Finding aid for the Eric Orr documentary photographs and papers, 1959-2012, undated 2017.M.13

Sarah Mackenzie Wade
Special Collections
2020
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
Business Number: (310) 440-7390
Fax Number: (310) 440-7780
reference@getty.edu


Contributing Institution: Special Collections
Title: Eric Orr documentary photographs and papers
Creator: Orr, Eric, 1939-1998
source: Orr, Elizabeth, 1984-
Identifier/Call Number: 2017.M.13
Physical Description: 24.06 Linear Feet(37 boxes, 2 boxed-rolls, 19 flatfile folders. Computer media: 10.90 GB [195 files])
Date (inclusive): 1959-2012, undated
Abstract: The Eric Orr papers consist primarily of photographic prints, slides, transparencies, and negatives that document the Light and Space movement artist's paintings, sculptures, and public fountains. Also present are schematic drawings and plans for Orr's public works and ephemera, clippings, and administrative files that detail Orr's life and practice.
Physical Location: Request access to the physical materials described in this inventory through the catalog record  for this collection. Click here for the access policy .
Language of Material: Collection material is in English.

Arrangement

Arranged in three series:Series I. Documentary photographs, 1964-2001, undated;
Series II. Schematic drawings, 1987-2001, undated;
Series III. Papers, 1959-2012, undated.

Biographical / Historical

Eric Orr was a key figure in the Light and Space movement in Southern California. Born in 1939 in Covington, Kentucky, Orr graduated from the Kentucky Military Institute in 1958 and spent his early years traveling across the United States and Cuba. He briefly attended the University of Cincinnati in the early 1960s, where he produced his first sculpture, Colt .45, a work later known as Saturday Night Special. The work featured a mounted pistol facing a chair; viewers could sit and control the pistol via a foot pedal.
Orr participated in civil rights protests in Mississippi in 1964 before relocating to Los Angeles in 1965, where he began to produce performances, sound art, and perceptual installations, using the elemental qualities of silence, sound, darkness, and light as material. Among these works was Zero Mass (1972-1973), an immersive 38-foot-long installation made of paper, where up to five people could enter a dark oval chamber and, after 10 to 12 minutes, experience altered vision from the lack of spatial perception.
Developing alongside both Southern California conceptual art and the perceptual-based installations commonly associated with Light and Space art, Orr's work spanned a variety of artistic practices that challenged the definition of artmaking while also incorporating a broad range of cultural references, including space icons found in ancient religions and cultures, Egyptian symbolism, and Buddhist spiritualism.
From the 1970s onward, Orr created a diverse body of atmospheric monochrome paintings using airbrushing and oil paint, wall-mounted sculptures, and public artworks which incorporated a variety of elements including fire, water, gold, volcanic ash, meteorite dust, and his own blood.
Orr participated in a number of international exhibitions during his life, including documenta VII (1982), the Sydney Biennale (1986), and the Venice Biennale (1986). His work can be found in many public and private collections, including the Los Angeles County Museum of Art; the Whitney Museum of American Art, New York; the Solomon R. Guggenheim Museum, New York; the San Francisco Museum of Modern Art; and the Centre Pompidou, Paris; Orr died in Venice, California, in 1998.
Sources consulted:
Eric Orr (1939-1998): A Survey of Works. Santa Monica, CA: Robert Berman Gallery, [2007].
Eric Orr: Time's Shadow. New York, NY: Scott Hanson Gallery, 1987.
Eric Orr: A Twenty Year Survey. San Diego, CA: University Art Gallery, San Diego State University, 1984.
Phillips, Glenn. Acquisition Approval Form for "Eric Orr (American, 1939-1998), archive, c. 1959-1998, accession no. 2017.M.13," September 10, 2019.

Access

Open for use by qualified researchers, with the exception of box 13, folder 11, which is unavailable pending conservation treatment. Born digital content will be made available on-site only, through the digital preservation repository. Born digital content and audiovisual materials unavailable until reformatted. Contact reference for reformatting.

Publication Rights

Immediate Source of Acquisition

Gift of The Estate of Eric Orr. Acquired in 2017.

Preferred Citation

Eric Orr papers and documentary photographs, 1959-2012, undated, The Getty Research Institute, Los Angeles, Accession no. 2017.M.13.
http://hdl.handle.net/10020/cifa2017m13

Processing Information

Sarah Mackenzie Wade processed the collection and wrote the finding aid in 2019.
Digital materials were processed by Laura Schroffel in 2019. Files require further processing before access copies can be made available.

Scope and Content of Collection

The archive consists primarily of photographic prints, slides, transparencies, and negatives that document the artist's paintings, sculptures, and public fountains from the 1970s to the 1990s. Also present are schematic drawings for Orr's public works projects and their sites. To a lesser extent, the archive includes papers that detail Orr's practice, with notes that relate to installation plans and project proposals, ephemera that pertains to exhibitions of Orr's work, typescript accounts of Orr's friendship with artist James Lee Byars, and transcripts of interviews conducted by the artist's daughter Elizabeth for her documentary, Crazy Wisdom: The Life and Work of Eric Orr.

Related Materials

Elizabeth Orr Crazy Wisdom documentary on Eric Orr, 2011, Getty Research Institute, Accession no. 2015.M.26.
Giuseppe Panza papers, 1956-1990, Getty Research Institute, Accession no. 940004.
Hal Glicksman papers, 1927-2010, Getty Research Institute, Accession no. 2009.M.5.
Several publications have been transferred to the Getty Research Library's general collections.

Subjects and Indexing Terms

Art, American -- California -- 20th century
Artists -- Archives
Light and space (Art movement)
Light art -- California, Southern
Space (Art)
Black-and-white photographs -- 20th century
Blueprints (reprographic copies) -- 20th century
Born digital
Color photographs -- 20th century
Color transparencies -- 20th century
Compact discs -- 20th century
Diffusion transfer prints -- 20th century
DVDs -- 20th century
Negatives (Photographs) -- 20th century
Photographs, Original.
Printed ephemera -- 20th century
Slides (photographs) -- 20th century
Orr, Eric, 1939-1998
Orr, Elizabeth, 1984-

 

Documentary photographs, Series I. 1964-2001, undated

Physical Description: 6.19 Linear Feet(27 boxes)

Scope and Contents

Series I. constitutes the bulk of the collection, with photographic materials that document the range of Orr's practice. The artist's paintings, sculptures, and installations are primarily represented by color slides, prints, and negatives, but the series also includes black-and-white prints, negatives, and contact sheets. Images in Series I.A. and Series I.B. predominantly feature individual works; images in Series I.C. consist of exhibition installation shots that include multiple works. Also present are photographs of Orr working and candid images of Orr with assorted people, found in Series I.D.

Arrangement

Arranged in five topical subseries (Series I.A. Paintings; Series I.B. Sculpture and installations; Series I.C. Exhibitions and sites; Series I.D. People; Series I.E. Miscellaneous) and chronologically thereunder, with undated works at the end of each subseries. Unidentified works are arranged alongside identified works, according to date.

Processing Information

The bulk of the photographic materials were originally housed loose in unlabeled photo boxes and envelopes in no discernible order. A small portion of the photographs were originally housed in unlabeled binders, also with no discnernible order. The archivist arranged all photographs according to subject and chronologically thereunder. Original binders that included both photographic materials and paper documents are described in Series III. Papers.
 

Paintings, Series I.A. 1974-2001, undated

Physical Description: 1.72 Linear Feet(9 boxes)
Box 1, Folder 1

Unidentified, 1974

Scope and Contents

Six color slides.
Box 1, Folder 1

Unidentified, 1979

Scope and Contents

Ten color slides.
Box 1, Folder 2

Green Atmosphere, 1980

Scope and Contents

Four color slides.
Box 1, Folder 2

Zaire, 1980

Scope and Contents

Two color slides.
Box 1, Folder 2

Alice series, 1981

Scope and Contents

Seven color slides.
Box 1, Folder 2

Archaeology of Painting, 1981

Scope and Contents

Three color slides.
Box 1, Folder 3

Ba-Ka, 1981

Scope and Contents

One color slide.
Box 1, Folder 3

Blood Shadow, 1981

Scope and Contents

Seven color slides. Identified as Blood Meteorite on some slide mounts.
Box 1, folder 4

Radio, 1981

Scope and Contents

Three color slides and two color transparencies.
Box 1, Folder 5

Silence and the Gold Sky, 1981

Scope and Contents

One color slide.
Box 1, Folder 5

Time Shadow, 1981

Scope and Contents

One color slide.
Box 1, Folder 5

Zaire, 1981

Scope and Contents

One color slide.
Box 1, Folder 5

#9, 1982

Scope and Contents

One color slide.
Box 1, Folder 6

Crazy Wisdom, 1982

Scope and Contents

Six color slides.
Box 1, Folder 6

Crazy Wisdom II, 1982

Scope and Contents

One color slide.
Box 1, Folder 7

Extasis, 1982

Scope and Contents

One color transparency.
Box 1, Folder 7

Mu-2, 1982

Scope and Contents

One color slide.
Box 1, Folder 7

Mu #3, 1982

Scope and Contents

Two color slides.
Box 1, Folder 7

R-2 (revised), 1982

Scope and Contents

One color slide.
Box 1, Folder 8

Coincidence, 1983

Scope and Contents

Fourteen color slides.
Box 1, Folder 9

Manas, 1983

Scope and Contents

One color slide.
Box 1, Folder 9

Mu #7, 1983

Scope and Contents

One color slide.
Box 1, Folder 9

Prime #5, 1983

Scope and Contents

One color slide.
Box 1, Folder 10

Prime Numbers #2, 1983

Scope and Contents

Ten color slides.
Box 1, Folder 10

Prime Numbers #7, 1983

Scope and Contents

One color slide.
Box 1, Folder 10

The Newquist Doors, 1983

Scope and Contents

Four color slides.
Box 1, folder 11

Transmutation Gold, 1983

Scope and Contents

One color print, two color slides, and three color transparencies.
Box 1, Folder 12

