Finding Aid for the Robert H. Justman Collection of Star Trek Television Series Scripts, 1966-1968

Processed by Arts Library-Special Collections staff; machine-readable finding aid created by D.MacGill;

Arts Library-Special Collections

University of California, Los Angeles, Library

Performing Arts Special Collections, Room A1713

Charles E. Young Research Library, Box 951575

Los Angeles, CA 90095-1575

Phone: (310) 825-4988

Fax: (310) 206-1864

Email: speccoll-paging@library.ucla.edu

http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm

Finding Aid for the Robert H. Justman Collection of Star Trek Television Series scripts, 1966-1968

Collection number: 89

UCLA Arts Library-Special Collections

Los Angeles, CA

Contact Information

University of California, Los Angeles, Library
Performing Arts Special Collections, Room A1713
Charles E. Young Research Library, Box 951575
Los Angeles, CA 90095-1575
Phone: (310) 825-4988
Fax: (310) 206-1864
Email: speccoll-paging@library.ucla.edu
URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm

Processed by:: Art Library-Special Collections staff
Date Completed:: Unknown
Encoded by:: D.MacGill

Descriptive Summary

Title: Robert H. Justman Collection of Star Trek Television Series Scripts,

Date (inclusive): 1966-1968

Collection number: 89

Origination: Justman, Robert H.

Extent: 8 boxes (3.4 linear ft.)

Repository: University of California, Los Angeles. Library. Arts Special Collections

Los Angeles, California 90095-1575

Shelf location: Held at SRLF. Please contact the Performing Arts Special Collections for paging information.

Language: English.

Administrative Information

Restrictions on Access

Advance notice required for access.

Restrictions on Use

Copyright has not been assigned to the Performing Arts Special Collections, UCLA. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Arts Special Collections Librarian. Permission for publication is given on behalf of the Arts Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.

Preferred Citation

Robert H. Justman Collection of Star Trek Television Series Scripts (Collection 89). Performing Arts Special Collections, University Research Library, University of California, Los Angeles.

Biography

"Star Trek" debuted in 1966 and ran to 79 episodes; it started with low ratings, but the support of its audience and science fiction writers prevented its cancellation; the show was launched by Gene Roddenberry with a format similar to that of "Wagon Train," a weekly television program about pioneers traveling westward; over time Roddenberry and "Star Trek" acquired a following of loyal fans, known as "Trekkies"; "Star Trek" reruns in the late 1970s prompted the continued popularity of the series; Paramount Pictures produced several "Star Trek" movies starring the original television series cast; Roddenberry created and became executive producer for another television series called "Star Trek : The Next Generation," which was set seventy-eight years after the final "Star Trek" episode.

Justman was born in 1926; attended UC Los Angeles (1946-48); began his career in 1950 on independent films and became an asst. director in 1953; affiliated with Herb Solow and Gene Roddenberry and was hired as the asst. director on "The Cage," the first "Star Trek" pilot (1964); was assoc. producer for the series and co-producer for "Star Trek"'s final season; worked with Roddenberry to help create and produce "Star Trek : the Next Generation" (1986).

Scope and Content

Collection consists of original "Star Trek" scripts. Scripts include production materials such as shooting schedules, cast lists, title sheets, special photographic effects lists, and credits. Most of the scripts have Justman's name or initials on the front cover and minor annotations or lines in the text.

Access Points

Justman, Robert H. --Archives.

Television producers and directors --California --Los Angeles --Archival resources.

Scripts (documents).

Episodes

A PIECE OF THE ACTION (Prod# 60349)

Box 5

Written by Gene L. Coon and David P. Harmon. Final draft, October 30, 1967, 63 pages. (Prod. 60349). - Incl.: Special photography effects (2), Shooting schedule (5), Day-out-of-days (1), Cast sheet (6), Credits (3).

A PRIVATE LITTLE WAR (Prod# 60345)

Box 5

Written by Don Ingalls and Gene Roddenberry. Second revised final draft, September 25, 1967, 67 pages. (Prod. 60345). - Incl.: Special photography effects (2), Shooting schedule (5), Day-out-of days (1), Cast sheet (3), Credit (3).

