Finding Aid to the Chauncey Hare Photograph Archive. bulk 1959-1982
Lori Hines
The Bancroft Library
University of California, Berkeley
Berkeley, CA 94720-6000
Phone: (510) 642-6481
Fax: (510) 642-7589
Email: bancref@library.berkeley.edu
2016
The Regents of the University of California. All rights reserved.
Finding Aid to the Chauncey Hare Photograph Archive. bulk 1959-1982
Collection number: BANC PIC 2000.012
The Bancroft Library
University of California, Berkeley
Berkeley, CA 94720-6000
Phone: (510) 642-6481
Fax: (510) 642-7589
Email: bancref@library.berkeley.edu
- Finding Aid Author(s):
- Lori Hines
- Date Completed:
- 2016
- Finding Aid Encoded By:
- GenX
Copyright 2016 The Regents of the University of California. All rights reserved.
Collection Summary
Collection Title: Chauncey Hare photograph archive.
Date (inclusive): bulk 1959-1982
Collection Number: BANC PIC 2000.012
Creator:
Hare, Chauncey, 1934-2019
Extent:
55 boxes and 1 carton (approximately 3020 photographic prints, 23,960 negatives, 4155 35mm slides, 132 audiotapes, 1 print,
1.2 linear feet of textural documentation)
203 digital objects (203 images)
Repository:
The Bancroft Library
University of California, Berkeley
Berkeley, CA 94720-6000
Phone: (510) 642-6481
Fax: (510) 642-7589
Email: bancref@library.berkeley.edu
Languages Represented: Collection materials are in
English
Physical Location: Many Bancroft Library collections are stored off-site and advance notice may be required for use. For current information
on the location of these materials, please consult the library's online catalog.
Information for Researchers
Access Information
Collection is open for research, with some materials requiring curatorial permission for access.
COLLECTION STORED, IN PART, OFF-SITE: Advance notice required for use
Most audio tapes are restricted due to fragility, and must be reformatted to a digital use copy.
For current information on restrictions and the location of materials, please consult the library's online catalog.
Restricted items accessible only by permission of the appropriate curator. Inquiries concerning these materials should be
submitted to The Bancroft Library via the Application for Access to Restricted Materials form.
Publication Rights and Conditions of Use
All rights to Chauncey Hare photographs are assigned to the Regents of the University of California for the benefit of The
Bancroft Library.
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission
of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright
owner. Responsibility for any use rests exclusively with the user.
All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the
Head of Public Services, The Bancroft Library, University of California, Berkeley 94720-6000. See: http://bancroft.berkeley.edu/reference/permissions.html.
Donor-imposed Requirements
All of Chauncey Hare’s original photographic prints and original negatives shall remain on the premises of The Bancroft Library
and may not be loaned out for exhibition or publication. Copies of photographs made from Chauncey Hare’s negatives may be
published or exhibited only with the express permission of The Bancroft Library and only when they contain either of the following
text sentences. If more than one of Chauncey Hare’s photographs is presented in the publication or exhibition, the text needs
to be displayed one time prominently, in each publication or exhibition in a way that clearly refers to all of Chauncey Hare’s
photographs.
For landscape photographs (1962 to 1966) the following text must accompany each publication or exhibition presentation of
one or more of Chauncey Hare’s photographs: "These photographs were (or "this photograph was") made by Chauncey Hare in the
evenings and on weekends as a relief from the interpersonal abuse he experienced on his engineering job; the skills he learned
making these pictures he later used to make social documents to protest and warn against the growing domination of working
people by multi-national corporations and their elite owners and managers."
For social situation photographs (1967 to 1985) the following text must accompany each publication or exhibition presentation
of one or more of Chauncey Hare’s photographs: "These photographs were (or 'this photograph was') made by Chauncey Hare to
protest and warn against the growing domination of working people by multi-national corporations and their elite owners and
managers."
Preferred Citation
[Identification of item], Chauncey Hare Photograph Archive., BANC PIC 2000.012, The Bancroft Library, University of California,
Berkeley.
Alternate Forms Available
Digital reproductions of selected images are available.
Subjects and Indexing Terms
Oakland (Calif.)
Landscapes -- California -- Pictorial works
Interiors -- United States
United Farm Workers of America
Office workers
Laborers
Interiors -- California
Working class -- United States -- Photographs
Landscape photographs
Portraits
San Francisco Bay Area Rapid Transit District (Calif.)
Standard Oil Company
Richmond (Calif.)
Commuters
Administrative Information
Arrangement
This collection is arranged into twenty-two series. Series 1-16 are photographic prints arranged roughly in chronological
order by themes identified by the photographer. Series 17 is Miscellaneous Chauncey Hare Photographs. Series 18 is Negatives.
Series 19 is Slides and Slideshows. Series 20 is Interviews, Conversations and Monologues. Series 21 is Documents and Collected
Material. Series 22 is Later Exhibition Prints, which are photographic prints created from original Chauncey Hare negatives,
and printed by another photographer. Digitized images from this collection follow at the end of the listing.
Chauncey Hare Life Chronology (provided by the photographer)
| 1934 |
Born Niagara Falls, New York where father worked for Electrochemicals Department of DuPont (Chemical) Company. Lived on 87th
Street until 1940. Then moved to a new house on Champlain Avenue, Cayuga Island.
|
| 1942 |
Moved to Wilmington, Delaware, North Road Lindamere, then three months later to 127 Kimball Avenue, Richland, Washington where
father, Ross Hare, was chief engineer at the plutonium separation plant at Hanford during the second world war. Attended Sacajawea
grade school.
|
| 1945 |
Moved to Wilmington, Delaware, 100 North Road Lindamere from Richland, Washington. Attended Mount Pleasant school. |
| 1947 |
Moved to Niagara Falls, New York, 621 Vanderbilt Avenue, where father became plant manager of the Niagara Falls DuPont plant
until the mid 1950s when he was transferred back to Wilmington and then retired as a controversial figure.
|
| 1947-1951 |
Attended and graduated from DeVeaux private Episcopalian military school. |
| 1951-1952 |
Attended Virginia Military Institute (VMI) freshman ("Rat") year. |
| 1952-1956 |
Transferred with full credits from VMI to Columbia University. Attended and graduated from Columbia College in 1955, and
Columbia Engineering School in Chemical Engineering in 1956.
|
| 1956 |
Married Gertrude Lang; traveled via freighter from Montreal to Bordeaux. Spent three months in Austria (visiting Gertrude’s
relatives). Started employment Richmond, California with Standard Oil Company of California (now Chevron) September 1956.
|
| 1956-1962 |
Lived with Gertrude in apartment 1209-B University, Berkeley, CA (apartment still stands as of this writing). 1960 bought
a Tokyo Optical Topcon single lens reflex camera. Built a small darkroom in a closet in the apartment. Prior to 1960 used
a Kodak Bantam 828 (8 exposure) camera that belonged to my father. Used this camera sparingly during 1956 trip to Europe and
early in 1962 when worked at Fort Madison, Iowa on Ammonia plant startup for Chevron in Spring and early Summer of that year.
|
| 1962 |
With Gertrude, bought house at 287 Kenyon Avenue Kensington, North Berkeley, California. Turned entire lower level or basement
into a darkroom. Bought first view camera, a Burke and James 5 x 7 view, by mail order from Burke and James in Chicago. Designed
and had built by cabinetmaker a horizontal enlarger without the help of Adolph Gasser, who refused assistance. Began photographing
landscapes with view camera and printing using the horizontal enlarger. Had never used an enlarger prior to the self-designed
horizontal model.
|
| 1965 |
Hills of California show of landscape photographs at the San Francisco Museum of Modern Art working with John Humphrey. |
| 1966 |
Utah and the Four Corners show of landscape photographs at the M.H. DeYoung museum in San Francisco. Made these photographs
during two vacation trips (vacations from Chevron of two to three weeks) to the Four Corners.
|
| 1967 |
Bought an M-2 Leica and a Plaubel Makina 6 x 9 cameras. Used these cameras in Mississippi for about four months during an
Ammonia plant startup for Chevron in summer of that year.
|
| 1968 |
Photographed Orville W. England (person on cover of book Interior America) in his home March 23, 1968. This was the beginning
of what was to be the Interior America series. Some of these photos were sent to John Szarkowski who gave these words, "you
are on to something" that was the beginning of his support for me to receive Guggenheim fellowships. Applied in October for
a Guggenheim Fellowship.
|
| 1969 |
April advised of winning the Fellowship for photographing California interior environments. August 1 began the Fellowship
to photograph interiors in California.
|
| 1970 |
Show of Interior America photographs at the San Francisco Museum of Modern Art. |
| 1971 |
Received second Guggenheim Fellowship. This one for photographing Ohio Valley Interior environments. |
| 1972 |
First National Endowment Fellowship for photography of BART riders, businesses, state and county fairs, and home environments. |
| 1975 |
Second National Endowment Fellowship for photography of people in carousel room at Playland, BART riders, and home and business
environments.
|
| 1977 |
Received third Guggenheim Fellowship. This one for photographing business environments, Chevron, Social Security Administration
and Silicon Valley companies.
|
| 1977 |
One-person show at the New York Museum of Modern Art. Publication of Interior America by Aperture. Left employment at Standard
Oil Company of California (Chevron).
|
| 1980 |
Began employment at the US Environmental Protection Agency three days per week as an environmental engineer. |
| 1981 |
Third National Endowment Fellowship for photographing business environments. |
| 1983-1986 |
Attended Pepperdine Business school external degree program in organizational development. Received a Masters degree in
Organization Development in 1986.
|
| 1984 |
Book This Was Corporate America published by the Boston Institute for Contemporary Arts. |
| 1985 |
Stopped making photographs (for reasons explained in transcribed interviews). |
| 1987 |
Fired from the U.S. Environmental Protection Agency for "undermining the authority of the agency" because of attempts to bring
collaboration to the workplace as learned at Pepperdine. US EPA retracted the termination if I would consent to resign when
accepting a small payment from them. This was accepted and I resigned.
|
| 1987 |
Earned a Masters degree in Clinical Psychology from Sierra University’s external degree program. Began counseling people on
work abuse issues. Masters thesis was the initial conceptualization of a book on counseling working people on work abuse issues.
|
| 1989 |
Married Judith Wyatt. |
| 1990 |
With Judith Wyatt began research and writing of the book, Work Abuse: How to Recognize and Survive It. |
| 1992 |
Passed examinations for a Marriage, Family, and Child Counseling license from State of California. |
| 1997 |
Published with Judith Wyatt the book, Work Abuse: How to Recognize and Survive It. Chapter 5 of this book gives a vignette
of "Charles" which is Hare’s actual experience as a collaborative group leader at Chevron ("Vyrol Company" in the vignette).
Continued counseling working people who had been scapegoated or otherwise work-abused.
|
| 2000 |
Donated all photographs, prints and negatives, to The Bancroft Library. |
| 2019 |
Chauncey Hare died on May 12, 2019. |
Scope and Content of Collection
The Chauncey Hare photograph archive comprises photographic documentation of ordinary people in their homes and in the work
environment, as well as urban and rural landscapes in California and various areas in the United States. Areas of concentration
are the San Francisco Bay area in California; the Rust Belt area of the U.S. including Pennsylvania, Ohio and West Virginia;
the southern states of Mississippi, Alabama and Louisiana; and the Four Corners area of New Mexico, Utah, Arizona and Colorado.
Almost all of the collection is black and white photographic prints and film negatives.
The bulk of Hare's early photographs are landscapes. His middle work is chiefly of home interiors with and without people.
His later projects, which are in the form of photographs, slideshows and interviews, document people in the work environment,
and riding on public transportation (BART). The archive includes Hare's work undertaken with support from three Guggenheim
fellowships and three National Endowment fellowships between 1969 and 1981.
Of note for the historical documentation they provide are scenes in downtown Oakland (including the Housewives Market and
the Doggie Diner); African American street life in Oakland and Richmond, California; a disability rights demonstration in
San Francisco for accessible buses (35mm negatives, 1977-1978); United Farm Workers offices; people in single-room-occupancy
hotels; and run down or abandoned buildings both urban and rural (from ghost towns in California, to warehouses in Richmond,
Virginia). Many of these subjects are only available as film negatives.
The great majority of material in the archive dates from 1959-1982, the years Hare was actively making photographs. A collected
image dates as early as 1911, and Hare's student yearbooks date to the 1950s. Some documentary material and later prints from
Hare's negatives were made as late as 2010.
Chauncey Hare "refused to donate his work permanently to any art museum for the same reason that he had never sold a print.
As a matter of personal values, Chauncey protested use of his photos other than for historical research purposes. No photograph
was to be sold as a collectable art object to any individual or museum. He did not let his photographs be exhibited as art
outside the context of the lives of the people they portrayed." (Written by Judy Wyatt, quoted from page 9 in Chauncey Hare's
book, Protest Photographs.)
Series 1: First Photographs.
1959-1967
Physical Description:
Extent: approximately 201 photographic prints
Physical Description: Prints contained in: PIC box 1; AX box 1, folders 1-3; B boxes 1-2.
Scope and Content Note
Chauncey Hare's statement about photographs: "Early practice small format photos made with Kodak 828 or single lens reflex
35mm cameras. These are city and landscape shots that are clearly of immature quality--the very first photographs I made
beginning in 1960."
PIC_box 1, folders 1-9
Landscapes made with 35mm Topcon camera.
1959-1961 BANC PIC 2000.012.01--PIC
Physical Description:
Physical Description: 39 photographic prints mounted on board (5 x 7 in image, 8 x 10 in mount)
Scope and Content Note
Early prints of landscapes and sites in California including Marin, Tomales, San Francisco(Mission Dolores, St, Joseph's Church),
Mendicino, Mokelume Hill, Mission San Rafael, Yosemite, Muir Woods, Secret Lake, Mono County.
Additional Note
Some have sticker on back with title, location, date and number.
PIC_box 1, folders 10-12
Landscapes and sites in California.
1960-1963 BANC PIC 2000.012.01--PIC
Physical Description:
Physical Description: Approximately 70 photographic prints ; 8 x 10 in. and smaller.
Scope and Content Note
Working photographs that include landscapes, details of nature, abandoned buildings and miscellaneous rural sites in California.
AX_box 1, folder 1
Landscapes and sites in California.
1960-1963 BANC PIC 2000.012.01--AX
Physical Description:
Physical Description: 14 photographic prints ; 11 x 14 in.
Scope and Content Note
Working photographs that include seascapes, abandoned buildings and miscellaneous rural sites in California.
PIC_box 1, folder 13
Urban landscapes and people.
1960-1963 BANC PIC 2000.012.01--PIC
Physical Description:
Physical Description: 19 photographic prints ; 8 x 10 in. and smaller.
Scope and Content Note
Working photographs that include buildings in downtown Oakland, Paramount Theatre marquee, people on sidewalks, Victor Hare
and a self-portrait of Chauncey Hare.
AX_box 1, folder 2-3
Urban landscapes and people.
1960-1963 BANC PIC 2000.012.01--AX
Physical Description:
Physical Description: 19 photographic prints ; 11 x 14 in.
Scope and Content Note
Working photographs that include buildings in downtown Oakland and people in urban setting.
B_box 1
Oakland.
1962-1963 BANC PIC 2000.012.01--B
Physical Description:
Physical Description: 24 photographic prints mounted on 14 x 18 in. board.
Scope and Content Note
According to Hare, "Experimental, transition, early photos made with B&J view camera, 5 x 7. Never before shown." Bulk are
of building exteriors, storefronts and street scenes in downtown Oakland.
B_boxes 1-2
Berkeley, Oakland and Richmond, Calif.
1965-1967 BANC PIC 2000.012.01--B
Physical Description:
Physical Description: 15 photographic prints mounted on 14 x 18 in. board; 1 photographic print mounted on 16 x 20 in. board.
Scope and Content Note
Early photographs that were experiments, explorations and tests. Bulk are of building exteriors and street scenes.
Additional Note
Previously wrapped in plastic with a sticker on back providing title and date. Plastic removed during processing and label
information transcribed on back of mount.
Series 2: California Landscapes.
1960-1967
Physical Description:
Extent: approximately 359 photographic prints
Physical Description: Prints contained in: PIC box 2, folders 1-3; AX box 1, folder 4; B boxes 2-14.
Scope and Content Note
Chauncey Hare's statement about photographs: "Large format (that is most negatives larger than 2 1/4 x 3 1/4) landscapes in
California. Some are made from 8 in by10 in negatives. 1962-1965. A selection of these were exhibited at the SFMMA [San
Francisco Museum of Modern Art] as, 'The Hills of California.' Never published. These are early formative photographs as
are the pictures in Arizona and New Mexico listed below."
PIC_box 2, folders 1-3
California landscapes, working photos.
circa 1960-1967 BANC PIC 2000.012.02--PIC
Physical Description:
Physical Description: Approximately 35 photographic prints ; 8 x 10 in. and smaller.
AX_box 1, folder 4
California landscapes, working photos.
circa 1962-1967 BANC PIC 2000.012.02--AX
Physical Description:
Physical Description: 13 photographic prints ; 11 x 14 in.
B_box 3
35mm California landscapes.
1960-1962 BANC PIC 2000.012.02--B
Physical Description:
Physical Description: 31 photographic prints mounted on 14 x 18 in. board.
Scope and Content Note
Includes the ghost town Bodie and miscellaneous locations.
B_box 4
Early California landscapes.
1962 BANC PIC 2000.012.02--B
Physical Description:
Physical Description: 32 photographic prints mounted on 14 x 18 in. board.
Scope and Content Note
According to Hare: Transition from first photographs to landscapes, before Hills of California. Never exhibited or shown
to anyone.
B_boxes 5-6
California landscapes (general).
1962-1963 BANC PIC 2000.012.02--B
Physical Description:
Physical Description: 55 photographic prints mounted on 14 x 18 in. board.
