Film files (produced)
An American in Paris
Assistant Director progress report 1950-03-20-1951-05-11
[Ballet information] 1950
Ballet script (3 copies) 1950-09-06
[Bill Ryan material - production manager] 1950-1951
Bill Ryan's script and notes (bound) 1950-03-30
Bill Ryan's script and notes (bound) 1950-06-12
Casting 1949-1950
Correspondence, promotion, and publicity 1950-1951
Daily progress report 1950-08-01-1951-05-15
[Hugh Fordin research and notes] 1951
New York and out of town clippings 1951-1952
Magazines (Danse, Paris Match, Look) 1950-1951
Oversees clippings 1951-1952
Picture estimate (production budget) 1950-08-01
Premiere, reviews, and press 1951-1952
[Production information and correspondence] 1950-1951
Promotional materials and stills 1951
[Publicity] 1951
Script (three copies) 1950-06-12-1951-08-13
[Stills and publicity] undated
Annie Get Your Gun
Bill Ryan copy of script and notes 1949-10-06
Script (complete) 1949-10-06
Budgets -Betty Hutton version 1949
Budgets - Judy Garland version 1948-1949
[Correspondence and scripts] 1947-1949
[Garland version] 1949-03-11-1949-05-11
[Inter-office communication] 1949-1950
London review [clippings] 1950
[Production and publicity] 1948-1949
Production information (Betty Hutton version) 1949-09-26-1950-02-22
Production information - Judy Garland version (A.D.s and progress reports) 1949-02-04-1949-05-21
Promotion campaign 1950
Reviews [clippings] 1950
[Set photos featuring Garland] undated
[Sheet music for "Let's Go West Again" 1948-12-03
[Stills of New York premiere] undated
[Telegrams, reports, teaser trailers, and Variety issue] 1950
Any Number Can Play
Assistant Director's reports, budget, and daily progress reports 1948-1949
[Inter-office communication and reviews] 1948-1949
[Preview lists, correspondence, and promotional materials] 1948-1949
Script (two copies) 1948-11-05
Babes in Arms
Assistant Director's reports and daily progress reports 1939-04-18-1939-08-24
[Budget and two estimates] 1939-04-1939-07
Production information 1939
Sheet music 1939
Script 1939-03-23
Babes on Broadway
Assistant Director's reports 1941-07-07-1941-11-07
Budgets 1941-07
Daily progress reports 1941-07-14-1941-11-15
Production info 1941
[Publicity and photos] 1941
[Reviews: London and U.S.] 1942
Script (complete) 1941-05-21
[Scripts] 1941-06-09-1941-09-18
[Sheet music: "Hoe Down"] 1941
Stills [five] undated
The Band Wagon
[Assistant Director's reports, daily progress reports, and picture estimate (budget)] 1952-1953
Bill Ryan script 1952-03-28
General File [correspondence, press, scripts] 1951-1953
[Inter-office communication, correspondence, notes, and promotion] 1952-1953
MGM Records 1953
[Music preparation and script] 1953-01-31
[Production info] 1952-1953
[Publicity] 1953
[Reviews] 1952-1954
Script (two copies, Nos. 1 and 2) 1952-07-1953-08
Script (three copies, Nos. 3, 4, and 5) 1952-03-1952-08
[Stills] undated
Stills (five) undated
Talent [inter-office communication] undated
The Barkleys of Broadway
[Advertising, inter-office communication (correspondence), and promotion] 1948-1949
[Assistant Director's report, daily progress reports, and picture estimate (budget)] 1948
[Inter-office communication (correspondence) and preview first reports] 1948-1949
[Inter-office communication (correspondence) relating to Fred Astaire and Judy Garland] 1948-1949
[Production and promotion] 1948
[Reviews and press] 1949
[Script material # 1-3] 1948-03-1948-07
[Script material # 4-6] 1948-07-09
Sheet music 1948-04-1948-08
Stills (Astaire and Rogers) undated
Stills (Ginger Rogers alone) undated
Stills (misc) undated
The Belle of New York
Assistant Director's reports and daily progress reports 1951
[Correspondence (inter-office communication related to talent, mainly Fred Astaire)] 1948-04-18-1951-09-13
[Memos, correspondence, and tearsheets] 1943-1952
[Memos removed from Bill Ryan's script and correspondence] 1945-1951
[Production materials] 1951
[Reviews and press] 1952
Scripts [three, including rough draft) 1942-1943
Scripts [three, including first cut version] 1944-01-1944-06
Scripts [four, including rerun] 1944-1951
Scripts (five, from Sally Benson and Jerry Davis) 1947, 1950
Scripts (five) 1951-03-12-1951-06-11
Scripts (misc sections) 1950-1951
Sheet music 1945-05-15-1945-05-18
Stills (Astaire and Vera-Ellen) undated
Bells are Ringing
[Assistant Director's reports, daily progress reports, and picture estimate (budget)] 1959
[Correspondence and memos] 1958-1960
[Correspondence (inter-office communication, separated by topic)] 1958-1960
Executed contracts 1959-1960
Memos removed from Bill Ryan's script 1959
[Preview survey and step outline] 1959-1960
[Production materials] 1959-1960
Reviews 1960
[Script (complete, 4 copies)] 1959-08-18
[Script (supplementary material)] 1959-04-12-1959-10-14
[Script (temporary complete)] 1958-10-07-1958-10-27
[Script (temporary complete, 3 copies)] 1958-12-29
[Scripts (temporary complete, four)] 1959-03-03-1959-04-01
Best Foot Forward
[Assistant Director's reports, daily progress reports, and picture estimate (budget) 1942-1943
Censorship (correspondence from Al Block and Bob Vogel) 1942-10-06-1943-09-28
[Correspondence and story notes] 1942-1943
Daily film reports 1943
[Legal correspondence] 1942
Music 1942
[Promotion and publicity] 1942-1943
Reviews 1943
Recording programs 1943
[Scripts (two, temporary complete and final copy)] 1942-12-02-1943-01-14
[Talent (correspondence)] 1942-1943
[Trailer and press] 1943
Brigadoon
[Assistant Director's reports, daily progress reports, and budgets (picture estimates, 3)] 1953-1954
[Correspondence] 1948-1955
[Correspondence, general and talent)] 1952-1953