Transmutation Green, 1983

Scope and Contents

One color slide.
Box 1, folder 12

Without Red, 1983

Scope and Contents

Two color slides and one color transparency.
Box 1, Folder 12

Without Red (Blue), 1983

Scope and Contents

One color slide.
Box 1, Folder 12

Unidentified, 1983

Scope and Contents

One color slide.
Box 1, Folder 12

Always Everywhere, 1984

Scope and Contents

Three color slides.
Box 1, Folder 13

Elizabeth's Pink, 1984

Scope and Contents

Three color slides.
Box 1, Folder 13

How Some Ever, 1984

Scope and Contents

One color slide.
Box 1, Folder 13

Prime Numbers #11, 1984

Scope and Contents

One color slide.
Box 1, Folder 13

Sino-American, 1984

Scope and Contents

One color slide.
Box 1, Folder 13

Torn Time, 1984

Scope and Contents

One color slide.
Box 1, Folder 14

Uaho, 1984

Scope and Contents

One color slide.
Box 1, Folder 14

What's Not Known, 1984

Scope and Contents

Two color slides.
Box 1, Folder 14

Aftermath Green, 1985

Scope and Contents

One color slide.
Box 1, Folder 14

Aftermath Red, 1985

Scope and Contents

Four color slides.
Box 1, Folder 14

Blind Window, 1985

Scope and Contents

One color slide.
Box 1, Folder 15

Blue Gate, 1985

Scope and Contents

One color slide.
Box 1, Folder 15

Blue Horizon, 1985

Scope and Contents

One color slide.
Box 1, Folder 15

Domus I, 1985

Scope and Contents

Three color slides.
Box 1, Folder 15

Edge of Light, 1985

Scope and Contents

One color slide.
Box 1, Folder 15

Ice, 1985

Scope and Contents

One color slide.
Box 2, Folder 1

…Killing Me..., 1985

Scope and Contents

One color slide.
Box 2, Folder 1

Ocean of Time series #4, 1985

Scope and Contents

One color slide.
Box 2, Folder 1

Ocean of Time #5, 1985

Scope and Contents

One color slide.
Box 2, Folder 1

Ocean of Time series #6, 1985

Scope and Contents

One color slide.
Box 2, Folder 1

One Plus One Equals One, 1985

Scope and Contents

One color slide.
Box 2, Folder 2

Passage, 1985

Scope and Contents

One color slide.
Box 2, Folder 2

Prior, 1985

Scope and Contents

Three color slides.
Box 2, Folder 2

Red Singularity, 1985

Scope and Contents

One color transparency.
Box 2, Folder 2

Sakkara #5, 1985

Scope and Contents

One color slide.
Box 2, Folder 2

The Lund Eight, 1985

Scope and Contents

One color slide.
Box 2, Folder 2

Threshold A/A (Diptych), 1985

Scope and Contents

One color slide.
Box 2, Folder 3

Threshold 3, 1985

Scope and Contents

One color slide.
Box 2, Folder 3

Untitled, 1985

Scope and Contents

Four color slides.
Box 2, Folder 3

Unidentified, 1985

Scope and Contents

One color slide.
Box 2, Folder 3

Crack in Time, 1986

Scope and Contents

One color slide.
Box 2, Folder 4

Crazy Wisdom, 1986

Scope and Contents

Three color slides.
Box 2, folder 4

Edge of Light, 1986

Scope and Contents

One color slide and one color transparency.
Box 2, folder 4

Green #9, 1986

Scope and Contents

One color slide and one color transparency.
Box 2, Folder 4

Jarpur, 1986

Scope and Contents

One color slide.
Box 2, Folder 4

Like a Dance the Dark Skinned Man Worked the Semi-Manual Device Firm Earth Above Alex, 1986

