Descriptive Summary
Access
Publication Rights
Preferred Citation
Acquisition Information
Scope and Content of Collection
Arrangement
Access Terms
Descriptive Summary
Title: Caricatures of Black Americans : sheet music
Dates: 1861-1947
Collection number: M690
Collection Size:
3 linear ft.
310 items
Repository:
Stanford University. Libraries. Dept. of Special Collections and University Archives.
Abstract: White perceptions of African American as portrayed in the cover illustrations of sheet music. The quality of the artwork varies
with its depictions, from crude racism to fairly refined perceptions of Black life over the period from the overthrow of slavery
to the Great Depression.
Languages:
Languages represented in the collection:
English
Access
Collection is open for research; materials must be requested at least 24 hours in advance of intended use.
Publication Rights
Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain
permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections.
Preferred Citation
Caricatures of Black Americans : sheet music, M690. Dept. of Special Collections, Stanford University Libraries, Stanford,
Calif.
Acquisition Information
Purchased, 1994.
Scope and Content of Collection
White perceptions of African American as portrayed in the cover illustrations of sheet music. The quality of the artwork varies
with its depictions, from crude racism to fairly refined perceptions of Black life over the period from the overthrow of slavery
to the Great Depression. From the generally positive images of the Civil War period, these views of African Americans descend
into heavily caricatured White versions of ragtime, followed by the generally racist minstrel and vaudeville presentations
that featured Moran and Mack, Al Jolson, Eddie Cantor, and Amos & Andy. Even music primarily written or performed by Blacks
(e.g., Bert Williams) is generally subject to negative caricature. At the same time, the rise of Jim Crow in the South was
accompanied by a type of music based on a presumed Black nostalgia for the "good old days" of slavery and field work. The
few positive images from the period include a portryal of African American troops from the Spanish American war. Two baseball
cover themes include Ring Lardner's first piece of sheet music. The collection concludes with material from the 1930's that
reflects a blending of jazz themes with stylized art deco motifs.
Arrangement
Arranged alphabetically by lyricist, several sheets to each folder.
Access Terms
The following terms have been used to index the description of this collection in the library's online public access catalog.
Cantor, Eddie, 1892-1964.
Jolson, Al, d. 1950.
Lardner, Ring, 1885-1933.
Williams, Bert, 1874-1922.
Amos and Andy.
Moran and Mack.
African Americans in popular culture--Songs and music.
Ethnic attitudes.
Jazz--United States.
Music.
Piano music.
Popular music.
Race relations--History.
Songs with piano.
Ragtime music.
Spanish-American War, 1898.
United States--Social life and customs.
Drawings.
Sheet music.