Inventory of the Film and Television Screenplay Collection

Ella Cinders. Screenwriter: Louis Stevens 1926

Fast Company. Release dialogue script. Screenwriter: Florence Ryerson 1929

Monsieur Beaucaire. Copy of annotated version. probably 1924

The Wild Party. Continuity and dialogue. Screenwriter: E. Lloyd Sheldon 1929

A Man From Wyoming. Release dialogue script. Screenwriter: Albert Shelby Le Vino and John V.A. Weaver 1930

Anything Goes 1936

Blonde Trouble. Release dialogue script. 1937

Blonde Venus. Release dialogue script. 1932

Bluebeard's Eigth Wife. Release dialogue script. 2 copies. 1938

Cradle Song. Release dialogue script. 1933

Dark Victory. Screenwriter: Casey Robinson probably 1938

Desert Gold. Release dialogue script. Screenwriter: Stuart Anthony and Robert Yost 1936

Dude Ranch. Release dialogue script. Screenwriter: Percy Heath, Grover Jones and Lloyd Corrigan 1931

Easy Living. Release dialogue script. Screenwriter: Preston Sturges 1937

Give Me Your Heart. Final. Screenwriter: Casey Robinson 1936

I'm No Angel. First white script. Paramount Studios stamp on cover. Screenwriter: Mae West 1933

Invitation to Happiness. Release dialogue script. 1939

Jamaica Inn. Release dialogue script. Screenwriter: Sidney Gilliat and Joan Harrison 1939

Love Me Tonight. First white script. Paramount Studios stamp on cover. Screenwriter: Samuel Hoffenstein, Waldemar Young and George Marion, Jr. 1932

Madame Racketeer. Release dialogue script. Screenwriter: Malcolm Stuart Boylan and Harvey Gates 1932

Madison Square Garden. Release dialogue script. Screenwriter: Allen Rivkin and P.J. Wolfson 1932

Murder on a Bridle Path. Auction slip enclosed: "a Xerox copy probably created around 1970. A lot of work for a nothing film. Mint condition." Screenwriter: Dorothy Yost 1936

Murder on the Blackboard. Cutting continuity. Auction slip enclosed: "Max Steiner war musical director on this film, and Walter Plunkett did the costumes. This is a studio xerox of the cutting continuity, created around 1970. Mint condition." Screenwriter: Willis Goldbeck 1934

Rendezvous at Midnight 1934

The Beachcomber. 2 copies. Release dialogue script. Screenwriter: Bartlett Cormack 1938

The Cat and the Canary. Release dialogue script. Screenwriter: Walter DeLeon and Lynn Starling 1939

The Crusades. Release dialogue script. 1935

The Hatchet Man (aka The Honorable Mr. Wong). Final. Screenwriter: J. Grubb Alexander 1931

The Magnificent Fraud. Release dialogue script. Screenwriter: Gilbert Gabriel and Walter Ferris 1939

The Old Fashioned Way. 2 copies. Original Paramount cover and stamp. 1934

The Old Maid. Parts 1, 2, 3 revised final. Photocopy (possibly from copy at USC). Screenwriter: Casey Robinson 1939

The Penquin Pool Murder. Cutting continuity. Auction slip enclosed: "A Xerox copy of the original cutting continuity. Mint condition." Screenwriter: Willis Goldbeck 1932

The Petrified Forest. Revised final. Auction slip enclosed: ""A xerox script done by the studio around 1970." 1935

The Roaring Twenties. Continuity and dialogue. Screenwriter: Jerry Wald, Richard Macaulay and Robert Rosson probably 1939

The Sisters. Dialogue transcript. Screenwriter: Milton Krims 1938

The Sisters. Revised final. Screenwriter: Milton Krims 1938

The Way to Love. Release dialogue script. 1933

The Working Man. Final. Screenwriter: Charles Kenyon 1932

The World Moves On. Part 1 revised final. Screenwriter: Jerry Wald and Richard Mccaulay 1939

Tillie and Gus (or Odds are Even). First script. 2 copies. Original Paramount cover and stamp. Screenwriter: Walter DeLeon and Francis Martin 1933

Union Pacific. Details shots and dialogue. Screenwriter: Walter DeLeon, C. Gardner Sullivan, and Jesse Lasky, Jr. 1939

We Shall Meet Again. Part 1 final. Note included w/ script "pgs. 78 and 79 missing in USC copy xeroxed from (scenes 111 through beginning of 116)." Screenwriter: Warren Duff 1939

Dark Victory. Part 1 final. 3 copies. Screenwriter: Casey Robinson 1938

Dawn Patrol. Revised final. Screenwriter: Seton I. Miller and Dan Totheroh 1938

Delusion. Final. 2 copies. Ray Milland written on front cover of one. Could be signature or note. Screenwriter: Arthur Kober [written on title page] probably 1930's

Dracula. Continuity and dialogue. 1931

Frankenstein. Continuity and dialogue. probably 1931

Jesse James. 2 copies. Final. Stamped "only copy" on cover by 20th Century Fox. Screenwriter: Nunnally Johnson 1938

Juarez (The Phantom Crown). Part 1, final. Screenwriter: John Huston, Aneas MacKenzie, Wolfgang Reinhardt, Abem Finkel 1938