[Cost figures] 1953-1954
[Hugh Fordin notes] undated
[Production information] 1953-1954
[Production, press, and publicity] 1952-1954
[Publicity] 1947-1954
Research material [for film adaptation] 1947
Reviews and publicity 1954
[Script (complete)] 1951-11-06
[Scripts (temporary complete)] 1952-05-09-1953-09-28
[Script (No. 3, with annotations)] 1953-09-28
[Script (complete, 2 copies)] 1953-10-14
[Stills and negatives] undated
Cabin in the Sky
Assistant Director's reports, daily reports, picture estimate (budget) 1942-08-29-1942-12-07
Censorship (correspondence from Al Block and Robert Vogel) 1942-1943
Daily film reports 1942-08-31-1942-10-29
General correspondence and story notes 1942
Correspondence (Mr. Hendrickson, Mr. Prinzmetal, and L.K. Sidney 1942-05-05-1942-12-04
[Hugh Fordin research] 1943
Music 1942-1943
[Negatives] undated
[Publicity] 1942
[Production information] 1942-1943
Recording programs 1942-09-03-1942-11-17
Reviews 1943
[Scripts (temporary complete, complete, and epilogue and prologue) 1942-07-21
[Sheet music] 1942
Talent [correspondence and memos] 1942-04-04-1942-11-17
The Clock
Assistant Director's reports, daily progress reports, and picture estimate (budget) 1944
[Bill Ryan's memos removed from script] 1944-05-22-1944-08-03
Censorship (correspondence from Al Block and Robert Vogel) 1944-05-1944-08
Correspondence, promotional materials, and schedule] 1944-05-1944-08
Correspondence and story notes 1944-1945
Daily film reports 1944-08-1944-11
Legal (correspondence from Hendrickson, Monta, Richlavie, and Revnes) 1944-04-1945-02
Music 1944-03-1944-11
[Production and publicity] 1943-1945
Reviews [New York, London, general] 1945
Scripts (three, 2 temporary incomplete) 1944-01-26-1944-02-01
[Scripts (complete, Bill Ryan copy, vault copy)] 1944-02-1945-02
[Sheet music (bound copy)] 1944-1945
[Still and negatives] 1944
Talent [correspondence and memos] 1944-1945
Crisis
Assistant Director's reports and daily progress reports 1949-1950
Bill Ryan memos (removed from copy of script) 1949-09-26-1950-02-22
[Budgets (picture estimates, three) 1949-1950
[Correspondence and promotional materials] 1949-1950
[Correspondence (production)] 1949-1950
[Production information] 1949-1950
[Reviews] 1950
Scripts [two, incomplete and complete] 1949-12-28
Du Barry was a Lady
[Assistant Director's reports, daily progress reports, and picture estimate (budget)] 1942-08-29-1943-03-06
Censorship (correspondence from Al Block and Robert Vogel) 1942-05-16-1943-07-14
Daily film reports 1942-09-01-1942-11-06
General correspondence, story notes, and figures 1941-10-1943-10
Legal (correspondence from Mr. Hendrickson, Mr. Prinzmetal, and L.K. Sidney) 1941-04-17-1942-11-29
Music 1941-05-1942-09
[Production and publicity] 1942-1943
[Promotion and clippings] 1943
Recording programs 1942-08-28-1943-03-05
Reviews 1943
Scripts (2, temporary compete and complete) 1942-01-07-1942-08-20
[Stills and negatives] undated
Talent [correspondence and memos] 1941-11-11-1942-11-05
Easter Parade
Assistant Director's reports and daily progress reports 1947-09-15-1948-03-12
[Budgets] 1947-11-19
Bill Ryan production memos removed from copy of script 1947-09-05-1947-11-26
Censorship (Vogel, Breen, Block) 1948-01-07
Conference notes 1947-06-05-1948-01-08
Legal (Monta, Hendrickson, Asher correspondence) 1947-04-17-1948-03-11
London reviews 1949
[Photos] Astaire (alone and with others) undated
[Photos] Astaire with Garland (candids) undated
[Photos] Astaire with Garland (misc. scenes) undated
[Photos] Astaire with Garland (publicity shots) undated
[Photos] Astaire with Garland (theater sequence) undated
[Photos] Astaire with Garland (tramp number) undated
[Photos] Irving Berlin (alone and with others) undated
[Photos] Misc. undated
[Photos] Peter Lawford with Garland undated
[Photos] Peter Lawford with others (less Astaire) undated
[Promotional materials] 1948-1949
[Reviews] 1948
Schedule 1947-11-10-1948-01-24
Sheet music 1947
Showgirls 1947
Script material (complete, incomplete, Bill Ryan copy, lyrics) 1947-06-06-1947-11-26
[Story materials] 1947-01-1948-09
Talent (correspondence and memos) 1947-09-25-1948-06-18
For Me and My Gal
[Assistant Director's report, daily progress reports, and picture estimate (budget)] 1942-02-19-1942-08-05
Congratulatory wires 1942-10-20-1942-10-22
Correspondence and story notes 1940-1943
Daily film report 1942-05-15-1942-07-29
Legal (correspondence from Mr. Hendrickson and Mr. Prinzmetal) 1941-03-11-1942-04-29
Music 1942-02-11-1942-10-31
[Promotional materials] 1942-04-1942-10
Recording programs 1942-03-23-1942-10-15
Reviews 1942
Script [complete, two copies] 1941-10-25
Talent [correspondence and memos] 1940-1942
Gigi
American magazines 1957-1959
Assistant Director's reports, daily progress report, and budget 1957-04-26-1958-02-20
Congratulatory notes and wires for Academy Awards 1959
Contracts and agreements 1953-1957
Exploitation - Lowel Corp. (Norman Rosemont) 1957-1959
French magazines 1956-1959
[Legal and general correspondence] 1957-09-24-1958-02-25
Letters 1957-1958
London, Paris, and Italy reviews 1959
Los Angeles reviews 1958-1959
Opening (Manchester, England) 1959-04-28
Openings 1958-1959
Play script and film script 1952, 1957
Press book 1958
Production and promotional materials 1957-1958
Production cables (copies) 1957-04-22-1958-02-05
Production stills undated
Promotion (Dick Weaver, New York) 1958
Recordings 1957-03-21-1959-01-30
Reports on box office business 1958-1959
Reviews (out of town) 1958
Script (translated from the sound track of the French film by Lela Simone) [2 copies] 1955-03-15
[Scripts (two)] 1956-12-1957-07
Sheet music 1957
