Folder 45

[Oster], Ernst.

TLS 1 undated

TLS 1 1948

TLU 1 undated, with layout for printer of proposed Schenker Urlinie Tafeln publication

Box 36 , Folder 46

[Rabes, Alfred].

TLS 3 1955

Box 36 , Folder 47

Ratz, Erwin.

TLU 4 1949-1954

Box 36 , Folder 48

Rech, Géza.

TLS 1 1955

Box 36 , Folder 49

Reichart, Georg.

TLS 1 1965

Box 36 , Folder 50

Rosenwald, Hans.

TLS 1 1949

Box 36 , Folder 51

Russell, S. A.

TLU 1 1952

Box 36 , Folder 52

Sadie, Stanley.

TLU 1 1976 (concerning article on Jonas in Grove's Dictionary)

Box 36 , Folder 53

Salzer, Felix.

TLU 1 1948

Box 36 , Folder 54

Scanlon, John D.

TLS 2 1964

Box 36 , Folder 55

Schaefer, Josef.

TLS 4 1955-1958

Schenker, Heinrich see Box 12, f.6.

Box 36 , Folder 56

Schmidt, Ernst Fritz.

TLS 2 1955

Box 36 , Folder 57

Schulter, Rose H.

TLS 1 1958

Box 36 , Folder 58

Sittner, Hans (Akademie für Musik und darstellende Kunst, Wien).

TLS 5 1948-1963

Box 36 , Folder 59

Sparling, Edward J.

TLS 1 1953 (draft with autograph corrections)

Box 36 , Folder 60

Staatsbibliothek Preussischer Kulturbesitz, Berlin [West].

TLU 1 1954 (to an unindentified correspondent at the Staatsbibliothek)

Box 36 , Folder 61

Stochmann, Bernhard.

TLS 4 1964

Box 36 , Folder 62

Sun-Times, Chicago.

TLU 1 1949 (addressed "To the Editor," written in support of the admission of Furtwängler into the United States)

Box 36 , Folder 63

Universal-Edition, Wien.

TLS 1 1959

Box 36 , Folder 64

Valentin, Erich.

TLS 1 1955

Box 36 , Folder 65

Violin, Moriz.

APS 1 1916 (original)

Box 36 , Folder 66

Virneisel, Wilhelm.

TLS 1 1955 (photocopy)

Box 36 , Folder 67

Volk, Arno.

TLS 5 1963-1965

Box 36 , Folder 68

Wagner, Karl Dieter.

TLS 1 1963

Box 36 , Folder 69

[Waldeck], Arthur.

TLU 1 undated [ca. 1951]

Box 36 , Folder 70

Walter, Arnold.

TLU 1 1954

Box 36 , Folder 71

Warburg, [Gerald Felix].

TLU 1 1938 (margins frayed; lacking a few words)

Box 36 , Folder 72

Waters, Edward N.

TLS 1 1956

Box 36 , Folder 73

Weisse, Hans.

TLU 2 1938 (margins frayed; lacking a few words)

Box 36 , Folder 74

Wildgans, Friedrich.

TLS 1 1948

Box 36 , Folder 75

Will, Roy.

TLU 1 1954

Box 36 , Folder 76

Willnauer, Franz.

TLS 4 1959

Box 36 , Folder 77

Wirth, Helmut.

TLS 1 1962

Box 36 , Folder 78

Zagiba, Franz.

TLS 2 1955

IIb. CORRESPONDENCE (TO JONAS)

Physical Description: Box 36

Box 36 , Folder 79

Unidentified correspondent.

TLS 1 1942, Tanglewood, Lenox, Mass., signed "Jessie."

Box 36 , Folder 80

Aber, Adolf (with letterhead of Novello & Co., London).

TLS 4 1938-1939

Box 36 , Folder 81

Adams, Horst (with letterhead of Riemann Musiklexikon, Mainz).

TLS 1 undated

Box 36 , Folder 82

Albrecht, Hans (with letterhead of Die Musikforschung, Kiel).

TLS 1 1957

TPS 2 1957

Box 36 , Folder 83

Anders, Mariedi.

TLS 6 1963

Box 36 , Folder 84

Austria. Bundesministerium für Unterricht, Wien.

5 letters of appointment to teach courses at the Akademie für Musik und darstellende Kunst, 1962-1965.

Box 36 , Folder 85

Austria. Honorary Consul, Chicago.

1 printed invitation to reception for Chancellor Figl, undated

Box 36 , Folder 86

Avé-Lallemant, Waldlieb.

ALS 1 1959

2 forms relating to photocopying Brahms mss.

Box 36 , Folder 87

Babbitt, Milton.

TLS 1 1950

Box 36 , Folder 88

Badura-Skoda, Paul.

TLU 1 1959 (with autograph additions)

Box 36 , Folder 89

Bärenreiter-Verlag, Kassel-Wilhelmshöhe.

TLS 1 1957 (signed by E. Wengler)

Box 36 , Folder 90

Barnes, Richard G. (with letterhead of Northwestern University Press, Evanston, Ill.).

TLS 1 1970

Box 36 , Folder 91

Baum, R. (with letterhead of Gesellschaft für Musikforschung, Kiel).

TLS 1 1955

Box 36 , Folder 92

Bayerischer Rundfunk, München.

TLS 1 1933 (signature not identified)

Box 36 , Folder 93

Beach, David W. (with letterhead of Yale University, Department of Music, New Haven).

TLS 1 1969

Box 36 , Folder 94

Beck, Hermann (with letterhead of Musikwissenschaftliches Seminar der Universität Würzburg).

TLS 1 1958

Box 36 , Folder 95

Beck, Sydney.

TLS 2 1963-1964

Box 36 , Folder 96

Bente, Hella (with letterhead of Sekretariat Elly Ney, Bonn).

TLS 1 1934

Box 36 , Folder 97

Beroldingen, Lukas (with letterhead of Bundeskanzleramt, Wien).

TLS 1 1952

Bloch, Richard see Joseph, Sol.

Box 36 , Folder 98

Blume, Friedrich (with letterheads of Gesellschaft für Musikforschung, Kiel, and Musikwissenschaftliches Institut der Universität Kiel).

TLS 5 1955-1957 (letter of 4.10.1955, a carbon typescript, is also addressed to two other winners of the Mozart prize essay competition)

Box 36 , Folder 99

Breisach, [Paul].

TLS 1 1934

Box 36 , Folder 100

Breitkopf & Härtel, Wiesbaden.

TLS 2 1963 (signed with firm name only)

Box 36 , Folder 101

Brennecke, Wilfried (with letterhead of Die Musik in Geschichte und Gegenwart, Kassel).

TLS 1 1962

Box 36 , Folder 102

Cappell, Richard (with letterhead of Daily Telegraph and Morning Post, London).

TLS 1 1938

Box 36 , Folder 103

Carruth, Hayden (with letterhead of University of Chicago Press, Chicago).

TLS 1 1952 (photocopy)

Box 36 , Folder 104

Clarke, Dennis S. (with letterheads of British Council, Hamburg, and Anglo-German Centre "Die Brücke," Braunschweig).

TLS 1 1957

TPS 1 1957

Box 36 , Folder 105

Creanza, Joseph (with letterheads of Roosevelt College of Chicago, School of Music; and Chicago Musical College, Roosevelt University, Chicago).

TLS 3 1948-1961

Box 36 , Folder 106

Cube, Felix von [i.e., Felix-Eberhard von Cube] (with letterheads of Schenker-Institut, Hamburg, and Heinrich-Schenker-Akademie, Hamburg).

TLS 1 1950

TPS 1 1958

Box 36 , Folder 107

Cuningham, Charles E. (with letterhead of Macmillan Co., New York).

TLS 1 1950

Box 36 , Folder 108

Damm, Marianne (with letterhead of Bärenreiter-Verlag, Kassel-Wilhelmshöhe).

TLS 2 1965

Box 36 , Folder 109

Derby, Roger.

TLS 1 1938

Box 36 , Folder 110

Deutsch family.

1 printed announcement of Otto Erich Deutsch's death 1967

Box 36 , Folder 111

Deutsche Welle, Berlin.

1 printed and typed performance contract 1932 (signature not identified)

Box 36 , Folder 112

Dürr, Walther (with letterhead of Neue Schubert-Ausgabe, Tübingen).

TLS 1 1969

Box 36 , Folder 113

Dyson, Sir George (with letterhead of Royal College of Music, London).

TLS 2 1938

Box 36 , Folder 114

Eggebrecht, Hans Heinrich (with letterhead of Archiv für Musikwissenschaft).

TLS 2 1955

Box 36 , Folder 115

Eggert, Hanna (with letterhead of Neue Mozart-Ausgabe, Augsburg).

TLS 1 1955

Box 36 , Folder 116

Eibner, Franz.

ALS 1 undated

TLS 2 1954-1963

TLU 1 1953

Box 36 , Folder 117

Einstein, Alfred.

TLS 1 1939

Box 36 , Folder 118

Epp, Margaret.

ALS 1 1950

Box 36 , Folder 119

Esser, Heribert.

ALS 1 1954

TLS 2 undated [ca. 1960]

TLS 13 1954-1960 (many with autograph additions)

Box 36 , Folder 120

Ewing, G. A. (with letterhead of RIAS, Berlin [West]).

TLS 1 1956

Box 36 , Folder 121

Federhofer, Hellmut (includes letterheads of Musikwissenschaftliches Institut der Universität Graz, and of Johannes Gutenberg-Universität, Musikwissenschaftliches Institut, Mainz).

ALS 4 1946-1965

TLS 19 1949-1975

Note

added: TLS 12.12.63

Box 36 , Folder 122

Feil, Arnold (includes letterhead of Musikwissenschaftliches Institut der Universität Tübingen).

ALS 3 1960-1964

TLS 1 1965

1 printed postcard, "Neue Anschrift," 1965

Box 36 , Folder 123

Fellinger, Imogen.

TLS 4 1958-1960

Note

offprint of MGG ( MUSIK IN GESCHICHTE UND GEGENWART)

Box 36 , Folder 124

Fischer, Edwin.

ALS 1 1934 (photocopy)

Box 36 , Folder 125

Frankenstein, Alfred V. (with letterhead of San Francisco Chronicle).

TLS 1 undated

Box 36 , Folder 126

French, Richard F. (with letterhead of Associated Music Publishers, New York).

TLS 3 1953

Box 36 , Folder 127

Füssl, Karl Heinz (includes letterhead of Universal-Edition, Wien).

ALU 1 1961

TLS 2 undated [1960-1970]

TLS 15 1960-1970 (letter of 31 März 1970 includes postscript by H. C.

Robbins Landon)

TLU 1 1960

APS 3 1962-1968

TPS 4 1961-1962

Box 36 , Folder 128

Funk-Stunde, Berlin.

3 printed and typed performance contracts for radio appearances by Jonas 1932-1933 (various unidentified signatures)

Box 36 , Folder 129

Furtwängler, Wilhelm.

TLS 3 1949-1954

Box 36 , Folder 130

Gering, A[rnold] (includes letterhead of Musikwissenschaftliches Seminar, Universität Bern).

TLS 1 1962

Note

Gering

APS 1 1958

Box 36 , Folder 131

Gerstenberg, Walter (includes letterhead of Musikwissenschaftliches Institut der Universität Heidelberg).

TLS 22 1955-1967

Box 36 , Folder 132

[Glaser], Karl

ALS 1 1960

Box 36 , Folder 133

Görlich, Elizabeth, Rechtsanwalt, Wien.

TLS 1 1963

Box 36 , Folder 134

Goldberg, Albert (with letterhead of Los Angeles Times).

TLS 2 1948-1954

Box 36 , Folder 135

Goldberg, Szymon.

TLS 1 1949

Box 36 , Folder 136

Gotwals, Vernon (with letterhead of Smith College, Department of Music, Northampton, Mass.)

TLS 1 1969

Box 36 , Folder 137

Haase, Hans (with letterhead of Die Musik in Geschichte und Gegenwart, Kiel).

TPS 1 1957

Hantsch, Bruno see Rech, Géza.

Box 36 , Folder 138

Hansen, Conrad.

TLS 1 1962

Box 36 , Folder 139

Harpner, Stefan G. (with letterhead of Universal-Edition, Wien).

TLS 3 1963-1965

Box 36 , Folder 140

Hartmann, Ernst (with letterhead of Universal-Edition, Wien).

TLS 1 1957

Box 36 , Folder 141

Hartry, Theodore G. (with letterhead of U.S. Foreign Service, American Embassy, Vienna).

TLS 1 1964

Box 36 , Folder 142

Hauser, Arthur A. (with letterhead of Theodore Presser Company, Bryn Mawr, Penn.).

TLS 1 1964

Box 36 , Folder 143

Heckmann, Harald (with letterhead of Deutsches Musikgeschichtliches Archiv, Kassel).

TLS 1 1957

Box 36 , Folder 144

Heide, Rose

ALS 2 1955

TLS 4 1954-1955

Box 36 , Folder 145

Heimler, Hans.

ALS 1 1965

TLS 1 1965

Box 36 , Folder 146

Heinitz, Ernst (with letterhead, Der Rektor der Freien Universität Berlin).

TLS 1 1963

Box 36 , Folder 147

Henle, G[ünter].

TLS 28 1953-1955 (a few with autograph additions. Verso of Henle's letter of 29. Oktober 1954 contains ms. notes by Jonas.)

Box 36 , Folder 148

Hermelink, Siegfried (with letterhead of Universität Heidelberg, Der Universitätsmusikdirektor).

TLS 1 1957

Box 36 , Folder 149

Hill, Richard S. (includes letterheads of Library of Congress, Music Division, Washington, D.C., and Music Library Association Notes, Washington, D.C.).

TLS 2 1953-1955

Box 36 , Folder 150

Hinderaker, Birk (to Mrs. Jonas).

ALS 1 1968

Box 36 , Folder 151

Hinrichsen, Max (with letterhead of Hinrichsen Edition Ltd., London).

TLS 1 1938

Box 36 , Folder 152

Hoboken, Anthony van.

TLS 14 1938-1954

Box 36 , Folder 153

Holler, Karl Heinz (with letterhead of Riemann Musiklexikon, Freiburg im Breisgau)

ALS 1 undated, written on printed form letter concerning proposed new edition of Riemann Musiklexikon

Box 36 , Folder 154

Holschneider, Andreas (with letterhead of Universität Hamburg, Musikwissenschaftliches Institut).

TLS 1 1965

Box 36 , Folder 155

Hucklenbroich, Volker, Rechtsanwalt, Berlin [West].

TLS 2 1967-1968 (signatures not identified)

Box 36 , Folder 156

Hürlimann, M[artin] (with letterhead of Atlantis Verlag, Zürich).

TLS 1 1955

Box 36 , Folder 157

Jarecki, Gerschon.

ALS 1 1963 (with postscripts by Franz Eibner, Christa Landon, and others)

Box 36 , Folder 158

Jensen, Yvonne (with letterhead of Heineman Foundation, New York City).

TLS 1 1956

Box 36 , Folder 159

Jirák, Karel B.

ALS 1 1961

Box 36 , Folder 159a

Jonas, Olga.

ALS 2 undated [ca. 1960-1965]

Box 36 , Folder 160

Joseph, Sol (includes letterhead of Central YMCA College, Chicago).

ALS 2 1946-1965

TLS 1 1940 (co-signed by Richard Bloch)

Box 36 , Folder 161

Just, Martin (with letterhead of Musikwissenschaftliches Seminar der Universität Würzburg).

TLS 1 1965

Box 36 , Folder 162

Kendall, Raymond (with letterhead of University of Southern California School of Music).

TLS 1 1954

Box 36 , Folder 163

Kinkeldey, Otto.

ALS 1 1954

Box 36 , Folder 164

Koch, Rosemarie (with letterhead of Bärenreiter-Verlag, Kassel-Wilhelmshöhe).

TLS 1 1963

Box 36 , Folder 165

Köhler, K. H. (includes letterhead of Deutsche Staatsbibliothek, Musikabteilung, Berlin [East]).

TLS 2 1958

Box 36 , Folder 166

Kraus, Greta (Mrs. Erwin G. Dentay).

TLS 2 1954

Box 36 , Folder 167

Krautwurst, Franz (with letterhead of Musikwissenschaftliches Seminar der Universität Erlangen).

TLS 1 1957

Box 36 , Folder 168

Krueger, T[heodore] Howard (with letterhead of Elmhurst College, Elmhurst, Illinois).

TLS 4 1957-1958

Box 36 , Folder 169

Krystall Verlag, Wien.

"Vereinbarung" 28. Januar 1937, between Krystall Verlag and Jonas and Salzer concerning publication of Der Dreiklang. Signed for Krystall Verlag by D. Juraschek but not signed by Jonas and Salzer. Typescript,

Physical Description: 3 leaves.

Box 36 , Folder 170

Kurzmeyer, H. (includes letterhead of Konservatorium Luzern).

TLS 2 1955

Box 36 , Folder 171

Landon, Christa Fuhrmann (Mrs. H. C. Robbins Landon).

ALS 1 1970

TLS 3 1963

Landon, H. C. Robbins see Füssl, Karl-Heinz

Box 36 , Folder 172

Langner, Thomas M. (with letterhead of RIAS, Berlin [West]).

TLS 1 1955

Box 36 , Folder 173

La Rue, Jan (with letterheads of American Musicological Society, New York, and New York University, Graduate School of Art and Science).

TLS 3 1966-1968

Box 36 , Folder 174

Lederer, Joseph (includes letterhead of Robert Owen Lehman Foundation).

ALS 4 1963-1964

TLS 5 1963-1964

APS 2 1963-1964

Box 36 , Folder 175

Lehman, Robert Owen (includes letterhead of Robert Owen Lehman Foundation).

ALS 6 1964-1965

TLS 9 1964-1965

Box 36 , Folder 176

Leygraf, Willy.

ALS 1 1955

Box 36 , Folder 177

Lissa, Zofia.

TLS 6 1964-1965

Box 36 , Folder 178

Maasz, Gerhard.

TLS 1 1959

Box 36 , Folder 179

McGiffin, Hadassah (with letterhead of Northwestern University, Evanston, Ill.).

ALS 1 undated [1954]

Box 36 , Folder 180

Mahides, Barbara.

ALS 1 1953

TLS 1 1954

Box 36 , Folder 181

Maitland, Margaret.

ALS 1 1938

Box 36 , Folder 182

Marbach, Gertrude (includes letterhead of Neue Zeitschrift für Musik).

TLS 3 1958-1964

Box 36 , Folder 183

Mason, Daniel Gregory (with letterhead of Columbia University, Department of Music, New York City).

TLS 1 1939

Box 36 , Folder 184

Meyer, Ernst H. (includes letterhead of Musikwissenschaftliches Institut der Humboldt-Universität, Berlin [East]).

TLS 1 1965

TLU 1 1965 (with autograph additions)

Box 36 , Folder 185

Michel, R. (with letterhead of British Consulate General, Hannover).

TLS 2 1957

Box 36 , Folder 186

Mitchell, William (with letterhead of Columbia University, Department of Music, New York).

ALS 1 1949

TLS 3 1951-1965

Box 36 , Folder 187

Moldenhauer, Hans (with letterhead of Spokane Conservatory, Spokane, Washington).

TLS 2 1958

Box 36 , Folder 188

Müller, Siegfried Fritz.

TLS 1 1937 (addressed to Oswald Jonas and Felix Salzer as joint editors of Der Dreiklang)

Box 36 , Folder 189

Musik in Geschichte und Gegenwart, Kiel.

TPS 1 1957 (from the "Schriftleitung," signature not identified)

Box 36 , Folder 190

Neumann, Eduard (with letterhead of Der Rektor der Freien Universität Berlin).

TLS 1 1960

Box 36 , Folder 191

Neumann, Friedrich.

TLS 1 1960

Box 36 , Folder 192

Newberry Library, Chicago.

TLS 1 1964 (signature not identified)

Box 36 , Folder 193

Newman, Ernest.

TLS 2 1938

Box 36 , Folder 194

Norddeutscher Rundfunk, Hamburg.

TLS 1 1963 (signature not identified)

Box 36 , Folder 195

Northwestern University Press, Evanston, Ill. and Universal-Edition, Wien concerning a proposed English edition of Jonas's Einführung in die Lehre Schenkers (Vom Wesen des musikalischen Kunstwerks).

Scope and Content Note

Abtretung des Urheberrechtes (Universal-Edition and Oswald Jonas) 1968. Photocopy of signed agreement
Richard G. Barnes (NUP) to Elena Hift (UE) TLU 1 1969 (photocopy)
Proposed agreement NUP and UE TLS 1 1969 (photocopy)
Elena Hift (UE) to Richard G. Barnes (NUP) TLS 2 1969-1970 (photocopies)
Richard G. Barnes (NUP) to Oswald Jonas TLS 1 1970 (photocopy; original filed under Barnes, Richard G.)

Box 36 , Folder 196

Novello & Co., London.

TLS 1 1938 (signature not identified)

Box 36 , Folder 197

Nowakowski, Anton.

APS 1 1949

Box 36 , Folder 198

Oppel, Reinhard.

ALS 1 1935

Box 36 , Folder 199

Oster, Ernst.

ALS 2 1935-1951

TLS 5 undated (some with autograph additions)

TLS 35 1938-1964 (some with autograph additions; a few are annotated by Jonas. Letter of 20. November 1960 contains a transcript of a portion of a letter of 14. November [1960] from Allen Forte to Oster)

Box 36 , Folder 200

Palisca, Claude V. (with letterhead of Yale University, School of Music, New Haven).

TLS 1 1962

Box 36 , Folder 201

Plath, Wolfgang (with letterhead of Neue Mozart Ausgabe, Augsburg).

