MISCELLANY
Scope and Content Note
Biographical Information, 1976, n.d.
Weekly Production Summary Status Report re Program Development, June-November, 1968.
CINEMA VIDEO COMMUNICATIONS, INC.
Scope and Content Note
Business Projections, September 7, 1971-February 18, 1972; n.d.
Correspondence
Corky, April 13-June 12, 1973.
Don't Embarrass The Bureau, May 17-August 1, 1972.
Miscellaneous, November 4, 1970-April 3, 1972.
My Brother John, October 13, 1970-September 26, 1972.
Robbins, Harold, August 14-October 26, 1972.
Script, January 20, 1970-August 11, 1971.
Miscellaneous, February 1, 1971-December 8, 1972; n.d.
Office Expenses, Miscellaneous, 1971-1972.
Producer's Guild Pension Plan, October, 1971.
Screen Actor's Guild Commercial Contract, 1972-1973.
Script Idea, Untitled, n.d.
Motion Pictures
Scope and Content Note
The Betsy
Scope and Content Note
Budget, September 8, 1972; n.d.
Miscellaneous Invoices, 1971-1973.
Correspondence
Ash, David, September 19-November 9, 1972.
Financial, July 2, 1971-May 12, 1972.
Warner Brothers, June 25, 1971-October 18, 1972.
Legal, July 6, 1971-January 12, 1973.
Miscellaneous, ca. 1971-1973.
Story Outlines, October 29, 1971; n.d.
Writer's Deals re Screenplay, July 30, 1971-May 30, 1972.
Harry In Your Pocket
Scope and Content Note
Pre-Production Files, "Harry Never Holds,"
Accounts, Charts of, June 20, 1972.
Agreements
Distribution, January 8, 1970.
Financing, February, 1972; n.d.
Sale, February, 1972; n.d.
Ancillary Rights, Sales and Financing, February 11-September 20, 1972.
Budget Information, September 1, 1971-June 23, 1972; n.d.
Canadian Wage Rate for Crew, 1972.
Cast and Crew List, June 27, 1972.
Casting Suggestions, April 5-May 5, 1972; n.d.
Contracts for Cast
Coburn, James, April 14-June 14, 1972.
Pidgeon, Walter, June 22-28, 1972.
Sarrazin, Michael, April 14-June 27, 1972.
Van Devere, Trish, April 17-June 27, 1972.
Day Players, July, 1972-March, 1973.
Correspondence, Miscellaneous, April 15, 1970-June 8, 1972.
Crew Employment Notices, June-July, 1972.
Deal Memoranda, April 4-May 25, 1972.
Location
Contacts, April-July, 1972.
Information re Seattle, Washington, n.d.
Scouting Accounts, May, 1972.
Mobile Production Unit, December, 1971-May, 1972; n.d.
Publicity, April, 1972-August, 1973.
Scripts, by James Buchanan and Ronald Austin unless noted otherwise
Budget Draft, "Holding On," also by Bruce Geller, August 31, 1971.
Budget Draft, also by Bruce Geller, September 21, 1971.
September 21, 1971.
First Draft, "Holding On," n.d.
Continuity Script, January 31, 1973.
Shooting Draft, also by Bruce Geller, June 5, 1972.
Shooting Draft and Revisions, also by Bruce Geller, n.d.
Cutting Script, also by Bruce Geller, n.d.
Revised Draft, n.d.
Wardrobe Listing, n.d.
Production Files, "Harry Never Holds,"
Camera Reports, July-August, 1972.
Cast List and Wages, n.d.
Cast Time Sheets, Weekly, July 1-August 12, 1972.
Computer TTS, June-September, 1972.
Contracts, Bit Parts, July-August, 1972.
Correspondence
Association of Canadian Radio and TV Artists, July, 1972.
Financial, January 4-October 25, 1973.
Miscellaneous, February 3, 1972-March 8, 1973.
Music, July 5, 1972-April 3, 1973.
Property Rental Agreements for Props, June, 1972.
United Artists, April 13, 1972-March 20, 1973.
Crew List, June 27, 1972.
Customs
Equipment Lists for Customs, July 17, 1972.
Information re Victoria, British Columbia, July-September, 1972.
Daily Production Reports, June 27, 1972-August 18, 1972.
Expense Records, June 7-22, 1977.
Insurance, December, 1971-September, 1972.
Invoices, Paid, ca. 1972-1973
A.
A-N.
O-Z.
Canadian Invoices, July 15-August 2, 1972; n.d.
Consolidated Film Industries, 1972-1973.
Customs Brokers, July-September, 1973.
Miscellaneous Invoices and Vouchers, 1972.
Legal, September 14, 1971-May 16, 1972.
Legal re Cast, April 4-August 18, 1972; n.d.
Locations
Call Sheets, July 5-August 19, 1972.
Hotel Deals, n.d.
Hotel Deals and Rentals, Salt Lake City, Utah, July, 1972-March, 1973.
Miscellaneous, Seattle, Washington, June-November, 1972; n.d.
Rentals, Seattle, Washington, July 10-12, 1972.
Miscellaneous, February 6, 1972-January 4, 1974.
Music, December 4-5, 1972; n.d.
Music Cue Sheets, October 27-November 16,1973.
Public Relations, August 30-September 16, 1973.
Publicity Clippings, July-August, 1972.
Script Supervisor's Daily Reports, July 5-August 19, 1972.
Shooting Agreement with Union Pacific Railroad, June-August, 1972.
Shooting Schedule, June 30-August 17, 1972.
Sound Reports, July 5-August 18, 1972.
Post-Production Files, "Harry Never Holds,"
Dubbing, September 19, 1972-May 10, 1973.
Editing, October 12, 1972-January 26, 1973.
Music, November, 1972-February, 1973.
Opticals, September 28, 1972-January 29, 1973.
Sound, March, 1972-January, 1973.
Information on Early Grosses, September-October, 1973.
TELEVISION
Scope and Content Note
The Black Feather
Scope and Content Note
Pilot, Script, by Bruce Geller, November 24, 1965.
Bronk
Scope and Content Note
"There's Gonna Be a War," #4501
Production File and Budget, including a script by Al Martinez, November 14-December 8, 1975.
"The Renovated Man," #4502
Production File and Budget, including a script by Charles Sailor and Eric Kalder, June 18-September 4, 1975.
"Wheels of Death," #4504
Production File and Budget, including a script, "Mano O Mano," by Del Reisman, July 29-September 16, 1975.
"Julia," #4505
Production File and Budget, including a script by Robert Holt, June 19-October 8, 1975.
"The Affair," #4506
Production File and Budget, including a script by Larry Forrester, October 14-November 26, 1975.
"A Matter of Timing," , #4507
Production File and Budget, including a script by Carey Wilbur, August 18-October 21, 1975.
"Betrayal," #4508
Production File and Budget, including a script by Larry Alexander, October 27-November 7, 1975.
"Echoes," #4509
Production File and Budget, including a script by Alan Godfrey, December 19, 1975-January 7, 1976.
