Finding aid for the Galerie Paul Maenz Köln records, 1956-1991 (bulk 1970-1990) 910066
Lynda Bunting.
Special Collections
1998
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
Business Number: (310) 440-7390
Fax Number: (310) 440-7780
reference@getty.edu
Contributing Institution:
Special Collections
Title: Galerie Paul Maenz Köln records
Creator:
Kosuth, Joseph
Creator:
Salvo, 1947-
Creator:
Rutault, Claude
Creator:
Sohst, Gerhard
Creator:
Schuyff, Peter
Creator:
Sturtevant, 1924-2014
Creator:
Sperone, Gian Enzo
Creator:
Wéry, Marthe, 1930-2005
Creator:
Toroni, Niele, 1937-
Creator:
Askevold, David
Creator:
Barry, Robert, 1936-
Creator:
Bertholin, Jean Marie, 1936-
Creator:
Boyle, Mark, 1934-
Creator:
Ammann, Jean-Christophe
Creator:
Art & Language (Group)
Creator:
Fabro, Luciano, 1936-2007
Creator:
Endart (Group of artists)
Creator:
Dokoupil, J. G. (Jiri Georg), 1954-
Creator:
Disler, Martin
Creator:
Galerie Paul Maenz (Cologne, Germany)
Creator:
Fetting, Rainer, 1949-
Creator:
Feldmann, Hans-Peter, 1941-
Creator:
Celant, Germano
Creator:
Bömmels, Peter, 1951-
Creator:
Burgin, Victor
Creator:
Buren, Daniel
Creator:
De Maria, Nicola, 1954-
Creator:
Darboven, Hanne
Creator:
Dahn, Walter, 1954-
Creator:
Chia, Sandro, 1946-
Creator:
Penone, Giuseppe
Creator:
Poirier, Anne
Creator:
Paolini, Giulio, 1940-
Creator:
Rockenschaub, Gerwald, 1952-
Creator:
Rushton, Dave
Creator:
Poirier, Patrick
Creator:
Rentschler, Friedrich Erwin
Creator:
Hillard, John, 1946-
Creator:
Insley, Will, 1929-2011
Creator:
Haacke, Hans, 1936-
Creator:
Haring, Keith
Creator:
Krätz, Helmut Anton
Creator:
Kiefer, Anselm, 1945-
Creator:
Ludwig, Peter, 1925-1996
Identifier/Call Number: 910066
Physical Description:
40 Linear Feet
(89 boxes)
Date (inclusive): 1956-1991 (bulk 1970-1990)
Date (bulk): 1970-1990
Abstract: German gallery in Cologne, dealing in contemporary art. Maenz exhibited, loaned, and sold works by conceptual artists and
the German neo-Expressionist painters. Correspondence, financial files, artists' biographies, press clippings, printed matter,
and photographs cover virtually every facet of the gallery's operations, 1970-1990. The photograph files comprise approximately
half of the archive and document works by artists and most of the gallery's exhibitions.
Language of Material: Collection materials are in German and English.
Language of Material: Collection material is in German and English.
Separated Material
Maenz's reference library containing ca. 2500 volumes/titles were separated from the archive and cataloged by the Center library
from November, 1992-February, 1993. Gallery publications were separated and accessioned to the library from June-July, 1994.
These consisted of all 16 of the gallery yearbooks and ca. 60 exhibition catalogs and monographs. The following is a list
of accessioned items.
13 "Projekt'74" artists : Paul Maenz, [4 27 July 1974].
19:45 21:55 : September 9th 1967, Frankfurt, Germany / [arranged by Paul Maenz]
Anselm Kiefer, Giulio Paolini, Gerwald Rockenschaub ... [et al.] : ausstellungen Herbst 1985 Sommer 1986 = exhibitions autumn
1985 summer 1986.
Arte cifra : Chia, Clemente, De Maria, Longobardi, Paladino, Tatafiore. Koeln : P. Maenz, c1979.
Bartolini, Luciano. The pearl mosque / [Luciano Bartolini]. Koeln : P. Maenz, [1978?]
Der Blick zurueck ist ein Blick auf die Gegenwart, und/oder, Die Wahrheit hat viele Brueste : Paul Maenz Koeln 1970 1980.
Peter Boemmels : Lichtzaehne zeigen, 25. Jan. 23. Feb. 1985, Galerie Paul Maenz, Koeln.
Bremen. Kunsthalle. Joseph Kosuth : Beitraege zur konzeptuellen Kunst, 1965 1976 : Ausstellung / Kunsthalle Bremen, 11. April
bis 29. April, 1976.
Busche, Ernst A. Jiri Georg Dokoupil / herausgeber Ernst A. Busche zusammen mit Paul Maenz. Berlin : Galerie Paul Maenz, 1987.
Crown, sky, war : Francesco Clemente, Paul Maenz Koeln 1988.
Francesco Clemente : "il viaggiatore napoletano" / Paul Maenz, Hrsg. Koeln : Gerd de Vries, 1982.
Enzo Cucchi : un'immagine oscura / herausgegeben von Zdenek Felix. Essen : R. Bacht, [1982]
Dahn/Dokoupil : die Duschbilder : Ricki 1982 1983. [Cologne : Paul Maenz Galerie], c1983.
Walter Dahn. Frechen : Borowsky + Co., c1982.
Walter Dahn, Ausstellung vom 26.2. 23.3.1982, Paul Maenz Koeln.
Walter Dahn und Georg Dokoupil / fotografiert von Roman Soukup. [Germany? ; P. Maenz, 1982]
Martin Disler : Museum Folkwang Essen, 10.V. 30.VI.1985, ARC/Musee d'art moderne de la ville de Paris, 16.X. 1.XII.1985.
Jiri Georg Dokoupil : Christus Bilder = cuadros de Cristo. Santa Cruz de Tenerife : Galeria Leyendecker ; Koeln : Galerie
Paul Maenz, 1987.
Jiri Georg Dokoupil, corporations & products : the sculptures = die Skulpturen / Paul Maenz, Ed., Hrsg. Koeln : Galerie Paul
Maenz ; San Fransisco : Gallery Paule Anglim ; Los Angeles : Asher/Faure, 1985.
Jiri Georg Dokoupil, "neue koelner Schule" : Ausstellung 30. April 25. Mai 1982 : Galerie Paul Maenz. Koeln : Die Galerie,
c1982.
Egonavigatio : Sandro Chia, Francesco Clemente, Nicola de Maria, Mimmo Paladino : [Ausstellung] Mannheimer Kunstverein e.v.,
30. Maerz 27. April 1980 / [Bearbeitung, Gerd de Vries].
Die enthauptete Hand : 100 Zeichnungen aus Italien : Chia, Clemente, Cucchi, Paladino : [Ausstellung] Bonner Kunstverein,
20. Januar 28. Februar 1980; Staedtische Galerie Wolfsburg, 9. Maerz 6. April 1980; Groninger Museum, 6. Juni 6. Juli 1980.
Faust, Wolfgang Max, 1944 Hunger nach Bildern : deutsche Malerei der Gegenwart / Wolfgang Max Faust, Gerd de Vries. Koeln
: DuMont, c1982.
Fleisches lust : die wiederkehr des sinnlichen, die erotik der neuen kunst : Adamski ... [et al.]. Koeln : P. Maenz, [1981]
Galerie Paul Maenz, Koeln : ausstellungs saison 1983 84.
Hans Haacke, der Pralinenmeister. Koeln : Galerie Paul Maenz, [1981]
Keith Haring at Paul Maenz. [Koeln : Galerie Paul Maenz, 1984]
Anselm Kiefer / Paul Maenz & Gerd de Vries (hrsg.) ; mit einem Essay von Gudrun Inboden. Koeln : Galerie Paul Maenz, 1986.
Joseph Kosuth. Koeln : P. Maenz, 1971.
Joseph Kosuth : ten propositions "titled 'Art as idea as idea,'" 1967 and 1968. Brussels ; Cologne : P. Maenz, 1973.
The Sixth investigation 1969, proposition 14 = Die sechste Untersuchung 1969, proposition 14 / Joseph Kosuth. Koeln : G. de
Vries, c1971.
1970 1975, Paul Maenz, Koeln / [Zusammenstellung der Zitate, Redaktion und Layout, Paul Maenz, Gerd de Vries].
Maenz, Paul. Art Deco : Formen zwischen zwei Kriegen / Paul Maenz. 5. Aufl. Koeln : DuMont, 1990.
Peter Boemmels, Furniere, der Schatz = veneers, the treasure / Paul Maenz, Hrg. Koeln : W. Koenig, c1989.
Maenz, Paul, 1939 Die 50er Jahre : Formen eines Jahrzehnts / Paul Maenz. 4. Aufl. Koeln : DuMont, 1990.
Maenz, Paul, 1939 Die 50er Jahre : Formen eines Jahrzehnts / Paul Maenz. Stuttgart : G. Hatje, c1978.
Maenz, Paul, 1939 Art deco : 1920 1940 : formas entre dos guerras / P. Maenz ; [version castellana de Pere Ancochea Millet].
Barcelona : G. Gili, [1974]
Reject objects / [Martin Maloney]. Koeln : P. Maenz, 1971.
Muelheimer Freiheit : die Seefahrt und der Tod. [Wilhelmshaven : Kunsthalle Wilhelmshaven, 1981]
Nieuwe duitse kunst 1, Muelheimer Freiheit : H.P. Adamski, Peter Bommels, Walter Dahn, Jiri Georg Dokoupil, Gerard Kever,
Gerhard Naschberger : Groninger Museum, Groningen.
Groningen : Het Museum, [1981]
Una Novia vuelve (a tiempo) : el redescubrimiento del dibujo por el arte de los anos ochenta - 80 obras de una coleccion privada
/ con una introduccion de Zdenek Felix y fragmentos de un texto de Wolfgang Max Faust = A bride returns (timely) : the rediscovery
of drawing through the art of the eighties - 80 works from a private collection / with an introduction by Zdenek Felix and
excerpts from a text by Wolfgang Max Faust. [S.l.] : Gobierno de Canarias, c1989.
Giulio Paolini, Einladung zur Eroeffnung der Ausstellung bei Paul Maenz, Koeln, am Dienstag, dem 30. Juni 1981, 19 bis 21
Uhr.
Giulio Paolini, giorno e notte : Koelnischer Kunstverein 1988. Koeln : Der Verein, [1988]
Giulio Paolini, Mannheimer Kunstverein e.V., 31. Juli 28. August 1977. [Koeln] : Paul Maenz : Gerd de Vries, 1977.
Paul Maenz, Jahresbericht 1973, Koeln & Bruessel : [Askevold ... [et al.]].
Paul Maenz, Jahresbericht 1977 : Ausstellungen der galerie, 29.01. 25.02. Anne und Patrick Poirier ... [et al.].
Paul Maenz, Jahresbericht 1978. Koeln : P. Maenz, c1979.
Paul Maenz Koeln, 1970 1980 1990 : eine Avantgarde Galerie und die Kunst unserer Zeit = an avant garde gallery and the art
of our time / Gerd de Vries (ed.). Koeln : DuMont, c1991.
Paul Maenz Koeln, Ausstellungen : Herbst 1986 Sommer 1987 = exhibitions autumn 1986 summer 1987.
Paul Maenz Koeln, Ausstellungen : Martin Disler ... [et al.]. Koeln : P. Maenz, c1989.
Paul Maenz Koeln, Ausstellungs Saison 1984 85.
Paul Maenz Koeln, Jahresbericht 1971 : [Barry ... [et al.]].
Paul Maenz Koeln, Jahresbericht 1972 : [art & language ... [et al.]]. Koeln : P. Maenz, c1972.
Paul Maenz Koeln, Jahresbericht 1974 : Askevold ... [et al.].
Paul Maenz Koeln, Jahresbericht 1979 : 20.01 28.02. Robert Barry ... [et al.] Koeln : P. Maenz, c1980.
Paul Maenz Koeln, Jahresbericht = annual 1976.
Paul Maenz, neun ausstellungen 81 82 = nine shows 81 82. Koeln : P. Maenz, c1983.
Giuseppe Penone : Museum Folkwang Essen 1.IX. 1.X.1978 / [Redaktion, Paul Maenz, Gerd de Vries ; UEbersetzung des Textes von
Germano Celant, Christa Lueck, Gerd de Vries].
[Essen] : Das Museum, [1978]
Raussmueller Sauer, Christel. Die Sammlung FER / Christel Sauer ; Paul Maenz, Hrsg. ; [UEbersetzung, Radka Donnell] Koeln
: G. de Vries : Vertrieb, Buchhandlung Walther Koenig, c1983.
Peter Roehr, 1944 1968. (Ausstellg.) 15. Jan. 28 Febr. 1971. (Katalog.) Leverkusen, Schloss Morsbroich, Staedtisches Museum
[1971].
Peter Roehr : Kunsthalle Tuebingen, Stedelijk Van Abbemuseum Eindhoven, Frankfurter Kunstverein : Tuebingen 15.I. 13.II.1977,
Eindhoven 18.II. 20.III. 1977, Frankfurt am Main, 25.III. 24.IV. 1977 / Rudi H. Fuchs ... [et al. ; UEbers. ins Engl., James
K. Whitman]. Koeln : DuMont, [1977]
Peter Roehr, Saemtliche Textmontagen. Koeln : G. de Vries, 1972.
Peter Roehr, Ziffern. Koeln : Gerd de Vries, c1970.
Peter Roehr, zum 20. Todestag, 1968 1988. Koeln : Paul Maenz, c1988.
Della pittura, imitazione di Wittgenstein = On painting, in the style of Wittgenstein = UEber die Malerei, im Stile Wittgensteins
/ Salvo ; [translations, Elizabeth Shriver (English), Marianne Wienert Ricci (German]. Koeln : P. Maenz : Buchhandlung Walther
Koenig, Distribution. c1986.
Salvo, Gemaelde, Manuskripte, Fotos, Zeichnungen, Marmortafeln, Objekte : 21.Januar bis 6. Marz 1977, Museum Folkwang, Essen.
Essen : Das Museum, [1977]
Salvo, Gemaelde und Zeichnungen, Ausstellung 8. XII. 1984 19. I. 1985 : Galerie Paul Maenz.
Vangelo / [storia di Salvo]. Koeln : G. de Vries, 1973.
Rob Scholte, Amsterdam : all the portraits up to date, 1983 1988. Cologne : P. Maenz, 1988.
Serielle formationen : Studio Galerie, 22. Mai bis 30. Juni 1967 / zusammenstellung und organisation der ausstellung Peter
Roehr und Paul Maenz. [Frankfurt : Studio Galerie, 1967]
Vries, Gerd de, comp. UEber Kunst; Kuenstlertexte zum veraenderten Kunstverstaendnis nach 1965. On art; artists' writing on
the changed notion of art after 1965. [Koeln] M. DuMont Schauberg [c1974]
What do you expect ? / edited and translated by Christine Bernhardt ; [Buren ... [et al.]]. Koeln : P. Maenz, 1977.
Scope and Content of Collection
The Galerie Paul Maenz Köln archive documents the gallery's extensive engagement in the promotion of contemporary and avant-garde
art in Germany. Maenz represented, exhibited, loaned and sold works by many of the leading artists involved with Conceptualism,
the Trans-avantgarde, and German Neo-Expressionism. The bulk of the material spans the gallery's entire operations from 1970
when Maenz first wrote to numerous artists about his tentative plans to open a gallery, to 1990 the year the gallery closed
its doors.
The collection contains letters and papers relating to the day-to-day activities of the gallery. Maenz corresponded with numerous
artists, museum personnel, gallery owners, private collectors throughout Europe and North America, and art critics. The content
of most letters relates to artists' works and theories, exhibitions and installations, private and public acquisitions, loan
and consignment agreements, and photograph requests. There are a small number of financial papers, which almost fully document
the gallery's finances from 1979-1980, and reference material in the form of artists' biographies, press clippings and printed
matter. Approximately half of the collection consists of photographs, color transparencies, negatives, contact sheets and
slides documenting works by artists and almost all of the gallery's exhibitions.
Arrangement note
The collection is organized in nine series: Series I. General correspondence, 1970-1990; Series II. Artists' correspondence,
1970-1980; Series III. Loans, 1975-1990; Series IV. Photograph permission requests, 1983-1990; Series V. Financial, 1979-1980;
Series VI. Artists' biographies, ca. 1977-1990; Series VII. Clippings and miscellaneous ephemera, 1956-1991; Series VIII.
Gallery publications and printed matter, 1970-1990; Series IX. Photographs, ca. 1971-1990.
Biographical /Historical Note
Galerie Paul Maenz Köln was instrumental in introducing avant-garde art of the 1970s and 1980s to what was initially a German
audience, but would later move beyond to the rest of Europe and North America. The gallery functioned as a facilitator for
artists to realize their work in a new context. This was particularly important in the early years of the gallery, which focused
on the difficult-to-exhibit Conceptual Art. In the late 1970s and early 1980s, the gallery embraced the new painting of the
young Italian Trans-avantgardists and the German Neo-Expressionists. With the help of Maenz's representation, the German artists
in particular had a profound impact on Cologne's importance as a cultural and artistic center.
Paul Maenz was born December 7th, 1939 in Gelsenkirchen, Germany. After he finished school he apprenticed at a department
store, then worked at a printing company. Maenz found this period to be "more or less excruciating." In 1958 Maenz enrolled
in Folkwangschule für Gestaltung, Essen, and studied under Max Burchartz. Maenz stated that, "the concept of this school,
developed along Bauhaus lines, was to give individual talents room to develop --to encourage rather than direct them toward
a specific goal."
In the mid 1960s Maenz worked as an assistant art director for Young & Rubicam, an American advertising agency, in Frankfurt.
There he met Peter Roehr, who, through his work, had a profound impact on how Maenz thought about art. They remained friends
until Roehr's untimely death in 1968 at the age of 24. Maenz represented the Roehr estate and frequently exhibited his works
at the gallery.
Maenz lived in New York City from 1965-67, while still working as an art director for Young & Rubicam. He also founded "Kineticism
Press" with Willoughby Sharp, which was "dedicated to the total distribution of artistic information in all media." It was
during this period that Maenz bought his first art work from Sol LeWitt's studio. This was "Structure," LeWitt's first modular
construction.
In 1967 Maenz moved back to Germany. He organized the influential exhibition "Serielle formationen" with Peter Roehr for the
University of Frankfurt. Many of the artists, such as Sol LeWitt, Carl Andre, Donald Judd, Dan Flavin, Jan Dibbets and Agnes
Martin, were seen here in Germany for the first time. Maenz also organized "19:45-21:55," a multimedia event lasting about
2 hours, in which he invited artists to create ephemeral situations. Konrad Lueg (aka Konrad Fischer) was one of the participants.
Lueg opened a gallery shortly thereafter in Düsseldorf and exhibited the artists whom he had met in Frankfurt. "It is Fischer's
achievement to have developed along with his artists a totally new individual type of gallery, which was taken as a model
for other avant-garde galleries, here and abroad; I should think my own gallery has profited from it when it was formed later
in 1970/71."
