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Guide to the Trianon Press Archive MS.099

Maureen Carey, Alix Norton, Jessica Calvanico, Morgan Gates, Hannah Newburn, Nicholas Whittington
University of California, Santa Cruz
2019
1156 High Street
Santa Cruz 95064
speccoll@library.ucsc.edu
Contributing Institution: University of California, Santa Cruz
Title: Trianon Press Archive
Creator: Fawcus, Arnold, 1917-1979
Creator: Keynes, Geoffrey, 1887-1982
Creator: William Blake Trust
Creator: Fawcus, Julie Hollands, 1925-2014
source: Fawcus, Julie Hollands, 1925-2014
Identifier/Call Number: MS.099
Physical Description: 576 Linear Feet 482 boxes, 1 map-case folder
Date (inclusive): 1945-1999
Date (bulk): 1955-1979
Physical Location: Collection stored, in part, off-site at NRLF: Advance notice is required for access.
Language of Material: English and French

Conditions Governing Access

Collection is open for research.

Immediate Source of Acquisition

Shared purchase acquisition in association with the University of California campuses and Stanford University, circa 1983, from Julie Fawcus.

Arrangement

This collection is arranged into eight series:
  • Series 1: Published projects
  • Series 2: Unpublished projects
  • Series 3: General business
  • Series 4: Exhibits
  • Series 5: Supplies and suppliers
  • Series 6: Arnold Fawcus personal files
  • Series 7: Publishers and distributors
  • Series 8: William Blake Trust
The structure of the series was partly assigned at the Press and partly developed by Maureen Carey during processing.

Administrative History

Trianon Press was a Paris-based publisher of fine art books founded in 1947 by Arnold Fawcus, who directed its activities until his death in 1979, after which his wife and longtime colleague Julie Fawcus saw several projects through to completion and closed the Press in 1983. The first Trianon Press book, produced at the behest of the Louvre Museum, was Les Baigneuses (1947) on the work of Paul Cezanne, facsimiles for which were made by a unique combination of collotype and pochoir techniques developed by Daniel Jacomet, whose workshop would be responsible for producing much of the most admired work of the Press. Upon encountering Les Baigneuses while investigating adequate means of reproducing illuminations from William Blake's Jerusalem, Blake scholar Sir Geoffrey Keynes established the William Blake Trust, under the auspices of which the Trianon Press would produce facsimiles, via the Jacomet process, of 26 of Blake's illustrated works over a span of 30 years, from 1951 to 1982. In 1955, a second enduring collaboration began between the Trianon Press and the Abbé Henri Breuil and his assistant Miss Mary Boyle, resulting in several books reproducing the eminent archaeologist's original hand-colored tracings of prehistoric cave paintings from Southern Africa. The Trianon Press also produced seminal works of Marcel Duchamp, Ben Shahn, Fra Angelico, Gislebertus, Robert Graves, and Aldous Huxley, and contracted with various clients to produce commercial works.
Arnold Fawcus was born in India in 1917—his father was a Civil Servant in the British Empire—and raised in his mother's native San Francisco until the age of nine, when he was sent to boarding school in England, where he stayed to study art at Trinity College, Cambridge. During his youth he returned often to San Francisco and the Sierra Nevada mountains, becoming an expert skier and joining the British Ski Team in 1938. When he graduated in 1939, he returned to California and became Assistant Winter Sports Director at Yosemite National Park, then went to Mexico, and upon his return was drafted into the infantry, despite not being a US citizen. He endeavored to rise in the ranks by co-authoring the American Military Ski Manual (rewritten in 1947 for the general reader and published as Swing into Skiing). After the attack on Pearl Harbor, Fawcus became a naturalized US citizen and received a commission to train the mountain skiing division in Colorado. He eventually went on to work in the American counter-intelligence service based in London, and after the war he settled in Lyon, France. There Fawcus initiated his first publishing venture in 1946, in partnership with Pierre Bordas (Arnold-Bordas) and Bernard Pfriem (Arnold: Fawcus & Pfriem, subsequently the Grey Falcon Press), producing Le Dur Desir de durer by Paul Éluard, with illustrations by Marc Chagall reproduced by the studio of Daniel Jacomet. The Arnold-Bordas partnership dissolved soon thereafter, as did the partnership with Pfriem. Grey Falcon Press endured as the US-based export shell of the newly established British company, Macleod & Fawcus Trianon Press, and its French counterpart Trianon Press, which published its first book, Les Baigneuses, in 1947.
Julie Fawcus, née Hollands, was born in Chicago in 1925, graduated pre-med from Carleton College in 1947, and then lived, studied, and worked as an au pair in Norway, the Netherlands, and France, first in Montpellier, then Paris, where she worked for the Marshall Plan. She met Arnold Fawcus in 1949 before returning to the United States, working as a clerk and then as a teacher in the San Francisco Bay Area. She returned to Paris in 1956 and over the next quarter century became an indispensable assistant and companion to Arnold Fawcus, to whom she was married shortly before his death in 1979. Julie then supervised the completion of the Press's final publication, Constable with his friends in 1806 , in 1981 before closing the Press in 1983 and transferring the Trianon archives to UC Santa Cruz. Julie Fawcus passed away in 2014.
Business operations of the Press were conducted out of Fawcus's frequently changing residence until 1955 when it secured its first offices at 125 ave du Maine in the Montparnasse neighborhood of Paris. The collotype and pochoir prints were produced nearby first by Daniel Jacomet, then in the workshops of Duval, Beaufumé, and finally after 1958 Hourdebaigt and Crampe. Trianon was known for its virtually indistinguishable facsimile reproductions which were produced by the unique application of both collotype and pochoir techniques.
Collotype and Pochoir
Collotype is a method of photomechanical reproduction first used in 1868 by Josef Albert in Germany, and was seen as a superior reproduction process throughout the mid-20th century because of its ability to render continuous graduations of tone without the intervention of a screen. The work of producing collotype plates was highly skilled, expensive, and notoriously prone to disaster. Variations in humidity were likely to upset the balance of moisture in the gelatin causing it to swell or shrink. The surface of the plates were often too delicate to produce more than two thousand impressions. For these reasons, was largely abandoned for other commercial techniques after the second World War, and was usually only used for luxury publications.
Collotype is a photographic process in which a film of gelatin provides the printing surface. The technique is dependent on the fact that light sensitized gelatin hardens in proportion to the amount of light to which it is exposed. A solution of gelatin is poured over a sheet of plate glass. When dry, the plate is placed in contact with a reverse negative and exposed to light. In proportion to the strength of the transmitted light, the gelatin dries and hardens, while the unexposed areas remain capable of absorbing moisture. The surface can then be printed as a lithograph. The gelatin accepts the ink in an inverse proportion to the amount of moisture the surface retains, with the driest areas accepting the most and therefore printing darkest.
Before starting the process of facsimile reproductions, two vital decisions needed to be made. First, how many base colors were to be printed in collotype to supply the framework for the facsimile. Second, how many stenciled colors (pochoir) would be required to reproduce an accurate watercolor copy of the original. First, the original plate was photographed and a reverse negative was made for each base collotype color. Each negative was reworked by hand so that all the colors other than the base color for that negative were eliminated and the values of that base color were attenuated. Each negative required up to sixteen hours of work involving retouching and masking. The negative was then developed onto a previously prepared gelatin plate, which was baked in order to harden it sufficiently to take up to five hundred good impressions.
The success of the process depended on the colorist's analysis of colors for the base print, the subsequent layering of colors by the pochoir (hand stenciling) process, and continuous comparison with the original plate. The layering of the base colors provided the skeleton of the work to be reproduced. Often up to three weeks of work by a skilled craftsperson was required to prepare and make trials with the negatives before any actual printing was started. It was important for the stencil work to follow that these collotype printings be as perfectly "modeled" as possible, and that the same craftsperson who would later cut the stencils be in charge of preparing and printing the collotype negatives.
After the plate was put on the press, at least half a day was needed to "work up" the color values. The printer could modify values by the application of chemicals onto the plate. If there were no accidents from the action of the chemicals that were used in the course of "working up" the plate or from other hazards in the shop, and the correct temperature and humidity were maintained, the printer could expect to print about 350 sheets per day.
The hand stenciling process began after the base collotype was printed. In determining the base colors for the collotype printing, the colorist also chose the amount and order for the application of colors by the pochoir process. The zinc stencils were cut by hand for each shade of color in the original, using a sheet of the collotype printing as a guide. A watercolor wash was then applied by hand for each color, using large beaver stencil brushes. A certain amount of direct hand work was needed to soften the edges after the watercolor wash - for this the stencil was lifted off the print and a smaller brush was used.
Pochoir proofs were obtained by the superimposition of all the stenciled colors required for each plate over the base collotype. These proofs were corrected from the original and alterations in color and improvements in color order were made. The time required for obtaining a satisfactory first proof was about a month for a highly skilled craftsperson. It then took approximately 7-9 weeks to apply the colors by hand through stencils for an edition of 400 copies, one plate only. Finally, when the proofs were considered satisfactory, they served as models for the coloring of the collotype plates.

Preferred Citation

Trianon Press Archive. MS 99. Special Collections and Archives, University Library, University of California, Santa Cruz.

Processing Information

Processed by Maureen Carey circa 1987-2017, then processed by Alix Norton, Jessica Calvanico, Morgan Gates, Hannah Newburn, and Nicholas Whittington in the Center for Archival Research and Training (CART), 2018-2019.
Maureen Carey produced all initial inventories, determined chronology of materials, conducted research on the history of publications and the Trianon Press, and addressed conservation issues. Under the direction of Alix Norton, Calvanico, Gates, Newburn, and Whittington finished creating inventories, housed materials, wrote descriptive notes, separated overs from the collection, and finalized the finding aid.
Folder labels were primarily copied from original labels on materials. English and French names were often interchangeably used for the same items (e.g. maquettes and dummies).

Related Materials

Publications produced by the Trianon Press are cataloged separately in our holdings in Special Collections, and may be found by searching "Trianon Press." in the Author/creator field in UCSC Library Search.
The oral history of Julie Fawcus about the Trianon Press, Julie Fawcus: Recollections of Trianon Press , was conducted by Randall Jarrell and published in 1996 by the Regional History Project, UCSC Library. Available online at https://escholarship.org/uc/item/86z974zn
Video: News report (November 8, 1990) on an exhibition of the Trianon Press Archive at the University Library, University of California, Santa Cruz. Call number DVD11191
Audio: Talks presented on November 8-9, 1990 at Special Collections, McHenry Library, University of California, Santa Cruz and sponsored by the University Library and the Friends of the UCSC Library to mark the opening of an exhibition of the library's Trianon Press Archive. Call number LCD10804

Scope and Contents

This collection documents the publications and operations of the Trianon Press from the late 1940s through the early 1980s. The collection contains production materials, manuscripts, correspondence, publicity, and business records pertaining to both published and unpublished works of the Trianon Press, general organizational records of the Trianon Press and of the William Blake Trust, planning materials for exhibitions mounted to publicize the work of the Press, and personal papers of Trianon Press founder Arnold Fawcus.

Conditions Governing Use

Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. For more information on copyright or to order a reproduction, please visit guides.library.ucsc.edu/speccoll/reproduction-publication.

Subjects and Indexing Terms

Printers -- France -- Paris -- Archives
Publishers and publishing -- France -- Paris
Printing -- France -- Paris
Pochoir prints
Collotypes (Prints)
Blake, William, 1757-1827
Duchamp, Marcel, 1887-1968
Blake, William, 1757-1827
Graves, Robert, 1895-1985
Huxley, Aldous, 1894-1963
Graves, Robert, 1895-1985
Rouault, Georges, 1871-1958
Fawcus, Julie Hollands, 1925-2014
Fawcus, Julie Hollands, 1925-2014
 

Published projects 1946-1981

Physical Description: 438 Linear Feet

Arrangement

This series consists of 51 subseries which correspond to publications:
  1. Le dur désir de durer
  2. Les baigneuses
  3. Les Fresques de Fra Angelico
  4. Prisons
  5. Miserere (1950, 1952)
  6. Jerusalem (Stirling)
  7. Jerusalem (Rinder and Wicksteed)
  8. Songs of innocence
  9. Songs of innocence and experience
  10. Adam's rib
  11. The infant with the globe
  12. Abram Brown
  13. The white lady of the Brandberg
  14. Illustrations to the Bible
  15. Philipp Cave
  16. The Fitzwilliam Museum
  17. The book of Urizen
  18. Visions of the daughters of Albion
  19. The Tsisab Ravine and other Brandberg sites
  20. Sur Marcel Duchamp
  21. The marriage of heaven and hell
  22. Anibib and Omandumba
  23. Gislebertus, sculptor of Autun
  24. Samuel Palmer's sketchbook
  25. Miserere (1963)
  26. America, a prophecy
  27. William Blake, poet, printer, prophet
  28. The story of the wise men
  29. The book of Thel
  30. Through the troposcope
  31. The Haggadah for Passover
  32. Ecclesiastes
  33. Milton, a poem
  34. Songs of innocence and experience (trade edition)
  35. Southern Rhodesia
  36. The gates of Paradise
  37. Europe, a prophecy
  38. All religions are one
  39. There is no natural religion
  40. Water-colour designs for the poems of Thomas Gray (catalogue)
  41. Water-colour designs for the poems of Thomas Gray
  42. The book of Ahania
  43. Jerusalem (Cunliffe)
  44. The marriage of heaven and hell (trade edition)
  45. The sphinx and white ghost shelters
  46. The song of Los
  47. William Blake's Laocoon, a last testament
  48. The book of Los
  49. The complete portraiture of William and Catherine Blake
  50. Illustrations of Dante
  51. Constable with his friends in 1806
This series is arranged chronologically by date of publication. Projects within this series have unique identifying codes (e.g. I-A-1, I-B-1) in roughly chronological order by publication date that were most likely assigned by the Press. Folders within each project often have numerical codes (e.g. 1, 2, 3, a1, a2, a3) that were assigned during early processing but were not continued for each folder.

Scope and Contents

This series includes original production materials, manuscripts, correspondence, publicity, and some business records pertaining to the 40 published works of the Trianon Press and affiliates. A significant portion of the series consists of photographs, negatives, stencils, guides, plates, and other materials used in the collotype and pochoir processes to produce facsimiles of the William Blake illustrations and other artwork for the de luxe editions of the Press, as well as various stages of designs, paste-ups, corrected proofs, maquettes, and bound copies of the published works. Also included are production materials for trade editions; original manuscripts and annotated typescripts; correspondence with artists, authors, craftsmen, suppliers, distributors, and business partners; financial documents pertaining to production, distribution, and sales; and press clippings and other publicity materials.
 

Le dur désir de durer I-A-1 1946

Physical Description: 5 folders

Publication Information

Text by Paul Éluard, illustrated by Marc Chagall. Limited edition by Arnold/Bordas.

Project History

Participants: Marc Chagall (Illustrations), Paul Eluard (Poetry), Arnold/Bordas Editeurs, Grey Falcon Press, Trianon Press, Jacomet, Fawcus, Macleod, Pierre Bordas, James Lauglin, New Directions
Work Published: 1946 (Ltd ed. Arnold/Bordas Editeurs/Grey Falcon); 1950 (Trade ed. - Trianon/Grey Falcon, New Directions)
Distributor(s): Trianon - Arnold/Bordas Editeurs, Paris; New Directions, USA (1950 ed.); Faber & Faber Ltd. (1950 cat.) London Number of editions: 2 (1946 Ltd.ed. French - 72 pgs and 1950 Trade ed. French text with translation by Stephen Spender & Frances Cornford - 96pgs.
Publication date of edition(s): 1946 and 1950
Prospectus information: "The following constitutes the original edition: 25 copies on 'Auvergne' paper of pure rag made by hand at the Moulin du Val-de-Laga, each with one original drawing by Marc Chagall, Marked A to Y. Autographed. Of the above, 10 copies are reserved for the USA and Great Britain. 330 copies, autographed & numbered, on B.F.K. 'Rives' paper of pure rag. Of the above, 90 copies are reserved for the USA and Great Britain. Published by Arnold/Bordas Editeurs, Paris in assoc. with Grey Falcon Press, New York and The Trianon Press, London. To appear July 1947."
Colophon information: "The following constitutes the 1st ed. of this book with the complete text in French & English. 750 copies # 1-750 reserved for Trianon Press, Cobham Surrey; 750 copies #751-1500 reserved for Grey Falcon Press, New York. Color frontispiece reproduced by hand in workshops of Jacomet under supervision of Chagall. This book was designed by Arnold Fawcus. Copy #1035."

Production Information

Paper Supplier, Description & Use: Moulin du Val-de Laga, "Auvergne" paper deluxe (1946), B.F.K. "Rives" (1946, 1950 text); Arjomari (1950), Arches "Eryx" (1950 prospectus)
Type Supplier, Description & Use: Fonderie Radiguer (1946); L'Imprimerie Union, Paris (1950). Roman Caslon - typography in 2 colors - printed by Joseph Zichieri. Designed by Andre-Charles Gervais (1946); designed by Arnold Fawcus (1950).
Collotype Supplier, Description & Use: Daniel Jacomet et Cie., 25 drawings
Pochoir Supplier, Description & Use: Jacomet, Color Frontispiece & wash drawings - 9 in color. Frontispiece reproduced in 19 colors
Illustrations: Drawing by Chagall reproduced in lithography and mounted on front cover of case Binding Supplier, Description & Use: Possibly Draeger. Presented in a deluxe case mounted with a drawing by Marc Chagall reproduced in lithography - Bound with white paper covers & glassine wrap in a slipcase (1946). Bound in white paper with a glassine wrap - printed on front cover of binding is "LE DUR DESIR DE DURER by Paul Eluard with the translation in English verse by Stephen Spender & Frances Cornford. Illustrated by Marc Chagall (1950).
Box Supplier, Description & Use: Possibly Draeger. Slipcase for deluxe copies (1946)
Box 1, Folder 1

Correspondence

Box 1, Folder 2

Prospectus samples

Physical Description: 3 copies
Box 1, Folder 3

Faber catalog, typescript

Box 1, Folder 4

Reviews

Box 2, Folder 2

Reviews

 

Les baigneuses I-A-2 1947

Physical Description: 2 boxes

Publication Information

Artwork by Paul Cézanne, text by Jean Cassou. Limited edition, 'Editart', by Trianon Press and Grey Falcon Press.

Project History

Participants: Rene Huyghe (Director of Louvre), Daniel Jacomet, Jean Cassou (text - Director of the Museum of Modern Art, Paris) Arnold Fawcus, Patrick MacLeod
Work Published: 1947
Distributors: Grey Falcon Press (New York); Trianon Press (London); Trianon Press (Paris)
Number of editions: 1
Size of edition(s): 500 copies
Publication date of edition(s): Dec.1,1947
Prospectus information: Prospectus reduced to 8 1/2 x 11" from book size 11 x 19". "The following constitutes original edition: 200 copies, numbered 1-200, signed by the publisher & D.Jacomet reserved for Grey Falcon Press, N.Y. 100 copies, numbered 201-300 signed as above, reserved for the Trianon Press, London. 200 Copies, numbered 301-500, reserved for sale in France."
Colophon information: "Justification du Tirage - Cet ouvrage a été tiré à 500 exemplaires numérotés de 1 à 500 en chiffres Romains… 100 exemplaires numérotés de 1 à 100 réservés à Trianon Press à London. 200 exemplaires numérotés de 201-300 reserves a Grey Falcon Press à New York. 200 exemplaires numérotés de 301 à 500 réservés à 'Editart' Editions de Quatre Chemins, Paris. 15 exemplaires HORS COMMERCE réservés aux Collaborateurs cet ouvrage a été achevé D'Imprimer en Oct., 1947. Les Aquarelles ont été Reproduites par Daniel Jacomet et Cie. #107. (Signed by Fawcus and Jacomet)"

Production Information

Paper Supplier, Description & Use: Lana Docelles (Plates), Arches, "Marians" (Text wrapper, sheets)
Type Supplier, Description & Use: Bouan, master printer in Paris, finished Oct., 1947
Collotype Supplier, Description & Use: Jacomet. Base images for all the plates in volume. All images reproduced in exact of originals/ pre-publication prospectus
Pochoir Supplier, Description & Use: Jacomet. Eight watercolors reproduced by D. Jacomet. Average of 41 "pochoir" applications per image. Reproduced in exact size of originals. Illustrations on separate sheet which was then tipped onto book page. Each reproduction is embossed with a "J" or as with the prospectuses "Specimen Jacomet".
Binding Supplier, Description & Use: Possibly Draeger. Paper covered boards with brown colored paper, simulated leather – portfolio binding with paper flaps - Type on front cover "Cezanne" in brown ink -- sheets laid in with a paper wrapper/cover for the text & plates with title "Cezanne - Les Baigneuses" printed on front cover.
Box Supplier, Description & Use: Possibly Draeger, portfolio.
Box 1, Folder 5

Preface

Box 1, Folder 6

General correspondence

Box 1, Folder 7

Lloyds Bank, Customs

Box 1, Folder 8

Prospectus samples

Physical Description: 3 copies
Box 1, Folder 9

Corrected versions of Prospectus

Physical Description: 4 copies
Box 3

Stencils

Box 3

Maquette

 

Les Fresques de Fra Angelico I-OO-1 1949

Physical Description: 1 folder

Publication Information

Text by Stanislas Fumet. Limited edition by Trianon Press.

Project History

Participants: MacLeod, Fawcus, Jacomet
Work Published: 1949
Distributor(s): TP/Grey Falcon Press acted as distributors for Jacomet.
Imprint: Trianon Press (London), Grey Falcon Press (New York), Editions Artistiques et Documentaires (Paris)
Number of editions: 1
Size of edition(s): 900 copies
Publication date of edition(s): May 1, 1948 (pre-publication prospectus)
Prospectus information: "The Original Edition is constituted as follows: 150 copies, numbered 1 to 150, reserved for the Trianon Press, London. 150 copies, numbered 151-300, reserved for the Grey Falcon Press, New York. 150 copies, numbered 301-450, reserved for Sweden. 450 copies, numbered 451-900, reserved for S.E.A.D., Paris. The complete series of Fra Angelico's Frescoes in the Convent of St. Mark, Florence, are here reproduced by the Daniel Jacomet process, 40 frescoes, including 10 in color and 4 detailed enlargements. Colour applied by hand, with an average of 35 applications of colour for each reproduction. Format 16 1/2 x 12 1/2 in. Plan and diagram of St. Mark's indicating location of each fresco. Text set in 18 point Garamond and printed by "La Ruche", master printer in Paris. Rag paper specially treated for application of tempers used in reproductions. 120 pages. Preface by Jacques Maritain, distinguished French author and philosopher, formerly French Ambassador at the Holy See. Text by Stanislas Fumet, well-known authority on Italian Art. By subscription only. Book is available now to subscribers. Publication date May 1st 1949. After this date prices will be 8 guineas or 30 dollars."
Colophon information: "Cet ouvrage tiré à 900 exemplaires numérotés a été achevé D'Imprimer le 1er Nov.1948 sur les Presses de L'Imprimerie la Ruche (A. et P. Jarach) .Les Planches ont été Reproduites par les procédés Daniel Jacomet a Paris - Exemplaire no. 185"

Production Information

Paper Supplier, Description & Use: Paperteries Renage (Prospectus and probably the text and illustration papers). Quarto Colombier, 160gms2 Pure rag, wove, Pg.size 16 1/2 x 12 1/2". Prospectus paper is a laid sheet with Renage Mill watermark. According to the prospectus the rag paper was specially treated to accept the tempera paints. Type Supplier, Description & Use: L'Imprimerie la Ruche (A. et P. Jarach). 18 pt. Garamond - printed letterpress Collotype and Pochoir Supplier: Jacomet. Pochoir Description & Use: 10 color illustrations with an average of 35 applications of color for each reproduction, Tempera used - illustrations done on separate wove sheets and mounted onto the text pages.
Binding and Box Supplier: Probably Draeger. Binding Description & Use: Loose sheets laid into a wrapper of white paper with "Fra Angelico" in black on front cover and red fleur de lis at bottom of front cover - spine blank. Box Description & Use: Portfolio - white paper over boards with Blue type on front cover, 2 paper flaps (top & bottom only)
Box 2, Folder 1

Prospectuses

Physical Description: 7 copies
 

Prisons I-B-1 1949

Physical Description: 3 boxes

Publication Information

Text by Piranesi and Aldous Huxley, preface by Jean Adhémar. Limited edition by Trianon Press and Grey Falcon Press. Trade edition by Trianon Press, distributed by Faber.

Project History

Participants: Arnold Fawcus, Patrick MacLeod, Jake Zeitlin, Aldous Huxley, Jean Carlotti, Jean Adhemar, Denys Sutton, Daniel Jacomet
Work published: 1949
Distributors: Grey Falcon/Trianon - English Ltd. Ed.; Faber & Faber - Trade Ed. ; Zeitlin & Ver Brugge - US. Ltd. Ed.
Number of editions: 2
Size of editions: Deluxe Ed. 212 copies; Trade Ed. 1000 copies
Publication date of editions: 1949
Prospectus information: Prospectus announces original deluxe edition only; trade edition announced in "Fine Art Publications, Spring 1990" and in colophon of book. The trade edition was sold mainly in England, a few in the U.S. For the original deluxe edition, two different prospectuses were printed, one for Trianon, London with pg. 14 illustration and one for Zeitlin, Los Angeles with pg.11 illustration. The Prospectus reads as follows: "The Original edition is constituted as follows: 100 numbered copies, signed by the author, are reserved for the Trianon Press, Cobham, Surrey, England, and the Grey Falcon Press, 5203 Pennway St., Philadelphia, U.S.A. 4 1/2 guineas. 100 numbered copies, signed by the author, are reserved for Zeitlin & Ver Brugge, Los Angeles, U.S.A. This unpublished text by Aldous Huxley is accompanied by the complete series of the Carceri etchings by G.B.Piranesi and a critical study by Jean Adhemar, Associate Curator of Prints at the Bibliotheques Nationale, Paris. Huxley treats the subject "from Bentham to Belsen"; the imprisonment of the body and its more sinister counterpart, the metaphysical prisons of the mind. The second state of Piranesi's great etchings, together with two interesting examples of the first state, are here for the first time reproduced in large format. Jean Adhemar's text, including bibliography and notices on the etchings, are translated from the French in this timely and important publication. The text is set entirely by hand in a new 20 point Caslon and printed on a pure rag paper by Jourde & Allard, Paris, who printed Vollard's great books. Format 11 x 12 1/2 in. Frontipiece and eighteen etchings. Eighty pages. Presented in a deluxe case made by hand by Adine, Paris. The Trianon Press, Macleod & Fawcus, Ltd., Cobham, Surrey."
Colophon information: "Of this first printing of 'PRISONS' by Aldous Huxley, 212 copies have been made on Renage paper of pure rag, all of which are signed by the author. One hundred numbered copies are reserved for the Trianon Press, Cobham, Surrey, England and for the Grey Falcon Press, 5203 Pennway St. Philadelphia. One hundred numbered copies are reserved for Zeitlin & ver Brugge, Los Angeles, California. Twelve copies numbered A to L 'hors commerce' for the author, the publishers and their associates. The text, which has been set entirely by hand in a new 20pt. Caslin of the Fonderie Radiguer, is printed by Jourde & Allard, master-printers in Paris. The lettering is by J.A. Carlotti. The etchings are reproduced by Aulard. The book was designed by Arnold Fawcus. The first printing of PRISONS consists of 212 signed copies and 1000 unsigned copies, which are distributed by Faber & Faber, London. After printing, the type was dismantled. There will be no further edition in this format."

Production Information

Paper Supplier, Description & Use: Renage Mill - Pur Chiffon F, 56 x 68 - 31, I 160gm2 - no watermark - paper left over from "Stirling Jerusalem"; Muller - Luxe cover; Papeteries du Marais - "Marais" - inside separation sheet for critical study, labels, catalogues; Pont de Claix - "Blanc Apprete Groupe VII/I " 56 x 68 160gm2 - no watermark - offset paper - trade edition
Type Supplier, Description & Use: Jourde & Allard - text printing - deluxe edition- new Caslon 20pt.; Jourde & Allard - deluxe edition- Caslon Roman, Bodoni Italics; Aulard - illustration printing , gravure - deluxe and trade editions
Binding Supplier, Description & Use: Guilleux - deluxe edition, 212 copies - 80pgs sewn and bound - presented in deluxe portfolio with cloth spine and Ingres grey paper sides; Verscheure & Brogniart - ordinary edition, 1000 copies, paper covered book on cheap paper (I-B-1.7 - Jan.14, 1950) complete description unavailable
Box Supplier, Description & Use: Adine - cases for deluxe edition
Prospectus Variations & Description: Prospectus for deluxe edition - 1000 copies to Zeitlin, 1000 copies to Trianon - 2 variations, each with separate imprints on title page and different center prints (pl.14 Trianon, pl.11 Zeitlin) - both printed for Trianon Press, London - separate prices
Box 1, Folder 10

Typescript

Box 1, Folder 11

Huxley correspondence

Box 1, Folder 12

General correspondence

Scope and Contents

Includes correspondence with Huxley
Box 1, Folder 13

Adhemar & Sutton: Miscellaneous & correspondence

Box 1, Folder 14

Adhemar Essay: French

Box 1, Folder 15

Adhemar Essay: English

Box 1, Folder 16

Adhemar bibliography & notes

Box 1, Folder 17

Jourde & Allard Documents

Box 1, Folder 18

Malcolm Long correspondence

Box 1, Folder 19

Zeitlin & ver Brugge correspondence

Box 1, Folder 20

Reprint edition correspondence

Box 1, Folder 21

Production costs & sales sheets, mail receipts, shipping documents

Box 1, Folder 22

Import/export license papers; Forms & invoices

Box 1, Folder 23

Paper orders & samples

Box 1, Folder 24

Jacomet correspondence

Box 1, Folder 25

Printing orders, samples, correspondence

Box 1, Folder 26

Binding

Box 1, Folder 27

Title page layout & samples (for binding)

Box 4

Production papers: Paper, type, illustrations

Box 4

Layout sheets, margins, illustration size, text block, sample sizes

Box 4

Colophon & frontispiece: Typescript, proofs, corrections

Box 4

Title page, layouts, proofs, corrections

Box 4

Initial letter (A) size samples, type samples, paste-ups

Box 4

Huxley text proofs with corrections & samples

Box 4

Adhemar text proof with corrections

Box 4

Carceri etchings, title page layouts & paste-ups

Box 4

Plate captions: Typescripts with corrections

Box 4

Heliogravures

Box 4

Miscellaneous illustration samples for deluxe edition

Box 4

Miscellaneous illustration proofs for Trade edition

Box 4

Bulking dummy

Box 4

Prospectuses: Typescripts & layouts

Box 4

Prospectus samples

Box 4

Reviews

Box 4

1 set text & illustrations (complete)

Box 5

Miscellaneous sheets deluxe edition (Grey Falcon imprint), 4 up

Box 5

Miscellaneous illus overs: 4 up, trade edition (Trianon imprint)

 

Miserere I-C-2 1950, 1952

Physical Description: 5 boxes

Publication Information

Text by Georges Rouault. 1950 edition: introduction by Anthony Blunt. Trianon Press distributed by Faber. 1952 edition: illustrations for Museum of Modern Art edition, preface by Monroe Wheeler.

Project History

Participants: Rouault, MacLeod, Fawcus, Anthony Blunt (foreword), Monroe Wheeler (MOMA ed.)
Work published: 1950, 1951, 1952
Distributors: Faber & Faber (1950- no US sales), Museum of Modern Art (1952 ed - US), Grey Falcon Press, Editions du Seuil (1952 - Fre.-produced in collaboration with TP???
Number of editions: Possibly 4. 1950 (TP) 1951 (German) 1952 (US) 1952 (French)
Colophon information: "This facsimile in reduced format of the Miserere engravings was produced under the supervision of Georges Rouault who corrected and signed all the proofs. The titles were written by the artist & are reproduced in facsimile. The book was designed by Arnold Fawcus & printed in Oct. 1950 by Aulard & Cie. Master printer in Paris. The original edition of Miserere containing the complete series of engravings was first published in 1948 and is distributed by the Editions de l'Etoile, 21 Boulevard St Germain, Paris. It was limited to 450 copies of which 25 were 'Hors Commerce'."

Production Information

Paper Supplier, Description & Use: Papeteries de Ruysscher - Louis Muller et Fils. Helio Blanc Satine - Photo Offset Blanc & Relior Fini Mat Grain 201 Gris
Type Supplier, Description & Use: Aulard. Text, dust jacket & gravures
Photography Supplier, Description & Use: Aulard. For deep-etched gravures
Illustrations Supplier, Description & Use: Aulard. All illustrations done by deep-etch gravure - in black only - 58 engravings plus 4 plates showing different states of the same engraving.
Binding Supplier, Description & Use: Verscheure & Brogniart (de luxe); James Burn & Co. Ltd. (trade). De luxe – 100 copies; trade - 2000 copies 10 x 7 , 80 pgs. "Sundour" Black cloth with gold stamping on spine
Box 9

General correspondence

Box 9

Anthony Blunt correspondence

Box 2, Folder 10

Correspondence: Coutot, Rouault, Wheeler 1948-1951

Box 9

German edition Prestal Verlag

Box 9

Project Finances

Box 9

Type & Paper Orders

Box 9

Binding order, trials and samples

Box 9

Half title & colophon

Box 9

Title page

Box 9

Artist's preface

Box 9

Forward

Box 9

Plate titles

Box 9

Maquette

Box 9

Jacket (U.S.) sample

Box 9

Jacket (UK) Production material

Box 9

Jacket (UK) Trials, samples

Box 9

Faber catalog announcement

Box 9

Museum of Modern Art: Monroe Wheeler 1952 edition

Box 9

Miscellaneous Illustration overs (damaged)

Box 10

Maquettes

Physical Description: 7 items
Box 10

Miscellaneous Photo Prints (Ozalids)

Box 2, Folder 9

Reviews

Box 65

Photographs of Illustrations

Box 69

4 glass plates with plate titles

 

Jerusalem (Stirling) I-D-1 1951

Physical Description: 8 boxes

Publication Information

Authored by William Blake, Stirling copy. Trianon Press for William Blake Trust.

Project History

Participants: Macleod, Fawcus, Jacomet, Wicksteed
Work published: 1950
Distributors: Trianon Press/Macleod & Fawcus, Ltd., Cobham Surrey; Grey Falcon Press, Philadelphia
Number of editions: 1
Size of edition: 516 copies
Publication date of editions: June 1950
Prospectus information: "The Original Edition is constituted as follows: 250 copies, numbered 1 to 250, reserved for 20 guineas distribution by the Trianon Press, Cobham, Surrey. 250 copies, numbered 251 to 500, reserved 60 dollars for distribution by the Grey Falcon Press, Philadelphia, U.S.A. 16 copies, numbered A to P, "hors commerce" reserved for the Trustees of the William Blake Trust, Mr. Joseph Wicksteed and the publishers. The etched and illuminated pages have been reproduced by Daniel Jacomet, Paris. An average of 44 applications of colour by hand were required for each page. 100 plates with 10 full page and 45 half page water-clours and 45 pages decorated with colored designs. The text has been composed by hand in new 16 point Caslon of the Fonderie Radiguer and printed by Jourde & Allard, master-printers in Paris. The facsimile is reproduced in the original format on pure rag paper especially manufactured to match the paper used by Blake. Presented in five volumes. Volume I – Commentary by Mr. Joseph Wicksteed, with illustrations. Volumes II to V – facsimile of the Jerusalem manuscript. Each volume bound in a pure rag cover (blue-grey). Boxed in a specially designed case made by hand by Adine, Paris."

Production Information

Type Supplier, Description & Use: Jourde & Allard, master-printers in Paris. 16 point Caslon from Fonderie Radiguer Collotype and Pochoir Supplier: Jacomet. Pochoir Description & Use: An average of 44 applications of colour by hand were required for each page. 100 plates with 10 full page and 45 half page water-clours and 45 pages decorated with colored designs. Binding Supplier, Description & Use: Possibly Adine. Pure rag cover (blue-grey) Box Supplier: Adine
Box 11

Correspondence

Box 11

Jacomet Dispute

Box 11

Financial correspondence & receipts

Box 11

Inquiries & acknowledgments

Box 11

A. Douetil (Edward Lumley & Sons Ltd.) Insurance

Box 11

Papeteries Reuines

Box 11

Other paper correspondence & samples

Box 11

Mansell Bookbinders Ltd. correspondence

Box 11

Edmund Stekel Ltd. (mailing boxes)

Box 11

Book Box cloth & paper, lettering, color samples

Box 11

Text typescript & corrections

Box 11

Subscription forms: Grey Falcon & Trianon Press

Box 11

Binding preference forms, single volume (completed)

Box 11

Binding Preference forms, 5 fascicles (completed)

Box 11

Fascicle labels, samples

Box 11

Prospectus typescript, corrections, proofs

Box 11

Prospectus samples, 4 illustrations

Box 12

Subscription orders & sales

Box 12

Orders & Subscription lists

Box 12

Philip C. Duschnes, U.S. Distributor

Box 12

Miscellaneous Bookseller correspondence

Box 12

Exhibition correspondence: "La Galerie ex Libris", "M. de Touraou, exhibition", English-speaking Union, British Council Exhibitions

Box 12

Invoice book #1, 2

Box 460, Folder 3

Mailing lists and sales

Box 13

Kenneth Breese: Spine labeling samples

Box 13

Renage Paper Mill correspondence & samples

Box 13

Text proofs & corrections

Box 13

Exhibition plates & information

Box 13

Reviews

Box 13

Duplicates of reviews

Box 13

Incomplete volume, Irene 'd A. Fawcus copy

Box 14

Taquets, bon à tirer sheets & stenciler information sheets

Box 14

3 maquettes, binding styles

Box 15

Extra plates #1-36

Box 16

Extra plates #37-82

Box 17

Extra plates #83-100

Box 17

1 complete set of plates

Box 3

Miscellaneous Guides, plate 32

Box 3

Miscellaneous Stencils, plate 99

Box 3

Miscellaneous Stencils, plate 100

Box 3

Timelines of production by Julie Fawcus

 

Jerusalem (Rinder); William Blake's Jerusalem, a commentary (Wicksteed) I-E-1 1953

Physical Description: 7 boxes

Publication Information

Authored by William Blake. Rinder copy (monochrome). Trianon Press for William Blake Trust.
William Blake's Jerusalem, a commentary by Joseph Wicksteed. Trianon Press for William Blake Trust.
Box 18

Notes & cost estimates

Box 18

Printers correspondence

Box 18

Sales correspondence

Box 18

Layout & typescript

Box 18

Title page page proofs & plate text proofs

Box 18

Frontispiece: Jacomet correspondence

Box 18

Incomplete copy: Message text pages 3-4 & illustrations

Box 18

Taquet pages: Miscellaneous

Box 18

Photo prints: Miscellaneous

Box 18

Exhibition publicity

Box 18

Jacket artwork, layouts, text proofs (Trianon Press)

Box 18

Jacket layouts, paste-ups, proofs (Beechhurst Press)

Box 18

Wicksteed Commentary: Joseph & Eileen Wicksteed correspondence

Box 18

Wicksteed Commentary: Miscellaneous Production correspondence

Box 18

Wicksteed Commentary: Paper correspondence, orders, samples

Box 19

Wicksteed Commentary: Production notes

Box 19

Wicksteed Commentary: Preliminary material, typescripts, paste-ups, layouts

Box 19

Wicksteed Commentary: Chapter 1 - typescripts

Box 19

Wicksteed Commentary: Chapter 2 - typescripts

Box 19

Wicksteed Commentary: Chapter 3 - typescripts

Box 19

Wicksteed Commentary: Chapter 4 - typescripts

Box 19

Wicksteed Commentary: List of "Illustrations to Introduction", correspondence, typescripts

Box 19

Wicksteed Commentary: Illustrations - paste-ups, layouts, proofs

Box 19

Wicksteed Commentary: "Appendix" typescripts with correspondence

Box 19

Wicksteed Commentary: "Synopses" (page to page) typescripts, proof sheets

Box 19

Wicksteed Commentary: "Corrections to Summary & Synopses" typescripts

Box 19

Wicksteed Commentary: "Index" typescripts

Box 19

Wicksteed Commentary: Prospectus layouts & proofs

Box 19

Wicksteed Commentary: Jacket layouts, paste-ups (Trianon)

Box 19

Wicksteed Commentary: Title page layout & proofs (Beechhurst Press)

Box 19

Wicksteed Commentary: Jacket layouts, typescript, paste-ups (Beechhurst Press)

Box 460, Folder 4

Sales

Box 2, Folder 11

Wicksteed Commentary: Publishers Association, Religious Book Publishers

Box 2, Folder 12

Wicksteed Commentary: Illustrations list (G. Keynes handwriting)

Box 2, Folder 13

Rinder Jerusalem: Frontispiece samples

Box 5

Rinder Jerusalem: Samples pages 49-64

Box 3

Wicksteed Commentary: Commentary page layouts and trials

Box 20

Wicksteed Commentary: Index compiled by G. Keynes

Box 21

Wicksteed Commentary: Miscellaneous text pages - typescripts and proofs

Box 22

Wicksteed Commentary: Miscellaneous text pages - typescripts and proofs

Box 20

Wicksteed Commentary: "Final proofs" (1953), "Proem" proof pages; Rinder Jerusalem: Miscellaneous text & poem pages

Box 3

Production timeline by J. Fawcus

Box 5

Beechhurst Press jacket bon à tirer sheets, corrections and final proofs

Box 39

Complete set uncut illustrations and text pages

 

Songs of innocence I-F-1 1954

Physical Description: 8 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.
Box 202, Folder 1

General correspondence

Box 202, Folder 2

Jacomet correspondence

Box 202, Folder 3

Beaufume correspondence

Box 202, Folder 4

Imprimerie Duval correspondence

Box 202, Folder 5

Wm. Clowes & Sons Ltd. correspondence

Box 202, Folder 6

M. Barast et Fils correspondence (Includes Songs of I & E)

Box 202, Folder 7

Adine correspondence

Box 202, Folder 8

Production notes

Box 202, Folder 9

Title page samples

Box 202, Folder 10

"Publisher's Statement " typescript with corrections

Box 202, Folder 11

Beaufume stenciling information & progress sheets

Box 202, Folder 12

Stenciler information sheets with page numbers

Box 202, Folder 13

Decomps, page 4 "The Shepherd"

Box 202, Folder 14

Decomps, page 7 "The School Boy"

Box 202, Folder 15

Decomps, page 22 "Little Boy Lost"

Box 202, Folder 16

Decomps, page 26 "Spring"

Box 202, Folder 17

Base collotype sheets: Miscellaneous selection

Box 202, Folder 18

Colored collotype sheets: Miscellaneous selection

Box 202, Folder 19

Christmas card sample

Box 202, Folder 20

Shipping information & invoices

Box 202, Folder 21

Prospectus "Bibliographical Statement" typescript

Box 202, Folder 22

Prospectus: Proofs with corrections, samples

Box 202, Folder 23

U.S. edition 1957 Borenstein: Production notes

Box 202, Folder 24

U.S. edition 1957 Borenstein: Binding samples

Box 202, Folder 25

U.S. edition 1957 Borenstein: Prospectus proofs

Box 202, Folder 26

George Braziller: U.S. edition distribution

Box 203

Guides and stencils

Box 204

Guides and stencils

Box 205

Guides and stencils

Box 206

Guides and stencils

Box 207

Display boards for exhibit (2)

Box 207

Bon à tirer sheets: Miscellaneous selection

Box 264

Publicity: Scrapbook of reviews

Scope and Contents

Includes information on Songs of Innocence and Songs of Innocence and of Experience (offset).
Box 39

Miscellaneous printed pages

 

Songs of innocence and experience I-G-1 1955

Physical Description: 17 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Participants: Keynes
Work published: 1955
Number of editions: 1
Size of editions: 526 copies
Prospectus information: "5 copies numbered I to V, each containing a set of hand-coloured plates showing progressive stages, together with an original guide sheet and stencil. 15 copies numbered VI to XX, each containing an original guide sheet and stencil. 240 copies numbered 1 to 240 are published by the Trianon Press, Chateau de Boissia, Clairvaux, Jura, France, and distributed by Faber and Faber Ltd., 24 Russell Square, London, W.C.1. 240 copies numbered 241 to 480 are reserved for distribution in the U.S.A. 26 copies numbered A to Z are reserved for the Library of Congress, Mr. Lessing J. Rosenwald, the Trustees of the Blake Trust, and the Publishers. The book is printed on 'Arches' pure rag paper especially manufactured to match the paper used by Blake and water-marked with his monogram. It is bound in full niger morocco, and presented in a slip case."
Box 208, Folder 1

Correspondence

Box 208, Folder 2

Exhibition & Display Correspondence

Box 208, Folder 3

Exhibition materials

Box 208, Folder 4

Publicity correspondence

Box 208, Folder 5

Publicity information

Box 208, Folder 6

Production notes, estimates

Box 208, Folder 7

Paper

Box 208, Folder 8

Paper watermark placement maps

Box 208, Folder 9

Text typescripts

Box 208, Folder 10

Printing correspondence

Box 208, Folder 11

Duval invoices

Box 208, Folder 12

Duval miscellaneous estimates

Box 208, Folder 13

Stenciling production notes

Box 208, Folder 14

Binding information

Box 208, Folder 15

Binding spine samples

Box 208, Folder 16

Adine boxes

Box 208, Folder 17

Prospectus production notes

Box 208, Folder 18

Prospectus typescripts

Box 208, Folder 19

Prospectus proofs with corrections

Box 208, Folder 20

Prospectus insert pages, proofs with corrections

Box 208, Folder 21

Prospectus order form insert samples

Physical Description: 6 copies
Box 208, Folder 22

Prospectus, U.S. edition, proof sheets & sample

Box 208, Folder 23

Insurance

Box 208, Folder 24

Sales

Box 209, Folder 1

Miscellaneous stencil cover sheets

Box 209, Folder 2

Bon à tirer sheets with stenciling information, pages 1-31

Box 209, Folder 3

Bon à tirer sheets with stenciling information, pages 32-54 & miscellaneous doubles

Box 209, Folder 4

Decomps: Double page, plate 5 & plate 24

Box 209, Folder 5

Single page base collotypes

Box 209, Folder 6

Double page base collotypes

Box 209, Folder 7

Full color Illustration samples, pages 1-21

Box 209, Folder 8

Full color Illustration samples, pages 22-54

Box 210, Folder 1

Double page full color sheets: Miscellaneous selection

Box 210, Folder 2

Binding sample boards

Box 210, Folder 3

Binding maquette with corrections & slipcase

Box 188

3 positive negatives, plate 1,28,42

Box 95

3 contact prints (backwards), plate 1,28,42

Box 211

Guides and stencils

Box 212

Guides and stencils

Box 416

Guides and stencils

Box 213

Guides and stencils

Box 214

Guides and stencils

Box 215

Guides and stencils

Box 207

Base Collotype decomps

Box 207

Mounted photographs & panel from 1954 exhibition

Box 207

Miscellaneous loose sheets from exhibit panels

Box 361

Trial slipcases

Box 210, Folder 4

Edition slipcases

Box 210, Folder 5

Brass engraving plates

Physical Description: 2 items
Box 236

Guides, page 1 "Songs of Innocence & Experience" - portfolio

Box 222

Matted Prints - From exhibition at UC Berkeley Spring 1996

Physical Description: 4 items
Box 414

Guides and stencils

Box 415

Guides and stencils

Box 416

Guides and stencils

 

Adam's rib I-H-1 1955

Physical Description: 5 boxes

Publication Information

Text by Robert Graves, illustrations by James Metcalf. Trianon Press.
Box 23

Correspondence: Robert Graves

Box 23

Correspondence: James Metcalf

Box 23

Correspondence: A.P. Watt & Son

Box 23

Paper Estimates, Orders, etc.