Scope and Contents

Two color slides.
Box 2, Folder 5

Mu 9, 1986

Scope and Contents

One color slide.
Box 2, Folder 5

Night Shift #2, 1986

Scope and Contents

One color slide.
Box 2, folder 5

Questa #3, 1986

Scope and Contents

One color slide and one color transparency.
Box 2, Folder 5

Radio X, 1986

Scope and Contents

One color slide.
Box 2, Folder 5

Radio XX Red, 1986

Scope and Contents

One color slide.
Box 2, Folder 6

September, 1986

Scope and Contents

One color slide.
Box 2, Folder 6

This Side of Time, 1986

Scope and Contents

One color slide.
Box 2, Folder 6

You Are Killing Me and I Don't Even Know Your Name, 1986

Scope and Contents

One color slide.
Box 2, Folder 6

Blue Eclyptic, 1987

Scope and Contents

Two color slides.
Box 2, Folder 6

Blue Time Window #15, 1987

Scope and Contents

Three color slides.
Box 2, Folder 7

Blue Void #3, 1987

Scope and Contents

Two color slides.
Box 2, Folder 7

Druid Wight, 1987

Scope and Contents

Three color slides.
Box 2, Folder 7

Ganz series, I, 1987

Scope and Contents

One color slide.
Box 2, Folder 7

Night Shift #33, 1987

Scope and Contents

Three color slides.
Box 2, Folder 7

Oceans of Time #5, 1987

Scope and Contents

One color slide.
Box 2, Folder 8

Oceans of Time #19, 1987

Scope and Contents

Two color slides.
Box 2, Folder 8

Radio Play #5, 1987

Scope and Contents

One color slide.
Box 2, folder 8

Radio Play #6, 1987

Scope and Contents

Two color slides and one color transparency.
Box 2, Folder 8

Radio Play #8, 1987

Scope and Contents

Three color slides.
Box 2, Folder 8

Red Eclyptic, 1987

Scope and Contents

One color slide.
Box 2, Folder 9

The Other Side of Green, 1987

Scope and Contents

Two color slides.
Box 2, Folder 9

This Has Nothing To Do With Doors, 1987

Scope and Contents

One color slide.
Box 2, Folder 9

Three Out of Three, 1987

Scope and Contents

Four color slides.
Box 2, Folder 9

Time Fall, 1987

Scope and Contents

Three color slides.
Box 2, Folder 9

Without Blue 5, 1987

Scope and Contents

Two color slides.
Box 2, Folder 10

Unidentified, 1987

Scope and Contents

Five color slides.
Box 2, Folder 10

A Dark Light, 1988

Scope and Contents

One color Polaroid.
Box 2, Folder 10

Ajunta #2, 1988

Scope and Contents

Three color slides.
Box 2, Folder 10

Black Void #3, 1988

Scope and Contents

One color Polaroid.
Box 2, Folder 10

Blue Ecliptic 3, 1988

Scope and Contents

One color slide.
Box 2, Folder 10

Blue Light, 1988

Scope and Contents

One color slide.
Box 2, Folder 11

Dark Light #3, 1988

Scope and Contents

One color slide.
Box 2, Folder 11

Dark Light #4, 1988

Scope and Contents

Two color slides.
Box 2, Folder 11

Dark Light #18, 1988

Scope and Contents

Two color slides.
Box 2, Folder 11

Edge of Light, 1988

Scope and Contents

Two color slides.
Box 2, folder 11

Edge of Red, 1988

Scope and Contents

Three color slides and one color Polaroid.
Box 2, Folder 11

Gavina I, 1988

Scope and Contents

One color slide.
Box 2, folder 12

Gavina 3, 1988

Scope and Contents

One color Polaroid and one color slide.
Box 2, Folder 12

Green Passage, 1988

Scope and Contents

One color slide.
Box 2, Folder 12

Green Transformation, 1988

Scope and Contents

One color slide.
Box 2, Folder 12

Green Void, 1988

Scope and Contents

One color slide.
Box 2, Folder 12

House of Nines, 1988

Scope and Contents

One color slide.
Box 3, Folder 1

Ocean of Time, 1988

Scope and Contents

One color Polaroid.
Box 3, Folder 1

Outside of Time, 1988

Scope and Contents

One color Polaroid.
Box 3, Folder 1

Pagans, 1988

Scope and Contents

Two color slides.
Box 3, folder 1

Radio Play, 1988

Scope and Contents

One color Polaroid and one color print.
Box 3, folder 1

Rune, 1988

Scope and Contents

Two color slides and four color transparencies.
Box 3, Folder 2

Saqqara Door, 1988

Scope and Contents

Two color transparencies.
Box 3, Folder 2

The Other Side of Time, 1988

Scope and Contents

One color Polaroid.
Box 3, Folder 2

This Has Nothing To Do With Fire, 1988

Scope and Contents

One color Polaroid.
Box 3, folder 2

Time Shadow, 1988

Scope and Contents

One color Polaroid and one color slide.
Box 3, Folder 2

Time Well, 1988

Scope and Contents

One color Polaroid.
Box 3, Folder 3

9 x 9, 1989

Scope and Contents

One color transparency.
Box 3, Folder 3

AT52, 1989

Scope and Contents

One color transparency.
Box 3, Folder 3

Being Made of Light, 1989

Scope and Contents

One color Polaroid.
Box 3, Folder 3

Black Void #2, 1989

Scope and Contents

One color Polaroid.
Box 3, Folder 3

Blind Window, 1989

Scope and Contents

One color slide.
Box 3, Folder 3

Blue Event, 1989

Scope and Contents

One color Polaroid.
Box 3, Folder 4

Blue Infinity, 1989

Scope and Contents

One color transparency.
Box 3, Folder 4

Dark Light 7, 1989

Scope and Contents

One color transparency.
Box 3, Folder 5

Dark Light 10, 1989

Scope and Contents

One color Polaroid.
Box 3, Folder 5

Dark Light 11, 1989

Scope and Contents

One color Polaroid.
Box 3, Folder 5

Dark Time, 1989

Scope and Contents

One color Polaroid.
Box 3, Folder 6

Double, 1989

Scope and Contents

One color Polaroid.
Box 3, Folder 6

Myriad Oceans of Time, 1989

Scope and Contents

Two color transparencies.
Box 3, Folder 6

Penumbra, 1989

Scope and Contents

One color Polaroid.
Box 3, Folder 7

Questa #3, 1989

Scope and Contents

One color transparency.
Box 3, Folder 7

Red Field, 1989

Scope and Contents

One color transparency.
Box 3, Folder 8

Red Fugitive, 1989

Scope and Contents

One color transparency.
Box 3, Folder 9

The Other Side of Red, 1989

Scope and Contents

One color transparency.
Box 3, folder 10

Untitled, 1990

Scope and Contents

Six color prints and two color transparencies.
Box 3, folder 11

Untitled, 1992

Scope and Contents

One color Polaroid and four color slides.
Box 3, Folder 11

Marin Red Void, 1996

Scope and Contents

Three color slides.
Box 3, Folder 11

Blue Atmosphere, 1998

Scope and Contents

Three color slides.
Box 3, Folder 11

Blue Is the Most Fugitive Color, 1998

Scope and Contents

Four color slides.
Box 3, Folder 11

Three Ways, 1998

Scope and Contents

Four color slides.
Box 3, Folder 12

Unidentified, 2001

Scope and Contents

One color slide.
Box 3, Folder 13

Above and Below, undated

Scope and Contents

One color Polaroid.
Box 3, Folder 13

After Green, undated

Scope and Contents

One color Polaroid.
Box 3, Folder 14

Ajunta, undated

Scope and Contents

Two color slides.
Box 3, Folder 14

Angel, undated

Scope and Contents

One color transparency.
Box 3, Folder 14

Angel Alex, undated

Scope and Contents

One color slide.
Box 4, folder 1

Blind Window, undated

Scope and Contents

One black-and-white print; one black-and-white transparency; one color negative; one color Polaroid; six color prints; and two color transparencies.
Box 4, Folder 2

Blue Ecliptic #3, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 2

Blue Infinity, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 2

Blue Light, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 3

Blue Shift, undated

Scope and Contents

One color print.
Box 4, Folder 3

Blue to Red, undated

Scope and Contents

One color Polaroid.
Box 4, folder 4

Blue Void, undated

Scope and Contents

One color Polaroid and eight color prints.
Box 4, Folder 5

Cold Fusion, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 6

Crazy Wisdom, undated

Scope and Contents

Three color Polaroids.
Box 4, Folder 7

Crazy Wisdom II, undated

Scope and Contents

Two color Polaroids.
Box 4, Folder 8

Crazy Wisdom A, undated

Scope and Contents

Two color Polaroids.
Box 4, Folder 9

Cygnus, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 9

Dark Event Horizon, undated

Scope and Contents

Five color slides.
Box 4, Folder 9

Dark Light A, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 9

Dark Light AAA, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 10

Dark Side, undated

Scope and Contents

Three color slides.
Box 4, Folder 11

Edge of Blue Finn, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 11

Edge of Time, undated

Scope and Contents

One color slide.
Box 4, Folder 11

Event Horizon A, undated

Scope and Contents

One color Polaroid.
Box 4, folder 11

From the Other Side, undated

Scope and Contents

One color Polaroid and six color slides.
Box 4, Folder 12

Gavina I, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 12

Gavina #2, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 12

Green Transformation, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 13

Green Void, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 14

Hallograms, undated

Scope and Contents

Sixteen color slides.
Box 4, Folder 14

Heavy Water, undated

Scope and Contents

Three color slides.
Box 4, Folder 13

Helsinki 9, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 15

Heroclites, undated

Scope and Contents

Five color slides.
Box 4, Folder 15

How Many Miles Across the Universe, undated

Scope and Contents

Two color slides.
Box 4, Folder 16

Jaipur, undated

Scope and Contents

Three color prints.
Box 4, Folder 15

Learning to Work with Gravity, undated

Scope and Contents

Four color slides.
Box 4, Folder 15

Myriad Oceans of Time, undated

Scope and Contents

One color slide.
Box 4, Folder 17

Mu #9, undated

Scope and Contents

Two color Polaroids.
Box 4, Folder 17

Myriad Ocean of Time III, undated

Scope and Contents

One color Polaroid.
Box 4, Folder 18

Niagara, undated

Scope and Contents

One color transparency.
Box 4, Folder 18

Night in Havana, undated

Scope and Contents

Five color slides.
Box 4, Folder 18

Night Shift, undated

Scope and Contents

Three color slides
Box 5, Folder 1

Night Shift #5, undated

Scope and Contents

Three color prints.
Box 5, Folder 2

Night Shift 14, undated

Scope and Contents

One color Polaroid.
Box 5, Folder 2

Night Shift N, undated

Scope and Contents

One color Polaroid.
Box 5, Folder 2

No Green, undated

Scope and Contents

One color Polaroid.
Box 5, Folder 3

North of Yesterday, undated

Scope and Contents

Two color transparencies.
Box 5, Folder 4

North of Yesterday or Untitled, undated

Scope and Contents

Five color prints.
Box 5, folder 5

Ocean of Time, undated

Scope and Contents

One color Polaroid and one color print.
Box 5, Folder 5

Ocean of Time #9, undated

Scope and Contents

Three color slides.
Box 5, Folder 5

Oceans of Time XXX, undated

Scope and Contents

Three color slides.
Box 5, Folder 6

Open Window, undated

Scope and Contents

One color Polaroid.
Box 5, Folder 7

Other Side of Blue #6, undated

Scope and Contents

One color slide.
Box 5, Folder 7

Other Side of Red #5, undated

Scope and Contents

One color slide.
Box 5, Folder 6

Penumbra, undated

Scope and Contents

One color Polaroid.
Box 5, Folder 7

Radio, undated

Scope and Contents

One color slide.
Box 5, folder 7

Radio Play, undated

Scope and Contents

One color print, two color slides, and two color transparencies.
Box 5, Folder 8

Radio Play #5 (Hyundai), undated

Scope and Contents

One color Polaroid.
Box 5, folder 8

Radio Play #9 (Hyundai), undated

Scope and Contents

One color Polaroid and two color slides.
Box 5, Folder 9

Radio Play #10, undated

Scope and Contents

Two color prints.
Box 5, Folder 8

Radio Play #10 (Hyundai), undated

Scope and Contents

One color Polaroid.
Box 5, Folder 9

Red, undated

Scope and Contents

One color Polaroid.
Box 5, Folder 9

Red 9, undated

Scope and Contents

One color Polaroid.
Box 5, Folder 10

Red Ecliptic, undated

Scope and Contents

One color slide.
Box 5, Folder 10

Red Line, undated

Scope and Contents

Five color slides.
Box 5, Folder 11

Red Shift, undated

Scope and Contents

One color print.
Box 5, Folder 11

Red Shift A, undated

Scope and Contents

One color print.
Box 5, folder 12

Red Singularity, undated

Scope and Contents

Five color slides and one color transparency.
Box 5, Folder 13

Red to Blue, undated

Scope and Contents

One color Polaroid.
Box 5, Folder 13

Red Way, undated

Scope and Contents

One color Polaroid.
Box 5, Folder 13

Shadow, undated

Scope and Contents

One color Polaroid.
Box 5, Folder 14

Shadow's Memory, undated

Scope and Contents

One color transparency.
Box 5, Folder 15

Taos, undated

Scope and Contents

Three color prints.
Box 5, Folder 16

The Other Side of Green, undated

Scope and Contents

Nine color slides.
Box 5, Folder 16

Three to Four, undated

Scope and Contents

Two color slides.
Box 5, Folder 16

Three Way, undated

Scope and Contents

Three color slides.
Box 5, folder 17

Three Ways, undated

Scope and Contents

Four color slides and one color transparency.
Box 6, Folder 1

Time Horizon-A, undated

Scope and Contents

One color Polaroid.
Box 6, Folder 1

Time Horizon-AA, undated

Scope and Contents

One color Polaroid.
Box 6, Folder 2

Time Shadow, undated

Scope and Contents

Two color Polaroids.
Box 6, Folder 2

Time's Shadow, undated

Scope and Contents

One color transparency.
Box 6, folder 3

Untitled, undated

Scope and Contents

Five color prints and six color slides.
Box 6, Folder 3

Victoria, undated

Scope and Contents

One color transparency.
Box 6, Folder 3

When is Where, undated

Scope and Contents

Two color slides.
Box 6, Folder 3

Without Blue #3, undated

Scope and Contents

Three color slides.
Box 6, Folder 4

Yosemite, undated

Scope and Contents

One color transparency.
 