Libeled Lady. MGM "Vault Copy." Screenwriter: Maurine Watkins and Howard Emmett Rogers 1936

Murders in the Rue Morgue probably 1932

My Man Godfrey probably 1936

My Man Godfrey. Release dialogue script. Continuity and dialogue master copy. Screenwriter: Morrie Ryskind and Eric Hatch 1936

One Way Passage. Screenwriter: Wilson Mizner and Joseph Jackson 1932

Radio Patrol. Continuity and dialogue. probably 1932

Swing High, Swing Low. Release dialogue script. Screenwriter: Virginia Van Upp and Oscar Hammerstein II 1937

The Black Cat. Continuity and dialogue. probably 1934

The Garden of Allah. Dialogue and continuity. "American Version" and "Censorship Copy, Do Not Use" on front page. probably 1936

The Great Impersonation probably 1935

The House of Rothschild. Final. 1933

The King and Chorus Girl. "Burbank Calif. Story Library" printed on cover. Screenwriter: Norman Krasna and Groucho Marx 1936

The Mummy. Continuity and dialogue. Boris Karloff version. probably 1932

Tower of London 1939

A Date With Destiny [released as The Mad Doctor]. Release dialogue script. Screenwriter: Howard J. Green 1940

Border Vigilantes. Screenwriter: J. Benton Cheney 1941

Border Vigilantes. Release dialogue script. 1941

Danger Signal. Part 1, 2nd revised final. Screenwriter: Adele Comandini and Graham Baker 1945

Hard Bargain. 2 copies. Both incomplete. Revised. 1948

Hatter's Castle. Release script. Screenwriter: A.J. Cronin probably 1942

Hold That Blonde! 3 copies. Release dialogue script. Screenwriter: Walter DeLeon, Earl Baldwin and E. Edwin Moran 1945

June Bride. Dialogue transcript. Screenwriter: Ranald MacDougall 1948

Magnificent Ambersons. Cutting continuity. 1942

North West Mounted Police. Release dialogue script. 1940

Now Voyager. "English superimposed title sheet for the French version." Copy of a version signed by Bette Davis. Screenwriter: Casey Robinson probably 1942

The Major and the Minor. 2 copies. Release dialogue script. Screenwriter: Charles Brackett and Billy Wilder 1942

The Paleface. Release dialogue script. 1948

The Rocking Horse Winner. Post production script. 1949

The Two Mrs. Carrolls. Final. Screenwriter: Thomas Job 1945

To Each His Own. Copy of master copy from USC film library. Screenwriter: Charles Brackett and Jacques Thery 1945

Where There's Life. Release dialogue script. Screenwriter: Allen Boretz and Melville Shavelson 1946

Winter Meeting. Final part 1. Screenwriter: Catherine Turney 1947

Bud Abbott and Lou Costello Meet Frankenstein. Continuity and dialogue. 1948

Calling Dr. Death. Annotated. 1943

Conflict. Part 1, 2nd revised final. Screenwriter: Dwight Taylor 1943

Gentleman Jim. 3 copies. Final, part 1. Screenwriter: Vincent Lawrence and Horace McCoy 1942

Illegal Entry. Revised. Screenwriter: Joel Malone 1948

Invisible Agent. Continuity and dialogue. 1942

It Started With Eve. Revised. "Marion Pecht" written on front cover. 1941

It's a Wonderful Life. Screenwriter: Swerling-Capra 1946

It's a Wonderful Life. 2 copies. probably 1946

Laura. Shooting final. Screenwriter: Jay Dratler with revisions by Ring Lardner Jr., Samuel Hoffenstein and Betty Reinhardt 1944

Man Made Monster. File copy. Continuity and dialogue. Screenwriter: Joseph West 1941

My Little Chickadee. Continuity and dialogue. 1940

Never Give a Sucker and Even Break 1941

Old Acquaintance. 2 copies. Final. Screenwriter: John Van Druten and Edmund Goulding 1942

Phantom of the Opera. Continuity and dialogue. 1943

Pillow of Death 1945

Shadow of a Doubt. Continuity and dialogue. "Editorial office copy." probably 1943

Stolen Life. Part 1, revised final. Screenwriter: Catherine Turney 1945

The Dark Passage. Final. Screenwriter: Delmer Daves 1946

The Desert Song. Part 1 final. Screenwriter: Robert Buckner 1942

The End of the River. Continuity and dialogue. "Copied from English post-production script." 1948

The Great Lie (aka Far Horizon). Revised final. 1940

The Mummy's Curse. Continuity and dialogue. 1944

The Mummy's Ghost 1943

The Mummy's Hand. Continuity and dialogue. Screenwriter: Griffin Jay and Maxwell Shane 1940

The River. Working script. Screenwriter: Rumer Godden 1949

The Spoilers 1942

The Verdict. Part 1 final. Screenwriter: Barre Lyndon and Peter Milne 1945

Three Strangers. Part 1 revised final. Screenwriter: John Huston and Howard Koch 1944

To Have and Have Not. 2nd revised final. Screenwriter: Jules Furthman 1944

Weird Woman 1944

Wolf Man. 2 copies. Universal City Studios stamp on first page. Screenwriter: Curt Siodmak 1941