Box 23

Paper Samples

Box 23

Paper Specimens with printing & woodcut trials

Box 23

Printing correspondence & estimates: Clowes, Westerham

Box 23

Printing Instructions & Page Layouts

Box 23

Production correspondence & Trial Proofs

Box 23

Preliminary pages: Texts with corrections & layouts & proofs

Box 23

Illustration: Color Trials & placement

Box 23

2 dummy books - 8 pg & 32 pg sections

Box 23

Preliminary proofs - Uncorrected & corrected

Box 23

Argument Proofs - Uncorrected & corrected

Box 23

Genesis Version - Paste-up & uncorrected proofs

Box 23

Hebron Icons - Proofs uncorrected & corrected

Box 24, Folder 1

Hebron Icons - Engraving blocks, corrected proofs

Box 24, Folder 2

1 complete proof copy of book - Type & illustrations

Box 24, Folder 3

Jacket: Text, corrections & printing instructions

Box 24, Folder 4

Faber & Faber Press release: Typescript & uncorrected galley proof

Box 24, Folder 5

Yoseloff reprint 1958: Paper correspondence & samples

Box 24, Folder 6

Yoseloff reprint 1958: Production correspondence, printing

Box 24, Folder 7

Yoseloff reprint 1958: Preliminary material proofs

Box 27

Correspondence: Graves, Metcalf

Box 27

Genesis Version: Typescript with compositors' instructions

Box 27

Summary: English & French copies (corrected & uncorrected)

Box 27

Yoseloff reprint: Correspondence & Clowes estimate

Box 5

Genesis: 2 sets galley proofs - corrected

Box 5

Jacket: Layout proofs & finished samples & 1958 reprint proofs

Box 24, Folder 8

1 complete corrected proof copy & book cover proof - Trianon Press 1955 May 2

Box 460, Folder 5

Engraving block

 

The infant with the globe I-H-2 1955

Physical Description: 4 boxes

Publication Information

Text by Pedro Antonio de Alarcón, translated by Robert Graves. Trianon Press.
Box 24, Folder 9

Production notes & correspondence (Clowes)

Box 24, Folder 10

Paper samples & correspondence & calculations

Box 24, Folder 11

Type estimates, samples

Box 24, Folder 12

Preliminary pages text: Typescript, proofs, layouts (5)

Box 24, Folder 13

1945 edition Spanish text: Robert Grave's copy

Box 24, Folder 14

Proof copy with out corrections

Box 24, Folder 15

Jacket text proofs with corrections & production

Box 24, Folder 16

Publicity: Robert Graves text, typescript

Box 27

Introduction: Notes, corrected typescript & copies

Box 27

Jacket Illustration (Goya print): Photo & proof

Box 27

Reviews (press clippings)

Box 26

Text proofs with illustrations

Physical Description: 3 sets
Box 5

Jacket layouts, proofs with corrections, finished sheets

 

Abram Brown I-H-3 1955

Physical Description: 5 boxes

Publication Information

Text by Richard Phibbs, illustrations by Philippe Jullian. Trianon Press.
Box 25

Correspondence: Richard Phibbs

Box 25

Correspondence: Phillipe Jullian (Illustrator)

Box 25

Correspondence: Other Illustrators

Box 25

Paper: Estimates, samples, correspondence

Box 25

2 bulking dummies (paper samples - no text)

Box 25

Production notes & estimates: Trianon

Box 25

Production notes & specimen pages: Wm. Clowes

Box 25

Text typescript

Physical Description: 2 copies
Box 25

Preliminary pages: Typescript, proofs with & without corrections

Box 25

Illustrations: Placement layouts (pencil)

Box 25

Illustrations: Full page sketches & proofs

Box 25

Illustrations: Small page proofs (book & jacket)

Box 25

2 proof copies, one with corrections

Box 25

Jacket typescript & proofs with corrections

Box 25

Jacket lettering samples: Front & spine with color trials

Box 25

Publicity: English & French typescripts, publisher releases

Box 27

Correspondence: Richard Phibbs lawsuit

Box 27

Correspondence: Wainwright & Pollock, O'Bryen - Taylor & Co.

Box 27

Jacket Illustration: Background & pochoir trials

Box 27

Jacket: Guides & Stencils (incomplete set)

Box 26

Text: Proofs with corrections

Physical Description: 4 sets
Box 26

Text: Proofs with illustrations

Physical Description: 2 sets
Box 26

Uncorrected text proofs

Physical Description: 3 incomplete sets
Box 5

Partial page (small) illustrations - proof sheets, box with corrections

Box 5

Ink Trials (3 colors - 2 sheets per color)

Box 5

Full sheet cutting guide

Scope and Contents

Includes jacket, Songs of Innocence cards and illustrations
Box 5

Jacket: Layouts, paste-ups, prelim. sketches, etc.

Box 5

Jacket: Pochoir color trials

Box 5

Jacket, finished

Physical Description: 2 copies
Box 27

5 bound books - 2 with jackets & bands, 3 with jackets only

Box 362, Folder 1

Blank dummy, turn-out sample, price adjustment note

 

The white lady of the Brandberg I-I-1 1955

Physical Description: 6 boxes

Scope and Contents

Authored by Abbé Henri Breuil. Part of Rock Paintings of Southern Africa series.

Project History

Participants: Breuil, Boyle, Scherz, Tallents
Work published: 1955
Distributors: Faber & Faber, Ltd.
Number of editions: 1
Size of editions: 2,187 copies
Prospectus information: "2,075 copies, the plates of which are printed on Aussedat rag content paper, are published by the Trianon Press, Chateau de Boissia, Clairvaux, Jura, France, and distributed by Faber & Faber Ltd. 24 Russell Square, London, W.C.1. 100 copies signed by the Abbé Breuil and numbered 1 to 100, printed on pure rag paper made entirely by hand at the Moulin du Val de Laga, Auvergne, are published by the Trianon Press and distributed by Faber & Faber Ltd. 12 copies numbered A to L, printed on pure rag paper…. These are signed by the Abbé Breuil and are reserved for distribution by him. The text includes chapters on the date and rave of these remarkable and beautiful figures, on the Mediterranean and other foreign influences and on the Abbé's methods of copying rock paintings. His magnificent colour drawings, with each plate documented by photographs, are reproduced in facsimile by collotype and stencil process. There is a frontispiece and 22 plates in colour-collotype and stencil, a panorama of the whole frieze and 33 photographs reproduced in collotype."
Box 470, Folder 1

Handwritten manuscript pages, notes, and clippings

Box 470, Folder 2

Partial typescript and notes

Box 470, Folder 3

Corrected typescript

Box 470, Folder 4

Prospectus paste-ups, corrected proofs, typescripts

Box 470, Folder 5

Correspondence: Scherz, Hawkes, German edition 1953-1959

Box 470, Folder 6

Paper samples, notes, invoices

Box 442

Title page design and samples

Box 470, Folder 7

Clippings, publicity, sales

Box 442

Reviews and clippings

Box 470, Folder 8

Production invoices and financial notes 1953-1955

Box 470, Folder 9

First typescript

Box 470, Folder 10

Manuscript and typescript

Box 470, Folder 11

Typescript and manuscript

Box 470, Folder 12

Corrected proofs and typescript: Illustrations

Box 470, Folder 13

Reissue correspondence and invoices 1966-1967

Box 442

Paste-ups, corrected proofs, designs

Box 442

Proofs, typescripts, correspondence, board sample

Box 442

Newspaper clippings concerning Abbe Breuil

Box 231

Proofs

Box 218

Dummies, uncorrected proofs

Box 362, Folder 2

Jacket and paratext manuscript, copy, proofs

Box 362, Folder 3

Reissue correspondence, notes, photographs

Box 167

Page paste-ups and collotype proofs, cut and uncut pages

Scope and Contents

frontispiece, panorama, and other pages
Box 167

Jacket mock up, title lettering samples and proofs

 

Illustrations to the Bible I-J-1 1957

Physical Description: 7 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Participants: Keynes, Goyder
Work published: October 21, 1957
Distributors: William Collins Sons & Co. Ltd. (London)
Number of editions: 1
Size of editions: 506 copies
Prospectus information: "26 copies numbered A to Z reserved for the Trustees of the William Blake Trust and the Publishers. 230 copies numbered 1 to 230 for the United Kingdom, distributed by William Collins Sons & Co. Ltd., 14 St. James Place, London, S.W.1. 230 copies numbered I231 to 460 for the United States. 20 copies numbered I to XX (ten each for the United Kingdom and the United States) each containing proof states of the lithograph from Blake's 'Virgin and Child'. The size of the book is 22 x 16 inches. It contains 156 monochrome collotype reproductions, printed on Arches pure rag paper, facing relevant catalogue entries for easy reference…. There are nine plates reproduced in full colour in the size of the originals. The frontispiece is an original lithograph by Mourlot, Paris, from twelve stones, with four shades added by hand through stencils; one plate has been reproduced in collotype and stencil by Jacomet, Paris, and the remainder in colour collotype by Emery Walker Ltd., London…. There is an introductory text by Sir Geoffrey Keynes and Mr. George Goyder. The letterpress is set by hand in 18 point Centaur roman and Arrighi italic, with a two-color title page. Copies 1 to 460 are bound in quarter black niger morocco with hand-marbled paper sides and vellum tips, and gold titling on the spine. Copies numbered I to XX are bound in full black niger morocco, with gold titling on the spine and front, and are presented in a de luxe, leather-backed case made by hand by Adine, Paris."
Box 432

Correspondence: Lenders & illustration donors 1956-1958

Box 432

Correspondence: Binders 1956-1958

Box 432

Correspondence: Collotype, Emery Walker Ltd. 1957

Box 432

Correspondence: Printers 1954, 1956-1957

Box 432

Text: "Prelims" & "Catalogue" - Typescript with printer's instructions

Box 432

Text: "Catalogue & reproductions" - Typescripts with corrections, revisions

Box 432

Design: Layout tracings, type samples & color circle sample

Box 432

Design: Layout maquettes

Box 432

Design: Illustration layouts

Box 432

Design: Page layouts, paper calculations, list of titles to plates

Box 432

Frontispiece lithograph proofs with notes

Box 432

Frontispiece, photograph with trace paper corrections

Box 432

Binding: Cloth samples 1956

Box 432

Binding: Leather samples 1956

Box 432

Printing: Paper portfolio 1955-1956

Box 432

Prospectus: Printed copies with corrections & order form proofs with corrections 1957

Box 432

Prospectus & Order Forms, Correspondence: Spottiswoode Ballantyne 1957

Box 432

Prospectus & Order Forms, typescript with corrections

Box 432

Prospectus, Finished copies 1957

Box 234, Folder 1

Introduction typescript & drafts with corrections 1956

Box 234, Folder 2

Introduction & Illustrations design layouts

Box 234, Folder 3

Prospectus: Preliminary layouts 1957

Box 234, Folder 4

Illustration: Reduction templates, plates 1-94

Box 234, Folder 5

Illustration: Reduction templates, plates 95-174

Box 433

Prelims, Title page: Corrected proofs

Box 433

Introduction: Corrected proofs

Box 433

Text: Corrected proofs, plates 1-147 (1st revision)

Box 433

Text: Corrected proofs, plates 1-175

Box 433

Text: Final corrected proofs

Box 433

Text: Corrected proofs

Box 434

Text: Paste-up & design

Box 434

Spare Text set

Box 434

Illustrations: Layout paste-up pages

Box 434

Illustrations: Cutting guides & binding indicators

Box 434

Text: Gallery proofs with corrections

Box 435

Box & book maquettes with loose plates

Box 70, Box 480

Glass plate negatives

 

Philipp Cave I-K-1 1957

Physical Description: 6 boxes

Publication Information

Authored by Abbé Henri Breuil. Part of Rock Paintings of Southern Africa series.

Project History

Work published: November 1957
Distributors: William Collins (London)
Number of editions: 2 ("Ordinary" and "De luxe")
Size of editions: 1,330 copies
Publication date of editions: November 1957
Prospectus information: "1,200 unnumbered copies. 110 copies, numbered 1 to 110, printed on Arches pure rag, mould-made paper and signed by the Abbé Breuil. 20 copies, numbered A to T, printed on Arches pure rag, mould-made paper and signed by the Abbé Breuil. These are reserved for the Abbé Breuil and the Publishers. The Abbe's original copies are reproduced in 31 plates by color collotype and stencil; 30 photographs, documenting his copies, are reproduced in monochrome collotype (including one double page) and one, the frontispiece, is in colour collotype. The ordinary edition is bound in cloth, the numbered copies in quarter niger morocco. Size: 11 x 14 ½ in."
Box 460, Folder 6

Instructions to printers

Box 460, Folder 7

Binding specifications and costs

Box 460, Folder 8

Distributions notes

Box 460, Folder 9

Correspondence

Box 460, Folder 10

Papers specifications and samples

Box 460, Folder 11

Photographs

Box 5

Breuil Tracings

Box 459

Discarded layouts

Box 459

Corrected galleys, paste-up

Box 459

Illustration Maquette, and notes for English edition

Box 188

Glass negatives (5x7)

Box 69

Glass negative (7x10)

Box 70

Glass negative (12x16) and prints

 

The Fitzwilliam Museum I-L-1 1958

Physical Description: 14 boxes

Publication Information

Introduction and notes by Carl Winter. Trianon Press.

Project History

Participants: Arnold Fawcus, Carl Winter (dir. of museum), J.W. Goodison (asst. dir), Kenneth Knowles, L.A. Holder, Mrs. Page, M.E.D. Laing
Work published: November 3, 1958
Distributors: William Collins Sons & Co. Ltd. (London)
Number of editions: 1
Size of editions: 1,526 copies
Prospectus information: "26 copies numbered A to Z, reserved for Mr. Guy Knowles, M.A., the Fitzwilliam Museum, and the Publishers. 1,500 copies numbered 1 to 1,500. The size of the book is 12 ¼ x 9 ¼ inches. It contains a frontispiece and 101 monochrome collotype illustrations on 95 pages; and six colour plates, reproduced by collotype and stencil. The plates were printed in Paris, on rag paper supplied by Arches. The descriptive notes face each plate for easy reference, and the letterpress is set in Monotype Caslon Old Face, with two-color title page. Full buckram binding. This publication has been made possible by the generosity of a private benefactor, and has been produced on a completely non-profit basis."

Production Information

Paper Supplier, Description & Use: Grovenor Chater, paper for descriptive text; Arches-Marais, rag paper for illustrations
Type Supplier, Description & Use: Spottiswood. Monotype Caslon Old Face, 18 pt., 14pt. 12pt. Two color title page
Collotype Supplier, Description & Use: Spottiswood. 96 Monochrome plates, 1 plate printed per page in 12 forms; 6 Colour plates (pl.6, pl. 27, pl. 32, pl. 35, pl. 74 & pl. 104)
Photography Supplier: Mr. Kensworthy
Binding Supplier, Description & Use: Mansell. Buckram, gold spine text & crest on the cover, page size 12 1/4"x 9 1/4"
Box 443

Correspondence

Box 443

Correspondence 1955-1957

Box 443

Correspondence: Gay F. Knowles 1955-1960

Box 443

Correspondence: Spottiswoode Ballantyne (printer) 1957-1958

Box 443

Correspondence: Binding 1965, 1972

Box 443

Correspondence: Grosvenor Chater (paper) 1958 January-June

Box 443

Production: Calculations & Estimates, notes

Box 443

Production: Overall project estimates 1955-1956

Box 443

Production: Miscellaneous notes

Box 443

Retired Productions: Paper calculations

Box 443

Retired Productions: Illust. color samples

Box 443

Retired Productions: Layout notes

Box 443

Illustration: Postcard replicas

Box 443

Illustration: Annotated proofs, cut to size, Forms I-IV

Box 443

Typeface proofs

Box 443

Jacket, Galley proofs

Box 443

Title page, Coat of Arms proofs

Box 443

Text: Typescript prelims 1958 January

Box 443

Text: Typescript for half titles

Box 443

Text: Typescript for plates, incomplete set

Box 443

Text: Typescript index, marked for printer

Box 443

Text: Typescript p.1-100, by Carl Winter

Box 443

Text: Typescript with corrections

Box 443

Text: Typescript with corrections

Box 460, Folder 12

Production notes and correspondence

Box 444

Contract 1960 February

Box 444

Paper Samples (Arches/Grosvenor Chater/John A. Kidd & Son)

Box 444

Production: List of proposed plates 1956 March

Box 444

Production: List of plates 1957 February

Box 444

Production: List of object dimensions

Box 444

Production: Text corrections, composition & layout, 1957 June-July

Box 444

Production: Notes (plate size, margins, text size etc.)

Box 444

Production: Plate numbering (notes, lists of plates & paste-up illustrations)

Box 444

Retired production: Notes 1958 January-June

Box 444

Illustration: Paste-ups, Form I

Box 444

Illustration: Paste-ups, Form II

Box 444

Illustration: Paste-ups, Form III

Box 444

Illustration: Paste-ups, Form IV

Box 444

Illustration: Paste-ups, Form V

Box 444

Illustration: Paste-ups, Form VI

Box 444

Illustration: Paste-ups, Form VII

Box 444

Illustration: Paste-ups, Form VIII

Box 444

Illustration: Paste-ups, Form IX

Box 444

Illustration: Paste-ups, Form X

Box 444

Illustration: Paste-ups, Form XI

Box 445

Illustration: Paste-up of coins & miniature portraits

Box 445

Illustration: Paste-ups, b/w copies of color plates

Box 445

Illustration: Paste-ups, other

Box 445

Illustration: Paste-ups, rejected copies

Box 445

Illustration: Paste-ups, deleted images

Box 445

Illustration: Collotype proofs

Box 445

Illustration: Color proofs

Box 445

Illustration: Rejected color plates

Box 445

Text: Layouts with illustrations & typescripts

Box 445

Text: Layouts, paste-ups

Box 445

Text: Galley proofs of "Intro" with corrections 1957 August

Box 445

Text: Galley proofs with corrections (Trianon Press set)

Box 445

Text: Galley proofs with corrections 1957 August

Box 445

Text: Title page proofs

Box 445

Text: Trials, specimens pages

Box 445

Jacket: Typescript & Galley proofs

Box 445

Prospectus: Typescript & order form with corrections 1958 March

Box 445

Prospectus: First proof with corrections & revised proof with layout 1958 April

Box 445

Prospectus

Physical Description: 3 copies
Box 445

Prospectus: Plate inserts

Box 446

Production: Plate sizes & margins, list of plates

Box 446

Illustrations: Collotype proofs, Forms I-V

Box 446

Illustrations: Collotype proofs, Forms VI-XIa

Box 446

Illustrations: Collotype proofs, Forms I-VI

Box 446

Illustrations: Collotype proofs, Forms VII-XIb

Box 447

Illustrations: Cutting guides & layout maquettes

Box 447

Illustrations: Miscellaneous collotype proofs with annotations

Box 447

Illustrations: Color plate proofs in b/w

Box 447

Illustrations: Color plates, plate 6, 27, 32 & 35

Box 447

Illustrations: Photo paste-ups (oversize pages of coins & miniature portraits)

Box 447

Text: Plate description proofs, pl 65-108 1958 January

Box 447

Text design: Prelim & Intro proofs with corrections 1957 December - 1958 March

Box 447

Text design: Title page proofs with corrections 1958 August

Box 447

Text: Cutting set proofs 1957 August-December

Box 448

Text: First revision proof for Intro, uncorrected 1958 March

Box 448

Text: Plate title proofs, uncorrected, set I 1958 March

Box 448

Text: Plate title proofs, uncorrected, set II 1958 March

Box 448

Text: Corrected proofs, 2nd revision

Box 448

Text: Corrected index proofs, by Carl Winter 1958 July-August

Box 448

Text: Corrected proofs, Final set 1958 June

Box 449

Text: Corrected proofs, early set (2) 1958 January-March

Box 449

Text: Corrected proofs, (Trianon Press set) 1958 March

Box 450

Photographs: Frontispiece

Box 450

Photographs: Frontispiece (c.2)

Box 450

Photographs: Frontispiece, unused

Box 450

Photographs: Porphyry Vase, plate 1

Box 450

Photographs: Chert Limestone Vase, plate 2

Box 450

Photographs: Diorite Bowl, plate 3

Box 450

Photographs: Head of King, plate 4

Box 450

Photographs: Head of Amenemhat III, plate 5

Box 450

Photographs: Ibis, plate 7

Box 450

Photographs: Bull of Memphis, plate 8

Box 450

Photographs: A King about to pour a liberation, plate 9

Box 450

Photographs: Hydria, plate 10

Box 450

Photographs: Silver coins, plate 11

Box 450

Photographs: Tinia & Uni, plate 12

Box 450

Photographs: Head of Goddess, plate 13

Box 450

Photographs: Glass Vase, plate 14

Box 450

Photographs: Ritual wine vessel, plate 15

Box 450

Photographs: Stoneware vase, plate 16

Box 450

Photographs: Porcelain vase, plate 17

Box 450

Photographs: Horse, plate 18

Box 450

Photographs: Buffalo, plate 19

Box 450

Photographs: Porcelain wine jar, plate 20

Box 450

Photographs: Porcelain dish & bowl, plate 21

Box 450

Photographs: Episode from a parody of the Chushingura, plate 22

Box 450

Photographs: Hawk, plate 23

Box 450

Photographs: Mosque lamp, plate 24

Box 450

Photographs: Illustration from the Dastan I-amir Hamzah, plate 25

Box 450

Photographs: Faience jug, plate 26

Box 450

Photographs: Knotted wool carpet (b/w), plate 27

Box 450

Photographs: Carved ivory panel, plate 28

Box 450

Photographs: Manuscript illumination from a Psalter, plate 29

Box 450

Photographs: Manuscript illumination, plate 30

Box 450

Photographs: Manuscript illumination from Metz Pontifical, plate 31

Box 450

Photographs: St. Ambrose, St. Michael, St. Augustine, plate 33

Box 450

Photographs: The Virgin & Child with adoring angel, plate 34

Box 450

Photographs: A Miracle of St. Zenobius, plate 36

Box 450

Photographs: Venonice, plate 37

Box 450

Photographs: Silver processional cross (2), plate 38

Box 450

Photographs: Visored sallet and bevor, plate 39

Box 451

Photographs: Anne of Brittany, plate 40a

Box 451

Photographs: Louis XII, King of France, plate 40b

Box 451

Photographs: Manuscript of illum., plate 41

Box 451

Photographs: Goat, plate 42

Box 451

Photographs: Maiolica portrait bust, plate 43

Box 451

Photographs: Maiolica dish, plate 44

Box 451

Photographs: Seated woman, plate 45

Box 451

Photographs: St. Lanfranc of Pavia, plate 46

Box 451

Photographs: Venus & Cupid, plate 47

Box 451

Photographs: Virgin & Child, plate 48

Box 451

Photographs: Embossed Casque, plate 49

Box 451

Photographs: Study for a figure of Christ, plate 50

Box 451

Photographs: Bacchus, plate 51

Box 451

Photographs: Venus & Cupid with a lute player, plate 52

Box 451

Photographs: Tarquin & Lucretia, plate 53

Box 451

Photographs: Hermes, Herse & Aglauros, plate 54

Box 451

Photographs: The adoration of the shepherds, plate 55

Box 451

Photographs: The Betrayal of Christ, plate 56

Box 451

Photographs: Landscapes with St. John baptizing, plate 57

Box 451

Photographs: Ecce Homo, plate 58

Box 451

Photographs: The Holy Family, plate 59

Box 451

Photographs: Music manuscript, plate 62

Box 451

Photographs: The back of a nude man, plate 63

Box 451

Photographs: The path bordered by trees, plate 64

Box 451

Photographs: Portrait of Lucas Vorsterman, plate 65

Box 451

Photographs: A man in military costume, plate 66

Box 451

Photographs: Portrait of a man, plate 67

Box 451

Photographs: Woodland landscape, plate 68

Box 451

Photographs: The Groote Kerk at Haarlem, plate 69

Box 451

Photographs: Portrait of a lady, plate 71

Box 451

Photographs: The Drayton house clock, plate 73

Box 451

Photographs: Man on crutches (b/w), plate 74

Box 451

Photographs: Glory, plate 75

Box 451

Photographs: A pew group, plate 76

Box 451

Photographs: Portrait of George Arnold, plate 77

Box 451

Photographs: The angry harlequin, plate 78

Box 451

Photographs: The entrance to the Grand Canal, Venice, plate 79

Box 452

Photographs: A woman of Venice, plate 80

Box 452

Photographs: Head of youth, plate 81

Box 452

Photographs: Porcelain teapot, plate 82

Box 452

Photographs: Porcelain bowl & cover, plate 83

Box 452

Photographs: Commode, plate 84

Box 452

Photographs: Princess Amelia, plate 85

Box 452

Photographs: Portrait of Heneage Lloyd & his sister, plate 86

Box 452

Photographs: The maypole dancers, plate 87

Box 452

Photographs: Two river nymphs, plate 88

Box 452

Photographs: Oceanus, plate 89

Box 452

Photographs: Apollo & the seasons, plate 90

Box 452

Photographs: Landscape with a dark hill, plate 91

Box 452

Photographs: The Villa D'este, plate 92

Box 452

Photographs: Great white-crested cockatoo, plate 93

Box 452

Photographs: The reader, plate 94

Box 452

Photographs: The Braddyll family, plate 95

Box 452

Photographs: William Glendonwyn, plate 96

Box 452

Photographs: Dolgelly, North Wales, plate 97

Box 452

Photographs: Yorkshire Fells, plate 98

Box 452

Photographs: Mr. & Mrs. Joseph Woodhead, plate 99

Box 452

Photographs: Hampstead Heath, plate 100

Box 452

Photographs: John Keats, plate 101

Box 452

Photographs: Ode to the nightingale, plate 102

Box 452

Photographs: Le Coup de Vent, plate 103

Box 452

Photographs: Garden at Pontoise, plate 104

Box 452

Photographs: La Rue St. Vincent, Montmartre, Printemps, plate 105

Box 452

Photographs: Portrait of Sir William Nicholson, plate 107

Box 452

Photographs: Rejected plates, "Fragments of a gold secular cup"

Box 452

Photographs: Rejected plates, "Fisherman with net, Nelsson porcelain figurine"

Box 452

Photographs: Rejected plates, "Mummy case of Chief Priest of Karnak"

Box 452

Photographs: Rejected plates, Monet "Le printemps"

Box 452

Photographs: Rejected plates, Turner "On the Usk"

Box 452

Photographs: Rejected plates, Turner "Watercolor landscape sketch"

Box 452

Photographs: Rejected plates, (dancing couple, porcelain figurines)

Box 452

Photographs: Rejected plates, (Angel holding a candlestick)

Box 95

Photographs: Miniature portraits, Lucy Harrington, Countess of Bedford

Box 95

Photographs: Rejected plate, "Faversham broach"

Box 95

Photographs: Rejected plate, "Illustrations from the Hamza-Nama"

Box 95

Photographs: Rejected plate, "Panel of cloth of gold & velvet"

Box 95

Photographs: Rejected plate, "3 Maries at the tomb", ivory

Box 63

Photographs: A Coat of Arms

Box 63

Photographs: Ibis

Box 63

Photographs: Miniature portraits: Miss Francess Brook & Lucius Carey

Box 63

Photographs: Miniature portraits: Henry VIII & Henry Frederick, Prince of Wales

Box 63

Photographs: Miniature portraits: Sir Edward Nicholas & unknown man

Box 63

Photographs: Miniature portraits of men by N. Hilliard

Box 63

Photographs: Miniature portraits of unknown women

Box 478

Line block, Fitzwilliam Coat of Arms, (2x2)

Box 245

Guides, stencils, proofs: Egypt

Box 245

Guides, stencils, proofs: Degas

Box 245

Guides, stencils, proofs

Box 245

Guides, stencils, proofs: Tapis

Box 246

Miscellaneous overs

Box 480

Glass plate negatives

 

The book of Urizen I-M-1 1958

Physical Description: 9 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Work published: October 13, 1958
Distributors: Collins
Number of editions: 1
Size of editions: 526 copies
Prospectus information: "26 copies numbered A to Z reserved for the Trustees of the William Blake Trust and the Publishers. 20 copies numbered I to XX (ten each for the United Kingdom and United States), each containing a set of hand-coloured plates showing progressive stages, collotype proofs, and an original guide sheet and stencil. Bound in full niger morocco, with a leather-edged slip-case. 240 copies numbered 1 to 240 for the United Kingdom, bound in quarter niger morocco and hand-marbled paper, with a matching slipcase. 240 copies numbered 241 to 480 reserved for the United States. The books contains 27 plates, printed on an Arches pure rag paper especially made to match that used by Blake and watermarked on each page with his monogram. There is a bibliographic statement by Sir Geoffrey Keynes. Size: 9 ¼ x 11 3/8 inches."
Box 33

Estimates: Incoming

Box 33

Estimates: Outgoing

Box 33

Export figures & records

Box 33

Paper calculations, watermark & cutting guides

Box 33

Page layouts & printing information

Box 33

Text paste-ups, corrections & proofs

Box 33

Text samples (3 sets)

Box 33

Prospectus correspondence & paste-ups

Box 33

Prospectus (U.S.) corrections & proofs

Box 33

Prospectus (UK) corrections & proofs

Box 33

Prospectus filler & order forms proofs

Box 33

Prospectus samples with fillers

Physical Description: 2 sets
Box 33

Offset color separations, samples & correspondence

Box 33

Publicity & reviews

Box 33

Exhibition plates & information

Box 33

Slipcase

Box 34

Collotype Decompositions - 2 sets (msg plate 25 base print)

Box 34

Color progressives plate 11

Box 34

Color progressives plate 12

Box 34

Color progressives plate 15

Box 34

Color progressives plate 25

Box 35

Guides & stencils plate 1

Box 35

Guides & stencils plate 2

Box 35

Guides & stencils plate 9

Box 35

Guides & stencils plate 10

Box 35

Guides & stencils plate 11

Box 36

Guides & stencils plate 13

Box 36

Guides & stencils plate 15

Box 36

Guides & stencils plate 16

Box 36

Guides & stencils plate 19

Box 36

Guides & stencils plate 21

Box 37

Guides & stencils plate 22

Box 37

Guides & stencils plate 23

Box 37

Guides & stencils plate 24

Box 37

Guides & stencils plate 27

Box 34

Miscellaneous colored sheets (Full & partial color)

Box 34

Cutting guides

Box 38

Maquettes

Physical Description: 3 items
Box 38

Book box sample: Deluxe edition

Box 199

Collotype: Layouts, corrected proofs, trials, imposition of black

Box 70

Collotype negatives, retouched for 3 colors

Box 40

1 Form trial, 2 colors - on back "Fitzwilliam" blue trial (manuscript Roll & carpet)

 

Visions of the daughters of Albion I-N-1 1959

Physical Description: 4 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Participants: Arnold Fawcus, Geoffrey Keynes, Mary Laing, Lord Cunliffe, New York Graphic Society, Blake Trust, George Goyer, Oxford University Press (Offset edition possibly in 1977)
Work published: 1959
Distributors: Colins (London), New York Graphic Society (USA). Offset edition unknown.
Number of editions: Possibly 2
Size of editions: First - 446 copies
Publication date of editions: First - 1959
Prospectus information: "...The eleven plates are accompanied by an explanatory text by Sir Geoffrey Keynes. Size: 10 1/4 x 14 1/4 inches. The edition is limited to 446 copies made up as follows: 26 copies numbered 1 to 200 for the United Kingdom, Bound in quarter niger morocco with Cockrell paper sides and a slip case. 200 copies numbered 201 to 400 for the United States. 20 copies numbered I to XX for the United Kingdom and the United States, each containing a set of hand-colored pages showIng progressive stages in the colouring of a single plate, collotype proofs and an original guide sheet and stencil; bound in full niger morocco with a slip case."
Colophon information: "The publication of this facsimile of Blake's VISIONS OF THE DAUGHTERS OF ALBION was made possible by the generosity of Lord Cunliffe, who lent the original volume. The edition consists of 446 copies, printed on Arches pure rag paper made to match that used by Blake. Each page is watermarked with Blake's monogram. 20 copies numbered I to XX, each containing a set of hand-coloured plates showing progressive stages, colour collotype proofs and an original guide sheet and stencil. 200 copies numbered 1 to 200 for the United Kingdom, distributed by William Collins Sons & Co. Ltd., 14 St. James's Place, London S.W.I. 200 Copies numbered 201 to 400 for the United States, distributed by the New York Graphic Society, Greenwich, Connecticut. 26 copies numbered A to Z are reserved for Lord Cunliffe, the Trustees of the Blake Trust and the Publishers. The illluminated pages were reproduced in Paris by Trianon Press (France) in the workshops of Messrs. Hourdebaigt and Crampe by collotype and stencil process. The editorial matter was printed by the Imprimerie Desgrandchamps, Paris. Binding by Mansell (Bookbinders) Ltd., London. The book was produced and published, under the supervision of Mr. Arnold Fawcus, by the Trianon Press, Chateau de Boissia, Clairvaux, Jura, France."

Production Information

Paper Supplier, Description & Use: Chenot. Arches, pure rag paper with "WB" watermark - page size = 14 3/16 x 10 3/16" 24 pages.
Type Supplier, Description & Use: Imprimerie Desgrandchamps, Paris. Typesetting and printing. Printed in France due to UK printers strike.
Collotype Supplier: Hourdebaigt and Crampe
Pochoir Supplier: Crampe
Photography Supplier: Francois Freres, Houdebaight and Crampe, Victor Michel (Offset colors)
Binding Supplier, Description & Use: Mansell Ltd., London. 24 pages sewn in section - pg. size 14 3/16 x 10 3/16"; Ordinary edition - Preliminary pages comes directly after the text. Deluxe edition - Progressives follow the colophon without blank sheet. Collotype is the first page of progressives which are mounted on white pages that are guarded into the book. The Stencil is attached to the back board with 4 transparent corners
Box Supplier, Description & Use: Adine. 450 boxes
Prospectus Variations & Description: Illustration in center of folded sheet - Illustration is folded in half. The type is on the front and back of the folded sheet. Approx. 2600 printed 6/1960
Box 86, Folder 1

Correspondence

Box 86, Folder 2

Text manuscripts with printing information

Box 86, Folder 3

Text proofs with corrections

Box 86, Folder 4

Offset edition: Production notes

Box 86, Folder 5

Offset edition: Typescript

Box 100

Text paste-ups with corrections

Box 100

Text pages (2 samples)

Box 100

Maquette (size & layout)

Box 100

Prospectus (English): Manuscript, proofs with corrections & sample

Box 100

Prospectus (U.S.): Manuscript, proofs with corrections & sample

Box 100

Collotype & Color Decomps, plate 7 "Frontispiece" - incomplete

Box 100

Collotype & Color Decomps, plate 8, plate 11 - incomplete

Box 100

Cutting instruction sheets

Box 100

Offset edition: Proof sheet

Box 100

Plate 2: Guides

Box 100

Plate 2: Stencils

Box 100

Plate 3: Guides

Box 100

Plate 3: Stencils

Box 101

Plate 4: Guides

Box 101

Plate 4: Stencils

Box 101

Plate 5: Guides

Box 101

Plate 5: Stencils

Box 101

Plate 6: Guides

Box 101

Plate 6: Stencils

Box 101

Plate 7: Guides

Box 101

Plate 7: Stencils

Box 101

Plate 8: Guides

Box 101

Plate 8: Stencils

Box 101

Plate 9: Guides

Box 101

Plate 9: Stencils

Box 101

Plate 10: Guides

Box 101

Plate 10: Stencils

Box 101

Plate 11: Guides

Box 101

Plate 11: Stencils

Box 69

3 glass plate negatives

 

The Tsisab Ravine and other Brandberg sites I-O-1 1959

Physical Description: 8 boxes

Publication Information

Authored by Abbé Henri Breuil. Part of Rock Paintings of Southern Africa series.

Project History

Participants: Breuil, Boyle, Scherz, Strey
Work published: 1959
Distributors: Collins
Number of editions: 1
Size of editions: 1,146 copies
Prospectus information: "1,000 unnumbered copies, bound in cloth. 30 copies, numbered I to XXX, printed on pure rag paper made by hand at the Moulin du Val de Laga, Auvergne, and signed by the Abbé Breuil; full leather binding. 90 copies, numbered 1 to 90, printed on Arches pure rag mould-made paper and signed by the Abbé Breuil; quarter leather binding. 26 copies, numbered A to Z, signed by the Abbé Breuil, and reserved for the Calouste Gulbenkian Foundation, the Abbé Breuil and the Trianon Press …The Abbé's colour copies are reproduced by the collotype and hand-stencil process in 77 plates, including one double page, and are documented by 50 photographs reproduced in monochrome collotype, including two double page montages. The volume contains introductory and topographical material, as well as a detailed description of the plates; size, imperial quarto. In recent years expeditions have been made into the upper and western reaches of the Brandenberg, resulting in the discovery of a number of painted rock sites, some of them extremely important. These are described in a separate chapter, and reproductions of 39 photographs and copies of paintings are included."
Box 223

Maps: Originals and correspondence

Box 223

Prospectus: Typescript, design, notes

Box 223

Paste-ups of text and illustrations, with spare prints and proofs

Box 223

Collotype proofs

Box 223

Jacket paste-ups and proofs, with sample case binding

Box 229

Paste-ups and designs

Box 231

Proofs, spare prints

Box 232

Guides and stencils: Plates 1-74

Box 235

Bon à tirer sheets

Box 240

Extra plates, some marked for pochoir

Box 240

Complete set of deluxe plates

Box 240

Design plans and paste-ups: JBS copy

Box 240

Frontispiece design and paste-ups with extra photographs

Box 459

Bound copy

Box 460, Folder 13

Introduction: Typescripts with corrections

Box 460, Folder 14

Costs and stock notes

Box 460, Folder 15

Correspondence: Fawcus, Robins, Shearer

Box 460, Folder 16

Notes - Breuil; Translations - Boyle

Box 460, Folder 17

Estimates

Box 480

Glass plate negatives, contact prints

 

Sur Marcel Duchamp I-P-1 1959

Physical Description: 27 boxes

Publication Information

Text by Robert Lebel. Limited edition by Trianon Press. Also English, French, American and German trade editions published after 1959.

Project History

Participants: Duchamp, Lebel
Work published: 1958
Distributors: Trianon (London, Paris); Grove Press (NY)
Number of editions: 2
Size of editions: First (French only) 131 copies; Second (English and French editions) unknown
Publication date of editions: First: November 12, 1958
Prospectus information: First: "10 copies numbered I to X, with the text printed on Arches Grand Velin rag paper: each containing a 'self-profile' of Duchamp, signed Marcel dechiravit; and a hand-colored copy by Duchamp of the 'Large Glass', signed Marcel dechiravit; together with a stencil used in making the Frontispiece; 110 copies numbered 1 to 110, printed on Arches-Marais Crèvecoeur rag paper: each containing the 'self-profile' of Duchamp, signed Marcel dechiravit; and a collotype and stencil facsimile of his copy of the 'Large Glass'; 11 copies numbered A to M, hors commerce, reserved for the Artist, the Author and the Publishers."
Size: 12 1/4 x 9 1/4 in. 192 pages.
Plates: Color frontispiece; 'Moulin à Café' (reproduced by collotype and hand-stencil process). Six plates in color. In monochrome gravure: 129 reproductions of Duchamp's work, and 50 personal photographs. In collotype and stencil: 5 drawings.
Text: A study of Duchamp's life and work by Robert Lebel, in 7 chapters, with an appendix on his humor. Catalogue raisonné, bibliography and index. Appendices: Le Processus Creatíf by Marcel Duchamp; Phare de la Mariée by André Breton; Souvenirs de Marcel Duchamp by H.P. Roché.
Presentation: In a hand-made box by Adine, Paris, covered in canvas and lined with reproductions of a montage by Duchamp from the 'Green Box', especially made for this book.
Box 48, Folder 1

Correspondence: M. Duchamp 1955-1958

Scope and Contents

Correspondence from, to, and about Duchamp. Includes playing cards drawn by Duchamp and sent to Arnold Fawcus, in a letter dated March 20, 1958.
Box 48, Folder 2

Correspondence: M. Duchamp 1958 November 6 -1967 October 17

Box 48, Folder 3

Correspondence: Robert Lebel 1956-1970

Box 48, Folder 4

Correspondence: William N. Copley 1955-1970

Box 48, Folder 5

Correspondence: Barnet Hodes, Royalty Accounts 1957-1959

Box 48, Folder 6

Correspondence: Barnet Hodes, Royalty Accounts 1960-1974

Box 48, Folder 7

Correspondence: Arthur Schwartz, Italian edition 1959-1968

Box 48, Folder 8

Correspondence: G.H. Hamilton, English translation 1957-1961

Box 48, Folder 9

Correspondence: Grove Press, U.S. edition 1959 April 3 - 1963 September 9

Box 48, Folder 10

Correspondence: Richard Hamilton 1956-1959

Box 48, Folder 11

Production correspondence 1955-1960

Box 48, Folder 12

Correspondence: Austryn Wainhouse, translator of Lebel text 1956-1976

Box 49, Folder 1

Paper estimates & samples

Box 49, Folder 2

Photographic & pochoir estimates

Box 49, Folder 3

Composition, printing & binding estimates

Box 49, Folder 4

Type specimens

Box 49, Folder 5

Binding Estimates

Box 49, Folder 6

Transport estimates

Box 49, Folder 7

Text (French edition): Production notes

Box 49, Folder 8

Text (French edition): "Poils et Coups...Genres", unmarked typescript copy

Box 49, Folder 9

Text (French edition): Corrected Proofs (original pagination pages 1-120)

Box 49, Folder 10

Text (French edition): 2 sets corrected proofs (original pagination pages 1-58)

Box 49, Folder 11

Text (French edition): Corrected proofs (original pagination pages 61-67)

Box 49, Folder 12

Text (French edition): Corrected proofs (new pagination pages 26-103)

Box 49, Folder 13

Text (French edition): Corrected proofs (miscellaneous pagination)

Box 49, Folder 14

Text (French edition): Miscellaneous corrected proof sheets (no pagination)

Box 49, Folder 15

Text (French edition): Miscellaneous uncorrected proof sheets & corrected printer's proofs

Box 49, Folder 16

Bibliographie proof sheets: Preliminary to final revised set

Box 50, Folder 1

Index (French edition): Corrected Proofs

Box 50, Folder 2

Catalogue Raisonne (French edition): Corrected proof sheets

Box 50, Folder 3

Catalogue Raisonne (French edition): Revised corrected proof sheets - RL copy

Box 50, Folder 4

Colophon: Composition & corrections & trim information

Box 50, Folder 5

Figures (French edition): Page layouts (pages 1-16)

Box 50, Folder 6

Figures (French edition): Size reductions & printing instructions, pages 1-16

Box 50, Folder 7

Plate size reductions & printing information, pages 1-9

Box 50, Folder 8

Plate size reductions & printing information, pages 20-48

Box 50, Folder 9

Plate layouts (French edition): Page 1-48, except plate 10-11

Box 50, Folder 10

Jacquette (French edition): Photographs & prints

Box 50, Folder 11

Profile: Photo prints

Box 51, Folder 1

Grand deluxe & deluxe box spine label & signature photo

Box 51, Folder 2

Pre-publication prospectus order forms

Box 51, Folder 3

Order requests & correspondence 1958-1963

Box 51, Folder 4

Sales receipts

Box 51, Folder 5

F.H. Neumann: French Book Distributor (Libraries)

Box 51, Folder 6

Italian Trade edition: Production estimates

Box 51, Folder 7

U.S. reissue, paperback edition 1967: Revised texts

Box 51, Folder 8

Droits de Reproduction (Reprinting Permissions) 1964-1974

Box 51, Folder 9

Exhibitions: Miscellaneous correspondence 1959-1963

Box 51, Folder 10

Exhibitions: La Hune correspondence 1959-1960

Box 51, Folder 11

Exhibitions: La Hune Invitations & tracing for poster

Box 51, Folder 12

Exhibitions: I.C.A. correspondence

Box 51, Folder 13

Exhibitions: I.C.A invitations

Box 51, Folder 14

Exhibitions: Sidney Janis correspondence

Box 51, Folder 15

Exhibitions: Sidney Janis invitations 1959

Box 51, Folder 16

Exhibitions: Stockholm correspondence 1959-1960

Box 51, Folder 17

Exhibitions: Stockholm invitations 1960

Box 51, Folder 18

Exhibitions: Kunstgewerbemuseum Zurich correspondence 1959-1964

Box 51, Folder 19

Exhibitions: Kunstgewerbemuseum Zurich catalog 1960

Box 51, Folder 20

Exhibitions: Village Voice announcements

Box 51, Folder 21

Reviews, review copies, correspondence 1957-1960

Box 51, Folder 22

Miscellaneous Exhibition labels & titles

Box 460, Folder 18

Binding correspondence

Box 52, Folder 1

Contract between Wm.Copley & Trianon Fawcus Publications

Box 52, Folder 2

Production estimates & estimated budgets

Box 52, Folder 3

Proofs of color separations (Skira & Fine Art Engravers)

Box 52, Folder 4

Ink proofs (Skira)

Box 52, Folder 5

Photograph production information

Box 52, Folder 6

Page layouts & paste-ups (French edition)

Box 52, Folder 7

Paste-up pf page 110-121 & alternative page 16

Box 52, Folder 8

Frontispiece color trials

Box 52, Folder 9

Erratum Musical layout

Box 52, Folder 10

Bibliographie corrected proofs, Trianon Press set: Corrections by Robert Lebel

Box 52, Folder 11

Bibliographie & Index taquets

Box 52, Folder 12

Text (French edition): Proofs with corrections

Box 52, Folder 13

Text (French edition): Grand deluxe maquette - incomplete, without illustrations

Box 52, Folder 14

Text (French edition): Deluxe maquette - incomplete, without illustrations

Box 53, Folder 1

Trade (French edition): Complete text, plates, figures, end sheets

Box 53, Folder 2

Text (English edition): Proofs, Translated by G.H. Hamilton

Box 53, Folder 3

Reduced size ozalids (plates)

Box 53, Folder 4

Trade edition: 1 complete set illustrations without tipped on plates

Box 53, Folder 5

Deluxe edition (French edition): Proofs of Illustrations

Box 53, Folder 6

Prospectuses (French edition): Pre-publication Trianon - Text, proofs, samples

Box 53, Folder 7

Prospectuses (English edition): Pre-publication Trianon - Text, proofs, samples (edited)

Box 53, Folder 8

Prospectuses (English edition): Text copy & samples

Box 53, Folder 9

Prospectuses (U.S. edition) Grove Press: Proofs, samples

Box 53, Folder 10

Prospectuses (French edition): Samples

Box 53, Folder 11

Proofs of jacket cuts

Box 53, Folder 12

Prospectus & jacket (Italian edition - Schwartz): Samples

Box 53, Folder 13

Jacket (French edition): Text & samples

Box 53, Folder 14

Jacket (English & U.S. edition): Text & samples

Box 53, Folder 15

Mailing lists & sales sheets

Box 53, Folder 16

Stencils for box plate, ribbon & magnets (Grand deluxe, deluxe editions)

Box 39

Illustrations (French trade edition): Proof sheets, 16 pages up

Box 39

Illustration Triage sheets (French edition): Layout page & trim lines

Box 39

Illustration (French edition deluxe) proof sheets: 8 pages up

Box 39

Illustrations (French edition deluxe) Triage sheets

Box 39

Text (French edition grand deluxe) Proof sheets without corrections

Box 39

Coffee Grinder Trial sheets

Box 39

Fluttering Heart plate 122: Color separations

Box 39

End sheet samples: 4 sheets

Box 39

Binding paper color samples

Box 39

Box lining papers

Box 39

Jackets (French/English/U.S./Italian), Triage sheets

Box 39

Jackets(U.S. edition) Grove Press Layout

Map-Case H-13, Folder 1

Poster: La Hune, signed "Marcel Dechiravit" 1959

Physical Description: 2 posters
Map-Case H-13, Folder 2

Unknown poster decomps.

Box 56

Coffee Grinder Guides & Stencils

Box 57

Book maquettes

Physical Description: 9 maquettes
Box 58

Book maquettes

Physical Description: 9 maquettes
Box 59

Book maquettes

Physical Description: 9 maquettes
Box 60

Book maquettes

Physical Description: 9 maquettes
Box 61

Book maquettes

Physical Description: 2 maquettes
Box 62

Book maquettes

Physical Description: 2 maquettes
Box 63

Photographs and negatives (4x5)

Box 64

Photographs and negatives (5x7)

Box 65

Photographs (8x10)

Box 8

Photographs (11x14)

Box 8

Negatives (11x14)

Box 66

Glass plates

Physical Description: 6 plates total, 3 are broken
Box 67

Publicity: English, French, U.S., Swedish Press clippings

Box 28

Monotype - 2 styles Bodini/Grotesque 14pt/10-12pt

Scope and Contents

Includes type blocks for introductory text from French edition of Lebel's Sur Marcel Duchamp. Blocks have disassembled into loose pieces of type.
Box 68

2 engraving blocks "Marcel dechiravit pour..." silhouette

Box 128

2 engraving blocks - Montage for inside jacket & prospectus

Box 54

3 engraving blocks - Signatures (1 handwritten for prospectus, 1 type full name, 1 type first name)

Box 128

4 engraving blocks - Photographs (1 Duchamp Fig.44, 1 Duchamp at work table, 1 portrait Lebel, 1 "Nude Descending, #1 newspaper quality)

Box 54

2 engravings - "Fluttering heart" (not mounted 1 red, 1 blue)

Box 54

4 engravings - "Coffee Grinder" - colors separate

Box 126

4 engravings - "Nu Descendant #2" - colors separate

Box 128

4 engravings - "Grande Verre" - colors separate

Box 71

4 engravings - "Moules maliques" - colors separate

Box 68

4 engravings - "Joueurs d'Echecs" - color separate

Box 96

Negatives (8x10)

Box 69

Photographs

Box 39

Jackets (U.S. edition)

Box 39

Color plates: Ink Trials

 

The marriage of heaven and hell I-Q-1 1960

Physical Description: 8 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Work published: 1960
Distributors: Collins
Number of editions: 1
Size of editions: 526 copies
Publication date of editions: November 21, 1960
Prospectus information: "26 copies numbered A to Z reserved for private distribution. 240 copies numbered 1 to 240 for the United Kingdom. 240 copies numbered 241 to 480 for the United States. (Bound in dark-green quarter leather with Cockerell paper sides) 20 copies numbered I to XX, each containing a set of hand-coloured pages showing progressive stages in the colouring of a single plate, collotype proofs, and one of the original guide sheets and stencils used in making the facsimile. (Bound in full leather, with slip case)"
Box 362, Folder 4

Correspondence and invoices

Box 362, Folder 5

Bidault Notes

Box 362, Folder 6

Paper calculations

Box 362, Folder 7

Dummy, illustration paperback maquette

Box 362, Folder 8

Full hardback maquette

Box 362, Folder 9

Prospectuses, jacket, jacket proof, proof of illustration text, and letter from Arnold Fawcus

Physical Description: 18 copies, 4 different images
Box 442

Title design, Keynes corrected typescript, and corrected proofs

Box 411

Offset reprint 1975 invoices

Box 460, Folder 19

Prospectus: Samples, correspondence, proofs, negatives

Box 460, Folder 20-21

Maquettes

Physical Description: 2 folders
Box 460, Folder 22

Paste-ups, proofs, maquette

Box 247

Maquette

Box 247

Proofs

Box 248

Guides, stencils, decomps: plates 17, 18, 19, 20, 22, 23, 24, 25, 26, 27

Box 339

Guides, stencils, decomps: plates 7, 8, 9, 11, 12, 13, 14, 15, 16

Box 154

Guides, stencils, decomps: plates 2, 3, 4, 6

 

Anibib and Omandumba I-R-1 1960

Physical Description: 8 boxes

Publication Information

Authored by Abbé Henri Breuil. Part of Rock Paintings of Southern Africa series.