B_box 7
California landscapes (general).
1964-1967 BANC PIC 2000.012.02--B
Physical Description:
Physical Description: 22 photographic prints mounted on 14 x 18 in. board.
Scope and Content Note
Bulk are landscapes around the San Francisco Bay area.
Additional Note
9 formerly wrapped in plastic. Plastic removed during processing and label information transcribed on back of mount.
B_boxes 8-9
Yosemite National Park, California.
1962-1964 BANC PIC 2000.012.02--B
Physical Description:
Physical Description: 41 photographic prints mounted on 14 x 18 in. board.
Additional Note
Identified as part 1 (in B box 8), and part 2 (in B box 9). Some items are signed.
B_boxes 10-11
Hornitos and Gold Country, California.
1963-1965 BANC PIC 2000.012.02--B
Physical Description:
Physical Description: 40 photographic prints mounted on 14 x 18 in. board.
Scope and Content Note
Includes abandoned buildings, white church and cemetery in Hornitos. Additional locations in the Gold Country of California
are not identified.
B_box 2
Hornitos, California.
circa 1963-1965 BANC PIC 2000.012.02--B
Physical Description:
Physical Description: 19 photographic prints mounted on 16 x 20 in. board.
B_box 11
Hills of California.
circa 1962-1966 BANC PIC 2000.012.02--B
Physical Description:
Physical Description: 15 photographic prints mounted on 14 x 18 in. board.
B_box 12
Hills of California and coast.
circa 1962-1966 BANC PIC 2000.012.02--B
Physical Description:
Physical Description: 17 photographic prints mounted on 16 x 20 in. board.
B_box 13-14
The Hills of California, exhibition photos.
1962-1965 BANC PIC 2000.012.02--B
Physical Description:
Physical Description: 39 photographic prints mounted on 14 x 18 in. board.
Scope and Content Note
These photographs were exhibited at the San Francisco Museum of Modern Art as "The Hills of California" in 1965. Never published
by the artist.
Series 3: Four Corners Landscapes.
1966-1967
Physical Description:
Extent: approximately 153 photographic prints
Physical Description: Prints contained in: PIC box 2, folders 4-7; AX box 1, folder 5; B boxes 12, 15-16.
Scope and Content Note
Chauncey Hare's statement about photographs: "Large format landscapes in Arizona and New Mexico. 1964-1965. (limited number
compared to California landscapes). These were exhibited at DeYoung [Museum] as a one person show along with some California
landscapes. Never published. These pictures, like the California landscapes, were photographs made in order to learn the
craft of photography--especially how to make quality photographic prints."
Additional Note
Corresponding negatives are 5 x 7 inch and 8 x 10 inch in size.
PIC_box 2, folders 4-7
Four Corners, working photos.
1966-1967 BANC PIC 2000.012.03--PIC
Physical Description:
Physical Description: Approximately 60 potographic prints ; 8 x 10 in.
Scope and Content Note
Includes landscapes, buildings and Native American ruins in New Mexico, Arizona, Utah and Colorado (Four Corners region).
AX_box 1, folder 5
Four Corners, working photos.
1966-1967 BANC PIC 2000.012.03--AX
Physical Description:
Physical Description: 4 photographic prints ; 11 x 14 in.
Scope and Content Note
Includes landscapes, buildings and Native American ruins in New Mexico, Arizona, Utah and Colorado (Four Corners region).
B_boxes 15-16
Utah and the Four Corners.
1966-1967 BANC PIC 2000.012.03--B
Physical Description:
Physical Description: 85 photographic prints mounted on 14 x 18 in. board.
Scope and Content Note
Landscapes, buildings and Native American ruins in New Mexico, Arizona, Utah and Colorado (Four Corners region). Mostly 8
x 10 format. Includes one probable self-portrait of a shadow of a man with a large format camera.
Additional Note
Most have title, location, date and number written on mount (verso). Some are numbered on back (1-35).
B_box 12
Four Corners exhibition photos.
1966 BANC PIC 2000.012.03--B
Physical Description:
Physical Description: 4 photographic prints mounted on 16 x 20 in. board.
Scope and Content Note
Landscapes, mostly 8 x 10 format.
Additional Note
Photographs exhibited at the de Young Museum in San Francisco as a one person show.
Series 4: Mississippi Photographs.
1967, 1972
Physical Description:
Extent: 78 hotographic prints
Physical Description: Prints contained in: AX box 1, folder 6; B boxes 17-19; fffALB box 1.
Scope and Content Note
Chauncey Hare's statements about photographs: "35 mm and 6cm x 9cm Plaubel Makina photographs in southern Mississippi and
a few in New Orleans. A few were made in 1972 during a short return trip to Mississippi."
Additional Note
Chauncey Hare spent six months in southern Mississippi, Alabama and New Orleans, Louisiana in 1967.
AX_box 1, folder 6
Mississippi, working photos.
1967, 1972 BANC PIC 2000.012.04--AX
Physical Description:
Physical Description: 9 photographic prints ; 11 x 14 in.
B_boxes 17-19
Mississippi.
1967 BANC PIC 2000.012.04--B
Physical Description:
Physical Description: 59 photographic prints mounted on 14 x 18 in. board (image 9 1/4 x 13 3/4 in. and smaller).
Scope and Content Note
Includes people and scenes in Biloxi, Pascagoula, Jackson, Pinola (Quinn Family) Ocean Springs, Gulfport, Moss Point, Utica,
Vicksburg and Leakesville.
Additional Note
Location and date written on back of mount. Items 1-21 in B box 18, 22-42 in B box 19, 43-59 in B box 20.
fffALB_box 1
Mississippi and Alabama.
1967 BANC PIC 2000.012.04--fffALB
Physical Description:
Physical Description: 10 photographic prints mounted on 18 x 24 in. board.
Scope and Content Note
Includes people and scenes in Pascagoula, Moss Point, Grand Gulf, Laurel and Biloxi, Mississippi and Mobile, Alabama.
Additional Note
Location and date written on back of mount.
Series 5: Interior America: California.
1967-1972
Physical Description:
Extent: approximately 620 photographic prints
Physical Description: Prints contained in: PIC box 2, folder 8; AX box 2; ffALB boxes 1-3; B box 20, folders 1-3
Scope and Content Note
Chauncey Hare's statements about photographs: "Large format interiors, principally homes, in California 1967-1971. These were
exhibited at the SFMMA [San Francisco Museum of Modern Art] and at New York Museum of Modern Art as separate one person shows
in 1970, and 1977 respectively. A sample of these were published in Interior America by Aperture in 1977. These photographs
were funded in part by the first Guggenheim Foundation Fellowship.
A group of photos of the farm workers in Delano were made in during the winter of 1969-1970. These are included in the large
format interiors made in California funded in part by the Guggenheim Foundation on the first fellowship."
Additional Note
Selected digitized items from this series are listed at the end of the finding aid.
AX_box 2, folder 1
Early interiors: California, working photos.
1967-1972 BANC PIC 2000.012.05--AX
Physical Description:
Physical Description: Approximately 25 photographic prints ; 11 x 14 in. and smaller.
AX_box 2, folders 2-12
Interior America: California, working photos.
1967-1972 BANC PIC 2000.012.05--AX
Physical Description:
Physical Description: Approximately 280 photographic prints ; 11 x 14 in. and smaller.
Scope and Content Note
Includes Chauncey Hare self-portrait and personal photos, Cesar Chaves family and United Farm Workers meeting hall interior.
PIC_box 2, folder 8
United Farm Workers, Delano (Calif.).
November 1969-January 1970 BANC PIC 2000.012.05--PIC
Physical Description:
Physical Description: 21 photographic prints ; 8 x 10 in.
Scope and Content Note
Includes UFW offices and staff, clinic, credit union office, families at home, and related documents.
Additional Note
Formerly housed in Entry Documents three 3-ring notebook.
ffALB_box 1
Interior Environments: California, album volume one.
1967-1972 BANC PIC 2000.012.05 v.1-- ffALB
Physical Description:
Physical Description: 83 photographic prints mounted on 14 x 15 1/2 in. album pages.
Additional Note
Selected images were in Interior America book and exhibited at SF Museum of Modern Art and Museum of Modern Art in New York.
Some prints numbered on verso.
ffALB_box 2
Interior Environments: California, album volume two.
1967-1972 BANC PIC 2000.012.05 v.2-- ffALB
Physical Description:
Physical Description: 109 photographic prints mounted on 14 x 15 1/2 in album pages.
Additional Note
Selected images were in Interior America book. Some prints numbered on verso.
ffALB_box 3
Interior Environments: California, San Francisco Museum of Modern Art exhibition prints album.
1967-1970 BANC PIC 2000.012.05--ffALB
Physical Description:
Physical Description: 97 photographic prints mounted on 14 x 15 1/2 in. album pages.
Scope and Content Note
Includes United Farm Workers offices and people Chauncey Hare associated with in Point Richmond and Richmond. Many are duplicates
of images in other albums.
Additional Note
Handwritten note at beginning of box indicates that selected images were exhibited at San Francisco Museum of Modern Art in
1970. Notes in front of item 47 (for items 47-69?): Windows: Entrances and exits. Note in front of item 70 (for items 70-97?):
Misc. CA interiors.
B_box 20, folders 1-3
Interior Environments: California.
1967-1972 BANC PIC 2000.012.05--B
Physical Description:
Physical Description: 5 photographic prints mounted on 14 x 18 in. board (2 matted).
Scope and Content Note
All are duplicates of images in Interior Environments: California albums. Includes Kitchen, Kensington, California, 1968 [Victor
bathing in the kitchen sink], and Home in a Basement, Berkeley, California, 1968.
Series 6: Interior America: Ohio Valley and Other States.
1968-1973
Physical Description:
Extent: approximately 412 photographic prints
Physical Description: Prints contained in: AX box 3; ffALB box 4.
Scope and Content Note
Chauncey Hare's statements about photographs: "Large format interiors, principally homes, in the Ohio Valley (a few in other
states). A sample of these appeared in Interior America along with the California interiors. These photos were funded in
part by the second Guggenheim fellowship."
Additional Note
Selected digitized items from this series are listed at the end of the finding aid.
AX_box 3
Interior America: Ohio Valley and other states, working photos.
1968-1973 BANC PIC 2000.012.06--AX
Physical Description:
Physical Description: Approximately 280 photographic prints ; 11 x 14 in.
Scope and Content Note
People and scenes in Ohio, Pennsylvania, West Virginia and California. Includes Chauncey Hare, his parents and the home of
his parents.
ffALB_box 4
Interior Environments: Ohio Valley, album.
1968-1973 BANC PIC 2000.012.06--ffALB
Physical Description:
Physical Description: 132 photographic prints mounted on 14 x 15 1/2 in. album pages.
Scope and Content Note
People and scenes in Ohio, Pennsylvania, West Virginia and California. Item 85 is a self portrait of Chauncey Hare.
Additional Note
Some numbered on verso and labeled MoMA. Pages labeled volume 1 and volume 2, but there is no distinction between the 2 volumes.
Series 7: 35 mm Interiors.
1967-1977
Physical Description:
Extent: approximately 131 photographic prints
Physical Description: Prints contained in: AX box 1, folders 7-8; ffALB box 5.
Scope and Content Note
Chauncey Hare's statements about photographs: "Small format (35mm) candid interiors of a wide range of homes, stores, businesses
that represent the 'The American Interior Scene in California.' These photographs have never been exhibited or published
or seen by anyone except myself."
AX_box 1, folders 7-8
35mm interiors, working photos.
1967-1975 BANC PIC 2000.012.07--AX
Physical Description:
Physical Description: Approximately 60 photographic prints ; 11 x 14 in.
Scope and Content Note
Includes people at home, in stores and in public spaces.
ffALB_box 5
35 mm Interior Studies, album (parts 1 and 2).
1967-1977 BANC PIC 2000.012.07--ffALB
Physical Description:
Physical Description: 71 photographic prints mounted on 14 x 15 1/2 in. album pages.
Additional Note
Part 1: 63 photographic prints; part 2: 8 photographic prints (1 and 5 are duplicates). Part 2 is a separate set of photos
labeled, "California Interiors." Note on title page, "Entrances and Exits starts with tour of BART construction" (page 1).
Based on a calendar in one of the photos, some photos might be dated as late as 1977.
Series 8: Playland at the Beach.
1968-1972
Physical Description:
Extent: approximately 128 photographic prints
Physical Description: Prints contained in: ffALB box 6.
Scope and Content Note
Chauncey Hare's statements about photographs: "Small format (35mm) sociological study of people on benches on Sundays at the
carousel at Playland at the Beach in San Francisco. These were made over a long period just before Playland closed."
Additional Note
Selected digitized items from this series are listed at the end of the finding aid.
ffALB_box 6, folders 1-2
Playland at the Beach, working photos.
1968-1972 BANC PIC 2000.012.08--ffALB
Physical Description:
Physical Description: Approximately 30 photographic prints ; 11 x 14 in. and smaller.
Additional Note
Two folders housed with Carousel Room album. Folder 1 includes duplicates of photos in Carousel Room album.
ffALB_box 6
Carousel Room, album.
1968-1972 BANC PIC 2000.012.08--ffALB
Physical Description:
Physical Description: 98 photographic prints mounted on 14 x 15 1/2 in. album pages.
Series 9: Standard Oil Company.
1969, 1975-1976
Physical Description:
Extent: approximately 102 photographic prints
Physical Description: Prints contained in: ffALB box 7.
Scope and Content Note
Chauncey Hare's statements about photographs: "Medium format (negatives 2 1/4 x 3 1/4) study of Standard Oil Company of California
(now Chevron) interiors of offices and some manufacturing. 1975-1976. Some published in This Was Corporate America and exhibited
by Institute of Contemporary Art in Boston and Berkeley. There are type-written tape transcripts of conversations with Standard
Oil Employees."[see Series 20 of the finding aid]
"These photos were made on the third Guggenheim Fellowship."
ffALB_box 7, folder 1
Standard Oil Company, working photos.
1969 BANC PIC 2000.012.09--ffALB
Physical Description:
Extent: Approximately 20 photographic prints ; 11 x 14 in. and smaller.
Scope and Content Note
Photographic prints from 35mm film. Includes boiler maker Andy Kakos, and other workers at the oil refinery in Richmond,
California.
ffALB_box 7
Standard Oil Company, album.
1975-1976 BANC PIC 2000.012.09--ffALB
Physical Description:
Physical Description: 92 photographic prints mounted on 14 x 15 1/2 in. album pages.
Scope and Content Note
Items 2-26 are interiors with people (most likely all company workers) in their homes in Richmond, California. Items 1, 27-47
are of workers on the job at the oil refinery and views of the refinery in Richmond. Items 77-92 are of offices and office
workers at Standard Oil Company of California in San Francisco.
Series 10: Studies of Women.
1974-1976
Physical Description:
Extent: 80 photographic prints
Physical Description: Prints contained in: AX box 1, folder 9; ffALB box 8.
Scope and Content Note
Chauncey Hare's statements about photographs, March 18, 2001 (in correspondence sent to the Bancroft Library): "Large and
medium format study of photo models, and prostitutes in San Leandro and Hayward 1974-1976. Never exhibited and never published.
Aperture (and others) wanted to publish these photographs in the late 1970s, but this was not allowed in order to protect
the people in the photographs. More than twenty years have now passed, but these photos should not be published or exhibited
as 'art'. Very few people have seen these pictures. Caution: these can be quite shaming."
"A number of the people in the photographs became my friends---I became involved in this community."
Access Information
Material in ffALB box 8 is restricted due to privacy issues until 2050.
AX_box 1, folder 9
Studies of Women, working photos.
1974-1976 BANC PIC 2000.012.10--AX
Physical Description:
Physical Description: 18 photographic prints ; 11 x 14 in. and smaller.
Additional Note
Includes some duplicates.
ffALB_box 8, folders 1-5
Studies of Women, working photos(RESTRICTED until 2050).
1974-1976 BANC PIC 2000.012.10--ffALB
Physical Description:
Physical Description: 17 photographic prints ; 11 x 14 in. and smaller.
Additional Note
5 folders housed with Studies of Women album. Includes some duplicates.
ffALB_box 8
Studies of Women album (RESTRICTED until 2050).
1974-1976 BANC PIC 2000.012.10--ffALB
Physical Description:
Physical Description: 45 photographic prints mounted on 14 x 15 1/2 in. album pages.
Series 11: BART Riders.
1977-1980
Physical Description:
Extent: approximately 131 photographic prints
Physical Description: Prints contained in: AX box 1, folders 10-13; ffALB box 9.
Scope and Content Note
Includes San Francisco Bay Area bus riders and New York City subway riders.
Chauncey Hare's statements about photographs: "Small format (35mm) studies of individuals and groups riding BART [Bay Area
Rapid Transit]. 1972-1980. Some published in This Was Corporate America and exhibited by Institute of Contemporary Art in
Boston and University of California Art Museum in Berkeley. These photos also in a slide show."
Additional Note
Selected digitized items from this series are listed at the end of the finding aid.
AX_box 1, folders 10-11
BART riders, working photos.
1977-1980 BANC PIC 2000.012.11--AX
Physical Description:
Physical Description: Approximately 50 photographic prints ; 11 x 14 in.
Scope and Content Note
People riding on Bay Area Rapid Transit (BART) and landscape views from BART window.
AX_box 1, folder 12
San Francisco Bay Area bus riders (Muni or AC Transit).
1977-1980 BANC PIC 2000.012.11--AX
Physical Description:
Physical Description: 1 photographic print ; 11 x 14 in.
AX_box 1, folder 13
New York City subway riders.
1977-1980 BANC PIC 2000.012.11--AX
Physical Description:
Physical Description: 3 photographic prints ; 11 x 14 in.
ffALB_box 9
BART Riders, album.