Young Man with a Horn. 2nd revised final. Screenwriter: Carl Foreman 1949

5 Against the House. First revision. Photocopy of a library copy (call number on 2nd page). Screenwriter: Stirling Silliphant and John Barnwell 1954

Creature from the Black Lagoon. Master title list for foreign language versions. 1954

Witness for the Prosecution. List of superimposing instructions, action description, and English master titles 1958

Witness for the Prosecution. Photocopy. File includes notes from whoever was researching the script. Screenwriter: Billy Wilder and Harry Kurnitz 1957

A Summer Place. Final. Screenwriter: Delmer Daves 1959

Against All Flags. 2 copies. Outline. Screenwriter: AEneas MacKenzie 1950

Against All Flags. First draft continuity. Screenwriter: AEneas MacKenzie 1950

Cattle Drive. 2 copies. Continuity and dialogue. 1951

Destry. Continuity and dialogue. 1954

Forbidden Planet. 3 copies. MGM stamp in bottom corner. 1954

Hot Spell (Next of Kin). Revised final white. Photocopy of USC library copy. Screenwriter: James Poe 1957

House Party. First draft. Universal central files stamp on cover. Screenwriter: Robert Hill 1955

Invaders. Screenwriter: John Tucker Battle and Rosemary Battle 1950

Invaders from Mars. Screenwriter: John Tucker Battle probably 1953

It Came from Outer Space. Continuity and dialogue. 1953

It Should Happen to You. Final. From legal files at Columbia Pictures. Screenwriter: Garson Kanin 1953

Madeleine. Continuity and dialogue. 1950

Only the Valiant. Final. Screenwriter: Edmund H. North and Harry Brown 1950

Rebel Without a Cause. Final part 1. Screenwriter: Stewart Stern 1955

The Breaking Point. 2nd rev. final. Screenwriter: Ranald MacDougall 1950

The Cain Mutiny. Final draft. From Columbia Picture central files. Screenwriter: Stanley Roberts 1953

The Crimson Pirate. 3 copies. Revised final for England. Screenwriter: Roland Kibbee 1951

The Day the Earth Stood Still. 2 copies. Revised final. 20th Century Fox stamp in corner. Screenwriter: Edmund H. North 1951

The Harder They Fall. 2 copies. Revised final. Screenwriter: Philip Yordan 1955

The Sundowners. 2 copies. Final. Screenwriter: Isobel Lennart 1959

The Thing. First draft. Says "Please Return to RKO Story Files." 1950

Twelve Angry Men. Incomplete, missing pages at beginning and end. probably 1957

The Only Game in Town. Revised first draft. Auction slip enclosed: "This "Revised First Draft" was Xereoxed by the studio around 1970. Bit wear on cover; otherwise mint." Screenwriter: Frank D. Gilroy 1968

Thoroughly Modern Millie 1967

Angel Baby. Revision. Screenwriter: Orin Borsten and Sam Roeca 1960

Barbarella probably 1968

Breakfast at Tiffany's. Copy of annotated version with Hepburn's notes. TM 1994 by Paramount and estate of Audrey Hepburn (on back cover). 1960

Bye Bye Braverman. Screenwriter: Herbert Sargent probably 1968

Freud. Revised final. Screenwriter: John Huston and Wolfgang Reinhardt 1962

Guess Who's Coming to Dinner. Screenwriter: William Rose 1967

Harold. Screenwriter: David Swift probably post 1966

I Love You, Alice B. Toklas! Final. Screenwriter: Paul Mazursky and Larry Tucker 1967

Nightmare. Release script. 1963

Petulia. Screenwriter: Larry Marcus 1967

Pretty Poison (fka She Let Him Continue). First draft. Screenwriter: Stephen Geller 1966

Rachel, Rachel (aka A Jest of God). Final. Screenwriter: Stewart Stern 1967

Rosemary's Baby. First page missing. 1967

The Dirty Dozen. File copy. Screenwriter: Nunnally Johnson and Lukas Heller 1966

The Great White Hope. first draft. Stamped "permanent file" on cover. Screenwriter: Howard Sackler 1969

The Longest Day. 2nd revised version. Screenwriter: Cornelius Ryan 1961

The Naked Brigade. Continuity and dialogue. 1965

The Sergeant. Shooting script. Screenwriter: Dennis Murphy 1967

Up the Down Staircase. 3 copies. Final. Screenwriter: Tad Mosel 1966

Valley of Gwangi. Screenwriter: William E. Bast probably 1969

Who's Afraid of Virginia Woolf? Writer's Guild of America teaching draft. Screenwriter: Ernest Lehman 1965

The Mechanic. Release script. Auction slip enclosed: "A studio Xerox of a James Bond-type film. Mint condition." 1972

Untitled [The Last Tycoon]. 2 copies. probably 1976

A Fairly Honourable Defeat. Screenwriter: Peter Ustinov 1971

A Report to the Commissioner. 2 copies. First draft. Screenwriter: Ernest Tidyman 1972

Americathon. First draft. Screenwriter: Neil Israel, Phil Proctor, Peter Bergman 1976