Project History

Participants: Breuil, Boyle, Scherz, Strey
Work published: 1960
Distributors: Collins
Number of editions: 1
Size of editions: 1,146 copies
Prospectus information: "1,000 unnumbered copies, bound in cloth. 30 copies, numbered I to XXX, printed on pure rag paper made by hand at the Moulin…, and signed; full leather binding 90 copies, numbered 1 to 90, printed on Arches pure rag mould-made paper and signed… ; quarter leather binding. 26 copies, numbered A to Z, signed …, and reserved for the CGF, the Abbé Breuil and the Trianon Press/ The original colour copies are reproduced by collotype and stencil in 80 plates, including 2 double pages; these are documented by 55 photographs reproduced in monochrome collotype, including 3 double pages. Sites discovered in Omandumba West since the Abbé's last visit are represented by an additional 17 photographs."
Box 461, Folder 1

Printing, transport, and sales notes

Box 461, Folder 2

Breuil handwritten pages for text, notes, correspondence, typescripts

Box 461, Folder 3

Typescripts approved for publication by Department of Education, Arts & Sciences in Pretoria

Box 461, Folder 4

Corrected typescripts

Box 461, Folder 5

Corrected typescripts: Description of the plates

Box 461, Folder 6

Corrected typescripts

Box 442

Proofs: Text

Box 442

Prospectuses

Physical Description: 10 pieces, 4 different versions
Box 460, Folder 23

Correspondence

Box 460, Folder 24

Proofs: Plate numbers

Box 460, Folder 25

French text

Box 460, Folder 26

Prospectus design and proofs

Box 223

Tracings

Box 249

Jacket copy, designs, paste-ups

Box 249

Spare plates with design notes and queries

Box 250

Guides and stencils

Box 235

Bon à tirer sheets

Box 251

Printing block for front cover and spine

Box 251

Printing block for back cover

Box 251

Plate layouts annotated for pochoir

Box 251

Photo paste-ups

Box 251

Spare photographs of plates

Box 480

Glass plate negatives

 

Gislebertus, sculptor of Autun I-S-1 1961

Physical Description: 45 boxes

Publication Information

Text by Denis Grivot and George Zarnecki. English, French, American and German trade editions.
Box 102

Correspondence: Dr. George Zarnecki

Box 102

Correspondence: Abbe Grivot

Box 102

Correspondence: Deschamps & Fournier

Box 102

Correspondence: Dr. T.S.R. Boase-Preface (English edition)

Box 102

Correspondence: R. Ousel-Text (French edition)

Box 102

Correspondence: Colette Gerdil (Translator)

Box 102

Correspondence: Miscellaneous Translators

Box 102

Correspondence: Foreign Editors

Box 102

Correspondence: Limes Verlag (German edition)

Box 102

Correspondence: Repro. Rights-France & Europe (Includes Wisemen)

Box 102

Correspondence: Reproduction Rights - UK (Includes Wisemen)

Box 102

Correspondence: Reproduction Rights - U.S.A. (Includes Wisemen)

Box 102

Correspondence: 1960 "Fifty Books of the Year" List

Box 103

Correspondence: Inquiries & Orders (A-Z)

Box 103

Correspondence: Inquiries & Orders 1960-1966

Box 103

Production correspondence: Gerard Franceschi (Photographs)

Box 103

Ben Herb (Photographs)

Box 103

Pierre Kill (Photographs)

Box 103

Paper Estimates & samples

Box 103

Printing Estimates & samples

Box 103

Photogravure/Heliogravure Estimates

Box 103

Binding Estimates, 1st & 2nd editions

Box 103

Arnold Fawcus Production Notes

Box 103

Prelim. French typescript (pages 1-20 replaced by new text)

Box 103

Early typescripts (French & English): Grivot & Oursel

Box 103

Deschamps preface (French edition)

Box 103

Peter the Venerable articles & translation

Box 103

Text: Description of Capitals

Box 103

Text: Typescripts (French edition): 1st corrected pages

Box 104

Text: Typescripts (French edition): Corrected by Grivot

Box 104

Text: Typescripts (French edition): Corrected by Grivot & Grodecki

Box 104

Text: Preliminary Bibliography (French edition)

Box 335, Folder 1

Text: Corrected typescripts (English edition)

Box 104

Text: Index - corrected typescript (English edition)

Box 104

Text: Corrected galley proofs (German edition)

Box 104

Illustrations: Preliminary layout & paste-up sheets

Box 104

Jacket: Text (U.S. - Orion Press)

Box 104

Prospectus: Abbe Grivot Presentation Card (French edition)

Box 104

Text typescript (English edition - Collins)

Box 105

2nd (French): Correspondence

Box 105

2nd (French): Production Notes

Box 105

2nd (French): Text additions

Box 105

2nd (French): Text - Other contributors

Box 105

2nd (French): Index corrections, etc.

Box 105

Gravures Disponibles: Correspondence & print lists

Box 105

Production Notes & correspondence

Box 105

Paper orders & correspondence

Box 105

Legend proofs with corrections

Box 105

Text proofs with corrections

Box 105

Orders (Grivot)

Box 105

Inventory Lists

Box 105

Poster Inventory Accounts

Box 105

Postcard Inventory Accounts

Box 105

Accounting sheets, payment records

Box 105

Superseded sales & accounting papers (Grivot)

Box 106

Trans.: Wingate & Johnston Ltd. - General correspondence

Box 106

Wingate & Johnston re-importation correspondence

Box 106

Publicity: Correspondence

Box 106

Publicity: Press Clippings (England, Scotland, France, U.S.)

Box 106

Publicity: Press/Review copies correspondence

Box 106

Publicity: Press/Review copies distribution lists

Box 106

Publicity: French Press releases, texts with corrections, etc.

Box 106

Publicity: English Promotion correspondence

Box 106

Publicity: English press releases

Box 106

Publicity: English publicity sheets (3 samples)

Box 106

Publicity: Collins Autumn 1961 Cat.Announcement

Box 106

Publicity: BBC TV Monitor Program correspondence

Box 106

Publicity: BBC TV Monitor Program scripts

Box 106

Publicity: U.S. press correspondence

Box 106

Publicity: U.S. press releases, broadcast schedules,etc.

Box 106

Publicity: German TV program correspondence & scripts

Box 107

Exhibits: General correspondence

Box 107

Exhibits: General production notes

Box 107

Exhibits: General Costs

Box 107

Exhibits: Transportation correspondence

Box 107

Exhibits: Monsieur Berque-Verification Depot Legal

Box 107

Exhibits: Panel lists (U.S & Europe) & production notes

Box 107

Exhibits: Panel Sales (Society Lumiere & Roc)

Box 107

Exhibits: 1961 handbook production materials & samples

Box 107

Exhibits: French handouts (3 samples)

Box 107

Exhibits: Miscellaneous French captions

Box 107

Exhibits: Layout - Trianon offices 1961 exhibit material

Box 107

Exhibits: Musée des Monuments Français exhibit correspondence

Box 107

Exhibits: Musée des Monuments Français exhibit repayment correspondence

Box 107

Exhibits: Monuments Français invitation lists & press copies

Box 107

Exhibits: Monuments Français opening invitation production notes & samples

Box 108

Exhibits: Autun Exhibit correspondence

Box 108

Exhibits: Autun Exhibit Sale sheets, costs, etc.

Box 108

Exhibits: Autun Exhibit Invitations production notes & samples

Box 108

Exhibits: Musée de Lille Exhibit correspondence, sales stock, etc.

Box 108

Exhibits: Musée de Lille exhibit invitations production notes & samples

Box 108

Exhibits: Musée de Annecy Exhibit correspondence, plans, notes.

Box 108

Exhibits: Dijon exhibit correspondence

Box 108

Exhibits: England exhibit correspondence

Box 108

Exhibits: Lady Parker/St. John's Westminster correspondence

Box 108

Exhibits: Bulmer/Thomas correspondence (Friends of St. John's)

Box 108

Exhibits: Friends of St. John's miscellaneous papers

Box 108

Exhibits: Gulbenkian Foundation correspondence

Box 108

Exhibits: Miscellaneous English captions

Box 109

Exhibits: Geneve exhibit correspondence, notes, plans

Box 109

Exhibits: Spain exhibit correspondence

Box 109

Exhibits: Brussels exhibit correspondence (Musée de Ixelles)

Box 109

Exhibits: Cologne exhibit correspondence

Box 109

Exhibits: Munich exhibit correspondence

Box 109

Exhibits: U.S. exhibits - French Government correspondence

Box 109

Exhibits: U.S. exhibits - French subsidy correspondence

Box 109

Exhibits: De Young, San Francisco exhibit correspondence

Box 109

Exhibits: De Young, San Francisco exhibit plans

Box 109

Exhibits: De Young, San Francisco exhibit sales

Box 109

Exhibits: Edouard Morot-Sir correspondence

Box 109

Exhibits: American Federation of Arts correspondence

Box 109

Exhibits: American Federation of Arts tour (1962-65) correspondence

Box 109

Exhibits: Costs for U.S.

Box 109

Exhibits: General Print sales U.S.

Box 109

Exhibits: Sales U.S.

Box 109

Christmas cards, Orion & Beebe - paste-ups & samples

Box 335, Folder 2

Postcards

Box 335, Folder 3

English flyers, production notes

Box 216

Notes, photographs, proofs

Box 110

Production Notes: General

Box 110

Capitals, coordination notes, postcards

Box 110

Stock Accounts

Box 110

Text: Typescript, 1st corrected copies (French edition)

Box 110

Chapter/page numbering trials

Box 110

Title page & spine paste-ups & trials

Box 110

Correspondence & typescript corrections (English edition)

Box 110

Typescript with corrections (English edition)

Box 110

Title page variations (Orion & Collins)

Box 110

Miscellaneous Deluxe pages (English edition)

Box 110

Illustrations: Production & Information notes

Box 110

Illustrations: Early drafts, order/numbering

Box 110

Illustrations: Instructions to Printers

Box 111

Illustrations: Ozalid Layout sheets for extra pages - Trianon Press set

Box 111

Illustrations: Ozalid proofs with corrections

Box 111

Illustrations: Print proofs with corrections

Box 111

Illustrations: Good proofs (1st & 2nd forme)

Box 111

Illustrations: Rejected Proofs

Box 111

Illustrations: Photo paste-ups & layouts with corrections - pt.A

Box 111

Illustrations: Photo paste-ups & layouts with corrections - pt.B

Box 112

Illustrations: Photo paste-ups - Tympanum, Zodiac

Box 112

Illustrations: Miscellaneous paste-ups (Figures)

Box 112

Illustrations: Prints of 16 additional plates

Box 112

Illustrations: German edition (1965) - Legends

Box 112

Illustrations: Text & Illustrations: Page Inventory (French & English edition) 1962 December 4

Box 112

Illustrations: Page Inventory (English edition) 1969 December 2

Box 112

Illustrations: Maquette (French edition 1960)

Box 112

Illustrations: Maquette (English edition 1961, Collins) complete trade

Box 113

Jacket: Text (French edition) Typescript, corrected proofs

Box 113

Text (French edition) Final Proofs

Box 113

Text (U.S. & English edition) typescripts & proofs

Box 113

Text (German edition 1965) proofs

Box 113

2nd edition (French 1965): Production notes, cost estimates

Box 113

Typescript additions & corrections (incomplete)

Box 113

Text: 1st edition copy with add. & corrections

Box 113

Text: Galley proofs with corrections

Box 113

Text: Corrected text pages (incomplete)

Box 113

Text: Final page proofs with corrections

Box 113

Legends: Typescripts, proofs, etc.

Box 113

Endpapers & colophon proofs

Box 114

2nd edition (French 1965): Maquette

Box 114

Cutting maquette

Box 114

Corrected 1961 English edition

Box 114

Jacket text proofs & paste-ups

Box 114

Jacket final proofs & bon à tirer sheets

Box 114

Prospectus: Corrected proofs

Box 114

Trans.: General correspondence

Box 114

Wingate & Johnston: De Young, San Francisco exhibit

Box 115

Publicity: Press Clippings (French & English)

Box 115

Press Clippings Album (U.S.)

Box 115

Miscellaneous Press Clippings (xeroxed copies)

Box 115

Collage samples

Box 115

French flyers (Trianon) samples

Box 115

English flyers (no text) samples

Box 115

English flyer (Collins) corrections copy & samples

Box 115

English flyer (Zwemmer) samples

Box 115

U.S. flyer (American Federation of Arts) paste-ups with corrections & samples

Box 115

French production materials

Box 115

Musée de Dijon, 1961 catalogue production materials

Box 115

Gravures Disponibles Sales Records

Box 115

French captions, texts, maps, etc.

Box 116

Photographs: D 4 - Exhibit-AFA Tour-Tweed Gallery

Box 117

Photographs: Vezelay #72-355, view of town

Box 63

Photographs (4x5)

Box 118

Negatives: Autun, Plate 3-Kings, Vezelay #72-310

Box 119

Photographs: Plate 1-50a

Box 120

Photographs: Plate B - B 29

Box 121

Photographs: Plate B 31 - unnumbered Vezelay & Cluny

Box 122

Negatives: Autun

Box 123

Photographs: Plate 1-52

Box 123

Photographs: Plate A - S

Box 123

Photographs: Plate A - Fig.5

Box 123

Photographs: Plate a - m, I-VI, unnumbered

Box 65

Photographs: Gislebertus: Unnumbered & unidentified

Box 96

Negatives and photographs

Box 69

Glass plates (Autun & Vezelay)

Physical Description: 3 plates
Box 97

Photographs: Plate 1-57, unnumbered

Box 97

Photographs: Plate a - A 1 - D 5

Box 97

Photographs: Plate I - VII

Box 97

Photographs: Plate A - R

Box 8

Photographs: Unidentified plates

Box 8

Photographs: Vezelay

Box 88

Photographs: Plate 2a - 44a

Physical Description: 11x14 to 16x20 prints
Box 88

Photographs: Plate A - R, plate I

Box 88

Photographs: Plate a,b,d, A - D 6, Unnumbered

Box 88

Photographs: Unidentified

Box 124

Photographs: Plate A - R

Box 124

Photographs: Plate a, 1-27

Box 124

Photographs: Unnumbered/unidentified - Vezelay

Box 124

Photographs: Unidentified miscellaneous prints

Map-Case H-13, Folder 5

Photographs, proofs, worked collotype negatives

Box 125

Photographs

Scope and Contents

Enlarged photograph posters. Include photographs of Sleep of Wisdom, Aisle of Cathedral, Devils, Satan, Zodiac, Sleeping Mages, Tympanum detail
Box 457, Box 458

Photograph enlargements for exhibit

Box 127

Photo engravings: Miscellaneous

Box 264

Text: Corrected proofs (French & English)

Box 80

Production correspondence: Engravers, proofs - endpapers, jacket

Box 80

Text: Corrected proofs (English edition) - Zarnecki

Box 80

Text: Corrected proofs & production notes (French edition)

Box 80

Text: Sketches & proofs - Tympanum, capitals, etc.

Box 80

Illustrations: Supplementary plates proofs

Box 80

Gravures Disponibles: Postcards & Samples

Box 129

Illustrations: Miscellaneous Ozalids, unmarked, all sizes

Box 130

Gravures Disponibles: Poster samples, Trianon Press office set, Miscellaneous production notes

Box 130

Sales records

Box 131

Production correspondence: Notes, layouts for animation

Box 131

Illustrations: Diagram sketches with notes-prelim & final

Box 131

Exhibit: French Posters text layouts, paste-ups, etc.

Box 131

Exhibit: Arnold Fawcus sketch of tech. bd. placement - Autun Exhibit

Box 131

Publicity: Miscellaneous Press clippings

Box 55

Text: 2nd edition proof sheets with trim notes

Box 55

Jacket: 2nd edition paste-ups, samples (Collins & Trianon)

Box 55

Publicity: Press clippings, Ccllage layout sheets

Box 55

Exhibits: Miscellaneous Exhibit Posters

Box 55

Gravures Disponibles: Bon à tirer sheets

Box 169

Negatives: Vezelay, Duchamp, Marriage, Europe, A Vision Recaptured

Box 188

Glass: Autun 2.5 x 3.5 plates

Box 188

Glass: 5x7 plates

Scope and Contents

7 plates, one broken
Box 335, Folder 4

Gravures Disponibles stock sheets 1965-1966

Box 335, Folder 5

Gravures Disponibles photographs

Box 335, Folder 6

Postcards: Production notes

Box 335, Folder 7

Christmas cards: Layouts, samples

Box 335, Folder 8

Christmas cards: Production notes

Box 335, Folder 9

Gravures Disponibles - Barbier - orders

Box 335, Folder 10

DeYoung exhibit photographs

Box 335, Folder 11

DeYoung exhibit records

Box 5

Large prints

 

Samuel Palmer's sketchbook, 1824 I-T-2 1962

Physical Description: 10 boxes

Publication Information

Trianon Press for William Blake Trust.

Project History

Participants: Keynes, Butlin
Work published: October 1962
Number of editions: 1
Size of editions: 560 copies
Prospectus information: "Nos. 1 to 50, with the reproduction bound in full dark-brown leather and the commentary in cloth; the two volumes in a matching cloth-covered slip-case. Nos. 51 to 560, with both volumes bound in cloth and presented in a slip-case."
Box 78

Production notes (AF)

Box 78

Correspondence (Martin Butlin)

Box 78

Paper correspondence

Box 78

Photographic correspondence

Box 78

Printing correspondence

Box 78

Printing - corrected proofs

Box 78

Binding (Engels)

Box 78

Binding/Boxes (Mansells & Gubbins)

Box 78

Binder's set of plates

Box 78

Early cloth maquettes

Physical Description: 2 items
Box 85

Leather bound maquettes

Physical Description: 2 items
Box 85

Cloth maquettes

Physical Description: 2 items
Box 85

Title paste-ups, proofs, instructions

Box 85

Title maquettes

Box 85

Slipcase maquettes

Physical Description: 2 items
Box 86, Folder 6

Maquette set (Trade edition-slipcase, text volume & plate volume)

Box 86, Folder 7

Prospectus production notes & samples

Box 86, Folder 8

Reviews, publicity correspondence

Box 86, Folder 9

Crampe's tracings, maquette

Box 86, Folder 10

Production papers 1957-1962

Box 42, Folder 1

Corrected typescripts

Box 42, Folder 2

Cutting guides

Box 96

Negatives (8x10)

Box 88

Miscellaneous contact photographs (16x20)

Box 70

Negatives (16x20)

Box 5

Galley proofs

Box 5

Bon à tirer sheets

Box 5

Plate titles

Box 363, Folder 1

Photographs, notes

Box 69

Negatives

 

Miserere I-C-1 1963

Physical Description: 5 boxes

Publication Information

Text by Georges Rouault. Reissue of 1950 and 1952 editions in slightly different format, in conjunction with L'etoile filante. English and American editions.

Project History

Participants: Fawcus, Bushe, Anthony Blunt (foreword), L'Etoile Filante (French ed.), Bornstein (American ed.), Isabelle Rouault (daughter)
Work published: 1963
Distributors: Trianon Press, publisher; Bornstein, American distributor; Faber & Faber, English distributor; l'Etoile Filante (French Ed. in collaboration with Trianon Press); Editions du Seuil (l'Abbe Morel)
Number of editions: 2
Size of editions: 6000 (Bornstein - 5000 US copies & 1000 UK copies in sheets), 1000 copies for Ireland (l'Etoile Filante)
Publication date of editions: 1963
Colophon information: "Boston Book Art Shop - 1963 American ed. - Preface by the Artist, introduction by Anthony Blunt. This edition in reduced format of the Miserere engravings was produced in 1963 by the Trianon Press, Chateau de Boissia, Clairvaux, Jura, France, under the supervision of the artist's daughter, Isabelle Rouault. The book was designed by Arnold Fawcus. The titles were written by the artist and are here reproduced in facsimile. The plates were printed in deep-etched gravure by Victor Michel, Paris, on paper especially manufactured by Haye Descartes to match the original. The letterpress was set in Monotype Plantin, by the Imprimeries Reunies, Chambery, and printed by Darantiere, Dijon. The binding was by Engel, Malakoff. The original Miserere engravings were issued in 1948 by the Etoile Filante, Paris, in a limited edition of 450 copies of which 25 were hors commerce." "L'Etoile Filante aux Editions du Seuil - 1963 French ed. - Preface de l'Artiste, Presentation de l'Abbe Morel. "Cette reproduction en format réduit des planches gravées du Miserere a été exécutée sous la direction de L'Étoile Filante avec la collaboration des Editions Trianon. Les légendes ont ete ecrites par George Rouault en 1951 et sont ici reproduites en fac-similé. Le livre a ete imprime en 1963 par les fils de Victor Michel à Paris pour les planches et par L'Imprimerie Darantière à Dijon pour le texte. L'Édition originale du Miserere limitée à 450 exemplaires dont 25 hors commerce et contenant la série complète des gravures a été publiée par les soins de L'Etoile qui en a assuré la diffusion."

Production Information

Paper Supplier, Description & Use: Papeteries de la Haye Descartes; Muller - paper for jacket Aussedat 125 gm2 offset - text & illustrations - 18 pages text - 59-62 illustrations - 20.c x 27 cm cut size
Type Supplier, Description & Use: Imprimerie Reunies, Monotype Plantin - 7000 copies, English & French for text (16 pages), jacket and prospectus; Etoile Filante -1000 copies for Ireland Photography Supplier, Description & Use: Victor Michel, Atelier Photogravure, Bussiere Heliogravures, Jacket & titles Genin Feres
Illustrations Supplier, Description & Use: Victor Michel Heliograuvres in black, deep-etched gravure, one side of sheet only: Frontispiece & 58 plates - 18 unfinished and finished states, 16 pages of text - 8 x 10 1/2in. - Black & white illustrated jacket
Binding Supplier, Description & Use: Engel, Malakoff - Thermoplastic binding (French & English ed.), rust cloth with gold stamping down the spine. Book jacket for each edition.
Prospectus Variations & Description: 1. American ed. for Bornstein with Boston imprint large and Trianon imprint small - 9500 prospectuses plus 5000 books & 5350 jackets to Boston. 2. English edition to have Boston imprint & Trianon imprint the same size but Trianon in predominance - 1200 jackets for English ed.
Box 6

Estimates

Box 6

Transport documents

Box 6

I. Rouault correspondence

Box 6

Boston Book & Art Shop (Borenstein)

Box 460, Folder 1

Boston Book & Art Shop (Borenstein)

Box 6

Distribution & sales

Box 6

Reprint correspondence

Box 6

Paper: Production notes & samples

Box 6

Paper: Correspondence & orders

Box 6

Printing correspondence

Box 6

Photographic work

Box 6

Binding correspondence

Box 6

Production notes, estimates & cost breakdowns

Box 6

Title page (English): Layouts & paste-ups

Box 6

Text typescript (English): Layouts & dummies

Box 6

Text (English): Proofs & taquet

Box 6

Title page (French): Layouts & proofs

Box 6

Text typescript (French): Layouts & paste-ups

Box 6

Text (French) Proofs & taquet

Box 6

Plate titles: Layouts, proofs, page numbers

Box 7

Miscellaneous Illustration overs

Box 7

Engel: (U.S. edition) prospectus & jacket correspondence

Box 7

Prospectus production materials (U.S. edition)

Box 7

Prospectus samples: U.S. edition only

Box 7

Maquettes

Box 460, Folder 2

Letter from Andre Malraux 1954

Box 2, Folder 3

Paper samples with printing trials

Box 2, Folder 4

Jacket text proofs

Box 2, Folder 5

Jacket (U.S.) layout, trials

Box 2, Folder 6

Jacket (U.S.) samples

Box 2, Folder 7

Financial charts

Box 3

3 paste-up boards with plate titles

Box 65

Miscellaneous photographs & negatives

Box 2, Folder 8

Miscellaneous photo prints (ozalids)

 

America, a prophecy I-T-1 1963

Physical Description: 10 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Work published: 1963
Distributors: Bernard Quaritch Ltd. (London)
Number of editions: 1
Size of editions: 500
Publication date of editions: 1963
Prospectus information: "20 copies numbered I to XX, each containing a set of hand-coloured plates showing progressive stages in the stencil work, colour collotype proofs and an original guide sheet and stencil. (Bound in full dark-blue leather, in matching slipcase.) 480 copies numbered 1 to 480. (Bound in quarter dark-blue leather with hand-marbled paper sides, in matching slipcase.)"
Box 78

Production information

Box 78

Paper orders

Box 78

Printing: Composition

Box 78

Title page & text typescripts with corrections

Box 78

Illustrations: Production notes

Box 78

Binding & box: Production correspondence

Box 78

Binding: Spine title

Box 78

Prospectus: Typescripts, production correspondence

Box 78

Prospectus: Paste-ups with corrections & samples

Box 78

Sales

Box 79

Page design with watermark locations, size, etc.

Box 79

Text: Paste-ups & layouts with corrections, proofs

Box 79

Illustrations: Office (working set)

Box 79

Frontispiece: Color Decomps

Box 79

Title page: Collotype & color Decomps

Box 79

Plate 1 "Preludium": Color Decomps

Box 79

Plate 2: Color Decomps

Box 79

Plate 3: Color Decomps

Box 79

Plate 4: Collotype & Color Decomps

Box 79

Plate 5: Color Decomps

Box 79

Plate 6: Color Decomps

Box 80

Plate 7: Color Decomps

Box 80

Plate 8: Color Decomps

Box 80

Plate 9: Color Decomps

Box 80

Plate 10: Color Decomps

Box 80

Plate 11: Color Decomps

Box 80

Plate 12: Color Decomps

Box 80

Plate 13: Color Decomps

Box 80

Plate 14: Color Decomps

Box 80

Plate 15: Color Decomps

Box 80

Plate 16: Color Decomps

Box 81

Frontispiece: Guides

Box 81

Frontispiece: Stencils

Box 81

Plate 1: Guides

Box 81

Plate 1: Stencils

Box 81

Plate 2: Guides

Box 81

Plate 2: Stencils

Box 81

Plate 3: Guides

Box 81

Plate 3: Stencils

Box 81

Plate 4: Guides

Box 81

Plate 4: Stencils

Box 82

Plate 5: Guides

Box 82

Plate 5: Stencils

Box 82

Plate 6: Guides

Box 82

Plate 6: Stencils

Box 82

Plate 7: Guides

Box 82

Plate 8: Guides

Box 82

Plate 8: Stencils

Box 82

Plate 9: Guides

Box 82

Plate 9: Stencils

Box 82

Plate 10: Guides

Box 82

Plate 10: Stencils

Box 83

Plate 11: Guides

Box 83

Plate 11: Stencils

Box 83

Plate 12: Guides

Box 83

Plate 12: Stencils

Box 83

Plate 14: Guides

Box 83

Plate 14: Stencils

Box 83

Plate 15: Guides

Box 83

Plate 15: Stencils

Box 83

Plate 16: Guides

Box 83

Plate 16: Stencils

Box 5

Bon à tirer sheets

Box 84

Book Boxes (4 total)

Box 70

Negatives

Box 252

Plate 15 overs

 

William Blake, poet, printer, prophet I-U-1 1964

Physical Description: 7 boxes

Publication Information

Text by Geoffrey Keynes. Commemorative catalogue for the Blake Trust exhibition. English, American, and German editions.

Project History

Participants: Keynes
Work published: November 1964
Distributors: Bernard Quaritch Ltd. (London)
Number of editions: 1
Size of editions: 525 copies
Prospectus information: "The first twenty-five are special collectors' copies, bound in full leather with a matching slipcase, which contain proof material from the printing of the plates. Five hundred copies numbered 26 to 525 are bound in quarter leather, with hand-marbled paper sides and a matching slipcase. 9 x 12 in. 104 pages; 59 color plates."
Box 460, Folder 27

Orders 1972

Box 460, Folder 28

Maquette - offset

Box 460, Folder 29

Uncorrected proof

Box 460, Folder 30

Cutting guides

Box 468, Folder 1

Maquette and sample case binding

Box 468, Folder 2

Correspondence

Box 468, Folder 3

Illustration paste-ups, cutting guide, text proof

Box 468, Folder 4

French edition typescripts

Box 468, Folder 5

Prospectus typescripts, proofs

Box 468, Folder 6

Proofs

Box 468, Folder 7

Paste-ups and designs

Box 468, Folder 8

Typescript drafts - Geoffrey Keynes and Lessing Rosenwald

Box 468, Folder 9

Production notes, invoices

Box 468, Folder 10

Paste-ups, maquettes

Box 468, Folder 11

Bound proof

Box 468, Folder 12

Planning documents and estimates

Box 468, Folder 13

Correspondence on production and bindery errors

Box 468, Folder 14

Prospectuses (Orion and Trianon) and additional plates

Box 468, Folder 15

Proofs, paste-ups

Box 468, Folder 16

Planning documents and estimates

Box 253

Illustration color separations

Box 216

Jacket and prospectus designs

Box 411

Jacket proofs

Box 411

Text and illustration proofs

Box 253

Paste-ups and marked prints

Box 463

Dummies: Various stages

Physical Description: six pieces
Box 463

Assemblage

Box 246

Jacket paste-up (Orion edition)

 

The story of the wise men I-V-1 1964

Physical Description: 4 boxes

Publication Information

Text by Régine Pernoud and Denis Grivot. English, French, American, and German editions.
Box 5

Book jackets

Box 471, Folder 1

Empty bindings

Box 471, Folder 2-3

Dummies

Box 471, Folder 4

Paste-up dummy

Box 471, Folder 5-6

Brass plates for jackets

Box 471, Folder 7

Typescripts

Box 471, Folder 8

Publicity

Box 471, Folder 9

Jacket lettering, blurb, typescript, correspondence

Box 471, Folder 10

French texts: Typescripts and notes

Box 471, Folder 11

Correspondence

Box 471, Folder 12

Loose pages with letter

Box 471, Folder 13-15

Paste-ups and dummies

Box 471, Folder 16

Typescripts, proofs, notes: French text

Box 471, Folder 17

Typescripts, proofs: English text

Box 471, Folder 18

Paste-ups, proofs: English text and titles

Box 471, Folder 19

Typescripts, notes: English text

Box 362, Folder 10

Jacket lettering, paste-ups, ozalids

Box 362, Folder 11

Estimates, factures, correspondence, paper

Box 362, Folder 12

Printing, binding, jackets

Box 362, Folder 13

Endpapers

Box 338

Layouts, cutting guides, jacket proofs

 

The book of Thel I-W-1 1965

Physical Description: 3 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Participants: Fawcus, Mary Laing, Geoffrey Keynes, L.J. Rosenwald, Library of Congress
Work published: October 1965
Distributors: Quaritch
Number of editions: 1
Size of editions: 400 for sale - 426 total copies
Prospectus information: "...The edition is limited to 400 copies for sale. 20 copies are numbered I to XX, each containing a set of hand-colored plates showing progressive stages in the coloring of a single page, color collotype proofs and an original guide sheet and stencil: Bound in full morocco with a leather -edged slipcase covered in hand-marbled paper. 380 copies numbered 1 to 380, bound in quarter brown morocco, with hand-marbled paper sides and a matching slipcase.. Publication date: October 1965"
Colophon information: "The publication of this facsimile of William Blake's THE BOOK OF THEL was made possible by the generosity of Mr. Lessing J. Rosenwald and the Library of Congress, U.S.A., who lent the original volume from the Rosenwald Collection. The edition consists of 426 copies printed on Arches pure rag paper made to match the paper used by Blake. Each page is watermarked with Blake's monogram. 20 copies, numbered I to XX, each containing 1 set of hand-colored plates showing progressive stages in the stencil work, color collotype proofs and an original guide sheet. 380 copies, numbered 1 to 380. 26 copies, numbered A to Z reserved for Mr. Lessing J. Rosenwald , the Library of Congress, the Trustees of the WB Trust and the Publishers. The illuminated pages were reproduced in Paris by Trianon Press (France) in the workshops of MM. Hourdebaigt and Crampe by the collotype and stencil process. The editorial matter was printed by the Imprimerie Darantiere, Dijon and the binding was by Engel, Malakoff. The book was produced and published under the supervision of Mr. Arnold Fawcus, by the Trianon Press, Chateau de Boissia, Clairvaux, Jura, France, and is distributed throughout the world by Bernard Quaritch, Ltd. 11 Grafton St., London W.I."

Production Information

Paper Description & Use: Arches, 200 gm2, pure rag specially watermarked with "WB". Printed 6 up - Page size = 11" x 8 3/4" - (All the paper for the project was bought in one batch for THEL, MILTON & AHANIA. See I-AA for additional information.); Ingres D'Arjomari - Rose - interior paper for boxes; Duval - printing marbled paper for covers, binding & box
Type Supplier: Imprimerie Darantiere, Dijon
Collotype Supplier, Description & Use: Hourdebaigt and Crampe. Collotype in two colors (red brown and blue) - Hourdebaigt printed 1 forme (6 subjects of THEL) including prospectus, plus 2 plates of THEL with MILTON frame
Pochoir Supplier, Description & Use: Crampe. Color stencil work on collotype plates - 16 negatives for collotype, 2 each for 8 plates.
Photography Supplier, Description & Use: Chevojan & Hourdebaigt and Crampe. Negatives of original pages for collotype printing. One negative for each color.
Binding Supplier, Description & Use: Engel, Malakoff. 20 copies bound in full morocco with leather-edged slipcase covered in hand-marbled paper. 380 copies bound in quarter brown morocco with hand-marbled paper sides and matching slipcase.
Box Supplier, Description & Use: Adine. Deluxe boxes - Clam-shell box, bound with brown leather spine, marbled paper sides, gold stamping on spine - for A - Z copies; Engel, Ordinary ed. - 400 slipcases, bound with leather edges, hand-marbled paper sides for copies I-XX, 1-380.
Box 41

Production Notes

Box 41

Distribution correspondence: Quaritch Ltd.

Box 41

Printing correspondence: Darantiere

Box 41

Binding correspondence: Engel, Adine

Box 41

Text: Typescripts with corrections

Box 41

Text: Proofs with corrections

Box 41

Text: Printed sample

Box 41

Collotype Decomps (all parts)

Box 41

Color Decomps, plate 1 (Incomplete)

Box 41

Color Decomps, plate 7 (Incomplete)

Box 41

Guides, plate 7

Box 41

Stencils, plate 7

Box 41

Miscellaneous Colored plates

Box 41

Binding: Spine titling proofs

Box 41

Prospectus: Typescript & paste-up

Box 41

Prospectus: Proofs & samples

Box 5

Printing layout sheets-text & illustration

Box 98

Slipcase & bookbox samples

 

Through the troposcope I-X-1 1965

Physical Description: 7 boxes

Publication Information

Watercolors by Peter Kendall Bushe. Limited edition by Trianon Press.

Project History

Participants: Peter Kendall Bushe (AF partner & artist), Usana Weinberg (PKB Mother), Fawcus, Mary Laing, Martin Butlin (English Introduction), Joel Moulin (Letter - French & English ed.)
Work published: 1966
Distributors: Quaritch
Number of editions: 2 (English and French)
Size of editions: 112 English, 114 French
Publication date of editions: Spring 1966
Prospectus information: "English ed. – 112: 10 copies #I - X , Deluxe fg; 90 copies #1 - 90 Ordinary; 12 copies #A - Z series, hors commerce. French Ed. – 114: 10 copies # I - X, Deluxe; 90 copies #1 - 90, Ordinary; 14 copies #A - Z series, Hors commerce"
Colophon information: "The first edition of THROUGH THE TROPOSCOPE is limited to 112 copies printed on Arches Aquarelle pure rag paper. 10 copies, #I-X, each containing a set of hand-coloured plates showing progressive stages in the stencil work, colour collotype proofs, and an original guide-sheet and stencil. The book is presented in a full leather portfolio and the additional material in a cloth-covered folder, both in a handmade leather-backed box. 90 copies, #1 - 90 are presented in a cloth folder with slipcase covered in handmade paper. 112 copies, numbered in the series A to Z, hors commerce. The artist's water-colours have been reproduced in facsimile by collotype and hand-stencil process in the workshops of MM.Hourdebaigt & Crampe, Paris. The text was set in Monotype Bembo and printed by the Imprimerie Darantiere, Dijon. The hand-marbled paper used in the presentation of the book was made by Duval and the box & portfolio by Adine, both of Paris. The assembly of the volume was by Engel, Malakoff. The book was designed by Arnold Fawcus and produced & published in France by the Trianon Press, Chateau de Boissia, Clairvaux, Jura and 125 avenue du Maine, Paris."

Production Information

Paper Supplier, Description & Use: Duval; Arjomari. Hand-marbled paper for boxes, portfolios; Arches Aquarelle pure rag paper for text and plates
Type Supplier, Description & Use: Imprimerie Darantiere, Dijon. Monotype Bembo - text
Collotype Supplier, Description & Use: Hourdebaigt & Crampe, Paris. 12 watercolors reproduced in facsimile, 14 formes, sketchbooks and drawings, retouched negatives
Pochoir Supplier, Description & Use: Crampe, Paris. 12 watercolors reproduced in facsimile
Photography Supplier, Description & Use: Chevajon, Francois; Francas Freres. Negatives for collotypes; Negatives & proofs for collotypes
Binding Supplier, Description & Use: Adine, Paris; Engel, Malakoff. Boxes & portfolios; Assembly of volumes
Box Supplier, Description & Use: Adine, Paris. Boxes & portfolios
Prospectus Variations & Description: English and French versions - same format Quaritch did a mailing of 500 prospectuses to Blake purchasers.
Box 41

Correspondence

Scope and Contents

Includes correspondence from Butlin to M. Laing & Arnold Fawcus
Box 41

Preliminary text material (French & English): Manuscript & corrected proofs

Box 41

Joel Moulin letter (French & English): Manuscript

Box 41

Joel Moulin's letter (French): Corrected proofs

Box 41

M. Butlin's (English) "Forward": Manuscript

Box 41

M. Butlin's (English) "Forward": Corrected proofs

Box 41

M. Butlin's (French) "Avant Propos (Forward)": Manuscript

Box 41

M. Butlin's (French) "Avant Propos (Forward)": Corrected proofs

Box 41

Production correspondence & information

Scope and Contents

Includes Designs in Black & White III-I
Box 41

Production correspondence & estimates: Weinberg Acct.

Box 41

Production correspondence & estimates: Arjomari (paper) & Duval (marbled papers)

Box 41

Production correspondence & estimates: Imprimerie Darantiere (Composition & printing)

Box 41

Production correspondence & estimates: Crampe & Hourdebaigt (Collotype & pochoir)

Box 41

Production correspondence & estimates: Engel (Binding)

Box 41

Production correspondence & estimates: Adine (Boxes, chemises, slipcases)

Box 41

Production correspondence & estimates: Franco-Britannique (Transport/Import)

Box 41

Type: Three titles (negatives)

Box 42, Folder 3

Paste-up materials: Type styles, sizes, layouts

Box 42, Folder 4

Paste-up materials: Title page, text & final text placement

Box 42, Folder 5

Illustration size samples

Box 42, Folder 6

Stenciler information & trial sheets

Box 42, Folder 7

One complete set of Illustrations, plate 1-12 (all slightly damaged)

Box 42, Folder 8

Prospectus: Text paste-ups & Corrections

Box 42, Folder 9

Prospectus samples: 1 without illustration, 1 with illustration #2

Box 43

Collotype & Color Decomps, plate 1 & Guide sheet & Stencil, plate 1

Box 43

Collotype & Color Decomps, plate 2 & Guide sheet & Stencil, plate 2

Box 43

Collotype & Color Decomps, plate 3 & Guide sheet & Stencil, plate 3

Box 43

Collotype & Color Decomps, plate 5 & Guide sheet & Stencil, plate 5

Box 43

Collotype & Color Decomps, plate 6 & Guide sheet & Stencil, plate 6

Box 44

Collotype Decomps & Guides & Stencils, plate 7

Box 44

Collotype Decomps & Guides & Stencils, plate 8

Box 44

Collotype Decomps & Guides & Stencils, plate 10

Box 44

Collotype Decomps & Guides & Stencils, plate 11

Box 44

Collotype Decomps & Guides & Stencils, plate 12

Box 45

Maquette (French): Paste-up of text, size difference, without illustrations

Box 45

Maquette (French): Complete, printed text with illustrations

Box 45

Maquette (English): Complete, printed text with illustrations

Box 45

Cover samples (English): 1 printed, 1 unprinted

Box 47

Deluxe book box (English): Sample

Scope and Contents

Sample is worn and damaged
Box 46

Deluxe book box

 

The Haggadah for Passover I-Y-1 1965, 1966

Physical Description: 23 boxes

Publication Information

Illustrated by Ben Shahn. American and English trade editions, 1965; limited edition by Trianon Press, 1966.

Project History

Participants: Shahn, Kayser, Roth
Work published: 1965, 1966
Number of editions: 2 (grand luxe Trianon and photo-lithography Little, Brown and Company)
Size of editions: First – 292 numbered copies, of which 18 are hors commerce
Prospectus information: "The principal edition consists of 228 copies numbered 1 to 228, printed on pure rag Arches Vergé paper especially manufactured to math the artist's original plates. All contain the signed frontispiece. There are three special editions for collectors and museums, each with an extra set of the color plates for display purposes, as well as proof material from the making of the book. These copies are presented as two volumes in a single box. 10 copies numbered A to J, each containing one of Ben Shahn's original illustrations of 'An Only Kid', are printed on Auvergne hand-made pure rag paper. They include two extra sets of the coleuroipor plates, one on Japanese Nacré hand-made paper and the other on Arches Grand Vélin; one set of the plates left uncolored, on semi-translucent Japanese paper; a series of progressives showing the stages in the hand-stencil coloring of a single plate, together with three of the original guide-sheets and stencils; and two proof states of the lithograph frontispiece. 16 copies numbered K to Z are printed on Arches Grand Vélin pure rag paper. They include an extra set of the color plates on Auvergne hand-made paper; a set of plates left uncolored, on semi-translucent Japanese paper; three of the original guide-sheets and stancils; and two proof states of the lithograph frontispiece. 20 copies numbered I to XX are printed on Arches Grand Vélin pure rag paper. They include an extra set of the color plates on Arches Vergé; a set of the plates left uncolored, on semi-translucent Japanese paper; and a proof state of the lithograph frontispiece. Each copy bears the artist's signature and cypher. It is a large book, with a page size of 12 x 15 ½ inches. Its 156 pages are folded into unsewn sections in the grand luxe style, with the deckle-edges of the paper left untrimmed. The cover is of real parchment and has Shahn's Hebrew and English titles reproduced in hand-stencilled gold on the front and back of the book. Each copy is presented in a special hand-made box..."

Production Information

18 pt. Bembo and Hebrew letterpress
Box 466, Folder 1

Correspondence: Ben Shahn 1958-1967

Box 466, Folder 2

Correspondence: Austin and Clowes 1963-1965

Box 466, Folder 3

Correspondence: Jewish Museum

Box 466, Folder 4

Correspondence: Cecil Roth 1961-1965

Box 466, Folder 5

Correspondence: Jonathan Stone, with lettering designs

Box 466, Folder 6

Correspondence: Printing, with paper samples

Box 466, Folder 7

Correspondence: Printing and binding

Box 466, Folder 8

Correspondence

Box 466, Folder 9

Correspondence (trade edition): MacGibbon and Kee

Box 466, Folder 10

Correspondence (trade edition): Little, Brown, and Company

Box 466, Folder 11

Correspondence (trade edition): A.T.G. (Arts et Techniques Graphiques)

Box 466, Folder 12

Publication dispute: Documents and correspondence

Box 466, Folder 13

Agreements: Shahn/Trianon

Box 466, Folder 14

Shipping records

Box 466, Folder 15

Publicity, sales

Box 466, Folder 16

Accounts sheets

Box 254

Production documents: Printing, typons, binding, jacket

Box 254

Production documents: Estimates, factures, type

Box 466, Folder 17

Hebrew printing plate: page 90

Box 466, Folder 18

Hebrew type specimens

Box 466, Folder 19

Hebrew reproductions - spares

Box 466, Folder 20

Hebrew proofs - various

Box 255

Type specimens, foundries

Box 466, Folder 21

Typescripts: Roth introduction, translation, notes

Box 466, Folder 22

Typescripts: Roth introduction, translation, notes, Kaiser preface

Box 466, Folder 23

Proofs of English text

Physical Description: 2 folders
Box 466, Folder 24

Proofs of English text

Physical Description: 2 folders
Box 466, Folder 25

Proofs of English text (Trianon copy)

Box 466, Folder 26

Revised galleys and marked proofs: Clowes

Box 466, Folder 27

Proofs, notes, film

Box 472, Folder 1

Proofs and notes on English text (Trianon copy)

Box 472, Folder 2

Proofs and notes on English text (Printer's copy)

Box 472, Folder 3

Prospectus proofs, color notes

Box 472, Folder 4

Proofs: Text

Box 472, Folder 5

Proofs: Prints (unmarked)

Box 472, Folder 6

Proofs: Text (unmarked)

Box 472, Folder 7

Paste-ups, color separations, cutting guides

Box 472, Folder 8

Proofs and trial spreads

Physical Description: 2 folders
Box 472, Folder 9

Proofs: Colophon, printer's note

Box 255

Proofs and trial spreads

Physical Description: 2 folders
Box 255

Proofs, production notes, ozalids

Box 254

Proofs (Metzger) and specimen pages

Box 255

Proofs and paste-ups of Hebrew text with notes

Box 254

Jacket paste-ups

Box 254

Jacket text and erratum proofs

Box 254

Hebrew caption translations

Box 256

Hebrew text control sheet and notes

Box 256

Typescripts, paste-ups, proofs

Box 256

Book covers, prospectuses, production materials

Box 256

Frontispiece suite for Arnold Fawcus

Box 256

Titles and page 20 reproduction proofs for future editions

Scope and Contents

Reproduction proofs of page 20 - in case of any reprint of Haggadah, new films to be made of these corrected proofs and used
Box 256

Various plates on Japanese paper

Box 257

Layout proofs, color separations, jackets, overs

Box 258

Mounted plates

Box 258

Luxe dummy folder for extra material

Box 258

An Only Kid 1st placing maquette, with incomplete set of text and prints

Box 259

Frontispiece decomps

Box 259

Signed frontispiece overs

Box 259

Printing proofs, color tests, transparencies

Box 259

Galleys

Box 464

Box pochoir stencils, menorah plate proofs, loose text samples

Box 246

Guides and stencils: plates 4, 5, 9

Box 260

Guides and stencils: plates 3, 7, 8

Box 260

Extra prints on Nacre paper plate 1-11

Box 260

Notes on illustrations

Box 261

Prints on Japanese Nacre paper

Physical Description: 15 copies
Box 261

Extra unbound prints

Physical Description: various plates, multiple copies
Box 465

Stencils, guides: plate 1

Box 465

Mounted plates

Box 465

Dust jacket: MacGibbon and Kee

Box 249

Trial sheet for color, plan for printing formes, proofs

Box 249

Prospectus trials

Box 249

Pages 73-74, 77-78 "As though it were He..."