Stills (Leslie Caron) undated
Stills (misc) undated
Stills (Oscar night) 1959-04-16
Stills (Royale Theatre) undated
Talent (correspondence and memos) 1956-08-29-1958-07-09
"Three complete short novels: Gigi, Chance Acquaintances, Julie De Carnneilhan" by Colette 1952
Trade paper reviews, articles [and publicity] 1958-1959
Girl Crazy
[Assistant Director's reports, daily progress reports, and picture estimate (budget)] 1942-11-30-1943-06-30
Censorship (correspondence from Al Block and Robert Vogel) 1942-11-24-1944-05-04
Correspondence and story notes 1939-10-09-1943-06-17
Daily film reports 1943-01-04-1943-05-19
Legal file (correspondence from Mr. Hendrickson, Mr. Prinzmetal, and L.K. Sidney 1941-01-29-1960-04-14
London reviews 1943
Music 1941-06-23-1943-07-23
New York reviews 1943
Production and promotional materials 1942-1944
Recording programs 1942-12-23-1943-06-10
Reviews 1943
Scripts 1942-10-12-1942-12-10
Talent (correspondence and memos) 1942-11-10-1943-06-22
Good News
Assistant Director's reports, daily progress reports, and picture estimate (budget) 1947-01-31-1947-08-15
Ballad for Americans materials 1939-1947
Clippings, crew lists, billings, and story 1941-07-24-1948-01-02
Legal file (Monta, Hendrickson, Asher) 1929-11-26-1947-08-08
Memos removed from Bill Ryan's script 1947-02-27-1947-06-18
Music 1947-1948
Reviews 1947
[Script material] 1941-07-24
Script (complete, 3 copies) 1947-01-22
[Stage production] 1928-1947
[Stills] misc undated
[Stills] Peter Lawford (alone and with others) undated
Talent (correspondence) 1947-02-05-1947-07-07
The Harvey Girls
[Assistant Director's reports, daily progress reports, and picture estimate (budget)] 1944-11-18-1945-07-24
Censorship (correspondence 1944-10-18-1945-01-16
Daily film reports 1945-01-02-1945-06-04
Legal (correspondence from Mr. Hendrickson and Mr. Monta 1943-06-15-1954-01-19
Music [correspondence and memos] 1944-1945
[Production and publicity] 1943-1945
[Production materials and correspondence] 1944-1945
Reviews (Hollywood and New York) 1945-1946
Script (complete, 2 copies) 1944-12-30
Sheet music 1945
Story notes and correspondence 1943-1945
Talent 1944-1945
Invitation to the Dance
[Assistant Director's reports, cost status reports, progress notes, two budgets] 1952-1953
[Casting information] 1952-1953
Gene Kelly correspondence and memos 1952-1956
Music correspondence, memos, and notes 1951-1955
[Production and publicity] 1951-1952
[Production correspondence and publicity] 1953-1956
[Reviews and publicity] 1955-1956
[Sheet music] 1955-1956
[Stills] Gene Kelly directing (3 photos) undated
[Stills] Gene Kelly in Zurich 1956
[Story information] 1953
Talent (includes correspondence with Gene Kelly and Lela Simone) 1951-1954
It's Always Fair Weather
Assistant Director's reports, daily progress reports, and budget 1954-1955
Legal [correspondence and memos] 1956
Music correspondence 1954-08-04-1955-06-24
Production information removed from Bill Ryan's script 1954-08-23-1954-10-04
Production (regarding footage and main title) 1954-08-23-1954-10-04
Promotional materials 1955-1956
Publicity (ads and reviews) 1955
Scripts [five, complete, temporary complete, retakes] 1954-04-29-1955-03-31
Story material 1955-03-01-1955-03-02
Talent [correspondence] 1954-07-22-1955-01-07
Writers - Comden and Green 1954-06-03-1955-03-16
Kismet
Assistant Director's reports, daily progress reports and picture estimates (budget) 1955-03-21-1955-11-09
Censorship 1954-09-27-1955-09-30
Exploitation 1955
Legal [correspondence and memos] 1953-1955
Memos removed from Bill Ryan's script 1954-11-30-1955-05-28
Music 1954-1955
Playscripts (two) 1922, 1953
[Production and publicity] 1953-1955
[Promotional materials] 1955
[Reviews] 1955-1956
Script changes - Charles Lederer] 1955-04-11
[Scripts, three (complete, temporary complete)] 1955-04-18-1955-05-03
Scripts [temporary complete and rerun] 1954-10-12-1955-02-25
Talent 1954-12-17-1955-07-11
Writers and story 1954-09-13-1955-02-03
Lady Be Good
Assistant Director's reports and daily progress reports 1941-02-11-1941-05-17
[Budgets] three estimates 1941-01-1941-02
General correspondence and story notes 1940-06-25-1941-08-28
Music 1940-08-12-1941-02-24
Production and promotion 1941
[Production materials] 1941-1960
Recording programs 1941-02-14-1960
Reviews 1941
Scripts [two, playscript and complete] 1940-11-1940-12
Sheet music 1941
Talent [correspondence and memos] 1940-11-19-1941-04-10
The Light in the Piazza
Budget 1960-1961
The Light in the Piazza by Elizabeth Spencer [book] 1960
Press and publications 1960-1961
[Production and promotion] 1961-1962
Production [talent correspondence] 1961-1962
Scripts [Bill Ryan copies] 1960-12-08-1961-03-28
[Reviews and press] 1962
Scripts (three) 1960-10-07-1961-03-16
Little Nellie Kelly
Assistant Director's reports and daily progress reports 1940
Budget and two estimates 1940-05-1940-09
Congratulatory wires and letters 1940-11-18-1941-04-03
Exploitation and radio transcriptions 1940
General correspondence and story notes 1940-06-07-1940-11-19
Music 1940-02-09-1941-05-05
[Production, promotion, and publicity] 1940
Recording programs 1940-08-08-1940-11-19
Reviews 1940-09-26-1940-11-18
[Script] 1940-06-29-1940-07-20
Talent 1940-07-06-1940-08-30
Meet Me in St. Louis
[Articles (Sally Benson related)] 1944
[Assistant Director's reports, daily progress reports, two budgets] 1943-1944
Censorship file (correspondence from Mr. Block and Mr. Vogel) 1943, 1945
Daily film reports 1943-1944
Legal (correspondence from Mr. Hendrickson, Mr. Prinzmetal, and L.K. Sideney) 1942-1944
Meet Me in St. Louis by Sally Benson [novel] 1941-1942
Music 1943-1944
Recording programs 1943-1944
