Container List
Series I.
Scores and realizations,
1800-1995, undated, bulk 1941-1977
Physical Description:
47
boxes
Scope and Content Note
A large collection of scores and performance realizations spans Tudor's entire
professional life, from his early student and organ work, throughout his career as the
premier avant-garde pianist, to his own later electronic compositions. It includes
scores and performance instructions by other composers, Tudor's handwritten worksheets
and realizations created in the course of preparing for his piano concerts, electronic
compositional materials, early transcriptions of scores, and notes.
Arrangement
Arranged in two subseries: Series I.A.Tudor's early years; Series I.B. works by
others.
Series I.A.
Tudor, early,
1940s-1994, undated
Physical Description:
5
box(es)
Scope and Content Note
This subseries contains Tudor's early piano and organ work, and scores for his
electronic compositions. His early work consists of handcopied scores for piano and
organ music, and notes taken when he was Stefan Wolpe's student. Tudor's electronic
compositions are represented with handwritten flow diagrams (i.e., schematics of his
tabletop instrument set-ups, which in effect display how the instrument is to be
constructed) and lists of inputs/outputs for different performance instantiations,
many of which are unidentified. There are also miscellaneous notes for his electronic
music.
Arrangement
Arranged topically.
Manuscript copies of scores and early work,
undated
box 1, folder 1
Piano compositions
Scope and Content Note
Includes Bach, Couperin, Liszt, Wagner, Stravinsky, Wolpe.
box 1, folder 2
Compositions
Scope and Content Note
Mostly Schönberg.
box 1, folder 3
Compositions
Scope and Content Note
Includes Beethoven, Bach, Walther.
box 1, folder 4
"orn[a]mentation"
Scope and Content Note
Includes compositions by Bach and Couperin.
box 1, folder 5
Compositions and notes
Scope and Content Note
Solo piano music by Bartok, Busoni, Liszt, Hauer and unidentified. Includes
transcriptions, performance notes, worksheets, and technical exercises with
fingerings.
box 2, folder 1
Lectures and texts by Wolpe
Scope and Content Note
Tudor handwritten and typed versions of Wolpe lectures and texts.
box 2, folder 3
"My work to 1942"
Scope and Content Note
Notes and musical writings, and 3 pages from Associateship Examination (1942)
with record of marks.
box 2, folder 4
Music notes
Scope and Content Note
Musical form, practice and techniques; transcribed texts by Frescobaldi,
Schönberg, Kandinsky and others.
box 2, folder 5
Music notes
Scope and Content Note
Transcribed texts by Kandinsky, Charles Tournemire, and others.
box 2, folder 6
Music relating to Sigurd Rascher
box 2, folder 7
Ferruccio Busoni
Scope and Content Note
List of programs and pianoforte repertory compositions copied by Tudor.
box 2, folder 10
Notes - tempo, dynamics, touch
box 2, folder 11-12
Notes - list of piano compositions by others
Electronic work,
1966-1994, undated
box 3, folder 7
Electronics with talking shrimp,
1986
box 3, folder 8
Event (title of Merce Cunningham work),
1987-1990
box 3, folder 11
Free spectral range IV,
1977
box 3, folder 15
Likeness to voices/Dialectics,
1982
box 3, folder 17
Lines and reflections,
undated
box 3, folder 18
Microphone,
1973
Scope and Content Note
See oversize box 167, folder 1, for record cover.
box 3, folder 20
Neural network plus,
1992
box 3, folder 23-24
Phonemes,
1981-1986, 1992-1993
Scope and Content Note
For Cunningham dance "Channels/Inserts."
box 3, folder 26
Pulsers,
1976-1978
Scope and Content Note
See also: box 167*, folder 1, for record cover.
box 3, folder 30
Rotating loudspeakers,
1977
box 3, folder 32
Sextet for seven (Quartet?),
1985
box 3E, folder 1
Soundings: ocean diary,
1994
box 3E, folder 3
Untitled (Homage to Toshi Ichiyanagi),
1972
box 3E, folder 7
Web for John Cage II,
1988
Scope and Content Note
Performed at the Alternative Museum, 1989
box 3E, folder 8
Webwork,
1987
Scope and Content Note
For Cunningham dance "Shards."
box 4, folder 1-2
Unidentified flow diagrams,
undated
box 4, folder 3
Unidentified worksheets,
undated
box 4, folder 4-15
Unidentified inputs/outputs,
undated
box 4, folder 16-21
Miscellaneous electronic music notes,
undated
box *167, folder 1
Record covers,
undated
Scope and Content Note
One paper record cover for Tudor's Microphone, 1973 and one cardboard record cover
for Tudor's "Pulsers/Untitled," 1984. With a mailing envelope. [Folders 2-4 in this
box relate to Series I.B.].
box 15, folder 1
Various projects,
1949-1954
Scope and Content Note
Includes 1 letter each from Lionel Nowak of Bennington College (1953), Peggy
Glanville-Hicks of Composer's Forum (1954?) and Gino Negri (1954); 12 items.
box 15, folder 2
Darmstadt,
1956-1961
Scope and Content Note
List of Tudor's performances, lists of students and correspondence with
Wolfgang Steinecke, circa 40 items.
box 15, folder 3
Institute National Belge de Radiodiffusion,
1956
Scope and Content Note
10 letters and contracts.
box 15, folder 4
Norddeutscher Rundfunk,
1956
Scope and Content Note
6 letters and contracts.
box 15, folder 5
Südwestfunk,
1956
Scope and Content Note
9 letters and contracts.
box 15, folder 6
Universal Edition,
1956
Scope and Content Note
9 letters and contracts.
box 15, folder 7
Westdeutscher Rundfunk,
1956
Scope and Content Note
9 letters and contracts.
box 15, folder 8
Various projects,
1956
Scope and Content Note
Includes 6 letters from Wolfgang Steinecke (Darmstadt), 7 items with William
Glock of the International Music Association and a telegram and letter from
Bengt Hambraeus; 46 items.
box 15, folder 9
Radiotjänst,
1957
Scope and Content Note
15 letters and contracts from Bengt Hambraeus.
box 15, folder 10
Westdeutscher Rundfunk,
1957
Scope and Content Note
10 letters and contracts.
box 15, folder 11
Various projects,
1957
Scope and Content Note
Includes 1 letter each from William Glock of the International Music
Association, Gunnar Larsson (+ copy) and Lionel Nowak of Bennington College; 20
items.
box 15, folder 12
Norddeutscher Rundfunk,
1958
Scope and Content Note
7 letters and contracts
box 15, folder 13
Radiotjänst and Sveriges Radio,
1958
Scope and Content Note
8 letters and cards from Bengt Hambraeus.
box 15, folder 14
Westdeutscher Rundfunk,
1958
Scope and Content Note
14 letters and contracts.
box 15, folder 15
Various projects,
1958
Scope and Content Note
Includes 3 letters from Gunnar Bucht of Fylkingen; letter, contracts and
payment receipts from Institut National Belge de Radiodiffusion; 4 letters and
contracts from Hessischer Rundfunk; and correspondence between Cage and Wilfred
Mellers of Univ. of Birmingham, William Glock and Han Fischli from Kunstgewerbe
museum Zürich; circa 50 items.
box 15, folder 16
Hessischer Rundfunk,
1959
Scope and Content Note
6 letters and contracts.
box 15, folder 17
Westdeutscher Rundfunk,
1959
Scope and Content Note
10 letters and contracts.
box 15, folder 18
Various projects,
1959
Scope and Content Note
Includes 5 letters and contracts from Radio Bremen, 1 letter from Bengt
Hambraeus, and 4 letters and contracts from Vega, Paris; 26 items.
box 15, folder 19
Various projects,
1960
Scope and Content Note
Includes 2 letters from and 1 letter to Wolfgang Steinecke, 3 letters and
contracts from Westdeutscher Rundfunk, 5 letters and contracts from Universal
Edition, 1 letter from Bengt Hambraeus; 32 items.
box 15, folder 20
Various projects,
1961
Scope and Content Note
Includes 4 letters from the Montreal Festivals Society, 3 letters from Cercle
d'Art Contemporain, 5 letters from I Semana de Música de Vanguarda, Rio, 4
letters from Westdeutscher Rundfunk and 1 letter from Heinz-Klaus Metzger of
Ring also signed by Bussotti; circa 40 items.
box 15, folder 21
Various projects,
1962
Scope and Content Note
14 items.
box 15, folder 22
Anthroposophical Society performance, NY,
1963
Scope and Content Note
2 letters and 2 typed programs.
box 15, folder 23
Various projects,
1963
Scope and Content Note
Includes 3 letters from the New York Philharmonic and 3 letters from Wergo,
Köln; 23 items.
box 15, folder 24
East-West Festival, San Francisco Tape Music Center,
1964
Scope and Content Note
8 sheets of notes.
box 15, folder 25
KPFA/San Francisco Tape Music Center,
1964
Scope and Content Note
12 sheets of notes.
box 15, folder 26
Various projects,
1964
Scope and Content Note
Includes 3 letters from the New York Philharmonic; 7 items.
box 15, folder 27
Various projects,
1965
Scope and Content Note
Includes 3 letters, a telegram and a contract from WGBH; 11 items.
box 15, folder 28
SUNY, Buffalo,
1965-1966
Scope and Content Note
Large folder of material generated when Tudor was hired as Creative Associate.
Includes medical insurance information, 4 cards and 1 sheet of notes by John
Cage, and programs and other printed matter.
Series I.B.
Other composers,
1800-1995, undated, bulk 1941-1977
Physical Description:
43
boxes
Scope and Content Note
This subseries consists of printed and manuscript scores, sketches, drafts and
performance instructions by prominent avant-garde composers in the United States and
Europe, organized alphabetically by composer. Tudor's annotations on the scores, along
with his worksheets and realizations, show something of the history of the
compositions and of Tudor's working relationship with the composers. The range of
music, from composers who Tudor knew well and whose music he frequently played to
composers who sent unsolicited music he never performed, gives an overview of the
major stylistic trends in new music piano repertoire of the 1950s and 1960s. Items of
particular interest include Cage's
Concert for piano and orchestra,
Concerto for prepared piano and chamber orchestra,
4'33",
Music of changes,
Theatre piece,
Variations II, and
Winter music; Brown's
Folio:
December 1952
,
Four systems, and
25 pages;
Bussotti's
Pièces de chair II; Feldman's
Intersection II
and
Ixion; Stockhausen's
Nr. 7 Klavierstück XI; and
Wolff's
Duo for pianists I,
For pianist,
For 6 or
7 players (music for Merce Cunningham)
, which includes Cage's realizations,
and
Suite II. Other composers represented by scores include Michael von
Biel, Pierre Boulez, Henry Cowell, Albert Fine, Toshi Ichiyanagi,Terry Jennings,
Mauricio Kagel, Alvin Lucier, Bo Nilsson, Pauline Oliveros, Stefan Wolpe, and La Monte
Young.
Arrangement
Arranged alphabetically with unidentified materials at the end.
box 167*, folder 2
Ammann, Benno,
3 pieces for piano,
undated
Anderson, Eric,
1964-1966, undated
box 5, folder 1
Opus 48,
1964
Scope and Content Note
On same sheet as
Opus 46. (See Fluxus codex, p. 172.)
Applebaum, Mark,
1991-1995
box 5, folder 2
Mt. Moriah: a string quartet in 4 movements,
1992
Arma, Paul (aka Imre Weisshaus),
1929-1935
box 5, folder 5
Sketches for male choir,
1929
box 167*, folder 3
Burlesque for piano,
1930
box 167*, folder 3
Second sonatina for children,
1935
box 5, folder 6
Ashley, Robert,
Maneuvers for small hands,
1961
flatfile 1**
Austin, Larry,
Accidents,
1967
box 167*, folder 4
Baker, Lawrence Scott, "Unfinished to be added to keyboard music &
extra materials,"
circa 1968
Baldwin, Bertram,
1961-1962, undated
box 168*, folder 1
Nursery tale with exigesis,
1961-1962
box 168*, folder 2
Ballif, Claude,
3rd. sonate für klavier (op.
29)
,
undated
box 5, folder 8
Bartlett, Martin,
Cité libre,
1966
box 5, folder 9
Beethoven, Ludwig, Tempi,
undated
Scope and Content Note
Tudor worksheets.
Behrman, David,
1959-1968, undated
box 5, folder 10
Litanies of the glider,
1968
Scope and Content Note
Used for Cunningham's "Walkaround time."
box 168*, folder 3
Canons for piano and percussion,
1959-1960
box 168*, folder 3
Players with circuits,
undated
box 168*, folder 4
Notations for unidentified piece,
undated
roll 1**
Ricercar,
undated
Scope and Content Note
1 small roll.
Bekaert, Jacques,
1968-1971
box 168*, folder 5
Berg, Gunnar,
Gaffky's assortiment 1-10,
1959
Biel, Michael von,
1960-1965
box 5, folder 15
For two pianos # I, II and III,
1960 or 1961
box 5, folder 16
Für Klavier nr. 2,
1964 or 1965
box 5, folder 18
Two-piano piece I,
1960 or 1961
box 5, folder 19
Boelzner, Gordon,
Intimate music - for piano,
undated
box 169*, folder 3
Boucourechliev, André, Unidentified,
1959
Boulez, Pierre,
1946-1961
box 5, folder 22
Troisième sonate pour piano,
1958
box 169*, folder 4
2ème sonate pour piano,
1950
box 169*, folder 5
Troisième sonate pour piano - formant 2-trope,
1961
box 169*, folder 6
Braun, Peter Michael,
Mutationen für klavier,
1959
box 5, folder 23
Brecht, George, Various works,
1959-1963
Scope and Content Note
Includes
Candle-piece for radios, 1959;
Card-piece for
voice
, 1959;
Eight piano transcriptions, 1963, and many
"events."
box 6, folder 1
Brooks, M. Steven,
Dimorphism (1),
1973
Brown, Earle,
1952-1959, undated
box 6, folder 2
Folio: November 1952 (Synergy),
1952
box 6, folder 4
Music for cello and piano,
1957
box 170*, folder 1
Folio: December 1952,
1952
Scope and Content Note
Includes realizations which were most likely used for the 1974 recording of
December 1952 that appears on the album
Times
five
. See also Cage score
WBAI.
box 170*, folder 2
For David Tudor,
1952-1953
Scope and Content Note
Four scores bound together, all titled "For David Tudor" but with different
dates: May 28, 1953; March 1953; April 1953; Nov. 1952.
box 170*, folder 4
Four systems, scores ,
1954
Scope and Content Note
Two different manuscript scores by Brown, both dated Jan 20, 1954. One ink and
pencil on cardboard, the other ink and pencil on paper. The paper version includes
directions which begin, "may be played in any sequence..." Both are dedicated to
Tudor for his birthday. Included is one photographic copy of the paper score. Also
includes a realization by Tudor (3 sheets).
box 170*, folder 5
Four systems, realizations,
1954
Scope and Content Note
Tudor's realization and working notes for Four Systems. For more information, see
research file in repository for inventory notes by Gale Cohen with annotations by
Tudor.
box 172*, folder 1
Music for cello and piano,
1955
box 172*, folder 2
Music for "Trio for 5 dancers",
1953
Scope and Content Note
Based on floor plan of dance by Carolyn Brown.
box 172*, folder 2
Music for violin, cello and piano,
1952
box 172*, folder 4
Three pieces for piano,
undated
box 173*, folder 4
"Folio,"
1953
Scope and Content Note
David Magnus speculates this one-page-score was composed for "Folio," but was
excluded in the final edition. 3 sheets dated 3/53.
box 6, folder 6
Buel, Charles,
Thirteen fragments for piano,
1967
box 169*, folder 7
Busoni, Ferruccio,
Indianische fantasie für klavier und orchester
(op. 44)
,
1915
Bussotti, Sylvano,
1959-1961, undated
box 174*, folder 1
Couple pour flauto et piano,
1959
box 174*, folder 2
Five pieces for David Tudor (extraits de pièces de chair
II)
,
1959
box 174*, folder 4
Pour clavier (après Pièces de chair II),
1961
box 174*, folder 4
Couple pour flute et piano
sette fogli),
undated
box 174*, folder 4
per tre sul piano (from
sette fogli),
undated
box 174*, folder 4
Small pieces of ephemera,
undated
box 6, folder 7
Byrd, Joseph Hunter,
Sonata for piano keyboard,
undated
Cage, John,
1936-1993, undated
Concert for piano and orchestra,
1957-1958
Selections from Concert for piano and orchestra (folder 12 only):
1957-1958
Scope and Content Note
circa 10 pages missing. See box 7 and box 175*-183* for related materials. Used
for Cunningham's "Antic Meet" and Cage's "Indeterminacy" lecture and recording.
The piano part for this piece may be presented by itself as
Solo for
piano
.
box 6, folder 10
Concert for piano and orchestra,
1957-1958
Scope and Content Note
Tudor's second realization (Draft, in pencil, 45 pages)
box 6, folder 11
Concert for piano and orchestra,
1957-1958
Scope and Content Note
First realization (binder) and supplemental sheets (R1S).
box 6, folder 12
Concert for piano and orchestra,
1957-1958
Scope and Content Note
Tudor's second realization, used for Indeterminacy lecture. Final version in
binder.
box 7, folder 1-8
Concert for piano and orchestra,
1957-1958
box 7, folder 11a
[Second version], dedicated to Irwin Kremen,
1953
Scope and Content Note
Photostat.
box 7, folder 11b
[Third version], dedicated to Irwin Kremen,
195?
Scope and Content Note
Date on piece in question. Composers Facsimile Edition.
box 7B
David Tudor, first reconstruction of the original [first version] 1952
4'33" score by John Cage,
circa
1989
box 7, folder 11c
David Tudor, second reconstruction of the original [first version] 1952
4'33" score by John Cage,
circa
1989
box 7, folder 11d
John Cage, 4'33" [second version], dedicated to Irwin Kremen [1953],
Henmar Press,
1993
box 7, folder 11e
David Tudor timing and measurement notes,
undated
box 7, folder 11e
Letter from Irwin Kremen to David Tudor,
1982
Scope and Content Note
Photocopy.
box 7, folder 12
Haiku,
1958
Scope and Content Note
Found by Tudor in a cookbook and premiered in the Los Angeles Festival, September
1987.
box 7, folder 13
Music for amplified toy pianos,
1960
box 7, folder 14
Music for carillon,
1952-1958
Scope and Content Note
Two separate scores for 3 octave and 2 octave versions (1952/1958).
box 7, folder 15
Music for carillon (2 octaves) no. 2,
1958
box 7, folder 15
Music for carillon (2 octaves) no. 3,
1961
box 7, folder 16-20
Music of changes,
1951
Scope and Content Note
See also oversize.
box 7, folder 23
Seven haiku,
1952-1957
Scope and Content Note
7 worksheets for a performance at the Nonagon Gallery, NYC, Nov. 17, 1957.
box 8, folder 2
Telephones and birds,
1977
box 8, folder 7
Variations II,
1961
Scope and Content Note
James Pritchett speculates there are at least three different realizations within
the file.
box 8, folder 9
Water music,
1952
Scope and Content Note
See also oversize for score.
box 8, folder 10
WBAI,
1960
Scope and Content Note
Included are two sheets of timings which may be a realization by Cage of Brown's
Folio: December 1952 performed with Tudor as accompaniment for
Cunningham's dance "Hands birds" (1960).
box 8, folder 11
Winter music,
1957
Scope and Content Note
Used for Cunningham's "Aeon." See also oversize for score.
box 9, folder 1-4
Unidentified organ piece,
1983
Scope and Content Note
Material in Folder 3 may relate to John Cage's composition
Souvenir.
box 175*, folder 3
A book of music for 2 pianos,
1944
box 176*, folder 1-2
Concert for piano and orchestra,
1957-1958
box 177*, folder 1-3
Concerto for prepared piano and chamber
orchestra
,
1950-1951
box 178*, folder 1
Electronic music for piano,
1965
box 178*, folder 1
For Paul Taylor and Anita Dencks,
1957
box 178*, folder 3
Music for carillon nos. 2 and 3 (graph),
1954
box 178*, folder 3
Music for carillon no. 4,
1966
box 178*, folder 4
Music for piano 1-20,
1953
box 178*, folder 4
Music for piano 21-36,
1955
box 179*, folder 3-4
Music walk,
1959-1969
Scope and Content Note
Includes Italian publication "La musica moderna" (1969) with recording of
Music walk.
box 180*, folder 1
Six melodies for violin and keyboard,
1950
box 180*, folder 2-3
34' 46.76" for a pianist,
1954
roll 5A**-7**
34' 46.76" for a pianist,
1954
Scope and Content Note
4 small rolls of graph paper with pencil annotations. Each roll is marked: Piano
I, Roll 1; Piano I, Roll 2; Piano I, Roll 4; End of Piano I, Roll 6. Apparently
Roll 3 and Roll 5 are missing. See also Box 180*, f. 2 for preparatory material,
sketches, and graph marking tool.
box 181*, folder 1
31' 57.5864" for a pianist,
1954
roll 2**-4**
31'57.5864" for a pianist,
1954
Scope and Content Note
In 3 small rolls.
box 181*, folder 2
Three dances for two prepared pianos,
1945
box 182*, folder 4
Schoenberg counterpoint exercises,
1936
box 183*, folder 2
Untitled composition in the "The ten thousand things" series,
1953-1956
Scope and Content Note
This is an unfinished piece for magnetic tape which was to have used sound
sources similar to those used in
Williams mix. It is a part of the
series referred to by Cage as "The ten thousand things," which includes
34'46.76" for a pianist and
31'57.9864" for a
pianist
. Additional material for this piece may be found at the New York
Public Library.
box 6, folder 13
Concert for piano and orchestra,
1957-1958
box 9, folder 5
Calonne, Jacques,
Quadrangles,
1959
Cardew, Cornelius,
1955-1961, undated
box 184*, folder 1
February pieces for piano and Octet '61 for Jasper
Johns
,
1961
box 184*, folder 1
Piano piece February 1959,
1959
Scope and Content Note
See also February piece I in February pieces.
box 184*, folder 1
Piano sonata no. 2,
1955-1956
box 184*, folder 1
Unidentified,
1957
Scope and Content Note
See also Cardew's
Study for Pianists: Instructions for Book I and
II
, October 1958, in FF.1**.
flatfile 1**
Study for Pianists: Instructions for Book I &
II
,
1958 October
Scope and Content Note
Includes worksheets, notes.
box 9, folder 6
Carisi, John,
Allegro for piano,
undated
box 9, folder 7
Cerha, Friedrich,
Klavierstücke,
1958
Chiari, Giuseppe,
1964-1965
box 9, folder 8
La Strada,
1964
Scope and Content Note
see also Fluxkit, Getty Research Institute, Special Collections accn. no.