Maenz gave up advertising in 1968. He opened a head shop called "Pudding Explosion" with Roehr in the Frankfurt Holzgraben.
"After two intense years during which this shop also became commercially profitable, it cancelled itself out as 'alternative
to the status quo,' and so I closed it."
In 1970 with the encouragement of his friend Gerd de Vries, Maenz opened a gallery for contemporary art in Cologne. He contacted
many Minimal and Conceptual artists for their ideas and suggestions of other artists to exhibit. Most of these artists, including
Joseph Kosuth, Robert Barry, Art & Language artists, David Askevold, Daniel Buren, Victor Burgin and Hans Haacke, a German
expatriate living in New York, were well-known in their own countries, but had shown very little in Germany. Fischer was the
only gallerist at the time in Germany showing the same kind of work.
The gallery officially opened on January 16th, 1971, with a Hans Haacke exhibition. Two years later a second gallery in Brussels
was opened, with less success. Situated at Belgium 195, Avenue Louise, it closed the following year. The main gallery in Cologne
moved three times: once in 1976 from Lindenstraße 32 to Lindenstraße 23, again in 1978 to Schaafenstraße 25 and lastly in
1983 to Bismarckstraße 50, which was an old factory with an interior space designed and built by Thiess Marwede.
The early exhibitions of the gallery primarily featured the Conceptual artists mentioned above. By the mid 70s, Maenz was
slowly moving away from Conceptualism. He began to show the work of the Italian artists Salvo and Giulio Paolini. His interest
in the Trans-avantgarde culminated in 1978 when the gallery had what Maenz called the "Italian Year." The gallery only exhibited
works by young Italian artists such as Giuseppe Penone, Francesco Clemente, Luciano Fabro, Mimmo Paladino, Salvo, Sandro Chia
and Paolini. Maenz followed up with the "Arte Cifra" show in 1979.
The end of 1980 was a turning point for the gallery and for German art in general. Maenz organized the landmark exhibition
"Mülheimer Freiheit & Interessante Bilder aus Deutschland," which introduced younger German artists working in Neo-Expressionism.
The exhibition showed that the generation of artists after Beuys, who were, like Kiefer, interested in painting and rediscovering
German tendencies prior to World War I. For the next four years these artists, which included Martin Disler, Walter Dahn,
Jiri-Georg Dokoupil, Hans-Peter Adamski and Peter Bömmels, exhibited throughout Germany and the rest of Europe in major museums
and galleries.
Maenz's client list reads like a who's who of German contemporary art collectors. Friedrich Rentschler, Gerhard Sohst, Helmut
Anton Krätz, Hans-Joachim Etzold and Peter Ludwig were among the many who looked to Maenz for information and advice. He was
in frequent contact with museum directors and curators, such as Jean-Christophe Ammann, Dieter Koepplin, Zdenek Felix, Kasper
König and Grazia Nunn, about acquisitions and exhibitions.
Furthermore, Maenz cooperated extensively with other galleries. In addition to borrowing works from Gian Enzo Sperone and
Studio Marconi for his Italian program, when the Mülheimer Freiheit group became successful Maenz loaned works to Ileana Sonnabend,
Leo Castelli, Mary Boone, Marian Goodman, Asher/Fauer, Ascan Crone, Reinhard Onnasch, Six Friedrich and many other galleries
throughout North America and Europe. Maenz also exhibited his artists annually at the Basel art fair and Köln Kunstmarkt,
and at various Documenta and Prospekt exhibitions.
In 1975, de Vries became an editor at DuMont Buchverlag, which published many of Maenz's books. De Vries' involvement with
the publishing world might explain the gallery's prolific publishing activities. Some sort of catalog, large or ephemeral,
was produced for almost every exhibition. Additionally, Maenz was friendly with the critics Germano Celant and Wolfgang Max
Faust, both of whom wrote texts for the gallery's yearbooks.
As the Neo-Expressionist artists became successful and began to leave the gallery, Maenz was unable to find others to replace
them. The increasingly commercial aspect of the art world was not interesting to Maenz, who decided to close the gallery in
1990 after the Kiefer exhibition. He felt the times had changed too much. Maenz stated, "I liked the idea that my own gallery
should close while still in conditions that corresponded to the idealism with which it opened."
Maenz moved to Berlin in 1993. He believed there were more opportunities in East Germany for "someone who wanted to start
all over again." He donated his private collection of 150 paintings, sculptures and projects, and 170 drawings to the Kunstsammlungen
zu Weimar in 1994 for its opening in 1998.
Processing History
Lynda Bunting physically processed the manuscript portion of the archive and wrote the finding aid from February-July, 1994.
Rose Lachman assisted by describing some of the letters in Series I and II. Deborah Derby, a consultant for the Book Lab at
GCI, analysed and wrote a brief report (3/14/94) on the best procedure for removing adhesive tape from the color transparencies
in preparation for their printing. Natalia Costea and Laurie King helped execute Derby's recommendations beginning May, 1994.
Jobi Benjamin of the Photo Services Department conducted the printing project from June, 1994 to November 1996. A cross-reference
was made for each artist in Series IX. Photographs in the ARTISTS database of STAR.
Acquisition Information
Acquired in 1991 from Paul Maenz.
Preferred Citation
Galerie Paul Maenz Köln records, 1956-1991 (bulk 1970-1990) Getty Research Institute, Research Library, Accession no. 910066.
http://hdl.handle.net/10020/cifa910066
Publication Rights
Access
Open for use by qualified researchers.
Subjects and Indexing Terms
Photographs, Original
Photographic prints
Ephemera
Art, German -- Germany -- 20th century -- Exhibitions
Slides (photographs)
Art, Modern -- 20th century
Art dealers -- Germany -- Cologne
Art galleries, Commercial
Neo-expressionism
Trans-avantgarde
Avant-garde (Aethetics) -- Germany
Conceptual Art
Art -- Marketing
Galerie Paul Maenz (Cologne, Germany)
Maenz, Paul
General correspondence, Series I.
1970-1990
Container Summary: 7 lin. ft. 14 boxes
Scope and Contents note
Series I contains letters concerning the gallery's daily operations, accumulated and generated by Maenz and also by his partner
Gerd de Vries and assistants Elke Ctortnik and Claudia Bäz. Correspondence concerns exhibition loans and consignment arrangements
(see Series III for loan forms and more correspondence after 1982), acquisitions by museums and private collectors, photograph
permission requests prior to 1986 (see Series IV for after 1986). artists who showed with Maenz write about exhibitions, their
work and sales (see Series II for those artists represented by Maenz or who exhibited at the gallery from 1970-1980). Some
artists (well-known) advise Maenz about his new gallery (1970-1971). Young artists seek=representation. A folder contains
farewell letters sent to Maenz upon the closing of the gallery. Many letters are annotated by Maenz with notes or instructions.
This series is filed alphabetically, and then chronologically (except 1980-1981 and 1982, which are in loose chronological
order). Institutions are mostly filed by city of origin (i.e. Stedelijk Museum, Amsterdam, is filed under "A").
Acconci, Vito
Scope and Contents note
4 items about opening the gallery.
Andre, Carl
Scope and Contents note
3 postcards from Andre, one of which is about Deurle Declaration, and 1 letter to.
Doris Wintgens, Fundatie Kunsthuis Amsterdam
Scope and Contents note
2 items regard loans.
E. de Wilde, Stedelijk Museum, Amsterdam
Scope and Contents note
4 items about loans.
Attalai, Gabor (artist)
Scope and Contents note
4 letters from.
Frau Aarsbergen
Scope and Contents note
letter signed by Adamski and Doukoupil regarding lease of Maastrichter Str. 36, Köln, for Mülheimer Freiheit group (see also
"H" for Hamburg 1980-1981 for letter from Maenz).
René Block, Akademie der Künste, Berlin
Scope and Contents note
letter from.
Stedelijk Museum, Amsterdam, various correspondents
Scope and Contents note
4 items about loans, acquisition of Paolini's "Nesso" and book order.
Askevold, David
Scope and Contents note
letter to regarding financial matters.
Ammann, Jean-Christophe
Scope and Contents note
2 postcards and photocopied ms. "Zur Utopie der mythischen Bilder..."
Grazia Gunn, Australian National Gallery
Scope and Contents note
from Maenz offering works by Clemente (see 1983 for more on acquisitions).
Audretsch, Dr. W.
Scope and Contents note
note and 5 photos of his collection.
Argentofot
Scope and Contents note
ca. 17 items, mostly regarding postcard printings, with proofs.
Barbara Farber, American Graffiti, Amsterdam
Scope and Contents note
re acquisitions, 4 items (see also "F").
Adamski, Hans Peter
Scope and Contents note
letter to.
Han Jansefu, Akademie voor beeldende Kunsten, Arnhem
Scope and Contents note
letter to Walter Dahn.
Allington, Edward
Scope and Contents note
4 items.
Anselmo, Giovanni
Scope and Contents note
about "Enigmatic Column" and Anselmo's schedule, 5 items.
Australian National Gallery (various)
Scope and Contents note
4 items about Grazia Nun seeing exhibitions in Cologne and 12 concerning acquisitions (for correspondence dated after 1983,
see "C" for Canberra ).
Attalai, Gabor
Scope and Contents note
letter from.
Stedelijk Museum, Amsterdam
Scope and Contents note
letter from regarding Chia loan with request form.
Art
Scope and Contents note
17 items regarding "galerienkalender" (see "G" for Gruner + Jahr AG after 1984 for letters regarding
Art).
Thomas Ammann
Scope and Contents note
Regarding dispute over Dokoupil's "Maske" series with 1 letter from Friedrich Rentschler, 6 items.
Allington, Edward
Scope and Contents note
note from.
Thomas Ammann
Scope and Contents note
about works offered, 4 items.
Stedelijk Museum, Amsterdam
Scope and Contents note
re purchase of 2 Disler works, 2 items.
Artefactum
Scope and Contents note
re ads and borrowing of transparencies, 7 items.
AQ-Verlag
Scope and Contents note
re Lippert's text for "Peter Roehr," 3 items.
Art Gallery of South Australia
Scope and Contents note
Regarding Bömmels acquisition, ca. 15 items.
Thomas Ammann
Scope and Contents note
letter to about Dokoupil/Rentschler problem.
Allington, Edward
Scope and Contents note
letter to.
Kunst RAI '85, Amsterdam
Scope and Contents note
ca. 10 items regarding fair organization and exhibition with list of works Maenz sent.
Paule Anglim Gallery
Scope and Contents note
ca.14 items regarding Dahn/Dokoupil exhibition with schematics of Anglim and Asher/Faure galleries.
Asher/Faure
Scope and Contents note
5 items regarding Dahn/Dokoupil exhibition.
Art Gallery of South Australia
Scope and Contents note
Regarding German art exhibition, 4 items.
Art Gallery of South Australia
Scope and Contents note
6 items.
Thomas Ammann
Scope and Contents note
2 items regarding a Clemente work.
Stedelijk Museum, Amsterdam
Scope and Contents note
letter to regarding price of Warhol's "Flowers."
Armleder, John
Scope and Contents note
letter to.
Galerie Arnesen
Scope and Contents note
2 items about Dahn/Dokoupil/Schulze show with schematic of gallery.
Art & Project
Scope and Contents note
5 items mostly regarding Salvo's book "Della Pintura."
Artnews
Scope and Contents note
ca. 8 items regarding ads.
Art Gallery of South Australia
Scope and Contents note
3 items regarding Paolini works for acquisition.
Stedelijk Museum, Amsterdam
Scope and Contents note
3 items regarding Dahn acquisition and Scholte exhibition.
Gallery Paule Anglim
Scope and Contents note
3 items regarding Dokoupil availability.
Artscribe
Scope and Contents note
8 items regarding ads.
Neuer Aachener Kunstverein
Scope and Contents note
checklist of Dahn show.
Achenbach, Helge
Scope and Contents note
contract between Dahn and Achenbach.
Ammann, Jean-Christophe
Scope and Contents note
letter to.
Wim Beeren, Stedelijk Museum, Amsterdam
Scope and Contents note
letter to promoting Schuyff.
Abbaye Saint-André, Centre d'Art Contemporain
Scope and Contents note
2 items regarding acquisitions.
Thomas Ammann
Scope and Contents note
4 items regarding Warhol catalog and offering work.
Attalai, Gabor
Scope and Contents note
letter from.
Galerie Albrecht
Scope and Contents note
letter from regarding bill for Rentschler's purchase of Paolini's "Voyager II."
Armleder, John
Scope and Contents note
letter from.
Baldessari, John
Scope and Contents note
5 items, some regarding artist showing with Fischer instead of Maenz.
Jean-Christophe Ammann, Kunsthalle Basel
Scope and Contents note
much correspondence about Kosuth exhibition and catalog, text for gallery's tenth anniversary yearbook, and other matters,
ca.22 items.
Kunstmuseum Basel
Scope and Contents note
checklists for "Konzept" art exhibition.
Baxter, Iain
Scope and Contents note
3 items.
Sender Freies Berlin
Scope and Contents note
re film "Modell Valentino," 7 items.
Verwertungsgesellschaft Bild-Kunst
Scope and Contents note
ca.10 items.
Bonito Oliva, Achille
Scope and Contents note
letter to regarding Maenz not being able to use Bonito Oliva's text for the yearbook and letter from.
Breakwell, Ian
Scope and Contents note
about Maenz obtaining slides and photos of his work, 11 items.
Bernhard Schnackenburg, Kunsthalle Bremen
Scope and Contents note
re materials for Kosuth show and catalog, 7 items.
Broodthaers, Marcel
Scope and Contents note
note to.
Karel Geirlandt, Palais des Beaux-Arts, Bruxelles
Scope and Contents note
re Wéry acquisition, 4 items.
Bartolini, Luciano
Scope and Contents note
short note from with piece of gold leaf and announcement with gold leaf swirl and signed by Bartolini.
Büttner, Werner and Albert Oehlen
Scope and Contents note
letter to regarding Büttner's and Oehlen's objection to the title of the exhibition "Mülheimer Freiheit & interessante Bilder
aus Deutschland" which the Cologne artists wanted to title "Dumme Fresse."
Boetti, Alighiero
Scope and Contents note
3 items.
Buren, Daniel
Scope and Contents note
Regarding text for the Jahresbericht, 2 items.
Barry, Robert
Scope and Contents note
contains two items about the sale of "Phosphorus -32" and a poster.
Dieter Koepplin, Kunstmuseum Basel
Scope and Contents note
re Paladino drawings exhibition, 6 items.
Barry, Robert
Scope and Contents note
includes letter describing his works and preparations for Dokumenta (ca. 23 Mar 1982), 5 items.
Galerie Buchmann
Scope and Contents note
Regarding Adamski show, 8 items.
Büttner, Werner
Scope and Contents note
2 letters to.
Bundesverband Deutscher Galerien
Scope and Contents note
Regarding sponsorship of Naschberger and "Premierentage 1982," 10 items.
Dieter Koepplin, Kunstmuseum Basel
Scope and Contents note
Regarding loans of drawings for Paladino show, 11 items.
Kunsthalle Basel
Scope and Contents note
some letters about the catalog for "12 Künstler aus Deutschland," 10 items.
Berner, Oskar (artist)
Scope and Contents note
letter from.
Bömmels, Peter
Scope and Contents note
letter to.
Baechler, Donald (artist)
Scope and Contents note
Regarding potential show of young Americans, 2 items.
Barry, Robert
Scope and Contents note
Regarding book with Dr. Franz and "In Other Words," an exhibition curated by Barry at Franklin Furnace, 3 items.
Art 14'83, Basel
Scope and Contents note
8 items.
Dieter Koepplin, Kunstmuseum Basel
Scope and Contents note
mostly regarding Clemente drawings, 3 items (see also 1984).
Bertholin, Jean-Marie
Scope and Contents note
2 letters to.
Kunsthalle Bielefeld
Scope and Contents note
Regarding acquisitions, 5 items.
Mary Boone Gallery
Scope and Contents note
mostly regarding Dahn/Dokoupil show, 6 items.
Bundesverband Deutscher Galerien
Scope and Contents note
Regarding sponsorship of Naschberger, ca.12 items.
Dieter Honisch, Nationalgalerie Berlin
Scope and Contents note
4 items regarding acquisitions.
Klaus Honnef, Rheinisches Landesmuseum Bonn
Scope and Contents note
Regarding potential exhibition "Zwischenbilanz" and publication in Kunstforum, 5 items.
Mary Boone Gallery
Scope and Contents note
list of Dahn/Dokoupil works sold with prices and collectors, 4 items.
Dieter Koepplin, Kunstmuseum Basel
Scope and Contents note
mostly regarding Clemente drawings exhibition and acquisition, 11 items.
Dieter Honisch, Nationalgalerie, Berlin
Scope and Contents note
Regarding various acquisitions, 7 items.
Barbara Claassen-Schmal, Gesellschaft für Aktuelle Kunst, Bremen
Scope and Contents note
Regarding loans for "Kunstlandschaft Bundesrepublik," 11 items.
Musee des Beaux-Arts de Mons, Belgique
Scope and Contents note
Regarding Feldmann loans, 8 items.
Bundesverband Deutscher Galerien
Scope and Contents note
Regarding sponsor program for young artists.
Buren, Daniel
Scope and Contents note
includes letter from Buren describing the past possessors of "EZ 5" and copy of Rentschler's "avertissement" for "In and Out
of the Frame," 5 items.
Art Basel 1985
Scope and Contents note
6 items.
Barry, Robert
Scope and Contents note
letter to.
Dieter Koepplin, Kunstmuseum Basel
Scope and Contents note
Regarding Clemente drawing, 5 items.
Nationalgalerie, Berlin
Scope and Contents note
Regarding acquisition of Kiefer's "Cherubim und Serafim," 5 items.
Karin Bolz Galerie
Scope and Contents note
postcard of Heinrich Nicolaus show with pen drawing.
Galerie Brusberg
Scope and Contents note
Regarding Disler loans, 9 items.
Art Basel 1985
Scope and Contents note
mostly consists of lists of works for Customs.
Jean-Christophe Ammann, Kunsthalle Basel
Scope and Contents note
Regarding text for Jahresbericht 1985, 3 items.
Boehringer Ingelheim Zentrale
Scope and Contents note
Regarding "100 Jahre Kunst in Deutschland, 1885-1985," 5 items.
Städtisches Kunstmuseum, Bonn
Scope and Contents note
Regarding acquisition of three Dokoupil works, 4 items.
Boyle, Mark
Scope and Contents note
note to.
Bömmels, Peter
Scope and Contents note
postcard from.
Beuys, Joseph
Scope and Contents note
note to.
Burda, Hubert
Scope and Contents note
4 letters regarding potential acquisitions with many price lists.
box 3
B, C-D (1986-1990), C-D (1970-1983)
1970-1990
Barry, Robert
Scope and Contents note
letter to.
Art'17, Basel
Scope and Contents note
includes list of works shown by Maenz.
Christian Geelhaar and Dieter Koepplin, Kunstmuseum Basel
Scope and Contents note
Regarding Dahn and Clemente acquisitions, ca.12 items (see also 1987).
