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LA 1249 The Count of Burgundy. Play, 4 acts. Alexander Pope (?), from Anne Plumptre's translation of Augustus von Kotzebue.
LA 1255 The Widow and the Riding Horse; or, The Paradox. Interlude, 1 act. Thomas John Dibdin, from Anne Plumptre's translation of Augustus von Kotzebue.
LA 1262 The Castle of Sorrento. [The Prisoner; or, The Resemblance.] Opera, 2 acts. Henry Heartwell and George Colman, the Younger, from Alexander Duval, Le Prisonnier, ou La Ressemblance.
1800-1809 (LA 1275-1604)
LA 1277 The Ring; [or, Love Me for Myself]. Musical entertainment, 2 acts. William Linley, from his The Pavilion.
LA 1279 Speed the Plough. Comedy, 5 acts. Thomas Morton.
LA 1282 The Triple Discovery. Comedy, 5 acts.
LA 1284 She Lives; or, The Generous Brother. Play, 4 acts. Mary Goldsmith.
LA 1287 De Monfort. Tragedy, 5 acts. John Philip Kemble, from Joanna Baillie.
LA 1288 The Hermione; or, Retaliation. [The Hermione; or, Valour Triumphant.] Musical interlude. Thomas John Dibdin.
LA 1289 The Children; or, Give Them Their Way. Drama with songs, 2 acts. Prince Hoare.
LA 1291 The School for Prejudices. Comedy, 5 acts. Thomas John Dibdin.
LA 1299 What a Blunder. Opera, 3 acts. Joseph George Holman.
LA 1301 The Two Farmers. Musical entertainment, 2 acts. Thomas John Dibdin.
LA 1307 The Dominions of Fancy; or, Harlequin's Tour. Pantomime. Thomas John Dibdin.
LA 1310 Curiosity. Comedy, 3 acts. Francis Lathom.
LA 1317 Orlando and Seraphina; or, The Funeral Pile. Play (heroic drama), 5 acts. Francis Lathom.
LA 1320 False Shame. Comedy, 3 acts. From Augustus von Kotzebue.
LA 1322 Holiday Time; or, The School Boy's Frolic. Farce, 2 acts. Francis Lathom.
LA 1335 Harlequin Almanack; or, The Four Seasons, Songs, Duetts, Glees, Choruses, &c., in. Pantomime. Thomas John Dibdin.
LA 1357 The Merchant of Guadeloupe. Play, 3 acts. John Wallace, from L. S. Mercier.
LA 1360 Idela; [or, The Feuds of Switzerland]. Play, 5 acts. Yve Felix St. Ange Simeon. [T. Simeons?]
LA 1367 The Wife of a Million. Comedy, 5 acts. Francis Lathom.
LA 1380 The Lowland Lassie in London. Musical piece, 1 act. John Rannie.
LA 1383 No Prelude! Prelude. Robert William Elliston.
LA 1391 How to Raise the Wind. Farce, 2 acts. James Kenney.
LA 1399 She Lives; or, The Generous Brother. Comedy, 5 acts Mary Goldsmith.
LA 1400 A Loyal, Comic, and Masonic Olio.
LA 1409 The Sailor's Daughter. Comedy, 5 acts. Richard Cumberland.
LA 1427 Thirty Thousand; or, Who's the Richest? Comic opera, 3 acts. Thomas John Dibdin.
LA 1429 The Land We Live In. Comedy, 5 acts. Francis Ludlow Holt.
LA 1430 Harlequin Quicksilver; or, The Devil and the Gnome. Pantomime, 2 acts. Thomas John Dibdin.
LA 1431 Angelina. [Walcot Castle.] Musical drama, 2 acts. Mary Goldsmith (?).
LA 1432 St. Margaret's Cave. Play, 5 acts. George Charles Carr.
LA 1442 The Castle of Lausanne; or, The Tricks of Timothy. [Out of Place; or, The Lake of Lausanne (?).] Musical farce, 2 acts. [Frederic Reynolds?]
LA 1445 The Garland. Musical farce, 2 acts. Theodore Edward Hook.
LA 1453 Love, Youth, and Folly. Comic opera, 2 acts. William Dimond.
