The Lehmann Collection contains letters, scrapbooks, manuscripts, photographs, video cassettes, art works, and sound recordings relating to the life and career of Lotte Lehmann (1888-1976), the internationally famous soprano famous for her interpretations of Fidelio, Der Rosenkavalier and German lieder who spent the last thirty-six years of her life in Santa Barbara.

Lotte Lehmann was born Charlotte Sophie Pauline Lehmann on February 27, 1888, in Perleberg, Germany. Lehmann's operatic career began in Hamburg in 1910 and she made her Vienna debut in 1916. Her best-known role in Europe was the title role in Fidelio; she became internationally famous for her portrayal of the Marschallin in Richard Strauss's Rosenkavalier (she sang all three of the major female roles in that opera, and worked closely with Strauss for a number of years). She made her American debut in Chicago in 1932. Lehmann left Europe to make her home in the U.S. in 1938, after the Anschluss; she lived first in New York and then in Santa Barbara. By 1937, Lehmann described herself as "a concert singer who sometimes sings opera"; she sang her last opera in 1946, but continued to give concerts until 1951. From 1951 until 1961, and occasionally after that, she taught master classes in interpretation at the Music Academy of the West in Santa Barbara, in Pasadena, at Northwestern University, and at Wigmore Hall in London. In addition to a novel and two volumes of poems, she published two autobiographies, Midway in My Song (1938; Anfang und Aufsteig in Germany and Wings of Song in Great Britain) and My Many Lives (1948), and two books about interpretation, More Than Singing (1945; revised and published in 1971 as Eighteen Song Cycles) and Five Operas and Richard Strauss (1964; Singing with Richard Strauss in Great Britain).

approx 150 linear ft. 4 reels microfilm 10 films 14 videotapes

Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained.

Use of the collection is unrestricted.