Jean-Louis Froment, CAPC Musée d'Art Contemporain de Bordeaux
Scope and Contents note
4 letters regarding loans for show.
Busche, Ernst
Scope and Contents note
Regarding Fokus art information on Dokoupil, 3 items.
Barry, Robert
Scope and Contents note
about new work and exhibition at Maenz and letters with Palais des Beaux Arts, Brussels, and Société mutuelle des administrations
publiques regarding exhibition "Time: the 4th Dimension in Art," in which one piece of Barry's "19 Pieces" was lost, ca.22
items.
Christian Geelhaar and Dieter Koepplin, Kunstmuseum Basel
Scope and Contents note
Regarding Dahn acquisition and Clemente show, ca.12 items.
Bauer, Wolf Otto
Scope and Contents note
about acquiring a Dahn sculpture, 10 items.
Staatliche Museen Preussischer Kulturbesitz Berlin, Haus der Geschichte der Bundesrepublik Deutschland, Bonn, and Städtisches
Kunstmuseum Bonn
Scope and Contents note
Regarding Maenz soliciting Darboven's "Bismarckzeit."
Baril, Mrs. George M.
Scope and Contents note
Regarding acquisition of Scholte work, 5 items.
Barry, Robert
Scope and Contents note
about works to be shown at Lambert's, sales, commissions and an exhibition at Maenz, 6 items.
Jean-Christophe Ammann, Kunsthalle Basel
Scope and Contents note
letter to.
Bömmels, Peter
Scope and Contents note
correspondence with others regarding restoration of "o.T. (Tänzer II auf Tier), 1980, and letter to, 3 items.
Städtisches Kunstmuseum Bonn
Scope and Contents note
4 items.
Barry, Robert and Julie
Scope and Contents note
about recent work and Julie's thoughts on Barry's Nice installation, 7 items.
Galerie Beaubourg
Scope and Contents note
Regarding possible Dahn consignment agreement and purchase of works, ca.7 items.
Bömmels, Peter
Scope and Contents note
letter to.
Galerie Lars Bohman
Scope and Contents note
Regarding consignment of Dahn works, 6 items.
Rheinisches Landesmuseum, Bonn
Scope and Contents note
Regarding loan of Scholte and acquisition of Bömmels, 3 items.
Katharina Schmidt and Klaus Schrenk, Städtisches Kunstmuseum Bonn
Scope and Contents note
5 items.
Brunn, Dr. B.
Scope and Contents note
letter from with comments on critics Werner Spies and Werner Hofmann, 2 items.
Buren, Daniel
Scope and Contents note
Regarding exhibiting a work shown in Projekt '74 and copy of a fax to Fischer about the "forgery" of "Bilderstreit" with Maenz
expressing his support, 5 items.
James Grauerholz for William S. Burroughs
Scope and Contents note
letter from about selection of works for show.
Barry, Robert and Julie
Scope and Contents note
Regarding new work, schedule, explanation of "Famous Paintings" and personal matters, 9 items.
Boezem, Marinus (artist)
Scope and Contents note
2 items.
Pierre Baudson, Musées Royaux des Beaux-Arts de Belgique
Scope and Contents note
about a Kiefer acquisition and its possible damage in transport, 9 items.
James Grauerholz for William S. Burroughs
Scope and Contents note
Regarding sales, return of works on consignment from Shafrazi and arranging a meeting with Burroughs and Dahn, ca.15 items.
Buren, Daniel
Scope and Contents note
2 faxes from about returning works to Buren.
Camorani, Marcello (artist)
Scope and Contents note
rejection letter to.
Leo Castelli Gallery
Scope and Contents note
Regarding availability and sale of works to clients of Maenz, especially of Barry's slide piece "Four Seasons," 11 items.
Celant, Germano
Scope and Contents note
substantial correspondence about Celant requesting transparencies and infomation on artists, texts written by Celant for Maenz
gallery publications, including Jahresbericht 1970-1975 and 1978 and Giulio Paolini, and
Kunstforum article on Italian art, ca.27 items.
Charlier, Jacques (artist)
Scope and Contents note
3 items.
Chiari, Giuseppe (artist)
Scope and Contents note
4 items.
Art Institute of Chicago
Scope and Contents note
correspondence with James Speyer and Anne Rorimer, 5 items.
Corris, Michael (A & L artist)
Scope and Contents note
2 items.
Crimp, Douglas
Scope and Contents note
Regarding potential Agnes Martin exhibition at Maenz, 3 items.
Crown Point Press
Scope and Contents note
correspondence with Robin White regarding subscription of View and its content and with Thomas Way regarding Maenz's purchase
of Buren etchings, 13 items.
Cutforth, Roger (artist)
Scope and Contents note
3 items.
Dibbets, Jan
Scope and Contents note
includes letters which attempt to mend a rift in their relationship, 5 items.
Dolla, Noel
Scope and Contents note
Regarding his show and sale of works, 11 items.
Städtische Kunsthalle Düsseldorf
Scope and Contents note
Regarding loans for "Prospect-Retrospect Europa 1946-1976" and loans and catalog infomation for "Prospect '71," ca.20 items.
Dumont
Scope and Contents note
Regarding publications on Art & Language, Art Deco and Peter Roehr (1977 traveling exhibition catalog), ca.10 items.
Clemente, Francesco
Scope and Contents note
2 letters to.
Chia, Sandro
Scope and Contents note
3 letters to.
Celant, Germano
Scope and Contents note
mostly regarding text for Jahresbericht 1970-80, 5 items.
Disler, Martin
Scope and Contents note
3 items.
Darboven, Hanne
Scope and Contents note
photocopied installation plans signed by the artist, 5 sheets, and 7 other items about her show and potential sales.
Cucchi, Enzo
Scope and Contents note
postcard from and letter to.
De Maria, Nicola
Scope and Contents note
some letters which document a strain in their relationship, 5 items.
Disler, Martin
Scope and Contents note
2 letters to regarding financial matters.
Clemente, Francesco
Scope and Contents note
4 letters to.
Rainer Crone
Scope and Contents note
Regarding text for Clemente catalog, 3 items.
Disler, Martin
Scope and Contents note
2 letters to regarding exhibition and 2 letters from.
Celant, Germano
Scope and Contents note
postcard from and letter to.
Galerie Ascan Crone
Scope and Contents note
Regarding proposed Dokoupil show, 8 items.
Disler, Martin
Scope and Contents note
3 items, including letter with inventory list of paintings at the gallery.
Dokoupil damage
Scope and Contents note
sustantial correspondence with Horst Hahn (restorer), C. Gielisch (claims adjuster) and others regarding water damage to a
work of Dokoupil's at the Biennale, ca.30 items.
Eugen Thiemann, Museum Am Ostwall, Dortmund
Scope and Contents note
Regarding Bömmels exhibition, acquisitions of Dahn and Dokoupil and transport of works in "Wilde Malerei" show, 9 items.
Clemente, Francesco
Scope and Contents note
mostly regarding acquisition by Kunstmuseum Basel of 73 drawings with letters from Dieter Koepplin of Kunstmuseum Basel, 4
items.
Darboven, Hanne
Scope and Contents note
2 letters to regarding "Wende 80/81."
box 4
C-D, E ,
1984-1990 1970-1990
Grazia Gunn, Australian National Gallery, Canberra (see "A" for correspondence dated prior to 1984)
Scope and Contents note
10 items regarding possible acquisitions.
Galerie Ascan Crone
Scope and Contents note
Regarding Dahn and Dokoupil shows, 4 items.
Disler, Martin
Scope and Contents note
letter to.
Dokoupil, Jiri Georg
Scope and Contents note
letter of recommendation from Maenz.
Leo Castelli Gallery
Scope and Contents note
about show for Dokoupil, 2 items.
Darboven, Hanne
Scope and Contents note
letter to.
Dumont
Scope and Contents note
4 items.
Leo Castelli Gallery
Scope and Contents note
Regarding Dokoupil exhibition, 4 items.
Clemente, Francesco
Scope and Contents note
letter to.
Disler, Martin
Scope and Contents note
2 items.
Grazia Gunn, Australian National Gallery, Canberra
Scope and Contents note
4 items.
Dokoupil, Jiri Georg
Scope and Contents note
8 page conversation between the artist and Maenz with corrections.
Darboven, Hanne
Scope and Contents note
letter to.
Grazia Gunn, Australian National Gallery, Canberra
Scope and Contents note
substantial correspondence regarding acquisitions, especially Darboven's "Ein Monat/Mai 1974" and Bömmels' "Die Entlarvungsstation"
and "Experiments on Human Beings and Space," ca. 25 items.
Leo Castelli Gallery
Scope and Contents note
Regarding finances and other matters related to the Warhol show, ca.10 items.
Galerie Ascan Crone
Scope and Contents note
Regarding consignment arrangements for Maenz's Taaffe exhibition, ca.11 items.
Darboven, Hanne
Scope and Contents note
letter to.
Disler, Martin
Scope and Contents note
2 letters to.
Australian National Gallery, Canberra
Scope and Contents note
Regarding potential acquisitions and detailed materials description of Bömmels's painting "The Station Revealing," 7 items.
Galerie Charles Carwright
Scope and Contents note
Regarding exhibition and consignment of Dahn and Dokoupil works, ca.6 items.
Clemente, Francesco
Scope and Contents note
3 items.
Galerie Ascan Crone
Scope and Contents note
Regarding various financial and exhibition matters, 10 items.
Darboven, Hanne
Scope and Contents note
letter to.
Disler, Martin
Scope and Contents note
3 letters to.
Clemente, Francesco
Scope and Contents note
3 letters to.
Clemente, Francesco
Scope and Contents note
mostly regarding exhibition, 8 items.
Bess Cutler Gallery
Scope and Contents note
about Sturtevant show at Maenz and a subsequent commission dispute, 7 items (see also Sturtevant 1989 and 1990 for extensive
material re exhibition).
Dahn, Walter
Scope and Contents note
letter to.
Darboven, Hanne
Scope and Contents note
Regarding exhibition with notes from the artist on the works to be shown, 8 items.
Disler, Martin
Scope and Contents note
3 items.
Dumont
Scope and Contents note
Regarding "Paul Maenz Köln1970-1980-1990," 7 items.
Galerie Thomas Carstens
Scope and Contents note
Regarding Dahn exhibition with 6 page text written by J. Lebrero Stals, 8 items.
Dahn, Walter
Scope and Contents note
letter to and other correspondence with Fred Hoffman Gallery arranging a Los Angeles stay.
Darboven, Hanne
Scope and Contents note
2 letters to.
Van Abbemuseum, Eindhoven
Scope and Contents note
substantial correspondence with Rudi Fuchs and others regarding loans for exhibitions of Roehr, Burgin, Barry and group shows,
ca.40 items.
Elk, Ger van (artist)
Scope and Contents note
2 letters to.
Esposito, Diego (artist)
Scope and Contents note
4 items.
Museum Folkwang Essen
Scope and Contents note
correspondence with Zdenek Felix and others regarding Salvo and Penone exhibitions, group Italian show and acquisitions, ca.25
items (see also "F" for Felix).
Etzold, Hans-Joachim
Scope and Contents note
includes long letter from Mrs. Etzold regarding her husband's suicide, 4 items.
Europäische Kunsthändler Vereinigung
Scope and Contents note
about Internationale Kunstmarkt, 7 items.
Museum Folkwang Essen
Scope and Contents note
correspondence with Dr. Vogt and Zdenek Felix regarding "10 junge Künstler aus Deutschland," 8 items.
James Bustard, Scottish Arts Council, Edinburgh
Scope and Contents note
Regarding Mülheimer Freiheit exhibition, 10 items.
James Bustard, Scottish Arts Council, Edinburgh
Scope and Contents note
Regarding Mülheimer Freiheit exhibition, 5 items.
Endart
Scope and Contents note
2 letters to regarding show.
Zdenek Felix, Museum Folkwang Essen
Scope and Contents note
Regarding Dokoupil exhibition, 3 items.
Endart
Scope and Contents note
5 items relating to exhibition with checklist.
Mark Francis, Fruitmarket Gallery, Edinburgh
Scope and Contents note
Regarding loans for "The Mirror and the Lamp" and Woodrow exhibitions, 16 items.
Eberle, Dr. K.H.
Scope and Contents note
extensive correspondence with Eberle and Maenz's lawyer re Eberle's reneging on a deal.
James Bustard, Scottish Arts Council, Edinburgh
Scope and Contents note
Regarding Salvo loans (denied by Maenz) for "Edinburgh International," ca. 10 items.
Endart
Scope and Contents note
includes long letter from Maenz discontinuing their relationship with his thoughts on their creative growth as a group and
the success of Mülheimer Freiheit, 3 items.
Galleri Sten Eriksson
Scope and Contents note
Regarding sale of Kiefer's "Jason," 6 items.
Zdenek Felix, Folkwang Museum
Scope and Contents note
about various art related matters, 6 items.
Fischer, Konrad
Scope and Contents note
Regarding Conceptual art show at Zwirner and other topics, 6 letters to and 1 postcard from.
Flash Art
Scope and Contents note
Regarding advertising, 12 items.
Flavin, Dan
Scope and Contents note
letter to.
Forster, Noel (artist)
Scope and Contents note
4 items.
Georg Bussman, Frankfurter Kunstverein
Scope and Contents note
mostly regarding Roehr show, 7 items.
Fregnac, Dagmar
Scope and Contents note
Regarding refund for French TVA, various art related topics and personal matters, 11 items.
Fuchs, Rainer
Scope and Contents note
Regarding acquisitions and non-payment for works purchased by Fuchs, 11 items.
Fulton, Hamish
Scope and Contents note
letter and postcard from.
Furnival, John
Scope and Contents note
3 items about joining the gallery.
Fetting, Rainer
Scope and Contents note
mostly regarding exhibitions, 6 items.
Franzke, Andreas
Scope and Contents note
4 items.
Helena Vetter, Kunstverein Freiburg
Scope and Contents note
Regarding Mülheimer Freiheit exhibition and a young Italian exhibition, 2 items.
Fabro, Luciano
Scope and Contents note
letter from and letter to.
Zdenek Felix, Folkwang Museum
Scope and Contents note
Regarding exhibitions and acquisitions, ca.9 items.
Faust, Wolfgang Max
Scope and Contents note
letter from with ms "With It and Against It -Here and Now, Somewhere Else."
Feldmann, Hans-Peter
Scope and Contents note
note from.
Fetting, Rainer
Scope and Contents note
letter to.
Galerie Six Friedrich
Scope and Contents note
Regarding "5 aus Köln" exhibition, 10 items.
Franzke, Andreas
Scope and Contents note
2 items.
Fabro, Luciano
Scope and Contents note
letter to.
Fetting, Rainer
Scope and Contents note
Regarding sales and exhibitions with price lists and receipts, ca.7 items.
Galerie Six Friedrich
Scope and Contents note
mostly regarding Dahn/Dokoupil "Ricki" exhibition, 7 items.
Fabro, Luciano
Scope and Contents note
letter to.
Fetting, Rainer
Scope and Contents note
Regarding exhibition and U.S. green card, 5 items.
Fetting, Rainer
Scope and Contents note
correspondence with Klaus Ottmann regarding shipping and commission information with list of works sold by Maenz and the names
of the collectors who purchased, 5 items.
Galerie Six Friedrich
Scope and Contents note
re. exhibition and commission of Dahn's works, 7 items.
Fabro, Luciano
Scope and Contents note
note to.
Flavin, Dan
Scope and Contents note
Regarding possible show, 2 items.
Farber, Barbara
Scope and Contents note
Regarding Dahn and Dokoupil drawings on consignment, 6 items (see also "A" for American Graffiti).
Fetting, Rainer
Scope and Contents note
note to.
Giancarlo Politi, Flash Art
Scope and Contents note
Regarding ads and short statement by Maenz about Cucchi's art, 4 items.
Galerie Six Friedrich
Scope and Contents note
Regarding exhibition and commission of Dahn's work, ca.9 items.
Feldmann, Hans-Peter
Scope and Contents note
note to.
Giancarlo Politi,
Flash Art
Scope and Contents note
Regarding ads, 8 items.
Frankfurter Kunstverein
Scope and Contents note
Regarding Pospect 89, 5 items.
Jean-Christophe Ammann, Museum für Moderne Kunst, Frankfurt
Scope and Contents note
Regarding exhibition of Roehr's work and copy of a letter to Boch with comments on Darboven's "Existenz," 5 items.
Galerie Six Friedrich
Scope and Contents note
Regarding Dahn availabilty and prices, 5 items.
Gallagher, Carole (photographer)
Scope and Contents note
3 items regarding photographs of Barry's work.
Garutti, Alberto
Scope and Contents note
Regarding exhibition, 8 items.
Cultureel Informatief Centrum, Gent
Scope and Contents note
Regarding an exhibition, 6 items.
Galerie Germain
Scope and Contents note
Regarding various Bertholin shows and commission split, a show of Maenz artists at Germain and other matters, 15 items.
Gilbert and George
Scope and Contents note
letter to regarding gallery opening.
Gonschior, Kuno (artist)
Scope and Contents note
letter to.
Graham, Dan
Scope and Contents note
Regarding possible representation in Germany and some of John Gibson's dealings, 15 items.
Nigel Greenwood, Inc.
Scope and Contents note
Regarding book orders, 7 items.
Greiner, Werner
Scope and Contents note
6 items.
Guben, Günther (artist)
Scope and Contents note
2 items.
Günther, Knut
Scope and Contents note
Regarding Art Deco works and book, 5 items.
Guggenheim Museum
Scope and Contents note
Regarding young German artists and Haacke show cancellation, 6 items.
Groninger Museum
Scope and Contents note
Regarding Mülheimer Freiheit exhibition, possible Salvo show, catalog orders and other matters, ca.17 items.
Groninger Museum
Scope and Contents note
Regarding exhibitions and acquisitions, 9 items.
Galerie Toni Gerber
Scope and Contents note
Regarding Dokoupil show, 6 items.
Göröcs, Gabriella (artist)
Scope and Contents note
2 items.
Gresty, Hilary
Scope and Contents note
Maenz's recollections of the 1967 exhibition "19:45-21:55," 2 items.
Gruner + Jahr AG & Co (
Art)
Scope and Contents note
Regarding "galerienkalender" and ads, ca.10 items.
Groninger Museum
Scope and Contents note
proforma-invoice for "Dahn & Dokoupil, die Afrika-bilder," 3 items.
Gruner + Jahr AG & Co (
Art)
Scope and Contents note
mostly regarding "galerienkalender," ca.24 items.
Wilhelm Glauerdt GmbH
Scope and Contents note
checklist with prices of Endart works to be insured for "Art Cologne 1984."
box 6
G (1985-1990) - H (1970-1990)
1970-1990
Marian Goodman Gallery
Scope and Contents note
Regarding sales and commission of Dahn show, 7 items.
Gruner + Jahr AG & Co (
Art)
Scope and Contents note
Regarding "galerienkalender," ca.10 items.
Wilhelm Glauerdt GmbH
Scope and Contents note
checklist with prices of works to be insured for "Art Cologne 1985."