LA 1461 A Prior Claim. Comedy, 5 acts. Henry James Pye and Samuel James Arnold.
LA 1463 Sees Company. Comedy, 5 acts. Frederic Reynolds.
LA 1470 The Legacy; or, A Thousand Pounds' Reward. [The Romantic Lover; or, Lost and Found (?).] Comedy (5 acts). John Till Allingham [or John Philip Kemble?].
LA 1478 The White Plume; or, The Chieftains of the Border. Comic opera, 3 acts. Thomas John Dibdin.
LA 1480 The Forty Thieves. Operatical romance, 2 acts. Richard Brinsley Sheridan, Charles Ward, and George Colman, the Younger.
LA 1483 Loquacity; or, The Invisible Girl. Piece, 1 act. Theodore Edward Hook [or John Bannister?].
LA 1487 A Trip to Marseillers; or, The Labyrinth of Love. Play, 3 acts. Francis Godolphin Waldron.
LA 1488 The Wanderer; or, The Rights of Hospitality. Drama, 3 acts. Charles Kemble, from Augustus von Kotzebue.
LA 1498 The Mountains of Saxony; or, Adrian and Orrila. Play, 5 acts. William Dimond.
LA 1515 Little Thumb and the Ogre; or, The Fairy Boots, Songs, &C., in. [The Ogre and Little Thumb; or, The Seven League Boots, Songs, Choruses, &C. in.] Pantomimical ballet.
LA 1520 Mark the End On't. Comedy, 5 acts. Henry Siddons.
LA 1531 The Wanderer. Play, 3 acts. Charles Kemble, from Augustus von Kotzebue.
LA 1534 The Demon of the Woods; or, The Clock Has Struck. Melodrama, 3 acts. Matthew Gregory Lewis (?).
LA 1552 Plot and Counterplot; or, The Spanish Valets. Farce, 2 acts. Charles Kemble.
LA 1557 Constantine Paleologus. Tragedy, 5 acts. Joanna Baillie.
LA 1561 Venoni; or, The Novice of St. Mark's. Melodrama, 3 acts. Matthew Gregory Lewis.
LA 1562 Man and Wife; or, More Secrets than One. Comedy, 5 acts. Samuel James Arnold.
LA 1574 Grieving Is a Folly. Comedy, 5 acts. Richard Leigh.
LA 1576 Tears and Smiles. Musical romance, 2 acts. Edmund John Eyre.
LA 1580 The Smuggler's Cave; or, Up All Night. Comic opera, 3 acts. Samuel James Arnold.
LA 1582 Killing No Murder. Comic ballad opera, 2 acts. Theodore Edward Hook.
LA 1586 Number Nip. [Kapschou, the Forest Fiend.] A German Legend Told in Action, 2 acts.
LA 1588 Consequences; or, Safe and Sound. Comic opera, 3 acts. Theodore Edward Hook.
LA 1589 Killing No Murder. Farce, 2 acts. Theodore Edward Hook.
LA 1597 Raymond and Agnes; or, The Bleeding Nun. Melodrama, 2 acts. Matthew Gregory Lewis(?).
LA 1599 The Man of Business. Comedy, 5 acts. James Cobb.
LA 1604 Cinderella; or, The Little Glass Slipper. Melo-Dramatic, Allegorical Pantomimic Spectacle, 2 acts.
1810-1819 (LA 1605-2134)
LA 1606 The Edict of Charlemagne; or, The Free Knights. Opera, 3 acts. Frederic Reynolds.
LA 1609 The Mind's Magnet; [or,] The School for Arrogance. Play, 5 acts. James Bland Burges, from Philip Massinger, The City Madam.
LA 1612 Madness Rules the Hour; or, A Budget of Blunders. Farce, 2 acts. _____ Greffulhe.
LA 1615 Hit or Miss. Musical farce, 2 acts. Isaac Pocock.
LA 1617 Lost and Found; or, The Black Forest. Opera, 3 acts. Samuel James Arnold.
LA 1635 Bad Neighbours; or, The Earl and the Baron. Melodramatic opera, 3 acts. Samuel James Arnold.
LA 1642 Gustavus Vasa. Play, 3 acts. William Dimond, from The Hero of the North.
