The Hollywood studio strike began on March 12, 1945 when the Conference of Studio Unions (CSU) went on strike to protest the studios' delay in granting a contract renewal for interior decorators despite opposition from the larger, more established International Alliance of Theatrical Stage Employees and Moving Picture Operators of the United States and Canada (IATSE). The collection consists of materials dealing with the studio strike of 1945 and the International Alliance of Theatrical Stage Employees and Moving Picture Machine Operators of the United States and Canada (IATSE).

The Hollywood studio strike began on March 12, 1945 when the Conference of Studio Unions (CSU) went on strike to protest the studios' delay in granting a contract renewal for interior decorators despite opposition from the larger, more established International Alliance of Theatrical Stage Employees and Moving Picture Operators of the United States and Canada (IATSE). The collection consists of materials dealing with the studio strike of 1945 and the International Alliance of Theatrical Stage Employees and Moving Picture Machine Operators of the United States and Canada (IATSE).The Hollywood studio strike began on March 12, 1945 when the Conference of Studio Unions (CSU), consisting of nine unions and nearly ten thousand workers led by Herbert Sorrell, went on strike to protest the studios' delay in granting a contract renewal for interior decorators despite opposition from the larger, more established International Alliance of Theatrical Stage Employees and Moving Picture Operators of the United States and Canada (IATSE). In early October 1945, CSU concentrated its pickets at Warner Brothers; a series of fights ensued and police, studio guards, and IATSE forced the strikers to retreat. At the end of October, the National Labor Relations Board ruled in favor of CSU, and the studios and IATSE gave way. In early 1946, CSU tried to negotiate a new wage contract with the studios, but disagreements lead to another strike in the summer of 1946. IASTE sent their employees to keep the studios open, provoking more armed clashes. The Screen Actors Guild and 24 other Hollywood unions denounced the strike as a jurisdictional dispute, affirming their right to cross the picket lines. CSU's failure to close the studios led to a vote in October 1947 by the painters union which broke the strike; CSU disintegrated and faded away.

4 boxes (2 linear ft.)

Property rights to the physical object belong to the UCLA Library, Department of Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.

COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access.