Greene, Robert (artist)
Scope and Contents note
3 items.
Groninger Museum
Scope and Contents note
Regarding Dokoupil acquisitions and Mariani show, 6 items.
Gruner + Jahr AG & Co (
Art)
Scope and Contents note
Regarding "galerienkalender," ca.10 items.
Wilhelm Glauerdt GmbH
Scope and Contents note
checklist with prices of works to be insured for "Art Cologne 1986."
Marian Goodman Gallery
Scope and Contents note
letter to regarding Goodman dropping Dahn and other letter to.
Grassi, Alessandro
Scope and Contents note
Regarding purchase of a Bömmels, 5 items.
Gruner + Jahr AG & Co (
Art)
Scope and Contents note
Regarding "galerienkalender" and ads, 8 items.
Gelsenkirchen
Scope and Contents note
Regarding Maenz's gift of 2 Kusama works, 6 items.
Wilhelm Glauerdt GmbH
Scope and Contents note
checklist with prices of works to be insured for ARCO Madrid 1987.
Galerie Le Gall-Peyroulet
Scope and Contents note
Regarding purchase and availability of Dahn's works, 5 items.
Marian Goodman Gallery
Scope and Contents note
Regarding purchase and shipment of Paolini's "Consumption," 7 items.
Hamburger Kunsthalle
Scope and Contents note
correspondence with Siegmar Holsten regarding loans for "Das Bild des Künstlers," ca.17 items.
Kunstverein Hamburg
Scope and Contents note
Regarding loans for various exhibitions, 9 items.
Kunstverein Hannover
Scope and Contents note
Regarding loans for exhibition "Kunst aus Fotografie" and catalog, 8 items.
Harrison, Charles
Scope and Contents note
Regarding suggestions for Maenz's opening, 5 items.
Have, Henrik (artist)
Scope and Contents note
3 items.
Higgins, Dick
Scope and Contents note
Regarding artists for Maenz's gallery, 4 items.
Highstein, Jene
Scope and Contents note
letter from Alanna (wife).
Hilliard, John
Scope and Contents note
3 items.
Hock, Wolfgang
Scope and Contents note
Regarding acquisitions, 5 items.
Huebler, Douglas
Scope and Contents note
long letter from with description of his problems with European representation and his current work and letter from Maenz
explaining why they cannot work together, 3 items.
Hunov, J[ohn]
Scope and Contents note
info exchange on artists, 7 items.
Huot, Robert (artist)
Scope and Contents note
3 items.
Hilliard, John
Scope and Contents note
postcard and letter from.
Haacke, Hans
Scope and Contents note
Regarding exhibitions, catalogs and reconstruction of the "gespaltenen Adlers," 10 items.
Frau Aarsbergen, Hamburg-Mannheimer Vers.
Scope and Contents note
letter to regarding lease of Maastrichter Str. 36 for Mülheimer Freiheit group.
Hoffmann, Paul
Scope and Contents note
Regarding acquisition of 2 works by Kiefer, 7 items.
Haacke, Hans
Scope and Contents note
with letter from Haacke regarding "Gegen das Kriegsrecht in Polen, für Solidarnosc" exhibition, 4 items.
Haring, Keith
Scope and Contents note
letter to.
Verlag Gerd Hatje
Scope and Contents note
concerning reproductions and copyright for
Die 50er Jahre.
Herbert F. Johnson Museum of Art, Cornell Univ
Scope and Contents note
Regarding Kiefer acquisition mix-up, 4 items.
Huebler, Douglas
Scope and Contents note
letter to.
Stellan Holm, Galleri 5
Scope and Contents note
Regarding showing young German artists, 6 items.
Kunstmuseum Hannover
Scope and Contents note
Regarding loans for Bömmels show, ca.9 items.
Haring, Keith
Scope and Contents note
3 items regarding exhibition.
Haring, Keith
Scope and Contents note
Regarding sale of a work to the FER collection, 3 items.
Haacke, Hans
Scope and Contents note
letter from.
Haring, Keith
Scope and Contents note
typescript for
Flash Art 116 (March 1984).
Haacke, Hans
Scope and Contents note
letter to.
Pat Hearn Gallery
Scope and Contents note
Regarding Schuyff and Taaffe shows at Maenz, 13 items.
Hobbet, Richard and Karla Simon
Scope and Contents note
Regarding acquisition of Dahn and Dokoupil works, 9 items.
Haacke, Hans
Scope and Contents note
letter to.
Pat Hearn Gallery
Scope and Contents note
Regarding Schuyff and "New York New" exhibitions, 5 items.
Hoekstra, Berend (artist)
Scope and Contents note
letter from.
Pat Hearn Gallery
Scope and Contents note
Regarding Schuyff show, 6 items.
Honnef, Klaus
Scope and Contents note
about "Made in Cologne" show and borrowing transparencies for his book on contemporary art, ca.13 items.
Ghislaine Hussenot Gallery
Scope and Contents note
Regarding Dahn and Dokoupil works on consignment, 7 items.
Heidelberger Kunstverein
Scope and Contents note
concerning loans for "Blau -Farbe der Ferne" exhibition, 4 items.
Hendeles, Ydessa
Scope and Contents note
Regarding purchase of Paolini's "Intervallo" and description of "Itaca," 4 items.
Icaro, Paolo
Scope and Contents note
letters regarding "mail/gallery" exhibition with 2 "molecular card" examples and photo taken by Icaro's wife of "molecular
cards" and full portrait of Icaro. Also includes mail art, 17 items.
Johnson, John
Scope and Contents note
Regarding his recent work, with detailed descriptions of four ideas and a colored drawing of a cross-section of Wales, 8 items.
Ikemura, Leiko
Scope and Contents note
Regarding exhibition "Fleisches Lust," 8 items.
Ikemura, Leiko
Scope and Contents note
Regarding her exhibition and other matters, 8 items.
Suzanne Landau, Israel Museum, Jerusalem
Scope and Contents note
Regarding Kiefer loans, 9 items.
Akira Ikeda Gallery
Scope and Contents note
extensive correspondence regarding sale of Kiefer's "Die Meistersinger" and Dahn book for Art Random series, ca.52 items.
Akira Ikeda Gallery
Scope and Contents note
folder consists of substantial correspondence regarding Dahn exhibition, ca.30 items (see also Series III).
Kaldor, John
Scope and Contents note
substantial correspondence regarding acquisitions, ca.38 items.
Kalmar, Felix (artist)
Scope and Contents note
4 items.
Kaprow, Allan
Scope and Contents note
Regarding potential representation, 2 items.
Erich Herzog, Staatliche Kunstsammlung, Kassel
Scope and Contents note
Regarding artists for Documenta, 5 items.
Documenta 5, Kassel
Scope and Contents note
Regarding bios and photos for catalog, also list of artists with exhibition history and bibliography from Maenz and letter
from Marlis Grüterich to Barry asking for a certain type of work to be shown, ca.16 items.
Kawara, On
Scope and Contents note
3 items.
Keller, Dieter
Scope and Contents note
Regarding acquisition of Boyle's "Sandstudy," 7 items.
Kiefer, Anselm and Julia
Scope and Contents note
Regarding discussions of collaboration with Maenz, 3 items.
Kienholz, Ed
Scope and Contents note
Regarding Poirier purchase, 3 items.
Knoebel, Wolf (aka Imi)
Scope and Contents note
5 letters to showing interest in his work and regarding sales.
König, Kasper
Scope and Contents note
Regarding showing On Kawara's work in Brussels and Münster sculpture exhibition organized by Köning, 9 items.
Krätz, Helmut Anton
Scope and Contents note
extensive correspondence regarding acquisitions of Minimal and Conceptual art and works by young German artists, but also
letter from Maenz regarding his partnership with de Vries, ca.23 items (see Sotheby's sale 11/13-14/1991 for further information
on Krätz collection).
Krohn, Luise
Scope and Contents note
Regarding Poirier exhibition and sales, 12 items.
Kuehn, George
Scope and Contents note
letter from.
Kurt Hackenberg, Kulturdezernat, Stadt Köln
Scope and Contents note
Regarding Maenz's request for funds from city, 7 items.
Messe- und Ausstellungs- GES. M.B.H., Köln
Scope and Contents note
mostly regarding Internationale Kunstmarkt Köln 1974, ca.15 items.
Stadt Köln
Scope and Contents note
correspondence with various cultural departments, such as Der Oberstadtdirektor, Kunsthalle Köln, Museum Ludwig and Wallraf-Richartz-Museum
concerning a variety of topics, ca.16 items.
box 7, folder 17
Krefeld, Kaiser Wilhelm Museum
1970-1979
Scope and Contents note
correspondence mostly with Paul Wember about various acquisitions, with many solicitations from Maenz, and exhibitions, ca.34
items.
Kasper König, Museen der Stadt Köln
Scope and Contents note
Regarding "Westkunst" exhibition, 8 items.
Michael Schwarz, Badischer Kunstverein, Karlsruhe
Scope and Contents note
Regarding various matters, 5 items.
Kiefer, Anselm
Scope and Contents note
3 letters to, 1 letter from Julia Kiefer.
Kosuth, Joseph
Scope and Contents note
note and letter to.
Kawara, On
Scope and Contents note
3 letters to.
Documenta, Kassel
Scope and Contents note
with Rudi Fuchs regarding various artist in Documenta, 7 items.
König, Kasper (König Postkartenverlag)
Scope and Contents note
4 items.
Kiefer, Anselm
Scope and Contents note
3 letters to regarding sales.
Keuthen, Jiri (artist)
Scope and Contents note
3 items.
Kiefer, Anselm
Scope and Contents note
letter and 2 notes to.
Karl Ruhrberg, Museum Ludwig, Köln
Scope and Contents note
letter to Ruhrberg wondering why he has not come to see the gallery (see Aug-Dec 1983 for more).
Kölnischer Kunstverein
Scope and Contents note
Regarding Italian exhibition, 5 items.
Kosuth, Joseph
Scope and Contents note
2 items regarding finances.
Kapoor, Anish
Scope and Contents note
letter to.
Kawara, On
Scope and Contents note
invoice for works on loan for "Masterworks of Conceptual Art."
Museum Ludwig, Köln
Scope and Contents note
an angry exchange of letters between Maenz and Karl Ruhrberg, Hugo Borger and Peter Nestler regarding why the museum has not
visited or purchased works from Maenz, 5 items.
box 8
K (1984-1990) - L (1970-1984)
1970-1990
Kapoor, Anish
Scope and Contents note
2 letters to.
Kawara, On
Scope and Contents note
2 letters to.
König, Kasper
Scope and Contents note
Regarding "Die neue deutsche Kunst," 2 items.
Kapoor, Anish
Scope and Contents note
letter from.
Kiefer, Anselm
Scope and Contents note
letter to and sheet of paper with list of works and prices.
Kitt, Eartha
Scope and Contents note
typescript interview with Maenz.
Knap, Jan
Scope and Contents note
2 letters to.
Galerie Kaess-Weiss
Scope and Contents note
Regarding Haring and Endart shows, ca.10 items.
Museen der Stadt Köln
Scope and Contents note
contains condition reports for works in Art Gallery of South Australia's "Wild-Visionary-Spectral-New-German-Art."
KölnMesse
Scope and Contents note
Regarding Art Cologne fair and theft of 8 Rockenschaub works, 7 items.
Koons, Jeff
Scope and Contents note
letter to.
Documenta, Kassel
Scope and Contents note
Regarding Scholte exhibition with letter from Scholte, 5 items.
Leo Kamen Gallery
Scope and Contents note
Regarding possible collaborations, 6 items.
Kunstgewerbemuseum, Köln
Scope and Contents note
Regarding acquisitions, ca.6 items.
König, Kasper
Scope and Contents note
2 items.
Alfred Kren Gallery
Scope and Contents note
Regarding "Brazilian Ex Votos" exhibition, 4 items.
Elisabeth Kaufmann Basel
Scope and Contents note
Regarding loan and transport of various works by Dahn and Disler, 8 items.
Kiefer, Anselm
Scope and Contents note
Regarding exhibition, ca.7 items.
Klüser, Bernd
Scope and Contents note
Regarding works on consignment to, ca. 5 items.
Kosuth, Joseph
Scope and Contents note
contains an angry exchange of letters including a long, frank letter from Kosuth regarding problems with their relationship
and how he views trades of work between artists (i.e. Kosuth traded with Gerd, 9/17/87), letter from requesting the return
of "One and Three Chairs" and demanding the return of a work from Gerd (12/3/88) and list of works on consignment to Maenz,
ca.8 items.
Elisabeth Kaufmann Basel
Scope and Contents note
Regarding Disler and Dahn loans.
Lambert, Françoise
Scope and Contents note
about various cooperative matters, ca.18 items.
Lambert, Yvon
Scope and Contents note
6 items.
Latham, John
Scope and Contents note
mostly regarding recent work, 9 items.
Lauffs, Walther
Scope and Contents note
Regarding acquisitions, 8 items.
Städt. Museum Schloß Morsboich, Leverkusen
Scope and Contents note
mostly regarding exhibition "Die verlorene Identität," 13 items.
LeWitt, Sol
Scope and Contents note
Regarding Maenz asking advice for gallery and LeWitt book orders, 10 items.
Lippert, Werner
Scope and Contents note
2 letters to.
Institute of Contemporary Arts, London
Scope and Contents note
Regarding exhibition "Art into Society, Society into Art -Seven German Artist" with copied typescript of Haacke's "From Spring
to Summer," 3 items.
Tate Gallery, London
Scope and Contents note
mostly about book orders, but some about acquisitions, ca.17 items.
Louw, Roelof
Scope and Contents note
Regarding exhibitions at Maenz and elsewhere, recent work and financial matters, ca.16 items.
Ludwig, Peter
Scope and Contents note
Regarding sponsoring Kosuth show at Maenz, which Ludwig refuses, and purchase of Haacke's "Spargel-Bild" and a Poirier work,
ca.16 items.
Galerie Klaus Lüpke
Scope and Contents note
Regarding Roehr and other exhibitions, 14 items.
Lüscher, Ingeborg (artist)
Scope and Contents note
4 items.
Kunstmuseum Luzern
Scope and Contents note
Regarding Roehr show, 7 items.
Lord, Andrew
Scope and Contents note
letter from with drawings of teapots, 2 items.
Tate Gallery, London
Scope and Contents note
Regarding Paolini acquisition and potential Darboven and Kiefer purchases, 12 items.
Whitechapel Gallery, London
Scope and Contents note
Regarding photo requests for Clemente catalog, 8 items.
Lord, Andrew
Scope and Contents note
2 items.
Tate Gallery, London
Scope and Contents note
mostly regarding Kiefer acquisition, 6 items.
LeWitt, Sol
Scope and Contents note
letter to regarding "Modular Structure."
Lord, Andrew
Scope and Contents note
3 items.
Lisson Gallery, London
Scope and Contents note
Regarding shows at Maenz for Kapoor, Woodrow and Allington, 5 items.
Tate Gallery, London
Scope and Contents note
about "New Art" exhibition and Haacke biblio, 5 items.
Lord, Andrew
Scope and Contents note
4 items regarding potential show.
Lord, Andrew
Scope and Contents note
letter to.
Lamoree, Jhim (Art Unlimited)
Scope and Contents note
Regarding postcard jobs, ca.7 items.
Lippert, Werner
Scope and Contents note
letter from.
box 9
L (1985-1990) - M (1970-1987)
1970-1990
Lord, Andrew
Scope and Contents note
Regarding exhibition, 7 items.
Ludwig, Peter
Scope and Contents note
Regarding acquisitions, ca. 5 items.
Lisson Gallery
Scope and Contents note
mostly regarding Woodrow and Kapoor exhibitions of 1984 and 86, 10 items.
Lowenadler, Jan Eric
Scope and Contents note
mostly copies of letters which recommend Lowenadler for citizenship, ca. 10 items.
Lehmkühler, Edgar (artist)
Scope and Contents note
8 items.
Ludwig, Peter
Scope and Contents note
3 letters to.
Larsen, Dirk (artist)
Scope and Contents note
letter from.
Ludwig, Peter
Scope and Contents note
letter to.
Galeria Leyendecker
Scope and Contents note
ca.5 items, with 7 pg typescript by Norbert Messler.
Fonds Regional d'Art Contemporain, Limousin
Scope and Contents note
Regarding acquisition of Disler's "Burning Cat," 8 items.
Musée des Beaux-Arts, Le Havre
Scope and Contents note
Regarding Woodrow exhibition, ca.15 items.
Lisson Gallery
Scope and Contents note
Regarding Woodrow show and Opie works on consignment to Maenz, ca.15 items.
Royal Academy of Arts, London
Scope and Contents note
Regarding Paolini loan for "Italian Art in the Twentieth Century," ca.16 items.
Ludwig, Peter
Scope and Contents note
2 letters to.
Hans Alexander Baier, Magazin Kunst
Scope and Contents note
11 items.
Maloney, Martin
Scope and Contents note
Regarding exhibition with some angry letters from Maloney about their relationship, ca. 23 items.
Malzenski, Charles (artist)
Scope and Contents note
4 items.
Eva Jahn-Fehsenbecker, Mannheimer Kunstverein
Scope and Contents note
substantial correspondence regarding Paolini and Salvo exhibitions and catalogs, ca.30 items.
Marck, Jan van der
Scope and Contents note
2 items.
Studio Marconi
Scope and Contents note
extensive correspondence regarding representation, exhibition and sales of Paolini's work in Germany, ca.35 items.
Martin, Agnes
Scope and Contents note
2 items.
Matta, Gordon
Scope and Contents note
letter and 3 slides from, 2 letters to.
Matthys, Roger
Scope and Contents note
Regarding acquisitions, especially Haacke's "Manet-Project '74," 6 items.
Städtisches Museum Mönchengladbach
Scope and Contents note
correspondence with Johannes Cladders regarding Paolini exhibition, with annotated checklist, and other matters, ca.15 items.
Müller, Hans-Jürgen
Scope and Contents note
Regarding loans for "Europa 1979," acquisition of Kosuth's "One and Three Windows" and Maenz sending information for an article,
7 items.
Galerie Margret Müller
Scope and Contents note
mostly about Boyle exhibition, 11 items.
Westfälischer Kunstverein, Münster
Scope and Contents note
mostly regarding Poirier work for "Reliefs" exhibition, 6 items.
Murphy, John (artist)
Scope and Contents note
2 letters and note from.
Mussa, Italo
Scope and Contents note
about various art related matters, 5 items.
Mussat Sartor, Paolo
Scope and Contents note
2 letters to.
Müller, Josef-Felix
Scope and Contents note
Regarding "Fleisches Lust" show, 8 items.
Mahlmann, Moritz (artist)
Scope and Contents note
4 items.
Minini, Massimo
Scope and Contents note
3 letters, 4 slides, 1 photo from.
Maloney, Martin
Scope and Contents note
apologetic letter from.
Müller, Josef-Felix
Scope and Contents note
2 items.
Marx, Erich
Scope and Contents note
Regarding financial misunderstanding concerning Fetting, 4 items.