TLS 1 1964

Box 36 , Folder 202

Polzin, Jörg (with letterhead of Universal-Edition, Wien).

TLS 1 1959

Box 36 , Folder 203

Preussner, [Eberhard] (with letterhead of Internationale Sommer-Akademie des Mozarteums in Salzburg).

TLS 1 1950

Box 36 , Folder 204

Prohaska, Felix (with letterhead of Staatliche Hochschule für Musik und Theater, Hannover).

ALS 1 1965

TLS 2 1963-1965 (with autograph additions)

Box 36 , Folder 205

Rabes, Alfred.

TLS 3 1955

Box 36 , Folder 206

Ratz, Erwin.

ALS 1 1947

TLS 9 1948-1954 (with autograph additions)

Box 36 , Folder 207

Rech, Géza (with letterhead of Internationale Stiftung Mozarteum, Salzburg).

TLS 2 1955-1968 (letter of 1955 also signed by Bruno Hantsch)

Box 36 , Folder 208

Rehm, Wolfgang (includes letterheads of Bärenreiter-Verlag, Kassel-Wilhelmshöhe, and Internationale Schubert Gesellschaft, Kassel-Wilhelmshöhe).

TLS 2 1956-1956

Mimeographed LS 1973 enclosing minutes of the Society's meeting

Box 36 , Folder 209

Reichert, Georg (with letterhead of Musikwissenschaftliches Seminar der Universität Würzburg).

TLS 3 1960-1965

Box 36 , Folder 210

Reynolds, William.

TLS 1 1967 (with autograph addition)

Box 36 , Folder 211

Rosenwald, Hans (with letterhead of Chicago Musical College, Chicago).

TLS 2 1949

Box 36 , Folder 212

Rostal, Max.

TLS 1 1949

Box 36 , Folder 213

Rousseau, Martha and Jean-Jacques.

ALS 1 1964

ALS 1 undated

Box 36 , Folder 214

Salzer, Felix.

ALS 1 1948

Box 36 , Folder 215

Savler, Roberta (with letterhead of Summy-Birchard Company, Evanston, Ill.).

TLS 2 1964-1965

Box 36 , Folder 216

Scanlan, John D. (with letterhead of U.S. Embassy, Warsaw).

TLS 1 1964

Box 36 , Folder 217

Schabas, Ezra (with letterhead of Royal Conservatory of Music, University of Toronto).

TLS 1 1955

Box 36 , Folder 218

Schaefer, Josef (with letterhead of G. Henle Verlag, München).

TLS 24 1954-1959 (together with invoices and Jonas's cancelled checks for the purchase of Brahms mss.)

Box 36 , Folder 219

Schenk, Erich (with letterhead of Internationaler musikwissenschaftlicher Kongress Wien-Mozartjahr 1956).

TLS 2 1955

Schenker, Heinrich see Group I b. Correspondence (From the Schenkers). To Jonas, Oswald. Box 5, f.18.

Box 36 , Folder 220

Schlee, Alfred (with letterhead of Universal-Edition, Wien).

TLS 1 1966

Box 36 , Folder 221

Schmid, Ernst Fritz (with letterhead of Neue Mozart-Ausgabe, Augsburg).

TLS 1 1955

Box 36 , Folder 222

Schmidt-Görg, Joseph (with letterhead, Der Direktor des Beethoven-Archivs, Bonn).

TLS 1 1961 (carbon copy, signed)

Box 36 , Folder 223

Schmidt-Preuss, D[orothea] (with letterhead of Die Musik in Geschichte und Gegenwart, Kassel).

TLS 1 1963

Box 36 , Folder 224

Schneider, Hans (with letterhead of Musikantiquariat/Musikverlag Hans Schneider, Tutzing über München).

TLS 4 1962-1964

Invoice 1965

Box 36 , Folder 225

Schott's Söhne, B., Verlag, Mainz.

2 contracts 1964 between Jonas and Schott's Söhne for publication of works by Schubert and Brahms, Urtextausgaben; printed forms, typed and signed by Jonas and the firm

Box 36 , Folder 226

Sievers, Gerd (with letterhead of Breitkopf & Härtel, Wiesbaden).

TLS 6 1964

Box 36 , Folder 227

Simrock, N., firm, Hamburg.

TLS 1 1965 (signed E. v. Kessler, Sekretariat)

1 contract 1963 between Jonas and Simrock for publication of violin/piano version of Brahms, Op. 120 no. 1-2; printed form typed and signed by Jonas and the firm

Box 36 , Folder 228

Sittner, Hans (with letterhead of Akademie für Musik und darstellende Kunst, Wien).

TLS 8 1948-1964

"Vereinbarung" 1952 between Jonas and the Akademie offering a research grant-in-aid in exchange for public lectures

Box 36 , Folder 229

Sparling, Edward J. (with letterhead of Roosevelt College, Chicago).

TLS 1 1947

Box 36 , Folder 230

Sternberg, Daniel (with letterhead of School of Music, Baylor University, Waco, Texas).

TLS 2 1953-1954

Box 36 , Folder 231

Stockmann, Bernhard (with letterhead of B. Schott's Söhne, Mainz).

TLS 7 1964-1965

Box 36 , Folder 232

Struzl, Paul (with letterhead of Akademische Druck- und Verlagsanstalt, Graz).

TLS 1 1949

Box 36 , Folder 233

Stubenrauch, Maria.

Printed invitation to a "Hauskonzert" in Vienna, 1963, at which Franz Eibner lectured on Schubert.

Box 36 , Folder 234

Szabolcsi, B[ence] (with letterhead of Magyar Tudományos Akademia, Bartók Archivum, Budapest).

TLS 1 1963

Box 36 , Folder 235

Tobin, J. Raymond (with letterhead of The Music Teacher & Piano Student), London).

TLS 1 1938

Box 36 , Folder 236

Universal-Edition, Wien ( see also Harpner, Stefan G.; Hartmann, Ernst; Northwestern University Press, Evanston, Ill.; Schlee, Alfred; and Willnauer, Franz).

TLS 2 1959 (signatures not identified)

17 typed letters of agreement (Vereinbarungen) and statements of royalty accounts 1952-1966 for publications by Schenker and Jonas, variously countersigned by Ernst Hartmann, Alfred Schlee, and others, together with ms. notes by Jonas.

12 receipts for royalties 1961-1966

Box 36 , Folder 237

Vetter, Walther.

TLS 2 1965

Box 36 , Folder 238

Violin, Moriz.

ALS 9 undated

ALS 1 1950

Box 36 , Folder 239

Volk, A[rno] (with letterhead of B. Schott's Söhne, Mainz).

TLS 10 1963-1965

Box 36 , Folder 240

Wagner, Karl Dieter (with letterhead of N. Simrock, Hamburg).

TLS 6 1963

Box 36 , Folder 241

Waldeck, Arthur.

ALS 6 1950-1953

TLS 1 1952

Box 36 , Folder 242

Walter, Arnold (with letterheads of Royal Conservatory of Music, University of Toronto).

TLS 4 1954

Box 36 , Folder 243

Wasita, Ryszard.

TLS 1 1965

Box 36 , Folder 244

Wasserman. Georg.

TLS 1 1964

Box 36 , Folder 245

Waters, Edward N. (with letterhead of Library of Congress, Music Division, Washington, D.C.).

TLS 5 1949-1964

Box 36 , Folder 246

Weisse, Hans

ALS 4 1927-1938

APS 2 1928-1929

Box 36 , Folder 247

Wiederer, Eva (with letterhead of Associated Music Publishers, New York).

TLS 3 1960-1961

Box 36 , Folder 248

Williams, J. Emlyn (with letterhead of Christian Science Monitor, Office of Berlin Correspondent, Berlin).

TLS 1 1934

Box 36 , Folder 249

Willnauer, Franz (with letterhead of Universal-Edition, Wien).

TLS 5 1958-1959

Box 36 , Folder 250

Zagiba, Franz.

APS 1 1956

TLS 2 1955

TPS 1 1955

IIc. CRITICAL AND ANALYTICAL WORKS OF OSWALD JONAS: MANUSCRIPTS AND PUBLISHED EDITIONS

Physical Description: Boxes 37-38

Box 37 , Folder 1-6

Der Dreiklang, Monatsschrift für Musik. Herausgeber: Oswald Jonas, Felix Salzer. Heft 1-8/9 (April 1937-November 1937/Februar 1938). Unbound copies, some imperfect, lacking Heft 6; with partial proof pages for 8/9. A few issues contain annotations in Jonas's hand.

Scope and Content Note

A complete bound set of Der Dreiklang (no. 3 supplied in photocopy) is shelved in the bookstacks of Special Collections & Archives [SpecColl ML1/D75]. Separate articles by Jonas are also entered below.

Publications and Unpublished Essays by Jonas (arranged by title)

Box 38 , Folder 1

"Albersheim, Gerhard," "Jonas, Oswald," and "Schenker, Heinrich." Articles by Jonas in Die Musik in Geschichte und Gegenwart. Kassel: Barenreiter [1949-79]. Offprints and photocopies.

Box 38 , Folder 2

"Die Analyse im praktischen Unterricht." Der Dreiklang, 4/5 (July / August 1937), 98-105. Photocopy.

Box 38 , Folder 3

"Ein Auftakt zur Brahmsfeier." Allgemeine Musikzeitung, LX Nr. 1 (6. Januar 1933), 33-34. Complete periodical issue. Together with a reply to this article by Willi Reich, "Brahmsschänder," in 23, Eine Wiener Musikzeitschrift, 10 (15. Mai 1933), 1-5. Photocopy. For further comment see Jonas's "Vorläufer und Nachläufer (ein dokumentarischer Nachweis)."

Box 38 , Folder 4

"The Autograph of Beethoven's Eighth Symphony." Musik & Letters, XX (April 1939), 177-182. Photocopy.

Box 38 , Folder 5

"Das Autograph von Beethovens Violinkonzert." Zeitschrift für Musikwissenschaft, XIII (Mai 1931), 443-450. Photocopy.

Box 38 , Folder 6

"Ein Bach-Präludium, ein Weg zum organischen Hören." Der Dreiklang 1 (April 1937), 13-17. A revised version of this article was published in Musikerziehung, XX (Mai 1967), 205-209. Photocopies.

Box 38 , Folder 7

"Beethoven in der Interpretation." Musikerziehung, XXIII (März 1970), 151-154. Photocopy.

Box 38 , Folder 8

"Beethoveniana." Der Dreiklang, 6 (September 1937), 148-157. Photocopy.

Box 38 , Folder 9

"Beethoven's Piano Technique." Piano Teacher, 3, no. 2 (November/December 1960), 9-11. Complete periodical issue.

Box 38 , Folder 10

"Beethovens Skizzen und ihre Gestaltung zum Werk." Zeitschrift für Musikwissenschaft, XVI (Oktober 1934), 449-459. Photocopy.

Box 38 , Folder 11

"Bemerkungen zu Beethoven's op. 96." Acta Musicologica, XXXVII (1965), 87-91. Offprint, together with 11 leaves of ms. draft in Jonas's hand and in typescript.

Box 38 , Folder 12

"Bewusstes oder unbewusstes Schaffen?" Der Dreiklang, 2 (Mai 1937), 53-54. Photocopy.

Box 38 , Folder 13

"Bibliographische Miszellen zu Mozart und Chopin." Die Musikforschung, IX (1956), 200.

Box 38 , Folder 14

"Brahmsiana." Die Musikforschung, XI (1958), 286-293. Offprint, corrected galley proofs, and 9 leaves of carbon typescript.

Box 38 , Folder 15

"Chopin Handschriften in USA." Typescript draft, 6 leaves with corrections in Jonas's hand, together with a carbon typescript and manuscript notes, 7 leaves.

Box 38 , Folder 16

"The Composer Knew What He Wanted." Music News, September 17, 1942, p. 5. Photocopy.

Box 38 , Folder 17

"Franz Schubert: Wort und Ton im deutschen Lied." Typescript, two versions of essay in lecture format, with a carbon typescript and with corrections in Jonas's hand, 29 leaves; ms. notes including music, 16 leaves, together with photocopies.

Box 38 , Folder 18

"Genie und Gedächtnis." Oesterreichische Musikzeitschrift, VII Nr. 11/12 (November 1952), 347-349. Complete periodical issue.

Box 38 , Folder 19

"The Genius and His Contemporaries." Typescript, 11 leaves with revision in an unidentified hand. Content differs from preceding item.

Box 38 , Folder 20

"Gustav Nottebohm." Allgemeine Musikzeitung, LIX Nr. 43 (28. Oktober 1932), 543-544. Complete periodical issue.

Box 38 , Folder 21

"Haydn's Variations in f minor." Typescript, 33 leaves (of which 11 leaves are in photocopy) with revisions in Jonas's hand; three versions in English and two in German; one of the latter in photocopy with a musical example.

Box 38 , Folder 22

"Heinrich Schenker." Allgemeine Musikzeitung, LXX (1933), 425-427, 437-439. Photocopy. With 2 leaves of ms. and typed transcripts from a letter, Schenker to Violin 5. März 1932, concerning Schenker's opinion of the article.

Box 38 , Folder 23

"Heinrich Schenker und grosse Interpreten." Oesterreichische Musikzeitschrift, XIX Heft 12 (Dezember 1964), 564-589. Complete periodical issue, together with 10 leaves of carbon typescript.

Box 38 , Folder 24

"Improvisation in Mozarts Klavierwerken." In Mozart-Jahrbuch 1967 (Salzburg, 1968), 176-181. Offprint, together with 10 typescript leaves of two versions of the article and 2 leaves of typewritten notes; also printed scores of Mozart's Violin Sonata in B flat major, KV 378, and Fantasia in C minor, KV 475.

Box 38 , Folder 25

"Is Theory Teaching in a Blind Alley?" Musical Courier (January 15, 1946). Offprint, 1 leaf, unpaged.

Box 38 , Folder 26

Kirnberger Collection, Pieces for Piano by Johann Philipp Kirnberger, selected and edited from original sources by Oswald Jonas. Plate 5232. Evanston: Summy-Birchard, c1959.

Physical Description: 24 pp.

Box 38 , Folder 27

"Die Krise der Musiktheorie." Der Dreiklang, 3 (Juni 1937), 67-74. Photocopy.

"Die Kunst des Vortrags nach Heinrich Schenker." For Jonas's article in Musikerziehung, see Box 57, f.2.

Box 38 , Folder 28

"A Lesson with Beethoven by Correspondence." Musical Quarterly XXXVIII (1952), 215-221. Photocopy.

Box 38 , Folder 29

"Manuscripts" and other articles by Jonas in Nettl, Paul. Beethoven Encyclopedia (New York: Philosophical Library, 1956). Photocopies:

"Manuscripts." p. 131-133.

"Piano Sonatas." p. 167-174.

"Schenker, Heinrich" [unsigned]. p. 209.

"Sketchbooks." p. 233-235.

Box 38 , Folder 30

"Miscellen.-Ein Beitrag zur Herausgeberkritik.-Nochmals zur Diminution.-Eine Skizze Beethovens.-Zwei Beethoven-Jahrbücher.-Der Untergang der Musik." Der Dreiklang, 4/5 (Juli/August 1937), 113-120. Photocopy.

Box 38 , Folder 31

"Mozart-Handschriften in Amerika." In Bericht über den internationalen musikwissenschaftlichen Kongress, Wien, 1956 (Graz: H. Böhlaus Verlag, 1958), 285-288. Offprint. Together with 2 typescript drafts, the earlier with corrections in Jonas's hand, 23 leaves, and 9 leaves of photocopies of Mozart mss.

Box 38 , Folder 32

[Mozart-Preis] "3. Preis: Dr. Oswald Jonas, Chicago." In Albrecht, Hans, Die Bedeutung der Zeichen Keil, Strich und Punkt bei Mozart. Fünf Lösungen einer Preisfrage, im Auftrag der Gesellschaft für Musikforschung (Kassel: Bärenreiter, 1957), 54-65. Photocopy. Together with corrected galley proofs, 5 leaves, and typescript, headed "Kennwort: Tübingen," 17 leaves, with extensive corrections in Jonas's hand, 2 leaves of ms. notes, and a carbon typescript.

Box 38 , Folder 33

"Mozarts ewige Melodie." Der Dreiklang, 3 (Juni 1937), 84-92. Photocopy.

Box 38 , Folder 34

"Mozart's Sketch to Symphony K. 504." Typescript and carbon typescript, 16 leaves, with musical examples in Jonas's hand, 4 leaves, and photocopy of Mozart sketch.

Box 38 , Folder 35

"Musikalische Meisterhandschriften." In Anthony van Hoboken, Festschrift zum 75. Geburtstag (Mainz: B. Schott's Söhne, 1962), 103-109. Offprint. Together with the original typescript (of which the offprint is an abridgement) written in 1929 and annotated in Jonas's hand, 16 leaves, and 1 leaf of ms. notes. Another version appeared in Der Dreiklang, 1-2 (April - Mai 1937), 23-27, 55-60.

Box 38 , Folder 36

"Musikgeschichte und Kritik." Allgemeine Musikzeitung, LIV Nr. 48 (2. Dezember 1927), 1243-1245. Complete periodical issue, with Jonas's article extensively revised in his hand and another unidentified hand.

Note

This and other early journal articles by Jonas, 1927-38, are the gift of Heribert Esser. See also Appendix.

Box 38 , Folder 37

"Der Nachlass Heinrich Schenkers." Der Dreiklang, 1 (April 1937), 17-22. Unsigned article attributed to Jonas.

Box 38 , Folder 38

"Nachtrag zu Schenkers Aufsatz über Schindler." Der Dreiklang, 8/9 (November 1937/Februar 1938), 200-207. Photocopy. (Reprinted in Musikerziehung, XVIII nr. 5 (1965), 205-209.)

Box 38 , Folder 39

"Notes and News: A Misprint in Chopin." Daily Telegraph and Morning Post, London, December 31, 1938, p. 16. Excerpt.

Box 38 , Folder 40

"On the Study of Chopin's Manuscripts." In Chopin Jahrbuch (Wien: Internationale Chopin-Gesellschaft, 1956), 142-155. Offprint. With typescript in German (3 leaves) of a portion of the text.

Box 38 , Folder 41

"The Photogram-Archives in Vienna." Music and Letters, XV (1934), 344-347. Photocopy. (Translated as "Das Wiener Photogramm-Archiv," in Anbruch, 18 (1936), 6-7).

Box 38 , Folder 42

"Eine private Brahms-Sammlung und ihre Bedeutung für die Brahms-Werkstatt-Erkenntnis." In Bericht über den Internationalen musikwissenschaftlichen Kongress, Kassel, 1962 (Kassel: Bärenreiter-Verlag, 1963), 212-215. Offprint.

Box 38 , Folder 43

"Das Problem der Durchführung in der Sonate." Carbon typescript, early draft, 5 leaves, dealing with Mozart.

Box 38 , Folder 44

"Schumann Handschriften in Amerika." Carbon typescript, 7 leaves, with corrections in Jonas's hand. Together with 19 leaves of ms. notes, typed and in Jonas's hand, and musical examples; also 31 leaves of photocopies.

Box 38 , Folder 45

"Eine Skizze von Mozart." Acta Mozartiana, II, Hft. 3/4 (1955), 54-58. Complete periodical issue.

Box 38 , Folder 46

"Ein textkritisches Problem in der Ballade op. 38 von Frédéric Chopin." Acta Musicologica, XXXV (1963), 155-158. Offprint.

Box 38 , Folder 47

"Ueber neue Musik." Der Dreiklang, 6 (September 1937), 133-138. Photocopy.

Box 38 , Folder 48

"An Unknown Mendelssohn Work." American Choral Review, IX (Winter 1967), 16-22. Complete periodical issue.

Box 38 , Folder 49

"An Unknown Sketch by Beethoven." The Musical Quarterly, XXVI (1940), 184-191. Photocopy.

Box 38 , Folder 50

"Der Urlinienbegriff und die musikalische Synthese Heinrich Schenkers." Typescript, 3 leaves, with corrections in an unidentified hand.

Box 38 , Folder 51

"Die `Variationen für eine liebe Freundin' von Johannes Brahms." Archiv für Musikwissenschaft, XII (1955), 319-326. Offprint. Together with 3 typescript and carbon typescript versions in German (40 leaves) and 2 typescript and carbon typescript versions in English (11 leaves). Also 7 leaves of ms. notes in Jonas's hand and 7 leaves of typescript notes by Heribert Esser.

Box 38 , Folder 52

"Vorläufer und Nachläufer (ein dokumentarische Nachweis)." Carbon typescript, 8 leaves, corrected in Jonas's and another hand, dated Berlin, 1934/35. A reply to Willi Reich's "Kant, Schenker und der Nachläufer" in 23, Eine Wiener Musikzeitschrift, 15/16 (25 Oktober 1934), 29-32, included here in photocopy.

Box 38 , Folder 53

Das Wesen des musikalischen Kunstwerks. Eine Einführung in die Lehre Heinrich Schenkers. Wien: Saturn-Verlag, 1934. Unbound pages (incomplete), with corrections and additions in Jonas's hand, and interleaved with further notes and lists of proposed corrections. Together with one leaf of typed excerpts from Schenker letters commending Jonas's work. A bound copy is shelved in the bookstacks of Special Collections & Archives [Spec Coll MT6/J6W4].

Box 38 , Folder 54

[ Das Wesen des musikalischen Kunstwerks.] Revised edition with title: Einführung in die Lehre Heinrich Schenkers... [Wien: Universal-Edition, 1972]. Page proofs, pp. v-ix, 1-139 (lacking title page, preliminary matter, and 37-38), with printer's corrections and a few notes in Jonas's hand. Also a revised set of page proofs, p. 1-139 only.