"The Gauntlet," #4510
Production File and Budget, including a script, "The Witness," by Stephan Kandel, July 14-August 22, 1975
"Bad Blood," #4511
Production File and Budget, including a script by Alan Godfrey, December 19, 1975-January 7, 1976.
"Crackback," #4512
Production File and Budget, including a script by Lou Morheim, September 3-November 5, 1975.
"Interception," #4513
Production File and Budget, including a script by Karl and Terence Tunberg, August 27-October 8, 1975.
"The Bargain," #4514
Production File and Budget, including a script by Shimon Wincelberg, September 24-October 29, 1975.
"Line of Fire," #4515
Production File and Budget, including a script, "Cops," by Burton Armus, September 16-October 29, 1975.
"The Deadlier Sex," #4518
Production File and Budget, including a script by Stephen Kandel, November 24, 1975-January 5, 1976.
"The Pickoff," #4519
Production File and Budget, including a script by Robert Lenski, October 7-November 11, 1975.
"Jackson Blue," #4521
Production File and Budget, including a script by Michael Mann, December 8, 1975-January 13, 1976.
"Next of Kin," #4522
Production File and Budget, including a script by Bruce Geller and Earl Wallace, November 7-December 18, 1975.
"Jailbreak," #4523
Production File and Budget, including a script by Carey Wilbur, January 12-February 5, 1976.
"Target Unknown," #4524
Production File and Budget, including a script by Robert Holt, January 4-28, 1976.
"The Ordeal," #4525
Production File and Budget, including a script by Oliver Crawford, February 3-26, 1976.
"The Vengeance," #4526
Production File and Budget, including a script by Burton Armus, January 21-February 12, 1976.
"The Vigilante," #4527
Production File and Budget, including a script by Bruce Geller and Leigh Vance, February 20-March 19, 1976.
"The Commendation," #4528
Production File and Budget, including a script with teleplay by Michael Mann, story by Dan Ullman, February 6-9, 1976.
General Files
Monthly Status Reports for Series, July 19, 1975-May 15, 1976.
Series Budget, Amortized Budget, Running Cast List, Running Crew List, Writers Status Reports, May 27-October 3, 1975.
Main Titles and Pick-Up Shots, July 10, 1975-January 22, 1976.
The Dick Powell Show
Scope and Content Note
"The Losers," #5131
Script, by Bruce Geller, story by Bruce Geller and Sam Peckinpah, July 25, 1962.
"Epilogue," #5177
Production File, including a script by Bruce Geller, February 11-25, 1963.
"The Judge," #5143
Production File, including a script hy Bruce Geller and Harry Mark Petrakis, October 16-November 16, 1962.
Huelga
Scope and Content Note
Correspondence and Contracts, December 16, 1970-December 11, 1972.
Jigsaw John
Scope and Content Note
Main Titles, December 10, 1975-January 7, 1976.
Mannix
Scope and Content Note
Pilot, Untitled
Script, December 5, 1966.
"The Cost of a Vacation," #5171-2
Production File, including scripts by Chester Krumholz, May 4-July 31, 1967.
"Skid Marks on a Dry Run," #5171-3
Production File, including scripts, "Dry Run," by John Meredyth Lucas, May 17-July 28, 1967.
"Then the Drink Takes the Man," #5171-4
Production File, including scripts by Sam Ross, May 19-August 2, 1967.
"The Many Deaths of Saint Christopher," #5171-5
Production File, including a budget draft script, "Kill St. Christopher," by Norris Martiniz and a final draft script by Barry Gringer, June 1-August 18, 1967.
"Nothing Ever Works Twice," #5171-6
Production File, including scripts by Chester Krumholz, June 9-September 7, 1967.
"Make It Like It Never Happened," #60507
Production File, including scripts, "The Possessed," by Lee Loeb, ante- July 8-September 18, 1967.
"License to Kill -- Limit Three People," #60508
Production File, including scripts by Lee Erwin, July 11-September 12, 1967.
"Beyond the Shadow of a Dream," #60509
Production File, including scripts, "Nightmare," by Lawrence Heath, July 20-September 11, 1967.
"Warning -- Live Blueberries," #60510
Production File, including scripts by Barry Oringer based on the story "Tango" by Arthur Dales, July 31-September 21, 1967.
"Turn Every Stone," #60511
Production File, including scripts by Jeri Emmett, August 16-November 10, 1967 .
"Huntdown," #60512
Production File, including scripts by Richard Landau, August 21-October 4, 1967.
"Coffin for a Clown," #60513
Production File, including scripts, "Ring Around the Family Tree," by Chester Krumholz, September 5-October 16, 1967.
"A Catalogue of Sins," #60514
Production File, including scripts, "By All Their Sins Remembered," by Walter Brough, September 11-November 16, 1967.
"Run Sheep Run," #60515
Production File, including scripts by Howard Browne, September 22-November 16, 1977.
"Falling Star," #60516
Production File, including scripts by Arthur Dales, October 2-December 14, 1967.
"To Kill a Writer," #60517
Production File, including scripts by Ben Gersham and Dale Braverman, November 1-December 18, 1967.
"Deadfall," Part I, #60518
Production File, including scripts, "The Mangrove Tree," by Chester Krumholz, November 15, 1967-January 4, 1968.
"Deadfall," Part II, #60518
Production File, including scripts, "The Mangrove Tree," by Chester Krumholz, November 15, 1967-January 15, 1968.
"You Can Get Killed Out There," #60519
Production File, including scripts by Arthur Dales, December 7, 1967-January 16, 1968.
"The Box," #60520
Production File, including scripts by Teddi Sherman and Chester Krumholz, December 15, 1967-January 24, 1968.
"Eight to Five, It's a Miracle," #60521
Production File, including a script by Arthur Dales with story by Maureen Daly, December 28, 1967-February 6, 1968.
"Delayed Action," #60522
Production File, including scripts by Barry Oringer, January 8- February 20, 1968.
"The Girl in the Frame," #60523
Production File, including scripts by Wilton Schiller, January 18-February 21, 1968.
"To the Swiftest Death," #60052-24
Production File and Budget, including scripts by John Meredyth Lucas, (April 24-August 9, 1968)-May 10, 1969.
"The Silent Cry," #60052-25.
Production File and Budget, including scripts by Arthur Weiss, (April 29-June 20, 1968)-May 10, 1969.
"Edge of the Knife," #60052-26
Production File and Budget, including scripts by Stephan Kandel, (May 3-September 26, 1968)-May 10, 1969.
"Pressure Point," #60052-27
Production File and Budget, including scripts by Warren Duff, (May 13-July 9, 1968)-March 22, 1969.
"Comes Up Rose," #60052-28
Production File and Budget, including scripts by Lee Loeb, (May 31-September 13, 1968)-May 10, 1969.
"Who Will Dig the Graves?," #60052-29
Production File and Budget, including scripts by Daniel Mainwaring, (June 7-August 9, 1968)-May 10, 1969.
"The End of the Rainbow," #60052-30
Production File and Budget, including script by Jackson Gillis, (June 14-September 3, 1968)-May 10, 1969.
"A Copy of Murder," #60052-31
Production File and Budget, including scripts by Brian McKay, (June 28-October 4, 1968)-May 10, 1969.
