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Collection Guide
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Vidor (King) papers
LSC.0934  
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Table of contents What's This?

box 1

Three Wise Fools (M-G-M, 1946).

  • Completely annotated continuity.
  • Completely annotated scenario by King Vidor.
box 1

The Strangers' Return (M-G-M, 1933).

  • Typed copy of novel with King Vidor's holographic notes for adaptation.
  • Fully annotated treatment.
box 1

So Red the Rose (Paramount, 1935).

  • One final annotated script.
  • One annotated censorship script.
box 1

Wild Oranges (Metro-Goldwyn, 1924).

  • Fully annotated working script and production breakdown.
  • Script and holographic notes.
box 2

H.M. Pulham, Esqire (M-G-M, 1941).

  • Fully annotated working script.
  • Annotated script before J.P. Marquand arrived.
  • Photographs -- clippings.
box 2

The Texas Rangers (Paramount, 1936).

  • Fully annotated working script.
  • Progression of scripts including production orders, and casting notes -- annotated.
  • Rare personal photographs.
box 3

Wedding Night (United Artists, 1935).

Scope and Contents note

Fully annotated script.
box 3

His Hour (Metro-Goldwyn, 1924).

  • Fully annotated working script.
  • Original treatment by Elinor Glyn -- holographic notes.
box 3

Hallelujah! (M-G-M, 1929).

Scope and Contents note

Annotated script.
box 3

Stella Dallas (United Artists, 1937).

  • Annotated script and working notes.
  • Silent picture detail upon which remake was based.
  • Clippings and publicity.
box 4

The Jack Knife Man (First National, 1920).

Scope and Contents note

Key album of photographs.
 

Miscellaneous

box 4

Production and correspondence, In re Northwest Passage. 1939-1941.

box 4

Production and correspondence, 1937-1959.

box 4

Southern Storm.

Scope and Contents note

Original manuscript -- annotated.
box 4

Museum of Modern Art -- pamphlets.

box 5

The Standard, 1933.

box 5

The Hollywood Reporter, Thirteenth Anniversary Edition.

box 5

The Cast, February 1933.

box 5

The Cast, October 1932.

box 5

Witch Of The Wilderness (Original, never produced).

box 5

Six miscellaneous folders.

box 6

Proud Flesh (Metro-Goldwyn, 1925).

Scope and Contents note

Working script, fully annotated, including production notes, cuts and revisions.
box 6

The Big Parade (M-G-M, 1925).

Scope and Contents note

Holographic production notes; instructions to assistant director; cutting notes; grosses; prop lists; daily reports -- fully annotated.
box 6

Miracles Can Happen (United Artists, 1948).

Scope and Contents note

Fully annotated script progression including all changes and additions.
box 6

Duel in the Sun (Selznick, 1946).

  • Original continuity sketches -- water color, pencil, pen and ink.
  • Clippings and reports.
box 7

Comrade X (M-G-M, 1940).

Scope and Contents note

Fully annotated working script including all changes and revisions and progression of scripts.
box 7

The Patsy (M-G-M, 1928).

Scope and Contents note

Fully annotated treatment and script.
box 7

The Fountainhead (Warner Brothers, 1949).

Scope and Contents note

Fully annotated working script.
box 8, box 9

Northwest Passage (M-G-M, ). 1940

  • Fully annotated working script with additions and notes.
  • Fully annotated dialogue cutting continuity.
  • One script with changes.
  • An earlier script by Robert Sherwood -- not used.
  • Clippings and publicity.
box 9, box 10

The Citadel (M-G-M, 1938).

  • Fully annotated progression of scripts, including working script.
  • Miscellaneous holographic research and notes.
  • Folder of photographs.
box 11, box 12

Our Daily Bread (United Artists, 1934).

  • Holographic production notes and correspondence.
  • Interviews, reviews, advertising.
  • Two albums of photographs.
  • Photographs of King Vidor ( re The League of Nations Medal).
box 13, box 14

American Romance (M-G-M, 1944).

  • Progression of scripts leading to final script. Includes retakes, outtakes, fully annotated working script with holographic notes, changes, revisions, cuts and research.
  • Holographic file on Vincent Lawrence (writer) and Holographic file on William Ludwig (writer).
  • Miscellaneous correspondence with studio, agent, etc.