Galerie Silvia Menzel
Scope and Contents note
Regarding potential Dahn show, 5 items.
Galerie Silvia Menzel
Scope and Contents note
about "Begegnung, Köln Berlin" show, 7 items.
Mapplethorpe, Robert
Scope and Contents note
note to.
Mucha, Reinhard
Scope and Contents note
letter to.
ARCO, Madrid
Scope and Contents note
Regarding exhibition with checklist, 12 items.
Galería La Máquina Española
Scope and Contents note
Regarding Knap show, ca.25 items.
Galerie Vera Munro
Scope and Contents note
Regarding purchase and sale of works, 6 items.
box 10
M (1988-1990) - P-Q (1970-1983)
1970-1990
Galería La Máquina Española
Scope and Contents note
mostly regarding money owed to Maenz for Knap show, 8 items.
Galerie Vera Munro
Scope and Contents note
Regarding Dahn show, ca. 11 items.
Fundacio Caixa de Pensions, Madrid
Scope and Contents note
Regarding Dokoupil retrospective and acquisition of Clemente's "War," ca. 13 items.
Meijer Film
Scope and Contents note
about filming Kiefer exhibition for Swedish TV, 8 items.
Galerie Meyer-Ellinger
Scope and Contents note
Regarding Roehr and Dahn exhibitions, 14 items.
Musée d'Art Contemporain de Montréal
Scope and Contents note
Regarding "Blickpunkte" show, ca.5 items from.
Städt Galerie im Lenbachhaus, München
Scope and Contents note
5 items.
Galerie Vera Munro
Scope and Contents note
Regarding Dahn show, 4 items.
Menzio, Paolo (artist)
Scope and Contents note
letter from.
Kunstverein München
Scope and Contents note
primarily regarding Feldmann show, 8 items.
MOMA, New York
Scope and Contents note
Regarding information on Art & Language's "Chart" for an exhibition, 8 items.
Karl Heinz Schreyl, Stadtgeschichtliche Museen, Nürnberg
Scope and Contents note
Regarding Mariani acquisition, 6 items.
Obermüller, Peter, Kunstgewerbemuseum Zürich
Scope and Contents note
4 items.
Onnasch Galerie
Scope and Contents note
4 items.
Ontani, Luigi (artist)
Scope and Contents note
letter to and mailart piece from.
Oppenheim, Dennis
Scope and Contents note
2 items.
Galerie Orny
Scope and Contents note
about Insley drawings, 4 items.
Ostrow, Saul
Scope and Contents note
Regarding recent work, 5 items.
Museum of Modern Art, Oxford
Scope and Contents note
correspondence with David Elliott mainly concerning Roehr show and loss of one work and damage to others in return shipping,
ca.20 items.
Oehlen, Albert
Scope and Contents note
4 items.
Museum of Modern Art, Oxford
Scope and Contents note
Regarding Paolini exhibition, especially works lent by Rentschler which were damaged, 5 items.
MOMA, New York
Scope and Contents note
Regarding information requests on Dokoupil and Dahn, 5 items.
Reinhard Onnasch Kunsthandel
Scope and Contents note
Regarding proposed Bömmels show, 5 items.
Offay, Anthony d'
Scope and Contents note
Regarding Fetting show, 4 items.
Guggenheim Museum, New York
Scope and Contents note
Regarding Cucchi works for "Italian Art Now," 7 items.
Reinhard Onnasch Galerie
Scope and Contents note
Regarding Bömmels, 4 items.
MOMA, New York
Scope and Contents note
Regarding Dahn and Dokoupil loans for "An International Survey of Recent Painting and Sculpture."
Reinhard Onnasch Galerie
Scope and Contents note
Regarding Bömmels exhibition, 7 items.
Reinhard Onnasch Galerie
Scope and Contents note
more about the Bömmels exhibition, 7 items.
National Gallery, Ottawa
Scope and Contents note
Regarding Woodrow acquisition, 7 items.
Reinhard Onnasch Galerie
Scope and Contents note
loan list of Bömmels exhibition.
"New York New"
Scope and Contents note
with Jay Gorney, Ileana Sonnabend and Pat Hearn regarding loans for the exhibition, ca. 9 items.
Opie, Julian
Scope and Contents note
letter to.
NOEMA
Scope and Contents note
Regarding reviews, 5 items.
Musée d'Art Contemporain, Nimes
Scope and Contents note
extensive correspondence regarding damage to Salvo's "Idiota" and Maenz's attempt to get reimbured from the museum's insurance
company through legal action, with 3 photos of the damage, ca. 40 items.
Panza di Biumo, Giuseppe
Scope and Contents note
Regarding Barry and Kosuth acquisitions and loans, 10 items.
Pauli, J.
Scope and Contents note
Regarding the price of Barry drawings, 11 items.
Phillips, Tom
Scope and Contents note
Regarding recent work, sales to Maenz and representation in Germany, 18 items.
Galerie Gerald Piltzer
Scope and Contents note
Regarding Dolla exhibition at Maenz, 6 items.
Piper, Adrian (artist)
Scope and Contents note
2 items.
Poirier, Marc
Scope and Contents note
Regarding why Wéry cannot show, Roehr loans and also mailart postcard, 6 items.
Preisig, Rolf
Scope and Contents note
Regarding Barry exhibition at Preisig and trade and sale of works by various conceptual artists, 13 items.
Poirier, Anne and Patrick
Scope and Contents note
Regarding their professional relationship, 4 items.
Pohl, Marianne
Scope and Contents note
letter from.
Paolini, Giulio
Scope and Contents note
Regarding sales and exhibition, 9 items.
Paladino, Mimmo
Scope and Contents note
2 letters to.
Penone, Giuseppe
Scope and Contents note
note to.
Paolini, Giulio
Scope and Contents note
Regarding the artist's exhibition, work schedule and sales, 2 items.
Pohl, Marianne
Scope and Contents note
letter to.
Paolini, Giulio
Scope and Contents note
3 items.
Poirier, Anne and Patrick
Scope and Contents note
Regarding picking up works still at Maenz, 6 items.
Polke, Sigmar
Scope and Contents note
2 letters to.
Paparoni, Demetrio (Tema Celeste)
Scope and Contents note
8 items regarding ads.
Galerie Karl Pfefferle
Scope and Contents note
Regarding Dokoupil and Bömmels loans, 5 items.
Paolini, Anna and Giulio
Scope and Contents note
letter to.
Paolini, Giulio
Scope and Contents note
4 items.
Paolini, Giulio
Scope and Contents note
2 letters from.
Paolini, Giulio
Scope and Contents note
1 item.
Penone, Giuseppe
Scope and Contents note
letter to.
Paladino, Mimmo
Scope and Contents note
letter to.
Paolini, Giulio
Scope and Contents note
letter to.
Paolini, Giulio
Scope and Contents note
6 items.
Philadelphia Museum of Art
Scope and Contents note
5 items.
Poirier, Anne and Patrick
Scope and Contents note
letter from.
Rademacher, Robert
Scope and Contents note
Regarding Roehr acquisition, 4 letters to.
Reise, Barbara
Scope and Contents note
Regarding artists for gallery and book orders, 5 items.
Rentschler, Friedrich
Scope and Contents note
many long letters from Maenz giving information and counsel to Rentschler for his collecting activities involving conceptual
art (Boyle, Barry, Art & Language, Darboven, etc.) and the younger Italians (Paolini, Manzoni and Toroni), while Rentschler
stresses the importance of his own decisions in the selection process, 18 items.
Richter, Gerhard
Scope and Contents note
letter to.
Rotterdamse Kunststichting
Scope and Contents note
correspondence with Gosse Oosterhof regarding Salvo and Feldmann shows, 6 items.
Rückriem, Ulrich
Scope and Contents note
2 letters and a note to.
Rutault, Claude
Scope and Contents note
note from.
Rutault, Claude
Scope and Contents note
photo and note to.
Rentschler, Friedrich
Scope and Contents note
3 items.
Museen Städtische Galerie, Regensburg
Scope and Contents note
letter to Haacke and from Haacke to Maenz regarding "Noi Altri -Wir Anderen" show.
Museum Boymans-van Beuningen, Rotterdam
Scope and Contents note
Regarding acquistitions and exhibition "12 Künstler aus Deutschland," 8 items.
Rutault, Claude
Scope and Contents note
letter to.
Rutault, Claude
Scope and Contents note
note to.
Rentschler, Friedrich
Scope and Contents note
letter from.
Rentschler, Friedrich
Scope and Contents note
Regarding loan agreement, 5 items.
Rentschler, Friedrich
Scope and Contents note
2 letters to.
Rentschler, Friedrich
Scope and Contents note
2 letters to.
Richter, Gerhard
Scope and Contents note
letter to.
Josef Roggendorf
Scope and Contents note
8 items.
Rentschler, Friedrich
Scope and Contents note
3 letters to.
Richter, Gerhard
Scope and Contents note
letter to.
Rockenschaub, Gerwald
Scope and Contents note
Regarding exhibition with checklist, 4 items.
Josef Roggendorf
Scope and Contents note
5 items.
Richard/Bennett Gallery
Scope and Contents note
16 color photos of works by Craig Roper.
Rockenschaub, Gerwald
Scope and Contents note
letter to.
Josef Roggendorf
Scope and Contents note
Regarding shipping, 7 items.
Rushton, Dave
Scope and Contents note
Regarding early works of Art & Language still at Maenz, 3 items.
Rentschler, Friedrich
Scope and Contents note
3 letters to.
Rockenschaub, Gerwald
Scope and Contents note
2 letters to.
Josef Roggendorf
Scope and Contents note
Regarding various shipping matters, 8 items.
Rentschler, Friedrich
Scope and Contents note
letter to.
Josef Roggendorf
Scope and Contents note
ca. 5 items.
Rentschler, Friedrich
Scope and Contents note
Regarding acquisitions, 4 items.
Reykjavik Municipal Art Museum
Scope and Contents note
Regarding Salvo and Knap exhibition, 5 items.
Rockenschaub, Gerwald
Scope and Contents note
note to.
Josef Roggendorf
Scope and Contents note
Regarding various export shipments, ca.11 items.
Fonds Regional d'Art Contemporain, Rouen
Scope and Contents note
Regarding acquisition of Woodrow's "Island," 5 items.
Rüchriem, Ulrich
Scope and Contents note
2 items.
Galerie Lia Rumma
Scope and Contents note
Regarding sale of Steinbach's "Sweetest Taboo" to Staatsgalerie Stuttgart, 11 items.
Rentschler, Friedrich
Scope and Contents note
3 items.
Josef Roggendorf
Scope and Contents note
ca. 5 items.
Seriaal (Mia Visser)
Scope and Contents note
5 items.
Sharp, Willoughby (Avalanche)
Scope and Contents note
mostly regarding ads, but some mention of his writings and thoughts on the New York scene, 10 items.
Siegelaub, Seth (International General)
Scope and Contents note
8 items.
Sohst, Gerhard and Elisabeth
Scope and Contents note
extensive quantity of letters regarding the Sohst's collecting activities in Minimal and Conceptual art (i.e. Visser, Kosuth,
Huebler, Weiner, Barry, Richter, Darboven, Buren) with substantial exchanges with Buren over their disagreement of the artist's
"avertissement" (1976-78, see also Series II, Buren). Also contains a group of letters and a diagram about Kosuth's "Grass,
Vegetation, Green, Lawn" with a letter by Kosuth explaining certificate of ownership (Jun-Sept 1978) and a poem by Sohst,
ca.80 items.
Galerie Sonnabend
Scope and Contents note
letters concerning commission split of two large Poiriers and Art Deco book, 7 items.
Sperone, Gian Enzo
Scope and Contents note
substantial correspondence regarding exhibition and artist representation with discussions of sales, commission and "territorial"
disputes, ca.27 items.
Salvo
Scope and Contents note
mostly regarding exhibition, 9 items.
Salomé
Scope and Contents note
3 items.
Sevilla, Ferran Garcia (artist)
Scope and Contents note
Regarding "Fleisches Lust" exhibition, 4 items.
Sohst, Gerhard
Scope and Contents note
4 letters from with copy of a letter to Buren.
Sperone, Gian Enzo
Scope and Contents note
letter to regarding success of "Mülheimer Freiheit" show and the poor response to the 7 Italians touring show.
Saatchi, Charles
Scope and Contents note
4 letters to regarding Kiefer and Dokoupil acquisitions.
Sperone, Gian Enzo
Scope and Contents note
concerning dispute over Chia works purchased by Maenz, 2 items.
Salvo
Scope and Contents note
letter from.
Tony Shafrazi Gallery
Scope and Contents note
4 items.
Ileana Sonnabend Gallery
Scope and Contents note
Regarding Bömmels show, 5 items.
Salvo
Scope and Contents note
letter to.
Salzmann, Gregory (Yarlow/Salzmann)
Scope and Contents note
Regarding purchase of Fabro's "F. Nietzsche" and contact sheet of Yarlow/Salzmann gallery, ca.10 items.
Tony Shafrazi Gallery
Scope and Contents note
Regarding Haring exhibition at Maenz, 11 items.
Ileana Sonnabend Gallery
Scope and Contents note
Regarding Bömmels show, 7 items.
Salvo
Scope and Contents note
2 letters from.
Salvo
Scope and Contents note
note to.
Saatchi, Charles
Scope and Contents note
2 letters to regarding acquisitions.
Sevilla, Gerran Garcia
Scope and Contents note
2 items regarding lost drawings.
Sohst, Gerhard
Scope and Contents note
Regarding Paolini acquisitions, 6 items.
Saatchi, Charles
Scope and Contents note
2 items.
Art Gallery of New South Wales, Sydney
Scope and Contents note
Regarding acquisition of Paolini's "L'Altra Figura," 9 items.
Sanders, Pieter
Scope and Contents note
4 items.
Sevilla, Ferran Garcia
Scope and Contents note
2 items regarding returning work.
Tony Shafrazi Gallery
Scope and Contents note
Regarding Dahn and Burroughs shows, 3 items.
Sohst, Gerhard and Elisabeth
Scope and Contents note
mostly regarding Paolini's "Intervallo," 5 items.
Speyer, Jerry I
Scope and Contents note
Regarding acquisitions, 4 items.
Sohst, Gerhard and Elisabeth
Scope and Contents note
letter to.
Ileana Sonnabend Gallery
Scope and Contents note
Regarding Dokoupil show with letter from Sonnabend giving an itemized rejection of Maenz's terms, ca.10 items.
Speyer, Jerry I
Scope and Contents note
Regarding potential acquisitions, 5 items.
Art Gallery of New South Wales, Sydney
Scope and Contents note
5 items regarding Kiefer show and aborted Anselmo purchase.
Tony Shafrazi Gallery
Scope and Contents note
Regarding Burroughs works on consignment to Maenz, 7 items.
Scharpff, Rudolf
Scope and Contents note
Regarding interest in Boyle and Dolla, 6 items.
Schley, Evander
Scope and Contents note
letter to canceling show.
Schmidt, Peter (artist)
Scope and Contents note
2 items.
Schmidt, Ingrid and Volker
Scope and Contents note
substantial correspondence regarding acquisitions, especially a Rückriem piece which was different than the one commissioned
and the purchase of a Buren work, ca.23 items.
Schöttle, Rüdiger
Scope and Contents note
Regarding Barry sales, Kosuth show at both galleries and letter to Rentschler with text to accompany Kosuth work, 9 items.
Schum, Gerry
Scope and Contents note
Regarding "Peter Roehr, Film-Montagen I," 6 items.
Schmidt, Ingrid and Volker
Scope and Contents note
Regarding acquisitions and financial matters, 8 items.
Schwarzwaelder, Rosemarie, Galerie Nächst St. Stephan
Scope and Contents note
Regarding "Neue Skulptur" show, 4 items.
Schmidt, Ingrid and Volker
Scope and Contents note
2 items.
Scholte, Rob
Scope and Contents note
Regarding his prolonged illness, his exhibition and other matters, 5 items.
Schuyff, Peter
Scope and Contents note
letter to.
Schuyff, Peter
Scope and Contents note
2 letters to.
Schmidt, Volker and Ingrid
Scope and Contents note
letter to.
Scholte, Rob
Scope and Contents note
Regarding new work and exhibition, 5 items.
Schuyff, Peter
Scope and Contents note
letter from.
box 12, box 12, folder 27
Scholte, Rob
Scope and Contents note
contains 4 pg letter from Scholte explaining his break with fellow artists in Amsterdam and his move to Brussels, his relationship
with Maenz, new assistants and upcoming shows, 3 items.
Scholte, Rob
Scope and Contents note
3 items.
Galerie Stähli
Scope and Contents note
11 items.
Studio International
Scope and Contents note
6 items.
Kunstausstellungen, Stuttgart
Scope and Contents note
Regarding shipment of work by Tatafiore, 5 items.
Württembergischer Kunstverein, Stuttgart
Scope and Contents note
correspondence mostly with Tilman Osterwold about an Insley show, 6 items.
Gudrun Inboden, Staatsgalerie Stuttgart
Scope and Contents note
Regarding Kosuth loan and works in private German collections, Paolini and potential Kiefer acquisitions, Bömmels loan for
"Szenen der Volkskunst" and other matters, ca.9 items.
Galerie Stähli
Scope and Contents note
letter to Rolf Winnewisser about his work and regarding Ikemure loans for Maenz exhibition, 5 items.
Württembergischer Kunstverein, Stuttgart
Scope and Contents note
Regarding various matters, 5 items.
Staatsgalerie Stuttgart
Scope and Contents note
Regarding acquisitions of Kiefer and Kosuth, 10 items.
Galerie Stähli
Scope and Contents note
Regarding Maenz's decision not to purchase Ikemura's works, 2 items.
Staatsgalerie Stuttgart
Scope and Contents note
Regarding potential acquisitions, 12 items.
Stringer, Edward L.
Scope and Contents note
Regarding acquisition of Kiefer's "Des Malers Atelier," 6 items.
Staatsgalerie Stuttgart
Scope and Contents note
Regarding acquisitions, 6 items.
Württembergischer Kunstverein, Stuttgart
Scope and Contents note
Regarding loans, 3 items.
Washington University, St. Louis
Scope and Contents note
Regarding "Hunger for Images" exhibition with checklist and timetable, 4 items.
Staff-Reitzenstein, Elsa von
Scope and Contents note
Regarding an acquisition, 5 items (see also 1988).
Stöcker, Ingvild
Scope and Contents note
Regarding acquisitions, 4 items.
Sturtevant, Elaine
Scope and Contents note
correspondence primarily with Christian Leigh and some with Sturtevant regarding Maenz exhibition with Leigh's text for mailers,
ca.16 items (see 1990 for more).
Sturtevant, Elaine
Scope and Contents note
folder consists of substantial material regarding exhibition, including correspondence with Christian Leigh and Sturtevant
and with Heydt, Vieregge & Partner concerning Eva Beuys' attempt to bring a copyright infringement suit against Sturtevant's
"copy" of Beuys' "Fat Chair," and also contains an exhibition checklist, ca. 50 items (see also Bess Cutler Gallery, 1989).
