Finding aid for the Experiments in Art and Technology records, 1966-1993 (bulk
1966-1973)
Lynda Bunting
Descriptive Summary
Title: Experiments in Art and Technology records
Date (inclusive): 1966-1993 (bulk
1966-1973)
Number: 940003
Creator/Collector:
Experiments in Art
and Technology (Organization)
Physical Description:
205 Linear Feet
(237 boxes, 2 rolls, 12 flat file folders)
Repository:
The Getty Research Institute
Special Collections
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
reference@getty.edu
URL: http://hdl.handle.net/10020/askref
(310) 440-7390
Abstract: Records of the organization Experiments
in Art and Technology, generated and collected by its president, Billy Klüver, and other
staff members, the bulk from 1966-1973. Materials include project files, correspondence,
proposals, reports, photographs, posters, audiovisual materials, minutes, clippings, printed
matter, and other items.
Request Materials: Request access to the physical materials
described in this inventory through the
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Language: Collection material is in English
Biographical/Historical Note
E.A.T., an organization devoted to promoting the interaction between art and technology,
developed from the collaboration between Billy Klüver and Robert Rauschenberg. E.A.T.
founders, Billy Klüver, Robert Rauschenberg, Robert Whitman and Fred Waldhauer, believed
that collaboration between artists and scientists would greatly benefit society as a whole.
The organization was created after the landmark event "9 Evenings: Theatre and Engineering,"
1966, and sought to continue the artist / engineer relationship forged during those
performances. E.A.T.'s primary goal was to give artists access to new materials, such as
plastics, reflecting materials, resins, video, and technologies, such as electronics and
computers, which would have been otherwise inaccessible. Staff and participants explored or
experimented with these and the precursors of many technologies that are now commonplace:
chat lines, fax machines, lasers, cable television, and digitized graphics.
By the early 1970s, E.A.T.'s artist and engineer matching service, called the Technical
Services Program, boasted 6,000 members. Through this matching system approximately 500
works were created, the most effective being in the areas of sculpture and performance.
E.A.T. considered the collaborative process between artist and engineer of greater import
than the aesthetics of the end result. Additionally, E.A.T. helped to organize many
exhibitions in order to display the finished products of collaborations. Other E.A.T.
activities focused on educational programs designed to inform the public about new
telecommunications technologies. Research was conducted in order to locate inexpensive
equipment and methods with which to bring TV programming to wider audiences, including
underdeveloped countries.
Project Descriptions:
9 Evenings: Theatre and Engineering
A series of performances held in October 1966 at the 69th Regiment Armory in New York
City, by John Cage, Lucinda Childs, Öyvind Fahlström, Alex Hay, Deborah Hay, Steve Paxton,
Yvonne Rainer, Robert Rauschenberg, David Tudor and Robert Whitman. The artists worked in
collaboration with more than 40 engineers and scientists from Bell Telephone Laboratories to
develop technical equipment that was used as an integral part of the performances. The
original intent was to participate in a Stockholm festival of art and technology, but the
Armory site was selected when negotiations with Stockholm organizers collapsed.
A small catalog was printed containing statements by the participating artists,
photographs, drawings and technical diagrams. Harriet DeLong's draft manuscript for a book
was never published. She collected all possible documentation for each artist's work,
including artists' statements, engineers' technical work and diagrams, descriptions of
performances, scores and press reaction. Additionally, she conducted interviews with some of
the artists and engineers.
"9 Evenings" was extensively photographed by Peter Moore, Robert McElroy, Herbert Migdoll
and Steve Schapiro. A 25 minute, 16mm sound, black-and-white film was made by Alfons
Schilling of the performances.
Technical Services Program
E.A.T.'s matching service began shortly after "9 Evenings" in 1966. Artists with technical
requests were matched with engineers and scientists who produced information and assistance
or participated in longer collaborations. The system for providing information and matchings
was expanded several times after its inception, including a proposal to develop a
computer-based directory of artists, scientists, engineers, researchers and other
professionals. One of the first innovations in the system was to use edge-notch cards to
hold information on the technical specialties of over 1,000 engineers. A computer database
of engineers and scientists was compiled which artists could refer to as they needed
specific expertise.
In 1967 and 1968, EAT began recruiting engineers to work with artists. This was achieved
through visits by artists to technical laboratories like Bell Labs in Murray Hill, N.J. or
IBM Labs in Armonk, N.Y.; a booth at the yearly Institute of Electronic and Electrical
Engineers (IEEE) where artists made a pitch to involve engineers; weekly open houses at the
E.A.T. loft at 9 East 16th Street, where artists and engineers could meet and talk
informally; publication of a newsletter, "E.A.T. News"; and a compilation of a list of
technical libraries in the New York City area open to artists. In general, E.A.T. did not
monitor the resulting contact and collaboration between the individual artists and
engineers. E.A.T.'s intent was to act as liaison during the introductory phase of contact to
facilitate an artist's awareness of new and quickly developing technologies. Other services
to artists included loan of equipment, consultation on safety of works, helping artists
obtain permission from the New York City Health Department to exhibit works that used lasers
and other potentially hazardous materials, and approaches to industry for support of
artists' projects. The program was essentially discontinued in 1973.
Lecture-Demonstration Series
In the spring of 1968, E.A.T. organized a series of lecture-demonstrations by engineers
and scientists for artists held at the E.A.T. loft. They covered such technical subjects as
lasers and holography, computer generated sound and images, color theory, paper, television
and new Hexcel materials. Speakers came from academic, industrial and government
laboratories: e.g., Bell, MIT and National Bureau of Standards.
E.A.T. Competition
In the fall of 1967, E.A.T. announced a competition for the best contribution by an
engineer to a work of art made in collaboration with an artist. It called for works
incorporating technology to be selected for an exhibition organized by Pontus Hulten, "The
Machine as Seen at the End of the Mechanical Age," held at the Museum of Modern Art, New
York, in the fall of 1968. E.A.T. offered to match all interested engineers and artists. The
judges for the competition were all engineers.
Some More Beginnings
One of the first major art and technology exhibitions, held at the Brooklyn Museum from
November 1968 to January 1969. The E.A.T. competition for MOMA's exhibition generated more
than 140 submissions. The decision was made to show all these works at the Brooklyn Museum.
The catalog was designed by Billy Klüver, Julie Martin and Robert Rauschenberg, and contains
photographs and technical descriptions of 145 works.
Pepsi-Cola Pavilion at Expo '70, Osaka, Japan
E.A.T. organized and administered a large-scale international collaboration to design,
build and program the Pepsi-Cola Pavilion at Expo '70, Osaka, Japan. It was initiated in
October 1968 by four core artists: Robert Breer, Forrest Myers, David Tudor and Robert
Whitman. As the design of the Pavilion developed, engineers and other artists were added to
the project and given responsibility to develop specific elements. Twenty artists and 50
engineers and scientists contributed to the design of the Pavilion. A full-sized model of
the mirror dome was built by Raven Industries in an old Marine Corps dirigible hangar in
Santa Ana, California. The Pavilion opened Mar 1970.
Thirty-four Japanese and American artists were invited by E.A.T. to design performances
for the live programming of the space. Strains in Pepsi-Cola's and E.A.T.'s relationship
began to occur when a disagreement ensued over the content and cost of the live programming.
Pepsi-Cola officials wanted to showcase young rock bands by inviting them to compete in a
contest that would be performed in the Pavilion. E.A.T., on the other hand, believed that
the acoustics of the Pavilion were too sensitive and exacting for nonprofessionals to
perform in, and had planned for artists such as Red Grooms, Ann Halprin, Allan Kaprow,
Gordon Mumma and La Monte Young to perform music compositions, events and poetry readings.
E.A.T. presented a live programming budget to Pepsi officials, which they rejected citing
E.A.T.'s lack of cost control. By late April, relations between E.A.T. and Pepsi-Cola
completed deteriorated.
A book,
Pavilion, edited by Billy Klüver, Julie Martin and
Barbara Rose, was published by E.P. Dutton in 1972, and contains essays by Elsa Garmire,
Billy Klüver, Nilo Lindgren, Fujiko Nakaya, Barbara Rose and Calvin Tomkins, all the artists
proposals for the live programming of the Pavilion and photographs by Shunk-Kender.
Anand Project
In October 1969, the Nehru Foundation for Development and E.A.T. assembled a group of
Indians and Americans with specialties related to instruction and television, including both
artists and engineers. The group met in India during December 1969 and developed a proposal
for local input towards the development of instructional software for television. The
project was centered in the rural villages in the Anand Dairy Cooperative and concentrated
on information and instruction for the women who raise and tend the milk-producing buffalo.
The proposals for using 1/2 inch video cameras to collect material for testing and to be
used as the basis for the final instructional programs have been adopted and widely used
during the SITE television satellite project.
American Artists in India
E.A.T. initiated a project in 1970-71, funded by the John D. Rockefeller III Fund, for
American artists to travel and work for a month in India. The following artists
participated: Jared Bark, Trisha Brown, Lowell Cross, Jeffrey Lew, Steve Paxton, Yvonne
Rainer, Kate Redicker, Terry Riley, La Monte Young, and Marian Zazella.
Projects Outside Art
On December 8, 1969, E.A.T. requested proposal submissions for an exhibition of realizable
projects in the environment, which was funded by a $25,000 grant from the National Endowment
for the Arts. Approximately 75 proposals were submitted by artists and engineers, of which
four were selected: Children and Communication (see below), City Agriculture, Esthetics
Symposium, and Recreation and Play.
In collaboration with the Environmental Research Laboratory of the University of Arizona
and Automation House, a closed-environment nutrient-feeding vegetable greenhouse was
designed for the roof of Automation House in 1970. E.A.T. also carried out a feasibility
study for a greenhouse on the roof of the artists' housing complex, Westbeth, and developed
a proposal for an experimental greenhouse in the interior courtyard of the U.N.
International School in New York. Consecutive exhibitions were held at Automation House from
Jan 4, 1971, and the Esthetics Symposium was held during this time.
The Recreation and Play assignment was given to a team of Los Angeles artists (including
Allan Kaprow) and engineers based on geographical proximity, not on compatibility. "Cubic
Mile" was formulated by the participants to encompass the differing interests of the group.
The participants became conflicted as to the aims and directions of their work, leading to a
collapse of this portion of the project.
Children and Communication
Working with educational specialists from New York University, two environments, designed
by Robert Whitman, were set up at the E.A.T. loft, 9 East 16th Street and Automation House,
49 East 68th Street. They were linked by 14 dedicated telephone lines and terminal equipment
including Xerox and Magnavox facsimile machines, electro-writers, telexes and telephones.
From February through May 1971, more than 500 children, ages 6-13, visited the two locations
and used the equipment to communicate with each other.
Multi-Dimensional Scaling
In cooperation with psychologists at Bell Laboratories, several research studies using
multi-dimensional scaling techniques were conducted to study perceptions in 1971-72.
(Multi-dimensional scaling is a type of mathematical modeling which entails analyzing
responses to questionnaire word juxtapositions regarding their degree of relatedness, then
plotting the results onto correlation graphs.) One of the studies was to correlate national
problems with technical and scientific resources applicable to these areas in order to
devise solutions; another was a cross-cultural study of object words, which were selected by
artists from different countries. Questionnaires for a study similar to the latter were
posted at "Telex: Q&A" sites, described below.
Telex: Q&A
This project was organized in conjunction with the exhibition "Utopia & Visions
1871-1981" held at Moderna Museet, 1971. During August 1971, four telex terminals were
established in New York at the E.A.T. offices at 49 E. 68th Street; in Stockholm, at the
exhibition at Moderna Museet; in Ahmedabad, India, at the Design Institute; and in Tokyo, at
a large public exhibition space in the Sony Building, organized by Fujiko Nakaya. The public
in all four countries was invited to submit questions concerning 1981, which were telexed to
the other three terminals. Scientists, artists, subject experts, students and members of the
general public were asked to formulate answers that were then telexed to the originator.
Over 400 questions were sent and answered during the month.
The type of questions were limited to eliminate anything one could find out by going to a
local library. It was hoped that the telexes would act as a "Utopian News Service," so
questions such as "How large will the population be?" were filtered out. The questions and
answers were compiled in a document E.A.T. had hoped to publish.
In August 1981 E.A.T. collected the New York Times for one month for later study on how
the world of 1981 differed or resembled the predictions, guesses and feelings people had
made about it in 1971.
Artists and Television
In the winter of 1971, a large-scale proposal was made to the National Endowment for the
Arts for E.A.T. to organize the cablecast of artists' video tapes over the newly opened
cable television channels in New York City. As E.A.T.'s new office was located at Automation
House, a head-end for one of the New York cable companies, the organization had ready access
to the medium. The project was based on the premise that artists programs should be
broadcast, and proposals were requested from artists like Claes Oldenburg, James Rosenquist,
John Chamberlain and others.
E.A.T. held a fund-raising event called "Artcash Benefit for Television Programming" at
Automation House, 1971. Participants could buy "artcash" bills designed by Rauschenberg,
Warhol, Marisol, Jeff Davis and Whitman, then redeem them for prints, which were donated by
artists and galleries. The prints were also sold and exhibited at Automation House.
Projects in Central America
In January 1972, E.A.T., at the request of the Division of Culture of the Ministry of
Education in El Salvador, conducted a feasibility study on mobile broadcast television
production equipment and formulated a plan for producing cultural programming on educational
channels.
Billy Klüver also participated in an United States Agency for International Development's
(USAID) mission to Guatemala on using television for rural agricultural education. In
cooperation with the Guatemalan Government, and under contract with the USAID, the Academy
for Educational Development studied the feasibility of an experimental, low unit cost
program of information and education for the rural adult, especially isolated Indian tribes,
in Guatemala. The hope was that new multi-media educational techniques would enhance the
economic development of the rural population. The group wrote a final report on its findings
and also conducted a multi-dimensional scaling study.
New York Collection for Stockholm
Beginning in January 1971, E.A.T. undertook a large-scale effort to assemble a major
collection of 30 works by New York artists of the 1960s, chosen by Pontus Hulten, and to
raise funds for the purchase of the collection to be donated to Moderna Museet, Stockholm.
Thirty artists donated prints to a portfolio in order to support the project. A showing of
the print portfolio collection was held at the Castelli and Sonnabend Galleries. A dinner
with Princess Christina of Sweden at Robert Rauschenberg's house was held in October 1972.
The collection opened at Moderna Museet in October 1973 with 105 American guests attending
the opening.
Paris-NY-Paris
Klüver initiated and supervised the design and feasibility study for a large screen
outdoor television system for the Plaza of Centre Georges Pompidou, Paris, 1976-77, for the
opening of the Pompidou. Although the project was unrealized, E.A.T. organized a charter
flight for Americans to attend the opening.
Artists for New York Benefit at Xenon Discotheque
Benefit for the Institute of Art and Urban Resources held February 26, 1979 with a
performance by Tudor, Lowell Cross, and Carson Jeffries using a sound-activated laser
display system first developed for the Pepsi Pavilion.
Island Eye Island Ear
David Tudor conceived a collaborative project/concert to be held on an island, which was
to utilize and reveal the nature of the island. Parabolic antennas would have been placed in
configurations around the island to create sound beams and sound reflections. The sound
input would have been sounds of the island recorded over the course of one year. Fujiko
Nakaya would have installed cloud sculptures and Jacqueline Monnier would have flown the
kites she designed. Extensive tests were made on Knavelskär Island in the Swedish
archipelago (1974), and later Bluff Island in the Adirondacks in New York State was
researched as a possible site for the concert (1978-79). The project was never realized
because of strong resistance from local residents.
Cloud Sculpture for Trisha Brown Dance Company
E.A.T. supervised the testing and installation of a cloud sculpture by Fujiko Nakaya as a
set for the dance "Opal Loop," first performed at 55 Crosby Street, June 10, 1980, and
performed later that year at the Brooklyn Academy of Music. A full-scale model of the stage
at Brooklyn Academy was built to test the fog made for this performance.
Archive of E.A.T. Documents
In 1980, E.A.T. put together an archive package of 360 documents produced by the
foundation: reports, catalogs, newsletters, information bulletins, proposals, lectures,
announcements, and reprints of major articles produced by E.A.T. in the course of its
activities. Complete sets of this archive were distributed to major libraries in New York,
Washington, Paris, Stockholm, Moscow, Ahmedabad, India, London, Toronto and Australia. A
master list of these documents is contained in the publication by Billy Klüver, "E.A.T.
Bibliography 1965-1980." In most cases early E.A.T. publications were designed by
Rauschenberg and subsequently by other artists; posters and announcements were also designed
by or in collaboration with artists.
Administrative Information
Access
Open for use by qualified researchers.
Publication Rights
Preferred Citation
Experiments in Art and Technology records, 1966-1993, The Getty Research Institute, Los
Angeles, Accession number 940003.
http://hdl.handle.net/10020/cifa940003
Acquisition Information
Acquired 1994 (Accn. no. 940003, 940037), 1996 (Accn. no. 960013).
Processing History
Lynda Bunting unpacked, processed, organized and cataloged the collection from September
1994 to Mar 1996. Natalia Costea and Vanessa Walker-Oakes helped unpack, process and
describe sections of Series I, II, V and VI from December 1994 to June 1995. From September
1995 to February 1996, Kelly Nipper removed rusty staples and revised a few of the project
descriptions in Series I. Melissa Piper described the artists proposals in the Technical
Services project in December 1995. Audio-visual materials processed 2004.
Digitized Material
Selected audio and video recordings from Experiments in Art and Technology records Series
VII. and VIII. have been digitized and are available on-site:
http://hdl.handle.net/10020/940003av
Separated Material
Thirty titles were transferred to the library's general and rare book collections.
E.A.T. News vol. 1, no. 1
Techne vol. 1, no. 1
New York
Collection for Stockholm.
Stockholm: Moderna Museet,
1973.
Pavilion,
1972.
Exakte Asthetik - Methoden und
Ergebnisse empirischer und experimenteller Asthetik - 3/4/1966.
Grèce,
Michel de.
Andronic: ou les aventures d'un empereur d'orient.
Paris: Olivier Orban, 1974.
Grèce, Michel de.
La
Crète épave de l'Atlantide.
Paris: Julliard, 1971. 2
copies.
Cultural Affairs. New York:
Associated Councils of the Arts (Spring 1970).
New
York State Council on the Arts Annual Report
. 5 vols.,
1967-1972.
Film Library Quarterly (Spring
1971).
Filmmakers Newsletter. 6 issues from
1969.
Video from Tokyo to Fukui and Kyoto.
New York: The Museum of Modern Art, 1979.
Jornal de
letras e artes.
vol. 7, no. 257 (Nov 1967).
Avatar
Tågarp, no. 1 (1971).
Psychopolis de Vrije Academie , ca. 1971.
Other Scenes vol. 5, no. 2 (Summer 1971).
Arata
Isozaki: Works, 1960-64. Tokyo: Seidoh-sha, 1965.
Arata Isozaki: Works,
1965-66. Tokyo: Seidoh-sha, 1967.
Another Isozaki title in
Japanese.
Burroughs, William. "C" Press edition entitled "Time,"
1965.
Radical Software. vol. 1, nos. 1-4,
(1970-71); vol. 2, no. 1 (1972).
Haute
Société.
no. 2 (Sep 1960).
Centro de arte y Comunicación. Henri
Cartier-Bresson.
Galerie le Zodiaque.
Toche
, 1968.
Centro de Calculo de la Universidad de Madrid.
Ordenadores en el arte: Generación automática de formas plásticas,
1969.
Beaux Arts. Summer
1972.
Kosice: La cuidad hidroespacial. Anzilotti Avda: Buenos Aires,
1972.
Knoedler & Co.
Holograms Conceived by
Dali
. New York, 1972.
Celant, Germano. Eugenio Carmi: SPCE. A.
Cordani, Milan: 1966.
Scope and Content of Collection
The Experiments in Art and Technology archive documents E.A.T. as an organizer, fund-raiser
and facilitator of collaborations between artists and engineers, dating from 1966-1993 (bulk
1966-1973). The material was generated and collected by Billy Klüver, President, Julie
Martin, Klüver's assistant and second wife, and other E.A.T. staff members. The collection
does not contain correspondence with Robert Rauschenberg, Chairman, but does make many
references to the artist and includes numerous photographs of him performing and three
posters by him.
The bulk of the archive consists of project files with various materials such as
correspondence, proposals and reports pertaining to approximately 20 large-scale projects
and numerous smaller ones. Substantial photographic, cassette tape, reel-to-reel tape, film
and video holdings provide audio and visual documentation of E.A.T. sponsored performances,
lectures and events. Posters in the archive, primarily published by E.A.T., were designed
and signed by a number of noteworthy contemporary artists or were created by engineers using
experimental computer scanning and data compression processes. The collection also contains
board of directors' meeting minutes, book and newsletter production material, clippings, and
accounting records.
Arrangement note
The archive is arranged in 9 series:
Series I. Project files, 1966-1992, bulk
1966-1973
Series II. Correspondence and administration,
1966-1980
Series III. Publications, ca. 1967-1980
Series IV. Clippings, 1965-ca. 1980
Series V. Financial, 1966-1986, bulk
1966-1974
Series VI. Photographs, 1966-1990
Series VII. Audio tapes, 1966-1993
Series VIII. Films and videos,
1974-1997
Series IX. Posters, 1966-1996
Indexing Terms
Subjects - Corporate Bodies
Expo '70 (Osaka, Japan)
Subjects - Topics
Art and electronics
Art and science
Technology and civilization
Television and the arts
Kinetic art
Performance art
Corporate sponsorship -- United States
Fund raising -- United States
Art and technology -- Periodicals
Art and technology -- Societies, etc.
Genres and Forms of Material
Audiocassettes
Photographs, Original
Photographic prints
Posters
Videotapes
Slides (photographs)
Motion pictures (information artifacts)
Audiotapes
Contributors
Cross, Lowell M.
Childs, Lucinda
Cage, John
Brown, Trisha, 1936-2017
Breer, Robert
Davis, Douglas, 1933-2014
Tudor, David, 1926-1996
Tomkins, Calvin, 1925-
Whitman, Robert,
1935-
Waldhauer, Fred D.
Rainer, Yvonne, 1934-
Pearce, John
Shunk, Harry
Rauschenberg, Robert, 1925-2008
Moore, Peter, 1932-1993
Nakaya, Fujiko
Paik, Nam June, 1932-2006
Paxton, Steve
Kender, Janos
Klüver, Billy, 1927-2004
Martin, Julie, 1938-
Minujin, Marta, 1943-
Fahlström, Öyvind, 1928-1976
Garmire, Elsa M., 1939-
Hultén, Pontus,
1924-2006
Kaprow, Allan
Experiments in Art
and Technology (Organization)
Experiments in Art and Technology Los Angeles
(Organization)
Series I.
Project files,
1966-1992, 1966-1973
Physical Description: 112.5 lin. ft. 121 boxes, 7 flat
file folders, 1 roll
Scope and Content Note
Arranged in rough chronological order by project. Includes organizational and
fund-raising correspondence with museum directors, industry leaders and foundations, and
between staff members; letters of inquiry, membership forms and project proposals, many
with photographs and some with drawings, from artists and engineers who were interested
in participating; E.A.T. proposals and reports, usually produced to attract sponsors and
members; collected research material in the form of photocopied articles, government and
foundation reports, brochures, equipment catalogs and clippings, especially pertaining
to television and video; manuscripts; and notes by Klüver, Julie Martin and other E.A.T.
staff. Especially well documented are "9 Evenings: Theatre and Engineering," 1966, the
Pepsi Pavilion, 1970, the New York Collection for Stockholm, 1971-1973, and E.A.T.'s
Technical Services Program. Notable participants in these and other activities are:
Robert Breer, Trisha Brown, John Cage, Lucinda Childs, Lowell Cross, Douglas Davis,
Öyvind Fahlström, Elsa Garmire, Pontus Hulten, Allan Kaprow, Marta Minujin, Fujiko
Nakaya, Nam June Paik, John Pearce, Steve Paxton, Yvonne Rainer, Rauschenberg, David
Tudor, Fred Waldhauer and Robert Whitman.
box 1-1B
"9 Evenings: Theatre & Engineering,"
1966
box 1, folder 1-19
Original manuscripts (unpublished and incomplete)
Scope and Content Note
material by or about most of the performers, including: Harriet De Long, Pontus
Hulten, Steve Paxton, Alex Hay, Deborah Hay, Robert Rauschenberg, David Tudor,
Yvonne Rainer, John Cage, Lucinda Childs, Robert Whitman and Öyvind Fahlström. Files
contain original manuscript drafts, many with annotations, drawings by engineers,
performance instructions by Rauschenberg, 2 signed scores by Tudor, instructions by
Cage, and notes. There is a substantial quantity of photographs and slides by Peter
Moore and others with detailed captions and layout instructions (see also Series VI.
Photographs), ca. .5 lin. ft.
box 1, folder 1-10
0 Acknowledgement - 10 Carriage Discreteness
box 1A, folder 1-7
11 Variations VII - 22 Documents
box 1A, folder 8-10
Captions, miscellaneous, Dutton contracts
box 1A, folder 11-12
MIT Press correspondence
Scope and Content Note
primarily regarding lost portions of manuscript (1974-1976) and also includes a few
miscellaneous letters (1966-1968). A separate folder contains a list of the missing
manuscript portions, ca. 40 items, many photocopies.
box 1A-1B
Ms. copy
Scope and Content Note
photocopy of entire original manuscript, including missing sections, ca. .25 lin.
ft.
box 1A, folder 13-17
0 Aknowledgement - 6 Gross Fields
box 2, folder 4-7
Ms. working copy
Scope and Content Note
contains typescripts with extensive notes and annotations.
box 2A, folder 2-4
De Long material
Scope and Content Note
primarily carbon copies of letters to artists requesting information about the
performance and permission to reproduce material for the book, with some responses
(see especially Simone Forti's notes for the old Tuscan song she sang between
Rauschenberg's first and second performances). Also a 3 p. typescript telephone
conversation with Grace Glueck, notes, drafts (see Box 50 for more) and
miscellaneous, 1970-1973.
box 2A, folder 5
Index
Scope and Content Note
list of materials contained in the following research files (O-X, E.A.T.'s
numbering), but does not include everything.
box 2A, folder 6
Introduction (0)
Scope and Content Note
background information in the form of clippings.
box 2A
Artists (I)
Scope and Content Note
descriptions of their pieces, comments, bios, announcements and some applicable
correspondence with Cage, Childs, Fahlström, Deborah and Alex Hay, Paxton, Rainer,
Rauschenberg, Tudor and Robert Whitman.
box 2B, folder 2
Engineers (II)
Scope and Content Note
descriptions of their role in the performances.
box 2B, folder 3-4
Retrospect (III)
Scope and Content Note
typescripts, some annotated, by Klüver, Robinson and Simone Whitman, and
questionnaire responses from artists and engineers about the performances
after-the-fact.
box 3, folder 1
Interface (IV)
Scope and Content Note
consists of preparatory material for the Stockholm Festival, such as Klüver notes
for texts and letters, many meeting notes with Rauschenberg, Fahlström, Cage and
others (Mar 11, 1966-Aug 14, 1966), project lists, progress reports, bulletins,
description of pieces and letter from Oldenburg (May 11, 1966).
box 3, folder 2-3
Klüver (V)
Scope and Content Note
many mss. and some notes and copies of letters concerning the cancellation of the
Stockholm Festival (for a good explanation see "Short Schedule of Events..." Jul 30,
1966), other mss. about ideas behind and purpose of "9 Evenings," and correspondence
(ca. 20 items) with art critic Douglas Davis regarding interview published in Art in
America.
box 3, folder 4-5
Sweden Correspondence (VI)
Scope and Content Note
very extensive correspondence with Knut Wiggins of Fylkingen (modern music society)
and some with others concerning the Stockholm Festival. Includes detailed
descriptions from Frank and Susan Konigsberg about their meetings in Sweden with
Wiggins concerning financial and organizational problems, ca. 125 items.
box 3, folder 6
Telegrams (VII)
Scope and Content Note
30 items from Klüver to Cage, Tudor, Fahlström and others about organization.
box 3, folder 7-10
Press (VIII)
Scope and Content Note
includes correspondence with editors, critics, sponsors and others about press
coverage, press releases and briefings; radio and TV transcripts; substantial review
clippings and copies of reviews; and copies of Swedish articles about Stockholm
Festival, some with translation typescripts.
box 3, folder 11
Correspondence, Agreements (IX)
Scope and Content Note
typescripts of agreements with the Armory, Foundation for Contemporary Performance
Arts and the FCC.
box 3, folder 12
Correspondence, Equipment and Accommodations (IX)
Scope and Content Note
with suppliers about obtaining technical equipment and air and hotel accommodations
for Swedish Festival.
box 3, folder 13
Correspondence, Financial (X)
Scope and Content Note
with sponsors and potential sponsors concerning donations, and with various
companies after the event about unpaid bills (see also Box 4 and Series V.
Financial).
box 3, folder 14
Information requests
Scope and Content Note
notes from John Baldessari, Richard Hamilton, Jean Brown and others, ca. 65
items.
folder 15
Interview transcripts
Scope and Content Note
with Paxton, Deborah Hay, Alex Hay, Childs, Whitman, Trisha Brown and Bob
Breer.
box 3, folder 16-21
Robinson files
Scope and Content Note
on power amplifier; on E.A.T. projects with letter from Paik, other correspondence
and drawings of circuits; description of Bonino show; organization of E.A.T.;
manuscript "What Really Happened at the Armory"; and other.
box 3, folder 22-23
Fahlström Files
Scope and Content Note
translation of "Armory" manuscript and 19 slides.
box 3, folder 24
Maricla Moyano Files
Scope and Content Note
19 p. photocopied typescript and 5 photographs of "9 Evenings."
box 3, folder 25
Rauschenberg Files
Scope and Content Note
includes 2 p. typescript instructions for "Open Score," 2 page fragment of a letter
recruiting volunteers, and telexes.
box 3, folder 26
Deborah Hay Files
Scope and Content Note
"Solo" notes.
box 4, folder 1-7
Herb Schneider files
Scope and Content Note
includes correspondence and mss.; "APP" file with description of wireless system,
Stockholm Festival schematics and layouts, address lists, correspondence with
potential speakers and those interested in the festival, such as Marshall McLuhan,
Buckminster Fuller and Nam June Paik; "Discussion 1966" files with clippings and 9
photographs by Moore and 7 by others; and engineering files relating to many of the
performances with notes and circuit drawings; ca. .5 lin. ft.
box 4, folder 8
Miscellaneous Klüver drafts
Scope and Content Note
includes mss. for Sep 29, 1966 press briefing, "Establishing an Interactive
Relationship Between the Artist and Technology," and galley for "Art 1963-A New
Vocabulary."
box 4, folder 12
Memo to engineers
Scope and Content Note
describing artists and potential problems.
box 4, folder 13-14
Film rental and photographorders
box 4, folder 15-17
Financial
Scope and Content Note
accounting ledger (ca. 1963-1965), payroll and box office accounting (see also Box
3 and Box 164).
box 4, folder 18
Early documents
Scope and Content Note
mostly photocopies of correspondence, reports and lists regarding organization and
support for E.A.T. (1967) with a short handwritten statement by Rauschenberg.
box 4, folder 19
Clippings and press releases
box 4, folder 20-21
Miscellaneous: mostly correspondence and notes
box 5, folder 1-52
Tickets
Scope and Content Note
unused tickets and stubs with envelopes annotated as to type of ticket (i.e., paid,
complimentary, press, discount), quantity and date.
box 6
Technical Services Program,
1966-1973
box 6, folder 1-37
Artists' proposals,
1968-1969
Scope and Content Note
contains over 70 proposals filed in alpha order by artist, some with photographs
and slides; drawings and/or schematics; bios with miscellaneous typescripts and
clippings; E.A.T. correspondence with corporations for funding; correspondence
between E.A.T. or the artist and engineers/scientists with technical comments; and
patent information.
Includes proposals by John Cage (with handwritten notes); Sari Dienes (with 5
photos, correspondence and Poole notes); Ruth Francken (correspondence, proposal in
2 drafts dated May 8, 1968 with 1 photograph of maquette, and Feb 19, 1969 with
drawing and 2 photos); Philip Glass (with correspondence, bio information including
flyers and announcements, and 2 photos); Allan Kaprow (with correspondence and
budget sheets); Marta Minujin ("Phone Booth" with 7 photos; "Simultaneity in
Simultaneity" with 2 p. statement, 5 photos, and 1 photo-collage with text; "Circuit
and Instantaneous Invasion" includes correspondence, 3 p. description and 2 drawings
[see Box 50]; and "Minucode" press release and questionnaire); Alan Sondheim; Jean
Toche; Jud Yalkut among many others; ca. .5 lin. ft.
box 6, folder 38-48
Artists' membership forms,
1967-1969, 1968-1969
Scope and Content Note
mostly forms filled out by artists many with descriptions of their work and/or the
technical assistance they require. Some include photos, slides, bios and drawings,
from such artists as: Mel Bochner, Fahlström, Nancy Graves, Alice Hutchins, Hans
Haacke (form and sheet with description and drawing for "photo-electrically
sensitized 'environment'"), Deborah Hay, Al Hansen, Eva Hesse, Geoffrey Hendricks,
Joe Jones, Udo Kasemets, Allan Kaprow, Alison Knowles, Gordon Mumma (plus letter
about borrowing Schilling's 9 Evenings film and equipment needs), Meredith Monk,
Peter Moore, Jackson MacLow, Phill Niblock, Brian O'Doherty, Lil Picard, George
Rickey (letter), Larry Rivers, Carolee Schneemann (plus bio), Richard Serra, Elaine
Sturtevant, Alan Sondheim, James Tenney, Emmett Williams and Jud Yalkut, filed in
rough alpha order, ca. .5 lin. ft.
box 7
Technical Services Program,
1966-1973
box 7, folder 1-18
Artists' membership forms,
1967-1970
Scope and Content Note
similar material to Box 6. 1967-1968 files contain photocopies, ca. .25 lin. ft.