"Only Giants Can Play," #60052-32
Production File and Budget, including scripts by Al C. Ward, (July 17-October 25, 1968)-May 10, 1969.
"The Need of a Friend," #60052-33
Production File and Budget, including scripts, "All the Queen's Horses," by Chester Krumholz, (June 26-October 14, 1968)-May 10, 1969.
"Night Out of Time," #60052-34
Production File and Budget, including scripts, "Black-Out!," by Jerome Ross, (August 14-October 14, 1968)-May 10, 1969.
"Fear I to Fall," #60052-35
Production File and Budget, including scripts by Samuel Newman, (August 20-December 3, 1968)-May 10, 1969.
"A View of Nowhere," #60052-36
Production File and Budget, including scripts by Stephen Kandel, (August 30-November 18, 1968)-May 10, 1969.
"Death Run," #60052-37
Production File and Budget, including scripts by Edward Lasko, (September 9-December 9, 1968)-May 10, 1968.
"End Game," #60052-38
Production File and Budget, including scripts by Cliff Gould, (June 3-December 5, 1968)-May 10, 1969.
"A Pittance of Faith," #60052-39
Production File and Budget, including a script, "The Twenty-One Friends of Gina Lardelli," by Blake Ritchie and Warren Duff, (November 6-December 23, 1968)-May 10, 1969.
"Shadow of a Man," #60052-40
Production File and Budget, including scripts, "Killjoy," by Stephan Kandel, (November 11, 1968-January 10, 1969)-May 10, 1969.
"The Girl Who Came in With the Tide," #60052-41
Production File and Budget, including a script by Blake Ritchie, Don Mankiewicz, and Donn Mullally, (November 26, 1968-January 20, 1969)-May 10, 1969.
"Death in a Minor Key," #60052-42
Production File and the Budget, including scripts, "The Color of Time," by Ed Adamson, (December 6, 1968-January 23, 1969)-May 10, 1969.
"All Around the Money Tree," #60052-43
Production File and Budget, including scripts, "Route of Evil," by Donn Mullally, (August 19, 1968-January 29,1969)-May 10, 1969.
"Odds Against Donald Jordan," #60052-45
Production File and Budget, including a script, "Bet on Tomorrow," by Chester Krumholz, (December 31, 1968-February 13, 1969)-May 10, 1969.
"Last Rites for Miss Emma," #60052-45
Production File and Budget, including scripts by Albert Beich and William H. Wright, (January 6-February 28)-May 10, 1969.
"Solid Gold Web," #60052-46
Production File and Budget, including scripts by Blake Ritchie and Donn Mullally, (January 14-March 6)-May 10, 1969.
"To Catch a Rabbit," #60052-47
Production File and Budget, including scripts by Shirl Hendryx, (January 2-March 19)-May 10, 1969.
"Merry-Go-Round for Murder," #60052-48
Production File and Budget, including scripts by John Meredyth Lucas, (December 2, 1968-March 25, 1969)-May 10, 1969.
"Missing: Sun and Sky," #60053-49
Production File, including scripts by Halsted Welles, Cliff Gould, and Norman Katkov, April 30-June 30, 1969.
"Eagles Sometimes Can't Fly," #60053-50
Production File, including scripts by Robert Heverly, May 14-June 30, 1969.
"A Question of Midnight," #60053-51
Production File, including a script, "Nightingale, by Barry Oringer, May 12-July 17, 1969.
"Color Her Missing," #60053-52
Production File, including scripts by Donn Mullally, May 9-July 28, 1969.
"Return to Summer Grove," #60053-53
Production File, including scripts by Cliff Gould, April 28-August 20, 1969.
"Tooth of the Serpent," #60053-54
Production File, including scripts by Robert Lewin, April 23-August 26, 1969.
"A Penny for the Peep Show," #60053-55
Production File, including scripts by Stephen Kandel, July 7-September 9, 1969.
"The Playground," #60053-56
Production File, including scripts by Ed Adamson, June 5-September 12, 1969.
"A Sleep in the Deep," #60053-57
Production File, including scripts, "Still Waters," by John Meredyth Lucas, June 17-September 23, 1969.
"Memory: Zero," #60053-58
Production File, including scripts, "Thanks for the Memory," by Lionel Siegel and Ric Vollaerts, July 2-October 1, 1969.
"The Nowhere Victim," #60053-59
Production File, including scripts by Dan Ullman, August 11-October 9, 1969.
"Who Killed Me?," #60053-60
Production File, including scripts by Stephan Kandel, August 25-October 13, 1969.
"The Sound of Darkness," #60053-61
Production File, including scripts by Barry Trivers, August 27-November 3, 1969.
"Medal for a Hero," #60053-62
Production File, including scripts by Frank Telford, August 20-October 23, 1969.
"The Blind Mirror," #60053-063
Production File, including scripts rewritten by Don Brinkley, July 23-November 6, 1969.
"Once Upon a Saturday," #60053-64
Production File, including scripts by Arline Anderson and Barry Crane, September 12-November 25, 1969.
"A Chance at the Roses," #60053-65
Production File, including scripts by Lou Shaw and Lionel Siegel, September 12-November 26, 1969.
"Walk with a Dead Man," #60053-66
Production File, including scripts by Ed Adamson, September 23-December 1, 1969.
"Harlequin's Gold," #60053-67
Production File, including scripts, "The Man From Down Under," by Don Brinkley and Oliver Crawford, October 8-December 15, 1969.
"Who is Sylvia?," #60053-68
Production File, including scripts by Alfred Brenner, October 31, 1969-January 26, 1970.
"Only One Death to a Customer," #60053-69.
Production File, including scripts by John Meredyth Lucas, October 6, 1969-January 7, 1970.
"The Search for Darrell Andrews," #60053-70
Production File, including scripts by John Knuebuhl, November 28, 1969-January 28, 1970.
"Fly Little One," #60053-71
Production File, including scripts by Arthur Weiss, December 7, 1969-January 23, 1970.
"Murder Revisited," #60053-72
Production File, including scripts by Ed Adamson, story by Ed Adamson and Orville Hampton, December 16, 1969-January 30, 1970.
"War of Nerves," 60053-73
Production File, including a script by Barry Trivers, December 28, 1969-February 25, 1970.
"One for the Lady," #60054-074
Production File and Budget, including a script by Dan Ullman, (May 18-June 4)-July 11, 1970.
"Time Out of Mind," #60054-075
Production File and Budget, including a script by Robert Pirosh, (May 27-June 10)-July 11, 1970.
"Figures in a Landscape," #60054-076
Budget, July 11, 1970.
"Round Trip to Nowhere," #60054-077
Production File and Budget, including a script, "Ticket to Nowhere," by John Meredyth Lucas, (March 11-June 30)-July 11, 1970.
"The Lost Art of Dying," #60054-078
Production File and Budget, including a script by Ed Adamson, (June 26-July 4)-July 11, 1970.
"A Ticket to the Eclipse," #60054-079
Production File and Budget, including a script by Harold Medford, story by Bruce Geller, June 8-July 15, 1970.