890164.
box 9, folder 9
Various text pieces,
1964-1965
box 184*, folder 2
Coppola, Carmen,
Phantom cavalry,
1948
box 9, folder 10
Corner, Philip, Untitled,
undated
Cowell, Henry,
1922-1925, 1949-1950, undated
box 184*, folder 2
Four declamations with return,
1949
box 184*, folder 2
Hymn and fuguing tune no. 9,
1950
box 183*, folder 3
Cross, Lowell,
Musica Instrumentalis,
1969
box 9, folder 16
Czerny, Carl,
The school of velocity (op. 299),
1893
box 184*, folder 2
De Jong, Conrad,
Etenraku (the upper cloud
music)
,
1971
box 9, folder 17
Di Domenica, Robert,
Sonatina for piano,
1958
Dinwiddie, John,
1968-1971
Driscoll, John,
1977, undated
box 9, folder 19
Listening out loud,
undated
box 184*, folder 3
Englert, Giuseppe Giorgio,
Palaestra 64 pro
organo
,
1959-1964
Evangelisti, Franco,
1955-1956, undated
box 184*, folder 3
Proiezioni sonore,
1955-1956
box 185*, folder 1
Fabiansson, Erik,
Toccata for piano,
undated
box 9, folder 21
Feinberg, Samuel,
Concerto (op. 20),
1935
Feldman, Morton,
1948-1970, undated
box 9, folder 23
Illusions for piano,
1950
box 9, folder 25
Intersection + ,
circa 1952
Scope and Content Note
Original score for
Intersection + (1 sheet);
Tudor's preparatory sketches (2 sheets); Tudor's first realization (3 sheets);
second realization (3 sheets) and third realization (2 sheets).
box 9, folder 26
Intersection #2,
1951
Scope and Content Note
Tudor's realization of
Intersection #2.
box 9, folder 26B
Intersection #3 for David Tudor,
1953
Scope and Content Note
Feldman's manuscript score, 1 sheet, ink and pencil on paper, April 1953. Tudor's
transcription of score, 2 sheets, ink on paper. Tudor's realization, pencil on
staff paper.
box 9, folder 27
Piano (three hands),
1957
box 9, folder 29
The Straits of Magellan,
1961
box 9, folder 30
Sheet of graphic notation,
undated
box 186*, folder 1
Composition for 14 instruments,
1953
box 186*, folder 2
Extensions for violin and piano,
1951
box 186*, folder 3
Extensions #4 for three pianos,
1953
box 186*, folder 4
Journey to the end of night,
1948
box 186*, folder 5
Nature pieces for piano,
1951
box 186*, folder 5
...Out of "last pieces,"
1961
box 186*, folder 6
Piece for cello and piano,
1960
box 187*, folder 1
The swallows of Salangan,
1960
box 187*, folder 2
Two pieces for two pianos,
1954
box 187*, folder 3
Vertical thoughts nos. 1-5,
1963
box 187*, folder 4
The viola in my life,
1970
box 187*, folder 4
The viola in my life (III),
1970
box 187*, folder 5
Triadic memoriesand unidentified,
1953
Scope and Content Note
Two scores, one of which is dated 1953. Perhaps score for music for film about
Jackson Pollack.
box 185*, folder 1
Ferrari, Luc,
Visage I,
1956
box 9, folder 31
Ferrell-Hero, Barbara, Music graph painting,
1970
Finck, Mildred,
1957-1960, undated
Fine, Albert M.,
1964-1966
box 185*, folder 3
Portfolio of copied scores and drawings,
1965
box 185*, folder 3
"Peblum" for solo guitar,
1965
box 185*, folder 3
Simple song for Eric,
1965
box 185*, folder 3
"Solo for" clarinet in Bb,
1965
box 185*, folder 3
Sonatinina for flute & piano,
1964
box 185*, folder 3
Song for Christopher,
1965
box 185*, folder 3
Song for George Brecht,
1965
box 185*, folder 3
Sumphonic sketch for piano,
1965
box 185*, folder 3
Three movements for piano,
1965
box 185*, folder 3
Two free part invention,
1964
box 185*, folder 4
Gilpin, George Jr.,
Memories of a vine covered
privy
,
1933
Scope and Content Note
Piano arrangement dated 1933.
box 185*, folder 5
Gladdys, Gylmer,
Elixir 8,
1952-1961
Gnazzo, Anthony,
1966-1969
box 9, folder 33
"...but don't step on my blue suede bandoneon," a contest for two
(or more, if there were)
,
1966
box 9, folder 33
Divisi est in 3 parts,
1969
box 9, folder 33
Theme (and other things),
1969
box 9, folder 34
Grosskopf, Erhard,
Drei stücke für Klavier,
1978
box 9, folder 35
Halffter, Ernesto,
Marche joyeuse,
1925
Hambraeus, Bengt,
1955-1966
box 188*, folder 1
Konstellationer I-III,
1958
box 188*, folder 1
Movimenti per organo,
1966
Harrison, Lou,
1947-1952, 1964, undated
box 188*, folder 2
Serenade for guitar,
undated
Hauer, Josef Matthias,
1952, undated
box 188*, folder 3
Kitchen performance,
undated
Scope and Content Note
Includes many photocopied scores for a performance with Kubera.
box 188*, folder 4
Praeludium für celesta,
undated
box 188*, folder 4
Zwölftonspiel,
1952
Scope and Content Note
Used for Cunningham's "Labyrinthian dances."
box 188*, folder 4
Unidentified,
1952
Scope and Content Note
Three scores, one of which is dated 1952.
box 188*, folder 4
Heller, Stephen,
Impromptu etude,
1800s
box 10, folder 1
A letter for David Tudor,
1961
box 10, folder 1
Wuppertal two pianos,
1959
Higgins, Dick,
1960-1961
Scope and Content Note
See the Dick Higgins papers, Getty Research Institute, Special Collections accn.
no. 870613) for related materials.
box 10, folder 2
Constellations and contributions,
1961
box 10, folder 2
In the context of shoes...,
1960
box 10, folder 2
Three landscapes decorated with witches,
1960
box 10, folder 2
What the theater can be,
1961
Hobbs, Christopher,
1966-1968, undated
box 188*, folder 5
Composition, February 10 1968
1968
box 188*, folder 5
Music for Harpsichord,
1968
box 188*, folder 5
Second piece for organ,
1968
box 188*, folder 5
Shortly before midnight,
1968
Hoffman, Richard,
1888-1893, undated
box 10, folder 3
Transcription of Wagner's
Parsifal, Song of the flower maidens
(op. 130)
,
undated
Hovhaness, Alan,
1946-1957
box 188*, folder 7
Do you remember the last silence (opus 152
no.3)
,
1957
box 188*, folder 8
Stabile w/continuous plane,
1964
box 188*, folder 8
Stabile with Cylindrical
Circle
,
1964
Ichiyanagi, Toshi,
1959-1967, undated
box 10, folder 4
Activities for Orchestra,
1967
Scope and Content Note
For Merce Cunningham dance "Scramble."
box 10, folder 5
Duet for piano and string instrument,
1961
box 189*, folder 2
Concert music for strings,
1960
box 189*, folder 2
Music for electric metronom,
undated
box 189*, folder 3
Music for piano #7,
undated
Jennings, Terry,
1958-1963, undated
box 10, folder 9
Piano piece,
1960 November
box 10, folder 9
Piece for violins, violas and sopranino
saxaphone
,
1963
box 189*, folder 4b
Flux and form, #2, 7, 8-9, 10, 16,
undated
Johnston, Ben,
1965, undated
box 10, folder 10
4 do-it-yourself pieces,
undated
box 189*, folder 6
Sonata for microtonal piano,
1965
Jones, Joe,
1961-1962, undated
box 10, folder 11
Solo for multi-attack instrument,
1962
box 189*, folder 7
Mechanical score I,
undated
Kagel, Mauricio,
1956-1967
box 10, folder 12
Improvisation ajoutée,
1961-1962
box 10, folder 13
Metapiece (mimetics) für Klavier,
1961
box 191*, folder 1
Improvisation ajoutée,
1962
box 192*, folder 1
Phantasie für orgel mit obbligati,
1967
flatfile 2**
Alle rechte vorbahalten,
1966
box 10, folder 15
Kalve, Martin,
All happy workers babies &
dogs
,
1981
box 190*, folder 1
Karkoff, Maurice,
Pianosonat no. 1 (op.19),
1956
box 10, folder 16
Kasemets, Udo,
Calceolaria,
1966
box 190*, folder 2
Kayn, Roland,
Quanten für klavier,
1958
box 10, folder 17
Kemler, Alan,
Designs I,
undated
box 190*, folder 3
King, Alvin,
Thirteen acts for adult and consenting
piano
,
undated
Kosugi, Takehisa,
1963, 1991
box 10, folder 19
Krenek, Ernst,
12 short piano pieces,
1939
box 10, folder 21
Three geometric transformations,
1961-1962
box 190*, folder 4
Electrical graph #1,
1961
box 190*, folder 5
Kupferman, David,
Identity,
1963
box 190*, folder 6
Labunski, Wiktor,
Patterns for piano solo,
1952
box 190*, folder 7
Leedy, Doug,
Usable music I,
1967
Lerman, Richard,
1979, 1991-1992
box 10, folder 22
Accretion disk, event horizon, sigularity,
1979
box 10, folder 22
Changing states 3: Duo version,
1992
box 10, folder 22
Ten anniversary piece,
1991
box 10, folder 23
Levine, Bruce,
Piano piece,
1971
box 190*, folder 8
Ligeti, György,
Trois bagatelles,
1961-1962
box 10, folder 24
Liszt, Franz,
Etüde nr. 5, Irrlichter/Feux
follets
,
undated
box 10, folder 25
Lombardi, Daniele,
To gather together,
1971
Lucier, Alvin,
1962-1971, undated
box 11, folder 1
Action music for piano, book I,
1962
box 11, folder 1
Organ music for David Tudor,
1966
Lunetta, Stanley,
1967, undated
flatfile 3**
A piece for bandoneon and strings,
undated
Mac Low, Jackson,
1960-1961
box 11, folder 3
A piece for Sari Dienes,
1960
box 11, folder 3
"Earl E.T. Smith, the palm bitch (er)
feanancier,..."
,
1961
box 11, folder 3
First asymmetry for Iris,
1960
Marchetti, Walter,
1959-1961
box 11, folder 4
...per una cerimonia,
1960
Matsudaira, Yoriaki,
1931, undated
box 193*, folder 1
Coaction I for 'celle and piano,
undated
box 193*, folder 1
Coaction II for 'celle and piano,
undated
box 193*, folder 1
Instruction for piano,
1931
Mestres i Quadreny, Josep,
1960-1961, undated
box 193*, folder 2
Tres canons en homenatje a Galileu,
undated
box 193*, folder 3
Miroglio, Francis,
Soleils,
circa 1964
box 11, folder 6
Mizelle, Dary John,
Photo oscillations,
1968
box 193*, folder 3
Moore, Frank L.,
Sweet dance,
1955
flatfile 4**
Moran, Robert,
Der Augenblick momentaner
Illumination
,
1963
Mumma, Gordon,
1966, 1976
box 11, folder 8
Nancarrow, Colon,
Studies for player piano,
undated
Nilsson, Bo,
1956, undated
Oliveros, Pauline,
1960-1971, undated
box 11, folder 9
Duo for accordian and bandoneon with possible mynah bird
obligato
,
1963
box 11, folder 9
George Washington slept here too,
1965
box 11, folder 9
In memorium Nikola Tesla, cosmic engineer,
1969
box 195*, folder 1
Sound patterns for mixed chorus,
1961
box 195*, folder 1
Trio for accordion, trumpet and string bass,
1960
box 11, folder 10
Ornstein, Leo,
Danse sauvage,
1915
box 11, folder 11
Orton, Richard,
Pièce de résistance,
1969
box 195*, folder 2
Tropismen für klavier,
1960
box 11, folder 12
Pablo, Luis de,
Libro para el pianista (op. 11, no.
IV)
,
undated
Patterson, Ben,
1960, undated
box 11, folder 13
Methods and processes,
1962
Pimenta, Emanuel Dimas de Melo,
1990-1993
box 11, folder 15
Gravitational sounds,
1990
box 11, folder 15
Various pieces,
1992-1993
Scope and Content Note
Includes
Ware,
Specular,
Pulsar,
Array,
Mantra,
Drag,
Limits and
Writings one.
box 195*, folder 4
Pleskow, Raoul,
Dedication to Stefan Wolpe,
1961
Pollock, Joe,
1946, undated
Pousseur, Henri,
1956-1967, undated
box 11, folder 17
Agregats, conduit, cassation,
undated
box 11, folder 19
Exercises de piano: impromptu,
undated
box 11, folder 19
Exercises de piano: variations I,
1956
box 195*, folder 6
Miroir de votre Faust (charactères II),
1967
box 195*, folder 6
Exercices de piano, variations II,
undated
box 11, folder 20
Racot, Gilles,
Hic & nunc,
undated
Ravel, Maurice,
1911-1913, 1925, 1962
box 11, folder 21
Gaspard de la nuit - Ondine,
1962
box 197*, folder 1
L'enfant et les sortilèges,
1925
box 197*, folder 2
Prélude pour le piano,
1913
box 197*, folder 2
Valses nobles et sentimentales,
1911
Riley, Terry,
1960, undated
box 11, folder 22
In C,
undated
Scope and Content Note
Includes typed letter on the reverse, signed "Warner," from Warner Jepson.
Rose, Griffith,
1962, undated
box 11, folder 23
For David Tudor #1-9,
undated
box 11, folder 23
Second ennead of piano pieces,
1962
box 11, folder 23
A square for any solo instrument,
1962
box 197*, folder 6
Rosenthal, Moriz,
Studie über den Walzer, op. 64, no. 1, von F.
Chopin
,
1884
box 197*, folder 7
Roslavets, Nikolai,
Trois études pour piano,
1914
Rothstein (?), Murray,
1946-1947
box 197*, folder 8
Variations for piano,
1947
box 197*, folder 9
Rush, Loren,
Mandala music,
undated
Rzewski, Frederic,
1964-1969, undated
box 12, folder 1
Composition for two players,
1964
box 12, folder 2
Les moutons de panurge,
1969
Sahl, Michael,
1960-1967, undated
box 12, folder 3
Piece for piano and cat,
1960-1961
box 12, folder 3
A piece for David,
undated
box 12, folder 3
Theatre organ piece,
1964
box 198*, folder 1
Fantasy music for organ,
1966-1967
Satie, Erik,
1911-1920, undated
box 12, folder 5
Carrelage phonique,
undated
box 12, folder 5
Le fils des étoiles,
undated
box 12, folder 5
Tapisserie en fer forgé,
undated
box 198*, folder 2
Trois nocturnes pour le piano,
1919
box 12, folder 6
Schiemer, Gary,
Body sonata,
1974
flatfile 4**
Schnebel, Dieter,
Abfälle nr. 2: visible music,
1960-1962
Schoenberg, Arnold,
1925, 1932
box 12, folder 7
Klavierstück,
1932
Scope and Content Note
Hand copied by Tudor.
box 198*, folder 4
Schwertsik, Kurt,
Klavierstück,
undated
box 198*, folder 5
Seeger, Ruth Crawford,
Four preludes for piano,
1928
box 199*, folder 3
Piece in the form of sonate-variations for
piano
,
1954
box 198*, folder 6
Shifrin, Seymour,
Composition for piano,
1950
box 12, folder 8
Four little pieces for piano,
1953
box 12, folder 8
Unidentified,
1952 November
box 12, folder 9
Sommaruga, Renzo,
2 pianoforti e 2 voci,
1958
box 12, folder 10
Sørensen, William Louis, Various works,
1969, 1974-1976
flatfile 5**
Stiebler, Ernst-Albrecht,
Klavierstück,
undated
Stockhausen, Karlheinz,
1951-1963
box 12, folder 11
Nr. 2 Klavierstücke I-IV,
1954
Scope and Content Note
See oversize for parts V-VIII
box 201*, folder 1-5
Nr. 4 Klavierstück V-VIII,
1954-1955
Scope and Content Note
2 photocopied versions, 1 folder of handwritten and typed performance notes, 1
published version (in 2 folders)
box 202*, folder 1
Nr. 7 Klavierstück XI,
1956
Scope and Content Note
See also oversize flat file folder 5 for instructions
flatfile 5**
Elecktronishce studie I,
1953
flatfile 5**
Nr. 7 Klavierstuck XI: instructions,
1956
flatfile 5**
Nr. 7 Klavierstuck XI: instructions, London: Universal
Edition,
1957
box 12, folder 15
Sutcliffe, Alan,
Piano game,
1961
Tagliapietra, Gino,
1956-1958
box 12, folder 16
40 studi di perfezionamento, vol. I (nos.
1-20)
,
1956
box 12, folder 16
40 studi di perfezionamento, vol. II (nos.
21-40)
,
1958
box 203*, folder 1
Takahashi, Yuki,
Ekstasis,
1962
Takemitsu, Toru,
1952-1962
box 12, folder 17
Corona for pianists,
1962
Timmens, James,
1946-1947
box 203*, folder 2
Two studies for two pianos,
1947
box 12, folder 19
Tone, Yasunao,
(Deosidy) piano music #4,
1962
Tremblay, Gilles,
1955-1958
box 203*, folder 3
Pièce pour piano (phases),
1955-1956
box 203*, folder 3
Pièce pour piano (réseaux),
1958
Tzeng, Shing-Kwei,
1982-1984
box 208*, folder 1
Watt, Jay,
Music for a dance,
1952
box 208*, folder 2
Piano suite (op. 8),
1940-1941
box 208*, folder 2
Piano pieces (op. 23),
1946-1947
box 208*, folder 3
Piano suite (op. 27),
1948
box 12, folder 20
Webern, Anton,
Op. 27,
undated
box 12, folder 21
Wilding-White, Ray,
5 indeterminate pieces in classic
forms
,
undated
box 12, folder 22
Williams, Rom,
Antihistamine,
undated
Wolff, Christian,
1951-1982, undated
box 12, folder 28
Duo for pianists II,
1958
box 12, folder 29
Duo for violins,
circa 1963
box 13, folder 3
For 1, 2 or 3 people,
1964
box 13, folder 5
For piano I,
1952
Scope and Content Note
Used for Cunningham's "Untitled solo."
box 13, folder 6
For 6 or 7 players (music for Merce
Cunningham)
,
1959
box 13, folder 7
Groundspace or large groundspace,
1969
box 13, folder 9
Prose collection,
1968-1969
box 13, folder 12
Unidentified worksheets,
undated
box 204*, folder 1-2
Burdocks,
1970-1971
Scope and Content Note
Original and photocopy.
box 204*, folder 3
Duo for violinist and pianist,
1961
box 204*, folder 5
For piano with preparations,
1957
Wolpe, Stefan,
1910-1959, undated
box 13, folder 13
Displaced spaces, shocks, negations...,
1946-1948
box 13, folder 14
The good spirit of a great cause,
1942
Scope and Content Note
The title reads
Encouragements for piano, first piece. The good spirit of
a great cause
.
Encouragements for piano was a larger
piece, of which
The good spirit of a right cause and
Battle
piece
were both part.
Battle piece was later made the
first piece of
Encouragements.
box 13, folder 16
Music for any instruments,
1948
box 13, folder 18
Third piece: battles, hopes, difficulties; new battles, new hopes,
no difficulties
,
undated
box 13, folder 19
Two studies for piano pt. 2,
1948
box 13, folder 21
Wolpe's copy of Debussy's Preludes,
1910
box 13, folder 22
Wolpe's copy of Schoenberg's Concerto for violin and
orchestra,
1939
box 205*, folder 1-2
Battle piece,
1943-1947
Scope and Content Note
Part of Encouragements for piano. See also projects series for 1990 Tudor edited
version.
box 206*, folder 1
For flute and piano in two parts no. 1,
undated
box 206*, folder 2
Four studies on basic rows (op. 23),
1935-1936
Scope and Content Note
Includes "Studies on tritones" and "Passacaglia."
box 207*, folder 1
Sonate für hoboe und klavier,
1938-1941
box 207*, folder 2
Two pieces for piano 2 hds.,
1941
box 207*, folder 3
Two studies (part two) for piano,
1948
box 207*, folder 4
Unidentified,
1950
Scope and Content Note
Partial score for unidentified piece, "Third part" and "last part" written in
ink, with date, Spring 1950. Damaged and conserved.
box 13, folder 23
Woodruff, Julian,
Subjects of the sun,
1967
Young, La Monte,
1958-1961
box 14, folder 3
Piano piece for Terry Riley,
1960
box 14, folder 3
Piano piece for David Tudor #1, #2, #3,
1960
box 14, folder 4
Poem for chairs, tables, benches, etc. (or other sound
sources)
,
1960
box 14, folder 7
Study III for piano,
1959
box 14, folder 9
Variably titled piece (to Henry Flynt),
1960
Scope and Content Note
The title for each performance is determined by the number of bangs in that
particular performance.
box 208*, folder 4-5
Projection esemplastic for piano - 1,
1961
box 208*, folder 4-5
Projection topologie for piano,
1959
box 14, folder 10
Zimmermann, Walter,
Selbstvergessen,
1975-1985
box 14, folder 11-17
Scores,
undated
Scope and Content Note
See also FF.6**.
box 14, folder 18-20
Performance instructions,
undated
Scope and Content Note
See also FF.6**.
box 14, folder 21
Realizations,
undated
Scope and Content Note
See also FF.6**.
box 14, folder 22-37
Work sheets,
undated
Scope and Content Note
See also FF.6**.
box 209A*, folder 1
Unidentified,
undated
Scope and Content Note
Circa 30 sheets by different hands. See also FF.6**.
box 209A*, folder 2
Unidentified, "Columns," and "Chart,"
undated
Scope and Content Note
4 sheets of typed performance instructions with the title, "Columns", with circa
20 sheets of a folded score which has annotations in German. Also, 2 small bound
scores circa 3" high by 15" long, one of which has title "Chart."
box 209A*, folder 3
Unidentified, part 1 of 2,
undated
Scope and Content Note
27 photocopied sheets of a score, begins at bar 53. Annotated. Damaged, treated
and conserved. See box 209B for second half.
box 209B*, folder 1
Unidentified, part 2 of 2,
undated
Scope and Content Note
38 sheets of photocopied score, with annotations in ink and pencil. Left margin
damaged. Treated and conserved. Continuation of item in box 209A, folder 3.
box 14, folder 38
Lists of compositions,
undated
Series II.
Projects,
1949-1996
Physical Description:
21
boxes
Scope and Content Note
Projects includes various materials concerning Tudor's performance and other work
related activities. Files contain correspondence with collaborators and staffs of
various performance spaces, notes, project proposals, grant applications, budgets,
itineraries, equipment lists and contracts. There is substantial documentation
concerning his work with the Merce Cunningham Dance Foundation and Experiments in Art
and Technology (E.A.T.).
Arrangement
The series is arranged to two subseries: Series II.A. General projects; Series II.B.
Merce Cunningham Dance Foundation.
Series II.A.
General projects,
1949-1996
Physical Description:
14
box(es)
Scope and Content Note
This subseries contains all project materials except those concerning the Merce
Cunningham Dance Foundation, organized chronologically. The early files from the 1950s
consist almost exclusively of correspondence and contracts for piano concerts, while
later files include a range of materials which record more fully the development of
his electronic compositions. Especially well documented are the Pepsi Pavilion at the
Osaka World's Fair and "Island Eye, Island Ear," both E.A.T. projects;
Rainforest IV; and Tudor's editorial work on scores by Henry Cowell
and Stefan Wolpe, in particular
Battle piece.
