Finding Aid for the Ruben Guevara Records and Papers [ca. 1970-2004]
Rubén Guevara grew up in the Mexican barrio of Santa Monica, moved to Cathedral City, then settled in the racially mixed Pico Union district of Los Angeles, just west of Central Avenue. His father was a singer/songwriter/musician, who was a member of a major trio from Mexico called Los Porteños. (The legendary Miguel Aceves Mejia was also in the group.) Rubén Guevara Sr. came to Los Angeles to perform with Los Porteños at an International Folk Festival at the Los Angeles Coliseum for Cinco de Mayo in 1941. At a performance during the same trip at the Million Dollar Theater in downtown L.A., Rubén Guevara's future mother and father met backstage. Rubén Sr. left the trio and stayed in L.A. to pursue the relationship. Rubén says his father was his first music teacher. At age nine, Rubén took up the trumpet in school and succeeded in playing in the California All Youth Symphony. At Berendo Jr. High School he began to be interested in rock & roll and rhythm and blues. By the time he was in high school he was singing in a doo wop group. In 1958, Rubén and Pablo Amarillas formed the Apollo Brothers, who were influenced by Don & Dewey and the Carlos Brothers. They performed at the El Monte Legion Stadium, Alan Freed's Record Hop at Jordan High in Watts, Pacific Ocean Park, and various local television shows. They recorded for Cleveland Records and were the first Chicano duo to be played as a VIP platter on KGFJ, a Los Angeles rhythm and blues station. At the time Rubén's influences were: In doo wop (besides the two previously mentioned); Robert & Johnny, Vernon Green & the Medallions, The Penguins, The Jaguars (South Central L.A.), The Flamingos, Don & Juan, Ritchie Valens, and Lil' Julian Herrera. In jump blues; Little Richard, Don & Dewey, Joe Houston, and The Masked Phantom Band. In r and b; James Brown and Bobby Blue Bland.
In 1965, Rubén performed solo on the hit national television show, Shindig. He was on the bill with Bo Diddley, Tina Turner, and Jackie DeShannon. Rubén opened the show in a medley with cast, sang a solo spot, and closed the show with Bo Diddley. Rubén's rendition of Bobby Blue Bland's "Don't Cry No More" went over so well, the producers wanted him to replace singer P.J. Proby, who had left the show. They also wanted him to change his name to J.P. Moby and did so reluctantly. The show went off the air soon after so the name change became a moot point. A highlight of the experience for Rubén was Tina Turner complimenting him on his singing. In the late 60s, Rubén went to Los Angeles City College and studied music composition and modern composers for two years. This education was of help when he worked with Lalo Schiffrin on the soundtrack for Clint Eastwood's "Coogan's Bluff," in 1968, and his later work with Frank Zappa.
In 1969, Rubén went to a Frank Zappa and the Mothers of Invention concert at the Shrine Auditorium. Zappa had just put out a parody doo wop record called "Cruisin' with Ruben & the Jets." Rubén got backstage and thanked Zappa for bringing back that kind of music and told him that his name happened to be Rubén and that he sang in that style. Two years later, Rubén went to Zappa's house with a friend, keyboardist Bob Harris, who had toured with Frank. After spending hours listening to records and talking about music, Zappa and Rubén found that they liked much of the same music, rhythm & blues and doo wop, as well as modern composers such as, Varese, Bartok, Stravinsky, and Cage. Zappa asked Rubén if he'd be interested in forming a real Ruben & the Jets. Rubén put the band together and auditioned for Zappa, who wound up producing their debut album on Mercury Records called "For Real." The album is classic doo wop and rhythm & blues. They did covers of Chuck Berry's "Almost Grown," Joe Houston's "All Nite Long," a soulful version of "Dedicated To the One I Love," which features a great guitar solo by Frank Zappa, and "Charlena," which was later also covered by Los Lobos. Rubén wrote two of the songs, "Mah Man Flash" (co-arranged with Zappa), and "Santa Kari" and co-wrote two others, "Sparkie" and "Spider Woman." Other band members wrote all the remaining songs with the exception of a Zappa song called "If I Could Only Be Your Love Again." The lead singing, harmonies and playing on the album are excellent and true to the style. The members of Ruben & the Jets on this album were: Rubén Guevara- vocals and keyboards; Tony Duran- lead guitar, vocals and keyboards; Robert "Frog" Camarena- rhythm guitar and vocals; Johnny Martinez- keyboards and vocals; Robert "Buffalo" Roberts- tenor sax; Bill Wild- bass and vocals; Bob Zamora- drums; and Jim "Motorhead" Sherwood- baritone sax. (Original member, alto sax player Clarence Matsui, left the band before recording began). Guest musicians included George Duke and Ainsley Dunbar (formerly a member of the English band, The Ainsley Dunbar Retaliation). Rubén sang most of the lead vocals, but Tony, Robert and Johnny also sang lead on this record. Ruben & the Jets did a west coast tour with Frank Zappa in late 1972 and went on a national tour after the release of "For Real" in '73. On a second tour that year they appeared on the bill with Three Dog Night, T Rex, and West, Bruce and Lang. Rubén fondly remembers a particular concert at U.C. San Diego where Ruben & the Jets were on a powerhouse bill with Malo, Azteca, Tower of Power, and Cheech & Chong.