"Deja Vu," #60054-087
Script, by Stephan Kandel, revisions by Harold Medford, August 11, 1970.
"The Glass Trap," #60055-098
Script, by Edward Lakso, March 30, 1971.
"Dark So Early, Dark So Long," #60055-099
Script, by Robert W. Lenski, April 28,1971.
"Days Beyond Recall," #60055-100
Script, by Robert Pirosh, May 7,1971.
"Woman in the Shadows," #60055-101
Script, by Karl Tunberg, May 18, 1971.
"Wine from These Grapes," #60055-103
Script, by David H. Vowell, June 7, 1971.
"A Step in Time," #60055-104
Script, by Mann Rubin, June 22, 1971.
"Murder Times Three," #60055-105
Script, by Stephan Kandel, July 1, 1971.
"Run Till Dark," #60055-106
Script, "Lee Thomas and the Angels," by Dan Ullman, July 8, 1975.
"A Button for General D," #60055-107
Script, by Ernie Frankel, July 21, 1971.
"The Man Outside," #60055-108
Script, by Arthur Weiss, story by Tibor Zada, September 7, 1971.
"A Choice of Evils," #60055-109
Script, by James Schmerer, September 16, 1971.
"Catspaw," #60055-110
Script, by Frank Telford, September 24, 1971.
"To Save a Dead Man," #60055-111
Script, by Donn Mullally, August 16, 1971.
"Babe in the Woods," #60055-112
Script, by Robert W. Lenski, October 13, 1971.
"Moving Target," #60055-113
Script, by Karl Tunberg, November 9, 1971.
"Nightshade," #60055-114
Script, by Marty Roth with Ed Waters, October 21, 1971.
"The Sound of Murder," #60055-115
Script, by Leigh Vance, October 28, 1971.
"Cry Pigeon," #60055-116
Script, by Donn Mullally, November 30, 1971.
"Death is the Fifth Gear," #60055-117
Script, by Chester Krumholz, November 18, 1971.
"Lifeline," #60055-118
Script, by Dan Ullmann, December 15, 1971.
"A Walk in the Shadows," #60055-119
Script, by Edward Lakso with Ed Waters, December 8,1971.
"To Draw the Lightning," #60055-120
Script, by Ed Adamson, December 31, 1971.
"Scapegoat," #60055-121
Script, by Stephen Kandel, January 7, 1972.
"Harvest of Death," #60056-122
Script, by Harold Medford and Jerry Thomas, April 5, 1972.
"Cry Silence," #60056-123
Script, by Ed Waters and Oliver Crawford, April 17, 1972.
"The Inside Man," #60056-124
Script, by A. A. Ross, April 24,1972.
"To Kill a Memory," #60056-125
Script, by Arthur Weiss, May 8, 1972.
"One Step to Midnight," #60056-126
Script, by Warren Duff, May 12, 1972.
"The Crimson Halo," #60056-127
Script, by Shimon Wincelberg, May 23, 1972.
"Broken Mirror," #60056-128
Script, by Robert Pirosh and Leigh Vance, June 5, 1972.
"The Open Web," #60056-129
Script, by Donn Mullally, June 15, 1972.
"A Game of Shadows," #60056-130
Script, by Leigh Vance, June 12, 1972.
"A Puzzle for One," #60056-131
Script, by David P. Harmon and Alfred Hayes, June 21, 1972.
"The Upside Down Penny," #60056-132
Script, by Robert W. Lenski, July 13, 1972.
"Portrait of a Hero," #60056-133
Script, by John Meredyth Lucas, July 24, 1972.
"Lost Sunday," #60056-134
Script, by Ellis Marcus and Alfred Hayes, August 11, 1972.
"Light and Shadow," #60056-135
Script, by Harold Medford and Richard Murphy, September 13,1972.
"See No Evil," #60056-136
Script, by Shimon Wincelberg, September 25, 1972.
"A Matter of Principle," #60056-137
Script, by Howard Browne, September 22, 1972.
"Out of the Night," #60056-138
Script, Albert Beich and William H. Wright, October 11, 1972.
"The Man Who Wasn't There," #60056-139
Script, by Robert W. Lenski, October 23, 1972.
"A Problem of Innocence," #60056-140
Script, by Dan Ullman, October 30, 1972.
"The Faces of Murder," #60056-141
Script, by Stanley Roberts with Robert W. Lenski, November 8, 1972.
"Carol Lockwood, Past Tense," #60056-142
Script, by Harold Medford and Blake Ritchie, November 14, 1972.
"Search for a Whisper," #60056-143
Script, by John Meredyth Lucas, November 28, 1972.
"To Quote a Dead Man," #60056-144
Script, by Robert W. Lenski from a story by Richard L. Breen and James T. Surtees, December 6, 1972.
"The Danford File," #60056-145
Script, by Mann Rubin, December 15, 1972.
"Little Girl Lost," #60057-146
Script, "A Child of Our Times," by Chester Krumholz, May 22, 1973.
"The Way to Dusty Death," #60057-147
Script, "Flash Point," by Herb Meadow, June 15, 1973.
"Girl in the Polka Dot Dress," #60057-148
Script, "The Vision," by Dan Ullman from a story by Ben Roberts, July 2, 1973.
"Climb a Deadly Mountain," #60057-149
Script, "The Second Man," by Richard L. Breen and James T. Surtees, July 10, 1973.
"Desert Run," #60057-150
Script, by John Meredyth Lucas and Arthur Weiss, July 17, 1973.
"The Gang's All Here," #60057-151
Script, by Albert Beich, Ivan Goff and Ben Roberts, July 30, 1973.
"Silent Target," #60057-152
Script, by Shimon Wincelberg, Ivan Goff, and Ben Roberts, September 7, 1973.
"Death Song," 360057-154
Script, "Sing a Song of Murder," by Stephen Kandel, Alfred Hayes, Ivan Goff, and Ben Roberts, September 7, 1973.
"Deadly Madonna," #60057-155
Script, "Smoke Screen," by Mann Rubin, Ivan Goff, and Ben Roberts, September 19, 1973.
"Search for the Auroras," #60057-156
Script, "Search in the Park," by Blake Ritchie, October 1, 1973.
"Deadly Affair," #60057-157
Script, "Cry Danger," by Robert W. Lenski, October 19, 1973.
"Death Trip, #60057-158
Script, "A Matter of the Heart," by Harold Medford, part I, October 18, 1973 - part II, October 19, 1973.
"All the Dead Were Strangers," #60057-160
Script, by Karl Tunberg, November 7, 1973.
"The Dark Hours," #60057-161
Script, by Donn Mullally, November 16, 1973.
"A Night Full of Darkness," #60057-163
Script, by Martin Roth and Donn Mullally, December 6, 1973.
"Walk a Double Line," #60057-162
Script, "Double Image," by Lou Shaw, Ed Waters, Ivan Goff, and Ben Roberts, September 20, 1973.
"The Girl from Nowhere," #60057-164
Script, by Harold Livingston, December 21, 1973.
"A Rage to Kill," #60057-165
Script, by Bernard C. Schoenfeld and Shimon Wincelberg, January 4, 1974.