Billy Jack. Screenwriter: Frank and Teresa Christina 1970

Blood's a Rover. Incomplete. probably 1970's

Capricorn One. Screenwriter: Peter Hyams 1976

Damnation Alley. Screenwriter: Lukas Heller and Bill Kerby 1974

Deadhead Miles. Screenwriter: Terry Malick probably 1972

Eleanor and Franklin. Revised. Incomplete. Only have pages 1A-9, 17-22, 34-36, 61-106. 1975

Fatso. Screenwriter: Anne Bancroft 1978

Finders-Keepers. Fourth draft revised. Screenwriter: Antonio Santillan 1979

Frisco Kid. First draft. Screenwriter: Naofumi Okamoto 1978

Fritz the Cat. Second draft. Screenwriter: Ralph Bakshi and Fred Halliday probably 1972

Hit! Screenwriter: Alan R. Trustman and David M. Wolf 1972

Julia. Revised final. Ad for film tucked in back of the script. Screenwriter: Alvin Sargent 1976

Longriders. Revised draft. Screenwriter: Steven Smith 1979

Love Story. Incomplete. Missing 1st and last page. probably 1970

Melvin and Howard. Revised. Screenwriter: Bo Goldman 1978

Nickelodeon [aka Starlight Parade]. Screenwriter: W.D. Richter probably 1976

Phantom of the Paradise. Incomplete, have pages 2-78. probably 1974

Raiders of the Lost Ark. Revised. Screenwriter: Lawrence Kasden 1979

Remember My Name. Screenwriter: Alan Rudolph probably 1978

Royal Flash. Screenwriter: George MacDonald Fraser 1974

Save the Tiger probably 1973

Shame, Shame on the Bixby Boys. Signed by Don "Red" Barry. Child's drawing placed btwn pgs 99 and 100. Screenwriter: William Bowers probably 1978

Smokey and the Bandit. Combined continuity. 1977

Star Wars (Saga 1, The Adventures of Luke Starkiller as taken from the "Journal of the Whills"). Shooting script, revised fourth draft. Screenwriter: George Lucas 1976

Story of O. Screenwriter: Sebastien Japrisot probably 1975

Tai-Pan. Fourth revision. Screenwriter: George MacDonald Fraser 1979

The Angel Levine 1970

The Domino Clip. First draft. Screenwriter: Howard B. Kreitsek 1972

The Duchess and the Dirtwater Fox. Screenwriter: Barry Sandler 1974

The Exorcist. Final. Buck slip from Warner Brothers attached that says "original." Screenwriter: William Peter Blatty probably 1973

The Frank Leahy Legend. First draft. Screenwriter: Ed Wood Jr. 1975

The Freedom Trap (The Mackintosh Man). Revised final. Screenwriter: Walter Hill 1972

The Fury. Final. Ad for movie in back. Screenwriter: John Farris 1977

The Getaway. First draft. Screenwriter: Walter Hill 1971

The Godfather. Third draft. Screenwriter: Mario Puzo and Francis Ford Coppola 1971

The Jezebels [released as Switchblade Sisters]. Revised. Photocopy of annotated version. Screenwriter: F.X. Maier 1974

The Last Score [released as St. Ives]. Annotated. Screenwriter: Barry Beckerman 1973

The Man Who Would Be King. Screenwriter: John Huston and Gladys Hill probably 1975

The Man With Bogart's Face. Revised final. 20th Century Fox stamp on 1st page. Screenwriter: Andrew J. Fenady 1979

The Man With Two Heads. Inscribed to "Al" from Lee Frost. Screenwriter: Lee Frost and Wes Bishop 1972

The Rocky Horror Picture Show. Screenwriter: Jim Sharman and Richard O'Brien 1974

The Saga of Jeremiah Johnson. Screenwriter: Edward Anhalt 1970

The Saga of Liver-Eatin' Johnson. Screenwriter: John Milius 1970

The Train Robbers. Final. Screenwriter: Burt Kennedy 1972

Twentieth Century Foxes. Final draft. Screenwriter: Gerald Ayres 1978

Unidentified World War I movie. Final shooting. Cover missing. Incomplete script. 1977

Welcome to LA. Screenwriter: Alan Rudolph 1975

Westworld. First revised draft. Screenwriter: Michael Crichton 1972

Whiffs. Screenwriter: Malcolm Mamorstein probably 1975

White Line Fever. Screenwriter: Ken Friedman and Jonathan Kaplan probably 1975

Who'll Stop the Rain. Final. Screenwriter: Judith Rascoe 1977

Lassiter. 2 copies. One missing last page, other missing first page. Screenwriter: David Taylor 1983

Sea Killer (Beyond the Reef). Translation version. probably 1981

A Boy's Life [E.T.: The Extra-Terrestrial]. Shooting script. Screenwriter: Melissa Mathison 1981

Action Jackson. Annotated. Screenwriter: Robert Reneau 1987

Aliens. First draft. Screenwriter: James Cameron 1985

American Ninja 2. Revised. Screenwriter: Gary Conway and James Booth 1986

Back to School. Screenwriter: Rodney Dangerfield, George Gipe, Michael Endler 1985