LA 1651 Harlequin Zambullo; or, The Devil upon Two Sticks. Airs, Choruses, &c. Pantomime, 20 scenes.
LA 1655 The Peasant Boy; or, Innocence Protected. Operatic drama, 3 acts. William Dimond.
LA 1669 The War-whoop. Opera, 3 acts. Samuel James Arnold.
LA 1674 Where to Find a Friend. Comedy, 5 acts. Richard Leigh.
LA 1684 Quadrupeds; or, The Manager's Last Kick. Burlesque, 2 acts. From The Tailors.
LA 1685 The Quadrupeds of Quedlinburgh; or, The Rovers of Weimar. Romance (burlesque), 2 acts. George Colman, the Younger.
LA 1686 One o'Clock; [or, The Knight and the Wood Daemon]. Grand musical romance, 3 acts. Matthew Gregory Lewis.
LA 1693 The Perplexed Husband. Comedy, 5 acts. Stephen Clarke.
LA 1695 One Foot by Land and One Foot by Sea; or, The Tartar's Tartar'd! Melodrama, 3 acts. G. Male.
LA 1697 The Vizier's Son and the Merchant's Daughter. Comic burletta, 2 acts. Jane M. Scott.
LA 1711 Le Donne Cambiate. Burletta (Italian), 1 act. Giuseppi Foppa (?).
LA 1714 Prejudice; or, Modern Sentiment. Comedy, 5 acts. Alicia (Sheridan) Lefanu.
LA 1719 The Blank Cartridge. Musical entertainment, 2 acts. From Augustus von Kotzebue Blind Geladen.
LA 1724 The Highgate Tunnell; [or, The Secret Arch]. Burlesque operatic tragedy, prelude and 2 acts. Lascelles(?) Smith.
LA 1729 The Italian Husband. Play, 3 acts. Edmund John Eyre.
LA 1730 The Privateer. Comic opera, 3 acts. From Richard Cumberland, The Brothers.
LA 1733 The Spanish Patriots 1000 Years Ago. Opera, 3 acts. H. B. Code.
LA 1756 The Siege of Sarragossa; or, Spanish Patriots in 1808. [The Siege of Burgos(?).] Opera, 2 acts. [George Bennett?]
LA 1786 Illusion; or, The Trances of Nourjahad. Oriental romance, 3 acts.
LA 1793 The Russian Village. Comic opera, 3 acts. Charles Armitage Brown.
LA 1799 The Earls of Hammersmith; or, Infant Maturity. Burlesque, 1 act. John Poole and Dennis Lawler.
LA 1801 The Wandering Boys; or, The Castle of Olival. Drama, 2 acts. John Kerr (?), from Pixérécourt, Le pélerin blanc.
LA 1803 Ina of Sigiswold. Tragedy, 5 acts. Mrs. Barbarina (Ogle) Wilmot (afterward Brand, Baroness Dacre).
LA 1824 Harlequin Hoax; or, A Pantomime Proposed. Comic extravaganza, 8 scenes. Thomas John Dibdin.
LA 1826 Murder Will Out; or, The Dog of Montargis. Melodrama, 3 acts. William Barrymore, from Pixérécourt.
LA 1839 The Step Mother; or, Fraternal Friendship. Tragedy, 5 acts.
LA 1868 The Virgin of the Sun. Drama, 5 acts. From Augustus von Kotzebue.
LA 1871 Il Trionfo di Cesare sopra i Galli. Cantata (Italian).
LA 1875 A Chip o' th' Old Block; [or, The Village Festival]. Musical piece, 2 acts. Edward P. Knight.
LA 1877 The Daughter; or, The Triumph of Innocence. Melodrama, 3 acts. Isaac Pocock, from L. C. Caigniez, La pie voleuse.
LA 1878 The Magpiè. Melodramatic entertainment, 3 acts. Thomas John Dibdin, from L. C. Caigniez, La pie voleuse.
LA 1893 Harlequin and Fortunio; or, The Treasures of China. Pantomime, 17 scenes.
LA 1895 The Merchant of Bruges; or, Beggar's Bush, Address and Epilogue to. Address by J. C. Hobhouse; epilogue by Douglas James William Kinnaird.