Physical Description: 8 copies
Box 467, Folder 1

Title page lettering and layout

Box 467, Folder 2

Publicity: Correspondence, photographs, clippings 1965-1968

Box 467, Folder 3

Publicity: Shahn 1961-1964

Box 467, Folder 4

Publicity: Clippings

Box 467, Folder 5

Proofs of composition: English title page

Box 467, Folder 6-7

Clients 1965-1968

Box 467, Folder 8

Contracts and agreements circa 1964

Box 467, Folder 9

Prospectus information, jacket

Box 467, Folder 10

Offset typons

Box 467, Folder 11

Loose plates

Box 467, Folder 12

Prospectus lists, correspondence

Box 467, Folder 13

Orders, correspondence

Box 467, Folder 14-15

Production notes, correspondence

Box 467, Folder 16

Type and printing; early mock-up

Box 467, Folder 17

Shahn layout

Box 467, Folder 18

Shahn cost estimates

Box 467, Folder 19

Cost estimates, photographs, paper information

Box 472, Folder 10

Hebrew type: Notes and specimens

Box 472, Folder 11

Ozalid paste-ups

Box 472, Folder 12

Trade edition: Spare sheets: Text and illustrations

Box 472, Folder 13

Ozalid page proofs

Box 472, Folder 14

Paste-ups, transparencies, negatives

Box 472, Folder 15

Title page paste-ups and proofs

Box 472, Folder 16

Small maquettes

Box 472, Folder 17

Paste-up dummy

Box 472, Folder 18

Paste-up dummy for printer, with type positioning and measurements

Box 472, Folder 19

Paste-up: Illustrations and text

Box 469, Folder 1

Dummy, bound

Box 469, Folder 2

Dummy, unbound

Box 469, Folder 3

Dummy, unbound, with space case binding

Box 469, Folder 4

Maquette

Box 262

Maquette

Box 262

Luxe paste-ups (type/margin trials)

Box 473, Folder 1-2

Maquettes, full and half-size

Box 473, Folder 3-6

Paste-ups

Physical Description: 4 folders
Box 226, Folder 1

Bound paste-up

Box 226, Folder 2

Maquette

Box 454

Box sample, 1 latch

Box 455

Box sample, 2 latches

Box 456

Box finished sample, 2 latches

 

Ecclesiastes I-Z-1 1967

Physical Description: 15 boxes

Publication Information

Illustrated by Ben Shahn. Limited edition by Trianon Press.
Box 192

General correspondence 1967-1969

Box 192

Correspondence: Ben Shahn 1966-1967

Box 192

Correspondence: Joe Blumenthal, Spiral Press 1961-1966

Box 192

Correspondence: Dealers 1967-1973

Box 192

Contracts

Box 192

Production notes

Box 192

Production maquettes

Box 192

Paper correspondence & production notes

Box 192

Printing correspondence & production notes

Box 192

Photogravure invoices

Box 192

Lithography & pochoir correspondence & production notes

Box 192

Book jacket production notes

Box 192

Binding correspondence & production notes

Box 192

Slipcases & boxes

Box 192

Prospectus order form: Production notes, proofs, samples

Box 192

Transportation & shipping

Box 192

Order book

Box 192

Client list with notes

Box 193

Illustrations, Chapter 1 "Preacher" decomps

Box 193

Illustrations, Chapter 1 "Preacher" annotated sheets

Box 193

Illustrations, Chapter 3 "Wheat" decomps

Box 193

Illustrations, Chapter 3 "Wheat" guides and stencils

Box 193

Illustrations, Chapter 6 (Man behind curtain) decomps

Box 193

Illustrations, Chapter 8 "Star Gazer" decomps

Box 193

Illustrations, Chapter 8 "Star Gazer" guides and stencils

Box 193

Illustrations, Chapter 10 "Picasso" annotated sheets

Box 193

Illustrations, Chapter 11 "Sun & Moon" decomps

Box 193

Illustrations, full page: 2 complete sets

Box 193

Illustrations, miscellaneous sheets with cutting information

Box 193

Chapter 1 text decomps

Box 193

Chapter 1 text guides and stencils

Box 194

Chapter 2 text decomps

Box 194

Chapter 2 text guides and stencils

Box 194

Chapter 3 text decomps

Box 194

Chapter 3 text guides and stencils

Box 194

Chapter 4 text decomps

Box 194

Chapter 4 text guides and stencils

Box 194

Chapter 5 text decomps

Box 194

Chapter 5 text guides and stencils

Box 194

Chapter 6 text decomps

Box 194

Chapter 6 text guides and stencils

Box 194

Chapter 7 text decomps

Box 195

Chapter 7 text guides and stencils

Box 195

Chapter 8 text decomps

Box 195

Chapter 8 text guides and stencils

Box 195

Chapter 9 text decomps

Box 195

Chapter 9 text guides and stencils

Box 195

Chapter 10 text decomps

Box 195

Chapter 10 text guides and stencils

Box 195

Chapter 11 text guides and stencils

Box 195

Chapter 12 text decomps

Box 195

Chapter 12 text guides and stencils

Box 217

Production sheets for text and illustrations

Box 195

Colophon: Text, production notes, corrected proofs

Box 195

Layout maquette (incomplete): Text placement & order

Box 196

Book page order maquette with printing instructions

Box 196

Binding: Stamping layout, proofs (fer a dore)

Box 196

Binding: Bound maquette (leather), incomplete

Box 196

Binding: Complete bound maquette (leather)

Box 196

Cost sheets, distribution lists

Box 63

Photographs (4x5)

Box 96

Photographs (8x10)

Box 96

Negatives (8x10)

Box 8

Photographs (11x14)

Box 8

Negatives (11x14)

Box 217

Slipcase cover papers, production materials & trials

Box 196

Prospectus: Text, proofs with corrections, layouts

Box 196

Prospectus, specimen page text with corrections, proofs

Box 196

Prospectus, "Specimen page" inserts, Ch.1,2,4,5 sample set

Box 196

Prospectus: 1st edition samples

Box 197

Slipcase trials

Box 198

Slipcase/box samples, finished

Box 191

Client lists (3x5 cards)

Box 217

Offset edition (Orion/Grossman): Text page proof sheets with color corrections

Box 200

Offset edition (Orion/Grossman): Text layouts, proofs with corrections, paste-ups

Box 200

Offset edition (Orion/Grossman): Text proof sheets 5/63

Box 200

Offset edition (Orion/Grossman): Illustration proof sheets with color

Box 217

Offset edition (Orion/Grossman): Bon à tirer sheets

Box 200

Offset edition (Orion/Grossman): Facsimile edition (1st edition) marked for color control

Box 200

Offset edition (Orion/Grossman): Printing maquette, unbound

Box 200

Offset edition (Orion/Grossman): Binding cloth samples

Box 200

Offset edition (Orion/Grossman): Page order maquette

Box 201

Offset edition (Orion/Grossman): Preliminary maquette, unbound

Box 201

Offset edition (Orion/Grossman): Unbound complete maquette

Box 201

Offset edition (Orion/Grossman): Binding size maquette

Box 201

Offset edition (Orion/Grossman): Bound maquette, text complete, binding incomplete

Box 201

Offset edition (Orion/Grossman): Book jacket text proofs, production

Box 217

Offset edition (Orion/Grossman): Book jacket layouts & samples

Box 201

Offset edition (Orion/Grossman): Mailing piece text, production notes, type samples, trials

Box 217

Offset edition (Orion/Grossman): Mailing piece paste-ups, layouts

Box 201

Offset edition (Orion/Grossman): Prospectus, corrected 1st edition copy

Box 246

Prospectus mock-up

 

Milton, a poem I-AA-1 1967

Physical Description: 4 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Participants: Arnold Fawcus, Mary Laing, Geoffrey Keynes, Lessing Rosenwald, Library of Congress, Joan Drucker
Work published: 1967
Distributors: Quaritch
Number of editions: 1
Size of editions: 400 copies for sale
Publication date of editions: May 1967
Prospectus information: "This edition is limited to 400 copies for sale. 20 copies numbered I to XX, each containing a set of hand-coloured plates, showing progressive stages in the coloring of a single page, colour collotype proofs and an original guide sheet & stencil: bound in full morocco with a leather-edged slipcase covered in hand-marbled paper. 380 copies numbered 1 to 380, bound in quarter brown morocco, with hand-marbled paper sides and a matching slipcase."
Colophon information: "The publication of the facsimile of Wm.Blake's MILTON, A POEM, was made possible by the generosity of Mr.Lessing J. Rosenwald and the Library of Congress, USA, who lent the original volume from the Rosenwald Collection. The edition consists of 426 copies, printed on Arches pure rag paper to match the paper used by Blake. Each page is watermarked with Blake's monogram. 20 copies, numbered I to XX, each containing a set of hand-coloured plates shewing progressive stages in the stencil work, colour collotype proofs, and an original guide sheet and stencil. 380 copies, numbered 1 to 380. 26 copies, numbered A to Z, reserved for Mr. Lessing J. Rosenwald, the Library of Congress, the Trustees of the Wm. Blake Trust and the Publishers. The illuminated pages were reproduced in Paris by the Trianon Press(France) in the workshops of M. Hourdebaigt and Crampe by collotype and stencil process. The editorial matter was printed by the Imprimerie Darantiere, Dijon and the binding was by Engel, Malakoff. The book was produced and published under the supervision of Mr. Arnold Fawcus by the Trianon Press, Chateau de Boissia, Clairvaux, Jura, France and is distributed throughout the world by Bernard Quaritch Ltd., 11 Grafton St., London W.I."

Production Information

Paper Supplier, Description & Use: Arjomari. Arches, velin creme with WB watermark, 200 gram basis for text pages. The paper was made in a large making for 3 different books: THEL, MILTON & AHANIA. Canson mi Tientes - rose - for the lining of the deluxe boxes. Duval et Cie. hand-marbled paper for the bindings, the slipcases and boxes. Type Supplier, Description & Use: Imprimerie Darantiere, Dijon. Bembo - 16 pages - typesetting and correction, printing Collotype Supplier, Description & Use: M. Hourdebaigt & Crampe. M. Crampe analyzed the original plate and decided the colors for the base collotype and the sequence of color application by pochoir; then worked each of the collotype negatives for each specific color of the base collotype. Hourdebaigt printed the collotype plates in collaboration with Crampe.
Pochoir Supplier, Description & Use: M. Crampe. After the printing of the plates, M. Crampe directed, corrected and supervised the application of the pochoir colors
Binding Supplier, Description & Use: Engel, Malakoff. Deluxe - full morocco binding with a clamshell box (morocco spine, gold lettering, hand-marbled paper sides, lined with rose colored paper) to hold all the extra materials. Trade - quarter morocco with hand-marbled paper sides - leather-edged slipcase with hand-marbled paper sides.
Box Supplier, Description & Use: Adine. Deluxe ed. - Clamshell box with morocco spine, gold lettering, hand-marbled paper sides and lined with a rose colored paper. Trade ed. - Leather-edged slipcase with hand-marbled paper sides.
Prospectus Variations & Description: Full page, full color illustrations , pl.1,10.16,18, 32,36,37,42,45,47,50 - page folded in half, text on front and back, illustration in the middle.
Box 89

Correspondence

Box 89

Production notes

Box 89

Production notes: Distribution lists

Box 89

Paper: Text

Box 89

Paper: Binding (Duval hand-marbled paper)

Box 89

Printing: Imprimerie Darantiere

Box 89

Text: Typescript with corrections

Box 89

Text: Proofs with corrections

Box 89

Text: Imposition

Box 89

Photography: Collotype negatives

Box 89

Collotype & pochoir: Hourdebaigt & Crampe

Box 89

Binding: Engel, Malakoff

Box 89

Binding: Adine (slipcases & boxes)

Box 89

Binding: Spine stamp (Fer a dore)

Box 89

Binding maquette

Box 89

Prospectus: Text, proofs with corrections, samples with corrections

Box 89

Prospectus: Illustration samples & overs

Box 89

Publicity

Box 90

Slipcase & box samples

Box 187

Page layouts and cutting guards

Box 91

Collotype Decomps, plate 1-20

Box 91

Collotype Decomps, plate 21-40

Box 91

Collotype Decomps, plate 41-50

Box 91

Plate 37 Color Decomps.

Box 91

1 set colored plates (msg. plate 37, 38, 44)

 

Songs of innocence and experience, trade edition I-BB-1 1967, 1970

Physical Description: 11 boxes

Publication Information

Authored by William Blake, additional text by Geoffrey Keynes. English and American trade editions, 1967; reissue as Oxford University Press paperback, 1970.

Project History

Work published: December 25, 1967
Distributors: Orion Press/ Grossman Publishing (New York)
Prospectus information: "The 54 plates are reproduced in six- and eight- color offset, under the direction of the Trianon Press in Paris… This handsomely bound 210-page volume is 8 7/8" x 5 ½" in size, the same as the original and comes in an appropriate slip case."
Box 219, Folder 1

Correspondence: Sir Geoffrey Keynes 1970

Box 219, Folder 2

Correspondence: Orion Press 1970

Box 219, Folder 3

Correspondence: Oxford Univ. Press 1969-1976

Box 219, Folder 4

Correspondence: Rupert Hart-Davis 1969-1970

Box 219, Folder 5

Manuscript proofs: G.L. Keynes

Box 219, Folder 6

Production correspondence

Box 219, Folder 7

Production Estimates 1966

Box 219, Folder 8

Production Notes 1967-1975

Box 219, Folder 9

Paper: Correspondence & notes 1966-1977

Box 219, Folder 10

Paper Samples 1967-1969

Box 219, Folder 11

Printing: Correspondence & Production notes 1966-1970

Box 219, Folder 12

Printing: William Clowes & Sons 1977

Box 219, Folder 13

Printing: Imprimerie Darantiere, correspondence & production notes 1965-1966

Box 219, Folder 14

Printing: Spottiswoode Ballantyne & Co. specimen pages

Box 219, Folder 15

Printing: J.M.L. Stone correspondence 1976

Box 225, Folder 1

Hart-Davis 1967 edition: Text paste-ups 1967

Box 225, Folder 2

Hart-Davis 1967 edition: Illustration & Comm. paste-ups 1967

Box 225, Folder 3

Hart-Davis 1967 edition: Production notes, prelims, layout sheets 1967

Box 225, Folder 4

Hart-Davis 1967 edition: Proofs 1967

Box 225, Folder 5

Hart-Davis & Orion: Book jacket 1964-1967

Box 225, Folder 6

Hart-Davis 1967 edition: Prospectus production materials 1967

Box 225, Folder 7

Orion 1967 edition: Paste-up & layout maquette

Box 226, Folder 3

Orion 1967 edition: Publicity production materials

Box 226, Folder 4

Orion/Grossman 1967 edition catalogue

Box 226, Folder 5

Oxford University Press: Prelims production notes 1967

Box 226, Folder 6

Oxford University Press: Prelims, Intro, Comm.- production notes 1967

Box 226, Folder 7

Oxford University Press 1977 edition paperback: Paper, color & final samples

Box 226, Folder 8

Oxford University Press 1977 edition: Maquette showing changeover

Box 220, Folder 1

Oxford University Press 1977 edition: Paste-up maquette

Box 220, Folder 2

Corrected & uncorrected galley proofs

Box 220, Folder 3

Corrected Galley Proofs: Trianon Press, etc.

Scope and Contents

Sets corrected by Trianon Press, Geoffrey Keynes, Joan Drucker and Janes Brooks
Box 220, Folder 4

Binding/Slipcase: Correspondence 1964-1977

Box 220, Folder 5

Binding: Jarrold & Sons Ltd. correspondence 1969

Box 220, Folder 6

Prospectus samples: Orion & Hart-Davis 1967

Box 220, Folder 7

Stock: Correspondence & notes

Box 220, Folder 8

Sales and royalties 1977-1979

Box 220, Folder 9

Shipping correspondence 1967

Box 221, Folder 1

Sample binding: 1967 Orion Press hardcover with jacket 1967

Box 221, Folder 2

Sample binding: 1970 Oxford University Press paperback 1970

Box 221, Folder 3

Sample binding: 1977 Oxford University Press hardcover with jacket, paperback missing front cover 1977

Box 221, Folder 4

Sample binding: 1982 Oxford University Press paperback 1982

Box 221, Folder 5

Scrapbook of reviews

Box 221, Folder 6

Cutting guides for Christmas card offcuts 1967-1977

Box 221, Folder 7

Card sample

Box 221, Folder 8

Binding: Correspondence 1967

Box 94, Folder 1

Printing: Correspondence & production notes - Victor Michel 1967

Box 94, Folder 2

Printing: Correspondence & production notes - Imprimerie Moderne du Lion 1961-1977

Box 94, Folder 3

Printing: Correspondence & production notes - Spottiswoode Ballantyne Ltd. 1966-1968

Box 94, Folder 4

Hart-Davis 1967 edition: Book Jacket - layout

Box 94, Folder 5

Orion 1967 edition: Book jacket production material

Box 263

Prospectus paste-up board: Oxford University Press

Box 263

Prospectus, Orion 1967: Layout sheet & board

Box 263

Galley Proofs with corrections

Box 263

Bon à tirer sheets: Miscellaneous selections

Box 263

Diazo print forms with corrections

Box 263

Printing matrices

Box 361

Slipcase samples

Physical Description: 5 items
Box 263

Book jacket samples: Hart-Davis & Oxford University Press

Box 263

Proof sheets with corrections

Box 224

Text proofs: Oxford University Press 1977

Box 224

Cutting guides: Oxford University Press 1977

Box 224

Illustration sheets - 1 form 1967, 3 sets - 2 forms 1977

Box 169

Negatives 3" x 5"

Box 94, Folder 6

Orion 1967 edition: Book Cover samples 1967

Box 94, Folder 7

Oxford University Press production notes, corrections, layouts

Box 94, Folder 8

Oxford University Press dummy, complete

Box 94, Folder 9

Oxford University Press 1970 edition: Production notes

Box 94, Folder 10

Oxford University Press 1970 edition paperback: Cover layout & production materials

Box 94, Folder 11

Oxford University Press 1970 edition paperback: Cover production material & samples

Box 94, Folder 12

Oxford University Press 1977 edition: Production notes

Box 94, Folder 13

Oxford University Press 1977 edition paperback: Cover production materials

 

Southern Rhodesia I-CC-1 1967

Physical Description: 11 boxes

Publication Information

Authored by Abbé Henri Breuil. Part of Rock Paintings of Southern Africa series.

Project History

Participants: Breuil, Boyle, Heim, Singer-Polignac Foundation
Work published: September 1966
Number of editions: 1
Size of editions: 420 copies
Prospectus information: "The first edition consists of 420 copies, of which 12 are hors commerce. 388 unnumbered copies, bound in cloth. 5 copies numbered I to V, printed on pure rag paper made by hand at the Moulins du Val de Laga, Auvergne, and bound in full leather. 15 copies numbered 1 to 15, printed on Arches pure rag mould-made paper, and bound in quarter leather. 63 colour plates, reproduced by the collotype and hand-stencil process, which are documented by 19 photographs in monochrome collotype; three line drawings and three maps."
Box 460, Folder 31

Publicity

Box 460, Folder 32

Prospectus samples

Scope and Contents

2 copies
Box 265

Layouts, design notes, maquette

Box 470, Folder 24

Bantu as Artist: Patterson paper

Box 470, Folder 25

Breuil Trust documents and Boyle finances

Box 470, Folder 26

Breuil tracing and photographs (Mbara)

Box 470, Folder 27

Breuil manuscripts and article

Box 470, Folder 28

Prospectus samples and archaeological ephemera

Box 470, Folder 29

Correspondence and financial notes

Scope and Contents

2 photographs
Box 265

Proofs

Box 470, Folder 30

Correspondence: Printers

Box 335, Folder 12

Early manuscripts

Box 335, Folder 13-14

Corrected typescripts and notes

Scope and Contents

2 folders
Box 335, Folder 15-18

Corrected typescripts: French

Box 335, Folder 19

Prospectus typescripts, layouts, proofs, samples

Box 335, Folder 20

Jacket text, layouts, galleys

Box 335, Folder 21

Corrected typescript, complete

Box 335, Folder 22

Typescript: Chapter 1

Box 335, Folder 23

Corrected typescript

Box 335, Folder 24

Corrected typescripts: French

Box 335, Folder 25

Corrected typescripts: French (printer's set)

Box 335, Folder 26

Corrected typescripts: French: Intro and Acknowledgements

Box 335, Folder 27

Jacket: French: Text, layouts, galleys

Box 335, Folder 28

Correspondence

Box 335, Folder 29

Vital statistics and stocks

Box 335, Folder 30

Production notes

Box 335, Folder 31

Factures

Box 335, Folder 32

Paper

Box 335, Folder 33

Printing

Box 335, Folder 34

Binding and page plans

Box 335, Folder 35

Prospectus: French: Correspondence and notes

Box 335, Folder 36

Estimates

Box 335, Folder 37

Jackets: Correspondence and notes

Box 335, Folder 38

Contract

Box 335, Folder 39

Cost notes

Box 335, Folder 40

Correspondence: St. Mathurin

Box 335, Folder 41

Correspondence

Box 335, Folder 42

Fondation Singer-Polignac: Correspondence: Heim

Box 335, Folder 43

Fondation Singer-Polignac: Correspondence

Box 335, Folder 44

Fondation Singer-Polignac: Correspondence

Box 335, Folder 45

Fondation Singer-Polignac: Contracts

Box 335, Folder 46

Fondation Singer-Polignac: Correspondence: Couvier

Box 335, Folder 47

Fondation Singer-Polignac: Sales sheets and production notes

Box 453

Maquettes, paste-ups

Box 229

Paste-ups and designs

Box 253

Galley proofs

Box 347

Guides and stencils

Box 235

Guides and stencils

Box 467, Folder 20-21

Photographs, notes, diagrams on locations of figures

Scope and Contents

Includes Chamavara, Chehonondo, Matopo and other sites
Box 167

Breuil tracings

 

The gates of Paradise I-DD-1 1968

Physical Description: 6 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Work published: December 1968
Distributors: Quaritch
Number of editions: 1
Size of editions: 700 copies for sale
Prospectus information: "Volume 1 includes seventeen preliminary sketches from Blake's Notebook, reproduced in facsimile by collotype, together with Sir Geoffrey Keynes's introduction, pape-by-page explanation and comparative study of all three stages of work, and a census of every known copy of the two volumes of engravings…. Volume 2 of this edition is a facsimile of the For Children series…and contains additional states of an earlier version. Volume 3 is a facsimile of…For the Sexes, together with a number of comparative plates from other sources. The engravings have been produced in facsimile by two-tone collotype with the plate mark impressed from hand-bevelled copper plates. The paper is Arches Vergé. 50 copies numbered 1 to 50, containing extra plates and material used in printing the book, are bound in full morocco and presented in a cloth slip-case. 650 copies numbered 51-700 are bound in cloth and presented in a cloth-covered slip-case. Uniform page size: 10.6 x 13.7 cm."
Box 187

Formes

Box 460, Folder 33

Postcards, extra prints, maquette

Box 460, Folder 34

Tally sheet and extra prints

Box 460, Folder 35

Sets of prints

Box 460, Folder 36

Extra pages and maquette

Box 460, Folder 37

Publicity

Box 460, Folder 38

Copyright information

Box 474, Folder 1

Extra plates: 13, 15, 16, 17, 20

Box 474, Folder 2

Extra plates: 2, 7, 8, 10

Box 474, Folder 3

Extra plates: 1, 3, 4, 5, 11, 12

Box 474, Folder 4

Prospectuses, extra plates, dummy

Box 474, Folder 5

Dummy, leather samples

Box 474, Folder 6

Dummies

Box 474, Folder 7

Photographs of emblems

Box 474, Folder 8

Introductory volume spare sheets

Box 474, Folder 9

Estimates, invoices, production notes

Box 474, Folder 10

Correspondence and legal agreement

Box 474, Folder 11

Production notes and figures

Box 474, Folder 12

Design notes, photographs, one stencil

Box 474, Folder 13

Text proofs, correspondence, and figures

Box 474, Folder 14

Corrected proofs of text

Box 199

Corrected proofs of text

Box 467, Folder 22

Mock-ups, paste-ups, proof prints

Box 467, Folder 23

Paste-ups, proof prints, copper plates (blank)

Box 475

Bon à tirer sheets 1968 October

 

Europe, a prophecy I-EE-1 1969

Physical Description: 11 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Participants: Geoffrey Keynes, Lord Cunliffe, Mrs Landon Thorne,John Fleming, Paul Mellon, Stoddard Steven, Arnold Fawcus
Work published: June 1969
Distributors: Trianon Press, Quaritch (funded part of the production - 250 ex.)
Number of editions: 1
Size of editions: 400 copies (deluxe & standard)
Prospectus information: "...400 copies for sale. 20 copies # I-XX, containing set of hand-colored plates - color decomps of one plate, a complete set of color collotype proofs of all plates and a guide and stencil - bound in full morocco with leather-edged slipcase covered in hand-marbled paper. 380 copies #1-380 bound in quarter brown morocco with hand-marbled paper sides & matching slipcase."
Colophon information: "The publication of this facsimile of William Blake's EUROPE, A PROPHECY, was made possible by the generosity of Mrs. Landon Thorne and Lord Cunliffe, who lent the two volumes from which the plates were selected for reproduction. The edition consists of 525 copies printed on Arches pure rag paper made to match the paper used by Blake. Each leaf is watermarked with Blake's monogram. 20 copies numbered I to XX, each containing a set of hand-colored plates shewing progressive stages in the stencil work, colour collotype proofs and an original guide sheet and stencil. 480 copies numbered 1 to 480. 26 copies numbered A to Z, reserved for Mrs. Landon Thorne, Lord Cunliffe, the Trustees of the William Blake Trust and the publishers. The illuminated pages were reproduced in Paris by the collotype and stencil process in the workshops of the Trianon Press (France) and M. Crampe. The editorial matter was printed by the Imprimerie Darantiere, Dijon, and the binding was by Engel, Malakoff. The book was produced and published under the supervision of Mr. Arnold Fawcus, by the Trianon Press, Chateau de Boissia, Clairveaux Jura, France and is distributed throughout the world by Bernard Quaritch Ltd., 11 Grafton Street, London W.I."

Production Information

Paper Supplier, Description & Use: Jean Duval. Hand-marbled paper, Velin Arches Creme sans filigrane for binding & boxes #2025 - From Colophon: Pure rag Arches paper, made to match Blakes - watermarked with "WB" - "Ingres d'Arjomari MBM Rose"(#A-D box lining)
Type Supplier, Description & Use: Imprimerie Darantiere. Fer a Dore - spine titling; Text - Bembo 270
Collotype Supplier: Jacomet, Hourdebaigt and Crampe
Pochoir Supplier: Jacomet & Crampe
Binding Supplier, Description & Use: Engel. Leather "Havanna Clair"; Demi-peau, Pleine peau 516-525, etuis, emboitages 25-30
Box Supplier, Description & Use: Adine. Recipients of copies #A-D were entitled to a special box containing a complete set of guide sheets and stencils - one box for TP also slipcases for edition
Prospectus Variations & Description: Approx. 1207 printed - Jacomet & Crampe did the pochoir work - samples of pl.2,8,13,15,19 - Single sheet folded in half - illustration in center, information on back page - printed on text paper - our samples have the watermark askew - most likely that these were proofs, sample illustration sheets not good enough for the edition but fine for the prospectus.
Box 72

Correspondence: General

Box 72

Correspondence: Sir Geoffrey Keynes

Box 72

Correspondence: Paul Mellon & related

Box 72

Correspondence: Stoddard Steven: Mellon Subsidies

Box 72

Correspondence: Lord Cunliffe

Box 72

Correspondence: Mrs. Landon Thorne, John Fleming

Box 72

Business papers: Estimates, Customs, bank

Box 460, Folder 39

Business papers: Estimates, Customs, bank

Box 72

Production Notes: General

Box 72

Production Notes: Illustrations

Box 72

Production Notes: Type

Box 72

Paper estimates

Box 72

Collotype/Pochoir Estimates

Box 72

Binding Estimates & production notes

Box 72

Text: Corrected typescripts & proofs

Box 72

Prospectus: Production notes

Box 72

Prospectus samples: plates 2, 15 & plates 8,13,19

Box 72

Publicity

Box 73

Text: Corrected proof sheets

Box 73

Incomplete text: Paste-ups with corrections

Box 73

Text: Finished sample

Box 70

Negatives: Color separations

Box 74

Illustration (1st forme): Collotype proof sheets

Box 74

Illustration (2nd forme): Collotype proof sheets

Box 74

Illustration (3rd forme): Collotype proof sheets

Box 74

Illustration (4th forme): Collotype proof sheets

Box 74

Illustration (5th forme): Collotype proof sheets

Box 74

Illustration (6th forme): Collotype proof sheets

Box 74

Illustration (7th forme): Collotype proof sheets

Box 74

Illustration (8th forme): Collotype proof sheets

Box 73

Title page: Color decomps

Box 73

Plate 1: Color decomps

Box 73

Plate 2: Color decomps

Box 73

Plate 3: Color decomps

Box 73

Plate 4: Color decomps

Box 73

Plate 5: Color decomps

Box 73

Plate 6 & 7: Color decomps

Box 73

Plate 8: Color decomps

Box 73

Plate 9: Color decomps

Box 73

Plate 10: Color decomps

Box 73

Plate 12: Color decomps

Box 73

Plate 14: Color decomps

Box 73

Plate 15- Color decomps

Box 75

Plate 1: Guides & stencils

Box 75

Plate 2: Guides & stencils

Box 75

Plate 3: Guides & stencils

Box 76

Plate 4: Guides & stencils

Box 76

Plate 6: Guides & stencils

Box 76

Plate 8: Guides & stencils

Box 76

Plate 10: Guides & stencils

Box 76

Plate 13: Guides & stencils

Box 76

Plate 14: Guides & stencils

Box 73

Cover sheets to stencils

Box 77

2 slipcases

Box 73

Book box

Box 73

Photographs of plates: Publicity

Box 74

2 sample sheets: Frontispiece & plate 15 (brown collotypes only)

Box 73

Preface plate 3 - 2 samples (opposite "Description & Bibliographical Statement")

Box 73

Base collotype sheets, plate 6,7,12,14: 2 samples

Box 73

Prospectus: Proof with corrections

Box 169

Photographs and negatives (4x5)

Box 64

Photographs (5x7)

Box 65

Photographs (8x10)

 

All religions are one I-FF-1 1970

Physical Description: 4 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Participants: Arnold Fawcus, Geoffrey Keynes
Work published: June 1970
Distributors: Trianon, Quaritch
Number of editions: 1
Size of editions: 636 copies for sale
Prospectus information: "For a variety of reasons Blake's early tractate, ALL RELIGIONS are ONE, is of the greatest interest. There is only one known copy in existence, the title-page coming to light only recently. This facsimile is thus the first publication of the delightful and important little book. It consists of ten delicately etched plates: The Frontispiece which depicts John the Baptist, a Title-Page, an 'Argument' and seven 'Principles'. In these, Blake formulates some of the ideas to which he returned in The Marriage of Heaven & Hell and later developed in the prophetic books. The plates were almost certainly etched soon after the death, in 1787, of Blake's brother, Robert, and just before those of the first illuminated book, Songs of Innocence, dated 1789. Technically their background is most intriguing. It was during this period that Blake was in Doubt about the technique he should use for his 'illuminated' printing and he received 'instruction in a vision' from the spirit of his brother, Robert. In the facsimile the reproduction is by colour collotype with occasional addition, by hand, of watercolour washes through stencils. To obtain a faithful reproduction, the entire text was silhouetted by hand on the collotype negatives. The facsimile is printed on pure rag Arches paper matching the colour of the original. Description and bibliographical statement by Sir Geoffrey Keynes. Page size: 30 x 23.5 cms. There are 636 copies for sale. 36 copies numbered I to XXXVI, each containing a set of proofs shewing the progressive stages of the collotype printing of the plates, with an extra set of the finished plates; bound in full morocco with a leather-edged slip-case covered in hand-marbled paper. 600 copies numbered 1 to 600 bound in quarter morocco with hand-marbled paper sides and a matching slip-case."
Box 93, Folder 1

Correspondence 1967-1970

Box 93, Folder 2

Contracts: William Blake Trust & Trianon Press

Box 93, Folder 3

Production notes

Box 93, Folder 4

Production statistics

Box 93, Folder 5

Estimates

Box 93, Folder 6

Paper: Correspondence, production notes

Box 93, Folder 7

Typescripts copies, corrected

Box 93, Folder 8

Corrected galley proofs

Box 93, Folder 9

Printing: Correspondence, Imprimerie Darantiere

Box 93, Folder 10

Illustration printing

Box 93, Folder 11

Pochoir color notes

Box 93, Folder 12

Guides & Stencils: Miscellaneous plates

Box 93, Folder 13

Binding & box correspondence & production notes

Box 93, Folder 14

Prospectus: production notes, typescript, paste-up

Box 93, Folder 15

Prospectus samples

Box 188

Ektachrome Negatives 5x7 (all safety film)

Box 87, Folder 1

Placement sheets

Box 87, Folder 2

Layout & paste-up sheets, finished prints

Box 87, Folder 3

Sample illustrations

Box 87, Folder 4

Bound volume, complete

Physical Description: 1 copy
Box 263

Collotype Decomps, "The Voice... & Principle 6"

Box 263

Bon à tirer sheets

 

There is no natural religion I-GG-1 1971

Physical Description: 7 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Scope and Contents

Work published: November 1971
Number of editions: 1
Size of editions: 590 copies
Prospectus information: "50 copies numbered I to L, both volumes bound in full leather morocco, with matching slip-case, and each containing a set of plates shewing progressive stages of the collotype and hand-stencil process, and a guide-sheet and stencil. 540 copies numbered 1 to 540, both volumes bound in quarter leather morocco with hand-marbled paper sides, and matching slip-case."
Box 93, Folder 16

Correspondence

Box 93, Folder 17

Keynes, no.32 census

Box 93, Folder 18

Production notes

Box 93, Folder 19

Typescripts with corrections & copies

Box 93, Folder 20

Text proofs, corrected

Box 93, Folder 21

Paper samples

Box 93, Folder 22

Printing production notes: Imprimerie Darantiere

Box 93, Folder 23

Printing notes - Illustrations: Crampe & Hourdebaigt

Box 93, Folder 24

1 set Collotype Decomps: Book 1

Box 93, Folder 25

Guides & Stencils: Book 1: Unknown stencil

Box 93, Folder 26

Guides & Stencils: Book 1: plate "Argument"

Box 93, Folder 27

Guides & Stencils: Book 1: plate IV

Box 93, Folder 28

Guides & Stencils: Book 1: plate V

Box 93, Folder 29

Guides & Stencils: Book 1: plate VI

Box 93, Folder 30

Illustrations: Book 1

Physical Description: 3 complete sets
Box 233

Collotype Decomps: Book 1

Box 233

Guides & Stencils: Book 2: "Frontispiece"

Box 233

Guides & Stencils: Book 2: "Application"

Box 233

Guides & Stencils: Book 2: plate I

Box 233

Guides & Stencils: Book 2: plate II

Box 233

Guides & Stencils: Book 2: plate V

Box 233

Guides & Stencils: Book 2: plate VI

Box 233

Guides & Stencils: Book 2: plate VII

Box 233

Guides & Stencils: Book 2: "Therefore"

Box 233

Guides & Stencils: Book 2: "Conclusion"

Box 233

Binding & box production notes: Adine, Duval, Engel

Box 233

2 sewn copies: Book 1

Box 233

2 bound maquettes: Book 1

Box 233

Prospectus: Typescripts, layouts, corrections, notes

Box 233

Prospectus samples

Box 96

Photo, "Mr. Hervey's Meditations"

Box 69

Negatives, Ektachromes

Box 87, Folder 5

Illustration layout sheets: Book 1

Box 87, Folder 6

Text layout & paste-up sheets

Box 87, Folder 7

Text: 3 finished copies (trimmed & untrimmed)

Box 87, Folder 8

Lettering practice sheets

Box 87, Folder 9

Spine title layout & finished proofs

Box 87, Folder 10

Maquettes

Physical Description: 2 items
Box 87, Folder 11

Leather covers: Deluxe edition

Physical Description: 2 items
Box 462

Slipcase samples

Physical Description: 2 items
Box 263

1 set Taquets sheets: Illustrations

 

Water-colour designs for the poems of Thomas Gray, catalogue I-HH-2-2 1971

Physical Description: 3 boxes

Scope and Contents

Authored by William Blake. Additional text by Geoffrey Keynes. Reduced-format commemorative catalogue for the exhibition at the Tate Gallery.
Box 362, Folder 14

Notes and correspondence

Box 362, Folder 15

Corrected typescript and proofs of Contents and Acknowledgements

Box 362, Folder 16-17

Unbound proof, corrected typescripts, notes, and layout of Contents and Commentary

Box 362, Folder 18

Bound copy

Box 362, Folder 25

Bound copy, hardbound

Box 343

Design paste-up sheets for O'Hara depliant

Box 343

Jacket, title, frontispiece and spine layout, notes, and proofs

Box 346

Corrected proofs and notes, invoices

Physical Description: 3 folders

Scope and Contents

Introduction, commentary, acknowledgements
Box 343

Layouts, paste-ups, for black and white illustrations

Scope and Contents

Layout of form for black and white illustrations, proofs of black and white illustrations, paste-up of black and white prints from color illustrations
 

Water-colour designs for the poems of Thomas Gray I-HH-1 1972

Physical Description: 101 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Work published: 1972
Number of editions: 2 (Trianon Collotype and Pochoir; O'Hara (Chicago) offset)
Prospectus information: "The water-colour designs were reproduced by the collotype and hand-stencil process on Arches pure rag paper (made specially to match the paper used by Blake) in the workshops of Trianon Press (France) in Paris under the supervision of Arnold Fawcus. The texts of Gray's poems were printed on pure rag laid paper from copper plates, using three additional printing to reproduce Blake's pencil crosses and to obtain the tone of the paper. The introduction was composed in hand-set Garamond and the remainder of the text was set in monotype Garamond. The plates for the bound editions were 'guarded' by hand and the binding, portfolios and boxes were also made entirely by hand. The leather and hand-marbled paper were specially prepared for this edition. 132 copies, unbound in the French style, in quarter morocco portfolio, in a leather-backed matching box. 220 copies in three volumes, bound in quarter morocco, in individual slip-cases. 36 copies in a special de luxe edition for exhibition purposes, unbound in the French style in a full morocco portfolio, with an additional full leather portfolio containing progressive states of a single-colour plate, together with original guide-sheets and stencils and other material used in making the facsimile, presented in a matching box. 12 grand luxe copies bound in three volumes, full morocco, with a full leather portfolio containing material as above with additional proofs, negatives, etc."
Box 436

Correspondence: A-Z 1966-1972

Box 436

Correspondence: Jules Prolon 1971-1973

Box 436

Correspondence: Stoddard H. Stevens (Sullivan & Cromwell) 1967-1972

Box 436

Correspondence: Willis Van deVanter 1971-1973

Box 436

Correspondence: W.W. Wissman 1968-1972

Box 436

Preliminary notes regarding the project

Box 436

Project proposal and notes

Box 436

Contracts and agreements

Box 436

Project estimates & payments

Box 436

Estimates: Vendors

Box 436

Paper: Arjomari, Duval - invoices

Box 436

Paper: Ateliers Guy Bigeon - invoices

Box 436

Paper: Samples

Box 436

Photogravure: R. Francois et Fils, invoices 1972

Box 436

Printing: A. Charpenter & G. Vanden, zinc plate sample & proof

Box 436

Printing: Bussiere, copper block trial proof

Box 436

Printing: Victor Michel, photo films - invoices

Box 436

Printing: Imprimerie La Ruche, Text - invoices

Box 436

Printing: Draeger Freres, Introduction, 1969-1971 - invoices

Box 436

Printing: Draeger Freres, Preliminary pages, proof sheets with corrections

Box 436

Printing: Imprimerie Darantiere, Text, 1971-1972 - invoices

Box 436

Printing: Imprimerie Darantiere, Text, proof sheets with corrections

Box 436

Printing: Imprimerie Marchand, invoices

Box 437

Printing Production Notes

Box 437

Printing: Introduction typescript

Box 437

Printing: Introduction notes, corrected proofs, copies

Box 437

Printing: Concordance, typescript with corrections, galley proofs with corrections

Box 437

Printing: Commentary, Keynes typescript with corrections

Box 437

Printing: Commentary, corrected galley proofs, pt.1

Box 437

Printing: Commentary, corrected galley proofs, pt.2

Box 437

Printing: Plate Text sheets, inking & paper trials

Box 437

Printing: Plate Text sheets, background wash trials

Box 437

Printing: Plate Text sheets, window cutting & glueing trials

Box 437

Printing: Plate Text sheets, complete finished set

Box 437

Printing: Plate Text sheets, inventory and samples

Box 437

Printing: Text sheet trials and B.A.T.

Box 437

Printing: Text sheet cutting guides. plate 4-6, 8-9, 13, 15-16, 20-21

Box 437

Printing: Text sheet, early corrected proofs (before June 1969)

Box 437

Printing: Text sheet, corrected films, October 1969

Box 438

Pochoir: Crampe, 1968-1973

Box 438

Pochoir: Jacomet, 1967-1971

Box 438

Pochoir: Text sheet, plate 116 guide, stencil and finished proofs

Box 438

Pochoir: Production notes re: Plates, guides, stencils, decompositions

Box 438

Pochoir schedules, stocks, etc.

Box 438

Binding: Production notes

Box 438

Binding: A. Julien & Cie: Leather

Box 438

Binding: Russell's, England: Leather

Box 438

Binding: J.B. Alivon: bronze "Fer a Dorer" 1971

Box 438

Binding: Duval & Cie: Marbled papers

Box 438

Binding: Engel: Bookbinding

Box 438

Binding: Adine: Book boxes, slipcases, portfolios

Box 438

Binding: Adine: Book boxes, slipcases, portfolios, production notes

Box 438

Binding: Sebastian Carter: Labels for demi-luxe edition

Box 438

Binding: Sebastian Carter: Labels for the grand luxe edition

Box 438

Assembly information sheets

Box 438

Numbering

Box 438

Master List of plates, "Rongas lists", re-coloring lists

Box 438

Spare plates list (Douglas lists)

Box 438

Reprints & stocks

Box 438

Stock, Trianon Press clients, Bernard Quaritch

Box 438

Consignment Invoices

Box 438

Exhibition: Altulor: Acrylic resin fabricators

Box 438

Publicity: Photograph Lists

Box 438

Exhibition notes

Box 439, Folder 1

Catalogue: Orders, sales, correspondence 1972-1973

Box 439, Folder 2

Catalogue: Correspondence 1972

Box 439, Folder 3

Catalogue: Cost sheets, fabrication notes

Box 439, Folder 4

Catalogue: Prospectus invoices

Box 439, Folder 5

Catalogue: U.S. order requests 1971-1972

Box 439, Folder 6

Catalogue: Binding notes and invoices

Box 439, Folder 7

Catalogue & offset edition: Printing Invoices - Victor-Michel, Imprimerie Moderne du Lion

Box 439, Folder 8

Text Printing, jacket invoices

Box 439, Folder 9

Catalogue: Color plates Printing

Box 439, Folder 10

Catalogue: Paper notes & invoices

Box 439, Folder 11

Catalogue: Contracts - Martin Butlin

Box 439, Folder 12

Correspondence and Invoices: Engel

Box 439, Folder 13

Photographs of plates - 5x7 Black and White

Box 439, Folder 14

Text, forme 7

Box 439, Folder 15

Photographs and negatives

Map-Case H-13, Folder 3

Matted plate 5

Box 169

Negatives and safety film

Box 122

Negatives (5x7)

Box 364

Plates 1, 2, 3, 28, 34, 35, 47 Guides & Stencils

Box 365

Plates 59, 77, miscellaneous, Guides & Stencils

Box 366

Plate 4 Guides & Stencils

Box 367

Plate 83 Guides & Stencils, plate 86 Guides

Box 368

Plate 14 Guides & Stencils

Box 369

Plate 15 Guides & Stencils

Box 370

Plate Guides & Stencils

Box 371

Plate 19 Guides & Stencils

Box 372

Plate 21 Guides & Stencils

Box 373

Plate 22 Guides & Stencils

Box 374

Plate 75 Guides & Stencils

Box 375

Plate 35 Guides & Stencils

Box 377

Plate 38 Guides & Stencils

Box 378

Plate 40 Guides & Stencils

Box 379

Plate 41 Guides & Stencils

Box 380

Plate 44 Guides & Stencils

Box 381

Plate 46 Stencils

Box 382

Plate 61 Guides & Stencils

Box 383

Plate 62 Guides & Stencils

Box 376

Plate 62 Guides & Stencils

Box 384

Plate 67 Guides & Stencils

Box 385

Plate 68 Guides & Stencils

Box 386

Plate 69 Guides & Stencils

Box 387

Plate 72 Guides & Stencils

Box 388

Plate 73 Stencils

Box 389

Plate 74 Guides & Stencils

Box 390

Plate 76 Guides & Stencils

Box 391

Plate 78 Guides & Stencils

Box 392

Plate 80 Guides & Stencils

Box 393

Plate 84 Guides & Stencils

Box 394

Plate 85 Guides & Stencils

Box 395

Plate 87 Guides & Stencils

Box 396

Plate 89 Guides & Stencils

Box 397

Plate 90 Guides & Stencils

Box 398

Plate 92 Guides & Stencils

Box 399

Plate 93 Guides & Stencils

Box 400

Plate 97 Guides & Stencils

Box 401

Plate 99 Guides & Stencils

Box 402

Plate 100, 101 Stencils

Box 403

Plate 71 Guides & Stencils

Box 404

Plates 102, 103 Guides & Stencils

Box 405

Plate 104 Guides & Stencils

Box 406

Plate 106 Guides & Stencils

Box 407

Plate 107 Guides & Stencils

Box 408

Plate 108 Guides & Stencils

Box 409

Plate 109 Guides & Stencils

Box 410

Plate 112 Guides & Stencils

Box 412

Plate 115 Guides & Stencils

Box 413

Plate 116 Guides & Stencils

Box 161

Plate 1 Collotype & Color Decomps

Physical Description: 2 folders
Box 161

Plate 2 Collotype Decomps

Physical Description: 1 folder
Box 161

Plate 4 Collotype Decomps

Physical Description: 1 folder
Box 161

Plate 5 Collotype Decomps

Physical Description: 1 folder
Box 161

Plate 6 Collotype Decomps

Physical Description: 1 folder
Box 161

Plate 23 Base Collotypes

Physical Description: 1 folder
Box 161

Plate 24 Collotype & Color Decomps

Physical Description: 2 folders
Box 161

Plate 25 Collotype & Color Decomps

Physical Description: 2 folders
Box 162

Plate 26 Collotype & Color Decomps

Box 162

Plate 27 Collotype & Color Decomps

Box 162

Plate 28 Collotype & Color Decomps

Box 162

Plate 29 Collotype Decomps

Box 163

Plate 30 Collotype & Color Decomps

Physical Description: 2 folders
Box 163

Plate 31 Collotype & Color Decomps

Physical Description: 2 folders
Box 163

Plate 32 Collotype & Color Decomps

Physical Description: 3 folders
Box 417

Plate 33 Collotype & Color Decomps

Box 417

Plate 34 Collotype Decomps

Box 417

Plate 35 Collotype & Color Decomps

Box 417

Plate 36 Collotype Decomps

Box 417

Plate 37 Collotype & Color Decomps

Box 418

Plate 38 Collotype & Color Decomps

Box 418

Plate 39 Collotype & Color Decomps

Box 418

Plate 40 Collotype & Color Decomps

Box 418

Plate 41 Collotype & Color Decomps

Box 419

Plate 42 Collotype & Color Decomps

Box 419

Plate 43 Collotype & Color Decomps

Box 419

Plate 44 Collotype Decomps

Box 419

Plate 45 Collotype & Color Decomps

Box 419

Plate 46 Collotype & Color Decomps

Box 419

Plate 47 Collotype Decomps

Box 419

Plate 48 Collotype & Color Decomps

Box 420

Plate 49 Collotype & Color Decomps

Box 420

Plate 50 Collotype Decomps

Box 420

Plate 51 Collotype Decomps

Box 420

Plate 52 Collotype & Color Decomps

Box 420

Plate 53 Collotype & Color Decomps

Box 420

Plate 54 Collotype & Color Decomps

Box 421

Plate 55 Collotype Decomps

Box 421

Plate 56 Collotype Decomps

Box 421

Plate 57 Color Decomps

Box 421

Plate 58 Collotype & Color Decomps

Box 421

Plate 59 Collotype Decomps

Box 422

Plate 60 Collotype & Color Decomps

Box 422

Plate 61 Color Decomps

Box 422

Plate 62 Collotype & Color Decomps

Box 422

Plate 63 Collotype & Color Decomps

Box 423

Plate 64 Collotype Decomps

Box 423

Plate 65 Collotype & Color Decomps

Box 423

Plate 66 Collotype Decomps

Box 423

Plate 67 Collotype & Color Decomps

Box 423

Plate 68 Collotype & Color Decomps

Box 424

Plate 69 Collotype & Color Decomps

Box 424

Plate 70 Collotype Decomps

Box 424

Plate 71 Collotype & Color Decomps

Box 424

Plate 72 Collotype & Color Decomps

Box 424

Plate 73 Color Decomps

Box 425

Plate 74 Collotype & Color Decomps

Box 425

Plate 75 Collotype & Color Decomps

Box 425

Plate 76 Collotype & Color Decomps

Box 425

Plate 78 Collotype & Color Decomps

Box 426

Plate 79 Collotype & Color Decomps

Box 426

Plate 81 Collotype & Color Decomps

Box 426

Plate 82 Collotype & Color Decomps

Box 426

Plate 83 Collotype & Color Decomps

Box 427

Plate 84 Collotype & Color Decomps

Box 427

Plate 85 Collotype & Color Decomps

Box 427

Plate 86 Collotype & Color Decomps

Box 427

Plate 87 Collotype & Color Decomps

Box 427

Plate 88 Collotype Decomps

Box 428

Plate 89 Color Decomps

Box 428

Plate 90 Collotype & Color Decomps

Box 428

Plate 91 Collotype & Color Decomps

Box 428

Plate 92 Collotype & Color Decomps

Box 429

Plate 93 Collotype & Color Decomps

Box 429

Plate 95 Collotype & Color Decomps

Box 429

Plate 96 Collotype Decomps

Box 429

Plate 97 Collotype & Color Decomps

Box 429

Plate 98 Collotype & Color Decomps

Box 430

Plate 99 Color Decomps

Box 430

Plate 100 Color Decomps

Box 430

Plate 101 Color Decomps

Box 430

Plate 102 Collotype & Color Decomps

Box 430

Plate 104 Collotype & Color Decomps

Box 430

Plate 105 Collotype & Color Decomps

Box 430

Plate 106 Collotype Decomps

Box 431

Plate 107 Color Decomps

Box 431

Plate 108 Color Decomps

Box 431

Plate 110 Collotype & Color Decomps

Box 431

Plate 111 Collotype Decomps

Box 431

Plate 112 Collotype Decomps

Box 431

Plate 113 Collotype & Color Decomps

Box 431

Plate 115 Color Decomps

Box 431

Plate 116 Color Decomps

Box 234, Folder 6

A. Fawcus production notes: pt. 1

Box 234, Folder 7

A. Fawcus production notes: pt. 2

Box 234, Folder 8

"Publisher's note" with corrections & "Contents" proofs

Box 234, Folder 9

"Introduction" text proof with corrections

Box 234, Folder 10

"Commentary" text with corrections

Box 234, Folder 11

"Colophon" typescript with corrections

Box 234, Folder 12

Printing (Draeger Frères Imprimeurs): Offset background text sheet color trials

Box 234, Folder 13

Printing (Draeger Frères Imprimeurs): Offset background text sheet & text color bon à tirer

Box 234, Folder 14

Binding: Sebastian Carter's handwritten captions

Box 234, Folder 15

Prospectus: Notes, typescripts & proofs with corrections

Box 234, Folder 16

Tate Gallery Reception: Invitations & Announcements

Box 440

Printing: Victor-Michel: Corrected proofs & notes from Crampe & Jacomet

Box 440

Printing: Victor-Michel: Films & corrected text proofs, May-Oct. 1969

Box 441, Folder 1

Catalogue: Maquette with cover illustration, incomplete

Box 441, Folder 2

Catalogue: Maquette, new model (5/1972), U.S. edition, hardbound, incomplete

Box 441, Folder 3

Catalogue: Maquette, preliminary style, hardbound, incomplete

Box 441, Folder 4

Catalogue: Maquette, white cover, hardbound, incomplete

Box 441, Folder 5

Catalogue: Maquette, paperbound, incomplete

Box 70

Negatives: 16x20

Box 237

Text slips: 1-54

Box 476

Text slips: 55-63, 78-116

Box 199

Front matter: Layout and cutting guide

Box 363, Folder 2

Photographs and paste-ups

Box 477

Illustrations: Loose prints

Box 475

Collotype decomps, plates 57, 59; extra prints of plates 56, 80

Box 266

Maquettes: Text and illustrations

Box 267

Maquette, boxed: Illustrations

Box 270

Prospectus typescripts, proofs, copies, with sample prints

Box 271

Guide sheets, plates 6, 28, 84, 87, 91, 93, 96, 98, 113

Box 252

Proofs, paste-ups, layouts, publicity

Box 252

Poem slip bon à tirer sheets, cutting guides, forms

Box 252

Various plates, various states

Box 252

Blake manuscript notes (overs)

Box 337

Proofs

Box 340

Guides, stencils, decomps

Box 345

Guides, stencils, decomps: plate 114

Box 345

Mounted plates

Box 478

Brass printing plates - text

Box 154

Loose signatures, pages 25-32

Physical Description: 2 copies
Box 154

Various trimmed prints

Box 154

Trimmed info sheets: Stenciling color instructions

Box 164

Various plates, various unfinished states - unmarked

Box 165

Various plates, some marked for proofing

Box 165

Text gathered in signatures, marked for cutting

Box 166

Complete set of plates marked for cutting

Box 166

Various plates, various unfinished states

Box 167

Text and title page proofs and paste-ups

Box 167

Stencils and guides: plate 1

Box 167

Stencils and guides: plate 65

Box 167

Negatives and bon à tirer sheets - Various plates (Crampe and Hourdebaigt)

Box 168

Taquet and bon à tirer sheets: Jacomet

Box 189

Untrimmed plates

Box 190

Untrimmed plates

Box 190

Plate 58 overs

Box 342

Various plates, various states

 

The book of Ahania I-II-1 1973

Physical Description: 6 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.