Back to the Beach probably 1987

Bad Medicine. Screenwriter: Harvey Miller probably 1985

Black Robe. Sixth draft. Screenwriter: Brian Moore 1987

Blade Runner 1980

Blind Date. 2nd revision. Screenwriter: Dale Launer 1985

Blind Date. First revised draft. Screenwriter: Dale Launer 1985

Commando. Screenwriter: Joseph Loeb III and Matthew Weisman 1984

Conan the Barbarian. 2 copies. Second draft. Screenwriter: John Milius 1980

Cross My Heart or An American Date. Revised final draft. Screenwriter: Armyan Bernstein and Gail Parent 1986

Darkman. Fourth draft. Screenwriter: Sam Raimi and Ivan Raimi 1988

Darkman. Handwritten note attached to last page. Screenwriter: Joshua and Daniel Goldin, Sam and Ivan Raimi, Chuck Pfarrer 1989

Darkman. 10th draft. Screenwriter: Joshua and Daniel Goldin, Sam and Ivan Raimi, Chuck Pfarrer 1989

Darkman. 9th draft. Screenwriter: Joshua and Daniel Goldin, Sam and Ivan Raimi, Chuck Pfarrer 1989

Dead Ringer. Revised first draft. Screenwriter: Christian Stoianovich and Phobe Dorin 1987

Desperately Seeking Susan. Photocopy of annotated version. Screenwriter: Leora Barish probably 1985

Dominick and Eugene. Screenwriter: Corey Blechman, Danny Porfirio, Alvin Sargent 1987

Fear No Evil [released as We're No Angels] 1989

Foreign Body. Revised. Screenwriter: Celine La Freniere and Ronald Neame 1985

Jaws 3-D. 2 copies. Screenwriter: Richard Matheson and Michael Kane probably 1983

Laughing Boy. Screenwriter: Tony Huston probably 1980's

Lethal Weapon. Second draft. Screenwriter: Shane Black 1986

Let's Get Harry. Revised third draft. Screenwriter: Charles Robert Carner 1985

Little Dorrit. Screenwriter: Christine Edzard probably 1988

Mad Max 3 probably 1985

Mars Attacks. Third draft. Screenwriter: Alex Cox 1989

Mo' Better Blues (aka Love Supreme). First draft. Screenwriter: Spike Lee 1989

Mo' Better Blues (aka Love Supreme). Second draft. Screenwriter: Spike Lee 1989

Native Son. Photocopy of annotated script. Screenwriter: Richard Wesley 1984

Old Gringo. Second draft. Screenwriter: Luis Puenzo and Aida Bortnik 1987

Presumed Innocent. First draft. Screenwriter: Frank Pierson 1989

Risky Business. First draft. Screenwriter: Paul Brickman 1981

Robojox. Screenwriter: Joe Haldeman and Dennis Paoli 1987

Sleeping With the Enemy. 2 copies. Screenwriter: Ronald Bass 1989

Something Wicked This Way Comes. Revised. Screenwriter: Ray Bradbury 1981

Suspect. Final draft. Screenwriter: Eric Roth 1987

Suspect. First draft revised. Screenwriter: Eric Roth 1986

Switch. 3 copies. Screenwriter: Blake Edwards 1989

Switching Channels. Re-revised first draft. Screenwriter: Jonathan Reynolds 1987

Sylvester. 2 copies. First draft. Screenwriter: Carol Sobieski 1983

Table for Five. "As shot script based on film editor's script." Screenwriter: David Seltzer 1982

Table for Five. First draft. Screenwriter: David Seltzer 1981

Tag: The Assasination Game. First draft. Screenwriter: Nick Castle 1981

Take This Job and Shove It. Screenwriter: David Allan Coe 1980

Take This Job and Shove It. Revised. Screenwriter: Jeff Bernini and Barry Schneider 1983

The Adventures of Buckaroo Banzai. Revised third draft. Screenwriter: Earl Mac Rauch 1983

The Cheetah. First draft. Screenwriter: Erik Tarloff 1987

The Falcon and the Snowman. Second revisions, first draft screenplay. Screenwriter: Steven Zaillian 1983

The Lonely Guy. Third draft. Screenwriter: Ed Weinberger and Stan Daniels 1983

The Music Box [released as A Fine Mess]. Screenwriter: Blake Edwards 1984

The Pit and the Pendulum. Screenwriter: Dennis Paoli 1989

The Return of the Living Dead. Polish. Screenwriter: Dan O'Bannon 1983

The Serpent and the Rainbow. Screenwriter: Richard Maxwell 1987

The Suspect. Fifth draft. Screenwriter: David Young 1987

The Woman in Red (fka Boys Will Be Boys). Revised. Screenwriter: Gene Wilder 1983

Touch and Go. Revised. Screenwriter: Alan Ormsby, Harry Colomby and Robert Sand 1984

Until September. Screenwriter: Janice L. Graham 1982

Where Are the Children. Revised. Screenwriter: Jack Sholder 1984

Where the Heart Is (aka Getting Ready). 2 copies. 6th draft. One copy with notes. Notes may not relate to script. Screenwriter: Telesche Boorman and John Boorman 1988