LA 1899 The Duke's Coat. Musical entertainment, 1 act.
LA 1900 Midas. Burletta, 2 acts. Kane O'Hara.
LA 1905 Accusation; or, The Family of D'Anglade. Melodrama, 3 acts. John Howard Payne, revisions by Thomas John Dibdin.
LA 1912 Right and Might; or, The Castle of Ellangowan. Play with music, 3 acts. Daniel Terry and Walter Scott.
LA 1951 The Ravens; or, The Force of Conscience. Romantic drama, 3 acts. Isaac Pocock (?).
LA 1971 The Election. Comic opera, 3 acts. Altered from Joanna Baillie.
LA 1976 Incog; or, Three Days at Hatchett's. Afterpiece, 2 acts. W. A. Keep or W. Lennox (?).
LA 1979 Zodaiya; or, The Rose of Gurgistan. Opera, 3 acts. Thomas Noble.
LA 1998 The Italian Wife. Melodramatic romance, 2 acts. From Henry Hart Milman, Fazio.
LA 2000 The Lady of the Lake. Melodramatic romance, 2 acts. Thomas John Dibdin.
LA 2024 The Jew of Malta. Play, 5 acts. Samson Penley, from Christopher Marlowe.
LA 2042 Amateurs and Actors; or, The Elopement. Musical farce, 2 acts. Richard Brinsley Peake.
LA 2052 Bermecides. Dramatic romance, 3 acts. Henry M. Milner.
LA 2093 Swedish Patriots; or, The Signal Fired. Melodrama, 2 acts. William Abbott.
LA 2105 Walk for a Wager. Musical farce, 2 acts. Richard Brinsley Peake.
1820-1824 (LA 2135-2399)
LA 2136 Lovers of All Sorts; or, He's Not Such a Fool as He Looks. Musical burletta, 3 acts.
LA 2151 Virginius; [or, The Liberation of Rome]. Tragedy, 5 acts. James Sheridan Knowles.
LA 2155 The Admirable Crichton. Farce, 2 acts. Charles Isaac Mungo Dibdin.
LA 2159 The Miller's Maid. Melodrama, 2 acts. John Saville Faucit.
LA 2173 Grey the Collier. Dramatic romance, 2 acts.
LA 2174 A Burletta of Errors; or, Jupiter and Alcmena. Mythological extravaganza, 3 acts. James Robinson Planché, from John Dryden, Amphitryon, or the Two Sosias.
LA 2176 What's Bred in the Bone Won't Come Out of the Flesh. Burletta, 2 acts. James Robinson Planché.
LA 2179 Justice; or, The Caliph and the Cobler. Drama, 2 acts. John Saville Faucit.
LA 2186 Why Did I Marry; or, City Intrigue. Farce, 2 acts. Altered from Barnaby Brittle; or, A Wife at Her Wit's End (1788)
LA 2195 Harlequin Tom, the Piper's Son Stole a Pig and Away He Ran [Run]. Comic pantomime, 13 scenes.
LA 2197 Vampire Giovanni. Burletta, 2 acts. James Robinson Planché.
LA 2202 The Tailors, A Tragedy for Warm Weather. Burlesque, 2 acts.
LA 2203 The Two Violettas. Opera, 3 acts. Frederic Reynolds, from Buckingham's alteration of Beaumont and Fletcher, The Chances.
LA 2216 La Gazza Ladra. Opera (Italian and English), 2 acts. _____ Gherardini; translation by William Joseph Walter.
LA 2218 The Reprobate; or, Four by Honours. Seriocomic melodramatic burletta, 2 acts. Thomas John Dibdin.
LA 2219 Tereza Tomkins; or, The Fruits of Geneva! Burlesque melodrama, 3 acts. William Thomas Moncrieff.
LA 2224 Marino Faliero, [Doge of Venice]. Tragedy, 5 acts. George Gordon, Lord Byron.
LA 2253 Married or Not? or, The Married Bachelor. Burletta, 1 act. P. P. O'Callaghan.