"Mask for a Charade," #60057-166
Script, by Frank Telford, January 16, 1974.
"A Question of Murder," #60057-167
Script, by Jim Bateman and Arthur Weiss, January 22, 1974.
"Trap for a Pigeon," #60057-168
Script, by David P. Harmon, January 31, 1974.
"The Ragged Edge," #60057-169
Script, by Dan Ullman, February 11, 1974.
"A Fine Day for Dying," #60058-172
Script, by Edward J. Lakso and Harold Medford, April 25, 1974.
"Portrait in Blue," #60058-173
Script, by Mel Torme, James L. Henderson, Stephan Kandel, May 3, 1974.
"The Face of Death," #60058-174
Script, by Shimon Wincelberg, May 14, 1974.
"Walk on the Blind Side," #60058-175
Script, "Double Identity," by Albert Beich, May 27, 1974.
"The Green Man," #60058-176
Script, "A Guy Could Get Himself Killed," by Richard Carlson and Stephan Kandel, June 4, 1974.
"Picture of a Shadow," #60058-177
Script, by Donn Mullally and Alfred Hayes, June 12, 1974.
"A Small Favor for an Old Friend," #60058-178
Script, by Harold Livingston, September 3, 1974.
"Enter Tami Okada," #60058-180
Script, by Robert Pirosh, September 24, 1974.
"A Word Called Courage," #60058-183
Script, by George F. Slavin and Alfred Hayes, October 21, 1974.
"Man in a Trap," #60058-184
Script, by Bernard C. Schoenfeld, October 28, 1974.
"Chance Meeting," #60058-185
Script, by Frank Telford, November 8, 1974.
"Edge of the Web," #60058-186
Script, by Terence and Karl Tunberg, November 18, 1974.
"Bird of Prey," #60058-187
Script, by Alfred Hayes, based on the novel by Victor Canning, November 29, 1974.
Untitled, #60058-189
Script, by Robert Hamner, December 2, 1974.
"Design for Dying," #60058-191
Script, by James L. Henderson, January 9, 1975.
"Hardball," #60058-192
Script, by Albert Beich and Alfred Hayes, January 21, 1975.
"Search for a Dead Man," #60058-193
Script, by Dan Ullman, January 29, 1975.
"A Choice of Victims," no number
Script, by John Meredyth Lucas and Alfred Hayes, August 5, 1974.
"Cold Trail," no number
Script, by Ed Waters, from a story by Boris Sobleman, May 27, 1971.
"Desert Sun," no number
Script, by David P. Harmon, April 8, 1974.
"Game Plan," no number
Script, by Merwin Gerard, Donn Mullally, and Alfred Hayes, April 9, 1974.
"Quartet for Blunt Instrument," no number
Script, by Shimon Wincelberg, September 10, 1974.
"A Ransom for Yesterday," no number
Script, by Mann Rubin, December 17, 1974.
"Scent of Fear," no number
Script, by Bernard Schoenfeld, September 17, 1974.
"The Survivor Who Wasn't," no number
Script, by Harold Medford, from a story by Ben Roberts, September 20, 1974.
"World Without Sunday," no number
Script, "The Sunday Factor," by Robert Pirosh, July 25, 1973.
Miscellaneous Script Fragments, ca. 1966, n.d.
Miscellaneous Script Fragments, ca. 1966, n.d.
General Production Information
Contract Requests for Composers, Directors, Writers, 1971-1972.
Director's List, 1970-1971.
Staff and Crew List, 1970.
Writer's List, 1967-1968.
Miscellany, ca. 1971-1973.
Production Status Reports for Series, 1968-1970.
Release Schedules, 1967-1973.
Script Status Reports, 1971-1974.
Director's Shooting Schedules, 1970-1974.
Mannix and Mission: Impossible
Scope and Content Note
Miscellaneous Correspondence, January 31, 1971-August 21, 1973.
Nielsen Ratings, 1971-1973.
Paramount Television Phone Directory, 1970.
Mission: Impossible
Scope and Content Note
Episode Sequence and Episode Synopses, ca. 1966-1973.
Pilot, (untitled)
Scripts and Drafts, including "Brigg's Squad," by Bruce Geller, October-November, 1965; n.d.
Scripts and Drafts, October, 1965-January 1966.
"Old Man Out," #6161-2, (Parts I and II)
Production File, including scripts, "The Vossek Rescue," by Ellis Marcus, May 2-August 10, 1966.
Drafts of Scripts, April-June, 1966; n.d.
Drafts of Scripts, April-August, 1966.
"Memory," #6161-3
Production File, including scripts by Robert Lewin, May 17-July 5, 1966.
Drafts of Scripts, March-May, 1966; n.d.
"Operation Rogosh," #6161-4
Production File, including a script by Jerome Ross., May 27-July 18, 1966.
Drafts of Scripts, April-May, 1966.
"Odds on Evil," #6161-5
Production File, including a script by William Reed Woodfield and Allan Balter, June 20-September 20, 1966.
Drafts of Scripts, April-May, 1966.
"A Spool There Was," #6161-6
Production File, including scripts, "To Catch a Scorpion, by Ellis Marcus, June 22-July 15, 1966.
Drafts of Scripts, May-June, 1966.
"Fakeout," #6161-7
Production File, including scripts by Leigh Chapman, July 1-September 26, 1966.
Drafts of Scripts, April-August, 1966.
"Wheels," #6161-8
Production File, including a script by Laurence Heath, July 18-September 2, 1966.
Drafts of Scripts, May-July, 1966; n.d.
"The Ransom," #6161-9
Production File, including scripts by William Reed Woodfield and Allan Balter, August 8-September 16, 1966.
Drafts of Scripts, July-August, 1966; n.d.
"Elena," #6161-10
Production File, including scripts by Robert Lewin, August 24-December 6, 1966.
Drafts of Scripts, June-September, 1966.
"Zubrovnik's Ghost," #6161-11
Production File, including scripts by Robert Lewin, September 7-October 6, 1966.
Drafts of Scripts, July-September, 1966; n.d.
"The Trial," #6161-12
Production File, including scripts by Laurence Heath, November 14-December 9, 1966.
Drafts of Scripts, November-December, 1966; n.d.
"The Carriers," #6161-13
Production File, including scripts by William Reed Woodfield and Allan Balter, September 19-October 19, 1966.
Drafts of Scripts, July-September, 1966.
"Short Tail Spy," #6161-14
Production File, including a script by Julian Barry, October 10-October 28, 1966.
Drafts of Scripts, August-October, 1966; n.d.
"The Legacy," #6161-15
Production File, including scripts by William Reed Woodfield and Allan Balter, October 14-December 20, 1966.
Drafts of Scripts, September-October, 1966; n.d.
"The Reluctant Dragon," #6161-16
Production File, including scripts by Chester Krumholz, October 31-December 27, 1966.
Drafts of Scripts, November, 1966; n.d.
"The Frame," #6161-17
Production File, including scripts by William Reed Woodfield and Allan Balter, November 4-30,1966.
Drafts of Scripts, October-November, 1966.