1969 files include: Douglas Davis (2 forms, 2 letters, and photocopied bio,
statement and equipment list) and Agnes Denes (2 forms, press release and photo).
1970 files mostly have forms that were filled out in 1969, but were not acted upon
until 1970.
box 8
Technical Services Program,
1966-1973
box 8, folder 1-17
Engineers' membership forms,
1967-1970, 1968-1969
Scope and Content Note
forms filled out by engineers/scientists describing their interests and technical
expertise, filed in rough alpha order within date, ca. .75 lin. ft.
box 8, folder 18
Others' membership forms,
1970
box 9
Technical Services Program,
1966-1973
box 9, folder 1-2
Artists' and engineers' membership forms,
1970
Scope and Content Note
photocopies.
box 9, folder 3-23
Matchings,
1966-1970, 1968-1969
Scope and Content Note
mostly artists' membership forms, proposals (some with photographs and slides and a
few with drawings) and inquiries, by artists such as Robert Barry, Carol Bergé,
Philip Corner, Dan Flavin (3 p. handwritten letter), Robert Filliou, Ruth Francken,
Allen Ginsberg, Dick Higgins, Alison Knowles, Robert Morris, Richard Nonas, Lucio
Pozzi, Richard Serra, Mark di Suvero, Alan Sondheim, Twyla Tharp and Ultra Violet.
Some are annotated as to when a match was made. 1968-1969 filed in rough alpha
order, ca. .75 lin. ft.
box 9, folder 24-27
Notes on matchings,
1966-1968
Scope and Content Note
Miscellaneous meeting and other notes.
box 10
Technical Services Program,
1966-1973
box 10, folder 1-18
Membership inquiries,
1967-1974, 1967-1971
Scope and Content Note
letters and postcards expressing interest in membership, subscriptions and general
information from artists, engineers, museum personnel, professors, librarians, with
carbon copies of responses from E.A.T. staff. Also contains some dues invoices.
box 11
Technical Services Program,
1966-1973
box 11, folder 1-16
Miscellaneous membership
Scope and Content Note
draft letters and forms; membership drive meeting notes (1970-1971); letters to
corporations; projects for industry; participation categories; kit; proposal review
letters; engineering consultant ideas; solicitation samples; symbolic coding forms;
notched cards (see also Box 14); and punch codes.
box 11, folder 17-26
Miscellaneous Technical Services
Scope and Content Note
includes correspondence; IEEE Convention file (1968); computer resource material;
and miscellaneous photographs and slides (22 photos; 7 slides; 3
transparencies).
box 11, folder 27-28
Ralph Flynn's address and schedule books,
1968
box 12
Technical Services Program, equipment files, includes:
1968,
box 12, folder 1-4
Correspondence
Scope and Content Note
primarily about equipment with a letter from Jackson MacLow concerning equipment
setup (Feb 15, 1968), ca. 80 items.
box 12, folder 5-49
Equipment information
Scope and Content Note
includes catalogs; brochures; fliers and correspondence with 2 letters from Dan
Flavin about convincing the Whitney Museum board that the use of long-wave
ultra-violet light in one of his works is safe for public viewing (see safety);
filed in alpha order by equipment type; ca. .5 lin. ft.
box 12, folder 50-57
Artists' projects
Scope and Content Note
includes 4 files with action taken on them (includes proposal by Kaprow and file on
Robert Morris).
box 12, folder 58-59
Rauschenberg's Stedelijk show,
1968
Scope and Content Note
extensive quantity of equipment receipts; many drawings of circuitry; and some
notes.
box 12, folder 60-62
Financial
Scope and Content Note
equipment expense receipts and NSF fund-raising material.
box 13
Technical Services Program,
1966-1973
Scope and Content Note
5x8 cards of early technical sources for the E.A.T. publications "Technical Libraries
within 50 mile radius of New York" by Peter Poole. Also "collaboration response cards"
on which the artist or engineer provided information on the progress of their
collaboration.
box 14
Technical Services Program,
1966-1973
Scope and Content Note
7 1/2 x 3 1/2 Yellow McBee Edge-notched cards with names of engineer members and
notations of artists they were matched with on back.
Blue MacBee keysort edge-notched cards with encoded information for a data-base of
Engineers.
box 15-16
Technical Services Program, membership mailing lists,
1967-1974
Scope and Content Note
Extensive quantity of mailing lists of artist and engineer members typed on labels or
photocopied, 1967-1974. See also Boxes 17-23 for index cards.
box 17
Technical Services Program, membership mailing lists,
1968
Scope and Content Note
8x5 index cards with addresses of engineers who contacted E.A.T. in 1968, and of
schools and universities, journals, research centers and professional engineering
societies.
box 18-23
Technical Services Program, membership mailing lists,
1967
Scope and Content Note
Ca. 2400 3x5 index cards organized into American, Foreign, Artists (9 Evenings) and
Corporations, 1967.
box 24
E.A.T. Competition, includes:
1967,
box 24, folder 3-8
Information forms
Scope and Content Note
filled out by artists, such as Hans Haacke, Claire Falkenstein, Steve Paxton,
Robert Whitman and La Monte Young, with brief project descriptions and by
engineers/scientists listing their capabilities/interests. Also folders with
artist/engineer matches and unmatched artists and engineers, ca. .25 lin. ft.
box 24, folder 9-15
Inquiries
Scope and Content Note
extensive quantity of brief correspondence from artists, such as Falkenstein,
Dennis Oppenheim and Dan Graham, engineers and others requesting information about
the competition and E.A.T. in general, ca. .5 lin. ft.
box 24, folder 16
Competition winners
Scope and Content Note
project descriptions of the nine winners and bios.
box 24, folder 17
Jury and prize donors: includes jury instructions and list, and donor
correspondence
box 24, folder 18
Press information
Scope and Content Note
mostly press releases, announcements and mailing lists.
box 25-25B
Some More Beginnings,
1968-1969
box 25, folder 1-4
Artist and engineer entry lists
box 25, folder 5
Index cardfile of entries
box 25-25B
Project descriptions
Scope and Content Note
primarily artistic and technical descriptions of ca. 128 (including Box 26) of the
ca. 145 works exhibited at the Brooklyn Museum, used in preparation for the catalog.
Most with bios and one or more photographs, and some with correspondence and
drawings (see especially Ruth Francken, Amy Hamouda and Leah Nolan), .75 lin.
ft.
box 26-26B
Some More Beginnings,
1968-1969
box 26B, folder 1-11
Venezia - Whitman, miscellaneous
box 26B, folder 12-15
Applications, A-D
Scope and Content Note
contains mostly photocopies of information forms (originals in box 24) and project
descriptions (originals in boxes 25-26), but, includes a few originals of these
documents and original drawings, correspondence and photos, .25 lin. ft.
box 27
Some More Beginnings, includes:
1968-1969,
box 27, folder 1-20
Applications, E-Z
Scope and Content Note
see above, .5 lin. ft.
box 27, folder 21-23
Correspondence
Scope and Content Note
with artists and others about various matters, such as reproductions; shipping;
thank-yous; catalog and information requests, including a letter from Dennis Young,
Art Gallery of Ontario, inquiring if there were any mechanical problems with the art
works (see also Box 41, laser safety); letter from Eastman & Eastman attorneys
about Wen-Ying Tsai receiving improper credit for his contribution to the second
place winning entry with Klüver's response; 2 letters regarding Ronald Fox's stolen
work; and a note from Claire Falkenstein (ca. 100 items). Separate files contain
carbons of letters to Pontus Hulten and some correspondence with his staff about
various competition details.
box 27, folder 24-27
Catalog
Scope and Content Note
fund-raising correspondence, drafts, photograph credits and orders.
box 27, folder 28-31
Public Relations
Scope and Content Note
includes press releases for E.A.T. press conference and Brooklyn and MOMA
exhibitions, exhibition announcements, MOMA press packet and background
information
box 27, folder 32
Technical needs
Scope and Content Note
summary notes and log.
box 27, folder 34-36
Miscellaneous
Scope and Content Note
includes freight invoices, correspondence and list concerning some works traveling
to other venues, and long computer printout "Sculptures in Environment Douglas
Gallery."
box 28
Lecture-Demonstration Series,
1968
box 28, folder 1-9
Response forms
Scope and Content Note
extensive quantity from artists such as Ay-O, Jo Baer, Marisol, Fahlström, Dan
Graham, Hans Haacke, Deborah Hay, Eva Hesse, Dennis Oppenheim, Paik, Richard Serra,
Jack Tworkov, Emmett Williams and others, specifying which lecture they want to
attend.
box 28, folder 10-34
Transcripts
Scope and Content Note
24 unpublished transcripts, some annotated, of reel-to-reel tapes recorded at the
lectures given by engineers such as Ken Knowlton, James Tenney (with 2 contact
sheets and negs.) and Max Mathews (with 2 contact sheets by Peter Moore); ca. .66
lin. ft.
box 28, folder 35-36
Correspondence
Scope and Content Note
includes organizational notebook, letters to and from lecturers, and letter from
Marisol.
box 28, folder 37-42
Miscellaneous
Scope and Content Note
includes schedules; 5 contact sheets (3 by Moore), 1 photograph and 3 negs.;
illustrative material in the form of 22 photos, matching transparencies and drawings
of diagrams; and technical services proposal draft.
box 29
Local Groups, includes:
ca. 1966-ca. 1970,
undated
box 29, folder 1-3
National organization plans
Scope and Content Note
documents regarding policy, by-laws and structure.
box 29, folder 4-5
Correspondence
Scope and Content Note
mostly inquires and contact letters, ca. 70 items.
box 29, folder 6
Newsletters
Scope and Content Note
from local groups, ca. 35 items.
box 29, folder 7-65
U.S. files
Scope and Content Note
includes much organizational correspondence; an inquiry from James Turrell (Calif.,
L.A.); mailing lists; meeting minutes and notes; filed alpha by state, ca. .75 lin.
ft, 1/3 of which was generated by Calif.
box 30
Local Groups,
ca. 1967-ca.
1970
box 30, folder 1-22
International files
Scope and Content Note
Mostly organizational correspondence, but also contains a copy of a letter from
Marcel Broodthaers to Joseph Beuys in praise of his work, filed alpha by country,
ca. .25 lin. ft.
box 30, folder 23-29
Mailing lists
Scope and Content Note
U.S. and International, filed alpha by state or country.
box 30, folder 30-38
First Int'l. Conference,
Jun 22, 1968-Jun 23,
1968
Scope and Content Note
ideas; some correspondence; RSVP's; roster and planning; program; transcript; local
group procedures; VIP invitation addresses; and notes on Second Int'l Conference;
ca. .25 lin. ft.
box 31-39
Mailing lists,
undated
Scope and Content Note
4500-5000 3x5 index cards arranged into groups of artists and engineers master files,
filed alphabetically, and into Local Groups, filed alpha by state or country.
box 40
Video and television research,
1969-1972
box 40, folder 1-15
Video and television projects
Scope and Content Note
Contains various materials concerning video and television including artists'
project proposals for residence program at RCA labs (with 1 letter from Paik and 1
from Bruce Conner); information on education; reports concerning development of
video equipment (e.g.: editing systems, camera, scanning and methods of transferring
Super 8 film to video); and studies and bulletins on cable television from Wilbur
Schramm, Rand and others
box 41
Various projects, includes:
1967-1969,
box 41, folder 1
Carolee Schneemann, "Snows,"
1967
Scope and Content Note
4 items include technical description by Flynn and "Aspects of E.A.T. in 'Snows'"
annotated by Schneemann (see also Schneemann archive #950001 for extensive
material).
box 41, folder 3-4
E.A.T. and Industry,
1967-1968
Scope and Content Note
mostly material for E.A.T.'s press conference at Automation House, ca. 55
items.
box 41, folder 6-7
New Jersey Mix, :
1968
Scope and Content Note
"Mix" indicates the mixture of art, engineering and industry; 4 artist/engineer
projects to be performed at Newark State College. Includes project ideas, one with
drawing (see *Box 237); cost estimates; and artist lists; ca. 70 items (see also Box
29, Local Groups, New Jersey).
box 41, folder 9
Klüver's London Trip (symposium),
1968
Scope and Content Note
mostly carbon copies of contact letters and notes, and includes some correspondence
with Barbara and John Latham of Artists Placement Group, ca. 50 items.
box 41, folder 10
Amalgamated Lithographers of America (establishment of Quarry
workshop),
1968
Scope and Content Note
includes photocopies of agreement, correspondence and press kit (see also Series IX
for Rauschenberg poster), ca. 15 items.
box 41, folder 11
The Real Great Society (professional exchange-artists in
residence),
1968
Scope and Content Note
mostly proposal drafts and photocopied articles, but also some notes, ca. 50
items.
box 41, folder 13-14
Skyline: A Festival of Light (light project for lower
Manhattan),
1968
Scope and Content Note
includes proposal by Kaprow (2 versions, one of which is handwritten) and project
descriptions with budgets, ca. 13 items.
box 41, folder 15-17
Proposal to National Research Council (artists in residence
program),
1968-1969
Scope and Content Note
correspondence, notes and other material concerning artist placement at Singer, RCA
and Amalgamated Liths. NOTE: there does not exist in these files an actual proposal
to the NRC; ca. 40 items.
box 41, folder 18-20
Six miscellaneous small projects,
1968-1969
Scope and Content Note
includes notes and research for live sounds (see also Pepsi Pavilion for more on
sounds), ca. 30 items.
box 41, folder 21-27
Paris Biennale,
Fall 1969
Scope and Content Note
includes report; proposals from 5 architectural design groups with 19 slides and 4
photos; catalog "Sixième biennale de Paris"; shipping receipts; correspondence with
organizers mostly about shipping and finances; and 3 photographs and 9 slides; ca.
.25 lin. ft.
box 41, folder 28-32
Laser Safety,
1969
Scope and Content Note
Program initiated in response to safety hazards of "Some More Beginnings" exhibits,
especially Keiji Usami's laser piece. Includes E.A.T. Proceedings no. 5; letter from
G.M. Wilkening of Bell Labs mentioning some of the safety issues of "Some More
Beginnings" and other correspondence with public health officials expressing concern
about Usami's work; 3 contact sheets; safety proposal; and research files; ca. .25
lin. ft.
box 41, folder 33
Technology and the Individual
1969
1969
Scope and Content Note
Recognition of Choices (exhibition for Automation House reopening), 1969: mostly proposals,
ca. 30 items.
box 41, folder 35
Festival Truck Proposal,
ca. late 1960s-early
1970s
Scope and Content Note
notes and proposal.
box 42
Ford Foundation proposal,
1969
box 42, folder 1-16
Letters, drafts, notes
Scope and Content Note
Includes carbon copies of letters soliciting support; drafts; notes; proposal
comments by Rauschenberg (written in another hand and photocopied) and others;
various proposal versions; and budget.
box 43
Pepsi Pavilion,
1969-1970
box 43, folder 1-8
Administration - contracts and agreements
Scope and Content Note
photocopies (a few annotated) and drafts of documents; and some correspondence
concerning contractual arrangements for E.A.T./Pepsi, software, hardware, insurance,
E.A.T./artist, E.A.T./engineer, CBS/Sony (Tudor recordings), and promissory
note.
box 43, folder 9-13
Administration - finances
Scope and Content Note
hardware cost estimate; budgets for staff, operations and hardware; correspondence
and reports concerning expenditures; equipment purchase orders; and cost estimate
notes (see also Boxes 169-171 for more).
box 43, folder 14-18
Administration - organization
Scope and Content Note
responsibility lists, progress reports, trip reports, schedules, and correspondence
about personal accounts.
box 43, folder 19-34
Administration - correspondence
Scope and Content Note
includes 2 thick folders of general correspondence, mostly telexes, between E.A.T.
NY staff and Pavilion coordinators in Japan, especially John Pearce (Coordinating
Architect), Klüver, Fujiko Nakaya (Japan project manager/fog designer) and Sebastian
Hiraga (Secretary General of Pepsi-Co. group) regarding construction, equipment
procurement, organizational details and catalog production. Separate files include
correspondence with Pearce; Perry Keats (Pepsi Co.); Nakaya about fog progress,
general housekeeping, logistical issues, and updates on the concerns of Pepsi Co.
Japan and Japanese Expo organizers with E.A.T.'s project intentions; Allan Pottasch
(Pepsi Co. Int'l) documenting tension over live programming; Takenaka Komuten Co.
(builders); and John David Thomas (Pepsi Co. Int'l) about budgets and agreements;
ca. 33 lin. ft. See also Box 47 for much more telex correspondence
box 43, folder 35-37
Administration - notes
Scope and Content Note
includes Klüver and Martin notes, and transcripts of telephone conversations about
various aspects of the Pavilion.
box 44
Pepsi Pavilion,
1969-1970
box 44, folder 1-5
Administration - meeting notes
Scope and Content Note
notes from E.A.T. staff, E.A.T./Pepsi, Takenaka/E.A.T., progress meetings with
E.A.T. and Pepsi, Takenaka and other involved parties, and miscellaneous, all
primarily about construction.
box 44, folder 6-12
Administration - specific items
Scope and Content Note
shipping invoices and schedules; addresses of some of those involved with building
the Pavilion; patent notes; logo correspondence (1969 Jun-Jul) and proposal [see
flat file folder 1** for 14 logo designs]; Pepsi sign proposal and correspondence;
Pavilion name correspondence showing problems with reaching a decision; and costume
designs and correspondence.
box 44, folder 13-17
Administration - settlement
Scope and Content Note
contains a thick folder of Martin notes Apr 19-25; telexes in rapid succession (Apr
1970) regarding dispute between E.A.T. and Pepsi over live programming finances,
originating in Pottasch's dislike of E.A.T.'s programming proposals (see also Box
47); account summaries Mar-Jun 1970 with notes; and correspondence (Apr-Sep 1970)
about reaching a financial settlement and photocopy of agreement.
box 44, folder 18-27
Press
Scope and Content Note
contains files on biographies of participants (see also Box 46); book
correspondence (see also Boxes 139-140 for more about book production); Simone Swan
(Withers Swan Public Relations) correspondence and reports; press releases and kit;
Los Angeles press conference, Oct 1, 1969, with draft proposal, mailer and
manuscript of E.A.T. Information (Sep 19, 1969, see also Box 138); Jan Butterfield
report on L.A. press relations; many photocopied typescript descriptions of the
Pavilion and annotated photocopied galleys of "Pepsi Cola Expo 70"; Rosemary Stroer
(Pepsi Co. public relations) correspondence mostly concerning the Pavilion name, but
also some relating to the logo and NY Times Supplement; and clippings; ca. .33 lin.
ft.
box 44, folder 28-34
Live programming
Scope and Content Note
includes guide; sound memos and notes; rock group contest proposal, report and
budget; correspondence (9 items); transcript of Nov 8, 1969 meeting; and
worksheets.
box 45
Pepsi Pavilion,
1969-1970
box 45, folder 1-6
Live programming
Scope and Content Note
reports, memos and meeting minutes; programmers names and addresses; and 4 folders
of ca. 50 proposals from American and Japanese artists, engineers and composers,
such as Robert Adler (with La Monte Young, Dennis Johnson and Marian Zazeela),
Fahlström, John Giorno, Ann Halprin, Allan Kaprow, Gordon Mumma, Pauline Oliveros,
and Tudor, to come to the pavilion to program the light and sound system for a
3-week period during the Expo (see Box 44, Admin-settlement correspondence for
reasons why the programming was not produced).
box 45, folder 7-14
Architectural design
Scope and Content Note
includes E.A.T. and Takenaka work schedules for design and construction (see also
*Box 237); 15 John Pearce drawings; power requirement lists; drawings and plans (see
also *Box 237); and miscellaneous.
box 45, folder 15-27
Hardware-mirror dome
Scope and Content Note
includes R&D notes (especially on plastic molding) from meetings, telephone
conversations and other sources; R&D correspondence regarding materials,
prototypes and experiments; V-Line Products proposal; G.T. Schjeldahl Co. specs.,
engineering evaluation, notes, correspondence and contract, for inflatable air
structure to be used as a mirror dome; preliminary specs.; sound notes; material
samples; support structure cost estimate and drawings [see also flat file folder
4**]; technical reports; and L.A. model correspondence, schedules, cost estimates
and an analysis by Raven Industries of the model's explosion (see Box 48 for
photos); ca. .5 lin. ft.
box 45, folder 28-31
Hardware
Scope and Content Note
includes correspondence about interior lasers with letter from Peter Selz regarding
exhibition and acquisition of the Laser Deflection System after the Expo closed;
crowd control memo, notes and some correspondence; and floats correspondence, costs,
notes and drawings [see also * Box 237 and Roll 2].
box 46
Pepsi Pavilion,
1969-1970
box 46, folder 1-14
Hardware
Scope and Content Note
includes meeting minutes; notes; correspondence with engineers/designers; extensive
quantity of original drawings and blue-line copies; reports; schedules; specs.; and
price quotes and cost estimates; regarding design and construction of the sun track;
exterior and interior lights (see also Flat File 1); loop system and handsets;
floors (see also Flat File 1); fog (see also *Box 237); and sound system (see also
Flat File 1); ca. .33 lin. ft.
box 46, folder 15-22
Charter Flight
Scope and Content Note
correspondence with Allan Kaprow, Patty Oldenburg, Sibyl Moholy-Nagy and many
others regarding accommodations and flight, which was cancelled due to lack of
participation. Also financial and other materials.
box 46, folder 23-24
Travel
Scope and Content Note
Klüver itineraries and brochures.
box 46, folder 25
Biographies
Scope and Content Note
of artists and engineers with 5 photos, 2 of which are by Peter Moore of Robert
Breer's "floats" not illustrated in Floats or More Floats, clippings and 5 copies of
the above 2 mentioned "float" catalogs.
box 46, folder 26-28
Expo information
Scope and Content Note
includes regulations for construction, maintenance and display, and general
information
box 46, folder 29
Festival Plaza
Scope and Content Note
includes miscellaneous correspondence, 4 p. transcript of Klüver interview with
Asahi newspaper (Jun 27, 1969) and notes (see also Box 48).
box 46, folder 30
T.I.E. (Technology for the Individual and the Environment)
Scope and Content Note
Corporation formed to earn funds by selling Expo souvenirs which would indirectly
help E.A.T. in its projects. Includes certificate of incorporation; meeting minutes
with by-laws; notes; TIE-Werner Hefti agreement to appoint Hefti as exclusive agent;
expense receipts; and TIE/Pepsi Co. correspondence and agreement.
box 47
Pepsi Pavilion,
1969-1970
box 47, folder 1-48
Telex correspondence,
Mar-Jul, 1969,
Jan-Jul, 1970, Feb-May, 1970
Scope and Content Note
mostly brief transmissions carrying essential information between E.A.T. staff in
NY (aka EATCENTRAL) and Japan (aka EATEAST) regarding financial matters documenting
severe budget problems, cost overruns and deterioration of the NY office while
Klüver was in Japan; sale of TIE, including a telex from Klüver to Friberg about his
desire to sell TIE to Harry Green and the unethicalness of a consortium buyer
consisting of Friberg and other E.A.T. personnel (Feb 28) with Friberg's response in
opposition to Klüver's comments, and also announces his and Rubin Gorewitz's
(accountant) resignations; technical, design and construction updates and questions/
answers, especially in regards to removing particles from the mirror (Mar) and sound
system problems (Apr); equipment shipments (Feb-Mar); construction and travel
schedules; Pavilion book and Bijutsu-Techo issue production (with an manuscript of
the latter, May 17); PR; live programming; dispute with Pepsi leading to termination
of E.A.T. activities at the Pavilion; and preparations for American Artists in
India. Originals and many dups., almost 1 lin. ft. (N.B., items were previously
tightly rolled, and hence tend to curl and should be handled carefully.)
box 48
Pepsi Pavilion, includes:
1969-1970,
box 48, folder 1-3
Correspondence
Scope and Content Note
substantial quantity of carbon copies of letters from E.A.T. staff to PepsiCo,
Japanese organizers and others regarding various Pavilion organizational,
programming, technical and financial matters (many letters can be found in photocopy
form in the previous boxes, and see also Box 123, General Correspondence, for drafts
of letters, reports and financial papers, and duplicate carbon copies), and a few
carbon copies of meeting minutes. A separate folder contains incoming letters,
including a film proposal by Eric Saarinen and a brief letter from Ivan Chermayeff
(U.S. Pavilion designer); 1968-1972.
box 48, folder 4-7
Sounds
Scope and Content Note
correspondence primarily about acquiring environmental sounds for programming, and
permission requests; lists of program sounds and source tapes; and notes (see Box
41, miscellaneous small projects for related material).
box 48, folder 8-9
Karl Friberg's files
Scope and Content Note
includes correspondence about equipment procurement; notes with cost calculations
and some with small drawings; schedules relating to fog system and lighting; and
sound loops, system and software. [See also flat file folder 7** for fog system
plans.]
box 48, folder 10-14
John Pearce's files
Scope and Content Note
similar types of material to Friberg's files and also includes design drawings, but
concerns air structure; mirror dome (see also flat file 4**); fog system (see also *
Box 237, and flat file folder 7**); floor lights; and floors.
box 48, folder 16
Float assembly designs
Scope and Content Note
includes ca. 15 blue-line drawings by John Ryde [see also Roll 2].
box 48, folder 17-24
Festival Plaza
Scope and Content Note
program lists; 4 architectural drawings by Isamu Noguchi [see flat file folder 3?**
and Roll 2); notes; performance instructions for "HPSCHD" (with annotations) and
"Reunion," both composed by Cage to be performed at Festival Plaza; "HPSCHD" budgets
and working notes; correspondence with potential sponsors and Japanese officials
regarding E.A.T.'s proposed festival plaza programming of "Soundscapes" and "HPSCHD"
(neither of which were produced); and grant proposal.
box 49
Pepsi Pavilion,
1969-1970
box 49, folder 1-3
Programming
Scope and Content Note
includes guide; schedules; description; requests for proposals; meeting minutes;
Pepsi/Tudor agreement and correspondence; and Lowell Cross's programming
proposal.
box 49, folder 4-6
L.A. model
Scope and Content Note
includes 13 photographs from Raven Industries of exploded model; press conference
party guest list, notes, PR correspondence, drafts for invitation and handout, and 2
photographs of model; and mirror-dome production schedule.
box 49, folder 7-18
Press
Scope and Content Note
includes biographies; brief description of the Pavilion; statements for
Butterfield's services; press kits; promo package and postcards; NY Times Supplement
notes and correspondence; articles on Expo and Pavilion; "Expo '70 News" vol. 3,
nos. 2-10, vol. 4, no. 7; and phone and mailing lists.
box 49, folder 19-25
Miscellaneous
Scope and Content Note
files with schedules and meeting minutes (mostly duplicates); Sony equipment
manuals; notes; and 2 folders of general miscellaneous.
box 50
Miscellaneous oversize,
1969
Scope and Content Note
Includes plans for Festival Plaza designed by Tange; De Long notes for 9 Evenings
layout; general finance ledger (1969); Pepsi logos on cardboard; mirror ray tracing;
EATART invitation; brochures; clippings; notes; and photograph of Pavilion model.
box 51, folder 1-42
Research files, A-N
Scope and Content Note
mostly published background material (e.g.: brochures, photocopied articles,
clippings), and study reports on India and satellite television. Also contains some
correspondence about fund-raising, organization and information requests (see
especially Vikram Sarabhai, Chairman of India's Atomic Energy Commission);
miscellaneous notes; pre-investment studies; materials on the field research lab
such as proposals, reports and notes; drafts and final version of E.A.T. report; and
meeting notes (cont. Box 52).
box 52, folder 1-43
Research files, P-Z
Scope and Content Note
(see Box 51).
box 53
American Artists in India,
1970-1971
box 53, folder 1-11
Artists' reports
Scope and Content Note
mostly typescript reports and interviews with participants Jed Barc, Trisha Brown,
Lowell Cross, Jeffrey Lew, Steve Paxton, Yvonne Rainer, Terry Riley, La Monte Young
and Marian Zazeela. Also contains some postcards and letters from the artists about
travels and the trips' effect on their work; photograph of Brown and Barc together
(+ 3 copies) and 9 photographs of Cross; photocopy of Rainer's extensive diary (ca.
60 p.); and 2 E.A.T. project reports (Sep-Dec 1970 and Dec 31 1971); ca. .25 lin.
ft.
box 53, folder 12-18
Correspondence
Scope and Content Note
includes carbon copies. and photocopies of letters to potential sponsors and
benefit committee members; 3 p. letter from Philip Glass expressing a desire to
return to India to further his studies of Tibetan "traditions"; correspondence with
Gira Sarabhai of National Institute of Design (NID), Ahmedabad, and Chandralekha
(aka Chandra) about organization and plans; and with Porter MacCray of JDR
Foundation about funding. Also contains some meeting minutes and "Eames Report" by
Charles and Ray Eames for the NID, 1958 (see Gautam Sarabhai); ca. .25 lin. ft.
box 53, folder 19
Poster
Scope and Content Note
includes 1 Shunk-Kender photograph (not used) and 1 contact sheet.
box 53, folder 20-22
Note
Scope and Content Note
includes 6 Klüver and 2 Ritty Burchfield notebooks of ideas and to-dos, and some
loose sheets.
box 53, folder 23-26
Travel
Scope and Content Note
includes accommodations list and notes; brochures and 4 issues of "The Rising
Nepal."
box 53, folder 27-28
Financial
Scope and Content Note
budget and expense reports.
box 54
American Artists in India Benefit,
Dec 18,
1970
box 54, folder 1-4
Benefit committee
Scope and Content Note
correspondence soliciting members; membership lists; and planning book.
box 54, folder 6-16
Invitations and mailing lists
Scope and Content Note
drafts and final invitation format; some duplicate correspondence; VIP/Sponsor
lists; and invitation and mailing lists; ca. .66 lin. ft.
box 54, folder 17
Book
Scope and Content Note
"JDR III Fund and Asia 1963-1975."
box 55-58
Mailing Lists,
undated
Scope and Content Note
Index cards bearing the names and addresses of E.A.T. contacts, including patrons,
artists and colleagues.
box 59
Projects Outside Art,
1969-1971
box 59, folder 1-26
Proposals, A-Z
Scope and Content Note
from artists and engineers such as Agnes Denes, Fahlström, Garmire, Kaprow and
Alison Knowles (with 2 slides), ca. .75 lin. ft.
box 59, folder 27-29
Mailing lists and form letters
box 59, folder 30-31
Correspondence
Scope and Content Note
mostly inquiries and responses to submission requests, but also has 2 long letters
from Kaprow outlining in detail disagreements with E.A.T.'s project selection
process and organization of the LA team for Projects Outside Art and the handling of
the Pepsi settlement, and a letter from Knowles; ca. 75 items.
box 59, folder 32
Authorizations to publish submissions
box 59, folder 33-37
Fund-raising and press
Scope and Content Note
includes National Science Foundation proposal; NEA correspondence and budgets;
extensive quantity of photocopies of fund-raising letters; press releases; and
poster.
box 60
Projects Outside Art,
1969-1971
box 60, folder 1
Esthetics Symposium,
Oct 31
1970
Scope and Content Note
photocopies of letters to panelists; statement; notes; and budget; ca. 35
items.
box 60, folder 2
Recreation and Play (E.A.T. LA)
Scope and Content Note
includes E.A.T. proposal and photocopied typescript of E.A.T. LA meeting (with
Kaprow and others).
box 60, folder 3-17
City Agriculture (greenhouse)
Scope and Content Note
includes proposal; budgets; correspondence and financial agreements with
Environmental Research Lab, Arizona (ERL); Westbeth feasibility study; 26
photographs of "Envirodome" and ERL greenhouse operations; greenhouse plans and
sections [see flat file folder 5**); schedules; research files with photocopied
articles and brochures; notes and miscellaneous; ca. .5 lin. ft.
box 60, folder 18-24
Peter Poole's files
Scope and Content Note
includes notes on Projects Outside Art; information on science and engineering
society memberships; seminar papers and technical information; ca. .25 lin. ft.
box 61
Children and Communication,
1971
box 61, folder 1-12
Administration
Scope and Content Note
correspondence with supporters, letters to schools regarding participation,
proposal, preliminary and final reports (May 1, 1971), substantial quantity of
notes, exhibition floor plan, and bills and receipts, ca. .25 lin. ft.
box 61, folder 13-31
Children's responses
Scope and Content Note
drawings, notes and telexes generated by children's transmissions to each other
between sites using telex machines, facsimile machines and electro-writers, filed
according to school and date. Also includes 12 snapshots of children (Feb 15, 1971
group), .75 lin. ft.
box 62-64
Children and Communication,
1971
box 65
Various Projects, includes:
1970-1973,
box 65, folder 1-7
EATEX (directory of artists/engineers),
Fall 1970
Scope and Content Note
directory drafts; "symbolic coding" forms; and a few items of photocopied
correspondence; ca. .25 lin. ft.
box 65, folder 8-19
Multi-Dimensional Scaling,
1971
Scope and Content Note
questionnaires; responses; and some notes and data analyses; ca. .5 lin. ft.
box 65, folder 20
8th Annual NY Avant Garde Festival (E.A.T. organized a "Television
Information Center")
1971
Scope and Content Note
3 items.
box 65, folder 21
Artists & T.V.,
1971
Scope and Content Note
includes correspondence about ad placement; 2 copies of exh. cat. "Vision &
Television"; clippings and research materials; ca. 25 items.
box 65, folder 22-25
Poetry Should be Made by All (exhibition of the Russian avant-garde at
Moderna Museet, Stockholm),
1971
Scope and Content Note
extensive quantity of correspondence between Withers Swan, Public Relations
(circulating agent), Moderna Museet and various other museums and galleries about
circulating the show; photographs of the 24 screens used in the exhibition and 3 of
the installation; list of works; press release; and photocopied articles.
box 65, folder 26
Highway Poster Project,
1972
Scope and Content Note
includes 2 photographs of 2 works by Christo; photograph of Christo's poster; 1 p.
typescript suggesting that art could provide a dialectic between ecology and
industry; and payment agreements signed by Gormley, Smithson, Christo and Sonfist
(see also Series IX).
box 65, folder 29
Greek Underwater Exploration (of the ancient city of Gythion, harbor of
Sparta),
1973
Scope and Content Note
mostly photocopied documents from the Aegean Institute, such as surveys, report and
by-laws, and also contains Athens Annals of Archaeology, V fasc. 2 (1972) and 1
photograph of a harbor; ca. 25 items.
box 66, folder 1-13
Original telexes
Scope and Content Note
of questions and answers from all 4 stations filed in rough chron. order with a
small quantity of correspondence interspersed (N.B., many telexes are long, rolled
or folded and very cumbersome to handle).
box 67, folder 1-18
Q&A compilation
Scope and Content Note
contains mostly photocopied telexes of questions and answers cut and stapled onto
sheets, filed according to city where question originated, and 2 sets of photocopied
sheets.
box 68, folder 1-10
Q&A compilation
Scope and Content Note
photocopies of sheets (see above) and of original uncut telexes, ca. .25 lin.
ft.
box 68, folder 11-28
Miscellaneous
Scope and Content Note
includes correspondence with Nakaya, Hulten and others pertaining to organizational
matters, ca. 50 items; notes; initial question drafts; lists of unanswered
questions; correspondence soliciting answers from various knowledgeable individuals
and responses, ca. 45 items; Q&A tallies; drafts and final version of
compilation ("ms." which E.A.T. hoped to publish); and 26 photos, 4 contact sheets
(2 by Shunk-Kender) and negatives of telex machines and Utopia exh.; ca. .5 lin.
ft.
box 69-76
TELEX: Q&A,
1971
Scope and Content Note
New York Times, August 1981 (Project's questions were aimed at ten years from 1971.