Arrangement
Arranged chronologically; materials relating to E.A.T and Cowell editing project are
arranged topically.
box 16, folder 1
Stockholm Festival,
1966
Scope and Content Note
Unrealized Billy Klüver project, which was reorganized a few months later as 9
Evenings: Theater and Engineering. Includes Fylkingen contracts, correspondence,
description of wireless system, 30 sheets of notes, list of proposals, address
lists; circa 50 items.
box 16, folder 2
E.A.T. - 9 Evenings: Theater and Engineering,
1966
Scope and Content Note
Includes correspondence, Armory schematics, documents concerning the formation of
E.A.T., announcements and programs (see also accn. no. 940003 for much more
material on this project); circa 25 items.
box 16, folder 3
Various projects,
1966
Scope and Content Note
9 items.
box 16, folder 4
CBS Records,
1967
Scope and Content Note
3 contracts, note and letter.
box 16, folder 5
UC Davis appointment,
1967
Scope and Content Note
Correspondence, programs, notes; 21 items.
box 16, folder 6
E.A.T.,
1967-1969
Scope and Content Note
Includes E.A.T. news, E.A.T. proceedings, Techne; circa 20 items.
box 16, folder 7
Various projects,
1967
Scope and Content Note
Includes 3 letters from Sveriges Radio; 11 items.
box 16, folder 8
CBS Records,
1968
Scope and Content Note
1 contract (+2 copies).
box 16, folder 9
A second wind for organ (recording),
1968
Scope and Content Note
Mostly worksheets for performing organ works by Kagel, Wolff and Mumma, circa 30
items.
box 16, folder 10
Various projects,
1968
Scope and Content Note
Includes 7 letters and a contract regarding Sveriges Radio performance; 18
items.
box 16, folder 11
Various projects,
1969
Scope and Content Note
9 items.
box 17, folder 1-12
E.A.T. - Pepsi Pavilion,
1970
Scope and Content Note
Includes correspondence from Lowell Cross, Billy Klüver, Fujiko Nakaya and others
concerning dome construction, laser system, live programming and logistics; notes,
articles on electronics, schematics and diagrams pertaining to the laser sound
system; equipment and technical notes; proposals, lists of sounds, sample
worksheets and many notes concerning live programming; dome design drawings
(photocopies); CBS/SONY Records correspondence and contracts; file of materials
concerning logistics and schedules which includes itineraries, lists of
responsibilities and phone numbers; and articles on the Pavilion. (See FF.7** for
related materials.)
box 18, folder 1-4
E.A.T. - Pepsi Pavilion,
1970
Scope and Content Note
Includes Expo ephemera, E.A.T. ephemera and miscellaneous notes, circa 2
inches.
box 18, folder 5
Cultural Council Foundation grant application,
1970
Scope and Content Note
9 items.
box 18, folder 6
Various projects,
1970
Scope and Content Note
Includes letter from Joel Chadabe of SUNY, Albany; 8 items.
box 18, folder 7
E.A.T.,
1970-1972
Scope and Content Note
Thick folder with many reports and proposals pertaining to Artists in India,
U.S.A. Presents, Children and Communication and other E.A.T. projects. Also
includes reports on activities and income, and an issue of Techne.
box 18, folder 8
E.A.T. ephemera,
1970-1972
Scope and Content Note
Printed announcements, booklets, circa 15 items.
box 18, folder 9
E.A.T. - Artists and Television,
1971
Scope and Content Note
Grant proposals, letters from Klüver and printed matter; 11 items.
box 18, folder 10
Various projects,
1971
Scope and Content Note
circa 20 items.
box 18, folder 11
Radio Bremen,
1972
Scope and Content Note
Some notes on equipment and correspondence pertaining to European tour (
Rainforest?); 14 items.
box 18, folder 12
Various projects,
1972
Scope and Content Note
Most pertaining to the North Carolina Museum's Black Mountain College Research
Project (see also M.C. Richards papers); 20 items.
box 18, folder 13
Rainforest IV - Chocorua,
1973
Scope and Content Note
New Music in New Hampshire workshops; circa 30 items.
box 19, folder 1
Composers Inside Electronics,
1973
Scope and Content Note
Photocopied correspondence about the group's formation just after Chocorua, 15
sheets.
box 19, folder 2
"David Tudor: 10 selected realizations of graphic scores and related
performances,"
1973
Scope and Content Note
Article written by Ray Wilding-White based on an interview with Tudor, who
analyzes a number of works he has performed. Contains a letter, photocopied
typescript and notes; 41 sheets.
box 19, folder 3
Various projects,
1973
Scope and Content Note
Includes menu from E.A.T.'s New York Collection for Stockholm charter flight
signed by Red Grooms, 8 items.
box 19, folder 4
Viola Farber Dance Co.,
1974
Scope and Content Note
Includes 4 sheets of notes and itineraries; 14 items.
box 19, folder 5
Video/Laser III,
1974-1977
Scope and Content Note
Includes documents pertaining to production and funding, research articles and
project description; circa 1 inch.
box 19, folder 6
Various projects,
1974
Scope and Content Note
Includes letter from Alvin Lucier, 11 items.
box 19, folder 7
Rainforest IV,
1975
Scope and Content Note
Includes correspondence from Lawrence Morton of LACMA and Suzanne Weil, and
photocopied article by Chadabe; circa 30 items.
box 19, folder 8
Rainforest IV - Fort Worth Art Museum,
1975
Scope and Content Note
14 items.
box 19, folder 9
Various projects,
1975
Scope and Content Note
25 items.
box 19, folder 10
Australia,
1976
Scope and Content Note
Includes contract and programs; 8 items.
box 19, folder 11
Festival d'Automne Paris,
1976
Scope and Content Note
Includes correspondence, photocopies of equipment, notes; circa 45 items.
box 19, folder 12
Rainforest IV - Espace Pierre Cardin, Paris,
1976
Scope and Content Note
Thick folder containing correspondence, contract, programs, fliers, note on
performance set-up, technical information and press.
box 19, folder 13
Various projects,
1976
Scope and Content Note
Includes itineraries, notes for programs, correspondence, some handwritten notes,
most of which pertains to
Rainforest; circa 50 items.
box 20, folder 1
Brazos river - Fort Worth Art Museum,
1977
Scope and Content Note
Tudor scored
Video pulsers to Viola Farber's dance. Contains 14
pages project description, notes, letters from Anne Livet, photocopies of press
clippings, schedule, KERA-TV production facilities specs. with annotations; circa
25 items.
box 20, folder 2
Creative Artists Public Services,
1977
Scope and Content Note
Tudor served on the multi-media panel. Includes notes, correspondence, lists of
applicants and some applications; circa 30 items.
box 20, folder 3
Microphone recording,
1977
Scope and Content Note
Letter to Cramps Records, biographical information, description of piece,
description of multitrack recording project at Mills College, notes; 17 items.
box 20, folder 4
Rainforest IV,
1977
Scope and Content Note
Correspondence, budget proposal, and photocopies of articles; circa 40 items.
box 20, folder 5-7
Rotating loudspeaker,
1977-1978
Scope and Content Note
Includes project history, test graphs, proposal, notes, copies of support
letters, budgets and NEA grant application; 1.5 inches.
box 20, folder 8
Various projects,
1977
Scope and Content Note
circa 20 items.
box 20, folder 9
Various projects,
1978
Scope and Content Note
circa 20 items.
box 20, folder 10
Proposed archival project,
circa 1979
Scope and Content Note
Grant application to organize his archive of performance materials from
1950-1970. Includes much biographical information.
box 20, folder 11
Rainforest IV,
1979
Scope and Content Note
Includes description of Composers Inside Electronics, form letters to drum up
concerts and expenses; circa 40 items.
box 20, folder 12
Various projects,
1979
Scope and Content Note
Includes letter from Joel Chadabe, Tudor notes and proposals for Lowell Cross'
"Prometheus" and Laser Concert (see 1980 files for more); circa 25 items. See also
Box 210* for Sonavera recording project.
box 21, folder 1-11
E.A.T. - "Island Eye, Island Ear,"
1974-1984
Scope and Content Note
Includes notes, reports, proposals, technical information, drawings, and letters
and kites by Jackie Monnier; organized in rough chronological order (see also accn.
no. 940003 for much more material). Includes color photocopy of a drawing of
Knavelskar Island by Fujiko Nakaya, from Julie Martin and Billy Klüver (folder
11).
box 22, folder 1-6
Cowell editing project,
1978-1992
Scope and Content Note
Large quantity of correspondence with Sidney Cowell starting in 1978 regarding her
husband's music, mostly finding scores and editing them for publication. Also Tudor
notes, typed notes regarding scores, list of works at the Library of Congress, and
miscellaneous.
box 23, folder 1-11
Cowell editing project,
1978-1992
Scope and Content Note
Mostly photocopies of scores, but also includes a list of Tudor's edits and scores
handcopied by Tudor. See also Box 210*, folder 2 for more copied scores.
box 24, folder 1-5
Cowell editing project,
1978-1992
Scope and Content Note
Photocopies of scores.
box 24, folder 6-8
Wolpe editing project,
1989-1994
Scope and Content Note
Photocopies and mechanicals of
Battle piece.
box 25, folder 1
HPSCHD, SUNY Buffalo,
1980
Scope and Content Note
Letter, memo, description by Kathleen Law and announcement.
box 25, folder 2
Laser Concert - Ars Electronica, Linz,
1980
Scope and Content Note
Correspondence, contracts, programs and notes, circa 25 items.
box 25, folder 3-4
Laser Concert - Venice Biennale,
1980
Scope and Content Note
Includes correspondence, notes, program, contracts and itinerary, circa 50
items.
box 25, folder 5
Rainforest IV - Berlin and Stockholm,
1980
Scope and Content Note
Thick folder with correspondence, description, notes, itineraries, biographical
information, press release and budgets.
box 25, folder 6
Rainforest IV - Berlin recording,
1980
Scope and Content Note
Mostly contracts and correspondence, 16 items.
box 25, folder 7
Various projects,
circa 1980
Scope and Content Note
Includes 3 letters and a floor plan from Galerie nächst St. Stephan, Vienna,
circa 20 items.
box 25, folder 8
Rainforest IV - Neuberger Museum,
1981
Scope and Content Note
Includes correspondence, notes, budget and announcements, circa 30 items.
box 25, folder 9
Various projects,
1981
Scope and Content Note
Includes Gramavision recording contract for Rainforest IV, circa 20 items.
box 25, folder 10
Holland Festival,
1982
Scope and Content Note
Correspondence and itineraries, 8 items.
box 25, folder 11
Rockefeller grant,
1982
Scope and Content Note
Correspondence and application concerning a grant to record
Pulsers and
Forest Speech, 9 items.
box 25, folder 12
Solo for piano - Walker Art Center,
1982
Scope and Content Note
Photocopies of letters to the Walker, itinerary, schedule and announcement, 6
items.
box 25, folder 13
Various projects,
1982
Scope and Content Note
Includes correspondence, program and handwritten equipment list for Cage program
at the American Center, Paris, circa 25 items.
box 25, folder 14
Sea tails,
1983
Scope and Content Note
Mostly notes and 2 letters from Jackie Monnier, circa 20 items.
box 25, folder 15
Various projects,
1983
Scope and Content Note
Includes 2 letters concerning Rainforest video tape, 18 items.
box 25, folder 16
Japan,
1984
Scope and Content Note
Address lists, notes and photocopies of form letters sent in order to perform
Rainforest in Japan in 1985.
box 25, folder 17
Pulsers and
Untitled recording,
1984
Scope and Content Note
Galley proofs, 3 sheets of notes/corrections, list of Lovely Music distributors,
cost and royalty calculations, and 2 reviews.
box 25, folder 18
Various projects,
1984
Scope and Content Note
5 items.
box 25, folder 19
Mobius,
1985
Scope and Content Note
Tudor received a grant to create and perform a new work. Includes correspondence,
press release and contract, 11 items.
box 25, folder 20
Centre Georges Pompidou,
1985
Scope and Content Note
Collaboration with Jackie Monnier. Correspondence and contracts, circa 15
items.
box 25, folder 21
Various projects,
1985
Scope and Content Note
Includes correspondence with René Block and a list of scores on consignment at
Margarete Roeder Fine Arts, 9 items.
box 26, folder 1
Bye Bye Kipling,
1986
Scope and Content Note
Includes program rundown, rehersal schedule, correspondence and contract, 12
items.
box 26, folder 2
Sea tails (sound totem version),
1986
Scope and Content Note
Includes correspondence with the Whitney Museum and Jackie Monnier and
photocopied descriptions, 17 items.
box 26, folder 3
Various projects,
1986
Scope and Content Note
Includes equipment lists, 6 items.
box 26, folder 4
Los Angeles Festival,
1987
Scope and Content Note
Correspondence, contract, program notes, 8 items.
box 26, folder 5
9 lines, reflected,
1987-1988
Scope and Content Note
Thick folder with descriptions, technical information, budgets, photographs of
Monnier's kites, photocopied drawings, Westdeutscher Rundfunk Köln correspondence
and contracts, and Guggenheim grant application. See also
Sea tails (sound
totem version)
.
box 26, folder 6
Various projects,
1987-1988
Scope and Content Note
Includes budget and 4 letters concerning Japan Rainforest tour, two letters and 3
loan forms from the Edith C. Blum Art Institute for the Black Mountain College
exhibition, Robert Ashley description of "The Butterfly Connection" (13 programs
for television), and broadcast plan for an unknown venue, circa 45 items.
box 26, folder 7
Heidelberger Festival,
1988
Scope and Content Note
Includes letter and many photocopies of abstract flow/neural patterns for the
"Festival for Experimental Music and Text," Heidelberg, 13 items.
box 26, folder 8
Real Art Ways,
1988
Scope and Content Note
Photocopied floor plans, some with Tudor annotations, letters from Brian Johnson,
contract, program, Real Art Ways calendar for fall 1987 and performance rights
waiver, 13 items.
box 26, folder 9
Recording projects,
1989
Scope and Content Note
Includes letters from Collegno, Westdeutscher Rundfunk Köln and Mode about
recording
Dialectics and a number of Tudor's piano realizations,
and notes by Tudor, circa 20 items.
box 26, folder 10
Various projects,
1989
Scope and Content Note
Includes NEA grant application and 2 letters and a contract from the Alternative
Museum, circa 20 items.
box 26, folder 11-17
Inventory project,
1989
Scope and Content Note
Initially proposed as part of documenting the Cunningham archive. Contains
project proposals by Holzaepfel, correspondence Holzaepfel, with Christian Wolff
with annotated lists of his works, handwritten or annotated lists of works by
Earle Brown, Cage, Feldman, Ichiyanagi, Wolpe and others, large quantity of
catalog notes (printouts and photocopies), index of first performances through
1960, Tudor bibliography, and list of works by other composers which Tudor
performed, .25 linear feet.
box 27, folder 1-4
Wolpe editing project,
1989-1994
Scope and Content Note
Correspondence with Austin Clarkson, photocopies of scores with corrections,
corrected proofs and printout of Clarkson introduction for
Battle
piece
, and photocopies of
Tango d'Apaches and
Movements 2 and 3.
box 27, folder 5-7
Neural network research and development,
1989-1991
Scope and Content Note
Letters, reports and articles from Forrest Warthman concerning the development of
equipment later used in
Neural network plus (see next box).
box 27, folder 8
Various projects,
1990
Scope and Content Note
4 items.
box 27, folder 9
Westdeutscher Rundfunk, Köln,
1991
Scope and Content Note
letter enclosing 12 black-and-white photographs and a map of possible sites for
the potential realization of an outdoor piece in Witten.
box 27, folder 10
Various projects,
1991
Scope and Content Note
4 items.
box 27, folder 11
Various projects,
1992
Scope and Content Note
circa 20 items.
box 27, folder 12
John Cage tribute (Koch),
1993
Scope and Content Note
Letters, contracts and published version of
4'33" with a letter
written inside, 8 items.
box 28, folder 1
Variations II- Rolywholyover A Circus, MOCA,
1993
Scope and Content Note
Correspondence, project description and press releases, 9 items.
box 28, folder 2
Neural network plus - Banff Festival,
1993-1994
Scope and Content Note
Includes correspondence, equipment list, project proposal, payment statements,
recording contracts, copies of Warthman's liner notes and charts. The recording
derived from the Banff session is titled
Neural synthesis nos. 6-9,
circa 35 items.
box 28, folder 3
Various projects,
1993
Scope and Content Note
Includes press releases and itineraries for S.E.M. Ensemble concerts, recording
contract from Hat Hut to publish WDR performances and letter and description of
the Lyons Biennale from Marc Dachy, circa 35 items.
box 28, folder 4
Ocean,
1994
Scope and Content Note
Includes sound research, drawing of speakers, description, copy of input output
configuration and correspondence; circa 20 items.
box 28, folder 5
The poetry of abstraction - music beyond language -
Donaueschingen Music Festival,
1994
Scope and Content Note
Correspondence with Südwestfunk and description; circa 10 items.
box 28, folder 6
Various projects,
1994
Scope and Content Note
Includes 4 letters from Steim, Amsterdam; 15 items.
box 28, folder 7
Bard College,
1995
Scope and Content Note
Includes contract, correspondence and program; 8 items.
box 28, folder 8
London Musicians Collective,
1995
Scope and Content Note
6 letters and duplicates.
box 28, folder 9
Ocean,
1995
Scope and Content Note
8 letters and 2 schedules.
box 28, folder 10
S.E.M. Ensemble, Prague,
1995
Scope and Content Note
Mostly programs and a doctor's note excusing Tudor from performing; 7 items.
box 28, folder 11-14
Toneburst: maps and fragments,
1995-1996
Scope and Content Note
Corresp., press release, transparencies of
Untitled and
Toneburst, ideograms, and photographs.
box 28, folder 15
Various projects,
1995
Scope and Content Note
7 items.
box 28, folder 16
Various projects,
1996
Scope and Content Note
Includes letters concerning the consignment of scores to the Margarete Roeder
Gallery; 12 items.
box 28, folder 17-19
Unidentified projects,
undated
Miscellaneous oversize,
1978-1992
Scope and Content Note
Only folders 1-2 relate to Series II.A, Projects; folders 3-13 in this box relate
to Series III.
box 210*, folder 1
Sonavera International Tape Competition,
1979
Scope and Content Note
Relates to box 20; 4 sheets.
box 210*, folder 2
Cowell editing project,
1978-1992
Scope and Content Note
Relates to boxes 22-24. 10 large photocopies of scores.
flatfile 7**
E.A.T. Pepsi Pavilion,
1970
Scope and Content Note
Includes photocopied drawings, notes, computer print-out and other papers.
Relates to Pepsi Pavilion material in Boxes 17 and 18.
Series II.B.
Merce Cunningham Dance Foundation,
1953-1996, undated
Physical Description:
7
box(es)
Scope and Content Note
Papers pertain to Tudor's involvement with the Merce Cunningham Dance Foundation and
include materials about tours and commissions, performances, and travel. Includes
lists of electronic equipment for customs; questionnaires and travel forms; technical
and travel notes; production and travel costs; meeting minutes; lists of basic
requirements for stage, storage and dressing; repertory sheets; and clippings. Some
notes in Tudor's hand pertain to the performances. Correspondence regards tours and
commissions. Some papers document Tudor's own lectures and performances that occurred
separately but while he was touring with the Cunningham Dance Foundation.
Arrangement
Organized chronologically.
Series III.
Electronics,
1950s-1990s
Physical Description:
17
boxes
Scope and Content Note
These files contain electronic equipment catalogs, technical articles, circuit
drawings, flow diagrams by Tudor, and his notes. The catalogs and articles were used for
research for his electronic compositions and projects. It is unclear for which projects
most of these materials were used.
Arrangement
Materials are organized in rough chronological order.
box 36, folder 1-6
1950-1972
Scope and Content Note
Includes 9 evenings: theatre and engineering material. See also box 210* for
oversized material.
box 37, folder 1-9
1959-1970
Scope and Content Note
See also box 210* for oversize material.
box 39, folder 1-8
1965-1979
Scope and Content Note
Includes Rotating loudspeakers and Laser concert materials. See also box 210* for
oversized material.
box 40, folder 1-11
1967-1978
Scope and Content Note
Includes some E.A.T. material. See also box 210* for oversized material.
box 42, folder 1-8
1969-early
1970s
Scope and Content Note
See also box 210* for oversized material.
box 43, folder 1-6
1970-1984
Scope and Content Note
Includes Laser rock transducer material. See also box 210* for oversized
material.
box 45, folder 1-9
1973-1988
Scope and Content Note
See also box 210* for oversized material.
box 46, folder 1-11
1976-1987
Scope and Content Note
See also box 210* for oversized material.
box 49, folder 1-11
1986-1991
Scope and Content Note
Includes Virtual focus and Coefficient material.
box 50, folder 1-9
undated
Scope and Content Note
See also box 210* for oversized material.
Oversize Electronics material,
1950-1991
Scope and Content Note
Material pulled from a number of boxes in this series. Note: folders 1-2 in this box
relate to Series II.A, above.
box 210*, folder 5
Relates to box 37, folder 9
box 210*, folder 6
Relates to box 39, folder 4
box 210*, folder 7
Relates to box 40, folder 6
box 210*, folder 8
Relates to box 42, folder 5
box 210*, folder 9
Relates to box 43, folders 1, 3, 6
box 210*, folder 10
Relates to box 45, folders 3-4
box 210*, folder 11
Relates to box 46, folder 9
box 210*, folder 13
Publications
Scope and Content Note
2 Publications (1966/1976).
Series IV.
Correspondence,
1938-1996
Physical Description:
11
boxes
Scope and Content Note
This series consists of letters from composers, performers, concert organizers,
friends, family and admirers spanning nearly Tudor's entire life. The letters are
organized alphabetically. Many of the composers enclose scores (generally not filed in
this series), and in some cases include extensive performance instructions. Some of the
letters concern concert plans and schedules. Friends send news of themselves, concerts
they have seen, and request letters from Tudor, who was notorious for not answering his
mail. Tudor's close friends John Cage and Jacqueline Monnier, and his onetime lover M.C.
Richards, write extensively regarding their personal lives and collaborations with
Tudor. (See also Mary Caroline Richards papers, held by the Getty Research Institute).
Young performers and composers ask for advice on their careers. Other correspondents
include George Brecht, Sylvano Bussotti, Pierre Boulez, Earle Brown, Cornelius Cardew,
Lowell Cross, Morton Feldman, Albert M. Fine, William H. Hawke, Toshi Ichiyanagi,
Maurizio Kagel, Bo Nilsson, Pauline Oliveros, Yoko Ono, Nam June Paik, Terry Riley, Jean
Rigg, Karlheinz Stockhausen (see also copies of Tudor letters to Stockhausen in the
repository, Accession no. 2001.M.26), Bill Viola, Christian Wolff, Stefan and Irma
Wolpe, and La Monte Young.