Unidentified, undated

Box 28, Folder 3

Black-and-white 35mm negatives

Box 28, Folder 4

Black-and-white prints

box 6, box 23

Color negatives

Box 6, Folder 8

Color Polaroids

Box 6, Folder 9-12

Color prints

Box 7

Color slides

Box 8

Color transparencies

 

Sculpture and installations, Series I.B. 1968-1999, undated

Physical Description: 3.36 Linear Feet(15 boxes)
Box 9, folder 1

Unidentified project, Century City, (Los Angeles, California?), 1968

Scope and Contents

Five black-and-white slides and one unmounted color slide.
 

Sound Tunnel, 1971

Scope and Contents

One black-and-white slide.
Box 9, Folder 2

Zero Mass, 1973

Scope and Contents

Eighteen color slides. Slides appear to depict the same work as other slides labeled Blue Void, 1981.
Box 9, Folder 3

"Artist shooting the shit," Venice, California, 1974

Scope and Contents

Nine black-and-white slides.
Box 9, Folder 2

Zero Mass, 1974

Scope and Contents

Three black-and-white slides.
Box 9, Folder 3

Lead Window, 1976

Scope and Contents

One color slide.
Box 9, Folder 4

Sunrise, 1976-1983

Scope and Contents

Twenty-seven color slides. One slide mount labeled: Inside Sunrise Electrum Light.
Box 9, folder 5

Gold As Prime Matter, 1979

Scope and Contents

One color print, three color slides, and one color transparency. One slide mount labeled Infinite Gold Void.
Box 9, Folder 6

Unidentified project, Century City, (Los Angeles, California?), 1979

Scope and Contents

Five black-and-white slides of a schematic drawing for a project proposal with Larry Bell.
Box 9, Folder 6

Fire as Prime Matter, 1980-1981

Scope and Contents

Two color slides.
Box 9, Folder 7

Silence and the Ion Wind, 1980-1981

Scope and Contents

Five color slides, one labeled: From Inside L.A. County, '81.
Box 9, Folder 2

Blue Void, 1981

Scope and Contents

Twenty-one color slides. Slides appear to depict the same work as other slides labeled Zero Mass, 1973.
Box 23, Folder 1

"Gus Foster slides", 1981-1983, undated

Scope and Contents

Six color slides. Includes Solar Fountain, Blue Void, Vena-Mondt residence project, Blood Shadow, and an unidentified painting.
Box 9, folder 8

Prime Matter, Los Angeles County Museum of Art (LACMA), 1981

Scope and Contents

Three color negatives, one color print, six color slides, and one color transparency.
Box 9, folder 9

Double Vision, 1982

Scope and Contents

Eight black-and-white slides, one color slide, and two color transparencies. Includes slides of schematic drawings. Several slide mounts read: Documenta / Kassel, Germany.
Box 9, folder 10

Linear B, 1982

Scope and Contents

Three color prints, thirty-six color slides, and two color transparencies. One slide mount labeled Prime Matter #3. Some slide mounts read: N. Ovsey fountain.
Box 10, Folder 1

Newquist Doors, 1983

Scope and Contents

One color slide.
Box 10, folder 2

Solar Fountain, Performing Arts Center, Denver, Colorado, 1983

Scope and Contents

Collaborative project with Larry Bell. Sixty-one color negatives; seventy-eight color prints; thirty-one color slides; and fourteen color transparencies. Slides include images of preparatory drawings. An original label for one transparency reads: Courtesy of Neil G. Ovsey Gallery / Photo credit: Douglas Parker.
Box 10, Folder 3

Stella, 1983

Scope and Contents

One color slide.
Box 10, Folder 3

Threefold, 1983

Scope and Contents

Two color slides.
Box 10, Folder 3

Naked Singularity, 1984

Scope and Contents

Thirteen color slides.
Box 10, folder 4

Carol Vena-Mondt residence project, 1985, undated

Scope and Contents

Collaboration with Frederick Fisher. Thirty-two color prints of installation models and seven color slides.
Box 11, Folder 1

Fire and Water, Jenkins residence, Rancho Santa Fe, San Diego, California, 1985

Scope and Contents

Five color prints.
Box 11, Folder 2

Ice, 1985

Scope and Contents

One color slide.
Box 11, folder 3

Light Space, Gemeentemuseum Den Haag, Netherlands, 1985

Scope and Contents

One color negative; twenty-nine color prints; one color slide; and one color transparency.
Box 11, Folder 2

Prime Matter III, Malmö, Sweden, 1985 or 1986

Scope and Contents

Twelve color slides.
Box 28, Folder 1

Prime Matter 5, 1985

Scope and Contents

Two black-and-white prints. Label for The Works Gallery, Long Beach, California on verso.
Box 11, Folder 2

Prior, 1985

Scope and Contents

Two color slides.
Box 11, folder 4

Nexus, 1986

Scope and Contents

One color slide and three color transparencies.
Box 11, folder 5

North of Yesterday, 1986

Scope and Contents

Thirty-two color prints and five color slides. One slide mount reads: Corcoran show October 1986.
Box 11, Folder 6

Nowling Fountain, 1986

Scope and Contents

Twenty-four color prints.
Box 11, Folder 7

Prime Matter, Sydney Biennale, 1986

Scope and Contents

Eight color slides.
Box 11, folder 8

Prime Matter IV, Venice Biennale, 1986

Scope and Contents

Five color prints, twenty color slides, and one color transparency. One print includes Eric Orr with unidentified people.
Box 12, Folder 1

Prior, 1986

Scope and Contents

One color slide.
Box 12, Folder 2

Stella, 1986

Scope and Contents

Thirty color slides. Some slide mounts labeled Naked Singularity.
Box 12, folder 3

Stepped Singularity, 1986

Scope and Contents

Three color slides and two color transparencies.
Box 12, Folder 4

Twin Water Columns, Sacramento, California, 1986

Scope and Contents

Twelve color slides.
Box 12, folder 5

Untitled (Grinstein commission), 1986

Scope and Contents

Two color prints and twenty-eight color slides.
Box 12, folder 6

Water Doors, 1986

Scope and Contents

One color negative, two color prints, eight color slides, and two color transparencies. Some slide mounts read: Zeidler commission.
Box 12, Folder 7

Wittgenstein's Ladder, 1986

Scope and Contents

Three color slides.
Box 12, Folder 8

Anaheim project model, 1987

Scope and Contents

One color slide.
Box 12, folder 8

Delineator, 1987

Scope and Contents

One color slide and two color transparencies.
Box 12, folder 9

Naked Singularity, 1987

Scope and Contents

Sixty-two color slides and one color transparency. One slide mount labeled North of Yesterday. One slide seemingly misidentified as Water Doors.
Box 12, Folder 10

Naked Singularity A, 1987

Scope and Contents

Sixteen color slides. Appears to depict the same work as North of Yesterday (1986 or 1987).
Box 12, Folder 11

Phelps Fountain, 1987

Scope and Contents

Thirty-four color prints.
Box 13, Folder 1

Delineator, 1988

Scope and Contents

One color slide.
Box 13, Folder 1

Naked Singularity, 1988

Scope and Contents

Eleven color slides.
Box 13, Folder 2

North of Yesterday, Brea, California, 1988

Scope and Contents

Fifteen color slides.
Box 13, folder 3

Columbia Prime Matter, Beverly Hills, California, 1989

Scope and Contents

Forty-seven color negatives and five color slides.
Box 13, Folder 4

Fractal B #5, 1989

Scope and Contents

Six color slides.
Box 13, Folder 4

Fractal C, 1989

Scope and Contents

Two color slides.
Box 13, Folder 4

Fractal C #11, 1989

Scope and Contents

Three color slides.
Box 13, Folder 4

Fractal N, 1989

Scope and Contents

Two color slides.
Box 13, Folder 5

Fractal S, 1989

Scope and Contents

Four color slides.
Box 13, Folder 5

Fractal S #4, 1989

Scope and Contents

Four color slides.
Box 13, Folder 6

Green Chemical Light, 1989

Scope and Contents

One color transparency. Appears to depict the same work as Cedars Cascade.
Box 13, folder 7

Lee Singularity, 1989

Scope and Contents

Eight color slides and twenty-seven color transparencies.
Box 13, folder 8

Oceans of Time, 1989

Scope and Contents

Three color prints and three color slides.
Box 13, Folder 9

Prime Matter VIII, 1989

Scope and Contents

Nine color slides.
Box 13, Folder 10

Saturday Night Special, 1989

Scope and Contents

Four color transparencies.
Box 13, folder 11

Alta Mira, Marriott Hotel, San Francisco, California, 1990-1991

Scope and Contents

Thirty-seven color negatives; eighteen color prints; fourteen color slides; and four color transparencies.