LA 2257 Life in London; [or, The Day and Night Adventures of Logic, Tom, and Jerry]. Burletta, 3 acts. Charles Isaac Mungo Dibdin (?).
LA 2259 Zorayda; or, Scenes in Fashionable Life. Musical burletta, 3 acts. From Matthew Gregory Lewis, Rich and Poor.
LA 2262 Tom and Jerry; or, Life in London. Burletta, 3 acts. William Thomas Moncrieff.
LA 2266 Arrivals; or, Three Days at Long's. Comic burletta, 2 acts. W. A. Keep.
LA 2269 The House That Jack Built; or, Harlequin Tattered and Torn. Comic pantomime. G. Fox.
LA 2272 The Brisket Family; or, The Running of the Rat. Extravaganza, 2 acts. Douglas William Jerrold.
LA 2275 The Pirate. Musical drama, 3 acts. James Robinson Planché.
LA 2277 The Committee; or, Irishman in Distress. Farce, 2 acts. Thomas Knight, from Robert Howard, The Committee.
LA 2283 Cherry and Fair Star; [or, The Children of Cyprus]. Melodramatic romance, 2 acts.
LA 2293 Morning, Noon, and Night; or, The Romance of a Day. Opera, 3 acts. Thomas John Dibdin.
LA 2302 The Retired Fishmonger; or, A New Road to Brighton. Farce, 2 acts. Richard Jones.
LA 2306 Family Jars; or, The Double Mistake and the Triple Discovery. Musical farce, 2 acts. Joseph Lunn.
LA 2308 The Pacha. Melodrama, 2 acts. James Robinson Planché (?) or John Howard Payne (?).
LA 2310 New Lights. Interlude, 1 act. Richard Butler, Earl of Glengall.
LA 2314 The Galley Slaves. Melodrama, 3 acts. John Howard Payne.
LA 2322 Two More Slaves; or, The Escape from Brixton. Burlesque parody, 1 act.
LA 2339 Charles Edward Stuart, The Pretender, in Scotland; or, The Misfortunes of an Exile. Historical drama, 3 acts. Joseph Kemp (?), from Alexander Duval.
LA 2343 The Vision of the Sun; or, The Orphan of Peru. Melodrama, 2 acts.
LA 2347 Roses and Thornes; or, Two Houses under One Roof. Comedy, 5 acts. Joseph Lunn.
LA 2350 Clari; or, The Milanese Peasant Girl. Opera, 3 acts. James Robinson Planché or John Howard Payne (?).
LA 2357 Matilde Shabran E Corradino; ossia, La [B]eltà in Trionfo. Melodrama (Italian), 2 acts. _____ Ferretti (?).
LA 2358 Sweethearts and Wives. Operatic comedy, 3 acts. James Kenney.
LA 2362 Too Curious by Half; or, Marplot in Spain. Musical drama, 2 acts. James Robinson Planché, from Susannah Centlivre, Mar-Plot.
LA 2366 Hit or Miss, New Scenes in. Musical farce, 2 acts. Isaac Pocock.
LA 2368 The Vicar of Wakefield. Pastoral opera, 3 acts. From Thomas John Dibdin.
LA 2369 A Matter of Doubt; [or, Seven Years' Since]. Burletta, 1 act.
LA 2375 Procida; or, Sicilian Vespers. Tragedy, 5 acts. Felicia Dorothea Hemans.
LA 2377 The Cataract of the Ganges; or, The Rajah's Daughter. Grand romantic melodrama, 2 acts. William Thomas Moncrieff.
LA 2384 Caius Gracchus. Tragedy, 5 acts. James Sheridan Knowles.
LA 2385 Win and Wear Her; or, Race for a Wife! Comic burletta, 3 acts. H. C. Williams or Henry W. Challis (?).
LA 2388 Harlequin and Poor Robin; or, The House That Jack Built. Pantomime, 22 scenes. Charles Farley (?).
LA 2396 Manumission; or, The Soldier's Welcome Home. Comic opera, 3 acts. William Dimond.
List of Unidentified Items (LA 2400-2503)
LA 2400 Abel Drugger's Return from the Fete Champetre at Marylebone Gardens. MS. For the Benefit of Mr. Weston On Monday Evening.