"The Diamond," #6161-18
Production File, including scripts by William Reed Woodfield and Allan Balter, November 29-December 20, 1966.
Drafts of Scripts, September-November, 1966.
"The Legend," #6161-19
Production File including scripts by Mann Rubin, December 9-30, 1966.
Drafts of Scripts, December, 1966; n.d.
"The Confession," #6161-20
Production File, including scripts by William Reed Woodfield and Allan Balter, December 20, 1966-January 11, 1967.
Drafts of Scripts, December, 1966.
"Snowball in Hell," #6161-21
Production File, including scripts by Judith and Robert Guy Barrows, January 6-20, 1967.
Drafts of Scripts, April, 1966-January, 1967.
Drafts of Scripts, January, 1967.
"Action," #6161-22
Production File, including scripts by Robert Lewin, January 18-February 2, 1967.
Drafts of Scripts, January, 1967; n.d.
"The Train," #6161-23
Production File, including scripts by William Reed Woodfield and Allan Balter, January 26-March 13, 1967.
Drafts of Scripts, January-February, 1967; n.d.
"Shock," #6161-24
Production File, including scripts by Laurence Heath, February 6-March 1, 1967.
Drafts of Scripts, ca. 1967.
"A Cube of Sugar," #6161-25
Production File, including scripts by William Reed Woodfield and Allan Balter, February 14-March 17, 1967.
Revisions, February, 1967.
"The Traitor," #6161-26
Production File, including scripts, "Run, Rat, Run," by Edward J. Lakso, February 26-March 10, 1967.
Drafts of Scripts, February, 1967; n.d.
"The Psychic," #6161-27
Production File, including scripts by William Reed Woodfield and Allan Balter, March 9-23, 1967.
Drafts of Scripts, March, 1967.
"The Survivors," #5161-28
Production File, including scripts by William Reed Woodfield and Allan Balter, May 8-September 1, 1967.
"Trek," #5161-29
Production File, including scripts by Laurence Heath, May 11-July 28, 1967.
"The Bank," #60030
Production File, including scripts, "The Bank Heist," by Brad Radnitz, May 16-September 15, 1967.
"Operation—Heart," #5161-31
Production File, including scripts by John O'Dea and Arthur Rowe, May 31-September 29, 1967.
"The Slave," #60032, (Parts I and II)
Production File, including scripts by William Reed Woodfield and Allan Balter, June 9-September 29, 1967.
"The Widow," #5161-33
Production File, including scripts by Barney Slater, June 15-September 1, 1967.
"The Money Machine," #60034
Production File, including scripts by Richard M. Sakal, August 2-October 2, 1967.
"The Seal," #60035
Production File, including scripts by William Reed Woodfield and Allan Balter, August 10-October 18, 1967.
"Sweet Charity," #60036
Production File, including scripts by Barney Slater, August 31-November 1, 1967.
"The Council," #60037, (Parts I and II)
Production File, including scripts by William Reed Woodfield and Allan Balter, September 13-November 16, 1967.
"The Echo of Yesterday," #60038
Production File, including scripts by Mann Rubin, October 4-November 28, 1967.
"The Astrologer," #60039
Production File, including scripts, "Day of the Scorpion," by James F. Griffin, September 22-November 27, 1967.
"The Photographer," #60040
Production File, including scripts by William Reed Woodfield and Allan Balter, October 20-November 30, 1967.
"The Spy," #60041
Production File, including scripts, "The Stubborn Spy," by Barney Slater, October 30-December 13, 1967.
"A Game of Chess," #60042
Production File, including scripts by Richard M. Sakal, November 7, 1967 - January 3, 1968.
"The Emerald," #60043
Production File, including scripts by William Reed Woodfield and Allan Balter, November 20, 1967-January 16, 1968.
"The Condemned," #60044
Production File, including scripts by Laurence Heath, November 24, 1967-January 9, 1968.
"The Counterfeiter," #60045
Production File, including scripts by William Reed Woodfield and Allan Balter, December 9, 1967-January 16, 1968.
"The Town," #60046
Production File, including scripts by Sy Salkowitz, December 11, 1967-January 30, 1968.
"The Killing," #60047
Production File, including scripts by William Reed Woodfield and Allan Balter, January 4-February 6, 1968.
"The Phoenix," #60048
Production File, including a script by John D. F. Black, January 15-February 15, 1968.
"Trial by Fury," #60049
Production File, including scripts by Sy Salkowitz, January 19-February 27, 1968.
"Recovery," #60050
Production File, including a script by William Reed Woodfield and Allan Balter, February 5-March 7, 1968.
"The Mercenaries," #60033-51
Production File and Budget, including scripts by Laurence Heath, (April 29-July 19, 1968)-May 10, 1969.
"The Heir Apparent," #60033-52
Production File and Budget, including scripts by Robert E. Thompson, (April 30-July 29, 1968)-May 10, 1969.
"The Diplomat," #60033-53
Production File and Budget, including scripts by Jerry Ludwig, (May 25-July 30, 1968)-May 10, 1969.
"The Contender," #60033-54, (Parts I and II)
Production File and Budget, including scripts by William Reed Woodfield and Allan Balter, (April 26-September 9, 1968)-May 10, 1969.
"The Execution," #60033-56
Production File and Budget, including scripts by William Reed Woodfield and Allan Balter, (June 21-September 30, 1968)-May 10, 1969.
"The Play," #60033-57
Production File and Budget, including scripts by Lou Shaw, (July 1-October 2, 1968)-May 10, 1969.
"The Cardinal," #60033-58
Production File and Budget, including scripts by John T. Dugan, (July 2-September 30, 1968)-May 10, 1969.
"The Elixir," #60033-59
Production File and Budget, including scripts by Max Hodge, (July 23-October 29, 1968)-May 10, 1969.
"The Exchange," #60033-60
Production File and Budget, including scripts by Laurence Heath, (July 31-November 18, 1968)-May 10, 1969.
"The Bargain," #60033-61
Production File and Budget, including scripts by Robert E. Thompson, (August 7-November 18, 1968)-May 10, 1969.
"The Mind of Stephan Miklos," #60033-62
Production File and Budget, including scripts by Paul Playdon, (August 26, 1968-January 3)-May 10, 1969.
"The Freeze," #60033-63
Production File and Budget, including scripts by Paul Playdon, (September 5-December 11, 1968)-May 10, 1969.
"The Test Case," #60033-64
Production File and Budget, including scripts, "The Immortality of Raymond Barrett," by Laurence Heath, (September 16-December 11, 1968)-May 10, 1969.
"The System," #60033-65
Production File and Budget, including scripts by Robert Hamner, (September 24-December 30, 1968)-May 10, 1969.
"The Glass Cage," #60033-66
Production File and Budget, including scripts by Paul Playdon from a story by Alf Harris, (October 9-December 27, 1968)-May 10, 1969.
"Live Bait," #60033-67
Production File and Budget, including scripts by Jim Buchanan and Ron Austin, from a story by Meyer Dounsky, (October 17, 1968-January 9)-May 10, 1969.
