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C30: Alfred Stieglitz (B. Newhall lecture) 1977 Oct 15,
Scope and Content Note
C31: Georgia O'Keeffe TV documentary, sound track 1977 Nov 15,
Scope and Content Note
C32: Black Mountain College Experience, side 1, side 2 1978 May 4,
Scope and Content Note
C33: Black Mountain College Experience, side 3 1978 Mar 4,
Scope and Content Note
C34: John Morris 1978 Mar 7,
Scope and Content Note
1978-1982
C35: Alfred Stieglitz and the Steerage (B. Newhall lecture, UNM) 1978 Apr 14,
Scope and Content Note
C36: Alfred Stieglitz: The European Years, B. Newhall lecture 1978 May 22,
Scope and Content Note
C37: Alfred Stieglitz: The European Years (B. Newhall lecture at the Metropolitan Museum) 1978 May 22,
Scope and Content Note
C38: Collectors symposium: Harry Lunn and George Rinhart (B. Newhall lecture, George Eastman House) 1978 Oct 11,
Scope and Content Note
C39: Collectors Symposium: Harry Lunn and George Rinhart (George Eastman House) 1978 Oct 12,
Scope and Content Note
C40: Collodion invention to tintype; Master portraitists, Nadar (Art History 425, UNM) 1979,
Scope and Content Note
C41: Historiography of Photography: a survey lecture (Chicago Art Institute) 1979 Jan 26,
Scope and Content Note
C42: B. Newhall lecture on "Mirrors and Windows" exhibit (Walker Art Center, Minneapolis) 1979 Feb 23,
Scope and Content Note
C43: Ansel Adams and New Mexico, B. Newhall lecture, History of Photography Symposium (UNM) 1979 Mar 30,
Scope and Content Note
C44: Solarization (Art History 426, UNM) 1979 Apr 24,
Scope and Content Note
C45: Air Vision, B. Newhall lecture (National Air and Space Museum, Washington) 1979 Sept 20,
Scope and Content Note
C46: The Genesis of Pictorial Photography, B. Newhall lecture (Museum of Fine Arts, Houston) 1979 Oct 26,
Scope and Content Note
C47: Photography and the book (Boston Public Library) 1980 May 3,
Scope and Content Note
C48: Photography and the book (Boston Public Library) 1980 May 3,
Scope and Content Note
C49: Ralph Harley interviewing Harold Kitner at Kent State Univ. on Stieglitz's Steerage photograph following B. Newhall lecture Nov 1980,
Scope and Content Note
C50: Polaroid Film 1981 Jan 3,
Scope and Content Note
C51: Polaroid Film 1981 Jan 3,
Scope and Content Note
C52: Making Film in London for Polaroid 1981,
Scope and Content Note
C53: 50 Years of Photography (B. Newhall lecture, International Center for Photography, NYC) 1981 Feb 19,
C54: Barbara Morgan, pt. 3, pt. 4 1981 Sept 22,
Scope and Content Note
C55: Nadar (Art History 425, UNM) 1982,
Scope and Content Note
C56: Strand, Sheeler, Steichen, Weston (Art History 426, UNM), side B 1982 Mar 7,
Scope and Content Note
C57: B. Newhall lecture (Univ. of Oklahoma), side 1 1982 June 19,
Scope and Content Note
C58: Art History 425, lectures 10 and 11, pt. 1 1982 Sept 11,
Scope and Content Note
C59: Art History 425, lecture 11 and 12 1982 Sept 22,
Scope and Content Note
C60: Buckminster Fuller Symposium, B. Newhall lecture 1982 Sept 24,
Scope and Content Note
C61: Art History 425, lectures 15 and 16 1982 Sept 28,
Scope and Content Note
C62: Art History 425, lectures 18 and 18A 1982 Oct 3,
Scope and Content Note
C63: Art History 425, Roger Fenton, Civil War 1982 Oct 7,
Scope and Content Note
C64: Art History 425, lectures 19A and 20 1982 Oct 12,
Scope and Content Note
C65: Art History 425 Mid-Term Review 1982 Oct 19,
Scope and Content Note
C66: Art History 425, W. H. Jackson and the West 1982 Oct 28,
Scope and Content Note
C67: Helmut Gernsheim lecture on Gernsheim (Photohistory V Conference, Rochester) 1982 Oct 30,
Scope and Content Note
C68: The Case of the Elliptical Wheel (Gernsheim and Newhall at Eastman House) 1982 Oct 30,
Scope and Content Note
C69: Art History 425 1982 Nov 1,
Scope and Content Note
C70: Art History 425, Muybridge; Dry Plate; Eastman 1982 Nov 4,
Scope and Content Note
C71: Art History 425, Dry Plate technology; Hand Cameras 1982 Nov 16,
Scope and Content Note
C72: Eastman and Kodak, B. Newhall lecture 1982 Nov 9,
Scope and Content Note
1982-1990
C73: Art History 425, Film beginnings 1982 Nov 11,
Scope and Content Note
C74: P. H. Emerson and the Pictorialists 1982 Nov 23,
Scope and Content Note
C75: Art History 425, Stieglitz, pt. I, 1864-ca. 1896 1982 Nov 30,
Scope and Content Note
C76: Art History 425, Stieglitz, pt. II, 1896- 1982 Dec 2,
Scope and Content Note
C77: Unreality of Photography (Raouls, Santa Fe) 1982 Dec 30,
Scope and Content Note
C78: Stieglitz on Modern Art 1983 Jan 19,
Scope and Content Note
C79: From Emerson to Stieglitz 1983 Jan 20,