E.A.T. collected the "New York Times" for one month for later study on how 1981
differed or resembled the predictions, guesses and feelings people had about it in
1971.).
box 77
New York Collection for Stockholm,
1971-1973
box 77, folder 1
Proposal
Scope and Content Note
drafts and final version.
box 77, folder 2-19
Correspondence
Scope and Content Note
includes carbon copies and photocopies of form letters sent by Klüver, Martin,
Barbara Birkenmeier (Project Director) and Constantine Vasiliadis (Chairman, Friends
Committee) to potential sponsors and donors, committee members and artists primarily
regarding organizational matters, fund-raising and portfolio sales with some
responses, Jun 1971-Sep 1974. Also contains a letter from Hans Haacke making many
inquiries as to E.A.T.'s programs and how the sale of the collection will benefit
E.A.T. (Mar 3, 1972, folder 2) with a response; extensive quantity of mailing lists;
and much Moderna Museet correspondence which includes a cc. of a letter from Paik to
Hulten about transferring and shipping a videotape for his work in the collection
with a short explanation of its contents, announcement for Rauschenberg's "Pelican,"
3 issues of "Meddelande till Moderna Museets vanner" (nos. 1, 11, 12), 2 postcards
of Rauschenberg's "Monogram," telexes and telegrams about last minute details,
including Klüver's description of how "Mude Muse" should be installed (Oct 12, 1973)
and shipping of works; ca. .75 lin. ft.
box 77, folder 20-21
Fund-raising
Scope and Content Note
includes potential sponsors and priorities lists; notes; form letter drafts; and
proposed budget.
box 78
New York Collection for Stockholm,
1971-1973
box 78, folder 1-5
Artwork for collection
Scope and Content Note
notes on artwork contacts with pertinent information on each piece; notes on
promised artworks with 3 color transparencies, neg., 6 photos, and 3 negatives of
Walter De Maria's "Hard Core," note and letter from Paik, "Ad Reinhardt: Black
Paintings 1951-1967" catalog, and Richard Serra drawing on Castelli stationary as
seen in catalog; many photocopied loan forms; invoices from galleries and artists;
and photocopied bills of sale and deeds of gift; ca. .25 lin. ft.
box 78, folder 6-8
Collection catalog
Scope and Content Note
includes some correspondence; lists and descriptions of works; 15 negs.; and
catalog copies.
box 78, folder 9-18
Print portfolio
Scope and Content Note
includes many carbon copies of letters to artists; note from Jasper Johns; mss.;
proofs; illus.; production costs and sales; security agreements; and correspondence
and mailing lists for portfolio donations (1976, 1981); ca. .25 lin. ft.
box 78, folder 19-22
P.R
Scope and Content Note
press releases and kits; mailing lists; and miscellaneous.
box 78, folder 23-25
Opening and reception,
Oct 27,
1972
Scope and Content Note
invitations, notes, and mailing lists.
box 79
New York Collection for Stockholm,
1971-1973
Portfolio Print Collection
Scope and Content Note
collection of 30 lithographs, silkscreens, photoprints and a record, by 30 artists,
measuring 30.3 x 22.7 cm. (9 x 7 in.), 21 of which are signed and numbered A.C.
12/30 (edition size of 300), 1973. This portfolio is not housed in a mahogany
box.
box 80
New York Collection for Stockholm,
1971-1973
box 80, folder 1-10
Stockholm trip,
Oct 25,
1973
Scope and Content Note
includes carbon copies of opening invitation letters; note and postcard responses
from Robert Morris, Hans Namuth, Diane Waldman, Blanchette Rockefeller and Douglas
Davis (ca. 40 items); flight and hotel accounting and people lists; activities;
mailing lists; notes; and miscellaneous; ca. .25 lin. ft.
box 80, folder 11-15
Financial
Scope and Content Note
much correspondence regarding portfolio sales and payment of debts, especially to
artists for their works, such as Walter De Maria (letter from Oct 17, 1973),
Oldenburg, Dine, Stankiewicz and Noland. Also includes budgets, expenses and
receipts.
box 80, folder 16-21
Notes
Scope and Content Note
substantial regarding opening and other matters, ca. .25 lin. ft.
box 80, folder 22-29
Miscellaneous
Scope and Content Note
includes drafts and reports; invitations; leaflet (1979); and reference
articles.
box 81-86
New York Collection for Stockholm,
1971-1973
Scope and Content Note
Index cards with addresses for dinner with Princess Christina of Sweden at
Rauschenberg's house.
box 87-94
Membership lists,
undated
Scope and Content Note
Index cards of artists and engineer members, California address list and others.
box 95
Television Projects,
1970-1975
box 95, folder 1
Antenna Proposal,
1970
Scope and Content Note
notes and correspondence.
box 95, folder 2
RCA Television Laboratory,
1970
Scope and Content Note
proposal with notes and draft versions, and some correspondence.
box 95, folder 3
Twenty-six Television Programs,
1970
Scope and Content Note
proposal titled "E.A.T. Cookbook."
box 95, folder 4-5
USA Presents
Scope and Content Note
Bicentennial Satellite, 1971: includes
correspondence; proposal; TV distribution study; clippings; and notes.
box 95, folder 6-12
Two Pre-Investment Studies for UNDP (United Nations Development
Program),
1971
Scope and Content Note
includes proposal and correspondence with Dr. Vikram Sarabhai, U.N. and World Bank,
and correspondence regarding Super 8.
box 95, folder 13-14
UN Satellite Demonstration,
1975
Scope and Content Note
notes and correspondence
box 96
Artists and Television Project and Artcash Benefit,
1971
box 96, folder 1-16
Artists and Television Project
Scope and Content Note
includes letters to artists inviting them to submit proposals (Feb 1971) with a
negative response from Jasper Johns; artists' program proposals from Oldenburg,
Trisha Brown, Ed Ruscha, Robert Breer, Pauline Oliveros, Keith Sonnier, Dean
Stockwell, Richard Serra, Michael Snow, Robert Creeley, George Kuchar, Robert Irwin,
Larry Poons, Jean Dupuy, Paik, and others; program schedules; budgets; grant
requests; and final list of participants. Also contains agreement; budget; expenses;
and press releases from Automation House and Sterling Manhattan Cable regarding
equipment rental and gallery (for exhibition and sale of artists work to fund the
project; see also Artcash Benefit); ca. .33 lin. ft.
box 96, folder 17-43
Artcash Benefit
Scope and Content Note
includes correspondence with persons interested in receiving bills, galleries with
price lists and some reproductions of works (2 big folders), and regarding loan
confirmations; lists of contributing galleries and artists in the exhibition;
consignment receipts; catalog manuscript; master price list for Artcash bills;
artists' money arrangement; photocopied artists' statements relating to
currency/money (see Boxes 98-102 for actual bills); mailing lists and invitations;
accounting, receipts, bills and closing agreement; and miscellaneous; ca. .66 lin.
ft.
box 97
Artcash Benefit,
1971
Scope and Content Note
Andy Warhol $1 Artcash ink pad stamp: used on envelope of mailing for Artcash Benefit
in 1971.
Pitney Bowes printing plates: used on mailings that went out: "Participation not
Patronage," "Enjoy the Hardware," "We Love Pitney Bowes," "Process not Product,"
"Trust the Artist," "Artist Engineer Collaborations in the Industrial Environment" and
"We Involve Professionals from Anywhere."
box 98-102
Artcash Benefit,
1971
Scope and Content Note
5 bundles of ca. 500 bills each of Artcash by Andy Warhol, Rauschenberg, Jeff Davis,
Marisol and Whitman.
box 103
Projects in Central America, ca.
1966-ca. 1972,
undated
box 103, folder 1-31
Research material concerning television,
1969-1972
Scope and Content Note
Mostly in the form of reports and articles concerning television in education for
developing countries and E.A.T.'s projects in television, Alpha files A-P include 17
color transparencies from Bell Labs of technology and 16 photographs of nature for a
proposed publications brochure; many articles on Computer Assisted Instruction;
proposal for El Salvador; comments of various organizations to the Federal
Communications Commission's notices of inquiry; and recording of indigenous cultures
( 1972, see miscellaneous).
box 104
Projects in Central America,
ca. 1966-ca. 1972,
undated
box 104, folder 1-15
Alpha files S-W
Scope and Content Note
Includes papers by Wilbur Schramm and on Sesame Street. Similar material to Box
103.
box 105
Projects in Central America,
ca. 1971-ca. 1974,
undated
box 105, folder 1-7
El Salvador
Scope and Content Note
includes organizational correspondence; telexes between Klüver in El Salvador and
E.A.T. staff; proposal and drafts; meeting notes; bidding instructions for an
instructional television studio and broadcasting equipment; and equipment catalogs;
ca. .33 lin. ft.
box 105, folder 8-20
Guatemala
Scope and Content Note
telexes to Klüver in Guatemala from E.A.T. staff about multi-dimensional scaling
questionnaire and using film for educational purposes; background and general
information; notes; report drafts and final report; and a substantial quantity of
multi-dimensional scaling questionnaires; ca. .66 lin. ft.
box 106
Miscellaneous oversize,
1970-1971
Scope and Content Note
Includes 3 publications for Projects in Central America; "Software" exhibition cat.,
1970; five photographs by Evelyn Hofer; cash disbursement ledger, Jan 1970-Jan 1971;
payroll ledger, Jan-Sep, 1970; and general ledger, 1971.
box 107
Printed Ephemera,
1960s-1990s, 1971-1972
box 107, folder 1-14
Printed ephemera
Scope and Content Note
In the form of announcements, invitations, catalogs, bulletins, press releases,
clippings, sent to E.A.T. from various sources.
box 108
Various publications on education and television,
1966-1975
box 108, folder 1-14
Reports,
1966-1975
Scope and Content Note
Includes "Access" nos. 11 and 14 (1973, 1975); UNESCO "Music and Technology," 1971;
NEA/NCA " 1970 Annual Report" and five year fiscal report 1966-1970; and UNESCO and
Ford Foundation reports.
box 109
Video Research A-M,
mid 1970s
box 109, folder 1-23
Publications,
1976,
Scope and Content Note
Mostly publications, catalogs and articles collected in support of video projects,
filed alphabetically by subject. This includes information on public media,
equipment, exhibitions, laboratories; clippings on museum and artist activity; and
journals and magazines, such as
Criss Cross Double
Cross
. (See oversize Box 106.)
box 110
Video Research A-M,
mid 1970s
box 110, folder 1-25
Publications, printed matter
Scope and Content Note
Similar to Box 109, includes files on National Endowment for the Humanities, NY
State Council on Arts, video performances, proposal for video festival, video art,
video expo, 1975-1976, videography and video & music.
box 111
Island Eye Island Ear, includes:
1974-1979,
box 111, folder 1-3
Correspondence
Scope and Content Note
organizational in nature, documenting difficulties finding a site, ca. 35
items.
box 111, folder 4-8
Notes and research
Scope and Content Note
mostly on site locations and antenna (see also Boxes 112-113).
box 111, folder 14-16
Financial
Scope and Content Note
NEA grant proposal and budget.
box 111, folder 17-25
Press
Scope and Content Note
clippings from local newspapers publicizing event and expressing concern over
concert's potential harm to the environment; press release and Klüver letter to
Adirondack newspaper about concert cancellation; and some biographical material
relating to Tudor, Nakaya and Jackie Monnier and interview drafts with each.
box 112
Island Eye Island Ear,
1974-1979
box 112, folder 1-21
Proposals, reports on islands
Scope and Content Note
Extensive quantity of proposals, reports and descriptions of Bluff Island (some
with photos), and of a few other islands.
box 113
Island Eye Island Ear,
1974-1979
box 112, folder 1-23
Maps, sketches and some photographs of locations
Scope and Content Note
See also flat file folder 6** for more maps.
box 114
Various Projects, includes:
1975-1992,
box 114, folder 1
Calder Bicentennial Project,
1975
Scope and Content Note
proposal.
box 114, folder 2-16
"Paris-NY-Paris" opening at Centre Georges Pompidou,
1977
Scope and Content Note
E.A.T. organized charter flight. Includes telex correspondence concerning general
organization and giving detailed installation instructions for Marcel Duchamp's
"Etant Donné" and Rauschenberg's "Oracle"; travel payment letters from Louise
Bourgeois, William Wilson, Francois De Menil, Larry Rivers, Richard Stankiewicz, and
many others; letters of interest and cancellation; RSVP and charter registration
forms; Pompidou invitations, programs, and trip schedules; guest and accommodations
lists; notes; travel invoices; financial; and information on satellite program; ca.
.5 lin. ft.
box 114, folder 17
Robert Whitman Archive,
1977
Scope and Content Note
includes photocopied clippings; essay on Whitman by Klüver and Martin; archival
processing plan; and a permanent installation plan; ca. 20 items.
box 114, folder 20
Artist Data Base (for contemporary artists),
1977
Scope and Content Note
includes notes and proposal, ca. 25 items.
box 114, folder 23
Berlin Trip (to see Robert Wilson's opera "Death, Destruction and
Detroit"),
1978
Scope and Content Note
mailing lists; announcement drafts; schedules; notes; and travel guides; ca. 25
items.
box 114, folder 24
List of Fahlström's works (with prices),
Jul 1979
box 114, folder 30
Katzive Project (video project with Lucas Samaras),
1987
Scope and Content Note
grant proposal.
box 114, folder 34
Rolando Peña,
1992
Scope and Content Note
mostly photocopied articles/reviews and 36 slides, ca. 65 items.
box 115
Transportation Study and Multi-Dimensional Scaling,
1977
box 115, folder 1-12
Transportation Study,
1977
Scope and Content Note
Applies "impact scaling" methods to transportation policy planning in the NY state
area. Mostly photocopied research articles, and also proposal drafts, meeting notes,
copies of letters sent and notes, ca. .33 lin. ft.
box 115, folder 13-16
Multi-Dimensional Scaling,
1977
Scope and Content Note
meeting notes, proposal drafts and printout of computer source code.
box 116
Multi-Dimensional Scaling,
1968-1972
box 116, folder 1-7
Multi-Dimensional Scaling Workshop, research papers,
1968-1973
Scope and Content Note
Includes documents and papers given at Bell-Penn Multi-Dimensional Scaling Workshop
(Jun 7, 1972-Jun 10, 1972), and numerous research articles on the topic, 1968-1973
(bulk early 1970s). (N.B. This box was treated for extensive mold damage, and items
are exceptionally fragile and mold-stained.)
box 117
Multi-Dimensional Scaling,
undated
Scope and Content Note
IBM punch cards for multi-dimensional scaling program from Doug Carroll, Bell
Labs.
box 118
Artists for New York Benefit,
1979
box 118, folder 1-28
Correspondence, documents, printed matter
Scope and Content Note
Consists of correspondence, report, artists' committee name lists and letters to,
information letter, 3 folders of notes mostly pertaining to "to-dos" and
invitations, mailing lists, budgets, publicity, press releases, artists' and others
requests for tickets, texts for invitations, invitations and mailers, tickets,
programs.
box 119, folder 1-20
Material for "Opal Loop/Cloud Installation,"
1979-1980
Scope and Content Note
Collaboration with Nakaya, "Glacial Decoy" (with Rauschenberg), and general
information on TBC. Includes fund-raising letters from Julie Martin and Rauschenberg
to prospective patrons; thank-you letters from Brown to sponsors; "Glacial Decoy"
performance instructions and invitations; Nancy Graves Poster material (donated by
Graves and used for 1980 NY season and for promoting Europe performances); "Opal
Loop/Cloud Installation" notes, sketches, diagrams, patent application pertaining to
Nakaya's fog [see also flat file folder 7** for plans of fog system and
architectural plans and sections of Brooklyn academy of Music, Opera House], press
release, tickets and invitations. Also includes clippings; articles; announcements;
programs; a profile on Brown; and Merce Cunningham press clippings and press
release.
box 120
Klüver Talks, Lectures and Articles,
1968-1992
box 120, folder 1-60
Manuscripts (mostly photocopied), notes and correspondence,
1968-1991
Scope and Content Note
Pertaining to "Technology and the Individual," Spring 1968 (proposed book);
Minneapolis School of Art, May 9 1968 (commencement address); "The Ghetto and the
Technical Community," Summer 1968 (article); "The Artist and Industry," Dec 16 1968
(lecture at MOMA); "Artists, Engineers and Technology," 1969 (paper written with
Rauschenberg for "International Conference on Technological Change and Human
Development," Israel); "Rainforest," Jan 30 1970 (article on history of E.A.T.);
"Establishing an Interactive Relationship Between the Artist and Technology," Jun
1969 (for 1970 edition of "Enciclopedia della scienza e della tecnica mondadori");
"Conditions for Artists Participation in Shaping the Environment," Feb 22 1976
(presented at the annual meeting of the American Association for the Advancement of
Science); detailed corrections of National Gallery of Art's Rauschenberg
Retrospective catalog, 1977 (14 p.); "Artist Expertise for Communication Plannings,"
Sep 13 1977 (paper given at the International Institute of Communication); "9
Evenings: Theatre and Engineering," 1980 (article in "Für Augen und Ohren");
corrections to Calvin Tomkins "Off the Wall," 1980 (3 p.); "9 Evenings," 1980-1991
(talk); "Pavilion," Aug 12 1990 (talk at Queens Museum); and "9 Evenings," Sep 3
1991 (talk at Neue Pinakothek, Munich); among others, arranged chronologically.
box 121
Klüver Talks, Lectures and Articles,
1968-1992
box 121, folder 1-12
Manuscripts and printed articles,
Scope and Content Note
Contains "Art Engineering and Collaboration," Apr 12 1992 (talk at DIA conference)
and some mss and articles by others (John Pearce, Max Mathews, Francis Mason and
James Tenney).
Oversize project files material
oversize 1**
Printed ephemera
Scope and Content Note
Poster: Artists' benefit sale for Encounter Inc, April 30 - May 1 1972.
oversize 2**
Pepsi Pavilion, logo design artwork,
undated
Scope and Content Note
14 sheets with colored marker and pencil sketches. [Relates to material in Box
44.]
oversize 3**
Pepsi Pavilion - hardware drawings
oversize 4**
John Pearce's files - Pepsi Pavilion (Mirror Dome)
Scope and Content Note
Photomechanical drawings, some annotated. [See also Box 48, f.10-14.]
oversize 5**
Projects outside art - Greenhouse plans
Scope and Content Note
[Relates to material in Box 60, f.3-17.]
oversize 6**
Island Eye, Island Ear maps
Scope and Content Note
[Relates to Boxes 111, 112, 113.
oversize 7**
Trisha Brown Co. - Opera House - Fog system plans
Scope and Content Note
Relates to Box 119.
oversize 2**
Expo 70 architectural drawings
Scope and Content Note
Festival plaza, float assembly drawings, Pepsi pavilion. [Relates to Box 45, f.
28-31; Box 48, f. 16-24.]
Series II.
Correspondence and administration,
1966-1980
Physical Description: 21 lin. ft. 16 boxes
Scope and Content Note
Considerable correspondence with artists, engineers, sponsors, and staff members about
various topics, such as membership, finances, fund-raising and projects, arranged in
rough chronological order. There are also general files mostly consisting of
correspondence and publications, arranged in alpha order. The administration of E.A.T.'s
policies and procedures are documented with by-laws and board of directors meeting
minutes, and office management and fund-raising files. This series also contains a large
quantity of Klüver and J. Martin notes.
box 122
Correspondence,
1966-1974
box 122, folder 1-26
Klüver,
1966-1974
Scope and Content Note
general correspondence with arts organizations, journals, corporations, government
officials, universities, and artists, discussing such matters as sponsorship,
information requests, invitations for Klüver to speak, collaboration ideas and
projects. Highlights are letter and note from Cage who needs technical assistance
with 2 compositions (1967) and requests E.A.T. to give money that is owed to him to
Sari Dienes (1968); 7 letters with Eugenio Carmi about establishing an Italian
E.A.T. local group (1967-1968, see also Box 30, Local Groups); note from John
Kenneth Galbraith (Aug 17 1967); correspondence with Senator Jacob Javits and wife
Marion (ca. 15 items, 1967-1968 and Jan 1972); letter from Betty Asher at LACMA
requesting information for their art and technology project (Jul 10 1967); 4 items
with Lil Picard about reviews (1967); note from Harold Prince (1967); letters to
John G. Powers, Aspen Inst. of Humanistic Studies, about board formation and other
organizational matters with a response addressed to Rauschenberg (13 items,
1967-1968); 8 p. typescript to Jan Butterfield, Fine Arts Associates, concerning
E.A.T. LA (Feb 1968); postcard from Anaïs Nin mentioning a Stanford seminar on the
relationship between integrated circuits and her work, and asking Klüver to send
written materials on his ideas so she can introduce him "in the Diary" (Dec 1969);
two letters from Kaprow about receiving "tax exempt financial acknowledgment" as
part of the Pavilion settlement (May 1 1971); and letter from Charlotte Moorman
(undated, ca. Oct-Dec 1971). From 1970 onward, the correspondence contains more
photocopies and carbon copies from Klüver regarding the organization and
fund-raising of specific projects, such as Telex: Q&A, Artists and Television,
and New York Collection for Stockholm. Many of these letters document severe
budgetary problems. 1967-1968 filed in rough alpha order by institution, and
1969-1974 filed in rough chron. order; ca. .5 lin. ft.
box 122, folder 27
Klüver correspondence with Fujiko Nakaya,
1969-1974
Scope and Content Note
primarily long detailed letters from Nakaya discussing E.A.T. Japan organizational
matters with many comments about proper etiquette and red-tape encountered when
interacting with Japanese officials and cultural leaders; collaboration with and
support from Takashi Asada (environmental developer); project ideas; updates on
Japanese television technology, especially that which Sony has developed; and the
potential to deal art and exhibit Pop art in Japan. Also contains 4 p. letter from
Nakaya describing the negative situation of the Expo Festival Plaza (Aug 21 1970),
ca. 90 items.
box 122, folder 28
Klüver correspondence log,
1973-1974
Scope and Content Note
kept by Barbara Birkenmeier Jan 1973-Aug 1974.
box 122, folder 29-39
Francis Mason (President of E.A.T.),
1968
Scope and Content Note
with artists, industry, universities, museums, arts organizations and government
officials, primarily about fund-raising, collaborations and organization. Includes a
letter from Carol Brown expressing disappointment in E.A.T.'s lack of assistance
with her projects; 3 p. letter from Ross Drago about his work and E.A.T. Bay Area
local group formation with 4 photos; 2 letters from Dan Flavin requesting
assistance; note from Buckminster Fuller agreeing to join the board; 4 items with
Douglas Davis, National Observer, who eagerly wants to write about E.A.T. and
related developments in art and technology (see also Box 125); 1 p. cc. of a
typescript from Max Newhaus describing the development of his electronic music; and
letter from Paik discussing a new "art machine"; ca. .25 lin. ft., filed in rough
alpha order.
box 123
Correspondence,
1967-1980
box 123, folder 1-28
General,
1967-1980, 1968-1972
Scope and Content Note
with various E.A.T. staff members and interested persons similar to those mentioned
above in Klüver and Mason correspondence, concerning a myriad of topics, filed in
chron. order. 1969-1970 files contain mostly carbon copies and photocopies of
letters, and drafts of letters, memos and financial reports (some duplicating those
in Klüver and Mason correspondence and in Project files). 1970-1972 has much on
financial matters, showing an increased difficulty with paying bills. From 1971
until 1980 a substantial proportion of the letters ask and answer queries. Some
highlights are: 2 letters from Udo Kasemets about Klüver giving a lecture at a
festival in Canada (Dec 22 1967, Feb 24 1968); apologetic note from Robert Venturi
(Apr 2 1968); Galeria Bonino press release for Paik's "Electronic Art II" (ca. Apr
1968); 3 notes from Gyorgy Kepes (Sep 23 1968, May 12 1969, Jun 12 1969); letter
from Alison Knowles about creating houses on a plot of ground in Chelsea (Nov 22
1968, see Jan 1969); typescript of 16 p. Klüver paper which describes in detail
Tinguely's "Hommage à New York" among other things (Jan 27 1969); proposal for 10
exhibitions at Automation House (Mar 17 1969); Jud Yalkut proposal (May 1 1969);
postcard from Geoff Hendricks (Jun 1969); much pertaining to the Pavilion (Apr-Jul
1969); correspondence between Martin, Nakaya and Mrs. Naum Gabo about printing and
casting some of Gabo's work (Apr 1969, Sep 9 1969); postcard from Richard
Kostelanetz (Aug 1 1969); letter from Schneemann requesting sponsor list (Aug 5
1970); letter from Brian O'Doherty who will not recommend E.A.T.'s
membership-publications program grant proposal because his own organization (NEA)
has turned it down (Mar 22 1971); note from Joseph Kosuth (ca. 1973); 3 letters from
Peter Frank requesting information for an exhibition with response from Klüver
(1973); note from Allan Kaprow (1973); chatty letter and a postcard from Jackie
Monnier (Sep 29 1980); and letter from Terry Martin with family photograph taken ca.
1907 (Apr 1 1980).
box 124
Correspondence and General Files A-BR,
1968, 1981-1993
box 124, folder 1-11
General correspondence,
1981-1993
Scope and Content Note
Includes photocopy of a letter from Nakaya about copyrighting her fog sculptures
with a thick packet of material on her work (Aug 15 1981); postcard from Germano
Celant (ca. 1982); letters with the Cooper Union about borrowing Rauschenberg's
tennis racket used in "Open Score" (1983); and two letters from Matthew Rinaldo,
House of Representatives, concerning NEA grant policies and censorship (1990); ca.
.33 lin. ft.
box 124, folder 12-37
General files, A-BR,
1968
Scope and Content Note
contains much correspondence, publications and clippings concerning a variety of
topics. Includes: Amer. Ass. for the Advancement of Science correspondence and
transcript of Klüver's talk at their annual meeting (1968); ephemera relating to
artists exhibitions; and Automation House files containing job training film
festival material (1968), reports, memos, pamphlets and clippings about Theodore
Kheel.
box 125, folder 1-50
General Files BU-INS,
1968-1977, 1970-1973
Scope and Content Note
Including correspondence and press releases with Frank Stanton, CBS, regarding the
House of Reps. subpeona of various materials relating to CBS's broadcast "The Selling
of the Pentagon"; correspondence with Lowell Cross (ca. 8 items); Douglas Davis
correspondence regarding his book "Art and the Future," ca. 15 items (1969-1972);
E.A.T. history notes with a letter from Waldhauer describing the sentiments of some of
the board members (Summer 1971); 13 articles by Robert Feller (conservator); and IEEE
correspondence about creating an IEEE group concentrating on art.
box 126, folder 1-55
General Files INT-O,
1968-1977, 1970-1973
Scope and Content Note
Including typescript of Deane Judd's 28 p. paper "Visual Science and the Artist";
King's Square Show (Barbara Rose project) financial correspondence and organizational
material; Mabou Mines (theater group) file with a note from Philip Glass (1973),
project proposal, ephemera and photocopied reviews; some Robert McFarland
correspondence regarding fund-raising (1969-1970); 6 issues of "Marijuana"; and
postcard signed by Charlotte Moorman and Paik (1974).
box 127, folder 1-52
General Files P-Z,
1968-1977, 1970-1973
Scope and Content Note
Including photocopied publications, rules and contracts relating to Public Access TV;
many photocopied articles and other material concerning Pulsa (seven-man team of
research associates at Yale); substantial quantity of resumes; articles and catalogs
regarding Super 8; questionnaires and other material relating to "Toward the year
2018" a convocation sponsored by the Foreign Policy Association; and much material
about Westbeth artists' housing with note from Carl Andre written on a Westbeth letter
he received.
box 128, folder 1-58
Board of Directors,
1966-1974
Scope and Content Note
Includes material on board formation and activities, but mostly meeting minutes and
notes from and agendas for board, advisory council and executive committee meetings, 1
lin. ft.
box 129
Administrative Activities,
ca. 1966-1983
box 129, folder 1-6
E.A.T. Formation,
ca. 1966-ca.
1980s
Scope and Content Note
by-laws, certificate of incorporation, certificate of charitable organization,
philosophy notes and statements, and statement of purpose.
box 129, folder 7-34
Office Management,
1971-1983
Scope and Content Note
includes staff bios; stenograph notebooks (early 70s); phone call numbers and lists
(1971-1983); desk calendars (1971-1972); equipment orders, agreements and catalogs;
letterhead typesetting and printing (1969-1980); and mailing procedures and
information; ca. .75 lin. ft.
box 130, folder 1-11
Miscellaneous Administrative Activities,
1969
Scope and Content Note
Includes interoffice memos, internal correspondence, meeting notes, office
procedures, and office reorganization material.
box 131
Fund-raising,
1966-1972, 1967-1969
box 131, folder 1-5
Tamblyn & Brown Fund-raising Feasibility Study,
1967
Scope and Content Note
correspondence with Tamblyn & Brown, form letter sent requesting industry to
participate, checklists of contacts, questionnaires and mailers, and report.
box 131, folder 6-9
Fund-raising correspondence
Scope and Content Note
substantial quantity of carbon copies and photocopies of letters from various
E.A.T. staff/ board members to potential donors/sponsors with some responses.
box 131, folder 10-12
Notes
Scope and Content Note
on donor prospects and corporate contacts.
box 131, folder 13-17
Donations,
1966-1969
Scope and Content Note
includes lists of donors, and records of donations and deposits to E.A.T.
box 131, folder 18-30
Donor Files, A
Scope and Content Note
mostly correspondence and some grant application material with organizations such
as AFL-CIO and Robert Anderson (ARCO). Oftentimes files were annotated with donation
amount, ca. .25 lin. ft. (cont.).
box 132
Fund-raising,
1966-1972, 1967-1969
box 132, folder 1-44
Donor files, B-N
Scope and Content Note
same as above and includes CBS, IBM, NEA grant application, New York State Council
on the Arts, and Rockefeller Brothers Fund.
box 133
Klüver notes,
ca.
1967-1972
box 133, folder 1-2
Klüver calendar, and photograph of Klüver and Rauschenberg,
1968 ca.