[Das Wesen des musikalischen Kunstwerks.] Einführung in die Lehre Heinrich Schenkers. English translation with title, Introduction to the Theory of Heinrich Schenker... The Nature of the Musical Work of Art, translated and edited by John Rothgeb. New York: Longman, 1982. xvi,175p. Shelved in the bookstacks of Special Collections & Archives [Spec Coll MT6/J6W413].

Box 38 , Folder 55

"What's Wrong with Your Edition?" Music News, April 2, 1942, p. 4. Lacks continuation on p. 11. Photocopy.

Box 38 , Folder 56

"Zeitschriften und Bücher." Der Dreiklang, 7 (Oktober 1937), 184-188. Photocopy.

Box 38 , Folder 57

"Zu Schumanns op. 68." Neue Zeitschrift für Musik, CXXIV, (1963), 225-226. Photocopy.

Box 38 , Folder 58

"Zum Begriff der Tonalität." Allgemeine Musikzeitung, LIX Nr. 18 (6. Mai 1932), 245-246. Complete periodical issue.

Box 38 , Folder 59

"Zur Chronologie von Beethovens `Opferlied.' " Zeitschrift für Musikwissenschaft, XIV (November 1931), 103-104. At head of title: "Miszellen." Photocopy.

Box 38 , Folder 60

"Zur realen Antwort in der Fuge bei Bach." In Bericht über den internationalen musikwissenschaftlichen Kongress, Kassel, 1962. Kassel: Bärenreiter-Verlag [1962], 364-366. Offprint.

Box 38 , Folder 61

Book reviews by Jonas in Music Library Association Notes, ser. 2, 1947-1961, in photocopy, together with related ms. material. Included are reviews of:

Scope and Content Note

The Musical Workshop, by Frederick Dorian. IV (September 1947), 463-365.
Structural Hearing: Tonal Coherence in Music, by Felix Salzer. X (June 1953), 439. Together with 48 leaves of typescript and ms. notes.
Franz Schubert: Die Winterreise; Faksimile-Wiedergabe. XII (September 1955), 632-633.
W. A. Mozart: Nannerls/Notenbuch, hrsg. von Erich Valentine; W. A. Mozart: The Earliest Compositions, ed. by Edward J. Dent [etc.]; Robert Schumann: Jugend-Album, Op. 68, Facsimile. XIV (September 1957), 611-612.
Rosalyn Tureck: An Introduction to the Performance of Bach; Ludwig van Beethoven: Sonatas, fingering... by Leo Weiner. XVIII (June 1961), 485-487.

IId. JONAS RESEARCH AND TEACHING MATERIALS

Physical Description: Boxes 39-68

Physical Description: 5 bulleted items

Bach, C. P. E.

Box 39 , Folder 1

Kurze und leichte Clavierstücke mit veränderten Reprisen.

Scope and Content Note

Berlin: Winter, 1766-68. 2 v. Photocopy. Together with ms. of "Zweyter Teil" in photocopy. Photocopies, 42 leaves, from Nationalbibliothek, Wien.
Ms. and typescript notes by Jonas for his revision of Otto Vrieslander's edition (1914) of the Clavierstücke, together with photocopies and excerpts from other editions. Includes Vrieslander's Nachwort, annotated by Jonas.
Jonas's new edition: edited from manuscript copies and first editions by Oswald Jonas. Vienna: Universal Editions, 1961.
Offprint of Revionsbericht, 24-page pamphlet (originally from Universal Editions 13311).
Vrieslander's edition. Wien and Leipzig: Universal-Edition, 1914 (2 copies, one disbound) with Jonas's notes.

Box 39 , Folder 2

"Sonate per il cembalo solo." Photocopies of various ms. versions and published editions, 34 leaves.

Bach, Johann Sebastian

Box 39 , Folder 3

Christ lag in Todesbanden... Cantata No. 4. Edited... by Arnold Schering. London: Ernst Eulenberg [1932]. [2], 42pp. Paper covers. With annotations in Jonas's hand.

Box 39 , Folder 4

Es erhub sich ein Streit. Cantata no.19. New York: Broude Bros. [n.d.]. [6], 40pp. Paper covers. With a few annotations.

Box 39 , Folder 5

"Mein Seel' erhebt den Herren." 19 photocopy leaves of ms. score in Library of Congress, Washington, D. C.

Box 39 , Folder 6

"Ich hatte viel Bekümmernis..." Organ score. Photocopy, 24 leaves, of ms. in Wiener Singakademie. Figured bass symbols added in pencil by Jonas.

Box 39 , Folder 7

"Clavierbüchlein für Anna Magdalena Bach." Facsimile pages of the Grosses Clavierbüchlein and Kleines Clavierbüchlein, from Bach Gesellschaft facsimile volume, 6 photocopy leaves.

Box 39 , Folder 8

Kleine Praeludien and Inventionen, selected ms. pages. 9 photocopy leaves and 1 leaf printed facsimile.

Box 39 , Folder 9

Das Wohltemperierte Clavier. Praeludien und Fugen [incomplete]. 42 photocopy leaves from ms. in Nationalbibliothek, Wien.

Box 39 , Folder 10

Das Wohltemperierte Clavier. Praeludien und Fugen. 14 photocopy leaves of ms., formerly in the Preussische Staatsbibliothek, Berlin

Box 39 , Folder 11

Das Wohltemperierte Clavier, Zweiter Theil. Nach dem Londoner Autograph. Praeludien und Fugen. Photocopy of B.W. XVI (1), pp. 243-50, 8 leaves.

Box 39 , Folder 12

Chaconne. Violine. Plate 7310, Edition Peters. 8 pp., disbound, with annotations in Jonas's hand

Box 39 , Folder 13

[Bach, J.S.] Federhofer, Hellmut. "Bemerkungen zum Verhältnis von Harmonik und Stimmführung bei Johann Sebastian Bach" in Festschrift Heinrich Besseler, Leipzig, 1962, pp. 343-350. Offprint.

Beethoven, Ludwig van

Music arranged by opus number

Box 40 , Folder 1

Sonata. Op. 2, No. 1. Trois Sonates pour le Clavier... A Vienne: chez Artaria [1796]. Photocopy of p. 1-15 (Sonate I), 8 leaves. Together with ms. notes in Jonas's hand and other photocopies.

Box 40 , Folder 2

String Quartet. Op. 18, No. 1. Beethovens Streichquartett op. 18, Nr.1 und seine erste Fassung... mit Untersuchung von Dr. Hans Josef Wedig. Bonn: Verlag des Beethovenhauses, 1922. 23, [1], 39, [1]pp. plate.

Box 40 , Folder 3

Sonata. Op. 26. Photocopy, 2 leaves, of ms. fragment marked "Andante con Variazione."

Box 40 , Folder 4

Sonata. Op. 28. Photocopy, 49 leaves, of autograph ms. in the Beethovenhaus, Bonn.

Box 40 , Folder 5

Violin Sonata. Op. 30, No. 3. Photocopy, 40 leaves, of ms. in the British Library, London.

Box 40 , Folder 6

Violin Concerto. Op. 61. I. Satz, T. 1-185. Photocopy, 50 leaves, of ms. in the Nationalbibiliothek, Wien.

Box 40 , Folder 7

Violin Concerto. Op. 61. I. Satz, T. 188-353. Photocopy, 51 leaves, of ms. in the Nationalbibliothek, Wien.

Box 40 , Folder 8

Violin Concerto. Op. 61. I. Satz, T. 356-513. Photocopy, 56 leaves, of ms. in Nationalbibliothek, Wien. With 11 leaves of ms. notes by Jonas.

Box 40 , Folder 9

Violin Concerto. Op. 61. II. Satz, T. 1-91 [incomplete]. Photocopy, 28 leaves, of ms. in Nationalbibliothek, Wien.

Box 40 , Folder 10

Violin Concerto. Op. 61. III. Satz, T. 1-359. Photocopy, 54 leaves, of ms. in Nationalbibliothek, Wien.

Box 40 , Folder 11

Sonata for Violoncello and Piano. Op. 69. Photocopy, 15 leaves, of sketches for Op. 69 in ms. 45, Bibliothèque du Conservatoire, Paris.

Box 40 , Folder 12

Fidelio. Op. 72. Early draft, duet, Leonore-Rocco, "Nur hurtig fort..." Photocopy, 41 leaves, of ms. autogr. 6 in Deutsche Staatsbibliothek, Musikabteilung, Berlin [East].

Box 40 , Folder 13

Sonatina, G dur. Op. 79. (Piano). Photocopy, 24 leaves, of ms. in Beethovenhaus, Bonn.

Box 40 , Folder 14

Sonata. Op. 81a (Piano). I. Satz. Two different photo reproductions of ms. in Gesellschaft der Musikfreunde, Wien.

Box 40 , Folder 15

Sonata for Violin and Piano. Op. 96. G major. Photocopy, 19 leaves, of ms. in Pierpont Morgan Library, New York, together with selected photocopied pages from first edition (1816) and 2 photocopy leaves from ms. 60, Bibliothèque du Conservatoire, Paris. With other photocopies and ms. notes in Jonas's hand.

Box 40 , Folder 16

Sonata. Op. 101 (Piano). Photocopy, 29 leaves, of ms. in private collection.

Box 40 , Folder 17

Sonata. Op. 102, No. 1. Photocopy, 2 leaves, from ms. in the Staatsbibliothek Preussischer Kulturbesitz, Berlin [West].

Box 40 , Folder 18

Sonata. Op. 106. Photocopies of ms. sketches.

Scope and Content Note

Photocopy, 9 leaves, of ms. numbered in pencil 1-11 (lacking 3 and 6). Stamp of Deutsche Staatsbibliothek, Berlin [East] on verso of each leaf.
Sketches for the Fugue, Sonate Op. 106. Photocopy, 7 leaves of Beethoven's ms. and 1 leaf typewritten description. Ms. in the Whittall Collection, Library of Congress, Washington, D.C.
1 leaf from bookseller's catalog with photo of ms.: "Erste Seite der Studienblätter zu Op. 106."

Box 41 , Folder 1

Sonata. Op. 109. Photocopy, 40 leaves, of autograph ms. in Library of Congress, Washington, D.C.

Box 41 , Folder 2

Sonata. Op. 109. Photocopy, 26 leaves, of ms. and published editions.

Box 41 , Folder 3

Sonata. Op. 109. Photocopy, 19 leaves, of Schindler's copy of first edition (Berlin, Wien, 1821) with corrections by Beethoven, in Deutsche Staatsbibliothek, Musikabteilung, Berlin [East], ms. autograph 39, 1.

Box 41 , Folder 4

Sonata. Op. 109. Photocopy of early edition with annotations in an unidentified hand. 17 leaves.

Box 41 , Folder 5

Sonata. Op. 109. Photocopy, 44 leaves, including p. 36-78 of Skizzenbuch C, Mus. ms. autogr. Beethoven Art. 195 in Staatsbibliothek Preussischer Kulturbesitz, Berlin [West].

Box 41 , Folder 6

Sonata. Op. 109. Photocopies of Schenker correspondence and notes referring to Op. 109. Together with essay by Paul von Klenau, "Die `Klassische' Neunte," Pult und Taktstock, 4 (Juli, 1924), 55-63, mentioning Schenker, in complete issue of periodical.

Box 41 , Folder 7-8

Sonata. Op. 109. Ms. and typescript notes by Jonas, with photocopies and other materials collected for Jonas's new edition of Schenker's Erläuterungsausgabe of Op. 109 (Wien: Universal Edition, 1971), and for the facsimile of the ms. of Op. 109 in the Library of Congress edited by Jonas (New York: R. O. Lehman Foundation, 1965). Includes Jonas's list of "Schenker's literature conc[erning] op. 109" and of the letters "about search for the mscpt of op. 109;" together with a copy of the score of Schenker's edition annotated by Jonas.

Box 41 , Folder 10-11

Sonata. Op. 110. Photocopy, 50 leaves, of mus. ms. autogr. Beethoven Art. 196 in Staatsbibliothek Preussischer Kulturbesitz, Berlin [West] together with another photocopy, 56 leaves, of the same Berlin ms.

Box 41 , Folder 12

Sonata. Op. 110. Photocopy, 15 leaves, of autograph revision of Adagio and Fuga, in the Beethovenhaus, Bonn. Lacking the first leaf.

Box 41 , Folder 13

Sonata. Op. 110, and Sonate Op. 111. Photocopy, 30 leaves, of sketches in ms. 51, Bibliothèque du Conservatoire, Paris.

Box 41 , Folder 14

Bagatelles. Op. 119, no. 1-6, 9-11. Photocopy, 22 leaves, of mus. ms. autogr. Beethoven Art. 199 in Staatsbibliothek Preussischer Kulturbesitz, Berlin [West], and 3 photocopy leaves of ms. 70, Bibliothèque du Conservatoire, Paris.

Box 41 , Folder 15

Diabelli Variations. Op. 120. Photocopy, 22 leaves, of selected leaves of ms. in private collection.

Scope and Content Note

Blatt 1, "Thema, Walzer"
Blatt 3, 34, 47, 58
"Skizzen"

Box 41 , Folder 16

Kakadu Variations. Op. 121a. Photocopy, 17 leaves, of ms. in Beethovenhaus, Bonn.

Box 41 , Folder 17

Drei Skizzenbücher zur Missa Solemnis. [Op. 123]. Vollständige, mit einer Einleitung... von Joseph Schmidt-Görg. Bonn: Beethovenhaus, 1952. 51, [1] pp., plates. Wrappers. Review by Jonas excerpted from Music Library Association Notes, 1953, taped to fly leaf.

Box 41 , Folder 18

Bagatelles. Op. 126. Photocopy, 34 leaves, of ms. in Beethovenhaus, Bonn, and 18 photocopy leaves of mss. 74 and 81, Bibliothèque du Conservatoire, Paris.

Box 41 , Folder 19

String Quartet. Op. 130. Photocopy, 11 leaves of ms., 2nd movement (Presto), in Library of Congress, Washington, D.C.; also photocopy of letter from Beethoven to Holz (1825) and typed transcript by Jonas.

Box 41 , Folder 20

String Quartet. Op. 131. Photocopy, 2 leaves, of autograph sketches in Library of Congress, Washington, D.C.; also letter to Galitzin.

Box 41 , Folder 21

Trio. Kinsky-Halm Wo039. Photocopy, 11 leaves, of ms. in Beethovenhaus, Bonn.

Box 41 , Folder 22

[Beethoven]. Photocopies of pages from various mss.

Concerning Beethoven

Box 41 , Folder 23

Ebert, Alfred. "Das Autograph der Gellert-Lieder Op. 48, No. 5 und 6 von Beethoven." Die Musik, Jhrg. IX/1, Bd. XXXIII (1909-1910), 44-63. Photocopy.

Box 41 , Folder 24

Fischer, Johannes. "Nachwort." Photocopy of pp. I-IX from Sonate Op. 106 nach den Quellen, hrsg. von Johannes Fischer. Leipzig: Edition Peters, 1975.

Box 41 , Folder 25

Humbert, Georges. "Ein unbekannter Brief Beethovens and den Fürsten N. von Galitzin." Die Musik, Jhrg. IX/1, Bd. XXXIII (1909-1910), 16-21. Photocopy.

Box 41 , Folder 26

Jonas, Oswald. Outline for an essay, "Beethoven's Life in his Works." 6 ms. leaves in the hand of Jonas.

Brahms, Johannes

Music arranged by opus number

Box 42 , Folder 1

Sonata. Op. 1. Photocopy, 25 leaves, of autograph ms. in Nationalbibliothek, Wien.

Box 42 , Folder 2

Sonata. Op. 5. Photocopy, 28 leaves, of autograph ms. in Staats- und Universitätsbibliothek, Hamburg.

Box 42 , Folder 3

Sonate. Op. 5. F moll. (Drei Sonaten für das Pianoforte.) Plate 20101. Berlin: N. Simrock; [Wien:] Universal-Edition [n.d.]. Cover-title, 39,[1] pp. With annotations in the text and one ms. leaf in Jonas's hand.

Box 42 , Folder 4

[Lieder]. Photocopies, facsimiles and early editions of single songs with various opus numbers: 6/1, 14/8, 46/2, 47/4, 64/2, 69/9, 94/4, 95/6, 96/1. Together with ms. notes and sketches in Jonas's hand.

Box 42 , Folder 5

Variationen für das Pianoforte über ein Thema von Robert Schumann... Op. 9. Plate 8997. Berlin: N. Simrock [n.d.] [2],19,[1]pp. (Cover with series title: Johannes Brahms: Werke für Klavier zu zwei Händen.) Annotated by Jonas from the ms. in Gesellschaft der Musikfreunde, Wien.

Box 42 , Folder 6

Piano Concerto in D minor. Op. 15. Photocopy of autograph ms. in the Deutsche Staatsbibliothek, Berlin [East]. Also, 3 leaves of photocopy of the autograph arrangement for 4 hands in the Library of Congress, Washington, D.C.

Box 42 , Folder 7

Serenade für kleines Orchester... Op. 16. Photocopy of first edition. Plate 6129. Bonn: N. Simrock [1860].

Box 42 , Folder 8

Sextet. Op. 18. Photocopy (copyflow) of ms. in Library of Congress, Washington, D.C.

Box 42 , Folder 9

Duette für Sopran und Alt. Op. 20, 61, 66, 75. Plate 7703. Berlin: N. Simrock; [Wien:] Universal-Edition [n.d.]. Cover title; 19,[1]pp. Copy formerly belonging to Schenker (dated in Jeanette Schenker's hand 10.I.1923) but annotated by Jonas from Brahms's Stichvorlage in Hamburg.

Box 42 , Folder 10

"Variationen über ein ungarisches Lied." Op. 21, no. 2. Photocopy, 7 leaves, of autograph ms. in Staatsbibliothek, Wien.

Box 42 , Folder 11

"Variationen über ein Thema von Robert Schumann für das Pianoforte zu vier Händen." Op. 23. Photocopy, 20 leaves, of autogr. ms. dated 1861 (private collection), together with 27 photocopy leaves of autogr. ms. of parts, as prepared for engraver 1863, in Library of Congress, Washington, D.C. With 1 ms. leaf of Jonas's notes.

Box 42 , Folder 12

Variations and Fugue on a Theme by Handel (for Piano). Op. 24. Photocopy, 20 leaves, of ms. in Library of Congress, Washington, D.C., entitled "Variationen für eine liebe Freundin"; and 22 photocopy leaves of ms. in Darmstadt. (For Jonas's article and ms. notes see Box 38, f. 51).

Box 42 , Folder 13

Piano Quartet. Op. 26. Selected photocopy, 5 leaves of autograph ms., portion of Poco Adagio.

Box 42 , Folder 14

Motet, "Es ist das Heil uns kommen her." Op. 29, no. 1. Photocopy of autograph ms., 13 leaves, with photocopies of letters from Brahms to Theodore Avé-Lallement, 10 leaves. Also another set of photocopies at different reduction.

Box 42 , Folder 15

Lieder und Gesänge. Op. 32, nos. 1, 7, 8, 9. Photocopy, 9 leaves, of autograph mss.

Box 42 , Folder 16

Romanzen aus "Magelone." Op. 33. Photocopy, 28 leaves, of autograph mss. of selected songs.

Box 42 , Folder 17

Sextet. Piano (4 hands) arrangement. Photocopy, 3 leaves, of autograph ms. from Poco Allegro movement, Library of Congress, Washington, D.C.

Box 42 , Folder 18

Two Sonatas for Cello and Piano. Two Sonatas for Clarinet (or Viola) and Piano. Op. 38, 99, 120. Plate J. B. 39, 40, 41, 42. New York: Lea Pocket Scores, c. 1950. [2],29,2-30,26,2 pp. Annotated (with 2 ms. leaves inserted) in Jonas's hand.

Box 42 , Folder 19

Waltzes for Piano. Op. 39

Scope and Content Note

Arrangement for Piano (4 hands): photocopy, 15 leaves, of Stichvorlage ms. (by copyist, with autograph corrections) in Lund Universitetsbibliotheket.
Arrangement for Piano (2 hands): photocopy, 11 leaves, of autograph ms. in Library of Congress, together with other mss. in photocopy, 32 leaves, and published edition (Leipzig: J. Rieter-Biedermann [n.d.]).

Box 42 , Folder 20

Trio (Es Dur) für das Pianoforte, Violine und Waldhorn (oder Bratsche oder Violoncell). Op. 40. Plate 6503. Berlin: N. Simrock [n.d.] 33, [1]pp. (Simrock Volks-Ausgabe No. 126). With annotations in Jonas's hand, and 1 photocopy leaf (from Scherzo) of autograph ms. in Library of Congress, Washington, D.C.

Box 42 , Folder 21

"Von ewiger Liebe." Op. 43, no. 1. Photocopy, 4 leaves, of autograph ms. in Library of Congress, Washington, D.C.

Box 42 , Folder 22

"Die Mainacht." Op. 43, no. 2. Plate 5998 (2). ( Vier Gesänge. Leipzig: J. Rieter-Biedermann [n.d.]). 5, [1]pp. With annotations in Jonas's hand.

Box 42 , Folder 23

12 Lieder und Romanzen für Frauenchor a cappella. Op. 44, Heft I, II. Plate 10112-10113. Leipzig: C. F. Peters [n.d.] 16,19,[1]pp. With annotations in Jonas's hand.

Box 42 , Folder 24

"Die Liebende schreibt." Op. 47, no. 5. Photocopy, 3 leaves, of autograph ms. in private collection (Gerhard Maasz, Switzerland).

