Description
Museum files, correspondence, writings
and other materials pertinent to Marcia Tucker's career as curator at the Whitney Museum of
American Art and founding director of the New Museum (New York, N.Y.).
Background
Marcia Tucker (1940-2006), American curator, art critic and museum director, studied art
and art history at Connecticut College (B.A.) and New York University (M.A.) where she
worked with Robert Goldwater. Starting out as an artist, she wrote reviews for art
magazines, and cataloged and curated the private collections of Alfred and Margo Barr, and
of William and Noma Copley. Finding she preferred the role of art interpreter and presenter,
she accepted a position as curator at the Whitney Museum of American Art, where she soon
distinguished herself as an innovator and advocate for the underrepresented American artists
residing outside New York City, as well as for women artists, African American artists, folk
artists, and other sorts of "outsiders." Insisting that the criteria for exhibiting
contemporary art should never be those of the connoisseur, Tucker selected work that
challenged, disturbed, and resisted interpretation. For this she was roundly criticized but
not deterred from what she later called "a career built on bad reviews." Frequently
traveling around the country and especially to California for studio visits, she developed
friendships with artists whose work she exhibited, such as Terry Allen, John Baldessari, and
Bruce Nauman. These unconventionally close relationships, and what is now seen as her
groundbreaking exhibition on Richard Tuttle, possibly contributed to her being fired from
the Whitney.
Availability
Open for use by qualified researchers with the following exceptions: Marcia Tucker's
manuscript, "A Short Life of Trouble," is sealed until 16 October 2106 (Box 72); Material in
Series XIX (ADD 3) is restricted pending further evaluation by the estate. Audio visual
material is unavailable until reformatting is complete. Contact the repository for
information regarding access.