1967-1972
folder 3-18
Notes,
1967-1972
Scope and Content Note
pertain to various E.A.T. projects, ideas, contacts, with drafts of letters and
memos, ca. 1 lin. ft.
box 134
Klüver notes,
early 1970s
box 134, folder 1-4
Bound notebooks and memopads recording ideas and daily
activities
box 134, folder 5-13
Klüver research files
Scope and Content Note
continuation of notes but with a greater abundance of clippings, publications, and
invitations.
box 135
Julie Martin's notes,
undated
box 135, folder 1-27
Notes, drafts, assorted clippings and photocopied articles
box 136-137
Rolodex and other card files,
1970s
Scope and Content Note
Three sets of rolodex card files; small group of index cards with names and addresses
(corporate sponsors?); and inventory cards (ca. 1978) with artists' names, title of
work, date, price and other pertinent information
Series III.
Publications,
ca. 1967-1980
Physical Description: ca. 15 lin. ft. 10 boxes, 1 flat
file folder
Scope and Content Note
Contains book and newsletter production material in the form of manuscripts, galleys,
proofs and layouts for most of E.A.T.'s publications, arranged in rough chronological
order. Invoices, order forms and letters of interest record E.A.T.'s marketing and
subscribing membership activities
box 138, folder 1-4
Art and Technology
ca.
1967-1968
Scope and Content Note
notes, ms, galley, article copy, title. search.
box 138, folder 5-12
E.A.T. News, vol.1, nos.1-4, ; vol.2,
nos.1-2,
1967 1968
Scope and Content Note
mss., reports, information, newsletter copies.
box 138, folder 13-17
E.A.T. Operations and Information,
nos.1-5,
1968-1969
Scope and Content Note
journal copies and some manuscript material.
box 138, folder 18-21
E.A.T. Information,
Sep 1969, Feb 1970,
Mar 1970
Scope and Content Note
mss. and journal copies (see also Box 44 for more mss.).
box 138, folder 22
President's Report,
Oct 1969
Scope and Content Note
mss. and journal copy.
box 138, folder 23-29
E.A.T. Proceedings,
1967-1969
Scope and Content Note
Numbers 1, 4-5, 9, 11-13. Journal copies, mailing list, safety report,
bibliography, covers.
box 138, folder 31-36
Techne, vol.1, no.1,
Apr 1969
Scope and Content Note
journal;, ideas, notes, mss (includes Carl Andre letter), photos,
correspondence.
box 138, folder 37-70
Techne, vol.1, no.2,
Nov 1970
Scope and Content Note
journal, mss (some not included in final printing), paste-up (see also Box 106),
repros, illus., graphics, copyright certificate, ad material, ca. .5 lin. ft.
box 139
Publications,
1969-1972, undated
box 139, folder 1-2
Techne, vol.1, no.2,
Nov 1970
box 139, folder 3
Techne, vol.1, no.3 (unpublished)
Scope and Content Note
Notes and correspondence requesting article submissions.
box 139, folder 4-6
Techne, vol.1, no.3 (unpublished)
Scope and Content Note
Deane Judd interview transcript.
box 139, folder 11-17
Automation House (
New
York Times
Supplement),
1969
Scope and Content Note
meeting minutes, correspondence, memos, notes, ms, cover dummy, dummy.
box 139, folder 18-40
Pavilion,
1972
Scope and Content Note
Dutton contract, correspondence, substantial quantity of mss. many with corrections
and mostly of Nilo Lindgren's section. Also contains 2 versions of Barbara Rose's
manuscript, ca. .75 lin. ft.
box 140, folder 1-25
Pavilion,
1968-1970
Scope and Content Note
ms. corrections, interview transcripts and appointment lists for interviews,
galleys, proofs, permission requests,illus. lists and captions, illus.,
promotion.
box 140, folder 27
Description of the Pepsi-Cola
Pavilion
Scope and Content Note
Breer notes, ms, galley, booklet.
box 141, folder 1-10
E.A.T. Brochure
Scope and Content Note
drafts (1967-1969), collection of writings by E.A.T., mss, paste-ups, notes,
dummies, schematic layout, captions, information on printing, and "Brochure for
Industry" mss. [See also art work for E.A.T. brochure, in flat file folder 8**.]
box 141, folder 12-32
Subscribing members
Scope and Content Note
includes membership request letters and forms (1968-1974), potentials (1970-1973),
letters to members (1968-1971), letter to members (Oct 2, 1970, not mailed),
subscribing members list (ca. 1970), membership mailer (ca. 1970), and membership
circular manuscript, outline, notes and layout examples.
box 142, folder 1-12
Printing
Scope and Content Note
includes jobs (1967-1970), publications worksheets, receipts, expense log.
box 142, folder 13-27
Marketing
Scope and Content Note
order form, orders and invoices (1970, 1977-1979, 1983-1986), inventory (1971),
catalogs and price lists (ca. 1972), price list (1980), catalog layout (ca. 1980),
trademark and copyright information, mailing lists.
box 142, folder 28-44
Miscellaneous
Scope and Content Note
includes book ideas and suggestions, procedures, press releases, clippings, to-do
lists, ISBN information
box 143, folder 1-36
E.A.T. Bibliography,
1965-1980
Scope and Content Note
Early drafts (1974, 1978); notebook for indexing references; citation drafts; notes
(includes all vols. of E.A.T. News bound in one volume); mss.; many photocopied page
proofs; paste-ups; corrections; dummies; layouts.
box 144, folder 1-23
E.A.T. Bibliography,
1965-1980
Scope and Content Note
Bound signatures; bound signatures w/cover; cover design; cover; NEA grant
application; E.A.T. Documents notes, correspondence and packaging; sales and
marketing; notes.
box 145, folder 1-13
E.A.T. Bibliography,
1965-1980
Scope and Content Note
Original material published or produced by E.A.T. used to compile archive box
documents sent to libraries and for book, 1965-1969, #1-151.
box 146, folder 1-14
E.A.T. Bibliography,
1965-1980
Scope and Content Note
Similar material to Box 145, 1970-Oct 1971, #151A-251.
box 147, folder 1-15
E.A.T. Bibliography,
1965-1980
Scope and Content Note
Similar material to Box 145, Nov 1971-1993, #252-361.
oversize 8**
Artwork for E.A.T. brochure
Series IV.
Clippings,
1965-ca. 1980
Physical Description: 8 lin. ft. 16 boxes
Scope and Content Note
Contains over 600 citations of articles, notices and press accounts, filed
chronologically. In many cases the full magazine, newspaper or other publication where
the article appears has been included. The citations for these press clippings is
contained within the publication, E.A.T. Bibliography 1965-1980. Some material has been
added since 1980.
box 153
and Expo '70 guides
Jan 1970-Mar
1970
box 156
Pavilion and Bijutsu-Techo,
1970, Jan 1971-Sep
1971
box 157
Bijutsu-Techo,
Oct 1971-Dec 1971,
1971
box 160
J.D.Rockefeller III Report ( )
Feb 1974-1978,
1977
box 163
Oversize,
1966, 1968-1971
Scope and Content Note
"9 Evenings: Theatre and Engineering" program (Oct 1966),
Techne (Apr 14, 1969 and Nov 6, 1970), Projects Outside Art poster (Jun 12,
1970), "Utopier et Visioner" Moderna Museet Stockholm (1971), "Some More Beginnings"
catalog (1968), "E.A.T. Clippings" (Apr 1960-Jul 1969).
Series V.
Financial,
1966-1986, 1966-1974
Physical Description: ca. 25.5 lin. ft. 17
boxes
Scope and Content Note
Includes bank-account statements, cancelled checks, check stubs, ledgers, project
budgets, bills, receipts, disbursements, and tax and IRS forms. Throughout the early
1970s, E.A.T. tended to operate with its finances in arrears. Financial strains first
began to show during the construction of the Pepsi Pavilion. By 1973-1974, most bills
were either paid late or went into collection. Correspondence on these matters is
interspersed.
box 164, folder 1-11
Bank records,
1966
Scope and Content Note
Stockholm Festival account statements (Summit & Elisabeth Trust Co.) deposit
slips and cancelled checks for 9 Evenings account (Bankers Trust Co.) includes bills
paid on account, deposits and check stubs; Klüver personal account (Summit &
Elisabeth Trust Co.); cancelled checks and receipts E.A.T. account (c/o
Rauschenberg, Chemical Bank NY) statements Oct 12, 1966.
box 164, folder 12-56
Accounting records,
1963-1965
Scope and Content Note
budget, ledger and purchase books, individual files for expense reports of "9
Evenings" artists, electric and lighting bills, receipts for unpaid bills, expense
and donation summary, Rubin Gorewitz CPA correspondence and receipt files (see also
Box 4 for accounting ledger1963-1965, payroll and box office accounting).
box 165, folder 1-14
Bank statements, cancelled checks, some deposit slips
box 166, folder 1-6
Deposit slips, advice,
1967-1969
box 166, folder 7-20
Check stubs,
Nov 1966-Aug
1970
box 166, folder 21
Staff tax accounts, checkbook,
1969
box 166, folder 22-26
Petty cash account,
1969
Scope and Content Note
statements and cancelled checks (Jan-Dec), receipts, and check stubs (Nov-Dec).
box 167, folder 1-39
1966-1970, 1968-1969
Scope and Content Note
Bills/invoices (1967), paid bills A-Z (1968), and bills and receipts A-Z (1969-1970),
.66 lin. ft.
box 168, folder 1
E.A.T. budgets,
1966-1970
box 168, folder 2
Gorewitz correspondence,
1966-1967
box 168, folder 3
Ordover correspondence,
1967-1970
box 168, folder 4-8
Accounting,
1966-1967
Scope and Content Note
Gorewitz year-end reports, liabilities, budgets and expenditures, report on
activities.
box 168, folder 9-16
Accounting,
1968
Scope and Content Note
bookkeeping procedures, contributions, Mason expense report, bank reconciliation
work papers, ledgers, cash disbursement ledgers, Gorewitz year-end report, and
miscellaneous.
box 168, folder 17-36
Accounting,
1969
Scope and Content Note
budgets/ledgers, assets and liabilities, operating expenses, bookkeeping / salary,
payroll and personnel, bank overdraft correspondence, tax exemption certificate,
insurance, general ledger, forecast, year-end report, and report on activities. See
also Box 50 for general financial ledger, 1969.
box 169
Pepsi Pavilion,
1969-1970
box 169, folder 1-27
Budget-cost management
Scope and Content Note
cost reviews and estimates, mirror dome and fog costs/specs, equipment prices/price
changes, Schjeldahl contract, Singer correspondence, allocation of overhead
expenses, cost/budget analysis, film proposal/est. budget, TIE budgets, budget
adjustments and forecasts, and estimated/actual budgets.
box 169, folder 28-63
Accounting
Scope and Content Note
petty cash account receipts, receipted bills A-Z and expense log, shipping, and
materials invoices and costs.
box 170
Pepsi Pavilion,
1969-1970
box 170, folder 1-18
Accounting
Scope and Content Note
accounts payable/receivable, ledgers, overhead account 1022 analysis,
disbursements, and Pepsi reports and correspondence.
box 170, folder 19-54
Travel expenses
Scope and Content Note
expense reports and receipts filed alpha by traveler, including Robert Breer, Karl
Friberg, Toshi Ichiyanagi, Klüver, Julie Martin, Forrest Myers, Fujiko Nakaya, Larry
Owens, John Pearce, John Ryde, David Tudor, Fred Waldhauer and Robert Whitman;
PepsiCo advances; and charter flight final payments.
box 171
Pepsi Pavilion,
1969-1970
box 171, folder 1-8
Personnel
Scope and Content Note
procedures, E.A.T.-IRS correspondence about payroll taxes, payroll tax ledgers and
forms/worksheets, salary/benefits, and responsibilities for Pavilion.
box 171, folder 9
Nakaya file on Expo '70 operations
box 171, folder 10-14
Press
Scope and Content Note
activities, budgets, and costs.
box 171, folder 15-38
E.A.T. LA [Los Angeles]
Scope and Content Note
includes California qualification forms, account statements and cancelled checks,
paid bills, accounts payable, budget, amounts owed/paid, general ledger, monthly
reports/disbursements, dome cost estimates, staff tax account and payroll.
box 171, folder 39-40
Settlement
Scope and Content Note
agreement, Pepsi correspondence, and letters to creditors.
box 172, folder 1-24
Bank statements and cancelled checks
Scope and Content Note
Chemical Bank (Jan-Aug 1970) with check stubs (Feb-Jul 1970), staff tax acct.
(Jan-Aug 1970), Manufacturers Hanover (Jul-Dec 1970) with check stubs (Aug-Oct
1970), petty cash account and receipts (1970), account statements and cancelled
checks (Jan 1971-Jan 1972).
box 172, folder 25-27
Accounting
Scope and Content Note
general ledger (1970, 1971) and payroll ledger (1971, 1972). See also Box 106 for
more ledgers.
box 173, folder 1-38
Accounting
Scope and Content Note
includes bills, A-Z, disbursements (Jun-Dec), deposit breakdown (Sep-Dec), accounts
payable, payment schedule, trial balance, moneys owed, accounting summaries for
Artists in India, Projects Outside Art, and Wash. D.C. visit. Also financial
statements and journal entries.
box 174, folder 1-43
Accounting,
1970-1972, 1971-1972
Scope and Content Note
bills, A-Z (1970-1972), bills outstanding (1971), disbursements (Jan-Dec 1971), and
accounts receivable (1970-1971).
box 175, folder 1-13
Accounting
Scope and Content Note
includes projected budget (1971), accounts payable, journal entries and CPA
worksheets, report worksheets (1971);, and controller (J.A. Ruffalo)
correspondence.
box 175, folder 14-39
Taxes,
1966-1971
Scope and Content Note
includes forms, exemption letter (1969), annual report of charitable organization
(1966-1971, all filed 1970-1971), returns (1966-1970), W-2 and W-4 forms, quarterly
withholdings and disability, papers marked "Hold for Audit" (1970), withholding tax
penalties (1971), payroll taxes (1971) and balance sheet (1971).
box 175, folder 40-60
Personnel,
1970-1971
Scope and Content Note
completed time sheets (1970), terminated employees (1970), vacation schedules
(1970), N.Y. State Employment information, unemployment and disability, resumes, and
personal and Klüver expenses (1971).
box 176, folder 1-6
Insurance
Scope and Content Note
policies, group insurance registration cards, and information
box 176, folder 7-15
Fund-raising,
1968-1971
Scope and Content Note
statement of potential (1968), grants in progress including JDR II and Ford
Foundation (1970), Klüver donation (1971), and loans (1971).
box 176, folder 16-24
Leasing,
1969-1972
Scope and Content Note
office space, and equipment and furniture.
box 176, folder 25-29
Legal
Scope and Content Note
De Forest and Duer corresp (1970), Julie Martin files (1971-1974), and copyright
information.
box 177, folder 1-30
Accounting,
1972-1973
Scope and Content Note
bills owed/paid (1972), accountant file (1972), disbursements (Jan 1972-Dec 1973),
disbursement ledger (1973), and deposit slips/breakdown (1973).
box 177, folder 31-38
Taxes,
1972
Scope and Content Note
returns and withholdings .
box 177, folder 41
Fund-raising,
1973
Scope and Content Note
grant applications.
box 178, folder 1-15
Banking
Scope and Content Note
statements and cancelled checks (1972-1974), deposit slips (Jan-Jun 1974,
Manufacturers Hanover), statements and cancelled checks (Oct-Nov, 1974, United
Counties Trust account), statements, cancelled checks and overdraft notices from
loan account (1972-1975), check stubs (1973-1974), and stop payments and returned
checks (1973).
box 178, folder 16-18
Accounting
Scope and Content Note
petty cash receipts (1973), lawsuits and creditor claims (1973), and collected
moneys for Stockholm trip (1973).
box 178, folder 19-21
Taxes and IRS
Scope and Content Note
NY State taxes 1972, NY Employee taxes 1974, and IRS 1973.
box 178, folder 22-27
Miscellaneous
Scope and Content Note
notes relating to finances (1973), financial management seminar 1973, Julie Martin
checking account, Klüver personal account, and miscellaneous (1973).
box 179, folder 1-34
Bills
Scope and Content Note
filed alpha includes American Express and other charge cards; car rental; IBM;
insurance; rent; telephone; Western Union; and other, documenting difficulties
E.A.T. had with paying bills during these years. Also interfiled is much
correspondence from collection agencies.
box 180, folder 1-12
Banking
Scope and Content Note
cancelled checks (Dec 1974-Jan 1978); check stubs (Jan-Mar 1977); checking acct.
statements (Jan-May 1975); check duplicates (1977); E.A.T. banking (1978); E.A.T.
checks (1979); and bank statements (1979-1981).
box 180, folder 13-21
Accounting
Scope and Content Note
working papers for year-end report (1974); general ledgers (1974-1976); bills
(1975-1977); accts. receivable (1979-1980); invoices (1982); and accounting
(1982).
box 180, folder 22-27
Taxes and IRS
Scope and Content Note
taxes (1974-1975); tax problems 1977 (for years 1970-1974); taxes and accounting
(1977); IRS correspondence; 1978 requests for waiver; and NY State Taxes (1986).
Series VI.
Photographs,
1966-1990
Physical Description: ca. 12 lin. ft. 38 boxes
Scope and Content Note
Contains more than 1000 8x10 black-and-white photographs, 2300 35mm color and
black-and-white slides, over 2500 various size color and black-and-white photographs,
and over 2600 color and black-and-white negatives. There are approximately 400 contact
sheets, among them a full set of the photographs Peter Moore took for "9 Evenings:
Theatre and Engineering" and a full set of the photographs Harry Shunk and Jean Kender
took of the Pepsi Pavilion. The photographs are arranged in rough chronological order by
project and subject matter.
box 181, folder 1
Meeting at Rauschenberg's for 9 Evenings,
Apr 4,
1966
Scope and Content Note
1 b/w slide.
box 181, folder 2
Meeting at Rauschenberg's with Bill Hartig to demonstrate infra-red
television
Scope and Content Note
1 8x10 b/w, 1 contact sheet, negatives and 1 b/w slide by Simone Forti.
box 181, folder 3
Unknown Rauschenberg, Hay, Paxton performance (pre-9 Evenings)
Scope and Content Note
17 color slides.
box 181, folder 4
Meeting at Tudor's house at Stony Point, New York, Photographer Frances
Breer
Scope and Content Note
1 8x10 b/w, 19 color slides and 3 contact sheets.
box 181, folder 5
Testing Deborah Hay's cars at Larry Heilos' (of Bell Labs)
house
Scope and Content Note
1 contact sheet and negatives
box 181, folder 6
Equipment tryout at Berkeley School, Berkeley Heights, N.J
Scope and Content Note
5 mixed sized b/w, 35 8x10 b/w, 12 contact sheets, 36 2x3 b/w prints, 5 b/w slides,
24 neg. strips, 1 8x10 paper neg. and 2 8x10 negs.
box 181, folder 7
Equipment tryout at Berkeley School, William Rivelli Photographer/Bell
Labs
Scope and Content Note
1 8x10 b/w, 5 contact sheets and 2 b/w slides.
box 182, folder 8
Equipment tryout and portraits at Berkeley School, Burt Shavitz for
Fortune
Scope and Content Note
99 color slides of people with equipment and of portraits of artists and
engineers.
box 182, folder 9
Armory,
Oct 8,
1966
Scope and Content Note
1 8x10 print and 1 contact sheet, by Moore, group portrait and set-up
box 182, folder 10
Armory set-up
Scope and Content Note
13 7x9 b/w prints, 6 neg. strips on wiring and raising wooden frame, marked 9
Evenings Theatre, B4633/3, photographer unknown, several rolls of film are
represented in the prints.
box 182, folder 11
Armory set-up and general
Scope and Content Note
12 8x10 b/w prints by Moore.
box 182, folder 12
Armory set-up
Scope and Content Note
57 color slides by Burt Shavitz.
box 182, folder 13
Armory set-up
Scope and Content Note
76 b/w and 2 color slides from various photographs by Moore and others.
box 182, folder 14
Equipment built by engineers for 9 Evenings
Scope and Content Note
1 contact sheet.
box 182, folder 15
Rauschenberg poster signing
Scope and Content Note
1 8x10 b/w print, 1 b/w slide and 1 contact sheet.
box 182, folder 16
9 Evenings set up and performances
Scope and Content Note
18 contact sheets by Herb Levart, Bell Labs.
box 183, folder 17
9 Evenings, Cage/Childs/exterior,
Oct 16
1966
Scope and Content Note
8 8x10 b/w, 2 contact sheets and 4 b/w slides by Robert McElroy.
box 183, folder 18
John Cage performance
Scope and Content Note
6 8x10 b/w by Moore and 33 color slides by Robert McElroy.
box 183, folder 19
Rauschenberg performance
Scope and Content Note
12 8x10 b/w by Moore, 5 6 1/2 x 9 1/2 b/w prints, 6 color slides and 8 b/w
slides.
box 183, folder 20
Öyvind Fahlström performance
Scope and Content Note
17 8/10 b/w, 2 5x7 b/w, 2 3x5 b/w, 9 color slides, 33 b/w slides, 13 negatives from
films used in the work and 2 other negs.
box 183, folder 21
Tudor performance
Scope and Content Note
6 8x10 b/w by Moore, 38 color slides by Robert McElroy and 3 b/w slides.
box 183, folder 22
Lucinda Childs performance
Scope and Content Note
1 8x10 b/w by Moore, 1 8x10 b/w by Herb Levart/Bell Labs, 7 color slides by Robert
McElroy, 5 color slides from Bell Labs, 2 color slides by Herbert Migdoll and 16 b/w
slides (2 by Moore).
box 184, folder 23
Yvonne Rainer performance
Scope and Content Note
7 8x10 b/w by Moore, 2 8x10 b/w, 2 7x9 b/w, 42 color slides by Burt Shavitz, 7
color slides by Herbert Migdoll and 20 b/w slides.
box 184, folder 24
Deborah Hay performance
Scope and Content Note
1 8x10 by Charles Harbutt, Magnum, 4 8x10 b/w by Moore, 1 8x10 b/w, 6 7x9 b/w, 4
color slides from Bell Labs, 33 b/w slides.
box 184, folder 25
Alex Hay performance
Scope and Content Note
11 8x10 b/w by Moore, 2 color slides by Migdoll, 5 color slides from Bell Labs and
15 b/w slide (1 by Moore).
box 184, folder 26
Steve Paxton performance
Scope and Content Note
19 8x10 b/w by Moore, 33 color slides by Robert McElroy, 2 b/w slides and 1 color
slide by Shavitz.
box 185, folder 27
Robert Whitman performance
Scope and Content Note
8 8x10 b/w by Moore, 2 8x10 b/w by Eliot Landry, 1 8x10 b/w, 5 7x9 b/w ref: "14"
and 75 color slides by Robert McElroy.
box 185, folder 28
Armory, Moore
Oct 23,
1966,
Scope and Content Note
2 8x10 b/w.
box 185, folder 29
Negatives
Scope and Content Note
10 8x10 negatives.
box 185, folder 30
Central Plaza meeting,
Nov 30,
1966
Scope and Content Note
4 8x10 b/w by Moore and 2 contact sheets.
box 185, folder 31
Yvonne Rainer rehearsal,
Oct 10
[1966]
Scope and Content Note
4 contact sheets by Moore.
box 185, folder 32
Oct 12 rehearsal
Scope and Content Note
11 contact sheets by Moore.
box 185, folder 33
Paxton and Alex Hay,
Oct 13
[1966]
Scope and Content Note
5 contact sheets by Moore.
box 185, folder 34
Tudor and Rauschenberg,
Oct 14
[1966]
Scope and Content Note
9 contact sheets by Moore.
box 185, folder 35
Cage and Rainer,
Oct 15
[1966]
Scope and Content Note
15 contact sheets by Moore.
box 185, folder 36
Cage and Childs,
Oct 16
[1966]
Scope and Content Note
10 contact sheets by Moore.
box 186, folder 37
Tudor and Whitman,
Oct 18
[1966]
Scope and Content Note
13 contact sheets by Moore.
box 186, folder 38
Paxton and Whitman,
Oct 19
[1966]
Scope and Content Note
7 contact sheets by Moore.
box 186, folder 39
Rainer,
Oct 21
[1966]
Scope and Content Note
4 contact sheets by Moore.
box 186, folder 40
A. Hay and some Fahlström
Scope and Content Note
6 contact sheets by Moore.
box 186, folder 41
Fahlström,
Oct 22 and 23
[1966]
Scope and Content Note
17 contact sheets.
box 186, folder 42
Oct 23
[1966]
Scope and Content Note
7 contact sheets by Moore and 5 by Elliott Londy.
box 186, folder 43
Fahlström, D. Hay and Rauschenberg,
Oct 23
[1966]
Scope and Content Note
1 contact sheet by Moore.
box 186, folder 44
Performances taken from film
Scope and Content Note
30 4x5 negs.
box 186, folder 45
Klüver 9 Evenings talk,
1980-1991
Scope and Content Note
240 slides numbered and arranged for 3 slide carousels during the talk.
box 187, folder 46
Meeting E.A.T. loft,
Jan 31,
1967
Scope and Content Note
1 contact sheet by Moore.
box 187, folder 47
Contemporary Voices in the Arts (tour sponsored by the NY State Council on
the Arts),
1967
Scope and Content Note
3 8x10 b/w.
box 187, folder 48
Homage to E.A.T. dinner, 92nd Street, YMHA, and invitation
Feb 25,
1967,
Scope and Content Note
2 8x10 b/w. transparencies.
box 187, folder 49
Christie's auction of full scale model airplanes to benefit
E.A.T.,
Jun 1967
Scope and Content Note
1 8x10 b/w by Moore and 2 contact sheets.
box 187, folder 50
Automation House
Scope and Content Note
1 4x10 b/w.
box 187, folder 51
Press conference at Rauschenberg's loft to announce alliance of E.A.T. and
Automation House,
Oct 10,
1967
Scope and Content Note
7 8x10 b/w by Moore, 4 contact sheets and 3 b/w slides.
box 187, folder 52
Press conference at Rauschenberg's loft,
Oct 19,
1967
Scope and Content Note
5 8x10 b/w by Richard Knapp/
Business Week and 6
contact sheets.
box 187, folder 53
Herwig Kogelnik Lecture on lasers and holography,
Sep 24,
1967
Scope and Content Note
6 8x10 b/w by Moore, 3 contact sheets, 1 3x4 neg. and 1 b/w slide.
box 187, folder 54
Meeting at E.A.T. loft, Klüver speaking,
Nov 9,
1967
Scope and Content Note
1 contact sheet by Miriam Bokser.
box 187, folder 55
E.A.T. staff at 9 East 16th St.,
1968
Scope and Content Note
4 8x10 b/w.
box 187, folder 56-57
Marta Minujin moved to Series I
box 187, folder 58
Ted Wolff and Max Neuhaus, collaborators on Neuhaus' music project,
photograph for
E.A.T. News
Scope and Content Note
3 8x10 b/w.
box 187, folder 59
Quarry Lithographic Workshop, E.A.T. and Amalgamated Lithographers Union,
Local 1, inauguration
Scope and Content Note
41 8x10 b/w.
box 188, folder 60
Harry van Arsdale memorial dinner
Scope and Content Note
83 8x10 b/w.
box 188, folder 61
E.A.T. Local Groups, first meeting of the Northwest E.A.T. group, Seattle,
called by William Zetter
Scope and Content Note
3 8x10 b/w by Ron Arnold.
box 188, folder 62
Francis Mason's party
Scope and Content Note
1 8x10 b/w by Shunk-Kender.
box 188, folder 63
Computer processed images,
1968
Scope and Content Note
17 color slides.
box 188, folder 64
Open House, E.A.T. loft, 9 East 16th Street, NY City,
1967-1968
Scope and Content Note
7 3x5 b/w and 1 3x5 color print.
box 188, folder 65
IEEE convention,
Mar 1968
Scope and Content Note
1 8x10 b/w, 1 contact strip by JHM photographs and 8 color and 1 b/w slides.
box 188, folder 66
Lecture-Demonstration Series, E.A.T. loft,
Mar-May,
1968
Scope and Content Note
5 contact sheets (unknown), 8 8x10 b/w by Moore, 8 contact sheets, 1 8x10 b/w by
Maurice Hogenboom and 1 b/w slide.
box 188, folder 67
Toronto lecture by Klüver
Scope and Content Note
7 8x10 b/w and 4 contact sheets.
box 188, folder 68
Simone Forti interview with Tracey Kinsel and John Anthes
Scope and Content Note
4 contact sheets.
box 188, folder 69
E.A.T. International Local Groups conference
Scope and Content Note
1 contact sheet.
box 189
E.A.T. Competition and Some More Beginnings,
1968
box 189, folder 70
Photographs of works submitted by artists,
Nov 1968
Scope and Content Note
ca. 120 b/w and some color (mixed sizes) and 3 slides.
box 190
E.A.T. Competition and Some More Beginnings,
1968
box 190, folder 71
Photographs of works submitted by artists,
Nov 1968
Scope and Content Note
ca. 70 b/w and some color (mixed sizes).
box 190, folder 72
Photographs of works submitted by artists,
Nov 1968
Scope and Content Note
100 color slides, 11 unmounted slides and 2 3x4 b/w.
box 190, folder 73
Keiji Usami, "Laser Beam Joint"
Scope and Content Note
1 8x10 b/w, 12 slides, 2 4x5 transparencies, 27 3x3 polaroids, 1 b/w neg. strip and
4 color transparency strips.
box 191
E.A.T. Competition and Some More Beginnings,
1968
box 191, folder 74
Some More Beginnings, Brooklyn Museum,
1968
Scope and Content Note
30 3x5 polaroids of the installation and 80 color slides by Shunk-Kender of works
and opening.
box 191, folder 75
The Machine Show, MOMA,
1968
Scope and Content Note
3 8x10 b/w, 7 contact sheets by Shunk-Kender, 10 3x5 polaroids and 10 slides.
box 191, folder 76
Awarding prizes in E.A.T. Competition to the engineers at MOMA and printing
the catalog at Redmond Press
Scope and Content Note
2 contact sheets, 9 3x5 polaroids.
box 191, folder 77
"Fakir in 3/4 Time," Brooklyn, Shunk-Kender collage for Seagram Building
proposal
1968,
Scope and Content Note
5 8x10 b/w and 3 3x5 polaroids.
box 191, folder 78
Some More Beginnings, opening and visitors,
Nov 25,
1968
Scope and Content Note
13 8x10 b/w by Shunk-Kender and 8 contact sheets.
box 191, folder 79
E.A.T. publications
Scope and Content Note
2 8x10 b/w, 1 neg. strip, 1 color transparency and 4 b/w transparencies.
box 192, folder 80
E.A.T. posters
Scope and Content Note
20 3x5 b/w prints and negs.
box 192, folder 81
Computer posters,
1968
Scope and Content Note
2 8x10 b/w.
box 192, folder 82
Intermedia '68, photographs of artists,
1968
Scope and Content Note
10 8x10 b/w by Moore, but not stamped.
box 192, folder 83
Rainforests
Scope and Content Note
4 8x10 b/w and 21 slides.
box 192, folder 84
Anand Project, Buffalo,
1969
Scope and Content Note
1 4x5 b/w neg. and 1 b/w slide.
box 192, folder 85
AAAS Meeting, Klüver talk, Dallas,
Dec 1968
Scope and Content Note
20 3x5 polaroids.
box 192, folder 86
Northside Center
Scope and Content Note
140 slides.
box 192, folder 87
Northside Center
Scope and Content Note
127 slides.
box 193
and Pavilion,
1969, 1968-1970
box 193, folder 88
Northside Center
Scope and Content Note
40 slides.
box 193, folder 89
Northside Center
Scope and Content Note
3 contact sheets and negs.
box 193, folder 90
Hexcel, Tom, Gormley piece,
May 15,
1969
Scope and Content Note
3 8x10 b/w.
box 193, folder 90a
Buffalo Project-Anand Dairy,
Dec 1969
Scope and Content Note
12 3x5 polaroids and 1 8x10 color print.
box 193, folder 91
Camera copy for Pavilion (moved to Series III)
box 193, folder 92
Brown E.A.T. envelope
Scope and Content Note
6 photostat prints of Tudor program.
box 193, folder 93
Pavilion photostats
Scope and Content Note
5 8x10 b/w and 4 neg. transparencies.
box 193, folder 94
Invitation to press reception and party at the Santa Ana model of mirror
dome
Scope and Content Note
1 8x10 b/w.
box 193, folder 95
11 Color separations for book (moved to Series III)
box 193, folder 96
Model mirror dome in Santa Ana, construction
1969,
Scope and Content Note
22 8x10 b/w, 7 3x4 and 3x3 b/w, 1 8x10 neg. transparency and 119 slides.
box 194, folder 97
Model mirror dome, Santa Ana, first real images and press party
1969,
Scope and Content Note
131 slides.
box 194, folder 98
Camera copy Pavilion book, B. Rose article (moved to Series
III)
Scope and Content Note
17 mixed size b/w.
box 194, folder 99
Pavilion, outside construction and finished with fog
Scope and Content Note
28 3x4 1/2 color prints by Nakaya and 1 color transparency.
box 194, folder 100
Pavilion press kit photographs (captioned)
Scope and Content Note
13 8x10 b/w by Shunk-Kender.