Scope and Content Note
C80: Stieglitz 1983 Jan 27,
Scope and Content Note
C81: Art History 426, Stieglitz and "291" 1983 Feb 17,
Scope and Content Note
C82: B. Newhall lecture on Beaumont Newhall's Photographs (Photography Symposium, Palm Beach Junior College) 1983 Feb 27,
Scope and Content Note
C83: Henri Cartier-Bresson reading from The Decisive Moment 1983 Apr 4,
Scope and Content Note
C84: Henri Cartier-Bresson 1983 Apr 12,
Scope and Content Note
C85: Art History 426, B. Newhall on Cartier-Bresson with demonstration of Leica camera 1983 Apr 14,
Scope and Content Note
C86: The Unreality of Photography 1983 Apr 14,
Scope and Content Note
C87: The Unreality of Photography, Pt. I. (UNM Research Lecture) 1983 Apr 19,
Scope and Content Note
C88: History 426 1983 Apr 21,
Scope and Content Note
C89: B. Newhall lecture on Group f/64, Friends of Photography 1983 June 19,
Scope and Content Note
C90: Charis Wilson lecture on Edward Weston 1983 June 23,
Scope and Content Note
C91: Beaumont Newhall autobiography (UNM) 1984 Apr 20,
Scope and Content Note
C92: Edward Weston (B. Newhall lecture, Museum of Albuquerque) 1984 June 10,
Scope and Content Note
C93: Ansel Adams (B. Newhall lecture, Museum of Photo Arts, San Diego) 1984 Aug 2,
Scope and Content Note
C94: Art History 425, lecture 5 and part of lecture 6 1984 Sept 4,
Scope and Content Note
C95: B. Newhall lecture on his own photographs (George Eastman House) 1984 Sept 22,
Scope and Content Note
C96: Art History 425, Conquest of action film (UNM) 1984 Oct 30,
Scope and Content Note
C97: Beaumont Newhall and Helmut Gernsheim at AIPAD, N.Y. 1984 Nov 2,
Scope and Content Note
C98: Beaumont Newhall and Helmut Gernsheim at AIPAD, N.Y. 1984 Nov 2,
Scope and Content Note
C99: Ansel Adams (B. Newhall lecture, NM Council on Photography at College of Santa Fe) 1985 Aug 9,
Scope and Content Note
C100: Heikin, award for excellence in photography (Friends of Photography Award dinner) 1986 Mar 8,
Scope and Content Note
C101: Photo Eye 1986 Apr 1,
Scope and Content Note
C102: Photography to me (B. Newhall lecture, Tucson Art Institute) 1986 Apr 4,
Scope and Content Note
C103: Photography to me (B. Newhall lecture, Tucson Art Institute) 1986 Apr 4,
Scope and Content Note
C104: Beaumont Newhall awarded Honorary PhD. by NYU Brockport 1986 May 10,
Scope and Content Note
C105: Photography to me (Los Alamos History Museum) 1986 Sept 12,
Scope and Content Note
C106: Photography to me (Los Alamos History Museum) 1986 Sept 12,
Scope and Content Note
C107: Edward Weston (B. Newhall lecture, Seattle Art Museum) 1987 Mar 15,
Scope and Content Note
C108: Edward Weston, pt. I (B. Newhall lecture, Museum of Photography, San Diego) 1987 June 25,
Scope and Content Note
C109: The Unreality of Photography 1988 Apr 4,
Scope and Content Note
C110: The Unreality of Photography (B. Newhall lecture, New York Public Library) 1988 Apr 7,
Scope and Content Note
C111: The Unreality of Photography: Film in the cities ( B. Newhall lecture, Saint Paul, MN) 1988 May 22,
Scope and Content Note
C112: Birth of Photography (Getty Museum) 1988,
Scope and Content Note
C113: Birth of Photography (Distinquished Lecture Series, Virginia Museum of Fine Arts, Richmond, VA) 1989 Oct 26,
Scope and Content Note
C114: B. Newhall lecture on exhibit, "Photography 1839-1937," (MoMA [Museum of Modern Art, N.Y.]) 1990 Mar 20,
Scope and Content Note
C115: Eliot Porter (B. Newhall; at memorial service?) 1990 Dec 8,
Scope and Content Note
1991-1992, n.d.
C116: Fiat Lux (B. Newhall lecture, Univ. of California Symposium) 1991 Jan 9,
Scope and Content Note
C117: Photography to me (Art Museum of Corpus Christi, TX) 1991 Mar 23,
Scope and Content Note
C118: Interview with Malin Wilson on my photographic career 1991 July 19,
Scope and Content Note
C119: B. Newhall Journal 1991 Oct 17,
Scope and Content Note
C120: B. Newhall Journal, tape 2 1991 Nov 19,
Scope and Content Note
C121: Interview by Jay Rabinowitz, Aperture 1992 July 30,
Scope and Content Note
C122: Ansel Adams - At One with Beauty, Antenna Theater, FAMSF, n.d.
Scope and Content Note
C123: Ansel Adams (B. Newhall phone call with him about photographing Canyon de Chelle), n.d.
Scope and Content Note
C124: Air Vision, Art History 426 (UNM) n.d.
Scope and Content Note
C125: Hugo Erfurth (translation of), n.d.
Scope and Content Note
C126: Group f/64 controversy, a discussion by George Craven, n.d.
Scope and Content Note
C127: Victor Hasselblad on the camera lost in space, n.d.
Scope and Content Note
C128: Harry Lunn lecturing at George Eastman House, n.d.