[Production and publicity materials] 1942-1943
Reviews and publicity 1945
Scripts (two) [file copy and temporary complete] 1943-05-22-1943-07-21
Sheet music, still, and negative 1942, 1962
Story material (scripts, synopsis] 1942
Story [story notes and correspondence) 1942-06-01-1944-10-03
Talent 1943-1944
Meet the People
Assistant Director's reports, daily progress reports, and picture estimate [budget] 1943-05-17-1943-12-05
Censorship (correspondence from Al Block and Robert Vogel) 1943-05-24-1943-06-30
Daily film reports 1943-06-07-1943-10-12
Legal (correspondence from Mr. Hendrickson, Mr. Monta, and Maurise Revnes) 1943-04-26-1944-01-19
Music [correspondence, memos, and reports] 1943-1944
[Production and publicity] 1944
Recording programs 1943-1945
Reviews 1944
Scripts (seven) [outlines, rerun, and revised] 1941-04-02-1943-10-07
Story (correspondence and story notes) 1941-1943
Talent [correspondence and memos] 1943-05-19-1943-10-25
On the Town
[Assistant Director's reports, daily progress reports, and picture estimates (2)] 1949
Photos (three)] undated
[Production correspondence, memos, and reports] 1949-1950
[Production memos, promotion, and publicity] 1949
[Production materials] 1949-1950
Production memos removed from Bill Ryan's script 1949-02-02-1949-07-27
Reviews 1949-1950
Scripts (two) [complete] and one set of lyrics 1949-02-18-1949-02-24
Pagan Love Song
[Assistant Director's reports, daily progress reports and two budgets] 1950-01-10-1950-08-04
[Correspondence and cables] 1948-1950
Memos removed from Bill Ryan's script 1949-02-1950-06
[Production and publicity] 1948-1950
[Production, publicity, stills, and negatives] 1950
Reviews 1950-1951
[Scripts (three, incomplete and complete)] 1950-02-13
Sheet music 1950
["Tahiti" production (working title)] 1949-1950
Panama Hattie
[Assistant Director's reports, daily progress reports and two budgets] 1941-07-10-1942-05-25
Censorship (correspondence from Al Block and Robert Vogel) 1941-02-10-1942-10-02
Daily film record 1942-05-18-1942-05-25
Legal (correspondence from Mr. Hendrickson and Mr. Prinzmetal) 1941-06-27-1942-06-17
Music 1941
[Production and publicity] 1940-1941
[Script (complete) and retakes] 1941-06-28-1942-05-12
Story notes and correspondence 1941-1942
Recording programs 1941
Reviews 1942
Talent (correspondence and memos) 1941-05-08-1942-05-18
The Pirate
[Assistant Director's reports, daily progress reports and budget] 1946-12-27-1947-12-20
Billing 1947
Censorship (correspondence from Mr. Black and Mr. Vogel) 1944, 1946
Legal research (correspondence with Rudy Monta, Floyd Hendrickson, and Albert Asher) 1946-1947
Memos removed from Bill Ryan's script 1946-1948
Music 1946-1948
[Production and promotion] 1945-1948
Reviews 1948
[Script material Nos. 1-5] 1943, 1946
[Script material - Nos. 6-9] 1946-08-1946-09
Sheet music 1946-07-19-1946-10-31
Story 1946-1947
Talent memos, mainly regarding Judy Garland 1946-1947
Royal Wedding
[Assistant Director's reports and daily progress reports] 1950-07-03-1950-11-30
[Budgets (two)] 1950-04-14-1950-07-21
[Correspondence and wires] 1950
[Production and promotion] 1949-1951
[Scripts and lyrics] 1950-05-02-1950-06-13
[Script (Bill Ryan copy) and notes] 1950
Sheet music 1950
Show Boat
[Assistant Director's reports, daily progress reports and budget] 1950-08-08-1951-03-27
Memos removed from Bill Ryan's script 1950-1951
[Production memos and letters] 1949-1950
[Production, promotion, and publicity materials] 1950-1951
[Promotion and publicity] 1951
Reviews 1951
Scripts (three) 1950-11-01
Show Boat by Edna Ferber [novel] 1926
[Stills] undated
Silk Stockings
[Assistant Director reports, daily progress reports, and picture estimate (budget)] 1956-09-21-1957-02-06
[British promotion and publicity] 1957
Censorship 1956-05-07-1957-02-12
Executed agreements (lead talent) 1954-1957
Legal 1956-1957
Memos removed from Bill Ryan's script 1956-09-10-1957-01-14
Music [production] 1956-08-02-1957-01-10
Production 1956-1957
[Production stills (bound book)] undated
[Reviews and press] 1957
[Scripts (Nos. 1-4: temporary complete, complete, and outline)] 1956-02-15-1956-08-06
[Scripts (Nos. 5-8: temporary complete, incomplete, and complete)] 1956-08-21-1956-10-08
[Sheet music] 1954, 1956
Talent [memos and correspondence] 1956-1957
Writers' credits 1957-01-02-1957-01-25
Singin' in the Rain
[Advertising (LIFE and Exhibitor) 1951, 1953
Assistant Director's reports 1951-04-02-1952-01-10
Casting (bit players and dancers) 1951-06-11-1951-10-29
[Daily progress reports and picture estimate (budget)] 1951-06-15-1952-01-08
[Hugh Fordin research for "The World of Entertainment!" [book] 1950-1952
Music [production] 1951-04-1951-07
[Production info] 1951-1952
[Production info (censorship, Comden and Green, script clearances, and title)] 1949-1951
[Production and publicity] 1950-1951
[Promotion and publicity] 1951-1952
Reviews 1952
Reviews (London) 1952
Reviews (New York) 1952
Scripts (two) 1951-04-11
[Scripts (three: temporary complete and rerun)] 1950-08-10-1950-12-15
[Sheet music] 1929-1935
Strike Up the Band
[Assistant Director's reports and daily progress reports] 1940-04-03-1940-08-31
[Budgets and two estimates] 1940-01-29-1940-06-18
Congratulatory wires and letters 1940-1941
General correspondence and story notes 1939-1940
Music 1940-1941
[Production and promotion] 1939-1941
Recording programs from music dept. 1940-04-11-1940-08-30
[Script (complete)] 1940-05-02
Talent 1940-07-27-1940-10-10
The Subterraneans
[Assistant Director's reports, daily progress reports and budget] 1959-08-24-1960-01-29
[Book review clippings] 1958-1959
Contracts and agreements 1958-1960