Project History

Work published: December 1973
Distributors: Quaritch
Number of editions: 1
Size of editions: 782 copies
Prospectus information: "Exceptionally in this volume Blake had used conventional intaglio etching. In the facsimile the plate-marks are reproduced from hand-bevelled copper plates. The illustrations have as usual been reproduced by the collotype and hand-stencil process. The paper is Arches pure rag, water-marked with Blake's initials. Page size: 28.8 x 23.2 cm 32 copies numbered I to XXXII, bound in full morocco, and each containing a set of plates shewing the progressive stages of the collotype and hand-stencil process and a guide-sheet and stencil. 750 copies numbered 1 to 750, bound in quarter morocco with hand-marbled boards."
Box 233

Correspondence

Box 233

Correspondence: Paper

Box 233

Correspondence: Printing

Box 233

Correspondence: Binding

Box 233

Production Notes

Box 233

Layout information & notes

Box 233

Text: Corrected typescripts

Box 233

Paste-up sheets

Box 233

Title page: Engraved copper plate

Box 233

Pochoir production notes

Box 233

"Frontispiece": Guides (incomplete)

Box 233

"Frontispiece": Stencils (incomplete)

Box 233

"Title page": Guides (incomplete)

Box 233

"Title page": Stencils (incomplete)

Box 233

"Finis": Guides (incomplete)

Box 233

"Finis": Stencils (incomplete)

Box 233

Prospectus production material: Typescripts, paste-ups, proofs

Box 233

Prospectus samples: Trianon & Quaritch

Box 95

Photographs (5x7)

Box 188

Negatives (5x7)

Box 96

Photographs (8x10)

Box 238

Text: Corrected proofs

Box 238

Illustrations: Cutting guides

Box 238

Collotype Decomps "Frontispiece"

Box 238

Pochoir color trials "Frontispiece"

Box 238

Collotype & color decomps "Title page" (incomplete)

Box 238

Collotype & color decomps "Finis" (incomplete)

Box 238

Illustration & text pages: Samples

Box 236

3 ordinary slipcases

Box 236

1 deluxe slipcase

 

Jerusalem (Cunliffe) I-JJ-1 1973

Physical Description: 8 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust. Cunliffe copy.

Project History

Work published: July 1974
Distributors: Quaritch
Number of editions: 1
Size of editions: 532 copies
Prospectus information: "32 copies numbered I to XXXII, each containing a set of hand-coloured plates shewing progressive stages in the colouring of a single page, and an original guide-sheet and stencil; bound in full morocco with a leather-edged slip-case covered in hand-marbled paper. 500 copies numbered 1 to 500, bound in quarter morocco, with hand-marbled paper sides and a matching slip-case."
Box 72

General correspondence & notes

Box 72

Production notes & stock notes

Box 72

Paper estimates

Box 72

Printer's correspondence: Darantiere

Box 72

Leathers: Correspondence & estimates

Box 72

Binding estimates

Box 72

Photography: Estimates, notes, layouts

Box 72

Typescript: Corrected & photo copy

Box 72

First proofs (1/21/74) & final proofs

Box 72

Prospectus typescripts with corrections

Box 72

Prospectus samples (illus plate 2,6,11,23), Trianon & Quaritch distributors

Box 29

Paper estimates & samples

Box 29

Record of printing, stencils, etc.

Box 29

Page layout sheets

Box 29

Paste-up of text material & final proof

Box 29

2 sets text proofs

Box 29

Stencil information sheets: Color corrections

Box 29

1 set (complete plate 1-25 full color) illustrations

Box 29

Plate 11 base collotypes - correct watermark placement

Box 29

Collotype & color decomps (a) Preston, trial proofs

Box 29

Collotype & color decomps (c) Preston, trial proofs

Box 29

Collotype & color decomps (d) Preston, trial proofs

Box 29

1 set "Preston prints:, modele sheets

Box 29

1 set "Preston prints", trial proofs, complete f & b

Box 29

1 set "Preston prints", trial proofs - without backs

Box 30

Guides & stencils, plate 2 - 15

Box 31

Guides & stencils, plate 16 - 24 plus (b), (c) Preston prints

Box 32

Prospectus proof sheets

Box 32

Prospectus paste-up sheets: Quaritch & Trianon

Box 32

1 complete unbound volume

Box 32

3 maquettes

Box 187

Preston prints: Collotype decomps marked with pencil - 4up, sepia

Box 187

Base collotypes - 5 sheets bistre only, 10 sheets 3 colors

Box 242

Bon à tirer sheets & taquet sheets

Box 337

Unbound signatures, bound illustration maquette, final text proofs

 

The marriage of heaven and hell, trade edition I-KK-1 1975

Physical Description: 4 boxes

Publication Information

Authored by William Blake. Additional text by Geoffrey Keynes. Trade edition published by Oxford University Press.
Box 470, Folder 14

Maquettes

Box 470, Folder 15

Prospectuses: Small and large with enclosure letter

Box 470, Folder 16

Keynes text, corrected

Box 470, Folder 17

Corrected proofs

Box 470, Folder 18

Jacket proofs, design, and correspondence with Oxford UP

Box 470, Folder 19

Paratext proofs

Box 470, Folder 20

Invoices, estimates

Box 470, Folder 21

Correspondence, layout, and other notes

Box 470, Folder 22

Jacket copy, design, proofs, notes

Box 470, Folder 23

Illustration proofs

Box 439, Folder 16

Prospectus production papers 1975-1976

Box 169

Negatives (3x5)

Box 479

Collotype decomps: Title, plate 4, 5, 6, 8, 14, 20, 24, 27

 

The sphinx and white ghost shelters I-LL-1 1975

Physical Description: 6 boxes

Publication Information

Authored by Abbé Henri Breuil. Part of Rock Paintings of Southern Africa series.
Box 216

Proofs

Box 362, Folder 19

Unused printing block and proofs

Box 216

Paste-ups and proofs

Box 335, Folder 48

Photographs

Box 335, Folder 49

Correspondence

Box 335, Folder 50

Orders

Box 335, Folder 51

Binding

Box 335, Folder 52

Printing

Box 335, Folder 53

Illustrations

Box 335, Folder 54

Paper

Box 335, Folder 55

Preface

Box 335, Folder 56

Typescript: Printer's copy

Box 335, Folder 57

Typescript: Printer's copy, with notes and corrections

Box 335, Folder 58

Typescript: Excerpts from Tsisab Ravine

Box 460, Folder 40

Ameib 1963

Scope and Contents

May be related to unpublished Trianon works on Breuil
Box 460, Folder 41

Breuil Autobiography

Scope and Contents

May be related to unpublished Trianon works on Breuil
Box 460, Folder 42

Breuil in Africa

Scope and Contents

May be related to unpublished Trianon works on Breuil
Box 344

Layout proofs

Box 344

Paste-ups

Box 344

Maquette

Box 344

Design and production notes

Box 363, Folder 3

Illustration photographs

Box 362, Folder 20

Photograph paste-ups

Box 362, Folder 21

Correspondence: Breuil

Box 231

Proofs, spare prints

 

The song of Los I-RR-1 1975

Physical Description: 4 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.
Box 99

Production notes

Box 99

Text typescripts with corrections

Box 99

Text proofs with corrections

Box 99

Pochoir

Box 99

Printing

Box 99

Binding

Box 99

Stock

Box 99

Prospectus: Proofs, paste-ups

Box 227

Text paste-up with page numbers

Box 227

Text cutting guides

Box 227

Complete set, full color illustrations with cutting guides

Box 227

Prospectus paste-ups with corrections

Box 226, Folder 9

Prospectus notes, corrections

Box 227

Bon à tirer sheets, plates Frontispiece/7

Box 227

Bon à tirer sheets, plate 6/1

Box 227

Bon à tirer sheets, plate 4/8

Box 227

Bon à tirer sheets, plate 10/11

Box 228

Decomps, Frontispiece (incomplete)

Box 228

Decomps, plate 1 (incomplete)

Box 228

Decomps, plate 6 (incomplete)

Box 228

Decomps, plate 7 (incomplete)

Box 228

Decomps, plate 8 (incomplete)

Box 228

Decomps, plate 10 (incomplete)

Box 228

Decomps, plate 11 (incomplete)

Box 228

Guides, Frontispiece (incomplete)

Box 228

Stencils, Frontispiece (incomplete)

Box 228

Guides, plate 4 (incomplete)

Box 228

Stencils, plate 4 (incomplete)

Box 228

Guides, plate 6 (incomplete)

Box 228

Stencils, plate 6 (incomplete)

Box 228

Guides, plate 8 (incomplete)

Box 228

Stencils, plate 8 (incomplete)

Box 228

Guides, plate 10(incomplete)

Box 228

Stencils, plate 10 (incomplete)

Box 228

Guides, plate 11 (incomplete)

Box 228

Stencils, plate 11 (incomplete)

 

William Blake's Laocoon, a last testament I-MM-1 1976

Physical Description: 3 boxes

Publication Information

Text by Geoffrey Keynes. Trianon Press for William Blake Trust.

Project History

Participants: Keynes
Work published: December 1976
Distributors:
Number of editions: 1
Size of editions: 412
Prospectus information: "32 copies numbered I-XXXii, bound in full morocco, with a leather-edged slip-case made by hand. The volume is printed on Lana rag paper and is signed by the author. 380 copies numbered 1 to 380, bound in quarter morocco. The plates have been reproduced by collotype in Paris in the workshops of Trianon Press. The text was composed in Monotype Bembo and printed by Darantiere, mater printers in Dijon. Page size: 21.7 x 29 cm."
Box 199

Prospectus proofs and paste-up

Box 199

Collotype negatives (Cain & Abel), paste-up pages, extra plates

Box 362, Folder 22

Unfinished copy

Box 362, Folder 23

Correspondence and notes: Sir Geoffrey Keynes, Imprimerie Darantiere

Box 362, Folder 24

Typescripts and revisions

Box 474, Folder 15-16

Corrected proofs

Physical Description: 2 folders
Box 474, Folder 17

Preliminary proofs 1976

Box 474, Folder 18

Production papers, notes 1976

Box 474, Folder 19

Illustration samples 1975-1976

Box 474, Folder 20

Maquette and annotations 1975-1976

Box 474, Folder 21

Maquette for text 1975-1976

Box 474, Folder 22

Maquette for layout and binding 1975-1976

Box 474, Folder 23

Prospectus samples 1976

 

The book of Los I-SS-1 1976

Physical Description: 5 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.
Box 99

Correspondence

Box 99

Correspondence: Mrs. Paddy Page

Box 99

Production Notes

Box 99

Paper: Michel Duval, Marbreur

Box 99

Printing: Imprimerie Darantiere

Box 99

Layout Dummy

Box 99

Preliminary material with corrections

Box 99

Commentary & Bibliographical History typescripts

Box 99

Page titles: Deluxe edition

Box 99

Binding & Slipcase correspondence & Production Notes

Box 99

Edition Distribution

Box 99

Prospectus: Typescripts with corrections, layouts

Box 230

One complete set of Illustrations, full color

Box 230

Text layout & paste-ups, proofs with corrections

Box 230

Printing forme, all pages

Box 230

Illustration sheets with cut lines & binder notes

Box 230

Decomps: Frontispiece

Box 230

Decomps: Title pages

Box 230

Decomps: Chapter 1

Box 230

Decomps: Chapter 2-3

Box 230

Decomps: Chapter 4-end

Box 230

Guides: Frontispiece

Box 230

Stencils: Frontispiece

Box 230

Guides & Stencils: Title page

Box 230

Guides & Stencils: Chapter 1

Box 230

Guides & Stencils: Chapter 2-3

Box 230

Guides & Stencils: Chapter 4-end

Box 39

Proof sheets with cut lines, color corrections, forme information, layout information

Box 462

Slipcases

Physical Description: 4 items
Box 440

Title page layouts

 

The complete portraiture of William and Catherine Blake I-NN-1 1977

Physical Description: 2 boxes

Publication Information

Text by Geoffrey Keynes. Trianon Press for William Blake Trust.

Project History

Work published: June 1977
Number of editions: 1
Size of editions: 536
Prospectus information: "36 copies numbered I-XXXVI, bound in full morocco, with a leather-edged slip-case made by hand. The volume is printed on Lana rag paper and is signed by the author. 500 copies numbered 1 to 500 bound in quarter morocco. The plates have been reproduced by collotype in the workshops of Trianon Press. The text was composed in monotype Bembo and printed by Darantiere, master printers in Dijon. Page size: 21.7 x 29 cm."
Box 8

Negatives (4x5, 11x14)

Box 473, Folder 7-8

Full sets of pages

Physical Description: 2 sets
Box 473, Folder 9

Prospectuses

Box 473, Folder 10

Production notes

Box 473, Folder 11

Production correspondence 1975-1977

Box 473, Folder 12

Correspondence: Keynes 1976-1979

Box 473, Folder 13

Early page proofs and notes 1975-1977

Box 473, Folder 14

Catalogue typescripts, early drafts, printer's copy 1975-1976

Box 473, Folder 15

Preliminary proofs with corrections 1975-1977

Box 473, Folder 16

Typescripts, drafts 1976

Box 473, Folder 17

Typescripts: Iconography of Catherine Blake, drafts 1971-1977

Box 473, Folder 18

Iconography proofs, paste-ups 1971-1975

Box 473, Folder 19

List of plates and captions with corrections 1975-1976

Box 473, Folder 20

Final proofs: Title, text, trial imposition 1971

Box 473, Folder 21

Proofs: Trianon set 1975-1977

Box 473, Folder 22

Illustration captions with corrections 1975-1977

Box 473, Folder 23

Illustration paste-ups 1975-1977

Box 473, Folder 24

Illustration proofs 1975-1977

Box 473, Folder 25

Photographs 1975-1977

Box 473, Folder 26

Production photographs 1975-1977

Box 473, Folder 27

Maquette 1977

Box 473, Folder 28

Prospectus drafts, corrected typescripts 1975-1977

 

Illustrations of Dante I-PP-1 1979

Physical Description: 11 boxes

Publication Information

Authored by William Blake. Trianon Press for William Blake Trust.
Box 99

General correspondence 1963-1977

Box 99

Tate Gallery Invitation: 30th anniversary William Blake Trust

Box 99

Correspondence not sent

Box 99

Printing & Binding correspondence

Box 99

Binding: Adine book cloth sample

Box 99

Maquette: Layout

Box 99

Production notes: General

Box 99

Production notes & text corrections

Box 99

Geoffrey Keynes original corrected text photocopy

Box 99

Corrected text pages: Typescripts

Box 99

Typescripts, gallery proofs with corrections, finished proofs

Box 99

Text proofs with corrections

Box 99

Prospectus: Typescripts with corrections

Box 99

Prospectus: Galley proofs with corrections

Box 99

Prospectus: Final proofs

Box 96

Photographs (8x10)

Box 8

Photographs (11x14)

Box 69

Negatives (8x10)

Box 70

Negatives (12x16)

Box 238

Text galley proofs with corrections

Physical Description: 3 sets
Box 238

Final text prepared for printers

Box 475

Text paste-up sheets & proofs with corrections

Box 475

Layout production information: Colophon & publisher's note

Box 475

Prospectus: Sample illustrations, complete paste-up with corrections

Box 241

Binding & layout maquette, no text

Box 475

Illustration samples

Physical Description: 2 folders
Box 475

Prospectus samples

Box 475

Full size paste-up sheets with illustrations

Box 242

Bon à tirer sheets & taquet sheets

Box 243

Whirlwind of Lovers: Canceled print

Physical Description: 10 sheets
Box 243

Whirlwind of Lovers: Canceled print

Physical Description: 6 sheets
Box 243

Whirlwind of Lovers with plate mark

Physical Description: 20 sheets
Box 243

Plate 5 "..he ey'd the serpent...him"

Physical Description: 4 sheets
Box 243

Unidentified plate, cancelled print

Physical Description: 4 sheets
Box 243

Plate 4 "...Lo! A serpent with six feet..."

Physical Description: 10 sheets
Box 243

Prospectus: 2 illustrations, no text

Physical Description: 20 sheets
Box 243

Prospectus: Illustration only, gray print

Physical Description: 10 sheets
Box 264

Prospectus: Complete, distributed by Maggs Bros. Ltd.

Physical Description: 10 sheets
Box 264

Prospectus: Complete, distributed by Trianon Press

Physical Description: 10 sheets
Box 264

Prospectus: Illustrations - single sheets, no text with plate mark, uneven margins

Box 337

Proofs: Text

 

Constable with his friends in 1806 I-QQ-1 1981

Physical Description: 10 boxes

Publication Information

Text by Graham Reynolds. Limited edition by Trianon Press.

Project History

Participants: Arnold Fawcus, Julie Fawcus, Graham Reynolds, Simon Rendall, Leroy Burket, Arlette Serullez (Louvre), Brian Roylance (Genesis Publications, Ltd.), Charles Rhyne, Ann Rae-Duke, Trianon Press
Work published: December 1981
Distributors: Genesis Publications Ltd & Trianon Press (small quanity - JF on her own)
Number of editions: 1
Size of editions: 601 copies
Colophon information: "The facsimile publication was made possible by the generosity of the Cabinet des Dessins of the Louvre in permitting the reproduction of the sketchbooks and a number of drawings in the collection; of the British Museum, the Fitzwilliam Museum & the private owners who allowed drawings or paintings in their collections to be reproduced and to the Paul Mellon Centre for Studies in British Art and the Tate Gallery for supplying photographs for reproduction. The edition, in five volumes, consists of 601 copies printed on Lana Verge pure rag paper and is signed by Graham Reynolds. 35 copies numbered I to XXXV, bound in full morocco. 540 copies numbered 1 to 540, bound in quarto-morocco, with hand-marbled paper/ 26 copies numbered A to Z, reserved for those who have made the publication of the book possible and the Publishers. The plates were reproduced in collotype in the workshops of the Trianon Press (France), Paris. The letterpress was set in Monotype Bembo and printed by the Imprimerie Darantiere, Dijon. The Binding was by Reliural, Paris."

Production Information

Paper Description & Use: Grillet et Feau 120 grm2., Lana Verge pure rag paper, Blanc, 120grm2 (edition paper)
Type Supplier, Description & Use: Imprimerie Darantiere. Monotype Bembo 270 (text, etc)
Collotype Supplier: In Trianon workshop with Jack Noel (conductor) and Lee Burket (negatives). Hourdebaigt and Crampe had died in 1975/76.
Photography Supplier, Description & Use: Francois Feres (sons, Jacques and Robert actually did most of the work in the later yeaRs). M. Robert Francois died 1981 at the age of 81 yrs. He was the one that AF used for all his collotype negatives per JF.) Lee Burket did the negative layouts for the project.
Binding Supplier, Description & Use: Reliural, Paris. 35 copies #I - XXXV - full morocco; 540 copies #1 - 540, quarter-morocco with hand-marbled paper sides; 26 copies # A - Z, full morocco; All 5 volumes in same height chemises, all encased in slipcase. Chemises and slipcase covered with rust-colored cloth and Ingres papers linings. Paper labels glued to front covers. Chemises labeled 1,2,3,4,5 on spine at bottom. Slipcase is labeled on spine with title, etc.
Box Supplier, Description & Use: Adine. 5 volumes in same size height chemises, fitted to each volume. All 5 volumes encased in one slipcase.
Prospectus Variations & Description: Printed in conjunction with Genesis Publications as co-publisher.
Box 92

Correspondence: Graham Reynolds

Box 92

Correspondence: Genesis Publications: Brian Roylance

Box 92

Production correspondence: Julie Fawcus

Box 92

Reproduction rights

Box 92

Production notes: Arnold Fawcus, Julie Fawcus

Box 92

Production notes: Lee Burket

Box 92

Volume Distribution

Box 92

Title page variations, layouts

Box 92

Text: Layout, paste-ups

Box 92

Printing

Box 92

Volume 2 maquette (incomplete)

Box 92

Volume 4 maquette (incomplete)

Box 92

Volume 5 maquette (text & commentary - complete)

Box 92

Volume 5 plates

Box 92

Binding notes

Box 92

Binding labels, samples

Box 92

Book box

Box 86, Folder 11

Prospectus: Typescript, proofs, samples

Box 86, Folder 12

Prospectus: Samples, sample illustrations

Box 86, Folder 13

Sales correspondence

Box 86, Folder 14

Review correspondence

Box 86, Folder 15

Reviews and notes

Box 86, Folder 16

Cards: Production notes

Box 86, Folder 17

Cards: Samples

Box 460, Folder 43

Invoices, notes

Box 460, Folder 44

Constable Christmas card for Rosenwalds

Box 42, Folder 10

Early text

Physical Description: 3 copies
Box 42, Folder 11

Sketchbook 1-4: Typescripts with corrections

Box 42, Folder 12

Introduction & volume descriptions: Typescripts with corrections

Box 42, Folder 13

Introduction: Correction drafts

Box 42, Folder 14

Text: Various drafts with corrections (incomplete)

Box 42, Folder 15

Text typescript with correction (complete)

Box 95

Photographs (contact sheets), volumes 2 and 5

Box 122

Negatives, volume 2

Box 96

Photographs and negatives, volume 1

Box 96

Photographs and negatives, volume 2

Box 96

Photographs and negatives, volume 3

Box 96

Photographs and negatives, volume 4

Box 96

Photographs and negatives, volume 5

Box 8

Photographs and negatives, volume 5, plate 14

Box 187

Text proofs, uncorrected: Office copy

Box 187

Text proofs, with corrections: Publisher's copy

Box 187

Text proofs, with corrections: Office copy

Box 187

Text proofs, with corrections: Printer's copy

Box 187

Illustration correction sheets

Box 187

Bon à tirer sheets

Box 187

Cutting guides

Box 187

Cards: Layouts

 

Unpublished projects 35974 1948-1983

Physical Description: 64 Linear Feet

Arrangement

This series consists of eight subseries which correspond to unpublished works or groups of materials:
  • Samuel Palmer, a vision recaptured
  • Blake's illustrations of Dante
  • Book of Job
  • An island in the moon
  • Butlin: The paintings and drawings of William Blake
  • Clients' work
  • Abandoned projects
  • Engravings
Some projects and groups of projects within Series 2 have unique identifying codes (e.g. II-A, II-B, II-E-18) that were most likely assigned at the Press.

Scope and Contents

This series includes production materials for the abandoned and other unpublished works of Trianon Press, including a series of engravings, as well as contracted work done for various clients of the Press. Included in this series are photographs, negatives, plates and page layouts used in the various stages of design of these works. Also present are paste-ups, proofs, and dummies of the projected publications; manuscripts and typescripts; correspondence with appraisers, art historians, museums, suppliers, distributors, and business partners; and some financial documents pertaining to production.
 

Samuel Palmer, a vision recaptured II-A 1965-1982

Historical note

Arnold Fawcus planned to publish Raymond Lister's catalogue raisonné of Samuel Palmer's etching reproductions for the William Blake Trust, and in 1978 he published Samuel Palmer, a vision recaptured: The complete etchings and the paintings for Milton and for Virgil as a catalogue for an exhibition at the Victoria and Albert (V&A) Museum. This was meant to be a trial run for the revised, final catalogue raisonné, but Fawcus died in 1979 before being able to complete it. In 1990, the William Blake Trust published The Complete Etchings of Samuel Palmer: And His Illustrations for Virgil and Milton using production materials from Trianon Press.

Scope and Contents

This subseries contains prints of Palmer's etchings, other production materials, and related correspondence produced for both the published catalogue of the Victoria and Albert (V&A) Museum exhibition of Samuel Palmer's work in 1978, as well as the unpublished catalogue raisonné (later finished by the William Blake Trust in 1990).
Box 147, Folder 1-3

Production papers 1975-1982

Scope and Contents

Includes production information for the book after Arnold Fawcus's death.
Box 147, Folder 4-6

Correspondence 1965-1980

Scope and Contents

Includes correspondence between Julie Fawcus and Raymond Lister. Correspondence in October 1979 refers to a "Catalogue Raisonné", which is, presumably, the "unpublished" project. In a letter dated 10/30/79 Julie notifies Strudwick of Arnold's death and estimates the Catalogue Raisonné would not be published before the end of 1980.
Box 147, Folder 7

Milton - Virgil, manuscript drafts, typescript with corrections 1976-1978

Box 147, Folder 8

Preface by Geoffrey Keynes, typescript with corrections 1976-1978

Box 147, Folder 9

Layout maquette 1976-1978

Box 147, Folder 10

Mock-up of book with corrections 1976-1978

Box 147, Folder 11

First draft text 1976-1978

Box 147, Folder 12

Text paste-up and retyped draft 1976-1980

Box 147, Folder 13

Production notes 1976-1980

Box 147, Folder 14

Production notes ("xtra plates form 4") undated

Scope and Contents

Includes notes copied from a notebook kept by A.H. Palmer
Box 185

Negatives undated

Box 186

Negatives undated

Box 157, Folder 1

Printers' proofs undated

Box 157, Folder 2

Printers' proofs ("tracés forme 5") undated

Box 157, Folder 3

Printers' proofs ("sur Arches") undated

Box 157, Folder 4

Printers' proofs ("tirage") undated

Box 157, Folder 5

Printers' proofs ("Duplicates of F.5 sent to England ") undated

Box 157, Folder 6

Printers' proofs, annotated undated

Box 158, Folder 1

Production notes, corrrespondence undated

Box 158, Folder 2

Correspondence (catalogue raisonné) 1973-1981

Box 158, Folder 3

Production notes, photographs, negatives, ("1st draft catalogue") undated

Box 158, Folder 4

Production notes ("early") undated

Box 158, Folder 5

Production notes undated

Scope and Contents

Includes cost estimates, John Constable card printed for Edith and Lessing Rosenwald materials on William Blake publications and a Marcel Duchamp order form, and newspaper clippings
Box 158, Folder 6

Production notes circa 1978

Box 158, Folder 7

Print labels circa 1978

Box 158, Folder 8

Production notes, plate lists undated

Box 158, Folder 9

Layout, paste-ups undated

Box 158, Folder 10

Plate titles, deluxe edition undated

Box 158, Folder 11-12

Production notes, photographs undated

Box 158, Folder 13

Proofs undated

Box 158, Folder 14

Raymond Lister, catalogue of etchings, notes and drafts undated

Box 158, Folder 15

Raymond Lister, catalogue notes undated

Box 158, Folder 16

Negatives, production note, CMYK prints undated

Box 158, Folder 17

Press photographs Victoria and Albert Museum opening undated

Box 158, Folder 18

Manuscript dummy undated

Box 158, Folder 19

Hardcover dummy, special edition dummy undated

Box 159, Folder 1

Manuscript drafts, typescript with corrections, Ashmolean catalogue undated

Box 159, Folder 2

Printers' typescript undated

Box 159, Folder 3

Production notes, "recent" negatives undated

Box 159, Folder 4

Negative, photographic print, and transparency, "Ruth Returned from Gleaning" undated

Box 159, Folder 5

Negative, photographic print, production prints and notes undated

Box 159, Folder 6

Production materials, manuscript drafts, estimates undated

Box 159, Folder 7

Miscellaneous production notes and prospectus undated

Box 160, Folder 1

Unmarked plate undated

Box 160, Folder 2-3

Printers' page proofs undated

Box 160, Folder 4

Page layouts undated

Box 160, Folder 5

Prints used in production, 1 "The Willow", 2 "The Skylark", 3 "The Herdsman's Cottage" undated

Box 160, Folder 6

Prints used in production, 4 "Christmas", 5 "The Vine" (negatives), 6 "The Sleeping Shepherd" undated

Box 160, Folder 7

Prints used in production, 7 "The Rising Moon" (negative), 8 "The Weary Ploughman", 9 "The Early Ploughman" undated

Box 160, Folder 8

Prints used in production, 10 "The Morning of Life" (photographs), XXI "The Bellman" undated

Box 160, Folder 9

Prints used in production, XI "Opening the Fold", XXII "The Lonely Tower" undated

Box 160, Folder 10

Prints used in production, III "The Homeward Star", VII "The Cypress Grove", XII "The Sepulchre", XIII "Moeris & Galatea" undated

Box 160, Folder 11

Production prints with notes undated

Box 160, Folder 12-13

Production prints undated

Box 160, Folder 14

Model for "Sleeping Shepherd" undated

Box 160, Folder 15

Clichés, negatives undated

Box 160, Folder 16

Samuel Palmer portraits, photographs, notes undated

Box 160, Folder 17

Plate titles, negatives and prints undated

Box 160, Folder 18

Sketchbook, cutting guides, prospectus, photographs undated

Box 160, Folder 19

Negatives, photographs, page layouts undated

Box 160, Folder 20-21

Prints, photographs, negatives, production notes undated

Box 160, Folder 22

"Prints sent to England, October 1978" 1978

 

"The Etchings and Related Works"

Scope and Contents

This box contains a number of plates and printers' proof. For organization, refer to catalogue numbers in A Vision Recaptured pages 47-83. Note that the catalogue numbers and plate numbers do not correspond in each case. The order most closely matches the catalogue numbers.
Box 176, Folder 1

1 "The Willow" undated

Box 176, Folder 2

2 (a-e) "The Skylark" undated

Box 176, Folder 3

2 "The Skylark" second quality plates undated

Box 176, Folder 4

3 "The Herdsman's Cottage" second quality plates undated

Box 176, Folder 5

4 "Christmas" and second quality plates undated

Box 176, Folder 6

5 (a-b) "The Vine" undated

Box 176, Folder 7

6 (a) "The Sleeping Shepherd" undated

Box 176, Folder 8

6 "The Sleeping Shepherd" second quality plates undated

Box 176, Folder 9

6 (d) "The Sleeping Shepherd" undated

Box 176, Folder 10

7 (a-d) "The Rising Moon" undated

Box 176, Folder 11

8 "The Weary Ploughman" undated

Box 176, Folder 12

9 (a)(c) "The Early Ploughman undated

Box 176, Folder 13

10 (a-e) "The Morning of Life" undated

Box 176, Folder 14

10 (d) "The Morning of Life" undated

 

"The Designs for Virgil and Milton"

Box 176, Folder 15

I Eclogue 1 "Oh fortunate old man!" undated

Box 176, Folder 16

III "The Homeward Star" undated

Box 176, Folder 17

IV Eclogue 2 "Homeward from labour'd furrows" undated

Box 176, Folder 18

V (a-d) Eclogue 3 "'Tis gentle Philis" undated

Box 176, Folder 19

VI Eclogue 4 "Thy very cradle quickens" undated

Box 176, Folder 20

VII (a) "The Cypress Grove" undated

Box 176, Folder 21

VIII Eclogue 6 "In a deep sleep Silenus there reclined" undated

Box 176, Folder 22

IX Eclogue 6 "--Till vesper bade the swain" undated

Box 176, Folder 23

X Eclogue 7 "Come, fairest, if thou carest for me at all" undated

Box 176, Folder 24

XI (a) "Opening the Fold" undated

Box 176, Folder 25

XII(a) "The Sepulchre" undated

Box 176, Folder 26

XIII(a) "Moeris and Galatea" undated

Box 176, Folder 27

XIII(b-c) "The cream-bowl set" undated

Box 176, Folder 28

XIV Eclogue 10 "Pan came..." undated

Box 176, Folder 29

XV (a-b) Eclogue 10 "Pan came" undated

 

"The Milton Series"

Box 176, Folder 30

XVI (b) "Lycidas" undated

Box 176, Folder 31

XVII "The Eastern Gate" undated

Box 176, Folder 32

XIX "A Towered City" undated

Box 176, Folder 33

XX "The Curfew" undated

Box 176, Folder 34

XXI (a) (c) "The Bellman" undated

Box 176, Folder 35

XXII (a-i) "The Lonely Tower" undated

Box 176, Folder 36

XXII "The Lonely Tower" back of cancelled copperplate undated

Box 176, Folder 37

XXIII "Morning" of "The dripping eaves" undated

Box 176, Folder 38

XXIV (a)(b) "The Waters Murmuring" undated

Box 176, Folder 39

XXV "The Brothers Under the Vine" undated

Box 176, Folder 40

XXVII "The Brothers discovering the palace of Comus" undated

Box 176, Folder 41

31 Portrait by George Richmond undated

Box 176, Folder 42

32 Portrait by George Richmond undated

Box 176, Folder 43

Samuel Palmer with Virgil's Eclogues undated

Box 176, Folder 44

Samuel Palmer in later years, from a photograph undated

Box 176, Folder 45

Plate 9 "Rising with the Lark" undated

Box 176, Folder 46

Plate 17 (a-b) From Samuel Palmer's Sketchbook 1824 undated

Box 177, Folder 1

Collotype Proofs undated

Box 177, Folder 2

V&A Poster undated

Box 177, Folder 3

Photographic prints, print proof undated

Box 177, Folder 4

XXI (a) (c) "The Bellman" undated

Box 177, Folder 5

8 "The Weary Ploughman" and XVII "The Eastern Gate" undated

Box 177, Folder 6

Printing formes 1-20 undated

Scope and Contents

Includes unnumbered formes
Box 178, Folder 1

Stencils and guides, "The Bellman" undated

Box 178, Folder 2

Stencils and guides, "A Towered City" undated

Box 178, Folder 3

Stencils and guides, "The Eastern Gate" undated

 

Blake's illustrations of Dante II-B 1978-1979

Historical note

This work was the last publication produced by Arnold Fawcus before he passed away. Fawcus used the workshop and machines of M. Hourdebaigt after his death in 1974 to work on the Dante, Job, and Samuel Palmer projects in this Unpublished works series.
Box 179, Folder 1

Production materials 1978-1979

Box 179, Folder 2

Prospectus galley proofs 1978-1980

Box 179, Folder 3

Books sent 1977-1979

 

Book of Job II-C 1970-1987

Historical note

Blake's Illustrations of the Book of Job was one of the unfinished works of Trianon Press when Arnold Fawcus passed away in 1979 and when Sir Geoffrey Keynes passed away in 1982. In 1987, the William Blake Trust published this work with the plates that had been produced by Trianon Press.
Box 179, Folder 4

Photographic prints, original documentation undated

Box 179, Folder 5

Correspondence 1971-1975

Box 179, Folder 6

Production papers 1987

Box 179, Folder 7

Production materials undated

Box 179, Folder 8

Correspondence - General 1970-1980

Box 179, Folder 9

Subscription lists, correspondence 1976-1978

Box 179, Folder 10

Correspondence - Collins, Lucinda 1978-1980

Box 179, Folder 11

Clippings undated

Box 179, Folder 12

Correspondence, Times Literary Supplement article 1974

Box 180

"Colored engravings, proofs before plate marks" Bon à tirer proofs undated

Box 181

Title page and plates 1-6, color decomps undated

Box 182

Plates 7-13, color decomps undated

Box 183

Plates 14-21, color decomps undated

Box 184, Folder 1-2

New Zealand sets of prints with notes undated

Box 184, Folder 3

New Zealand Job, bon à tirers, collotypes, decomps undated

Box 239, Folder 1

Plate 15 overs undated

Box 239, Folder 2

Fitzwilliam color plates undated

Box 239, Folder 3

Bon à tirer prints undated

Box 239, Folder 4-5

New Zealand Job, colored plates with plate marks, some plates have two coloring schemes, both finished products undated

Box 244, Folder 1

Production materials, proofs with notes, layouts undated

Box 244, Folder 2

Chemises undated

Box 244, Folder 3

New Zealand Job, complete set of prints undated

Box 244, Folder 4

One set of engravings on Vergé, no plate marks undated

Box 244, Folder 5

Miscellaneous materials undated

Box 244, Folder 6

Miscellaneous proofs on Arches undated

Box 268, Folder 1

Miscellaneous production prints undated

Box 268, Folder 2

Proofs with notes and index undated

Box 268, Folder 3

Page layouts undated

Box 269, Folder 1

Prospectus undated

Box 269, Folder 2

Complete, stuffing and all undated

Box 269, Folder 3

Complete "student" set of the engravings undated

Box 269, Folder 4

Facsimile of William Blake's 1826 publication undated

Box 269, Folder 5

Bound proof copy "bon à tirer" undated

Box 269, Folder 6

Bound proof copy "toiles mauvaises" undated

Box 272, Folder 1

Original gravure undated

Box 272, Folder 2

Production materials, notes undated

Box 273

Bon à tirer prints undated

 

An island in the moon circa 1978

Historical note

This facsimile work was commissioned by Sir Geoffrey Keynes and Arnold Fawcus for the William Blake Trust, but was left unfinished at the time of their deaths. It was then published by the Institute of Traditional Science in 1987, with Blake's work introduced, transcribed, and annotated by Michael Phillips and a preface by Haven O'More.
Box 309, Folder 12

Production notes circa 1978

Box 310, Folder 1

Maquette, production photographs, negatives, layout circa 1978

Box 310, Folder 2

Formes 1, 2, 3, illustrations circa 1978

 

Butlin: The paintings and drawings of William Blake, catalogue 1962-1980

Historical note

This catalogue of Blake's works by Martin Butlin was planned in collaboration with the William Blake Trust and was left unpublished at the time of Arnold Fawcus's death. The final work, The paintings and drawings of William Blake, was published for the Paul Mellon Centre for Studies in British Art by Yale University Press in 1981.
Box 309, Folder 1

Correspondence and planning documentation 1962-1980

Box 309, Folder 2

Correspondence 1974-1978

Box 309, Folder 3-9

Early transcripts circa 1975

Box 309, Folder 10

Early transcripts (replaced text) circa 1975

Box 309, Folder 11

Illustrations, maquettes (originals sent to Yale) circa 1980

 

Clients' work II-D 1952-1978

Scope and Contents

This subseries contains completed and uncompleted work for hire done by the Trianon Press and affiliates for various clients. Some of the projects represented here are from the work of Arnold Fawcus and his early business partner, Pat McLeod.
 

Keynes: Bibliotheca Bibliographici II-D-1

Box 158, Folder 20

Correspondence 1962-1963

Box 158, Folder 21

Production papers 1964

Box 158, Folder 22

Text maquette 1964

Box 158, Folder 23

Illustration maquette 1964

Box 158, Folder 24

Copy prints 1964

Box 158, Folder 25

Printing formes 1964

 

Keynes: Blake Studies II-D-2

Box 158, Folder 26

Correspondence 1968-1971

Box 158, Folder 27

List of plates, diagram for form layout 1968-1971

Box 158, Folder 28

Illustration proofs 1968-1971

Box 158, Folder 29

Prospectus 1968-1971

Box 311, Folder 1

Copy prints 1968-1971

Box 311, Folder 2

Collotype negatives and glass plates 1968-1971

 

Blake/Varley Illustrations II-D-3

Box 311, Folder 3

Correspondence 1967-1970

Box 311, Folder 4

Production papers 1968-1969

Box 311, Folder 5

Typescript 1968-1969

Box 311, Folder 6

Annotated typescripts, galleys 1969

Box 311, Folder 7

Illustration proofs with notes 1968-1969

Box 311, Folder 8

Collotype proofs 1969-1970

Box 311, Folder 9

Negative sizes, formes, page layouts 1968-1969

Box 311, Folder 10

Copy prints 1968-1969

 

Collins Bible Illustrations II-D-4

Box 311, Folder 11

Correspondence 1956-1959

Box 311, Folder 12

Layouts, maquette 1956-1959

Box 311, Folder 13

Reduction negatives, copy prints 1956-1957

Box 311, Folder 14

Copley Christmas Card - Samples II-D-5 undated

Box 311, Folder 15

Daniel Cordier - Millares Catalogue II-D-6 1960-1961

Box 311, Folder 16

Volney Croswell: Dartmouth - Yosemite Prints II-D-7 1952-1954

Box 311, Folder 17

Fiat Christmas Gift - Correspondence, estimates II-D-8 1976-1978

Box 311, Folder 18

Heydenryk Frame Book II-D-9 1962

Box 311, Folder 19

James Metcalf Affiches (Show flyers) II-D-10 1958-1959

Box 311, Folder 20

Mettler Christmas Card - Correspondence (St. Gallen) II-D-11 1962

 

Roger Heim: Mycologie II-D-12

Box 311, Folder 21

Correspondence 1962-1963

Box 311, Folder 22

Plates, samples, production notes 1962-1963

 

Wormald II-D-13

Box 311, Folder 23

Manuscript illustrations 1960-1972

Box 272, Folder 3

Prints undated

Box 311, Folder 24

Seppic - Brochures, production papers II-D-14 1961-1963

 

Peter Kendall Bushe: Designs in Black and White II-D-19

Box 309, Folder 13

Production material undated

Box 309, Folder 14

Formes 1-7 1954-1966

Box 311, Folder 25

Daumier/Seita undated

Box 311, Folder 26

Franklin White undated

Box 481

Rouault: Visages circa 1969

Scope and Contents

Includes portfolios of color decompositions, guides, mounted stencils, and some plates created for the publication Visages by Georges Rouault, with pochoir work by Daniel Jacomet.
Colophon text of related publication: "Cet ouvrage réalisé en collaboration par les éditions 'L'étoile filante' et 'Daniel Jacomet' a été achevé d'imprimer le 1st Octobre 1969. Les planches ont été reproduites en fac-similé par le procédé Daniel Jacomet; typographie de L'Imprimerie Union à Paris; portefeuille de Cartonnages Adine; Papier Vélin Chiffon de Mandeure. Tirage à 450 exemplaires."
 