Scope and Content Note
C129: Photo Eye of the 1920s, Exhibit in Stuttgart 1929, n.d.
Scope and Content Note
C130: Rembrandt Theft at Eastman House, n.d.
Scope and Content Note
C131: Stieglitz, by Nancy Newhall, n.d., Feb 1982?
Scope and Content Note
C132: Stieglitz and Steichen, by Newhall, n.d.
Scope and Content Note
C133: Stieglitz: The European Years (German transl.), n.d.
Scope and Content Note
C134: Stieglitz: The Steerage, n.d.
Scope and Content Note
C135: Draft for a visit with Paul Strand, n.d.
Scope and Content Note
C136: Radio Broadcast on photo inventor W. H. Talbot (B. Newhall and Christi), n.d.
Scope and Content Note
C137: Conversation with Willard Van Dyke, tape 1, n.d.
Scope and Content Note
C138: Conversation with Willard Van Dyke, n.d.
Scope and Content Note
C139: Weegee on Photography, n.d.
Scope and Content Note
C140: Weegee, n.d.
Scope and Content Note
C141: B. Newhall and Susan Weiley on Focus, n.d.
Scope and Content Note
C142: Monor White, n.d.
Scope and Content Note
Lectures numbered 1, 5-8
#1 (Intro. to History of Photography)
#5 (Daguerreotypes)
#6 (Daguerreotypes)
#7 (Daguerreotypes)
#8 (Daguerreotypes)
Lectures 10-13, 15-17
#10 (Talbot, photogenic drawings, Herschel)
#11 (D. O. Hill)
#12 (Blanquart-Eurard, Baldus, calotype, Le Secq, DuCamp)
#13 (Prevost, Langenheim, Bayard)
#15 (collodion process, Frederick Scott Archer, tintypes)
#16 (carte-de-visite)
#17 (Nadar, Durrieu, Sarony)
Lectures 18-20
#18 (Rejlander, H. P. Robinson, Notman)
#18A (Cameron, Hugo, Carroll)
#19 (Fenton, Robertson)
#19A (civil war photography, Brady, Barnard, Gardner, O'Sullivan, Cook)
#20 (cameras, stereoscopes, T. H. O'Sullivan, W. Bell)
Lectures 21-24
#21 (Jackson, Muybridge, Hillers, Frith, Beato)
#21A (?)
#22 (Muybridge, Eakins, Degas)
#22A (cameras)
#23 (Eastman)
#24 (photography in fiction, zoetrope, The Great Train Robbery)
Lectures 25-28
#25 (Degas, E. Willard)
#26 (Emerson)
#26A (Annan, William Strange, Demachy, Henneberg)
#27A (Vogel, Stieglitz, White & Stieglitz)
#28 ( Camera Work, Stieglitz)
Lectures 29-32
#29 (Käsebier, C. H. White, Steichen, Toulouse-Lautrec, Ives, Eugene, Day)
#30 (F. H. Evans, Coburn, W. Roberts, Nancy Newhall)
#31 (Rodin, Stieglitz, Picasso, DuChamp, Cézanne, Kandinsky)
#32 (Stieglitz, "291")
Lectures 33-36
#33 (Stieglitz, Lake George)
#34 (Sheeler, Outerbridge, Photo Eye of the 20s, Steichen, Strand)
#35 (Strand)
#36 (E. Weston, W. Mortensen, J. P. Edwards, advanced winners)
Lectures 37-40A
#37 (E. Weston)
#37A (E. Weston)
#38 (Brett Weston, Imogen Cunningham, W. Van Dyke, Stackpole)
#39 (Renger-Patzsch, Erfurth)
#40 (Ansel Adams)
#40A ( This is the American Earth, by Ansel Adams and Nancy Newhall)
Lectures 41, 43-45
#41 (Atget, Zille)
#43 (Jacob Riis, Lewis Hine, Photo Eye of the 20s)
#44 (D. Lange, Abbott)
#44A ( North America, by J. Russell Smith)
#45 (Walker Evans, James Agee)
Lectures 48-51, 53-54
#48 (distortions, cameras)
#49 (Man, Salomon)
#50 (Kertesz, Brassai)
#51 (Cartier-Bresson)
#53 (Coburn, Shad, Man Ray, Bruguier, Barbara Morgan, Picasso)
#53A (distortions)
#54 (photograms, Moholy-Nagy)
Lectures 55-57
#55 (Renger-Patzsch, Moholy-Nagy, Werner Graeff, Franz Roh)
#55A ( Amerika, by Erich Mendelsohn)
#56 (Bauhaus, Grosz, photomontage, Hausmann, Moholy-Nagy, Tucholsky)
#57 (photojournalism, Nadar, M. Bourke-White, W. E. Smith)
Lectures 57B-61, 65, 70
#57B ( My Camera in Yosemite, by Ansel Adams)
#58 (Siskind, Sommer)
#58A (Minor White)
#59 (?)
#60 (air vision, aerospace, Nadar)
#61 (air vision)
#65 (?)
#70 (?)
Slides: Adam-Salamon - Caricature
Adam-Salamon
Adams, Ansel
Airborne Camera
Alvarez-Bravo
Ambrotype
Annan
Anthony
Armory Show
Arp
Atget
Avedon
Baader
Baldus
Balla
Barley
Barnard
Baugin
Bauhaus
Bayard
Bayer, Herbert
Baynham Jones
Bell, Willard
Bennett
Ben Yusuf
Bisch
Bierstadt
Black, J. w.
