Jump to Content

Collection Guide
Collection Title:
Collection Number:
Get Items:
Dalis-Loinaz (Irene) Papers
MSS.2015.02.16  
View entire collection guide What's This?
Search this collection
Collection Details
 
Table of contents What's This?
  • Scope and Contents
  • Biographical Note
  • Arrangement
  • Access
  • Publication Rights
  • Preferred Citation
  • Related Materials

  • Language of Material: English
    Contributing Institution: SJSU Special Collections & Archives
    Title: Irene Dalis-Loinaz Papers
    creator: Dalis, Irene
    Identifier/Call Number: MSS.2015.02.16
    Physical Description: 70 boxes (62 linear feet)
    Physical Description: 1 flat file drawers File Cabinet 5 Drawer 8 (Vault 1)
    Date (inclusive): 1831-2015
    Physical Description: Librettos and vocal scores in Series V Subseries I are in poor condition.
    Abstract: The Irene Dalis-Loinaz Papers (1831-2015, bulk 1950-2000) consists of correspondence, adminstrative records, notes, vocal and music scores, photographs, and opera publications, audiovisual materials, and relating to the life and career of Mezzo-Soprano opera singer Irene Dalis (1925-2014).

    Scope and Contents

    The Irene Dalis-Loinaz Papers (1831-2015, bulk 1950-2000) contain vocal scores, librettos, writings, opera research materials, correspondence, photographs, administrative records, and audiovisual materials relating to her career as an international mezzo-soprano vocalist, the development of Opera San Jose, and, to a lesser extent, her tenure as professor at San Jose State University. The bulk of the collection is related to Dalis’ career as an opera singer as well as the founder of Opera San Jose. It is comprised of librettos, annotated vocal scores, correspondence, contracts, photographs, newspaper clippings, and audio-visual recordings relating to her education, career, and subsequent fame. The collection also contains notebooks, family files, photographs and audiovisual materials detailing aspects of Dalis’ personal life. Also included are reports, news-clippings, and other opera- and music-related publications in regards to the development of Opera San Jose and Dalis' own interests in music. The majority of the files in the collection retain their original folder titles when applicable.

    Biographical Note

    Yvonne Dalis-Loinaz, known by her stage name Irene Dalis, was born in 1925 to immigrant parents in San Jose, California. Irene grew up musically inclined and went on to study music pedagogy at San Jose State University. While pursuing her degree Dalis studied piano and singing. After her graduation in 1946, at the behest of her sister, she continued her musical education at Columbia University not as a pianist but a mezzo-soprano vocalist. While at Columbia, Yvonne studied under the tutelage of Edyth Walker, Paul Althouse, and Harry Wilson, recognized as renowned vocal coaches. In 1951, Yvonne was awarded a Fulbright scholarship to study opera in Europe, where she attended Universita per Stranieri in Perogia and Giuseppi Verdi Conservatory in Milan. By 1952, Dalis had her first opera contract with the famed Bayreuth in Germany. During her time in Europe Dalis was coached by Dr. Otto Mueller and Marth Mödl. Concurrently, she caught the attention of New York Met scout, Rudolf Bing, who told her to change her name to Irene Dalis as her stage name. With Bing’s interests Irene built recognition and popularity which lead to a contract with the New York Metropolitan Opera. In 1957, Dalis performed her first opera at the Met, Don Carlo. Irene Dalis performed in twenty two roles over nineteen seasons at the Met until 1976. In addition,Dalis was a frequent leading guest artist from London, Opera San Francisco, Hollywood Bowl, to being the first American Kundry in the Bayreuth Festival. By the 1980s, Dalis retired from singing professionally but not entirely out of the Opera community. Upon her her retirement from the Met, she received a presidential appointment as a professor of Music at San Jose State University. During her tenure she also established San Jose Opera. There she established a permanent home and organization that flourishes today. Until her death in 2014 Dalis remained a prominent figure with Opera San Jose and the San Jose State University Music department, and greater opera community.

    Arrangement

    The Irene Dalis-Loinaz Papers are arranged in ten series: Series I: Biographical; Series II: Correspondence; Series III: Mezzo-Soprano Career; Series IV: Opera San Jose; Series V: Musical Scores and Librettos; Series VI: Opera Publications; Series VII: Photographs; Series VIII: Clippings; Series IX: Awards and Memorabilia; and Series X: Audiovisual.

    Access

    The collection is open for research.

    Publication Rights

    Copyright has been assigned to the San Jose State University Library Special Collections & Archives. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Director of Special Collections. Permission for publication is given on behalf of the Special Collections & Archives as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the reader. Copyright restrictions also apply to digital reproductions of the original materials. Use of digital files is restricted to research and educational purposes.

    Preferred Citation

    Irene Dalis-Loinaz Papers, MSS-2015-02-16, San Jose State University Library Special Collections & Archives.

    Related Materials

    Books that were a part of the original donation are now part of the Special Collections library.

    Subjects and Indexing Terms

    Opera -- California -- San Jose
    Opera San José
    Metropolitan Opera (New York, N.Y.)
    Bayreuther Festspiele
    Mezzo-sopranos
    San Francisco Opera
    Women opera producers and directors -- California -- San Jose
    Dalis, Irene