A TASTE OF ARMAGEDDON (Prod# 6149-23)

Box 6

Written by Gene L. Coon and Robert Hammer. Revised final draft, December 12, 1966, 67 pages. (Prod. 6149-23). - Incl.: Shooting schedule (8), Cast sheet (5), Credits (3).

AMOK TIME (Prod# 5149-34)

Box 1

Written by Theodore Sturgeon. Second revised final draft, June 5, 1967, 60a pages. (Prod. 5149-34). Incl.: Special photography effects (2), Shooting schedule (6), Cast sheets (5), Credits (3).

ARENA (Prod# 6149-19)

Box 1

Written by Gene Coon. Final draft, November 3, 1966, 64 pages. (Prod. 6149-19). - Incl.: Shooting schedule (10), Cast sheet (2), Credits (3).

ASSIGNEMNT: EARTH (Prod# 60355)

Box 1

Written by Art Wallace and Gene Roddenberry. Final draft, January 1, 1968, 67 pages. (Prod. 60355). - Incl.: Vault tranporter sequence (3), Wild lines, voices and sounds, loops (22), Cast sheet (3), Credits (3).

BALANNCE OF TERROR (Prod# 6149-09)

Box 1

Written by Paul Schneider. Revised final draft, July 18, 1966, 69 pages. (Prod. 6149-09). - Incl.: Shooting schedule (11), Cast sheet (5), Rough Cut-General Comments (1), Reel content (4), Credits (3).

BREAD AND CIRCUS (Prod# 60343)

Box 1

Written by Gen Roddenberry and Gene L. Coon. Third revised final draft, September 12, 1967, 65 pages. (Prod. 60343). - Incl.: Special photography effects (1), Shooting schedule (2), Cast sheets (7), Credits (4).

BY ANY OTHER NAME (Prod# 60350)

Box 1

Written by D. C. Fontana and Jerome Bixby. Revised final draft (lacking last page), November 7, 1967, 69 pages. (Prod. 60350). - Incl.: Special photography effects (3), Shooting schedule (7), Cast sheet (2), Credits (3).

CATSPAW (Prod# 5149-30)

Box 1

Written by Robert Bloch. Revised final draft, April 27, 1967, 64 pages. (Prod. 5149-30). - Incl.: Optical Miniature list (2), Special photography effects (3), Shooting schedule (8), Cast list (3), Credits (3).

CHARLIE X (Prod# 6149-08)

Box 1

Written by D. C. Fontana. Final draft, July 5, 1966, 70 pages. (Prod. 6149-08). - Incl.: Shooting schedule (9), Cast sheet (3), Sound effect (1), Notes on first cut (2), Teaser narration (1), Credits (3).

COURT MARSHALL (Prod# 6149-15)

Box 2

Written by Don M. Mankiewicz and Steven Carabatsos. Revised final draft, September 9, 1966, 68 pages. (Prod. 6149-15) - Incl.: Shooting schedule (10), Cast sheet (4), Credits (3).

DAGGER OF THE MIND (Prod# 6149-11)

Box 2

Written by Shimon Wincelberg. Revised final draft, August 5, 1968, 77 pages. (Prod. 6149-11). - Incl.: Shooting schedule (10), Cast sheet (3), Credits (3).

DAY OF THE DOVE (Prod# 60043-66)

Box 2

Written by Jerome Bixby. Revised final draft, August 19, 1968, 61 pages. (Prod. 60043-66). - Incl.: Special photography effects (3), Shooting schedule (6), Cast sheet (3), Credits (3), Name change (1).

ELAAN OF TROYIUS (Prod# 60043-57)

Box 2

Written by John Meredith Lucas. Final draft, May 23, 1968, 73 pages. (Prod. 60043-57). - Incl.: Special photography effects (3), Shooting schedule (11), Day-out-of-days (1), Cast sheet (4), Credits (3).

ERRAND OF MERCY (Prod# 6143-27)

Box 3

Written by Gene Coon. Revised final draft, January 23, 1967, 62 pages. (Prod. 6143-27). - Incl.: Shooting schedule (6), Cast sheet (2), Credits (3).