Arrangement
This series is arranged alphabetically with unidentified and miscellaneous at the
end.
box 51, folder 1
Adams, John D.S.,
1994-1996
Scope and Content Note
2 faxes.
box 51, folder 1
Amirkhanian, Charles,
1967-1968, undated
Scope and Content Note
Letter and 2 greeting cards.
box 51, folder 2
Andersen, Eric,
1984
Scope and Content Note
A letter enclosing the following: Exophylia Katalog,
The untactics of
music
, and other works, circa 25 items.
box 51, folder 1
Anderson, Beth,
1973
Scope and Content Note
1 postcard.
box 51, folder 1
Ashley, Mary (wife of Robert),
circa 1974, undated
Scope and Content Note
1 postcards and 1 letter
box 51, folder 1
Alexander, Leni,
1960-1961
Scope and Content Note
2 letters.
box 51, folder 1
Amey, Frank and Libby,
1959, undated
Scope and Content Note
7 letters regarding potential concerts in Venice and personal matters, and an
invitation.
box 51, folder 3
ASCAP,
1982-1985, 1993
Scope and Content Note
Mostly letters and forms regarding awards and requests for title confirmation to give
proper credit, circa 40 items (see also financial correspondence from the 1980s-1990s
for more).
box 51, folder 4
Austin, Larry,
1967-1981, 1990-1994
Scope and Content Note
Letters regarding publishing of Ichiyanagi's
Appearance in
Source, concert dates and invitations to perform; announcements; and
permision requests to publish recordings, 17 items.
box 51, folder 2-10
Ba-Bro,
1950-1997, undated
box 51, folder 5
Bach, Michael,
1993
Scope and Content Note
Letter regarding performance of "One" and "Ryoanji" at Donaueschinger Musiktage with
artist's design of string installation and two photos.
box 51, folder 5
Ballif, Claude,
1961-1962
Scope and Content Note
2 letters.
box 51, folder 5
Bartlett, Martin,
1977, undated
Scope and Content Note
4 letters regarding his scholastic activities, electronics and a potential
performance for Tudor in Vancouver.
box 51, folder 5
Bartosik, Kimberly (dancer),
1988, 1993-1995, undated
Scope and Content Note
4 postcards, 4 greeting cards, 1 note written on an article and 1 letter regarding
personal matters, and Cunningham Dance Company tours and performances of
Ocean (music by Tudor).
box 51, folder 5
Bauermeister, Mary,
1960
Scope and Content Note
Letter describing performances at her studio.
box 51, folder 6
Barraqué, Jean,
1956-1957
Scope and Content Note
9 letters regard recording his sonata for Vega.
box 51, folder 7
Behrendsen, Peter,
1987-1994, undated
Scope and Content Note
3 letters and 2 notes on photocopied texts.
box 51, folder 7
Behrman, David,
1959, 1974, undated
Scope and Content Note
2 letters, note, card and forwarded letter from Behrman to Allen Sapp.
box 51, folder 7
Bekaert, Jacques,
1987, 1992, undated
Scope and Content Note
1 postcard and 2 greeting cards.
box 51, folder 7
Bergé, Carol,
circa 1965
Scope and Content Note
Letter regarding leasing his place.
box 51, folder 7
Berio, Luciano,
1959
Scope and Content Note
9 letters, one of which is typed on a program, and 1 postcard mostly regarding
concert dates in Italy, 1956-1957, undated. The folder also includes drafts of letters
from Tudor to Berio, Luigi Nono and Hermann Scherchen on one sheet, and two letters
from Cathy Berio regarding Berio's health and the cancellation of a concert.
box 51, folder 7
Biel, Michael von,
1962
Scope and Content Note
1 letter.
box 51, folder 7
Birmann de Relles, Dominique (of Radiojänst),
1956, undated
Scope and Content Note
2 letters regarding Tudor's performance in Stockholm, 3 greeting cards, and a list of
contact numbers and rehearsal times.
box 51, folder 7
Bischoff, John,
1996-1997
Scope and Content Note
Letter and note with diskette.
box 51, folder 8
Borden, David,
1970
Scope and Content Note
Letter regarding Mother Mallard's Portable Masterpiece Company performing
Rainforest.
box 51, folder 8
Boucourechiev, André,
1961
Scope and Content Note
1 letter sending a score.
box 51, folder 8
Brakhage, Stan,
1962
Scope and Content Note
Film collage.
box 51, folder 8
Brecht, George,
1961-1963
Scope and Content Note
4 letters sending works and asking Tudor what he would play at the Yam Festival, 1
announcement and 1 postcard.
box 51, folder 8
Brown, Jean,
1984
Scope and Content Note
1 letter regards acquisition of his archive and programs.
box 51, folder 8
Burchfield, Ritty,
1971-1976, undated
Scope and Content Note
4 postcards, 4 letters, 2 letters to Burchfield (copies), note from Burchfield's
brother regarding personal matters with descriptions of her work and of Bill Viola who
just visited her.
box 51, folder 8
Bussotti, Sylvano,
1959-1967, undated
Scope and Content Note
6 letters and 1 postcard regarding concert dates and progress of works he is
sending.
box 51, folder 9
Boulez, Pierre,
1950-1960, undated
Scope and Content Note
10 letters which include many requests by Boulez for a response about Tudor's
participation in a Paris concert. Also 5 sheets of a letter from Boulez to Cage
(December 1950) copied by Tudor and 25 sheets of a letter from Boulez to Cage
(undated, circa December 1951, see Box 211*, folder 1), both of which were published
in The Boulez-Cage Correspondence (edited by Jean-Jacques Nattiez, Cambridge
University Press, 1993).
box 51, folder 10
Brown, Earle,
1952-1957
Scope and Content Note
3 postcards and 2 letters, which include a response to Tudor's statement that
4 more is impossible to play and regarding Tudor quotes in Peyser's
book on Boulez.
box 52, folder 1-7
Bru-C,
1950-1994, undated
box 52, folder 1
Brush, Leif,
1974-1982, undated
Scope and Content Note
Includes 3 letters, photocopied descriptions of his work, a photocopied Christmas
letter, photograph of an event and curriculum vitae, circa 25 items.
box 52, folder 2
Cardew, Cornelius,
undated
Scope and Content Note
8 letters and 1 Christmas card requesting Tudor to play Cardew's pieces, to send
Cardew scores of other composers' work, and describing performances in which he
participated.
box 52, folder 2
Cerha, Friedrich,
1958
Scope and Content Note
1 letter.
box 52, folder 2
Chadabe, Joel,
1970-1981, 1993-1996
Scope and Content Note
5 letters, one of which encloses a technical report and photo of the SUNY studio, and
other with excerpts from an interview with Tudor.
box 52, folder 2
Chandralekha,
1971, 1994, undated
Scope and Content Note
3 letters and 1 poem.
box 52, folder 2
Charlip, Remy,
circa 1969, undated
Scope and Content Note
1 letter and 1 postcard.
box 52, folder 2
Chiari, Giuseppe,
1963
Scope and Content Note
1 note with a program.
box 52, folder 3
Cage, John,
1950s-1989, undated
Scope and Content Note
A rich collection of letters written by Cage mostly in the 1950s and 1960s. Includes
remarkable descriptions of his work (especially
Music of changes),
personal life, interactions with other composers (especially Morton Feldman), concert
dates and logistics, and performances he attended. Also includes a carbon copy of a 4
page-letter to the editor of
Musical America regarding a letter Skulsky
wrote on Cage's letter about Satie, a mesostic on the name James Joyce for those who
helped with
Roaratorio,
25 mesostics re and not re Mark
Tobey
and 3 letters from Cage (Crete) to Tudor, circa 60 items.
box 52, folder 4
Clarkson, Austin,
1980-1982, undated
Scope and Content Note
4 letters, 1 greeting card, photocopy of Wolpe's
Seven pieces for three
pianos
, and a catalog of Wolpe's published works.
box 52, folder 5
Cohen, Gabby,
1990-1991, undated
Scope and Content Note
11 personal letters and cards.
box 52, folder 5
Collins, Nicolas,
circa 1976, 1983
Scope and Content Note
2 letters, bio and Tudor draft of a recommendation letter.
box 52, folder 5
Corner, Philip,
1958, undated
Scope and Content Note
Note and 2 letters.
box 52, folder 5
Cunningham, Merce (and Dance Company),
1961, undated
Scope and Content Note
4 letters and a card from Cunningham mostly regarding tour logistics, and 3
postcards, 1 greeting card and 2 faxes signed communally by the company, undated.
box 52, folder 5
Curran, Alvin,
1979
Scope and Content Note
Letter.
box 52, folder 5A
Composer in Performance,
1970 February
Scope and Content Note
Letter asking Tudor to apply for a grant, with brochure of past grantees.
box 52, folder 6
Cowell, Henry,
1953-1963
Scope and Content Note
1 note, 1 postcard and 2 letters.
For correspondence with Sidney Cowell regarding Tudor editing her husband's scores,
see Series II, Projects.
box 52, folder 7
Cross, Lowell,
1964-1989, undated
Scope and Content Note
Includes letters regarding personal matters, finding a position, Tudor's bio for
publication and logistics for Laser Concert; and 5 pages ts. "Audio/Video/Laser" for
Source, circa 30 items.
box 53, folder 1
Davies, Hugh,
1982, undated
Scope and Content Note
2 letters, one of which regards
Rainforest.
box 53, folder 1
Delaplaine family,
circa 1952
Scope and Content Note
3 letters from different family members.
box 53, folder 1
Dehner, Dorothy,
1957
Scope and Content Note
1 letter.
box 53, folder 2
Deighton, Hilda,
1960-1968, undated
Scope and Content Note
11 letters all pertaining to concerts by Tudor and to the Anthroposophical
Society.
box 53, folder 3
Dienes, Sari,
1969, 1975, undated
Scope and Content Note
Handmade Christmas card, letter regarding her will, and bio.
box 53, folder 3
Dorn, Ken,
1971
Scope and Content Note
Fan letter.
box 53, folder 3
Duncan, Robert,
1966
Scope and Content Note
Handmade Christmas card.
box 53, folder 4
Driscoll, John,
1975-1991, undated
Scope and Content Note
Includes a letter regarding contacts for Tudor installations, 2 photocopied letters
written to others regarding
Rainforest at LACMA and Composers Inside
Electronics, 2 photocopied letters from Lawrence Morton sent to Driscoll aboutevent at
LACMA with a mushroom theme, announcement, bio and postcard from his wife Lynwa, circa
15 items.
box 53, folder 5
Eimert, Herbert,
1959
Scope and Content Note
Postcard.
box 53, folder 5
Espinosa, Pedro (pianist),
1958-circa 1960
Scope and Content Note
2 letters asking for recommendations to enter music school and a Christmas card.
box 53, folder 6
Ferrell-Hero, Barbara (painter),
1970
Scope and Content Note
Letter sending work and announcement.
box 53, folder 6
Finck, Mildred,
1965-1966
Scope and Content Note
2 letters in which she describes her scores, her exhibits, her interest in Tudor's
electronics.
box 53, folder 6
Flynt, Henry,
undated
Scope and Content Note
Postcard regarding his theory.
box 53, folder 6
Fontana, Bill,
1982, undated
Scope and Content Note
Letter about Tudor's possible interest in his new work, "Standing wave sculpture with
mobile loudspeakers" and his meeting with Viola, program and memo.
box 53, folder 6
Foss, Lucas,
1961
Scope and Content Note
Letter inviting Tudor to participate in Ojai Festival.
box 53, folder 6
Freeman, Betty,
1986-1987
Scope and Content Note
3 letters regard address for Gerd Stein and Tudor's participation in her monthly
salon.
box 53, folder 6
Frehling, Russell,
undated
Scope and Content Note
Invitation to participate in Meet the Composer.
box 53, folder 7
Feldman, Morton,
1953, 1965-1966, undated
Scope and Content Note
Includes 5 letters regarding Tudor's importance to Feldman's music, asking Tudor to
help him get lecture gigs at Mills and asking advice concerning his jobless situation.
One of the letters has a notation (a correction?).
box 53, folder 8
Fetterman, William,
1986-1993
Scope and Content Note
Thick folder with letters enclosing texts and his dissertation (published as
John Cage's theatre pieces, and also regarding the interview he did
with Tudor, interpreting Cage's symbols for
Music walk and
permissions.
box 53, folder 9
Fine, Albert,
1965-1975, undated
Scope and Content Note
Includes 22 postcards with drawings and stamps, an announcement, 4 letters regard
money, how to obtain a copy of Busoni concerto and sending work, with 3 pages of text
"A John Cage story about lampshades for David Tudor."
box 53, folder 10
Fisher, Linda,
1974-1980, 1990, undated
Scope and Content Note
Includes 14 letters and 1 postcard regard her work (especially "Median Strip,"
personal matters and possible performances of
Rainforest; letter from
the Guggenheim foundation requesting a recommendation.
box 54, folder 1
Garland, Peter (Soundings),
1980
Scope and Content Note
1 letter.
box 54, folder 1
Gazzelloni, Severino,
1956
Scope and Content Note
2 letters regard playing Boulez together.
box 54, folder 1
Gibson, Elizabeth Jane,
1944
Scope and Content Note
1 letter breaking their friendship because of conflicting philosophies and a draft of
Tudor's long response.
box 54, folder 1
Ginsberg, Allen,
1993
Scope and Content Note
1 letter enclosing a presentation on
4' 33".
box 54, folder 1
Gradstein, Léonie (Polish composer),
1958-1959, undated
Scope and Content Note
3 letters and 2 postcards with pleasantries from Poland.
box 54, folder 1
Gromada, John (composer),
1987
Scope and Content Note
1 letter describing his career and asking advice.
box 54, folder 1
Guthrie, Hammond,
1971
Scope and Content Note
Electron Arabic.
box 54, folder 1
Guzzetta, James (accordianist),
undated
Scope and Content Note
1 letter asking for
Bandoneon! score.
box 54, folder 2
Haase, Erika (pianist who took lessons from Tudor),
1959-1960
Scope and Content Note
2 letters and Christmas wishes.
box 54, folder 2
Hahn, Gladys,
1962
Scope and Content Note
2 letters regard a concert program.
box 54, folder 2
Harmonic, Phil,
1970s
Scope and Content Note
Mail art postcard.
box 54, folder 2
Harrison, Lou,
1965
Scope and Content Note
Thank you note.
box 54, folder 2
Hauer, Anne (Tudor's personal assistant),
1994-1995
Scope and Content Note
6 postcards and 1 letter regard personal and vein research.
box 54, folder 2
Hay, Deborah,
1996
Scope and Content Note
1 letter asking for a contribution to her book
my body, the
buddhist
.
box 54, folder 2
Helms, Hans G.,
1958, 1972
Scope and Content Note
2 letters regard a film and a recording.
box 54, folder 3
Hawke, H. William (Tudor's teacher),
1938-1963, undated
Scope and Content Note
21 letters mostly written during summer vacation regarding organ performances he has
been to, his own performances, descriptions of organs he has seen, and personal
matters such as his mail which Tudor sends to him while away. Also 4 postcards,
telegram, 2 programs, photo of Hawke and a letter from Hawke's wife with two
photos.
box 54, folder 4
Higgins, Dick,
1958-1963, 1982
Scope and Content Note
2 letters regard Tudor's biography; information he needs on Nilsson, Hambraeus, and
Pousseur, who he has never heard of; tapes he is sending; the lost score of
Stacked Deck; 1 score on a postcard, and "The tart, or Miss
America."
box 54, folder 4
Hodeir, André,
1957
Scope and Content Note
5 letters regard the recording and playing of Barraqué and Tudor's eventual decision
not to.
box 54, folder 4
Houédard, Dom Silvester,
1971
Scope and Content Note
"Poemcard 1."
box 54, folder 4
Hughes, David,
undated
Scope and Content Note
Letter enclosing 13 photos of installation by Tudor and Monnier.
box 54, folder 4
Hunt, Jerry,
1987, undated
Scope and Content Note
5 letters regard studying with Tudor; compositions he sent; playing with Cunningham;
and Guggenheim grant proposal.
box 54, folder 5
Hildalgo, Juan and Walter,
1960-1966
Scope and Content Note
Letters regard concert dates; postcards, handwritten poems, announcement and concrete
poetry card; 18 items.
box 54, folder 6
Jacobs, George,
undated
Scope and Content Note
1 letter enclosing a Bussotti work.
box 54, folder 6
Jenks, Alden (composer),
1971
Scope and Content Note
1 letter asking Tudor if he could perform with Jenks' students.
box 54, folder 6
Jansen, Pierre (composer),
1958
Scope and Content Note
1 letter.
box 54, folder 6
Jess (artist),
undated
Scope and Content Note
1 letter about his opening and illustrations for
A book of
resemblances
, and poster.
box 54, folder 6
Johnson, Ray,
1965, undated
Scope and Content Note
Announcement and collage.
box 54, folder 6
Jones, Ralph,
1980
Scope and Content Note
3 letters regard
Rainforest performances; his progress in ultrasonics
and equipment building; and 1 postcard with a photo of a sculpture he made for
Rainforest.
box 54, folder 6
Joshipura, Jinraj (Indian student),
1971, 1974
Scope and Content Note
4 letters.
box 54, folder 7
Ichiyanagi, Toshi,
1961-1967, undated
Scope and Content Note
13 letters, 4 of which are addressed to Cage, regard reception of avant-garde music
in Japan; answers to Tudor's question on how to play his duet; dates and logistics for
Japanese performances; request to record some of Tudor's performances; and a business
card.
box 54, folder 8
Jepson, Warner,
1963-1967, 1993-1994, undated
Scope and Content Note
11 letters regard personal matters; 1 card with two computer graphic images of Cage
and Tudor; 2 cards with photos.
box 55, folder 1
Kasemets, Udo,
1965-1967
Scope and Content Note
2 letters and a telegram regard Tudor performing in Toronto, and a bio.
box 55, folder 1
Kerr, Cathy and Joshua Ginsberg,
1988-1994, undated
Scope and Content Note
2 postcards, 3 letters and 2 invitations, all personal.
box 55, folder 2
Kagel, Maurizio,
1959-1975
Scope and Content Note
Mostly letters about concert dates, touring together, instructions for scores, his
impressions of hearing Tudor play one of this pieces, performance of
Transicion
II
at the Venice Biennale and performance of
Pandorasbox.
Also includes an ink drawing; 23 items.
box 55, folder 3
Kalve, Martin,
1977-1985, 1995, undated
Scope and Content Note
Includes 2 Christmas cards, 1 handmade card, 3 letters, and 3 photos.
box 55, folder 4
Klosty, Jim,
1971, undated
Scope and Content Note
Letter asking for Tudor notes to include in a book and a note written on a
photocopied realization asking for information.
box 55, folder 4
Klucevsek, Guy,
1972-1973
Scope and Content Note
2 letters regard copy of Kagel's
Pandorasbox.
box 55, folder 4
Klüver, Billy,
1987, 1994, undated
Scope and Content Note
Includes photocopy of a letter send to Bob (Rauschenberg?) about Laser Concert at
Xenon and birthday and Christmas greetings; 6 items.
box 55, folder 4
Kobayashi, Kenji,
1961-1968, undated
Scope and Content Note
4 letters regard performing together, asking for advice on programs and how to play
one of Cage's works, with a wedding invitation.
box 55, folder 4
Koike, Ryo and Hiroko,
1972
Scope and Content Note
One mstake, no. 3/150, Beau Geste Press.
box 55, folder 4
Køpcke, Arthur,
undated
Scope and Content Note
Collage "Fill with own imagination."
box 55, folder 4
Kostelanetz, Richard,
1969
Scope and Content Note
Postcard.
box 55, folder 4
Kosugi, Takehisa,
1972, 1996
Scope and Content Note
Postcard and fax regard performing
Ocean.
box 55, folder 5
Kotik, Petr (S.E.M. Ensemble),
1971-1972, 1990-1994
Scope and Content Note
Includes letters regarding concert dates, organization of Stafford's-in-the-field
(Chocorua, 1972) with a copy of Mumma's
lesson plan and copies of letters from Mumma and Ben Patterson, and an essay titled "A
visit with David Tudor" by Kotik, circa 20 items.
box 55, folder 6
Krauze, Zygmunt,
1965
Scope and Content Note
Letter enclosing music.
box 55, folder 6
Krumm, Philip,
1961-1967, undated
Scope and Content Note
3 letters and 1 note enclosing scores, regarding the situation at UC Davis,
Stockhausen's effect on him and his current work. Also 2 programs.
box 55, folder 6
Kubota, Shigeko,
1970-1975, undated
Scope and Content Note
Telegram, 2 postcards, letter to Cage regarding poems for her book, announcement, and
handmade Christmas card.
box 55, folder 6
Kurtz, Michael,
1987-1992
Scope and Content Note
3 letters regarding his interview with Tudor for a Stockhausen biography, 6
photos.
box 55, folder 7
Kremen, Irwin,
1957-1995, undated
Scope and Content Note
Includes letters regarding publishing his copy of
4'33" in
Source with description of layout; catalog of his works, postcard and
2 handmade greeting cards; 14 items.
box 55, folder 8
La Brecque, Rebecca (pianist),
1988
Scope and Content Note
Letter with reviews.
box 55, folder 8
Lennon, John,
undated
Scope and Content Note
A note sending Yoko's love on a florist card. The note is likely written by the
florist.
box 55, folder 8
Leroi, Vera,
1960-1963
Scope and Content Note
3 letters regard concert dates, 1 postcard.
box 55, folder 8
Lewin Richter, Andrés (Spanish electronic music composer),
1962-1963
Scope and Content Note
2 letters.
box 55, folder 8
Litz, Katherine,
1960-1982
Scope and Content Note
3 letters regard performing together; 1 form letter from the Katy Litz Dance
Foundation.
box 55, folder 9
Lerman, Richard,
1982-1993, undated
Scope and Content Note
Postcard, 2 letters enclosing scores, cassette tape (cold storage), cv, reviews and
New Year's card.
box 55, folder 10
Loarie, Philip,
1985-1986
Scope and Content Note
Handmade card with letter written inside and a slide, Christmas form letter and a
handmade Christmas card.
box 55, folder 10
Lockwood, Anna,
1974, 1995
Scope and Content Note
2 letters, one of which is written on an announcement, and a postcard.
box 55, folder 10
Lohmeyer, Paul and Martha,
1984, 1994-1996, undated
Scope and Content Note
Christmas form letters, Christmas cards and a letter, 8 items.
box 55, folder 10
Lowry, Bob (clarinetist),
1959
Scope and Content Note
Letter asking Tudor to accompany him on a recording.
box 55, folder 10
Lucier, Alvin,
1963-1967
Scope and Content Note
3 letters, two of which enclose a score and describe "Organ Music for David Tudor,"
and a postcard.
box 55, folder 10
Lunetta, Stanley,
1967, 1977, undated
Scope and Content Note
2 letters asking for advice on electronics and a subscription form from
Source with a note.
box 56, folder 1
MacDermott, David,
1976
Scope and Content Note
Letter and "A proposal for a drawing machine."
box 56, folder 1
Mac Low, Jackson,
1961
Scope and Content Note
Letter presenting
A piece for Sari Dienes and a number of
Asymmetries; (see Series I).
box 56, folder 1
Maderna, Bruno,
1959
Scope and Content Note
Letter regarding performance of his
Concerto for Piano and Orchestra
at Darmstadt.
box 56, folder 1
Madge, Geoffrey Douglas (pianist),
1978
Scope and Content Note
Letter asking for information regarding
Music of changes, which he is
going to record.
box 56, folder 1
Maneri, Joseph,
1960
Scope and Content Note
Letter enclosing scores.
box 56, folder 1
Mangaldas, Anjali and Kamal,
1964-1967, undated
Scope and Content Note
Mostly holiday greetings, 5 items.
box 56, folder 1
Martin, Anthony,
1971, 1982, 1996
Scope and Content Note
Postcard, letter and draft of a letter from Tudor recommending Martin.
box 56, folder 1
Martin, Julie,
1972, 1983, 1996, undated
Scope and Content Note
2 letters, 2 invitations and a Valentine's Day fax.
box 56, folder 1
Marx, Josef (of McGinnis & Marx),
1959, 1965-1966
Scope and Content Note
3 letters regarding performing together, borrowing a score, thank you for pieces
sent, and a form letter.
box 56, folder 2
Maxfield, Richard,
1961-1969, undated
Scope and Content Note
Invitation to a "musicale-party," 3 letters, one sent by Composers Forum asking Tudor
to perform his works, and a New Year's card.
box 56, folder 2
Maurer, Elfriede,
1960 August 30
Scope and Content Note
1 letter, 2 pp.
box 56, folder 2
Mayor, Geeta,
1960-1962, undated
Scope and Content Note
3 letters regarding performing in India and personal matters and 2 Christmas
cards.
box 56, folder 2
Mee, Charles,
undated
Scope and Content Note
Note asking Tudor to have a friend compose music for the accompanying "I've got a
pain in my sawdust."
box 56, folder 2
Mestres i Quadreny, Josep,
1961-1968
Scope and Content Note
Letter sending a score and 2 notes, one of which contains instructions for
Three canonos in homage to Galileus.
box 56, folder 2
Metzger, Heinz-Klaus,
1960
Scope and Content Note
Letter about concert dates.
box 56, folder 2
Meyer-Denkmann, Gertrud (student in Darmstadt),
1960-1967, 1992
Scope and Content Note
9 letters and 1 postcard asking advice on the type of music she should play and for a
book she is writing on pedagogy and new music, and questions on how to play
Variations.
box 56, folder 3
Mizelle, Dary John,
1969, 1975, undated
Scope and Content Note
Letter, postcard, and birth announcement.
box 56, folder 3
Monahan, Gordon,
1993
Scope and Content Note
Letter and brochure of his sound sculptures.
box 56, folder 3
Moore, Frank L.,
1958
Scope and Content Note
Letter.
box 56, folder 3
Moran, Robert Leonard,
1961-1963
Scope and Content Note
2 letters asking advice and enclosing a work.
box 56, folder 3
Müller, Ursula (?),
1960
Scope and Content Note
Letter about their conversation with Kagel.
box 56, folder 4
Miller, Robert (Merce Cunningham Dance Co. sound engineer),
1989-1994, undated
Scope and Content Note
12 letters and cards mostly regard personal matters, but also some on the recording
of
Rainforest, and 5 photos.