Processing Information

Three groups of prints were adhered to each other upon transfer to the repository: one group of three prints was successfully separated in conservation treatment in 2023; two additional groups of prints were not able to be separated without loss to the photograph emulsion and were left as is in a group of five prints and a group of three prints.
Box 14, folder 1

Amsterdam Prime Matter, Amsterdam, 1990

Scope and Contents

Three color slides and two color transparencies.
Box 14, Folder 2

Bamboo Water Veil, Moreno Valley Mall, California, 1990

Scope and Contents

Two color slides.
Box 14, folder 2

L.A. Prime Matter, Los Angeles, California, 1990-1991

Scope and Contents

Seven color slides and one color transparency.
Box 14, Folder 3

Naked Singularity, 1990

Scope and Contents

Two color slides.
Box 14, Folder 4

Saturday Night Special, 1990

Scope and Contents

Thirty-two color slides.
Box 14, Folder 5

Shizuoka Singularity, Shizuoka, Japan, 1990, 1992

Scope and Contents

Fourteen color slides.
Box 14, Folder 6

Alta Mares, 1991

Scope and Contents

Four color slides.
Box 14, Folder 7

Citadel project, 1991

Scope and Contents

Fifteen color negatives.
Box 14, folder 8

Lumiere, Long Beach, California, 1991, 1994

Scope and Contents

Two color negatives, seven color prints, fourteen color slides, and one color transparency.
Box 14, Folder 9

Oceans of Time, MacArthur Place, Santa Ana, California, 1991

Scope and Contents

Three color slides.
Box 14, folder 10

Rain Column, Phoenix, Arizona, 1991-1992

Scope and Contents

One color print and twenty-three color slides. Some slide mounts labeled: Scottsdale Galleria Rainbox and Scottsdale Water Veil.
Box 14, Folder 11

Unidentified, 1991

Scope and Contents

Three color slides.
Box 14, folder 12

Janssen Prime Matter, 1992

Scope and Contents

One color print and eight color slides.
Box 14, Folder 13

Torrance Airport atrium, Torrance, California, 1992-1993

Scope and Contents

Thirty-six color slides.
Box 15, Folder 1

Judgment of Paris, Yokohoma, Japan, 1993

Scope and Contents

Seven color slides.
Box 15, folder 2

North of Yesterday, Baldwin Park or Beverly Hills, California, 1993

Scope and Contents

Six color slides and seven color transparencies.
Box 15, folder 3

Topanga Cascade, Topanga Plaza, (Los Angeles, California?), 1993

Scope and Contents

One color print and forty-five color slides.
Box 15, folder 4

Fukushima Prime Matter, Fukushima, Japan, 1994

Scope and Contents

One color print and twenty-one color slides.
Box 15, Folder 5

Naked Singularity, 1994

Scope and Contents

Two color slides.
Box 15, folder 6

Nippon Arch, Tokyo, Japan, 1994-1995

Scope and Contents

Thirty-five color negatives, three color prints, and eight color slides.
Box 15, folder 7

Hankyu Quartet, Osaka, Japan, 1995

Scope and Contents

One color negative and eleven color slides.
Box 15, folder 8

Moreno and/or Topanga project, 1995

Scope and Contents

Eight color prints and forty-one color slides.
Box 15, folder 9

Carl Bianco project, 1996

Scope and Contents

Twelve color prints and three color slides.
Box 16, Folder 1

Cuba Libre, Seoul, Korea, 1996

Scope and Contents

Five color slides.
Box 16, folder 1

Imperial Cascade, Osaka, Japan, 1996

Scope and Contents

Twenty-five color negatives; two color printouts; five color prints; and two color slides.
Box 16, folder 2

Milken Singularity, Santa Monica, California, 1996

Scope and Contents

One color print, five color slides, and two color transparencies.
Box 16, folder 3

Archimedes Gate, Shimane, Japan, 1997

Scope and Contents

Four color prints and two color slides.
Box 16, Folder 4

Dozer, 1997

Scope and Contents

Six color transparencies.
Box 16, Folder 5

Mask, Seoul, Korea, 1997

Scope and Contents

Two color slides.
Box 16, Folder 5

A Narrow Path of Emptiness, Seoul, Korea, 1997

Scope and Contents

Three color slides.
Box 16, folder 6

Portland Courthouse project, Portland, Oregon, 1997

Scope and Contents

Two color prints, five color slides, and six color transparencies.
Box 16, folder 7

Three Voices, Seoul, Korea, 1997

Scope and Contents

Two color slides and one color transparency.
Box 16, Folder 8

Unidentified, 1997

Scope and Contents

Two color prints.
Box 16, Folder 9

Cedars Cascade, Los Angeles, California, 1998

Scope and Contents

Twenty-seven color slides.
Box 16, folder 10

Inside Out, Production Firm, Santa Monica, California, 1998

Scope and Contents

One color slide and one color transparency.
Box 16, Folder 11

Urayama Dam, Japan, 1998

Scope and Contents

Three color slides.
Box 16, Folder 12

Cheekwood Prime Matter, Tennessee, 1999

Scope and Contents

Two color slides.
Box 16, Folder 13

Bernstein project, undated

Scope and Contents

Three color transparencies.
Box 17, folder 1

Bird Brain project, undated

Scope and Contents

Twenty-seven color negatives and eighteen color prints.
Box 17, Folder 2

Black and Red, Korea, undated

Scope and Contents

One color transparency.
Box 17, Folder 3

Citadel project, City of Industry, California, undated

Scope and Contents

Four color slides.
Box 17, Folder 4

Della, undated

Scope and Contents

Two color transparencies.
Box 17, Folder 5

Fire and Water, undated

Scope and Contents

Fifty-six color slides. Includes slides of schematic drawings.
Box 17, Folder 6

Gold Void Window, undated

Scope and Contents

Twenty-two color slides.
Box 17, folder 7

Johnson residence project, undated

Scope and Contents

Two color negatives, one color print, and thirteen color transparencies.
Box 17, Folder 8

LTV Center project, Dallas, Texas, undated

Scope and Contents

One color print.
Box 17, Folder 9

MGM Grand project, Las Vegas, Nevada, undated

Scope and Contents

Nineteen color slides.
Box 17, Folder 10

Moore project, undated

Scope and Contents

One color Polaroid.
Box 17, folder 11

Nynex, New York, undated

Scope and Contents

Six color prints and twenty color slides.
Box 17, Folder 12

Oceans of Time, Maryland, undated

Scope and Contents

Three color slides.
Box 18, Folder 1

Presbyterian Hospital project, California, undated

Scope and Contents

Four color prints.
Box 18, Folder 2

Prime Matter, undated

Scope and Contents

Twenty-two color negatives.
Box 18, Folder 3

Prime Matter #4, undated

Scope and Contents

One color slide.
Box 18, Folder 4

Prime Matter VI, undated

Scope and Contents

Seven color prints. Verso of one print reads, Ann Moses.
Box 18, Folder 5

Prime Matter #8, undated

Scope and Contents

Four color slides.
Box 18, folder 6, Box 28, folder 2

Saturday Night Special, undated

Scope and Contents

Four black-and-white prints, two color prints, and three color slides.
Box 18, Folder 7

Schorr project, undated

Scope and Contents

Thirteen color prints.
Box 18, folder 8

Sheraton Hotel project, Chicago, Illinois, undated

Scope and Contents

Six color prints and one color slide.
Box 28, Folder 12

Silence and the Ion Wind, undated

Scope and Contents

One black-and-white contact sheet.
Box 18, Folder 9

Slate Water, undated

Scope and Contents

Four color transparencies.
Box 18, Folder 10

State Capitol Building, Sacramento, California, undated

Scope and Contents

One color print.
Box 18, Folder 11

St. Regis, Century City, Los Angeles, California, undated

Scope and Contents

Twenty color slides.
Box 18, Folder 12

Stepped Singularity, undated

Scope and Contents

Three color transparencies.
Box 18, folder 13

Teak, undated

Scope and Contents

Twenty-five color slides and one color transparency.
Box 18, Folder 14

Teak, Benny Larussa, undated

Scope and Contents

Thirty-eight color slides.
Box 17, Folder 2

Teak II, Korea, undated

Scope and Contents

One color transparency.
Box 18, Folder 15

Trumps Restaurant fountain, undated

Scope and Contents

Eleven color prints.
Box 19, Folder 1

Volcan, undated

Scope and Contents

Nine color slides.
Box 28, Folder 3

Zero Mass, undated

Scope and Contents

Eighteen black-and-white negatives.
 

Unidentified, undated

Box 28, Folder 13

Black-and-white contact sheets

Box 28, Folder 14

Black-and-white negative

box 19, box 28

Black-and-white prints

Box 19

Black-and-white transparencies

Box 19

Color contact sheets

Box 19

Color negatives

Box 19

Color Polaroids

box 19, box 20, box 21, box 33

Color prints

box 19, box 21, box 22

Color slides

box 19, box 20, box 22

Color transparencies

Box 23, Folder 2

Loose slide labels, 1982-1985, undated

Scope and Contents

Includes labels detached from slide mounts: Prime Numbers #2; Carbon/Llama; Sakkara #2; Light Walls; Radio Plays; Sculpture Masters; and Guy De Cointet.
 