FOR THE WORLD IS HOLLOW AND I HAVE TOUCHED THE SKY (Prod# 60043-65)

Box 3

Written by Rik Vollaerts. Final draft, August 7, 1968, 59 pages. (Prod. 60043-65). - Incl.: Special photography effects (4), Day-out-of-days (1), Shooting schedule (5), Cast sheet (2).

FRIDAY'S CHILD (Prod# 5149-32)

Box 3

Written by D. C. Fontana. Revised final draft, May 11, 1967, 55 pages. (Prod. 5149-32). - Incl.: Special photography effects (2), Shooting schedule (9), Cast sheet (3), Credits (3).

I, MUDD (Prod# 60341)

Box 3

Written by Stephen Kandel. Revised final draft, August 4, 1967, 70 pages. (Prod. 60341). - Incl.: Special photography effects (2), Shooting schedule (7), Day-out-of days (1), Credits (3).

IS THERE IN TRUTH NO BEAUTY (Prod# 60043-62)

Box 3

Written by Jean Lisette Aroeste. Final draft, July 12, 1968, 57 pages. (Prod. 60043-62). - Incl.: Narration (1), Shooting schedule (5), Day-out-of-days (1), Cast sheet (1), Credits (3).

JOURNEY TO BABEL (Prod# 60043-56)

Box 3

Written by D. C. Fontana. Seond revised final draft, September 19, 1967, 64 pages. (Prod. 60043-56). - Incl.: Special photography effects 93), Shooting schedule (6), Cast sheet (5), Credits (3).

METAMORPHOSIS (Prod# 5149-31)

Box 4

Written by Gene Coon. Revised final draft, May 3, 1967, 59 pages. (Prod. 5149-31). - Incl.: Special photography effects (3), Shooting schedule (6), Cast sheet (4), Credits (3).

MIRI (Prod# 6143-12)

Box 4

Written by Adrian Spies. Revised final draft, July 17, 1967, 72 pages. (Prod. 6143-12). - Incl.: Shooting schedule (9), Cast sheet (2), Credits (3).

MIRROR, MIRROR (Prod# 5143-39)

Box 4

Written by Jerome Bixby. Final draft, July 17, 1967, 63 pages. (Prod. 5143-39). - Incl.: Sepcial photography effects (3), Shooting schedule (7), Day-out-of-days (1), Cast sheet (7), Credits (3).

MUDD'S WOMEN (Prod# 6143-04)

Box 4

Written by Steven Kandel. Revised final draft, May 31, 1966, 63 pages. (Prod. 6143-04). - Incl.: deForest Research (3), Cast sheet (2), Shooting schedule (12), Day-out-of-days (1), Credits (3).

OBSESSION (Prod# 60347)

Box 4

Written by Art Wallace. Revised final draft, October 4, 1967, 61 pages. (Prod. 60347). - Incl.: Special photography effects (4), Shooting schedule (5), Cast sheet (2), Credits (3).

OMEGA GLORY (Prod# 60354)

Box 4

Written by Gene Roddenberry. Revised final draft, December 15, 1967, 70 pages. (Prod. 60354). - Incl.: Special photography effects (2), Shooting schedule (5), Cast sheet (4), Credits (3).

OPERATION - ANNIHILATE (Prod# 6149-29)

Box 5

Written by Steven W. Carabatsos. Second revised final draft, February 13, 1967, 66 pages. (Prod. 6149-29). - Incl. : Shooting schedule (7), Optical effects (2), Cast sheet (2), Credits (3).

PATTERNS OF FORCE (Prod# 60352)

Box 5

Written by John Meredith Lucas. Revised final draft, November 24, 1967, 65 pages. (Prod. 60352). - Incl.: Special photography effects (2), Shooting schedule (8), Cast sheet (3), Credits (3).

PLATO'S STEPCHILDREN (Prod# 60043-67)

Box 5

Written by Meyer Dolinsky. Final draft, August 29, 1968, 62 pages. (Prod. 60043-67). - Incl.: Day-out-of-days (1), Shooting schedule (4), Cast sheet (3).