[Production and promotion] 1958-1962
[Production and publicity] 1959
Production memos removed from Bill Ryan's script 1959-05-27-1959-12-18
[Publications and clippings] 1958-1959
[Publications: "The Subterraneans" (three copies), "The Beat Generation", and "Naked Lunch"] 1958-1959
[Reviews and press] 1960
[Script (complete)] 1959-09-10
[Scripts (four, temporary complete and complete, marked footage and Bill Ryan copy) 1959-04-22
[Scripts (temporary complete and original)] 1958-09-22-1958-11-04
Summer Holiday
[Assistant Director's reports, daily progress reports and budget] 1946
Censorship (correspondence from Mr. Breen, Al Block, and Bob Vogel) 1946-04-02-1948-02-13
Legal (correspondence from Mr. Hendrickson and Mr. Monta) 1946-04-23-1947-02-19
Music [production] 1946-04-08-1946-12-05
[Production and promotion] 1947-1948
[Reviews] 1948
[Scripts (temporary, complete, and incomplete)] 1946-01-15-1946-07-08
[Script ("Our Home Town" number)] 1946-06-04
[Sheet music and lyric routines] 1946
Song lyrics 1946-03-22-1946-04-17
Story 1946-1947
[Talent (correspondence and memos)] 1946-04-12-1947-01-06
Take Me Out to the Ball Game
[Assistant Director's reports, daily progress reports, picture estimate and budget] 1948
Censorship 1948
Legal 1948-1949
Photos (eleven) undated
[Production and publicity 1948-1949
[Scripts (two)] 1948-04-22-1948-08-06
[Sheet music] 1948
Reviews 1949
Story 1947-1949
Talent [correspondence and memos] 1948-04-20-1948-10-13
Till the Clouds Roll By
[Assistant Director's reports] 1945-1946
Budget information 1946
Censorship 1945-1946
Daily progress reports 1945-1946
Legal (correspondence from Mr. Hendrickson, Mr. Prinzmetal, Mr. Monta, and Maurice Revnes) 1940-1946
Memos removed from Bill Ryan's script 1946
Music [production] 1940-1946
Newspaper reviews 1946
Photos undated
[Production] 1946
[Reviews and press] 1946
Scripts [complete and temporary complete] 1945-1946
Story (correspondence, story notes, main title, and advance billings) 1940-1946
Talent [correspondence and memos] 1945-09-08-1946-07-13
The Wizard of Oz
[Production, notes, and publicity] 1938-1941
[Publications (hardcover novel and two plays)] 1908-1930
[Script materials] undated
[Sheet music] 1925, 1938
Words and Music
Assistant Director's reports, daily progress reports, and budget 1948
Censorship 1948
Legal 1944-1948
Memos removed from Bill Ryan's script 1948
Music [production] 1947-1948
Photos undated
Production and publicity 1946-1948
[Production materials and conference notes] 1946-1948
[Reviews] 1948
[Scripts (Nos. 1-3)] 1947-1948
[Scripts (Nos. 4-6)] 1948-04-05
Stills [black and white, 11" x 14"] undated
Story 1948
Talent [correspondence and memos] 1948
Yolanda and the Thief
[Assistant Director's reports and daily progress reports] 1945
[Budgets (two)] 1945
Censorship (correspondence from Al Block and Robert Vogel) 1944-11-01-1945-02-17
Hollywood reviews 1945
Legal (correspondence from Mr. Hendrickson and Mr. Monta) 1945
[Production and publicity] 1944-1945
Music [production] 1945
New York reviews 1945
[Photos and negatives] undated
[Scripts (complete and incomplete)] 1944-12-27-1945-01-09
Sheet music 1944-1945
Story (correspondence and story notes) 1943-1945
Talent [correspondence and memos] 1944-1945
Ziegfeld Follies
Assistant Director's reports 1944-04-10-1945-08-31
Censorship (correspondence from Al Block and Robert Vogel) 1944-04-10-1945-08-31
[Correspondence] 1943-1944
Daily progress reports 1944-04-11-1945-03-27
Ideas 1940-1943
Legal 1944
Lineups 1943-1944
Lyrics 1944
Music 1944
Production and publicity 1943-1944
Production memos removed from Bill Ryan's script 1944
Recording programs 1944
[Reviews and press] 1946
Shooting script 1944-03-31
Story [correspondence and story notes] 1940-1944
Submitted material: Robert Alton 1944-01-1944-03
Submitted material: John Murray Anderson 1943-08-27
Submitted material: Brecher and Perrin 1944-02-1944-05
Submitted material: Fannie Brice 1944-02-1944-05
Submitted material: Fred Finklehoff 1944-03
Submitted material: Charles K. Freeman undated
Submitted material: David Freeman 1943-1944
Submitted material: Max Liebman and Joe Schrank 1943-1944
Submitted material: Eugene Loring and Don Loper 1944-01-06
Submitted material: O'Hanlon and Crane 1943-1944
Submitted material: Phil Rapp 1943-1944
Submitted material: Red Skelton 1944-03
Submitted material: Wm. K. Wells 1944-03-31
Submitted material: Edgar Allen Woolf 1943
Talent [correspondence and memos] 1943-1944
Film files (unproduced)
A-L
The Age of Innocence: [script material] 1945
Athena: [scripts (temporary complete and complete rerun)] 1952-03-1952-07
Babes in Hollywood: [script material] 1942-02-16
Bad Men Have No Songs: [script material] 1946
Bathing Beauty: [script material] 1942-1943
Blue Grass Widow: [story outline] 1943-02-06
The Boy Friend: [scripts] 1967-01-1967-02
The Boy Friend: [scripts] 1967-03-23
The Boy Friend: vocal score undated
Carnival: [script material] 1962-08-1962-12
Carnival: [scripts] 1963-01-28-1963-02-22
The Day Before Spring: [playscript] 1945-07-13
The Day Before Spring: [script material] 1960-1961
The Day Before Spring: [script (temporary complete)] 1948-07-15-1948-07-22
Excursion: [script material] 1937-1947
Excursion: [scripts (temporary complete)] 1948-01-06
Fanny: A Musical Play [book] 1955
Fanny: [script material and correspondence] 1954-1956
For Services Rendered: [script material and letter] 1944-05-09
Forever: [synopsis and reading notes] 1945-12-12
Gaby and Harry (story of Gaby Deslys): [Outline, synopsis, and script] 1943, 1947-1948
The Good Old Days (AKA Dear Old Broadway): [preliminary synopsis] 1940-03-16