Exhibitions and sites, Series I.C. 1981-1999, undated

Physical Description: .51 Linear Feet(3 boxes)
Box 23, Folder 6

Unidentified, 1981

Scope and Contents

One color slide.
Box 28, Folder 6

Acme Art, San Francisco, California, 1984 September 18-October 27

Scope and Contents

Two black-and-white prints.
Box 23, Folder 7

The Works Gallery, Long Beach, California, 1987-1988

Scope and Contents

Four color slides.
Box 23, folder 3

Zoe Strecker, Water Wall Sculpture, The Hope and Healing Center, Memphis, Tennessee, circa 1999

Scope and Contents

Water mechanics by Eric Orr Studio. One color print and nine color slides.
Box 23, Folder 8

Bruce Kapson Gallery, Los Angeles, California, undated

Scope and Contents

Two color slides.
Box 24, Folder 5

Five Sisters, set/light, Museum of Contemporary Art, undated

Scope and Contents

One color slide.
Box 23, Folder 9

Security Pacific Gallery, [Los Angeles, California?], undated

Scope and Contents

Five color slides.
Box 23, folder 10

Seoul Art Fair, Seoul, South Korea, undated

Scope and Contents

Sixty-seven color negatives and thirty-seven color prints of unidentified paintings.
 

Unidentified, undated

Box 28, Folder 7

Black-and-white negatives

Box 23

Color negatives

Box 24

Color Polaroids

Box 24

Color prints

Box 23

Color slides

 

People, Series I.D. 1964-2001, undated

Physical Description: .45 Linear Feet(4 boxes)
 

Eric Orr, 1964-circa 1985, undated

Box 28, Folder 8

Black-and-white prints, circa 1985, undated

Scope and Contents

Eleven black-and-white prints. Includes one photograph of Orr with Frederick Fisher and film crew at the studio of Carol Vena-Mondt, downtown Los Angeles, circa 1985.
Box 28, Folder 8

Black-and-white transparency, undated

Scope and Contents

One black-and-white transparency.
Box 24, Folder 3

Color Polaroids and prints, undated

Scope and Contents

Thirteen prints and five Polaroids.
Box 24, Folder 4

Color slides, 1964, 1980, undated

Scope and Contents

Twenty-nine color slides. Includes one slide of Orr's truck and another of Orr with Silence and the Ion Wind.
Box 23, Folder 5

Crowd in bleachers, unidentified outdoor stadium, 1984

Scope and Contents

Eleven color slides.
Box 24, Folder 6

Thomas McEvilley, undated

Scope and Contents

Four color prints.
 

Unidentified, 1965-2001, undated

Box 24, Folder 7

1965-1998, undated

Scope and Contents

Eighty-four color slides. Also includes slides of unidentified sites.
Box 25, Folder 1

1985, undated

Scope and Contents

Eight slides, four unmounted; one small circular-cut print.
Box 25, Folder 2

2001

Scope and Contents

Eight color slides.
 

undated

Box 28, Folder 9

Black-and-white print

Scope and Contents

One black-and-white print.
Box 28, folder 9

Black-and-white slide

Scope and Contents

One black-and-white slide.
Box 25, Folder 3

Color negatives

Scope and Contents

Twenty-one color negatives.
Box 25, Folder 4

Color Polaroids

Scope and Contents

Five color Polaroids.
Box 25, Folder 5

Color prints

Scope and Contents

Ten color prints.
 

Miscellaneous, Series I.E. undated

Physical Description: .15 Linear Feet(5 boxes)
Box 23, Folder 4

"Audio Visual Services, Office of Instructional Development," undated

Scope and Contents

One color slide.
 

Egyptian sarcophagus, undated

Box 33

Black-and-white print

Scope and Contents

One black-and-white print.
Box 25, Folder 6

Color slide

Scope and Contents

One color slide
Box 28, Folder 10

"Malcolm Hanes at Bjorn Olsson Gallery, Stockholm, Sweden," undated

Scope and Contents

Six black-and-white negatives.
Box 28, Folder 11

Magnigraph, undated

Scope and Contents

One black-and-white negative.
Box 10, Folder 3

Unidentified schematics, undated

Scope and Contents

Five color slides.
 

Schematic drawings, Series II. 1987-2001, undated

Physical Description: 15.24 Linear Feet(3 boxes, 2 boxed-rolls, 19 flatfile folders)

Scope and Contents

Series II. consists of oversize schematic drawings by Orr and Orr Labs of building sites and projects, both public and private, for Orr's fountains and sculptures. Many of the projects also include site plans by assorted architects and designers for the buildings or land where Orr's projects were installed.
All known project locations are included in component titles; component titles without detailed locations are for projects at unidentified locations.
Schematic drawings are also present in binders found in Series III. Papers; color slides of unidentified schematics are included in Series I.E.

Arrangement

Arranged chronologically by project.
Box 35*, Folder 1

Prime Matter, 1987

Scope and Contents

Drawing by Orr.
Flatfile 1**

Unidentified, 1988

Scope and Contents

Possibly for the Bagdasarian residence project. Signed: Leonardo Gomez '88.
 

Airport Atrium Water Veil, Torrance Airport, Torrance, California, 1989-1990

Flatfile 6**

1989 October-1990 August

Scope and Contents

Plans by Vincent Kevin Kelly & Associates and Berger Iron Works, Inc.
Boxed-roll 1**

1989 February-1990 May

Scope and Contents

Plan by The Nadel Partnership, Inc.
Box 36*, Folder 1

Bermant project, 1989

Scope and Contents

Plan by Orr.
Box 36*, Folder 1

Grinstein project, 1989

Scope and Contents

Plan by Orr.
Flatfile 3**

Leeds residence project, 1989-1990

Scope and Contents

Includes a schematic drawing by Orr and a plan by Luis Ortega Design Studio.
 

Mitsui Fire Sculpture, Los Angeles, California, 1989-1991, undated

Flatfile 2**

1989

Scope and Contents

Plan by Wet Design, Universal City, California.
Boxed-roll 2**

1991, undated

Scope and Contents

Plans by Wet Design, Universal City, California and AC Martin and Associates.
 

Water sculpture, Foothill Ranch, Laguna Hills, California, 1989-1990, undated

Flatfile 4**

1989-1990

Scope and Contents

Plans by Dike / Runa Inc.
Flatfile 5**

1990 April-July, undated

Scope and Contents

Includes one color drawing and plans by Ashley Martin Engineering Co.
Box 36*, Folder 3

1990 March-December, undated

Scope and Contents

Includes color drawings and plans by Orr.
Box 36*, Folder 6

Ann Janssen project, 1990-1991

Scope and Contents

Plans by Orr.
 

Bagdasarian residence project, Los Angeles, California, 1990-1991, undated

Flatfile 10**

1990 September

Scope and Contents

Plan by William J. Gentile Architect & Associates.
Box 36*, Folder 5

1990 November-1991, undated

Scope and Contents

Plans by Orr and Orr Labs.
 

Benach residence project, 1990

Flatfile 7**

1990 January-February

Scope and Contents

Plan by Olson Sundberg Architects.
Boxed-roll 1**

1990 January

Scope and Contents

Plan by Liz Fisher and Assoc. Design.
Box 35*, Folder 1

1990 August

Scope and Contents

Plans by Orr.
 

Citadel project, City of Commerce, California, 1990

Box 35*, Folder 2

1990 July

Scope and Contents

Plan by Orr for sculpture in the Citadel's food court.
Flatfile 8**

1990 August

Scope and Contents

Plans by Martha Schwartz, Ken Smith, David Meyer Landscape Architects, Inc.
Box 36*, Folder 4

Jovet project, 1990-1991, undated

Scope and Contents

Plans by Orr, Orr Labs, and Peter Carlson Enterprises.
Box 36*, Folder 7

Landmark Square project, 1990, undated

Scope and Contents

Drawings and plans by Orr.
Box 29, Folder 1

Lehrer project, 1990

Scope and Contents

Plan by Orr.
 

Montgomery Mall project, Bethesda, Maryland, 1990-1992

Flatfile 11**

1990-1991

Scope and Contents

Plans by RTKL Associates Inc. and May Centers, Inc.
Box 29, Folder 4

1992

Scope and Contents

Plans by Orr Labs.
 

Newman residence project, 1990-1991, undated

Box 36*, Folder 2

1990

Scope and Contents

Plans by Orr.
Box 34, Folder 2

1991, undated

Scope and Contents

Plans by Crissman & Solomon Architects Inc., Watertown, Massachusetts.
Flatfile 2**

Southern California Gas Center project, Los Angeles, California, 1990

Scope and Contents

Plans by Reel Grobman.
Flatfile 9**

University of Nebraska Medical Center project, Omaha, Nebraska, 1990-1991

Scope and Contents

Plans by Hansen Lind Meyer, Inc. and Richard D. Nelson Co.
Flatfile 8**

West Valley Corp residence project, 1990, undated

Scope and Contents

Plan by Charles F. Johnson, Designer.
Box 29, Folder 2

Cohen project, 1991

Scope and Contents

Plan by Orr Labs.
 