RETURN TO TOMORROW (Prod# 60351)

Box 5

Written by Gene Roddenberry and John T. Dugan. Second revised final draft, November 22, 1967, 67 pages. (Prod. 60351). - Incl.: Special photography effects (2), Cast sheet (3), Credits (3).

SHORE LEAVE (Prod# 6149-17)

Box 5

Written by Theodore Sturgeon. Final draft, October 14, 1966, 62 pages. (Prod. 6149-17). - Incl.: Shooting schedule (10), Cast sheet (3), Credits (3).

SPACE SEED (Prod# 6149-24)

Box 5

Written by Gene Coon and Gene Roddenberry. Second revised final draft, December 13, 1966, 67 pages. (Prod. 6149-24). - Incl.: Shooting schedule (9), Cast sheet (3), Credits (5).

THE APPEL (Prod# 5149-38)

Box 1 , Folder 3

Written by Gene L. Coon and Max Ehrlich. Second revised final draft, July 12, 1967, 63 pages. (Prod. 5149-38).- Incl.: Special photography effects (2), Shooting schedule (8), Day-out-of days (1), Credits (3).

THE CHANGLING (Prod# 5149-37)

Box 1

Written by John Meredith Lucas. Revised final draft, June 29, 1967, 61 pages. (Prod. 5149-37). - Incl.: Special photography effects (3), Day-out-of-days (1), Shooting schedule (5), Cast sheet (3), Credits (3).

THE CHILDREN ARE WAITING (Prod# 600043)

Box 1

Written by Edward J. Lasko. Final draft, June 21, 1968, 71 pages. (Prod. 60043). - Incl.: Special photography effects (4), Shooting schedule (5), Day-out-of-days (1), Castsheet (5), Credits (3).

THE CITY ON THE EDGE OF FOREVER (Prod# 6149-28)

Box 2

Written by Harlan Ellison. Final draft, February 1, 196, 58 pages. (Prod. 6149-28). - Incl.: Shooting schedule (9), Cast sheet (3), Credits (3).

THE CONSCIENCE OF THE KING (Prod# 6149-13)

Box 2

Written by Barry Trivers. Revised final draft, September 8, 1966, 64a pages. (Prod. 6149-13). - Incl.: Shooting schedule (9), Cast sheet (3), Credit (4).

THE CORBOMITE MANEUVER (Prod# 6149-03)

Box 2

Written by Jerry Sohl. Second revised final draft, May 20, 1968, 71 pages. (Prod. 6149-03). - Incl.: Optical special effects (6), deForest Research (1), Shooting schedule (11), Cast sheet (2), Editing notes (4), Credits (3).

THE DEADLY YEARS (Prod# 5149-40)

Box 2

Written by David P. Harmon. Final draft, July 27, 1967, 64 pages. (Prod. 5149-40). - Incl.: Special photography effects (1), Day-out-of days (1), Shooting schedule (7), "Aging Revised" (1), Cast sheet (5), Credits (3).

THE DOOMSDAY MACHINE (Prod# 5149-35)

Box 2

Written by Norman Spinrad. Second revised final draft, June 14, 1967, 64 pages. (Prod. 5149-35). - Incl.: Special photography effects (6), Shooting schedule (9), Cast sheet (3), Credits (3).

THE EMPATH (Prod# 60043-63)

Box 2

Written by Joy Muskat. Revised final draft, July 23, 1968, 55 pages. (Prod. 60043-63). - Incl.: Special photography effects (3), Shooting schedule (4), Day-out-of-days (1), Cast sheet (4), Credits (3).

THE ENEMY WITHIN (Prod# 6149-05)

Box 2

Written by Richard Matheson. Final draft, annotated, June 8, 1966, 70 pages. (Prod. 6149-05). - Incl.: Shooting schedule (11), Cast sheet (2), Projection room notes (4), Editing notes (2), Credits (3).