Box 42 , Folder 25

Sieben Lieder. Op. 48, nos. 5, 7. Photocopy, 3 leaves, of autograph ms. of no.5 in private collection (Louis Koch, Basel); photocopy, 3 leaves, of autograph ms. of no. 7 in Library of Congress, Washington, D.C.

Box 42 , Folder 26

Fünf Lieder. Op. 49, nos. 4, 5. Autograph mss.; facsimile of no. 4, 2 leaves; photocopy, 3 leaves, of no. 5 in Library of Congress, Washington, D.C.

Box 42 , Folder 27

String quartets. Op. 51. Each score with annotations in Jonas's hand.

Scope and Content Note

Streichquartett. C moll. Op. 51, No.1. Plate W. Ph. V. 372. Wien: Wiener Philharmonischer Verlag [1935]. [4],36pp.
Quartette für 2 Violinen, Bratsche und Violoncell... No. 2. Op. 51 (A moll). Berlin: N. Simrock [n.d.] 35,[1]pp. On cover: Leipzig: Ernst Eulenburg (Payne's Kleine Partitur-Ausgabe).

Box 42 , Folder 28

Liebeslieder. Op. 52. Photocopies of autograph mss.

Scope and Content Note

Sketches for nos. 1-7, 9-12, 17-18 (lacking no. 13); photocopy, 13 leaves, of ms. in Gesellschaft der Musikfreunde, Wien.
"Liebeslieder Walzer zweihändig mit Gesang. Manuscript 1876." Stichvorlage. Photocopy, 17 leaves, of autograph ms. in Staatsund Universitätsbibliothek, Hamburg.

Box 42 , Folder 29

Liebeslieder. Songs of love. Waltzes. Walzer für das Pianoforte zu vier Händen. Op. 52a. Plate 7024. Berlin: N. Simrock [n.d.] 47,[1]pp. With annotations and 1 ms. leaf, all in Jonas's hand.

Box 43 , Folder 1

Alto Rhapsody. Op. 53. Photocopy of autograph ms. of Partitur in the New York Public Library. With piano/vocal score: Rhapsodie für eine Altstimme... Plate 375. Berlin: Simrock [1870]. 15,[1]pp. Ornamental cover-title printed in black and brown.

Box 43 , Folder 2

Schicksalslied. Op. 54.

Scope and Content Note

Photocopies of (a) autograph ms. of Partitur in the Library of Congress, Washington, D.C., and (b) ms. copy (in private collection) of piano/vocal score prepared for engraver, with autograph corrections
Schicksalslied... von Friedrich Hölderlin... für Chor und Orchester... Partitur. Plate 7177. Berlin: N. Simrock; London: Alfred Lengnick, 1892. 63,[1]pp. Annotated in Jonas's hand.
Schicksalslied... Clavier Auszug. Plate 7176. Berlin: N. Simrock [1871]. 21,[1]pp. Annotated in Jonas's hand; worn and frayed.
Microfilm and 2 leaves of ms. notes by Jonas.

Box 43 , Folder 3

Triumphlied. Op. 55. Clavierauszug. Plate 7413. Berlin: N. Simrock; London: Alfred Lengnick, 1872. 75,[1]pp. With annotations and 7 leaves of ms. notes in Jonas's hand.

Box 43 , Folder 4

Variationen über ein Thema von Joseph Haydn. Op. 56a. Plate W. Ph. V. 134. Wien: Wiener Philharmonischer Verlag [1951]. [4],68pp. With annotations in Jonas's hand, and with related material.

Box 43 , Folder 5

Lieder und Gesänge. Op. 57. Photocopy, 10 leaves, of autograph ms. of nos. 1, 2, 6, 8 in the Library of Congress, Washington, D.C. With published edition: Heft 1-2. Plate 682a-b. Leipzig: J. Rieter-Biedermann [1871]. 15,[1],15,[1]pp. Ornamental cover-titles, lithographed in color. With annotations in Jonas's hand.

Box 43 , Folder 6

Lieder und Gesänge. Op. 58. Photocopy, 9 leaves, of autograph ms. of nos. 1, 5, 6, 8 (fragment) in the Library of Congress, Washington, D.C. With published edition: Heft 1-2. Für hohe Stimme. Plate 683a-b. Leipzig: J. Rieter-Biedermann [n.d.]. 15,[1],15[1]pp. Together with separate issues of nos. 2 and 5. All annotated in Jonas's hand, and with 1 ms. leaf.

Box 43 , Folder 7

Lieder und Gesänge. Op. 59. Photocopy, 14 leaves, of autograph mss. of no. 3 (in Eastman School of Music, Rochester, N.Y.), 5 (in private collection, Switzerland), 7 and 8 (in Library of Congress, Washington, D.C.).

Box 43 , Folder 8

Lieder und Gesänge. Op. 63. Heft II, nos. 5-9. Plate 6395b. Leipzig: C. F. Peters [n.d.]. 23, [1] pp. With pencil markings in no. 8.

Box 43 , Folder 9

String Quartet. Op. 67. Plate 242. London: Ernst Eulenburg [n.d.]. [2],vi, 40 pp. With annotations and 1 ms. leaf in Jonas's hand.

Box 43 , Folder 10

Symphony in C minor. Op. 68. Urlinie analysis, II. Staz, T. 1-27. 2 ms. leaves (conjugate) in Jonas's hand.

Box 43 , Folder 11

Violin Concerto. Op. 77. Photocopy (copyflow), of autograph Partitur (Stichvorlage) ms. in Library of Congress, Washington, D.C. Annotated, with other ms. notes, in Jonas's hand. Also photocopies of Stichvorlage, ms. copy of Solo violin part, with autograph annotations, in the Library of Congress, and excerpts from other mss.

Box 44 , Folder 1

Violin Sonata No. 1 in G. Op. 78. Photocopy, 28 leaves, of autograph ms. in Staatsbibliothek, Wien. With published score. Plate 8148. Berlin: N. Simrock [1921]. 31,[1],11,[1]pp. Annotated in Jonas's hand.

Box 44 , Folder 2

Zwei Rhapsodien. Op. 79. Photocopy of Stichvorlage, ms. by copyist, with autograph corrections, in private collection in France. Together with typescript drafts by Jonas for his proposed new edition.

Box 44 , Folder 3

Zwei Rhapsodien. Op. 79. Plate 8166. Berlin: N. Simrock, 1880. 19,[1]pp. 2 copies, one annotated in Jonas's hand. Together with 3 modern editions edited by Eugen d'Albert, Moritz Mayer-Mahr, and Walter Georgii, all annotated in Jonas's hand.

Box 44 , Folder 4

Academic Festival Overture. Op. 80. Photocopy, 52 leaves, of autograph Partitur ms. in Deutsche Staatsbibliothek, Berlin [East]. With 6 ms. leaves of notes in Jonas's hand.

Box 44 , Folder 5

Tragic Overture. Op. 81. Photocopy, 56 leaves, of autograph Partitur ms. in Stanford University Music Library, Stanford, Calif. Together with photocopy of autograph sketches in Gesellschaft für Musikfreunde, Wien, and published score. (Plate E. E. 4563. London: Ernst Eulenburg [n.d.]. 52pp.), annotated in Jonas's hand, with 4 ms. leaves of notes.

Box 44 , Folder 6

Piano Concerto in B flat major. Op. 83. I. Allegro non troppo. Photocopy, 66 leaves, of autograph Partitur ms. in Staats- und Universitätsbibliothek, Hamburg.

Box 44 , Folder 7

Piano Concerto. Op. 83. II. Allegro appassionato. III. Andante. Photocopy, 54 leaves, of autograph Partitur ms. in Hamburg.

Box 44 , Folder 8

Piano Concerto. Op. 83. IV. Allegretto grazioso. Photocopy, 54 leaves, of autograph Partitur ms. in Hamburg.

Box 44 , Folder 9

Romanzen und Lieder. Op. 84. Photocopy, 7 leaves, of autograph mss. of no. 1 (in the Library of Congress, Washington, D.C.) and no. 4 (in the Newberry Library, Chicago). Together with detached pages of N. Simrock edition (Plate 8298, Original-Ausgabe) of nos. 2, 3, and 4, and 5 leaves of notes in Jonas's hand.

Box 45 , Folder 1

Piano Trio. Op. 87. Photocopy, 43 leaves, of autograph Partitur ms. in the Library of Congress, Washington, D.C.

Box 45 , Folder 2

Symphony No. 3, F major. Op. 90. Partitur. Plate E. E. 4560. London: Ernst Eulenburg [n.d.]. [2],iv,134pp. Annotated in Jonas's hand, with 3 leaves of ms. notes, and 3 photocopy leaves excerpted from autograph ms. in Library of Congress, Washington, D.C.

Box 45 , Folder 3

Tafellied. (Dank der Damen)... für sechsstimmigen gemischten Chor... Op. 93b. Partitur. Plate 8484. Berlin: N. Simrock [n.d.].

Physical Description: 15pp.

Box 45 , Folder 4

Sechs Lieder. Op. 97. Photocopy, 6 leaves, and facsimile of autograph ms. of nos. 3-5 (in the Stadtbibliothek, Wien) and 6 (in private collection, West Germany).

Box 45 , Folder 5

Symphonie IV. E moll. Op. 98. Partitur. Plate W. Ph. V 133. Wien: Wiener Philharmonischer Verlag [1949]. [4],168pp. Annotated, with 6 leaves of ms. in Jonas's hand.

Box 45 , Folder 6

Fünf Gesänge. Op. 104. Facsimile, 1 leaf, of autograph ms. of no. 3 (in private collection).

Box 45 , Folder 7

Fünf Gesänge. Op. 105. Photocopy, 4 leaves, of autograph ms. of nos. 3 and 4 in the Stadtbibliothek, Wien. Together with typescript by Jonas concerning changes in Liliencron's text for no. 4, "Auf dem Kirchhofe."

Box 45 , Folder 8

Quintett für zwei Violinen, zwei Violen und Violoncell. G dur. Op. 111. Partitur. Plate 238. London: Ernst Eulenburg [n.d.]. [2],v,[1],52pp. Together with arrangement for piano, 4 hands. Plate 9505. Berlin: N. Simrock [n.d.]. 47, [1] pp. Both scores annotated in Jonas's hand.

Box 45 , Folder 9

Quintett, B minor, for Clarinet... Op. 115. Partitur. Plate E. E. 4573. London: Ernst Eulenburg [n.d.]. Annotated, with 1 leaf ms. notes, in Jonas's hand, and with 1 photocopy leaf from autograph ms. in the Gesellschaft der Musikfreunde, Wien.

Box 45 , Folder 10

Fantasies. Op. 116. Photocopy, 21 leaves, of autograph ms. in Staats- und Universitätsbibliothek, Hamburg. Together with early Simrock editions of nos. 1-3 and 7, and modern editions of nos. 1-7 edited by E. Steuermann and W. Georgii, annotated in Jonas's hand, with typescript draft for proposed new edition.

Box 45 , Folder 11

Three Intermezzi. Op. 117. Photocopy, 11 leaves, of autograph ms. notes in Jonas's hand for proposed new edition. Together with early edition, Drei Intermezzi. Plate 9876. Berlin: N. Simrock, 1892. 15,[1]pp. Also two modern editions edited by E. Steuermann and W. Georgii, all annotated in Jonas's hand.

Box 45 , Folder 12

Piano Pieces. Op. 118. Photocopies of autograph ms. of no. 1 (in Library of Congress, Washington, D.C.), and nos. 2, 3, 6 (in Staatsbibliothek, Berlin [West]); also of ms. prepared for engraver, nos. 1-6 (in private collection in Germany). Together with published edition, Sechs Klavierstücke. Plate 10054. Berlin: N. Simrock, c1893. 19,[1]pp. (Simrock Volks-Ausgabe No. 175). Annotated in Jonas's hand.

Box 45 , Folder 13

Piano pieces. Op. 119. Photocopies of autograph ms. of no. 1 (in Library of Congress, Washington) and ms. prepared for the engraver, nos. 1-4 (in private collection in Germany). Together with published edition, Klavierstücke. Plate 10055. Berlin: N. Simrock, 1893. 19,[1]pp. Annotated in Jonas's hand.

Box 45 , Folder 14

Two Sonatas for Clarinet. Op. 120. Typescript and ms. in Jonas's hand prepared for his edition of Brahms's arrangement for violin. With photocopies of the first edition of original version, altered by Brahms for violin arrangement, in Jonas's private collection.

Box 45 , Folder 15

Vier ernste Gesänge. Op. 121. English text adapted by Paul England. Plate 10679. Berlin: N. Simrock, c1896. 19,[1]pp. Annotated in Jonas's hand. Together with a later printing, also annotated.

Box 45 , Folder 16

Elf Choralspiele für die Orgel. Op. 122... Fotokopien... des Originalmanuscripts. [München]... G. Henle [1956?] [2],21 leaves of facsimiles. Presentation copy to Jonas, inscribed by Joseph Schaefer. Together with Sämtliche Orgelwerke. Wiesbaden: Breitkopf & Härtel [1927]. [2],55,[1]pp. Annotated in Jonas's hand, and with 10 photocopy leaves of other Brahms mss.

Box 45 , Folder 17

Hungarian Dances. WoO 1. Photocopy of autograph ms. of Brahms's transcription for orchestra of nos. 1 and 3, in Stanford University Music Library, Stanford.

Box 45 , Folder 18

Two Sarabandes. WoO 5. New York: Edwin F. Kalmus, 1940. Together with photocopy, 7 leaves, of mss. in Library of Congress and in Hamburg.

Box 45 , Folder 19

"51 Uebungen für das Pianoforte." WoO 6. Stichvorlage, in the hand of a copyist. Photocopy of ms. in Staats- und Universitätsbibliothek, Hamburg.

Deutsche Volkslieder. WoO 32. See Box 46-47.

Materials on Lieder and Volkslieder

Box 46 , Folder 1-2

Lieder. Collected notes in Jonas's hand, with photocopies of mss. of Op. 46/4 and 86/4.

Box 46 , Folder 3-9

Deutsche Volkslieder. WoO 32. Photocopies of mss. and of Brahms's corrected proofs.

Box 47 , Folder 1

Deutsche Volkslieder für vierstimmigen Chor, a capella. WoO 32. Photocopy, 14 leaves, of ms. in the Library of Congress, Washington, D.C.

Box 47 , Folder 2-5

Deutsche Volkslieder. WoO 32. Collected typescript and ms. notes in Jonas's hand, with photocopies.

Box 47 , Folder 6

[Brahms] Morik, Werner. Johannes Brahms und sein Verhältnis zum deutschen Volkslied. Tutzing: Hans Schneider, 1965.

Physical Description: 301pp.

Box 47 , Folder 7

[Brahms] Kross, Siegfried. "Zur Frage der Brahmsschen Volksliedbearbeitungen." Die Musikforschung, XI/1 (1958), 15-20.

Box 47 , Folder 8

[Brahms] Friedlaender, Max. Brahms' Lieder. Berlin: N. Simrock, 1922. With annotations in Jonas's hand.

Critical Works by Others

Box 48 , Folder 1

Adler, Guido. "Johannes Brahms: Wirken, Wesen und Stellung." Studien zur Musikwissenschaft. Beihefte der Denkmäler der Tonkunst in Österreich, 20 (1933), 1-22. Offprint.

Box 48 , Folder 2

Beckerath, Heinz von. "Erinnerungen an Johannes Brahms." Heimat, XXIX (Nov., 1958), 1-12.

Box 48 , Folder 3

Federhofer, Helmut. "Zur Einheit von Wort und Ton im Lied von Johannes Brahms," in Bericht über den Internationalen Musikwissenschaftlichen Kongress, Hamburg, 1956. Offprint.

Box 48 , Folder 4

Fellinger, Imogen. "Brahms und die Musik vergangener Epochen," in Die Ausbreitung des Historismus über Musik, ed. W. Wiora (Regensburg: G. Bosse, 1969), 147-167. Offprint, inscribed by the author.

Box 48 , Folder 5

Fellinger, Imogen. über die Dynamik in der Musik von Johannes Brahms. Berlin: Max Hesse, 1961. 106 pp. With annotations and 6 leaves of ms. notes in Jonas's hand.

Box 48 , Folder 6

Fellinger, Imogen. "Zur Entstehung der `Regenlieder' von Brahms," in Festschrift Walter Gerstenberger zum 60. Geburtstag. (Wolfenbüttel: Möseler Verlag), 55-58. Offprint.

Box 48 , Folder 7

Friedlaender, Max. "Zuccalmaglio und das Volkslied." Jahrbücher der Musikbibliothek Peters, XXV, pp. 53-88.

Box 48 , Folder 8

Galston, Gottfried. Johannes Brahms (Studienbuch, V. Abend). München: Otto Halbreiter, 1926. 38pp.

Box 48 , Folder 9

Geiringer, Karl. "Johannes Brahms in Briefwechsel mit Eusebius Mandyczewski." Zeitschrift für Musikwissenschaft, XV (1933), 337-370. Offprint. Annotated in Jonas's hand.

Box 48 , Folder 10

Gotwals, Vernon. "Brahms and the Organ." Music, IV (April, 1970), 38-55. Corrections and annotations by the author.

Box 48 , Folder 11

Kahn, Robert. "Memories of Brahms." Music and Letters, XXVIII (April, 1947), 101-107.

Box 48 , Folder 12

Kinsey, Barbara. "Mörike Poems set by Brahms, Schumann and Wolf." Music and Letters, XXVIII (April, 1947), 101-107.

Box 48 , Folder 13

Kulenkampff, Hans-Wilhelm. "Warum ist Brahms berühmt?" Photocopy of 5pp. article [ca. 1970].

Box 48 , Folder 14

Michelmann, Emil. Feuerbach und Brahms, eine psychologische Skizze. Berlin: Ed. Bote & G. Bock, 1940. 13pp.

Box 48 , Folder 15

Pascall, Robert. "Unknown Gavottes by Brahms." Music and Letters, LVII/4 (October 1976), 404-411.

Box 48 , Folder 16

Schenker, Heinrich. "Reminiscences of Brahms," English translation [by Jonas?] of portions of "Erinnerungen an Brahms." Typescript, 4 leaves. See also Box 16, f.4.

Box 48 , Folder 17

Stein, Leon. An Analytical Study of Brahms' "Variations on a Theme by Haydn." (Op. 56a). Chicago: DePaul University Press, 1944. 16pp.

Jonas's Work in Progress, with Source Materials on Brahms

Box 49 , Folder 1-6

Collected ms. and typescript notes by Jonas, with photocopied materials on Brahms.

Box 49 , Folder 7

Ms. notes by Jonas on Brahms holdings in Gesellschaft der Musikfreunde, Wien, and Staats- und Universitätsbibliothek, Hamburg.

Box 49 , Folder 8

Collected photocopies of contemporary letters concerning Brahms.

Box 50 , Folder 1-6

Typed transcripts of source material for a projected work by Jonas on Brahms.

Box 50 , Folder 7

Typescript and ms. notes by Jonas, with outline for a projected work on Brahms.

Box 50 , Folder 8

Lists (compiled by Jonas) and annotated photocopies showing locations of Brahms manuscripts.

Box 50 , Folder 9

[Sketches by Brahms] Photocopies of various manuscripts.

Box 50 , Folder 10

[Sketches by Brahms] Notes (in Jonas's hand) on Brahms manuscripts.

Box 50 , Folder 11

Johannes Brahms Ausstellung. Hamburg: Staats- und Universitätsbibliothek, [1958]. 23pp. Together with related printed matter and ms. notes by Jonas.

Box 50 , Folder 12

Brahms concert programs and related source material.

Scope and Content Note

Katalog einer kleinen Brahms-Ausstellung... 7.-11. Oktober 1899. Meiningen: Key[szlig]ner'schen Hofbuchdruckerei, 1899. 16pp.
S. Meiningisches Landes-Musikfest. Erstes, 27. bis incl. 29. September 1895. Meiningen: Junghass & Koritzer [1895]. Cover-title, 47,[3]pp. plates, plan. First performance of Clarinet Sonata, Op. 120, by Mühlfeld and d'Albert.
Philharmonische Concerte 1896/97. Programm-Buch. Sonntag, den 7. März 1897. Wien: Stern & Steiner [1897]. Covertitle,[2],31,[3]pp. In pencil on cover: "Brahms Abschied;" performance of Symphony No. 4 under Hans Richter.
Deutsche Brahms-Gesellschaft. Deutsches Brahms-Fest, München. Erstes, 10.-14. September 1909. Programmbuch. München: Emil Gutmann [1909]. 95,[1]pp.
Brahms-Kalendar auf das Jahr 1909. Hrsg. von der "Musik." Berlin und Leipzig: Schuster & Loeffler [1908?]. 89,[5]pp. plates. 3 copies.
Drei Brahms Abende... Philharmonie 5./6./7. Mai 1917. Vortragsfolgen nebst Beiträgen von Max Kalbeck und Wilhelm Altmann. Berlin: Deutsche Brahms-Gesellschaft [1917]. 63,[1]pp.

Box 50 , Folder 13

[Brahms annotations] Photocopies of published scores, the originals annotated in Brahms's hand, of Handel's Saul (Händelwerke 13); Beethoven's Sonata Op. 106 (selected pages, annotations attributed); Schumann's Four Studies for the Pedal-Pianoforte (London, Novello, c1895); Czerny's Klavierschule (selected pages).

Box 50 , Folder 14

[Brahms annotations] Photocopy of autograph letter, Brahms to Simrock, 1872, concerning corrections for Mendelssohn, together with Lieder ohne Worte (Bonn: N. Simrock, n.d.), in which Jonas has inserted Brahms's corrections.