Monnier, Jacqueline,
1973-1995, undated
box 56, folder 5-9
1973-1995
Scope and Content Note
Substantial quantity of letters from Tudor's very dear friend and colleague regard
personal matters (especially her garden, cooking, trips taken together and Teeny
Duchamp), kites for "Island Eye, Island Ear,"
Sea tails, music for
her video, exhibitions of her work,
9 lines, reflected, and bottles
for Niki de Saint-Phalle. Also includes a collage, artists' book
9 kite
tails
and 29 photos, ca. .33 linear ft. (see next box for more).
box 57, folder 2
Moorman, Charlotte,
1963-1980, undated
Scope and Content Note
Thick folder with letters regarding the first Avant-Garde Festival; playing Cage's
"Piece for string player;" performing together; her other performance work; and
announcements for the Avant-Garde Festival.
box 57, folder 3
Mumma, Gordon,
1965-1975, 1995, undated
Scope and Content Note
15 letters regard electronic equipment,
Mesa, programming for Merce
Cunningham Dance Co. and
Commodius means; 2 postcards; typescript
titled "Electronic music for the Merce Cunningham Dance Co;" and 2 pages of equipment
notes (1 page missing).
box 57, folder 4
Nemiroff, Joy (sister), Cathy (niece) and Isaac (composer and
brother-in-law),
circa 1948-1980, undated
Scope and Content Note
9 personal letters and cards mostly from Joy and 3 drafts from Tudor.
box 57, folder 4
Nono, Luigi,
1957-1958
Scope and Content Note
2 postcards and 1 letter about Venice Biennale concert.
box 57, folder 4
O'Brien, Kathleen,
1982-1983, undated
Scope and Content Note
2 letters and 2 postcards with drawings.
box 57, folder 4
Otte, Hans,
1958-1961, 1973
Scope and Content Note
8 letters arranging concerts and sending score for
Tropisman.
box 57, folder 5
Nakaya, Fujiko,
1973-1986, 1994
Scope and Content Note
8 letters and postcards regard personal and various projects, 6 photos taken by Kira
Perov of fog scuplture she did with Viola, set of postcards of same fog sculpture and
2 photos of Tudor.
box 57, folder 6
Nee, Thomas,
1979, 1990-1995, undated
Scope and Content Note
Latitudes, no. 1 with printed Christmas card, 2 other homemade
Christmas cards and 2 letters regarding concerts at the new Hampshire Music
Festival.
box 57, folder 7
Nilsson, Bo,
1956-1958, undated
Scope and Content Note
8 letters regard his work and potential concerts; also 6 unsent postcards written by
Nilsson to others with his text crossed out.
box 57, folder 8
Oliveros, Pauline,
1963-1994, undated
Scope and Content Note
37 items, mostly letters, regard her scores and performance work, concert dates, how
they should perform together, and a description of "In memorium Elena Moneak-Snite."
Also includes a pencil drawing of feet (1 sheet, verso and recto).
box 57, folder 9
Ono, Yoko,
1962-1971, undated
Scope and Content Note
5 page-letter defending Toshi Ichiyanagi with respect to a cancelled concert tour in
Japan (1962); "Selfportrait" (envelope with mirror); "Part painting series #5," no.
9874; sales list; New Year's card; "Draw Circle;" invitation to participate in
This is Not Here; and
Grapefruit announcements.
box 57, folder 10
Page, Frederick (piano student of Tudor's),
1960
Scope and Content Note
Letter.
box 57, folder 10
Pablo, Luis de,
1962
Scope and Content Note
Letter sending part of a score.
box 57, folder 10
Patterson, Ben,
1960
Scope and Content Note
Letter sending a score.
box 57, folder 10
Pellizzi, Francesco (collector and writer),
1968
Scope and Content Note
2 postcards.
box 57, folder 10
Pesic, Peter D.,
1963
Scope and Content Note
Letter asking how to play Cage's
Music of changes, Boulez's
Deuxieme sonate and Bussotti's
Five piano pieces for David
Tudor
.
box 57, folder 10
Pesle, Benedicte,
1959-1964, circa 1992, undated
Scope and Content Note
4 letters, mostly regarding personal matters.
box 57, folder 10
Phillips, Ardison,
undated
Scope and Content Note
Letter mostly about E.A.T. and a Guggenheim proposal.
box 57, folder 10
Pimenta, Emanuel Dimas de Melo (composer),
1990-1996
Scope and Content Note
Long fax written to Cage about his work and 3 photographs sent as New Year's
cards.
box 57, folder 10
Puglisse, Michael,
1988-1992
Scope and Content Note
3 postcards and a letter.
box 57, folder 11
Paik, Nam June,
1964-1970
Scope and Content Note
Handmade Christmas card, "Robot Opera," Easter greeting, 3 postcards, letter asking
Tudor to give Kosugi money and telegram requesting Tudor to send a letter supporting
Moorman/Paik performances.
box 57, folder 12
Pedersen, Knud,
1971
Scope and Content Note
Form letter asking for submissions to a radio programm, "World Line" by William
Vazan, 9 sheets of concrete poetry, 8 project posters by Pedersen and others.
box 57, folder 13
Plantamura, Carol (singer),
1966-1970, undated
Scope and Content Note
12 letters, postcards and cards regard her concerts and personal.
box 58, folder 1
Poole, Peter and Carla,
1971-1972, undated
Scope and Content Note
12 letters and postcards about travel and finding employment.
box 58, folder 2
Pousseur, Henri,
1954-1961, undated
Scope and Content Note
10 letters, 1 card and draft of a letter from Tudor about concert programs and dates,
sending works,
Variations II,
Impromptu and corrections
for
Variations I.
box 58, folder 3
Rainier, Priaulx (composer),
1956-1958, 1972
Scope and Content Note
4 letters sending keyboard pieces and where they have been played, why he likes
Cage's music.
box 58, folder 3
Rampazzi, Teresa (pianist and Darmstadt student),
1956-1963, undated
Scope and Content Note
5 letters and 3 postcards mostly regarding her playing.
box 58, folder 3
Rauschenberg, Robert,
1978
Scope and Content Note
Postcard and lid from a mailed box containing something perishable.
box 58, folder 3
Reis, Becky and Bernard,
circa 1958
Scope and Content Note
Christmas card.
box 58, folder 3
Riehn, Rainer,
1971, undated
Scope and Content Note
Letter regards concert of Ichiyanagi's music enclosing list of questions about three
of his pieces.
box 58, folder 3
Riley, Terry,
1961-1967
Scope and Content Note
3 letters regard
Envelope with a long description of it, performing
Concert for 2 pianists and a reference letter, and 1 invitation.
box 58, folder 4
Rascher, Sigurd M. (saxophonist),
1953-1978, undated
Scope and Content Note
Includes letters regarding tours and performances and a draft of a letter to
Rascher's wife, 12 items.
box 58, folder 5-10
Richards, Mary Caroline,
1951-1996, undated
Scope and Content Note
Personal and intimate correspondence from Tudor's friend and lover. The letters begin
with an invitation to perform at Black Mountain College, where they quickly developed
a personal relationship, and later, detail her personal and professional life while
Tudor was on tour. There is much about domestic matters (e.g., gardening, their cats);
news of friends, family and events; and her pottery. Poems are scattered throughout,
including a 7-page typescript "Recovery of the child in manhood" (1960), and poems in
issues of
Penn State papers in art education,
The
Cresset
and
Inward light. Also included is a monograph on her
pottery, titled
Toward M.C. and a copy of her translation of Satie's
The ruse of Medusa: Lyric comedy in one act, circa .25 linear ft.
box 58, folder 11
Rigg, Jean (with Merce Cunningham Dance Co.),
1968-1975, 1991-1994, undated
Scope and Content Note
Mostly letters about performance schedules, logistics, Dance Co. gossip and personal
matters. Also includes mention of
Rainforest productions and Cage
proposal for a book on Tudor, circa 50 items.
box 59, folder 1
Rosselli, Amelia,
1960-1969, undated
Scope and Content Note
7 letters and 2 postcards regard her health, publication of her poetry, Darmstadt and
her music.
box 59, folder 1
Rzewski, Frederic,
1969-1979
Scope and Content Note
2 letters, 3 postcards and description of the MEV Group of Rome.
box 59, folder 2
Scherchen, Hermann,
1957-1958
Scope and Content Note
2 letters and 1 postcard regard meeting each other.
box 59, folder 2
Schonberg, Harold,
1961
Scope and Content Note
Thank you note.
box 59, folder 2
Schwertsik, Kurt,
1967, undated
Scope and Content Note
Birth announcement, postcard and note with sequence from
Duet 2, which
Wolff asked Schwertsik to send Tudor to show him the sources of the horn part.
box 59, folder 3
Sarabhai, Manorama,
1959-1975, undated
Scope and Content Note
Letters and postcards regard personal matters and 6 photographs of Tudor, circa 40
items.
box 59, folder 4
Schonfield, Victor,
1970-1972, 1995
Scope and Content Note
Letter about concert dates; letter with annotated interview by Schonfield; issue of
Music and musicians (Aug. 1972), which published the interview;
program notes, schedules and bio for a concert; photocopied article; and Christmas
card.
box 59, folder 5
Smith, Barbara,
undated
Scope and Content Note
Letter regards a possible collaboration.
box 59, folder 5
Snyder, Ellsworth (Newcomb College, Tulane),
1963-1966, undated
Scope and Content Note
3 letters and a program.
box 59, folder 5
Sociedad Uruguaya de Musica Contemporanea,
1968-1970
Scope and Content Note
Letter, enclosing 10 programs, 1968-1969.
box 59, folder 5
Sottsass, Ettore,
undated
Scope and Content Note
3 cards.
box 59, folder 5
Stevenson, Louis A.,
1959
Scope and Content Note
Letter about his new Intersonor studio.
box 59, folder 5
Sutcliffe, Alan,
1961
Scope and Content Note
Letter enclosing a score.
box 59, folder 6-7
Stockhausen, Karlheinz,
1954-1965, undated
Scope and Content Note
Very affectionate letters relating to Stockhausen compositions, European concerts and
recordings, Darmstadt teaching posts and tours that Stockhausen made with Tudor of
South America and the United States. Among the highlights are the letter of January
16, 1955, in which Stockhausen says that his thinking has changed since meeting Cage
and Tudor; the letter of March 13, 1955, in which he discusses Klavierstücke III, IV,
VI and VIII, including a particularly detailed discussion of compositional and
performance aspects of VI; the letter of May 20, 1956, in which he appears to
criticize Tudor's collaboration with Stefan Wolpe; the letter of March 24, 1957 in
which he likens the Darmstadt programming of Klavierstück XI before Boulez' 3rd Sonata
to a bullfight; the postcard of 1957 in which he criticizes the Darmstadt premiere of
Klavierstück XI by Paul Jacobs; and the letter of September 20, 1957 which gives
performance instructions and clarifications for Klavierstücke XI, circa 60 items.
box 59, folder 8
Tcherepnin, Ivan,
1973-1976, undated
Scope and Content Note
3 letters, 2 of which regard performing
Rainforest at Harvard and 2
cards.
box 59, folder 8
Teitelbaum, Richard,
1974, 1995
Scope and Content Note
Letter from and letter to.
box 59, folder 8
Tenney, James,
1975
Scope and Content Note
Postcard.
box 59, folder 8
Teshigahara, Hiroshi (filmmaker),
undated
Scope and Content Note
2 holiday cards designed by Teshigahara.
box 59, folder 8
Titone, Antonino,
1959
Scope and Content Note
Letter regards concert date in Palermo.
box 59, folder 8
Tone, Yasunao,
1979, 1992-circa 1995
Scope and Content Note
Announcement, note and postcard.
box 59, folder 8
Tudor, Mr. (Tudor's father),
1948
Scope and Content Note
4 letters.
box 59, folder 8
Tufty, Barbara,
1979, 1989-1990
Scope and Content Note
Greeting card, 2 letters, and clippings about Cunningham and Cage.
box 59, folder 9
Tenten, Niko,
1988-1989, 1994
Scope and Content Note
Includes 5 letters regard his radio projects and photocopies of his artwork.
box 60, folder 1
Vigeland, Nils Anton (pianist),
1991
Scope and Content Note
Note about a Cage piece.
box 60, folder 2
Viola, Bill,
1973-1994, undated
Scope and Content Note
Includes letters regarding
Rainforest and how it has changed his video
work, and about personal matters; with 6 photographs of Viola and his family and an
altered Polaroid, circa 20 items.
box 60, folder 3
Waring, James,
1959-1963
Scope and Content Note
Includes letters about concert dates and a letter to an editor extolling Tudor, 10
items.
box 60, folder 3
Warthman, Forrest (engineer who helped with
Neural
network
),
1989-1993
Scope and Content Note
4 letters.
box 60, folder 3A
Werner, Vibeke,
1995
Scope and Content Note
Letter with issue of
Dansk musik tidskrift (June 1994/95) and
Neue zeitschrift für musik (Sept. 1994), both of which have articles
on Tudor.
box 60, folder 4
Waldhauer, Fred (E.A.T. founder) and Ruth,
1987-1996, undated
Scope and Content Note
Mostly letters from Ruth regarding personal matters, but also 3 letters from Fred,
circa 20 items.
box 60, folder 5
Wilding-White, Ray,
1966-1975, undated
Scope and Content Note
9 letters regarding Tudor's contribution to a proposed book, material for an article
and equipment setup for a Tudor concert; a card and a chain letter.
box 60, folder 6
Wolff, Christian,
1959-1967, undated
Scope and Content Note
12 letters, 3 of which are addressed to Cage, presenting a score and parts, and
sending performance instructions for
Duet I,
For 6 or 7
players
,
For magnetic tape and others.
box 60, folder 7-7A
Wolpe; Stefan, Irma and Hilda,
1945-1963, 1982, undated
Scope and Content Note
Fond letters regarding Stefan's compositions and performances, personal matters and
other piano students. Scattered throughout, the Wolpes provide encouragement and
praise concerning Tudor's burgeoning career. Also includes a small photo album, circa
50 items.
box 61, folder 1-5
X-Y, unidentified,
1950-1996, undated
box 61, folder 1
Zaccagnini, Guido,
1981-1987, 1996, undated
Scope and Content Note
3 letters, 5 postcards and 3 cards offering news of Italian friends.
box 61, folder 2
Young, La Monte,
1960-1969, 1989, undated
Scope and Content Note
12 letters presenting different compositions, making corrections to pieces, giving
performance instructions and suggestions, and describing past performances of the
pieces. Also includes 2 versions of his curriculum vitae, project description for a
grant proposal (circa 1963), Guggenheim grant proposal (1969) and an announcement.
box 61, folder 3
Group postcards,
1957-1967, undated
Scope and Content Note
5 postcards signed by multiple composers and/or performers: Stockhausen, Wolpe,
Nilsson, Bussotti, Boulez, Cardew, Kotik, Gertrud Meyer-Denkmann, Schwertsik, Carolee
Schneemann, Monnier, Moorman and others.
box 61, folder 4
Tudor drafts to unidentified correspondents,
circa 1950-1969
Scope and Content Note
18 drafts, probably from the 1950s and 1960s, regarding tours and personal matters.
One 4 pp. draft describes his transition from organist to pianist. One has been
identified as a draft of Tudor's letter of 18 May 1959 to Stockhausen. One ms. is
about the Barraqué Sonata for piano. "Mr. B." appears to be Barraqué. "Mr. H." may be
André Hodeir.
box 61, folder 5
Unidentified,
undated
Scope and Content Note
circa .33 linear ft.
Miscellaneous oversize
Scope and Content Note
Oversize materials relating to Correspondence (folder 1), and Ephemera (folder 2)
box 211*, folder 1
Boulez correspondence to Cage relates to Series IV
Scope and Content Note
From box 51, folder 9.
Series V.
Articles and reviews,
1937-1995, undated
Physical Description:
9
boxes
Scope and Content Note
This series consists of newspaper and magazine clippings, with some full journal issues
and typescripts (7 linear ft., 9 boxes), and pertains to performances given by Tudor,
Cage and Cunningham, arranged chronologically. There are also general articles on music,
interviews, a 1941 translation of Luigi Russolo's
The art of noise and
typescripts of Cage's "4 musicians at work" (1952) and his "Changes" lecture at
Darmstadt (1958). Also contains two boxes of articles unrelated to music.
Arrangement
Materials are arranged chronologically.
Music related,
1941-1995, undated
Non-music,
1942-1995, undated
Oversize articles and reviews,
1937, 1952-1992
box 212*, folder 1-8
Music related articles and reviews,
1937, 1952-1992
box 212*, folder 9
Non-music articles, clippings,
1951-1964
Series VI.
Ephemera,
1920s-1996, undated
Physical Description:
29
boxes
Scope and Content Note
Printed ephemera includes a substantial quantity of concert programs, music catalogs,
newsletters, announcements, press releases and images of organs and cathedrals.
Arrangement
Materials are arranged in two subseries: Series VI.A. Programs and announcements;
Series VI. B. Other ephemera.
Series VI.A.
Programs and announcements,
1938-1996, undated
Physical Description:
17
box(es)
Scope and Content Note
Series contains a nearly complete set of programs for all of Tudor's performances,
including his organ and piano work, his electronic compositions, and Cunningham dance
performances, arranged chronologically. Also included are programs and announcements
for other composers, performers (music, dance, performance art, happenings, and
fluxus) and visual artists.
Arrangement
This subseries is arranged chronologically.
David Tudor,
1938-1996, undated
box 81, folder 1-15
1989-1996, undated
Scope and Content Note
Includes two folders of typed and handwritten program notes and biographies (see
also Box 211* for a handwritten Cage program note).
Others' performances and events,
1938-1996, undated
box 211*, folder 2
Cage program notes, relates to Series VI.A.
Scope and Content Note
Handwritten on reverse of program poster.
Series VI.B.
Other ephemera,
1920s-1995
Physical Description:
12
box(es)
Scope and Content Note
This subseries consists of sheet music catalogs; book catalogs relating to Tudor's
personal interests (e.g., botany and the East); music ephemera in the form of
newsletters, press releases, concert announcements; art ephemera including exhibition
announcements, Yam festival announcement, Something Else newsletters, press releases
and a small Robert Rauschenberg print; and pictures of organs and cathedrals with a
scrapbook and notes.
Arrangement
This subseries is arranged chronologically.
Music catalogs,
1920s-1990s, undated
Miscellaneous music ephemera,
1947-1990s, undated
flatfile 8**
1980
Scope and Content Note
John Cage poster "Mushrooms."
Art related ephemera,
1952-1995, undated
box 95, folder 1-11
1990-1995, undated
Scope and Content Note
Includes two folders of blank postcards and cards mostly with images of artworks
and architecture.
oversize **21
1965
Scope and Content Note
A.M. Fine drawing "Spoon discipline for Dorothy de Borchgrane."
oversize **23
1979
Scope and Content Note
Niki de Saint Phalle poster.
box 96, folder 1-6
Organs and cathedrals
Scope and Content Note
Collection of images of organs and cathedrals, primarily located in Europe.
box 97, folder 1-3
Organs and cathedrals
Scope and Content Note
Images of organs and cathedrals, primarily located in Europe.
box 98
Organs and cathedrals
Scope and Content Note
A scrapbook, with images.
Series VII.
Personal,
1940-1994
Physical Description:
19
boxes
Scope and Content Note
Personal materials are those concerning Tudor's personal life and interests:
handwritten recipes; personal documents such as driver's licenses, passports, and birth
cirtificates; notes and typed excerpts on spiritualism; newsletters and catalogs from
the Anthroposophical Society; notes with addresses, phone numbers and lists, but also
some material which relates to personal research, mathematics and his work; and personal
objects. Some materials in this series were donated by Tudor's sister, Joy Nemiroff.
Arrangement
Materials are arranged topically.
box 99, folder 1-13
Recipes,
undated
Scope and Content Note
A large quantity of handwritten recipes and some clippings. Includes a notebook of
Tudor's favorite recipes.
flatfile 28**
Pasta posters,
1981, undated
box 100, folder 1-18
Health and personal documents,
1944-1945, 1974
Scope and Content Note
Includes notes on herbal remedies, a book on herbs, Tudor's x-rays (1974), draft
rejection notices (1944-1945), driver's licenses, social security card, passports, and
birth certificates. 1 folder of 15 personal documents and notes (related to Tudor
health and vital statistics), from Tudor's sister, Joy Nemiroff (folder 18).
box 101, folder 1-11
Spiritual,
undated
Scope and Content Note
Includes typed and handwritten excerpts and notes concerning Buddism, astrology,
tarot and philosophy, and a typescript portion of G. Wachsmuth's "The etheric in
science, art and religion" (see also Notes, boxes 106-107).
Anthroposophical Society,
1940-1994, undated
Scope and Content Note
Mostly newsletters and catalogs.
Notes,
1950s-1990s, undated
Scope and Content Note
This and the following five boxes contain mostly handwritten, and occassionally
typed, notes by Tudor, most of which consist of addresses, phone numbers and lists.
Some of the notes from the 1950s are especially interesting: library checkout slips
for books pertaining to India, cooking, and spiritualism (see also box 101); two thick
folders with algebraic equations; lists of compositions and programs; and some working
notes for performances. Other noteworthy materials are excerpts from spiritual texts
(1960s) and preparations for a course (1970s). From the 1960s onward there are lists
of expenses, food and equipment; travel itineraries; and drawings and notes for his
electronic work. Some letters included.
box 112-115
Personal objects,
1983, undated
Scope and Content Note
Includes small wind instruments, an abacus, playing cards (probably used for
performances), glasses, rulers, and a banner that reads "David Tudor - Electronic
Music" (1983).
box 213*-214*
Personal objects,
undated
Scope and Content Note
Place mats and flute.
Series VIII.
Financial,
1944-1998
Physical Description:
42
boxes
Scope and Content Note
A complete record of Tudor's finances, which includes bills, receipts (including those
for concert tours), bank statements and cancelled checks, credit card statements, income
and royalty statements, taxes, and contracts, filed chronologically. Five boxes of
material dated 1994-1997 (bulk 1995-1996) were organized and filed by Tudor's assistant.
The last box of the series contains correspondence, documents and photocopied meeting
minutes concerning Gate Hill Co-operative, where Tudor resided after 1957.
Arrangement
Materials are arranged chronologically with grouping pertaining to Gate Hill
Co-operative, 1957-1998, at the end.
box 157, folder 1-5
Gate Hill Co-operative,
1957-1998
Series IX.
Photographs,
1930s-1990s, undated
Physical Description:
9
boxes
Scope and Content Note
Primarily black and white prints of Tudor performing, but some portray him in social
situations. Many images show Tudor and Cage together, especially during their 1962 Japan
tour, when Yoko Ono performed with them. Other images capture Tudor performing
34' 46.776',
Music for amplified toy pianos and
Solo for piano. There are at least five different performances of
Rainforest IV represented. Also included are photographs of Tudor's
table top set-ups, and him relaxing with M.C. Richards, Monnier, Stockhausen and Cage.
Some images of Tudor were donated by Earle Brown. Childhood photographs date to the
1930s and were donated by Tudor's sister, Joy Nemiroff.
Arrangement
These photographs are arranged in rough chonological order.