Green Mansions: [Budgets and Assistant Director's test reports] 1948-09-1948-11
Green Mansions: [correspondence] 1953-1954
Green Mansions: [photos and information on Costa Rica 1948-09-1948-11
Green Mansions: [Production and press] 1954
High Kickers: [script material] 1942-09-23-1943-07-27
High Knickers; [story outline, notes, and memos] 1941-1942
Honey Boy: [correspondence and press] 1942-1951
Honey Boy: [script material] 1943-04-22-1943-05-10
Honey Boy: [scripts] 1942-07-28-1943-05-27
Honey Boy: [Treatment and songs] 1943, 1946
Hot Time in the Old Town: [script] 1944-02-09-1944-03-02
Hot Time in the Old Town: [script material] 1943-07-18-1943-12-10
How to Win Friends: [correspondence and old script pages] 1943-07-18-1943-12-10
How to Win Friends: [script and outline notes] 1949-08-15-1949-08-26
Huckleberry Finn: [correspondence and production info] 1943-1954
Huckleberry Finn: [script - Donald Ogden Stewart] 1950-05-23-1950-06-23
Huckleberry Finn: [script - James Lee] 1951, 1954
Huckleberry Finn: [script material - Alan Jay Lerner] 1951, 1954
Huckleberry Finn: [story outline] undated
The Human Comedy: [hardbound copy of annotated script by William Saroyan] 1942-02-04
The Human Comedy: [outline and press] 1942-1943
The Human Comedy: [script] 1942-08-12
The Human: [script (complete)] 1942-02-10
I Love a Parade: [script material] 1942-06-10
Jumbo: [script] 1951-10-09
A Likely Story: [script material] 1944-05-10, 1962-04-26-1962-06-13
A Likely Story: [script material] 1962-05-09-1962-08-07
A Little Bit of Heaven: [treatment] 1944-05-16
Lust for Life: [script] 1947-02-26
M-Z
The Melody Man: [treatment] 1943-07-14
Merton of the Movies (aka Follow Your Star): [script material] 1945-08-16
Papa Went to Congress: rough story pattern 1945-11-13
Papa Went to Congress: [script (two copies)] 1945-10-24
Pride and Prejudice: [script] 1947-04-12-1947-06-03
Pride and Prejudice: [treatment] 1947-08-28
Red Shoes Run Faster: [correspondence] 1944-1945
Red Shoes Run Faster: outline and random notes 1945-04-05-1946-03-29
Red Shoes Run Fast: [scripts] 1944-04-10-1946-11-11
The Road to Rome: [treatment] 1942-12-17
Romberg: [correspondence and memos] 1950-1952
Romberg: [scripts] 1951-05-08-1951-07-20
St. Louis Woman: [correspondence and press] 1946-1953
The Rosary: theme and characterization undated
St. Louis Woman: playscript 1953-07-31-1953-08-21
St. Louis Woman: playscripts 1945
St. Louis Woman: playscripts undated
St. Louis Woman: research (stills) undated
St. Louis Woman: [script (incomplete draft, Fred Finklehoffe)] 1954-02-02-1954-03-01
St. Louis Woman: [script material - Helen Deutsch] 1953-10-01
St. Louis Woman: [script] outline of new revisions - Fred Finklehoff 1954-12-29
St. Louis Woman: script (temporary complete) 1954-03-12-1955-02-15
Say it with Music: agreement between Arthur Freed and Vincent Minnelli's production companies 1966-01-04-1966-01-06
Say it with Music: [correspondence and contracts: Andrews, Berlin, Comden and Green, Edwards, Laurents, Wells] 1963-1968
Say it with Music: Lyrics - Irving Berlin undated
Say it with Music: [press and notes] 1958-1968
Say it with Music: [production, publicity, and stills] 1958-1966
Say it with Music: [scripts - Nos. 1-7] 1963-1967
Say it with Music: [scripts - Nos. 8-13] 1967-1968
Say it with Music: songs 1964-1965
Showgirl: [treatment] 1946-05-16
The Star of Montmarte: [treatment] 1948-02-24
The Strategy of Love: [script material] 1951-08-20-1951-10-08
Tribute to a Bad Man (aka The Bad and the Beautiful): [script] 1952-03-26
Twenty Little Working Girls: [script material] 1939-10-04-1939-10-09
Very Warm for May: [correspondence and songs] 1941-06-13-1942-05-15
Very Warm for May: [scripts] 1941-07-02-1941-09-29
Walk to the Corner: [script material] 1947-05-28
Wonderland: [memos and script revisions] 1950-1957
Wonderland: [script material] 1955-03-03-1956-02-03
Considered projects, playscripts, and screenplays
Animal Talk: [script] undated
Antoine aka Francois: Reader's report 1953-09-15-1954-03-22
Ask Any Girl: [screenplay] 1958-10-31-1958-11-06
Baker Street: [playscript] 1963-1965
The Boys on Top: [outline] undated
Bravo Giovanni: [report and press] 1962, 1965
Ciris in White Satin (aka Here Come the Brides): London Synopsis 1966-03-14-1966-03-17
Free and Easy: [music, script, and synopsis] 1960-02-17
Lady in the Dark: [memos and presentation] 1962-09-27-1962-12-04
Loveland: reader's report 1967-09-01-1967-09-15
The Merry Widow: [playscript] 1933-10-26
Miss Liberty: [letters and notes] 1951-08-07, 1954-05-13
The Money Tree 1948-09-22, 1962-06-01
Once Upon an Easter 1955-11-25-1955-11-28
Paint You Wagon: [New York synopsis and playscript] 1951-1952
Photo Finish: London synopsis 1962-04-01-1962-04-05
The Plague: [letters and memos] 1949-01
Please Don't Eat the Daises: [screenplay] 1951-06-11
Pocahontas O'Toole: [reader's report and story] 1953-06-30-1953-07-02
Roberta: [playscript and Ladies Home Journal[ 1933
Say, Darling: [playscript] 1958-04-10
The Sentries: screenplay 1964-09-08
Sicilian Street: [memos and notes] 1949-10-25
Three Rooms in Manhattan: [reader's report, memos, and Jean Renoir treatment (in French)] 1952-1958
The Unsinkable Molly Brown: [screenplay] 1962-11-20
Untitled (Dancing Story): reader's report 1955-08-25
We Can't All Be Elizabeth Taylor: [script] undated
Personal papers
Gigi (Reels 1-3) [1000 ft. 16mm acetate film] undated
Hollywood Melody Betacam master from 16mm print undated
Lyrics undated
[Photographs] undated
Summer Stock [production and set photos] undated
Ziegfeld, Florenz [photos] undated
Ziegfeld Follies Reel 6: A great lady has "an interview" [800 ft. 35mm acetate film, Technicolor] undated
Irving Berlin sheet music 1919-1947