Brahms Editions Projected by Jonas

Box 51 , Folder 1

Piano transcription by Brahms of Handel's 6 Duette für Sopran und Alt. With copy of Peters edition (Leipzig, n.d.) annotated by Jonas, also two ms. notebooks and 6 leaves of loose notes for proposed Jonas edition.

Box 51 , Folder 2

"Rondo nach C. M. von Weber." WoO (in Studien für Klavier... Heft I. Wien: Universal-Edition [n.d.], pp. 8-21) annotated by Jonas, together with 11 leaves of typescript and ms. prepared for a proposed Jonas edition.

Bruckner, Anton

Box 51 , Folder 3

Perl, Carl Johann. Christliche Musik und Anton Bruckner. Leipzig: Heitz & Co., 1937. 28 pp.

Chopin, Frédéric

Box 52 , Folder 1

Etudes. Op. 10 and Op. 25. Photocopies of autograph mss.

Box 52 , Folder 2

Mazurkas. Photocopy of autograph ms. of Op. 33 in National Library, Warsaw. Together with photocopies of ms. copy of Op. 33, no. 4 in the Library of Congress, Washington, D.C.; photocopies of early published editions of Op. 33, nos. 1 and 4; and photocopy of autograph ms. of Op. 24, no. 3 formerly in the Library of The Warsaw Music Society.

Box 52 , Folder 3

Nocturne. Op. 62, no. 1. Photocopies of autograph mss. in the National Library, Warsaw, and in the Newberry Library, Chicago.

Box 52 , Folder 4

Nocturne. Op. 62, no. 1. Typescript and ms. notes in Jonas's hand concerning the Newberry Library ms. of no. 1. Together with photocopies of various published editions.

Box 52 , Folder 5

Typescript and ms. notes in Jonas's hand concerning Chopin. Together with printed material.

Clementi, Muzio

Box 52 , Folder 6

"Musical characteristics, or a Collection of Preludes & Cadenzas." Photocopy of ms. in the Library of Congress, Washington, D.C., together with photocopy of pages of an early published edition.

Deutsch, Otto Erich

Box 52 , Folder 7

Ms. notes in Jonas's hand concerning the Deutsch-Schenker correspondence, with obituary of Deutsch by Walter Gerstenberg and other memorabilia.

Box 52 , Folder 8

Articles by Deutsch, including those reprinted (for his 80th birthday), in Österreichische Musikzeitschrift, Jahrg. 18, no. 9 (September, 1963), 405-449.

Eibner, Franz

Box 52 , Folder 9

Eight published articles, including an account (1965) of the Heinrich Schenker Seminar at the Akademie für Musik und darstellende Kunst, Wien; programs of organ recitals by Eibner; and related material. ( See also, Box 58 f.6.)

Federhofer, Hellmut

Box 52 , Folder 10

Five published articles, 1956-1974. Offprint or photocopy. ( See also Box 48 f.3, 58 f.9-11, and 60 f.3.)

Fröhlich, Theodor

Box 52 , Folder 11

"Hyperions Schicksalslied." Piano-vocal score, edited from the ms. by K. M. Komma, in Hölderlin-Jahrbuch, 1953, pp. 1-[15]. Offprint.

Füssl, Karl Heinz

Box 52 , Folder 12

Miorita. Rumänische Volksballade. Partitur. Plate UE 13916. [Wien]: Universal Edition [c1968]. [2],37,[1]pp.

Furtwängler, Wilhelm

Box 52 , Folder 13

Thoms-Paetow, Johanna. "Wilhelm Furtwängler und die Musik," Allgemeine Musikzeitung, LXI, no. 41 (12. Oktober 1934), 553-556. Complete issue of periodical.

Box 52 , Folder 14

Program of Furtwängler memorial service, Heidelberg, 1954, with newspaper clippings and typed excerpts by and about Furtwängler, including a few relating to Schenker.

Geiringer, Karl

Box 52 , Folder 15

Silver, Martin A. Karl Geiringer, a Checklist of his Publications... Santa Barbara: University of California Library, 1969.50 pp.

Gluck, Christoph Willibald von

Box 52 , Folder 16

Abert, Anna Amalie. "Ist der Ritter Gluck Freiwild? Zur Stuttgarter Aufführung der `Alceste.' " Neue Zeitschrift für Musik, CXXIV (1963), 221-222. Photocopy.

Halm, August

Box 53 , Folder 1

August-Halm Gesellschaft. Verzeichnis der Bestände im August-Halm-Archiv. Tübingen: Musikwissenschaftliches Institut, 1961. 20 pp.

Handel, George Frideric

Box 53 , Folder 2

Italian Duets. Photocopies of ms. or published editions of selected duets.

Box 53 , Folder 3

"Israel in Aegypten." 2 leaves carbon typescript. Together with 1 leaf of music headed "No. 5, Takt 1-5." Also photocopy of Handel's will.

Saul. For score annotated by Brahms, see Box 50 f.13.

Box 53 , Folder 4

Chrysander, Friedrich. "Handel's Orgelbegleitung zu Saul," Jahrbücher für musikalischer Wissenschaft, I (1863), 408-428.

Haydn, Joseph

Box 53 , Folder 5

Symphony No. 94 ("The Surprise"). Photocopy of autograph ms. fragments (end of first and beginning of second movement) in the Library of Congress, Washington, D.C.

Box 53 , Folder 6

Symphony No. 99, ed. by Ernst Praetorius. Plate E. E. 3627. London: E. Eulenburg [n.d.]. 70 pp. With annotations in Jonas's hand.

Box 53 , Folder 7

Symphony No. 99. Photocopy of autograph sketches for Finale in the Nationalbibliothek, Wien, Musiksammlung Cod. 16.835. Together with Leopold Nowak, "Die Skizzen zum Finale der Es-dur-Symphonie GA 99 von Joseph Haydn," Haydn-Studien, II no. 3 (Mai 1970), 137-166. Photocopy.

Box 53 , Folder 8

"Emperor" Quartet. Hob. III: 77. Photocopies of mss. and published editions of Poco Adagio, Cantabile theme and variations.

Box 53 , Folder 9

Piano Sonata. Hob. XVI: 52. Photocopy of autograph ms. in Library of Congress, Washington, D.C.

Box 53 , Folder 10

Piano Pieces. Capriccio, "Acht Sauschneider müssen seyn." Hob. XVII: 1. Photocopy of autograph ms. formerly in private collection. Together with transcript in an unidentified hand (Jonas?), and photocopy of Library of Congress copy of first edition: Caprice pour le Clavecin. Plate 170. Vienne: chez Artaria [1788]. Also in published edition: Klavierstücke... hrsg. von Kurt Soldan. Plate 11402. Leipzig: C. F. Peters [1943]. 44 pp.

Box 53 , Folder 11

Piano Pieces. Arietta. Hob. XVII: 2. Photocopy of first edition in Library of Congress: Arietta con 12 Variazioni. Plate 185-186. Vienne: Artaria [1789?].

Box 53 , Folder 12

Piano Pieces. Fantasia. Hob. XVII: 4. Photocopy of first edition in Library of Congress: Fantasia per il Clavicembalo o Forte-Piano. Plate 250. Vienne: Artaria [1789]. Together with photocopies of 2 ms. copies in the Nationalbibliothek, Wien.

Box 53 , Folder 13

Piano Pieces. Theme and Variations. Hob. XVII: 5. Photocopy of: VI. Variations faciles et agreable [sic] pour le Clavecin ou Piano-Forte. Plate 29. Heilbronn: chez Amon [1791].

Box 53 , Folder 14

Variations ( Un piccolo divertimento). Hob. XVII: 6. Photocopy of autograph mss. in the New York Public Library and the Nationalbibliothek, Wien, together with a transcript of the Vienna ms. in an unidentified hand (Jonas?), a photocopy of an early edition, and 2 modern editions annotated in Jonas's hand.

Box 53 , Folder 15

The Seasons. Hob. XXI: 3. Photocopy of 1 leaf of sketches, together with Georg Schünemann, "Ein Skizzenblatt Joseph Haydns," Die Musik, VIII, no. 16 (1908-1909), 211-222. Excerpt.

Box 53 , Folder 16

Die Heiligen Zehn Gebote. Canons. Hob. XXVII: 1-10. Photocopy of autograph ms. in Gesellschaft der Musikfreunde, Wien. Together with published edition: The Holy Ten Commandments. New York: Music Press, c1942.

Box 53 , Folder 17

Original-Kompositionen [for piano. Contains La Roxelane (piano transcription of Symphony No. 63 Allegretto), Arietta con Variazione Hob. XVII: 3, etc.]. Engraver's proofs for Universal-Edition no. 158. Plate U. E. 158 and U. E. 158.339. Lacks title page.

Box 53 , Folder 18

Photocopies of manuscripts and early published editions of various works for the piano, in the Nationalbibliothek, Wien, etc.

Box 53 , Folder 19

"Verschiedene Skizzen." Photocopies of autograph sketches in the Nationalbibliothek, Wien. With brief notes in Jonas's hand and annotated photocopy excerpts from Hoboken's catalogue.

Box 53 , Folder 20

Review by G. A. Trumpff of Haydn, Sämtliche Klaviersonaten, revidiert von Christa Landon, Fingersätze von Oswald Jonas (Wien: Universal Edition, 1964), in Neue Zeitschrift für Musik, CXXVI (1965), 134-135. Excerpt.

Box 53 , Folder 21

Ms. notes on Haydn in Jonas's hand, together with newspaper clippings largely concerning Hoboken's work.

Box 53 , Folder 22

Larson, Jens Peter. Die Haydn-Ueberlieferung. Kopenhagen: E. Munksgaard, 1939. 335, [1]pp.

Heuberger, Richard

Box 53 , Folder 23

"Sagt, seid Ihr es, feiner Herr?" Song (from the Spanisches Liederbuch). Op. 13, no. 3. Photocopy of published edition.

Hoffmann, E. T. A.

Box 53 , Folder 24

Sölle, Dorothee, and Wolfgang Seifert. "In Dresden und in Atlantis: E. T. A. Hoffmann und die Musik," Neue Zeitschrift für Musik, CXXIV (1963), 260-273. Photocopy.

Holstein, Hedwig von

Box 53 , Folder 25

Photocopies of selected pages of Eine Glückliche, Hedwig von Holstein in ihren Briefen... Leipzig: Hoessel, 1901.

Mozart, Wolfgang Amadeus arranged as in the Jonas Nachlass

Vocal Works

Box 54 , Folder 1

Le Nozze di Figaro. K. 492. Aria, Cherubino, "Non so piu," Act. I. Photocopy of autograph ms., with typescript description of the ms.

Box 54 , Folder 2

Don Giovanni. K. 527. Opening pages of Aria, "Or sai chi l'onore," Donna Anna, Act I, and Duet, "Eh via buffone," Don Giovanni, Leporello, Act II. Photocopies of autograph ms. in the Bibliothèque du Conservatoire, Paris.

Box 54 , Folder 3

Die Zauberflöte. K. 620. La Clemenza di Tito. K. 621. Photocopies of autograph sketches in the Upsala University Library.

Box 54 , Folder 4

"Ergo interest," Concert Aria for soprano. K. 143. "In te spero," for soprano. K. 440. Photocopies of autograph mss. in Library of Congress, Washington, D.C. Together with photocopy excerpts from the Breitkopf & Härtel edition, Mozarts Werke [1879].

Box 54 , Folder 5

"Das Veilchen" (Goethe). Song. K. 476. Photocopy of autograph ms. and Alfred Einstein essay from the Reichner facsimile (1936).

Box 54 , Folder 6

Requiem in D minor. K. 626. Photocopy of portion of ms. of Dies irae.

Piano Concertos

Box 54 , Folder 7

Piano Concerto in D major. K. 175. Photocopy of first movement, Allegro, from Mozarts Werke. Plate W. A. M. 175. Leipzig: Breitkopf & Härtel [1879].

Box 54 , Folder 8

Piano Concerto in A major. K. 488. Photocopy (incomplete) of autograph ms. in the Bibliothèque du Conservatoire, Paris.

Box 54 , Folder 9

Piano Concerto in D major. K. 537. Plate B. & H. 8893. London: Boosey & Hawkes [1943]. 116 pp. Together with 1 leaf of notes on Jonas's hand.

Quintets

Box 54 , Folder 10

Quintet. K. 452. Photocopy of autograph ms. in the Bibliothèque du Conservatoire, Paris.

Box 54 , Folder 11

String Quintet in G minor. K. 516. Photocopy of autograph ms. formerly in the Preussische Staatsbibliothek, Berlin.

Box 54 , Folder 12

String Quintet in D major. K. 593. Photocopy, 2 leaves, of autograph ms., beginning of Allegro.

Solo Piano Works

Box 54 , Folder 13

Piano Sonata in G major. K. 189h (283). Photocopy of autograph ms. formerly in the Preussische Staatsbibliothek, Berlin.

Box 54 , Folder 14

Piano Sonata in D major. K. 205b (284). Photocopy of autograph ms. formerly in the Preussische Staatsbibliothek, Berlin. Together with 1 leaf of notes in Jonas's hand.

Box 54 , Folder 15

Piano Sonata in F major. K. 300k (332). Photocopy of autograph ms. in the Scheide collection, Princeton University.

Box 54 , Folder 16

Piano Sonata in C minor. K. 457. Photocopy of ms. copy (for the engraver) formerly in Vienna (Antiquariat Heck).

Box 54 , Folder 17

Fantasia for Piano in C minor. K. 475. Photocopy of 1 leaf of ms. copy formerly in private collection, together with microfilm.

Box 54 , Folder 18

Rondo for Piano. K. 485. Photocopy of copy of early edition (Plate 381. Vienne: chez Artaria [1792]) in the Library of Congress, Washington, D.C.

Box 54 , Folder 19

Allegro and Andante for Piano. K. 533 (together with K. 494). Photocopy of first edition: Sonate pour le Forte-piano... à Vienne: chez Hoffmeister [ca. 1800], in the Library of Congress, Washington, D.C.

Violin Sonatas

Box 55 , Folder 1

Violin Sonata in C major. K. 296. Photocopy (incomplete) of autograph ms. in the New York Public Library.

Box 55 , Folder 2

Violin Sonata in B flat major. K. 317d (378). Photocopy of autograph ms. formerly in the Preussische Staatsbibliothek, Berlin.

Box 55 , Folder 3

Violin Sonata in G major-minor. K. 373a (379). Photocopy of autograph ms. together with photocopies of mss. of other violin sonatas.

Box 55 , Folder 4

Violin Sonata in E flat major. K. 374f (380). Photocopy of autograph ms. in the collection of Louis Koch.

Box 55 , Folder 5

Violin Sonata in C major (fragment). K. 385c (403). Photocopy of autograph ms. in the Bibliothèque du Conservatoire, Paris.

Box 55 , Folder 6

Violin Sonata in E flat major. K. 481. Photocopy of autograph ms. formerly in the Preussische Staatsbibliothek, Berlin.

Other Works

Box 55 , Folder 7

Kontretänze (for orchestra). K. 462 and K. 610. Photocopy of autograph mss. in the Newberry Library, Chicago. With typescript and ms. notes in Jonas's hand.

Box 55 , Folder 8

Adagio and Allegro for a Mechanical Organ. K. 594. Photocopy of ms. copy in the New York Public Library.

Bibliographical and Critical Materials

Box 55 , Folder 9

Verein der Musikfreunde der Preussischen Staatsbibliothek. Drei Briefe Mozarts in Nachbildung. Berlin: Preussische Staatsbibliothek [1919] (Jahresausgabe, 1918-19). Portfolio. Together with auction catalogue of Mozart mss. (Andre Erben sale, 1929).

Box 55 , Folder 10

Eibl, Joseph Heinz. "Mozart verfasst Rätsel." Österreichische Musikzeitschrift, XXXVI (Februar 1971), 65-71. Photocopy.

Box 55 , Folder 11

Heartz, Daniel, and Alfred Mann, eds. Thomas Attwood's Theorieund Kompositionsstudien bei Mozart. Kassel: Bärenreiter, 1969. 126 pp. (Mozart, W. A. Neue Ausgabe sämtlicher Werke. Kritische Berichte. Ser. X, Wkgr. 30, Bd. 1). Photocopy. With typescript comment by Jonas's students.

Box 55 , Folder 12

King, A. Hyatt. "The Mozart Autographs in the British Museum," Music and Letters, XVIII (1937), 343-54. Photocopy, with notes in Jonas's hand.

Box 55 , Folder 13

Lach, Robert. W. A. Mozart als Theoretiker. Wien: A. Hölder, 1918. 100 pp. (K. Akad. der Wissenschaften, Phil-hist. klasse. Denkschriften, Bd. 61, Abh. 1). With 1 leaf of typescript by Jonas.

Box 55 , Folder 14

Miscellaneous Jonas working materials concerning Mozart, including photocopies (fragmentary) of mss. and published editions, with notes in Jonas's hand.

Muffat, Gottlieb

Box 55 , Folder 15

Zwölf kleine Praeludien. Plate 30342. Lippstadt: Kister & Siegel [1960]. ( Die Orgel, Reihe II, Nr. 16). 19 pp.

Reinken, Johann Adam

Box 55 , Folder 16

Sonata in A minor (for strings). Photocopy of 6 published pp.

Schenker, Heinrich

Scope and Content Note

Materials under this heading were collected by Jonas for proposed publications by or about Heinrich Schenker; Jonas's compilations and arrangement are preserved.

Box 56 , Folder 1

List of performances by Schenker or performances of Schenker's music. Typescript compilation by Jonas. 3 leaves.

Box 56 , Folder 2

Schenker. Materials largely relating to Der freie Satz: typescript outline of "Urfassung 1915-1919;" other Jonas ms. notes, including Vortrag material.

Box 56 , Folder 3

Schenker-Institut, Neues Wiener Konservatorium, Wien. Announcement of courses [1935]. [8]pp. 2 variant printings. With newspaper clippings, 1935, dated in Jeanette Schenker's hand.

Box 56 , Folder 4

Jonas, Oswald. Typescript drafts and gallery proofs for "Schenker, Heinrich." Die Musik in Geschichte und Gegenwart, XI (1963), cols. 1670-1672.

Box 56 , Folder 5

Jonas, Oswald. "Schenker, Heinrich" [proposed encyclopedia article? 1938]. Typescript with corrections in Jonas's hand. Together with ms. and typescript notes by Jonas concerning articles by Roger Sessions, Adele Katz, Richard Hill, Arthur Plettner, K. Jepperson, and others.

Box 57 , Folder 1

Typescripts of lectures by Jonas on Schenker.

Scope and Content Note

"Heinrich Schenker as Editor." 8 leaves of typescript and ms. in Jonas's hand, together with another version.
"From the Estate of Heinrich Schenker." 5 leaves of carbon typescript and 6 leaves of ms. notes in Jonas's hand. An account of Jonas's acquisition of the Schenker materials.

Box 57 , Folder 2

Jonas, Oswald. "Die Kunst des Vortrags nach Heinrich Schenker." Musikerziehung XV (März, 1962), 127-129. Excerpt. Together with typescript drafts and additional notes in Jonas's hand.

Box 57 , Folder 3

[Schenker]. "Entwurf einer `Lehre von Vortrag" [compiled by O. Jonas]. Draft outline, typed, with corrections in Jonas's hand. 38 numb. leaves, with 1 additional leaf inserted. (For Schenker's original draft, see Box 18, f.10; for illustrations prepared for Jonas outline, see Box 33, f.4).

Box 57 , Folder 4

Jonas, O. "Aus Schenker's Nachlass: `Die Kunst des Vortrags.' " Typescript and ms. notes, with Jonas's "Einleitung" for a projected edition. Includes typed excerpts from Schenker's correspondence and a list of Vortrag references in the Tagebücher.

Box 57 , Folder 5

Jonas, O. Ms. notes in Jonas's hand for a projected publication of Schenker's Die Kunst des Vortrags, with photocopy excerpts from published editions of Chopin, Brahms, and Mozart containing performance annotations by Schenker.

Box 57 , Folder 6

Jonas, O. "Heinrich Schenker." Lectures by Jonas, 1936-[1968], in German and English, typescripts; together with other typed material and ms. notes in Jonas's hand.

Box 57 , Folder 7

[Schenker, H.] Selected pages from Beethovens neunte Sinfonie (1912) dealing with performance. Photocopies, together with typescripts by Jonas.

Publications by Others about Schenker

Box 58 , Folder 1

Babbitt, Milton. A Life of Learning: Washington, D.C., American Council of Learned Societies [1991] 21 pp. (ACLS Occasional paper no.17. Charles Homer Haskins Lecture.) Discusses Schenker's theory; mentions Jonas and Oster.*

Note

*Acquisition after 1978.

Box 58 , Folder 1a

Beach, David. "Schenker Bibliography." Journal of Music Theory, XIII (1969), 2-37. Offprint. With Supplement, 1969-1979, Journal of Music Theory, XXIII (1979), 275-286. Photocopy.*

Note

*Acquisition after 1978.

Box 58 , Folder 2

Citkowitz, Israel. "Die Rolle Heinrich Schenkers." Typescript, 8 leaves. German translation of "The Role of Heinrich Schenker," Modern Music, XI (1933), 18-23.

Box 58 , Folder 3

Cube, Felix von [i.e., Felix-Eberhard von Cube]. "Heinrich Schenker." Clipping from unidentified newspaper dated 24. Juni 1928.

