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Guide to the Remi Gassmann Papers MS.P.004
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This collection comprises the papers of Remi Gassmann, composer, critic, conductor, pianist and educator. The collection documents all phases of Gassmann’s career, including his youth in Kansas, musical education in the United States, studies during the 1930s under Paul Hindemith at the Hochschule fur Musik in Berlin, work as music editor and critic for The Chicago Daily Times during the 1940s, his direction of the University of Chicago’s Program for Composers Seminars from 1941-1947, and his lifelong work in music composition.
Remigius Oswalt Gassmann was an American avant garde composer and pioneer in electronic sound and music. Classically trained under Paul Hindemith in composition and theory, Gassmann collaborated with choreographer Tatjana Gsovsky and premiered Paean (1960), one of the first ballets set to electronic music. Later, along with partner Oskar Sala and the innovative electronic instrument the Mixtur-trautonium, Gassmann composed and produced the soundtrack for Alfred Hitchcock's film The Birds (1963).
24.1 linear feet (44 boxes and 1 oversized folder)
Property rights reside with the University of California. Literary rights are retained by the creators of the records and their heirs. For persmissions to reproduce or to publish, please contact the Head of Special Collections and Archives.
The collection is open for research.