Ruben & the Jets recorded a second Mercury album called "Con Safos," produced by Denny Randell, who had previously worked with The Four Seasons and The Toys. "Con Safos," which featured the same musicians, minus Jim Sherwood, was recorded in 1973 and released in 1974. Covers on this collection included, Sam Cooke's "You Send Me" in a medley with the doo wop classic "A Thousand Miles Away," Bill Dogget's "Honky Tonk," and Elmore James' "Dust My Blues." Rubén's contribution to the album as a writer was "Cruisin' Down Broadway." After his experience with Ruben & the Jets, Rubén had a deal to record a solo album produced by Steve Cropper of Booker T. & the MGs but the deal fell through. In 1975, Rubén traveled to Mexico to explore his roots, which had a profound impact on his future musical and artistic direction. In 1976, for the U.S. bicentennial, he recorded a doo wop version of the "Star Spangled Banner" and "America the Beautiful" (with ex Jet, Johnny Martinez) for Rhino Records' first single release. The following year, Rubén appeared in Cheech & Chong's first movie, "Up In Smoke," as a member of the band playing the trumpet. (A closing line in the movie honored the band when Cheech says to Chong," we're gonna be bigger than Ruben & the Jets"). This began a long association with Cheech Marin, which included writing the title song and doing music coordination for another Cheech & Chong movie, "Nice Dreams" and a cameo appearance and the music coordination for Cheech's "Born In East L.A.."
In 1983, Rubén recorded C/S (Con Safos), a narrative piece he had written in 1975, after his Mexican roots pilgrimage), also for Rhino Records. In the same year, he headed Rhino's new subsidiary, Zyanya Records. (Zyanya is a Nahuatl word meaning always or forever). Three albums were released: "History of Latino Rock: 1956-65," "The Best of Thee Midniters," and a compilation of early 80s Eastside bands, "Los Angelinos: The Eastside Renaissance." To celebrate and promote these albums, co-produced "The Eastside Revue" (1983), with Brendan Mullen (founder of L.A.'s punk mecca, The Masque) at the Club Lingerie in Hollywood. The concert featured Cannibal & the Headhunters, Los Lobos, Ruben & the Jets, and Con Safos, with comedian Paul Rodriguez as MC. A second show ('84), which I attended, featured Thee Midniters, Thee Royal Gents, Con Safos, and Los Perros. In 1980, Rubén formed the band Con Safos, who were introduced by Cheech Marin for their debut at the Whiskey in Hollywood. The members included guitarist Danny Dias, formerly of The Village Callers, Hector Gonzalez, bass, formerly of The Eastside Connection, John DeLuna, formerly of El Chicano, Mel Steinberg, alto sax, and a sax player from New Orleans, Jerome Jumonville. Rubén's association with Rhino/Zyanya surfaced again in the mid-nineties when he produced two CD compilations, "Reconquista, The Latin Rock Invasion," (4 stars Rolling Stone), and "Ay Califas! Raza Rock of the 70s and 80s." "Reconquista" contained recordings by the leading bands in the alternative rock en Español movement, including from Mexico; Maldita Vecindad, Caifanes, Tijuana No!, Santa Sabina, Cuca, and La Castaneda, from Argentina; Divididos, Los Fabulosos Cadillacs, from Spain; Mano Negra and Seguridad Social; and Negu Gorriak from Pais Vasco. "Ay Califas" was a compilation of California Chicano rock artists including Santana, Azteca, Sapo, Malo, Tierra, El Chicano, Cheech & Chong, Los Lobos Del Este De Los Angeles, Los Illegals, Yaqui, The Plugz, Cruzados, Ruben & the Jets, and Con Safos, Cold Blood, and Daniel Valdez.