1977-1980 BANC PIC 2000.012.11--ffALB
Physical Description:
Physical Description: 76 photographic prints mounted on 14 x 15 1/2 in. album pages.
Scope and Content Note
People riding on Bay Area Rapid Transit (BART) and BART stations.
Additional Note
See also Series 14, This Was Corporate America album.
ffALB_box 9
[Seated man with briefcase on BART.]
1977-1980 BANC PIC 2000.012.11--ffALB
Physical Description:
Physical Description: 1 photographic print mounted on 14 x 20 in. board.
Scope and Content Note
Seated man with briefcase.
Additional Note
Housed with BART Riders, album. This is a duplicate of item 34 in the BART Riders album, and appears in book, This Was Corporate
America, page 91.
Series 12: American Photographs.
1967-1974
Physical Description:
Extent: approximately 452 photographic prints
Physical Description: Prints contained in: AX box 4; ffALB boxes 10-11.
Scope and Content Note
Chauncey Hare's statements about photographs: :Random photographs made in all parts of the country, indoors, outdoors and
made for the most part with 35 mm Leica and 6 x 9 cm Plaubel Makina (Fujica 6x9) cameras. This group of photographs was conceived
as an extension of Walker Evans America Photographs, but made 30 years later."
"These were made at the time of the Interior America photos (which are generally all large format) when traveling throughout
California and the Ohio Valley. These are street photos, photos at county fairs, markets in Oakland and more---usually including
people but not always. These photos have never been seen, exhibited, or published."
Additional Note
Selected digitized items from this series are listed at the end of the finding aid.
AX_box 4
American Photographs, working photos.
1968-1974 BANC PIC 2000.012.12--AX
Physical Description:
Physical Description: Approximately 260 photographic prints ; 11 x 14 in.
Scope and Content Note
Includes people, street scenes, Pennsylvania; Massachusetts; Oakland, California. Some are duplicates of Interior America.
ffALB_box 10
New American Photographs, album volume 1.
1967-1974 BANC PIC 2000.012.12 v.1--ffALB
Physical Description:
Physical Description: 91 photographic prints mounted on 14 x 15 1/2 in. album pages.
Scope and Content Note
Bulk are of people, street scenes and industrial areas. Locations include Pennsylvania; Oakland, California: Virginia; Vancouver,
British Columbia; Michigan; Nebraska; New Orleans, Louisiana; Delaware; Ohio; West Virginia; Wyoming; Mississippi and Alabama.
Additional Note
Most include a label on verso with location, title and date. Handwritten annotation on title page of album: New means Chauncey
after Walker Evans.
ffALB_box 11
New American Photographs, album volume 2.
1967-1972 BANC PIC 2000.012.12 v.2--ffALB
Physical Description:
Physical Description: 101 photographic prints mounted on 14 x 15 1/2 in. album pages.
Scope and Content Note
Bulk are of people, street scenes and industrial areas. Locations include California; Pennsylvania; El Paso, Texas; Seattle,
Washington; Richmond, Virginia; New Jersey; Mississippi; Michigan and West Virginia. Items .079-.101 are people at the farmers
market, which was across the street from Swann's department store, in downtown Oakland before redevelopment. Item 17 includes
a reflection of Chauncey Hare in the window.
Additional Note
Most include a label on verso with location, title and date. Handwritten annotation on title page of album, "New means Chauncey
after Walker Evans."
Series 13: Interior America (book sequence).
1967-1973
Physical Description:
Extent: 77 photographic prints
Physical Description: Prints contained in: ffALB box 12.
Scope and Content Note
Album of photographs used in book, Interior America, published in 1978. Items are sequenced as in book.
Additional Note
Selected digitized items from this series are listed at the end of the finding aid.
ffALB_box 12
Interior America, album.
1967-1973 BANC PIC 2000.012.13--ffALB
Physical Description:
Physical Description: 77 photographic prints mounted on 14 x 15 1/2 in. album pages.
Series 14: This Was Corporate America.
1976-1982
Physical Description:
Extent: 69 photographic prints
Physical Description: Prints contained in: ffALB box 13.
Scope and Content Note
Album of photographs used in exhibition at Institute of Contemporary Art, Boston, Massachusetts, and book, This Was Corporate
America, published in 1984.
Additional Note
Includes medium and small format photographs. A related slide show is available. Selected digitized items from this series
are listed at the end of the finding aid.
ffALB_box 13
This Was Corporate America, album.
1976-1982 BANC PIC 2000.012.14--ffALB
Physical Description:
Physical Description: 69 photographic prints mounted on 14 x 15 1/2 in. album pages.
Scope and Content Note
Includes self-portraits of Chauncey Hare; Standard Oil Company of California refinery in Richmond and employees; Social Security
Administration offices and employees; electronics industry offices and employees in Silicon Valley, principally Intel and
Caere Corporation; and riders on San Francisco Bay Area Rapid Transit (BART).
Additional Note
Items 1-62 used in book, This Was Corporate America. Box includes handwritten note from Chauncey Hare.
Series 15: Experiments Making Political Statements.
1976, undated
Physical Description:
Extent: 9 photographic prints
Physical Description: Prints contained in: B box 20, folders 4-7.
Additional Note
Photographs made with 6 x 7 camera (2 ¼ x 2 ¾ film), with caption on separate sheet of photo paper (captions with photos).
Folder 7 contains hole-punched sheets of an album with labels: Three - (the shoppers); Two; A Study of California Interiors
-- Example photographs.
B_box 20, folder 4
Carolynne [with open suitcases].
1976 BANC PIC 2000.012.15.01--B
Physical Description:
Physical Description: 1 photographic print ; 19 1/2 x 13 in.
Additional Note
Accompanying caption, "'I really need this time to get away...I wish I could have a couple weeks vacation every two months...I
get to feeling so drained that it's hard coming back...It wouldn't be so bad if I really had the time to work with people
in the hospital. It's the people who really need my attention ... Instead of having to rush around giving pills and doing
paperwork.' C.J. Hussey." Image is photograph 2 (page 23) in book, This Was Corporate America (same image as item BANC
PIC 2000.012.14:035--ffALB).
B_box 20, folder 4
Orville in his Richmond home. BANC PIC 2000.012.15.02--B
Physical Description:
Physical Description: 2 photographic prints (2 copies of 1 image) ; 16 x 20 in. and smaller.
Scope and Content Note
Orville England standing next to the refrigerator in his kitchen.
Additional Note
Accompanying caption, "'I was a refinery stage rigger and was hurt permanently. I get no compensation from the oil company.
I still pay for my own medicines. They use you and when they are done, well...it's tough for you!' Retired oil company worker.
Orville England, Standard Oil Co."
B_box 20, folder 5
Standard Oil Company workers. BANC PIC 2000.012.15.03--B
Physical Description:
Physical Description: 1 photographic print ; 19 x 13 in.
Scope and Content Note
Office workers meeting outside of building.
Additional Note
Accompanying caption, "'For me it's always been someone standing over me or with their back to me... work oppression is something
very subtle. It can be built into your working environment and you may not even know it. I personally have had all I could
take mentally and physically. I just had to stop participating. I had to leave engineering.' Chauncey Hare, former engineer
with a large oil company (now a photographer)." Image in book, This was Corporate America, p. 60, photo 32.
B_box 20, folder 5
Edmond J. Boone, Richmond, California resident. BANC PIC 2000.012.15.04--B
Physical Description:
Physical Description: 1 photographic print ; 19 x 12 1/2 in.
Additional Note
Accompanying caption, "My cousin - he was older than me-- lived up behind me. He lived alone. They broke in and shot him.
They shot both his eyes out and his nose off...now, why did they do that? Why did they do that?"
B_box 20, folder 6
Worker, light industry. BANC PIC 2000.012.15.05--B
Physical Description:
Physical Description: 1 photographic print ; 9 x 13 in.
Scope and Content Note
Woman in bedroom with mirror.
Additional Note
From tied portfolio. Accompanying caption, "I'm balancing my expenses... I moved into a new apartment and I've just returned
from the Bahamas on vacation. My payments are going to be close. You know, I feel like I've already lived a lifetime...a lot
has happened to me."
B_box 20, folder 6
Six workers with sign for Edwards Trucking Co. BANC PIC 2000.012.15.06--B
Physical Description:
Physical Description: 1 photographic print ; 20 x 16 in.
Additional Note
From tied portfolio.
B_box 20, folder 7
S. 7th Street with two figures. BANC PIC 2000.012.15.07--B
Physical Description:
Physical Description: 1 photographic print ; 20 x 16 in.
Scope and Content Note
Richmond, Calif.
Additional Note
From tied portfolio.
B_box 20, folder 7
[Two men in doorway, wall covered with meters.] BANC PIC 2000.012.15.08--B
Physical Description:
Physical Description: 1 photographic print ; 16 x 20 in.
Additional Note
From tied portfolio. Image in book, This was Corporate America, p. 37, photo 11.
Series 16: Final for Master's Degree at San Francisco Art Institute.
1977-1979
Physical Description:
Extent: 14 photographic prints
Physical Description: Prints contained in: fffALB 2, folders 1-7.
Scope and Content Note
Includes Interior America type images of people at home and studies of women.
fffALB_box 2, folders 1-7
Final selection of prints for Master of Arts degree at San Francisco Art Institute.
1977-1979 BANC PIC 2000.012.15--fffALB
Physical Description:
Physical Description: 14 photographic prints in 17 x 20 in. mats
Series 17: Miscellaneous Chauncey Hare Photographs.
circa 1960s-1970s
Physical Description:
Extent: 5 photographic prints
Physical Description: Prints contained in: PIC box 2, folders 9-10.
Scope and Content Note
Miscellaneous and unidentified photographs by Chauncey Hare and of Chauncey Hare.
PIC_box 2, folder 9
Miscellaneous photographs. BANC PIC 2000.012.17--PIC
Physical Description:
Physical Description: 2 photographic prints ; 7 1/2 x 10. 3/4 in.
Scope and Content Note
Unidentified interior with a television. Could be in California.
PIC_box 2, folder 10
Miscellaneous photographs of Chauncey Hare. BANC PIC 2000.012.17--PIC
Physical Description:
Physical Description: 3 photographic prints ; 8 x 10 in. and smaller.
Scope and Content Note
Two versions of a group portrait that includes Chauncey Hare
A color photograph of Chauncey Hare sitting in a window, with a church and funeral visible outside. Labeled, "Raymond Giacomelli,
age 49, 7 children." Removed from frame labeled, "The path of Truth is not a bed of Roses."
Series 18: Negatives.
1959-1981 BANC PIC 2000.012--NEG
Physical Description:
Extent: approximately 23,960 negatives
Physical Description: Negatives contained in: NEG boxes 1-33.
Arrangement
Negatives arranged chronologically (roughly).
Negatives were received from the photographer in boxes or wrapped in bundles by format (size), and labeled with a subject,
a date or a number. Most negatives were rehoused by library staff in the order found with dividers indicating breaks between
the original boxes/bundles, and arranged by date. The early negatives were arranged by format and the photographer's number
based on a year (59000-67185 for 1959-1967). The 35mm negatives were sorted within the bundles, and strips from the same
rolls matched when possible.
Negatives that matched images in the photographer's two books, as well as Playland at the Beach and carousel room photographs
were pulled and housed separately in NEG boxes 32-33. Negatives of Mississippi were also pulled, and then housed together
in NEG boxes 18 and 25. A marker was left in place of the removed negative in the NEG box, and was noted in the box listing
of the finding aid to show the original location.
Scope and Content Note
Original negatives taken by Chauncey Hare. Chiefly, if not all, are black and white film.
Access Information
Material in NEG boxes 23-24 is restricted due to privacy issues.
Additional Note
While Chauncey Hare's photographic prints include very little information about the images, the negatives are filed with original
sleeves that are labeled with subject and/or location and date. Many sleeves, especially the early negatives, include information
about the camera, film, exposure, and developer used. Titles provided in the finding aid are from annotations written by
the photographer on the original negative sleeves and bundles. The first section, negatives by numbers 59000-67185, the titles
are often a summation of locations and subjects written on the sleeves. Some dates on this list, as transcribed from original
packaging, conflict with dates in book or with labels on photographic prints.
NEG_box 25
Early 828 photos.
circa 1959-1961
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes Redwoods, Swiss festival, Sierra, San Francisco, Mt. Diablo, University of California botanical garden, Berkeley
Yacht Harbor, Golden Gate Park.
Additional Note
Some negatives are in the 59000 range.
NEG_box 1, sleeve 620011
G.H. [portrait of Gertrude Hare?].
September 2, 1962
Physical Description:
Physical Description: 1 negative ; 5 x 7 in.
NEG_box 1, sleeve 620021
NBS test chart.
September 8, 1962
Physical Description:
Physical Description: 1 negative ; 5 x 7 in.
NEG_box 1, sleeves 620043-620046
Muir hills.
September 14, 1962
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeve 620047
Tilden hills.
September 15, 1962
Physical Description:
Physical Description: 1 negative, 5 x 7 in.
NEG_box 1, sleeves 620052-620053
G.H. [portrait of Gertrude Hare?].
September 23, 1962
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 620054
Still life.
September 23, 1962
Physical Description:
Physical Description: 1 negative ; 5 x 7 in.
NEG_box 1, sleeves 620057-620074
Muir hills and Muir Woods.
October 21- November 3, 1962
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 620076-620082
Landscapes near Navarro, Philo and Mendocino.
November 10-11, 1962
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 620083-620087
Muir hills and Muir Woods.
November 18, 1962
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 620088-620109
Yosemite.
December 8-9, 1962
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63001-63003
Muir Woods.
January 1, [1963]
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63004-63013
Marin Coast.
January 5 & 14, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63014-63036
Yosemite.
January 27-28, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63037-63038
Point Arena.
January 21, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63049-63050
Marin Coast.
March 3, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63051-63078
Yosemite.
March 9-10, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63083
Bay, Sundown after storm.
April 20, 1963
Physical Description:
Physical Description: 1 negative ; 5 x 7 in.
NEG_box 1, sleeves 63084-63085
White church, Hornitos.
Week of May 1, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63086-63141
Yosemite.
May 1, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63148-63151
[Portraits of a woman].
Early June 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63151-63159
Windows, doors, Fiddletown.
June 16, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63160-63172
Sonora Pass, Dead Man Creek.
July 13-14, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63174-63191
Cascade, juniper trees and Sierra grasses.
August 2-3, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5
Portrait of woman, plants.
[1963]
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 5, sleeves 63205-63207
Tenaya Lake.
First weekend, October 1963
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 1, sleeves 63208-63213
Tenaya Lake.
October 2, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63214-63218
North Peak.
October 3, 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63219-63220
Chinese Camp.
Last week of October 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63221-63256
Fall trees, Yosemite.
Last week of October 1963
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63257-63258
Sawtooth Mountains.
[1963]
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63259-63269
Bodie.
[1963]
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 64001-64002
Russian Gulch, Mendocino.
January 12, 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 63003-64004
Leaves, Big River Lumber.
[1964]
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 64005-64021
Yosemite, snow.
January 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 1, sleeves 64022-64023
[Portrait of a woman].
[1964]
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 2, sleeves 64024-64055
Sam Taylor Park, Point Lobos [trees].
February 21-23, March 10 &15, 1964 and undated
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 2, sleeves 64056-64062
Sonoma, Wolf House.
First weekend in April 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 64063-64080
Tilden Park, Lassen Park, Pitt River.
April 1964
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 2, sleeves 64065-64081
Lassen Park, Pitt River, Burney Park.
April 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 2, sleeves 64084-64091
Hills north Rte. 50, Volcano.
May 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 64094-64131
Walker Valley, Yosemite National Park.
May 1964
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 2, sleeves 64096-64113
Bodie.
May 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 2, sleeves 64114-64116
Lundy Lake, desert.
May 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 2, sleeves 64117-64123
Cones and needles.
May 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 2, sleeves 64128-64133
Fairview Dome, Siesta Lake.
May 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 64135-64137
Tassajara, Tilden park, Mount Diablo Park.
June 1964
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 2, sleeves 64139-64146
Collier Canyon Road, Highland Road, Tassajara Road.
June 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 64147-64190
Elk, and nature details from Fort Bragg to Navarro, Marshall School, Tomales.
July 1964
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 2, sleeves 64149-64175
Mendocino Coast.
July 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 64192-64194
Inverness.
July-August 1964
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 5, sleeves 64195-64221
Marshall, Blakes Landing, Tilden Park.
August 1964
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 2, sleeves 64198-64232
Stewart's Point, Fort Ross, Rte. 1, near Kruse Ranch, near Tomales Bay.
August 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 2, sleeves 64233-64273
Shirts on line, vineyard, Lorenzetti statue, Elk cemetery, shore near Westport, Elk Road, abandoned house, near San Geronimo,
Sam Taylor Park.
September 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 64236-64265
Landscapes and abandoned house from Elk Road, Elk, Noyo.
September 1964
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 5, sleeves 64274-64301
Sam Taylor Park, Olema, Tomales, Walker Creek, Coloma, Fiddletown, Volcano.
October 1964
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 2, sleeves 64293-64302
San Raphael Bridge, Tomales Bay, Parker headstone.
October 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 64303-64306
Tilden Park.
[1964]
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 2, sleeves 64307-64363
Place Pete [sign], landscapes, gravestone, Hornitos, Yellowstone.
November 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 64312-64369
Near Hornitos.
November 1964
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 2, sleeves 64366-64394
Tilden Park, Hornitos, Yellowstone.
December 1964
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 64395-64398
Tilden Park.
December 1964
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 2, sleeves 65001-65042
Hornitos, architectural details and nature, French Corral Community Hall, trees in Tilden Park.
January 1965
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 2, sleeves 65043-65108
Hornitos, Frank Salazar, architectural details and nature, Mr. and Mrs. Daugherty.
February 1965
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 3, sleeves 65109-65131
Tilden Park, self-portrait, Hornitos architectural details and nature.