Box 58 , Folder 4

Cube, Felix von. Materials, largely prepared by Cube, from the Heinrich-Schenker-Akademie (formerly Schenker-Institut), Hamburg. 6 Urlinie analyses (5 signed by Cube), 1 announcement [ca. 1932], 1 newspaper clipping 1952.

Box 58 , Folder 5

Dahms, Walter. "Das Meisterwerk in der Musik." Allgemeine Musikzeitung, LV (1928), 115-117. Complete issue of Nr.5.

Box 58 , Folder 6

Eibner, Franz. Four published articles, 1952-1963, concerning Schenker theory. With annotations by the author and by Jonas.

Box 58 , Folder 7

Elias, Angi. "Choral-Studien bei Heinrich Schenker" [ca. 1930]. Typescript, 5 leaves, with corrections and annotations in several hands.

Box 58 , Folder 8

Erwin, Charlotte E., and Bryan R. Simms. "Schoenberg's Correspondence with Heinrich Schenker." Journal of the Arnold Schoenberg Institute, V (1981), 23-43.*

Note

*Acquisition after 1978.

Box 58 , Folder 9

Federhofer, Hellmut. "Schenker, Heinrich." Riemann Musik-Lexikon. 12. Aufl. (1959-67), II, 596-597. Photocopy.

Box 58 , Folder 10

Federhofer, Hellmut. "Heinrich Schenkers Verhältnis zu Arnold Schönberg." Österreichische Akad. der Wissenschaften. Phil.-hist. Klasse. Anzeiger, Jahrg. 118 (1981), 369-390.*

Note

*Acquisition after 1978. See also Appendix.

Box 58 , Folder 11

Federhofer, Hellmut. Akkord und Stimmführung in den Musiktheoretischen Systemen von Hugo Riemann, Ernst Kurth und Heinrich Schenker. (Veröffentlichungen der Kommission für Musikforschung... Heft 21.) Wien: Verlag der Österreichischen Akademie der Wissenschaften, 1981. 192 pp.*

Note

*Acquisition after 1978. See also Appendix.

Federhofer, Hellmut. Heinrich Schenker nach Tagebüchern und Briefen in der Oswald Jonas memorial collection, University of California, Riverside. Hildesheim: Georg Olms Verlag, 1985. ix, [1] 380 pp. [shelved in the bookstacks, Spec. Coll. ML423 S33F45 1985]*

Note

*Acquisition after 1978. See also Appendix.

Box 58 , Folder 12

Halm, August. "Heinrich Schenker." Die Freie Schulgemeinde, VIII (1917), 11-15. Complete issue of Heft 1 (Oktober, 1917). Inscribed, "Zu Dr. Schenker."

Box 58 , Folder 13

Heimler, Hans. "The Essence of the Teaching of Heinrich Schenker" [ca. 1937]. 8 pp. mimeographed. Together with an abridgement (4 pp.).

Box 58 , Folder 14

Hoboken, Anthony van. "Heinrich Schenker." Nieuwe Rotterdamsche Courant, 8 February 1935. Excerpt, with typescript German translation.

Box 58 , Folder 15

Jenkner, Hans. "Hören wir Musik überhaupt noch?" Allgemeine Musikzeitung, Jahrg. 63 (4 Dezember 1936), 749-751. Complete issue of Nr. 49. Article discusses Schenker theory.

Box 58 , Folder 16

Kaufmann, Harald. "Fortschritt und Reaktion in der Lehre Heinrich Schenkers." Neue Zeitschrift für Musik, Jahrg. 126, Heft 1 (Januar 1, 1965), 5-9. Complete issue, with annotations in Jonas's hand.

Box 58 , Folder 17

Kolneder, Walter. "Sind Schenkers Analysen Beiträge zur Bacherkenntnis?" Deutsches Jahrbuch der Musikwissenschaft, III (1958), 59-73. Photocopy.

Box 58 , Folder 18

Mann, Michael. "Schenker's Contribution to Music Theory." Music Review, X (1949), 3-26. Excerpt, annotated in Jonas's hand, together with other ms. notes, and a recent photocopy.

Box 58 , Folder 18a

Mast, Paul. "Brahms's Study, Octaven u. Quinten u. A., with Schenker's Commentary translated." Music Forum, V (1980), 1-96. Photocopy.*

Note

*Acquisition after 1978. See also Appendix.

Box 58 , Folder 19

Rast, Nicholas. "A Checklist of Essays and Reviews by Heinrich Schenker." Music Analysis, 7 no. 2 (July, 1988), 121-132. Complete issue.*

Note

*Acquisition after 1978. See also Appendix.

Box 58 , Folder 20

Simms, Bryan R. "New Documents in the Schoenberg-Schenker Polemic." Perspectives of New Music, XVI (1977), 110-124. Photocopy.*

Note

*Acquisition after 1978. See also Appendix.

Box 58 , Folder 21

Vrieslander, Otto. "Heinrich Schenker." Der Kunstwart, XLIII (1930), 181-189. Note in Jeanette Schenker's hand; pp. 185-189 in photocopy.

Box 58 , Folder 22

Waldeck, Arthur, and Nathan Broder. "Musical Synthesis as Expounded by Heinrich Schenker." Musical Mercury, II (1935), 56-64. Photocopy. Together with typescript trans. into German (incomplete).

Excerpts Compiled by Jonas for Proposed Schenker Biography

Box 59 , Folder 1-2

Jonas, Oswald. "Quellen zur Schenker Biographie." Typescript, together with ms. notes by Jonas of excerpts from the Schenker Tagebücher, and drafts of lectures on Schenker.

Box 59 , Folder 3

d'Albert, Eugen. "Aus Briefen Eugen d'Alberts zu Heinrich Schenker." Typed transcript by Jonas, with photocopies of correspondence and excerpts from W. Raupp, Eugen d'Albert (1930).

Box 59 , Folder 4

Deutsch, Otto Erich. "Letters from O. E. D. to Sch." Summaries (in Jonas's hand) of Deutsch-Schenker correspondence.

Box 59 , Folder 5

Furtwängler, Wilhelm. Typed excerpts by Jonas of Furtwängler letters to others concerning Schenker.

Box 59 , Folder 6

Grunsky, Karl. "Briefwechsel Karl Grunsky und Heinrich Schenker." Typed transcripts by Jonas, with photocopies of ms. originals.

Box 59 , Folder 7

Hanslick, Eduard. "Briefe von Eduard Hanslick an Heinrich Schenker." Typed transcript by Jonas, with photocopies of ms. originals.

Box 59 , Folder 8

Harden, Maximilian. "Harden an Schenker." Typed transcripts by Jonas, with inventory and photocopies of ms. originals.

Box 59 , Folder 9

[Concerning Harmonielehre.] Typed transcripts by Jonas and photocopies of correspondence with Schenker concerning the original publication of Harmonielehre (1906). (For materials on Jonas's English edition [1954], see Box 18).

Box 59 , Folder 10

Liliencron, Detlev von. Typescript and photocopies concerning Liliencron and Schenker's "Wiegenlied" (Op. 3, no. 2).

Box 59 , Folder 11

Messchaert, Johannes. Typescript and ms. excerpts from Die Zeit (1896) and from Schenker's Tagebücher (1909) concerning performances by Messchaert.

Box 59 , Folder 12

[Concerning "die Moderne."] Comments by Schenker on Schoenberg, Strauss, Brahms, and on the future of music. Typed excerpts from Schenker's letters to Violin.

Box 59 , Folder 13

Paumgartner, Bernhard. Typed excerpts from Schenker's Tagebücher and from letters and reviews by Paumgartner. With photocopies.

Box 59 , Folder 14

Peters, C. F. "Briefe von C. F. Peters an Heinrich Schenker" and "Ein Brief von Schenker an Peters." Typed transcripts.

Box 59 , Folder 15

Rudorff, Ernst. Inventory in Jonas's hand of correspondence between Rudorff and Schenker.

Schoenberg, Arnold

Box 60 , Folder 1

Quartett... Op. 7. Plate 624. Berlin: Verlag Dreililien [1907]. 80 pp. Lacking back cover. Together with photocopies of portions of Schoenberg's Harmonielehre (1911), annotated in Jonas's hand.

Box 60 , Folder 2

Photocopies of excerpts from publications by or concerning Schoenberg, together with typescript and photocopies of Schoenberg letters to Schenker.

Box 60 , Folder 3

Federhofer, Hellmut. "Arnold Schönbergs theoretisches Verständnis der Wiener Klassik," in Musicae Scientiae Collectanea, Festschrift Karl Gustav Fellerer. Köln: Arno-Volk-Verlag (1973), 102-109. Offprint.

Box 60 , Folder 4

Wellesz, Egon. The Origins of Schönberg's Twelve-Tone System, a Lecture... Washington, D. C.: Library of Congress, 1958. 14 pp.

Schubert, Franz

Box 60 , Folder 5

Lieder. D. 117, 614. Photocopies of autograph mss. of "Das Mädchen aus der Fremde" and "An den Mond in einer Herbstnacht" in private collection in Spokane, Washington.

Box 60 , Folder 6

"Sehnsucht." D. 310, Version 2. Photocopy of autograph ms. in Bibliothèque du Conservatoire, Paris.

Box 60 , Folder 7

"Erlkönig." D. 328, Version 2. Original-Manuscript der ersten Bearbeitung... Berlin: Wilh. Müller, 1868. [12]pp. Facsimile.

Box 60 , Folder 8

"Erlkönig." D. 328, Version 3. Photocopy of autograph ms. in the Pierpont Morgan Library, New York (Clara Schumann's copy, given her by Randhartinger).

Box 60 , Folder 9

"Schlaflied." D. 527. Photocopy of autograph ms. of first version, titled "Abendlied," in the Sibley Music Library, University of Rochester, Rochester, New York.

Box 60 , Folder 10

Lieder. D. 705, D. 917. Photocopies of autograph mss. of version of "Gesang der Geister über den Wassern" (D. 705) and of "Das Lied im Grünen" (D. 917) in Stanford University Music Library, Stanford, California, together with fragmentary notes in Jonas's hand.

Box 60 , Folder 11

Lieder. D. 870, 871. Photocopies of autograph mss. of "Der Wanderer an den Mond" and "Das Zugenglöcklein," first version, in Staatsbibliothek Preussischer Kulturbesitz, Berlin [West].

Box 60 , Folder 12

Symphony in B minor ("Unfinished"). D. 759. Notes in Jonas's hand, with selected leaves of photocopies.

Box 60 , Folder 13

Mass in E flat. D. 950. Photocopy of autograph Partitur ms. in Staatsbibliothek Preussischer Kulturbesitz, Berlin [West].

Box 60 , Folder 14

Sonata in A for piano, D. 959; Sonata in B flat for piano, D. 960. Photocopies of pages from Revisionsbericht (1897) of Schubert Gesamtausgabe.

Box 60 , Folder 15

Neue Schubert-Ausgabe, ser. IV: Lieder Band 1. Kritischer Bericht von Walter Dürr. Tübingen, 1972. Photocopy of typescript.

Schumann, Robert

Box 60 , Folder 16

Jonas. Oswald. "Bemerkungen zu Schumann's `Eichendorffzyklus.' " 7 ms. leaves in Jonas's hand. With photocopies (incomplete) of various Schumann mss. and published works.

Box 60 , Folder 17

Boetticher, Wolfgang. "Neue textkritische Forschung an R. Schumanns Klavierwerk," Archiv für Musikwissenschaft, XXV (1968), 46-76. Photocopy.

Webern, Anton

Box 60 , Folder 18

Wege zur neuen Musik, hrsg. von Willi Reich. [Wien:] Universal-Edition, 1960. 73 pp. Together with photocopy of English translation. Both items annotated in Jonas's hand.

Weingartner, Felix

Box 60 , Folder 19

Photocopy of autographed cover and one inside page of program, Berlin Philharmonic concert in Vienna, 5 April 1897.

Miscellaneous Jonas Lecture Notes

Box 61 , Folder 1

Jonas, Oswald. ["Aus der Werkstatt des Komponisten"]. Typescript (untitled) for illustrated lecture, with revisions in Jonas's hand.

Box 61 , Folder 2

Jonas, O. "Theorie und Praxis-aus der Werkstatt der Meister." Typescripts for illustrated lecture, two versions, with revisions and notes in Jonas's hand.

Box 61 , Folder 3

Jonas, O. ["Von chinesischer Musik"]. Typescript (untitled), with versions in German and English, and other notes in Jonas's hand.

Box 61 , Folder 4

Jonas, O. "Von der Wiederholung in der Musik." Typescript of lecture, revised in Jonas's hand.

Box 61 , Folder 5

Jonas, O. "Der Weg zu einer umfassenden Theorie des Rhythmus." Typescript and ms. notes for lecture.

Box 61 , Folder 6

Jonas, O. "Words and Music in German Songs." Typescript of lecture dated 1954. Includes musical examples that are not related to the lecture.

Box 61 , Folder 7

Jonas, O. "On some Revision and Improvement of Our Teaching Theory of Music." Typescript.

Box 61 , Folder 8

Notes and partial drafts for various Jonas lectures and projected essays; typescript and mss. in Jonas's hand.

Box 61 , Folder 9

Miscellaneous Jonas teaching materials, including photocopies.

Box 62 , Folder 1

Counterpoint instruction: photocopies of examples selected from music mss.

Box 62 , Folder 2

Harmony exercises; student papers. Typescript and mss. materials.

Box 62 , Folder 3

Music theory exercises submitted by Jonas students.

Box 62 , Folder 4

Exhibit materials. Facsimiles and photocopies of pages of music mss.

Collected Bibliographic and Historical Excerpts

Box 62 , Folder 5

Koch-Floersheim Sammlung. "Inhaltsverzeichnis" excerpted from a publication concerning the Louis Koch/Georg Floersheim manuscript collection, Basel (now dispersed), with other notes by Jonas.

Box 63 , Folder 1-3

Clipping files. Newspaper and periodical excerpts and photocopies concerning music, musicians, and music library collections.

Box 63 , Folder 4

Excerpts from 19th-century music periodicals. Photocopies of criticism and announcements of concerts.

Box 63 , Folder 5

Photocopy excerpts of published music by Ignaz Brüll, Stephen Fry, Robert Fuchs, and others.

Box 63 , Folder 6-8

Photocopies of selected portions of mss. and published scores used by Jonas in teaching.

Slide and Microfilm Collection

Box 64-66

Collected materials. Approximately 2200 slides, 130 microfilm reels, and 110 unmounted frames (cut from microfilms) of music manuscripts and published editions of C. P. E. Bach, J. S. Bach, Beethoven, Brahms, Chopin, Handel, Haydn, Mozart, Schenker, Schubert, Schumann, R. Strauss, and Weber. Included are slides of published editions containing Schenker's ms. annotations and analyses, as well as editions of Schenker's writings and ms. leaves of correspondence of Schenker and others. Also included are slides of portraits and slides of art and architecture. Microfilm reels usually indicate the library holding the manuscript, but slides often do not. Jonas's internal order is preserved, often pertaining to comparisons, relationships, or the theme of a lecture.

Box 67

Beethoven materials. Approximately 220 slides and 40 microfilm reels of Beethoven manuscripts, sketches, and published editions. Jonas's arrangement preserved.

Box 68

Brahms materials. Approximately 850 slides and 40 microfilm reels of Brahms manuscripts, sketches, and published editions. Jonas's arrangement preserved.

II e. OSWALD JONAS: BIOGRAPHICAL MATERIALS.

Physical Description: Box 69

Box 69 , Folder 1

Jonas family documents.

Scope and Content Note

6 documents concerning Oswald Jonas (Geburtszeugnis, 1938; Heimatschein, 1935; U.S. certificate of naturalization, 1944, and other papers)
1 document concerning Edith Schreier Jonas (certificate of naturalization, 1944)
1 document concerning Olga Jonas, Vienna, 1965

Box 69 , Folder 2

Biographical articles concerning Jonas. Proofs, photocopies and typescripts of entries in Die Musik in Geschichte und Gegenwart, Grove and other publications, together with a Curriculum Vitae [ca. 1940] and list of references, all revised in Jonas's hand. 10 leaves of printer's proofs, photocopies, and typescript, 1936-[1971].

Box 69 , Folder 3

Service list, memorial service for Oswald Jonas, St. George's Episcopal Church, Riverside, 1978. Together with obituaries in Musikforschung 31 (1978), 243, and Mitteilungen der Internationalen Stiftung Mozarteum 26 Heft 3/4 (August 1978), 27 (complete periodical issues).

Box 69 , Folder 4

Stern'sches Konservatorium der Musik, Berlin. Prospekt, 1932. 16 pp. Lists Jonas as teacher of "Kontrapunkt und Fuge."

Box 69 , Folder 5

"Verzeichnis der wichtigeren Artikel und Vorträge von Oswald Jonas seit 1938." Typescript, with other lists of publications and lectures.

Box 69 , Folder 6

Lists of names of scholars attending Jonas's seminars in Vienna and Tübingen, 1960-63. Manuscript, in the hands of those attending. Together with a list in Jonas's hand of his colleagues in Germany.

Box 69 , Folder 7-9

Reviews, announcements, and publicity clippings concerning books, public lectures, master classes, and performances by Jonas.

Letters of Recommendation for Jonas

Box 69 , Folder 10

Beck, Sidney (Music Division, New York Public Library). TLS undated, typed on form. Photocopy and carbon copy.

Box 69 , Folder 11

Furtwängler, Wilhelm. 3 TLS 1931, 1933, 1954.

Box 69 , Folder 12

Gerstenberg, W[alter] (Musikwissenschaftliches Institut, Universität Tübingen). TLS 1962, typed on form. Photocopy.

Box 69 , Folder 13

Newman, Ernest. Typed transcript of letter, 1938, together with carbon copy annotated in Jonas's hand.

Box 69 , Folder 14

Sandresky, Clemens (School of Music, Salem College). TLS 1962, typed on form. Photocopy.

Box 69 , Folder 15

Waters, Edward (Music Division, Library of Congress). Recommendation to accompany a grant application by Jonas, typed transcript, 1949. Together with TLS 1962, typed on form; photocopy.

Box 69 , Folder 16

Weisse, Hans. ALS 1930 (written in Vienna, but with pasteover identifying Weisse's later positions in New York at the Mannes School and Columbia University).

Box 69 , Folder 17

Letters of acknowledgment (a few to Jonas, but largely addressed to the publishers, Saturn-Verlag, Wien) from libraries and academic institutions to which copies of Jonas's Das Wesen des musikalischen Kunstwerks were sent. 13 letters and 3 postcards, typed and handwritten, variously signed by library directors and others, 1934-1936.

Box 69 , Folder 18

Photocopy of 1960 letter from Eva Wiederer (Associated Music Publishers, New York) to Maria Bauer (Universal-Edition, Wien) concerning copyright of Der Freie Satz, ed. Jonas, 1956. With photocopy of copyright entry for original edition, 1935.

Box 69 , Folder 19

Cards for memberships in musical societies held by Jonas, 1958-59.

III. Moriz Violin materials

IIIa. CORRESPONDENCE (FROM VIOLIN)

Physical Description: Box 70

Box 70 , Folder 1

Mrs. Schwabacher

ALS 1 undated (drafts, written in San Francisco, ca. 1940-1950. Mentions Schoenberg.

ALU undated (drafts, ca. 1900, written on Dresden hotel stationery)

Box 70 , Folder 2

Cube, Felix von [i.e., Felix-Eberhard von Cube].

ALS 1 1931 (draft?) concerning founding of Cube's Schenker Institut in Hamburg

Jonas, Oswald see Jonas Correspondence, Letters from Violin, Box 36, f. 238.

Box 70 , Folder 3

Rosenthal, Moriz.

ALU 1 undated (unfinished draft)

Schenker, Heinrich see Schenker Correspondence, Letters from Violin, Box 14, f.45.

Box 70 , Folder 4

Violin, Frau ____ (Moriz's mother).

ALS 2 undated [ca. 1899-1900]-[1915?]

Box 70 , Folder 5

Violin, Eduard (Moriz's brother).

ALS 3 1889-1890

IIIb. CORRESPONDENCE (TO VIOLIN)

Physical Description: Box 70

Box 70 , Folder 6

d'Albert, Eugen.

ALS 1 1904

Box 70 , Folder 7

Beer, Berta Lahn.

ALS 1 1939

Box 70 , Folder 8

Billroth, Else [?].

ALS 1 1905

Box 70 , Folder 9

Brüll, Ignaz.

APS 2 1897

Box 70 , Folder 10

Buxbaum, Friedrich.

ALS 1 1948

TLS 1 1948

Box 70 , Folder 11

Cube, Felix von [i.e. Felix-Eberhard von Cube].

ALS 1 undated [1931]

ALS 2 1931

d'Albert, Eugen. See above, filed under "A"

Box 70 , Folder 12

Ehrlich, Theodore (with letterhead of Steinway & Sons, Hamburg).

TLS 1 1933

Box 70 , Folder 13

Federhofer, Hellmut (includes letterhead of Musikwissenschaftliches Institut der Universität, Graz).

ALS 2 1949

Box 70 , Folder 14

Foerster, Josef Bohuslav.

ALS 1 1937

Box 70 , Folder 15

Frankfurter, Albert (with letterhead of Ungarische Seeschiffahrts-Actien-Gesellschaft "Adria").

TLS 1 1904

Box 70 , Folder 16

Fuchs, Robert.

APS 2 1896-1903

Box 70 , Folder 17

Furtwängler, Wilhelm.

ALS 1 1920

TLS 1 1934 (letter of recommendation)

Box 70 , Folder 18

Genossenschaft der bildenden Künstler Wiens, Wien.

ALS 1 1903 (signatures not identified)

Box 70 , Folder 19

Hammerl, Lissy (and others).