box 194, folder 101
92 contact sheets by Shunk-Kender
box 195, folder 102
41 contact sheets by Shunk-Kender
box 195, folder 103
Pepsi press conference, Los Angeles,
Sep 30,
1969
Scope and Content Note
27 8x10 b/w and 1 color slide.
box 195, folder 104
Model, early construction of mirror
Scope and Content Note
3 3x4 color, 8 3x3 color, 6 3x4 b/w and 49 color slides.
box 195, folder 105
Meeting of artists and engineers on project, E.A.T. office,
Mar 22,
1969
Scope and Content Note
4 8x10 b/w and 6 contact sheets.
box 195, folder 106
First model,
1968
Scope and Content Note
8 8x10 b/w.
box 196, folder 107
Pepsi Pavilion, second model,
1969
Scope and Content Note
19 4x5 b/w, 10 8x10 b/w, 9 contact sheets, 6 color transparencies, 36 35mm
negatives and 8 slides.
box 196, folder 108
U.S. Pavilion at Expo '70
Scope and Content Note
11 8x10 b/w and 2 3 1/2x6 b/w.
box 196, folder 109
Schjeldahl Company, photographs of mirror fabrication
Scope and Content Note
18 8x10 b/w.
box 196, folder 110
Suntrack
Scope and Content Note
25 8x10 b/w by Shunk-Kender, 1 contact sheet and 35mm negatives.
box 196, folder 111
Working outside
Scope and Content Note
19 8x10 b/w and 62 3x5 b/w prints by Shunk-Kender.
box 197, folder 112
Working inside
Scope and Content Note
54 8x10 b/w by Shunk-Kender and 5 color transparencies.
box 197, folder 113
Opening
Scope and Content Note
30 8x10 b/w by Shunk-Kender.
box 197, folder 114
Staff relaxing
Scope and Content Note
40 8x10 b/w by Shunk-Kender.
box 198, folder 115
Breer's floats
Scope and Content Note
18 8x10 b/w by Shunk-Kender, 6 3x5 color prints and 1 4x5 neg.
box 198, folder 116
Sound system
Scope and Content Note
26 8x10 b/w by Shunk-Kender, 2 3x5 b/w and 1 5x8 b/w.
box 198, folder 117
Fog on Pavilion and at MEE Industries, Pasadena, Calif
Scope and Content Note
12 8x10 b/w, 26 4x6 b/w prints, 5 3x4 b/w prints, 4 mixed sized, 5 3x5 color prints
and 1 5x7 neg. transparency.
box 199, folder 118
Nakaya's photographs of Mirror,
Aug 1970
Scope and Content Note
99 4x6 b/w, 6 contact sheets and 6 sets of 35mm negs.
box 199, folder 119
Inside, by Nakaya
Scope and Content Note
13 8x10 b/w, 5 8x10 diagrams, 15 4x6 b/w, 11 3x4 color prints and 1 contact
sheet.
box 199, folder 120
Inside with emphasis on the floor
Scope and Content Note
11 8x10 b/w by Shunk-Kender.
box 199, folder 121
Mirror with visitors
Scope and Content Note
26 8x10 b/w by Shunk-Kender.
box 200
Pavilion,
1968-1970, 1990
box 200, folder 122
Outside
Scope and Content Note
10 8x10 b/w by Shunk-Kender.
box 200, folder 123
Clamroom
Scope and Content Note
8 8x10 b/w by Shunk-Kender and postcard.
box 200, folder 124
Portraits of finished Pavilion outside
Scope and Content Note
16 8x10 b/w by Shunk-Kender.
box 200, folder 125
Breer's drawing for Pavilion and slides of blackboard drawings
Scope and Content Note
1 8x10 b/w and 2 neg. transparencies.
box 200, folder 126
Model construction of mirror and exterior
Scope and Content Note
177 slides and 1 2x2 color transparency.
box 200, folder 127
Talk by Klüver, Queens Museum,
Aug 12,
1990
Scope and Content Note
80 slides.
box 201
Island Eye Island Ear,
1974-1979
box 202
Island Eye Island Ear,
1974-1979
box 202, folder 129
Boulder Island,
Oct 3
1978
Scope and Content Note
192 3x5 prints.
box 202, folder 130
Bluff Island,
Oct 1,
1978
Scope and Content Note
205 3x5 prints.
box 203
Island Eye Island Ear,
1974-1979
box 203, folder 131
Bluff Island
Nov 1,
1978
Scope and Content Note
171 3x5 prints.
box 203, folder 132
Yeo Island, St. Lawrence Seaway
Scope and Content Note
86 3x5 prints.
box 203, folder 133
Boulder Island
Scope and Content Note
68 prints.
box 204
Island Eye Island Ear,
1974-1979
Scope and Content Note
Negs. for #s 132 and 133.
box 205
Island Eye Island Ear, [ ]
1974-1979
box 205, folder 134
Yeo Island, Bluff Island
Aug 1,
1978
Scope and Content Note
95 3x5 prints.
box 205, folder 135
Aerial search for new site
Oct 2,
1978
Scope and Content Note
191 3x5 prints.
box 206, folder 136-137
Tests at 69 Appletree Row with full scale model of Brooklyn Academy of
Music stage to prepare for Nakaya sculpture for Trisha Brown performance of "Opal
Loop"
Scope and Content Note
ca. 300 3x5 prints.
box 208, folder 140
City Agriculture
Scope and Content Note
1 contact sheet.
box 208, folder 141
E.A.T. Calif., USC conference and events, E.A.T. ART events, all
labeled
Scope and Content Note
3 8x10 b/w, 2 3x5 color, 5 3x5 and 8 frames from contact sheet identified on
back.
box 208, folder 142
E.A.T. staff, 235 Park Ave. South
Scope and Content Note
4 contact sheets by Shunk-Kender.
box 208, folder 143
Automation House, TV Studio control room, Taping dancers
Scope and Content Note
negs.
box 208, folder 144
Children and Communication
Scope and Content Note
22 8x10 b/w by Shunk-Kender and 5 slides.
box 208, folder 145
Children and Communication
Scope and Content Note
8 original drawings and some transmissions (moved to Series I).
box 208, folder 146
American Artists in India,
1970-1971
Scope and Content Note
36 color slides by Trisha Brown/Jed Bark, 40 color slides by Yvonne Rainer and 1
4x6 print.
box 208, folder 147
Work by Faiya sent by Jack Masey, February
1971
Scope and Content Note
22 slides.
box 208, folder 148
Artcash Benefit,
1971
Scope and Content Note
20 8x10 b/w by Shunk-Kender and 3 contact sheets.
box 208, folder 149
Artcash Benefit,
Dec 1971
Scope and Content Note
3 contact sheets by Cosmos Savage, 1 contact sheet of installation of graphics at
Automation House, 3 3x5 prints, 43 color slides of installation and negs.
box 209
New York Collection for Stockholm, [ ]
1971-1973
box 209, folder 150
Color separation, Di Suvero "Blue Arch" for the New York Collection for
Stockholm
Scope and Content Note
4 transparencies (moved to Series I).
box 209, folder 151
Installation
Scope and Content Note
3 color transparencies.
box 209, folder 152
Installation
Scope and Content Note
24 8x10 b/w.
box 209, folder 153
Notebook
Scope and Content Note
13 mixed size b/w and 3 clippings.
box 209, folder 154
Catalog,
Oct 1972
Scope and Content Note
16 8x10 b/w, 1 8x10 color, 2 slides, 2 contact strips, 1 5x7 color transparency and
10 mixed sizes.
box 209, folder 155
Exhibition in New York and part at Rauschenberg's,
Oct 1972
Scope and Content Note
9 8x10 b/w and 8 contact sheets by Kender, and 1 3x6 print Kender.
box 210
New York Collection for Stockholm, [ ]
1971-1973
box 210, folder 156
Exhibition in New York and part at Rauschenberg's, by Jean
Kender
Oct 1972,
Scope and Content Note
54 color slides of installation of works at 420 West Broadway and 87 color slides
of dinner at Rauschenberg's.
box 210, folder 157
Meeting of Princess Christina and Sue Erpf at the Zabriskie
Gallery
Scope and Content Note
2 8x10 b/w, 2 contact sheets Business Week.
box 210, folder 158
Artists who appeared on cable TV,
1973
Scope and Content Note
2 contact sheets.
box 210, folder 159
Portfolio brochure,
Fall 1973
Scope and Content Note
3 8x10 b/w, 34 5x7 prints, 6 contact sheets and 200 negs.
box 210, folder 160
Press conference,
Oct 16,
1973
Scope and Content Note
2 4x6 prints.
box 210, folder 161
Exhibition of portfolio prints at Castelli Graphics,
Sep 1973
Scope and Content Note
23 color slides.
box 210, folder 162
At the Royal Dramatic Theatre,
Oct 27,
1973
Scope and Content Note
11 8x10 b/w and 1 contact sheet.
box 211
New York Collection for Stockholm and Pompidou,
1973
box 211, folder 163
Oct 25-29,
1973
Scope and Content Note
11 contact sheets by Hasse Persson.
box 211, folder 164
Oct 27,
1973
Scope and Content Note
46 8x10 b/w by Hasse Persson.
box 211, folder 165
Oct 1973
Scope and Content Note
3 8x10 b/w.
box 211, folder 166
Opening at Moderna Museet,
Oct 27,
1973
Scope and Content Note
104 3x5 b/w.
box 211, folder 167
Centre Georges Pompidou construction
Scope and Content Note
3 color slides.
box 212
Artists for New York Benefit and Nakaya fog,
1979-1980
box 212, folder 168
Evening at Xenon,
Feb 26,
1979
Scope and Content Note
5 contact sheets, Shunk.
box 212, folder 169
Rosenquist poster, printing at Tandem Press,
February 13 and 16,
1979
Scope and Content Note
44 slides by Shunk.
box 212, folder 170
Rosenquist poster, printing at Tandem Press,
Feb 13,
1979
Scope and Content Note
2 8x10 b/w by Shunk and 6 contact sheets.
box 212, folder 171
Tudor laser show at Artists for New York Benefit at Xenon
Scope and Content Note
65 color slides.
box 212, folder 172
Working on Name curtain by Mimi Gross,
Feb 25,
1979
Scope and Content Note
18 slides.
box 212, folder 173
Rosenquist poster, printing at Tandem Press,
Feb 1979
Scope and Content Note
4 8x10 b/w by Ralph Lyman.
box 212, folder 174
Rosenquist poster, printing at Tandem Press, by Meg Bird
Feb 16,
1979,
Scope and Content Note
1 contact sheet and 36 negs.
box 212, folder 175
Artists for New York Benefit
Scope and Content Note
1 8x10 b/w by Alex Kayser and 11 3x5 color prints.
box 212, folder 176
Artists for New York Benefit
Scope and Content Note
2 contact sheets by John Bardazzi.
box 212, folder 177
Nakaya fog installation at Crosby Street, for TBC,
1980
Scope and Content Note
22 slides.
box 213-216
Miscellanous photographic prints,
1974-1981
Scope and Content Note
Island Eye Island Ear, fog experiments, events, travels and personal.
Ca. 1600 mostly 3x5 color prints, arranged chronologically.
box 217-218
Miscellaneous negatives,
1974-1981
Scope and Content Note
Negs. from Boxes 213-216.
box 219
Oversize "9 Evenings" and Island Eye Island Ear,
undated, 1966, 1974-1979
Series VII.
Audio tapes,
1966-1993
Selected audio and video recordings from Experiments in Art and Technology records
(digital version available on-site only)
Physical Description: ca. 8.5 lin. ft. 13
boxes
Scope and Content Note
Series VII contains 107 reel-to-reel and 138 cassette tapes arranged in rough
chronological order. Events recorded include "9 Evenings" sounds used in the
performances, recordings of some performances (copies of Tudor and Cage) and interviews
with engineers and artists; Pavilion sounds used as input material for the sound system,
Tudor's first 4-track recording of works made for the Pavilion, interviews with
participants and meetings; E.A.T. lecture-demonstration series; meetings, interviews and
material from other E.A.T. projects; and Klüver lectures and talks.
Missing lecture tapes:
155. Apr 2, 1980
156. Jun 20, 1976, Paris
157. 9 Evenings speech draft Jan 13, 1980
158. 9 Evenings at the Kitchen Jan 30, 1980
Originals housed in boxes 220-232. Reformatted copies are described below with the
originals, but shelved elsewhere. E.A.T. staff numbered the audio tapes and copied many
of the 7 in. reel-to-reel tapes onto cassettes (see below the reel-to-reel tapes). Run
times provided by the reformatter.
"9 Evenings," (Reel-to-reel tapes),
1966
reel R1
Alfons Schilling, Hay and Whitman interviews
R1: Alfons Schilling, Hay and Whitman interviews (digital version available
on-site only)
Scope and Content Note
1 sound tape reel (30 min., 30 sec.) : analog, mono. ; 7 in. Original.
Begins with Alfons Schilling and Whitman on telephone. Whitman's end disappears.
Deborah Hay and Schilling. Label on reel: "reject, Debby"; label on box: "9 eves,
Begins w Schilling & Whitman on telephone..." [See also C1]
1 sound tape reel (30 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (30 min., 30 sec.) Copy master.
reel R2
Material for Schilling film on 9 Evenings, 1 of 4
R2: Material for Schilling film on 9 Evenings, 1 of 4 (digital version
available on-site only)
Scope and Content Note
1 sound tape reel (23 min.) : analog ; 7 in. Original.
labels on reel: "no. 1" and "transferred JS NE 1 2-21-67" and "re-transferred
3-7-67 JS." Label on box: "Material for A. Schilling film on 9 eves..." [See also
C2]
1 sound tape reel (23 min.): analog ; 7 in. Archival master.
1 sound disc (CD) (23 min.): digital. Copy master.
reel R3
Material for Schilling film on 9 Evenings, 2 of 4
R3: Material for Schilling film on 9 Evenings, 2 of 4 (digital version
available on-site only)
Scope and Content Note
1 sound tape reel (25 min.): analog, mono. ; 7 in. Original. N.B., recorded on Side
1 only, right track.
Labels on reel: "no. 2" and "transferred JS NE 2 2-21-67" and "re-transferred
3-7-67." Label on box: "Material for A. Schilling film on 9 eves...." [See also
C3]
1 sound tape reel (25 min.): analog, mono. ; 7 in. Archival master.
1 sound disc (25 min.): digital, mono. Copy master.
reel R4
Material for Schilling film on 9 Evenings, 3 of 4
R4: Material for Schilling film on 9 Evenings, 3 of 4 (digital version
available on-site only)
Scope and Content Note
1 sound tape reel (35 min., 36 sec.): analog, mono. ; 7 1/2 ips, 7 in.
Original.
Side 1: no label; Side 2: "No. 3" and "Transferred JS NE 3 2-21-67." On box:
"Clean" and "3 of 3." [See also C4]
1 sound reel (35 min., 36 sec.) : analog, mono. ; 71/2 ips, 7 in. Archival
master.
1 sound disc (CD) (35 min., 36 sec.) : digital, mono. Copy master.
reel R5
Material for Schilling film on 9 Evenings, 4 of 4
R5: Material for Schilling film on 9 Evenings, 4 of 4 (digital version
available on-site only)
Scope and Content Note
1 sound tape reel (28 min.): analog ; 7 in. Original.
Labels on reel: "no. 4" and "transferred JS NE 2 2-21-67" and "re-transferred
3-7-67 JS." Label on box: "Material for A. Schilling film on 9 eves...." [See also
C5]
1 sound tape reel (28 min.): analog ; 7 in. Archival master.
1 sound disc (28 min.): digital. Copy master.
reel R6
Alex Hay interview with Schilling
R6: Alex Hay interview with Schilling (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (44 min.) : analog ; 7 in. Original.
Label on reel: " Alex out, good tape" On box: "Alex Hay." [See also C6]
1 sound tape reel (44 min.) : analog ; 7 in. Archival master.
1 sound disc (CD) (44 min.) : digital. Copy master.
reel R7
Alex Hay sound from performance
R7: Alex Hay sound from performance (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (10 min.) : analog ; 7 in. Original.
Label on reel: "No 14 Alex Hay"; on box: "Alex Hay, Clean, Schilling." [See also
C7]
1 sound tape reel (10 min.) : analog ; 7 in. Archival master.
1 sound disc (CD) (10 min.) : digital. Copy master.
reel R8
Interview with Steve Paxton
1971 Nov
15
R8: Interview with Steve Paxton (digital version available on-site only)
Scope and Content Note
1 sound tape reel (2 hr., 2 min., 18 sec.) : analog, mono. ; 1 7/8 ips, 7 in.
Original.
Label on box: "1 3/4 speed interview w/ Steve Paxton 11-5-71." [See also C8]
2 sound tape reels of 2 (2 hr., 2 min., 18 sec.) : analog, mono. ; 7 1/2 ips, 7
in. Archival master.
2 sound discs (CDs) (2 hr., 2 min., 18 sec.) : digital, mono. Copy master.
reel R9
Steve Paxton: Greta Garbo, Debbie Drake,
undated
R9: Steve Paxton: Greta Garbo, Debbie Drake, undated (digital version available
on-site only)
Scope and Content Note
1 sound tape reel (3 hr., 9 min., 59 sec.): analog, mono. ; 3 3/4 ips, 7 in.
Original.
Label on box: "CH 1 Greta Garbo CH 2 Debby Drake 3 3/4 PAXTON." [See also C9]
3 sound tape reels of 3 (3 hr., 9 min., 59 sec.) : analog, mono. ; 7 1/2 ips, 7
in. Archival master.
3 sound discs of 3 (CDs) (3 hr., 9 min., 59 sec.) : digital, mono. Copy
master.
reel R10
Strange Wills, radio program, Steve Paxton,
undated
R10: Strange Wills, radio program, Steve Paxton (digital version available
on-site only)
Scope and Content Note
1 sound tape reel (2 hr., 26 min., 38 sec.) : analog, mono. ; 7 1/2 ips, 7 in.
Original.
Label on box: "Paxton 7 1.2 Mono Strange Wills Episode 59 part 1 Episode 60 part
1." [See also C10]
1 sound tape reel (2 hr., 26 min., 38 sec.) : analog, mono. ; 7 1/2 ips, 7 in.
Archival master.
1 sound disc (CD) (2 hr., 26 min., 38 sec.) : digital, mono. Copy master.
reel R11
Steve Paxton short sound: program on Native American field
hockey,
undated, 1966?
R11: Steve Paxton short sound: program on Native American field hockey (digital
version available on-site only)
Scope and Content Note
1 sound tape reel (2 min., 18 sec.) : analog, mono. ; 7 1/2 ips, 7 in.
Original.
Written on post-it note in box: "Paxton sound 9 eves beginning most reel
empty."
1 sound tape reel (2 min., 18 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (2 min., 18 sec.) : digital, mono. Copy master.
reel R12
Loop tapes: "The Avengers (radio drama) / Tschudin, Electric Raga in
E,
undated
R12: Loop tapes : "The Avengers" (radio drama) / Tschudin, Electric
Raga in E (digital version available on-site only)
Scope and Content Note
1 sound tape reel (1 hr., 3 min., 49 sec.) : analog, mono. 7 in. Original.
Cardboard and plastic 3-D glasses included. Label on side 1: "No. 11 Fahlström."
Written on box: "2 Electric Raga in E 111," and "12." [See also C12]
1 sound tape reel (1 hr., 3 min., 49 sec.) : analog, mono. 7 1/2 ips, 7 in.
Archival master.
1 sound disc (CD) (1 hr., 3 min., 49 sec.) : digital, mono. Copy master.
reel R13
Steve Paxton: Stop Smoking, Isometric Exercising, John Glenn,
1966 Sep
8
R13: Steve Paxton: Stop Smoking, Isometric Exercising, John Glenn (digital
version available on-site only)
Scope and Content Note
1 sound tape reel (1 hr., 35 min., 39 sec.) : analog, mono. ; 7 in. Original.
Label on box: "Paxton Stop Smoking Isometrics John Glenn," and "Sept 8, 1966 1.
Stop Smoking side 1 + 2 2.
Isometric Exercising side 1 + 2 3.
John
Glenn
side 1 + 2." [See also C13]
2 sound tape reels of 2 (1 hr., 35 min., 39 sec.) : analog, mono. ; 7 1/2 ips, 7
in. Archival master.
2 sound discs of 2 (CDs) (1 hr., 35 min., 39 sec.) : digital, mono. Copy
master.
reel R14
Funakakushi-1 and interview [with Toshi Ichiyanagi?], originally recorded
labelled
1963 Mar 6, 1966 Sep
20
R14: Funakakushi-1 and interview [with Toshi Ichiyanagi?], originally recorded
labelled (digital version available on-site only)
Scope and Content Note
1 sound tape reel (18 min., 30 sec.) : mono and stereo, analog ; 7 in.
Original.
Funakakushi-1 (stereo, 13 min.), interview in Japanese (mono, 4 min.). Label on
reel: "transferred NE4, JS, 2-21-67" and label on box: "Funakakush-1, Toshi
Ichiyanagi,... 9/20/66." [See also C14?]
1 sound tape reel (18 min., 30 sec.) : mono and stereo, analog ; 7 1/2 ips, 7 in.
Archival master.
1 sound disc (CD) (18 min., 30 sec.) : digital. Copy master.
reel R15
David Tudor "Bandoneon" [sic]
Scope and Content Note
1 sound tape reel : analog, mono. 7 in. Original.
Labelled on box: "Cut 1-Bandoneon, Cut 2- Bandoneon, Cut 3- Bandoneon, Tudor,
Schilling." Label on edge of box: "David Tudor, 9 eves, 1966." Tape actually
contains sound track recording of a show called "Nurses" - nothing to do with 9
evenings, etc. Not reformatted.
reel R17
Voice of America French service on 9 evenings, with Öyvind Fahlström
interview
R17: Voice of America French service on 9 evenings, with Oyvind Fahlstrom
interview (digital version available on-site only)
Scope and Content Note
1 sound tape reel (8 min., 43 sec.) : analog, mono. ; 1 3/4 ips, 5 in.
Original.
Label on reel: "Armory show." Label on box: "Reportage in French on 'Theatre and
engineering' including interview with Oyvino Fahlström. . . ." Note in box:
"Interview in French with Fahlström." [See also C17]
1 sound tape reel (8 min., 43 sec.) : analog, mono. ; 7 1/2 ips. Archival
master.
1 sound disc (CD) (8 min., 43 sec.) : digital, mono. Copy master.
reel R18
Beethoven Tape record #4
R18: Beethoven Tape record #4 (digital version available on-site only)
Scope and Content Note
Label on reel: "IV Beeth." Label on box: "Tape rec. #4 (Beethoven)...."
1 sound tape reel (5 min., 34 sec) : analog, mono. ; 5 in. Original.
1 sound tape reel (5 min., 34 sec) : analog, mono. ; 7 1/2 ips. Archival
master.
1 sound disc (CD) (5 min., 34 sec) : digital, mono. Copy master.
reel R19
Interviews with Öyvind Fahlström (21 min.) and Yvonne Rainer (19
min.)
R19: Interviews with Oyvind Fahlstrom and Yvonne Rainer (digital version
available on-site only)
Scope and Content Note
1 sound tape reel (40 min): analog, mono. ; 7 in. Original.
Label on reel: "reject Öyvind, bad tape...." Label on box: "93: interview with
Yvonne R., Öyvind F...." [See also C26a?]
1 sound tape reel (40 min): analog, mono. ; 7 ips, 7 in. Archival master.
1 sound disc (CD) (40 min): digital, mono. Copy master.
reel R20
Fahlström call to Shanghai for 9 Evenings
R20: Fahlstrom call to Shanghai for 9 Evenings (digital version available
on-site only)
Scope and Content Note
1 sound tape reel (8 min., 30 sec.) : analog ; 7 in. Original.
Extremely poor sound, could not be improved in reformatting. Label on reel:
"Shanghai." Label on box: "Fahlström call to Shanghai for 9E." [See also
C20-C22]
1 sound tape reel (8 min., 30 sec.) : analog ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (8 min., 30 sec.) : digital. Copy master.
reel R21
Fine and You?
R21: Fine and You? (digital version available on-site only)
Scope and Content Note
1 sound tape reel (12 min., 38 sec.) : analog, stereo ; 7 1/2 ips, 5 in.
Original.
Contains 2 recordings of "Fine and you?" - each 6 min., 19 sec. Label on box: "7
1/2 ips stereo...13 min, side A only." On leader: "Fine - and you? (2 copies)." [See
also C20-C22]
1 sound tape reel (12 min., 38 sec.) : analog, stereo ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (12 min., 38 sec.) : digital, stereo. Copy master.
reel R22
Fahlström piece
R22: Fahlstrom piece (digital version available on-site only)
Scope and Content Note
1 sound tape reel (33 min.) : analog ; 7 in. Original.
Label on reel: "Out, Brando, 9 evenings." Label on box: "Fahlström piece."
Recording (on Side 1 only) of sound from a movie on TV. Does not pertain to
Fahlström piece. Not reformatted.
reel R23
Öyvind Fahlström: short piece of speech,
undated
R23: Oyvind Fahlstrom: short piece of speech (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (54 min., 25 sec.) : analog, mono. ; 1 5/16 ips, 7 in.
Original.
Written on box: "Mono 1 5/16 ips Side A only." [See also C23]
1 sound tape reel (54 min., 25 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (54 min., 25 sec.) : digital, mono. Copy master.
reel R24
Öyvind Fahlström #1
R24: Oyvind Fahlstrom #1 (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog ; 7 in. Original.
Labels on reel: "Tails out," and "Tape 12.25 Fahlström." Label on box: "Öyvind
Fahlström. . .Schilling." No notes from reformatter.
1 sound tape reel : analog ; 7 ips, 7 in. Archival master.
1 sound disc (CD) : digital. Copy master.
reel R25
Öyvind Fahlström #2 [sic]
Scope and Content Note
1 sound tape reel (ca. 2 min.) : analog ; 7 in. Original.
Label on reel: "No. 12 Fahlström." Label on box: "Fahlström...Öyvind, A) B
axton...B) Ch. George...C) ...Schilling." Label on edge of box: "Öyvind Fahlström
#2, 9 eves 1966." Contains voice tests (1 1/2 min.), someone dictating a letter (30
sec.) and silence. Not reformatted.
reel R26
Öyvind Fahlström #3
R26: Oyvind Fahlstrom #3 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (32 min.) : analog, mono. ; 7 in. Original.
Label on reel: "No. 15 Fahlström." On box: "Öyvind, ... Schilling." On edge of
box: Öyvind Fahlström #3, 9 eves 1966."
1 sound tape reel (32 min.) : analog, mono. ; 71/2 ips, 7 in. Archival master.
1 sound disc (CD) (32 min.) : digital, mono. Copy master.
reel R27
Bob Whitman interviewed by Simone (Whitman) Forti about 9
evenings,
1966 Mar
27
R27: Bob Whitman interviewed by Simone (Whitman) Forti about 9 evenings
(digital version available on-site only)
Scope and Content Note
1 sound tape reel (42 min.) : analog, mono ; 7 in. Original.
Label on reel: "9 evenings, 1966" and "Bob Whitman interviewed by Simone (Whitman)
Forti." On box: "3/27/66, interview Bob Whitman, 9 evenings T & E, by Simone
Forti." On edge of box: "Interview with B. Whitman 3/27/66." [See also C27]
1 sound tape reel (42 min.) : analog, mono ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (42 min.) : digital, mono. Copy master.
reel R28
Simone Whitman interview fragments,
1966
R28: Simone Whitman interview fragments (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (28 min., 30 sec.) : analog, mono. ; 7 in. Original.
Right track contains fragments of Simone Whitman (Forti) interviews. Left track
contains 2 min. of children playing, then short cut of a beginning segment from the
right track. Remainder of left track is blank. Varying sound quality.
Label on reel: "Fragments from interviews Simone Whitman." On edge of box: "S.
Whitman - Interview fragments 1966."
Includes 3 pages of manuscript notes. [See also C28]
1 sound tape reel (28 min., 30 sec.) : analog, mono. ; 7 ips, 7 in. Archival
master.
1 sound disc (CD) (28 min., 30 sec.) : digital, mono. Copy master.
reel R29
Robert Whitman, 9 evenings,
1966
R29: Robert Whitman, 9 evenings (digital version available on-site only)
Scope and Content Note
1 sound tape reel (32 min., 30 sec.) : analog, mono. ; 7 in. Original.
Label on reel: "No. 2 Whitman." On box: "Whitman, no good,...sound from
Whitman,...Schilling." On edge of box: "R. Whitman - 9 eves 1966." [See also
C29]
1 sound tape reel (32 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (32 min., 30 sec.) : digital, mono. Copy master.
reel R30
Lucinda Childs, 9 evenings,
1966
R30: Lucinda Childs, 9 evenings (digital version available on-site only)
Scope and Content Note
1 sound tape reel (11 min., 30 sec.) : analog, mono. ; 7 in. Original.
Side 1: Sonar Movement Sound; Side 2: poorly recorded radio show, not related to
Childs -Station KEA 860. Only side 1 reformatted. Label on box: "Lucinda Childs, 245
Church street, N.Y. 10013..." On edge of box: "Lucinda Childs 9 eves 1966." Includes
2 pp. manuscript notes. [See also C30]
1 sound tape reel (11 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (11 min., 30 sec.) : digital, mono. Copy master.
reel R31
Lucinda Child's first performance,
1966
R31: Lucinda Child's first performance (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (18 min.) : analog, mono. ; 7 in. Original.
Label on reel: "No. 2 Lucinda Childs." On box: "Lucinda Childs, 1st
performance...Schilling." On edge of box: "Lucinda Childs, 9 eves 1966." [See also
C31]
1 sound tape reel (18 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (18 min.) : digital, mono. Copy master.
reel R32
18 Names - from Rauschenberg's opening scene
Scope and Content Note
1 sound tape reel (30 sec.) : analog, mono. ; 7 in. Original.
Tape contains only 30 sec. of sound - 18 artists say "I am..." and then their
names. Label on box: "A few names." On edge of box: "From Rauschenberg's opening
scene? 18 names...." Not reformatted. [See C32]
reel R38
L.J. Robinson interview,
1966 Sep
14
R38: L.J. Robinson interview (digital version available on-site only)
Scope and Content Note
1 sound tape reel (53 min.) : analog, mono. ; 7 in. Original.
Label on reel: "Backwards!" and "Robinson 9-14-66." [See also C38]
2 sound tape reels of 2 (53 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (53 min.) : analog, mono. Copy master.
Pepsi Pavilion, other projects, meetings, and symposia, (Reel-to-reel
tapes)
1967-1970
reel R48
David Tudor sounds for Pepsi Pavilion, some voices, wind
sounds,
ca. 1970?
Scope and Content Note
1 sound tape reel : analog. Original. Not reformatted.
reel R49
Bob Breer,
1967 Mar
3
Scope and Content Note
1 sound tape reel : analog ; 7 in. Original.
Tape recorded on 1 side only and so low in volume, reformatter could not save.
Label on box: "Bob Breer 3/3/67."Not reformatted.
reel R50
Pepsi-Cola Co. presents "The Route Salesman's Job"
R50: Pepsi-Cola Co. presents"The Route Salesman's Job" (digital
version available on-site only)
Scope and Content Note
1 sound tape reel (10 min., plus) : analog, mono. 7 in. Original
Sound track for a slide show. The "clicks" on the sound track are for the slide
projectionist to change to the next slide. This runs for 10 minutes. This is
followed by music tracks from the slide show tape.
1 sound tape reel (10 min., plus) : analog, mono. 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (10 min., plus) : digital, mono. Copy master.
reel R51
David Tudor Pavilion
Scope and Content Note
Tape missing (not received from E.AT.). Not reformatted.
reel R57
Biologics,
1993?
R57: Biologics (digital version available on-site only)
Scope and Content Note
1 sound tape reel (22 minutes) : analog, mono ; 7 in. Original.
Label on reel: "abt. 1 min. at begin of 'Biologics.'" Label on box back:
"Biologics, 12/93, empty tape." Label on box spine: "Biologics."
1 sound tape reel (22 minutes) : analog, mono ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (22 minutes) : digital, mono. Copy master.
reel R59
Pauline Oliveros, Lynn Lonidier interview reel no. 1,
1968 Jul
18
R59: Pauline Oliveros, Lynn Lonidier interview reel no. 1 (digital version
available on-site only)
Scope and Content Note
1 sound tape reel (30 min., 49 sec.) : analog, mono. ; 5 in. Original. [See also
C59 (?)]
1 sound tape reel (30 min., 49 sec.) : analog, mono. ; 7 1/2 ips, 5 in. Archival
master.
1 sound disc (CD) (30 min., 49 sec.) : digital, moni. Copy master.
reel R66
Nilo Lundgren interview with Larry Owens #2,
1969
Scope and Content Note
1 sound tape reel : analog, mono. Original.