March 1965
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 65132-65135
Summit School in Altamont, oaks on Diablo Road.
March 1965
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 3, sleeves 65136-65180
Landscapes near Russian River, seashore, Marshall Hotel, Sam Taylor Park.
April 1965
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 3, sleeves 64189-64240
Tilden Park, trees, Mendocino.
May 1965
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 65194-65209
Tilden Park, Altamont, Mount Diablo Park area.
May 1965
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 5, sleeves 65242-65270
Tilden Park, Mount Diablo Park, portrait of a woman, Hendy Woods, Mendocino.
June-July 1965
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 3, sleeves 65272-65308
Piercy, Richardson Grove, Petrolia, log piles, Redwoods Park, Fern Canyon, Prairie Creek.
July 1965
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 65309-65338
Prairie Creek Park, near Usal Road, Westport, Mendocino, Manchester, Russian River, Tomales Bay, Nicasio, Marin reservoir,
Dillon Beach.
August 1965
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 3, sleeves 65341
Marshall School.
August 1965
Physical Description:
Physical Description: 1 negative ; 5 x 7 in.
NEG_box 3, sleeves 65365-65426
Mt. Diablo area, trees, Skaggs Springs Road, seashore, Elk Creek, Mendocino, Tilden Park, oak trees.
September 1965
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 3, sleeves 65431-65442
Tilden Park.
October 1965
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 5, sleeves 65541-65559
Tilden Park, Tomales, Chileno Valley, Yosemite, hillside landscapes along Patterson Pass Road, Tesla Road and various other
roads, Marin reservoir, Tomales Bay, Oakland.
November 1965
Physical Description:
Physical Description: Negatives 8 x 10 in.
NEG_box 3, sleeves 65447-65521
Fox River trees, San Joaquin River, Lagrange, Coulterville, trees, Bret Harte cabin, Groveland, Yosemite, Bear Valley, Hornitos,
Volcano.
November 1965
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 3, sleeves 65561-65564
Popeye, Kaiser Center, Lake Merritt.
December 1965
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 6, sleeves 65565-65598
Lake Berryessa, Napa Valley, hillside landscapes along Patterson Pass Road, Tesla Road and various other roads.
December 1965
Physical Description:
Physical Description: Negatives 8 x 10 in.
NEG_box 25, sleeves 66001A-66010
Pre 1968 photos. Landscapes, Victor, etc.
July 1964, 1966
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Bulk are photographs of an infant, some with a man who could be Chauncey Hare. Images of a photographer on location could
be Chauncey Hare.
NEG_box 5, sleeves 66001-66066
Hillside landscapes along Tassajara Road, Altamont Road and various other roads, Tilden Park, Patterson, Panoche Valley.
January 1966
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 3, sleeves 66023A
Tilden Park.
January 1966
Physical Description:
Physical Description: 1 negative ; 5 x 7 in.
NEG_box 3, sleeves 66039-66024
Buildings in Oakland, baby, Route 50, Tracy, Verbalis, Patterson, New Indra Valley.
March 1966
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 6, sleeves 66075-66103
New Indra mine, Panoche Road.
March 1966
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 6, sleeves 66106-66187
Arizona: Peach Springs, Sunset Crater, Painted Desert, Tuba City, Tsegi Canyon, Monument Valley, Canyon De Chelly. Altamont,
Albion, Howard Creek.
May 1966
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 3, sleeves 66130-66205
Monument Valley, dunes, trees, Mendocino, Howard Creek, Oakland.
May 1966
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 4, sleeves 66206-66238
Muir Beach, Oakland, San Rafael.
July 1966
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 6, sleeves 66219
House.
May or June 1966
Physical Description:
Physical Description: 1 negative ; 8 x 10 in.
NEG_box 6, sleeves 66220-66221
Dillon Beach.
July 1966
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 4, sleeves 66239-66255
Tilden Park, Wild Cat Canyon.
August 1966
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 20, sleeves 66256-66286
4x5's 1966, 1967.
1966-1967
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes dolls, trees, foggy hills.
NEG_box 4, sleeves 66259-66280
Tilden Park, Wild Cat Canyon.
September 1966
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 4, sleeves 66287
Wild Cat Canyon.
October 1966
Physical Description:
Physical Description: 1 negative ; 5 x 7 in.
NEG_box 6, sleeves 66291
Agave.
October 1966
Physical Description:
Physical Description: 1 negative ; 8 x10 in.
NEG_box 6, sleeves 66293-66417
Landscapes, Salina, Utah, Freemont River, Dead Horse Point, Colorado, Arches National Park, Mesa Verde, Chaco Canyon.
October-November 1966
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 4, sleeves 66303-66433
Utah: Alder Koosharem Pass, Torey, Capitol Reef, near Moab, Canyonlands, Castle Valley, Manti-La Sal National Park, Arches
National Park. Mesa Verde (Colorado), Arizona.
Last week October-November 1966
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 4, sleeves 66435-66439
Point Richmond, seashore.
December 1966
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 6, sleeves 66440
Natural Bridges Beach.
December 1966
Physical Description:
Physical Description: 1 negative ; 8 x 10 in.
NEG_box 6, sleeves 67001-67037
Buildings in Oakland.
January 1967
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 4, sleeves 67013-67070
Oakland, oaks in fog.
January 1967
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 4, sleeves 66071-67075
Oakland.
February 1967
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 4, sleeves 67076-67080
Richmond.
March 1967
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 4, sleeves 67081-67088
Nevada, including Lovelock and Carlin.
March 1967
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 4, sleeves 67089-67107
Salt Lake City, includes dolls at Carter's Day camp, wall on West Temple street.
March 1967
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 6, sleeves 67109-67173
Utah, Colorado, Conejos, New Mexico.
March 1967
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 4, sleeves 67129-67131
San Ildefonso Pueblo.
March 1967
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 4, sleeves 67143
Painting of short order cook, Tesuque, NM.
March 1967
Physical Description:
Physical Description: 1 negative ; 5 x 7 in.
NEG_box 4, sleeves 67162-67171
Buick and church in Madrid.
March 1967
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 4, sleeves 67174-67185
Berkeley and Richmond.
May 1967
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Scope and Content Note
Chiefly architectural details.
NEG_box 18
Mississippi.
1967
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Formerly bundled together as 3 packages. Negatives for 9 prints in fffALB box 1 are located at front of section.
NEG_box 25
Mississippi.
1967
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes small town life, rural scenes and industrial facilities.
Additional Note
Formerly bundled together as 2 packages. Includes negative (frame 17) for print of 2 young women in fffALB box 1.
NEG_box 26
1968 photos.
1967-1968
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes people and street scenes in San Francisco Bay area. Specific areas include Ocean Beach, Cliff House and other neighborhoods
in San Francisco and Berkeley. Of note are a few frames of a photographer who is probably Chauncey Hare.
Additional Note
Formerly bundled together as 2 packages. 3 sets of Playland and carousel room negatives removed and housed in NEG box 32.
NEG_box 18
Most promising Oakland, No[rthern]. Calif., San Joaquin Valley.
1967-1970
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Bulk are exteriors of houses and buildings. Includes exterior view of Doggie Diner.
NEG_box 7
California interiors, no. 1. Has So. Pac. Station '67, Mr. England, Roy.
1967-1968
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Negatives used in book, Interior America (pp.26, 113, 131, 165), removed and housed in NEG box 33.
NEG_boxes 7-8
California interiors, no. 2.
1968
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Negatives used in book, Interior America (pp.36, 121), removed and housed in NEG box 33.
NEG_box 8
California interiors, no. 3.
1968
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Negatives used in book, Interior America (pp.45, 55, 59, 145), removed and housed in NEG box 33.
NEG_boxes 8-9
California interiors, no. 4.
1968
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Negatives used in book, Interior America (pp.65, 143, 155), removed and housed in NEG box 33.
NEG_box 4
Misc. 1968, 1969, test views, nature, Bobby Kennedy billboards, etc.
1968-1969
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 18
Miscellany.
1968-1970
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Cheifly domestic interiors with exterior views of homes. Includes Oakland, Butte City, biplane, churches.
Additional Note
Formerly bundled together as 3 packages.
NEG_box 18
Most promising interiors, also Saginaw.
1968-1970
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Negative used in book, Interior America (p.175), removed and housed in NEG box 33.
NEG_box 26
Oakland, Possibilities only.
1968
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes street scenes in Oakland (and possibly Berkeley), anti-war demonstration, parade, picketers, DeFremery Park.
Additional Note
Formerly bundled together as 1 package. Some negatives match negatives in "Oakland Interiors."
NEG_box 26
Oakland interiors.
1968
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Bulk are street scenes or public interiors (store, airport, bus station), some are domestic interiors with people.
Additional Note
Formerly bundled together as 1 package. Some negatives match negatives in "Oakland, Possibilities only." 1 strip removed
and housed with Playland negatives in NEG box 32.
NEG_box 27
Oakland shoppers.
1968
Physical Description:
Physical Description: Negatives ; 35mm.
Additional Note
Formerly bundled together as 1 package. Carousel room negatives removed and housed in NEG box 32.
NEG_box 27
Oakland.
1969-
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes street scenes, bus riders, store and restaurant interiors.
Additional Note
Formerly bundled together as 1 package. Playland and carousel room negatives removed and housed in NEG box 32.
NEG_box 27
Bay area.
1969-
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes airport, KCSM TV, exhibits from a fair?, cattle auction, NASA, store exteriors and interiors, BART [opening?]
Additional Note
Formerly bundled together as 1 package. Playland and carousel room negatives removed and housed in NEG box 32.
NEG_box 27
Cincinnati.
February 9-21, 1969
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes house and building exteriors, lab, railroad station, people, billboards.
Additional Note
Formerly bundled together as 1 package.
NEG_box 27
Early photos, refinery.
1969
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes industrial facilities, employees, offices.
Additional Note
Formerly bundled together as 1 package.
NEG_box 28
North California.
[1969-1974?]
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes San Francisco, small towns, sheep farm, California Delta Area scenes.
Additional Note
Formerly bundled together as 1 package. Carousel room negatives removed and housed in NEG box 32.
NEG_boxes 9-10
Interiors.
to July 15, 1969
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Negatives used in book, Interior America (pp.43, 53, 83, 91, 115, 125, 129), removed and housed in NEG box 33.
NEG_box 11
Printed March 70. [Interiors]
August-September 1969
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Prints available of some negatives in the first part of box.
NEG_box 12
Printed April 70. [Interiors.]
September 1969
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Negatives used in book, Interior America (pp.29, 35, 71, 135), removed and housed in NEG box 33.
NEG_box 13
Printed March 69. [Interiors]
September-October 1969
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Negatives used in book, Interior America (pp.75, 141,149), removed and housed in NEG box 33.
NEG_box 14
Package 1, printed Feb. 1970. [Interiors]
November 1969-January 1970
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Formerly bundled together as Package 1. Negatives used in book, Interior America (pp.63, 73, 95), removed and housed in NEG
box 33.
NEG_box 15
Package 2, printed Feb. 1970. [Interiors]
November 1969-January 1970
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Formerly bundled together as Package 2. Negatives used in book, Interior America (pp.69, 85), removed and housed in NEG box
33.
NEG_box 16
Package 3, printed Feb. 1970. [Interiors]
November 1969-January 1970
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Scope and Content Note
Includes United Farm Workers and meeting.
Additional Note
Formerly bundled together as Package 3.
NEG_box 17
Printed April 1970. [Interiors]
February-March 1970
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
Additional Note
Negatives used in book, Interior America (pp.49, 92, 147, 159), removed and housed in NEG box 33.
NEG_box 6
8 x 10 ins [Chauncey Hare's son and his son's room].
1970-[1974?]
Physical Description:
Physical Description: Negatives ; 8 x 10 in.
NEG_box 18
Pennsylvania.
1970
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
People on the street and in their homes, exterior views of businesses and houses, churches.
Additional Note
Formerly bundled together as 1 package. Negative used in book, Interior America (p.169), removed and housed in NEG box 33.
NEG_box 28
Pennsylvania.
1970
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes small town life, house and building exteriors, parade, railroad stations, interiors.
Additional Note
Formerly bundled together as 1 package. 1 negative strip with frame 9A used in book, Interior America (p.101), removed and
housed in NEG box 32.
NEG_box 28
General.
1970-1971
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes San Francisco; Reno, NV; parade; seashore; motel room.
Additional Note
Formerly bundled together as 1 package. 5 negative strips of Playland at the Beach and copy negatives from book, Interior
America, removed and house in NEG box 32.
NEG_box 17
Inter-Guggenheim (before Guggenheim 2). [Interiors]
1970-1971
Physical Description:
Physical Description: Negatives ; 5 x 7 in.
NEG_box 20
Inter-Guggenheim (before Guggenheim 2).
1970-just prior to August. 1, 1971
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Home interiors, houses and buildings probably in Richmond, Calif.
Additional Note
Negative used in book, Interior America (p.119), removed and housed in NEG box 33.
NEG_box 28
Miscellany, county fairs, Victor birthday, parade in S.F., farmers market in Oakland, Mississippi (1973), Vancouver (1973,
74).
1971-1974
Physical Description:
Physical Description: Negatives ; 35mm.
Additional Note
Formerly bundled together as 1 package.
NEG_box 18
Pre-Guggenheim 2.
1971-
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Includes Reno, NV and downtown Oakland.
Additional Note
Formerly bundled together as 1 package.
NEG_box 20
1-7 [Guggenheim 2?].
[1971]
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes interiors in Wyoming, Kentucky, Ohio, West Virginia.
Additional Note
Formerly housed in boxes labeled 1-7. Negatives used in book, Interior America (pp.25, 31, 33, 61, 77, 79, 99, 109, 117,
127, 137, 151, 161, 163), removed and housed in NEG box 33.
NEG_box 21
8-10 [Guggenheim 2?].
1971-1972
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes Ohio, West Virginia.
Additional Note
Formerly housed in boxes labeled 8-10. Negatives used in book, Interior America (front, pp.47, 51, 89, 105, 133, 139, 151,
171), removed and housed in NEG box 33.
NEG_box 18
11 [Guggenheim 2?].
[1972]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Formerly housed in box labeled 11 (2 packages).
NEG_box 21
12-17 [Guggenheim 2?].
[1971-1972]
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes Pennsylvania. Bulk of negatives formerly in boxes 13-16 are people in their homes.
Additional Note
Formerly housed in boxes labeled 12-17. Negatives used in book, Interior America (pp.81, 103, 107, 151, 173), removed and
housed in NEG box 33.
NEG_box 18
18 [Guggenheim 2?].
[1972?]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Includes Pennsylvania. Bulk are exterior views of downtown streets and houses.
Additional Note
Formerly housed in box labeled 18 (2 packages).
NEG_box 22
19-20 [Guggenheim 2?].
[1971-1972]
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes interiors in Pennsylvania.
Additional Note
Formerly housed in boxes labeled 19-20. Negatives used in book, Interior America (pp.39, 41, 57, 153, 157), removed and housed
in NEG box 33.
NEG_box 18
21 [Guggenheim 2?].
[1972]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Includes Pennsylvania. Bulk are exterior views of downtown streets and houses. Also includes home and soda shop interiors.
Additional Note
Formerly housed in box labeled 21 (2 packages). Negative used in book, Interior America (p.111), removed and housed in NEG
box 33.
NEG_box 22
22-23 [Guggenheim 2?].
[1972?]
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes home and soda shop interiors.
Additional Note
Formerly housed in boxes labeled 22-23.
NEG_box 18
24 [Guggenheim 2?].
[1972?]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Includes Bethlehem, Pennsylvania; Lynchburg and Richmond, Virginia. Bulk are exterior views of buildings and houses.
Additional Note
Formerly housed in box labeled 24.
NEG_box 22
25 [Guggenheim 2?].
[1972?]
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes Reading, Pennsylvania. Bulk are domestic interiors, but includes abandoned railroad station, views of town.
Additional Note
Formerly housed in box labeled 25.
NEG_box 18
26 [Guggenheim 2?].
[1972]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Includes Allentown, Pennsylvania. Bulk are exterior views of buildings and houses.
Additional Note
Formerly housed in box labeled 26.
NEG_box 22
27 [Guggenheim 2?].
[1972]
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes interiors in Pennsylvania.
Additional Note
Formerly housed in box labeled 27. Negative used in book, Interior America (p.67), removed and housed in NEG box 33.
NEG_box 18
28 [Guggenheim 2?].
[1972]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Includes Pennsylvania. Bulk are exterior views of buildings and houses.
Additional Note
Formerly housed in box labeled 28. Negative used in book, Interior America (p.123), removed and housed in NEG box 33.
NEG_box 22
29 [Guggenheim 2?].
April 20, 1972
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Additional Note
Formerly housed in box labeled 29.
NEG_box 18
30 [Guggenheim 2?].
[1972?]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Includes Mount Joy, Pennsylvania. Bulk are exterior views of buildings and houses.
Additional Note
Formerly housed in box labeled 30.
NEG_box 22
31 [Guggenheim 2?].
[1972?]
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes interiors in Ohio.
Additional Note
Formerly housed in box labeled 31. Negative used in book, Interior America (p.97), removed and housed in NEG box 33.
NEG_box 18
32-33 [Guggenheim 2?].
[1972?]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Includes Pennsylvania and Ohio. Bulk are exterior views of buildings and houses.
Additional Note
Formerly housed in boxes labeled 32-33. Negative used in book, Interior America (p.87), removed and housed in NEG box 33.
NEG_box 22
34 [Guggenheim 2?].
[1972?]
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes interiors in East Liverpool, Ohio.
Additional Note
Formerly housed in box labeled 34.
NEG_box 18
35-37 [Guggenheim 2?].
[1972-1973]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Includes North Platte, Nebraska; Charleroi, Pennsylvania. Bulk are exterior views of buildings and houses.