Whispers. Revised. Screenwriter: Anita Doohan 1989

Witches. First revised draft. Screenwriter: Allan Scott 1988

Wolfen. Screenwriter: David Eyre and Michael Wadleigh 1980

Yes, Giorgio. Screenwriter: Norman Steinberg 1980

Look Who's Talking Too. Master english subtitle, spotting list. 1990

The Legend of Wolf Mountain. Combined continuity script. probably 1992

Airheads. 2 copies. Different drafts. Screenwriter: Rich Wilkes 1993

Airheads. Revised draft. Screenwriter: Rich Wilkes 1992

Alien 3 1991

Alien 3. Screenwriter: Walter Hill and David Giler 1990

Alien 3. Revised first draft. Rewrite based on Hill and Giler story. Screenwriter: William Gibson probably 1992

Alien 3. Second draft revised. Screenwriter: John Fasano 1990

Alien Resurrection. First draft. Screenwriter: Joss Whedon 1995

Alien Resurrection. Revised draft. Screenwriter: Joss Whedon 1996

An American Werewolf in Paris. Screenwriter: Anthony Waller 1995

Article 99. 3 copies. Screenwriter: Ron Cutler probably 1991

Article 99. Final Script. Screenwriter: Ron Cutler 1991

As Good As It Gets. 2 copies. Revised shooting script. Screenwriter: Mark Andrus and James L. Brooks 1997

Bicentennial Man. Final. Autographed by Kazan. Screenwriter: Nicholas Kazan probably 1999

Bio-Dome! 2 copies. Second draft. One copy annotated and highlighted. Screenwriter: Kip Koenig and Scott Marcano 1994

Bones. Annotated. Screenwriter: Adam Simon and Tim Metcalfe 1999

Charlie [released as Chaplin]. Screenwriter: William Boyd 1991

Charlie [released as Chaplin]. Annotated. Screenwriter: William Boyd 1991

Charlie [released as Chaplin]. Annotated. Screenwriter: William Boyd 1991

Charlie [released as Chaplin]. Second draft. Screenwriter: Bryan Forbes 1990

Christopher Columbus, The Discovery. Final. Screenwriter: Cary Bates based on a screenplay by Mario Puzo and John Briley 1992

City by the Sea. Annotated. Screenwriter: Ken Hixon 1998

Darkman 2. Screenwriter: Lawrence Hertzog probably 1995

Darkman 2. Revised. Screenwriter: Michael Colleary and Mike Werb revised by Mark Verheiden 1993

Darkman 2. Revised draft. Screenwriter: Michael Colleary and Mike Werb revised by Mark Verheiden 1993

Darkman 3: Durant Returns. Second draft. Screenwriter: Steven McKay 1994

Dead Reckoning. Third revision. Screenwriter: Christine Roum 1993

Destiny Turns on the Radio. Revised. Screenwriter: Robert Ramsey and Matthew Stone 1994

Dr. Jekyll and Mr. Hyde. Screenwriter: David Mamet 1999

Dragonheart. Revised. Screenwriter: Charles Edward Pogue 1994

Dudley Do-Right. Screenwriter: Andrew Burg and Scott Meyers 1996

Dumb and Dumber. Polished draft. Screenwriter: Peter Farrelly, Bennett Yellin and Bob Farrelly 1993

Four Rooms. Shooting script. Screenwriter: Allison Anders, Alexandre Rockwell, Robert Rodriguez, Quentin Tarantino 1994

Gattaca. Possible autograph on front cover. Screenwriter: Andrew Niccol probably 1997

Head Above Water. Screenwriter: Michael Blake 1995

Hercules and Xena. Screenwriter: John Loy 1996

Highlander II. Screenwriter: Peter Bellwood, William Panzer, Brian Clemens probably 1991

Household Saints. 2 copies. Screenwriter: Nancy Savoca and Richard Guay 1991

Imaginary Crimes. Signed by "William G. Schilling, Mr Gratelli." Screenwriter: Kristine Johnson and Davia Lee Nelson 1991

Jumanji. Second draft revised. Screenwriter: Jonathan Hensleigh 1994

Killer Sam aka Josh and S.A.M. Screenwriter: Frank Deese 1992

Killing Zoe. Annotated. Screenwriter: Roger Roberts Avary 1992

Killing Zoe. Third draft. Screenwriter: Roger Roberts Avary probably 1993

L.A. Confidential. 2 copies. Revised draft. Screenwriter: Brian Helgeland and Curtis Hanson 1996

Lethal Weapon 4. Bound copy with photocopies of cast signatures on first page. Screenwriter: Channing Gibson probably 1998

Liar Liar. Third draft. Screenwriter: Paul Guay and Stephen Mazur 1995

Little Indian, Big City (An Indian in the City) [released as Jungle 2 Jungle]. 2 copies. Screenwriter: Bruce A. Evans and Raynold Gideon 1996

Mars Attacks! Fifth draft revised. Screenwriter: Jonathan Gems rewritten by Scott Alexander and Larry Karaszewski 1995

Men of Honor. First draft. Screenwriter: Scott Smith 1995

Mimic. Third revision. Screenwriter: Matt Greenberg and Guillermo del Toro 1996

Mo Money. Third draft, second revision. Screenwriter: Damon Wayans 1991

My Best Friend's Wedding. Shooting script. Signed by Bass. Screenwriter: Ronald Bass 1996