Blau
Bloch, Ernest
Bomberg, David
Bonge
Bourke-White, Margaret
Brady
Bragagua
Brandt
Braque
Braun, Adolphe
Brigman
Bruguiere
Bullock
Burke
Burns
Burri
Caillebotte
Calderon, P. H.
Callahan
Calland
Calotype
Camera
Cameron
Canaletto
Capa, C.
Caption
Caricatures
Slides: Carjat - Daguerreotype (German)
Carjat
Carrá, Carlo
Carroll, Lewis
Cartier-Bresson
Cavelier
CDV
Cézanne
Chadwick
Chagall
Chase
Chevalier
Citroen
Civil War
Claudet
Coburn
Color
Constable
Corot
Courbet
Cunningham, Imogen
Currier, Charles
Curry, F. C.
Dada
Daguerre
Daguerreotype-American
Daguerreotype-German
Scope and Content Note
Daguerreotype-Metternich
Scope and Content Note
Slides: Dali - Lee
Dali, Salvador
Davison
Day, F. H.
Dean
Degas
Delano, J.
Delaunay
Delmaet
Demachy
De Meyer
Derain
Dickins
Dickinson
Disderi
Documentary
Doisneau, Robert
Draper
Ducos Du Hauron
Dufy
Duncan
Dürer
Durrieu
Eakins
Eastman
Edgerton
Edwards, J. P.
Egyptian Photography
Eisenstaedt
Equipment
Erfurth
Ernst
Evans, F. H.
Evans, Walker
Exhibitions
Fardon
Fenton
Fiorucci
Fizeau
Frank
Friesz
Frith, W. P.
FSA
Gardner
Garnett
Gaugin
Gerome
Gibson, J. F.
Gill, J.
Gogh, Van
GRD
Haas
Haden, S.
Hall, Basil
Halsmann
Harnett
Hart
Hartley
Hasek-Halke
Heartfield
Herschel
Herzog, F. B.
Hesler
Hewitt, A.
Heyman
Hill, D. O.
Hillers
Hine, Lewis
Hiroshige
Holder, Preston
Hollyer
Houseworth
Houvet
Howlett
Hunt, H.
Ingres
Jackson
Johnston
Jones, Pirkle
Karsh
Kasebier
Kassak
Keiley
Kermochan
Kertesz
Kline
Klute
Knox
Kobell
Kodak
Kuhn
Kupka
Labrot
Landseer
Lange, Dorothea
Lartigue
Laughlin, C. J.
Lautrec
Lavenson, Alma
Layout
Lee, Russell
Slides: LeGrey - Rulofson
LeGrey
Leibl
Lenses
Lessing
Lewis, Wyndham
Lippman
Lissitzky
Llewelyn
London
Lumiere
Lynes
Lyons
Malevich
Man
Manguin
Man Ray
Mansell, T.
Marey
Marquest
Mategna
Mather, M.
Matisse
Mayhew
Merlin
Mesens
Model
Modotti
Moholy-Nagy
Monet
Morath, I.
Morgan, Barbara
Mucha
Mulready
Mutoscope
Muybridge
Mydans
Nadar
Newhall, Beaumont
Newman
News
New York Dada
Noskowiak, S.
Notman
O'Sullivan
Painting
Parks, G.
Parsey
Percy
Penn
Photo Books
Photojournalism
Photo-Secession
Physionotrace
Picabia
Picasso
Pierre Petit
Pistoletto
Pollack
Porter
Portrait
Postcard
Poussin
Printing Process
Random Shot
Rassetti
Rauschenberg
Ray, Man (see Man Ray)
Reekie
Rejlander
Renger-Patzsch
Renoir
Rey, Guido
Robertson
Riis
Rivington
Robinson, H. P.
Rochester Photography
Rossetti
Rothstein
Rowinski
Rubincam
Rulofson
Slides: Runoff - Toulouse Lautrec
Runoff
Rusch, E.
Russell
Ryder, J. F.
Sander
Savage
Sawyer
Schwartz
Schwitters
Science
Sealey
Seurat
Shahn, Ben
Sharpe
Shaw
Sheeler, Charles
Shew
Shore, H.
Shustak
Simpson, W.
Siskind
Smith, Pamela Coleman
Sommer
Southworth
Spencer
Steichen
Steiner
Stereo
Stieglitz
Stock
Strand
Struss
Studios
Sutcliffe
Talbot
Thompson, John
Tilney
Tintypes
Toulouse-Lautrec
Slides: Towards a New Vision of the Universe - Zille; Misc.
Towards a New Vision of the Universe
Turner
Twenties (20's)
Tzara
Uelsmann
Underhill
U.S.A.
Vaccaro
Vachon, John
Valastro
Vance
Van Dongen
Van Gogh
Van Dyke, Willard
Velazquez
Vermeer
Vlaminck
Waldack
Welpott
Weston, Brett
Weston, Edward
Whistler
White, Clarence
White, Minor
Wiggins
Wilkie
Willoughby
Wilson, Charis
Wilson, G. W.
Wolcott
Worh, Don
Wynfield, D. W.