Miscellaneous client projects

Box 310, Folder 3

La Médaille Fédérale, Diplome d'Honneur - Guides and stencils circa 1950s

Box 310, Folder 4

Maurice Legendre - Paris undated

Box 272, Folder 4

Gianni Penati undated

Box 272, Folder 5

Rattner drawings circa 1950s

Box 311, Folder 27

Les Dames Galantes - Guides and stencils undated

Box 311, Folder 28

Taranman; Princeton University Art Museum circa 1975

Box 311, Folder 29

Unidentified materials undated

Box 272, Folder 6

Unidentified materials undated

Scope and Contents

Includes material from a French version of King Arthur, and photographs of Egyptian hieroglyphics.
Box 480

Miscellaneous glass plate negatives

 

Abandoned projects II-E 1948-1983

Scope and Contents

This subseries includes projects that were started by the Trianon Press and subsequently abandoned for various reasons. The most well represented projects in this subseries include the two projects by Abbé Henri Breuil, a book on the cathedrals at Cluny and Vézelay, Visions of Tundal, John White's drawings and Ben Shahn's work on the Dreyfus affair. Some of the projects represented are from the work of Arnold Fawcus and his early business partner, Pat McLeod. This subseries contains preliminary production materials, related correspondence and cost estimates, some plate proofs, photographic prints and negatives, and several dummies.
Box 312, Folder 1

Abandoned projects II-E-1 1954-1966

Box 312, Folder 2

Abandoned projects II-E-2 1966-1968

 

Antonia Pozzi: Parole II-E-3

Box 312, Folder 3

Correspondence 1954

Box 312, Folder 4

Nora Wydenbruck, translator 1953-1954

Box 312, Folder 5

Paper, printing estimates & samples 1954

Box 312, Folder 6

Typescript circa 1954

Box 312, Folder 7

Avery Brundage II-E-4 1962-1964

Box 312, Folder 8

Biblia Pauperum II-E-5 1968

Box 312, Folder 9

Blake - Vala II-E-6 1956

Box 312, Folder 10

Bourges II-E-7 1956-1961

Box 312, Folder 11

Breuil Bibliography (Collins) II-E-8 1963-1970

 

Breuil offset II-E-9

Box 312, Folder 12

Correspondence "African Rock Paintings" 1963-1967

Box 312, Folder 13

Estimates 1965-1966

Box 312, Folder 14

Maquette "Breuil in Africa" circa 1965

Box 312, Folder 15

Maquette "the Foreigners" circa 1967

Box 313, Folder 1

Production notes circa 1965

Box 313, Folder 2

Typescripts circa 1965

Box 313, Folder 3

Manuscript drafts circa 1965

Box 314

Dummies circa 1965

Box 315

Jacket circa 1965

Box 315

Production materials, layouts, plate lists circa 1965

 

Breuil: Spanish Caves II-E-10

Box 313, Folder 4

Correspondence, production materials 1958-1973

Box 313, Folder 5

Anthony Pagden 1965-1966

Box 313, Folder 6

Douglas Mazonowicz 1961-1963

Box 313, Folder 7

Eduardo Ripoll-Perello, J.M. Baufle 1966-1967

Box 313, Folder 8

French typescript translation circa 1965

Box 313, Folder 9

Production estimates & notes circa 1965

Box 313, Folder 10

"Rock paintings in Spain" agreements 1960

Box 313, Folder 11

Singer Polignac & Trianon agreements circa 1960

Box 313, Folder 12

Plate numbers circa 1965

Box 316, Folder 1

Estimates, production materials circa 1965

Box 317, Folder 1

Production notes and layout, printed plates with production notes circa 1965

Box 317, Folder 2

Photographs circa 1965

Box 317, Folder 3

Color difference and forme 4 layout circa 1965

Box 318, Folder 1

Prints and layouts circa 1965

Box 318, Folder 2

Stencils, guides, color decomps circa 1965

Box 319

Glass plates circa 1965

Box 313, Folder 13

Breuil: Stone Age Man II-E-11 1951

Box 313, Folder 14

Burckhardt: Pictures from Mexico II-E-12 undated

Box 313, Folder 15

Cavailles: Catalogue II-E-13 1956

Box 313, Folder 16

Chagall: Shakespeare II-E-14 1968

Box 313, Folder 17

Claire & Ivan Goll II-E-15 1952-1958

Box 313, Folder 18

Claude Lorrain II-E-16 1961-1962

 

Cluny/Vezelay II-E-17

Box 320, Folder 1

General correspondence 1966-1970

Box 320, Folder 2

Correspondence: Abbe Gaudilliere - "Splendeur Romane de Bourgogne" 1962

Box 320, Folder 3

Correspondence: Kenneth Conant, Gosse 1961-1970

Box 320, Folder 4

Correspondence: Pierre Kill - Avallon 1962-1971

Box 320, Folder 5

Correspondence: Barbara Sessions, translator 1968-1972

Box 320, Folder 6

Correspondence: Show Magazine 1963

Box 320, Folder 7

Text French Version 1, uncorrected, incomplete circa 1970

Box 320, Folder 8

French translation, corrected copy, incomplete circa 1970

Box 320, Folder 9

English translation (c2 page 1-190) with annotations, corrections circa 1970

Box 320, Folder 10

Cluny books circa 1970

Box 320, Folder 11

Photo record book circa 1970

Box 320, Folder 12

Postcards circa 1970

Box 320, Folder 13

Estimate sheets circa 1970

Box 320, Folder 14

Production notes Vezelay circa 1970

Box 320, Folder 15

Paper, printing, binding notes and correspondence circa 1970

Box 320, Folder 16

Invoices circa 1970

Box 311, Folder 30

Photographs, layouts circa 1970

Box 311, Folder 31

Notes, memos circa 1970

Box 311, Folder 32-34

Manuscript drafts circa 1970

Box 316, Folder 2

Page formats for book circa 1970

Box 320, Folder 17

Glass plates circa 1970

 

Quentin Keynes II-E-18

Box 313, Folder 19

"Cornwallis Harris - African drawings" 1966-1967

Box 313, Folder 20

"Cornwallis Harris - African drawings" - Photographs undated

Box 313, Folder 21

Count Toptani: "Rogue's Diary" II-E-19 1960-1961

 

Daumier: La Ventre Legislatif II-E-20

Box 313, Folder 22

Printers 1954-1955

Box 313, Folder 23

Production notes 1954-1955

Box 313, Folder 24

Text 1954-1955

Box 321, Folder 1

David Erdman - Blake notebook II-E-21 1969

Box 321, Folder 2

de Waroquier II-E-22 1967

 

de Merona II-E-23

Box 321, Folder 3

de Merona undated

Box 317, Folder 4

Reproduction of Family book undated

Box 321, Folder 4

de Tolnay (Blake) & Gray offset II-E-24 1968

Box 321, Folder 5

Drawings by Sculptors II-E-25 undated

Box 321, Folder 6

Dufy Book II-E-26 circa 1962

Box 321, Folder 7

English prints & watercolors II-E-27 1957

 

Fragonard: La Fontaine II-E-28

Box 321, Folder 8

Correspondence 1968

Box 321, Folder 9

Estimates 1962

Box 321, Folder 10

France II-E-29 1961-1962

Box 321, Folder 11

Galleries II-E-30 1959

Box 321, Folder 12

Gauguin manuscript II-E-31 1958-1959

Box 321, Folder 13

Goya sketchbook II-E-32 1958

 

Impressionists II-E-33

Box 316, Folder 3

Rough sketches for layout undated

Box 321, Folder 14

Correspondence 1955

Box 321, Folder 15

Estimates & production notes 1955

Box 321, Folder 16

Lists of Drawings (19th-20th century) 1953

Box 321, Folder 17

Photographs undated

Box 186

Negatives undated

Box 320, Folder 18

Glass plates

Box 321, Folder 18

Jacob Landu: Revelation of St. John II-E-34 1969

Box 321, Folder 19

Jacomet Reproductions: Rust Craft Greeting Cards II-E-35 1948

Box 321, Folder 20

Jean Helion II-E-36 1962

Box 321, Folder 21

Lesley Simpson "The Cid" II-E-37 1956-1957

Box 321, Folder 22

Mellon - Flower Catalogue II-E-38 1966-1967

Box 321, Folder 23

Mrs. Albert List II-E-39 1961-1962

 

New Directions II-E-40

Box 321, Folder 24

Rattner/Miller sketchbook: Correspondence 1958-1963

Box 321, Folder 25

Rattner/Miller sketchbook: Production notes & estimates undated

Box 321, Folder 26

Nonesuch Press: Sir Francis Megnell - Correspondence II-E-41 1955

Box 321, Folder 27

Old Hall Mss. II-E-42 1967-1968

Box 321, Folder 28

Oursel, Citteaux manuscripts II-E-43 1958-1959

Box 321, Folder 29

Picabia II-E-44 1960

Box 321, Folder 30

Princeton "Gray" II-E-45 1966-1970

Box 321, Folder 31

Rosenwald: 19th Book II-E-46 1959

 

Royal Family Group II-E-47

Box 321, Folder 32

Associated Press - Photo Centre Ltd. 1951

Box 321, Folder 33

Dreux Barry, Arts & Industries Photographiques 1950-1951

Box 321, Folder 34

Victor Ullman - Correspondence 1949-1951

Box 317, Folder 5

Color collotypes, 3 samples

Box 321, Folder 35

Ruskin: Children's Art History Book II-E-48 1959

Box 321, Folder 36

Russian Icons II-E-49 undated

Box 321, Folder 37

Samuel Palmer Drawings II-E-50 1967

 

Saroyan: To Write a Poem II-E-51

Box 321, Folder 38

Correspondence 1960-1962

Box 321, Folder 39

Photographs 1960-1962

Box 321, Folder 40

Shahn: Louis Armstrong drawings II-E-52 1960-1961

Box 321, Folder 41

Sieveking: Breuil autobiography II-E-53 1962-1964

 

Songs "Christmas Cards and Calendar" II-E-54

Box 322, Folder 1

Calendar layout, color separations circa 1957

Box 322, Folder 2

Layouts & sample cards circa 1955

Box 322, Folder 3

Photographs undated

Box 322, Folder 4

Production notes & correspondence 1952-1953

Box 322, Folder 5

Uncolored ink trial proofs circa 1955

Box 316, Folder 4

Color proof sheets

 

Sor Juana II-E-55

Box 322, Folder 6

C.F. MacIntyre 1952-1954

Box 322, Folder 7

Correspondence 1952-1954

Box 322, Folder 8

Criticisms: Francis Cornford, H.B. Hall, E. College 1952-1953

Box 322, Folder 9

Manuscripts & Proofs circa 1952

Box 322, Folder 10

Proofs circa 1952

Box 322, Folder 11

Robert Graves (Preface & Ms Letter) circa 1953

Box 322, Folder 12

Bibliography circa 1953

Box 322, Folder 13

Spenser Copeland: Spode Pattern Books II-E-56 1969

Box 322, Folder 14

Vigneau Book II-E-57 1962

 

Visions of Tundal II-E-58

Box 322, Folder 15

Robert MacGrath: Correspondence 1967-1975

Box 322, Folder 16

Burnstein, Stone, etc.: Correspondence 1968-1975

Box 323, Folder 1

Garvey, Hofer, Houghton Library: Correspondence 1968-1974

Box 323, Folder 2

Outerbridge, Barclays, Customs: Correspondence 1969-1971

Box 323, Folder 3

Text typescripts circa 1970

Box 323, Folder 4

French translation circa 1970

Box 323, Folder 5

German translation circa 1970

Box 323, Folder 6

MacGrath text criticisms circa 1970

Box 185

Negatives (plates 1 - 50)

Box 323, Folder 7

Photograph information 1971

Box 185

Photographs (plates 21 -50)

Box 323, Folder 8

Production correspondence & estimates 1969-1980

Box 323, Folder 9

Production notes & layouts circa 1970

 

Shahn: Dreyfus II-E-59

Box 324, Folder 1

Correspondence 1968-1970

Box 324, Folder 2

Correspondence 1971-1975

Box 324, Folder 3

Correspondence 1976-1980

Box 324, Folder 4

Correspondence 1981-1983

Box 324, Folder 5

Catalogue, Joseph Devernay 1974

Box 324, Folder 6

Production costs circa 1979

Box 324, Folder 7

Paper circa 1970

Box 324, Folder 8

Photography circa 1966

Box 324, Folder 9

Pochoir & Collotype printing circa 1970

Box 324, Folder 10

Production notes - Stock circa 1970

Box 324, Folder 11

Print inventory circa 1970

Box 185

Negatives: "Pink Angel" and "Portrait of Emile Zola" circa 1970

Box 324, Folder 12

8 x 10 Photographs circa 1970

Box 325, Folder 1

1 full set color prints (2 of each) circa 1970

Box 325, Folder 2

Collotype decomps "Le Capitaine Dreyfus" circa 1970

Box 325, Folder 3

Collotype decomps "Labori et Picquart" circa 1970

Box 325, Folder 4

Collotype decomps "Paleologue et Demange" circa 1970

Box 325, Folder 5

Collotype decomps "Du Paty de Clam" circa 1970

Box 325, Folder 6

Collotype decomps "Les Experts: Couarc, Varinard, Belomme, circa 1970

Box 325, Folder 7

Collotype decomps "Me. Labori" circa 1970

Box 325, Folder 8

Collotype decomps "Esterhazy" circa 1970

Box 325, Folder 9

Collotype decomps "Georges Picquart" circa 1970

Box 326, Folder 1

16 x 20 photographs - Contact prints circa 1970

Box 326, Folder 2

Guides & Stencils "Le Capitiane Dreyfus circa 1970

Box 326, Folder 3

Guides & Stencils "Labori et Picquart" circa 1970

Box 326, Folder 4

Guides & Stencils "Paleologue et Demange" circa 1970

Box 326, Folder 5

Guides & Stencils "Du Paty de Clam" circa 1970

Box 326, Folder 6

Guides & Stencils "Les Experts: Couarc, Varinard, Belomme, circa 1970

Box 326, Folder 7

Guides & Stencils "Me. Labori" circa 1970

Box 326, Folder 8

Guides & Stencils "Georges Picquart" circa 1970

Box 325, Folder 10

Miscellaneous decomps with notes circa 1970

Box 310, Folder 5

4-up Black collotype only circa 1970

Box 310, Folder 6

Publicity - Newspaper articles circa 1970

Box 327, Folder 1

"Labori et Picquart" prints, decomps, proofs circa 1970

Box 327, Folder 2

"Georges Picquart" prints, decomps, proofs circa 1970

Box 327, Folder 3

"Esterhazy" prints, decomps, proofs circa 1970

Box 327, Folder 4

"Paleologue et Demange" prints, decomps, proofs circa 1970

Box 328, Folder 1

"Du Paty de Clam" prints, decomps, proofs circa 1970

Box 328, Folder 2

"Le Capitaine Dreyfus" prints, decomps, proofs circa 1970

Box 328, Folder 3

"Me. Labori" prints, decomps, proofs circa 1970

Box 328, Folder 4

"Les Experts: Couarc, Varinard, Belomme" prints, decomps, proofs circa 1970

 

Chagall: Burning Lights II-E-60

Box 323, Folder 10

Correspondence 1949

Box 272, Folder 7

Prints, stained glass poster undated

Scope and Contents

Includes prints from Chagall's stained glass and other works.
 

John White: Drawings II-E-61

Box 323, Folder 11

Correspondence 1954-1955

Box 323, Folder 12

Correspondence 1956

Box 323, Folder 13

Correspondence 1957

Box 329, Folder 1

Correspondence 1958-1966

Box 329, Folder 2

Suppliers estimates 1954-1958

Box 329, Folder 3

Notes on artist and artwork circa 1956

Box 329, Folder 4

Contact prints with color guides on back undated

Box 329, Folder 5

Photographs for collotype models 1957

Box 329, Folder 6

Second forme color guides undated

Box 316, Folder 5

Production estimates and notes circa 1956

Box 316, Folder 6

Agreements, notes circa 1956

Box 316, Folder 7

Models for artists, color guides circa 1956

Box 316, Folder 8

Collotype models, first forme circa 1956

Box 330

Samples circa 1956

Box 316, Folder 9

Doron: Shalom of Safed II-E.a1 circa 1965

Box 316, Folder 10

Jaquet II-E.a2 1961

 

Shahn: Levana II-E.a3

Box 317, Folder 6

Text, type trials, page layouts

 

Engravings II-F circa 1976

Scope and Contents

This subseries contains engraving reproductions of the works of seventeen different artists ranging from the sixteenth through the nineteenth centuries. Also included are negatives, photographic prints and production materials related to the different engravings in the series.
Box 331, Folder 1-3

General production notes undated

Box 332, Folder 1

General production notes undated

 

Jean Bérain: Ornaments II-F-1

Box 333, Folder 1

Prints undated

Box 334, Folder 1

Prints undated

Box 332, Folder 2

Prints undated

 

Jean Bérain: Costumes de théatre II-F-2

Box 333, Folder 1

Prints undated

Box 334, Folder 2

Prints undated

Box 332, Folder 3

Production materials undated

Box 333, Folder 2

Maquettes, formes undated

 

Jean-Jacques Boissard: Mascarades II-F-3

Box 332, Folder 4

Manuscript draft, negatives, prints, production materials undated

Box 332, Folder 5

Prints undated

Box 332, Folder 6

Photographs, page layouts undated

Box 336, Folder 2

Prints undated

 

Abraham Bosse/Faithorne: Engravings II-F-4

Box 332, Folder 7

Maquette undated

Box 333, Folder 3

Production notes, photographic prints undated

 

Pieter Bruegel: Landscapes II-F-5

Box 332, Folder 8

Production notes, correspondence, layouts undated

Box 336, Folder 3

Prints undated

 

Pieter Bruegel: Ships II-F-6

Box 334, Folder 3

Prints undated

Box 336, Folder 4

Prints undated

 

Pieter Bruegel: Vices and Virtues II-F-7

Box 332, Folder 9

Production notes undated

Box 334, Folder 4

Prints undated

Box 348, Folder 6

Prints undated

 

Willem Buytewech: Landscapes II-F-8

Box 332, Folder 10

Sample prints undated

Box 336, Folder 5

Prints undated

 

Jacques Callot: Gobbi & Spessania II-F-9

Box 332, Folder 11

Prints, production notes undated

Box 336, Folder 6

Prints undated

 

François Clouet: Portraits II-F-10

Box 333, Folder 4

Prints undated

Box 334, Folder 5

Photographs undated

 

Richard Doyle: Sketchbook II-F-11

Box 334, Folder 6

Prints and formes 2 and 3 undated

Box 332, Folder 12

Prints, production notes undated

Box 332, Folder 13

Copy photographs, Layout maquette 1960-1965

 

Fra Bartolomeo: Landscapes II-F-12

Box 331, Folder 4

One incomplete set of illustration prints undated

Box 332, Folder 14

Prints undated

Box 332, Folder 15

Correspondence, production materials undated

Box 332, Folder 16

Correspondence 1958-1959

Box 333, Folder 5

Prints undated

Box 333, Folder 5

Formes 1 - 13 undated

Box 348, Folder 4

Formes, proofs undated

Box 348, Folder 5

Prints undated

Box 349, Folder 1

Formes, photographs undated

Box 480

Glass plate negatives

 

Costumes (artist unknown) II-F-13

Box 332, Folder 17

Prints and production materials undated

Box 336, Folder 7

Prints undated

 

Wenceslaus Hollar: Butterflies II-F-14

Box 332, Folder 18

Production notes, correspondence undated

Box 332, Folder 19

Prints undated

Box 336, Folder 8

Prints undated

 

Wenceslaus Hollar: Danse of Death II-F-15

Box 332, Folder 20

Production notes undated

Box 332, Folder 21

Samples, copy prints undated

Box 334, Folder 7

Prints undated

 

Wenceslaus Hollar: Theatrum Mulierum II-F-16

Box 334, Folder 8

Prints undated

Box 332, Folder 24

Prints undated

Box 332, Folder 22

Production notes undated

Box 332, Folder 23

Negatives, prints undated

Box 332, Folder 25

Daniel Mignot: Ornaments - Paste-up sheets, samples II-F-18 undated

 

Camille Pissarro: Sketches II-F-19

Box 334, Folder 9

Prints, formes undated

Box 332, Folder 26

Catalogue of Pissarro prints, notes, correspondence undated

Box 332, Folder 27

Production notes, prints undated

Box 348, Folder 2

Prints undated

Box 349, Folder 2

Production prints, photographs undated

Box 331, Folder 5

Prints, negatives, production notes undated

 

Charles Germain de Saint-Aubin: Papilloneries humaines II-F-20

Box 332, Folder 28

Correspondence undated

Box 334, Folder 10

Prints, cuivres selon tracés, plate samples undated

Box 331, Folder 6

Print, negative, production notes and manuscript draft undated

Box 348, Folder 7

Prints undated

Box 336, Folder 1

Plate samples undated

 

Mantega Tarrochi: Tarot cards II-F-21

Box 334, Folder 11

Prints undated

Box 332, Folder 29

Prints undated

Box 332, Folder 30

Prints, negatives, production notes, correspondence undated

 

J.M.W. Turner: Landscapes II-F-22

Box 334, Folder 12

Formes 1, 1a, 2, 2a, 3, 3a, 4 undated

Box 333, Folder 6

Prints undated

Box 332, Folder 31

Production materials 1979

Box 332, Folder 32

Production notes, correspondence undated

Box 332, Folder 33

Prints, negatives undated

 

Jan van de Velde: Months II-F-23

Box 332, Folder 34

Correspondence undated

Box 334, Folder 13

Photographs undated

Box 348, Folder 3

Proof sheets, negatives undated

Box 336, Folder 9

Prints undated

 

Posters

Scope and Contents

Includes posters, approximately 16" by 20", of black and white reproductions of photographs of various sites around France, including cathedrals, the Louvre Museum in Paris, and Mont St. Michel.
 

Cathedral of Saint Lazarus of Autun

Scope and Contents

Photographs by Franceschi.
Box 482

Le Christ en Majesté

Scope and Contents

"Détail de Jugement dernier. Tympan de Gislebertus, à la Cathédrale d'Autun (vers 1135)"
Box 482

Saint Pierre et les apôtres

Scope and Contents

"Tympan de Gislebertus, à la Cathédrale d'Autun (vers 1135)"
Box 482

Ève, de profil

Scope and Contents

"Détail, fragment du linteau du Portail Nord. Tympan de Gislebertus, à la Cathédrale d'Autun (vers 1130)"
Box 482

Les Rois Mages

Scope and Contents

"Détail de L'Adoration des Mages. Chapiteau de Gislebertus, à la Cathédrale d'Autunn (vers 1130)"
Box 482

Saint Joseph

Scope and Contents

"Détail de L'Adoration des Mages. Chapiteau de Gislebertus, à la Cathédrale d'Autun (vers 1130)"
Box 482

L'Adoration des Mages

Scope and Contents

"Chapiteau de Gislebertus, à la Cathédrale d'Autun (vers 1130)"
Box 482

La Sommeil des Mages

Scope and Contents

"Chapiteau de Gislebertus, à la Cathédrale d'Autun (vers 1130)"
Box 482

L'Apparition à Marie-Madeleine

Scope and Contents

"Chapiteau de Gislebertus, à la Cathédrale d'Autun (vers 1130)"
 

Saint-Andoche de Saulieu

Scope and Contents

"Chapiteau de la basilique Saint-Andoche à Saulieu." Photographs by Franceschi.
Box 482

La Fuite en Égypte

Box 482

Balaam

 

Vézelay Abbey

Scope and Contents

Photographs by Pierre Kill.
Box 482

Saint Paul

Scope and Contents

"Détail de Saint Pierre et Saint Paul. Piédroit sud du grand portail de Vézelay (vers 1130)"
Box 482

Saint Paul (tirage limité)

Box 482

Ange à l'olifant

Scope and Contents

"Chapiteau, portail sud du narthex de Vézelay"
Box 482

Le Moulin mystique

Scope and Contents

"Chapiteau de l'église Sainte Madeleine à Vézelay (vers 1130)"
 

Chartres Cathedral

Box 482

Le Christ en Majesté

Scope and Contents

"Portail royal de Chartres (XIIe siècle)." Photograph by Franceschi.
Box 482

Personnages de l'ancienne loi

Scope and Contents

"Statues-colonnes au Portail royal de Chartres (XIIe siècle) - côté droit." Photograph by Chevojon.
Box 482

Personnages de l'ancienne loi

Scope and Contents

"Statues-colonnes au Portail royal de Chartres (XIIe siècle) - côté gauche." Photograph by Chevojon.
 

Louvre Museum

Box 482

La Vénus de Milo (buste)

Scope and Contents

Photograph by Chevojon.
Box 482

La Vénus de Milo (en pied)

Box 482

La Victoire de Samothrace

Scope and Contents

Photograph by Chevojon.
Box 482

La Vénus de Cnide

Box 482

Le Mont-Saint-Michel

Scope and Contents

Photograph by Franceschi.
Box 482

Saint Césaire

Scope and Contents

"Buste reliquaire (fin XIIe siècle), église de Maurs." Photograph by Hachette-J.P. Vieil.
Box 348, Folder 1

Tracés cuivres "François et fils" undated

Box 332, Folder 35

Miscellaneous: Unidentified negative, negatives of Antonio Francesco Lucini works undated

Box 336, Folder 10

Miscellaneous prints and proofs undated

 

General business 1946-1991 1960-1979

Physical Description: 36.5 Linear Feet

Arrangement

This series consists of five subseries:
  • Administrative files
  • Correspondence
  • Financial files
  • Production files
  • Publicity
Materials within each subseries are arranged alphabetically.

Related Materials

Materials cataloged separately from this series can be found by searching "Trianon Press Archive" in the Title field of UCSC Library Search.

Scope and Contents

This series contains materials related to the general business operations of the Trianon Press entities, both in London and Paris, its partner organizations, and its affiliated workshops. The business records document the financial transactions of the Press, business correspondence, its general administrative operations, prospectuses and publicity for the publications, and some information on the history of the Press itself. The various agents associated with Trianon Press are well documented, including clients, artists, artisans, craftspeople, assistants, and other personnel, as well as some information on suppliers, distributors, and affilated publishers. Formats of materials consist of mainly paper, but also include some film, audio reels, and photographs.
 

Administrative files 1946-1981

Arrangement

This subseries is arranged into two components. The first component is arranged alphabetically by title of folder, following an original order of office files that the Press maintained. Additional files have been added into this arrangement. The second component contains agenda books, diaries, steno pads, stationery samples, catalogs, and other printed matter, and is arranged chronologically where possible.

Scope and Contents

This subseries contains materials related to the administration of business within Trianon Press as well as Arnold Fawcus's earlier publishing partnerships. Included are items related to stock, insurance records, sales records, contracts, and vouchers; office documents such as agendas, phone books, address books and client cards, stenographer's pads, balance sheets, mailing lists, office notes, letterhead and stationery, personnel advertisements and applications; and notes written by Arnold Fawcus that range in content from production logistics and schematics to the daily workings of the office. Some correspondence files are included with contracted binders, paper companies, and other reproduction affiliates. Some materials of note include the history of the Trianon Press, as well as correspondence and other documents on various projects by Abbé Breuil.
Box 274, Folder 1

18 Rue Maison Dieu 1960s

Box 274, Folder 2

Abbé Breuil - Correspondence 1957-1964

Box 274, Folder 3

Abbé Breuil - Prospectus & publicity 1959-1972

Box 274, Folder 4

Abbé Breuil - Sales circa 1957-1963

Box 274, Folder 5

Abbé Breuil Publications circa 1958-1969

Box 274, Folder 6

Abbé Breuil Publications - Arnold Fawcus 1956-1957

Box 274, Folder 7

Allocations (temporary) - Exporters 1968-1969

Box 294, Folder 8

Audio recording: The Archaeologist ms0099_rec_0001 1964 August 21

Physical Description: 1 sound tape reel

Conditions Governing Access

This audiovisual media has been reformatted for use. Contact Special Collections in advance for information regarding access.

Scope and Contents

Interview with Miss Mary Boyle about Abbé Breuil. Recorded by the British Broadcasting Service.
Box 294, Folder 8

Audio recording: Gislebertus, Sculptor of Autun ms0099_rec_0002 circa 1965

Physical Description: 1 sound tape reel

Conditions Governing Access

This audiovisual media has been reformatted for use. Contact Special Collections in advance for information regarding access.

Scope and Contents

An interview with Mr. Arnold Fawcus (President, Founder of the Trianon Press, Paris and London) and Mrs. Genevieve Benton (Administrative Assistant, M.H. de Young Memorial Museum, San Francisco) by Connacht Davis, KPFA-FM, Berkeley, California.
Box 274, Folder 8

Balance of Accounts - Trianon Press & Trianon Press (France) 1972-1980

Box 278, Folder 1

Balance sheets 1965-1967

Box 278, Folder 2

Barclays correspondence regarding apurement des exportations 1972-1981

Box 274, Folder 9

Blake Bicentenary Celebration circa 1955

Box 274, Folder 10

Blake newsletter 1968-1970

Box 274, Folder 11

Blake - Poet, Printer, Prophet - Material check undated

Box 274, Folder 12

Blake Trust and prints 1949 November 16 - 1954 February 3

Box 274, Folder 13

Blake Trust stock reports undated

Box 278, Folder 3

Blake Trust contracts circa 1969

Box 278, Folder 4

Blake Trust information packets undated

Box 274, Folder 14

Blake Watercolors, Australia 1965

Box 274, Folder 15

Bookstore information and inquiries 1979

Box 274, Folder 16

Book exhibitions 1967-1968

Box 274, Folder 17

Book reviews, reviewers undated

Box 274, Folder 18

Bordas - La Chartreuse de Parma and others 1946 May 23 - 1951 April 17

Box 274, Folder 19

Bordas - Paul Westheim book on Orozco 1946 August 29 - 1947 September 10

Box 274, Folder 20

Bordas - Lloyds Bank, Jacomet, Macleod 1947 July 23 - 1952 July 26

Box 274, Folder 21

Boyagis, John 1974 December 4

Box 274, Folder 22

British Air Ferries 1969-1970

Box 274, Folder 23

Carter, Sebastian - Trianon Press notes undated

Box 278, Folder 5

Catalogues 1955-1960

Box 274, Folder 24

Catalogues & Stock Information 1968-1969

Box 274, Folder 25

Checklists of Books undated

Box 274, Folder 26

Clark Travel Services Ltd. 1964-1965

Box 274, Folder 27

Clients en retard 1966-1968

Box 278, Folder 6

Clients exports - Recouvrements à suivre 1968-1973

Box 274, Folder 28

Collotype - miscellaneous 1955, 1965

Box 274, Folder 29

Compatibilite en Instance 1967-1977

Box 274, Folder 30

Condolence letters (A. Fawcus) 1979 July

Box 274, Folder 31

Consular Invoices & Certificates (Haggadah) 1965-1966

Box 274, Folder 32

Contracts 1956-1980

Box 274, Folder 33

Contrôle Fiscal pour la Taxe sur la Valeur Ajoutée - Archives 1975-1978

Box 278, Folder 7

Controls & Regulations - Office des Changes (Declarations) circa 1963

Box 278, Folder 8

Copley, William and Noma circa 1950's

Box 274, Folder 34

Cotswold Collotype 1974

Box 278, Folder 9-10

Crampe, Pierre 1972-1973

Box 274, Folder 35

Crampe, Pierre 1974

Box 274, Folder 36

Customs Regulations - Exhibition 1973

Box 274, Folder 37

Death notice & lists 1979

Box 274, Folder 38

Debtors file 1963-1970

Box 274, Folder 39

Declaration of Salary - Forms 1976-1979

Box 274, Folder 40-44

Deposit Notices - Lloyds, London 1953-1962

Box 278, Folder 11

Distribution - Cripps 1974-1978

Box 278, Folder 12

Distribution - Quaritch 1971-1976

Box 278, Folder 13

Distribution and purchases 1978-1980

Box 274, Folder 45

Diversifications 1965-1966

Box 274, Folder 46

Drysdale Travel Service 1959

Box 274, Folder 47

Einaudi Editore 1955 21 October

Box 274, Folder 48

Engel 1967

Box 274, Folder 49

Engel - Stock & Bindery information 1967-1974

Box 274, Folder 50

Exhibitions - Miscellaneous 1962-1976

Box 278, Folder 14

Exports 1965-1967

Box 278, Folder 15

Exports 1968-1970

Box 278, Folder 16

Exports - Customs papers, etc. 1967-1970

Box 274, Folder 51

Fawcus Master List - Plates list undated

Box 274, Folder 52

Fawcus Project Projects - Cunard Steamship Company 1946 October 26 - 1952 April 18

Box 274, Folder 53

Financial records 1956-1979

Box 274, Folder 54

Fire protection 1968-1970

Box 274, Folder 55

French promotional letter duplicates undated

Box 274, Folder 56

Gas and electricity 1959

Box 274, Folder 57

General correspondence undated

Box 274, Folder 58

General information sheet - Thomas Gray undated

Box 274, Folder 59

General information sheet - Trianon Press undated

Box 274, Folder 60-61

Hartley, Cooper, and Co. Ltd. 1961-1974

Box 278, Folder 17

Hickson and Collier, Solicitors - Statement of claim, writ, opinion 1963-1968

Box 274, Folder 62

Hourdebaigt - Insurance papers undated

Box 274, Folder 63

Hourdebaigt - Papers of Disbanding 1979-1980

Box 274, Folder 64

Humblot and Cie. 1961

Box 274, Folder 65

Information Bulletin - Thomas Gray undated

Box 274, Folder 66

Insurance - Claims settled 1966-1967

Box 274, Folder 67

Insurance - Hartley Cooper 1957-1961

Box 274, Folder 68

Insurance - Hartley Cooper 1962-1963

Box 274, Folder 69-73

Interstaff correspondence 1955-1963

Box 278, Folder 18

Inventory list - Offices undated

Box 279, Folder 2

Inventory of product undated

Box 281, Folder 1

Inventory notes circa 1978

Box 275, Folder 1

Invoices, Avoirs, etc. (Duplicates) 1955-1960

Box 275, Folder 2

Jacomet 1947 July 26 - 1949 October 17

Box 275, Folder 3

Jacomet and Macleod 1948 March 18 - 1951 December 3

Box 275, Folder 4

Jacomet - Blake, The 7th Day 1949 September 12 - 1949 November 8

Box 275, Folder 5

Jacomet - Correspondence 1947 July 29 - 1949 December 6

Box 275, Folder 6

Jacomet - Louis V. Ledoux 1947 March 16 - 1949 December 6

Box 275, Folder 7

Jacomet - Marketing and Sales of Books 1946 October 21 - 1949 October 17

Box 275, Folder 8

Jacomet - Publicity and Exhibition 1947 November 12 - 1948 March 21

Box 275, Folder 9

Jacomet - Reproductions 1947 March 26 - 1948 August 1

Box 275, Folder 10

Jacomet - Sales 1947 July 15 - 1949 March 18

Box 275, Folder 11

Jacomet - S.E.A.D. 1947-1949

Box 275, Folder 12

Joan Drucker 1960-1964

Box 275, Folder 13

Julie Fawcus general correspondence 1980-1982

Box 275, Folder 14

Jura Tax Files 1970

Box 275, Folder 15

Macleod, Fawcus, Bordas 1948 February 2 - 1952 January 9

Box 275, Folder 16

Macleod - Christmas card materials undated

Box 275, Folder 17

Macleod - Correspondence 1949 May 11 - 1952 February 16

Box 280, Folder 12

Mail order book (Photocopies) 1980

Box 278, Folder 19

Mailing lists - A.F.A.C. undated

Box 275, Folder 18

Mailing lists - Art papers & importers undated

Box 275, Folder 19

Mailing lists - Blake mailing list 1957

Box 275, Folder 20

Mailing lists - Blake Trust Publications (no USA) 1951

Box 278, Folder 20

Mailing lists - Contemporary Art Society General Fund 1st suppliers list 1947

Box 278, Folder 21

Mailing lists - Contemporary Art Society undated

Box 275, Folder 21

Mailing lists - International Association of Art Critics, USA 1957-1958

Box 275, Folder 22

Mailing lists - International Association of Art Critics, Worldwide 1957-1958

Box 275, Folder 23

Mailing lists - Miscellaneous American Addresses circa 1947

Box 275, Folder 24

Mailing lists - Miscellaneous lists undated

Box 275, Folder 25

Mailing lists - Printsellers in United Kingdom & Dominions 1947

Box 278, Folder 22

Mailing lists - Public Libraries and Museums undated

Box 278, Folder 23

Mailing lists - Public Libraries in Great Britain, Northern Ireland 1948

Box 275, Folder 26

Mailing lists - Publishers Association - selected German Book Shops 1959

Box 278, Folder 24

Mailing lists - Quaritch circa 1971

Box 275, Folder 27

Mailing lists - Retired Customers Ledger 1947-1951

Box 275, Folder 28

Mailing lists - Syndicat Professionnel de Critiques d'Art 1957-1958

Box 275, Folder 29

Mailing lists - USA and Abroad undated

Box 275, Folder 30

Miscellaneous business notes undated

Box 275, Folder 31

Miscellaneous production documents undated

Box 275, Folder 32

Monsieur A. Fawcus - Dossier Caisse Interprofessionnelle de Prévoyance de Cadres circa 1978

Box 275, Folder 33

Monsieur A. Fawcus - Dossier Hourdebaigt 1958-1979

Box 275, Folder 34

The Morgan Library undated

Box 275, Folder 35, Box 279, Folder 4

Niagara and Yosemite 1948 March 18 - 1949 June 16

Box 275, Folder 36

Notes undated

Box 278, Folder 25

Notes undated

Box 280, Folder 1-11

Notes undated

Scope and Contents

Notes appear to be Arnold Fawcus's handwriting. They span administrative, publicity, productions, and financial aspects of the press.
Box 278, Folder 26

Notes - Drafts and Plans undated

Box 278, Folder 27

Notes - Fawcus undated

Box 279, Folder 1

Notes - Fawcus undated

Box 278, Folder 28

Notes - Schedule undated

Box 278, Folder 29

Notes - V.K. March undated

Box 275, Folder 37-42

Notes - Office Notes circa 1970s

Box 275, Folder 43

Notes - Thomas Gray undated

Box 275, Folder 44

Office Supply Advertisement and Correspondence undated

Box 275, Folder 45

Oswald, Hickson, Collier & Company 1965-1970

Box 275, Folder 46

Oxford University Press 1972-1975

Box 275, Folder 47

Oxford University Press 1975

Box 278, Folder 30

Oxford University Press, New York - Songs of Innocence and Experience undated

Box 278, Folder 31

Oxford University Press - Songs of Innocence and Experience undated

Box 275, Folder 48

Papers of Mlle. Domalain (colorist) 1976

Box 275, Folder 49

Papers of Mme. Francoise Rafflin (colorist) 1976

Box 275, Folder 50

Papeterie de Renage - Grey Falcon Press 1948

Box 275, Folder 51, Box 278, Folder 32-34, Box 281, Folder 2-7

Personnel circa 1950-1977

Box 275, Folder 52

Petty cash vouchers (French Company) 1957-1959

Box 275, Folder 53

Pfriem - Grey Falcon Press 1946 March 16 - 1947 Jun 16

Box 275, Folder 54

Polaroid 1966-1967

Box 275, Folder 55

Press Releases, assorted projects circa 1970s

Box 281, Folder 8

Price list duplicates - French undated

Box 281, Folder 9

Printing information - Barry Spann undated

Box 275, Folder 56

Prix de revient de salaries circa 1970

Box 281, Folder 10

Prospectus Example - Rampant Lion Press 1973

Box 275, Folder 57

Prospectus - The Gates of Paradise 1968

Box 276, Folder 1

Prospectuses - Clients lists undated

Box 276, Folder 2

Quaritch, Bernard 1965-1972

Box 281, Folder 11

Quaritch - Envelope with Notes undated

Box 276, Folder 3

Receipts - Gislebertus 1961

Box 276, Folder 4

Receipts - Jerusalem undated

Box 276, Folder 5

Receipts - Paper Suppliers undated

Box 276, Folder 6

Receipts - Songs of Innocence undated

Box 276, Folder 7

Recherches sur Dossier Mellon undated

Box 281, Folder 12

Report on Trianon Press Bills 1957-1983

Box 276, Folder 8

Reproduction rights 1963

Box 276, Folder 9

Rosenwald Loan - Documentation 1962-1989

Box 276, Folder 10

Sales Brochures - Proofs, galleys undated

Box 276, Folder 11

Sales Brochures - Tate Gallery 1971-1972

Box 281, Folder 13

Sales catalog production material undated

Box 281, Folder 14-15

Sample contracts 1946-1968

Box 276, Folder 12

Seghers: Edition Seghers 1963-1964

Box 276, Folder 13

Stationery - Assortment undated

Box 276, Folder 14

Stationery - Suppliers and Invoices undated

Box 279, Folder 3

Stationery - Trianon Press, Trianon and Hourdebaigt undated

Box 276, Folder 15

Stationery - Arnold Bordas Letterhead undated

Box 276, Folder 16

Stationery - Bordas Letterhead undated

Box 276, Folder 17

Stationery - Bordas Mailing Label, envelopes, notepaper undated

Box 276, Folder 18

Stationery - Errata for America: A Prophecy undated

Box 276, Folder 19

Stationery - Fawcus and Pfriem Letterhead undated

Box 276, Folder 20

Stationery - The Grey Falcon Press Letterhead/Carbon Paper with Macleod undated

Box 276, Folder 21

Stationery - The Grey Falcon Press Letterhead/Carbon Paper with Pfriem undated

Box 276, Folder 22

Stationery - Meilleurs Compliments undated

Box 276, Folder 23

Stationery - Order Forms for The Grey Falcon Press undated

Box 276, Folder 24

Stationery - Show this Folder undated

Box 276, Folder 25

Stationery - The Trianon Press Letterhead/Carbon Paper with Macleod undated

Box 276, Folder 26

Stationery - Trianon Press Notecards undated

Box 276, Folder 27

Stationery - With Compliments undated

Box 276, Folder 28

Sterling Receipts - Lloyd's Paris (English Company) 1953-1959

Box 276, Folder 29

Sterling Transfers - Lloyd's Paris (English Company) 1954-1959

Box 276, Folder 30

Stock 1977

Box 276, Folder 31

Stocks 1970-1975

Box 281, Folder 16

Stocks - Quaritch undated

Box 276, Folder 32

Stock Locations 1977

Box 276, Folder 33

Stock - (How much, where?) undated

Box 276, Folder 34

Stock to England 1978-1979

Box 276, Folder 35

Supplier Cards undated

Box 281, Folder 17

Supplies and Suppliers - Paper General Production Information undated

Box 276, Folder 36

Syndicat des Editeurs - Temporaire 1947-1955

Box 276, Folder 37

Syndicat des Editeurs - Temporaire 1964-1974

Box 276, Folder 38

Syndicat des Editeurs - Temporaire, L.K.B. 1954-1955

Box 276, Folder 39

Syndicat National des Editeurs undated

Box 276, Folder 40

Tradesmen Correspondence 1970-1971

Box 276, Folder 41

Travel & Transportation: Wingate & Johnston 1954-1959

Box 276, Folder 42

Travel & Transportation: Wingate & Johnston 1960-1965

Box 276, Folder 43

Travel & Transportation: Wingate & Johnston 1966-1970

Box 276, Folder 44

Transport of Effects: Bourgogne et Franche - Comte 1960-1961

Box 276, Folder 45

Transport of Effects: Halsby & Co. Ltd. 1965-1968

Box 276, Folder 46

Transport of Effects: Miscellaneous 1959-1972

Box 276, Folder 47

Transport of Effects: S.A.T.A.T.

Box 276, Folder 48

Transport of Effects: S.C.M. Franco-Britannique 1962-1967

Box 276, Folder 49

Transport of Effects: S.C.M. Franco-Britannique 1968-1970

Box 276, Folder 50

Transport of Effects: Silver City Air Ferry 1959-1960

Box 276, Folder 51

Transport of Effects: Societe Europeene de Demenagements 1959

Box 276, Folder 52

Transport of Effects: Van oppen & Co. (1935) Ltd. 1968

Box 276, Folder 53

Transportation (Arts Council) 1967

Box 276, Folder 54

Travelers Club 1957-1963

Box 276, Folder 55

Trianon History - Barker, Carter, J. Fawcus undated

Box 276, Folder 56

Trianon History - Business, Arnold and Susan Fawcus Chronology undated

Box 276, Folder 57

Trianon History - Fawcus / Macleod 1950

Box 276, Folder 58

Trianon History - Fawcus / Macleod Correspondence 1951

Box 276, Folder 59

Trianon Orders undated

Box 276, Folder 60

Trianon Press Archives - lists undated

Box 276, Folder 61

Trianon Press France a Trianon Fawcus Publications undated

Box 276, Folder 62

UCSC Archive introduction undated

Box 276, Folder 63

UCSC Engraving materials records undated

Box 276, Folder 64

UCSC Transfer of materials documents undated

Box 276, Folder 65

Unrecorded sales undated

Box 276, Folder 66

Ventes - Art Deco - Jean Fournier & Cie. 1966

Box 276, Folder 67

Ventes - Dont Cluny - Factures Depot undated

Box 276, Folder 68

Ventes - Edition Des Deux Mondes (ex Diffusion Francaise) undated

Box 276, Folder 69

Ventes - Librairie Thuillier 1963-1964

Box 276, Folder 70

Ventes - Louvre: Dont Cluny - Factures Fermes undated

Box 276, Folder 71

Ventes - Maitrise Autun - Autun (Grivot) 1964-1975

Box 276, Folder 72

Ventes - Maitrise Autun - CIBA 1965

Box 281, Folder 18

Ventes - Maitrise Autun - Fernez 1962-1969

Box 276, Folder 73

Ventes - Maitrise Autun - Magasin du Pèlerin 1963-1970

Box 276, Folder 74

Ventes - Maitrise Autun - Vogade undated

Box 276, Folder 75

Ventes - Melle Nicourt 1963-1969

Box 276, Folder 76

Ventes - Pierre Kill 1963-1966

Box 276, Folder 77

Victor Michael 1975

Box 276, Folder 78

Victoria and Albert Sales 1976 October

Box 276, Folder 79

Village Voice (Paris bookstore) 1983

Box 276, Folder 80

Vouchers circa 1940-1950s

Box 277, Folder 1

Vouchers 1950-1951

Box 277, Folder 2

Vouchers 1952

Box 277, Folder 3

Vouchers 1953

Box 277, Folder 4

Vouchers 1954

Box 277, Folder 5

Vouchers & bills - English Company 1956-1958

Box 277, Folder 6

Vouchers & bills - English Company 1958-1960

Box 277, Folder 7

Wigmore Bindery Ltd. circa 1960s

Box 277, Folder 8

Willis, Faber & Dumas Ltd. 1961-1967

Box 277, Folder 9

Willis, Faber & Dumas Ltd. 1968-1969

Box 277, Folder 10

Willis, Faber & Dumas Ltd. 1970-1975

Box 277, Folder 11

Unsorted notes, invoices, correspondence circa 1972-1982

Scope and Contents

Folder originally labeled "Current".
Box 277, Folder 12

Unsorted notes, invoices, correspondence 1978-1981

Scope and Contents

Original folder was unlabeled. Includes some of copies of letters by Arnold Fawcus from late June 1979, possibly some of his last outgoing correspondence.
Box 282

Agenda / Diary 1949

Box 282

Agenda - Green 1960

Scope and Contents

One of these two 1960 agenda's are P.K. Bushe's diary.
Box 282

Agenda - Purple 1960

Scope and Contents

One of these two 1960 agenda's are P.K. Bushe's diary.
Box 282

Agenda 1961

Box 282

Agenda 1962

Box 282

Agenda - Blue 1964

Box 282

Agenda - Leather Semainier 1964

Box 282

Agenda - Red 1964

Box 282

Agenda 1965

Box 282

Agenda - Notes of Immediate Importance 1967

Box 282

Agenda 1967

Box 282

Agenda 1970

Box 282

Agenda 1972

Box 282

Agenda 1973

Box 282

Agenda - Green 1974

Box 282

Agenda - Red 1974

Box 282

Agenda 1975

Box 282

Agenda - Kemp Hall Bindery Diary 1976

Box 282

Agenda - Pratie 1977

Box 282

Agenda - Kemp Hall Bindery Julie's Diary 1979

Box 282

Cahiers de Textes - Hourdebaigt, Bordet, Espinosa 1969

Box 282

Day book - AF current undated

Box 282

Dummy "Adam's Rib" 1954 Clowes - used for a diary "Lundi, 10 Octobre" 1954

Box 282

Dummy "Infant with the Globe" 1955 Clowes - personal & business diary 1955

Box 282

Notebook - AF Plans, notes, memos office 1971

Box 282

Phone message book 1969 September 15 - 1979 March 23

Box 282

Phone message book circa 1967 -1969

Box 282

Stock Book - Victoria and Albert undated

Box 282

Green Contacts Book with Téléphoner de Paris insert undated

Box 282

Printing Book - S. Carter Printing Production Notes 1966

Box 283, Bin 1

Notebook - Notes, Bound to Lie Flat 1957 September 25 - 1958 December 5

Box 283, Bin 1

Notebook - 50 Leaf, Feint Ruled undated

Box 283, Bin 1

Phone number booklet - Blue 1975 March 14 - 1975 May 2

Box 283, Bin 1

Phone number booklet - Metal spine undated

Box 283, Bin 1

Pocket Address book - Where is it? undated

Box 283, Bin 1

Pocket Address booklet - Repertoire - 25 Gilbert St. W.I. undated

Box 283, Bin 1

Pocket Address booklet - "Memento" (cover halftone) undated

Box 283, Bin 1

Pocket Agenda - 1st Trimestre 1960

Box 283, Bin 1

Pocket booklet - Spottiswoode Ballantyne undated

Box 283, Bin 1

Pocket Diary - BIF 1952

Box 283, Bin 1

Pocket Diary - ADF 1962

Box 283, Bin 1

Pocket Diary - ADF 1965

Box 283, Bin 1

Pocket Diary - AF 1955

Box 283, Bin 1

Pocket Diary - AF 1959

Box 283, Bin 1

Pocket Diary - Collins 1979

Box 283, Bin 1

Rhodia Notebook undated

Box 283, Folder 1

Steno pad - Orders 1966 December 28 - 1967 October

Box 283, Bin 1

Steno pad in shorthand (#1) undated

Box 283, Bin 1

Steno pad in shorthand (#2) undated

Box 283, Bin 1

Steno pad - Production notes (#3) Valerie undated

Box 283, Bin 1

Steno pad - Production notes (#4) undated

Box 283, Bin 1

Steno pad - Production notes (#5) undated

Box 283, Bin 1

Steno pad - Production notes (#6) undated

Box 283, Bin 1

Steno pad - Spiralblock, in shorthand undated

Box 283, Bin 1

Steno pad - Stock notes #192 undated

Box 283, Bin 2

Card file - Clients, suppliers, contacts, etc. undated

Scope and Contents

Includes American, English, and French clients.
Box 284

Card file - Clients, suppliers, contacts, etc. undated

Box 284

Card file - Breuil/Boyle letter index 1920-1935

Box 284

Card file - Inventory/sales undated

 

Correspondence 1947-1991

Related Materials

There is additional correspondence throughout the collection, including in Series 5: Supplies and suppliers, Series 6: Arnold Fawcus personal files, Series 7: Publishers and distributors, and Series 8: William Blake Trust files.

Scope and Contents

This subseries contains business correspondence in English and in French, including both incoming and copies of outgoing correspondence. Brief and general inquiries are documented, as well as extended communications, and information on sales, shipments, receiving, and publication. Correspondents include institutions, clients, and business partners of the Press.
 