[Masters and use copy made from cassettes, C65-C66, Feb 1998. Reel-to-reel tape
not reformatted.]
reel R72
Nilo Lundgren interview with Billy Klüver
1970 Jan
8
Scope and Content Note
2 sound tape reels of 2 : analog, mono. ; 7 in. Original
[Masters and use copy made from cassette original Feb 1998. See C72. Reel-to-reel
tapes not reformatted.]
reel R78
Homage to E.A.T., Fred, Robby, Billy dinner at the YMHA,
1967 Feb
18
R78: Homage to E.A.T., Fred, Robby, Billy dinner at the YMHA (digital version
available on-site only)
Scope and Content Note
1 sound tape reel (ca. 2 hr., 16 min.) : analog, mono. ; 7 in. Original. [Recorded
on Side 1 only.][See also C78]
4 sound tape reels of 4 (ca. 2 hr., 16 min.) : analog, mono. ; 7 1/2 ips, 7 in.
Archival master.
2 sound discs of 2 (CD) (ca. 2 hr., 16 min.) : digital, mono. Copy master.
reel R79
WBAI talk, first version
1967 Jun
28
R79: WBAI talk, first version (digital version available on-site only)
Scope and Content Note
1 sound tape reel (50 min.) : analog, mono. ; 7 in. Original. [See also C79]
2 sound tape reels of 2 (50 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (50 min.) : digital, mono. Copy master.
reel R80
Francis Mason interview, Corcoran Gallery, Washington D.C.,
1968 May
13
R80: Francis Mason interview, Corcoran Gallery, Washington D.C. (digital
version available on-site only)
Scope and Content Note
Label on box: "Voice of America...Intv. Francis Mason, President, Experiments in
Art & Technology...Corcoran Gallery - May 13, 1968."
1 sound tape reel (8 min., 55 sec.) : analog, mono. : 7 in. Original.
1 sound tape reel (8 min., 55 sec.) : analog, mono. : 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (8 min., 55 sec.) : digital, mono. Copy master.
reel R81
Art and Technology Symposium, Corcoran Gallery, Washington D.C.,
#1
1968 May
13
R81: Art and Technology Symposium, Corcoran Gallery, Washington D.C., #1
(digital version available on-site only)
Scope and Content Note
Label on box: "Voice of America...Symposium: Art and Technology, Corcoran Gallery,
May 13, 1968, Reel 1."
1 sound tape reel (32 min.) : analog, mono. ; 7 in. Original.
1 sound tape reel (32 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (32 min.) : digital, mono. Copy master.
reel R82
Art and Tech Symposium, Corcoran #2
May 13,
1968
R82: Art and Tech Symposium, Corcoran #2 (digital version available on-site
only)
Scope and Content Note
Label on box: "Voice of America...Symposium: Art and Technology, Corcoran Gallery,
May 13, 1968, Reel 2."
1 sound tape reel (34 min., 30 sec.) : analog, mono. ; 7 in. Original.
1 sound tape reel (34 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (34 min., 30 sec.) : digital, mono. Copy master.
reel R83
Art and Tech Symposium, Corcoran #3
May 13,
1968
R83: Art and Tech Symposium, Corcoran #3 (digital version available on-site
only)
Scope and Content Note
Label on box: "Voice of America...Symposium: Art and Technology, Corcoran Gallery,
May 13, 1968, Reel 3."
1 sound tape reel (13 min., 20 sec.) : analog, mono. ; 7 in. Original.
1 sound tape reel (13 min., 20 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (13 min., 20 sec.) : digital, mono. Copy master.
reel R84
Discussion: artist project involving ring counter and voice-activated mike,
Claudio Badal, W.G. Leeman, Bob Allerot, Tony Tedona
R84: Discussion: artist project involving ring counter and voice-activated
mike, Claudio Badal, W.G. Leeman, Bob Allerot, Tony Tedona (digital version
available on-site only)
Scope and Content Note
Label on box back: "Cladio - Newsletter info, W.G. Leeman, Bob Allerot, Tony
Tedona..." On box spine: "Disc artist project, ring counter, voice activated mike."
Side 1 only.
1 sound tape reel : analog, mono. ; 3 3/4 ips, 7 in. Original.
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
reel R85
Shaker Village / Jerry Marks interview,
1965
R85: Shaker Village / Jerry Marks interview (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (2 hr., 35 min., 45 sec.) : analog, mono. ; 3 3/4 ips, 7 in.
Original
Label on box back: "Shaker Village Work Group, Shaker Service 1965..." On box
spine: "Shaker Village." Inserted card has pencil notes: "printed circuits,
chemistry of ink,..."
First few minutes are an explanation of the silk screen process. The second part
is of the Shaker Village Group performing. Final parts are of the Shaker Service.
Volume flux throughout on original and reformatted versions. Chief recording
engineers: Mark Sandler and Rick Abrams, S.V.W.G.; Jerry Marks interview. [See also
C85 for Marks interview]
4 sound tape reels of 4 (2 hr., 35 min., 45 sec.) : analog, mono. ; 7 1/2 ips, 7
in. Archival master
3 sound disc of 3 (2 hr., 35 min., 45 sec.) : digital, mono. Copy master.
reel R86
Interview between Tracy Kinsel, engineer, and John Anthes, artist, who
collaborated on an E.A.T. project
R86: Interview between Tracy Kinsel, engineer, and John Anthes, artist, who
collaborated on an E.A.T. project (digital version available on-site only)
Scope and Content Note
1 sound tape reel (21 min., 39 sec.) : analog, mono. ; 7 in. Original.
Recording of a telephone call from New York City to Providence, R.I. Interview for
E.A.T. News. Label on box: "Tracy Kinsel, John Anthes, E.A.T." [See also C86]
1 sound tape reel (21 min., 39 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (21 min., 39 sec.) : digital, mono. Copy master.
reel R87
E.A.T. Local group conference #1,
1968 Jun
22
R87: E.A.T. Local group conference #1 (digital version available on-site
only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
Label on box: Reel No.1, EAT Local Group conf., 6/22, 1968." [See also C87]
7 sound tape reels of 7 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
7 sound discs of 7 (CDs) : digital, mono. Copy master.
reel R88
E.A.T. Local Group conference #2,
1968 Jun
22-23
R88: E.A.T. Local Group conference #2 (digital version available on-site
only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
Label on box: Reel no. 2, EAT Local Group conf., 6/22, 6/23, 1968." [See also
C88]
5 sound tape reels of 5 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
5 sound discs of 5 (CDs) : digital, mono. Copy master.
reel R89
E.A.T. Local Group conference #3,
1968 Jun
24
R89: E.A.T. Local Group conference #3 (digital version available on-site
only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
Label on box: "Reel no. 3, EAT Local Group conf., 6/24, 1968." [See also C89]
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
4 sound discs of 4 (CDs) : digital, mono. Copy master.
reel R90
AAAS meeting Dallas, Tx #1,
1968 Dec
26-31
R90: AAAS meeting Dallas, Tx #1 (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; variable speed, 7 in. Original.
Label reel: "Side 1, reel 1, Klüver, Garmire, Whitman, Nolan." Label on reel:
"Side 2, reel 1, Kepes, Panel disc, ?s frm floor." Label on box: "AAAS meeting from
E.A.T. Reel 1, Dec 26-31, 1968, Dallas." [See also C90]
4 sound reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
4 sound discs of 4 (CDs) : digital, mono. Copy master.
reel R91
AAAS meeting Dallas, Tx #2,
1968 Dec
26-31
R91: AAAS meeting Dallas, Tx #2 (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 3 3/4 ips, 7 in. Original.
Label on box: "AAAS meeting from E.A.T. reel 2, Dec. 26-31, 1968, Dallas." Reel is
incomplete, sound ends abruptly on side 1. [See also C91]
1 sound tape reel : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
reel R92
Alvin Lucier - demonstration tape for his E.A.T. program proposal for Expo
'70
R92: Alvin Lucier - demonstration tape for his E.A.T. program proposal for Expo
'70 (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, stereo ; 7 in. Original.
Part 1: Speech Recycling, Reinforcement of Resonant Frequencies. Electronic Studio
Room, Brandeis University. Part 2: Acoustic orientation by means of echo - location.
Four performers with sondols. Rose Art Museum, Brandeis. Recorded with environears
binaural system.
1 sound tape reel : analog, stereo ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, stereo. Copy master.
reel R93
Executive meeting, #1,
1970 Sep
12-13
R93: Executive meeting, #1 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (ca. 32 mins.) : analog, mono. ; 7 in. Original. [See also
C93]
2 sound tape reels of 2 (ca. 32 min.) : analog, 7 /12 ips, 7 in. Archival
master.
2 sound discs of 2 (CDs) (ca. 32 min.) : digital, mono. Copy master.
reel R94
Executive meeting, #2,
1970 Sep
12-13
R94: Executive meeting, #2 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (side 1: 2 hr, 5 min., side 2: 56 min., 37 sec.) : analog, mono.
; 7 in. Original. [See also C94]
3 sound tape reels of 3 (3 hr., 1 min., 37 sec.) : analog, mono. ; 7 /12 ips, 7
in. Archival master.
3 sound discs of 3 (CDs) (3 hr., 1 min., 37 sec.) : digital, mono. Copy
master.
reel R95
Executive meeting, #3,
1970 Sep
12-13
R95: Executive meeting, #3 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (side 1: 2 hrs., 5 min., side 2: 1 hr. 59 min., 34 sec.) :
analog, mono. ; 7 in. Original. [See also C95]
4 sound tape reels of 4 (4 hr., 4 min., 34 sec.) : analog, mono. ; 7 1/2 ips, 7
in. Archival master.
4 sound discs of 4 (CDs) (4 hr., 4 min., 34 sec.) : digital, mono. Copy
master.
reel R96
Executive meeting, #4,
1970 Sep
12-13
R96: Executive meeting, #4 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (1 hr., 2 min., 30 sec.) : analog, mono. ; 7 in. Original. [See
also C96]
2 sound tape reels of 2 (1 hr., 2 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 7
in. Archival master.
2 sound discs of 2 (CD) (1 hr., 2 min., 30 sec.) : digital, mono. Copy master.
reel R97
Meeting for history #1
R97: Meeting for history #1 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (2 hr., 2 min.) : analog, mono. ; 1 7/8 ips, 7 in. Original. [See
also C97]
4 sound tape reels of 4 (ca. 2 hr., 2 min.) : analog, mono. ; 7 1/2 ips, 7 in.
Archival master.
4 sound discs of 4 (CDs) (ca. 2 hr., 2 min.) : digital, mono. Copy master.
reel R98
Meeting for history #2
R98: Meeting for history #2 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (26 min.) : analog, mono. ; 7 in. Original. [See also C98]
1 sound tape reel (26 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (26 min.) : digital, mono. Copy master.
reel R99
Solomon
R99: Solomon (digital version available on-site only)
Scope and Content Note
1 sound tape reel (31 min., 49 sec.) : analog, mono. ; 7/12 ips, 7 in.
Original.
Label on box: "Solomon,...In my greed for fame I forgot my God..."
1 sound tape reel (31 min., 49 sec.) : analog, mono. ; 7/12 ips, 7 in. Archival
master.
1 sound disc (CD) (31 min., 49 sec.) : digital, mono. Copy master.
reel R100
Voices of East Harlem / Öyvind Fahlström, Den Helige Torsten
Nilsson,
1993 Dec
R100: Voices of East Harlem / Oyvind Fahlstrom, Den Helige Torsten Nilsson
(digital version available on-site only)
Scope and Content Note
1 sound tape reel (48 min., 38 sec.) : analog, mono. ; 7 in. Original.
Side 1: no label, Side 2: "SLUTLAPP RUbrik: (enl. Protokoll) DEL 4..." Label on
box: "Voices of East Harlem," and "12/93: no cassette copy made." [Note: information
in title from reformatter.]
1 sound tape reel (48 min., 38 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (48 min., 38 sec.) : digital, mono. Copy master.
reel R101
Making a film
Scope and Content Note
1 sound tape reel [missing].
reel R102
Electric Raga in D, Tschudin
1971 Nov
12-13
R102: Electric Raga in D, Tschudin (digital version available on-site only)
Scope and Content Note
1 sound tape reel (2 hr., 6 min., 4 sec.) : analog, mono. ; 7 in. Original.
Written on box: "Electric Raga in D [illegible] good," and "12/93: no cassette
copy made."
3 sound tape reels of 3 (2 hr., 6 min., 4 sec.) : analog, mono. ; 7 1/2 ips, 7 in.
Archival master.
3 sound discs of 3 (CDs) (2 hr., 6 min., 4 sec.) : digital, mono. Copy master.
reel R103
Train to Calcutta, part 1,
1970?
R103: Train to Calcutta, part 1 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (32 min.) : analog ; 7 1/2 ips, 7 in. Original.
Label on box: "Part 1 - Train to Calcutta." Sound track for film or video?
Professional quality.
1 sound tape reel (32 min.) : analog ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (32 min.) : digital. Copy master.
reel R104
Train to Calcutta, part 2,
1970?
R104: Train to Calcutta, part 2 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (27 min., 30 sec.) : analog ; 71/2 ips, 7 in. Original.
Label on box: "Part II - Train to Calcutta." Sound track for film or video?
Professional quality.
1 sound tape reel (27 min., 30 sec.) : analog ; 71/2 ips, 7 in. Archival
master.
reel R105
Continuous train,
1970?
R105: Continuous train (digital version available on-site only)
Scope and Content Note
1 sound tape reel (16 min., 30 sec.) : analog ; 3 3/4 ips, 7 in. Original.
Label on reel and box: "Continuous train." Tape sounds as though it consists of
copied portions of tapes R103 and R104.
1 sound tape reel (16 min., 30 sec.) : analog ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (16 min., 30 sec.) : digital. Copy master.
reel R106
Chandralekha,
1970?
R106: Chandralekha (digital version available on-site only)
Scope and Content Note
1 sound tape reel (20 min. 30 sec.) : analog ; 7 in. Original.
Label on box: "Chandra copy...."
1 sound tape reel (20 min., 30 sec.) : analog ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (20 min., 30 sec.) : digital. Copy master.
reel R107
Ahmedabad birds,
1970?
R107: Ahmedabad birds (digital version available on-site only)
Scope and Content Note
1 sound tape reel (1 hr.) : analog, mono. ; 3 3/4 ips, 7 in. Original.
Label on reel and box: "Ahmedabad birds..."
2 sound tape reels of 2 (1 hr.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
2 sound discs of 2 (CDs) (1 hr.) : digital, mono. Copy master.
reel R108
Ahmedabad,
1970 Nov
R108: Ahmedabad (digital version available on-site only)
Scope and Content Note
1 sound tape reel (54 min.) : analog, mono. ; 7 1/2 ips, 7 in. Original.
Label on reel and box: "Ahmedabad...Nov. 1970." Includes 1 p. typed letter from
National Institute of Design in Ahmedabad, Inda, with 1 p. list of tape
contents.
2 sound tape reels of 2 (54 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
2 sound discs of 2 (CDs) (54 min.) : digital, mono. Copy master.
reel R109
New York Collection for Stockholm: George Segal talking about Marcel
Duchamp's "Etant Donné"
Scope and Content Note
1 sound tape reel : analog. Original. [missing]
Made into a record for New York Collection for Stockholm Portfolio. [Reel-to-reel
tape is missing, i.e. not received from E.A.T.; see Box 79 for phonograph
record.]
reel R145
Öyvind Fahlström, sounds for his film,
Kisses Sweeter
Than Wine
,
1966
R145: Oyvind Fahlstrom, sounds for his film, Kisses Sweeter Than Wine (digital
version available on-site only)
Scope and Content Note
1 sound tape reel (49 min., 39 sec.) : analog, mono. ; 3 3/4 ips, 7 in.
Original.
Labels on box: "EAT ART Öyvind Fahlström Collage tape with Swedish, English
material from films, radio, plays, etc. Ref # 145." "DAT: 14/9 - 66.Ö.F.Film - New
York." [See also C145]
1 sound tape reel (49 min., 39 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (49 min., 39 sec.) : digital, mono. Copy master.
Klüver talks and lecture-demonstration Series, (Reel-to-reel
tapes)
ca.
1967-1968
reel R146
Klüver talk, "Interface: Artists/Engineers," presented at MIT,
1967 Apr
21
R146: Klüver talk, "Interface: Artists/Engineers," presented at MIT
(digital version available on-site only)
Scope and Content Note
1 sound tape reel (4 min.) : analog, mono. ; 7 in. Original.
1 sound tape reel (4 min.) : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) (4 min.) : digital, mono. Copy master.
reel R147
Klüver talk, Toronto,
1968
R147: Kluver talk, Toronto (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 7 1/2 ips, 7 in. Original.
Label on box: "Klüver talk at Toronto 1968, 147." Labels on reel: "Klüver #3 / Rub
affairs" and "MASTER." [See also C147-C149]
1 sound tape reel : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
reel R148
Klüver talk, Toronto, dub for Sherman #1
1968,
R148: Kluver talk, Toronto, dub for Sherman #1 (digital version available
on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 7 in. Original.
Label on reel: "Klüver #1: dub for Sherman / no. 1693." Label on box: "Klüver dub
for Sherman Toton 1968 #1." [See also C147-C149]
1 sound tape reel : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
reel R149
Klüver talk, Toronto, (Dub #2 for Sherman)
1968,
R149: Kluver talk, Toronto, (Dub #2 for Sherman) (digital version available
on-site only)
Scope and Content Note
1 sound tape reel (32 min., 45 sec.) : analog, mono. ; 7 in. Original.
Label on box: "Klüver for Sherman Toronto 1968." Written on box: "Toronto 1968 BK
[illegible] sounds systems, Good." [See also C147-C149]
1 sound tape reel (32 min., 45 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (32 min., 45 sec.) : digital, mono. Copy master.
reel R150
Klüver talk at color convention,
undated
R150: Kluver talk at color convention (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (1 hr., 7 min., 45 sec.) : analog, mono. ; 3 3/4 ips, 7 in.
Original.
2 sound tape reels of 2 (1 hr., 7 min., 45 sec.) : analog, mono. ; 7 1/2 ips, 7
in. Archival master.
2 sounds discs of 2 (CDs) (1 hr., 7 min., 45 sec.) : digital, mono. Copy
master.
reel R159
Ken Knowlton,
1968
R159: Ken Knowlton (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
Transcribed 1968 Apr 14.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
reel R160
Dr. Seymour Papert, Computer Language
Apr 1
[1968?]
R160: Dr. Seymour Papert, Computer Language (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (2 hr., 2 min., 59 sec.) : analog, mono. ; 1 7/8 ips, 7 in.
Original.
Written on box: "Property E.A.T. Dr. Seymour Papert, April 1st Computer
Language."
2 sound tape reels of 2 (2 hr., 2 min., 59 sec.) : analog, mono. ; 7 1/2 ips, 7
in. Archival master.
2 sound discs of 2 (CDs) (2 hr., 2 min., 59 sec.) : digital, mono. Copy
master.
reel R161
Dr. J.W. Sellers, Dissolving papers, lecture,
1968 Feb
26
R161: Dr. J.W. Sellers, Dissolving papers, lecture (digital version available
on-site only)
Scope and Content Note
Transcribed 1968 Mar 28. Label on box: Dr. J.W. Sellers, Dissolving Papers." and
"Dr. Sellers, Property E.A.T., Tape of lecture given 2-26-68."
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
reel R162
Stan Vanderbeek talk,
1968?
R162: Stan Vanderbeek talk (digital version available on-site only)
Scope and Content Note
1 sound tape reel (2 hr., 18 min.) : analog ; 7 in. Original.
"Transcribed Mar 12. Duplicate."
2 sound tape reels of 2 (2 hr., 18 min.) : analog ; 7 1/2 ips, 7 in. Archival
master.
2 sound discs of 2 (2 hr., 18 min.) : digital. Copy master.
reel R163
Frank Winslow, Plastics #1 of 2,
1968 Feb
11
R163: Frank Winslow, Plastics #1 of 2 (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (65 min., 21 sec.) : analog, mono. ; 1 7/8 ips, 7 in.
Original.
Written on box: "2-11-68 Frank Winslow - Plastics #1 of 2 Transcribed - E.A.T. -
3/4/68." Label on box: "S. Winslow - 1."
1 sound tape reel (65 min., 21 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (65 min., 21 sec.) : digital, mono. Copy master.
reel R164
Frank Winslow, Plastics #2,
1968 Feb
11
R164: Frank Winslow, Plastics #2 (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 7 in. Original.
Label on box: "2-11-68, Frank Winslow, Plastics #2 of 2, Transcribed E.A.T.
3-5-68, Completed 3/6." Label on box spine: "S. Winslow - 2." [See also R163]
1 sound tape reel : analog, mono. ; 7 1/2 ips, 7 in. Archival master. 2
reels??
1 sound disc (CD) : digital, mono. Copy master.
reel R165
Martha Turi #1,
1968?
R165: Martha Turi #1 (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 3 3/4 ips, 7 in. Original.
Transcribed 1968 Mar 19. Label on box: "165, #1 Martha Turi." Tape also includes
voice of Rudy Marshall, producer of acrylics.
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
reel R166
Norman Nelson, Union Camp Co.
1968 Feb
27
R166: Norman Nelson, Union Camp Co. (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (72 min., 36 sec.) : analog, mono. ; 1 7/8 ips, 7 in.
Original
Written on box: "Property of E.A.T. 1 of 1 Norman Nelson Union Comp. Co. - given
2-27 Transcribed 4-2-68 Sent to Speaker."
2 sound tape reels of 2 (72 min., 36 sec.) : analog, mono. ; 7 1/2 ips, 7 in.
Archival master.
2 sound discs of 2 (CDs) (72 min., 36 sec.) : digital, mono. Copy master.
reel R167
Dr. P. Bruins #1, Plastics-casting, molding and controls, held at
Polytechnic Institute of Brooklyn,
1968 Feb
15
R167: Dr. P. Bruins #1, Plastics-casting, molding and controls, held at
Polytechnic Institute of Brooklyn (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 3 3/4 ips, 7 in. Original.
Label on box: "Property of E.A.T., #1 of 2, plastics, Dr. P. Bruins..."
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
reel R168
Dr. Bruins, Plastics-casting, molding and controls, held at Polytechnic
Institute of Brooklyn, #2 of 2,
1968 Feb
15
R168: Dr. Bruins, Plastics-casting, molding and controls, held at Polytechnic
Institute of Brooklyn, #2 of 2 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (44 min., 13 sec.) : analog, mono. ; 3 3/4 ips, 7 in.
Original.
1 sound tape reel (44 min., 13 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (44 min., 13 sec.) : digital, mono. Copy master.
reel R169
Herbert Bonhert (IBM), Computer poetry,
[1968?] Mar
31
R169: Herbert Bonhert (IBM), Computer poetry (digital version available on-site
only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
5 sound tape reels of 5 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
reel R170
Ron Baeker,
1968?
R170: Ron Baeker (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 7 in. Original.
Labels on box: "Baeker" and "Ron Baecker, 1 1/2." Baeker shows a film for 12 min.
and soundtrack can be heard in the distance.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival masters.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
reel R171
Leon Harmon, Computer generated images,
1968 Mar
3
R171: Leon Harmon, Computer generated images (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (107 min., 22 sec.) : analog, mono. ; 1 7/8 ips, 7 in.
Original.
Written on box: "Transcribed - 4.9.68 Property E.A.T. Leon Harmon - still images
sent to speaker published."
2 sound tape reels of 2 (107 min., 22 sec.) : analog, mono. ; 7 1/2 ips, 7 in.
Archival master.
2 sound discs of 2 (CDs) (107 min., 22 sec.) : digital, mono. Copy master.
reel R172
Lou Kellem, TV Equipment and Capabilities,
[1968] Feb
18
R172: Lou Kellem, TV Equipment and Capabilities (digital version available
on-site only)
Scope and Content Note
1 sound tape reel (61 min., 13 sec.) : analog, mono. ; 3 3/4 ips, 7 in.
Original.
Written on box: "Lou Kellem T.V. Equipment + Capabilities 2-18 Transcribed
Property Experiments in Art and Technology 3-29."
1 sound tape reel (61 min., 13 sec.) : analog, mono. ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (61 min., 13 sec.) : digital, mono. Copy master.
reel R173
Bennett talk,
undated
R173: Bennett talk (digital version available on-site only)
Scope and Content Note
1 sound tape reel (83 min., 30 sec.) : analog, mono. ; 1 7/8 ips, 5 in.
Original.
2 sound tape reels of 2 (83 min., 30 sec.) : analog, mono. ; 7 1/2 ips, 5 in.
Archival master.
2 sound discs of 2 (CDs) (83 min., 30 sec.) : digital, mono. Copy master.
reel R174
Evans talk,
undated
R174: Evans talk (digital version available on-site only)
Scope and Content Note
1 sound tape reel (81 min., 42 sec.) : analog, mono. ; 1 7/8 ips, 5 in.
Original.
2 sound tape reels of 2 (81 min., 42 sec.) : analog, mono. ; 7 1/2 ips, 5 in.
Archival master.
2 sound discs of 2 (CDs) (81 min., 42 sec.) : digital, mono. Copy master.
reel R175
Benson,
1968?
R175: Benson (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 5 in. Original.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival masters.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
reel R176
Seeley #1,
1968?
R176: Seeley #1 (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
reel R177
Letvin #1,
undated
R177: Letvin #1 (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
1 sound tape reel : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
reel R177a
Seeley #2,
1968?
R177a: Seeley #2 (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
reel R178
Towndorf,
1968?
R178: Towndorf (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
3 sound tape reels of 3 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CD) : digital, mono. Copy master.
reel R179
Harris,
1968?
R179: Harris (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
reel R180
Hunter,
1986?
R180: Hunter (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
4 sound tape reels of 4 : analog, mono. ; 7 1/2 ips, 7 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
reel R181
Letvin #1,
1968?
Scope and Content Note
1 sound tape reel : analog. Original.
Not reformatted. [See R177?]
reel R182
Letvin #2,
1968?
R182: Letvin #2 (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
2 sound tape reels of 2 : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
1 sound disc (CD) : digital, mono. Copy master.
reel R183
Robert Anderson,
1968?
R183: Robert Anderson (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
3 sound tape reels of 3 : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
reel R184
R. Feller,
1968?
R184: R. Feller (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
3 sound tape reels of 3 : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
reel R185
Kogelnik,
1968?
R185: Kogelnik (digital version available on-site only)
Scope and Content Note
1 sound tape reel : analog, mono. ; 1 7/8 ips, 5 in. Original.
3 sound tape reels of 3 : analog, mono. ; 7 1/2 ips, 5 in. Archival master.
2 sound discs of 2 (CDs) : digital, mono. Copy master.
Klüver talks and lecture-demonstration series (Reel-to-reel
tapes),
ca.
1966-1971
reel R186
John Krauskopf talk #1,
undated
R186: John Krauskopf talk #1 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (65 min., 55 sec.) : analog, mono. ; 1 7/8 ips, 5 in.
Original.
2 sound tape reels of 2 (65 min., 55 sec.) : analog, mono. ; 7 1/2 ips, 5 in.
Archival master.
2 sound discs of 2 (CDs) (65 min., 55 sec.) : digital, mono. Copy master.
reel R187
John Krauskopf talk #2,
undated
R187: John Krauskopf talk #2 (digital version available on-site only)
Scope and Content Note
1 sound tape reel (62 min., 36 sec.) : analog, mono. ; 1 7/8 ips, 5 in.
Original.
1 sound tape reel (62 min., 36 sec.) : analog, mono. ; 7 1/2 ips, 5 in. Archival
master.
1 sound disc (CD) (62 min., 36 sec.) : digital, mono. Copy master.
reel R188
E.A.T. meeting / E.A.T. history,
1966 Nov
30
R188: E.A.T. meeting / E.A.T. history (digital version available on-site
only)
Scope and Content Note
1 sound tape reel (111 min., 28 sec.) : analog ; 7 in. Original.
2 sound tape reels of 2 (111 min., 28 sec.) : analog ; 7 1/2 ips, 7 in. Archival
master.
2 sound discs of 2 (CDs) (111 min., 28 sec.) : digital. Copy master.
reel RU01
E.A.T. history / Unidentified talk on acrylics,
undated
RU01: E.A.T. history / Unidentified talk on acrylics (digital version available
on-site only)
Scope and Content Note
1 sound tape reel (45 min., 55 sec.) : analog ; 7 in. Original.
Track 1: Narration about EAT with music (11:52); Track 2: Unidentified talk on
acrylics (34:03). Original tape unnumbered.
1 sound tape reel (45 min., 55 sec.) : analog ; 7 1/2 ips, 7 in. Archival
master.
1 sound disc (CD) (45 min., 55 sec.) : digital. Copy master.
Sound cassettes,
ca.
1967-1971
Scope and Content Note
Cassettes are original recordings and copies of the 7 in. reel-to-reel recordings.
Cassettes were numbered by E.A.T., and some cassettes hold multiple recordings. Tapes
record materials relating to 9 Evenings, Pepsi Pavilion, other projects, meetings,
lectures, symposia.
Reformatted versions are described below the originals, but are shelved
separately.
Cassette C1 & C6
Alfons Schilling, Hay and Whitman interviews
Scope and Content Note
1 sound cassette of 1. Original.
Side A: Alex Hay interview with Alfons Schilling [See also R6]. Side B:
Schilling and Whitman interview on telephone [See also R1].
3 sound tape reels of 3 : analog ; 7 /12 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C2-C4
Material for Schilling film on 9 Evenings
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Schilling JSNE3 and JSEN2 [See also R4, R3]. Side B: Schilling JSNE1
[See also R2].
2 sound tape reels of 2 : analog ; 7/12 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C5 & C29
Material for Schilling film on 9 Evenings and R. Whitman
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Whitman: 2 holes of water [See also R29]. Side B: Interviews / Schilling
sound [See also R5].
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C7 & C30
Alex Hay; Lucinda Childs
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Lucinda Childs sound [See also R30]. Side B: Alex Hay performance (C7;
see R7). .
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C8 & C9
Interview with Steve Paxton, ; Greta Garbo, Debbie Drake,
15 Nov 1971
n.d
Scope and Content Note
1 sound cassette : analog. Original.
Side A: no label, Side B: no label. On insert: EAT Paxton Sound Loop tapes Ref 8
and 9 [See also R8 and R9]
4 sound tape reels of 4 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C10 & C13
Steve Paxton sound from 9 evenings,
undated, 1966 Sep
8
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Paxton Strange Wills [See also R10]. Side B: Stop smoking, Isometrics,
John Glenn [See also R13].
4 sound tape reels of 4 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C12
Steve Paxton 9 evenings loop tapes
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Paxton 9 evenings loop tapes. Side B: Loop tapes cont. [See below
cassette tape and R12].
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C12 & C20-C22
Fahlström 9 evenings
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Fahlström #12 tape cont. [C12, cont.; see above cassette and R12]. Side
B: Shanghai, Fine and You, Brando [See also R20, R21, R22].
3 sound tape reels of 3 : analog ; 7 /12 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
2 sound discs of 2 (CDs) : digital. Use copy.
Cassette C15? & C16?
David Tudor "Bandoneon," Fahlström interview two years later (#16),
shortsound 15-16 and loop tapes
Scope and Content Note
1 sound cassette : analog. Original.
Cassette C15 & C37
David Tudor "Bandoneon" and John Cage: Variations VII, part III
(#37)
C15: David Tudor "Bandoneon" and John Cage: Variations VII, part
III (#37) (digital version available on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: Tudor - Bandoneon! [See also R15??]. Side B: Cage Variations VII Part
III.
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
Cassette C17
Voice of American French Service on 9 Evenings, with Fahlström interview
(French)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT VOA French Service 9 Eves, Side B: no label [See also R17]
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C23-1
Fahlström short piece of speech, 1 of 2
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT 9E Fahlström speech 1 7/8 to 3 3/4 to cassette Ref 23, Side B: no
label [See also R23.]
1 sound tape reel : analog ; 7 /12 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C23-2
Fahlström speech, 2 of 2
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT 9E Fahlström speech Sanyo copy Ref 23, Side B: no label. [See also
cassette C23-1 above, and R23.] Typed on insert: EAT 9E Fahlström speech Ref #23 3
3/4 cassette recorded on Sanyo transcriber at slowest speed.
1 sound tape reel : analog ; 7 /12 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
1 sound disc (CD) : digital. Use copy.
Cassette C26a-1
Schilling interview with Öyvind Fahlström and Yvonne Rainer,
undated
C26a.1: Schilling interview with Oyvind Fahlstrom and Yvonne Rainer (digital
version available on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Schilling w/ Rainer + Fahlström, Side B: Schilling w/ Rainer +
Fahlström [Side B is blank]. Typed on insert: EAT Schilling Interview with Yvonne
Rainer and Öyvind Fahlström REf #26a.
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
Cassette C26a-2
Interview with Öyvind Fahlström and Robert Breer,
1967 Mar
3
C26a.2: Interview with Oyvind Fahlstrom and Robert Breer (digital version
available on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT 9E Interview w O. Fahlström and Robert Breer 3/3/67, Side B: EAT 9E
Interview w O. Fahlström and Robert Breer 3/3/67. Typed on insert: EAT 9E Inerview
with Öyvind Fahlström and Robert Breer 3/3/67 Ref #26a.
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
Cassette C27 & C28
Interview with Bob Whitman by Simone Forti and R. Whitman interview
fragments,
1966 Mar 27
undated
Scope and Content Note
1 sound cassette (ca. 77 min., 19 sec.): analog. Original.