X Ray
Zille
Misc. slides (unidentified)
Series VI.A. Portfolio, 1981
Scope and Content Note
Beaumont Newhall Portfolio
Beaumont Newhall, Photographs. Lunn Gallery: Washington D. C., 1981
Scope and Content Note
Chase National Bank, New York, 1928
Edward Weston, Carmel, CA, 1940
Charis Weston's Typewriter, 1940
On the Square Rigger, Pacific Queen, Fife Rail, 1940
The Plaza Hotel, New York, 1941
Nancy Newhall, New York, 1946
Henri Cartier-Bresson, New York, 1946
Schloss Leoplodskron, Mantelpiece, Salzburg, 1959
Paul Strand Shopping, Orgeval, France, 1963
Self Portrait at The Museum of Modern Art, New York, 1970
Ansel Adams, Ranchos de Taos, New Mexico, 1980
Street Photographer, Chichicastenango, Guatemala, 1969
Series VI.B. Photographs and contact sheets, ca. 1935-1984, n.d.
Scope and Content Note
Photos and Contact Sheets
Photographs [See also flat file folder 3** for portrait of Beaumont Newhall, Santa Fe]
Newhall Residence, Lynn, Mass. Photographer unknown
New Universalist Meeting House, Lynn, Mass. Photographer unknown
4 Ruth Newhall. By Alice Lillia Newhall
2 Models of the ship Aurora. Models and photos by Beaumont Newhall
4 Brett Weston
Nancy Newhall and the Westons
Beaumont Newhall. By Philippe Halsman, 1942
Beaumont Newhall in Bari, Italy. By a fellow officer, 1944
L. J. M. Daguerre. In Cromer Collection
Henri Cartier-Bresson. By Beaumont Newhall, 1946
5 Beaumont Newhall with Alden Scott Boyer
Alden Scott Boyer at The Bank. By Beaumont Newhall
2 Exhibition Layouts
Beaumont Newhall Explaing how Glass Bends Light at WHAM-TV, 1953
Nancy Newhall
Virginia Adams
15 Beaumont Newhall at Eastman House
Public Relations Photo, 4th P. T. S.
2 Unidentified Woman
2 Beaumont Newhall at WHAM-TV
8 Van Gogh Exhibition at MoMA (Museum of Modern Art, N.Y.), 1935
10 Unidentified
Contact sheets of various subjects
Approx. 60 contact sheets
Approx. 100 contact sheets
Approx. 82 contact sheets
Series VI.C. Albums, 1885-1886, 1941, n.d.
Scope and Content Note
Family Albums
Album given to Beaumont Newhall by Edith Boardman (B. Newhall's maternal aunt)
Album of photographs collected by Herbert William Newhall (B. Newhall's father) while he was studying photography in Germany and Austria in 1885-1886
David Octavius Hill/Adamson Albums
Labels for Hill/Adamson Exhibition at MoMA (Museum of Modern Art, N.Y.), 1941
Album, copy photos of the Heinrich Schwarz Hill/Adamson collection
Album, copy photos of the Heinrich Schwarz Hill/Adamson collection
Series VII. Nancy Newhall papers, ca. 1920-1989
Scope and Content Note
Series VII.A. General files, ca. 1923-1974
Scope and Content Note
Adams, Ansel (Chronology of involvement with Nancy Newhall and Beaumont Newhall)
Bailey, Frederick, Co.
Campbell-Whittlesey House
Center of the Eye
CV and bibliographies
Eastman House: Consultant
Environmental Files
Cayuga Lake-Pollution
Congress, Conservation (correspondence)
Conservation, clippings, etc.
Our environment (correspondence)
Our environment (notices)
Environmental Action
Geological Survey (Dept. of the Interior)
Hickel, Walter J.
Landmark Society
National parks
Pollution
Shakers and other communities
Sierra Club
Trustees for Conservation
Exchange National Bank
Exhibitions and openings
Exhibition inquiries
Five Associates Inc.
Guggenheim application
La Luz
Library of Congress (Alan Fern)
Longwell, Dennis
Metzger, Ray
Modern Photography
New York State Historical Society
Smith Alumnae (Frances Robinson)
Stieglitz
Stieglitz (Conversations with Nancy Newhall)
Scope and Content Note
Stieglitz, Alfred (general material)
Letters, xerox copies, typewritten, 1938-1945
Notes for a biography on Stieglitz
Nancy Newhall notes from conversation with Stieglitz
Tucson
Series VII.B. Personal and exhibition files, ca. 1920-ca. 1973
Scope and Content Note
Personal files
Biographical notes
Daughters of the American Revolution
Death of Mother (Beulah Parker)
Misc. letters, papers
Obituaries
School clippings
Tributes to Nancy Newhall
Family material
Scope and Content Note
Exhibition files
A Nation of Nations (Berlin, 1957) ca. 1957
Scope and Content Note
Exhibitions: A Nation of Nations (photographs)
Exhibitions: I Hear America Singing (Sierra Club)
Exhibitions: This is the American Earth
Scope and Content Note
Exhibitions: This is the American Earth (reviews)
Scope and Content Note
Exhibitions: This is the American Earth (reviews-duplicates)
6 Journals, 1947-1960
1947
1952
1953 Mar 28-1954 Feb 19
Probably 1955
1957
1960
5 Journals 1963-1967, n.d.
1963 Mar 3-Dec 17
1964 Mar 29-1966 May 13
1965 July 5-23
1966 Oct 3-1967 Mar 21
(Ansel Adams and Edward Weston) n.d.,
12 Journals, 1963-1973
Jan 1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
Addresses and telephone numbers, n.d.