Correspondence, chronological (English)

Box 285, Bin 1

1965

Box 285, Bin 2

1965-1966

Box 285, Bin 3

1966-1967

Box 286, Bin 1

1967-1968

Box 286, Bin 2

1969-1970

Box 286, Bin 3

1970-1971

Box 287, Bin 1

1971-1972

Box 287, Bin 2

1972-1973

Box 287, Bin 3

1973-1975

Box 288, Bin 1

1975-1976

Box 288, Bin 2

1976-1978

Box 288, Bin 3

1978-1980

Box 289

1981-1991

 

Correspondence, chronological (French)

Box 290, Bin 1

1965-1966

Box 290, Bin 2

1966-1969

Box 290, Bin 3

1969-1971

 

Correspondence, alphabetical

Box 291, Folder 1

ABC Television 1961-1962

Box 291, Folder 2

Abrams Inc, Harry 1970-1972

Box 291, Folder 3

Albert, Claude 1963-1964

Box 291, Folder 4

Allen, Julia 1966-1971

Box 291, Folder 5

Alphabet & Image 1973

Box 291, Folder 6

Anquetin, Odile 1963-1964

Box 291, Folder 7

Arbour, Renee 1963

Box 291, Folder 8

Armstrong, Valerie 1974

Box 291, Folder 9

Ashley Gallery 1949-1951

Box 291, Folder 10

Ashmolean Museum - K.Garlick 1969-1977

Box 291, Folder 11

Ayres, Lawrence 1973

Box 291, Folder 12

Ayres, Rosemary Ann 1966

Box 291, Folder 13

Baily, Herbert- Princeton Univ. Press 1975-1980

Box 291, Folder 14

Bakwin, Harry 1964-1966

Box 291, Folder 15

Bakwin, Ruth 1982-1983

Box 291, Folder 16

Basilisk Press 1976-1977

Box 291, Folder 17

Beechhurst Press, Inc. 1948

Box 291, Folder 18

Bean, Eileen 1972-1979

Box 291, Folder 19

Bell, David 1987

Box 291, Folder 20

Bentley, G. E. 1966-1979

Box 291, Folder 21

Bentley, Jr., G.E. 1979-1985

Box 291, Folder 22

Bernstein, Nat 1965-1970

Box 291, Folder 23

Blackwell Ltd. 1967-1977

Box 291, Folder 24

Blackwell's 1978-1982

Box 291, Folder 25

Blake Studies 1968

Box 291, Folder 26

Blank, Cynthia 1979

Box 291, Folder 27

Bokforlaget Liber Aktiebolag 1969

Box 291, Folder 28

Bombroff, J.W. - Kemp Hall Bindery 1976-1977

Box 291, Folder 29

Boston University, Studies in Romanticism 1973

Box 291, Folder 30

Bray, Patricia K. 1978

Box 291, Folder 31

Braziller Inc., George 1973-1974

Box 291, Folder 32

Breese, Kenneth 1956

Box 291, Folder 33

Brentano's 1947

Box 294, Folder 1

Abbé Breuil Autobiography 1962-1963

Box 291, Folder 34

Breuil - Eduardo Ripoll-Perello circa 1960s

Box 291, Folder 35

Breuil - Hickson & Collier, Solicitors 1963-1968

Box 291, Folder 36

Breuil - Jose de Azeredo Perdigão, Gulbenkian Foundation circa 1960s

Box 291, Folder 37

Breuil - Jose Raposo de Magalhães, Gulbenkian Foundation circa 1960s

Box 291, Folder 38

Breuil - Leon Pales, Musée de L'Homme circa 1960s

Box 291, Folder 39

Breuil - Mary E. Boyle receipts 1956-1964

Box 291, Folder 40

Breuil - Reproduction Rights 1956-1962

Box 291, Folder 41

Breuil - Reproduction Rights 1963-1974

Box 291, Folder 42

Briat, Rene- Connaissance des Arts 1977-1978

Box 291, Folder 43

Brill, Hans- Lion & Unicorn Press 1980-1982

Box 291, Folder 44

British Council, Fine Arts & Reviews Dept, etc. 1948-1951, 1976

Box 291, Folder 45

British Council 1976-1977

Box 291, Folder 46

Brodkey, Naomi B. 1979-1982

Box 291, Folder 47

Brooks, Jane 1965-1968

Box 291, Folder 48

Brunner, Perry 1982

Box 291, Folder 49

Burket, Le Roy 1968

Box 291, Folder 50

California State University Fresno - Henry Madden 1970-1976

Box 291, Folder 51

Cambridge University Library, A.G. Parker 1972-1978

Box 291, Folder 52

Carey, Francis 1978-1979

Box 291, Folder 53

Carpenter, L.G. - Wm. Clowes & Sons Ltd. 1974-1977

Box 291, Folder 54

Carter, Sebastian 1963-1965

Box 291, Folder 55

Chadwyck-Healey, Nicholas 1965

Box 291, Folder 56

Chagall, Marc 1968

Box 291, Folder 57

Cincinnati Museum Association 1978

Box 291, Folder 58

Circle Gallery undated

Box 291, Folder 59

City of Paris 1947-1949

Box 291, Folder 60

Clarendon Press 1968

Box 291, Folder 61

Clark, John M. 1979-1982

Box 291, Folder 62

Cohen, Herman - Chiswick Book Shop 1950-1951

Box 291, Folder 63

Cohen, Norman undated

Box 291, Folder 64

Connolly, Thomas E. - SUNY, Buffalo NY 1972

Box 291, Folder 65

Constable Young Books Ltd. 1966-1968

Box 291, Folder 66

Corbett, Margery 1976

Box 291, Folder 67

Courtauld Institute undated

Box 291, Folder 68

Cramer, Gerald 1949

Box 291, Folder 69

Crotti, Mme. 1958

Box 291, Folder 70

Cushing, P. H. 1969

Box 291, Folder 71

Daily Telegraph Magazine 1977

Box 291, Folder 72

Dauber & Pine Bookshop 1949

Box 291, Folder 73

Dean, Donald 1971-1987

Box 291, Folder 74

Decca Record Company Ltd. 1972

Box 291, Folder 75

Department of the Environment 1971-1972

Box 291, Folder 76

Dexter, Suzan 1972

Box 291, Folder 77

Douglas, Pamela 1979

Box 291, Folder 78

Dowling, G.W. 1951

Box 291, Folder 79

Down, Richard 1978-1981

Box 291, Folder 80

Drucker, Joan Duhigg 1961

Box 294, Folder 2

Duchamp Distributors - German, French 1959-1963

Box 291, Folder 81

Duschnes, P.C. 1980

Box 291, Folder 82

Dyson, Allan (University of California, Santa Cruz) 1969-1980

Box 291, Folder 83

Easson, Roger 1979

Box 291, Folder 84

Eaves, Morris - Blake Quarterly 1976-1985

Box 291, Folder 85

Efron, George 1949

Box 291, Folder 86

Elliott, Patricia D. 1976-1977

Box 291, Folder 87

Ellis, Donald 1975-1977

Box 291, Folder 88

Elsevier International Projects Ltd. 1975

Box 291, Folder 89

Elsevier International Projects Ltd. 1975-1976

Box 291, Folder 90

Elson, Stephen, Glasgow Museums & Art Galleries undated

Box 291, Folder 91

Emery, Clark 1965

Box 291, Folder 92

Erdman, David V. 1972

Box 291, Folder 93

Erickson, Kai 1966-1968

Box 291, Folder 94

Ericson, John 1978-1979

Box 291, Folder 95

Erskine, J.W. 1951

Box 291, Folder 96

Essick, Robert N. 1971-1985

Box 291, Folder 97

Ewert, Margaret 1970-1971

Box 291, Folder 98

Faber & Faber Ltd. 1967

Box 291, Folder 99

Farrell, Joan 1966

Box 291, Folder 100

Fe Catolica 1963

Box 291, Folder 101

Fife, Allan J. 1972

Box 291, Folder 102

Fitzpatrick, John Thomas 1961

Box 291, Folder 103

Fitzpatrick, Mariana 1968

Box 291, Folder 104

Fitzwilliam Museum 1970-1979

Box 291, Folder 105

Flowers, Desmond 1956-1957

Box 291, Folder 106

Follett Publishing Company 1967

Box 291, Folder 107

Ford, Harry - Atheneum Publishers 1959-1982

Box 291, Folder 108

Foresman & Co., Scott 1963-1971

Box 291, Folder 109

Forman, Nora - Mary E. Boyle 1961-1965

Box 291, Folder 110

Forster, Anthony - Methuen & Co. Ltd. 1968-1977

Box 291, Folder 111

Fowler, Henry 1978

Box 291, Folder 112

Freer, Allen 1973-1985

Box 291, Folder 113

French Bookshop 1947-1949

Box 291, Folder 114

Frost, Everett C. 1977

Box 291, Folder 115

Fryde, Robin & Thorold, Frank 1977-1982

Box 291, Folder 116

Gamble, Margaret E. 1978-1979

Box 291, Folder 117

Gates, Tim 1978

Box 291, Folder 118

Gibson, Lord 1979-1982

Box 291, Folder 119

Gimpel Fils Ltd. 1964-1965

Box 291, Folder 120

Ginn & Company Ltd. 1966-1968

Box 291, Folder 121

Giroux, Jacqueline 1963-1967

Box 291, Folder 122

Glendon College, York University 1973

Box 291, Folder 123

Goldwasser, Tom (Serendipity Books) 1978-1980

Box 291, Folder 124

Goller, N.E. 1978

Box 291, Folder 125

Gordon's Satyr Bookshop, Inc. 1949

Box 291, Folder 126

Grant, John 1970-1980

Box 291, Folder 127

Greenfield, Howard 1971-1984

Box 291, Folder 128

Greenwood, Elizabeth 1978-1979

Box 291, Folder 129

Gross, Donald 1971-1982

Box 291, Folder 130

Guest, Alan D. 1978

Box 291, Folder 131

Haehlen, Jeanne 1976-1977

Box 291, Folder 132

Hall, Holly - Washington Univ. Libraries 1976-1977

Box 291, Folder 133

Hall, Lee 1972-1973

Box 291, Folder 134

Hamilton, Robert 1976-1977

Box 291, Folder 135

Hannen, Guy - Christie, Manson & Woods 1972

Box 291, Folder 136

Harden, Dana 1979

Box 291, Folder 137

Harmony Books 1976-1977

Box 291, Folder 138

Harmony Books 1977

Box 291, Folder 139

Hart, James D. 1973-1979

Box 291, Folder 140

Heineman, James H. 1961-1981

Box 291, Folder 141

Heinemann Inc., William 1974

Box 291, Folder 142

Hickson, Collier & Co. 1968

Box 291, Folder 143

Higgins Art Gallery, Cecil 1976

Box 291, Folder 144

Hilton, Nelson 1978

Box 291, Folder 145

Hobart & William Smith College 1980-1982

Box 291, Folder 146

Hobson, Anthony - Sotheby & Co. 1977

Box 291, Folder 147

Holland, Stephen 1978-1979

Box 291, Folder 148

Holman, Teresa undated

Box 292, Folder 1

Holtom, Robin G.E. - Royal College of Art School of Film & TV 1969

Box 292, Folder 2

Horizons (Le Magazine Mondial) 1961

Box 292, Folder 3

Hornyold-Strickland, Claire 1976

Box 292, Folder 4

Howard, George 1978-1982

Box 292, Folder 5

Howell, Warren E. 1971-1982

Box 292, Folder 6

Huston, K. Garth 1971-1979

Box 292, Folder 7

Illustrated London News 1977

Box 294, Folder 5

Insel-Verlag undated

Box 292, Folder 8

James, Ingli - University College, Cardiff 1974-1985

Box 292, Folder 9

Janss, Edwin 1962-1973

Box 292, Folder 10

Jardine, J.W. 1980

Box 292, Folder 146

The Jewish Museum 1976

Box 292, Folder 11

Juel-Jensen, B.E. 1979

Box 292, Folder 12

Jung Foundation, C.G. 1967-1968

Box 292, Folder 13

Keynes, Milo 1959-1979

Box 292, Folder 14

Keynes, Stephen 1955-1977

Box 292, Folder 15

Keynes, Quentin 1959-1973

Box 292, Folder 16

Kirkman, James H. 1972

Box 292, Folder 17

Knight Productions Ltd. 1973

Box 292, Folder 18

Knuppel, Christian G. 1979

Box 292, Folder 19

Koch, Frederick R. - Frederick R. Koch Foundation 1972-1979

Box 292, Folder 20

Kraus, T. Peter - Ursus Books Ltd. 1978

Box 292, Folder 21

Kreisberg, Michael 1979-1985

Box 292, Folder 22

Kristensen, Aage 1979

Box 292, Folder 23

Kupfer, W. 1978-1982

Box 292, Folder 24

L'Allier, Jean - Breuil film 1965

Box 292, Folder 25

La Croix, Mina - SUNY, Albany 1971-1982

Box 292, Folder 26-27

Laing, Mary 1954

Box 292, Folder 28

Lander, A. 1978-1982

Box 292, Folder 29

Langford, K.F. 1976-1977

Box 292, Folder 30

Latner, Albert J. 1971-1982

Box 292, Folder 31

Leahy, Mary S. - Bryn Mawr 1973-1976

Box 292, Folder 32

Lerman, Susan 1974

Box 292, Folder 33

Leteradura 1978-1980

Box 292, Folder 34

Levy, Robert 1979

Box 292, Folder 35

Liang, Rachel- Univ. of Hawaii 1977-1978

Box 292, Folder 36

Librairie de Noble 1966-1980

Box 292, Folder 37

Librairie Hachette 1962

Box 292, Folder 38

Librairie Larousse 1961

Box 292, Folder 39

Library of Boston Athenaeum 1956

Box 292, Folder 40

Library of Congress 1952-1967

Box 292, Folder 41

Lindon, Jerome 1955

Box 292, Folder 42

Literary Supplement Advertisement Replies 1954

Box 292, Folder 43

Lloyd, Nigel- Color magazine of the Observer 1976

Box 292, Folder 44

Lodge, Constance- Henry Huntington Library 1968-1979

Box 292, Folder 45

Loeb, Michael 1970-1982

Box 292, Folder 46

Lyras, Barbara 1978-1982

Box 292, Folder 47

Lyss, Esther 1977-1981

Box 292, Folder 48

M.H. de Young Museum 1965

Box 292, Folder 49

Manchester University Press 1968

Box 292, Folder 50

Mander, Nicholas 1979

Box 292, Folder 51

Marceau, Henri- Philadelphia Museum of Art 1956-1964

Box 292, Folder 52

Marlborough Rare Books Ltd. 1947-1950

Box 292, Folder 53

Marquis, Mme. S.-Time-Life Press Agency 1963

Box 292, Folder 54

Mason, Ellsworth (Univ. of Colorado) 1977-1978

Box 292, Folder 55

McCrae, Joy 1977

Box 292, Folder 56

McLennan, Thomas 1980-1981

Box 292, Folder 57

Mellon, Paul 1967-1979

Box 292, Folder 58

Mellor, Ann - Stanford Univ. 1971

Box 292, Folder 59

Merona, de 1962

Box 292, Folder 60

Metropolitan Museum of Art 1964-1975

Box 292, Folder 61

Michigan State University Press 1966

Box 292, Folder 62

Miscellaneous Correspondence A-Z circa 1950-1975

Box 292, Folder 63

Mizue 1966

Box 294, Folder 6

Un Morto Importante 1956-1958

Box 292, Folder 64

Moyne, Lord 1978

Box 292, Folder 65

Murry, W.K. 1978-1981

Box 292, Folder 66

Museum of 20th Century Painting 1966

Box 292, Folder 67

National Gallery of Art 1965-1972

Box 292, Folder 68

National Gallery of Victoria 1979

Box 292, Folder 69

National Library of Scotland 1970-1975

Box 292, Folder 70

National Portrait Gallery 1979

Box 292, Folder 71

New Age Publishing Ltd. 1967

Box 292, Folder 72

New York Graphic Society 1972

Box 292, Folder 73

New York Public Library 1965

Box 292, Folder 74

Nicoll, John 1979-1981

Box 292, Folder 75

Normon, Jeremy 1977-1979

Box 292, Folder 76

Office du Livre, Fribourg 1974

Box 292, Folder 77

Olschowsky, Herbert 1950-1951

Box 292, Folder 78

O.R.T.F. 1971

Box 292, Folder 79

Parker, Naomi 1978

Box 292, Folder 80

Pasadena Museum 1964-1965

Box 292, Folder 81

Penguin Books Ltd. 1966-1974

Box 292, Folder 82

Penguin Education 1971

Box 292, Folder 83

Phillips, Michael- Univ. of Edinburgh 1979

Box 292, Folder 84

Philosophical Library 1950-1951

Box 292, Folder 85

Phoebe, Jacqueline 1964

Box 292, Folder 86

Podro, Joshua 1955-1956

Box 292, Folder 87

Pompei, V. Z. 1966-1972

Box 292, Folder 88

Preston, Katherine 1978

Box 292, Folder 89

Price Collection, Vincent - Sears, Roebuck & Co. 1964

Box 292, Folder 90

Quaritch Ltd., Bernard 1977-1980

Box 292, Folder 91

Reiss, James 1970

Box 292, Folder 92

Reproduction rights 1965-1973

Box 292, Folder 93

Ritchie, Andrew 1959

Box 292, Folder 94

Robertson, S.F. 1964

Box 292, Folder 95

Rose, Edward J. - Univ. of Alberta 1965

Box 292, Folder 96

Rose, Peter 1978-1979

Box 292, Folder 97

Rothenstein, Sir John 1963-1964

Box 292, Folder 98

Rouault, Mme Georges 1967

Box 292, Folder 99

Sacks, Dr. S. 1965

Box 292, Folder 100

Salon Int'l. du Livre Sur L'art et de Bibliophile (1) 1967

Box 292, Folder 101

Schaefer, G.W. 1982

Box 292, Folder 102

School Prints Ltd. 1949-1951

Box 292, Folder 103

Science Press 1971

Box 292, Folder 104

Seagrave, R.A. undated

Box 292, Folder 105

Sessions, Barbara 1971-1974

Box 292, Folder 106

Shirreff, A.G. 1956

Box 292, Folder 107

Shippers, Donald (Univ. of Calif.) 1975-1979

Box 292, Folder 108

Sidgwick, John 1957-1961

Box 292, Folder 109

Sidney Janis Gallery 1959-1966

Box 292, Folder 110

Sinclair, Marianne undated

Box 292, Folder 111

Smeath, Francis Ann 1978

Box 292, Folder 112

Smith, Mrs. 1954

Box 292, Folder 113

Smith, Ronald K. 1977

Box 294, Folder 7

South African Embassy 1954-1957

Box 292, Folder 114

Spann, Barry David 1978-1979

Box 292, Folder 115

Spann, Barry 1980-1987

Box 292, Folder 116

Sphere Books Ltd. 1975

Box 292, Folder 117

St. George's Gallery - Sales 1948-1951

Box 292, Folder 118

Stacey Ltd., Tom. 1971-1973

Box 292, Folder 147

Stevens, Stoddard 1972-1974

Box 292, Folder 119

Stockman, Peter (Images) 1977-1978

Box 292, Folder 120

Stone, Jonathan M.L. 1968-1977

Box 292, Folder 121

Strock, Paul A. 1980

Box 292, Folder 122

Subun-So Bookstore 1981

Box 292, Folder 123

Tate Gallery 1948-1952

Box 292, Folder 124

Thames & Hudson 1967

Box 292, Folder 125

Thames Television 1972

Box 292, Folder 126

Thompson, Raymond 1977-1979

Box 292, Folder 127

Tokyo Gallery 1972-1973

Box 292, Folder 128

Trianon Press France 1963

Box 292, Folder 129

Trianon Press France 1964

Box 292, Folder 130

Trianon Press France 1965

Box 292, Folder 131

Trianon Press France 1978-1981

Box 292, Folder 132

U.N.E.S.C.O. 1949-1952

Box 292, Folder 133

University of London Press, Ltd. 1972

Box 292, Folder 134

University of Wisconsin, Madison 1968

Box 292, Folder 135

University of Wisconsin, Milwaukee 1969

Box 292, Folder 136

University of York 1978

Box 292, Folder 137

Unruh, William (Univ. of British Columbia) 1978

Box 292, Folder 138

Utbildning Forlaget 1970

Box 292, Folder 139

Vaizey, Lady- Sunday Times 1977

Box 292, Folder 140

Vakeel, H.F. 1950-1951

Box 292, Folder 141

Van Devanter, Willis 1960-1973

Box 292, Folder 142

Verlag Kurt Desch GMBH 1969

Box 292, Folder 143

Victoria & Albert Museum 1950-1985

Box 292, Folder 144

W.K. Witt & Co. 1952

Box 292, Folder 145

Walley, Sir John 1979

Box 293, Folder 1

Weathers, Winston - Univ. of Tulsa 1968

Box 293, Folder 2

Weidenfeld & Nicolson 1974

Box 293, Folder 3

Weston, Reggie 1962

Box 293, Folder 4

Whistler, Laurence 1969

Box 293, Folder 5

Whitworth Art Gallery 1967-1969

Box 293, Folder 6

Wilgress, John 1948

Box 293, Folder 7

Wilson, Adrian 1972

Box 293, Folder 8

Wilson, Nell E. 1976-1978

Box 293, Folder 9

Wilson, Thomas L. 1967-1973

Box 293, Folder 10

Windell, J.A. 1957-1981

Box 293, Folder 11

Wolf, Edwin- Rosenbach Company 1950-1952

Box 293, Folder 12

Yale Center for British Art 1978-1979

Box 293, Folder 13

Zsolnay Verlag, Paul 1963

Box 293, Folder 14

General Inquiries - A 1972-1976

Box 293, Folder 15

General Inquiries - B 1970-1977

Box 293, Folder 16

General Inquiries - C 1957-1977

Box 293, Folder 17

General Inquiries - D 1965-1978

Box 293, Folder 18

General Inquiries - E 1966-1977

Box 293, Folder 19

General Inquiries - F 1958-1976

Box 293, Folder 20

General Inquiries - G 1966-1977

Box 293, Folder 21

General Inquiries - H 1964-1977

Box 293, Folder 22

General Inquiries - I 1972

Box 293, Folder 23

General Inquiries - J 1966-1975

Box 293, Folder 24

General Inquiries - K 1971-1972

Box 293, Folder 25

General Inquiries - L 1965-1977

Box 293, Folder 26

General Inquiries - M 1957-1972

Box 293, Folder 27

General Inquiries - N 1960-1972

Box 293, Folder 28

General Inquiries - O 1968-1977

Box 293, Folder 29

General Inquiries - P 1957-1977

Box 293, Folder 30

General Inquiries - Q 1971

Box 293, Folder 31

General Inquiries - R 1966-1977

Box 294, Folder 4

General Inquiries - R (oversized) circa 1960s

Box 293, Folder 32

General Inquiries - S 1957-1977

Box 293, Folder 33

General Inquiries - T 1967-1977

Box 293, Folder 34

General Inquiries - V 1968-1975

Box 293, Folder 35

General Inquiries - W 1967-1978

Box 293, Folder 36

General Inquiries - Y 1972-1976

Box 293, Folder 37

General Inquiries - Z 1971-1976

Box 293, Folder 38

General Order Inquiries 1956-1963

Box 294, Folder 3

Early production (unsorted) circa 1950's

 

Financial files 1951-1989

Scope and Contents

This subseries contains the financial records of the Press and the closely affiliated workshops of Hourdebaigt and Crampe. It includes invoices, receipts, account books, bills, banking records, contracts, sales and payment records, and some correspondence from external associates including binderies, papeteries, and image reproducers. It also includes internal records among the Press and the affiliated workshops. These include payment bulletins for employees and artists, salary information, pay schedules, checkbooks, and bankbooks. Materials are in English and French.
Box 295, Bin 1

Tradesmen's Bills 1955-1960

Box 295, Bin 2

Tradesmen's Bills 1961-1962

Box 295, Bin 3

Tradesmen's Bills 1963

Box 296, Folder 1-10

Tradesmen's Bills 1964-1967, 1969

Scope and Contents

French company invoices.
Box 296, Folder 11-14

Invoices/Fournisseurs (Provider's Bills) 1970-1971

Scope and Contents

French company Invoices
Box 297, Folder 1-24

Invoices/Fournisseurs (Provider's Bills) 1972-1989

Scope and Contents

French company invoices.
Box 297, Folder 25-26

Journal D'Achats 1955-1975

Scope and Contents

French company receipts.
Box 298, Bin 1

Register of Booksellers - Publishers Association undated

Box 298, Bin 1

Register of Originals undated

Box 298, Bin 2, Box 294, Folder 12

English Suppliers Invoices 1956-1986

Box 298, Bin 3

English Suppliers Invoices & Invoices Paid (Personal) 1970-1977

Box 298, Bin 3

English and French Ledger Sheets 1961-1970

Box 299

Carnet de Bulletins de Payes, no. I 1960 April 30 - 1961 November 17

Box 299

Carnet de Bulletins de Payes, no. II 1961 November 17 - 1962 July 23

Box 299

Carnet de Bulletins de Payes, no. III 1962 July 27 - 1962 December 29

Box 299

Carnet de Bulletins de Payes, no. IV 1962 December 31 - 1963 March 11

Box 299

Carnet de Bulletins de Payes, no. V 1963 March 18 - 1963 July 28

Box 299

Carnet de Bulletins de Payes, no. VI 1963 July 28 - 1964 January 31

Box 299

Carnet de Bulletins de Payes, no. VII 1964 February 1 - 1964 July 31

Box 299

Carnet de Bulletins de Payes, no. VIII 1964 July 31 - 1965 January 31

Box 299

Carnet de Bulletins de Payes, no. IX 1965 February 5 - 1965 August 1

Box 299

Carnet de Bulletins de Payes, no. X 1965 September 30 - 1966 November 31

Box 299

Carnet de Bulletins de Payes, no. XI 1966 March 31 - 1966 September 30

Box 299

Carnet de Bulletins de Payes, no. XII 1966 September 1 - 1967 August 30

Box 299

Carnet de Bulletins de Payes, no. XIII 1967 August 30 - 1968 February 28

Box 299

Carnet de Bulletins de Payes, no. XIV 1968 February 28 - 1968 November 30

Box 299

Carnet de Bulletins de Payes, no. XV 1968 November 30 - 1969 July 31

Box 299

Carnet de Bulletins de Payes, no. XVI 1969 August 1 - 1970 July 30

Box 299

Carnet de Bulletins de Payes, no. XVII 1970 July 30 - 1971 May 31

Box 299

Carnet de Bulletins de Payes, no. XVIII 1971 May 31 - 1971 December 31

Box 299

Carnet de Bulletins de Payes, no. XIX 1972 January 1 - 1974 April 30

Box 299

Carnet de Bulletins de Payes, no. XX 1973 March 1 - 1974 April 30

Box 299

Carnet de Bulletin de Payes - Crampe, No. D 1968 October 31 - 1970 September 30

Box 299

Carnet de Bulletin de Payes - Crampe, No. 1 1970 September 30 - 1972 May 31

Box 299

Carnet de Bulletin de Payes - Crampe, No. 2 1972 June 30 - 1973 February 28

Box 299

Carnet de Bulletin de Payes - Crampe, No. 3 1973 March 31 - 1974 December 31

Box 299

Carnet de Bulletin de Payes - Arnold Fawcus 1975 June 3 - 1978 December 31

Box 299

Dinah - House Accounts 1972 February 1974

Box 299

Valerie - Accounts 1973

Box 299

Pro Forma Invoices 1964 March 9 - 1968 September

Box 299

Documents Reçus undated

Box 294, Folder 10

Bulletins de Payes - Hourdebaigt 1963-1966

Box 299

Bulletins de Payes - Hourdebaigt, no.2 1968 September 30 - 1968 December 27

Box 299

Bulletins de Payes - Hourdebaigt, no.3 1969 January 1 - 1970 March 31

Box 299

Bulletins de Payes - Hourdebaigt, no.4 1970 April 30 - 1970 October 31

Box 299

Bulletins de Payes - Hourdebaigt, no.5 1970 October 31 - 1973 March 31

Box 299

Bulletins de Payes - Hourdebaigt, no.6 1973 April 30 - 1974 December 31

Box 299

Bulletins de Payes - Hourdebaigt, no.7 1974 December 31 - 1976 September 30

Box 299

Bulletins de Payes - Hourdebaigt, no.8 1975 September 30 - 1978 March 31

Box 299

Bulletins de Payes - Hourdebaigt, no.9 1978 April 30 - 1979 April 30

Box 299

Bulletins de Payes - Hourdebaigt, no.10 1979 August 31 - 1979 December 31

Box 299

Lloyds, London - personal account 1965 February 12 - 1972 November 20

Box 299

Barclays - A. Fawcus - U.S. Dollars 1966 February 16 - 1967 December 31

Box 299

Debtors List undated

Box 299

Velin D'Angouleme - Arnold Fawcus Received 1970 - 1974

Box 299

Lloyds Bank Limited Deposit Account Pass Book - Arnold Fawcus 1963-1971

Box 299

Loan Book 1973 November 7 - 1978 July 5

Box 299

Duplicate Invoice Book 1946 December 20 - 1948 December 14

Box 299

MacLeod & Fawcus - Trianon Press Ltd - Reproductions Invoice Book A 1949 November 16 - 1953

Box 299

Lloyds, Paris, Sterling - English Co. Cash book 1955 January - 1967 May

Box 300, Bin 1

Checks 1957-1978

Box 300, Bin 2

Checks 1957-1978

Box 300, Bin 3

Bons de Livraison - French Co. 1959 February 26 - 1964 December 19

Box 300, Bin 3

Delivery Notices - English Co. 1958 November 12 - 1963 November 16

Box 300

Bons de Livraison 1966 August 31 - 1967 June 15

Box 300

Bon Book, no.2 1964 November 18 - 1964 December 23

Box 300

Bon Book, no.3 1967 April 7 - 1967 December 19

Box 300

Bon Book, no.4 1967 December 19 - 1968 July 17

Box 300

Bon Book, no.5 1968 July 17 - 1969 March 28

Box 300

Bon Book, no.6 1969 March 28 - 1969 December 12

Box 300

Bon Book, no.7 1970 July 1 - 1970 December 31

Box 300

Bon Book, no.8 1971 January 1 - 1972 June 9

Box 300

Bon Book, no.9 1972 June 9 - 1974 June 6

Box 300

Bon Book, no.10 1974 June 6 - 1976 March 26

Box 300

Bon Book, no.11 1976 March 26 - 1978 June 28

Box 300

Bon Book, no.12 1978 July 24 - 1983 April 14

Box 300

Bon Book, no.13 1983 June 29 - 1986 November 13

Box 300

Francois Duffort - No.1 1969 February - 1974 February 8

Box 300

Francois - No.2 1974 February 8 - 1975 September 4

Box 300

Francois & Fils, No.3 1975 September 4 - 1977 January 7

Box 300

Francois & Fils, No.4 1977 March 2 - 1978 December 20

Box 300

Francois & Fils, No.5 1978 September 4 - 1983 October 27

Box 300

Challenge Duplicate Book-sales #1 1976 December 1 - 1977 January 7

Box 300

WH Smith Duplicate Book-sales #2 1977 January 25 - 1977 February 22

Box 301, Folder 1

Appointements et Salaires (Crampe) 1970 January -1974 April

Box 301, Folder 2

Arjomari Papeteries - Catalogue 1958 September

Box 301, Folder 3

Financial Note circa 1969

Box 301, Folder 4

Francis Lefebvre - Feuillets de documentation rapide 1974

Box 301, Folder 5

Francis Lefebvre - Mémento Pratique Pamphlet 1974

Box 301, Folder 6

Lloyds, London - Trianon Fawcus Publications, Ltd. 1961 May 31 - 1964 December 31

Box 301, Folder 7

Lloyds, Paris - Francs 1963 January - 1967 December

Box 301, Folder 8

Nouvelle Maison du Livre 1963

Box 301, Folder 9

Petty Cash in Safe and Withdrawals - Amos 1968 April 25 - circa 1969

Box 302

Francis Lefebvre - Mémento Pratique du Contriuable 1974

Box 302

Goods Received - Bon de Livraison, Bon d'enlevement 1965 May 25 - 1975 June 17

Box 302

Goods Received - Bon de Livraison, Bon d'enlevement 1965 May - 1983 April

Box 302

Petite caisse 1967 January 1 - 1967 October 18

Box 302

Petite caisse 1969 - 1970

Box 302

Order Book 1967 September 18 - 1978 December 31

Box 302

Teach Yourself Books - Donald Cousins 1951

Box 294, Folder 9

Accounts: Clients and balances 1960-1962

Box 294, Folder 11

Invoice duplicates 1968-1976

Box 294, Folder 13

Shipping receipts 1974

Box 294, Folder 14

Transactions for Gray-Blake into Trianon Press (France) 1967-1971

 

Production files 1949-1986

Scope and Contents

This subseries includes files related to the production processes of the Press. It includes sample project prospectus versions produced by the Press, notes about the production of particular projects, some correspondence, and workshop records. There are several unpublished manuscripts and a collection of binding brasses. The photographs in this collection that record the workshops of both Crampe and Hourdebaigt are of note. These items are primarily in English.
Box 303, Folder 1

Advertisement - Blake, Thomas Gray 1972

Box 303, Folder 2

Announcements to Booksellers circa 1960s-1970s

Box 303, Folder 59

Appraisals 1986

Box 303, Folder 3

Barsat (M.) et Fils - Bookbinders 1957-1961

Box 303, Folder 4

Bersange - Provisional Bills circa 1963

Box 306

Binding brasses undated

Scope and Contents

Contains metal pieces used to print publication titles into bindings.
Box 307, Folder 1

Blake - French edition manuscripts undated

Box 307, Folder 2

Blake - Gray materials circa 1971

Box 303, Folder 5

Bookjackets - L'Histoire des Rois Mages (Wisemen) 1964

Box 303, Folder 6

Bookjackets used as wraps undated

Box 303, Folder 7

Breuil - Le Grotte de Trois Frères 1956

Box 303, Folder 8

Chevojon 1959-1965

Box 303, Folder 9

Collotype and pochoir process details undated

Box 303, Folder 10

Collotype process information and correspondence circa 1960

Box 303, Folder 11

Contracts - Breuil 1961-1976

Box 303, Folder 12

Contracts - Quaritch and Trianon Press 1952-1977

Box 303, Folder 13

Contracts - Shahn and Trianon Press circa 1963

Box 303, Folder 14

Correspondence - James Burns and Co. Ltd. 1955-1969

Box 303, Folder 15

Correspondence - Peter du Sautoy 1975-1976

Box 303, Folder 16-17

Crampe, Pierre - Production Records 1949-1971

Box 303, Folder 18

Crampe, Pierre - Purchasing 1972-1974

Box 303, Folder 19

Crommelynck job 1977 March-April

Box 303, Folder 20

Design Samples circa 1961

Box 308, Folder 1

Drafts - Blake - The Marriage of Heaven and Hell title page circa 1975

Box 308, Folder 2

Drafts - Luxe captions undated

Box 303, Folder 21

Ecriture à passer 1969

Box 303, Folder 22-23

Engel - Bookbinder 1962-1972

Box 303, Folder 24

Engel - Stock circa 1960's

Box 303, Folder 25

Francois Frères 1955-1962

Box 303, Folder 26

G. W. Russell and Son Ltd. 1957-1967

Box 303, Folder 27

Hourdebaigt 1980

Box 303, Folder 28

Hourdebaigt and Inventory 1962-1969

Box 303, Folder 29

Hourdebaigt Survey 1968-1974

Box 303, Folder 30

Hourdebaigt Survey Surplus 1970-1973

Box 303, Folder 31

Information Sheet - Thomas Gray 1972

Box 303, Folder 32

Jacqueline D. - Letterbook undated

Box 303, Folder 33

John R. Freeman & Company - Photographers 1972-1974

Box 308, Folder 3

Letraset - Sheets and examples undated

 

Manuscripts

Box 304, Folder 1

Around the World With Toto Turrettop undated

Box 304, Folder 2

The CID undated

Box 304, Folder 3

Documentation Madeline Luka undated

Box 304, Folder 4

Histoire l'arte pour les jeunes undated

Box 304, Folder 21

Hô! Excellence undated

Box 304, Folder 5

L'Ile Perdue undated

Box 304, Folder 6

Jasper undated

Box 304, Folder 7

Lady Laura Pritchett, American undated

Box 304, Folder 8

Let the Little Colt Go Bare undated

Box 304, Folder 9

Le Vengeur de Guernica undated

Box 304, Folder 10

Malty undated

Box 304, Folder 11

Malty Bunty undated

Box 304, Folder 12

Paris, France, Goddam undated

Box 304, Folder 13-14

Rogue's Diary 1545-1595 undated

Box 303, Folder 34

Lettering samples undated

Box 303, Folder 35

Notebook circa 1974

Box 304, Folder 15

Notes circa 1957

Box 308, Folder 4

Notes circa 1960

Box 304, Folder 16

Notes circa 1968-1969

Box 304, Folder 17

Notes circa 1968-1983

Box 308, Folder 5

Notes circa 1969

Box 304, Folder 18

Notes circa 1970-1972

Box 303, Folder 36

Notes circa 1971

Box 304, Folder 19

Notes circa 1977-1983

Box 303, Folder 37

Notes - Arnold Fawcus circa 1977

Box 304, Folder 20

Notes - Printers circa 1973

Box 303, Folder 38

Notes by M. Bidault - Ahania, Dante, Engravings series, Jerusalem (Cunliffe), Thomas Gray 1973-1974

Box 303, Folder 39

Notes - Blake Information circa 1970s

Box 303, Folder 40

Notes on later projects - Constable, etc. 1977-1978

Box 303, Folder 41

Paper companies 1977-1979

Box 307, Folder 3

Paper sizes undated

Box 303, Folder 60

Papeteries de Lana 1976-1977

Box 303, Folder 42

Papeteries Reunies circa 1964

Box 303, Folder 43

La Perseverante 1975-1976

Box 303, Folder 44

Photographs - Crampe's studio, pochoir artists circa 1950s

Box 303, Folder 45

Photographs - Hourdebaigt's studio, process circa 1950s-1960s

Box 303, Folder 46

Photographs - Jacomet circa 1940s-1950s

Box 303, Folder 47

Photographers - Assorted circa 1955-1975

Box 303, Folder 48

Piscataqua River map 1955

Box 303, Folder 49

Printers - Jacomet circa 1955-1967

Box 303, Folder 50

Project Paper Stock 1960-1980

Box 303, Folder 51

Proposals - Leger Galleries, Ltd. 1968-1974

 

Prospectuses

Box 303, Folder 52

Blake - All Religions Are One 1970

Box 303, Folder 53

Blake - America: A Prophecy 1963

Box 303, Folder 54

Blake - The Book of Ahania 1973

Box 307, Folder 4

Blake - The Book of Ahania 1973

Box 303, Folder 55

Blake - The Book of Job (prospectus materials) circa 1986

Box 303, Folder 56

Blake - The Book of Los 1976

Box 307, Folder 5

Blake - The Book of Los 1976

Box 303, Folder 57

Blake - The Book of Thel 1965

Box 303, Folder 58

Blake - The Book of Urizen 1958

Box 305, Folder 1

Blake - The Gates of Paradise 1968

Box 308, Folder 6

Blake - Illustrations of Dante 1978

Box 305, Folder 2

Blake - Illustrations to the Bible 1957

Box 307, Folder 6

Blake inserts undated

Box 305, Folder 3

Blake - Jerusalem (Cunliffe) 1974

Box 305, Folder 4

Blake - Jerusalem (Stirling) 1950

Box 305, Folder 5

Blake - Marriage of Heaven and Hell 1960

Box 305, Folder 6

Blake - Marriage of Heaven and Hell (Offset Printing) undated

Box 305, Folder 7

Blake - Milton 1967

Box 305, Folder 8

Blake - The Song of Los 1975

Box 305, Folder 9

Blake - Songs of Innocence and of Experience 1955

Box 305, Folder 10

Blake - Songs of Innocence and of Experience (Offset) 1967

Box 307, Folder 7

Blake - Songs of Innocence and of Experience (Offset) 1967

Box 305, Folder 11

Blake - There is No Natural Religion 1971

Box 305, Folder 12

Blake - Visions of the Daughters of Albion 1959

Box 305, Folder 13

Blake - Water-colour Designs for the Poems of Thomas Gray 1972

Box 305, Folder 14

Breuil - Anabib and Omandumba 1960

Box 305, Folder 15

Breuil - Philipp Cave 1957

Box 305, Folder 16

Breuil - Southern Rhodesia 1966

Box 305, Folder 17

Breuil - Tsisab Ravine 1959

Box 305, Folder 18

Breuil - The White Lady of Brandberg 1955

Box 307, Folder 8

Bushe - Through the Troposcope 1966

Box 305, Folder 19

Cézanne - Les Baigneuses 1947

Box 305, Folder 20

Chagall/Eluard - Le Dur Desir de Durer 1946

Box 307, Folder 9-10

Sur Marcel Duchamp 1959

Box 305, Folder 21

Huxley/Piranesi - Prisons 1949

Box 307, Folder 11

Keynes - Blake: Poet, Printer, Prophet 1964

Box 305, Folder 22

Palmer's Sketchbook 1962

Box 307, Folder 12

Prehistoric Rock Art circa 1959

Box 305, Folder 23

Reynolds - Constable 1981

Box 308, Folder 7

Shahn - Ecclesiastes circa 1971

Box 305, Folder 24

Shahn - Haggadah for Passover circa 1965

Box 308, Folder 8

Shahn - Haggadah for Passover circa 1965

Box 305, Folder 25

Receipt Book 1972

Box 307, Folder 13

Sales catalogs and price lists 1950-1973

Box 305, Folder 26

Shipping and Forwarding - Thomas Meadows and Company Ltd. 1954-1962

Box 305, Folder 27

Taranman job 1976 October

Box 307, Folder 14

Title page - Songs of Innocence and of Experience circa 1965

Box 305, Folder 28

Trianon Press history timeline undated

Box 305, Folder 29

Type Specimens undated

Box 308, Folder 9

Unidentified print undated

Box 305, Folder 30-86, Box 307, Folder 15-43

Publicity 1947-1982

Scope and Contents

This subseries contains promotional materials such as newspaper clippings and magazine advertisements, and related correspondence. Publicity materials include correspondence about publications and exhibits, clippings and clipping service information, testimonial letters, literary agency information, advertisements, and reviews. Publicity is included for projects involving William Blake, Abbé Breuil, Marcel Duchamp, and Gislebertus. Publications represented include The Illustrated London News , Show Magazine, Apollo, Le Figaro Littéraire, The Observer , and the Telegraph.
 

Exhibits 1951-1999

Physical Description: 12 Linear Feet

Arrangement

This series is arranged chronologically by date of exhibit.

Processing Information

Components in this series have unique identifying codes (e.g. IV-B) that were most likely assigned by the Press which correspond to different exhibits. There are two exhibits that were part of this original coding scheme but have no materials in the series: Cezanne/Jacomet (IV-A) in 1947-1948, and Breuil (London) (IV-C) in 1954.

Scope and Contents

This series contains materials related to public exhibitions of Trianon Press materials at institutions including the Tate, the Victoria and Albert (V&A) museum, and the Metropolitan Museum of Art. Included in the series are photographs, publicity and reviews of exhibits, posters, planning documentation, exhibit caption drafts, correspondence, and reception information. Also included in this series are materials from exhibits of the Trianon Press Archive at UC Santa Cruz in 1990 and 1999, after the archival collection was transferred to the University Library.
 

Stirling Jerusalem IV-B 1951

Box 341, Folder 1

Correspondence: Brussels exhibition - British information service, British Council 1951-1952

Box 341, Folder 2

Publicity: Times Literary Supplement 1951

 

Songs of Innocence IV-D 1955

Box 341, Folder 3

Correspondence, publicity, invoices, display 1954-1955

Box 353

Panels with guide sheets, stencils, and finished plates circa 1955

Box 341, Folder 4

Photographs 1955

Box 352, Folder 1

Reviews 1955-1956

Box 341, Folder 5

Village Voice exhibition captions circa 1954

 

Blake Bicentenary IV-E 1958

Box 350, Folder 1

Reviews, clippings circa 1958

Box 341, Folder 6

Correspondence: Bicentenary committee, D.M. Vaughan, Blake Trust 1957-1958

Box 341, Folder 7

National Book League exhibition: Special publicity 1957 November

Box 354, Folder 1

Poster 1958

Box 341, Folder 8

Transport 1959

Box 341, Folder 9

Traveling exhibition: Special publicity 1958

 

Duchamp IV-F 1959

Box 341, Folder 10

Photographs: Duchamp compares stencil with facsimile frontispiece (Lusby) circa 1959

Box 341, Folder 11

Photographs: Duchamp signs gde verre, Crampe's atelier (Lusby) circa 1959

Box 341, Folder 12

Photographs: Duchamp signs plaque Eau et Gaz, Crampe's atelier (Lusby) circa 1959

Box 341, Folder 13

Photographs: Duchamp with Eau et Gaz book, 125 ave du Maine (Lusby) circa 1959

Box 341, Folder 14

Photographs: Exhibition at La Hune 1959

Box 341, Folder 15

Photographs: Exhibition, Sydney Janis Gallery, New York 1958-1959

Box 341, Folder 16

Photographs: Interview with Art Buchwald - International Herald Tribune (Lusby) circa 1959

Box 341, Folder 17

Photographs: Luxe Eau et Gaz (Lusby) circa 1959

Box 341, Folder 18

Photographs: Publicity for Eau et Gaz - Negatives, contact prints 1959

 

Gislebertus IV-G 1961-1963

Related Materials

See Gislebertus, sculptor of Autun component of Series 1 for additional materials related to this exhibit.
Box 350, Folder 21

Arnold Fawcus notes circa 1961

Box 341, Folder 19

Photographs: Exhibition at De Young Museum, San Francisco, CA 12 December 1962 - 31 January 1963

Box 341, Folder 20

Photographs: Exhibition at Musée des Monuments Français 30 November 1959 - 25 February 1960

 

Poet, Printer, Prophet IV-H 1964-1972

Box 341, Folder 21

Aldeburgh Festival, June 1970: Correspondence re: prospective bookings 1969-1970

Box 341, Folder 22

Blake exhibit at Virginia Museum of Fine Arts (non-Trianon) 1965

Box 350, Folder 2

Blake originals information circa 1964

Box 341, Folder 23

Board of Trade, Canada Stock 1963-1964

Box 350, Folder 3

Catalogues, publicity circa 1964

Box 341, Folder 24

Correspondence: Art Council, Keynes 1967-1968

Box 341, Folder 25

Correspondence: Hofer, Adams, De Young 1964

Box 350, Folder 4

Correspondence: Mary Laing 1964

Box 350, Folder 5

Correspondence: Smithsonian, van Arsdale 1964-1970

Box 341, Folder 26

Edinburgh Festival (21 August - 30 September 1969) 1967-1971

Box 350, Folder 6

Exhibit layouts, planning circa 1964

Box 354, Folder 2

Exhibit layouts, planning, photo enlargements circa 1964

Box 341, Folder 27

Facts and figures, costs circa 1964

Box 350, Folder 7

General information, correspondence 1964

Box 352, Folder 2

Manchester and Edinburgh 1969

Box 341, Folder 28

Manufacture 1964

Box 341, Folder 29

Metropolitan Museum: Correspondence: Disposal of exhibit after Met 1967

Box 341, Folder 30-31

Metropolitan Museum: Correspondence: Placing exhibit at Met (Rorimer, Rosenwald, Mellon) 1964-1967

Box 341, Folder 32

Metropolitan Museum: Photograph, invitation 1967

Box 341, Folder 33

National Gallery: Correspondence 1963-1965

Box 341, Folder 34

National Gallery: Photographs: Installation (negatives) 1964 October 28

Box 341, Folder 35

National Gallery: Photographs: Preview, general views 1964

Box 341, Folder 36

National Gallery: Reviews 1964

Box 341, Folder 37

Notes and correspondence re: Introductory panels, Life/Work panels 1963-1964

Box 350, Folder 8

Press clippings, publicity circa 1964

Box 341, Folder 38

Tate: Invitations 1964

Box 341, Folder 39

Tate: Invitation list, press 1964 February 13

Box 341, Folder 40

Tate: Party caterers, invitation list 1964

Box 354, Folder 3

Tate: Photograph 1964

Box 341, Folder 41

Tate: Photographs, negatives 1964

Box 352, Folder 3

Tate: Poster, prints, press clippings 1964

Box 350, Folder 9

Text 1964

Box 341, Folder 42

Transport information 1963-1965

Box 341, Folder 43

Traveling exhibition itinerary 1964-1966

Box 350, Folder 10

"Ventes livres durant Blake Exhibition" 1964

Box 350, Folder 11

Book: Reviews, correspondence circa 1965

 

Breuil (Singer Polignac Foundation) IV-I 1966

Box 341, Folder 44

Correspondence: Ripoll, Mawart, Sonolet, Billot 1966-1967

Box 341, Folder 45

Correspondence: Singer Polignac 1967

Box 341, Folder 46

Exhibition reports circa 1967

Box 355

Exposition book 1966

Box 341, Folder 47

Exposition notes 1966-1967

Box 341, Folder 48

Musée de L'Homme 1960

Box 350, Folder 12-13

Planning documentation 1961-1966

Box 350, Folder 14

Photographs circa 1966

Box 341, Folder 49

Photographs, contact prints, negatives circa 1966

Box 341, Folder 50

Photographs: Publicity circa 1966

Box 354, Folder 4

Photo enlargements, prints, caption text 1966

Box 350, Folder 15-16

Press clippings, publicity circa 1966

 

Blake's Illustrations of Gray (Tate) IV-J 1971

Box 341, Folder 51

Correspondence, planning documentation 1971-1972

Box 350, Folder 17

Dinner reception: Invitation, photographs, thank you letters, planning 1971

Box 350, Folder 18

Photographs: Publicity, Arnold Fawcus, Tate display 1971-1972

Map-Case H-13, Folder 4

Poster: "William Blake Illustrations to Gray's Poems, Tate Gallery, 1971-1972" 1971-1972

Box 350, Folder 19-20

Press clippings, publicity, reviews 1971

Box 356, Folder 1

Tate: Invitations, negatives 1971

Box 341, Folder 52

Yale: Correspondence, photographs 1972

 

Blake's Illustrations of Job (V&A) IV-K 1976-1977

Box 351, Folder 1

Correspondence 1976-1977

Box 341, Folder 53

Correspondence: Exhibition sales 1977

Box 341, Folder 54

Exhibit caption text 1977

Box 341, Folder 55

Photographs 10 November 1976 - 13 February 1977

Box 351, Folder 2

Publicity 1976-1977

Box 354, Folder 5

Posters 1976

Box 351, Folder 3

V&A reception party and Blake Trust dinner 1976

 

Samuel Palmer (V&A) IV-L 1978-1979

Box 351, Folder 4

Correspondence 1977-1978

Box 351, Folder 5

Correspondence, catalogue production material (Arnold Fawcus) circa 1978

Box 351, Folder 6

Publicity 1978

Box 351, Folder 7

Reception 1978

 

Blake Retrospective (Tate) IV-M 1978

Box 351, Folder 8

Catalogue, Blake Trust proofs 1978

Box 351, Folder 9

Correspondence 1972-1977

Box 341, Folder 56

Publicity 1977

Box 341, Folder 57

Reception: Photographs, invitations, guest lists 1978

 

Shahn (Jewish Museum, Philadelphia) IV-O

Box 341, Folder 58

Correspondence 1967-1968

 

UC Santa Cruz exhibits 1990, 1999

Box 341, Folder 65

Photographs of Trianon Press Archive arrival at UCSC 1983

Box 352, Folder 6

Photographs of Trianon Press Archive arrival at UCSC - Contact prints circa 1983

Box 341, Folder 66

Trianon Press Archive arrival and exhibition - Press releases, newsletters, publicity 1990

Box 341, Folder 67

Trianon Press Archive exhibition captions 1990, 1999

Box 351, Folder 17

Trianon Press Archive exhibition captions 1999

Box 341, Folder 68

Trianon Press Archive exhibition invitations 1990

Box 356, Folder 3

Trianon Press Archive exhibition posters 1990, 1999

Box 354, Folder 7

Trianon Press Archive exhibition: Prospectuses and prints used in exhibit 1990, 1999

 

Various notices and publicity handouts IV-N

 

Other exhibits and events

Box 341, Folder 59

Sir Geoffrey Keynes' 85th birthday, UCLA Library 8-31 October 1972

Box 351, Folder 10

National Book Exhibition (1949): Correspondence 1949-1951

Box 341, Folder 60

Photograph: Macleod and Fawcus, Trianon Press Reproductions and Publications exhibit circa 1955

Box 354, Folder 6

Poster: Rouault, Musée de Dole circa 1970

 

Publicity

Box 341, Folder 61

Photographs: Shahn circa 1967

Box 341, Folder 62

Photographs: Shahn: Printing the Haggadah and Ecclesiastes 1966

Box 341, Folder 63

Photographs: Shahn: Negatives, contact prints, proofs circa 1966

Box 341, Folder 64

Photographs taken at Mourlot's by ADF, without Shahn circa 1966

Box 351, Folder 11

Publicity photographs: Collotype process circa 1970

Box 351, Folder 12

Publicity photographs: Stencil/pochoir process circa 1970

Box 356, Folder 2

Publicity photograph: Technical process of collotype and stencil/pochoir circa 1970

Box 352, Folder 4

Publicity: Miscellaneous 1955-1967

Box 351, Folder 16

Publicity: Miscellaneous 1966-1976

Box 351, Folder 15

Publicity: Miscellaneous - Scrapbook 1958-1961

Box 352, Folder 5

Publicity: Publishing circa 1956

Box 351, Folder 13

Publicity: Shahn clippings circa 1966

Box 351, Folder 14

Publicity: Traveling exhibitions 1967-1968

 

Supplies and suppliers 1945-1983

Physical Description: 11 Linear Feet

Scope and Contents

This series contains correspondence with and catalogs from various suppliers with whom the Trianon Press worked, for items such as paper, bindings, type, gold and silver leaf and other adornments, printing, pochoir, photography and photoengraving, and transport. Materials are in English and French.
 