Side A: EAD S. Whitman Interview Fragments [See also R27]. Side B: EAT Simone
Whitman Int w R. Whitman [See also R28]. Paper insert: "EAT Simone [Forti] Whitman
Interview with Robert Whitman 3/27/66 REf # 27 9 Evenings 1/1" and "EAT Simone
Whitman Interview Fragments with various people including Robert Rauschenberg, Ref
#28 9 Evenings 1/1."
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (C27: 44 min., 19 sec.; C28: 33 min.)(CDs) : digital. Copy
master [C27, C28].
2 sound discs of 2 (C27: 44 min., 19 sec.; C28: 33 min.)(CDs) : digital. Use
copy [C27, C28].
Cassette C31
Lucinda Child's first performance,
1970?
Scope and Content Note
1 sound cassette (ca. 40 min., 5 sec.) : analog. Original.
Side A: EAT L. Childs sound - 1st perf. Side B: EAT L. Childs cont. Paper
insert: "EAT Lucinda Childs sound from 1st performance 9 Evenings Ref # 31." [See
also R31].
3 sound reels of 3 (ca. 40 min., 5 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (ca. 40 min., 5 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (ca. 40 min., 5 sec.) (CDs) : digital. Use copy.
Cassette C14 & C32
Deborah Hay/Toshi piece; 18 Names Rauschenberg's opening
scene
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Deborah Hay / Toshi piece [C14?; see also R14?], Side B: EAT
Rauschenberg 18 names [see also R32 which does not completely correspond]. Paper
insert: "EAT Deborah Hay/Toshi piece Rauschenberg 18 names #32. . .Toshi
Ichiyanagi 'Funakakushi' for Deborah Hay piece 9 Eves Conversation in Japanese B:
18 names from tape for Rauschenberg Open Score #32."
2 sound tape reels of 2 (C14: 20 min., 8 sec.; C32 Side B: 1 min., 50 sec.) :
analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (C14: 20 min., 8 sec.; C32 Side B: 1 min., 50 sec.) (CDs) :
digital. Copy master.
2 sound discs of 2 (C14: 20 min., 8 sec.; C32 Side B: 1 min., 50 sec.) (CDs) :
digital. Use copy.
Cassette C33 & C34
John Cage,
1966 Oct
16
C33-C34: John Cage (digital version available on-site only)
Scope and Content Note
1 sound cassette (ca. 83 min., 11 sec.) : analog. Original.
Side A: EAT Cage 1st performance, Side B: EAT Cage Two Mikes...." Paper insert:
"EAT 9E A: Cage 1st night's performance Ref 34 B: Cage - Two mikes 40 feet apart
in balcony of Armory original Ref # 33."
3 sound tape reels of 3 (ca. 83 min., 11 sec.): analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (C33 Side B: 48 min., 55 sec.; C34 Side A: 34 min. 16 sec.)
(CDs) : digital. Copy master.
Cassette C35 & C36
John Cage Variation VII, part I and part II
C35-C36: John Cage Variation VII, part I and part II (digital version
available on-site only)
Scope and Content Note
1 sound cassette (ca. 68 min., 11 sec.) : analog. Original.
Side A: EAT Cage Variations VII, Part I (C35), Side B: EAT Cage Variations VII,
Part II (C36).
2 sound tape reels of 2 (ca. 68 min., 11 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (C35: 33 min., 53 sec.; C36: 34 min., 18 sec.) (CDs) :
digital. Copy master.
Cassette C38
Robbie Robinson interview,
1966 Sep
14
Scope and Content Note
1 sound cassette (ca. 56 min., 37 sec.) : analog. Original.
Side A: S. Whitman Int. Robinson 1/1, Side B: R. Robinson Int. cont. 1/1. Paper
insert: "EAT 9E Simone Whitman Interview with Robbie Robinson 9/16/66 Ref #38 9
Evenings 1/1." [See also R37]
3 sound tape reels of 3 (ca. 56 min., 37 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (CDs) (ca. 56 min., 37 sec.) : digital. Copy master.
2 sound discs of 2 (CDs) (ca. 56 min., 37 sec.) : digital. Use copy.
Harriet DeLong interviews about 9 Evenings
Cassette C39
Colonel Lutz; Alfons Schilling,
undated
C39: Colonel Lutz; Alfons Schilling (digital version available on-site
only)
Scope and Content Note
1 sound cassette (3 min., 58 sec.) : analog. Original.
Side A: EAT 9E Harriet DeLong Interview with Colonel Luitz on telephone
incomplete, Side B: EAT 9E Harriet DeLong interview w Alfons Schilling
Inaudible. Paper insert: "EAT 9E A: Harriet DeLong telephone interview with
Colonel Lutz at 69th Regiment Armory B: Harriet DeLong interview with Alfons
Schilling Ref #39 Inaudible." [Note: reformatting adjusted the sound quality so
that interviews may be heard.]
1 sound tape reel (3 min., 58 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) (3 min., 58 sec.) : digital. Copy master.
Cassette C40
Interview with John Pierce (Bell Telephone Laboratories), and with Bob
Breer,
1973 Jan 31 1973
Feb 2
C40: Interview with John Pierce (Bell Telephone Laboratories), and with Bob
Breer (digital version available on-site only)
Scope and Content Note
1 sound cassette (28 min., 30 sec.) : analog. Original.
Side A: EAT 9E Harriet DeLong Interview with John Pearce 1/31/73," Side B: EAT
9E Harriet DeLong Interview with Robert Breer 2/2/73." Paper insert: "EAT 9E A:
Harriet DeLong Interview with John Pierce BTL 1/31/73 Ref #40 EAT 9E B: Harriet
DeLong Interviw with Robert Breer 2/2/73 Ref #40."
2 sound tape reels of 2 (28 min., 30 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (28 min., 30 sec.) (CDs) : digital. Copy master.
Cassette C41
Fujiko Nakaya,
1973 Jan
30-31?
C41: Fujiko Nakaya (digital version available on-site only)
Scope and Content Note
1 sound cassette (26 min., 15 sec.) : analog. Original.
Side A: EAT 9E Harriet DeLong interview w. Fujiko Nakaya 1/30/73, Ref #41.
Side B: EAT 9E Harriet DeLong interview w. Fujiko Nakaya 1/30/73 Ref #42. Paper
insert: "EAT 9E A: Harriet DeLong interview with Fujiko Nakaya 1/31/73 Ref #41
EAT 9E B: Harriet DeLong Interview with Fujiko Nakaya 1/30/73 Ref #41."
2 sound tape reels of 2 (26 min., 15 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (26 min., 15 sec.) : digital. Copy master.
2 sound discs of 2 (26 min., 15 sec.) : digital. Use copy.
Cassette C42
Per Biorn,
undated
C42: Per Biorn (digital version available on-site only)
Scope and Content Note
1 sound cassette (14 min. 59 sec.) : analog. Original.
Side A: EAT 9E Harriet DeLong Interview with Per Biorn Ref #42. Side B: blank
label. Paper insert: "EAT 9E AL Harriet DeLong Interview with Per Biorn Ref
#42."
1 sound tape reel (14 min. 59 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (14 min. 59 sec.) (CD) : digital. Copy master.
Cassette C43
John Giorno and Trisha Brown,
1973 Feb
11
C43: John Giorno and Trisha Brown (digital version available on-site
only)
Scope and Content Note
1 sound cassette (18 min., 43 sec.) : analog. Original.
Side A: EAT 9E Harriet DeLong interview w. John Giorno 2/11/73. Side B: EAT 9E
Harriet DeLong interview with Trisha Brown.
2 sound tape reels of 2 (18 min., 43 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (18 min., 43 sec.) (CDs) : digital. Copy master.
Cassette C44
Sue Hartnett,
undated
C44: Sue Hartnett (digital version available on-site only)
Scope and Content Note
1 sound cassette (5 min.) : analog. Original.
Side 1: EAT 9E Harriet DeLong interview with Sue Hartnett Ref #44. Side 2: no
label.
1 sound tape reel (5 min.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (5 min.) (CD) : digital. Copy master.
Cassette C45
Markers - from Schilling's film,
undated
C45: Markers - from Schilling's film (digital version available on-site
only)
Scope and Content Note
1 sound cassette (20 min.) : analog. Original.
Side 1: EAT 9E Soundtrack - Alfons Schilling film Ref #45. Side 2: blank
label.
1 sound tape reel (20 min.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (20 min.) (CD) : digital. Copy master.
Cassette C46
JED #1
C46: JED #1 (digital version available on-site only)
Scope and Content Note
1 sound cassette (38 min., 40 sec.) : analog. Original.
Side A: EAT Tape labeled JED #1 Broken and tape off reel Ref #46. Side B: blank
label. [Note: reformatter rewound tape and recovered the sound. Does this relate
to Jed Bark interview?]
2 sound tape reels of 2 (38 min., 40 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (38 min., 40 sec.) (CD) : digital. Copy master.
Cassette C47
9 Evenings reel 5,
1993 Jun
6
Scope and Content Note
1 sound cassette [missing, i.e. not received from E.A.T.]
Cassette C52 & C58
David Tudor, and Clam room sounds,
1970 Apr 6, 1970
Apr 9
C52 & C58: David Tudor, and Clam room sounds (digital version available
on-site only)
Scope and Content Note
1 sound cassette (: analog. Original.
Side A: EAT Tuddor [sic] at Console 4/6/70. Side B: EAT Clam Room/Pauline
Oliveros. Paper insert: "EAT Pavilion related tapes A: D. Tudor at Console 4/6/70
Ref #52 Pavilion B: Sounds in the Clam Room Ref #58 4/9/70
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
Pepsi Pavilion,
ca.
1969-1975
Cassette C53 & C54
David Tudor at Pepsi Pavilion,
1970
C53-C54: David Tudor at Pepsi Pavilion (digital version available on-site
only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT PAV David Tudor at Pepsi Pavilion 1970 Mrked Sony #3. Side B: EAT
PAV David Tudor at Pepsi Pavilion 1970 Tudor Sony #4. Paper insert: "EAT PAV David
Tudor at Pepsi Pavilion Spring 1970 Marked Sony #3 #53" and "EAT PAV David Tudor
at Pepsi Pavilion Spring 1970 Marked Tudor Sony #4 #54."
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
Cassette C55 & C56
David Tudor at Pavilion,
1970
C56: David Tudor at Pavilion (digital version available on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT PAV David Tudor at Pepsi Pavilion 1970 Marked Sony #5. Side B: EAT
PAV David Tudor at Pepsi Pav. 1970 Sony 4-track Stereo. Paper insert: "EAT PAV
David Tudor at Pepsi Pavilion Spring 1970 #55 Marked Sony #5" and "EAT PAV David
Tudor at Pepsi Pavilion Sprint 1970 Marked Sony 40track stereo not in box Tails
out #56." C55 has no content on tape.
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
Cassette C60
Nilo Lindren interview with Ardison Phillips Part 1,
1970 Jan
9
C60: Nilo Lindren interview with Ardison Phillips Part 1 (digital version
available on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Pav Nilo Lindgren interview with Ardison Phillips Part 1. Side B:
blank label. Paper insert: "EAT Pav A: Nilo Lindgren interview with Ardison
Phillips 1/9/70 Ref # 60 1 of 2, A: Interview with Ardison, B: Recording of
children playing."
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
Cassette C61
Nilo Lindgren interview with Ardison Phillips Part 2,
1970 Jan
9
C61: Nilo Lindgren interview with Ardison Phillips Part 2 (digital version
available on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side 1: EAT Pav B: Nilo Lindgren interview with Ardison Phillips Part 2. Side 2:
Nilo Lindgren interview with Ardison Phillips Part 2. Paper insert: EAT Pav A:
Nilo Lindgren interview with Ardison Phillips 1/9/70 Ref #61, 2 of 2."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
Cassette C62
Artist / Engineer Programming Meeting #1,
1969 Nov
8
C62: Artist / Engineer Programming Meeting #1 (digital version available
on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B have same labels: EAT Pavilion Artist / Engineer Programming
Meeting, 1 of 2. Paper insert: "EAT Pavilion: Meeting Larry Owens, Fred Waldhauer,
Peter Poole, etc. with artists to describe sound and light control system,
11/8/69, Ref #62, 1 of 2."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
Cassette C63-1
Artist / Engineer Programming meeting #2,
1969 Nov
8
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B labels: EAT Pavilion Artist / Engineer Programming Meeting, 2 of 2.
Paper insert: "EAT Pavilion: Meeting Larry Owens, Fred Waldhauer, Peter Poole,
etc. with artists to describe sound and light control system, 11/8/69, Ref #63, 2
of 2." [See also C63-2]
1 sound tape reel of 2 : analog ; 7 1/2 ips. Archival master.
1 sound disc of 2 (CD) : digital. Copy master.
1 sound disc of 2 (CD) : digital.
Cassette C63-2
Artist / Engineer Programming meeting #2,
1969 Nov
8
C63-2: Artist / Engineer Programming meeting #2 (digital version available
on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B labels: EAT Pavilion Artist / Engineer Programming Meeting, 2 of 2.
Paper insert: "EAT Pavilion: Meeting Larry Owens, Fred Waldhauer, Peter Poole,
etc. with artists to describe sound and light control system, 11/8/69, Ref #63, 2
of 2." [See also C63-1]
1 sound tape reel of 2 : analog ; 7 1/2 ips. Archival master.
1 sound disc of 2 (CD) : digital. Copy master.
Cassette C64
Pavilion concert,
1970
Scope and Content Note
1 sound cassette : analog. Original.
Cassette C65
Nilo Lindgren interview with Larry Owens #1,
1969 Oct
8
C65: Nilo Lindgren interview with Larry Owens #1 (digital version available
on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Pav Nilo Lindgren interview with Larry Owens, Part 1. Side B: EAT
Pav Nilo Lindgren interview with Larry Owens, Part 2. Label on box: "EAT Pav Nilo
Lindren interview with Larry Owens 10/8/1969, Ref #65, A: Part 1, B: Part 2."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
Cassette C66
Nilo Lindgren interview with Larry Owens #2,
1969 Oct
8
C66: Nilo Lindgren interview with Larry Owens #2 (digital version available
on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Pav Nilo Lindgren interview with Larry Owens, Part 3. Side B: EAT
Pav Nilo Lindgren interview with Larry Owens, Part 4. Label on box: "EAT Pav Nilo
Lindren interview with Larry Owens 10/8/1969, Ref #66, A: Part 3 (very litle on
it), B: Part 4."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
[Plus use copy and DAT master made Feb 1998.]
Cassette C67
Takenaka - Pepsi - E.A.T., Part 1,
1969 Jun
28
C67: Takenaka - Pepsi - E.A.T., Part 1 (digital version available on-site
only)
Scope and Content Note
1 sound cassette : analog. Original.
Side 1: EAT Takenaka - Pepsi - E.A.T. 6/28/69 Part 1. Side 2: Empty. Label on
box: "EAT A: Takenaka - Pepsi - E.A.T., 6/28/69 Royal Hotel, Part 1, Ref #67, 1 of
2, B: Empty."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
Cassette C68
Takenaka - Pepsi - E.A.T., Part 2,
1969 Jun
28-29
C68: Takenaka - Pepsi - E.A.T., Part 2 (digital version available on-site
only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT/BK [Billy Klüver] Press Interview with Japanese journalist, 6/28/69.
Side B: Takenaka - Pepsi - E.A.T. 6/28/69, Part 2. Label on box: "EAT/BK A: Press
interview with Japanese journalist, Fujiko Nakaya translating 6/29/69, Ref 68" and
"EAT B: Takenaka - Pepsi - E.A.T., 6/28/69 Royal Hotel, Part 2, Ref #68, 2 of 2."
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
2 sound discs of 2 (CDs) : digital. Copy master.
Cassette C69
E.A.T. meeting on mirror panels,
ca. 1969
C69: E.A.T. meeting on mirror panels (digital version available on-site
only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B labels: EAT Pav Meeting on Mirror Panels. Paper insert: "EAT Pav
Meeting to discuss Mirror Panels construction Ref #69."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
Cassette C70
Pavilion, Santa Ana mirror installation,
ca. 1969/1970
C70: Pavilion, Santa Ana mirror installation, (digital version available
on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Pavilion: recorded at Santa Ana Mirror Installation. Side B: Empty.
Paper insert: EAT A: Pavilion: recorded at Santa Ana Air Base Mirror Installation,
Ref #70, B: Empty."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound tape reel (CD) : digital. Copy master.
Cassette C71
EAT Snow - Nakaya Japan / Top Hat Parts, Top Hat parts
1975
Jan,
C71: EAT Snow - Nakaya Japan / Top Hat Parts, Top Hat parts (digital version
available on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT Snow - Nakaya Japan. Jan 1975 / Top Hart Parts & Ardison Ref 71.
Side B: blank label. Box annotation: "EAT snow - Nakaya Japan. Jan 1975/Top Hat
Parts, Also Ardison Ref #71, Tape Broken and off reel."
2 sound tape reels : analog ; 7 1/2 ips. Archival master.
2 sound discs (CDs) : digital. Copy master.
Cassette C72
Nilo Lindgren interview with Billy Klüver,
1970 Jan
8
C72: Nilo Lindgren interview with Billy Kluver (digital version available
on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B labels: EAT Pav Nilo Lindgren interview with Billy Klüver Jan 8 70.
Paper insert: "...Ref #72."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
[Plus use copy and DAT master made Feb 1998.]
Cassette C73
Meyer Shapiro talks with Billy Klüver on the telephone,
1970 Jan
20
C73: Meyer Shapiro talks with Billy Kluver on the telephone (digital version
available on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A: EAT/BK Klüver interview with Meyer Schapiro 1/20/70. Side B: Empty.
Paper insert: "#73."
1 sound tape reel : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
Cassette C73a
David Tudor at Pepsi Pavilion (PepsiBird??),
1970?
Scope and Content Note
1 sound cassette. [received?]
Cassette C74-C77
Interviews with various artists and engineers on Pepsi Pavilion, for Billy
Klüver's talk on Pavilion,
1990 Aug
Cassette C74
Billy Klüver interviews, include Waldhauer, 1 of 4
C74: Billy Kluver interviews, include Waldhauer, 1 of 4 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (46 min., 26 sec.) : analog. Original.
Side A and B labels: EAT PAV Klüver interviews 8/90 includes Waldhauer 1 of 4.
Paper insert: "EAT PAV Klüver interviews with artists and engineers on Pavilion
August 1990: includes Waldhauer Ref #74 1 of 4."
1 sound tape reel (46 min., 26 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (46 min., 26 sec.) (CD) : digital. Copy master.
Cassette C75
Billy Klüver interviews, Waldhauer, Breer, Garmire, 2 of 4
C75: Billy Kluver interviews, Waldhauer, Breer, Garmire, 2 of 4 (digital
version available on-site only)
Scope and Content Note
1 sound cassette (92 min., 43 sec.) : analog. Original.
Side A and B labels: EAT PAV Klüver interviews 8/90 Waldhauer, Breer, Garmire 2
of 4. Paper insert: "...Ref #75 2 of 4."
2 sound tape reels of 2 (92 min., 43 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (CDs) (92 min., 43 sec.) : digital. Copy master.
Cassette C76
Billy Klüver interviews, includes Garmire, 3 of 4
Scope and Content Note
1 sound cassette (89 min., 57 sec.) : analog. Original.
Side A: EAT PAV Klüver interviews 8/90 includes Garmire 3 of 4. Side B: EAT PAV
Klüver interviews 8/90 includes Van't Slot 3 of 4. Paper insert: "EAT PAV Klüver
interviews with artists and engineers on Pavilion August 1990: A: Garmire B: Van't
Slot Ref #76 3 of 4."
2 sound tape reels of 2 (89 min., 57 sec.) : analog ; 7/2 ips. Archival
master.
2 sound discs of 2 (89 min., 57 sec.) (CD) : digital. Copy master.
2 sound discs of 2 (89 min., 57 sec.) (CD) : digital. Use copy.
Cassette C77
Billy Klüver interviews, includes Whitman, 4 of 4
C77: Billy Kluver interviews, includes Whitman, 4 of 4 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (62 min., 46 sec.) : analog. Original.
Side A and B labels: EAT PAV Klüver interviews 8/90 includes Whitman. Paper
insert: "...Ref 77 4 of 4."
1 sound tape reel (62 min., 46 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (62 min., 46 sec.) (CD) : digital. Copy master.
Cassette C78-C154D
E.A.T. meetings, conferences, other projects
Cassette C78-1
Homage to E.A.T., 1 of 2,
1967 Feb
18
Scope and Content Note
1 sound cassette (92 min., 35 sec.) : analog. Original.
Side A: EAT Planning YMHA Homage to E.A.T. 1/2. Side B: no label. Paper insert:
"...Ref 78 2/18/76 1/2."
2 sound tape reels of 2 (92 min., 35 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (92 min., 35 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 35 sec.) (CDs) : digital. Use copy.
Cassette C78-2
Homage to E.A.T., 2 of 2,
1967 Feb
18
Scope and Content Note
1 sound cassette (39 min., 09 sec.) : analog. Original.
Side A: EAT Planning YMHA Homage to E.A.T. 2/2. Side B: no label. Paper insert:
"...Ref 78 2/18/76 2/2."
1 sound tape reel (39 min., 09 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (39 min., 09 sec.) (CD) : digital. Copy master.
1 sound disc (39 min., 09 sec.) (CD) : digital. Use copy.
Cassette C78a-1
E.A.T. meeting, 1 of 2,
1966 Nov
30
Scope and Content Note
1 sound cassette (87 min., 27 sec.) : analog. Original.
Side A and Side B labels: EAT meeting 11/30/66 1 of 2. Paper insert: "...Ref 78A
1 of 2."
2 sound tape reels of 2 (87 min., 27 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (87 min., 27 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (87 min., 27 sec.) (CDs) : digital. Use copy.
Cassette C78a-2 & C84
E.A.T. meeting, 2 of 2, ; Claudio Badal E.A.T. News article regarding
collaboration,
1966 Nov 30
undated
Scope and Content Note
1 sound cassette (56 min., 32 sec.) : analog. Original.
Side A: EAT meeting 11/30/66 2 of 2. Side B: Tedona/Allerot/Leeman
collaboration. Paper insert: "EAT A: E.A.T. meeting 11/30/66 Ref 78A 2 of 2; B:
Claudio Badal E.A.T. News article: Process of talks on Artist project: W.G.
Leeman, Bob Allerot, Tony Tedona on ring counter voice activated microphone Ref 84
1 of 1." [See also R84.]
1 sound tape reel (56 min., 32 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (56 min., 32 sec.) (CD) : digital. Copy master.
1 sound disc (56 min., 32 sec.) (CD) : digital. Use copy.
Cassette C79
Billy Klüver WBAI talk,
1967 Jun
28
Scope and Content Note
1 sound cassette (92 min., 48 sec.) : analog. Original.
Side A: BK WBAI Talk 6/28/1967. Side B: no label. Paper insert: "...Ref 79
1/1."
2 sound tape reels of 2 (92 min., 48 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (92 min., 48 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 48 sec.) (CDs) : digital. Use copy.
Cassette C85
Julie Martin and Claudio Badal interview with Jerry Marks,
1968 Jun
12
Scope and Content Note
1 sound cassette (43 min., 43 sec.) : analog. Original.
Side A: EAT Julie Martin/Claudio Badal Int w. Jerry Marks 6/12/68. Side B: no
label. Paper insert: "...Ref #85." [See also R85; partial contents?]
1 sound tape reel (43 min., 43 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (43 min., 43 sec.) (CD) : digital. Copy master.
1 sound disc (43 min., 43 sec.) (CD) : digital. Use copy.
Cassette C86 & C103
Train to Calcutta; Tracey Kinsel and John Anthes,
undated
Scope and Content Note
1 sound cassette (56 min., 29 sec.) : analog. Original.
Side A: EAT Train to Calcutta Part 1. Side B: T. Kinsel and J. Anthes. Paper
insert: EAT A: Train to Calcutta Ref 103 B: Tracy Kinsel, engineer, and John
Anthes, artist, who collaborated on a project. Interview for E.A.T. News. Ref 86."
[See also R86, R103.]
1 sound tape reel (56 min., 29 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (56 min., 29 sec.) (CD) : digital. Copy master.
1 sound disc (56 min., 29 sec.) (CD) : digital. Use copy.
Cassette C87
E.A.T. Local Group conference, 1 of 3,
1968 Jun
22
Scope and Content Note
1 sound cassette (183 min., 45 sec.) : analog. Original.
Side A: EAT Local Group Conference 1 of 3 Sanyo copy. Side B: no lable. Paper
insert: "...Ref 87 3 3/4 cassette recorded on Sanyo transcriber at slowest speed 1
of 3." [See also R87]
3 sound tape reels of 3 (183 min., 45 sec.) : analog ; 7 1/2 ips. Archival
master.
3 sound discs of 3 (183 min., 45 sec.) (CDs) : digital. Copy master.
3 sound discs of 3 (183 min., 45 sec.) (CDs) : digital. Use copy.
Cassette C88
E.A.T. Local Group conference, 2 of 3,
1968 Jun
22
Scope and Content Note
1 sound cassette (37 min., 56 sec.) : analog. Original.
Side 1: EAT Local Group Conference 2 of 3 Sanyo copy. Side 2: no label. Paper
insert: "...Ref 88 3 3/4 cassette recorded on Sanyo transcriber at slowest speed 2
of 3." [See also R88]
1 sound tape reel (37 min., 56 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (37 min., 56 sec.) (CD) : digital. Copy master.
1 sound disc (37 min., 56 sec.) (CD) : digital. Use copy.
Cassette C89
E.A.T. Local Group conference, 3 of 3,
1968 Jun
22
Scope and Content Note
1 sound cassette (185 min.) : analog. Original.
Side 1: EAT Local Group Conference Sanyo copy. Side 2: no label. Paper insert:
"...Ref 89 3 3/4 cassette recorded on Sanyo transcriber at slowest speed 3 of 3."
[See also R89]
4 sound tape reels of 3 (185 min.) : analog ; 7 1/2 ips. Archival master.
4 sound discs of 3 (185 min.) (CDs) : digital. Copy master.
4 sound discs of 3 (185 min.) (CDs) : digital. Use copy.
Cassette C90
AAAS meeting, Dallas, Tx, 1 of 2,
1968 Dec
26-31
Scope and Content Note
1 sound cassette (92 min., 14 sec.) : analog. Original.
Side A: BK AAAS panel 12.26-31/1968 1/2. Side B: no label. Paper insert:
"...Dallas Ref 90 1/2." [See also R90]
2 sound tape reels of 2 (92 min., 14 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (92 min., 14 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 14 sec.) (CDs) : digital. Use copy.
Cassette C91
AAAS meeting, Dallas, Tx, 2 of 2,
1968 Dec
26-31
Scope and Content Note
1 sound cassette (60 min., 05 sec.) : analog. Original.
Side A: BK AAAS Panel 12/26-31/1968 2/2. Side B: no label. Paper insert:
"...Dallas Ref 91 2/2." See also R91
1 sound tape reel (60 min., 05 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (60 min., 05 sec.) (CD) : digital. Copy master.
1 sound disc (60 min., 05 sec.) (CD) : digital. Use copy.
Cassette C93-1a
Executive meeting, Reel 1, 1 of 2,
1970 Sep
12-13
Scope and Content Note
1 sound cassette (92 min., 55 sec.) : analog. Original.
Side A: EAT Executive meeting R1 TP1. Side B: no label. Paper insert: "EAT
Executive Meeting 9/12-13/1970 Ref 93, Reel 1, 1/2." [See also R93]
2 sound tape reels of 2 (92 min., 55 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (92 min., 55 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 55 sec.) (CDs) : digital. Use copy.
Cassette C93-1b
Executive meeting, Reel 1, 2 of 2,
1970 Sep
12-13
Scope and Content Note
1 sound cassette (33 min., 26 sec.) : analog. Original.
Side A: EAT Executive Meeting R1 TP2. Side B: no label. Paper insert: EAT
Executive Meeting 9/12-13/1970 Ref 93 Reel 1, 2/2." [See also R93]
1 sound tape reel (33 min., 26 sec.) : analog ; 7 1/2 ips.
1 sound disc (CD) (33 min., 26 sec.) : digital. Copy master.
1 sound disc (CD) (33 min., 26 sec.) : digital. Use copy.
Cassette C94-1
Executive meeting, Reel 2, 1 of 2,
1970 Sep
12-13
Scope and Content Note
1 sound cassette (92 min., 47 sec.) : analog. Original.
Side A: EAT Executive Meeting R2 TP1. Side B: no label. Paper insert: "EAT
Executive Meeting 9/12-13/1970 Ref 94 Reel 2, 1/2." [See also R94]
2 sound tape reels of 2 (92 min., 47 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (92 min., 47 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 47 sec.) (CDs) : digital. Use copy.
Cassette C94-2
Executive meeting, Reel 2, 2 of 2,
1970 Sep
12-13
Scope and Content Note
1 sound cassette (93 min., 08 sec.) : analog. Original.
Side A: EAT Executive Meeting R2 TP2. Side B: no label. Paper insert: "EAT
Executive Meeting 9/12-13/1970 Ref 94 Reel 2, 2/2." [See also R94]
2 sound tape reels of 2 (93 min., 08 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (93 min., 08 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (93 min., 08 sec.) (CDs) : digital. Use copy.
Cassette C95-1
Executive meeting Reel 3, 1 of 3,
1970 Sep
12-13
Scope and Content Note
1 sound cassette (92 min., 57 sec.) : analog. Original.
Side A: EAT Executive Meeting R3 TP1. Side B: no label. Paper insert: "EAT
Executive Meeting 9/12-13/1970 Ref 95 Reel 3, 1/3." [See also R95]
2 sound tape reels of 2 (92 min., 57 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (92 min., 57 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 57 sec.) (CDs) : digital. Use copy.
Cassette C95-2
Executive meeting Reel 3, 2 of 3,
1970 Sep
12-13
Scope and Content Note
1 sound cassette (92 min., 57 sec.) : analog. Original.
Side A: EAT Executive Meeting R3 TP2. Side B: no label. Paper insert: "EAT
Executive Meeting 9/12-13/1970 Ref 95 Reel 3, 2/3." [See also R95]
2 sound tape reels of 2 (92 min., 57 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (92 min., 57 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 57 sec.) (CDs) : digital. Use copy.
Cassette C95-3 & C96-1
Executive meeting Reel 3 (3 of 3), & Reel 4 (1 of 2),
1970 Sep
12-13
Scope and Content Note
1 sound cassette (92 min., 56 sec.) : analog. Original.
Side A: EAT Executive Meeting R3 TP3 A. Side B: EAT Executive Meeting R4 TP1 B.
Paper insert: "EAT Executive meeting 9/12-13/1970 Ref 95-96 Reel 3 & 4 3/3."
[See also R95, R96]
2 sound tape reels of 2 (92 min., 56 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (92 min., 56 sec.) (CDs) : digital. Copy master.
2 sound discs of 2 (92 min., 56 sec.) (CDs) : digital. Use copy.
Cassette C96-2
Executive meeting Reel 4, 2 of 2,
1970 Sep
12-13
Scope and Content Note
1 sound cassette (37 min., 54 sec.) : analog. Original.
Side A: EAT Executive Meeting R4 TP2. Side B: no label. Paper insert: "EAT
Executive meeting 9/12-13/1970 Ref 96 Reel 4 2/2." See also R96]
1 sound tape reel (37 min., 54 sec.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (37 min., 54 sec.) (CD) : digital. Copy master.
1 sound disc (37 min., 54 sec.) (CD) : digital. Use copy.
Cassette C97
E.A.T. Meeting for history part 1,
undated
Scope and Content Note
1 sound cassette : analog. Original.
Label on tape: EAT Meeting for History Sanyo copy. Paper insert: "...Ref 97 3
3/4 cassette recorded on Sanyo transcriber at slowest speed 1 of 2." [See also
R97]
3 sound tape reels of 3 : analog ; 7 1/2 ips. Archival master.
3 sound discs of 3 (CDs) : digital. Copy master.
3 sound discs of 3 (CDs) : digital. Use copy.
Cassette C98
Meeting for history part 2,
undated
Scope and Content Note
1 sound cassette (15 min.) : analog. Original.
Side A: EAT Meeting for History Sanyo copy. Side B: no label. Paper insert:
"...Ref 98 3 3/4 cassete recorded on Sanyo transcriber at slowest speed 2 of 2."
[See also R98]
1 sound tape reel (15 min.) : analog ; 7 1/2 ips. Archival master.
1 sound disc (15 min.) (CD) : digital. Copy master.
1 sound disc (15 min.) (CD) : digital. Use copy.
Cassette C110-C113a
Anand Buffalo Project, Ahmedabad, India,
1969 Dec
12
Cassette C110
E.A.T. Meeting in India on Buffalo Project, Tape 1 of 5
C110: E.A.T. Meeting in India on Buffalo Project, Tape 1 of 5 (digital
version available on-site only)
Scope and Content Note
1 sound cassette : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #1.
Paper insert: "...Ref 110 Tape 1."
2 sound tape reels of 2 : analog ; 7 1/2 ips. Archival master.
1 sound disc (CD) : digital. Copy master.
Cassette C111
E.A.T. Meeting in India on Buffalo Project, Tape 2
C111: E.A.T. Meeting in India on Buffalo Project, Tape 2 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (65 min., 27 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #2.
Paper insert: "...Ref 111 tape 2."