Kenneth Norris, Jr. Cancer Hospital and Research Institute project, Los Angeles, California, 1991, undated

Flatfile 12**

1991 April

Scope and Contents

Plans by Anshen and Allen Architects.
Box 34, Folder 1

1991 April-June, undated

Scope and Contents

Plans by Orr Labs, design concept by Anshen and Allen.
Box 35*, Folder 2

Kim Anderson project, 1991

Scope and Contents

Plans by Orr.
Flatfile 13**

Kirschner residence project, Santa Monica, California, 1991

Scope and Contents

Plans by Breidenbach Cuen Architects.
Box 36*

Lee Prime Matter, 1991

Scope and Contents

Drawing by Orr.
Flatfile 14**

Lippman residence project, Los Angeles, California, 1991

Scope and Contents

Plans by Fields & Devereaux Architects, AIA and Susan E. McEowen.
Boxed-roll 2**

Moreno Valley Mall project, Moreno Valley, California, 1991-1992

Scope and Contents

Plans by the Jerde Partnership, Inc. Project developed by Homart Development Co.
Box 36*, Folder 8

Moses Veil of Water, 1991

Scope and Contents

Plans by Orr. One plan is torn and fragile.
Box 35*, Folder 2

Nesburn project, 1991

Scope and Contents

Plan with drawing in pencil by Orr.
 

Sheraton Hotel project, Chicago, Illinois, 1991

Boxed-roll 1**

1991 June

Scope and Contents

Plans by Solomon, Cordwell, Buenz & Associates.
Box 35*, Folder 3

1991 June

Scope and Contents

Plans by Orr.
Box 36*, Folder 2

Water Columns, Homart, 1991

Scope and Contents

Plan by Orr Labs.
Box 29, Folder 3

Unidentified, 1991

Scope and Contents

Includes plans by Orr Labs labeled: Ganz light revision / gas company and O'Melveney & Meyers.
Flatfile 15**

Baldwin Park Medical Center project, Baldwin Park, California, 1992

Scope and Contents

Plans by HMC Architects Inc. and consulting architect Arthur Erickson and Associates.
Box 36*, Folder 9

Clackamas Town Center project, Happy Valley, Oregon, 1992

Scope and Contents

Plans by The Hahn Company, Callison.
 

Topanga Plaza renovation project, (Los Angeles, California?), 1992, undated

Boxed-roll 1**

1992, undated

Scope and Contents

Plans by Callison.
Box 29, Folder 5

1992

Box 35*, Folder 4

China Max, (China?), 1993

Scope and Contents

Plans by Guthrie Mayberry & Associates Ltd. and a drawing list on letterhead with a Hong Kong address.
Flatfile 16**

Henry residence project, Pasadena, California, 1993

Scope and Contents

Plans by Barry A. Berkus A.I.A.
Flatfile 10**

Unidentified (NARA), Japan, circa 1993

Scope and Contents

Includes 1993 correspondence from Maeda Environmental Art Co., Ltd., Tokyo, Japan.
Box 29, Folder 6

E. R. Lawrence project, 1994

Scope and Contents

Plan by Orr.
 

Imperial Cascade, Imperial Hotel, Osaka, Japan, 1994-1995

Flatfile 17**

1994

Scope and Contents

Plans by Barry Design Associates, Inc.
Box 34, Folder 3

1995

Scope and Contents

Drawings by Orr Labs.
Flatfile 18**

Teikoku Hotel fountain project, (Japan?), 1994

Scope and Contents

Plans by Koei Industry Co., Ltd.
Box 29, Folder 7

Unidentified, 1994

Box 29, Folder 8

Double Vision, 2001

Flatfile 19**

Bettencourt residence project, Auburn, California, undated

Scope and Contents

Plan by The CBM Group, Inc.
Box 29, Folder 9

Greenburg project, undated

Box 35*, Folder 5

Hycel Wedge, undated

Scope and Contents

Plan by Orr Labs.
Flatfile 19**

Moscone Center project, undated

Box 29, Folder 10

Tony and Carolyn Johnson project, undated

 

Unidentified, undated

Box 36*, Folder 10

Anchorage, Alaska

Flatfile 19**

Shimane Prefecture, Japan

Scope and Contents

Possibly for Archimedes Gate.
box 29, box 34

Unidentified locations

Scope and Contents

Includes a pencil drawing.
 

Papers, Series III. 1959-2012, undated

Physical Description: 2.63 Linear Feet(7 boxes. Computer media: 10.90 GB [195 files])

Scope and Contents

Series III. contains administrative files and ephemera pertaining to Orr's work, with exhibition announcement postcards, typescript firsthand accounts of Orr's friendship with conceptual artist James Lee Byars, acquisition documentation and pricing for works by Orr, and Orr's handwritten notes and typescript proposals for projects. The series also includes binders consisting of both photographs and schematic drawings that were not described in Series I. or Series II.

Arrangement

Arranged alphabetically by subject.
 

Articles and essays, 1984-1999, undated

Scope and Contents

On Orr, his work, and his role in the Light and Space movement.
Box 29, Folder 12

Photocopies, 1984-1999, undated

Box 35*, Folder 5

Oversize, 1989

Box 29, Folder 13

Thermofax originals, 1999

Box 25, Folder 7

Ashkenazy Galleries consignment memo and color Polaroids, 1989

Scope and Contents

Includes seven Polaroids of 1989 paintings Wait; Blue Void A; Dark Light #14; Time Shadow; One Way; Other Side of Light AA; and No Fire.
Box 30, Folder 7

Assorted documents, circa 1985-circa 1995, 2003, undated

Scope and Contents

Includes Orr's application for entry to Vietnam and a "Robot Poetry Manifesto" signed by Orr, James Lee Byars, Marian McEvilley, and others.
 

Binders of photographs and schematic drawings, 1978-2003, undated

 

"Sculpture 1987," 1978-1987, undated

Scope and Contents

Binder of schematic drawings (photocopies), descriptions, lists, and proposals for sculptural works. Includes Untitled (Prime Matter series), the Beck commission; Solar Fountain; the Anaheim city center fountain; the Newquist doors and shutters; Waterwall; the Vena-Mondt studio/residence project; Naked Singularity; the Michael Goodman project; the Jenkins project; Fire and Water Column; Triangular Fire and Water Column; the Panza proposals: Prime Matter 8, Thermal Time Window, Prime Matter, North of Yesterday, Space Delineator-Single/Double/Planar Wall, Heliostatic Rain, Sunrise, Sound Tunnel, Ocean of Time, Silence and the Ion Wind, Sound in the Shape of a Pear, Nothing Special; LACMA project: Prime Matter 9; Home Savings of America; Hawaii project; Whitney Museum multiple project; Amber Hill commission; Cedars Sinai project.
Box 29, Folder 14

Schematic drawings

Box 25, Folder 8

Color prints

 

"Selected Works," 1981-1986, undated

Scope and Contents

Includes typescript descriptions, some on Eric Orr letterhead, and schematic drawings of selected Orr works; photocopies of clippings; and a proposal application for the City of Brea's Art in Public Places Program. Identified works include North of Yesterday, Solar Fountain, and Prime Matter.
Box 29, Folder 15

Descriptions and proposals

Box 27, Folder 2

Color prints

box 37, folder 1

"Empty sheets, slides," undated

Scope and Contents

Binder of empty photographic print and slide sheets with labels for the following works and locations: Sandrich Singularity #1; Janssen Prime Matter; International Creative Manange (?); Fukushima Stadium; Eastern Oceans of Time; Sandel; LACMA Prime Matter; Lee Singularity; North of Yesterday; Prime Matter IV (Venice Bien); Nippon Arch; Naked Singularity; Topanga Plaza Mall, Rain Box (Scottsdale); MacArthur Place; Moreno Valley Mall; Solar Fountain; Teak Singularity (1995); Fukushima Prime Matter (1994); Edge of Light (33 x 9); St. Louis Galleria; Chicago Sheraton; and Jon Douglas.
 

"Sculpture/blueprints," undated

Scope and Contents

Binder of schematic drawings for works of sculpture. Schematic drawings were originally adhered to the original binder sleeves, which were not archival. Drawings were removed from the binder during conservation treatment. The original binder and sleeves have been maintained separately from the schematic drawings.
box 37, folder 2

Original binder and sleeves

box 37, item 3-4

Schematic drawings

Box 25, Folder 9

Color prints

 

Unlabeled, 1991,1996, 2001-2003

 

Assorted sculpture, undated

Scope and Contents

Mostly empty binder of missing schematic drawings, with ink remnants of drawings on most of the binder sleeves. Also includes color photographs of select works and a list of works on Orr's letterhead.
box 37, folder 5

Original sleeves

Box 25, folder 10

Color prints

Scope and Contents

Also includes list of works on Orr's letterhead.
 

Assorted sculpture, 1991, 2001-2003

Scope and Contents

Identified works include: Last Oceans of Time, Granite Singularity, Enclave, Cedars Cascade, Kanner Water Veil, ICM Prime Matter, L.A. Prime Matter, Birmingham Prime Matter, and Cuba Libre.
Box 29, Folder 16

Original housing

Box 25, folder 11

Color prints

Box 26, folder 1

Assorted sculpture, 1996, undated

Scope and Contents

Binder includes twenty-five color prints, with one identified work: Archimedes Gate.
Box 29, Folder 17

Biographies and chronologies, 1996, undated

Box 29, Folder 18

Business and resume cards, undated

Box 32, Item V1

Chaparral VHS, undated

Scope and Contents

1 videocassette (VHS) (28 min.) ; 1/2 in. Original label reads, Stereo / final mix. Unavailable until reformatted. Contact reference for reformatting.
Box 29, Folder 19

Cirrus Editions catalogue sheets, 2007, undated

Scope and Contents

Acquisition documents for works by Eric Orr.
 