In the early eighties, Rubén began to write poetry for later performance art projects. In 1989, he put together the Modern Mesoamerican Ensemble, wrote, produced, and directed the performance art piece, "La Quemada," which debuted at Highways Performance Space in 1990. The same year, Rubén traveled to France with a solo piece, "Aztlán, Babylon, Rhythm & Blues," which covered 500 years of Mexican/Chicano history as part of a touring Chicano art show, "Le Demon des Anges." Also on the tour were artists Gilbert "Magu" Lujan and Patssi Valdez. It was from this show that Ruben came up with the name Funkahuátl, who was the unknown Aztec god of funk in the "Aztlán Babylon" piece. He began to use the name as a middle name for himself because it reflected his love of funk/r and b and his heritage and because he needed more humor in his life. It first appeared professionally in 1996 as a compilation producer credit for "Reconquista!" and "Ay Califas!." In 1989, Rubén was the musical director and MC for an HBO music special called "Caliente Y Picante," which featured Santana, Celia Cruz, Tito Puente, Linda Ronstadt, Ruben Blades, and Jerry Garcia. In the early nineties at the age of 50, Rubén returned to school and got a bachelor's degree in World Arts and Cultures from U.C.L.A. This provided additional building blocks of knowledge and inspiration for his multicultural arts odyssey. For his work building bridges between Chicanos and Mexicanos, in 2000 Rubén received a Rockefeller U.S./Mexico Fund for Culture award to produce "Mexamerica" (Angelino Records), a collaborative CD with musical, visual, and spoken word artists from Mexico City, Tijuana, and East L.A. His writings include, "View From the Sixth Street Bridge: A History of Chicano Rock" (Parthenon, 1984), which was part of a collection of writings on U.S. popular culture compiled and edited by Dave Marsh, called "The Real World of Rock & Roll." Rubén's jukebox installation "Chicanos Rock California: A History (2001)" is currently in Cheech Marin's traveling art show "Chicano Visions/Now" at the Smithsonian Institution (2002) and currently at the National Hispanic Cultural Center in Albuquerque, New Mexico (2003).
Accents and diacritics have been included in this collection.
To report omissions or errors please contact the research center at www.chicano.ucla.edu
The Fire of Life: The Robert Legorreta / Cyclona Collection
Ruben Guevara Records and Papers 2001
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Angelino Records
2001
Ruben Guevara Records and Papers 1997
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Zyana Records
1997
Ruben Guevara Records and Papers 1998
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and 1980s.
1998
Zyana Records
Ruben Guevara Records and Papers 1995
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Ruben and the Jets
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1973
Demon Records
Ruben Guevara Records and Papers 1995
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and Blues: Lalo Guerrero
to Los Lobos
Ruben Guevara Records and Papers 1995
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#6
Ruben Guevara Records and Papers 1996
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1959-1968
Dionysus Records
1996
Ruben Guevara Records and Papers nd
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Ruben Guevara Records and Papers 1994
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Edsel Records
1994
Ruben Guevara Records and Papers
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and Blues
by Ruben Guevara
Ruben Guevara Records and Papers 1994
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by Harry Gamboa
Ruben Guevara Records and Papers 1989
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by Ruben Guevara
Highways Performance Space
1989
Ruben Guevara Records and Papers 1982
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Alurista
1982
Ruben Guevara Records and Papers 1992
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Political Discourse, Policy
and Dissidence.
Juan Gomez-Quinones
Floricanto Press
1992
Ruben Guevara Records and Papers 1982
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on Occupied America by Rudy Acuna.
Ruben Guevara Records and Papers 1959,1961
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Ritchie DFLP 1206
Ritchie Valens in Concert
at Pacoima Jr. High DFLP 1214
note: only two record albums
are contained in this collection.