Götz Adriani, Kunsthalle Tübingen
Scope and Contents note
mostly regarding Roehr exhibition and some about acquisitions and other matters, 15 items.
Verelst, Patrick
Scope and Contents note
Regarding Verelst's non-payment to Maenz of works by Roehr, ca.7 items.
Verna, Annemarie
Scope and Contents note
mostly about Roehr, ca.23 items.
Viner, Frank Lincoln (artist)
Scope and Contents note
letter to.
Visser, Carel
Scope and Contents note
substantial correspondence mostly regarding exhibitions with letters about why Maenz does not want to do a drawings show (4/16/73)
and Maenz rethinking their relationship (7/4/74), ca.28 items.
Visser, Mia
Scope and Contents note
6 items (see also Seriaal 1970-79).
Toroni, Niele
Scope and Contents note
3 items.
Kunio Motoé, National Museum of Modern Art, Tokyo
Scope and Contents note
Regarding Bömmels loans for "Metaphor and/or Symbol," ca.13 items.
Galerie Tanit
Scope and Contents note
5 items.
Vanity Fair and Paul Taylor
Scope and Contents note
Regarding Dokoupil article, 6 items.
Taaffe, Philip
Scope and Contents note
5 letters to.
Taaffe, Philip
Scope and Contents note
4 letters to.
Vaisman, Meyer
Scope and Contents note
letter to.
L.A. Louvre, Venice
Scope and Contents note
Regarding purchase of Woodrow's "By the Light of Day" by Jay Chiat, 8 items.
Taaffe, Philip
Scope and Contents note
letter to.
A 11 Art Forum Thomas München
Scope and Contents note
5 items regarding works on consignment.
Toroni, Niele
Scope and Contents note
note to.
Castello di Rivara, Turin
Scope and Contents note
Regarding Feldmann loans to "65-75 Aspetti e Pratiche dell' Arte Europea," ca.10 items.
Walker, Aldo (Swiss artist)
Scope and Contents note
2 items.
John Weber Gallery
Scope and Contents note
Regarding Mr. Krätz purchase of a LeWitt work, 5 items.
Weiner, Lawrence
Scope and Contents note
about Weiner updating his records to reflect ownership of work bought by the Sohsts, 6 items.
Westdeutscher Rundfunk Köln
Scope and Contents note
Regarding Maenz's thoughts on a WDR broadcast on homosexuality, Maenz's proposal to Werner Höfer to produce a TV program on
art, contract agreement between Maenz and WDR for "Die Wirklichkeit ist nicht sichtbar," and copies of letters showing tension
between Höfer and Gerry Schum, 9 items.
Anny De Decker, Wide White Space
Scope and Contents note
6 items.
Wilson, Ian
Scope and Contents note
letter to.
Günter Aust, Museum der Stadt, Wuppertal
Scope and Contents note
Regarding Roehr, Boyle loans and Art Deco works for "Um 1930," 7 items.
Christian Rathke, Kunst -und Museumverein, Wuppertal
Scope and Contents note
Regarding exhibition "50'er Jahre," 5 items.
Städtische Galerie Wolfsburg
Scope and Contents note
letter to Klaus Hoffmann trying to sell "Mülheimer Freiheit" exhibit.
Museum Wiesbaden
Scope and Contents note
Regarding acquiring Kiefer's work, 3 items.
Städtische Galerie Wolfsburg
Scope and Contents note
letters about "Mülheimer Freiheit" exhibition with a letter signed by Dahn, Dokoupil, Bömmels, Naschberger and Adamsky, 3
items.
Wéry, Marthe
Scope and Contents note
2 items.
Werner, Hermann (artist)
Scope and Contents note
Regarding sending photos of his work to Maenz, 2 items.
Städtische Galerie Wolfsburg
Scope and Contents note
Regarding acquisitions of Dahn and Dokoupil with list of works and prices, 9 items.
Woodrow, Bill
Scope and Contents note
2 letters to.
Woodrow, Bill
Scope and Contents note
letter to.
Thomas Krens, Williams College Museum of Art
Scope and Contents note
letter from regarding German painting exhibition plans.
Wittrock Kunsthandel
Scope and Contents note
Regarding works sold to the Deutschen Bank with list of works and prices, 4 items.
Warhol, Andy
Scope and Contents note
2 letters to.
Wencke, Claus-H.
Scope and Contents note
4 letters to about acquisitions and account problems.
Warhol, Andy
Scope and Contents note
material concerning Warhol exhibition, including correspondence with Heiner Bastian and Fred Hughes about commission dispute
between Maenz and Bastian over the sale of "Flowers," 1964, loan agreements, shipping and insurance documents and list of
works in show, ca.20 items.
Thomas Krens, Williams College
Scope and Contents note
letter from regarding exhibition "German Painting Now."
Woodrow, Bill
Scope and Contents note
3 letters to regarding sales and consignment arrangement.
Alexander Weder Kunsthandel
Scope and Contents note
Regarding Disler's work, 5 items.
Wesdeutscher Rundfunk Köln
Scope and Contents note
Regarding co-sponsored festival, 4 items.
Kunstmuseum Winterthur
Scope and Contents note
Regarding loans for John Armleder exhibition, 2 items with loan forms.
Woodrow, Bill
Scope and Contents note
correspondence with Pauline Woodrow about updating the artist's records, 4 items.
Washington University, St. Louis
Scope and Contents note
5 items.
Thomas Krens, Williams College
Scope and Contents note
letter to regarding selection of works for German painting exhibition.
Woodrow, Bill
Scope and Contents note
2 letters to and form letters to museums and collectors re artist's exhibition, 8 items.
Sally G. Shafto, Williams College
Scope and Contents note
Regarding Bömmels poster with press release of "Refigured Painting: The German Image 1960-1988," 3 items (see also 1990).
Willisch, Susanne
Scope and Contents note
about restoration of Dahn's work owned by Jobst family, 7 items.
Sally G. Shafto, Williams College
Scope and Contents note
Regarding Shafto's interest in Bömmels, 8 items.
Zizmann, Rolf
Scope and Contents note
Regarding Buren creating a work for Zizmann and certificates for the piece, with photo of the interior of Zizmann's house.
Kunsthaus Zürich
Scope and Contents note
loan forms and shipping documents regarding loans for "Malerei und Photographie im Dialog," 6 items.
Galerie Rudolf Zwirner
Scope and Contents note
about various exhibitions, 7 items.
Zacharopoulos, Denys
Scope and Contents note
letter to about why Maenz did not use his text in the Jahresbericht."
Ursula Perucchi, Kunsthaus Zürich
Scope and Contents note
primarily regarding Cucchi exhibition loans, 5 items.
Christos M. Joachimides, "Zeitgeist"
Scope and Contents note
letter to.
Galerie Rudolf Zwirner
Scope and Contents note
Regarding "Premierentage" catalog, 3 items.
Yarlow/Salzman Inc.
Scope and Contents note
Regarding sales and commission dispute, 5 items.
box 14, folder 24
Farewell letters
1990
Scope and Contents note
letters sent to Maenz from artists, gallery owners, museum directors, etc., expressing sorrow over his closing the gallery
and good wishes for the future. Correspondents include: Holly Solomon, Martin Disler (with small drawing on one sheet), Gisela
Kapp, Dieter Koepplin, Heliod Spiedermann-Kothe, Frans Haks, Werner Lippert, Jean-Christophe Ammann, Julie and Robert Barry,
Daniel Buren, Julian Opie, Johannes Cladders, Gerhard Sohst, Anne and Patrick Poirier.
box 14, folder 25
Assorted unidentified artists,
1987-1990
Scope and Contents note
solicitations from unknown artists seeking representation, 1987-1990.
box 14, folder 26
Lists
Scope and Contents note
mailing and artists lists.
box 14, folder 27-28
Art organizations,
1985-1990
Scope and Contents note
correspondence with and information from Bundesverband Deutscher Galerien, Köln (1988-1990), and Gesellschaft für Moderne
Kunst am Museum Ludwig, Köln (1985-1989), Maenz was a member of both organizations.
Artists' correspondence, Series II.
1970-1980
Physical Description:
1 Linear Feet
2 boxes
Scope and Contents note
Series II consists of letters to and from artists whom Maenz represented or exhibited from 1970-80, such as Art & Language
artists, David Askevold, Robert Barry, Jean-Marie Bertholin, Mark Boyle, Daniel Buren, Victor Burgin, Hanne Darboven, Hans-Peter
Feldmann, Hans Haacke, John Hilliard, Will Insley, Joseph Kosuth, Anne and Patrick Poirier, Dave Rushton, Claude Rutault and
Marthe Wéry. Arranged alphabetically. Letters regard exhibitions, financial arrangements, sales at Maenz and other galleries,
publications, production of new works, artistic theories, and the then current art scene. Letters written after 1980 can be
found in Series I.
box 15, folder 1
Art & Language,
1971-1978
Scope and Contents note
correspondence with Terry Atkinson, Charles Harrison and Michael Baldwin about creation and translation of works; book production
of DuMont anthology; exhibitions, including Basel and Documenta (1971-1972), and others; book sales; a lost work, which was
shown in "Project '74"; financial matters; and problems within the group (see especially letters ca. March or April 1976,
in which Baldwin requests Maenz to send him socialist literature). Also includes brief text on "Loop" for Basel show (3/15/72),
ca. 85 items, bulk 1971-1975. See also Ian Burn and Joseph Kosuth for more on Art & Language.
box 15, folder 2
Askevold, David,
1971-1979
Scope and Contents note
letters about his shows at the gallery, including description of works and installations; his works in general; finances and
prices of works; tape and film editions of his works "FFACC" and "Rubber Band"; certificates for tapes and films; making a
tape with Gerry Schum; and an interesting letter about why he wants to show with John Gibson considering Gibson's reputation
(9/18/73); ca. 70 items.
box 15, folder 3
Barry, Robert,
1970-1980
Scope and Contents note
extensive correspondence, includes many detailed descriptions of his slide pieces, drawings and other works (see especially
an undated letter, ca. early 1971, for "Something which is ..."); confusion over "Invitation Piece" mailer (late 1972-early
73); a discrepancy in the documentation of "Argon" (5/11/77); various publications; exhibitions for the gallery, Prospekt,
Documenta, Kunstmarkt and others; sales (especially to Dr. Friedrich Rentschler); work availability; Maenz's business dealings
with other European galleries representing Barry; Barry's work, exhibition and travel schedules and some installation instructions.
ca. 126 items.
box 15, folder 4
Bertholin, Jean-Marie,
1975-1979
Scope and Contents note
letters about exhibitions at the gallery, Art in Progress and Galerie Germain; sales; and discontinuance of their working
relationship. ca.17 items.
box 15, folder 5
Boyle, Mark,
1970-1076 1970-1973
Scope and Contents note
correspondence about exhibitions at the gallery, Documenta (1972), and elsewhere; financial matters with the artist's account
statements; prices of works; and a poor translation of a review by Günther Wirth (9/28/73) for
Studio International, which makes mention of Boyle. ca. 40 items.
box 15, folder 6
Büttner, Werner
Scope and Contents note
includes a copy of an interesting letter from Büttner to Paparoni about why he will not participate in an Italian exhibition
because of the political situation there, 4 items.
box 15, folder 7
Buren, Daniel,
1972-1980
Scope and Contents note
problems with the "Deurle" publication; a large work commissioned by Gerhard and Elisabeth Sohst, which they decided to return
in part due to Buren's "avertissement" (see also Series I "S" 1970-1979 for extensive Sohst correspondence on this matter);
creation and sales of other works; and various exhibitions of his work in Germany, ca.42 items.
box 15, folder 8
Burgin, Victor,
1971-1977 bulk 1971-1973
Scope and Contents note
many letters discussing edition size and sales of "Bracket Performative," "IV 2," "VI" and "Hussonet"; exhibitions at the
gallery, Documenta and Project '74; publications, especially one with Latimer Press 1971-73 (see 7/2/73 for contents outline);
some installation instructions; Maenz's dissatisfaction with the three-language-version of "New York Cultural Center Piece"
(7/28 & 8/3/71); reason for Maenz (or de Vries) not wanting to sell "Photopath" to the Tate (2/16/73); and letter from Maenz
showing bitter feelings about Burgin's attack on Maenz's and Gerd's work in their last meeting (2/26/77, see also Kosuth file
3/7/77 and Haacke file 4/22/77 for related letters). Other items include title sheet for "Bracketed Performative," 1971. ca.
87 items.
box 15, folder 9
Burn, Ian and Mel Ramsden, ,
1971 1973-1976
Scope and Contents note
includes letters from Ramsden about his disillusionment with the gallery because Burn and Ramsden were not included in the
Dumont anthology (1/13/73); from Burn about current direction of Art & Language (ca.3/7/73); from Ramsden documenting tensions
between A & L in USA and England (7/11/75); Kunstmarkt text typescript with frank letter from Maenz about its unsuitability
for the exhibition (8/29/75) and a revised typescript from Ramsden; and others describing works for the gallery and the Ludwig
collection, exhibitions, publications, prices and sales of works. ca.60 items.
box 15, folder 10
Darboven, Hanne,
1979-1980
Scope and Contents note
includes letters about an exhibition at the gallery and sales. Also contains postcard and letter with numbers and her characteristic
scribbles, copy of sketch for title-page of "Jahresbericht 1979" annotated with a note from Darboven and photocopied article,
ca.14 items.
box 15, folder 11
Feldmann, Hans-Peter, ,
1972-1975 1978-1979
Scope and Contents note
includes correspondence about works, exhibitions, sales and other gallery representation; letter which substantiates reasons
for using notebook format for exhibition (n.d., ca.1972-73); letters in which Feldmann explains his refusal to give autobiographical
data (1974); and letter in which Feldmann theorizes on the meaning of art in conjunction with his toy exhibition (n.d., ca.1974-75).
box 16, folder 1-2
Haacke, Hans,
1969-1979
Scope and Contents note
extensive and rich correspondence demonstrating the political and economic issues that preoccupied Haacke. Including letters
about the gallery's first show in 1971 and the delay of the opening (1970); Haacke's description of his Tokyo installation
"Circulation," recommendation of several Japanese artists and his ideas on art and politics (6/17/70); how to install the
first show and Haacke's reasons for withdrawing from "Conceptual Art and Conceptual Aspects" exhibition due to alienation
from Kosuth (12/27/70); many letters about the Guggenheim "scandal," including Haacke describing the ban of Buren at Guggenheim
(2/13, 2/28/71), expulsion of Haacke from Guggenheim show, possible legal action and seeking letters of support from Maenz
(4/17/71) and artists boycotting Guggenheim on grounds of artistic freedom (5/10/71); Haacke expressing views on
Artforum and
Arts Magazine and Barbara Rose's critiques (3/14/71); financing for "Questionnaire" and its installation at Documenta (2/13/72); dispute
between Haacke and Onnasch about display of "Eisring" (4/13, 4/18/72); Barry dispute with Maenz (12/15, 12/19/72); many letters
about Haacke's Manet project for Projekt '74 including proposals, subsequent rejection by the selection committee, Haacke's
threats to expose the Wallraf-Richartz-Museum for hindering artistic freedom and Haacke's insistance that they publish his
proposals and their reasons for his rejection in the Projekt '74 catalog (Jan-May 1974, see also ** for poster of Manet project
exhibition at Maenz, which illustrates letters between the artist and Dr. Horst Keller, director of Wallraf-Richartz-Museums);
Haacke asking Maenz to send him biographical information for future pieces (1975); Prospect-Retrospective 1946-76 (10/76);
misunderstanding between Burgin and Maenz (4/22/77); and Maenz re-asking Haacke to state his political orientation after Haacke
thought the request inappropriate for a commercial gallery (5/4/77). Other items include Manhattan card to be used for Prospect
with text and sketch (7/15/71); contact sheet for a catalog (3/72); blank contract for artist and collector drawn up by Haacke's
lawyer; and photocopy of Haacke article "Art into Society-Society into Art" (with letter dated 3/9/75). ca. 126 items.
box 16, folder 3
Hilliard, John,
1977-1979
Scope and Contents note
letters about his exhibition at Maenz; showing "Horse-Chestnut Leaves" at Documenta, which was purchased by Maenz (1977);
exhibiting "Velazquez" at several venues including Maenz; invitation cards; and Maenz's inability to sell Hilliard's work.
18 items.
box 16, folder 4
Insley, Will, ,
1971-1977 bulk 1972-1973
Scope and Contents note
exhibitions at the gallery, Documenta and extensive exchanges about Haus Lange, Krefeld, show; descriptions of new works,
especially a new series of small wall fragments (5/31/75) and Insley's thoughts on their installation (11/3/76); sales and
financial matters; problems of conserving and framing his early drawings (12/6/77); and from Maenz about why Insley's work
will not fit into the gallery's current exhibition program (5/8/79). ca. 50 items.
box 16, folder 5
Kosuth, Joseph, ,
1970-1979 bulk 1971-1977
Scope and Contents note
correspondence about exhibitions at the gallery, Documenta (1972), Projekt '74 (see letter ca. Summer 1974 for list of materials
requested by Kosuth) and others; financial arrangements; sales; and publication by Klaus Honnef. Also contains extensive and
rich letters regarding Kosuth's current works and the conceptual art scene, including copy of a letter from Kosuth to Karl
Heinemann regarding his reasons for no longer selling his "Propositions" and how he accepts "private grants" (ca.1/71); Kosuth's
reaction to Fischer's
Studio article (3/22/71); dispute between Maenz and Gunter Sachs Gallery over an exhibition of Kosuth's work (see especially 10/11/72);
Maenz's description of the Brussels congress (7/5/73); Kosuth's comments concerning the catalog "Non-anthropomorphic art by
four young artists" at Lannis Gallery in relation to the recent Luzern catalog (ca. early 1974); Kosuth's reason for ending
his "Investigation" series and photocopied statement for "The Tenth Investigation" (ca. early 1975); extensive description
of new work which shifts from an analytical to a dialectical model (10/31/75) and Maenz's somewhat negative response to it
(3/16/76); the breakup of Provisional Art & Life, NY, problems in Art & Language and the end of
Fox (8/16, 9/20/76); and lengthy and emotional letter from Kosuth about Burgin's dismissal from the gallery (3/7/77). ca. 88
items.
box 16, folder 6
Michals, Duane,
1977
Scope and Contents note
letters from Maenz regarding an exhibition and copy of a letter from Michals to Ann and Jurgen Wilde about shipment of works
to them with information on how they are to be dispersed to Documenta and Maenz, 6 items.
box 16, folder 7
Pohl, Marianne,
1977-1979
Scope and Contents note
includes letters about exhibitions at the gallery and elsewhere; letter with installation instructions in pen and crayon (11/26/78);
and letter about Pohl's decision to paint for her own pleasure, not for sales, with a small piece of painted canvas annotated
and sent as a momento (9/7/79). ca. 10 items.
box 16, folder 8
Poirier, Anne and Patrick,
1972-1980
Scope and Contents note
exhibitions at the gallery, Project '74 and elsewhere; prices; works to be exchanged between Edward Kienholz and the Poiriers
(1973, see also Series I "K"); not wanting 10 steles separated (5/8/73); current low artistic output and intended future direction
of their art (5/18/74); descriptions of works, especially one which uses the Domus Aurea as inspiration (6/2/75); the Poirier's
unwillingness to sell "Ausée" to a private collection because they hope a public institution will acquire it (6/12/78); and
rethinking their working relationship (see especially 11/1/78 and 1/3/79). ca. 75 items.