Additional Note
Formerly housed in boxes labeled 35-37. Negatives of Mississippi removed and shelved in NEG box 18. Negatives used in book,
Interior America (p.167), and of Playland removed and housed in NEG box 33.
NEG_box 28
Ohio Valley.
1972
Physical Description:
Physical Description: Negatives ; 35mm.
Additional Note
Formerly bundled together as 1 package with label, "Ohio Valley 1972, carousel room 1973." Negatives of carousel room removed
and housed in NEG box 32.
NEG_box 29
Nina Raginsky, Candice Hunt.
1973-1975
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes Chauncey Hare.
NEG_box 19
Vancouver.
1973
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Formerly bundled together as 2 packages.
NEG_box 19
Seattle.
1974
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
NEG_box 19
El Paso.
1974
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Formerly bundled together as 2 packages.
NEG_boxes 23-24
Bay women (RESTRICTED).
1974-1975
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
Scope and Content Note
Includes women in San Leandro and Hayward who make their living by prostitution.
NEG_box 24
Professional women (RESTRICTED).
1974-1975
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Chiefly working women at home, including women in San Leandro and Hayward who make their living by prostitution.
NEG_box 19
Impact of technology: Inside laundromat.
1975
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
NEG_box 19
Richmond (Calif.) before redevelopment.
1975
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
NEG_box 19
Standard Oil.
1976-1977
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Formerly housed in boxes labeled 1-18. Negatives used in book, This Was Corporate America [pp.26 (#53), 37 (#11), 39 (#12),
39 (#13), 40 (#14), 41 (#15), 43 (#16), 44 (#17), 45 (#18), 46 (#19), 47 (#20), 48 (#21), 49 (#22), 50 (#23), 51 (#24), 52
(#25), 54 (#27), 55 (#28), 56 (#29), 57 (#30), 59 (#31), 61 (#33)], removed and housed in NEG box 33.
NEG_box 19
Impact of technology: People in homes.
Begin August. 1, 1977
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Formerly bundled together as 2 packages.
NEG_box 19
Impact of technology: Miscellaneous street scenes.
August.-October 1977
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Formerly bundled together as 2 packages.
NEG_box 19
Impact of technology: Street photos.
1977-1978?
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Formerly bundled together as 3 packages.
NEG_box 19
Orville [England].
[1977-1978?]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Images of a retired stage rigger helper for Standard Oil.
NEG_box 29
Orville England.
[1977-1978?]
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Images of a retired stage rigger helper for Standard Oil.
NEG_box 19
Carolynne.
[1977-1978?]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Scope and Content Note
Images of a woman who worked as a nurse at Brookside Hospital.
Additional Note
Formerly bundled together as 2 packages.
NEG_box 30
Carolynne.
[1977-1978?]
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Images of a woman who worked as a nurse at Brookside Hospital. Includes people at home, home interiors, people in hospitals.
Additional Note
1 strip with negatives used in book, This Was Corporate America [p.23 (#1 & 2)], removed and housed in NEG box 32.
NEG_box 22
Impact of Technology, Point Richmond: Carolynne Hussey, Jo Cunningham, Don Thompson, Mrs. Doran at hardware store.
Beginning of August 1977
Physical Description:
Physical Description: Negatives ; 4 x 5 in.
NEG_box 29
Jo Cunningham.
1977-1978
Physical Description:
Physical Description: Negatives ; 35 mm.
NEG_box 29
Don Thompson.
[1977-1978?]
Physical Description:
Physical Description: Negatives ; 35 mm.
Scope and Content Note
Includes photo sessions, office scenes.
NEG_box 30
Impact of Technology: Miscellany.
1977-1978
Physical Description:
Physical Description: Negatives ; 35 mm.
Scope and Content Note
Includes street scenes, office workers, office buildings, urban parks, urban public spaces, bus interiors, dwellings. Many
are of downtown San Francisco and Transamerica Pyramid. Of note are portraits of Chauncey Hare and disability rights demonstration
for accessible buses.
Additional Note
Formerly bundled together as 2 packages. 1 strip with negative used in book, This Was Corporate America [p.60 (#32)], removed
and housed in NEG box 32.
NEG_boxes 30-31
BART riders.
[1977-1979]
Physical Description:
Physical Description: Negatives ; 35 mm.
Scope and Content Note
Includes New York City subway riders.
Additional Note
Formerly bundled together as 2 packages. Negatives used in book, This Was Corporate America [pp.77 (#49), 78 (#50),79 (#51),
80 (#52), 81 (#53), 82 (#54), 83 (#55), 84 (#56), 85 (#57), 86 (#58), 87 (#59), 88 (#60), 89 (#61), 90 (#62), 91 (#63)],
[pp. removed and housed in NEG box 32.
NEG_box 19
Social Security.
1978
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Formerly bundled together as 4 packages. Negatives used in book, This Was Corporate America [pp. 62 (#34), 63 (#35), 64 (#36),
65 (#37), 66 (#38), 67 (#39), 69 (#41), 70 (#42)], removed and housed in NEG box 33.
NEG_box 31
Impact of Technology: Social Security Administration and Emmett Boone.
1978-1979
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes offices, office workers, domestic interiors. Of note are portraits of Chauncey Hare.
Additional Note
1 strip with negative used in book, This Was Corporate America [p.68 (#40)], removed and housed in NEG box 32.
NEG_box 31
Impact of Technology: Miscellany.
1979
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes offices, office workers, domestic interiors, backyard. Of note are portraits of Chauncey Hare.
Additional Note
1 strip with negative used in book, This Was Corporate America [p.25 (#6)], removed and housed in NEG box 32.
NEG_box 31
Funeral visit to Westchester.
1979
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes memorial service and burial of Ross Hare (Chauncey's father), Chauncey's mother at home and Chauncey Hare.
Additional Note
1 strip with negative used in book, This Was Corporate America [p.24 (#4)], removed and housed in NEG box 32.
NEG_box 19
Compumotor Electronics.
[1980-1981]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
NEG_box 19
Caere Corp.
[1980-1981]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Negatives used in book, This Was Corporate America [pp.71 (#43), 73 (#45)], removed and housed in NEG box 33.
NEG_box 31
Caere Corp. and exterior electronics industry.
[1980-1981]
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes offices, office workers, Chauncey Hare.
Additional Note
2 strips with negatives used in book, This Was Corporate America [pp.24 (#3), 27 (#10)], removed and housed in NEG box 32.
NEG_box 19
Intel.
[1980-1981]
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Formerly bundled together as 2 packages. Negatives used in book, This Was Corporate America [pp.72 (#44), 74 (#46)], removed
and housed in NEG box 33.
NEG_box 31
Intel.
[1980-1981]
Physical Description:
Physical Description: Negatives ; 35mm.
Scope and Content Note
Includes offices, office workers, fast food restaurant workers, BART riders, storefronts, urban public spaces.
Additional Note
1 strip with negative used in book, This Was Corporate America [p.75 (#47)], removed and housed in NEG box 32.
NEG_box 32
Playland at the Beach, carousel room.
1968-1973, undated
Physical Description:
Physical Description: Negatives ; 35mm.
NEG_box 32
Playland at the Beach, carousel room.
1968-1973, undated
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
NEG_box 32
Negatives used in book: Interior America.
Physical Description:
Physical Description: Negatives ; 35mm.
Additional Note
Includes negative for p.101.
NEG_box 33
Negatives used in book: Interior America.
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in, 4 x 5 in, 5 x 7 in
Additional Note
Includes negatives for front, pp. 25-99, 103-175.
NEG_box 32
Negatives used in book: This Was Corporate America.
Physical Description:
Physical Description: Negatives ; 35mm.
Additional Note
Includes negative for pp.23 (#1, 2), 24 (#3, 4), 25 (#6), 26 (#7), 27 (#8, 9, 10), 60 (#32), 68 (#40), 75 (#47), 77-91 (#49-63).
NEG_box 33
Negatives used in book: This Was Corporate America.
Physical Description:
Physical Description: Negatives ; 2 1/4 x 3 1/4 in.
Additional Note
Includes negative for pp.37 (#11), 38 (#12), 39 (#13), 40 (#14), 41 (#15), 43 (#16), 44 (#17), 45 (#18), 46 (#19), 47 (#20),
48 (#21), 49 (#22), 50 (#23), 51 (#24), 52 (#25), 53 (#26), 54 (#27), 55 (#28), 56 (#29), 57 (#30), 59 (#31), 61 (#33), 62
(#34), 63 (#35), 64 (#36), 65 (#37), 66 (#38), 67 (#39), 69 (#41), 70 (#42), 71 (#43), 72 (#44), 73 (#45), 74 (#46).
Series 19: Slides and Slideshows.
1968-1986
Physical Description:
Extent: 4155 slides
Physical Description: Slides contained in: carton 1; PIC boxes 3-4. Cassette tapes contained in: phonotape box 4.
Arrangement
Slides and slideshows arranged thematically, then roughly chronologically. Slides were received from the photographer in boxed
slide carousel trays, or in slide protector sheets in three-ring notebooks. Library staff rehoused the slides in archival
slide sheets, which were then foldered as they were found in either a notebook or carousel slide tray. Like subjects kept
together when possible. The first slides and slideshows tend to be about corporations, organizations and unidentified people
related to them. The second group is focused on people. Miscellaneous slides of titles and charts, and history of photography
slideshow follow.
All seven slideshows in carousel tray boxes were received with a soundtrack on cassette tape for the corresponding slideshow,
and a typed transcription of the soundtrack. The transcripts have been foldered with slides. Phonotapes have been housed
separately.
It is unclear how the slides formerly in the notebooks are related to the slides of the same topic from the carousel trays.
There were empty spaces in the notebook slide protector sleeves as if slides had been removed. Transcripts for the related
slideshow soundtrack and other documentation were often included in the notebooks with these slides. These documents have
been folded in with the rehoused slides.
Scope and Content Note
Black and white, and color 35mm slides, many of which are copies Chauncey Hare made of his photographs for slideshow presentations.
A portion of slides are original photographs by Chauncey Hare. There are some copies of images by other photographers, as
with New York City subway slides, and history of photography slideshow.
Access Information
The master tapes (items 119-125) are restricted do to fragility.
Additional Note
Titles provided in the finding aid are from annotations written by the photographer on the original carousel tray boxes and
notebooks. Quoted notes in finding aid listing are from a guidebook provided by Chauncey Hare to the Bancroft Library in
2005.
carton 1, folder 1
[Interior America].
[1968-1972] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 35 slides.
Scope and Content Note
Includes images used in book, Interior America, and related images.
Additional Note
Formerly in notebook labeled: Fragments of duplicates.
carton 1, folder 2
Standard Oil Co. slideshow.
1976 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 88 slides.
Scope and Content Note
Offices, offices workers, laborers and refinery of Standard Oil Company (later Chevron)in Richmond and San Francisco. Includes
images used in book, This Was Corporate America.
Additional Note
Formerly in carousel tray. Also includes annotated transcript of soundtrack.
carton 1, folder 3
The Standard Oil Co. working environment.
1976 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 38 slides.
Additional Note
Formerly in notebook; sleeved as found. Also includes annotated transcript of soundtrack and interviews.
phonotape_box 4
Standard Oil (audio tape). PT 4024 C: 119, 126
Physical Description:
Physical Description: 2 cassette tapes
Scope and Content Note
Soundtrack for slideshow.
Additional Note
Master cassette tape (:119), and a copy (:126) that was previously filed with slideshow. Master tape is restricted due to
fragility.
carton 1, folder 4
AT&T Project.
1977 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 37 slides.
Scope and Content Note
Includes interiors and exteriors of homes, people in their homes.
Additional Note
Formerly in notebook labeled: Fragments of duplicates.
carton 1, folder 5
Social Security Administration, Western Program Center in Richmond (Calif.), slideshow.
1978 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 50 slides.
Additional Note
Formerly in carousel tray. Also includes annotated transcripts of slideshow.
carton 1, folder 6
Social Security Administration, Western Program Center in Richmond.
1978 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 125 slides.
Additional Note
Formerly in notebook; sleeved as found. Also includes annotated transcripts of slideshow.
phonotape_box 4
Social Security (audio tape).
1978? PT 4024 C: 120, 127
Physical Description:
Physical Description: 2 cassette tapes.
Scope and Content Note
Soundtrack for slideshow.
Additional Note
Master cassette tape (:120) and a copy (:127) that was previously filed with slideshow. 11 minutes. Master tape is restricted
due to fragility.
carton 1, folder 7
Transit Riders slideshow.
[1979], undated BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 69 slides.
Scope and Content Note
Includes Bay Area Rapid Transit (BART) in San Francisco Bay Area, and New York City subway stations, interiors and passengers.
Some are copies of circa 1940s photographs.
Additional Note
Formerly in carousel tray. Also includes annotated transcript of soundtrack that was in box with carousel tray of slides.
carton 1, folders 8-9
Transit Riders (BART riders).
1979 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 326 slides.
Scope and Content Note
Includes San Francisco Bay Area and New York City subway stations, interiors and passengers.
Additional Note
Formerly in notebook.
carton 1, folder 10
Transit Riders documents.
[1979?] BANC PIC 2000.012--LAN
Scope and Content Note
Includes annotated transcripts of the slideshow soundtrack, and notes on, "Symptoms of alienation."
Additional Note
Formerly housed with Transit Riders slides in notebook.
phonotape_box 4
Transit Riders (audio tape). PT 4024 C: 121, 128
Physical Description:
Physical Description: 2 cassette tapes.
Scope and Content Note
Soundtrack for slideshow.
Additional Note
Master cassette tape (:121), and a copy (:128) that was previously filed with slideshow. Master tape is restricted due to
fragility.
carton 1, folder 11
Compumotor, Caere Corp. and Environmental Protection Agency.
[1980-1981] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 39 slides.
Scope and Content Note
Office interiors with people at work. Includes computer hardware and software engineers, and computer assembly workers.
Additional Note
Formerly in notebook labeled: Electronics Industry. Sleeved as found.
carton 1, folder 12
Intel.
[1980-1981] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 114 slides.
Scope and Content Note
Office interiors and workers in the computer technology industry.
Additional Note
Formerly in notebook labeled: Electronics Industry. Sleeved as found.
carton 1, folder 13
[Miscellaneous slides].
[ca. 1980-1981?] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 56 slides.
Scope and Content Note
Includes construction sites in San Jose and Santa Clara (Calif.), portraits of a woman, Chauncey Hare.
Additional Note
Formerly housed in notebook labeled: Electronics Industry. Sleeved as found.
carton 1, folder 14
[Unidentified home interior].
[1977-1978?] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 5 slides.
Scope and Content Note
Page of slides found in front of Carolynne Hussey section in notebook labeled: Carolynne and Emmet.
carton 1, folder 15
Carolynne Hussey, nurse at Brookside Hospital, slideshow.
[1977-1980?] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 152 slides.
Additional Note
Slideshow formerly in notebook labeled: Carolynne and Emmet.
carton 1, folder 16
Emmet Boone slideshow: African America, Richmond resident, former shipyard worker in Richmond talks about violence.
1978-1980 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 62 slides.
Scope and Content Note
Photographer's note, "Small format slideshow of a retired shipyard worker living in Richmond, CA who was frightened by a violent
shooting in his neighborhood."
Additional Note
Formerly in carousel tray. Also includes notes and annotated transcripts of slideshow.
carton 1, folder 17
Richmond and Emmet Boone, African American.
[1978-1980] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 70 slides.
Additional Note
Formerly in notebook labeled: Carolynne and Emmet. Sleeved as found. Also includes annotated transcripts of slideshow.
phonotape_box 4
Emmet J. Boone (audio tape).
[1978-1980?] PT 4024 C: 122, 129
Physical Description:
Physical Description: 2 cassette tapes.
Scope and Content Note
Soundtrack for slideshow narrated by Chauncey Hare.
Additional Note
Master cassette tape (:122) and a copy (:129) that was previously filed with slideshow. Master tape is restricted due to
fragility.
carton 1, folder 18
Orville England, stage rigger helper, Standard Oil, slideshow.
1978-1980 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 75 slides.
Scope and Content Note
Photographer's note, "Small format (35 mm) slideshow of a Standard Oil Employee living in Richmond, CA, who had contracted
asbestoses. The slideshow shows Orville England in his home with his wife, Hellen, as well as photos of Standard Oil where
he contracted the disease."
Additional Note
Formerly in carousel tray. Also includes annotated transcripts of slideshow.
carton 1, folder 19
Orville England, stage rigger with asbestosis.
1978-1980 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 122 slides.
Additional Note
Formerly in notebook labeled: Orville and Jo. Also includes annotated transcripts of slideshow and notes.
phonotape_box 4
Orville England (audio tape).
1979-1980 PT 4024 C: 123, 130
Physical Description:
Physical Description: 2 cassette tapes.
Scope and Content Note
Soundtrack for slideshow narrated by Chauncey Hare.
Additional Note
Master cassette tape (:123) and a copy (:130) that was previously filed with slideshow. Master tape is restricted due to
fragility.
carton 1, folder 20
[Unidentified woman].
[circa 1978-1979?] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 39 slides.
Additional Note
Slides found at end of Orville England section in notebook labeled: Orville and Jo. Some slides are color.
carton 1, folder 21
Jo Cunningham slideshow: Resident of Point Richmond, licensed pathologist, technician, lesbian woman.
1979 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 79 slides.
Scope and Content Note
Photographer's note, "Small format slideshow of a Jo Cunningham, a resident of Point Richmond, California, who fought for
her property rights in front of the Richmond City Council. In the show, she prepares to leave Point Richmond for Texas in
1979."
Additional Note
Formerly in carousel tray. Also includes annotated transcripts of slideshow.
carton 1, folder 22
Jo Cunningham, in Point Richmond (lesbian woman).
1979 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 27 slides.