THE ENTERPRISE INCIDENT (Prod# 60043-59)

Box 3

Written by D. C. Fontana. Final draft, June 13, 1968, 64 pages. (Prod. 60043-59). - Incl.: Special photography effects (3), Shooting schedule (8), Day-out-of-days (1), Cast sheet (3), Credits (3).

THE GALILEO SEVEN (Prod# 6149-14)

Box 3

Written by Shimon Wincelberg and Oliver Crawford. Final draft, September 15, 1966, 66 pages. (Prod. 6149-14). - Incl.: Shooting schedule, (10), Cast sheet (2), Credits (3).

THE GAMESTERS OF TRISKELION (Prod# 60346)

Box 3

Written by Margaret Armen. Fourht revised final draft, October 13, 1967, 65 pages. (Prod. 60346). - Incl.: Special photography effects (1), Shooting schedule (5), Day-out-of-days (1), Cast sheets (5), Credits (3).

THE IMMUNITY SYNDROME (Prod# 60348)

Box 3

Written by Robert Sabaroff. Final draft, October 17, 1967, 70 pages. (Prod. 60348). - Incl.: Special photography effects (3), Day-out-of days (1), Shooting schedule (6), Cast sheet (5), Credits (3).

THE MAN TRAP (Prod# 6143-06)

Box 3

Written by George Clayton Johnson. Final draft, June 16, 1966, 66 pages. (Prod. 6143-06). - Incl. Shooting schedule (10), NBC Broadcast Standard Dept. (2), Cast sheet (3), Voice over (6), Editing notes -narration (7), Credits (3).

THE MENAGERIE (Prod# 6149-16)

Box 4

"Star Trek. Voyage One", (pilot) written by Gene Roddenberry. Revised November 20, 1964, 73 pages. - Incl.: Shooting schedule (18), Cast sheet (5), Staff and crew (1), Production breakdown (89).

Box 4

Written by Gene Roddenberry. Parts 1 and 2. Final draft, October 7, 1966, 64 pages. (Prod. 6149-16). - Incl.: Shooting schedule (8), Cast sheet (5), Desilu memo (3), Credits (7).

THE NAKED TIME (Prod# 6143-07)

Box 4

Part I, written by John D. F. Black. Final draft, June 28, 1966, 65 pages. (Prod. 6143-07). - Incl.: Shooting schedule (12), Cast sheet (2), NBC Broadcast Standard Dept. (1), Narration (1), Projection room notes (4), Credits (3).

THE PALEFACE (Prod# 60043-58)

Box 5

Written by Margaret Armen. Final draft, June 3, 1968. 59 pages. (Prod. 60043-58). - Incl.: Special photography effects (3), Shooting schedule (7), Day-out-of-days (1), Cast sheet (3), Credits (3).

THE RETURN OF THE ARCHONS (Prod# 6149-22)

Box 5

Written by Boris Sobelman. Final draft, November 10, 1966, 64 pages. (Prod. 6149-22). - Incl.: Shooting Schedule (9), Cast sheet (4), Credits (3).

THE SQUIRE OF GOTHOS (Prod# 6149-18)

Box 5

Written by Paul Schneider. Final draft, October 16, 1966, 69 pages. (Prod. 6149-18). - Incl.: Delisu memos (3), Shooting schedule (7), Cast sheet (2), Credits (3).

THE THOLIAN WEBB (Prod# 60043-64)

Box 6

Written by Judy Burns and Chest Richards. Final draft, July 30, 1968, 61A/62 pages. (Prod. 60043-64). - Incl.: Special photography effects (5), Shooting schedule (5), Cast sheet (1).

THE ULTIMATE COMPUTER (Prod# 60353)

Box 6

Written by D.C. Fontana and Laurence N. Wolfe. Final draft, December 5, 1967, 70 pages. (Prod. 60353). - Incl.: Special photography effects (4), Day-out-of-days (1), Shooting schedule (5), Cast sheet (5), Credits (3).

THIS SIDE OF PARADISE (Prod# 6149-25)

Box 6

Written by D. C. Fontana and Nathan Butler. Final draft, December 15, 1966, 64 pages. (Prod. 6149-25). - Incl.: Shooting schedule (8), Cast sheet (2), Credits (3).