Ramsden, Mel
Scope and Contents note
see Ian Burn.
box 16, folder 9
Rushton, Dave, ,
1972-1974 undated
Scope and Contents note
letters about distributing "Suggestion from the Following Gallery" at Galerie für zeitgenössische Kunst; list of works and
prices given to Maenz for display (5/24/73); works not to be exhibited in Maenz's possession and descriptions of works which
can be sent for a show (6/7/73); and destruction of 25 copies of "the Portrait of Harriet Smith" from water damage in Brussels
(2/12/74). ca. 17 items.
box 16, folder 10
Rutault, Claude,
1976-1980
Scope and Contents note
correspondence regarding exhibitions, such as "Accrochage des toiles carrées" in which Rutault's proposed design for the invitation
is rejected by Maenz (1977) and Maenz gallery schematic with list of works and annotations by Rutault as to where they should
be displayed (7/16/79); descriptions of works; letter written to de Vries about finding texts written by French minimal artists
(6/3/77); and letter with copy of text "une toile chasse l'autre no. 3" (12/1/77). ca. 30 items.
box 16, folder 11
Toroni, Niele, , ,
1971 1975-1977 1979-1980
Scope and Contents note
letters about exhibitions, sales and why the artist does not leave works on consignment (6/7/77). ca. 11 items.
box 16, folder 12
Wéry, Marthe,
1974-1980
Scope and Contents note
correspondence regarding exhibitions, including how her work should be displayed (1/1/77); sales; Wéry's disappointment with
Maenz and discusses her ideas on art (1/10/78); why Maenz has excluded her from "Colonia Italiana" exhibition (1/11/78); Maenz
expressing his opposition to Wéry's text on color, form and material (3/26/78); and Maenz ending their working relationship
(1/3/79). ca. 33 items.
Loans, Series III.
1975-1990, 1982-1990
Container Summary: 2.5 lin. ft. 5 boxes
Scope and Contents note
Loan documentation with museums and galleries, consists of letters requesting loans, loan request forms, shipping and insurance
documents and some correspondence about exhibitions. This series also contains consignment agreements with other galleries
with checklists and prices of works on loan and discussions of financial arrangements. Series I should also be consulted.
box 17, folder 1
A
1975-1981
Scope and Contents note
contains material from Stedelijk Museum, Amsterdam, on the Wéry exhibition, 1975 (extensive documentation); Penone, 1979;
and "Sieben Junge Italiener," 1981 (Clemente and Cucchi).
box 17, folder 2
A
1982-1985
Scope and Contents note
includes documents for Stedelijk Museum for "'60-'80 Attitudes/Concepts/Images," 1981 (Paolini).
box 17, folder 3
A
1986
Scope and Contents note
extensive documentation of Art Gallery of South Australia's "Wild Visionary Spectral: New German Art," (Bömmels, Fetting,
Kiefer and Dokoupil).
box 17, folder 4
A
1987
Scope and Contents note
correspondence with Galería Juana de Aizpuru, Madrid, about puchasing works by Dokoupil and the possibility of shows for Dokoupil
and Salvo at Aizpuru; Stedelijk Museum for "Anselm Kiefer"; and Galerie Arnesen, Copenhagen, regarding works by Bömmels, Dokoupil
and Dahn lent on consignment (see also 1988).
box 17, folder 5
A
1988
Scope and Contents note
mostly letters to Galerie Arnesen about works that had not yet been returned from consignment and money owed to Maenz.
box 17, folder 6
A
1989
Scope and Contents note
Achenbach Art Consulting about Kiefer and Dahn and works by Bömmels on consignment to Artinizing.
box 17, folder 7
A
1990
Scope and Contents note
letters regarding works on consignment to Achenbach (Darboven and Dahn) and Artinizing (Sturtevant and Bömmels) and with Museum
van Hedendaagse Kunst, Antwerp, about Kosuth's exhibition "Exchange of Meaning."
box 17, folder 8
B
1977-1981
Scope and Contents note
Dorothee Freifrau von Stetten, Bonn, Bonner Kunstverein and Staatliche Museen Preussischer, Berlin, all requesting loan of
works by Poirier; Neuer Berliner Kunstverein (Haake); and Kunstalle Berlin IBK (various artists).
box 17, folder 9
B
1982-1985
Scope and Contents note
includes documents from Kunsthalle Basel regarding Dahn exhibition and "12 Künstler aus Deutschland"; Martin-Gropius-Bau,
Berlin, "Zeitgeist" (Dahn, Dokoupil, Bömmels, Büttner); Neuer Berliner Kunstverein "Elementarzeichen" (Haring); Akedemie der
Künste, Berlin, "Das Selbstportrait im Zeitalter der Photographie" (Salvo); Museé d'Art Contemporain de Bordeaux and Hans-Thoma-Museum,
Bernau, about Kiefer exhibitions; Galleria d'Arte Moderne, Bologna, "La giovane pittura in Germania" (Naschberger, Dahn, Bömmels,
Dokoupil); Kunstfonds Bonn "Neue Malerei" (various); Rheinisches Landesmuseum, Bonn, "Zwischenbilanz" (Bömmels, Dahn, Dokoupil);
Centre de Développement Culturel du Boulonnais "Cologne.... Nouveaux Regards" (Bömmels, Dahn, Dokoupil).
box 17, folder 10
B
1986
Scope and Contents note
contains substantial material, including checklists, for Kunsthalle Basel's Dahn exhibition.
box 17, folder 11
B
1987
Scope and Contents note
Neue Gesellschaft für bildende Kunst, Berlin, "Endart" and Palais des Beaux-Arts, Brussels, "Au Coeur du Maelström" (Scholte).
box 17, folder 12
B
1989
Scope and Contents note
works on consignment to Galerie Inge Baecker (Poirier), Galerie Harald Behm (Bömmels), Galleri Bohman (Dahn), Galerie Raymond
Bollag (Bömmels, Dahn); and for exhibitions at Haus am Waldee, Berlin, "Enzo Cucchi: Zeichnungen 1977-88" and Rheinisches
Landesmuseum, Bonn, "Kunst der Gegenwart aus der Bundesrepublik Deutschland" (Dahn, Ireland exchange).
box 17, folder 13
B
1990
Scope and Contents note
Bonner Kunstverein "2000 Jahre: Die Gegenwart der Vergangenheit" (Paolini, Salvo) and works on consignment to Galerie Buchmann
(Bömmels) since 1985.
box 17, folder 14
C-D
1979
Scope and Contents note
contains documents for Kunsthalle Düsseldorf's "Museum des Geldes" (Penone, Salvo).
box 17, folder 15
C-D
1982-1985
Scope and Contents note
Maison de la Culture, Chalon-sur-Saone, (Roehr); Museum am Ostwall, Dortmund, (Bömmels); Kunstmuseum Düsseldorf "z.B. Stühle:
Ein Streifzug durch die Kulturgeschichte des Sitzens" (Kosuth), "Nehmen Sie Dada ernst -Es lohnt sich!" (Dokoupil) and "Anselm
Kiefer"; Rosc, Dublin, (Bömmels, Dahn/Dokoupil); and Messe Düsseldorf "Von hier aus" (Dokoupil).
box 17, folder 16
C-D
1987
Scope and Contents note
Palais des Beaux-Arts, Charleroi, "L'Exotisme au Quotidien" (Dokoupil, Mariani) and Stedelijk Museum Het Prinsenhof, Delft,
"Contour Exhibition" (Scholte).
box 17, folder 17
C-D
1988
Scope and Contents note
loan receipt for Galerie Christoph Dürr "Broken Neon" (Dokoupil).
box 17, folder 18
C-D
1989
Scope and Contents note
works on consignment to Galerie Charles Cartwright (Dahn, Dokoupil) and a loan to Museum am Ostwall, Dortmond "Schrift-Bilder"
(Kosuth).
box 17, folder 19
C-D
1990
Scope and Contents note
works on consignment to Galerie Luis Campana.
box 18, folder 1
E
1978-1980
Scope and Contents note
Museum Folkwang, Essen, "Penone" and "7 junge Italiener" (Cucchi, Chia); and Van Abbemuseum, Eindhoven, (separate shows involving
Kosuth, Haacke, Barry, Askevold).
box 18, folder 2
E
1982-1985
Scope and Contents note
extensive documentation of Scottish Arts Council, Edinburgh, "Mulheimer Freiheit" (various) and of Van Abbemuseum "Walter
Dahn, René Daniels, Isa Genzken, Jenny Holzer, Robert Longo, Henk Visch"; also contains loan agreements for Museum Folkwang
"Die Erschaffung des Universums" (Dokoupil), "Künstliche Paradiese" (Salvo), "Martin Disler," "Enzo Cucchi," and "10 junge
Künstler aus Deutschland."
box 18, folder 3
E
1986
Scope and Contents note
Fruitmarket Gallery, Edinburgh, "The Mirror and the Lamp" (Paolini, Dokoupil) and Folkwang Museum "Georg Dokoupil."
box 18, folder 4
E
1987
Scope and Contents note
contains extensive documentation of Van Abbemuseum "Walter Dahn" with checklists.
box 18, folder 5
E
1988
Scope and Contents note
Scottish Arts Council "Edinburgh International" and "Memory and Imagination" (Salvo).
box 18, folder 6
F
1982-1985
Scope and Contents note
Frankfurter Kunstverein "Vom Zeichnen" (various) and Galerie Six Friedrich (Dahn, Dokoupil).
box 18, folder 7
F
1986
Scope and Contents note
works on consignment to Galerie Fahlbusch (various) and works shown at Frankfurter Kunstverein "Prospect 86" (various).
box 18, folder 8
F
1987
Scope and Contents note
Galerie Fahlbusch (Bömmels, see also 1988) and Frankfurter Kunstverein (Dahn, Dokoupil).
box 18, folder 9
F
1988
Scope and Contents note
Galerie Fahlbusch and Kunstverein Freiburg "Malerei Salvo."
box 18, folder 10
F
1989
Scope and Contents note
works on consignment to Galerie Fahlbusch (Dahn) and Galerie Erika & Otto Friedrich (Salvo), and lent to Portikus, Frankfurt
am Main (Feldmann).
box 18, folder 11
F
1990
Scope and Contents note
works on consignment to Galerie Six Friedrich (Dahn, Dokoupil).
box 18, folder 12
G
1980-1981
Scope and Contents note
Groninger Museum "Mülheimer Freiheit" (various).
box 18, folder 13
G
1982-1985
Scope and Contents note
Steirischer Herbst, Graz, "Phase 2/Das Bild einer Ausstellung" (Dokoupil).
box 18, folder 14
G
1986
Scope and Contents note
Musée Grenoble "Walter Dahn."
box 18, folder 15
G
1988
Scope and Contents note
Galerie Gmurzynska.
box 18, folder 16
G
1990
Scope and Contents note
works on consignment to "121" Dahn, Dokoupil).
box 18, folder 17
H ,
1978 1982-1985
Scope and Contents note
Hamburger Kunsthalle "Das Bild des Künstlers" and works on consignment to Galerie Max-Ulrich Hetzler (Dahn).
box 18, folder 18
H
1986
Scope and Contents note
works on consignment to Galerie Heinz Holtmann (Bömmels, Dahn, Dokoupil) and on loan to Louisiana Museum, Humlebaek "Global
Dialogue -Primitive and Modern Art" (Dahn, Dokoupil, Woodrow).
box 18, folder 19
H
1987
Scope and Contents note
works on consignment to Galerie Tilly Haderek (Roehr) and on loan to Hamburger Kunsthalle "Schrecken und Hoffnung" (Bömmels).
box 18, folder 20
H
1988
Scope and Contents note
extensive documentation of works on consignment from Pat Hearn Gallery (Schuyff).
box 18, folder 21
H
1989
Scope and Contents note
Haags Gemeentemuseum (Dahn), Kunsthaus Hamburg "Arbeit in Geschichte/Geschichte in Arbeit" (Dokoupil) and works on consignment
to Hirschl & Adler Modern "Repetitions" (Roehr, Toroni, Paolini).
box 18, folder 21
H
1990
Scope and Contents note
see L 1990 for Kunstverein Hamburg "D & S Ausstellung" (Opie, Sturtevant, Disler).
box 18, folder 22
I-J
1982-1985
Scope and Contents note
Ingelheim am Rhein "100 Jahre Kunst in Deutschland, 1885-1985" (Dokoupil) and Israel Museum, Jerusalem, "Anselm Kiefer."
box 18, folder 23
I-J
1986
Scope and Contents note
works on consignment to Barbara J.-Jandrig Galerie (Dahn).
box 18, folder 24
I-J
1987
Scope and Contents note
works on loan to Margarethe Jochimsen for exhibition "Sie Machen Was Sie Wollen: Junge Rheinische Kunst" traveling to Museo
de Arte Contemporaneo de Sevilla and Galerie Shipka, Sofia, Bulgaria (Bömmels, Dahn) and works on consignment to Galerie Jöllenbeck
(various).
box 18, folder 25
I-J
1990
Scope and Contents note
works on consignment to Akira Ikeda Gallery (Dahn, see also extensive correspondence in Series I).
box 19, folder 1
K
1977-1980
Scope and Contents note
loan documents for Documenta (1977, Art & Language, Kosuth, Wéry); and Badischer Kunstverein, Karlsruhe, "Hans Haacke," "Mimmo
Paladino" and "Monumente -Denkmal" (Salvo).
box 19, folder 2
K
1982-1985
Scope and Contents note
Badischer Kunstverein, Karlsruhe, "Francesco Clemente"; Kasseler Kunstverein (Dokoupil); much material for Documenta 7 (Dahn,
Dokoupil) and Kitakyushu Municipal Museum of Art "Painting Now" (Dahn, Dokoupil, Bömmels); and Kölnischer Kunstverein "Acht
in Köln."
box 19, folder 3
K
1987
Scope and Contents note
works on consignment to Galerie Kaess-Weiss (Dahn, Salvo, Dokoupil, Salvo) and on loan to Documenta (Scholte).
box 19, folder 4
K
1988
Scope and Contents note
Museum Fridericianum, Kassel, "Schlaf der Vernunft" (Barry); Kasseler Kunstverein "Rob Scholte"; and Museum Ludwig, Köln,
"Marcel Duchamp und die Avantgarde seit 1950" (Barry, Paolini, Anselmo).
box 19, folder 5
K
1989
Scope and Contents note
works on consignment to Galerie Kaess-Weiss (Clemente, Paladino); and on loan to Museum Ludwig, Köln, "Bilderstreit" (Paolini)
and Stadtmuseum Köln, "Augen-Blicke" (various).
box 19, folder 6
K
1990
Scope and Contents note
works on consignment to Galerie Kaess-Weiss (various) and Elisabeth Kaufmann Basel (Dahn); and on loan to Statens Museum for
Kunst, København (Dahn/Dokoupil).
box 19, folder 7
L
1978
Scope and Contents note
contains material for three Kunstmuseum Luzern exhibitions "Peter Röhr," "Serielle Prinzip..." (various) and "16 Italienische
Künstler" (Paolini).
box 19, folder 8
L
1982-1985
Scope and Contents note
Whitechapel Art Gallery, London, "Anselm Kiefer"; Tate Gallery, London, "New Art" (Dokoupil, Dahn); Wilhelm-Hack-Museum, Ludwigshafen,
"Die Apokalypse -Ein Prinzig Hoffnung" (Dahn, Dokoupil, Bömmels, Cucci); and Kunstmuseum Luzern "Salvo."
box 19, folder 9
L
1987
Scope and Contents note
Goethe Institut, Lagos (Dahn/Dokoupil); works on consignment to Galerie Leyendecker (Bömmels); substantial documents relating
to both LACMA's "Avant Garde in the Eighties" (Dahn, Dokoupil) and Musée St. Pierre, Lyon, "Rob Scholte" (includes letter
from Scholte while visiting Candelaria).
box 19, folder 10
L
1988
Scope and Contents note
works given by the artists to Galerie Yvon Lambert for "Aids-Aid" (Dokoupil, Dahn, Bömmels).
box 19, folder 11
L
1989
Scope and Contents note
Tate Gallery, Liverpool, "Art from Köln" (Dahn).
box 19, folder 12
L
1990
Scope and Contents note
works on consignment from Lisson Gallery (Opie) and on loan to Kunstverein Hamburg "D & S Ausstellung" (Opie, Sturtevant,
Disler).
box 19, folder 13
M
1977-1980
Scope and Contents note
Mannheimer Kunstverein "Salvo," "Giulio Paolini," "Poirier" and "Chia, Clemente, De Maria, Paladino"; Westfälisches Landesmuseum,
Münster, "Reliefs" (Poirier).
box 19, folder 14
M
1982-1985
Scope and Contents note
Bonnefantenmuseum, Maastricht, and Kunstverein München "Künstliche Paradiese" (Salvo); Städtischen Museum Mülheim, "Nehmen
sie Dada Ernst" (Dokoupil); Kunstverein München; Instituto Nacional de Bellas Artes, Mexico, "Ursprung und Vision -Neue Deutsche
Malerei (Dahn/Dokoupil); and Galerie-Verein München (Adamski, Dahn, Dokoupil, Kever).
box 19, folder 15
M
1986
Scope and Contents note
Galerie Herbert Meyer-Ellinger (Roehr); Haus der Kunst, München, "Das Automobil in der Kunst" (Roehr); Städtische Galerie
im Lenbachhaus, München, "Hommage a Beuys" (Fabro, Dahn, Dokoupil); and Galerie Vera Munro (Dahn/Dokoupil).
box 19, folder 16
M
1987
Scope and Contents note
includes Galerie Philomene Magers "Ping-Pong" (Dahn); Mannheimer Kunstverein "Skulpturen von Malern" (Dahn); works on consignment
to Galerie Herbert Meyer-Ellinger (Dahn, Roehr); and Kunstverein München "Bill Woodrow, Skulpturen" and "Werner Büttner."
box 20, folder 1
M
1988
Scope and Contents note
Studio Marconi (Dokoupil), Abbaye Saint-Andre, Meymac, "Les Années 80 à la surface de la peinture" (Disler, Dahn, Dokoupil)
and works on consignment to Galerie Silvia Menzel (Dahn).
box 20, folder 2
M
1989
Scope and Contents note
works on loan to Fundacion Caja, Madrid, "Dokoupil"; Galerie Magers "Nature Morte" (Salvo, Dokoupil); Kunstverein München
"Walter Dahn"; and works on consignment to Galerie Am Kleinen Markt (Dahn), Galerie Herbert Meyer-Ellinger (Dahn, Roehr) and
Galerie Vera Munro (Dahn).
box 20, folder 3
M
1990
Scope and Contents note
works on consignment to Galerie Maier-Hahn (Feldmann) and Galerie Meyer-Ellinger (Dahn).