Ruben Guevara Records and Papers nd
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Ruben Guevara Records and Papers 1981
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Frankie "Cannibal" Garcia
The Na Na Na Song (land of a thousand dances
Rampart Records
1981
Ruben Guevara Records and Papers 1980
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Fatima Records
1980
Ruben Guevara Records and Papers 1988
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dali Records
1988
Ruben Guevara Records and Papers 1988
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cover and sleeve
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CBS records
1988
Ruben Guevara Records and Papers 1985
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Comrock
1985
Ruben Guevara Records and Papers 1976
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Ruben Guevara Records and Papers 1974
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Motown
1974
Ruben Guevara Records and Papers 1981
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Fatima records
1981
Ruben Guevara Records and Papers 1979
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Plugz records
1979
Ruben Guevara Records and Papers 1964
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Warner Bros
1964
Ruben Guevara Records and Papers 1983
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Zyanya records
1983
Ruben Guevara Records and Papers nd
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Whittier records
Ruben Guevara Records and Papers 1981
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Traq records
1981
Ruben Guevara Records and Papers nd
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Ruben Guevara Records and Papers 1973
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mercury records
1973
Ruben Guevara Records and Papers 1973
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Ruben Guevara Records and Papers 1973
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KNBC Mexican-American Heritage Series
1973
Ruben Guevara Records and Papers 1983-1993
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Ruben Guevara Records and Papers 1983
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Ruben Guevara Records and Papers 1993
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Ruben Guevara Records and Papers 1973
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Series 1. Books, magazines, catalogs
Ruben Guevara Records and Papers 1985
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David Alfaro Siqueiros
Note
Alfaro Siqueiros exhibiton at
the Plaza de la Raza, Los Angeles, CA
September through October 1985
Ruben Guevara Records and Papers 1985
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October 1985
Ruben Guevara Records and Papers 1982
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Vol 1. no.1 1982
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Article on latinos and
the media by Raquel Levario p30
Article by Gregg Barrios on
Latino Genre in film p 54
Ruben Guevara Records and Papers 1993
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United Farm Workers of
America,30th Anniversary Fund Raiser
February 20th, 1993
Ruben Guevara Records and Papers 1986
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Magazine for the New Arts Audience
#35 Nuevo Latino! issue
articles on contemporary Latino artists.
Ruben Guevara Records and Papers 1977
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La Mujer Issue
Vol. 1, no. 4
Ruben Guevara Records and Papers 1983
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ChismeArte no. 9, September 1983
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The Latino Experience in
Literature and Art
Ruben Guevara Records and Papers 1978
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Decolonizing Anthropology
Note
January-March 1978
Series 2. Recorded material: 33rpm, 45rpm, tape, CD
Ruben Guevara Records and Papers nd
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revue All-Stars Cannibal and the
Headhunters cd (unplayable)
Ruben Guevara Records and Papers 1999
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The Way You Look Tonight.
Series 3. Flyers, clippings
Ruben Guevara Records and Papers 1986-2003
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Postcards
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performance, and music
events. Press articles announcing
various events and reviews of events.
Ruben Guevara Records and Papers 1980-2004
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Postcards, Photos
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performance, and music
events. Press articles announcing
various events and reviews of events.
Ruben Guevara Records and Papers 1983-1991
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various Chicano/Latino events
and reviews of events.
Ruben Guevara Records and Papers 2000-2001
Scope and Content Note
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various Chicano/Latino events
and reviews of events.
Ruben Guevara Records and Papers 1983-2000
Scope and Content Note
Programs
Note
various Chicano/Latino events and
reviews of events.
Flyers announcing conferences
and musical performances.
Ruben Guevara Records and Papers 1993-1998
Scope and Content Note
Press articles
Note
various Chicano/Latino events and
reviews of events.
Flyers announcing conferences
and musical performances.
Ruben Guevara Records and Papers 1986-1999
Scope and Content Note
Note
various Chicano/Latino events and
reviews of events.
Flyers announcing conferences
and musical performances.
Ruben Guevara Records and Papers 2002
Scope and Content Note
publication
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Los Streetscrapers Exhibition
march 1993
KPFK radio publication
december 1991-January 1992
Ruben Guevara Records and Papers 1994-2004
Scope and Content Note
Programs
Note
various Chicano/Latino events and
reviews of events.
Flyers announcing conferences
and musical performances.