"Doomsday," #60033-68
Production File and Budget, including scripts by Laurence Heath, (October 28, 1968-January 16)-May 10, 1969.
"The Bunker," #60033-69, (Parts I and II)
Production File and Budget, including scripts by Paul Playdon November 25, 1968-February 25)-May 10, 1969.
"Nitro," #60033-71
Production File and Budget, including scripts by Laurence Heath, (December 10, 1968-February 24)-May 10, 1969.
"The Vault," #60033-72
Production File and Budget, including a script by Judy Burns, (January 3-February 27)-May 10, 1969.
"Nicole," #60033-73
Production File and Budget, including scripts by Paul Playdon, (January 12-March 7)-May 10, 1969.
"Illusion," #60033-74
Production File and Budget, including scripts by Laurence Heath, (January 10-March 21)-May 10, 1969.
"The Interrogator," #60033-75
Production File and Budget, including scripts by Paul Playdon, (February 3-April 3)-May 10, 1969.
"The Controllers," #60033-76, (Parts I and II)
Production File and Budget, including scripts by Laurence Heath, May 21-July 22, 1969.
"The Code," #60034-78
Production File and Budget, including scripts by Ken Pettus, June 14-August 12, 1969.
"Mastermind," #60034-79
Production File and Budget, including scripts by Jerry Ludwig, June 18-August 27, 1969.
"The Number's Game," #60034-80
Production File and Budget, including scripts, "The Key," by Leigh Vance, July 10-September 9, 1969.
"Commandante," #60034-81
Production File and Budget, including scripts by Laurence Heath, June 30-September 18, 1969.
"Robot," #60034-82
Production File, including scripts by Howard Berk, July 3-September 30, 1969.
"Fool's Gold," #60034-83
Production File, including scripts by Ken Pettus, July 8-September 30, 1969.
"Double Circle," #60034-84
Production File, including scripts by Jerry Ludwig, July 15-August 12, 1969.
"Submarine," #60034-085
Production File, including scripts by Donald James, August 5-October 16, 1969.
"The Brothers," #60034-86
Production File, including scripts by Leigh Vance from a story by Robert C. Dennis, August 12-October 29, 1969.
"The Falcon," #60034-087
Production File, including scripts by Paul Playdon, September 9-December 31, 1969.
"Time Bomb," #60034-90
Production File, including scripts by Paul Playdon, July 30-November 20, 1969.
"The Amnesiac," 460034-91
Production File, including scripts by Robert Malcolm Young and Ken Pettus, from a story by Robert Malcolm Young, September 18-November 24, 1969.
"Chico," #60034-92
Production File, including scripts, "The Chihauhua," by Ken Pettus, October 17-29, 1969.
"Terror," #60034-93
Production File, including scripts by Laurence Heath, August 11, 1969-January 6, 1970.
"Gitano," #60034-94
Production File, including scripts, "Toys," by Laurence Heath, September 5, 1969-January 6, 1970.
"Phantoms, " #60034-95
Production File, including scripts by Laurence Heath, October 29, 1969-January 13, 1970.
"Lover's Not," #60034-96
Production File, including scripts by Laurence Heath, November 28, 1969-January 27, 1970.
"Orpheus," #60034-97
Production File, including scripts by Paul Playdon, December 7, 1969-February 2, 1970.
"The Choice," #60034-98
Production File, including scripts by Ken Pettus from a story by Henry Sharp, December 17, 1969-February 20, 1970.
"The Crane," #60034-99
Production File, including scripts by Ken Pettus, December 19, 1969-January 15, 1970.
"Death Squad," #60034-100
Production File, including scripts by Laurence Heath, January 8-February 20, 1970.
"The Martyr," #60034-101
Production File, including scripts by Ken Pettus, January 14-March 2, 1970.
Butterfly," #60035-102
Production File and Budget, including a script by Eric Bercovici and Jerry Ludwig from a story by Sheldon Stark, May 19-June 13, 1970.
"Homecoming," #60035-103
Production File, including scripts by Laurence Heath, May 29-June 11, 1970.
"The Rebel," #60035-104
Production File, including scripts by Ken Pettus from a story by Norman Katkov and Ken Pettus, May 20-June 22, 1970.
"The Killer," #60035-105
Production File, including scripts by Arthur Weiss, May 22-July 1, 1970.
"Flip Side," #60035-106
Production File, including scripts by Jackson Gillis, June 26-July 10, 1970.
"The Catafalque," #60035-113
Script, by Paul Playdon, August 26, 1970.
"Sicily," #60035-114
Script, by David Moessinger from a story by Walter Brough and David Moessinger, August 31, 1970.
"Encore," #60036-125
Script, by Harold Livingston, April 28, 1971.
"Blind," #60036-126
Script, Arthur Weiss, May 6, 1971.
"The Bride," #60036-127
Script, by Jackson Gillis, May 18, 1971.
"Run for the Money," #60036-128
Script, by Edward J. Lakso, May 26, 1971.
"The Miracle," #60036-129
Script, by Dan Ullman, June 6, 1971.
"Mind Bend," #60036-130
Script, by Ronald Austin and James Buchanan, June 16, 1971.
"The Tram," #60036-131
Script, by James L. Henderson and Sam Roeca, June 25, 1971.
"Encounter," #60036-132
Script, by Howard Berk, July 6, 1971.
"Shape-Up," #60036-133
Script, by Ed Adamson and Norman Katkov, July 14, 1971.
"Underwater," #60036-134
Script, by Arthur Weiss, July 26, 1971.
"The Visitors," #60036-135
Script, by Harold Livingston, August 3, 1971.
"The Connection," #60036-136
Script, by Edward Lakso and Ken Pettus from a story by Edward Lakso, August 9, 1971.
"Invasion," #60036-137
Script, by James Henderson and Sam Roeca, August 24, 1971.
"Image," #60036-138
Script, by Sam Roeca and James Henderson, September 3, 1971.
"Blues," #60036-139
Script, by Howard Berk, September 16, 1971.
"Nerves," #60036-140
Script, by Henry Sharpe and Garrie Bateson, from a story by Henry Sharpe, September 24, 1971.
"Committed," #60036-141
Script, by Arthur Weiss from a story by Laurence Heath, September 30, 1971.
"Stone Pillow," #60036-142
Script, by Howard Browne, October 8, 1971.
"Double Dead," #60036-143
Script, by Laurence Heath from a story by Jackson Gillis, October 22, 1971.
"Bag Woman," #60036-144
Script, by Ed Adamson and Norman Katkov, November 1, 1971.
"Casino," #60036-145
Script, by Walter Brough and Howard Berk, November 8, 1971.
"Trapped," #60036-146
Script, by Sam Roeca and James Henderson from a story by Rick Husky, November 16, 1971.
"Speed," #60036-147
Script, by Lou Shaw, April 7, 1972.
"Two Thousand," #60037-148
Script, by Harold Livingston, April 17, 1972.
"Underground," #60037-149
Script, by Leigh Vance, April 17, 1972.
"Leona," #60037-150
Script, by Howard Browne, May 8, 1972.
"Break!," #60037-151
Script, by Sam Roeca and James Henderson, May 16, 1972.