box 20, folder 4
N-O
1978
Scope and Contents note
Museum of Modern Art, Oxford (Roehr).
box 20, folder 5
N-O
1982-1985
Scope and Contents note
Guggenheim, New York, "Italian Art Now: An American Perspective" (Cucchi); Museum of Modern Art, New York, "An International
Survey of Recent Painting and Sculpture" (Bömmels, Mariani); Evangelischen Kirchbautag, Nürnberg, "Imago -Das Künstlerische
Credo" (Dokoupil, Bömmels, Disler, Kiefer); and Rijksmuseum Kröller-Müller, Otterlo (Darboven).
box 20, folder 6
N-O
1987
Scope and Contents note
Whitney Museum of American Art, New York, "1987 Biennial Exhibition with correspondence about Taaffe's "Four Quad Cinema"
being sold to the Saatchi Collection.
box 20, folder 7
N-O
1988
Scope and Contents note
works on consignment to Herrn Job, Otterndorf (Roehr).
box 20, folder 8
P-Q
1979-1981
Scope and Contents note
includes loan agreements for Centre Pompidou, Paris, "La Cartographie" (Poirier); Musée d'Art moderne de la Ville de Paris
"Art Allemand Arc" (Haacke).
box 20, folder 9
P-Q
1982-1985
Scope and Contents note
works on consignment to Produzentengalerie (Dahn, Dokoupil); and on loan to XIIIe Biennale de Paris (Dokoupil), Musée d'Art
moderne de la Ville de Paris "Martin Disler" and Carnegie Institute, Pittsburgh, "Carnegie International" (Dokoupil).
box 20, folder 10
P-Q
1986
Scope and Contents note
Obalne Galerije Piran "New Drawing" (Dokoupil, Bömmels, Dahn).
box 20, folder 11
P-Q
1987
Scope and Contents note
works on consignment to Galerie Roger Pailhas (Dahn) and on loan to Galerie Pfefferle (Bömmels, Dahn).
box 20, folder 12
P-Q
1988
Scope and Contents note
Galerie Pfefferle (Dahn).
box 20, folder 13
P-Q
1989
Scope and Contents note
PPS Galerie F.C. Gündlach Hamburg "Walter Dahn: Fotoarbeiten 1973-87."
box 20, folder 14
P-Q
1990
Scope and Contents note
extensive documentation for Musée d'Art moderne de la Ville de Paris "L'art conceptuel, une perspective" (Barry, Burn, Kosuth,
Lewitt, Ramsden).
box 20, folder 15
R
1977
Scope and Contents note
Museum Boymans-van Beuningen, Rotterdam, "Sechzehn italienische Künstler" (Paolini).
box 20, folder 16
R
1982-1985
Scope and Contents note
Rotterdamse Kunststichting (Dahn, Dokoupil).
box 20, folder 17
R 1987
Scope and Contents note
Castello di Rivoli "Ouverture" (Dahn).
box 20, folder 18
R
1988
Scope and Contents note
includes works on consignment to Galerie Wanda Reiff (Bömmels) and extensive documentation of Museum Boymans-van Beuningen,
Rotterdam, "Rob Scholte" and "Salvo."
box 20, folder 19
R
1989
Scope and Contents note
Galleria Nazionale d'Arte Moderna, Rome, "Giulio Paolini."
box 20, folder 20
R
1990
Scope and Contents note
Gerwald Rockenschaub.
box 21, folder 1
S
1982-1985
Scope and Contents note
Stadtgalerie, Saarbrücken (Dokoupil); 18. Biennale Sao Paulo (Bömmels, Dokoupil); and Galerie Swat "Mülheimer Freiheit" (various).
box 21, folder 2
S
1986
Scope and Contents note
Tony Shafrazi Gallery "What it is" (Dahn, Dokoupil); Sonsbeek 86 (Paolini, Dokoupil); and Biennale of Sydney (Dokoupil).
box 21, folder 3
S
1987
Scope and Contents note
Walter Smerling "Der Andere Blick" (Dahn, Dokoupil, Bömmels).
box 21, folder 4
S
1988
Scope and Contents note
works on consignment to Holly Solomon Gallery (Knap).
box 21, folder 5
S
1989
Scope and Contents note
mostly consists of documents relating to works on consignment to Sonnabend Gallery (Bömmels).
box 21, folder 6
S
1990
Scope and Contents note
works on consignment to Galerie Swart (Dahn, Dokoupil).
box 21, folder 7
Sch
1982-1985
Scope and Contents note
Rosemarie Schwarzwaelder, Galerie nächst St. Stephan (Bömmels, Dokoupil).
box 21, folder 8
Sch
1988
Scope and Contents note
works on consignment to Galerie Schurr (Dahn, Dokoupil, Knap).
box 21, folder 9
Sch
1990
Scope and Contents note
works on consignment to Galerie Schurr (Dahn).
box 21, folder 10
St
1982-1985
Scope and Contents note
Württembergischer Kunstverein, Stuttgart, "Das Selbstportrait im Zeitalter der Photographie" (Bömmels, Salvo).
box 21, folder 11
St
1986
Scope and Contents note
Staatsgalerie Stuttgart "Giulio Paolini."
box 21, folder 12
St
1987
Scope and Contents note
Württembergischer Kunstverein, Stuttgart, "Exotische Welten -Europëische Phantasien" (Dahn/Dokoupil, Clemente, Salvo).
box 21, folder 13
T-V
1980
Scope and Contents note
Venice Biennale 1980 (Poirier).
box 21, folder 14
T-V
1982-1985
Scope and Contents note
National Museum of Modern Art, Tokyo, "Metaphor and/or Symbol" (Bömmels, Allington); Turin, Palazzo Promotrice delle Belle
Arti "Rheingold" (Dahn, Dokoupil); Ulmer Museum "Peter Bömmels" and another exhibition (various); and Le Nouveau Musée, Villeurbanne,
"Salvo" (see also 1986).
box 21, folder 15
T-V
1986
Scope and Contents note
Musee de Toulon "Berlin Aujourd'hui" (Endart) and Le Nouveau Musée, Villeurbanne, "Salvo."
box 21, folder 16
T-V
1987
Scope and Contents note
Museum van Bommel-Van Dam, Venlo, "Beelden van Schilders" (Dokoupil, Bömmels, Dahn) and Le Nouveau Musée, Villeurbanne, "Luciano
Fabro."
box 21, folder 17
T-V
1988
Scope and Contents note
works on consignment to A11 Art Forum Thomas (Darboven, Dokoupil).
box 21, folder 18
T-V
1989
Scope and Contents note
extensive documents regarding Viceconsejeria de Culture y Deportes, Santa Cruz de Tenerife, "International Painting/Canarias"
(Salvo, Dokoupil, Dahn).
box 21, folder 19
W
1982
Scope and Contents note
Kunsthalle Wilhelmshaven.
box 21, folder 20
W
1987
Scope and Contents note
works on consignment to Kunsthandel Wolfgang Wittrock (Bömmels, Disler, Dokoupil).
box 21, folder 21
W
1988
Scope and Contents note
works on consignment to Galerie Edition E Wassermann (Barry) and Wolfgang Wittrock (Feldmann, Disler).
box 21, folder 22
W
1989
Scope and Contents note
extensive materials for Williams College Museum of Art and Guggenheim Museum "Refigured Painting: The German Image 1960-88"
(various); and works on consignment to Wolfgang Wittrock (Disler).
box 21, folder 23
W
1990
Scope and Contents note
Museum Moderner Kunst, Wien, "20. Biennale, Sao Paulo" (Rockenschaub).
box 21, folder 24
X-Z
1976-1977
Scope and Contents note
Kunsthaus Zürich "Malerei im Zeitalter der Fotografie" (Roehr, Salvo, Kosuth).
box 21, folder 25
X-Z
1987
Scope and Contents note
works on consignment to Yarlow/Salzman Inc., Cold City Gallery (Dahn).
box 21, folder 26
X-Z
1989
Scope and Contents note
Kunsthaus Zürich "Enzo Cucchi."
Photograph permission requests, , Series IV.
1983-1990 bulk 1987-1989
Container Summary: 1 lin. ft. 2 boxes
Scope and Contents note
Series IV consists of letters and forms from magazines, museums, galleries, publishers and private individuals requesting
transparencies and photographs. Requests are usually for publications, such as articles, reviews, exhibition catalogs and
monographs, but also for sales and galleries interested in showing an artists work (i.e. samples). Also contains letters of
compliance and return reminders from Maenz and some photocopies of transparencies sent. Series IV is arranged alphabetically
by institution or individual and chronologically within each alpha letter. See Series I for pre-1987 and Series IX for annotated
folders of each transparency.
Financial, Series V.
1979-1980
Container Summary: 1.5 lin. ft. 3 boxes
Scope and Contents note
Series V holds various receipts, Deutsche Bank transaction receipts, tax records, and gallery bookkeeping ledgers for 1979-1980
only.
box 24, folder 1-12
Receipts Jan-Dec
Scope and Contents note
various receipts for taxis, postage, photocopies, restaurants, hotels, etc.
box 24, folder 13-14
Deutsche Bank Deposit Receipts Jan-Dec
box 25, folder 1
Deutsche Bank Withdrawal Receipts Jan-Dec
box 25, folder 2
Income Tax Records
Scope and Contents note
prepared by Dieter Gassen. Also contains copies of 1978 filing for record keeping purposes.
box 25, folder 3
Gallery Accounts Receivable
Scope and Contents note
list of works sold, recorded alphabetically by artist.
box 25, folder 4
Gallery Accounts Payable
Scope and Contents note
various expenses related to the running of the gallery, such as the purchase of photographic reproductions and books, texts
written by various authors, artists' transportation, auto club, etc., filed alphabetically by payee.
box 25, folder 5
Gallery Tax Records
Scope and Contents note
prepared by Dieter Gassen. Includes summary of finances and gallery inventory as of 32 Dec 1979.
box 26, folder 1-2
Deutsche Bank Deposit Receipts Jan-Dec
box 26, folder 3
Deutsche Bank Withdrawal Receipts Jan-Dec
box 26, folder 4
Gallery Tax Records
Scope and Contents note
prepared by Dieter Gassen. Includes summary of finances, gallery inventory as of 21 Dec 1980 and ledgers.
Artists' biographies, Series VI.
ca. 1977-1990
Container Summary: 1 lin. ft. 2 boxes
Scope and Contents note
Series VI contains research files of photocopied articles and reviews, clippings, ephemera, biographies compiled by the gallery
and biographies compiled and received from other galleries. This series also includes a few copies of manuscripts by various
authors about the artists, exhibition checklists and book complimentary lists. Arranged alphabetically by artist.
box 27, folder 1-19
A-I
Scope and Contents note
Contains bios for Armleder, Barry, Beuys, Bömmels, Burroughs, Chia, Clemente, Dahn, Darboven, Disler, Dokoupil, Endart, Fabro,
Feldmann, Fetting, Haacke, Haring, Insley.
box 28, folder 1-17
K-Z
Scope and Contents note
Kapoor, Kiefer, Knap, Mülheimer Freiheit, Opie, Paolini, Posenenske, Rockenschaub, Roehr, Salvo, Scholte, Schuyff, Sturtevant,
Taaffe, Visser, Warhol, Woodrow.
Clippings and miscellaneous ephemera, , Series VII.
1956-1991 bulk 1973-1990
Container Summary: 1.5 lin. ft. 2 boxes
Scope and Contents note
Series VII contains newspaper and magazine clippings, photocopies of reviews of shows at Maenz and elsewhere involving Maenz's
artists, interviews with Maenz and artists, announcements, and invitations. Arranged in loose chronological order.
box 30, folder 1-6
Clippings and miscellaneous ephemera,
1986-1991
box 30, folder 7-17
Miscllaneous ephemera,
1956-1990
Gallery publications and printed matter, Series VIII.
1970-1990
Container Summary: 3 lin. ft. 2 flat file folders, 1 roll
Scope and Contents note
Series VIII contains production material for
Paul Maenz Köln 1970-1980-1990, gallery publicity, posters and a complete set of invitation mailers. For a full listing of Maenz gallery publications and
yearbooks see the separation list.
box 31, folder 1-8
Production material for
Paul Maenz Köln 1970-1980-1990
Scope and Contents note
mss, page proof, galley, layout, unbound signatures.
box 31, folder 9-10
Publicity
Scope and Contents note
mostly photocopies of Maenz ads for exhibitions throughout the gallery's history with annotations where published. Also includes
some production material for ads, such as negs and layouts. A separate folder has misc. leaflets and copies of ads mostly
for Maenz's and de Vries' publications.
box 32, folder 1-15
Invitation mailers,
1971-1989
Scope and Contents note
Contains postcards, cards, small exhibition brochures and copies of announcements.
Posters
1974-1990, undated
Flatfile 1**
"Egonavigatio: Chia, Clemente, De Maria, Paladino," 30.3 - 27.4, 1980, Mannheimer Kunstverein.
Flatfile 1**
"Master Works of Conceptual Art," 11 Okt/19 Nov: "Anselm Kiefer," 25 Nov/23 Dec, Paul Maenz (two announcements on same poster).
Flatfile 1**
"Arte Cifra" 21.6 - 21.7.79, Paul Maenz (printed texts on verso by Celant).
Flatfile 1**
"Haackes Manet-Projekt '74," 4-30 July, 1974, Paul Maenz (reproductions of Haacke correspondence with Dr. Horst Keller, director
of Wallraf-Richartz-Museums).
Flatfile 2**
"7 junge Künstler aus italien," 17 Okt - 30 Nov, 1980, Museum Folkwang Essen (two copies).
Flatfile 2**
"Mülheimer Freiheit & Interessante Bilder aus Deutschland," 13.11 - 20.12.80, Paul Maenz.
Flatfile 2**
"Endart," 15.-21.11.84, Paul Maenz, Kölner Kunstmarkt.
Flatfile 2**
"Journey to the Surface of the Earth: Manual and Atlas," Mark Boyle.
Flatfile 2**
"Anselm Kiefer," 17 Nov 89 - 13 Jan 90, Paul Maenz.
Flatfile 1**
"Robert Barry and the Art Cologne Wall Piece" at the Fair 10-16 Nov and "Francesco Clemente, Neue Arbeiten New York" at the
Gallery 11 Nov - Dec 23 (two announcements on same poster)
roll 1
"New York New," 5.6.-31.7.87.
Photographs, Series IX.
ca. 1971-1990
Container Summary: ca. 9,350 items
Scope and Contents note
Series IX consists of ca. 9,350 color transparencies, black/white and cibachrome color prints, negatives, contact sheets and
slides. The color prints, numbering ca. 1,350, were printed by the repository directly from the color transparencies. All
prints are filed in alpha order by artist with their original file folders, which are annotated as to who borrowed, for what
purpose and when. Three albums house a complete set of black/white negatives and contact sheets of exhibitions and installations
at the gallery and elsewhere.
Negatives and contact sheets,
1971-1989
Anselmo; Art & Language; Askevold; Barry; Bertholin; Boyle; Buren; Burgin; Feldmann; Haacke; Insley; Kosuth; Paolini; Paul
Maenz at Paris Galerie Germain; Penone; Poirier; Roehr; Salvo; Toroni; Wéry.
Bömmels; Dokoupil '83; Paolini '83; Dahn '83; Clemente '82; Fetting '82; Disler '82; Kiefer '82; Ikemura/Dokoupil '82; Dahn
'82; Bömmels '82; Adamski/Cucchi/Darboven '81; "Fleisches Lust" '81; Adamski '81; Buren '81; Paladino/Chia '80; Collection
FER '81; Darboven/Oehlen/ Büttner '81; Darboven "Milieu 80"; "Mülheimer Freiheit" Groninge '81, and '80; Kiefer '81; Cucchi
'80; Summer '80 (Barry, Buren, Adamski, Lord); Clemente '80; Chia; "Egonavigatio" '80; Basel '80; Anselmo '80; Clemente/ Paladino;
Darboven '79; Private '79 Barry-Böhning; Darboven/Cucchi/De Maria '79; "Arte Cifra" '79; Pohl '79; Schaafenstr. Neue Galerie
Sept. '78; Mariani '78; N. De Maria '78; De Vries portraits; Clemente '78; Fabro/Boetti/Clemente '78; Paladino '78; Longobardi;
Chia/Icaro '78; Bartolini/Tatafiore '78; Mariani/KKM (Köln Kunst Markt)/Rutault '77; Rutault '79, '78, '77, '76; Hilliard
'77; Michals '77; Sartor '76; Andre '75, '71, and others; LeWitt "Kunst-über Kunst"; Louw; Maloney '71; Manzoni; Kawara; Rückreim
'74, '71; Visser '75, '72, '71; Venedig '76; "Kunst-über Kunst" '74; KKM '75, '72; Konzept Kunst, Basel, '72; Documenta V
'72; DEZ '74.
Kiefer '89; Paolini '89; Taaffe '86; Dahn '86; Kiefer '86; Woodrow '86; Maenz '86; Salvo '85; Warhol '85; Endart/Dokoupil/Disler
'85; Salvo/Bömmels '84/85; Dahn '84; Kapoor/Woodrow '84; Haring '84; Disler '84; Fabro '84; Kiefer '84; "Master Works of Conceptual
Art" '83; Bismarckstrasse '83 (new gallery).
box 36, folder 9-10
Art & Language; with copy of text "Theory as Practice or Practise as Theory?"
box 43, folder 29-46
Dokoupil, Jiri-Georg (see also Dahn/Dokoupil)
box 45, folder 1-3
Haacke, Hans
Scope and Contents note
ca. 100 photos, in which ca. 40-50% were taken by Haacke, and photocopies of some of his text pieces, such as "Mobil," "Bildunterschrift,"
"The Constituency," "On the Wallraf-Richartz-Museum's censorship of my work for Projekt '74," and "Interview with Hans Haacke
by Mary Gordon."
box 46, folder 13
Kever, Gerard: see also Naschberger, Box 51
box 50, folder 12
Louw, Roelof
Scope and Contents note
includes catalog layout, 2 letters from Louw about layout and installation, correspondence with others regarding same, installation
drawing and photocopied article.
box 51, folder 1-2
Mariani, Carlo Maria
Scope and Contents note
with typed excerpts of some of the paintings the artist appropriated.
box 51, folder 5-6
Naschberger, Gerhard
Scope and Contents note
also includes small photos of Kever's work.
box 53, folder 6
Poirier, Anne and Patrick.
box 54, folder 31-32
Rutault, Claude
Scope and Contents note
also many installation instructions, and 2 letters and 2 notes from Rutault.
box 62, folder 1-15
Miscellaneous,
1976-1987
Scope and Contents note
Includes Kunst-über Kunst, 1974; exhibit at Eric and Xiane Germain, 1976; Fleisches Lust, 1981; Bismarckstr. 50, 1983; Masterworks
of Conceptual Art, 1983; Sechs Richtige, 1984; New York New, 1987; photos of publications; photos of art fairs; portraits
of Maenz; and miscellaneous.
Color transparencies (cold storage)