LA 2401 Address. Call Hubert, Boy! 'Tis his task to begin. MS: dated 1784.
LA 2402 Address for the English Prisoners in France. MS: dated, by Larpent, H2. June 18, 1812.
LA 2403 Address. From Isis Banks, just wing'd his daring flight. MS: endorsed Address 1784, and, by J.P.C.(?), On some young Actor who left the University for the Stage.
LA 2404 Address. Happy the Bard the Drama must confess. MS: endorsed, by J.P.C., for the sister of Mrs. Wells.
LA 2405 Address. Heavens! could these worthies once again arise. MS: endorsed Edinburgh.
LA 2406 Address Intended to Be Spoken on the Opening of the New Theatre Royal English Opera. Well! here I am at last-& what's as true. MS.
LA 2407 Address, Occasional, by Mr. Lacy. MS: endorsed, by J.P.C., for his [Lacy's] Benefit.
LA 2408 Address, Occasional. The long historic track of Time survey. MS: dated 1796; endorsed, by J.P.C.(?), On some Benefit for Charity.
LA 2409 Address. To carry Coal to Newcastle-Absurd! MS.
LA 2410 Address to the Volunteers of Great Britain. In Spartan Bands to breathe heroic fire. MS.
LA 2411 Address. When Rome's proud legions sought the Albion Throne. Application June 3, 1804, William Powell, D.L. MS.
LA 2412 Address. When young Recruits by hard campaigns at length. Application undated, Thomas Linley, D.L. MS: states, To be spoken by Mr. King on his 1st. Appearance this Season.
LA 2413 Address. Whilst neighbouring nations fired with patriot rage. MS: dated, by Larpent, C.G. Jan. 25, 1791.
LA 2414 Address. Ye friends of Man whose generous hearts can feel. MS: signed, Charles George Dyer.
LA 2415 Address. Ye generous Friends, who so kindly appear. MS: endorsed, Address Theatre Royal Covent Garden. May 1st. 1802.
LA 2416 Address. Ye Liberal friends to the Arts & the Muses. By Thomas John Dibdin (?). MS: signed, T. Dibdin; endorsed, by J.P.C., When invasion was threatened by France T. Dibdin's writing.
LA 2417 Address. You who have shook the Trident of the Main. MS: endorsed, by J.P.C.(?), On opening the Theatre.
LA 2418 The Doctor and His Apprentice. A comic tale. James Kenny. MS: states, written by Mr. Kenney. June 14th. 1806.
LA 2419 Epilogue for Miss Falkner. As when a Bard, who long before in vain. Application undated, John Rich, C.G. MS.
LA 2420 Epilogue. Come on my hearts, Courage can ne'er be blam'd. MS.
LA 2421 Epilogue. Cramm'd to the Throat with wholesome moral Stuff. MS.
LA 2422 An Epilogue (Critics-no frowns!-behold the authors pen) to Be Spoken by Mrs. Leon in the Character of Miss Harcourt. MS.
LA 2423 Epilogue. Did ever author take so wide a field! MS.
LA 2424 Epilogue, [Edward III]. MS: two epilogues-one endorsed, by J.P.C., Variation to Edward III; the other, endorsed by J.P.C., Original Edward II.
LA 2425 Epilogue for Fatima. Is the Stage clear?-bless me-I've such a Dread! MS.
LA 2426 Epilogue. In all this bustle, rage, and Tragic roar. MS.
LA 2427 Epilogue. In former times-'tis long ago I own- MS.
LA 2428 Epilogue. Ladies your servant-Servant Gentlemen all- MS: endorsed, by J.P.C., Qy Murphys writing Spoken by Miss Elliot.
LA 2430 Epilogue. Lord! what a stupid Race these Poets are! MS.
LA 2431 Epilogue. Methinks I hear some youthful Critic say. MS.
LA 2432 Epilogue to Modern Times. MS.
LA 2433 Epilogue. No longer now Camilla, I appear. MS.
LA 2434 Epilogue. Oh what will become of me? Oh what will I do? Nobody coming to marry me-nobody coming to woo. MS.