Tudor performing,
1950s-1990s
box 158
1950s
Scope and Content Note
Includes Tudor as a young man at the piano; 34' 46.776', London, 1954; Tudor
performing and dining in Spain; Music for amplified toy pianos and Solo for piano
taken by Ferdinand Boesch.
box 159
1950s-1960s
Scope and Content Note
Images of one performance (Water music?) taken by Manfred Leve, Dusseldorf (many
duplicates, see also box 164).
box 160
1960s
Scope and Content Note
Includes Japan 1962 performing with Cage and Ono and sight-seeing with Cage (see
also albums in box 162); Japan 1962 performing and sight-seeing with Cage; 2 images
of Rauschenberg creating a work; 2 with Rauschenberg and others dining (Merce
Cunningham Dance Co. on tour?); San Francisco Museum of Art, 1965; 9 evenings:
Theatre & engineering, 1966 (see E.A.T. archive for much more); UC Davis 1967
taken by David Freund.
box 161
1960s-1980
Scope and Content Note
Includes table top setups; Pepsi Pavilion 1970 preparations taken by Shunk-Kender;
color slides of Laser concert dated 1970 and 1980; color slides of Rainforest IV,
Chocorua, 1973; Rainforest IV at Purchase (undated) and L'espace Cardin, Paris, 1976
with Viola.
box 162
1970s-1990s
Scope and Content Note
Includes Rainforest IV, ICA Philadelphia, 1979 taken by Kira Perov (Viola's wife);
Rainforest IV taken by Stan Ries (undated); Composers Inside Electronics, Scan Forum
party taken by Fujiko Nakaya; table top setups at Jack Tilton Gallery, NY, 1990
(collaboration with Monnier); 9 lines, reflected, Whitney 1986; and Tudor's memorial
at Judson + Rainforest.
box 163
Images of Tudor, friends and others,
undated
Scope and Content Note
Includes passport photos, M.C. Richards, Cage, Monnier, Stockhausen, Tudor on
tour.
box 164
Tudor performing (enlargements),
circa 1980s,
1994
Scope and Content Note
Early performance taken by Leve, Festival d'Automne, Cage and Tudor circa 1980s,
and May 1994 performance taken by Leve.
box 165
Tudor performing,
1962
Scope and Content Note
2 albums of photos with Tudor, Cage and Ono performing in Japan.
box 166
Images of Tudor, friends and others (enlargements),
circa 1950s, 1980s-1990s
Scope and Content Note
Tudor and Richards 1950s, and late images of Tudor. Also 5 photographs (1 is a
duplicate) of Tudor, from Earle Brown. All the images were taken at the Capital
Records building, New York when Brown was producing TIME-MAINSTREAM. 3 are portraits
of Tudor taken by Earle Brown, one is a group portrait of Christian Wolff, Earle
Brown, John Cage, David Tudor and Morton Feldman, taken by Bob Arnold. Credits for
all 5 images: Courtesy, the Earle Brown Music Foundation.
box 215
Childhood photographs,
circa 1930s
Scope and Content Note
15 photographs (and 9 negatives) of Tudor, his sister Joy and their mother [donated
by Joy Nemiroff].
flatfile 29**
Photo of a woman,
undated
box 1, folder 1
Series X.
Audio recordings,
circa 1952-1992, undated
Audio recordings: circa 1952-1992, undated
Physical Description:
614
items
Scope and Content Note
Approximately 600 audio tapes include performances of Tudor's compositions and of
others, Tudor's found sounds, other musical works and spoken-word recordings. The times
below are approximate and are stated in (HH:MM:SS) format.
Recordings have been transferred from audio cassette tapes, digital audio tapes (DAT),
and reel-to-reel tapes. All tapes have been reformatted, except for a few that were
damaged and a few blank and duplicate tapes. Several notes and letters found with the
original tapes have also been digitized.
The audio recordings were digitized in 2011.
Connect to
digitized audio recordings.
Access is provided for private study,
scholarship, and research purposes only. Audio recordings of Tudor composisitions are
available online. Access to recordings of Non-David Tudor compositions, Source sounds,
David Tudor performances, Other musical works, and Spoken word recordings is available
only to on-site Readers and Getty staff.
Arrangement
These recordings are divided into seven topical groupings. Each grouping is further
arranged alphabetically.
David Tudor compositions,
1970-1994, undated
Scope and Content Note
This group of audio recordings consists of compositions by David Tudor.
box 2A, item C91, side A
Bandoneon!
undated
Bandoneon!: undated
Scope and Content Note
Audiocassette. Total running time: (21:38). EAT 9E A: David Tudor, Bandoneon! Side
B of this cassette contained: "EAT Pav B: David Tudor at Pepsi Pavilion (possibly
Pepsibird?)."
Dialects,
1983-1989, undated
box 7A, item CU6
Dialects,
undated
Dialects: undated
Scope and Content Note
Audiocassette. Total running time: (29:51).
box 1A, item C48
Dialects,
1984
Dialects: 1984
Scope and Content Note
Audiocassette. Total running time: (57:49). Side A (32:04) -- Side B (25:46).
box 1A, item C51
Dialects,
1984
Dialects: 1984
Scope and Content Note
Audiocassette. Total running time: (1:01:22). Four channel. Use copy is stereo
remix.
box 1A, item C49
Dialects,
1984 February
Dialects: 1984 February
Scope and Content Note
Audiocassette. Total running time: (28:33). Stereo binaural, 30 minutes, Dolby
B.
box 1A, item C52, side
A
Dialects,
1984 March 15
Dialects: 1984 March 15
Scope and Content Note
Audiocassette. Total running time: (29:44). March 15, 1984, 4.30 pm [Live mix of
six line channels and a Neumann binaural head. Dolby B, CrO2. Recorded by David E.
Meschter.] Side B of this cassette contained: "David Tudor, Sextet for Seven,
March 17, 1984, 2.55 pm."
box 2A, item C53
Dialects,
1984 March
Dialects: 1984 March
Scope and Content Note
Audiocassette. Total running time: (10:20). Stereo, binaural, 10 minutes (excerpt
from 30 minutes).
box 2A, item C54
Dialects,
1984 March 14
Dialects: 1984 March 14
Scope and Content Note
Audiocassette. Total running time: (32:52). [Rehearsal tape?]
Dialects. 8 Track Source Tape,
1983 December 16
box 28A, item R254
[Channels 1 and 2],
1983 December 16
Dialects. 8 Track Source Tape [channels 1 and 2]: 1983 December 16
Scope and Content Note
Reel-to-reel. Total running time: (48:46). Channels 1 and 2. Electronic
sounds.
box 28A, item R254
[Channels 3 and 4],
1983 December 16
Dialects. 8 Track Source Tape [channels 3 and 4]: 1983 December 16
Scope and Content Note
Reel-to-reel. Total running time: (48:46). Channels 3 and 4. Electronic
sounds.
box 28A, item R254
[Channels 5 and 6],
1983 December 16
Dialects. 8 Track Source Tape [channels 5 and 6]: 1983 December 16
Scope and Content Note
Reel-to-reel. Total running time: (48:46). Channels 5 and 6. Electronic sounds.
[Near silence for the first 24 minutes.]
box 28A, item R254
[Channels 7 and 8],
1983 December 16
Dialects. 8 Track Source Tape [channels 7 and 8]: 1983 December 16
Scope and Content Note
Reel-to-reel. Total running time: (48:46). Channels 7 and 8 on. Electronic
sounds. [Near silence for the first 24 minutes.]
Dialects excerpts from Imaginary Landscape,
1989 August 7
box 2A, item C70
[Excerpt],
1989 August 7
Dialects excerpts from Imaginary Landscape [excerpt]: 1989 Augutst 7
Scope and Content Note
Audiocassette. Total running time: (4:02). Recorded at The Kitchen, New York;
excerpt made August 7, 1989.
box 2A, item C71
[Excerpt],
1989 August 7
Dialects excerpts from Imaginary Landscape [excerpt]: 1989 August 7
Scope and Content Note
Audiocassette. Total running time: (5:44). Recorded at The Kitchen, New York;
excerpt made August 7, 1989.
box 2A, item C72
[Excerpt],
1989 August 7
Dialects excerpts from Imaginary Landscape [excerpt]: 1989 August 7
Scope and Content Note
Audiocassette. Total running time: (4:06). Recorded at The Kitchen, New York;
excerpt made August 7, 1989.
box 2A, item C77
[Excerpt],
1989 August 7
Dialects excerpts from Imaginary Landscape [Excerpt]: 1989 August 7
Scope and Content Note
Audiocassette. Total running time: (5:35). Recorded at The Kitchen, New York;
excerpt made August 7, 1989.
Dialects material,
undated
box 14A, item R59
[channels 1 and 2],
undated
Dialects material [channels 1 and 2]: undated
Scope and Content Note
Reel-to-reel. Total running time: (25:25). Channels 1 and 2. 4 channel.
box 14A, item R59
[channels 3 and 4],
undated
Dialects material [channels 3 and 4],: undated
Scope and Content Note
Reel-to-reel. Total running time: (25:25). Channels 3 and 4. 4 channel.
box 1A, item C50
Dialects, Miami,
1984 February
Dialects, Miami,: 1984 February
Scope and Content Note
Audiocassette. Total running time: (01:04:00). Side A (46:24) -- Side B (17:33).
Performance in Miami, February, 1984 [binaural recording?].
Forestspeech Dub,
undated
box 36A, item RU5
Forestspeech Dub,
undated
Forestspeech Dub: undated
Scope and Content Note
Reel-to-reel. Total running time: (46:14).
box 2A, item C95, side
A
Forestspeech - Dub,
undated
Forestspeech - Dub: undated
Scope and Content Note
Audiocassette. Total running time: (44:56). Side B of this cassette contained:
"Unidentified recording of outdoor ambiance and footsteps."
box 3A, item C150
Forestspeech, Dub #2,
undated
Forestspeech, Dub #2: undated
Scope and Content Note
Audiocassette. Total running time: (31:03). Dolby NR.
box 3A, item C151
Forestspeech, Dub #2, from Dub #1 cassette,
undated
Forestspeech, Dub #2, from Dub #1 cassette: undated
Scope and Content Note
Audiocassette. Total running time: (30:56). Incomplete Dolby NR.
box 2A, item C73
Hedgehog,
1985 September 28
Hedgehog: 1985 September 28
Scope and Content Note
Audiocassette. Total running time: (01:32:00). Side A (46:07) -- Side B
(46:05).
box 2A, item C74
Hedgehog,
1985 September 29
Hedgehog: 1985 September 29
Scope and Content Note
Audiocassette. Total running time: (01:32:00). Side A (46:02) -- Side B
(45:55).
box 2A, item C75
Hedgehog,
1985 September 29
Hedgehog: 1985 September 29
Scope and Content Note
Audiocassette. Total running time: (01:30:00). Side A (45:41) -- Side B (44:39).
Workshop with students at Mobius, Boston, September 29, 1985.
box 5A, item C245, side
A
Island,
undated
Island: undated
Scope and Content Note
Audiocassette. Total running time: (13:51). Side B of this cassette contained:
"John Cage, Telephones and Birds #2."
box 5A, item C247
Island '74,
1974
Island '74: 1974
Scope and Content Note
Audiocassette. Total running time: (23:19). Water sounds, outdoor ambiance; some
spoken words at the end.
box 6A, item C279
Island Eye, Island Ear,
undated
Island Eye, Island Ear: undated
Scope and Content Note
Audiocassette. Total running time: (2:23).
Kite works,
1983-1988, undated
box 10A, item R12
["1", "2", "3", "4"],
undated
["1", "2", "3", "4]: undated
Scope and Content Note
Reel-to-reel. Total running time: (30:00). "1" (8:22) -- "2" (6:12) -- "3"
(8:36) -- "4" (6:34). Mono.
box 10A, item R13
["5", "6", "7", "8"],
undated
["5", "6", "7", "8"]: undated
Scope and Content Note
Reel-to-reel. Total running time: (20:00). "5" (2:59) -- "6" (5:15) -- "7"
(7:24) -- "8" (5:55). Mono.
box 10A, item R14
["9", "10", "11", "12"],
undated
["9", "10", "11", "12"]: undated
Scope and Content Note
Reel-to-reel. Total running time: (28:00). "9" (3:50) -- "10" (7:46) -- "11"
(8:33) -- "12" (8:36). Mono.
Kite String,
1985, undated
box 6A, item C263, side
B
Kite String, C/F, lo's,
undated
Kite String, C/F, lo's: undated
Scope and Content Note
Audiocassette. Total running time: (8:40).
box 1A, item C0
Kite String', Coney Island,
1985 March
Kite String', Coney Island: 1985 March
Scope and Content Note
Audiocassette. Total running time: (30:30). Side A (15:33) -- Side B
(14:56).
box 6A, item C283, side
B
Kite String - dd,
undated
Kite String - dd: undated
Scope and Content Note
Audiocassette. Total running time: (9:47). Side A of this cassette contained:
"Rhythm orig."
box 6A, item C263, side
A
Kite String: fp,
undated
Kite String: fp: undated
Scope and Content Note
Audiocassette. Total running time: (13:13).
Lines and Reflections,
1987-1988
box 2A, item C101
Lines & Reflections, 5/88, 4 CH, A,
1988
Lines & Reflections, 5/88, 4 CH, A: 1988
Scope and Content Note
Audiocassette. Total running time: (46:21). 5/88, 4CH, A.
box 2A, item C103
Lines & Reflections, 5/88, 4 CH, B,
1988
Lines & Reflections, 5/88, 4 CH, B: 1988
Scope and Content Note
Audiocassette. Total running time: (46:16). 5/88, 4 CH, B.
box 2A, item C102
Lines & Reflections, 5/88, 4 CH, C,
1988
Lines & Reflections, 5/88, 4 CH, C: 1988
Scope and Content Note
Audiocassette. Total running time: (46:21). 5/88, 4 CH, C.
box 2A, item C104
Lines & Reflections, 5/88, 4 CH, D,
1988
Lines & Reflections, 5/88, 4 CH, D: 1988
Scope and Content Note
Audiocassette. Total running time: (46:18). 5/88, 4 CH, D.
box 3A, item C105
Lines & Reflections 5/88, 4 CH, E,
1988
Lines & Reflections 5/88, 4 CH, E: 1988
Scope and Content Note
Audiocassette. Total running time: (46:23). 5/88, 4 CH, E.
box 3A, item C106
Lines & Reflections, 4 CH, F,
1988
Lines & Reflections, 4 CH, F: 1988
Scope and Content Note
Audiocassette. Total running time: (01:01:01). 4 CH, F.
Lines and Reflections [performance],
1988
box 2A, item C82, side
A
[part 1],
1988
Lines and Reflections [performance, part 1]: 1988
Scope and Content Note
Audiocassette. Total running time: (45:09). Performance at Akademie der
Kunste, Dusseldorf. Part 1 of 6.
box 2A, item C82, side
B
[part 2],
1988
Lines and Reflections [performance, part 2]: 1988
Scope and Content Note
Audiocassette. Total running time: (45:54). Performance at Akademie der
Kunste, Dusseldorf. Part 2 of 6.
box 2A, item C83, side
A
[part 3],
1988
Lines and Reflections [performance, part 3]: 1988
Scope and Content Note
Audiocassette. Total running time: (38:44). Performance at Akademie der
Kunste, Dusseldorf. Part 3 of 6.
box 2A, item C83, side
B
[part 4],
1988
Lines and Reflections [performance, part 4]: 1988
Scope and Content Note
Audiocassette. Total running time: (43:41). Performance at Akademie der
Kunste, Dusseldorf. Part 4 of 6.
box 2A, item C84
[part 5],
1988
Lines and Reflections [performance, part 5]: 1988
Scope and Content Note
Audiocassette. Total running time: (29:12). Performance at Akademie der
Kunste, Dusseldorf. Part 5 of 6.
box 2A, item C85
[part 6],
1988
Lines and Reflections [performance, part 6]: 1988
Scope and Content Note
Audiocassette. Total running time: (41:47). Performance at Akademie der
Kunste, Dusseldorf. Part 6 of 6.
box 2A, item C81, side
B
Lines and Reflections [source material - Line],
1987
Lines and Reflections [source material - Line]: 1987
Scope and Content Note
Audiocassette. Total running time: (30:47). Line.
box 2A, item C81, side
A
Lines and Reflections [source material - Radarmania],
1987
Lines and Reflections [source material - Radarmania]: 1987
Scope and Content Note
Audiocassette. Total running time: (30:45). Radarmania.
box 2A, item C78
Lines and Reflections, source material,
1987
Lines and Reflections, source material: 1987
Scope and Content Note
Audiocassette. Total running time: (19:45).
box 2A, item C79
Lines and Reflections, source material [K?],
1987
Lines and Reflections, source material [K?]: 1987
Scope and Content Note
Audiocassette. Total running time: (40:50). K? Line with multigate.
box 2A, item C80, side
A
Lines and Reflections, source material [second recording],
1987
Lines and Reflections, source material [second recording]: 1987
Scope and Content Note
Audiocassette. Total running time: (46:28). Line [second recording].
box 2A, item C80, side
B
Lines and Reflections, source material [with multigate],
1987
Lines and Reflections, source material [with multigate]: 1987
Scope and Content Note
Audiocassette. Total running time: (44:19). Line with multigate.
box 4A, item C204, side
B
[ST 2 HG],
undated
[ST 2 HG]: undated
Scope and Content Note
Audiocassette. Total running time: (22:35).
box 4A, item C204, side
A
[ST 2],
undated
[ST 2]: undated
Scope and Content Note
Audiocassette. Total running time: (22:44).
box 4A, item C203, side
B
[ST 3 HG],
undated
[ST 3 HG]: undated
Scope and Content Note
Audiocassette. Total running time: (22:39).
box 4A, item C203, side
A
[ST 3],
undated
[ST 3]: undated
Scope and Content Note
Audiocassette. Total running time: (22:32).
box 4A, item C180
Sea Tails (L) invert,
undated
Sea Tails (L) invert: undated
Scope and Content Note
Audiocassette. Total running time: (31:06). Sea Tails (L) invert, Pulsers (R)
invert.
box 1A, item C18, side
B
Sea Tails [8 minute version],
1983
Sea Tails [8 minute version]: 1983
Scope and Content Note
Audiocassette. Total running time: (8:18). Produced for Molly Davies.
box 1A, item C18, side
A
Sea Tails [Process Transfer],
1983
Sea Tails [Process Transfer]: 1983
Scope and Content Note
Audiocassette. Total running time: (11:01). Process Transfer (used in
recording).
box 1A, item C19
Sea Tails [Tape 1],
1983
Sea Tails [Tape 1]: 1983
Scope and Content Note
Audiocassette. Side A (45:50) -- Side B (45:27). Recording of underwater
sounds.
box 1A, item C20
Sea Tails [Tape 2],
1983
Sea Tails [Tape 2]: 1983
Scope and Content Note
Audiocassette. Side A (46:44) -- Side B (46:28).
box 1A, item C21
Sea Tails [Tape 3],
1983
Sea Tails [Tape 3]: 1983
Scope and Content Note
Audiocassette. Total running time: (01:28:35). Side A (45:00) -- Side B
(43:35). Tape 3.
box 1A, item C22
Sea Tails [Tape 4],
1983
Sea Tails [Tape 4]: 1983
Scope and Content Note
Audiocassette. Total running time: (30:48). Tape 4.
box 1A, item C38
Sea Tails [Tape One, Original],
1983
Sea Tails [Tape One, Original]: 1983
Scope and Content Note
Audiocassette. Total running time: (22:33). Sea Tails, Tape One, Original.
box 1A, item C39, side
B
Sea Tails [Tape Two, Original],
undated
Sea Tails [Tape Two, Original]: undated
Scope and Content Note
Audiocassette. Total running time: (22:12).
box 1A, item C39, side
A
Sea Tails [Tape Two, recorded with EQ],
undated
Sea Tails [Tape Two, recorded with EQ]: undated
Scope and Content Note
Audiocassette. Total running time: (22:40).
box 1A, item C24
Sea Tails Musique 1,
1983 February
Sea Tails Musique 1: 1983 February
Scope and Content Note
Audiocassette. Total running time: (44:00). Side A (22:44) -- Side B (21:49).
Tape 1.
box 1A, item C40, side
A
Sea Tails, [Tape One, with EQ],
undated
Sea Tails, [Tape One, with EQ]: undated
Scope and Content Note
Audiocassette. Total running time: (22:26).
box 1A, item C40, side
B
Sea Tails, [Tape Three, Original],
undated
Sea Tails, [Tape Three, Original]: undated
Scope and Content Note
Audiocassette. Total running time: (22:18).
box 4A, item C187
ST 1 [Sea Tails],
undated
ST 1 [Sea Tails]: undated
Scope and Content Note
Audiocassette. Total running time: (22:25).
box 1A, item C23
Material for the production of Tailing a Dream,
undated
Material for the production of Tailing a Dream: undated
Scope and Content Note
Audiocassette. Total running time: (26:24). Material for the production of
Tailing a Dream [Soundtrack for film by Jackie Monnier].
Likeness to Voices,
undated
box 2A, item C68, side
B
[Likeness to Voices 1],
undated
[Likeness to Voices 1]: undated
Scope and Content Note
Audiocassette. Total running time: (41:30). David Tudor, Concert of October 19,
1983, Oggi Musica, Lugano. David Tudor, Likeness to Voices. [Original inventory
also included Dialects, but only audience ambiance follows Likeness to Voices.]
Side A of this cassette contained: "David Tudor, Concert of October 19, 1983, Oggi
Musica, Lugano. Side A, John Cage, Variations II."
box 13A, item R58
Likeness to Voices [4 channel],
undated
Likeness to Voices [4 channel]: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:06:20). Channels 1 and 2 (33:10) --
Channels 3 and 4 (33:10). 4 channel. [Mistakenly identified in original inventory
as, David Tudor Listens to Voices].
box 4A, item C181
A Monobird N, B Monobird S,
undated
A Monobird N, B Monobird S: undated
Scope and Content Note
Audiocassette. Total running time: (44:45).
box 10A, item R9
Monobird,
undated
Monobird: undated
Scope and Content Note
Reel-to-reel. Total running time: (47:42).
box 23A, item R196
Monobird,
undated
Monobird: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:06:35). Track 1 (33:18) -- Track 2
(33:17).
box 35A, item R335
Mono-Bird,
undated
Mono-Bird: undated
Scope and Content Note
Reel-to-reel. Total running time: (32:23).
box 3A, item C148
Monobird N,
undated
Monobird N: undated
Scope and Content Note
Audiocassette. Total running time: (28:03).
box 3A, item C147, side
A
Monobird NX,
undated
Monobird NX: undated
Scope and Content Note
Audiocassette. Total running time: (30:20).
box 4A, item C182
Monobird Slo,
undated
Monobird Slo: undated
Scope and Content Note
Audiocassette. Total running time: (01:30:30). Side A (44:49) -- Side B
(45:47).
box 4A, item C147, side
B
Monobird SX,
undated
Monobird SX: undated
Scope and Content Note
Audiocassette. Total running time: (30:28).
box 3A, item C119
Neural Network Plus, Tape 1,
1993
Neural Network Plus, Tape 1: 1993
Scope and Content Note
Audiocassette. Total running time: (48:55). Side A (29:25) -- Side B (19:30).
Subtropic New Music Festival 5, 1993, Gustavo Matamoros.
box 3A, item C120
Neural Network Plus, Tape 2,
1993
Neural Network Plus, Tape 2: 1993
Scope and Content Note
Audiocassette. Total running time: (59:35). Side A (29:35) -- Side B (30:00).
Subtropic New Music Festival 5, 1993, Gustavo Matamoros.
box 9A, item DAT2
Neural Synthesis No. 3,
1994 May 3
Neural Synthesis No. 3: 1994 May 3
Scope and Content Note
Digital audio tape. Total running time: (57:42). CPE/Tudor at Mills, 5/3/94. This
reel also contained: Bouquet I, II, III, IV by Steed Cowart; Chromatic Canon by
James Tenney; Harmonium by James Tenney.
