Guide to the Earn Hong Photograph Albums D-703
Liz Phillips
University of California, Davis Library,
Dept. of Special Collections
2021
1st Floor, Shields Library, University of
California
100 North West Quad
Davis, CA 95616-5292
speccoll@ucdavis.edu
Language of Material:
English
Contributing Institution:
University of California, Davis Library,
Dept. of Special Collections
Title: Earn Hong Photograph Albums
Creator:
Hong, Earn
Identifier/Call Number: D-703
Physical Description:
0.4 linear
feet
Date (inclusive):
1919-1922
Abstract: Photographic record
of Korean American activist Earn Hong's travels in the United
States and Peru between 1919 and 1922.
Physical Location: Researchers should
contact Archives and Special Collections to request collections,
as many are stored offsite.
Earn (or Eurn) Hong (1880-1951) was an active member of the
Korean American community in Hawaii and California in the early
20th century. He first moved to the United States in 1905,
studied in Hawaii, and eventually moved to San Francisco in 1911.
In California, Hong became a representative of the Manchurian
General Assembly of the Korean People's Association (or Korean
National Association) in November 1912. Hong served in various
positions in the Association over the next decade, including as
vice president of the organization during the time represented by
these photographs. He continued to serve the Korean and Korean
American community, as Overseas Chinese Commissioner in 1935 and
as Secretary of the Korean Federation in 1944. Hong passed away
on March 25, 1951.
Photographic record of the American travels of prominent
Korean American activist Earn Hong in his fundraising efforts for
the Korean National Association. As documented here, Hong's
travels took him across California, Oregon, Idaho, Utah,
Colorado, Wyoming, Montana, Washington, Hawaii, Nevada, Arizona,
New Mexico, Oklahoma, Texas, Louisiana, Mexico, and Peru, largely
to assess the need for financial relief of Korean residents in
the Americas and to collect money for Korean independence efforts
against Japan. The images document some personal travels as
well.
The photographs here capture a wide range of people and
settings, document Asian American, Asian Peruvian, and indigenous
life in Peru in the early 1920s, and is a virtual treasure trove
of identified Asian Americans in the western United States and
Peru just after World War I.
The albums are organized chronologically by the locations Hong
visited between 1919 and 1922. The first album begins in
California, where Hong notes on a real photo postcard of San
Francisco that the city is "My adopted hometown where I resided
for eight years since 1911." Hong features the David Hewes
Building in San Francisco, which he describes as "the corner
building where there is the office of the Korea National
Association." He also includes a photo of the Dewy House, where
Hong has kept "7-Years' Residence." Hong then features and
identifies dozens of fellow Korean Americans and Chinese
Americans and their families in San Francisco and all across
California, in the towns of Santa Monica, Marysville, Vallejo,
Santa Rosa, Hollister, Salinas, Monterey, Santa Cruz, Dinuba, San
Diego, Pasadena, Santa Barbara, and others. He also includes
pictures of San Francisco's Chinatown, scenes in Golden Gate
Park, at the Cliff House, and other locations across California,
including Yosemite, a sugar pine mill in Madera, the Young Korean
Academy in Los Angeles, an orange field in Upland, and a vineyard
in Dinuba, often with friends or associates featured at these
locations. Hong also visited Seattle and several locations in
Oregon toward the end of 1919. He documents an "Indian Totimpl"
in Seattle, Union Station and other spots in Portland, and
apparently visited Native Americans in Pendleton, Oregon. He
closed out 1919 with a whirlwind December tour of Idaho, Utah,
Colorado (where he took several photographs from a train on the
Denver Rio Grande line and visited a Korean American family in
Pueblo), Wyoming, Montana (where he pictures Main Street and a
copper mine in Butte City), and back in Washington state, where
he pictures a Korean American family in Yakima. Hong began
January 1920 in snowy Walla Walla, where the first album
ends.