Catalogs and samples

Arrangement

Arranged alphabetically by name of supplier.
Box 134

A. Motelet & Cie. Price List 1967 May

Box 136

A. Motelet & Cie. Papiers de fantaisie undated

Box 136

A. Motelet & Cie. Fantasy papers 1964

Box 136

A. Motelet & Cie. Fantasy papers 1966

Box 136

A. Motelet & Cie. Fantasy papers undated

Box 137

A.R.T. "What now? What next?" Christmas 1958

Box 134

Agence Francaise de Papeteries (A.F.P.) Wrapping/mailing paper samples undated

Box 136

Arjomari Priouix Bristols samples undated

Box 136

Arjomari Prioux Arches Rives - editors, artistes & createaurs -sample books undated

Box 134

Arjomari Proiux Price Lists: 1975-1983

Box 137

Arrault & Cie. Maitres Imprimeurs a Tours specimen book

Box 137

Atelier de Composition Printing supplier

Box 137

Aulard Type Specimens

Box 134

B.O.S. Packing materials catalog undated

Box 136

Berrick Bros. Ltd. Samples undated

Box 136

Cockrell & Sons Ltd. Marbled paper samples 1972 January

Box 136

Comptoir de la Reliure Marbres en touss generes undated

Box 137

Deberny et Peignot "Meridien"

Box 138

Deberny et Peignot "Meridien Gras"

Box 138

Deberny et Peignot "Meridien Demi-gras"

Box 137

Deberny et Peignot Compd dp, specimen book

Box 134

Dewailly & Marc Price List

Box 136

Dewailly & Marc Relma, Papiers de Frantaisie undated

Box 136

Dewailly & Marc Relma 1969 September

Box 136

Dewailly & Marc Relma 1972

Box 136

Dewailly & Marc Relma 1949, 1964-1965

Box 136

Dickinson & Co. Ltd. Croxley Book Papers for the publisher undated

Box 137

Draeger Freres Type specimen booklet

Box 136

Duval Plain colored papers 1965 February 3

Box 136

Duval Fantasy papers undated

Box 136

E. Becker Ltd. Ever Best Fancy Papers 1959 July

Box 136

Fabriano Samples Booklets undated

Box 138

Fonderie Olive Specimen sheets

Box 137

Foundene Radiguer & Cie. "L'Elzevir Caslon" specimen leaflet

Box 134

Frank Grunfeld Ltd. text paper samples 1974

Box 138

Genin Freres "Caraeteres "Monotype" – booklet

Box 137

Genin Freres "Caracteres" - Type Specimen Book

Box 134

Grillet et Feau #3 Couche Couleur... Luminescent

Box 134

Grillet et Feau #4 Machine a Ecrire, Blanc et colors

Box 134

Grillet et Feau #7 Supefine Grifo color

Box 134

Grillet et Feau #8 Bristol, Hercule, Mecanorama

Box 134

Grillet et Feau #9 Dossier Rigidex

Box 134

Grillet et Feau #10 Couche Moderne, Martele Splendor, Rheinland

Box 134

Grillet et Feau #10 A Duplicateurs

Box 134

Grillet et Feau #10 B- Couvertures

Box 134

Grillet et Feau Binder

Box 134

Grillet et Feau Price Lists: 1955, 1961, 1977-1982

Box 136

Grosvenor Chater & Co. Ltd. Binder of samples undated

Box 138

Guide Francais et International du Livre 1961

Box 137

Headley Bros. Ltd. "Photo composition at the Invicta Press"

Box 137

Horsell's Colour Finder Color Book

Box 138

Imprimerie Darantiere "Bembo" series 270 specimen sheets

Box 138

Imprimerie Darantiere "Gill Demi-Gras"

Box 138

Imprimerie Darantiere "Garamond Gras"

Box 137

Imprimerie Darantiere 3 Type specimen sheet binders

Box 137

Imprimerie Desgrand champs Specimen book

Box 137

Imprimerie la Roche Catalogue des Caracteres Typographiques

Box 138

Imprimerie La Roche "Garamont Romain" specimen sheets

Box 137

Joh. Eschede en Zonen "Letterproof" Type Specimen Binder 1951

Box 134

John Dickinson & Co. Ltd. Ledger, account books, filing supplies catalog undated

Box 136

K.D.P. Marbres Main 1963 March

Box 136

K.D.P. Hautes Nouveautes, no. 3 1948

Box 136

K.D.P. Reliure - Fantasy papers undated

Box 135

Lana Buvards Dessins undated

Box 135

Lana "Edition" samples undated

Box 135

Lana Price list

Box 135

Lana "Edition Lana" samples & price list 1974 July

Box 135

Lana Price List 1981 April

Box 135

Lana Price List 1983 February

Box 135

Lana Price List 1983 June

Box 134

Les Papeteries Barjon sample booklet

Box 136

Les Papeteries Lauriat samples sheets

Box 135

Les Papiers Canson DessinsTechnique, Dessin Artistique sample sheets undated

Box 136

Les Papiers Canson Samples undated

Box 136

Les Papiers Canson Samples 1964

Box 136

Les Papiers Canson Samples 1966

Box 137

Letraset "Letragaphica" type specimens booklet

Box 138

Lettergieterij Amsterdam "La series de Roos specimen sheet

Box 138

Lettergieterij Amsterdam "Columbia" specimen sheets

Box 137

Loose-leaf specimen pages Foundry unknown

Box 133

Mansell Bookbinders Ltd. "Single Ways Buckram" 1956

Box 138

Master Printers Annual, typographical yearbook 1950

Box 137

Michael Huber Color Sample Booklet

Box 137

Monotpia Catalogue de caracteres specimen book

Box 138

Monotype Corp. "Monotype Copyfitting Indicator"

Box 138

Monotype Corp. GB Specimen Sheets

Box 137

Monotypia "Specimen Gros. Corps."

Box 138

Monotypia "Specimen de caracteres" 1956

Box 135

Papeterie Dujardin Simili Japon Blanc et Creme sample book undated

Box 134

Papeteries Aussedat Price lists 1955 October, 1969 June

Box 134

Papeteries Bellegarde price list Apr-69

Box 134

Papeteries D'Arches sample folders

Box 134

Papeteries de France sample folders

Box 134

Papeteries de la Madeleine sample folder 1972

Box 134

Papeteries de L'AA Dambricout sample folder

Box 134

Papeteries de Ruysscher Table of Concordance

Box 134

Papeteries de Ruysscher Price Lists 1971 June

Box 134

Papeteries Navarre Price list 1961 January

Box 135

Papeteries Louis Muller & Fils Impression Ecriture Emballage undated

Box 135

Papeteries Louis Muller & Fils Papers Pour Couverture undated

Box 135

Papeteries Louis Muller & Fils "Akita" sample book 1967

Box 135

Papeteries Louis Muller & Fils Price List 1953 June

Box 135

Papeteries Louis Muller & Fils Price List 1980 January

Box 135

Papeteries Louis Muller & Fils Price List 1978 March

Box 135

Papeteries Louis Muller & Fils Price List 1980 June

Box 135

Papeteries Louis Muller & Fils Offset phototypie helio sample book undated

Box 136

Papeteries Louis Muller & Fils Sample packs undated

Box 136

Papeteries Louis Muller & Fils miscellaneous marbled papers undated

Box 137

Photogravure Marcel Lagrue "Monotype" Composition Mechanique

Box 134

Proiux Binder with samples

Box 133

Putois Fres & Cie "Les Toiles Pour La Reliure " 1955 May

Box 133

Putois Fres & Cie "Headband" card

Box 136

Putois Fres & Cie. Fantasy papers undated

Box 138

Remy Peignot "Meridien demi-gras & gras" - specimen sheets

Box 136

Richard de Bas paper mill Sample Books undated

Box 132

Rougier & Plé 3 Relon: Le Couturier du livre undated

Box 132

Rougier & Plé 2 Douppion 1971, 1976

Box 132

Rougier & Plé 2 Brillanta: Le "Design" en Brillanta 1973 October

Box 132

Rougier & Plé Toile du Marais K.H.B. undated

Box 132

Rougier & Plé Toile du Marais K.H.L. undated

Box 132

Rougier & Plé Toile du Marais K.G.O. undated

Box 132

Rougier & Plé 2 Toile Rustique 1975 June

Box 132

Rougier & Plé Toile Rustique 1976 June

Box 132

Rougier & Plé Toile Commodore 1971 October

Box 132

Rougier & Plé Toile Commodore Half Linnen undated

Box 132

Rougier & Plé Toile Ballon Linnen, Canevas, Coloreta, Natural linnen, Halflinnen undated

Box 132

Rougier & Plé Fabroleen undated

Box 132

Rougier & Plé 2 Milskin: Grains shantung et seal 1971 October

Box 132

Rougier & Plé 2 Lintone 1975 June

Box 132

Rougier & Plé Skivertex-Pas du Cuir undated

Box 132

Rougier & Plé Milskin: Grains shantung et Cambrie undated

Box 132

Rougier & Plé 3 Papercoat 1971 October

Box 132

Rougier & Plé Skivertex: Quichou undated

Box 132

Rougier & Plé 3 Meneple undated

Box 132

Rougier & Plé 2 Romanel-Nouveaute Skivertex undated

Box 132

Rougier & Plé 2 Skivertex:Antala undated

Box 132

Rougier & Plé L'Indechirable: Buksyn undated

Box 132

Rougier & Plé Snolin Linline 1969 May

Box 132

Rougier & Plé Snolin Excelin Fabroleen 1975 November

Box 132

Rougier & Plé 2 Skivertex: Belle Epoque 1973 March

Box 132

Rougier & Plé Skivertex 1977 February

Box 133

Rougier & Plé G. W. Russell & Son Ltd., "Oasis" Niger goatskins

Box 133

Rougier & Plé H. Band - Niger Goatskin

Box 133

Rougier & Plé Goodall's Dictionary of Bookcloth 1954 March

Box 133

Rougier & Plé Sample boards with stamping

Box 133

Rougier & Plé Fabroleen

Box 133

Rougier & Plé Excelin

Box 133

Rougier & Plé Comptoir Textile

Box 133

Rougier & Plé Standard Linson Shades Book 1

Box 133

Rougier & Plé Standard Linson Finishes & Designs Book 2

Box 133

Rougier & Plé Standard Linson Fabroleen

Box 133

Rougier & Plé Milskin

Box 133

Rougier & Plé Sundour Book Cloths Book 9

Box 133

Rougier & Plé Sundour Book Cloths Book 10

Box 133

Rougier & Plé Relutex S.A. "Pellior"

Box 133

Rougier & Plé Relutex S.A. "Toilex"

Box 133

Rougier & Plé Relutex S.A. "Scolex"

Box 133

Rougier & Plé Relutex S.A. "Scolex - Toilex - Toilor"

Box 133

Rougier & Plé Lamatex - Fabrikoid "Trianon" ser Supermat

Box 133

Rougier & Plé Murfil :Toiles-TCM"

Box 133

Rougier & Plé Tex Libris "Orient"

Box 133

Rougier & Plé Tex Libris "LORP" 180

Box 133

Rougier & Plé Tex Libris "LOGP"

Box 133

Rougier & Plé Tex Libris "Toiles Papeterie & Registre" 1966 July

Box 133

Rougier & Plé Tex Libris "Toiles Reliure" Texlifil, Alier no.14

Box 133

Rougier & Plé Tex Libris "Les Orients" no.15

Box 133

Rougier & Plé Tex Libris "Toiles Reliure" LORB

Box 133

Rougier & Plé Tex Libris "Toiles Reliure" TRFP 1968 April

Box 133

Rougier & Plé Tex Libris "Toiles Reliure"

Box 133

Rougier & Plé Tex Libris "Toiles Reliure" LORP 1966 July

Box 133

Rougier & Plé Tex Libris "Toiles Reliure" LOG

Box 133

Rougier & Plé J.A.G.G. "Moire" sample card

Box 133

Rougier & Plé Thermoplastiques cellutosiques et vinyliques - plastic samples

Box 135

Rougier & Plé Papiers de Gardes, serie Karine, sample book 1971 October

Box 136

Rougier & Plé Papiers de Gardes, Cristobal undated

Box 136

Rougier & Plé Fantasy papers 1965

Box 136

Rougier & Plé Fantasy papers undated

Box 136

Rougier & Plé Fantasy papers 1972

Box 136

Rougier & Plé Toutes les Fournitures pour reliure et cartonnage undated

Box 136

S. A. Relma Fantasy papers 1972

Box 138

Santype Ltd. "Times New Roman series 327 w/series 334"

Box 138

Santype Ltd. "Imprint" series 101 w/310

Box 138

Santype Ltd. "Gill Sans"

Box 138

Santype Ltd. "Perpetua" series 239 w/461

Box 138

Santype Ltd. "Caslon" series 128

Box 138

Santype Ltd. "Baskerville" series 169

Box 138

Santype Ltd. "Typewriter"

Box 138

Santype Ltd. "Plantin"

Box 138

Santype Ltd. "Flowers", 18pt.

Box 137

Santype Ltd. Salisbury "Bodini" 135/260, leaflet

Box 138

Societe Anonyme Monotype "Garamond & Display Faces"

Box 138

Societe Anonyme Monotype Newsletter

Box 138

Societe Monotype Specimen sheets

Box 138

Societe Nebiolo "Bodoni", leaflet

Box 137

Societe Nebiolo Torino "Collana Nebiolo", type specimen book

Box 134

Spicers Ltd Mailing envelope sample undated

Box 137

Spottiswoode Ballantyne List of Type faces, pamphlet 1957

Box 137

Stephen Austin Second Ed., Section I-III

Box 137

Stephenson Blake "Granby", pamphlet

Box 138

Stephenson Blake "Pen Letters, specimen sheets

Box 138

Stephenson Blake "Perpetua & Times"

Box 138

Stephenson Blake "Go Modern"

Box 138

Stephenson Blake "Catch yourself a 'Different' Sans

Box 138

Stephenson Blake "A Cycle Completes Itself", Verone, Old Style, Cheltenham, Bodoni

Box 138

Stephenson Blake "Rich Fruitly Latins", Chisel, Latin

Box 138

Stephenson Blake "Think Spartan"

Box 138

Stephenson Blake "Carefully we cultivate the Adonis family"

Box 138

Stephenson Blake "Lots of weights of Sans" and "Famous formal Scripts"

Box 137

Surrey Fine Art Press Ltd. "Flowers from a Printer's Garden"

Box 138

Type Specimen sheet undated

Box 136

Unknown miscellaneous paper samples undated

Box 138

Victor Michel "Grises, trames photo, specimens", halftone specs

Box 137

Winstone & Sons Ltd. Fine printing inks sample book

Box 133

Wm. Clowes & Sons Ltd. "Larson Paper" 1954

Box 137

Wm. Clowes & Sons Ltd. "Ehrhardt" Series 453

Box 137

Wm. Clowes & Sons Ltd. "Dante"

Box 137

Wm. Clowes & Sons Ltd. "Cochin" 165

Box 137

Wm. Clowes & Sons Ltd. "Baskerville"

Box 137

Wm. Clowes & Sons Ltd. "Type Faces" specimen book

Box 138

Wm. Clowes & Sons LTd. "Printing News", no.11 1955 May

Box 138

"1811-1961, 150 ans de Vie Gravee et Imprimee" - Victor Michel undated

Box 138

"4000 Imprimeries et Imprimeurs" 1966

Box 138

"6th Salon International des Techniques Papeteries et Graphiques" Paris 1960

Box 138

"American Institute of Graphic Arts" List of Members 1945

Box 138

"Book Typography", Hugh Williamson, N.B.L., London undated

Box 138

"Copy fitting" undated

Box 138

"Design & Printing in the Netherlands" 1956-1957, 1960

Box 138

"ILTE (Industria Librana Tipografica Editrice)" Catalogue 1965

Box 138

"Monotype Recorder" Precision in Map-Making, v.43:1 Summer 1964

Box 138

"Printing & the Mind of Man" Catalog of exhibitions 1963 July 16-27

Box 138

"Publishing from Manuscript to Bookshop" Philip Unwin, N.B.L., London undated

Box 138

"Screen Printing" 1956 October

Box 138

"The Literature of Bookbinding", A.R.A. Hobson, N.B.L., London undated

Box 138

"The Technique of Bibliography", David Foxon, Nat'l. Book League, London undated

 

Correspondence

Related Materials

There is additional correspondence throughout the collection, including in Series 3: General business, Series 6: Arnold Fawcus personal files, Series 7: Publishers and distributors, and Series 8: William Blake Trust files.
Box 171

General Correspondence 1951

Box 171

Kemp Hall Bindery 1967-1981

Box 171

Mansell Bookbinders Ltd. 1966-1972

Box 171

Mansell Bookbinders Ltd. 1960-1965

Box 171

Mansell Bookbinders Ltd. 1957-1959

Box 171

Mansell Bookbinders Ltd. 1955-1956

Box 171

Mansell Bookbinders Ltd. 1950-1954

Box 171

Mansell & Wigmore Bindery 1957

Box 171

James Burn & Co. Ltd. 1950-1954

Box 171

Adine Cartonnage Packing materials, boxes 1981

Box 171

Gubbins Bros. Ltd. 1955-1958

Box 171

Geo.M. Whiley Ltd. Gold and silver leaf 1949-1950

Box 171

Toplis & Harding - Insurance 1962-1963

Box 171

Tyler & Co. Insurance Adjustors 1967-1969

Box 171

T.J. Hogarth, Reynolds, Porter & Co. 1958-1970

Box 172

Misc. Leather Suppliers 1973

Box 172

Misc. Paper Suppliers 1949-1974

Box 172

Arjomari Prioux Paper supplier 1960-1971

Box 172

Arjomari Prioux Paper supplier 1951-1959

Box 172

Arjomari Prioux Statements 1959-1977

Box 172

Canson & Montgolfier Paper supplier 1956-1958

Box 172

Cockrell & Son Ltd. Marbled Paper supplier 1965-1972

Box 172

Comptoir de la Reliure Paper supplier 1959-1960

Box 172

John Dickinson & Co.Ltd. Paper supplier 1954-1959

Box 172

Duval Marbled Paper supplier 1973

Box 172

Grosvenor Chater & Co. Ltd. Paper supplier 1955-1973

Box 172

H. Reeve Angel & Co. Ltd. Paper supplier 1950-1956

Box 172

Lepard & Smith Ltd. Paper supplier 1956-1960

Box 172

Paperteries Moulin du Val deLaga Paper supplier 1957-1961

Box 172

Office Commercial du Papier Paper supplier 1957

Box 172

Papeteries Aussedat Paper supplier 1957-1977

Box 172

Papeteries Barjon Paper supplier 1955

Box 172

Papeteries Bellegarde Paper supplier 1970

Box 173

Papeteries de L'Aa Paper supplier 1964-1965

Box 173

Papeteries de Lana Paper supplier 1964-1978

Box 173

Papeteries de Ruysscher Paper supplier 1950-1975

Box 173

Papeteries Grillet et Feau Paper supplier 1970-1980

Box 173

Papeteries Guyenne Paper supplier 1959-1961

Box 173

Papeteries La Haye Descartes Paper supplier 1961-1965

Box 173

Papeteries Louis Muller & Fils Paper supplier 1951-1964

Box 173

Papeteries Prioux Paper supplier 1958-1951

Box 173

Bodin-Joyeaux Fils Parchment supplier 1964-1968

Box 173

API Photography 1951

Box 173

Cornevin Breton Photoengraver 1959-1964

Box 173

Bussiere & Nouel Photoengraver 1957-1966

Box 173

Crampe Pochoir 1959

Box 173

Dreux Barry Pochoir 1951

Box 173

Misc. Printers Printing suppliers undated

Box 173

Stephen Austin Printing supplier 1964-1966

Box 173

Beaufume Printing supplier 1955-1958

Box 173

Cambridge University Printing supplier 1954

Box 174

Wm. Clowes & Sons - Spottiswoode Ballantyne Printing supplier 1965-1969

Box 174

Wm. Clowes & Sons - Spottiswoode Ballantyne Printing supplier 1960-1964

Box 174

Wm. Clowes & Sons - Spottiswoode Ballantyne Printing supplier 1958-1959

Box 174

Wm. Clowes & Sons - Spottiswoode Ballantyne Printing supplier 1956-1957

Box 174

Wm. Clowes & Sons - Spottiswoode Ballantyne Printing supplier 1955

Box 174

Wm. Clowes & Sons - Spottiswoode Ballantyne Printing supplier 1954

Box 174

Cotswold Collotype Printing supplier 1973-1974

Box 174

J. Combier Printing supplier 1960-1962

Box 174

J. Combier Printing supplier - Autun postcard samples

Box 174

Draeger Freres Printing supplier 1958-1973

Box 174

Duval Printing supplier 1954-1956

Box 174

Editions G E A D Printing supplier 1962

Box 174

Fine Art Engravers Printing supplier 1955-1958

Box 174

German Printing Firms 1954-1956

Box 174

Hourdebaight Printing supplier 1965

Box 174

Imprimerie Arrault Printing supplier 1953

Box 174

Imprimerie Aulard Printing supplier 1950-1958

Box 175

Imprimerie Darantiere Printing supplier 1958-1976

Box 175

Imprimerie Desgrandchamps Printing supplier 1957-1968

Box 175

Imprimeries de Bobigny - Sapho Reuniies Printing supplier 1958-1968

Box 175

Imprimerie Humbolt & Cie. Printing supplier 1962-1963

Box 175

Imprimerie Moderne de Lion Printing supplier 1964-1975

Box 175

Joh. Enschede en Zonen, Grafische Invichting N.V. Printing supplier 1955-1958

Box 175

Lecot Printing supplier 1964

Box 175

Press at Coombelands Ltd. Printing supplier 1950-1952

Box 175

Rossi Printing supplier 1971-1972

Box 175

Robert Stockwell Ltd. Printing supplier 1973-1979

Box 175

Robert Stockwell Ltd. Production Notes undated

Box 175

Sun Engraving Co. Ltd. Printing supplier 1950-1951

Box 175

Victor Michel Printing supplier 1961-1976

Box 175

Plastics: Protoplastics Plastic supplier 1971-1972

Box 175

Transport Agents 1947-1951

Box 175

Thomas Meadows & Co. Ltd. Transport agents 1952-1954

 

Arnold Fawcus personal files 1947-1973

Physical Description: 3.5 Linear Feet

Arrangement

Materials in this series are arranged alphabetically by title.

Related Materials

There is additional correspondence throughout the collection, including in Series 3: General business, Series 5: Supplies and suppliers, Series 7: Publishers and distributors, and Series 8: William Blake Trust files.

Scope and Contents

This series contains the personal files of Trianon Press founder and director Arnold Fawcus. It includes personal correspondence, financial and administrative files on his personal and business affairs, photographs, and materials on his skiing career. Correspondence is in English and French, contains both outgoing and incoming letters, and pertains to personal matters and purchases.
Box 357, Folder 1

Cars - Bugatti, Jeep, Austin van, Triumph 1956-1964

Box 357, Folder 2-8

Correspondence 1953-1973

Box 358, Folder 1

Correspondence, bills, notes 1955-1959

Box 357, Folder 9

Correspondence: Essayan, K.L. 1958-1962

Box 357, Folder 10

Correspondence: Girard-Claudon 1957-1961

Box 357, Folder 11

Correspondence: Sidgwick, Dudley B. 1958

Box 357, Folder 12

Correspondence: Sidgwick, John (Papers) 1957-1958

Box 357, Folder 13

Correspondence: Vaultier 1958-1961

Box 358, Folder 2

Financial: Beauvezer; Cochet, Pierre 1964-1971

Box 358, Folder 3

Financial: Bills: French and English (Lloyd's) 1966-1970

Box 357, Folder 14

Financial: Royalties statements 1958-1969

Box 358, Folder 4

Financial: Sales: Foundation Gulbenkian 1962-1963

Box 358, Folder 5

Financial: Statements: Barclay's Paris 1965-1970

Box 358, Folder 6

Financial: Statements: Compte cheques postaux 1960-1962

Box 358, Folder 7

Financial: Statements: Lloyd's Paris 1963-1970

Box 358, Folder 8

Financial: Statements and correspondence: Lloyd's Geneva 1953-1959

Box 358, Folder 9

Financial: Statements and correspondence: Lloyd's Paris 1953-1959

Box 358, Folder 10

Financial: Statements and correspondence: Chase Manhattan 1952-1965

Box 358, Folder 11

Financial: Vouchers 1956-1963

Box 359

Framed drawing to Mary Boyle 1950

Scope and Contents

Inscription: "Souvenir d'une bonne journée passée ensemble à Maffliers - d'un beau et bon travail. A chère Ms. Boyle, Madeleine Luka, 3 Août 1950, Maffliers"
Box 358, Folder 12-13

Insurance: Correspondence, claims, bills 1956-1973

Box 359

Keys to Rue Cuvier undated

Box 186

Negatives: Jura; Arnold & Jacomet

Box 357, Folder 15-16

Photographs circa 1940-1975

Scope and Contents

Includes personal photographs from Arnold's childhood, adolescence, personal life, and career. Contains both photographic prints and negatives.
Box 358, Folder 14-15

Photograph album, unidentified circa 1955

Scope and Contents

Includes black and white snapshots of travels throughout Africa, possibly related to the Breuil cave painting expeditions. People in photographs are unidentified, and source is unknown.
Box 358, Folder 16

Rue Roger administration 1953-1962

Box 357, Folder 17

Ski photographs circa 1950

Scope and Contents

Includes photographs of Arnold and colleagues skiing, as well as locales such as Sun Valley, ID; Yosemite National Park; Utah; and Switzerland. Some of the photographs were used in the Swing into Skiing and Ski Americain publications.
Box 357, Folder 18

Ski Americain 1947

Box 357, Folder 19

Ski materials circa 1950

Scope and Contents

Includes a list of ski clubs and a brochure from a ski conference in 1947.
Box 186

Skiing film circa 1948

Physical Description: 16mm film reel

Conditions Governing Access

Audiovisual media is unavailable until reformatted. Contact Special Collections in advance for information regarding access.

Scope and Contents

Labeled From Mrs. LR Fawcus, San Francisco.
Box 357, Folder 20

Collected readings on Breuil undated

Box 357, Folder 21

Miscellaneous correspondence and receipts 1968-1972

Box 357, Folder 22-25

Miscellaneous papers from desk circa 1955-1965

Scope and Contents

Labeled "desk droppings"; includes notes, personal and business cards, tickets, addresses, and receipts.
 

Publishers and distributors 35979 1946-1981

Physical Description: 3.5 Linear Feet

Scope and Contents

This series contains correspondence with and catalogs from various distributors and affiliated publishers with whom the Trianon Press worked, including Quaritch, Collins, and Little, Brown. Trianon's distribution and publishing relationships are documented across the United Kingdom, the United States, France, Germany, and Italy.
 

Correspondence

Related Materials

There is additional correspondence throughout the collection, including in Series 3: General business, Series 5: Supplies and suppliers, Series 6: Arnold Fawcus personal files, and Series 8: William Blake Trust files.
 

General correspondence

Box 139, Folder 1

1946-1948

Box 139, Folder 2

1949-1950

Physical Description: 7 copies
Box 139, Folder 3

1951

Box 139, Folder 4

1952

Scope and Contents

this is a thing within this series
Box 139, Folder 5

1963-1970

Physical Description: 3 copies
Box 139, Folder 6

1971-1973

Box 139, Folder 7

1974-1980

 

United States

Box 139, Folder 8

General correspondence

Box 139, Folder 9

Harry Abrams Inc. 1959

Box 139, Folder 10

Bobbs Merrill Co., Inc. 1959

Box 139, Folder 11

Borenstein 1959-1964

Box 139, Folder 12

Borenstein 1965-1971

Physical Description: 3 copies
Box 139, Folder 13

Braziller 1957-1963

Physical Description: 4 copies
Box 139, Folder 14

Channel Press 1958-1959

Box 139, Folder 15

Dufour Editions 1961-1966

Box 140, Folder 1

Duschenes 1951

Box 140, Folder 2

Duschenes 1952-1954

Box 140, Folder 3

Duschenes 1964-1976

Box 140, Folder 4

Grossman Pub. Inc. 1963-1964

Box 140, Folder 5

Grossman Pub./Viking Press, Inc. 1972-1978

Box 140, Folder 6

Harvard University Press 1952-1961

Box 140, Folder 7

Holt, Rinehart & Winston 1964

Box 140, Folder 8

Holt, Rinehart & Winston 1965-1966

Box 140, Folder 9

Holt, Rinehart & Winston 1968-1969

Box 140, Folder 10

Little, Brown 1964

Box 140, Folder 11

Little, Brown 1965

Box 140, Folder 12

Little, Brown 1965-1969

Box 140, Folder 13

New Directions Pub. Co. 1950-1951

Box 140, Folder 14

New York Graphic Society 1949-1952

Box 141, Folder 1

New York Graphic Society 1959-1962

Box 141, Folder 2

New York Graphic Society 1963-1973

Box 141, Folder 3

Orion Press 1959-1961

Box 141, Folder 4

Orion Press, Inc. 1962-1963

Box 141, Folder 5

Orion 1963-1964

Box 141, Folder 6

Orion, Orion/Grossman 1965

Box 141, Folder 7

Orion/Grossman 1966-1968

Box 141, Folder 8

Orion/Grossman 1969-1970

Box 141, Folder 9

Orion Press/Grossman Pub. 1971

Box 141, Folder 10

J. Philip O'Hara Inc. 1971-1973

Box 141, Folder 11

Fredrick A. Praeger, Inc. 1958-1968

Box 141, Folder 12

Schocken Books, Inc. 1963-1966

Box 142, Folder 1

Shorewood Press, Inc. 1961-1968

Box 142, Folder 2

Story Classics 1952-1953

Box 142, Folder 3

Wittenborn & Co. 1946-1968

Box 142, Folder 4

Yoseloff 1954-1968

Box 142, Folder 5

Zeitlin 1947-1970

 

United Kingdom

Box 142, Folder 6

General correspondence

Box 142, Folder 7

Collins General correspondence 1954-1960

Box 142, Folder 8

Collins General correspondence 1960-1964

Box 142, Folder 9

Collins: A. Colwell 1957-1960

Box 142, Folder 10

Collins: Adrian House 1958-1965

Box 142, Folder 11

Collins: Blake Trust Stock

Box 142, Folder 12

Collins: William Collins 1957-1967

Box 142, Folder 13

Collins: John A. Ford 1956-1958

Box 142, Folder 14

Collins: John A. Ford 1959-1961

Box 143, Folder 1

Collins: Richard Simon 1958-1962

Box 143, Folder 2

Francis Edwards Ltd. 1965-1966

Box 143, Folder 3

Fabers 1954-1955

Box 143, Folder 4

Fabers 1956-1961

Box 143, Folder 5

Methuen 1961-1969

Box 143, Folder 6

Methuen & Co. Ltd. 1970-1974

Box 143, Folder 7

Quaritch 1961-1962

Box 143, Folder 8

Quaritch 1963-1964

Box 143, Folder 9

Quaritch 1965-1966

Box 143, Folder 10

Quaritch 1967-1968

Box 144, Folder 1

Quaritch 1969-1970

Box 144, Folder 2

Quaritch 1971-1975

Box 144, Folder 3

Quaritch 1976-1977, 1984

Box 144, Folder 4

Quaritch Statements 1963-1978

Box 144, Folder 5

Peter Owen ltd. 1963-1965

Box 144, Folder 6

Oxford University Press 1954-1974

Box 144, Folder 7

Penguin Books Ltd. 1963-1966

Box 144, Folder 8

Scholar Press 1976-1980

Box 144, Folder 9

Thames & Hudson 1963-1973

 

France

Box 144, Folder 10

French - Skira (L'Oeil) 1957-1958

Box 144, Folder 11

French - Vilo 1961-1969

 

Germany

Box 144, Folder 12

German - Prestal Verlag 1954-1975

Box 144, Folder 13

German - Verlag Gerdhatje 1957-1961

Box 144, Folder 14

German - R. Piper & Co. Verlag 1958-1962

Box 144, Folder 15

German - Limes Verlag 1962-1975

Box 144, Folder 16

German - Verlag M. Dumont Schauberg 1965-1972

 

Italy

Box 144, Folder 17

Italian - Il Saggiatore di Alberto Mondadori 1961

 

Catalogs

Box 144, Folder 18

Blake Trust/Trianon Catalogs 1950-1979

Box 145, Folder 1

U.K. - Quaritch: Catalogs 1964-1966

Box 145, Folder 2

U.K. - Quaritch: Catalogs 1967-1970

Box 145, Folder 3

U.K. - Quaritch: Catalogs 1971-1973

Box 145, Folder 4

U.K. - Quaritch: Catalogs 1973

Box 145, Folder 5

U.K. - Quaritch: Catalog Production File 1973

Box 145, Folder 6

U.K. - Quaritch: Catalogs 1975

Box 145, Folder 7

U.K. - Quaritch: Catalogs 1976-1978

Box 146, Folder 1

U.K. - Quaritch: Catalogs 1979

Box 146, Folder 2

U.K. - Quaritch: Catalogs 1980

Box 146, Folder 3

U.K. - Quaritch: Catalogs 1981

Box 146, Folder 4

Miscellaneous Catalogs, A

Box 146, Folder 5

Miscellaneous Catalogs, C-D

Box 146, Folder 6

Miscellaneous Catalogs, D-N

Box 146, Folder 7

Miscellaneous Catalogs, O

Box 146, Folder 8

Miscellaneous Catalogs, R-W

 

William Blake Trust files 1947-1982

Physical Description: 5 Linear Feet

Historical note

The William Blake Trust - by Sir Geoffrey Keynes, 1971
The William Blake Trust was founded in 1948. I had long been made uneasy by the thought that the Stirling copy of Jerusalem in color was an unique book, so that a very great work of art and imagination would be lost if any misfortune should befall it. Moreover, Blake himself never published any of his major poems or epics in ordinary typography. He preferred that they should be read only in the form of the Illuminated Printing invented by himself; this combined script with colored illustrations, derived in some degree from the example of medieval manuscripts. I had accordingly initiated early in 1948 an attempt to produce a true facsimile, not merely a reproduction of Jerusalem, and in order to do this had persuaded the owner of the book, Colonel William Stirling of Keir, to allow his book to be taken to Paris where it could be copied by the Trianon Press. This was to be done by their special process of coloring by hand through stencils over a collotype base.
I had intended to pay for this rather expensive process by enlisting the help of a number of guarantors of 500 pounds sterling each, and the work had begun with the support of five of these generous persons. This was a most rash undertaking on my part, but it was an act of faith which was soon to find its justification. Walford Graham Robertson, for many years the leading owner of Blake's works, died after a long illness in September 1948, leaving a large fortune to be applied to charitable purposes at the discretion of the executors. The senior executor, Mr. Kerrison Preston, was himself deeply interested in Blake and his work, so that it was not difficult to gain his approval of the idea that a Trust should be formed with the help of a Graham Robertson bequest. This would have the specific purpose of making a facsimile of Jerusalem. With the advice of Mr. George Goyder, an admirer of Blake and an experienced man of business, a scheme was drawn up for the formation of a legally constituted non-profit-making educational charity with an adequate endowment provided by the Graham Robertson executors. A board of eight Trustees was appointed to administer the Trust with myself as chairman, and all financial worries in forwarding our project were at an end. The original Trustees of the William Blake Trust were Sir Anthony Blunt, the Earl of Crawford and Balcarres, Lord Cunliffe, Peter F. Du Sautoy, George Goyder, Sir Geoffrey Keynes, Edward Croft-Murray, Kerrison Preston, Francis Wormald. The original Associate Trustees in the United States were F.B. Adams, Jr., Philip Hofer, Paul Mellon, Lessing Rosenwald, and Charles Ryskamp.
At its inception, as already stated, the William Blake Trust had as its object the production of a true facsimile of Jerusalem. When in due course the book was published it became obvious that the Trust would in a few years succeed in disposing of 500 copies at a reasonable price, and that we should therefore be able to recover the outlay and to apply the proceeds to making a facsimile of another Illuminated Book. The same principle has made it possible to produce a succession of books until, after twenty-three years, the Trust is within sight of accomplishing the objective it had set itself: "to make Blake better known by publishing the finest possible reproductions of his Illuminated Books and other works". Any time-lag in recovering our outlay on a completed book has been covered by generous help from our Associate Trustees in the United States, Mr. Lessing Rosenwald and Mr. Paul Mellon. The Trustees are also indebted to these and other owner for the loan of the original books which have been copied.
The constitution of the Trust was framed in such a way that we have not been tied down to too rigid a program. Thus we have been able to include among our productions a large illustrated catalogue of Blake's Bible Illustrations, a facsimile of Samuel Palmer's sketchbook of 1824 and Blake's engraved book of emblems called the The Gates of Paradise.
Throughout its career the administrators of the Blake Trust have depended entirely on the skill and devotion of Mr. Arnold Fawcus, Director of the Trianon Press and of his craftsmen in Paris for the consistently high quality of the books we have sponsored. Often I have been asked why the public cannot be provided with an inexpensive edition of Blake's works in color, since that was the form in which he intended them to be read. The answer has been that a cheap process of reproduction can only provide a substitute that cannot be compared with the beauty of Blake's original work. Only an educational Trust with negligible overhead expenses could afford to produce books of the necessary quality at a price unattainable by a commercial publisher.

Scope and Contents

This series contains materials regarding the William Blake Trust, established in 1948, and includes correspondence, sales books, minutes, inventories, deeds, and policy documents.
 

Correspondence

Related Materials

There is additional correspondence throughout the collection, including in Series 3: General business, Series 5: Supplies and suppliers, Series 6: Arnold Fawcus personal files, and Series 7: Publishers and distributors.
Box 148, Folder 1

General Correspondence 1955-1972

Box 148, Folder 2

Sir Anthony Blunt 1956-1977

Box 148, Folder 3

Earl of Crawford and Balcarres 1955-1976

Box 148, Folder 4

Edward Croft-Murray 1954-1976

Box 148, Folder 5

Lord Roger Cunliffe 1967-1979

Box 148, Folder 6

Peter du Satoy 1951-1953

Box 148, Folder 7

Peter du Satoy 1954-1955

Box 148, Folder 8

Peter du Satoy 1956-1959

Box 148, Folder 9

Peter du Satoy 1960-1965

Box 148, Folder 10

Peter du Satoy 1966-1969

Box 148, Folder 11

Peter du Satoy 1970-1974

Box 148, Folder 12

Peter du Satoy 1975-1977

Box 148, Folder 13

Peter du Satoy 1978-1979

Box 148, Folder 14

Peter du Satoy 1980-1982

Box 149, Folder 1

Ann Faber 1952

Box 149, Folder 2

George Goyder 1952-1954

Box 149, Folder 3

George Goyder 1955-1957

Box 149, Folder 4

George Goyder 1958-1960

Box 149, Folder 5

George Goyder 1961-1965

Box 149, Folder 6

George Goyder 1966-1969

Box 149, Folder 7

George Goyder 1970-1980

Box 149, Folder 8

Joan Ivimy 1958-1963

Box 149, Folder 9

Joan Ivimy 1964-1972

Box 150, Folder 1

Geoffrey Keynes 1951-1952

Box 150, Folder 2

Geoffrey Keynes 1953-1954

Box 150, Folder 3

Geoffrey Keynes 1955-1957

Box 150, Folder 4

Geoffrey Keynes 1958-1959

Box 150, Folder 5

Geoffrey Keynes 1960

Box 150, Folder 6

Geoffrey Keynes 1961

Box 150, Folder 7

Geoffrey Keynes 1962

Box 150, Folder 8

Geoffrey Keynes 1963

Box 150, Folder 9

Geoffrey Keynes 1964

Box 150, Folder 10

Geoffrey Keynes 1965

Box 150, Folder 11

Geoffrey Keynes 1966

Box 150, Folder 12

Geoffrey Keynes 1967

Box 150, Folder 13

Geoffrey Keynes 1968

Box 150, Folder 14

Geoffrey Keynes 1969

Box 151, Folder 1

Geoffrey Keynes 1970

Box 151, Folder 2

Geoffrey Keynes 1971

Box 151, Folder 3

Geoffrey Keynes 1972

Box 151, Folder 4

Geoffrey Keynes 1973

Box 151, Folder 5

Geoffrey Keynes 1974

Box 151, Folder 6

Geoffrey Keynes 1975

Box 151, Folder 7

Geoffrey Keynes 1976

Box 151, Folder 8

Geoffrey Keynes 1977

Box 151, Folder 9

Geoffrey Keynes 1978-1979

Box 151, Folder 10

Geoffrey Keynes 1980-1982

Box 151, Folder 11

Stephen Keynes 1980-1982

Box 151, Folder 12

Kerrison Preston 1952-1974

Box 151, Folder 13

Heming Vaughan 1955

Box 151, Folder 14

Francis Wormald 1955-1956, 1967-1972

Box 152, Folder 1

Fred Adams (Amer. Assoc. Trustee) 1956-1971

Box 152, Folder 2

Phil Hofer (Amer. Assoc. Trustee) 1947-1980

Box 152, Folder 3

Paul Mellon (Amer. Assoc. Trustee) 1960-1964

Box 152, Folder 4

Paul Mellon (Amer. Assoc. Trustee) 1965-1967

Box 152, Folder 5

Paul Mellon (Amer. Assoc. Trustee) 1968-1970

Box 152, Folder 6

Paul Mellon (Amer. Assoc. Trustee) 1971-1982

Box 152, Folder 7

Lessing Rosenwald (Amer. Assoc. Trustee) 1952-1953

Box 152, Folder 8

Lessing Rosenwald (Amer. Assoc. Trustee) 1954-1955

Box 152, Folder 9

Lessing Rosenwald (Amer. Assoc. Trustee) 1958-1962

Box 152, Folder 10

Lessing Rosenwald (Amer. Assoc. Trustee) 1963-1965

Box 152, Folder 11

Lessing Rosenwald (Amer. Assoc. Trustee) 1966-1968

Box 152, Folder 12

Lessing Rosenwald (Amer. Assoc. Trustee) 1969-1972

Box 152, Folder 13

Lessing Rosenwald (Amer. Assoc. Trustee) 1973-1975

Box 152, Folder 14

Lessing Rosenwald (Amer. Assoc. Trustee) 1976-1981

Box 152, Folder 15

Charles Ryskamp (Amer. Assoc. Trustee) 1970-1977

Box 153, Folder 1

Minutes & Interim Reports 1948-1955

Box 153, Folder 2

Minutes & Interim Reports 1956-1959

Box 153, Folder 3

Minutes & Interim Reports 1960-1965

Box 153, Folder 4

Minutes & Interim Reports 1966-1969

Box 153, Folder 5

Minutes & Interim Reports 1971-1974

Box 153, Folder 6

Minutes & Interim Reports 1976-1979

Box 153, Folder 7

Minutes & Interim Reports 1980-1982

Box 153, Folder 8

Minutes & Interim Reports 1983-1987

Box 153, Folder 9

Agreements & Dissolution Papers undated

Box 156, Folder 1

Accounts circa 1955-1979

Box 156, Folder 2

Blake Trust Expenses & Costs circa 1955-1979

Box 150, Folder 15

Consignment of Trianon books 1975-1982

Box 156, Folder 3

Invoices to Trust circa 1955-1979

Box 156, Folder 4

Duplicate Bills showing details for Blake Trust undated

Box 156, Folder 5

Sales Spreadsheets undated

Box 156, Folder 6

Sales Books: Clare I 1978 November-December

Box 156, Folder 7

Sales Books: Clare IV & Jasmine 1978 May - 1979 January

Box 156, Folder 8

Sales Books: Anne Book I 1978 April-December

Box 156, Folder 9

Sales Books: Anne Book II 1978 November - 1979 January

Box 156, Folder 10

Sales Books: Anne Book III 1979

Box 156, Folder 11

Sales Books: Anne Book IV 1978 December - 1979 March

Box 156, Folder 12

Sales Books: Anne Book VII 1978 May

Box 156, Folder 13

Sales Books: Handbooks, Samuel Palmer 1978 November - 1979 February

Box 156, Folder 14

Sales Book: Blake Trust Sales #1 1979 February-May

Box 156, Folder 15

Sales Book: Blake Trust Sales #2 1979 March-May

Box 156, Folder 16

Sales & Stock - Victoria and Albert Museum undated

Box 170, Folder 1

Trianon Press Inventory undated

Box 170, Folder 2

Stock at Tate Gallery undated

Box 170, Folder 3

Stock at Maggs undated

Box 170, Folder 4

Stock at Fitzwilliam undated

Box 170, Folder 5

Stock at Miscellaneous locations undated

Box 170, Folder 6

Stock at Quaritch undated

Box 170, Folder 7

Quaritch Sales Accounts undated

Box 170, Folder 8

Quaritch Correspondence 1972-1973

Box 170, Folder 9

Quaritch Correspondence 1974

Box 170, Folder 10

Quaritch Correspondence 1975

Box 170, Folder 11

Quaritch Correspondence 1976

Box 170, Folder 12

Quaritch Correspondence 1977

Box 155, Folder 1

U.K. - Collins: Policy Documents 1955-1962

Box 155, Folder 2

U.K. - Collins: Sales Statements 1956-1965

Box 155, Folder 3

U.K. - Collins: Blake Trust Stock 1958-1963

Box 155, Folder 4

U.K. - Blake Trust: Trust Deed 1949 March 1

Box 360, Folder 1

Second draft accounts 1966 December 31

Box 360, Folder 2-3

Various plates, prints, layouts, prospectus materials circa 1955-1980

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