APS 1 1912 (multiple signatures, including those of Max Graf, Eusebius Mandyczewski, and Richard Stöhr)

Box 70 , Folder 20

Heide, Martha von der.

ALS 1 1933 (to Valerie Violin)

Box 70 , Folder 20a

Hilbrandt, F.

APS 1 1910 (photocopy. For original, see Box 72 f.7)

Box 70 , Folder 21

Hochgrassl, Wilhelm.

ALS 1 1933

Box 70 , Folder 22

Ilse, Hubert.

ALS 1 1933

Jonas, Oswald see Jonas Correspondence, Letters to Violin, Box 36 f. 65.

Box 70 , Folder 23

Klengel, Julius.

ALS 1 1904

Box 70 , Folder 24

Löwe, Ferdinand von (with letterhead of Wiener Konzert-Verein, Wien)

ALS 1 1905

Box 70 , Folder 25

Mandyczewski, Eusebius.

APS 1 1899

Box 70 , Folder 26

Mengelberg, Willem (with letterhead of Concertgebouw, Amsterdam).

ALS 1 1938 (to Eva Violin, Moriz's daughter)

Box 70 , Folder 27

Messchaert, Johannes.

ALS 1 1904

APS 1 1904

Box 70 , Folder 28

Mittelemann, Aron.

APS 2 1912

Box 70 , Folder 29

Monteux, Pierre.

ALS 1 1947*

Note

*Acquisition after 1978. See also Appendix.

Box 70 , Folder 30

Oppel, Reinhard.

ALS 1 1931

Box 70 , Folder 31

Pálffy, _____, Comtesse.

ANU 1 undated (written on calling card)

Box 70 , Folder 32

Pollak, Egon.

ALS 1 1933

Box 70 , Folder 33

Reznicek, Emil Nikolaus von.

ALS 1 1906

Schenker, Heinrich see Schenker Correspondence, Letters to the Violins, Boxes 6, 7, 8.

Box 70 , Folder 34

Schmidt, Franz.

ALS 1 undated

ALS 1 1903

Box 70 , Folder 35

Schoenberg, Arnold.

TLS 2 1939-1950* (1939 letter on behalf of Violin addressed "To Whom It May Concern")

Note

*Acquisition after 1978. See also Appendix.

Photocopies of:

ALS 4 1902-1949

APS 2 1902-1904

TLS 2 1940-1949

Box 70 , Folder 36

Schroeder, Oswald.

ALS 1 1933

Box 70 , Folder 37

Sessions, Roger (with letterhead of Department of Music, University of California, Berkeley).

TLS 1 1949

Box 70 , Folder 38

Stuart, R. E. (with letterhead of St. Louis Institute of Music, St. Louis).

TLS 1 1940 (photocopy)

Box 70 , Folder 39

Thorsch, Madame Edouard.

ANU 1 undated (written on calling card)

Box 70 , Folder 40

Universal-Edition, Wien.

TPS 1 1921 (signature not identified)

Box 70 , Folder 41

Verein zur Abhaltung akademischer Vorträge für Damen, Wien.

ALS 1 1898 (signature not identified)

Box 70 , Folder 42

Violin, Carl Raphael (Moriz Violin's son).

ALS 1 undated [ca. 1925]

Box 70 , Folder 43

Vrieslander, Otto.

ALS 1 1912

Box 70 , Folder 44

Walter, Bruno.

TLS 2 1951*-1953

Note

*Acquisition after 1978. See also Appendix.

TLS 1 1934 (letter of recommendation)

Box 70 , Folder 45

Webb, O. W. (with letterhead of Army Service Forces, Camp Beale, California).

TLS 1 1945

Box 70 , Folder 46

Weisse, Hans.

ALS 7 1912-1935

ALS 4 undated [3 letters ca. 1912, 1 letter 1931]

1 ms. fragment of music undated

Box 70 , Folder 47

Wittgenstein, Poldy.

ANU 1 1900 (written on calling card)

Box 70 , Folder 48

Wolzogen, Ernst von.

ALS 1 1902

Wedding announcement, Ernst von Wolzogen and Elsa Semann zur Mangern, 1902 (printed and hand illustrated; designed by Franz H. Ehmcke)

Box 70 , Folder 48a

Zeigler, L.

APS 1 undated [1917?]

IIIc. WORKS BY AND ABOUT MORIZ VIOLIN, WITH RELATED MEMORABILIA

Physical Description: Box 70

Box 70 , Folder 49

Violin, Moriz. Ueber das sogenannte Continuo. Ein Beitrag zur Lösung des Problems. No. 3089. Wien: Universal-Edition [1911]. 37,[3]pp. Together with photocopy of a review by R. S. Hoffmann in Der Merker, 2. Jahrg. (1. März 1911), 482-483.

Box 70 , Folder 49a

Violin, Moriz. Die Zustände an der k.k. Akademie für Musik und darstellende Kunst. Ein offenes Wort über die Leiter der Anstalt Herren v. Wiener und Bopp. Wien: Im Selbstverlage, 1912. 34 pp. Photocopy. Published by Violin at the time of his resignation from the Akademie ( see also Box 70 f.59). Mentions Schenker. *

Note

*Acquisition after 1978. See also Appendix.

Box 70 , Folder 50

Violin, Moriz. War diary written on the Eastern Front, 9 June-11 August [1915]. 16 ms. leaves in Violin's hand.

Box 70 , Folder 51

Violin, Moriz. "My Personal Recollections of Johannes Brahms." 14 leaves of ms. in English and 12 leaves in German, all in Violin's hand, together with two earlier drafts, and with photocopy of a typescript of the English version

Physical Description: (10 leaves).

Box 70 , Folder 52

[Violin]. Cook, John Douglas. "... And Brahms Was His Friend," Opera and Concert XIII (October, 1948), 10-11, 28-29. Article adapted from Violin's ms., "My Personal Recollections..."

Box 70 , Folder 53

Violin, Moriz. "Zu Dr. Heinrich Schenker's 50ten Geburtstage." Essay for a proposed Festschrift volume [1918]. 20 ms. leaves in Violin's hand, in bound notebook, the remainder blank.

Box 70 , Folder 54

Violin, Moriz. [Obituary of Heinrich Schenker.] Typescript, 3 leaves, signed "M. V." Original and carbon, the latter with extensive corrections, in part in the hand of Jeanette Schenker [1935]. Together with a clipping of an abridgment of the corrected version published in a Vienna newspaper, headed "(Zur Erinnerung an Heinrich Schenker.)"

Box 70 , Folder 55

Weisse, Hans. Streichquartett, C moll. Partitur, op. 4. Plate U. E. 7671. Wien: Universal-Edition [c 1925]. Cover title, [2],52,[2]pp. Presentation copy, with autograph inscription to Violin.

Box 70 , Folder 56

Brahms-Abend... Kammersängerin Alice Barbi, zu Gunsten eines... Brahms Denkmales. Wien, 30. März 1898. Souvenir program, with lithographic portrait of Brahms.

Biographical Materials concerning Violin

Box 70 , Folder 57

Violin, Moriz. [Biographical sketch compiled by Clifford Wurfel from conversations with Violin's daughter, Eva Windsor, April, 1981.] 1 leaf typescript, with later ms. additions. Together with a newsletter announcing a master class by Violin in San Francisco, 1941.

Box 70 , Folder 58

Violin, Moriz. Notes in Jonas's hand on Violin's career, pianistic technique and teaching method. 6 ms. leaves. Together with 3 newspaper clippings, 2 containing obituaries of Violin [1956].

Box 70 , Folder 59

Akademie für Musik und darstellende Kunst, Wien. Documents relating to Violin's teaching appointment:

Scope and Content Note

Letter appointing Violin to the position of Lehrer in den Ausbildungsklassen für Klavier, 1909.
Testimonial expressing regret at Violin's impending resignation from the Akademie, 1912. Signed by R. Heuberger, E. Mandyczewski, C. Pruhaska, H. Steiner, and many others.

Box 70 , Folder 60

Gesellschaft der Musikfreunde, Wien. Documents relating to Violin:

Scope and Content Note

Letter of award, Brahms prize for composition, 1894.
2 documents concerning appointment as Ausbildungslehrer für Klavier, 1908.

Box 70 , Folder 61

Staatliches Prüfungsamt für Privatlehrer und Privatlehrerinnen, Hamburg. Certificate, "staatlich anerkannter" Lehrer für Klavier, awarded to Violin, 1928.

Box 70 , Folder 62

Rotes Kreuz. Gemeinsames Zentralnachweisbureau, Wien. Certificate of appreciation awarded to Violin for war service with the Red Cross, 1916. Together with Violin's army Identitätskarte, 1917.

Box 70 , Folder 63

Reviews of performances by Violin in Vienna; newspaper clippings, programs, and photocopies, 1896-1934. Includes photocopy of Heinrich Schenker's "Kunst und Leben," Die Zeit, 1. Februar 1896, p. 78, mentioning a performance of the "17 jähriger Künstler Moriz Violin;" also photocopy of a Violin-Fischer-Klengel Kammer-Konzert, 3. November 1904, with Schenker at the piano and Violin conducting.

Box 70 , Folder 64

Reviews of performances by Violin in Hamburg; newspaper clippings and programs, 1922-1933.

Box 70 , Folder 65

Reviews of performances by the Violin-van den Berg-Buxbaum trio in Berlin; newspaper clippings, 1926.

Box 70 , Folder 66

Karpath, Ludwig. "Wien" [Music chronicle from Vienna.] Signale für die Musikalische Welt, Leipzig, Jahrg. 64 (1906), 196-197. Review of performance of Beethoven's Piano Concerto No. 3 by Violin. Also discusses Schenker. Together with another issue of the Signale, Jahrg. 62 (15. November 1904), mentioning performances by the Violin-Klengel-Fischer trio and by Schenker.

Letters of Recommendation for Violin

Box 70 , Folder 67

Busoni, Ferruccio. ALS 1900, addressed to "Sehr verehrter Herr Kapellmeister."

Box 70 , Folder 68

Furtwängler, Wilhelm. TLS 1934. Photocopy (for original see Box 70 f.17).

Box 70 , Folder 69

Goldschmidt, Adalbert von. ALS undated [1900?] to Arthur Nikisch, introducing Violin.

Box 70 , Folder 70

Schalk, Franz. ALS undated [1900?] to Richard Strauss, introducing Violin.

Box 70 , Folder 71

Schoenberg, Arnold. Letters on behalf of Violin.

TLS 1939, addressed "To Whom It May Concern." Typed transcript, mimeographed. (For original see Box 70, f.35)

Photocopies of:

TLS 1939, addressed to the Coordinating Committee for German Refugees, San Francisco

Printed version of letter to Alfred Hertz 1939 (as translated and published in Schoenberg's Letters, ed. E. Stein. London, Faber [1964], pp. 203-204)

Box 70 , Folder 72

Walter, Bruno. TLS 1934. Photocopy (for original see Box 70, f.44).

Box 70 , Folder 73

Violin. Miscellany.

Scope and Content Note

Typescript verses for Violin's birthday, 1936, signed "Schmidibumpfel"
2 ms. fragments of music
2 envelopes/covers addressed to Violin, undated. (For caricature of Violin by Schenker found with these fragments, see Box 6 f.1)

IV. Other Correspondence

CORRESPONDENCE EXCLUDING SCHENKER, JONAS, AND VIOLIN

Physical Description: Box 71

Box 71 , Folder 1

Anders, Mariedi.

TLU 1 1963 (to Norman Fromm; carbon typescript)

Box 71 , Folder 2

Barnes, Richard G. (with letterhead of Northwestern University Press, Evanston, Ill.).

TLS 1 1969 (to Elena Hift, Universal-Edition, Wien; photocopy)

Box 71 , Folder 3

Bell, Alice M. (secretary to Marguerite T. Doane).

TLU 1 1954 (to G. Henle Verlag, München; typescript copy)

Box 71 , Folder 4

Bente, Hella (with letterhead of Sekretariat Elly Ney, Bonn).

TLS 1 1934 (to Saturn-Verlag, Wien)

Box 71 , Folder 5

Besag, Hilda.

APS 1 1934 (to Universal-Edition, Leipzig)

Box 71 , Folder 6

Busoni, Ferruccio.

ALS 1 1900 (to "Herr Kapellmeister;" letter of introduction for Moriz Violin. Photocopy; for original see Box 70 f.68)

Box 71 , Folder 7

Cube, Felix von (i.e., Felix-Eberhard von Cube. With letterhead of Schenker-Institut, Hamburg).

ALS 1 1948 (to Ernst Oster; photocopy.)

Box 71 , Folder 8

Cutter, Margot.

TLU 2 1951 (to Arthur Waldeck; carbon typescript)

Box 71 , Folder 9

Deutsch, Otto Erich.

TLS 1 1932 (to Anthony van Hoboken; carbon typescript, with autograph postscript addressed to Schenker)

Box 71 , Folder 10

Engel, Marie.

TLU 1 1953 (to Josef Schaefer, G. Henle Verlag, München; typescript copy)

Box 71 , Folder 10a

Esser, Heribert

TLU 1 1988 (to Tomás Kornfeld; photocopy)*

Note

*Acquisitions after 1978. See also Appendix.

Forte, Allen to Ernst Oster. See transcript (incomplete) of 1960 letter included in letter of 20. Nov. 1960 from Oster to Jonas, Box 36, f.199.

Box 71 , Folder 11

[Furtwängler, Wilhelm]

TLU 2 1933 (to Ludwig Karpath concerning an appointment for Schenker in the Akademie. Photocopies of typed transcripts; see also Box 35 f.4)

Furtwängler, Wilhelm, to Felix (Eberhard) von Cube. See transcript of 1934 letter included in letter of 4.X.34 from Cube to Schenker, Box 9 f.34.

Box 71 , Folder 12

Gerstenberg, Walter.

TLS 1 1965 (to Arno Volk, B. Schott's Söhne, Mainz; carbon copy)

Box 71 , Folder 13

Goldschmidt, Adalbert von.

ALS 1 undated [1900?] (to Arthur Nikisch; letter of introduction for Moriz Violin. Photocopy; for original see Box 70 f.70)

Box 71 , Folder 14

Hanslick, Eduard.

ANU 1 1894 (to Eduard Bacher, Neue freie Presse, Wien; written on calling card, recommending Schenker)

Box 71 , Folder 15

Harpner, Stefan G. (with letterhead of Theodore Presser Company, Bryn Mawr, Penna.).

TLS 1 1970 (to Joseph Stein, M.I.T. Press, Cambridge, Mass.; photocopy)

Box 71 , Folder 16

Hift, Elena (with letterhead of Universal-Edition, Wien.)

TLS 2 1969-1970 (to Richard G. Barnes, Northwestern University Press, Evanston, Ill.; photocopies)

Box 71 , Folder 17

Hoch, D. B. (with letterhead of Dr. Hoch's Conservatorium, Frankfurt a. M.).

ALS 1 1903 (to Eugen d'Albert)

Box 71 , Folder 18

Hofmeister, Friedrich, firm, Leipzig.

1 report from 1923 concerning publication date of Schenker's Tonwille III (to Wilhelm Hofmann, firm, Kiel)

Box 71 , Folder 19

Kalmus, Alfred (with letterhead of Wiener Philharmonischer Verlag, Wien).

TLS 1 1927 (to Otto Erich Deutsch. See also two related Deutsch TPS to Schenker, 14. and 22. Nov. 1927, Box 10 f.3)

Box 71 , Folder 19a

Kammerer, Emil, Hof- und Gerichtsadvokat, Wien.

TLS 1 1916 (to Ludwig Karpath; signed by a member of the firm. ALS on verso from Karpath to Schenker)

Box 71 , Folder 20

Kestenberg, Leo (Preussisches Ministerium für Wissenschaft, Kunst und Volksbildung, Berlin).

ALS 4 1930 (to Hans Weisse; ms. copies transcribed in the hand of Jeanette Schenker)

Box 71 , Folder 21

Kinsky, Georg.

TLS 1 1927 (to Otto Erich Deutsch; refers to a typed except, on verso, concerning Hans Pfitzner in an article by Alfred Heuss in Neue Zeitschrift für Musik, 1927)

Box 71 , Folder 21a

Kornfeld, Tomás (Thomas; grandson of Jeanette Schenker)

TLS 1 1988 (to Heribert Esser; photocopy)*

Note

*Acquisitions after 1978. See also Appendix.

TPS 1 1988 (to Heribert Esser; photocopy)*

Note

*Acquisitions after 1978. See also Appendix.

Box 71 , Folder 22

Krueger, T[heodore] Howard.

TLS 1 1958 (to Erwin Ratz)

TLS 2 1958 (to Alfred Schlee, Universal-Edition, Vienna; typescript copies)

Box 71 , Folder 23

Lehmann, Robert Owen (includes letterhead of Robert Owen Lehmann Foundation).

TLS 1 1964 (to Claude V. Palisca, Department of Music, Yale University, New Haven; photocopy)

TLU 1 1965 (to Joseph Stummvoll, Nationalbibliothek, Wien; typescript copy)

Box 71 , Folder 24

Levarie, Sigmund (with letterhead of University of Chicago, Department of Music).

TLU 1 1952 (to Morton M. Grodzins, University of Chicago Press; carbon typescript)

Box 71 , Folder 25

Mühlau, Walter G., firm, Kiel.

1 postcard report form 1929 (to Reinhard Oppel concerning Schenker's [unpublished] Erläuterungsausgabe of Beethoven Op.106)

Box 71 , Folder 26

Nowak, Leopold (includes letterhead of Nationalbibliothek, Musik-Abteilung, Wien).

TLS 1 1949 (to Szymon Goldberg)

Cablegram 1 1949 (to Szymon Goldberg

Box 71 , Folder 27

[Oster, Ernst].

TLU 1 1939 (to Franz Eibner; carbon typescript with autograph additions)

Box 71 , Folder 28

Perks, W. R. (with letterhead of United Kingdom Home Office, Aliens Department, London).

TLS 1 [1938] (to Otto M. Schiff; typescript copy)

Box 71 , Folder 29

Reményi, Eduard.

ALS 1 1895 (to Robert Underwood Johnson; together with typed transcript)

Box 71 , Folder 30

Reynolds, William H. (with letterhead of University of California, Riverside, Department of Music).

TLU 1 1966 (to Roger Chapman, University of California, Santa Barbara; carbon typescript)

Box 71 , Folder 31

Salzer, Felix.

TLS 1 1948 (to Ernst Oster; carbon typescript signed. With marginal markings, probably by Jonas)

Box 71 , Folder 32

Schalk, Franz.

ALS 1 undated [1900?] (to Richard Strauss; note of introduction for Moriz Violin. Photocopy; for original see Box 70 f.70)

Box 71 , Folder 33

Sessions, Roger.

TLU 1 1959 (to Datus C. Smith, Princeton University Press; typed transcript)

Box 71 , Folder 34

Somfai, László.

ALS 1 1965 (to Christa Fuhrmann Landon)

Box 71 , Folder 35

Universal-Edition, Wien (includes letterhead; variously signed on behalf of the firm).

TLS 1 1958 (to Erwin Ratz, with typed translations of 2 letters, T. H. Krueger to Alfred Schlee 1958 and Universal-Edition to T. H. Krueger 1958)

TLU 1 1958 (to T. Howard Krueger; carbon typescript)

TLS 1 1961 (to Eva Wiederer, Associated Music Publishers, New York; carbon typescript)

Box 71 , Folder 36

Vetter, Walther.

TLS 1 1965 (to Hellmut Federhofer; photocopy)

Box 71 , Folder 37

Vrieslander, Otto.

APS 1 undated (to R. Brünauer)

Box 71 , Folder 38

Waldeck, Arthur.

TLU 1 1951 (to Margot Cutter, Princeton University Press; carbon of typed transcript)

Box 71 , Folder 39

Waters, Edward N. (with letterhead of Library of Congress).

TLS 1 1950 (to Charles E. Cuningham; photocopy)

Box 71 , Folder 40

[Weisse, Hans].

TLU 1 [1918] (to Otto Vrieslander concerning his proposal for a Schenker Festschrift; carbon typescript with a few ms. corrections in an unidentified hand)

Box 71 , Folder 41

Wiederer, Eva (with letterhead of Associated Music Publishers, New York).

TLS 1 1960 (to Maria Bauer, Universal-Edition, Wien; photocopy)

Box 71 , Folder 42

Wolff, Hermann (with letterhead, Concert-Direction Hermann Wolff).

ALS 1 [1893] (to Maximilian Harden concerning Schenker's article on Bruckner in Die Zukunft, with postscript to Schenker in Harden's hand).

V. Photographs and Other Portraits

Original photographic prints, mezzotints, and a bronze plaque

Physical Description: Boxes 72-73

Scope and Content Note

Items are arranged by subject and unless otherwise indicated are photographic prints.

Box 72 , Folder 1

d'Albert, Eugen.

1. Portrait, standing, three-quarter length, mounted. Photographer: W. Höffert, Berlin. Inscribed "Herrn Dr. Heinrich Schenker dem treuen Freunde zum Andenken Eugen d'Albert. Frankft. a. M. 6.10.98."

Box 72 , Folder 2

Brahms, Johannes.

1. Brahms and Henriette Hemala, Gmunden, 1893. Copy and negative, after the photo by Eugen von Miller-Aichholz.

2. Brahms seated at an outdoor café table. Photo in oval mat with laurel leaves, contemporary rustic wood frame, ca. 1890. (Photocopy; oversize original shelved in Box 73, f.1.)

Box 72 , Folder 3

Deutsch, Otto Erich.