Hong's second album opens with over twenty-five photographs
documenting a Korean American ceremony and parade. These
photographs are not annotated, and the purpose of the ceremony is
unclear, but several images feature participants proudly waving
Korean flags alongside American flags, and the location is
clearly the United States, likely in California. These images are
followed by several shots of the Redwood Aviation School in
Redwood City, California. A few of these photos feature Korean
American pilots, as the Redwood Aviation School trained Korean
pilots to help in the fight for independence from Japan. From
there, Hong headed to Tiburon Bay, California (where his did some
fishing) before moving on to Nevada (where he again took some
photographs from a moving train), before returning to California,
briefly visiting the Capitol Building in Sacramento, and then
heading back south. Hong snaps a few pictures on the beach in
Venice in April 1920 and then crosses to Mexico, visiting
Calexico and then briefly Mexicali, Mexico. Returning to the
U.S., he travels across Arizona, where he visited numerous sites
and pictures them here. While in Tucson, Hong visited a Korean
American woman named Mary L. Law, who inscribed a photograph to
him. By the end of April Hong was in New Mexico, where he is
pictured posing on a train in Lordsburg. A week later, and
throughout the first two weeks of May, Hong traveled across Texas
and Oklahoma, visiting El Paso, San Antonio, and Fort Worth, then
on to Tulsa, Oklahoma City, Muskogee, and Colinville. He then
returned to Texas, reaching Austin by May 18 and back in San
Antonio the next day. He fished in Brackenridge Park and visits
several tourist sites in San Antonio, including an ostrich farm,
the Alamo, Mission Conception, and Camp Travis. While in San
Antonio, Hong pictures an Asian-American woman in two photographs
but does not identify her. The second album ends with a few
photographs in New Orleans dated in early July 1920, and a
collection of loose photographs dated July 4, 1920, in Hilo,
Hawaii. The Hilo pictures document Asian Americans celebrating
Independence Day in the city and are similar to the photographs
that open the album but are clearly a different location.
Hong's third album is perhaps the most interesting,
insightful, valuable, and information-rich of the collection. The
photographs, all of which are annotated in Korean in white ink,
begin in Lima in August 1921 and take Hong across Peru through
September 1922. The album contains numerous shots of Peruvian
street scenes, several pictures of "native" street vendors
("Native woman selling peanuts," "Native selling bread," "Native
woman selling wood," etc.), a shot of a "Chinese Float of
Carnival," fishing boats, a bird's-eye view of Ancón, a few
photographs of a sugar plantation in Pomalca, Peru, a sugar mill
in Laredo, Peru, a "Chinese Rice Farm" and "Chinese Sugar Mill"
near Chepen, a few of Incan ruins, and much more. As with the
other two albums, Hong captures views of rural places by taking
pictures from a moving train, this time from the Ferrocarril
Central del Perú (F.C.C.) Line. Among the places through which he
travels are the small Peruvian communities and coastal towns of
Chosica, Matucana, Rio Blanco, Galera, Pachacayo, Huancayo, San
Luis, Mollendo, Pisco, Ariquippa, Cusco, Chancayo, Huacho, Puerto
Supe, Colorado Chorillo, Paltivica, San Nicolas, Malebaya,
Chiclayo, Trujillo, Pomalca, Laredo, Salaverry, and Chepen. While
in Cusco, Hong photographs an "Incarcan Woman" and a local
elderly man captioned "Incarcan old Literals." Hong also includes
numerous portraits of Chinese Peruvians, most of whom are
identified in the Korean-language captions, but a few are
identified in English. Hong pictures Ho Kai Sang and Chan Sing in
Ancón (with whom he goes bird hunting), and also includes
portraits of Luis Suk Hong, his Peruvian wife, and their son and
also Hohn Yee Liang in Trujillo. In Pisco, Hong pictures two
"Chinese girls," and another portrait is captioned "Chinese girl
Trujillo Peru." Hong includes himself in a few images of his
Chinese Peruvian associates at Palese. Near the end of the album
are two portraits of Chinese Peruvian B. Celestina Chang
inscribed to Hong, and one from Firmina Chang, as well. The
portraits in the third album include at least four featuring Earn
Hong himself. One shows him at the Chinese Club in Chincha Alta.
A second portrait shows Hong sitting on a horse at Huara. Another
captures Hong sitting pensively on a park bench at the Plaza
Parque in Chiclayo. A fourth image of Hong pictures him in
Trujillo in "Native over coat." The final image shows Hong and
three associates on the deck of a ship, presumably leaving
Peru.
[Description provided by the William Reese Company]
Collection is open for research.
Liz Phillips created this finding aid with information
supplied by the William Reese Company.
Immediate Source of Acquisition
Purchased from the William Reese Company, 2020.
[Identification of item], Earn Hong Photograph Albums, D-703,
Archives and Special Collections, UC Davis Library, University of
California, Davis.
All applicable copyrights for the collection are protected
under chapter 17 of the U.S. Copyright Code. Requests for
permission to publish or quote from manuscripts must be submitted
in writing to the Head of Special Collections. Permission for
publication is given on behalf of the Regents of the University
of California as the owner of the physical items. It is not
intended to include or imply permission of the copyright holder,
which must also be obtained by the researcher.
Subjects and Indexing Terms
Korean Americans -- Pictorial
works
Korean Americans -- California --
History
Koreans -- Peru -- 20th century
Indigenous peoples -- Peru -- 20th
century
Hong, Earn -- Archives
Michael and Margaret B. Harrison
Western Research Center