Pepsi works,
1971-1973, undated
Miscellaneous Pepsi tapes,
undated
box 25A, item R230
Effects for Pepsi [?],
undated
Effects for Pepsi [?]: undated
Scope and Content Note
Reel-to-reel. Total running time: (9:27).
box 25A, item R229
Effects for Pepsi, Reel #2,
undated
Effects for Pepsi, Reel #2: undated
Scope and Content Note
Reel-to-reel. Total running time: (16:49). Tree crash (0:11) -- sawing wood
(0:35) -- hammering nails (0:54) -- ping pong (0:25) -- bowling alley background
(0:56) -- bowling ball rolls and hits (0:24) -- people's feet walking (1:20) --
water tower filling up (0:52) -- tree crash (0:25) -- flubbery bubbling sounds
(0:20) -- turkey gobbles (0:33) -- avalanche (0:52) -- glass shattering (0:23)
-- bubbling sounds on Jupiter (2:07) -- stream (water) (1:16) -- walking on
gravel (1:05) -- slaps of meat on table (2:38) -- basketball bounce (0:50) --
rim hit basketball (0:20) -- people walking (0:25).
box 15A, item R78
Pepsi Sound Effects,
undated
Pepsi Sound Effects: undated
Scope and Content Note
Reel-to-reel. Total running time: (27:30). Gargling (0:45) -- bubbling tar
(3:21) -- sawing wood (1:04) -- garbage truck (1:05) -- gravel truck (0:43) --
turkeys (0:27) -- glass shatters (0:39) -- boing; ping; mooge boing (1:47) --
female turkey (0:18) -- turkey gobbles (0:16) -- tree fall (0:23) -- motorcycle
- sequence (3:17); sandpapering (1:38); various water sounds (2:56); rubber ball
-- bounce (1:26) -- comments on a view (0:55) -- Mack 6 truck (5:26) -- crowd
footsteps (1:20). 1/2 track.
box 13A, item R56
Pepsi Tape No. 1,
undated
Pepsi Tape No. 1: undated
Scope and Content Note
Reel-to-reel. Total running time: (31:21). 2 track.
box 13A, item R57
Pepsi Tape No. 2,
undated
Pepsi Tape No. 2: undated
Scope and Content Note
Reel-to-reel. Total running time: (24:18). 2 track.
box 2A, item C88, side
B
Anima Pepsi,
undated
Anima Pepsi: undated
Scope and Content Note
Audiocassette. Total running time: (23:30). Side A of this cassette contained:
"Pepsibird, 19710."
Microphone,
1973, undated
box 12A, item R37
[Microphone],
undated
[Microphone]: undated
Scope and Content Note
Reel-to-reel. Total running time: (32:17). [Unmarked tape; contents have been
identified as Microphone].
box 12A, item R38
[Microphone],
undated
[Microphone]: undated
Scope and Content Note
Reel-to-reel. Total running time: (32:35). [Unmarked tape; contents have been
identified as Microphone].
box 31A, item R287
Microphone,
undated
Microphone: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:06:00). Channels 1 and 2 (33:00) --
Channels 3 and 4 (33:00).
box 30A, item R288
Microphone,
undated
Microphone: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:04:48). Channels 1 and 2 (32:24) --
Channels 3 and 4 (32:24).
box 31A, item R289
Microphone,
undated
Microphone: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:05:42). Channels 1 and 2 (32:51) --
Channels 3 and 4 (32:51).
box 31A, item R290
Microphone,
undated
Microphone: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:06:36). Channels 1 and 2 (33:18) --
Channels 3 and 4 (33:18).
box 34A, item R332
Microphone,
undated
Microphone: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:17). Track 1 (33:17) -- Track 2
(33:17).
box 33A, item R315
Microphone,
undated
Microphone: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:40). 1/2 track stereo.
box 33A, item R316
Microphone,
undated
Microphone: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:50). 1/2 track stereo.
box 29A, item R270
Microphone - Mix 1A & 1B,
undated
Microphone - Mix 1A & 1B: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:27).
box 29A, item R271
Microphone - Mix 2A & 2B,
undated
Microphone - Mix 2A & 2B: undated
Scope and Content Note
Reel-to-reel. Total running time: (32:36).
box 30A, item R282
Microphone - Mixdown of #2 & #4,
undated
Microphone - Mixdown of #2 & #4: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:38). [Wednesday takes].
box 30A, item R281
Microphone - Mixdown of #3 & #5,
undated
Microphone - Mixdown of #3 & #5: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:46). [Wednesday].
box 30A, item R276
Microphone #1,
undated
Microphone #1: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:10). [Wednesday takes mixdown].
box 30A, item R275
Microphone #2,
undated
Microphone #2: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:17). [Wednesday takes mixdown].
box 29A, item R274
Microphone #3,
undated
Microphone #3: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:05). [Wednesday takes mixdown].
box 29A, item R273
Microphone #4,
undated
Microphone #4: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:30). [Wednesday takes mixdown].
box 29A, item R272
Microphone #5,
undated
Microphone #5: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:39). [4 track tape mixdown].
box 30A, item R280
Microphone 1A - Mixdown,
undated
Microphone 1A - Mixdown: undated
Scope and Content Note
Reel-to-reel. Total running time: (31:30).
box 34A, item R323
Microphone 1A, excerpt,
undated
Microphone 1A, excerpt: undated
Scope and Content Note
Reel-to-reel. Total running time: (2:40).
box 30A, item R279
Microphone 1B - Mixdown,
undated
Microphone 1B - Mixdown: undated
Scope and Content Note
Reel-to-reel. Total running time: (32:17).
box 30A, item R277
Microphone 2A - Mixdown,
undated
Microphone 2A - Mixdown: undated
Scope and Content Note
Reel-to-reel. Total running time: (32:18).
box 30A, item R278
Microphone 2B - Mixdown,
undated
Microphone 2B - Mixdown: undated
Scope and Content Note
Reel-to-reel. Total running time: (32:12).
box 10A, item R4
Microphone mix A original material,
1973
Microphone mix A original material: 1973
Scope and Content Note
Reel-to-reel. Total running time: (32:45). This reel also contained: "David
Tudor: Rainforest 4 (Linda Fisher, Martin Kalve, David Tudor, Bill Viola)."
box 30A, item R283
Microphone Worktape,
undated
Microphone Worktape: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:07:13). Channels 1 and 2 (33:23) --
Channels 3 and 4 (33:50).
box 30A, item R284
Microphone Worktape,
undated
Microphone Worktape: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:08:24). Channels 1 and 2 (34:12) --
Channels 3 and 4 (34:12).
box 30A, item R285
Microphone Worktape,
undated
Microphone Worktape: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:08:00). Channels 1 and 2 (33:49) --
Channels 3 and 4 (33:49).
box 36A, item RU4
Microphone. Mix 1A and 1B,
undated
Microphone. Mix 1A and 1B: undated
Scope and Content Note
Reel-to-reel. Total running time: (32:43).
box 36A, item RU1
Microphone. Mix 2A and 2B,
undated
Microphone. Mix 2A and 2B: undated
Scope and Content Note
Reel-to-reel. Total running time: (32:32).
box 36A, item RU3
Microphone. Wed. Mix 2 and 4,
undated
Microphone. Wed. Mix 2 and 4: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:27).
box 36A, item RU2
Microphone. Wed. Mix 3 and 5,
undated
Microphone. Wed. Mix 3 and 5: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:25).
box 31A, item R291
Room Tone for Microphone Sessions,
undated
Room Tone for Microphone Sessions: undated
Scope and Content Note
Reel-to-reel. Total running time: (12:16). Channels 1 and 2 (6:08) -- Channels
3 and 4 (6:08).
box 31A, item R292
Room Tone for Microphone Sessions,
undated
Room Tone for Microphone Sessions: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:06:22). Channels 1 and 2 (33:11) --
Channels 3 and 4 (33:11).
box 29A, item R268
Side 1 DBX, Microphone,
undated
Side 1 DBX, Microphone: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:34).
box 29A, item R269
Side 2 DBX, Microphone,
undated
Side 2 DBX, Microphone: undated
Scope and Content Note
Reel-to-reel. Total running time: (33:24).
box 29A, item R267
Side 2 Premix, Microphone,
undated
Side 2 Premix, Microphone: undated
Scope and Content Note
Reel-to-reel. Total running time: (34:00).
Pepscillator,
1971(?), undated
box 1A, item C47, side
B
Pepscillator,
undated
Pepscillator: undated
Scope and Content Note
Audiocassette. Total running time: (11:22). Side A of this cassette contained:
"David Tudor, Pulsers, January 6".
box 11A, item R19
Pepscillator,
undated
Pepscillator: undated
Scope and Content Note
Reel-to-reel. Total running time: (24:15). 1/4 track stereo [tracks are
mislabeled as mono and 4 channel on tape]. This reel also contained:
"Pepsibird."
box 32A, item R296
Pepscillator,
undated
Pepscillator: undated
Scope and Content Note
Reel-to-reel. Total running time: (11:39).
box 1A, item C42, side
B
Pepscillator (25),
1971 (?)
Pepscillator (25): 1971 (?)
Scope and Content Note
Audiocassette. Total running time: (11:02). Side A of this cassette contained:
"David Tudor, Rainforest I, December 11, 1970."
box 2A, item C89
EAT Pav B: David Tudor at Pepsi Pavilion [Pepsibird?],
1971
EAT Pav B: David Tudor at Pepsi Pavilion [Pepsibird?]: 1971
Scope and Content Note
Audiocassette. Total running time: (46:09).
box 2A, item C91, side
B
EAT Pav B: David Tudor at Pepsi Pavilion [Pepsibird?],
undated
EAT Pav B: David Tudor at Pepsi Pavilion [Pepsibird?]: undated
Scope and Content Note
Audiocassette. Total running time: (46:00). Side A of this cassette contained:
"EAT 9E A: David Tudor, Bandoneon!"
box 11A, item R19
Pepsibird,
undated
Pepsibird: undated
Scope and Content Note
Reel-to-reel. Total running time: (29:52). 1/4 track stereo [tracks are
mislabeled as mono and 4 channel on tape]. This reel also contained:
"Pepscillator."
box 2A, item C88, side
A
Pepsibird,
1971
Pepsibird: 1971
Scope and Content Note
Audiocassette. Total running time: (29:56). Side B of this cassette contained:
"Anima Pepsi; 1971."
box 2A, item C57, side
A
Phonemes,
1981
Phonemes: 1981
Scope and Content Note
Audiocassette. Total running time: (12:51). David Tudor, Phonemes, 1981 (Music
for the dance, Channels/Inserts) [Recorded, March 12, 1986]. Side B of this
cassette contained: "David Tudor, Phrases, March 1986."
box 2A, item C61, side
A
Phonemes,
1981
Phonemes: 1981
Scope and Content Note
Audiocassette. David Tudor, Phonemes, 1981 [Recorded March 14, 1984]. Side B of
this cassette contained: "David Tudor, Sextet for Seven."
box 2A, item C62
Phonemes,
1981
Phonemes: 1981
Scope and Content Note
Audiocassette. Total running time: (27:21). Recorded at Sadler's Wells, London,
June 20, 1981, by David Meschter.
box 2A, item C59, Side
A
[tracks 1 & 2],
1981
Phonemes [tracks 1 & 2]: 1981
Scope and Content Note
Audiocassette. Total running time: (33:45). Tape identifies it as CH/IN, for,
Channels/Inserts (title of dance). Possibly a four channel recording. Tracks 1
& 2.
box 2A, item C59, Side
B
[tracks 3 & 4],
1986 March 21
Phonemes [tracks 3 & 4]: 1986 March 21
Scope and Content Note
Audiocassette. Total running time: (33:43). Tape identifies it as CH/IN, for,
Channels/Inserts (title of dance). Possibly a four channel recording. Tracks 3
& 4.
box 2A, item C63, side
A
Phonemes,
1984 March 17
Phonemes: 1984 March 17
Scope and Content Note
Audiocassette. Total running time: (26:56).
box 2A, item C63, side
B
Phonemes,
1984 March 16
Phonemes: 1984 March 16
Scope and Content Note
Audiocassette. Total running time: (27:29).
box 1A, item C31, side
B
7 Mix [SAE] for Phrases,
1976
(?)
7 Mix [SAE] for Phrases: [1976?]
Scope and Content Note
Audiocassette. Total running time: (31:22). Side A of this cassette contained:
"Pulsers, January 7, 1976."
box 2A, item C57, side
B
Phrases,
1986 March 12
Phrases: 1986 March 12
Scope and Content Note
Audiocassette. Total running time: (32:44). This recording may have been
overdubbed, being four channel. Recorded, March 12, 1986. Side A of this cassette
contained: "David Tudor, Phonemes, 1981 (Music for the dance, Channels/Inserts).
Recorded, March 12, 1986."
Pulsers,
1976-1978, undated
box 1A, item C31, side
A
Pulsers,
1976 January 7
Pulsers: 1976 January 7
Scope and Content Note
Audiocassette. Total running time: (40:06). Side B of this cassette contained: "7
Mix [SAE]."
box 1A, item C44
Pulsers,
undated
Pulsers: undated
Scope and Content Note
Audiocassette. Total running time: (01:00:00). Side A (19:40) -- Side B
(39:52).
box 1A, item C46
Pulsers,
1978
Pulsers: 1978
Scope and Content Note
Audiocassette. Total running time: (39:46). For performance electronics [Takehisa
Kosugi, electronic violin]; recorded 1983. Side B of this cassette labeled:
"Untitled, David Tudor., 1972," but was found to be blank.
box 1A, item C47, side
A
Pulsers,
[1976?] January 6
Pulsers: [1976?] January 6
Scope and Content Note
Audiocassette. Total running time: (19:36). Side B of this cassette contained:
"David Tudor, Pepscillator."
box 28A, item R259
Pulsers Dub,
undated
Pulsers Dub: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:11:21). Part 1 (51:37); Part 2 (19:44).
Appears to be a stereo copy of recordings on R257 and R258.
box 1A, item C32
Pulsers, Sydney,
1976 April 21
Pulsers, Sydney: 1976 April 21
Scope and Content Note
Audiocassette. Total running time: (01:20:00). Side A (43:35) -- Side B (36:24).
Performance at Sydney Conservatorium, David Tudor (Pulsers, with recorded
improvisation by Takehisa Kosugi), April 21, 1976.
Rainforest works,
1970-1979, undated
Rainforest,
1970-1979, undated
box 28A, item R251
[Rainforest?],
1978 September 23
[Rainforest?]: 1978 September 23
Scope and Content Note
Reel-to-reel. Total running time: (01:07:04). Possibly a recording of
Rainforest, part of which has 4 channel electric guitar piece recorded over
it[?].
box 7A, item CU13
[Rainforest],
undated
[Rainforest]: undated
Scope and Content Note
Audiocassette. Total running time: (45:45). Recording of performance of Rain
Forest.
box 7A, item CU15
[Rainforest],
undated
[Rainforest]: undated
Scope and Content Note
Audiocassette. Total running time: (45:36). Recording of performance of Rain
Forest.
box 28A, item R252
Everson Rainforest,
undated
Everson Rainforest: undated
Scope and Content Note
Reel-to-reel. Total running time: (47:36). Unidentified interview followed by
Rainforest.
box 1A, item C45, side
A
Laser Rock, (for Rainforest, the conference),
1973
Laser Rock, (for Rainforest, the conference): 1973
Scope and Content Note
Audiocassette. Total running time: (46:07). Side B of this cassette contained:
"David Tudor, Untitled, June 19820."
box 11A, item R18
Rainforest,
undated
Rainforest: undated
Scope and Content Note
Reel-to-reel. Total running time: (26:38). 2 track, stereo.
box 13A, item R55
Rainforest,
undated
Rainforest: undated
Scope and Content Note
Reel-to-reel. Total running time: (23:12). 2 track, stereo.
box 23A, item R199
Rainforest,
undated
Rainforest: undated
Scope and Content Note
Reel-to-reel. Total running time: (25:40).
box 23A, item R200
Rainforest,
undated
Rainforest: undated
Scope and Content Note
Reel-to-reel. Total running time: (44:50). Channels 1 and 2 (22:25) -- Channels
3 and 4 (22:25). 4 channel.
box 23A, item R201
Rainforest,
undated
Rainforest: undated
Scope and Content Note
Reel-to-reel. Total running time: (22:47).
box 23A, item R202
Rainforest,
undated
Rainforest: undated
Scope and Content Note
Reel-to-reel. Total running time: (21:26).
box 28A, item R260
Rainforest (binaural), UCSD,
1977 February 2
Rainforest (binaural), UCSD: 1977 February 2
Scope and Content Note
Reel-to-reel. Total running time: (51:00). Track 1 (28:08) -- Track 2 (22:50).
1/2 track.
box 1A, item C41, side
A
Rainforest [performance #1],
1971 January
Rainforest [performance #1]: 1971 January
Scope and Content Note
Audiocassette. Total running time: (22:55). Rainforest, Performance #1,
Chicago, January, 1971.
box 1A, item C41, side
B
Rainforest [performance #2],
1971 January
Rainforest [performance #2]: 1971 January
Scope and Content Note
Audiocassette. Total running time: (37:08). Rainforest, Performance #2,
Chicago, January, 1971.
box 28A, item R253
Rainforest Buffalo - Upstairs Master,
undated
Rainforest Buffalo - Upstairs Master: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:07:09).
box 11A, item R20
Rainforest Synapse Innervision, Reel 1,
undated
Rainforest Synapse Innervision, Reel 1: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:35:00). Track 1: channels 1 & 2
(47:11) -- Track 2: channels 3 & 4 (48:09). 4 channel.
box 11A, item R21
Rainforest Synapse Innervision, Reel 2,
undated
Rainforest Synapse Innervision, Reel 2: undated
Scope and Content Note
Reel-to-reel. Total running time: (01:24:00). Track 1: channels 1 & 2
(42:05) -- Track 2: channels 3 & 4 (42:06). 4 channel.
box 2A, item C87
Rainforest, (Nov. 79), Dance in America,
1979 November
Rainforest, (Nov. 79), Dance in America: 1979 November
Scope and Content Note
Audiocassette. Total running time: (30:30). Dance in America [Linda Fisher,
Martin Kalve, David Tudor, Bill Viola; stereo, Dolby].
box 28A, item R261
Rainforest, 4 track sub-master,
1976 November
Rainforest, 4 track sub-master: 1976 November
Scope and Content Note
Reel-to-reel. Total running time: (01:04:40). Channels 1 and 2 (32:20) --
Channels 3 and 4 (32:20). Dance in America soundtrack.
box 29A, item R262
Rainforest, Dance in America,
1976 November
Rainforest, Dance in America: 1976 November
Scope and Content Note
Reel-to-reel. Total running time: (32:23). 1/2 track stereo.
box 11A, item R22
Rainforest, de Saisset,
1975 November 25
Rainforest, de Saisset: 1975 November 25
Scope and Content Note
Reel-to-reel. Total running time: (01:07:00). Channels 1 & 2 (33:52) --
Channels 3 & 4 (34:00). 4 channel.
box 5A, item C235
Rainforest, Hi-fi sound,
undated
Rainforest, Hi-fi sound: undated
Scope and Content Note
Audiocassette. Total running time: (19:52).
box 5A, item C237
Rainforest, Kodak,
1970 November 3
Rainforest, Kodak: 1970 November 3
Scope and Content Note
Audiocassette. Total running time: (20:20).
box 5A, item C236
Rainforest, Maestro,
1972 February 8
Rainforest, Maestro: 1972 February 8
Scope and Content Note
Audiocassette. Total running time: (22:41).
box 5A, item C234
Rainforest, Red Seal,
undated
Rainforest, Red Seal: undated
Scope and Content Note
Audiocassette. Total running time: (19:47).
box 11A, item R23
Rainforest, Syracuse,
1974 March 9
Rainforest, Syracuse: 1974 March 9
Scope and Content Note
Reel-to-reel. Total running time: (01:10:00). Track 1: channels 1 & 2
(35:41) -- Track 2: channels 3 & 4 (35:46). 4 channel.
box 11A, item R24
Rainforest, Syracuse,
1974 March 9
Rainforest, Syracuse: 1974 March 9
Scope and Content Note
Reel-to-reel. Total running time: (01:08:00). Track 1: channels 1 & 2,
(34:13) -- Track 2: channels 3 & 4 (34:11). (David Tudor, John Driscoll,
Linda Fisher, Bill Viola, Ralph Jones). 4 channel.
box 5A, item C219
Rainforest, Transducers, Chicago,
undated
Rainforest, Transducers, Chicago: undated
Scope and Content Note
Audiocassette. Total running time: (41:00). Side A (20:38) -- Side B
(20:41).
box 22A, item R188
Rainforest. Concert performance, 11/12/70,
1970 November 12
Rainforest. Concert performance: 1970 November 12
Scope and Content Note
Reel-to-reel. Total running time: (42:34). Cornell University, N.Y., Tudor
& Mumma. Stereo.
box 10A, item R1
Ralph Jones Rainforest instrument,
undated
Ralph Jones Rainforest instrument: undated
Scope and Content Note
Reel-to-reel. Total running time: (42:00). shortwave through garbage-can lid
and wire (31:00) -- Tape and amplifier hiss through same (11:02). 2 channel,
mono.
box 28A, item R255
Synapse Rainforest, Syracuse University,
1974 March 9
Synapse Rainforest, Syracuse University: 1974 March 9
Scope and Content Note
Reel-to-reel. Total running time: (35:12)(35:10). Track 1, channels 1 and 2
(35:12) -- Track 2, channels 3 and 4 (35:10). 4 track dub (crown).
box 1A, item C42, side
A
Rainforest I,
1970 December 11
Rainforest I: 1970 December 11
Scope and Content Note
Audiocassette. Total running time: (41:37). Side B of this cassette contained:
"David Tudor, Pepscillator."
box 2A, item C58, side
A
Rainforest I, [Chicago],
1971 January 12
Rainforest I, [Chicago]: 1971 January 12
Scope and Content Note
Audiocassette. Total running time: (22:18). David Tudor, Rainforest I. Side A,
Chicago, January 12, 1971 [Recorded acoustically from transducers].
box 2A, item C58, side
B
Rainforest I, [Irvine],
1971 February
Rainforest I, [Irvine]: 1971 February
Scope and Content Note
Audiocassette. Total running time: (16:49). Recorded at Irvine, CA, February,
1971 (16:49); 1971.
Rainforest III,
1972?-1979?
box 1A, item C9, side
A
Rainforest III, with John Cage, Mureau,
1972?
Rainforest III, with John Cage, Mureau: 1972?
Scope and Content Note
Audiocassette. Total running time: (58:58). David Tudor, Rainforest III, with
John Cage, Mureau; [Recorded in Basel by Ritty Birchfield]; 1972? Side B of this
cassette contained: "Untitled, with John Cage, Mesostics Re: Merce
Cunningham."
box 1A, item C25, side
A
Rainforest III, with John Cage - Mureau,
1979?
Rainforest III, with John Cage - Mureau: 1979?
Scope and Content Note
Audiocassette. Total running time: (59:29). Rainforest III, with, John Cage -
Mureau; [Recorded in London. Simultaneous performances of works by John Cage and
David Tudor. Recorded by Ritty Birchfield]; 1979? Side B of this cassette
contained: "Untitled, with, John Cage, 52 Mesostics Re: Merce Cunningham."