1. Deutsch reading [in his study?] ca. 1950.

2. Deutsch and Oswald Jonas in conversation. Color photo, ca. 1966.

3. Deutsch. Enlarged detail of no.2, above.

Box 72 , Folder 4

Dunn, John Petrie.

1. Portrait, seated. With autograph inscription to Schenker dated 19. Juni 1928. Photographer: Moffat, Edinburgh.

2. John and Aline Petrie Dunn walking at Marienbad. Inscription on back: "Marienbad, August 1930."

Box 72 , Folder 5

Fischer, Emma.

1-3. Photographs of two children (daughters of Emma Fischer?) found with Fischer's letters to Schenker. Inscribed "Cernauti [Chernovtsy] 1 August 1934."

Box 72 , Folder 6

Hammer, Victor.

1. Mezzotint self-portrait. Signed in pencil "V.H. 1926". Inscribed in pencil "Herrn Doktor Heinrich Schenker in aufrichtiger Verehrung V.H." (Photocopy; original shelved with oversize prints, Special Collections & Archives.)

Box 72 , Folder 7

Hilbrandt, F.

1. Hilbrandt at the piano, postcard photo with ANS to Violin dated Klagenfurt, 1910.

Box 72 , Folder 8

Jonas, Oswald.

1. Jonas seated in armchair, ca. 1950. Original print, together with new negative and copy prints.

2. Jonas laughing, ca. 1960. Negative and print.

3. Jonas standing on porch of house in Riverside, 1966. Negative and print.

4. Jonas lecturing, ca. 1976. Negative and print.

5. Jonas with two students looking at some of his early editions, ca. 1966 [Photographer: Ansel Adams]. Negative and two different enlargements.

Box 72 , Folder 9

Kornfeld, Tomás (son of Felix and grandson of Jeanette Kornfeld Schenker).

1. Portrait, head and shoulders. Inscribed: "Tommy Kornfeld geb. 7.8.1932, aufgen. am 7.8.1939." Photographer: Karl Engel, Aussig. Found with letter from Felix Kornfeld to Jeanette Schenker, 1939.

Box 72 , Folder 10

Messchaert, Johannes.

1. Portrait, head and shoulders, mounted. With autograph inscription on back, dated "Amsterdam, April. 96." Photographer: Wegner & Mottu, Amsterdam.

Box 72 , Folder 11

Oppel, Reinhard.

Photographs found with Oppel's letters to the Schenkers:

1. Oppel reading at desk. Dated "1907, mit 30 Jahre."

2. Woman seated (Frau Oppel?), dated VII.17.

3. Oppel reading, dated Sept. 1920.

4-6. Photographs of children, variously dated 1921-1938.

7. Oppel walking in street with two children, dated "Sommer 1938."

Box 72 , Folder 12

Röntgen, Julius.

1. Portrait, head and shoulders, mounted. With autograph inscription to Schenker dated Amsterdam 24.IV.96. Photographer: Deutmann & Zonen, Amsterdam.

Box 72 , Folder 13

Roth, Herman and Otto Vrieslander.

1. Vrieslander and Roth standing. Photo postcard, Munich, inscribed on back by both men and dated 11.II.17.

Box 72 , Folder 14

Schenker, Heinrich.

1. Portrait, three-quarter length, mounted. With autograph inscription to Violin, ca. 1900. Photographer: "Dr. Székely, Wien."

2. Portrait printed on left side of postcard. ANS by Schenker on right side, addressed to Violin. Postmarked 1901.

3. Schenker standing in a garden. On verso, ANS from Schenker to Violin, ca. 1905.

4. Schenker seated, with his brother Moriz standing behind him. Printed on left side of postcard. On right side, ANS by Schenker addressed to Frau Genovefa Violin. Postmarked 1901.

5. Portrait, half length, mounted, November 15, 1913. Photographer: "Atelier Kosel, Wien."

6. Portrait, seated at a table with a leaf of manuscript, mounted, ca. 1919. Photographer's monogram: LB.

7. Mezzotint portrait. Engraved in the plate: "1 9 V Heinrich Schenker H 2 5". Signed in pencil: Victor Hammer 1926". (Photocopy; original shelved with oversized printed, Special Collections & Archives.)

8. Photograph of earlier trial state of no. 7. Inscribed on the trial state: "Vorletzter Probedruck. Victor Hammer 1925."

9. Schenker seated at piano, dated 9.V.27.

10. Portrait, head and shoulders, left profile, with spectacles. Mounted. Signed in pencil on the mount: "v. Cube. 1927." Together with enlarged print, reversed.

11. Portrait, head and shoulders, left profile, without spectacles; edelweiss flower superimposed on left shoulder, ca. 1930. Negative and two different enlargements.

12. Portrait, head and shoulders, frontal, with raking light over left shoulder, ca. 1930. Also another early print, ca. 1930, with background retouched. Together with new negative and various later copies.

13. Portrait, head and shoulders, three-quarter view, laughing, ca. 1930; same portrait session as no. 12. Mounted.

14. Portrait, head and shoulders, three-quarter view from left, copy of original ca. 1930, probably same portrait session as no. 12. Original with border of laurel leaves.

15. Death mask photographed from right. 1935.

16. Death mask photographed from left. 1935.

17. Cast of left hand [ ca. 1925?]. Photo, with duplicate print.

18. Bronze p, Schenker's head, left profile. Inscribed in the mold: "Heinrich Schenker" and "Alfred Rothberger. ca. 1930. (Photo; original, mounted on wood, shelved in Box 73, f.3.)

Box 72 , Folder 15

Schenker, Heinrich and Jeanette.

1. Jeanette seated, Heinrich standing holding a cigar. Mounted, ca. 1919. Photographer's monogram: LB Together with another copy cut to fit an oval frame.

2. Heinrich and Jeanette seated in an open touring car with a man and woman standing outside. Near Galtür, Tirol, ca. 1930.

3. Heinrich and Jeanette seated in an open touring car with chauffeur. Near Galtür, ca. 1930.

4. Jeanette, Heinrich, and chauffeur standing by a wooden fence in Tirol, ca. 1930.

5. Jeanette and Heinrich seated on a rock, near Galtür, ca. 1930.

6. Jeanette and Heinrich with umbrellas, beside a path above Galtür, ca. 1930.

7-9. Photographs of Galtür, Tirol, and nearby landscape, ca. 1930.

10. Heinrich and Jeanette outside the hotel at Galtür. Inscribed on back in Schenker's hand: "Sommer 1931 Lie Lie Heinrich." In upper left corner, in pencil: "Floriz."

Box 72 , Folder 16

Schenker, Jeanette.

1. Portrait, half length, November 15, 1913. Mounted in folder. Photographer: "Atelier Kosel, Wien."

2. Portrait, three-quarter length, ca. 1921, mounted. Photographer: "S'Ora, Paris-Carlsbad-Vienne."

3. Portrait, head and shoulders, ca. 1921, mounted. Photographer: S'Ora.

4. Portrait, head and shoulders, right profile, mounted. Signed: "v. Cube. 1927."

Box 72 , Folder 17

Schenker, Johann (father of Heinrich).

1. Portrait of Johann Schenker (?), half length, in oval mat and contemporary oval wood frame with later easel back, ca. 1875. This photograph, in frame, stood on the bookcase in the study/bedroom in the Keilgasse apartment. (Photocopy; oversize original shelved in Box 73, f.2.)

Box 72 , Folder 18

Schenker, Moriz (brother of Heinrich); Guttmann, Sophie (sister of Heinrich) and her family.

1. Portrait of Sophie Guttmann and her husband Dr. Salomon Guttmann. Solomon in military uniform. Mounted. Photographer: "R. Blumberg, Wien." circa 1898.

2. Portrait of Moriz Schenker on postcard, addressed to Heinrich Schenker. Postmark date illegible, circa 1901.

3. Julian (Julko) and Frieda Guttmann, children of Sophie Guttmann. Mounted. Photographer: "Atelier Therese, Suczawa." circa 1903.

4. Julian, Hans, and Frieda Guttmann; children of Sophie Guttmann. Mounted circa 1904.

5. Family portrait: Sophie Guttmann, her husband Salomon Guttmann, and their children Frieda, Julian, and Hans Guttmann. Mounted. Photographer: "Atelier Therese, Suczawa."

6. Frieda Guttmann, daughter of Sophie Guttmann. Mounted. Photographer: "Atelier Therese, Suczawa and Dornawatra." Inscribed on back: "dem lieben Onkel, Frieda."

7. Frieda Guttmann, circa 1911. Mounted. Photographer: "Atelier Rembrandt, Sereth, Bukowina." Inscribed on back: "zum Andenken dem lieben Onkel, Frieda."

8. Julian, Frieda, and Hans Guttmann, circa 1912. Mounted. Photographer: "Atelier Rembrandt, Sereth, Bukovina." Inscribed on back to their uncle Heinrich Schenker.

9. Hans Guttmann in military uniform beside airplane, postcard photo. Inscribed on back to his uncle Heinrich and dated "Thalerhof, am 23./VII.1917."

10. Hans Guttmann, half length, in military uniform, circa 1917.

11. Family group: Sophie, Salomon, Hans, Frieda, and Julian Guttmann. Postcard photo, circa 1917.

12. Julian (Julko) Guttmann in classroom group; postcard photo with note to Heinrich Schenker, 1917.

13. Hans, Frieda, and Julian Guttmann; winter scene, circa 1919.

14. Julian and Frieda Guttmann with Sophie Guttmann, circa 1920.

15. Family group: Salomon, Sophie, Julian, and Frieda Guttmann, circa 1922.

16. Snapshot of boy, around age 12. circa 1929.

Box 72 , Folder 19

[Schenker]. Interior views of Schenker apartment, Keilgasse 8, Vienna, circa 1930-1935.

1. Living room, with view toward music room/studio. Photographer: "Atelier Meroth, Wien III. Rennweg 17."

2. Music room/studio with piano. Photographer: Atelier Meroth. 2 prints.

3. Heinrich Schenker's study/bedroom. [Photographer: Atelier Meroth.]

4. Jeanette Schenker's bedroom. Photographer: Atelier Meroth. 3 prints.

5. Snapshot of Schenker's study/bedroom, perhaps made after his death.

6. Snapshot of piano in music room/studio, perhaps made after Schenker's death.

Box 72 , Folder 20

[Schenker] Unidentified photographs found with Schenker materials.

1. Man and woman (Victor and Olga von Miller zu Aichholz?) seated at doorway of Miller zu Aichholz's house in Gmunden [1893?]. Mounted. Photographer: "Eugen v. Miller jr., Wien und Gmunden." (Folder continued on following page)

2. Man in carriage (Victor von Miller zu Aichholz?) drawn up before house, ca. 1890. Corner cut off; mounted. Photographer: Eugen von Miller jr.

3. Conversation group: five women in interior (including Olga von Miller zu Aichholz?), ca. 1890. Mounted.

4. Cavalry unit, mounted (Austrain army?) in front of barracks, ca. 1914-18. Postcard photo.

5-15. Unidentified photographs, men, women, children, ca. 1890-1925. Various photographers in Vienna and Gmunden.

Box 72 , Folder 21

Schiff, Victor (Jeanette Schenker's brother).

1. Portrait, head and shoulders. Inscribed (without signature) on back, "Frühling 1926 (Hier Herbst) in Liebe gewidmet." Postcard photo; photographer: Navarro-Martinez [Valparaiso?]. Found with letter to Jeanette Schenker from Victor Schiff, 21 März 1926.

Box 72 , Folder 22

Szalit, Paula.

1. Portrait, full length, age ca. 12, mounted. Inscribed on back, "Paula Szalit, 15.7.95." Photographer: "Zaklad Michala Friedmana, Nowy Sacz." Found with letter from Szalit to Schenker.

Box 72 , Folder 23

Violin, Moriz.

1. Violin (age ca. 13?) with his mother and brother (in the Miller zu Aichholz house in Gmunden), mounted, ca. 1892. Photographer: Eugen von Miller jr., Wien und Gmunden.

2. Violin, age ca. 17, half length, standing on a terrace out of doors. Mounted, ca. 1896.

3. Violin standing on tennis court with racquet, age ca. 17. Mounted, ca. 1896.

4. Conversation group in interior; Violin (age ca. 18) at far right. Mounted, ca. 1897. Photo creased across middle.

5. Violin standing beside his mother; postcard photo with ANS from Violin to Schenker dated 31 August 1901.

6. Portrait, half length, inscribed by Violin. Mounted, ca. 1901. Photographer: Schwertführer, Berlin. Inscribed (to Schenker) in Violin's hand: "Als ich voll Hoffnung in Berlin eintraf! Floriz."

7. Group photo reproduced in unidentified periodical, ca. 1929-33, with printed caption, "Baron [Ernst] von Wolzogen und die Mitglieder seines Ueberbrettls (1901)." Violin at right of group. One leaf, excerpt.

8. Austrian army unit, officers and enlisted men, group photo, Violin at left, on postcard with ANS from Violin to Schenker, postmarked "Marburg a. d. Drava, 30.V.15." (Folder continued on following page)

9. Violin with commanding officer and two other enlisted men of Austrian army unit; postcard photo with ANS from Violin to Schenker, postmarked Marburg a. d. Drava [1915].

10-12. Three group photos of staff at Austrian army hospital; Violin appears in each. Mounted, ca. 1916; two with photographer's monogram: KG.

13. Violin standing with another man; postcard photo, ca. 1920.

14. Raphael, son of Moriz, age ca. 12 ( ca. 1926).

15. Violin and his daughter Eva, inscribed "Timmendorf, Pfingsten 1927."

16. Violin at the piano, ca. 1935. Together with new negative and later copies, ca. 1950.

17. Violin at the piano, San Francisco, ca. 1950.

18. Portrait of Violin in suit / Portrait of Violin with a woman seated (quantity, 2), undated.

Vrieslander, Otto see Roth, Herman and Otto Vrieslander.

Box 72 , Folder 24

Weisse, Hans.

1. Weisse gazing at framed portrait of Brahms; postcard photo with ANS (sending Christmas holiday wishes) from Weisse to Schenker, ca. 1913. Photographer: Franz Hofer, Bad Ischl.

2. House on Kaiser Ferdinandsplatz, Bad Ischl, where Weisse had his "Arbeitszimmer." ca. 1913.

3. Weisse in officer's uniform, Austrian army. Mounted, ca. 1916.

4-5. Two photos of Weisse's children, one inscribed with date, 5. August 29.

Wolzogen, Ernst von see Violin, Moriz.

Box 73

Oversize Photographs, etc. (also listed in Box 72)

Box 73 , Folder 1

Brahms, Johannes. Brahms seated at an outdoor café table (complete entry at Box 72, f.2, no. 2).

Box 73 , Folder 2

Schenker, Heinrich. Bronze plaque of Schenker's head (left profile); inscribed in the mold, "Heinrich Schenker" and "Alfred Rothberger."

Box 73 , Folder 3

Schenker, Johann (?). Portrait, half length, ca. 1875 (complete entry at Box 72, f.16, no. 1).

VI. First and Early Editions

PRINTED SCORES OF EIGHTEENTH AND NINETEENTH CENTURY COMPOSERS

Scope and Content Note

This group of 430 early editions of printed scores by eleven eighteenth- and nineteenth-century composers was collected by Oswald Jonas and acquired by the Library in 1976. Jonas's collecting reflected his teaching and research and thus was limited in its range; in no way did it aim at inclusiveness. The collection is fully cataloged and shelved in Special Collections & Archives; summaries given below are intended to suggest the extent of coverage for each composer. More complete information is available from Special Collections & Archives in the UCR Library.

Beethoven, Ludwig van

The sixty-four scores of Beethoven represent portions of his piano music (including nineteen of the piano sonatas, the piano concertos, the Diabelli Variations and other works for piano), together with a few vocal works. Much of the piano music is present in the Haslinger Gesamtausgabe (1828-45) including segments of series I-II, V-VIII, X. This group supplements the Beethoven research materials of Schenker and Jonas to be found elsewhere in Groups I d, I e, and II d.

Brahms, Johannes

In size and substance the Brahms section is the strongest part of the collection; the group of 109 scores offers a good selection of Brahms's piano, vocal, and chamber works. Orchestral works such as concertos are present in reductions for piano or chamber groups; works for orchestra and voices such as Ein deutsches Requiem, the Rhapsodie für eine Altstimme, and the Schicksalslied similarly are present in pianovocal or piano four-hands arrangements. Solo piano works are fairly well represented, though not in most cases by first editions, and there are transcriptions by Brahms of his own compositions, made in answer to demands of his publisher Simrock for more accessible versions for piano or violin and piano, such as the Clarinet Sonatas (Op. 120), of which Jonas edited a modern edition of the version for violin and piano. Finally, a good representation of Brahms's lieder and of his minor choral works is augmented elsewhere in the Jonas archives by his Brahms research materials ( see Group II d, Boxes 42-51).

Chopin, Frédéric

Among the sixty-seven scores are a number of early Breitkopf & Härtel Leipzig editions (and a few published by Kistner) as well as other uncommon early issues from Berlin, Vienna and Warsaw. The selection of these scores was intended to reflect the theoretical interests of Schenker and his pupil Jonas and, for Jonas, supplemented Schenker's own annotated copies.

Handel, George Frideric

Of the four scores represented here, all are nineteenth-century publications and one, the Dettingen Te Deum, is in Mendelssohn's Leipzig version with his orchestration.

Haydn, Joseph

The eight scores include examples of early editions of keyboard works, songs, violin sonatas and choral works.

Liszt, Franz

Liszt appears as the first composer among the six who wrote Hexaméron (variations on a march from Bellini's I Puritani), here present in an early edition. The other composers, besides Chopin and Czerny, include such comparatively unfamiliar names as Herz, Pixis, and Thalberg.

Mendelssohn, Felix

The thirty-nine early editions of Mendelssohn ( see also under Handel) include lieder, piano works, chamber music, and major choral works such as the Elijah and St. Paul. A few orchestral works are present in piano reductions.

Mozart, Wolfgang Amadeus

Of twenty scores by Mozart the greater number are piano works selected from the collected editions by Breitkopf & Härtel (Leipzig, 1798-1806) and Haslinger (Wien, 1818-22). A few Artaria editions, here present, were published before Mozart's death. There are also Simrock (Bonn) editions of the lieder and an early Paris edition of La clemenza di Tito.

Schubert, Franz

The total of thirty titles listed under Schubert's name is somewhat misleading, since the set of posthumous songs ( Nachgelassene musikalische Dichtungen) published by Diabelli alone includes fifty volumes, and three cycles represented by early editions ( Die schöne Müllerin, Winterreise, and Schwanengesang) contain, respectively, twenty, twenty-four, and thirteen songs. There are also smaller collections and single songs as well as a few piano works in this group of editions.

Schumann, Clara

Two piano compositions by Clara Schumann, including the Romanzen (Op. 21) dedicated to Brahms, are in the collection.

Schumann, Robert

Next to the Brahms, the Schumann section of eighty-six titles is the largest in the Jonas collection of early editions. It includes chiefly songs and piano works, lieder cycles such as the Dichterliebe, Liederkreis, and Liederreihe, and early publications of chamber music. In addition there are a few orchestral works, including two early editions of the Piano Concerto in A minor, Op. 54.

With Names of Individual Donors

Note

Listed here are gifts to the Collection; not listed are purchases which are individually identified in the checklist.

Manuscript Materials

Box 5

Schenker, Heinrich to Busoni, Ferruccio.

ALS 14 1897-1903 (36 leaves, photocopies of originals in Deutsche Staatsbibliothek, Berlin [East]; received on exchange)

Box 5

Schenker, Heinrich to Hammer, Victor.

ALS 15 1921-1927; APS 19 1922-1931 (40 leaves, photocopies of originals in private collection; gift of Carolyn Hammer.)

Box 5

Schenker, Heinrich to Weigl, Karl.

APS 1 1934 (2 leaves, photocopy of original in Library of Congress)

Box 5

Schenker, Heinrich to Violin, Karl and Eva.

ALS 1 [1922?] (gift of Eva Violin Windsor)

Box 35

Schenker, Heinrich.

Matriculation papers at Conservatorium für Musik und darstellende Kunst, Wien, 1887-1889 (12 photocopy leaves; gift of Hellmut Federhofer)

Box 70

Mengelberg, Willem to Violin, Eva.

ALS 1 1938 (gift of Eva Violin Windsor)

Box 70

Monteux, Pierre to Violin, Moriz.

ALS 1 1947 (gift of Eva Violin Windsor)

Box 70

Schoenberg, Arnold to Violin, Moriz.

TLS 1 1939 ("To Whom It May Concern", on behalf of Moriz Violin; gift of Eva Violin Windsor)

TLS 1 1950 (To Moriz Violin; gift of Eva Violin Windsor)

Box 70

Walter, Bruno

TLS 1951 (gift of Eva Violin Windsor)

Box 71

Kornfeld, Tomás

Correspondence with Heribert Esser, 1988 (photocopies; gift of Heribert Esser)

Publications

Box 20

Schenker, Heinrich. Essays in Die Zeit, 1895-96 (photocopy, 58 leaves; gift of Heribert Esser)

Box 38

Jonas, Oswald. Early perodical publications, 1927-38 (gift of Heribert Esser)

Box 58

Federhofer, Hellmut. Heinrich Schenker nach Tagebüchern und Briefen, 1985; also two offprints, 1981 (gift of the author)

Box 58

Simms, Bryan R. Two offprints, 1977-1981 (gift of the author)

Box 58

Rast, Nicholas. Offprint, 1988 (gift of the author)

Box 70

Violin, Moriz. Die Zustände an der k. k. Akademie. Wien, 1912 (photocopy; gift of Arnold Schoenberg Institute, University of Southern California)