Additional Note
Formerly in notebook labeled: Orville and Jo. Also includes annotated transcripts of slideshow and notes.
phonotape_box 4
Jo Cunningham (audio tape).
[1979?] PT 4024 C: 124, 131
Physical Description:
Physical Description: 2 cassette tapes.
Scope and Content Note
Soundtrack for slideshow narrated by Jo Cunningham.
Additional Note
Master cassette tape (:124), and a copy (:131) that was previously filed with slideshow. Master tape is restricted due to
fragility.
carton 1, folder 23
Don Thompson, Standard Oil (Chevron) employee, slideshow.
[1977-1980] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 73 slides.
Scope and Content Note
Photographer's note, "Small format slideshow of a Standard Oil Employee Don Thompson who hated his job and wanted to become
a photography student."
Additional Note
Formerly in carousel tray. Also includes annotated transcripts of slideshow and letter to San Francisco Art Institute Media
Department. San Francisco Art Institute also has this slideshow.
carton 1, folder 24
Don Thompson, Standard Oil (Chevron) employee.
[1977-1980] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 80 slides.
Additional Note
Formerly in notebook; sleeved as found.
carton 1, folders 25-26
Don Thompson, transcripts of slideshow and interview.
[1977-1980] BANC PIC 2000.012--LAN
Additional Note
Formerly in notebook.
phonotape_box 4
Don Thompson (audio tape).
1979-1980 PT 4024 C: 125, 132
Physical Description:
Physical Description: 2 cassette tapes.
Scope and Content Note
Soundtrack for slideshow narrated by Chauncey Hare.
Additional Note
Master cassette tape (:125), and a copy (:132) that was previously filed with slideshow. Master tape is restricted due to
fragility.
carton 1, folders 27-31
Family, personal photos.
[circa 1976?]-1982 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 404 slides.
Scope and Content Note
Photographer's note, "Small format slideshow of the origins of my own life--as it relates to my interest in photographing
workplaces, families and spiritual desolation. It includes photographs of Hare's family Hare narrates the soundtrack."
Location of mentioned soundtrack unknown. Includes Chauncey Hare, his friends and family, his father's funeral, and artwork.
Some are original color slides.
Additional Note
Formerly in notebook labeled: Family, personal photos; A personal slideshow was made out of this.
container 1, folder 32
Lamar, Francis and Dewey.
[circa 1976-1981?] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 22 slides.
Scope and Content Note
Home interior with a dog, and people.
Additional Note
Formerly in notebook labeled: Family, personal photos; sleeved as found.
container 1, folder 33
City fragments.
[circa 1978-1981?] BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 91 slides.
Scope and Content Note
Includes cityscapes and people in urban settings.
Additional Note
Formerly in notebook labeled: Family, personal photos. Sleeved as found.
container 1, folder 34
[Artist's journey charts].
1986 BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 64 slides.
Scope and Content Note
Photographs of a series of handwritten charts with diagrams and talking points that could have been used in a lecture or workshop.
Additional Note
Formerly in notebook labeled: Extra slides. All are color.
container 1, folder 35
Miscellaneous titles and talks.
circa 1976-1986 BANC PIC 2000.012--LAN
Scope and Content Note
Photographs of typewritten captions, probably used in slideshows.
Additional Note
Formerly in notebook labeled: Extra slides. Sleeved as found.
container 1, folder 36
Duplicate slides. BANC PIC 2000.012--LAN
Physical Description:
Physical Description: 143 slides.
Additional Note
Formerly housed together in a notebook.
PIC_boxes 3-4
History of photography slideshow. BANC PIC 2000.012--PIC
Physical Description:
Physical Description: 1,305 slides.
Scope and Content Note
Slides of copied images showing the history of photography. Some are color.
Additional Note
Slideshow formerly in 4 notebooks.
Series 20: Interviews, Conversations and Monologues.
1975-1979
Physical Description:
Extent: 118 audio tapes
Physical Description: Cassette tapes contained in: phonotape boxes 1-5. Transcripts contained in: PIC boxes 5-6.
Arrangement
Arrangement is roughly by topic starting with interviews, then Standard Oil (Chevron) and engineer related meetings and conversations,
Human Arts in Technology and museum related meetings and conversations, radio programs and lectures, and finally personal
and family related recordings. Arrangement with in the subjects is roughly chronological.
Scope and Content Note
Recorded voices on cassette tapes, and transcripts of interviews conducted by Chauncey Hare. Includes interviews with Standard
Oil employees; conversations with friends; meetings about engineers and Standard Oil (Chevron); interviews with people about
participation in Human Arts in Technology; monologues by Chauncey Hare; and Hare family related recordings. Also includes
recordings of radio programs and a reading by Diane Arbus.
Access Information
Most audio tapes are restricted due to fragility, and must be reformatted to a digital use copy.
Additional Note
Subjects and notes mainly taken from labels on cassette tape box.
phonotape_box 1, tapes 1-35, phonotape_box 2, tapes 36-41
Standard Oil employee interviews.
1976 PT 4024 C:1-41
Physical Description:
Physical Description: 41 cassette tapes.
Additional Note
Includes 2 copies of tape 2.
PIC_box 5, folders 1-21
Standard Oil employee interview transcripts.
1976-1977 BANC PIC 2000.012--PIC
Scope and Content Note
Transcripts of "interviews with 21 Standard Oil employees. This is unfictionalized version."
PIC_box 5, folders 22-38, PIC_box 6, folders 1-5
Impact of Technology on the Individual: Standard Oil Employees Look at Themselves and Their Company.
1976-1977 BANC PIC 2000.012--PIC
Scope and Content Note
Typescripts of fictionalized versions of the Standard Oil employee interviews.From title page, "A selection of interviews
with Standard employees which will serve as the source material for preparation of a text for a photographic and oral history
publication by Chauncey Hare with informal assistance by Don Thompson."
Additional Note
Includes original typescripts and 2 bound copies (1 annotated).
phonotape_box 2
Emmett Boone interview.
November 2, 1977 PT 4024 C:42
Physical Description:
Physical Description: 1 cassette tape.
phonotape_box 2
Orville England interview.
June 1, 1976-July 8, 1978 PT 4024 C: 43-45
Physical Description:
Physical Description: 3 cassette tapes.
Scope and Content Note
Orville England's description of ammonia plant accident, and his experience since the accident.
phonotape_box 2
Jo Cunningham interview.
1978 PT 4024 C:46
Physical Description:
Physical Description: 2 cassette tapes.
phonotape_box 2
Don Thompson interview.
November 17, 1975-December 14, 1975 PT 4024 C:47-53
Physical Description:
Physical Description: 7 cassette tapes.
phonotape_box 2
Carolynne Hussey interview.
1976[?]-1979 PT 4024 C:54-58
Physical Description:
Physical Description: 5 cassette tapes
phonotape_box 2
Interviews: Side A: Jack Corley, Carolynne Hussey and others: Living with cancer. Side B: Bob Davis.
end of May 1977 PT 4024 C:59
phonotape_box 2
Interviews: Side A: Lida Moser. Side B: Lida Moser, Marvin Israel.
July 18, 1977 PT 4024 C:60
phonotape_box 2
Interviews: David Laughlin, Thoughts on carousels including Playland [at the Beach], which he first visited in 1921.
March 1977 PT 4024 C:61-64
Physical Description:
Physical Description: 4 cassette tapes (2 are copy tapes).
phonotape_box 5
Conversations with Candice H., professional nude model (RESTRICTED).
March 7, 1975- June 19, 1975 PT 4024 C:111-113
Physical Description:
Physical Description: 3 cassette tapes.
Scope and Content Note
Conversation with women- Book on women.
phonotape_box 5
Side A: An evening with Candice H. Side B: An hour with Phyllis, Billy and Lisa (RESTRICTED).
June 18-July 8, 1975 PT 4024 C:114
Physical Description:
Physical Description: 1 cassette tape.
Scope and Content Note
Conversation with women- Book on women.
phonotape_box 5
Candy to Chauncey(RESTRICTED until 2050).
June 30-July 22, 1976 PT 4024 C:115
Physical Description:
Physical Description: 1 cassette tape
Scope and Content Note
Conversation with women- Book on women.
phonotape_box 5
Candice H. to C. Hare (RESTRICTED until 2050).
October 29, 1976 PT 4024 C:116-117
Physical Description:
Physical Description: 2 cassette tapes.
Scope and Content Note
Conversation with women- Book on women.
phonotape_box 5
Candice's songs (RESTRICTED until 2050). PT 4024 C:118
Physical Description:
Physical Description: 1 cassette tape
Scope and Content Note
Conversation with women- Book on women.
phonotape_box 2
Conversations with Standard Oil management.
November 18, 1975-February 17, 1976 PT 4024 C:65
Physical Description:
Physical Description: 1 cassette tape
Scope and Content Note
Side A: Conversations with Standard Oil management on the subject of "A study of oil company technologists." First suggestion
of ideas. Side B: More of conversations, including meeting with Public Relations Department people.
phonotape_box 2
Side A: Anti-divestiture meeting. Chevron Research. Side B: New Horizons. KFPF radio program with David Spengler, "A New
Age."
January 13-14, 1976 PT 4024 C:66
Physical Description:
Physical Description: 1 cassette tape
Additional Note
Photographer's number: C764. One hour each side.
phonotape_box 2
Professor Richard Mortenson, UCLA, "Engineers' mentality."
March 8, 1976 PT 4024 C:67
Physical Description:
Physical Description: 1 cassette tape
Additional Note
Photographer's number: C7628. One hour and fifty minute, original master tape.
phonotape_box 2
Communication to F.J. Antwerpen. Four engineers: Tom Wills, John Medinger, Jim Bronfenbrenner, Chuck Eliason.
April 20, 1976 PT 4024 C:68
Physical Description:
Physical Description: 1 cassette tape.
Additional Note
Photographer's number: C7637.
phonotape_box 2
Message from F.J. Antwerpen, Secretary of AICHE. In response to a tape from Tom Wills, John Medinger, Jim Bronfenbrenner,
Chuck Eliason.
July 1976 PT 4024 C:69
Physical Description:
Physical Description: 1 cassette tape.
Additional Note
Photographer's number: C7664. One hour, one side only.
phonotape_box 2
Performance reviews of Chauncey Hare.
May 1976 PT 4024 C:70
Physical Description:
Physical Description: 1 cassette tape.
Additional Note
Photographer's number: C7650.
phonotape_box 3
Human Arts in Technology: Chauncey Hare on photo seminar direction.
1976? PT 4024 C:71
Physical Description:
Physical Description: 1 cassette tape
Additional Note
20 minutes.
phonotape_box 3
HAT (Human Arts in Technology). Initial phone conversation.
May 5- 8, 1976 PT 4024 C:72
Physical Description:
Physical Description: 1 cassette tape.
Scope and Content Note
Side A: Initial phone conversation with Renato Danese on photo survey; talks with Ted Roszak, John Humphrey, Bill Owens.
Side B: Talk with Joanne Leonard and Don Thompson... first conversation with Joanne on HAT and photo survey.
Additional Note
Informed phone call was being taped. Photographer's number: C7645.
phonotape_box 3
HAT (Human Arts in Technology) development conversation.
May 12-13, 1976 PT 4024 C:73
Physical Description:
Physical Description: 1 cassette tape.
Scope and Content Note
Side A: An hour with W. Dardenne Ankringa on HAT newsletter. Side B: First conversation with John Humphrey on SFMA's involvement.
Includes Bill Owens and Chauncey Hare.
Additional Note
Photographer's number: C7646.
phonotape_box 3
People interviewed about participation in Human Arts in Technology.
April 1976-March 1977 PT 4024 C:74
Physical Description:
Physical Description: 1 cassette tape.
Scope and Content Note
Side A: Robert Blauner, UC sociologist. Bill Jones on entry and access. Side B: Meeting with Bob Davis, [Leduc], Frank Pleitch,
Dennison Humphrey. Frank Pleitch talk with Gladys Gilliland.
Additional Note
Side B is 20 minutes.
phonotape_box 3
[Various meetings, including museum related meeting.]
April 15-25, 1977 PT 4024 C:75
Physical Description:
Physical Description: 1 cassette tape.
Scope and Content Note
Side A: Meeting with SFFMA staff. Meeting with J. Leonard. Side B: Meeting with J. Leonard (continued). Phone call to M.
McCone. Beginning of meeting with Bill Owens, J. Leonard, D. Thompson.
phonotape_box 3
Restaurant interview with Bill Owens.
March 24, 1976 PT 4024 C:76
Physical Description:
Physical Description: 1 cassette tape.
Additional Note
Photographer's number C7634.
phonotape_box 3
Bill Owens and friends from Livermore on "Suburbia", taped from KSAN radio.
March 28, 1976 PT 4024 C:77
Physical Description:
Physical Description: 1 cassette tape.
Additional Note
Photographer's number: C7635.
phonotape_box 3
Radio KALW FM, interview of David Warren as "Flamo," by Lee Glickstein.
February 10, 1977 PT 4024 C:78
Physical Description:
Physical Description: 1 cassette tape.
Scope and Content Note
Also present, Lorenzo Matawarren (?spelling).
Additional Note
Side B is blank.
phonotape_box 3
David Warren
March 18, 1977- April 6, 1977 PT 4024 C:79-81
Physical Description:
Physical Description: 3 cassette tapes.
phonotape_box 3
Charles Reich on New Dimensions Radio show.
February 12, 1977 PT 4024 C:82
Physical Description:
Physical Description: 1 cassette tape.
phonotape_box 3
Charles Reich.
February. 19, 1979 PT 4024 C:83-84
Physical Description:
Physical Description: 2 cassette tapes.
phonotape_box 3
Charles Reich talking about the Corporate State on New Dimensions Radio show.
July 21, 1979 PT 4024 C:85
Physical Description:
Physical Description: 1 cassette tape.
phonotape_box 3
Chauncey Hare conversation with Michael Toms, recorded for Corporate Ethics radio program.
Recorded May 12, 1977; broadcast May 21, 1977 PT 4024 C:86
Physical Description:
Physical Description: 1 cassette tape.
Additional Note
Photographer's numbers C7711.
phonotape_box 3
"Care and Feeding of Dinosaurs," Corporate Ethics radio program on New Dimensions Radio. with Chauncey Hare and Charles Reich.
May 21, 1977 PT 4024 C:87
Physical Description:
Physical Description: 1 cassette tape.
Additional Note
Photographer's number C7712.
phonotape_box 3
Diane Arbus reading. PT 4024 C:88
Physical Description:
Physical Description: 1 cassette tape.
phonotape_box 3
[Chauncey Hare monologue and comments.]
December 1, 1975-January 13, 1976 PT 4024 C:89
Physical Description:
Physical Description: 1 cassette tape.
Scope and Content Note
Side A: Monologue by Chauncey Hare on five points to the credible photograph. Side B: Comments to Michael Hoffman of Aperture
on "Study of oil company technologists" (0-100), and "Thoughts on the first and second Guggenheim Fellowships" (100-595).
Additional Note
Photographer's number C7665.
phonotape_box 3
Chauncey on new thoughts.
December 20, 1975 PT 4024 C:90
Physical Description:
Physical Description: 1 cassette tape.
phonotape_box 3
Chauncey Hare monologue on changes in thought.
Dec.ember 20, 1975 PT 4024 C:91
Physical Description:
Physical Description: 1 cassette tape.
Scope and Content Note
Side B includes Carolynne.
phonotape_box 3
Chauncey on changes.
August 1976 PT 4024 C:92
Physical Description:
Physical Description: 1 cassette tape.
phonotape_box 3
Messages for 1977.
1977 PT 4024 C:93
Physical Description:
Physical Description: 1 cassette tape.
Scope and Content Note
Includes Chauncey Hare monologue, interview, monologues of unidentified people. All tend to be on oppressiveness of corporations.
phonotape_box 3
Message for 1977, composite taped message.
1977 PT 4024 C:94
Physical Description:
Physical Description: 1 cassette tape.
Additional Note
Photographer's number C773.
phonotape_box 3
Message to John Szarkowski and Michael Hoffman.
July 12, 1977 PT 4024 C:95
Physical Description:
Physical Description: 1 cassette tape.
phonotape_box 3
Personal family events.
December 1975 PT 4024 C:96
Physical Description:
Physical Description: 1 cassette tape.
Scope and Content Note
Side A: Dissolution. Side B: Victor's 10th birthday.
phonotape_box 3
Conversations with Gertrude.
November 4, 1976 PT 4024 C:97
Physical Description:
Physical Description: 1 cassette tape.
phonotape_box 3
Life story of Ross Hare.
1977-1979 PT 4024 C:98-106
Physical Description:
Physical Description: 9 cassette tapes.
phonotape_box 4
Message from Chauncey's father.
February 15, 1977 PT 4024 C:107
Physical Description:
Physical Description: 1 cassette tape.
phonotape_box 4
To Ross from Chauncey.
July 29, 1979 PT 4024 C:108
Physical Description:
Physical Description: 1 cassette tape.
Additional Note
10 minute message.
phonotape_box 4
E. Hare, Willow Grove apt.
August 8, 1979 PT 4024 C:109
Physical Description:
Physical Description: 1 cassette tape.
phonotape_box 4
Judy on ideas. PT 4024 C:110
Physical Description:
Physical Description: 1 cassette tape.
Series 21: Documents and Collected Material.
1911, 1952-1995, 2005
Physical Description:
Physical Description: Material contained in: PIC box 2, folders 11-12; PIC boxes 7-8; A box 1; B box 20, folder 8.
Arrangement
Arranged chronologically, except for 1 folder of miscellaneous correspondence and collected material listed at the end of
the series.
Scope and Content Note
Includes Chauncey Hare's photo logbook for his work during the Guggenheim Fellowship, correspondence, writings, newsclippings,
as well as material collected by Chauncey Hare. Writings include his books, Interior America, and This Was Corporate America;
his master's theses; a manual, Work Abuse: How to Recognize It and Survive It, which he wrote with Judith Wyatt; and a guidebook
to the photographs. Collected material includes an original photograph by Lewis Hine.