LA 2435 Epilogue on the Comic Characters of Women. Some Poets say, if such we Poets call. [Joseph Addison's The Drummer.] MS: endorsed [Mrs.?] Pope. Comp. A Prologue on Comic Poetry, and an Epilogue on the Comic Characters of Women, as Spoke at the Theatre Royal in Covent Garden [by Mrs. Bland], 1753 (131933): identical.
LA 2436 Epilogue. Our Bard, midst doubts and fears-and strange dismay. MS.
LA 2437 Epilogue. Our Bards of late, so tragic in their calling. MS.
LA 2438 Epilogue, Spoken by the Lady Who Played Lady Anne in the Tragedy and Maria in the Farce. MS. Comp. LA 2439: partly the same.
LA 2439 Epilogue, Spoken by the Young Lady Who Played Prince Edward in the Tragedy & Corinna in the Farce. MS. (See LA 2438.)
LA 2440 [Epilogue.] The transient Scene of Mimic Passions past. Application undated, Mrs. Yates (Widow of Lieutenant Yates), H1 (?). MS: dated, by J.P.C.(?), Feb., 1797.
LA 2441 Epilogue. To night you've seen a faithful Bard reveal. MS.
LA 2442 Epilogue, Occasional, to Be Spoken by Mrs. Pope on Friday, 5th May. MS: endorsed, by J.P.C., on her return to Theatre.
LA 2443 Epilogue. Tho' the young Smarts I see begin to sneer. MS.
LA 2444 Epilogue. Trembling t'approach ye after what has past. MS.
LA 2445 Epilogue. Unhand me, Gentlemen, by Heaven, I say. MS.
LA 2446 Epilogue. We trust the Comedy perform'd tonight. MS. Endorsed Prologues and Epilogues 1790.
LA 2447 A Fig for the Fellows. [Epilogue?] [1799?] MS: endorsed, by J.P.C., T. R. Covent Garden May 24, 1799. No Play.
LA 2448 An Introductory Dialogue to Some Imitative Recitals. MS.
LA 2449 Un Jeu d'Esprit; or, Jerry Sneak's Intended Law-suit with the Major. MS: some lines deleted.
LA 2450 The Jeu d'Esprit, Song (The Waggoner) and Glee for. MS.
LA 2451 Letter from George Colman, the Younger(?) [to Larpent?]. MS: dated Monday Morning; signed, G. Colman; encloses for approval three lines, beginning When Dullard's perk on Criticism's seat.
Note
LA 2452 [Lines,] When Genius sinks to an untimely grave. MS: endorsed, by J.P.C.(?), On the death of some Composer 1776.
LA 2453 Mother Shipton's Review of the Audience. Application undated, Thomas Harris, C.G. MS: notice states, intended to be spoken by Mr. Quick at the Theatre Royal Covent Garden.
LA 2454 Prologue. Ah, Sirs! it is an Axiom, and too true. MS.
LA 2455 [Prologue.] Amidst the dread Commotions of the Age. MS: endorsed, by J.P.C., [the Prologue] to one of Vanbrughs Plays revived.
LA 2456 Prologue. Amidst the tumult of each bustling stage. MS.
LA 2457 Prologue. Among the tawny Sons of Indian Lands. MS.
LA 2458 Prologue. Aristophanes of the Modern Stage. MS: endorsed, partly in shorthand, by J.P.C., Virgin Refugee [UNK].
LA 2459 Prologue, As tender plants, which dread the boist'rous gale, and Epilogue, What part shall I assume? O tell me while I greet you. MS: dated, by J.P.C.(?), 1794.
LA 2460 Prologue. As wary Generals ere they risk a fight. MS.
LA 2461 Prologue. Bold is the Man! who, in this nicer Age. MS.
LA 2462 Prologue. Critics for once your dread decree Suspend. MS.
LA 2463 Prologue. A Female Culprit at your Bar appears. MS.
LA 2464 Prologue. Fond of your Praise-the Praise which most I love. MS. Comp. LA 2465: almost identical.
LA 2465 Prologue. Fond of your Praise-the Praise which most I love. MS: endorsed, by J.P.C.(?), Spoken by the Simsons.
LA 2466 Prologue [for the Opening of Covent Garden]. MS: endorsed, by J.P.C.(?), Opening C.G.