Rainforest IV,
1976-1977, undated
box 1A, item C27, side
A
Rainforest [IV],
1976 November
Rainforest [IV]: 1976 November
Scope and Content Note
Audiocassette. Total running time: (31:14). David Tudor, Rainforest IV [Two
channel mixdown from four channel. November, 1976, Dolby. Produced for Dance in
America. Performers: David Tudor, Bill Viola, Martin Kalve, Linda Fisher].
box 1A, item C27, side
B
Rainforest [IV],
1977 February
Rainforest [IV]: 1977 February
Scope and Content Note
Audiocassette. Total running time: (45:23). David Tudor, Rainforest IV
[Recorded at UCSD, February, 1977. Performers: David Tudor, John Driscoll, Bill
Viola, Philip Edelstein, Prent Rodgers and/or Paul Dimirinis].
box 10A, item R4
Rainforest 4,
undated
Rainforest 4: undated
Scope and Content Note
Reel-to-reel. Total running time: (32:54). David Tudor: Rainforest 4 [Linda
Fisher, Martin Kalve, David Tudor, Bill Viola]. This reel also contained: "David
Tudor: microphone mix A original material 1973."
box 28A, item R256
Rainforest IV - Stockholm Master, 15 ips,
undated
Rainforest IV - Stockholm Master, 15 ips: undated
Scope and Content Note
Reel-to-reel. Total running time: (45:08). 1/2 track (binaural).
box 4A, item C161
Rainforest, Version IV,
undated
Rainforest, Version IV: undated
Scope and Content Note
Audiocassette. Total running time: (01:07:30). Side A (21:29) -- Side B
(46:07).
Sextet for Seven,
1984-1986
box 2A, item C56
Quartet, [probably Sextet for Seven],
1986 March 22
Quartet, [probably Sextet for Seven]: 1986 March 22
Scope and Content Note
Audiocassette. Total running time: (18:11). 4 channel.
box 2A, item C61, side
B
Sextet for Seven,
1984 March 16
Sextet for Seven: 1984 March 16
Scope and Content Note
Audiocassette. [Recorded March 16, 1984] Side A of this cassette contained:
"David Tudor, Phonemes, 1981."
box 2A, item C55, side
A
Sextet [for Seven],
1984 March 14
Sextet [for Seven]: 1984 March 14
Scope and Content Note
Audiocassette. Total running time: (17:37). Sextet, March 14, 1984, binaural
[probably Sextet for Seven. March 17?]. Side B of this cassette contained: "David
Behrman, Interspecies Smalltalk, City Center Theater, New York City, March 17,
1984."
box 1A, item C52, side
B
Sextet for Seven, 2.55 pm,
1984 March 17
Sextet for Seven, 2.55 pm: 1984 March 17
Scope and Content Note
Audiocassette. Total running time: (17:00). [Live mix of six line channels and
two pseudobinaural Sony ECM 150s. Recorded by David E. Meschter]. Side A of this
cassette contained: "David Tudor, Dialects, March 15, 1984, 4.30 pm."
Soundings: Ocean's Diary,
undated
box 6A, item C274
Soundings: Ocean's Diary,
undated
Soundings: Ocean's Diary: undated
Scope and Content Note
Audiocassette. Total running time: (01:06:57). Bearded seals, recorded in Baffin
Bay (22:02) -- Whales, recorded in Lancaster Sound (44:55).
box 6A, item C275
Soundings: Ocean's Diary,
undated
Soundings: Ocean's Diary,: undated
Scope and Content Note
Audiocassette. Total running time: (38:00). Elephant seals (29:06) -- Midshipman
(9:40).
box 6A, item C276
Soundings: Ocean's Diary,
undated
Soundings: Ocean's Diary: undated
Scope and Content Note
Audiocassette. Total running time: (20:58). Woods Hole.
box 3A, item C134
Talking Shrimp,
undated
Talking Shrimp: undated
Scope and Content Note
Audiocassette. Total running time: (1:27).
box 1A, item C8
Toneburst,
1972?
Toneburst: 1972?
Scope and Content Note
Audiocassette. Total running time: (19:02). Recorded in San Francisco, 1972?
Untitled (aka Homage to Toshi Ichiyanagi),
1972-1982, undated
box 1A, item C28
Homage to Toshi Ichiyanagi, Study 1,
1972
Homage to Toshi Ichiyanagi, Study 1: 1972
Scope and Content Note
Audiocassette. Total running time: (29:34). Study 1; D.T., H.to T.I., 1972.
box 1A, item C29
Homage to Toshi Ichiyanagi, Study 2,
1972
Homage to Toshi Ichiyanagi, Study 2: 1972
Scope and Content Note
Audiocassette. Total running time: (01:02:38). Side A (31:19) -- Side B (31:19).
D.T., H. To T.I., Study 2.
box 1A, item C30
Homage to Toshi Ichiyanagi, Study 3,
1972
Homage to Toshi Ichiyanagi, Study 3: 1972
Scope and Content Note
Audiocassette. Total running time: (30:50). D.T., H. To T. I., Study 3; 1972.
box 1A, item C45, side
B
Untitled,
1982 June
Untitled: 1982 June
Scope and Content Note
Audiocassette. Total running time: (46:08). Performed with Takehisa Kosugi,
violin and electronics, Amsterdam. Side A of this cassette contained: "Laser Rock
(for, Rainforest, the conference), 1973."
box 5A, item C220, side
B
Untitled (Homage to Toshi Ichyanagi), Study 2,
undated
Untitled (Homage to Toshi Ichyanagi), Study 2: undated
Scope and Content Note
Audiocassette. Total running time: (31:05). Side A of this cassette contained:
"Brain waves, beetle walking."
box 1A, item C25, side
B
Untitled, with John Cage, 52 Mesostics Re: Merce Cunningham,
1979?
Untitled, with John Cage, 52 Mesostics Re: Merce Cunningham: 1979?
Scope and Content Note
Audiocassette. Total running time: (45:06). Recorded in London. Simultaneous
performances of works by John Cage and David Tudor. Recorded by Ritty Birchfield;
1979? Side A of this cassette contained: "David Tudor. Rainforest III, with, John
Cage - Mureau."
box 1A, item C9, side
B
Untitled, with John Cage, Mesostics Re: Merce Cunningham,
undated
Untitled, with John Cage, Mesostics Re: Merce Cunningham: undated
Scope and Content Note
Audiocassette. Total running time: (32:46). Recorded in Basel by Ritty
Birchfield. Side A of this cassette contained: "David Tudor, Rainforest III, with
John Cage, Mureau."
box 5A, item C212
Polarity - last perf., Paris, 10/5/90, Virtual Focus,
1990 October 5
Polarity - last perf., Paris, 10/5/90, Virtual Focus: 1990 October 5
Scope and Content Note
Audiocassette. Total running time: (25:53).
box 6A, item C266
Virtual Focus tests,
1990 March
Virtual Focus tests: 1990 March
Scope and Content Note
Audiocassette. Total running time: (01:11:15). Side A (25:06) -- Side B
(46:09).
box 5A, item C230
Virtual Focus, V.F. 2,
1990 March
Virtual Focus, V.F. 2: 1990 March
Scope and Content Note
Audiocassette. Total running time: (27:41).
Weatherings,
1980-1981, undated
box 1A, item C11
Weatherings, [London],
1981 June 18
Weatherings, [London]: 1981 June 18
Scope and Content Note
Audiocassette. Total running time: (34:28). [Recorded by David E. Meschter,
Sadler's Wells, London, June 18, 1981, 8.20-8.54 pm].
box 1A, item C10
Weatherings, [Milano],
1980 November 2
Weatherings, [Milano]: 1980 November 2
Scope and Content Note
Audiocassette. Side A (31:08) -- Side B (8:32).
box 1A, item C12
Weatherings, [Ohio State University],
1981 May 6
Weatherings, [Ohio State University]: 1981 May 6
Scope and Content Note
Audiocassette. Total running time: (36:46). Ohio State University, May 6, 1981,
9.25 pm.
box 3A, item C152
Weatherings, Milano,
undated
Weatherings, Milano: undated
Scope and Content Note
Audiocassette. Total running time: (01:15:00). Side A (47:15) -- Side B
(36:10).
Web for John Cage,
1987, undated
box 1A, item C3, side
A
Web for John Cage,
1987
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (31:16). Demodulated Alpha/Wasp chewing
modified (Harris Gate).
box 1A, item C4
Web for John Cage,
1987
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (42:24). 1-4 continuous.
box 1A, item C5
Web for John Cage,
1987
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (4:08). Copy of tape for Klaus Schonig, 4
minutes?, Dolby B. Appears to be a duplicate of C6.
box 1A, item C6
Web for John Cage,
1987
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (4:11). Stereo, 4 minutes, Dolby B. Appears to
be a duplicate of C5.
box 4A, item C192
Web for John Cage,
undated
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (4:50). 4 channel.
Web for John Cage [source material],
1987
box 1A, item C1, side
A
[1 & 2],
1987
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (12:28).
box 1A, item C1, side
B
[3 & 4],
1987
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (8:34).
box 1A, item C2
Web for John Cage [Mixdown?],
1987
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (49:16). Side A (18:00) -- Side B (31:16).
box 1A, item C3, side
B
Web for John Cage 1-4,
1987
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (29:03). Web for John Cage 1-4 (Harris
Gate).
box 4A, item C206
Web for John Cage, Web Trax Dub 1-4,
undated
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (27:30).
box 5A, item C211, side
B
Webwork,
1988 March 16
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (25:10). Side A of this cassette contained:
"Interspecies Smalltalk, 3/15/88."
box 5A, item C213, side
A
Webwork, Shards,
1998 March
Connect to digital version.
Scope and Content Note
Audiocassette. Total running time: (24:51). Joyce Theater, New York City, March,
1998. Side B of this cassette contained: "Erik Satie, Trois Morceaux en Forme de
Poire, Septet; Joyce Theatre, March 1988."
Non-David Tudor compositions,
[1959]-1996, undated
Scope and Content Note
This group of audio recordings consists of compositions by composers other than David
Tudor, as well as compilations created by composers other than David Tudor.
box 3A, item C107
Misc. Appelbaum, for David Tudor,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Audiocassette. Total running time: (52:00). Doctor Applebaum, improvisation for
solo piano (15:00) -- Improvisation for David Tudor, for mousetrap (11:21) --
Penumbra Part IV, for solo piano (7:36) -- Dead White Males, for orchestra
(18:20).
box 24A, item R216
Wolfman, for voice and tape,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Reel-to-reel. Total running time: (6:12). Text enclosed with original tape.
box 24A
Wolfman, for voice and tape,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Text. Procedures for the vocal component to "Wolfman, for voice and tape." Was
enclosed with original reel-to-reel tape R216.
box 3A, item C113
Transmission Two: The Great Excursion, Part I,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Audiocassette. Total running time: (01:27:37). C113 and C114 contain parts of the
same item. See inserts with copies for details.
box 3A, item C122
Transmission Two: The Great Excursion, Part I,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Audiocassette. Total running time: (01:20:40). C122 and C123 contain parts of the
same piece. See inserts with copies for details.
box 3A, item C114
Transmission Two: The Great Excursion, Part II,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Audiocassette. Total running time: (55:41). C113 and C114 contain parts of the
same item. See inserts with copies for details.
box 3A, item C123
Transmission Two: The Great Excursion, Part II,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Audiocassette. Total running time: (01:17:18). C122 and C123 contain parts of the
same piece. See inserts with copies for details.
box 34A, item R327
Ensembles for Synthesizer,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Reel-to-reel. Total running time: (21:00). Track 1 (15:38) -- Track 2 (5:51).
Behrman, David,
1984-1988, undated
box 12A, item R33
Cello, with Melody Driver electronics,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Reel-to-reel. Total running time: (39:50). With David Gibson, cello.
box 5A, item C211, side
A
Interspecies Smalltalk,
1988 March 15
Connect to digital version. Access is available on-site only
Scope and Content Note
Audiocassette. Total running time: (29:06). Side B of this cassette contained:
"Webwork, 3/16/88."
box 2A, item C55, side
B
Interspecies Smalltalk, City Center Theater, New York City,
1984 March 17
Connect to digital version. Access is available on-site only
Scope and Content Note
Audiocassette. Total running time: (26:36). Side A of this cassette contained:
"Sextet, March 14, 1984, binaural (probably Sextet for Seven). March 17?"
box 24A, item R214
Etudes I and II, for, Fragments,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Reel-to-reel. Total running time: (5:45). Etude I (2:44) -- Etude II (2:59).
box 22A, item R191
Polka,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Reel-to-reel. Total running time: (3:53).
Bussotti, Sylvano,
undated
box 13A, item R49
Five Piano Pieces for David Tudor,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Reel-to-reel. Total running time: (20:54).
box 13A, item R50
Five Piano Pieces for David Tudor,
undated
Connect to digital version. Access is available on-site only
Scope and Content Note
Reel-to-reel. Total running time: (20:51).
Cage, John,
1960-1995, undated
103 for Orchestra,
1992, undated
box 5A, item C226
103 for Orchestra, cassette I,
1992 September 19
Connect to digital version. Access is available on-site only
Scope and Content Note
Audiocassette. Total running time: (01:01:00). Side A (30:36) -- Side B
(30:49). Performed by Kolner Rundfunk Sinfonie-Orchester, September 19, 1992, at
Kolner Philharmonie, conducted by Arturo Tamayo. Cassette 1 of 2.
box 4A, item C197
103 for Orchestra, cassette II,
1992 September 19
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Scope and Content Note
Audiocassette. Total running time: (25:31). Performed by Kolner Rundfunk
Sinfonie-Orchester, conductor, Arturo Tamayo; recorded at Kolner Philharmonie,
September 19, 1992. Cassette 2 of 2.
box 3A, item C109
103, Symphonieorchester des Westdeutscher Rundfunks,
undated
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Scope and Content Note
Audiocassette. Total running time: (01:29:32).
box 36A, item RU8
[Reel 1],
undated
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Scope and Content Note
Reel-to-reel. Total running time: (15:56).
box 36A, item RU7
[Reel 2],
undated
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Scope and Content Note
Reel-to-reel. Total running time: (16:10).
box 4A, item C209
5 Stone, 10/93, MGP; Dolby C,
1993
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Scope and Content Note
Audiocassette. Total running time: (56:53).
box 4A, item C210
5 Stone, 10/93, MGP; Dolby C,
1993
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Scope and Content Note
Audiocassette. Total running time: (56:26).
box 9A, item DAT1
5 Stone (MGP 10/93),
undated
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Scope and Content Note
Digital audio tape.
box 1A, item C35
Five Stone Wind,
undated
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Scope and Content Note
Audiocassette. Total running time: (01:12:00). Side A, 5 Stone Wind (with
recording of fire curtain) (39:42) -- Side B, 5 Stone Wind, Berlin Final
(32:32). John Cage/David Tudor/Takehisa Kosugi, Five Stone Wind.
box 32A, item R293
7 Pieces for Haiku,
undated
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Scope and Content Note
Reel-to-reel. Total running time: (3:21).
box 3A, item C142, side
B
Bklyn. Canfield, 7 Haiku,
1971
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Scope and Content Note
Audiocassette. Total running time: (43:50). Misc people talking in background,
followed by piano music. Side A of this cassette contained: "Computer - CTC data
point terminal."
box 32A, item R295
Cartridge Music,
1960 October 10
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Scope and Content Note
Reel-to-reel. Total running time: (22:38). Stockholm.
box 14A, item R67
[I],
undated
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Scope and Content Note
Reel-to-reel. Total running time: (16:51).
box 14A, item R69
(II),
undated
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Scope and Content Note
Reel-to-reel. Total running time: (17:12).
box 14A, item R68
(III),
undated
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Scope and Content Note
Reel-to-reel. Total running time: (17:04).
box 14A, item R70
(IV),
undated
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Scope and Content Note
Reel-to-reel. Total running time: (16:53).
box 33A, item R313
Imaginary Landscape #5,
undated
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Scope and Content Note
Reel-to-reel. Total running time: (3:09). May be the only surviving copy of the
tape realization. This reel also contained: Christian Wolff: For Magnetic Tape III
-- For Magnetic Tape IV.
box 3A, item C131
Ocean 1 - 95 Rehearsal,
1995
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Scope and Content Note
Audiocassette. Total running time: (01:29:43). Side A (44:47) -- Side B (45:01).
Orchestral rehearsal. Circa 80 players.
Solo for Piano,
1982-1986?, undated
box 34A, item R326
[Solo for Piano],
undated
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Scope and Content Note
Reel-to-reel. Total running time: (32:02). Recording of piece for piano and
tape, identified as Solo for Piano.
box 2A, item C60, side
A
Solo for Piano,
1986? June 13
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Scope and Content Note
Audiocassette. Total running time: (54:12). Recorded at Almeida Theatre,
London. David Tudor, piano. Side B of this cassette contained: "John Cage,
Variations II, David Tudor, piano."
box 2A, item C94, side
A
Solo for Piano,
1982 September 11
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Scope and Content Note
Audiocassette. Total running time: (40:14). Performance by David Tudor at
Phila. Museum of Art, 9/11/82 [recorded by WUHY-FM]. Side B of this cassette
contained: "Variations II, performance by David Tudor at Phila. Museum of Art,
9/11/82."
box 5A, item C245, side
B
Telephones and Birds #2,
undated
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Scope and Content Note
Audiocassette. Total running time: (13:41). Side A of this cassette contained:
"David Tudor, Island."
Variations II,
1982-1986?, undated
box 2A, item C60, side
B
Variations II,
1986? June 13
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Scope and Content Note
Audiocassette. Total running time: (45:13). Recorded at Almeida Theatre,
London. David Tudor, piano. Side A of this cassette contained: "John Cage, Solo
for Piano, David Tudor, piano."
box 2A, item C68, side
A
Variations II,
1983 October 19
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Scope and Content Note
Audiocassette. Total running time: (40:44). Concert of October 19, 1983, Oggi
Musica, Lugano. David Tudor, piano and electronics. Side B of this cassette
contained: "David Tudor, Likeness to Voices/Dialects."
box 26A, item R232
Variations II,
undated
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Scope and Content Note
Reel-to-reel. Total running time: (26:27). Stereo
box 13A, item R46
Variations II [Take 1],
undated
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Scope and Content Note
Reel-to-reel. Total running time: (37:40). Take 1.
box 13A, item R47
Variations II [Takes 2 and 3],
undated
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Scope and Content Note
Reel-to-reel. Total running time: (27:42). Takes 2 and 3.
box 13A, item R48
Variations II [Take 4],
undated
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Scope and Content Note
Reel-to-reel. Total running time: (19:26). Take 4.
box 2A, item C94, side
B
Variations II,
1982 September 11
Scope and Content Note
Audiocassette. Performance by David Tudor at Phila. Museum of Art, 9/11/82
[recorded by WUHY-FM]. Total running time: (38:08).
box 23A, item R193
Field Dances [Cage: Variations IV],
undated
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Scope and Content Note
Reel-to-reel. Total running time: (16:11). Stereo.
box 23A, item R194
Variations IV, for, Field Dances,
undated
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Scope and Content Note
Reel-to-reel. Total running time: (16:21). Stereo.
box 23A, item R195
Variations IV - Field Dances,
undated
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Scope and Content Note
Reel-to-reel. Total running time: (57:54). 1/4 track, stereo. Note on box: For
playback on 60 Hz machines at 50 Hz cyclage.
Williams Mix Source Material,
1952-1953
box 33A, item R311
Source Tape for Williams Mix,
1952 June 16-18
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Scope and Content Note
Reel-to-reel. Total running time: (11:18).
box 33A
[Reformatting notes]
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Scope and Content Note
Text. Notes written during reformatting process.
box 32A, item R302
Source Tape for Williams Mix,
1952 June 23-25
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Scope and Content Note
Reel-to-reel. Total running time: (8:54).
box 32A
[Reformatting notes]
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Scope and Content Note
Text. Notes written during reformatting process.
box 33A, item R307
Source Tape for Williams Mix,
1952 November 10-17
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Scope and Content Note
Reel-to-reel. Total running time: (11:03).
box 33A
[Reformatting notes]
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Scope and Content Note
Text. Notes written during reformatting process.
box 32A, item R300
Source Tape for Williams Mix,
1952 December 29
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Scope and Content Note
Reel-to-reel. Total running time: (2:45).
box 32A
[Reformatting notes]
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Scope and Content Note
Text. Notes written during reformatting process.
box 32A, item R306
Source Tape for Williams Mix,
1952 December 30
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Scope and Content Note
Reel-to-reel. Total running time: (9:38).
box 32A
[Reformatting notes]
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Scope and Content Note
Text. Notes written during reformatting process.
box 33A, item R308
Source Tape for Williams Mix,
1952 December 30
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Scope and Content Note
Reel-to-reel. Total running time: (8:52).
box 33A
[Reformatting notes]
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Scope and Content Note
Text. Notes written during reformatting process.
box 32A, item R304
Source Tape for Williams Mix,
1952 December 31
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Scope and Content Note
Reel-to-reel. Total running time: (11:31).
box 32A
[Reformatting notes]
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Scope and Content Note
Text. Notes written during reformatting process.
box 32A, item R301
Source Tape for Williams Mix,
1953 January 2
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Scope and Content Note
Reel-to-reel. Total running time: (14:15).
box 32A
[Reformatting notes]
Connect to digital version. Access is available on-site only
Scope and Content Note
Text. Notes written during reformatting process.
box 33A, item R309
Source Tape for Williams Mix,
1953 January 2
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Scope and Content Note
Reel-to-reel. Total running time: (14:03).
box 33A
[Reformatting notes]
Connect to digital version. Access is available on-site only
Scope and Content Note
Text. Notes written during reformatting process.
box 32A, item R303
Source Tape for Williams Mix,
November 26, July 9-11
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Scope and Content Note
Reel-to-reel. Total running time: (11:54).
box 32A
[Reformatting notes]
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Scope and Content Note
Text. Notes written during reformatting process.
box 32A, item R305
Source Tape for Williams Mix,
June 27, December 2
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Scope and Content Note
Reel-to-reel. Total running time: (15:26).
box 32A
[Reformatting notes]
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Scope and Content Note
Text. Notes written during reformatting process.
box 33A, item R310
Source Tape for Williams Mix,
December 2, June 11
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Scope and Content Note
Reel-to-reel. Total running time: (16:16).
box 33A
[Reformatting notes]
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Scope and Content Note
Text. Notes written during reformatting process.
box 11A, item R26
[Reel 1 of 2],
undated
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Scope and Content Note
Reel-to-reel. Total running time: (12:30). Preludio a Colon (11:33) -- Balbuceos
(1:01). Both reels were a gift to David Tudor from Charles Amirkhanian, November
12, 1969. Full track, mono.
box 11A, item R27
[Reel 2 of 2],
undated
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Scope and Content Note
Reel-to-reel. Total running time: (22:10). Horizontes (22:10). Both reels were a
gift to David Tudor from Charles Amirkhanian, November 12, 1969. Full track,
mono.
box 3A, item C108
Unauthorized Thinking,
undated
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Scope and Content Note
Audiocassette. Total running time: (6:27). Tom Connors and Peter Stenshoel.
box 3A, item C137
Whirling Dervish,
undated
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Scope and Content Note
Audiocassette. Total running time: (3:46). Piano piece, played by the
composer.
Dempster, Stuart,
undated
box 4A, item C188
On the Boards,
undated
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Scope and Content Note
Audiocassette. Total running time: (37:00). Didjeridervish (5:50) -- Roulette
(7:40) -- Don't Worry, It Will Come (3:58) -- JDBBBDJ (19:09).
box 3A, item C126
[Cassette 1],
undated
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Scope and Content Note
Audiocassette. Total running time: (12:00). For Cynthia (2:20) -- Piano Piece,
1956, A & B (2:50) -- Intersection III (3:11) -- Intermission 5 (3:03).
box 7A, item CU40
[Cassette 2],
undated
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Scope and Content Note
Audiocassette. Total running time: (01:18:00). Triadic Memories [beginning]
(46:08) -- Triadic Memories [conclusion] (14:17) -- Spring of Chosroes
(17:24).