Additional Note
Folders labeled, Entry documents, were received from the photographer housed in three 3-ring notebooks. Each folder represents
a notebook. All were wrapped together in paper with handwritten note on paper, "How I gained entrance! Entry documents &
farm workers photos. Entry documents- These endorsements helped get me entry into houses & businesses." United Farm Workers
photographs were moved to Interior America: California series by library staff. Work Abuse materials were received from
the photographer housed in three 3-ring binders. All were wrapped together in paper with handwritten note on paper, "Work
Abuse related manuals."
A_box 1, folders 1-3
Yearbooks.
1952-1956
Scope and Content Note
Three yearbooks: The Bomb, 1952 (Virginia Military Institute); Chevron, 1953 (DeVeaux School, Episcopalian military school);
The Columbia Engineer, 1956 (Columbia University).
PIC_box 7, folder 1
Log book, Guggenheim years.
1969-1972
Scope and Content Note
Includes notes on locations, subjects and people photographed, places traveled to, and dates.
PIC_box 7, folders 2-3
Entry documents: Guggenheim Fellowship.
1969-1971
Scope and Content Note
Includes original and photocopies of letter of recommendation, congratulatory letters, letters of introduction, permission
letters to photograph sites and newsclippings about Chauncey.
Additional Note
Received from the photographer in 3-ring notebook.
PIC_box 7, folders 4-5
Entry documents: Impact of Technology.
1976-1980
Scope and Content Note
Includes original and photocopies of fellowship and grant notification letters, letters of introduction, congratulatory letters,
acknowledgement letters from state governments where Hare was to photograph, newsletter clippings, copy photographs.
Additional Note
Received from the photographer in 3-ring notebook.
PIC_box 7, folder 6
Correspondence related to a photographic documentary project.
1976
Scope and Content Note
Includes original and photocopies of letters of introduction, congratulatory letters and acknowledgement letters from state
governments where Hare was to photograph.
Additional Note
Received from the photographer in 3-ring notebook and packaged with work abuse documents.
PIC_box 7, folder 7
Exhibition documentation.
1977, undated
Scope and Content Note
Includes typed checklist of photographs lent to The Museum of Modern Art (New York) and letter excerpts used for wall label,
handwritten checklist for the Philadelphia Museum of Modern Art.
Additional Note
Received from the photographer in the beginning of the 3-ring notebook that housed the Carolynne Hussey and Emmet Boone slides.
PIC_box 7, folder 8
Awareness Guide to Mirrors and Windows, protest flier.
1979
Scope and Content Note
Flier Chauncey Hare was handing out on steps of San Francisco Museum of Modern Art in protest of exhibit Mirrors and Windows.
Additional Note
Flier was received by an exhibit attendee on the night of the opening lecture.
PIC_box 7, folder 8
Interior America, book by Chauncey Hare.
1978
PIC_box 7, folder 9
Early copy of text to book, This Was Corporate America.
[between 1981 and 1984]
PIC_box 7, folder 10
This Was Corporate America, book by Chauncey Hare.
1984
PIC_box 7, folder 11
Proceedings of the Organization Development Network Conference, Sheraton Palace Hotel, San Francisco (Calif.).
Oct. 13-17, 1985
Scope and Content Note
Workshop held by Chauncey Hare and Judith Wyatt, "Meeting the Needs of Federal Workers: How Can OD Practitioners Become Active?"
Additional Note
Received from the photographer wrapped in paper with other documents. Handwritten note on paper, "Work Abuse related manuals."
PIC_box 7, folder 12
Making It Real: A Bottom-to-Top Change Project in a Regional Office of the United States Environmental Protection Agency.
April 1986
Scope and Content Note
Chauncey Hare's thesis for Master of Science in Organizational Development from Pepperdine University.
Additional Note
Received from the photographer wrapped in paper with other documents. Handwritten note on paper: Work Abuse related manuals.
PIC_box 8, folders 1-21
Portfolio of Course Sheets, Course Essays and a Masters Thesis.
1987
Scope and Content Note
Chauncey Hare's thesis for Master of Arts in Clinical Psychology from Sierra University.
PIC_box 8, folder 22
Work and Family Resources: Desk-top Publications on Abuse Work.
1992
Scope and Content Note
Folder of writings and flyers related to Chauncey Hare's counseling services.
PIC_box 8, folder 23
Systematic Scapegoating: A Major Hidden Form of Abuse at Work.
1992
Scope and Content Note
Writing related to Chauncey Hare's counseling services, Work and Family Resources. Slightly varied copy in Work and Family
Resources folder.
PIC_box 8, folder 24
Work Abuse: How to Recognize It and Survive It, (revised edition).
1995
Arrangement
Received from the photographer wrapped in paper with other documents. Handwritten note on paper, "Work Abuse related manuals."
Scope and Content Note
Manual by Chauncey Hare and Judith Wyatt, published by Work and Family Resources, San Francisco, Calif.
PIC_box 8, folder 25
Guidebook to Chauncey Hare's Collection of Photographs at the Bancroft Library.
March 16, 2005 revision
Scope and Content Note
"Chauncey Hare's biographical information, interviews and Essays on Photographs from 'Interior America' and 'This Was Corporate
America.'" Provides "understanding of my methods and motives for making my photographs."
Additional Note
Information in the guidebook was initially provided to The Bancroft Library in the form of emails. The photographer later
compiled this and other information to form the guidebook. Information in the guidebook was used to provide a framework for
this finding aid.
PIC_box 8, folder 26
Miscellaneous.
1978, 1985
Scope and Content Note
Includes postcard advertising a group photography show which featured Chauncey Hare's work.
PIC_box 2, folder 11
[Nutcrackers, New York City.]
December 13, 1911
Creator:
Hine, Lewis Wickes
Physical Description:
Physical Description: 1 photographic print ; 5 x 7 in.
Scope and Content Note
Label (verso), "National Child Labor Committee. #2691. Family picking nuts in a dirty tenement home. The girl is cracking
nuts with her teeth, not an uncommon sight. N.Y.C."
Additional Note
Handwritten (verso), "Preparation of food stuffs in tenements now prohibited by law."
PIC_box 2, folder 12
Collected photographs and print.
1975-1977
Physical Description:
Extent: 2 photographic prints and 1 print.
Scope and Content Note
Photograph of two children, by Robert Cooper, 1975.
"Pa Leavens and his dog 'Polcey' in Lilloet, British Columbia," photograph by Nina Raginsky.
"Reflections," print (serigraph) by Willa, 1977.
B_box 20, folder 8
Photograph by Joanne Leonard.
1965
Physical Description:
Physical Description: 1 photographic print on 16 x 12 in mount.
A_box 1, folder 4
Brooklyn, California: Picturesque homes and cottages in the township of Brooklyn, Oakland, California.
1979
Scope and Content Note
Calendar published by the Brooklyn Neighborhood Preservation Association, collected by Chauncey Hare.
Series 22: Later Exhibition Prints.
Physical Description:
Physical Description: Prints contained in: B boxes 21-22.
Arrangement
Interior America prints are in two duplicate sets: a (restricted exhibition prints) and b (viewing prints).
Scope and Content Note
Prints selected from Interior America and This Was Corporate America series for exhibitions. These are later prints, made
after acquisition of the archive by Bancroft Library, from the original Chauncey Hare negatives. Most prints were made by
Leslie Kossoff of LK Studio in San Francisco in August 2010.
Access Information
Photographs in B box 22 are restricted to reduce handling. For exhibition use only.
Additional Note
The exhibition prints are 16x20 inches to distinguish them from Hare original prints. There are some smaller prints in set
b (in B box 21) that were made at a later date by a different photographic printer.
B_box 22, folders 1-6
Interior America exhibition prints, set a (RESTRICTED). BANC PIC 2000.012.22--B
Physical Description:
Physical Description: 19 photographic prints, plus some duplicates.
Scope and Content Note
A selection of new prints made from the original Chauncey Hare negatives. Viewing prints in set b are a duplicate set, except
for 1 print.
Additional Note
16x20 inch prints made by Leslie Kossoff of LK Studio in San Francisco in August 2010.
B_box 21, folders 1-7
Interior America viewing prints, set b. BANC PIC 2000.012.22--B
Physical Description:
Physical Description: 18 photographic prints, plus some duplicates.
Scope and Content Note
A selection of new prints made from the original Chauncey Hare negatives. These are duplicates of Interior America exhibition
prints, set a, except for 1 print.
Additional Note
The 16x20 inch prints were made by Leslie Kossoff of LK Studio in San Francisco in August 2010. The smaller prints were made
at a later date by a different photographic printer.
B_box 22, folders 7-10
This Was Corporate America exhibition prints (RESTRICTED). BANC PIC 2000.012.22--B
Physical Description:
Physical Description: 20 photographic prints.
Scope and Content Note
A selection of new prints made from the original Chauncey Hare negatives by Leslie Kossoff of LK Studio in San Francisco in
August 2010. Includes images from pages 16, 18-24, 26-28, 30, 31, 33, 34, 36, 37, 39, 41, 45 of the book, This Was Corporate
America.
Selected items digitized from this collection.
ffALB_box 1
Oakland, California.
1969? BANC PIC 2000.012.05 v.1:009--ffALB
Creator:
Hare, Chauncey
Scope and Content Note
Automobile dealer in showroom.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Oakland, California.
1968-1969 BANC PIC 2000.012.05 v.1:012--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
African American couple at home.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
California.
1967-1972 BANC PIC 2000.012.05 v.1:013--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Woman seated in rocking chair in room with dog and piano.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Richmond, California.
1969-1970 BANC PIC 2000.012.05 v.1:014--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Home interior with a man, woman and child.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Oakland, California.
1969-1970 BANC PIC 2000.012.05 v.1:019--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with bed.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Oakland, California.
1969-1970 BANC PIC 2000.012.05 v.1:027--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Oakland, California.
1969-1970 BANC PIC 2000.012.05 v.1:030--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Home interior with a bar.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Oakland, California.
1969-1970 BANC PIC 2000.012.05 v.1:035--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Home interior with two television sets and a painting of George Washington.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Delano, California.
1969-1970 BANC PIC 2000.012.05 v.1:036--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Home interior with John F. Kennedy bust and television set.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Richmond, California.
1968 BANC PIC 2000.012.05 v.1:044--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Baby on a couch.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Oakland, California.
1969-1970 BANC PIC 2000.012.05 v.1:045--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Home interior with a fireplace and television set.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Oakland, California.
1969-1970 BANC PIC 2000.012.05 v.1:049--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Home interior with pictures and newsclippings on a wall.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Berkeley, California.
1969-1970 BANC PIC 2000.012.05 v.1:055--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with a dog plush toy on a bed.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Sabrina makes hats.
1967-1972 BANC PIC 2000.012.05 v.1:060--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Woman in a room with a sewing machine, California.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
Basement apartment, Berkeley, California.
1968 BANC PIC 2000.012.05 v.1:079--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Young man seated in an armchair.
Additional Note
Title from label on back of mount of a duplicate copy.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 1
California.
1967-1972 BANC PIC 2000.012.05 v.1:083--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Home interior with fringed vests hanging in doorway.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 2
Willows, California.
1968 BANC PIC 2000.012.05 v.2:036--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Hotel front desk.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
Oakland, California.
1969 BANC PIC 2000.012.05:018--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with man seated across from television set.
Additional Note
Page 134 of Interior America book. Same images as BANC PIC 2000.012.13:057--ffALB
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
Berkeley, California. [United Farm Workers office.]
1969 BANC PIC 2000.012.05:030--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
Oakland, California.
1968-1969 BANC PIC 2000.012.05:032--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Assembly room with a piano.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
[Interior showing room with table, bathroom and bedroom. Stanislaus, California.]
1969? BANC PIC 2000.012.05:034--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
Hanford, California.
1969 BANC PIC 2000.012.05:035--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Three chairs in American Legion Post No. 3.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
[Christmas tree in public hallway, California.]
1967-1972 BANC PIC 2000.012.05:038--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
Oakland, California.
1969? BANC PIC 2000.012.05:042--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man at a window of a mission office.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
California.
1967-1972 BANC PIC 2000.012.05:043--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Child on a mechanical horse in a lobby of building.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
[Railroad crossing sign and brick building.]
1968-1970 BANC PIC 2000.012.05:046--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
[Edmond J. Boone, Richmond, Calif.]
1968-1970 BANC PIC 2000.012.05:056--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Retired African American shipyard worker and child at home.
Additional Note
Same image as BANC PIC 2000.012.15.04--B.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
Carolyn.
1967-1972 BANC PIC 2000.012.05:059--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Woman seated in living room, California.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
Carolyn and Chauncey. BANC PIC 2000.012.05:065--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man and woman on a Murphy bed, California.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
[Interior with a bricked up fireplace and sink, California.] BANC PIC 2000.012.05:072--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
California.
1968-1971 BANC PIC 2000.012.05:074--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
[Staircase with rose patterned wallpaper.]
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
Oakland, California.
1968-1971 BANC PIC 2000.012.05:084--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
African American woman seated next to window with statues of Mary and Jesus.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
California.
1968-1971 BANC PIC 2000.012.05:090--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
African American man seated in a lawn chair.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
[Man standing next to wall of violins.]
1967-1972 BANC PIC 2000.012.05:092--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 3
[Staircase and hallway with vending machines.]
1967-1972 BANC PIC 2000.012.05:097--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 2
Chauncey Hare, age 34. First Guggenheim.
1968 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Self-portrait (reflection in mirror ) with camera.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 2
[Gertrude Hare and son, Victor in bathroom, Berkeley, California.]
1969? BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Chauncey Hare's first wife Gertrude reading a magazine, and son, Victor, playing in the bathtub.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 2
[Gertrude Hare standing in kitchen, Kensington, California.]
1969? BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 2
[Victor Hare sitting on the kitchen counter, Kensington, California.]
1969 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 2
[Gertrude Hare standing next to washer and drier in basement, Kensington, California.]
1969? BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 2
[Man and child on a bed, home interior in California.]
1967-1972 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 69 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 2
["Justice is the guardian of liberty," metal stairway railing, public interior in California.]
1968-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 259 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 2
[Home interior with ornate hutch and television set.]
1968-1971? BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Hallway of a public building with vending machines and water fountain, Oakland, California.]
1968-1969 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 285 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
Oakland, California.
1968-1969 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Assembly room with chairs lined up along wall.
Additional Note
Page 279 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
Oakland, California.
1968-1969 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Vacant office with Oakdale theatre visible outside the window.
Additional Note
Page 263 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Woman playing violin in bedroom, Oakland, California.]
1968-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 101 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Group portrait of family living room, California.]
1968-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 45 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Woman and child sitting at kitchen table, California.]
1968-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 159 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Man inside a Greyhound bus station, Arcata, California.]
1968-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 291 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Hallway of modern office building, California.]
1968-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 261 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Rotunda of a government building, California.]
1968-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 253 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Interior with a record player, assorted junk and stairs, California.]
1968-1972 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 364 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Home interior with crib and guitar, California.]
1968-1972 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 203 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Home interior with pictures of the story of Jesus on the wall, Oakland, California.]
1969-1970 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Includes television set and record album cover on an old mattress.
Additional Note
Page 353 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Interior of Community Missionary Baptist Church, California.]
1969-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 295 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Child's room with a cardboard playhouse, California.]
1969-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 205 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Man and woman sitting in front of fireplace, home interior in California.]
1969-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 85 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Home interior with an African American young man and a television set in Oakland, California.]
1969-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 91 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[African American children at a birthday party in Oakland, California.]
1969-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 114 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Home interior with diploma and graduation photographs, Oakland, California.]
1969-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 199 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Bedroom with baby on the bed, Oakland, California.]
1969-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 171 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Couple seated in living room with baby in crib, Richmond, California.]
1970 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 85 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Interior with fireplace, California.]
1969-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 283 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Home interior with mirror reflecting the image of an elderly man, Oakland, California.]
1969-1970 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 359 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Room with door labeled, "Dr. Martin, dentist, room 1," California.]
1969-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 275 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 2, folder 4
[Hallway with a cardboard cutout of a Marine, public interior in California.]
1969-1971 BANC PIC 2000.012.05--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
Page 327 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Home interior with man standing in doorway.]
1968-1973 BANC PIC 2000.012.06:020--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
Cincinnati, Ohio.
1971 BANC PIC 2000.012.06:025--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Woman standing in a bedroom.
Additional Note
Same woman as BANC PIC 2000.012.13:053--ffALB.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Woman seated with a young girl in a home dining area.]
1968-1973 BANC PIC 2000.012.06:026--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Man reading in chair.]
1968-1973 BANC PIC 2000.012.06:029--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
Oakland, California.
1969 BANC PIC 2000.012.06:030--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
African American man seated at dining room table with pies.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
Steubenville, Ohio.
1971 BANC PIC 2000.012.06:035--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Houses on hillside.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Detail of a home interior with framed photographs and prescription medicine, probably Mingo Junction, Ohio.]
1971? BANC PIC 2000.012.06:036--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Window display of Steubenville Building and Loan Association, Steubenville, Ohio.]
1971? BANC PIC 2000.012.06:038--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Interior with a portrait of a woman above a fireplace.]
1968-1973 BANC PIC 2000.012.06:041--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
Ohio Valley.
1971-1972 BANC PIC 2000.012.06:042--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man standing by couch with dolls.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Man standing behind chair in living room.]
1968-1973 BANC PIC 2000.012.06:044--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Interior with dog sitting in front of fireplace.]
1968-1973 BANC PIC 2000.012.06:052--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Interior of a stone fireplace with musket and cast iron pots.]
1968-1973 BANC PIC 2000.012.06:053--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Clapboard houses and yard with swing set.]