TOMORROW IS YESTERDAY (Prod# 6149-21)

Box 6

Written by D. C. Fontana. Final draft, November 21, 1966, 69 pages. (Prod. 6149-21). - Incl.: Shooting schedule (13), Cast sheet (3), Credits (3).

TROUBLE WITH TRIBBLES (Prod# 5149-42)

Box 6

Written by David Gerrold. Revised final draft, August 1, 1967, 62 pages. (Prod. 5149-42). - Incl.: Special photography effects (2), Shooting schedule (6), Day-out-of-days (1), Cast sheet (7), Credits (3).

WHAT ARE LITTLE GIRLS MADE OF (Prod# 6149-10)

Box 6

Written by Robert Bloch. Revised final draft, July 27, 1966, 73 pages. (Prod. 6149-10). - Incl.: Shooting schedule (9), Cast sheet (2), Editing notes (2), Credits (3).

WHERE NO MAN HAS GONE BEFORE (Prod# 5149-02)

Box 6

Written by Samuel A. Peeples. Revised final draft, July 8, 1965, 71 pages. - Incl.: Shooting schedule (13), Cast sheet (3), O.S. background voices (3), Male radio voice (1), Credits 93), Scene breakdown (55).

WHO MOURNS FOR ADONAIS? (Prod# 5149-33)

Box 6

Written by Gilbert A. Ralston. Second reised final draft, May 26, 1967, 70 pages. (Prod. 5149-33). - Incl.: Special photography effects (4), Shooting schedule (5), Cast sheet (3), Credits (3).

WOLF IN THE FOLD (Prod# 5149-36)

Box 6

Written by Robert Bloch. Revised final draft, June 21, 1967, 60 pages. (Prod. 5149-36). - Incl.: Special photography effects (1), Inserts to be shot (1), Shooting schedule (5), Day-out-of-days (1), Cast sheets (5), Credits (3).

Memorabilia

Box 8

"A Day in the Life" - Satire on the production of Star Trek by Robert Justman. 21 leaves.

Box 8

"Some of Frank's Friends: Star Trek 1968-69." Cartoons and caricatures of Star Trek cast and production by Frank Oakden. (2 copies).

Source Materials

Box 8

"Meteorological Satellites and Sounding Rockets." NASA.

Box 8

"The 210-foot-diameter deep space network antenna." NASA/JPL (Dedication booklet, 1966).

Box 8

"To Mars: The Odyssey of Mariner IV." NASA/JPL Technical Memorandum #33-220.

Box 8

"Space Exploration - Why and How." NASA.

Box 8

"Report from Mars: Mariner IV 1964-1965." NASA/JPL.

Box 8

"Dictionary of technical terms for aerospace use". 1st edition, NASA SP-8, 314 pages.

Box 8

"Ranger 1964." Jet Propulsion Laboratory.

Box 8

Cartier, Arthur T. "Missile technology abbreviations and acronyms", 130 pages.

Box 8

"Man: An Endangered Species?" U.S. Department of the Interior Conservation Yearbook #4.

Box 8

Larousse Encylopedia of Astronomy, 1966, 506 pages.

Box 8

DISF: Goldstone. NASA/JPL Technical Memorandum #33-205.

Star Trek 'Fanzines'

PSYCHOTIC

Box 7

No. 23, "The Pulp Fanzine," January 1968, 45 pages.

S.T. PHILE

Box 7

No. 1, January 1968, 49 pages.

SPOCK'S SHOWCASE

Box 7

[1968], 36 pages.

SPOCKANALIA

Box 7

September, 1, 1967, 89 pages. With letter from publishers to Robert Justman, letter from Robert Justman to Herb Solon, and one memo.

Box 7

No. 2, April 19, 114 pages (photocopy), no 3, September 1, 1968, 103 apges, no. 4, February 21, 111 pages, 1968.

STORYTELLER

Box 7

[Circa 1968], 44 pages.

T-NEGATIVE

Box 7

No 9. 1970, 48 pages.