Series VII.C. Correspondence, ca. 1923-1973
Scope and Content Note
Personal correspondence
Addresses
Assorted letters to Nancy Newhall
Dean, Nick to Nancy Newhall
Freed, S. and S. to Nancy Newhall
Leftwich, Virginia to Nancy Newhall
Parker, Beulah to Nancy Newhall
Assorted from Nancy Newhall
to Sargent, Maude (aunt of Nancy Newhall), 1952
Assorted mutual correspondence
Curtis, Alice
Dagg, Ginia
DeCock, Liliane
Marshall, George and Betty
Newhall, Beaumont
Okawa, Nogi; includes slides and watercolor pamphlet
Orent, Rabbi Joel
Patterson
Porter, Eliot, 1946-1947
Segal, Evelyn
Wilson, Adrian
Business correspondence
Assorted to Nancy Newhall
Arizona Highways, to Nancy Newhall, 1952
Jones, Harold to Nancy Newhall
Assorted from Nancy Newhall
American Photography from Nancy Newhall
Brower, Dave from Nancy Newhall
Jones, Pirkle from Nancy Newhall
Lewis, Laurie (U of T Press) from Nancy Newhall
Udall, Stewart from Nancy Newhall
Vaudrin, Philip from Nancy Newhall
Unfiled correspondence from Nancy Newhall
Series VII.D. Writings, published and unpublished, 1923-1989
Scope and Content Note
19 small periodicals with pieces by Nancy Wynne Parker, 1923-1935
"Between Two Deaths." Brimmerwrites, p. 10-11. May 1923,
"Alice in Brimmer on Friday Morning." Brimmerwrites, p. 3-4. March 1924,
"Poetry (Twilight)." Now and Then, Easter p. 9, 11. 1925,
"The Harbor," "Two Drawings," "Le Troubadour," and "Drawings (Sports)." Now and Then, pp. 2,3,9,11. Dec 1925,
"A Group of Sonnets," "Shades at the Mitre Tavern," and "Two Drawings." Now and Then, Commencement pp. 6-10, 20, 23. 1926,
"Wild Geese." The Smith College Monthly, p. 9. Feb 1927,
"The Gold Prism." SCM, p. 20. Oct 1927,
"Beads" and "Fine Aetatis." SCM, p. 14. Nov 1927,
"Cut is the Branch." SCM, p. 53. Mar 1928,
"To a Fencer." SCM p. 25 Oct 1928,
"Cover Design." SCM, Dec 1928
"Cover Design." SCM, Feb 1929
"Cover Design." SCM, Apr 1929
"Cover Design & Woodcut." The New Frontier, p. 2. Jan 1934,
"Thomas Benton." TNF, pp. 24-27. Apr 1934,
"Book Review: Portrait of America." TNF, pp. 44-46. Sept 1934,
"Leon Droll, on Art in America." TNF, pp. 29-32. Feb 1935,
Articles by Nancy Newhall, 1937-1951
Assorted articles (not in bibliography) about and by Nancy Newhall
Parker, Nancy Wynne. "Against Iconoclasm.: Magazine of Art, p. 136. Mar 1937,
"Book Review: Wood Engraving of the 1930s, by Clare Leighton." Magazine of Art, pp. 251-52. Apr 1937,
"Gericault's Riderless Racers: The Evolution of an Unpainted Masterpiece." Magazine of Art, p. 209. Apr 1938,
Assorted pieces about Leon Kroll by Nancy Newhall and others.
With Beaumont Newhall. "Horatio Greenough, Herald of Functionalism." Magazine of Art, pp. 12-15. Jan 1939,
"Review: Life in America at Metropolitan Museum of Art." Parnassus, Oct 1939
"Television and the Arts." Parnassus, pp. 37-38. Jan 1940,
"Alfred Stieglitz: Hon. FPSA." The PSA Journal, 1943
"What is Pictorialism?" Camera Craft, p.42. Nov 1941,
"Painter or Color Photographer?" U. S. Camera, p. 42. Feb 1941,
"P. H. Emerson." The Complete Photographer, pp. 1484-88. 1942 Apr 30,
Scope and Content Note
"H. P. Robinson.: The Complete Photographer, pp. 3150-53. 1943 Jan 20,
Scope and Content Note
"Four Photographs." Magazine of Art, pp. 180-83. May 1943,
"Photography Center." Bulletin of the Museum of Modern Art 11, 2, unpaged. 1943,
Draft for introduction to photo section, Art in Progress exhibit catalog, 1944
"The Need for Research in Photography." College Art Journal 4 pp.203-206. 1945,
Paul Strand's Story. Interview, unpublished 1945,
"Review: Born Free and Equal, by Ansel Adams. Photo-Notes, June 1946
"Alfred Stieglitz." Photo-Notes, pp. 3-5. Reprinted in Stieglitz Memorial Portfolio 1864-1946. Ed. by Dorothy Norman. New York: Twice a Year Press, Aug 1946, 1947
"Review: The Inhabitants, by Wright Morris." Photo League Bulletin, p. 2. Nov 1946,
"Brett Weston." Photo-Notes, pp. 3-4. May-June 1947,
"Ben Shahn." Photo-Notes, p. 3. Nov 1947,
"Emerson's Bombshell." Photography, p. 50. Winter 1947,
"The Photo League: A Perspective." This is the Photo League. New York: The Photo League, unpaged. 1948,
"Brett Weston: An Introduction." White Sands, Portfolio of 10 Original Photographs, by Brett Weston. San Francisco: Grabhorn Press, 1950
Scope and Content Note
"Review: My Camera in Yosemite Valley, by Ansel Adams." Magazine of Art, p. 309. Tearsheets. Dec 1950,
The Photographer and Reality: Ansel Adams, unpublished ms., 1951
Scope and Content Note
Articles Books and Catalogs by Nancy Newhall 1951-1983, 1945-1950,
"Journey into Childhood, Review of Summer's Children, by Barbara Morgan." Popular Photography, pp. 146-147. Tearsheets. Oct 1951,