Pleasantville. Screenwriter: Gary Ross 1997

Presumed Innocent. No title page. probably 1990

Primary Motive. Revised draft. Screenwriter: Daniel Adams and William Snowden 1990

Sleepers. Signed by Levinson. Screenwriter: Barry Levinson 1995

Sleepless in Seattle. 2 copies. Screenwriter: Jeff Arch rewrite by David S. Ward 1991

Some Mother's Son. Production draft. Signed by Sheriden and George. Screenwriter: Terry George and Jim Sheriden 1995

Somebody to Love. Revised. Screenwriter: Sergei Bodrov and Alexandre Rockwell 1993

Strange Days. 2 copies. Screenwriter: James Cameron and Jay Cocks 1993

Striking Distance (aka Three Rivers) 1992

Super Mario Brothers. First draft. Screenwriter: Tom S. Parker and Jim Jennewein 1991

Super Mario Brothers. Revised draft. Screenwriter: Barry Morrow revised by Tom S. Parker and Jim Jennewein 1991

Suture. Screenwriter: Scott McGehee and David Siegel probably 1994

Suture. Screenwriter: Scott McGehee and David Siegel 1992

Swordfish. Screenwriter: Skip Woods 1999

Thank You and Good Night. Revised. Documentary. Screenwriter: Jan Oxenberg 1990

The Babysitter. Fourth draft. Annotated. Screenwriter: Guy Ferland 1993

The Cable Guy. 2 copies. Fourth draft. Screenwriter: Judd Apatow 1995

The Cuckold's Clock. Screenwriter: Preston Sturges 1997

The Doors. Third draft. Screenwriter: Oliver Stone 1990

The End of Violence. First shooting draft. Screenwriter: Nicholas Klein 1996

The Fairy Godbrothers. Screenwriter: Craig Mazin and Greg Erb 1998

The Glimmer Man. Screenwriter: Kevin Brodbin 1995

The Glimmer Man Screenwriter: Kevin Brodbin rewrite by Michael Stinson 1995

The Hand of God. Rewrite. Screenwriter: Michael Chiklis and Dan McDuffie 1990

The Power of One. Revised first draft. Screenwriter: Robert Mark Kamen 1990

The Santa Clause. Screenwriter: Leo Benvenuti and Steve Rudnick 1992

The Santa Clause. Screenwriter: Leo Benvenutie and Steve Rudnick 1994

The Taking of Beverly Hills. Revised. Screenwriter: Rick Natkin and David Fuller, rewritten by David J. Burke 1990

The Talented Mr. Ripley. 2 copies. Oscar "for your consideration" draft. Screenwriter: Anthony Minghella 1999

The Thirteenth Floor. Revised second draft. Screenwriter: Maureen Mahon and Nicholas Monahan 1995

Washington Square. 2 copies. Signed by Doyle. Screenwriter: Carol Doyle probably 1997

Where Sleeping Dogs Lie. Rewrite. Annotated. Screenwriter: Charles Finch and Yolande Turner 1990

Where the Day Takes You. Screenwriter: Michael Hitchcock, rewrite by Kurt Voss probably 1992

Where the Day Takes You. Draft. Screenwriter: Michael Hitchcock 1990

Where the Day Takes You. Revised. Screenwriter: Michael Hitchcock and Kurt Voss, rewrite by Marc Rocco 1991

While You Were Sleeping. Screenwriter: Dan Sullivan and Fred Lebow 1994

While You Were Sleeping. Screenwriter: Dan Sullivan and Fred Lebow 1994

While You Were Sleeping. Screenwriter: Dan Sullivan and Fred Lebow 1994

White Man's Burden. Screenwriter: Desmond Nakano probably 1994

White Man's Burden. Draft. Screenwriter: Desmond Nakano 1994

White Man's Burden. Second draft. Screenwriter: Desmond Nakano 1994

White Men Can't Jump. First draft. Screenwriter: Ron Shelton 1991

White Sands. Draft. Screenwriter: Daniel Pyne 1990

Wild Bill. 3 copies. Different drafts. Screenwriter: Walter Hill 1994

Wishmaster. Screenwriter: Peter Atkins 1996

Wrestling Ernest Hemingway. Screenwriter: Steve Conrad 1992

Wrongfully Accused. Revised. Screenwriter: Pat Proft 1997

25th Hour. Signed by Benioff. Screenwriter: David Benioff probably 2002

A Beautiful Mind. "For Your Consideration" Oscar consideration script from Universal. Screenwriter: Akiva Goldsman probably 2001

A Beautiful Mind. 2 copies. Autographed, possibly by Goldsmith. Screenwriter: Akiva Goldsmith probably 2001

Adaptation. Bound copy with color cover. Signed by Charlie Kaufman. Screenwriter: Charlie Kaufman and Donald Kaufman Probably 2002

Doctor Doolittle 2 2000

Ghost World. Screenplay in comic book form. Screenwriter: Daniel Clowes and Terry Zwigoff 2001

Hearts in Atlantis. Fifth draft, final shooting draft. Signed by Scott Hicks (director) and William Goldman (writer). Screenwriter: William Goldman 2001