2 sound tape reels of 2 (65 min., 27 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (65 min., 27 sec.) (CD) : digital. Copy master.
Cassette C112
E.A.T. Meeting in India on Buffalo Project, Tape 3
C112: E.A.T. Meeting in India on Buffalo Project, Tape 3 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (64 min., 10 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #3.
Paper insert: "...Ref 112 tape 3."
2 sound tape reels of 2 (64 min., 10 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (64 min., 10 sec.) (CD) : digital. Copy master.
Cassette C113
E.A.T. Meeting in India on Buffalo Project, Tape 4
C113: E.A.T. Meeting in India on Buffalo Project, Tape 4 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (51 min., 07 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #4.
Paper insert: "...Ref 113 tape 4."
2 sound tape reels of 2 (51 min., 07 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (51 min., 07 sec.) (CD) : digital. Copy master.
Cassette C113a
E.A.T. Meeting in India on Buffalo Project, Tape 5
C113a: E.A.T. Meeting in India on Buffalo Project, Tape 5 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (64 min., 21 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #5.
Paper insert: "...Ref 113A tape 5."
2 sound tape reels of 2 (64 min., 21 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (64 min., 21 sec.) (CD) : digital. Copy master.
1 sound disc (64 min., 21 sec.) (CD) : digital. Use copy.
Cassette C113b
E.A.T. Meeting in India on Buffalo Project, Tape 6
C113b: E.A.T. Meeting in India on Buffalo Project, Tape 6 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (65 min., 20 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #6.
Paper insert: "...Ref 113B Tape 6 tape is broken and come off reel and must be
repaired before playing."
2 sound tape reels of 2 (65 min., 20 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (65 min., 20 sec.) (CD) : digital. Copy master.
Cassette C113c
E.A.T. Meeting in India on Buffalo Project, Tape 7
C113c: E.A.T. Meeting in India on Buffalo Project, Tape 7 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (61 min., 35 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #7.
Paper insert: "...Ref 113C tape 7."
2 sound tape reels of 2 (61 min., 35 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (61 min., 35 sec.) (CD) : digital. Copy master.
Cassette C113d
E.A.T. Meeting in India on Buffalo Project, Tape 8
C113d: E.A.T. Meeting in India on Buffalo Project, Tape 8 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (61 min., 45 sec.) : analog. Original.
Side A and B labels: EAT Meeting in India on Buffalo Project 12/12/1969 #8.
Paper insert: "...Ref 113D tape 8."
2 sound tape reels of 2 (61 min., 45 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (61 min., 45 sec.) (CD) : digital. Copy master.
Cassette C114-C122
American Artists in India: interviews,
undated,
1969?
Cassette C114
Steve Paxton interview, 1 of 2
C114: Steve Paxton interview, 1 of 2 (digital version available on-site
only)
Scope and Content Note
1 sound cassette (60 min., 32 sec.) : analog. Original.
Side 1: Steve Paxton interview 1 of 2. Side 2: Steve Paxton cont'd. Paper
insert: "EAT Steve Paxton Interview on American Artists in India Ref # 114 1 of
2."
2 sound tape reels of 2 (60 min., 32 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (60 min., 32 sec.) (CD) : digital. Copy master.
Cassette C115
Steve Paxton interview, 2 of 2
C115: Steve Paxton interview, 2 of 2 (digital version available on-site
only)
Scope and Content Note
1 sound cassette (59 min., 45 sec.) : analog. Original.
Side 1: Steve Paxton interview 2 of 2. Side 2: Steve Tape II. Paper insert:
"Steve Paxton Interview on American Artists in India Ref # 115 2 of 2."
2 sound tape reels of 2 (59 min., 45 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (59 min., 45 sec.) (CD) : digital. Copy master.
Cassette C116
Trisha Brown interview, 1 of 2
C116: Trisha Brown interview, 1 of 2 (digital version available on-site
only)
Scope and Content Note
1 sound cassette (31 min., 24 sec.) : analog. Original.
Side A: EAT Trisha Brown interview 1 of 2. Side B: Trisha #2. Paper insert:
"EAT Trisha Brown interview on American Artists in Inda Ref 116 1 of 2."
2 sound tape reels of 2 (31 min., 24 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (31 min., 24 sec.) (CD) : digital. Copy master.
Cassette C117
Trisha Brown interview, 2 of 2
C117: Trisha Brown interview, 2 of 2 (digital version available on-site
only)
Scope and Content Note
1 sound cassette (19 min., 36 sec.) : analog. Original.
Side A: EAT Trisha Brown interview 2 of 2. Side B: Trisha #4. Paper insert:
"EAT Trisha Brown interview on American Artists in Inda Ref 117 2 of 2."
2 sound tape reels of 2 (19 min., 36 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (19 min., 36 sec.) (CD) : digital. Copy master.
Cassette C118
LaMonte Young, Marian Zazeela interview, 1 of 3
C118: LaMonte Young, Marian Zazeela interview, 1 of 3 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (30 min., 29 sec.) : analog. Original.
Side 1: EAT: Lamonte Young / Marian Zazeela interview 1 of 3. Side 2: LaMonte
& Marian. Paper insert: "LaMonte Young / Marian Zazeela Int. American
Artists in India Ref #118 1 of 3."
2 sound tape reels of 2 (30 min., 29 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (30 min., 29 sec.) (CD) : digital. Copy master.
Cassette C119
LaMonte Young, Marian Zazeela interview, 2 of 3
C119: LaMonte Young, Marian Zazeela interview, 2 of 3 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (30 min., 35 sec.) : analog. Original.
Side 1: EAT: Lamonte Young / Marian Zazeela interview 2 of 3. Side 2: L-M.
Paper insert: "LaMonte Young / Marian Zazeela Int. American Artists in India Ref
#119 2 of 3."
2 sound tape reels of 2 (30 min., 35 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (30 min., 35 sec.) (CD) : digital. Copy master.
Cassette C120
LaMonte Young, Marian Zazeela interview, 3 of 3; Jed Bark
interview
C120: LaMonte Young, Marian Zazeela interview, 3 of 3 (digital version
available on-site only)
Scope and Content Note
1 sound cassette (23 min., 25 sec.) : analog. Original.
Side A: EAT Lamonte Young / Marian Zazeela interview 3 of 3. Side B: EAT Jed
Bark Interview. Paper insert: "EAT A: LaMonte Young/Marian Zazeela int. American
Artists in India Ref #120 3 of 3" and "EAT B: Jed Bark interview on American
Artists in India Ref #120 1 of 1."
2 sound tape reels of 2 (23 min., 25 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (23 min., 25 sec.) (CD) : digital. Copy master.
Cassette C121
Bombay street sounds
C121: Bombay street sounds (digital version available on-site only)
Scope and Content Note
1 sound cassette (30 min., 50 sec.) : analog. Original.
Side A and B labels: EAT / BK Bombay Street Sounds. Paper insert: "EAT / BK B:
Bombay Street Sounds recorded near Taj Mahal Hotel Ref #121."
2 sound tape reels of 2 (30 min., 50 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (30 min., 50 sec.) (CD) : digital. Copy master.
Cassette C122a
Steve Paxton interview, pt. 1 and 2
Scope and Content Note
2 sound cassettes of 2 : analog. Originals. Both numbered 122A. Same as C114,
C115. Not reformatted.
Cassette C123-C128
Billy Klüver recordings of meetings and material in
Guatemala,
Jul-Aug
1972
Cassette C123
Recordings of meetings and material in Guatemala
C123: Recordings of meetings and material in Guatemala (digital version
available on-site only)
Scope and Content Note
1 sound cassette (78 min., 21 sec.) : analog. Original.
Side A: EAT/BK Recording if [sic] meetings in Guatemala, 1972, 1 of 6. Side B:
July 23 Side 2?. Paper insert: "EAT / BK Klüver recording of meetings and
material in Guatemala, project to use television to teach farming techniques to
peasants 7 & 8/1972 Ref #123 1 of 6."
3 sound tape reels of 3 (78 min., 21 sec.) : analog ; 7 1/2 ips. Archival
master.
2 sound discs of 2 (78 min., 21 sec.) (CDs) : digital. Copy master.
Cassette C124
Recordings of meetings and material in Guatemala
C124: Kluver recording of material in Guatemala, during project (Tape 1 of
5) (digital version available on-site only)
Scope and Content Note
1 sound cassette (42 min., 18 sec.) : analog. Original.
Side A: EAT / BK Recording if [sic] meetings in Guatemala, 1972 2 of 6. Side
B: Side 2 [blank]. Paper insert: "EAT / BK Klüver recording of meetings and
material in Guatemala, project to use television to teach farming techniques to
peasants 7 & 8/1972 Ref #124 2 of 6."
2 sound tape reels of 2 (42 min., 18 sec.) : analog ; 7 1/2 ips. Archival
master.
1 sound disc (CD) (42 min., 18 sec.) : digital. Copy master.
Cassette C124a-C128
Klüver recording of material in Guatemala, during project,
undated
C125-C128: Kluver recording of material in Guatemala, during project
(digital version available on-site only)
Scope and Content Note
5 cassettes of 5.
Cassette C129-131
Children and Communication: background, discussions,
undated
C129-C131: Children and Communication: background, discussions (digital
version available on-site only)
Scope and Content Note
3 cassettes of 3.
Cassette C132-C136
Island Eye Island Ear, Saranasc Lake,
1978
Cassette C132
Tudor and Nakaya interview,
undated
C132: Tudor and Nakaya interview (digital version available on-site
only)
Scope and Content Note
1 sound cassette.
Cassette C133
Tudor and Nakaya interview; O'Connell reporting on Saranac
situation,
1978 Nov
24
C133: Tudor and Nakaya interview; O'Connell reporting on Saranac situation
(digital version available on-site only)
Scope and Content Note
1 sound cassette.
Cassette C134
Fred Waldhauer /telephone call from Saranasc Lake,
1978 Nov
22
C134: Fred Waldhauer /telephone call from Saranasc Lake (digital version
available on-site only)
Scope and Content Note
1 sound cassette.
Cassette C135
Talking with Kudish on the island,
1978 Oct
12
C135: Talking with Kudish on the island (digital version available on-site
only)
Scope and Content Note
1 sound cassette.
Cassette C136
Island Eye Island E: Mapping the island with Hardy,
1978 Oct
29
C136: Island Eye Island E: Mapping the island with Hardy (digital version
available on-site only)
Scope and Content Note
1 sound cassette.
Cassette C137
Stefan Olson interview with Klüver for Swedish radio, parts 1 and
2,
1978
Jun 4
C137: Stefan Olson interview with Kluver for Swedish radio, parts 1 and 2
[See also C138] (digital version available on-site only)
Scope and Content Note
1 sound cassette. [See also C138]
Cassette C138
Side A: Jankowski CBS, talk ; Olson interview with Klüver, part
3,
1982 Jun 4 1978
June 4
C138: Side A: Jankowski, talk on technology and telecommunications. Side B:
Olson interview with Kluver for Swedish radio, part 3 (digital version
available on-site only)
Scope and Content Note
1 sound cassette. Side A: Jankowski, talk on technology and telecommunications.
Side B: Olson interview with Klüver for Swedish radio, part 3 [See also C137]
Cassette C139
James Rosenquist making the poster for the Xenon Benefit at Tandem Press,
8th Ave. NY,
1979
Feb
Scope and Content Note
1 sound cassette.
Cassette C140-C141
Tudor concert at Xenon,
1979
Scope and Content Note
2 sound cassettes.
Cassette C142
Interview with Frank Dymnicki of Tandem Press about printing Jim
Rosenquist's poster and the Xenon Benefit,
undated
Scope and Content Note
1 sound cassette.
Cassette C143A-C143B
E.A.T. History - Interview with Fred Waldhauer on his biography and his
involvement with artists and E.A.T.,
1991 August 4
C143A-C143B: E.A.T. History - Interview with Fred Waldhauer on his biography
and his involvement with artists and E.A.T. (digital version available on-site
only)
Scope and Content Note
2 sound cassettes.
Cassette C144A
Billy Kluver dictating paper on E.A.T., Side A,
undated
Scope and Content Note
1 sound cassette.
Title from label; Broken tape is off reel. Ref no. 144A. Reel 4a.
Cassette C144B
Billy Kluver dictating paper on E.A.T., Side A; Nine Evenings, Side
B,
1993 Jun 6 undated
Scope and Content Note
1 sound cassette.
Paper insert: Billy Kluver dictating papers on E.A.T. Rainforest. Ref no. 144B.
Tapes 5.
Cassette C145a
Öyvind Fahlström's Collage of Sounds, Side A and Side B
Scope and Content Note
1 sound cassette.
Paper insert: E.A.T. Art Öyvind Fahlström Collage tape with Swedith, English
material from films, radio, plays, etc. Ref no. 145.
Cassette C145b
Öyvind Fahlström Collage Radio, Side A
Scope and Content Note
1 sound cassette.
Paper insert: ART Öyvind Fahlström Collage Radio. No. 145 1/1.
Cassette C147-C149
Klüver lecture, Toronto,
1968
Scope and Content Note
2 sound cassettes. [Not reformatted; See R147-R149]
C147-194, 1 of 2, Side A: Paper insert: BK Kluver Torono lecture 1968 REf no.
147 1/2.
C147-149, 2 of 2, Side A: Paper insert: BK Kluver Toronto Lecture 1968 Red no.
147-149 2/2. Second part of talk using vugraph, talking about mylar mirrors,
chorus line and spherical mirrors.
Cassette C150
Klüver talk at color convention,
Scope and Content Note
1 sound cassette. [Not reformatted; See R150]
Cassette C151-C154
Annual meeting of AAAS,
1976 Feb
22
C151-C154: Annual meeting of AAAS (digital version available on-site
only)
Scope and Content Note
4 sound cassettes of 4.
Boston Environment of the Future - Klüver talk and Panel. Klüver talk
"Conditions for Artists' Participation in Shaping the Environment."
Cassette C154A-D
Klüver and Andrew Ogielski conversation on preserving history; meeting on
Tudor piece "Ocean,"
1993
Cassette C154A
EAT Billy Klüver and Andrew Ogielski conversation on preserving
history, 1 of 2,
1993 Oct
23
Scope and Content Note
1 sound cassette.
Cassette C154B
EAT Billy Klüver and Andrew Ogielski conversation on preserving
history, 2 of 2,
1993 Oct
30
Scope and Content Note
1 sound cassette.
Cassette 154C
EAT Billy Klüver, Andrew Ogielski, Sophia Ogielska and David Tudor
meeting on Tudor piece "Ocean," 1 of 2,
1993 Dec
12
Scope and Content Note
1 sound cassette.
Cassette C154D
EAT Billy Klüver, Andrew Ogielski, Sophia Ogielska and David Tudor
meeting on Tudor piece "Ocean," 2 of 2,
1993 Dec
12
Scope and Content Note
1 sound cassette.
Cassette CU01-CU09
Island Eye Island Ear,
undated
Scope and Content Note
9 sound cassettes of 9.
Cassette CU10
Meeting [?],
1978 Oct
10
Meeting [?], 1978 Oct 10 (digitized version available on-site only)
Scope and Content Note
1 sound cassette.
Series VIII.
Films and videos,
1974-1997
Selected audio and video recordings from Experiments in Art and Technology records
(digital version available on-site only)
Physical Description:
4
box(es)
Scope and Content Note
Contains seven videos and two 16 mm. films of various E.A.T. activities, and 64 super 8
films made while location scouting for "Island Eye Island Ear."
box 233
Films (16 mm.) and VHS cassettes (3/4"),
ca. 1990-ca.
1997
Cassette V1 A & B
Mary Wigman, dancer; 9 Evenings; and Rauschenberg 65.
V1: Mary Wigman, dancer; 9 Evenings; and Rauschenberg 65. (digital version
available on-site only)
Scope and Content Note
2 videocassettes of 2.
2 videos transferred (from film?) Oct 8, 1992 by Middlemarch Films. VHS and
Betacam SP copies made Feb 24, 1998. Numbered 24 by E.A.T.
Cassette V2, V3
Some More Beginnings
V2: Some More Beginnings (digital version available on-site only)
Scope and Content Note
2 videocassettes (9 min., 31 sec. each). V3 is a duplicate of V2.
(video transferred by WNET) Numbered 25 by E.A.T.
Cassette V4
The Great Big Mirror Project
V4: The Great Big Mirror Project (digital version available on-site only)
Scope and Content Note
1 videocassette. (Video transferred by WNET.) Numbered 26 by E.A.T.
reel F1
Peter Kowalski sculpture
F1: Peter Kowalski sculpture (digital version available on-site only)
Scope and Content Note
1 film reel ; 16 mm. [unnumbered, numbered by repository]. Reformatted use copy
available.
Documentary.
reel F2
A Promise of Space... fulfilled. Fairchild Industries, made by
Thirtyfive-sixteen, released by Image,
1975
Scope and Content Note
1 film reel (14 min.); col. 16 mm. [unnumbered, numbered by repository]
Published educational film. Do not reformat. About future space technology.
Cassette V5
9 evenings: theatre and engineering trailer,
1997
V5: 9 evenings: theatre and engineering trailer (digital version available
on-site only)
Scope and Content Note
1 videocassette (VHS) (5 min., 24 sec.). [unnumbered, numbered by repository]
Cassette V6
Kisses sweeter than wine,
1997
V6: Kisses sweeter than wine (digital version available on-site only)
Scope and Content Note
1 videocassette (VHS). [unnumbered, numbered by repository]
Cassette V7
Open score,
1997
V7: Open score (digital version available on-site only)
Scope and Content Note
1 videocassette (VHS) (34 min.). [unnumbered, numbered by repository]
box 234, reel F3-F8
Island Eye Island Ear - Knavelskär Island,
1974
Scope and Content Note
6 film reels of 6 (super 8). [unnumbered, numbered by repository] Reformatted use
copies available.
Scope and Content Note
Film titles and descriptions have been transcribed from the housing of the original
reels.
reel F3
"K - Coast/boat;" "coastline"
F3: K-Coast / boat; coastline (digital version available on-site only)
reel F4
"K-1 throws 1 & 2;" "Gulls departure 1-2"
F4: K-1 throws 1 & 2; Gulls departure 1-2 (digital version available
on-site only)
reel F5
"K 2-8 throws"
F5: K 2-8 throws (digital version available on-site only)
reel F6
"K-Throws 9-18"
F6: K-Throws 9-18 (digital version available on-site only)
reel F7
"K throws 19-25"
F7: K-throws 19-25 (digital version available on-site only)
reel F8
"Knavelskär May 73"
F8: Knavelskar May 73 (digital version available on-site only)
box 235, reel F9-F38
Island Eye Island Ear,
1978
Scope and Content Note
30 film reels of 30 (super 8).[unnumbered, numbered by repository] Reformatted use
copies available.
Scope and Content Note
Film titles and descriptions have been transcribed from the housing of the original
reels.
reel F9
"Kluver #1"
F9: Kluver #1 (digital version available on-site only)
reel F10
"Kluver #2"
F10: Kluver #2 (digital version available on-site only)
reel F11
"Kluver #3"
F11: Kluver #3 (digital version available on-site only)
reel F12
"Kluver #4"
F12: Kluver #4 (digital version available on-site only)
reel F13
"Kluver #5"
F13: Kluver #5 (digital version available on-site only)
reel F14
"Fujiko + Boat"
F14: Fujiko + Boat (digital version available on-site only)
reel F15
"Kluver #7"
F15: Kluver #7 (digital version available on-site only)
reel F16
"Kluver #8"
F16: Kluver #8 (digital version available on-site only)
reel F17
"Kluver #9"
F17: Kluver #9 (digital version available on-site only)
reel F18
"Kluver #10"
F18: Kluver #10 (digital version available on-site only)
reel F19
"Bluff Island - film of photography of sites, first roll OKAY"
F19: Bluff Island - film of photography of sites, first roll OKAY (digital
version available on-site only)
reel F20
"Bluff Island - film of photography of sites, first roll WORK"
F20: Bluff Island - film of photography of sites, first roll WORK (digital
version available on-site only)
reel F21
"First of 4 Boat films of Bluff Island coast Sept 25 OKAY"
F21: First of 4 Boat films of Bluff Island coast Sept 25 OKAY (digital version
available on-site only)
reel F22
"Bluff Coast from boat from Bluff to South Tip September 27
WORK"
F22: Bluff Coast from boat from Bluff to South Tip September 27 WORK (digital
version available on-site only)
reel F23
"Bluff coastline from boat from North Cove to Bluff WORK"
F23: Bluff coastline from boat from North Cove to Bluff WORK (digital version
available on-site only)
reel F24
"Bluff Island - running around island from tail to bluff OKAY, but slow,
exposure good"
F24: Bluff Island - running around island from tail to bluff OKAY, but slow,
exposure good (digital version available on-site only)
reel F25
"Bluff Island - Running across island from 2nd (eastern) dock/picnic area,
toward head through amphitheatre, 3rd + 2nd pine areas OKAY, BUT SLOW"
F25: Bluff Island - Running across island from 2nd (eastern) dock/picnic area,
toward head through amphitheatre, 3rd + 2nd pine areas OKAY, BUT SLOW (digital
version available on-site only)
reel F26
"Running from Bluff on Bluff Island, to head, around head, back to pine
needle slope on body OKAY SLOW"
F26: Running from Bluff on Bluff Island, to head, around head, back to pine
needle slope on body OKAY SLOW (digital version available on-site only)
reel F27
"BOAT Bluff Island - Western tip to Eastern Head- North side - WORK, BUT
BETTER"
F27: BOAT Bluff Island - Western tip to Eastern Head- North side - WORK, BUT
BETTER (digital version available on-site only)
reel F28
"First of two rolls of Airshow Sept 24 OKAY"
F28: First of two rolls of Airshow Sept 24 OKAY (digital version available
on-site only)
reel F29
"Snow take-off + red plane climbing and diving Sept 24"
F29: Snow take-off + red plane climbing and mets:diving Sept 24 (digital
version available on-site only)
reel F30-31
"1st trip from water"
F30-F31: 1st trip from water (digital version available on-site only)
reel F32
"1st trip on land"
F32: 1st trip on land (digital version available on-site only)
reel F33
"Bluff"
F33: Bluff (digital version available on-site only)
reel F34
"2nd trip"
F34: 2nd trip (digital version available on-site only)
reel F35
"2nd trip water bluff"
F35: 2nd trip water bluff (digital version available on-site only)
reel F36-38
Unlabled
F36-F38: Unlabeled (digital version available on-site only)
box 236, reel F39-F66
Island Eye Island Ear - Bluff Island,
1978
Scope and Content Note
28 film reels of 28 (super 8).[unnumbered, numbered by repository] Reformatted use
copies available.
Scope and Content Note
Film titles and descriptions have been transcribed from the housing of the original
reels.
reel F39
"Boat movie with sign 'Bluff Island'"
F39: Boat movie with sign 'Bluff Island' (digital version available on-site
only)
reel F40
"Boat movie - N side from Billy's tree to tip, around tip and back again w/
shots of whole N. side"
F40: Boat movie - N side from Billy's tree to tip, around tip and back again w/
shots of whole N. side (digital version available on-site only)
reel F41
"North side, showing two decks, Billy's tree and beginning of open
tip"
F41: North side, showing two decks, Billy's tree and beginning of open tip
(digital version available on-site only)
reel F42
"Bluff on-land, Roll 1- West tip"
F42: Bluff on-land, Roll 1- West tip (digital version available on-site
only)
reel F43
"Bluff boat movie - South Coast from West tip to 3rd bluff"
F43: Bluff boat movie - South Coast from West tip to 3rd bluff (digital version
available on-site only)
reel F44
"Bluff on-land, 2nd pine knoll, 2nd picnic, rock face in 2nd picnic, stair
to Western bluff, begin top of bluff"
F44: Bluff on-land - BB slope antenna 5 spot 2nd Bluff (Jog) Gully (digital
version available on-site only)
reel F45
"Bluff on-land - BB slope antenna 5 spot 2nd Bluff (Jog) Gully"
F45: Bluff on-land - BB slope antenna 5 spot 2nd Bluff (Jog) Gully (digital
version available on-site only)
reel F46
"Bluff/on-land - 1st pine knoll, walk to picnic area (1st) + Pan walk to
2nd Pine Knoll (approach)"
F46: Bluff/on-land - 1st pine knoll, walk to picnic area (1st) + Pan walk to
2nd Pine Knoll (approach) (digital version available on-site only)
reel F47
"Bluff/on-land - from flat rock over jagged face - walk to Big Bluff pans
inland and along rock to water and south coast to East"
F47: Bluff/on-land - from flat rock over jagged face - walk to Big Bluff pans
inland and along rock to water and south coast to East (digital version
available on-site only)
reel F48
"Bluff/on-land - Tail coast from W bluff - rock on W bluff - features:
(backtrack) - spot found w/ David - small face in wood - flat stone over jagged
face"
F48: Bluff/on-land - Tail coast from W bluff - rock on W bluff - features:
(backtrack) - spot found w/ David - small face in wood - flat stone over jagged
face (digital version available on-site only)
reel F49
"Bluff/boat movie - Big Bluff, around head to N cove"
F49: Bluff/boat movie - Big Bluff, around head to N cove (digital version
available on-site only)
reel F50
"Bluff/on-land - Top of West Bluff - look into BB slop - small knoll -
walking shots to top of BB slope"
F50: Bluff/on-land - Top of West Bluff - look into BB slop - small knoll -
walking shots to top of BB slope (digital version available on-site only)
reel F51
"Bluff/on-land - end of walk in cedar between 1st + 2nd pine slope - shots
of 2nd pine - rocks and rock wall in 3rd + other shots"
F51: Bluff/on-land - end of walk in cedar between 1st + 2nd pine slope - shots
of 2nd pine - rocks and rock wall in 3rd + other shots (digital version
available on-site only)
reel F52
"Bluff/on-land - 4th pine area (amphitheater) - 6 boulders at top - pan
from ledge - inside slope of ledge/face - walk to 2nd picnic - rock face in 2nd
picnic"
F52: Bluff/on-land - 4th pine area (amphitheater) - 6 boulders at top - pan
from ledge - inside slope of ledge/face - walk to 2nd picnic - rock face in 2nd
picnic (digital version available on-site only)
reel F53
"Bluff/on land - last reel - 4th pine slope to 2nd picnic - BOAT fast
panning N shore dock to dock to tip S shore cove"
F53: Bluff/on land - last reel - 4th pine slope to 2nd picnic - BOAT fast
panning N shore dock to dock to tip S shore cove (digital version available
on-site only)
reel F54
"Bluff - Head: pan of picnic area - tree growing on stone - 2 shots of S
cove - begin walk north on East of head"
F54: Bluff - Head: pan of picnic area - tree growing on stone - 2 shots of S
cove - begin walk north on East of head (digital version available on-site
only)
reel F55-F58
Continued I.E.I.E footage, no description provided
F55-F58: Continued I.E.I.E footage, no description provided (digital version
available on-site only)
reel F59
"Bluff Island - 1st pine slope inc. line of boulders - cedar grove walk
begins"
F59: Bluff Island - 1st pine slope inc. line of boulders - cedar grove walk
begins (digital version available on-site only)
reel F60
"Bluff on-land - 4th bluff (kites) - into woods - across S cove - walk to N
cove and bridge to head - rocks in N cove"
F60: Bluff on-land - 4th bluff (kites) - into woods - across S cove - walk to N
cove and bridge to head - rocks in N cove (digital version available on-site
only)
reel F61
"Bluff on-land - Below 3rd bluff - Pine arrow w/ cedar 1800 ring - begin
4th bluff"
F61: Bluff on-land - Below 3rd bluff - Pine arrow w/ cedar 1800 ring - begin
4th bluff (digital version available on-site only)
reel F62
"Boat movie - Bluff boat - North cove - Aerial"
F62: Boat movie - Bluff boat - North cove - Aerial (digital version available
on-site only)
reel F63
"Boat movie - Bluff Island south side from W tip to BB slope"
F63: Boat movie - Bluff Island south side from W tip to BB slope (digital
version available on-site only)
reel F64
"1st aerial of Bluff - First roll of 2 on Sept. 27, 1978 OKAY"
F64: 1st aerial of Bluff - First roll of 2 on Sept. 27, 1978 OKAY (digital
version available on-site only)
reel F65
"Aerial Bluff Is. - Shots on Bluff Is. + coast from boat GOOD"
F65: Aerial Bluff Is. - Shots on Bluff Is. + coast from boat GOOD (digital
version available on-site only)
reel F66
"Aerial Bluff Island GOOD"
F66: Aerial Bluff Island GOOD (digital version available on-site only)
Series IX.
Posters,
1966-1996
Physical Description: 39 items 1 roll and 4 flat file
folders
Scope and Content Note
Contains posters and graphics published by E.A.T. and others for its projects. Includes
posters designed by Rauschenberg, Christo, James Rosenquist, Tom Gormley, Manfred
Schroeder and Ken Knowlton.
oversize 1**
Computer-generated "Nude" by Ken Knowlton and Leon Harmon, Bell
Laboratories,
undated
Scope and Content Note
2 four ft. long and 2 six ft. long in black and day-glo green. The reclining nude
represented the first experiment to scan a photograph into a computer and reconstitute
it with a gray scale, using 12 discreet levels of gray, produced by mathematical and
electronic symbols. The scanning process established a certain level of gray in a
certain area of the photograph and replaced it with one of the symbols. This process
was used to try to establish the minimum amount of information the human eye needed to
resolve an image. The image of Deborah Hay in the nude was photographed by Max
Mathews. The original computer output was a photograph and was given to E.E. David,
who, when he became President Nixon's science adviser, gave it to the Philadelphia
Museum of Art.
oversize 9**
Highway Poster Project,
1972
Scope and Content Note
co-sponsored by the Foundation for Automation and Employment and printed at the
Lithographic Center, Local One, Amalgamated Lithographers of America. Lithograph,
edition size of 150. The following artists made posters about the problems created by
putting more emphasis on highways rather than mass transit systems:
oversize 10**
Computer-generated images by Manfred Schroeder, Bell Labs,
silk-screens,
1968
Scope and Content Note
Image of an eye configured as a target, 1 in black and 1 in day-glo green; a girl's
head, made with the words, "A picture is worth a thousand words," 1 in black and 1 in
day-glo green; and of the Brooklyn Museum (Some More Beginnings) show, using the same
computer processing as the reclining nude, 1 in black and 1 in day-glo green. 6
items
9 Evenings,
1966
Scope and Content Note
designed by Rauschenberg, signed by all participants, edition size of 50, numbered
H.C. 4 of 14.
Quarry Poster,
1968
Scope and Content Note
by Rauschenberg, printed at the Lithographic Center, Local One, Amalgamated
Lithographers of America, as the first project of The Quarry, a collaboration
between E.A.T. and Local One, ALA, under which artists would work with master
lithographers at the ALA Lithographic Center. Signed, unnumbered.
Some More Beginnings,
1969
Scope and Content Note
designed by Tom Gormley for the subway, edition size of 50. Signed, no. 1.
E.A.T. USC,
1970
Scope and Content Note
Experiments in Art and Technology in Process, published by E.A.T. LA for three days
of events and exhibitions at USC, May 1-3, 1970, 2 different posters, unsigned (one
printed FOY '70) and unnumbered.
Pepsi Pavilion,
1970
Scope and Content Note
printed in Japan, Shunk-Kender photograph of interior of the mirror dome. It shows
a rehearsal of the work by Remy Charlip, "Homage to Loie Fuller," performed at the
opening ceremonies. The photograph is printed upside down to emphasize the
three-dimensionality of the real image the concave mirror dome produced. Signed by
all artist/engineer participants, unnumbered.
Projects Outside Art,
1970
Scope and Content Note
announcement and request for submissions for a planned exhibition. The image
represents a rain forest.
American Artists in India,
1970
Scope and Content Note
silk-screen designed and printed by Tom Gormley, using a photograph by Shunk-Kender
of a hand position in traditional Indian dance by Chandraleka. Signed by Gormley,
Shunk-Kender and Chandraleka, no. 12 of 100.
1871-1981 Utopier & Visioner, Moderna Museet, Stockholm; and Erró
poster,
1971
Scope and Content Note
poster announcing all the projects involved in the exhibition, including "Telex:
Q&A" with another poster by Erró with faces of communards surrounded by faces of
cultural figures from the 19th and 20th centuries. Signature is stamped.
Utopia & Visions, Telex Q&A,
1971
Scope and Content Note
published by E.A.T. Japan, under the direction of Nakaya, with photographs of
people who visited the telex center.
Art Cash Benefit,
1971
Scope and Content Note
poster announcing the fund-raising gambling night event at Automation House; and 3
Art Cash flats, one for each side of the bills and one printed on both sides, signed
in pencil by the artists, except Warhol who stamped his.
New York Collection for Stockholm,
1973
Scope and Content Note
poster by Rauschenberg, published by Moderna Museet, unsigned; and menu by Red
Grooms for SAS flight New York-Stockholm for opening Oct 1973.
Artists for New York Benefit,
1979
Scope and Content Note
by James Rosenquist, printed at Tandem Press, for benefit evening at Xenon,
February 28, 1979; and invitation.
Kisses Sweeter Than Wine by Öyvind
Fahlström,
1996
Scope and Content Note
For the first film in a series of documentaries from 9 Evenings: Theatre &
Engineering.