1968-1973 BANC PIC 2000.012.06:056--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Elderly woman in striped dress seated near window in living room.]
1968-1973 BANC PIC 2000.012.06:058--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[A family watching television at home.]
1968-1972 BANC PIC 2000.012.06:066--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[A family at home.]
1968-1972 BANC PIC 2000.012.06:067--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
Monessen, Pennsylvania.
1971 BANC PIC 2000.012.06:068--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man reading a newspaper at a kitchen table.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Woman pointing towards a television set.]
1968-1973 BANC PIC 2000.012.06:069--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
Oakland, California.
1969 BANC PIC 2000.012.06:072--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Couple seated near fireplace.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Woman standing in kitchen, Richmond, Virginia.]
1973 BANC PIC 2000.012.06:076--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Self-portrait of Chauncey Hare seated at a table.]
1968-1973 BANC PIC 2000.012.06:085--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
A copy of a Steubenville, Ohio newspaper is visible in the photo.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
Saginaw, Michigan.
1968 BANC PIC 2000.012.06:091--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Painting and books on a dresser top.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Bird's-eye view of a suburban street lined with houses.]
1968-1973 BANC PIC 2000.012.06:093--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Children watching television.]
1968-1973 BANC PIC 2000.012.06:094--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
Richmond, California.
1968 BANC PIC 2000.012.06:096--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with window, television and piano. Letters in the window facing outside read, "The Messiah is the message."
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Living room.]
1968-1973 BANC PIC 2000.012.06:100--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[African American man and woman sitting in chairs in their living room.]
1968-1973 BANC PIC 2000.012.06:102--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
The television is on behind them.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Portrait of man, woman, and boy wearing Salvation Army uniforms.]
1968-1973 BANC PIC 2000.012.06:107--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
Kensington, California.
1969? BANC PIC 2000.012.06:108--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Living room with television showing live coverage from the moon.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Entrance to police station and stairs, Parkersburg, West Virginia.]
1971? BANC PIC 2000.012.06:123--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Room full of bunk beds.]
1968-1973 BANC PIC 2000.012.06:125--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 4
[Classroom decorated for Thanksgiving.]
1968-1973 BANC PIC 2000.012.06:127--ffALB
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 3, folder 1
Dad's bedroom, West Chester, Pennsylvania.
1971 BANC PIC 2000.012.06--AX
Creator:
Hare, Chauncey
Physical Description:
Extent: 1 photograph
Scope and Content Note
Home of Chauncey Hare's parents. Includes photos of Chauncey and younger brother Nolan.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 3, folder 1
My mother's room.
1971 BANC PIC 2000.012.06--AX
Physical Description:
Extent: 1 photograph
Scope and Content Note
Bedroom in the home of Chauncey Hare's parents, West Chester, Pennsylvania.
Additional Note
Same image as 2000.012.06:101--ffALB.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 3, folder 1
[Young man and woman standing next to stove and sink in kitchen.]
1968-1972 BANC PIC 2000.012.06--AX
Physical Description:
Extent: 1 photograph
Additional Note
Page 33 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 3, folder 1
Cheyenne, Wyoming.
1971 BANC PIC 2000.012.06--AX
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man and dog in hall of a government bulding.
Additional Note
Page 271 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 3, folder 1
[Orphan's Court Room.]
1968-1972 BANC PIC 2000.012.06--AX
Physical Description:
Extent: 1 photograph
Additional Note
Page 247 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 3, folder 4
Disciplinarian, Ohio Valley.
1971-1972 BANC PIC 2000.012.06--AX
Physical Description:
Extent: 1 photograph
Scope and Content Note
Family seated in chairs in their living room.
Additional Note
Page 61 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 3, folder 4
[Child in a living room.]
1968-1972 BANC PIC 2000.012.06--AX
Physical Description:
Extent: 1 photograph
Additional Note
Page 93 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 3, folder 4
[Home interior with wooden stairway, desk and chair.]
1968-1972 BANC PIC 2000.012.06--AX
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 6
Carousel room, San Francisco. Playland at the Beach.
1968-1972 BANC PIC 2000.012.08:001--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 6
[Woman riding on a merry-go-round tiger, Playland at the Beach, San Francisco.]
1968-1972 BANC PIC 2000.012.08:004--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 6
[Exterior of the building housing the merry-go-round, Playland at the Beach, San Francisco.]
1968-1972 BANC PIC 2000.012.08:023--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 6
[People sitting in the carousel room, Playland at the Beach, San Francisco.]
1968-1972 BANC PIC 2000.012.08:085--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 9
[Seated man with briefcase on BART.]
1977-1980 BANC PIC 2000.012.11:034--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 63 (page 91) of This Was Corporate America book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 10
Police Headquarters building, Petersburg, [West] Virginia.
1972 BANC PIC 2000.012.12 v.1:001--ffALB
Physical Description:
Extent: 1 photogaph
Additional Note
Title from label on back of mount.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 10
View from a railway overpass, Vancouver, British Columbia.
1973 BANC PIC 2000.012.12 v.1:002--ffALB
Physical Description:
Extent: 1 photogaph
Additional Note
Title from label on back of mount.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 4, folder 1
Oakland, California.
1969? BANC PIC 2000.012.12--AX
Additional Note
Page 333 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
AX_box 4, folder 1
[The Original Roosevelt Cafe window.]
1967-1974 BANC PIC 2000.012.12--AX
Additional Note
Page 331 of Protest Photographs book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Wintersville, Ohio.
1971 BANC PIC 2000.012.13:001--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man with lunchbox seated at a kitchen table.
Additional Note
Frontispiece of Interior America book.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Steubenville, Ohio.
1971 BANC PIC 2000.012.13:002--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
House with man and dog on porch.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Oakland, California.
1968 BANC PIC 2000.012.13:003--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Mirror reflecting a man.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Oakland, California.
1968 BANC PIC 2000.012.13:004--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Woman sitting in a chair with a dog at her feet.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Covington, Kentucky.
1971 BANC PIC 2000.012.13:005--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with windows, mirror and television set.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Cheyenne, Wyoming.
1971 BANC PIC 2000.012.13:006--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Lobby with woman sitting at desk and taxidermied animals.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Gilroy, California.
1969 BANC PIC 2000.012.13:007--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with stairwell balustrade and view in to office.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Sacramento, California.
1968 BANC PIC 2000.012.13:008--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with calendar on wall.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Chester, Pennsylvania.
1972 BANC PIC 2000.012.13:009--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Two men in a dormitory room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
West Chester, Pennsylvania.
1972 BANC PIC 2000.012.13:010--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Family in their living room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Albany, California.
1968 BANC PIC 2000.012.13:011--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Living room with man and woman seated on a flowered couch.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Oakland, California.
1969 BANC PIC 2000.012.13:012--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Stairwell with model airplane.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Wheeling, West Virginia.
1972 BANC PIC 2000.012.13:013--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Family in living room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Berkeley, California.
1970 BANC PIC 2000.012.13:014--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with child in crib and window.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Mingo Junction, Ohio.
1971 BANC PIC 2000.012.13:015--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man sitting on a front porch, steel mill in background.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Oakland, California.
1969 BANC PIC 2000.012.13:016--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man sitting on bed.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Oakland, California.
1968 BANC PIC 2000.012.13:017--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with window and framed pictures on wall.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
West Chester, Pennsylvania.
1972 BANC PIC 2000.012.13:018--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with piano and dog.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Richmond, California.
1968 BANC PIC 2000.012.13:019--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Office with man seated at desk.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Cheyenne, Wyoming.
1971 BANC PIC 2000.012.13:020--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man with closed eyes seated in a chair in living room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Earlimart, California.
1971 BANC PIC 2000.012.13:021--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with child on a woman's lap, and artificial Christmas tree.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Porterville, California.
1969 BANC PIC 2000.012.13:022--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with woman behind counter.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Bethlehem, Pennsylvania.
1972 BANC PIC 2000.012.13:023--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Cemetery and house lined street.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Sierra Foothills, California.
1970 BANC PIC 2000.012.13:024--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Hallway with framed picture, pay telephone and doorway to Sonny's Gold Room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Eel River, California.
1969 BANC PIC 2000.012.13:025--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with mounted animal heads and man seated in chair.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Bakersfield, California.
1969 BANC PIC 2000.012.13:026--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with office sign, door, chair, painting and crutches.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Interstate 80, California.
1969 BANC PIC 2000.012.13:027--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Scenic tapestries hanging in front of rural house.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Wintersville Ohio.
1971 BANC PIC 2000.012.13:028--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man and woman seated in their living room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Cincinnati, Ohio.
1971 BANC PIC 2000.012.13:029--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Woman, teenager and dog in their living room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Monongahela, Pennsylvania.
1972 BANC PIC 2000.012.13:030--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man standing in his living room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Oakland, California.
1968 BANC PIC 2000.012.13:031--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Corner of a room with mirror, dresser top, radio and photographs.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Nipomo, California.
1970 BANC PIC 2000.012.13:032--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Woman standing in from of a door in a bedroom.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
A residential section of Johnstown, Pennsylvania.
1972 BANC PIC 2000.012.13:033--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Bird's-eye view of buildings and homes in an industrial city.
Additional Note
Title from label on back of mount.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Mingo Junction, Ohio.
1971 BANC PIC 2000.012.13:034--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Room with elderly woman, and a view a steel mill outside the window.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
Additional Note
Same woman in BANC PIC 2000.012.13:056--ffALB.
Additional Note
Same woman as BANC PIC 2000.012.06:056--ffALB.
ffALB_box 12
San Pablo, California.
1969 BANC PIC 2000.012.13:035--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man and woman standing in a doorway to their kitchen.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Albany, California.
1969 BANC PIC 2000.012.13:036--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Elderly couple seated at their dining room table.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Selma, California.
1969 BANC PIC 2000.012.13:037--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Corner of a room in a home with a memorial for a U.S. Marine.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
East Liverpool, Ohio.
1972 BANC PIC 2000.012.13:038--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man standing next to fireplace in his home.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Route 209 into Jim Thorpe, Pennsylvania.
1970 or 1972 BANC PIC 2000.012.13:040--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Title and date of 1972 from label on back of mount.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Donora, Pennsylvania.
1972 BANC PIC 2000.012.13:041--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Two wooden chairs in a room with large windows.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Toronto, Ohio.
1972 BANC PIC 2000.012.13:042--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Wealthy widow, through the open door you can see her husband's hat and coat.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Coal Center, Pennsylvania.
1972 BANC PIC 2000.012.13:043--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man, woman and dog in a room with a coal stove and pinball machines.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Cincinnati, Ohio.
1971 BANC PIC 2000.012.13:044--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with men playing cards and dominoes.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
A new home, West Chester, Pennsylvania.
1972 BANC PIC 2000.012.13:045--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Title from label on back of mount.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Richmond, California.
1969 BANC PIC 2000.012.13:047--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man and woman holding their children, standing in front of a stove.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Steubenville, Ohio.
1971 BANC PIC 2000.012.13:048--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man and woman seated on either side of a fireplace in their home.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Oakland, California.
1969 BANC PIC 2000.012.13:049--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man and woman seated in living room with their dog.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers
ffALB_box 12
View from a highway overpass, Weissport, Pennsylvania.
1972 BANC PIC 2000.012.13:051--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Title from label on back of mount.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Oakland, California.
1969 BANC PIC 2000.012.13:052--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with man seated on bed, reading a magazine.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Cincinnati, Ohio.
1971 BANC PIC 2000.012.13:053--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Young woman sitting in chair holding a cigarette.
Additional Note
Same woman as BANC PIC 2000.012.06:025--ffALB.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Mingo Junction, Ohio.
1971 BANC PIC 2000.012.13:056--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man and woman seated at kitchen table.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
Additional Note
Same woman as BANC PIC 2000.012.06:034--ffALB.
ffALB_box 12
Steubenville, Ohio.
1971 BANC PIC 2000.012.13:058--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man, woman and baby girl in nursery.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Wintersville, Ohio.
1971 BANC PIC 2000.012.13:059--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man and woman seated in their living room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
San Joaquin Valley, California.
1970 BANC PIC 2000.012.13:060--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with piano, chairs, tapestry of The Last Supper, and sign recording attendance on wall.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Richmond, California.
1970 BANC PIC 2000.012.13:063--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Woman sitting at a kitchen table, holding a baby and petting a cat.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers
ffALB_box 12
Sacramento Valley, California.
1969 BANC PIC 2000.012.13:064--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Home interior with woman, and man holding a dog.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Cincinnati, Ohio.
1971 BANC PIC 2000.012.13:065--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Living room with woman seated on sofa, smoking a cigarette, and boy crouching on the floor.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
West Chester, Pennsylvania.
1971 BANC PIC 2000.012.13:066--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Home interior with man sleeping in a chair.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Richmond, California.
1968 BANC PIC 2000.012.13:067--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Interior with Crystal Room on header over double doors.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
West Chester, Pennsylvania.
1972 BANC PIC 2000.012.13:068--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man and woman standing in a bedroom.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Weirton, West Virginia.
1971 BANC PIC 2000.012.13:070--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
African American women seated on a couch in living room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Richmond, California.
1968 BANC PIC 2000.012.13:072--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Orville England seated next to stove.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers
ffALB_box 12
View from the lobby of a small hotel, Lucedale, Mississippi.
1973 BANC PIC 2000.012.13:073--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Title from label on back of mount.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Early morning, Jim Thorpe, Pennsylvania.
1969 or 1971 BANC PIC 2000.012.13:074--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Title and date of 1969 from label on back of mount.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Toronto, Ohio.
1971 BANC PIC 2000.012.13:075--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Doorway to dining room from living room.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
West Chester, Pennsylvania.
1971 BANC PIC 2000.012.13:076--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Living room with a Christmas tree and Chauncey Hare's father resting in a chair.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 12
Detail of boy's bedroom, Saginaw, Michigan.
1968 BANC PIC 2000.012.13:077--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Title from label on back of mount.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Male workers behind glass partition, Standard Oil Company of California, Richmond, California.]
1976-1977 BANC PIC 2000.012.14:001--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Man in lab coat and man seated at desk.
Additional Note
Photograph 26 (page 53) of book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Standard Oil Company of California refinery, Richmond.]
1976-1977 BANC PIC 2000.012.14:002--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 33 (page 61) of book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Office worker seated at a desk behind books, Standard Oil Company of California.]
1976-1977 BANC PIC 2000.012.14:003--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 16 (page 43) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Office worker seated at a desk, Standard Oil Company of California refinery, Richmond, California.]
1976-1977 BANC PIC 2000.012.14:004--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 20 (page 47) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Man standing at door to partitioned office space in refinery, Standard Oil Company of California, Richmond, California.]
1976-1977 BANC PIC 2000.012.14:005--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 24 (page 51) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Office worker seated at a desk with head resting on fist, Standard Oil Company of California.]
1976-1977
1976-1977 BANC PIC 2000.012.14:010--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 27 (page 54) in book, This Was Corporate America.
Additional Note
Photograph 27 (page 54) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Head of female worker seen over office cubical, Standard Oil Company of California.]
1976-1977 BANC PIC 2000.012.14:011--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 28 (page 55) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Office worker seated at a desk, holding a telephone receiver, Standard Oil Company of California.]
1976-1977 BANC PIC 2000.012.14:013--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 15 (page 41) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Office worker seated at a desk, pulling something out of drawer, Standard Oil Company of California.]
1976-1977 BANC PIC 2000.012.14:017--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 22 (page 49) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Top of man's head seen in window of office space, Standard Oil Company of California, Richmond, California.]
1976-1977 BANC PIC 2000.012.14:018--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 23 (page 50) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Refinery worker seated at desk in front of wall with dials, Standard Oil Company of California, Richmond, California.]
1976-1977 BANC PIC 2000.012.14:019--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 30 (page 57) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Room with document storage boxes, Standard Oil Company of California.]
1976-1977 BANC PIC 2000.012.14:022--ffALB
Physical Description:
Extent: 1 photograph
Additional Note
Photograph 18 (page 45) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
Self-portrait in my apartment at Orville's; Self-portrait at the EPA.
1980 BANC PIC 2000.012.14:023-024--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Chauncey Hare seated at home (top), and seated at a desk at work at the Environmental Protection Agency (bottom).
Additional Note
Item 23 is photograph 10 (page 27) in book, This Was Corporate America. Item 24 is photograph 3 (page 24) in book, This Was
Corporate America.
ffALB_box 13
My mother at my father's funeral.
1979 BANC PIC 2000.012.14:033--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
The funeral of Chauncey Hare's father.
Additional Note
Photograph 4 (page 24) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
Carolynne.
1976 BANC PIC 2000.012.14:035--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Woman looking at empty suitcases.
Additional Note
Photograph 2 (page 23) in book, This Was Corporate America. Same image as item BANC PIC 2000.012.15.01--B
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
Releasing my father.
1979 BANC PIC 2000.012.14:036--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Self- portrait of Chauncey Hare standing in front of San Francisco Bay with his arms in the air.
Additional Note
Photograph 6 (page 25) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
[Office workers sitting on ground outside, socializing during a break.]
circa 1976-1977 BANC PIC 2000.012.14:037--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Probably in San Francisco.
Additional Note
Photograph 32 (page 60) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
ffALB_box 13
All of us eating ice cream around Orville's kitchen table.
1979 BANC PIC 2000.012.14:039--ffALB
Physical Description:
Extent: 1 photograph
Scope and Content Note
Left to Right: Orville England, Regan Louie, Connie Hatch, and Chauncey Hare, Richmond, California.
Additional Note
Photograph 9 (page 27) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
NEG_box 33
[Woman working in the electronics industry.]
1980-1981 BANC PIC 2000.012--NEG
Additional Note
Photograph 45 (page 73) in book, This Was Corporate America.
Additional Note
This photograph was made by Chauncey Hare to protest and warn against the growing domination of working people by multi-national
corporations and their elite owners and managers.