Moonlight Mile. Signed by Brad Silberling. Screenwriter: Brad Silberling 2002

Shrek. Screenwriter: Ted Elliott and Terry Rossio and Joe Stillman and Roger S.H. Schulman probably 2001

Sidewalks of New York. 2 copies. Final draft. Unknown signature on front page of both. Screenwriter: Edward Burns 2000

Sideways. Half sheets. Screenwriter: Alexander Payne and Jim Taylor 2004

Syriana. Bound copy with nice cover. Screenwriter: Stephen Gaghan probably 2005

Talk to Her. 2 copies. Fifth version. Screenwriter: Pedro Almodovar 2001

The Barbarian Invasions. 2 copies. Half sheets. Screenwriter: Denys Arcand 2002

The Majestic. Final shooting draft. Two signatures on front page. Screenwriter: Michael Sloane probably 2001

The Man Who Wasn't There. 2 copies. Revised. Screenwriter: Joel Coen and Ethan Coen 2000

Gale Force. Screenwriter: Albert Aley Undated

Hunter. Possible Steve McQueen movie by another title. Undated

The Fox and the Forest. Screenwriter: Ray Bradbury Undated

Untitled. Cover missing. Some kind of werewolf movie. Undated

A Streetcar Named Desire. Screenwriter: Tennessee Williams 1994

Absolute Strangers (The Nancy-Martin Klein Story). Second draft. Screenwriter: Robert Anderson 1990

American Family Robinson. First draft. Screenwriter: Steve Bloom and Jonathan Roberts 1995

Family Flight. ABC Movie of the Week. Screenwriter: Guerdon Trueblood 1972

Family Man (A Family for Joe). Screenwriter: Arnold Margolin 1989

In Sickness and in Health. Revised. Screenwriter: Alan Hines 1991

Liars. Screenwriter: David Chase 1983

Liberace. Revised. ABC Movie of the Week. Screenwriter: Anthony Lawrence and Nancy Lawrence 1988

Moment of Truth: Cult Rescue. Revised final draft. Screenwriter: Dan Levine 1994

Montana. Revised first draft. Screenwriter: Larry McMurtry 1988

Moviola "The Scarlett O'Hara War." Revised draft. Screenwriter: William Hanley 1979

Moviola "The Silent Lovers." Photocopy of script signed by Hanley. Screenwriter: William Hanley 1979

Passport to Murder (aka Masquerade). Revised format. Screenwriter: Alfred Monacella 1992

Perfect Witness. Incomplete. probably 1989

Senior Trip. Screenwriter: Kenneth Johnson and Dan Kibble probably 1981

Skylark (Sarah II). Screenwriter: Patricia MacLachlan 1992

Sparkling Cyanide. Annotated. probably 1983

Sunstroke. First draft. Screenwriter: Duane Poole 1992

Svengali. 4th rewrite. Screenwriter: Frank Cucci 1981

The Gulf [released as Don't Look Back]. Shooting draft. Screenwriter: Tom Epperson and Billy Bob Thornton 1996

The Halloween Tree. Screenwriter: Ray Bradbury probably 1993

The New Swiss Family Robinson. Shooting draft. Screenwriter: Stewart Raffill 1997

The Suicide's Wife. Screenwriter: Dennis Nemec 1979

The Suicide's Wife. Screenwriter: Robert J. Shaw probably 1979

The Take. Draft. 1989

Where are My Children? Revised. Screenwriter: Michael Zagor 1994

Witch Hunt. Director's revision. Screenwriter: Joseph Dougherty 1994

XXX's and OOO's. Revised draft. Screenwriter: Alice Randall and John Wilder 1994

9 to 5. Preliminary production information w/ photograph of Parton, Tomlin and Fonda. probably 1980

Atomic Monster [released as It Came From Outer Space]. Treatment. Screenwriter: Ray Bradbury 1952

Brubaker. Preliminary production information. probably 1980

Final Analysis. Rough draft. Storyboards. Scenes 7-16 (Bantar man Sequence). 1991

G.I. Joe. Principle characters. Undated

Gattaca. Quotes and reviews. probably 1997

House of Dracula. Just the cover page. 1945

Over the Top. 2 copies. Informational and press packet. probably 1987

Star Trek: The Next Generation. Treatment. Extensive character and format analysis. probably 1980's

Star Wars - Episode VI: Revenge of the Jedi. Revised plot synopsis of Episode VI "Journal of the Whills" titled "The Return and Revenge of the Jedi." Screenwriter: George Lucas 1980

Terminator 2: Judgement Day. 2 copies. Storyboards, Volume 1. probably 1991

Terminator 2: Judgement Day. Storyboards, Volume 2. probably 1991

The Brink's Job. 2 copies. Press packet with production notes. Screenwriter: Walon Green 1978

The Day the Earth Stood Still II. Revised treatment. Screenwriter: Ray Bradbury 1981

The Little Mermaid. 2 copies. Storyboard. circa 1989

The Serpent's Egg. Promotional packet with synopsis, production notes and press clippings. Screenwriter: Ingmar Bergman probably 1977

The Thing. Story treatment. Screenwriter: William F. Nolan 1978