"The Deal," #60037-152
Script, by George Slavin and Stephen Kandel from a story by George Slavin, June 26, 1972.
"Imitation," #60037-153
Script, by Edward Lakso, June 7, 1972.
"Crack Up," #60037-154
Script, by Arthur Weiss from a story by Robert and Phyllis White and Arthur Weiss, May 25, 1972.
"Tod-5," #60037-155
Script, by James D. Buchanan and Ronald Austin, June 14, 1972.
"Cocaine," #60037-156
Script, by Harold Livingston from a story by Norman Katkov and Harold Livingston, July 7, 1972.
"The Question," #60037-157
Script, by Stephen Kandel, July 13, 1972.
"Hit," #60037-158
Script, by Douglas Wier, July 26, 1972.
"Movie," #60037-159
Script, by Anthony Bowers and Stephen Kandel, August 3, 1972.
"Ultimatum," #60037-160
Script, by Harold Livingston from a story by Shirl Hendryx and Harold Livingston, August 17, 1972.
"Kidnap," #60037-161
Script, by Sam Roeca and James L. Henderson, September 14,1972.
"The Puppet," #60037-162
Script, by Leigh Vance, September 22, 1972.
"The Fountain," #60037-163
Script, by Stephen Kandel, October 1, 1972.
"Boomerang," #60037-164
Script, by Howard Browne, October 12, 1972.
"Incarnate," #60037-165
Script, by Buck Houghton and Stephen Kandel, October 23, 1972.
"The Western," #60037-166
Script, by Arnold and Lois Peyser, October 31, 1972.
" The Fighter," #60037-167
Script, by Nicholas E. Baehr and Stephen Kandel, November 8, 1972.
"The Pendulum," #60037-168
Script by Cal Clements, Jr. and Stephen Kandel, November 21, 1972.
"Body of Evidence," #6161-12
Scripts, by Norman Hudis, September 20, 1966; n.d.
"Show Trial," #60034-
Script, by Jerry Ludwig, October 21, 1969.
Script Fragments, ca. 1964-1966.
General Production Information
Miscellaneous Budget Information, 1966-1967.
Contract Requests for Composers, Directors, and Writers, 1971.
Fan Mail, June 9, 1966-October 22, 1972.
Agencies, n.d.
Cast Lists
Episodes 1-50, 1966-1968.
Episodes 31-93, 1968-1969.
Episodes 94-124, 1969-1970.
Staff and Crew List, October, 1969-April, 1971.
Writers Lists, 1966-1968.
Miscellaneous, 1966-1972.
Miscellaneous Production Notes, 1971.
Production Status Reports for Series, 1968-1969.
Production Status Reports, 1969-1970.
Publicity - Cast Biographies, ca. 1966-1972.
Director's Schedule, 1970-1972.
Release Schedules, 1967-1973.
Script Status Reports, 1971-1972.
Rawhide
Scope and Content Note
"El Hombre," #2704-0901
Production File, including a script by Herman Groves, July 15-27, 1964.
"Marshlight," #2704-0902
Production File, including a script by Stirling Silliphant, September 14-28, 1964.
"The Execution," #2704-0903
Production File, including a script by Sy Salkowitz, December 2-14, 1964.
"The Backshooter," #2704-0904
Production File, including a script by Richard Carr, July 6-August 4, 1964.
"The Enormous Fist," #2704-0905
Production File, including a script by Sam Ross, June 5-30, 1964.
"The Race," #2704-0906
Production File, including a script by Robert Lewin, June 4-22, 1964.
"The Gray Rock Hotel," #2704-0907
Production File, including a script by Jack Curtis, June 22-July 8, 1964.
"The Book," #2704-0908
Production File, including a script by Dliff Gould, November 3-17, 1964.
"The Lost Herd," #2704-0910
Production File, including a script by Archie L. Tegland, June 26-July 17, 1964.
"Piney," #2704-0911
Production File, including a script by Clyde Ware, July 30-August 12, 1964.
"Damon's Road," #2704-0912, (Parts I and II)
Production File, including a script by Richard Carr and Robert Lewin, August 25-September 15, 1964.
"The Transfer," #2704-0913
Production File, including a script by Bernard Girard, July 27-August 28, 1964.
"A Man Called Mushy," #2704-0914
Production File, including a script by John Mantley, August 6-20, 1964.
"Corporal Dasovik," #2704-0915
Production File, including a script by Lionel E. Siegal, September 29-October 6, 1964.
"The Meeting," #2704-0916
Production File, including a script by Robert Lewin, November 12-24, 1964.
"The Photographer," #2704-0918
Production File, including a script by Clyde Ware, October 8-21, 1964.
"No Dogs or Drovers," #2704-0919
Production File, including a script by Sam Ross and Cliff Gould, October 30-November 6, 1964.
"Josh," #2704-0920
Production File, including a script by Robert E. Thompson, October 19-29, 1964.
"The Colonel," #2704-0922
Production File, including a script, November 27-December 4, 1964.
"Mrs. Harmon," #2704-0924
Production File, including a script by John Mantley, December 10-22, 1964.
"Honey," #2704-0921
Script, by Peggy Shaw, November 9, 1964.
"Nobody Calls Me Mister," #2704-0923
Script, by Sy Salkowitz, n.d.
"Garance," #2704-0925
Script, by Ellis Marcus from a story by Jack Curtis, n.d.
"Jim Quince is Dying,"
Script, by Cliff Gould, January 20, 1965.
"Incident of the Sheep and the Chevalier,"
Script, n.d.
The Robert Taylor Show
Scope and Content Note
"A New Day is Dying," #5703
Production File, including a script, May 31-June 24, 1963.
"Success Story," #5705
Production File, including scripts by Bruce Geller, June 6-July 3, 1963.
"Hiram," #5707
Production File, including a script by Tom Seller, June 27-July 12, 1963.
"Shadows of the World Appear," #5709
Production File, including a script by Lawrence Edward Watkin, July 5-22, 1963.
"Once Upon a Time," #5713
Script, by Leonard Freeman, July 19, 1963.
Samson, Inc.
Scope and Content Note
Correspondence, December 17, 1970-May 4, 1972.
Step Outline, Script, Revisions, ca. 1970-1971.
Supercops
Scope and Content Note
"Cleanout,"
Production File, including script by Austin and Irma Kalish, September 12-November 11, 1974.
The Westerner
Scope and Content Note
"Brown," #3305
Script, by Bruce Geller, November 20, 1959.
"The Courting of Libby," #3315
Script, by Bruce Geller, n.d.
"The Painting," #3325
Script, by Bruce Geller, September 13, 1960.
"Hand on the Gun,"
Script, by Bruce Geller, n.d.
The White Sheep
Scope and Content Note
Script, n.d.
OTHER WRITINGS
Scope and Content Note
All In Love
Scope and Content Note
Script, by Bruce Geller, 1961.
Livin' The Life
Scope and Content Note
Script, by Bruce Geller and Dale Wasserman, 1957.
"Max"
Scope and Content Note
Short Story, by Bruce Geller, n.d.