"Edward Weston and the Nude." Modern Photography, p. 38. Tearsheets, with letter. June 1952,
"The Caption: The Mutual Relation of Words/Photographs." Aperture, 1, 1, 17-29. 1952,
"Sunset Crater National Monument... Arizona." Arizona Highways, p. 3. July 1952,
"Controversy and the Creative Concepts." Aperture 2, 2, 3-13. 1953,
"Paul Strand: Letters from France and Italy." Aperture 2, 2, 16-24. 1953,
Scope and Content Note
With Ansel Adams. "Death Valley." Arizona Highways, pp. 16-34. Reprinted, in condensed form, in: Catholic Digest, pp. 67-70. Oct 1953, Dec 1953,
"Paul Strand: A Commentary on His New Work." Modern Photography, p. 46. Tearsheets and original manuscript. Sept 1953,
"Nancy Newhall Comments on Edward Weston's discussion of color as form." Modern Photography, p. 59. Dec 1953,
"Mission San Xavier del Bac." Arizona Highways, pp. 13-35. Apr 1954,
"Brassai: Je ne découvre rien, j'imagine tout/ Brassai: I Invent Nothing, I Imagine Everything." Camera, pp. 185-215. In French and English. May 1956,
"A Great Photographer Dies: Edward Weston, 1886-1958." Modern Photography, p. 94. Apr 1958,
"Introduction." A Portfolio of Sixteen Photographs by Alvin Langdon Coburn. Rochester, New York: George Eastman House, pp. 3-18. 1962,
With Ansel Adams. "Sanctuary in Adobe." American Heritage, pp. 68-75. Apr 1962,
"Mary Austin's Country." Arizona Highways, pp. 2-9. Apr 1968,
Photographs for "Mary Austin's Country."
"Paul Strand, Catalyst and Revealer." Modern Photography, pp. 70-75. Aug 1969,
Articles, Books and catalogs by Nancy Newhall, 1945-1983
"Ansel Adams, Brilliant Recorder of Nature's Magnificence." Modern Photography, p. 66. Sept 1969,
With Beaumont Newhall. "Foreward to Ansel Adams's Portfolio VI." New York: Parasol Press, 1974
"Praise and Questions for The Woman's Eye, by Anne Tucker." Afterimage, pp. 8-9. Mar 1974,
"Spring Comes to Desert Country." Arizona Highways, Mar 1983
Paul Strand, Photographs, 1915-1945. New York: Museum of Modern Art, 1945
The Photographs of Edward Weston. New York: Museum of Modern Art, 1946
Ansel Adams. Chicago: Art Institute, 1982
With Paul Strand. Time in New England. New York: Oxford University Press, 1950
Time in New England. Millerton, NY: Aperture, 2nd ed. 1980,
With Ansel Adams. Death Valley. San Francisco: 5 Associates, 1954
With Ansel Adams. Mission San Xavier de Bac. San Francisco: 5 Associates, 1954
A Contribution to the Heritage of Every American: The Conservation Activities of John D. Rockefeller, Jr. New York: Alfred A. Knopf, 1957
Edward Weston, Photographer. Aperture 6, 1, 1958
With Ansel Adams. This is the American Earth. San Francisco: Sierra Club, ; [See also oversize box 265*] 1960
The Daybooks of Edward Weston. Volume I, Mexico, and Volume II, California. Rochester, New York: George Eastman House in collaboration wiht Horizon Press, 1961-1963
The Daybooks of Edward Weston (litigation)
Books and Catalogs by Nancy Newhall, 1963-1970
Ansel Adams, Photographs, 1929-1963: The Eloquent Light. Exhibition Catalog, M. H. deYoung Museum, San Francisco, California, 1963
The Eloquent Light: Royalty statements from the Sierra Club and letter from Aperture.
The Eloquent Light. Reprint ed. Millerton, NY: Aperture, 1980
Edward Weston, Photographer: the Flame of Recognition. Rochester, NY: Aperture, and Aperture 12, 1 and 2, 1965, 1965
With Ansel Adams. Fiat Lux: The University of California. New York: McGraw-Hill, 1967
With Beaumont Newhall. A Collection of Photographs: Exchange National Bank. New York: Aperture, 1969
With Ansel Adams. The Tetons and the Yellowstone. Redwood City, CA: 5 Associates, 1970
Books and Catalogs and unpublished mss by Nancy Newhall, 1975-1989
P. H. Emerson: The Fight for Photography as a Fine Art. Millerton, NY: Aperture, 1975
From Adams to Stieglitz, Aperture, 1989
Unpublished mss. by Nancy Newhall
Assorted Unpublished Mss:
"On Yankee Point" A Ballad of and about Ansel Adams on his 68th Birhtday
"The Past in Toys." Campell Whittlesey House, Jan-March 1950
"Rochester Panorama 1850-1890"
"Minor White"
Letter from New Yorker
Undated and untitled ms
Television Treatment: "Mulliner's Buck-U-Uppo"
"First Princeton"
Television Script: "The Shipyard," ca. 1939
American Forms (detailed outline for book)
Draft for appeal to help Edward Weston
Assorted unpublished mss:
"Boarding House in Boston." n.d.
"Tried by the Thylon, or, Potpourri Found in an Old Perisphere." n.d.
Television Script: "Macbeth." n.d.
The Witches Still Ride. Before July 1, 1936
"Primer for Listeners." Between 1936-1940
"The Ghost of Atget." Sold to Modern Photography but not published.