[Vaudeville songs, theater, stills, and press] 1923-1969
Forster publications [binders of sheet music] 1928-1945
Freed song catalogue 1929-1951
Nominations and awards 1939-1958
Reference book with information on all Freed productions 1939-1961
[Hugh Fordin research materials] 1942-1952
[Magazines: Paris Match, The Saturday Evening Post, Theatre Arts, and Vogue] 1946-1961
[The Freed production unit (Kay Thompson, Roger Edens, etc)] 1948-1958
Freed publicity 1949-1952
Freed general publicity 1949-1967
[Magazines: Life] 1950-1951
Academy of Motion Pictures Arts and Sciences awards presentation (Freed received Thalberg award) 1951
[Orchids] 1951-1955
Lectures: screen Producers Guild on motion picture making - UCLA and USC 1951-1956
Awards [listing, stills, publicity, letters] 1951-1960
Delta Kappa Alpha 1951-1969
French Legion of Honor award 1953-03-24-1955-01-01
Arthur Freed dinner by Masquers 1954-01-22
Articles written by Freed 1954-1955
Sheet music and records 1954-1967
Arthur Freed publicity 1956-1966
[Magazines: Esquire, Harper's Bazaar, and Liz and Mike] 1957-1959
[film journals] 1957-1965
Columbia University Library correspondence and annual report regarding recording on motion pictures 1958-12-06-1958-12-08
[Stills and printed materials 1958-1960
Hollywood Melody (print #8) [1000ft 16mm acetate film] 1962-03-19
SPG milestone awards dinner: March 3, 1963 1962-1963
Academy Award shows participation 1962-1969
Producers Guild milestone dinner 1964-03-01
University of California Berkeley lecture arranged by Prof. Albert Johnson 1964-09-30-1964-11-23
Gov. Brown's Citizen's Advisory Committee on California beauty 1965-1966
Theater Owners of America award 1965-10-28-1965-11-29
San Francisco International Film Festival 1966-10-20-1966-10-30
A tribute to Arthur Freed by Raymond Rohauer: film curator and program director, Gallery of Modern Art [bound book] 1967-06-19
A Tribute to Arthur Freed - Gallery of Modern Art 1967-06-20
"Speculation" - KCET Tom Burrows program 1967-07-12-1967-09-20
Academy Awards 1967-1968
Movie Memories with Bosley Crowther: Arthur Freed interview (Part 1) [7 1/2" magnetic tape] 1968-08-27
Movie Memories with Bosley Crowther: Arthur Freed interview (Part 2) [7 1/2" magnetic tape] 1968-09-03
Sketches of Academy Award nominated costumes 1969
[Hugh Fordin] correspondence on book 1973-1975
Correspondence and letters
Astaire, Fred 1944-1968
Bemelmans, Ludwig 1944-1949
Caron, Leslie 1958-1968
Correspondence (personal, A-Z) 1940-1965
Garland, Judy 1943-1962
Gershwin, Ira 1950-1965
Harburg, Yip (E.Y.) 1955-1965
Important wires and letters [includes printed materials] 1943-1966
[Letters and wires] 1926-1952
Japanese fan letters 1950-1962
Kern, Jerome [includes music] 1935-1949
McGowan, Jack 1939-1942
Miller, Henry [includes printed material] 1945
Nathan, Robert 1944-1947
Romberg, Sigmund 1937, 1947
[Roosevelt correspondence and invitations] 1949-1964
Saroyan, William 1941-1942
Awards, certificates, and ephemera
Academy of Motion Pictures Arts and Sciences meeting [framed photo] undated
ASCAP founders [plaque] undated
Exhibitorating award presented to Arthur Freed, top money producer undated
[Framed certificates and awards (7 items)] undated
Founders of the Academy [plaque] undated
[Showboat replica model with Arthur Freed's name on side] undated
[William Randolph Hearst, Winston Churchill, and Louis B. Meyer (framed photo)] 1929-09
[Telegram from William Randolph Hearst to Brown and Freed regarding "Going Hollywood"] 1933-12-12
[Exhibitor Laurel awards for "Easter Parade", "Take Me Out to the Ball Game", "Annie Get Your Gun", "Show Boat", and "American in Paris"] 1948-1951
[Seventeen Magazine Picture of the Month awards to "Easter Parade" and "Bells are Ringing"] 1948-07, 1960-07
[Certificates of Laurel and Box Office awards] 1948-1961
[Exhibitor Laurel awards for Top 10 Producer, Topliner Musical, Best Film Musical, and 5-year award] 1948-1961
[Photoplay Magazine certificate for one of America's most popular motion pictures of the year: "Take Me Out to the Ball Game" (framed, glass cracked)] 1949
Southern California Motion Picture Council Inc. Certificate of Award: "The Barkleys of Broadway" [framed] 1949-04-26
Southern California Motion Picture Council Picture of the Month award: "Crisis" [framed] 1950-06
[Seventeen Magazine best picture of the month award: Annie Get Your Gun"] 1950-07
[Motion Picture Herald Award of Achievement as champion producer (framed)] 1950-1951
Award of Merit: Arthur Freed, producer of Showboat 1951
The Holiday Award: "American in Paris" 1951
The Hollywood Foreign Correspondents Association award for best Hollywood produced musical comedy: "An American in Paris" [Golden Globe] 1951
Look film achievement award 1951
[Exhibitor Laurel Awards official nomination (framed certificate)] 1951-02-21
Academy of Motion Pictures Arts and Sciences Certificate of Nomination for Award: Best Production, "An American in Paris" [plaque, two copies] 1951-12-31
[Seventeen Magazine best picture of the month award: "Royal Wedding" 1951-04
[The American Weekly award for most enjoyable musical comedy: "An American in Paris"] 1951-1952
Southern California Motion Picture Council Inc. Certificate of Award: "Royal Wedding" [framed, glass cracked] 1951-03-27
Southern California Motion Picture Council Inc. Certificate of Award: "Showboat" [framed] 1951-09-25
[The American Weekly award for one of the ten most enjoyable motion pictures of the year: "Singin' in the Rain"] 1951-1952
Academy of Motion Pictures Arts and Sciences Certificate of Appreciation [plaque] 1951-12-31
Eigasek Aisha award: "An American in Paris" 1952