Correspondence, 1979, 1987-1999, undated

Scope and Contents

Primarily includes faxes and blank postcards, with one unsigned postcard addressed to Orr, and a blank postcard addressed to Kurt Hodgetts.
Box 29, Folder 20

1979, 1987-1999, undated

Box 26, Folder 2

Transparencies, 1979

Box 31, Item DVD1

Crazy Wisdom: The Life and Work of Eric Orr, viewing copy (video), 2012

Scope and Contents

Sound not re-mastered.
1 video disc (DVD-R) : digital ; 4 3/4 in. Unavailable until reformatted. Contact reference for reformatting.
Box 29, Folder 21

Electrum documents, 1996, undated

Scope and Contents

Includes correspondence, exhibition invitations, schematic drawings, and typescript notes. Original housing read: To: Kent Hodgetts / Re: Electrum to SCI-Arc 1.07.2003.
box 31, item DVD2

"Eric Orr and a Tower of Fire and Water" (video), undated

Eric Orr and a Tower of Fire and Water (digitized version available on-site only): undated

Scope and Contents

1 video disc (DVD-R) (120 min.) : digital ; 4 3/4 in. Unavailable until reformatted. Contact reference for reformatting.
Box 29, Folder 22

Exhibition announcements and postcards, 1979-1996, undated

Scope and Contents

Postcards primarily for Orr's national solo and group exhibitions, with some postcards for exhibitions held at international venues. Includes photocopies.
box 31, item DVD3

Five Sisters viewing copy (video), 1980s

Five Sisters (digitized version available on-site only): 1980s

Scope and Contents

1 video disc (DVD-R) (120 min.) : digital ; 4 3/4 in. Unavailable until reformatted. Contact reference for reformatting.
box 31, item CM3

"If I Can't Dance, I Don't Want To Be Part of Your Revolution," undated

If I Can't Dance, I Don't Want To Be Part of Your Revolution (digitized version available on-site only)

Scope and Contents

1 computer disc (CD-R) : digital ; 4 3/4 in. CM3 contains: 3 Microsoft Word for Windows files (.docx) titled, Five Sisters credits; 46 image files (.jpg) with alphanumeric titles; 1 Quicktime file (.mov) titled, Frascati WG; and 1 unidentified file (.m4v) titled, MUSAC. One file was corrupt and could not be transferred from the disc: Video/Reina Sofia.mov. Unavailable until reformatted. Contact reference for reformatting.
Box 29, Folder 23

Interview transcripts, 2007

Scope and Contents

Transcripts of Elizabeth Orr interviews with curator Maurice Tuchman, art critic Thomas McEvilley, and art historian Gail Gelburd on their relationships with her father, Eric Orr.
 

James Lee Byars, 1983, 1997-1998, undated

Box 29, Folder 24

"Jimmy stories," 1997-1998, undated

Scope and Contents

Typescript anecdotes by Orr that detail his friendship with artist James Lee Byars. Also includes Orr's personal chronology, exhibition announcements, and color printouts of Orr with Byars and Thomas McEvilley.
Box 29, Folder 25

"Jimmy stories" (thermofax), 1997

Box 26, Folder 3

Photographs, 1983, undated

Scope and Contents

Four color prints and two black-and-white prints.
box 31, item D1

"1. James Lee Byars 2. Eric Orr," undated

1. James Lee Byars 2. Eric Orr (digitized version available on-site only): undated

Scope and Contents

James Lee Byars, "The Death of James Lee Byars" and Eric Orr Gold Room lecture at LACMA.
1 audio disc (CD) : digital ; 4 3/4 in. Unavailable until reformatted. Contact reference for reformatting.
Box 29, Folder 26

Kentucadet: Alumni Journal, 1959 May

Scope and Contents

Alumni journal for the Kentucky Military Institute.
Box 29, Folder 27

Limited edition water sculptures, 2004, undated

Box 29, Folder 28

Museum of Contemporary Art, San Diego acquisition documents, 2006

Scope and Contents

Artist surveys and licensing agreements for Orr's You Had the Meaning but Missed the Experience (circa 1981-1982) and Red Void II (1992).
 

Notebooks and notes, 1974-1992, undated

Box 30, Folder 1

1974

Box 30, Folder 2

1980

Box 30, Folder 3

1992, undated

Scope and Contents

Includes typescript pages for a lecture at the Los Angeles County Museum of Art (LACMA) on the indigenous art of Zaire (now the Democratic Republic of the Congo).
Box 30, Folder 4

undated

Box 30, Folder 5

Orr Studio sculpture booklet, 2001-2002

Scope and Contents

With a Hosfelt Gallery envelope addressed to Peggy Orr in 2002.
 

Painting price lists and invoices, 1990-1991, undated

Box 30, Folder 6

Documents

Scope and Contents

Includes a black-and-white print of Time Switch (1973) by Gus Foster.
Box 27, Folder 1

Color Polaroids

Scope and Contents

Includes seventy-seven color Polaroids, with the following identified paintings: Purple Elapsed Time; Where Is Infinity; Red Void; Violent Edge; Oceans of Time; Xanadu; Blue Ecliptic; Green Ecliptic; Harry's Cauldron; Lee Musgrave; Hahn's Birthdate; Three of a Kind; Without Green; Amarillo; Crazy Wisdom T.O; Sam's Pic; Darkness In Back of The Sky; May to December; Peggy's Pic; What Takes 4 Light Years to Stop; Red Cloud; In Hand; You've Had the Experience But You Missed the Meaning; Plum Threshold; Parmenides Dilemma; Zero +; 91 Mu; Edge of Thought; Emergence of Time; Navaho; 3+3=3; If Tachyons Could Tell the Truth; Always Everywhere at Once Always Nowhere Sometime; Threshold of Substance; Time Dilation; The Rossi; Time Window 1; Time Window 2; The Passage; The Sky is Not A Way Back; 3 Ways; Uaho; Green Guy; Fugitive Blue; Circadian Rhythm; Nine Times Nine; Crazy Wisdom II; Crazy Wisdom X; Pangaea; and Temporal Crazy Wisdom.
Box 30, Folder 8

Proposals and histories, 1998-1999, undated

Scope and Contents

Includes descriptions of Electrum, Karnak, L.A. Prime Matter, Silence and the Ion Wind, Solar Fountain, and Zero Mass Space.
Box 30, Folder 9

Slide list, Hope and Healing Center, circa 1998

Box 31, Item CM1

"Teece - E Orr," 2005 June

Scope and Contents

1 computer disc (CD-RW) : digital ; 4 3/4 in. CM1 contains: 48 image files (.jpg) titled: Teece CWC and workers 6 13 05 E Orr. Unavailable until reformatted. Contact reference for reformatting.
Box 32, Item R1

Tibetan Temple Gongs audiotape reel, 1975 December

Scope and Contents

1 audiotape reel (60 min.) : analog, 15 ips. ; 5 in., 1/4 in. tape. Original label reads: Eric Orr / Tibetan Temple Gongs / Dec. 1975 / 15 i.p.s. / Full track / "B" tape / (slightly noisier). Unavailable until reformatted. Contact reference for reformatting.
 

Wall Shadow, 2011-2012

Box 31, Item CM2

Eugenia Butler Gallery, 2011 February

Scope and Contents

1 computer disc (CD-R) : digital ; 4 3/4 in. CM2 contains: 34 Tagged Image File Format (.tif) files titled: Orr light piece. One file was corrupt and could not be transferred from the disc: Orr light piece 7.tif. Unavailable until reformatted. Contact reference for reformatting.
Box 34, Folder 5

Oversize flier, 2012

Scope and Contents

A flier for a re-creation of Orr's 1970 piece, Wall Shadow, presented by LAND (Los Angeles Nomadic Division) and Corazon del Sol as part of the Pacific Standard Time Performance and Public Art Festival.
 

The Works Gallery, 1989, undated

 

Ashkenazy resource exchange, 1989

Box 30, Folder 10

Schematic drawings

Box 27, Folder 3

Color Polaroids

Scope and Contents

Seven color Polaroids.
Box 30, Folder 11

Collector kits, undated

Scope and Contents

Includes collector solicitations and postcards with brief resumes for artists represented by the gallery.
Box 32, Item C1

Unidentified audiocassette, undated

Scope and Contents

Original label reads: I.
1 audiocassette : analog ; 3 7/8 x 2 1/2 in., 1/8 in. tape. Unavailable until reformatted. Contact reference for reformatting.
Box 31, Item D2

Unidentified audio CD, undated

Scope and Contents

1 compact disc (CD) : digital ; 4 3/4 in. Unavailable until reformatted. Contact reference for reformatting.
Box 31, Item CM4

Unidentified disc, 2007 July

Scope and Contents

Possibly includes images of Eric Orr exhibition at Robert Berman Gallery, curated by Elizabeth Orr.
1 computer disc (CD-R) : digital ; 4 3/4 in. CM4 contains: 4 JPEG File Interchange Format files (.jpg) and 31 Exchangeable Image File Format (Uncompressed) files (.tif). Unavailable until reformatted. Contact reference for reformatting.