"Paul Strand." Notes on 1944 interview, 1944
"My Passion is Photography." Written in 1970 for the Princeton University periodical Record but rejected, 1970
"The Sun as Power" n.d.
"Steichen and Stieglitz." Excerpt from draft MS of Stieglitz biography, n.d.
"Weston Color Photographs, Robinson Jeffers Poems." Proposed picture story for Life magazine, 1958
"Introduction to France." Based on visit to France, 1936
"To the Camera Clubs." Reaction to B. Newhall's lectures, 1940-1941
Outline for a film script on modern art, ca. 1940
Television treatment for Macbeth, n.d.
"Brady - Grand Old Picturemaker" n.d.
Labels for Edward Weston exhibition, MoMA (Museum of Modern Art, N.Y.), 1946
Outline, sample draft of proposed column on photography for Eastman Kodak Company, ca. 1960
"Christmas in Guatemala." Journal entry, 1964
"Ylla: Animal Photographer." 1967
"Pirkle Jones: Photographer and Poet." 1967
Thoughts on Television. Correspondence with Gilbert Seldes, Director, CBS Television. 1938-1940
TV Script: "The Reverent Wooing of Archibald." ca. 1939
"Notes for a Biography on Alfred Stieglitz" n.d.
"Appendix, Notes for a Biography on Alfred Stieglitz" n.d.
Series VII.E. Nancy Newhall artwork and photographs, 1952, n.d.
Scope and Content Note
Artwork and photographs, 1952, n.d.
Paintings and graphic art work
2 sketchbooks (anatomy & sketches of nudes)
Television photos, 1952
Childhood album
Barry, Margaret Ashby. Alfred Stieglitz' Influence on Edward Weston's Style During the Pre-Mexican Period: 1903-1923, Master's thesis. Brown University: May 1984
Conger, Amy. Edward Weston's Early Photography, 1903-1926, PhD dissertation. The University of New Mexico (text), May 1982
Conger, Amy. Edward Weston's Early Photography, PhD dissertation (Cat. 1)
Conger, Amy. Edward Weston's Early Photography, 1903-1926, PhD dissertation
Scope and Content Note
Conger, Amy. Edward Weston's Early Photography, 1903-1926, PhD dissertation
Scope and Content Note
Edkins. Jackson, Master's thesis.
Hickman, Paul A. John James Reilly, 1834-1894: Photographic View of American Scenery, PhD dissertation Abstract. The University of New Mexico: Dec 1987
Lukitsh, Joanne M. From Photographer to Artistic Entrepreneur: Alfred Stieglitz, 1899-1913, Bachelor's honors thesis. Wesleyan University: May 1976
Rubenstein, Meridel. The Circles and the Symmetry: The Reciprocal Influence of Georgia O'Keefe and Alfred Stieglitz, Master's thesis. The University of New Mexico: May 1977
Silver, Marcy L. The Institutionalization of Modern Art and Photography: The Relationship Between Alfred Stieglitz and the Museum of Modern Art, 1929-1946, Master's thesis. George Washington University: 1983 Sept 30
Southall, Thomas. The Kilburn Brothers Stereoscopic View Company, Master's thesis. The University of New Mexico: Dec 1977
Oversize clippings [relates to Series I.A.]
Reviews of Photography, MoMA (Museum of Modern Art, N.Y.) exhibition Photography 1839-1937, [from box 81, f.9] 1937
Article on Eugene Delacroiz [from box 31, f.6-7]
Article on Bruce Davidson [from box 30, f.17]
Oversize posters [relates to Series I.A.]
Imogen Cunningham, poster [from box 24, f.2]
Thomas Eakins, poster [from box 34, f.1]
Ralph Gibson, poster, 2 copies [from box 54, f.3]
Photographs from Siembab Gallery poster [from box 38, f.4] 1969,
Minnesota Photographers poster [from box 38, f.4] 1969,
Oversize photos [relates to Series I.A. and Series VI.]
Reproduction of daguerreotype with caption: "The oldest photograph of San Francisco, 1850" [from box 26, f.1]
Photo of Beaumont Newhall, Santa Fe, New Mexico, [from Series VI.B.] 1984
Oversize [relates to Series VI.A.]
Beaumont Newhall. Photographs. Lunn Gallery. Portfolio #39 of 50.
Oversize [relates to Series I.A, Series IV.A, Series VII.B]
Zeitmagazin, whole issue, with article: "Kunst and Kamera - die heimliche Allianz," ein bericht von Gabriele Forberg [from box 92] 16 Oktober 1970,
Article with color photographs by William Garnett which show aerial views of New England, sheets torn from Life magazine, [from box 51, f.5] 1967 March 3
Walter Chappell. Gestures of Infinity - photocopy of text and photos (proof?) [from box 17, f.26]
Article on Steichen, with repro of his photos in Chicago Sunday American Magazine , [from box 188, f.29] 1967 Oct. 22
Sheet from Scientific American, 1852?
Scope and Content Note
2 issues of publication: PPS News, no. 5 and no.6 ; [from Series I.A., Periodicals section] 1980 Oktober, 1970 Dezember
Ca. 20 pages from Newhall scrapbook
Scope and Content Note
Copy of This is the American Earth, n.d.
Scope and Content Note
Oversize [Relates to Series I]: Manuel Alvarez Bravo: Photographies 1928-1968
Scope and Content Note
Oversize [relates to Series VII.B]: "A nation of nations"
Scope and Content Note
Oversize [relates to Series IV.A]: Clippings about Daguerreotype in America , 1961
Scope and Content Note
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