Motion Picture Herald Award of Achievement as champion producer [framed] 1952-1953
The Parents' Magazine Medal: Special Merit Award to "Brigadoon" circa 1954
Southern California Motion Picture Council Inc. Certificate of Award: "Brigadoon" [framed] 1954-09-28
Box Office Blue Ribbon award: "Brigadoon" 1954-10
Christopher Award honoring Arthur Freed [with stand] 1954-11-18
Motion Picture Herald Award of Achievement as champion producer for 1954-1955 [framed] 1956-01
[Down Beat award for best musical motion picture: "Gigi"] 1958
Golden Globe Award for best Hollywood produced musical: "Gigi" 1958
[The National Academy of Recording Arts and Sciences certificate recognizing "Gigi" nominations] 1958
Motion Picture Herald Award of Achievement as champion producer for 1956-1957 [framed] 1958-01-01
Hollywood Foreign Press Association certficate for nomination for award: Best Musical - "Bells are Ringing" 1960
Screen Producers Guild Certificate of Nomination: "The Bells are Ringing" [framed, glass cracked] 1960
Motion Picture Herald Award of Achievement as a champion all-time producer for 1960-1961 [framed] 1962-01
Motion Picture Herald Award of Achievement as a champion of champions producer (All Time) [framed] 1966-01-03
Unicrit Prix award to honour Arthur Freed, master musical maker, Berlin Festival 1969-07-04
Books and scrapbooks
Americanegro Suite: four spirituals, a dream, and a lullaby by Harold Arlen and Ted Koehler 1941
The Assyrian and other stories by William Saroyan [inscribed] 1950
The Face of the World by Cecil Beaton [inscribed] 1957
Famous Clan Tartans [booklet] undated
The French Quarter by Herbert Asbury 1938
The Highlands of Scotland in pictures by Alasdair Alpin MacGregor undated
The Man in the Straw Hat: my story by Maurice Chevalier [inscribed] 1957
Mister Jelly Roll by Alan Lomax 1950
My Name is Aram by William Saroyan [inscribed] 1942
The Perfect Round: a novel by Henry Morton Robinson 1945
Reader's Digest Condensed Books: winter 1961 selections 1961
The Setts of the Scottish Tartans by Donald C. Stewart 1950
Scottish Crafts by Ian Finlay 1948
Small Town Girl by Ben Ames Williams 1935
"Strike Up the Band" scrapbook 1940
The Story of Clan Tartans [oversized booklet] undated
[Invitation to the Dance scrapbook (German newspaper clippings)] 1956-1957
Artwork and stills
["American in Paris" and "The Band Wagon" artwork and costume design sketches] undated
["American in Paris" costume design sketches] undated
[Annie Get Your Gun black and white oversized stills (52 items)] undated
[Artwork of drawing room, 11 x 13 1/2" in cardboard frame] undated
[Blueprint sketch of Florence Parade course for Light in the Piazza (2 items, rolled) undated
Costume design sketch by Irene Sharaff of Lucille Bremer in Ziegfeld Follies [framed, 22" x 19"] 1945
[Costume design sketch from Brigadoon with swatches (framed, 17 1/2" x 24")] 1953-12
[Framed portrait photo of Cary Grant, inscribed to Arthur Freed] undated
[Fred Astaire, Cyd Charisse, and Gene Kelly (framed photo)] undated
[Gigi oversized album cover stand-up] undated
[Illustrated poster of Freed productions] undated
[Invitation to the Dance framed art, color] undated
[Invitation to the Dance sketches and paintings] undated
[Leslie Caron photo in glass picture frame] 1951
[Light in the Piazza crossplot, poster size, rolled)] undated
[Showboat still mounted on cardboard] undated
[Singin' in the Rain mounted black and white still, 11x14] undated
[The Subterraneans publicity poster art, rolled] undated
Watercolor and pencil on board, costume sketch of Cyd Charisse in purple for "The Band Wagon" [framed, 21" x 17"] undated
Watercolor and pencil on board, costume sketch of men in loud suits for "The Band Wagon" [framed, 21" x 17"] undated
[Ziegfeld Follies framed costume design artwork, 22" x 19"] undated
Phonograph records
An American in Paris [9 discs] 1950-09-12-1950-09-14
Annie Get Your Gun (Betty Hutton) [9 discs] 1949-10-17-1949-11-25
Annie Get Your Gun (Judy Garland) [7 discs] 1949-03-30-1949-04-05
The Band Wagon [12 discs] 1952-11-05-1953-01-30
The Barkleys of Broadway [10 discs] 1948-07-19-1949-03-03
The Belle of New York [7 discs] 1951-06-18-1951-09-04
Bells are Ringing [10 discs] 1959-10-02-1959-12-21
Brigadoon (rehearsal) [11 discs] 1953-10-09-1954-03-02
Brigadoon [12 discs] 1953-12-15-1954-06-04
Easter Parade [11 discs] 1947-11-15-1948-01-29
Gigi [12 discs, includes 3 album stand-ups] 1957-08-26-1958-02-17
Good News [10 discs] 1947-03-06-1947-04-25
The Harvey Girls [4 discs] 1945-12-05-1946-01-09
Invitation to the Dance [12 discs] 1952-09-09-1955-09-15
It's Always Fair Weather [12 discs] 1954-06-25-1955-04-16
Kismet [12 discs] 1955-01-02-1955-05-23
Lady Be Good [4 discs] and Cabin in the Sky [1 disc] 1941-02-20-1942-09-09
Meet Me in St. Louis [6 discs] 1943-12-09-1943-12-13
Irving Berlin's Miss Liberty [7 discs] undated
On the Town [7 discs] 1949-03-29-1949-06-27
Pagan Love Song [9 discs] 1950-06-13-1950-09-29
The Pirate [10 discs] 1947-01-09-1947-07-17
Royal Wedding [7 discs] 1950-06-29-1950-10-13
Show Boat [6 discs] 1950-12-22
Silk Stockings [11 discs] 1956-10-23-1957-02-18
Singin' in the Rain [10 discs] 1951-06-14-1951-11-21
The Subterraneans [9 discs] 1959-09-10-1959-09-21
Summer Holiday [14 discs] 1946-07-03-1946-10-30
Take Me Out to the Ball Game [9 discs] 1948-07-31-1948-10-21
Til the Clouds Roll By [11 discs] 1945-10-17-1946-04-06
Various recordings [12 discs] 1940-09-24-1942-05-02
Words and Music [12 discs] 1948-04-17-1948-07-13
Yolanda and the Thief [6 discs] 1945-01-12-1945-03-22
[Gigi recordings and rehearsals (26 loose records)] 1957-09-1957-10
[Light in the Piazza (4 loose records)] undated