LA 2467 Prologue for the Prince's Birthday. [By David Garrick?] Application by D. Garrick, D.L. MS: notice signed by Garrick, for Mr. Lacy & himself.
LA 2468 Prologue for the Theatrical Fund. MS.
LA 2469 [Prologue? to she Couldn't Help It (?)] In these gay Days a little given to Riot. MS: endorsed, by J.P.C., Murphy's writing.
LA 2470 Prologue. In vain would Satire with misguided rage. MS.
LA 2471 Prologue, I've por'd on th'ancients till I'm almost blind, and Epilogue, Anon will be the Critic's busy Hour. MS.
LA 2472 Prologue. Let Truths clear Eye, to Equity resign'd. MS.
LA 2473 Prologue. May I take the Liberty-to intrude upon your Patience-for a minute? MS: endorsed, by J.P.C., Qy Murphy's writing.
LA 2474 Prologue, Occasional. Of all the Victims which enamour'd Fame. MS: dated, by J.P.C.(?), 1794.
LA 2475 Prologue, An Occasional, to The Man's Bewitch'd. MS.
LA 2476 Prologue, on Occasion of a Monument Design'd to Be Erected, by Contribution, to Shakespeare. MS: endorsed, by J.P.C.(?), 1768-9 Qs.
LA 2477 Prologue to Oedipus. John Lockman (?). MS: signed, Jno. Lockman; endorsed, by J.P.C., Lockman's handwriting.
LA 2478 Prologue (Of all the Taxes, Custom's Power has made) to the New Piece. Thomas John Dibdin. MS: states, written by T. Dibdin.
LA 2479 Prologue (Oft has the trembling Poet sent me forth) by Mrs. Pope. MS: endorsed, by J.P.C.(?), on her Benefit.
LA 2481 Prologue and Epilogue to Oliver Cromwell. [George Smith Green.] MS: endorsed, by J.P.C., Never acted-(against Rich & Garrick) By G Smith Green; dated by J.P.C. 1752.
LA 2482 Prologue, Our Comic bard, before whose roving Eye,and Epilogue, Truth has declar'd, and question it none can. MS: dated, by J.P.C.(?), 1794.
LA 2483 Prologue. Our modern Poets scarce know how to choose. MS.
LA 2484 [Prologue.] Pray Sir come back-come back-the author swears. MS.
LA 2485 Prologue. Prest by the load of life the weary mind. MS.
LA 2486 Prologue, and Alterations [Richard III, Burlesque?]. MS: dated, by J.P.C.(?), Qy 1791.
LA 2487 Prologue. Since ev'ry rav'nous Critic's in his place. MS.
LA 2488 Prologue. Studious the guilty passions to controul. MS.
LA 2489 [Prologue.] Studious to please, but with a Conscious Fear. MS.
LA 2490 [Prologue.] That Critics may [[UNK]?] nor malice grumble. MS: two lines deleted; on verso, Mr. Farren deleted.
LA 2491 Prologue, Tho' I'm a Female, and the rule is ever, and Epilogue, I must, will, speak; I hope my Dress and Air. MS.
LA 2492 Prologue, to Be Spoken at the Opening of the New Theatre in Glasgow. MS. Dated by Larpent Apr., 1805.
LA 2493 Prologue. When e'er a new fledg'd Poet hither brings. MS.
LA 2494 Prologue. When Fruits & Flowers Uncultivated lye. MS.
LA 2495 Prologue. When the rude Masters of the early time. MS.
LA 2496 Prologue, With modest Dread this Night I mount the Stage, and Epilogue, As it's the Form of Satire now in Vogue. MS: prologue, By the Author of the Play; epilogue, By a friend.
LA 2497 Prologue. Ye glitt'ring Train whom Lace & Velvet bless. MS.
LA 2498 [Richard III (?).] Scene from (?). MS.
LA 2499 A Snack for the Travellers. [A piece for recitation?] MS.
LA 2500 Song. I was born beyond the Humber. MS.
LA 2501 Song. Old Father Antic the Law. MS.
LA 2502 Song. When I liv'd in Balenocrazy, dear. MS.
LA 2503 Le Virtuose.
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