Finding Aid for the Robert Emmet Smith papers, 1938-1974
Finding aid prepared by Processed by Arts Special Collections staff, pre-1999; machine-readable finding aid created by Julie
L. Graham and Caroline Cubé.
UCLA Library Special Collections
Room A1713, Charles E. Young Research Library
Box 951575
Los Angeles, CA, 90095-1575
(310) 825-4988
spec-coll@library.ucla.edu
©2014 The Regents of the University of California. All rights reserved.
Title: Robert Emmet Smith papers
Collection number: PASC 101
Contributing Institution:
UCLA Library Special Collections
Language of Material:
English
Physical Description:
22.0 linear ft.
(34 boxes, 3 flat boxes, and 8 map folders)
Date (inclusive): 1938-1974
Abstract: Robert (Bob) Smith was an art director and production designer. The collection consists of original artist's blueprints and
sketches, location photographs and stills, and scripts for motion picture projects; materials representing television projects;
and a small maount of material related to Smith's father, art director Edward (Ted) Smith.
Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections
for paging information.
Creator:
Smith, Robert Emmet, 1914-1988
Restrictions on Access
Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library
Special Collections for paging information.
Restrictions on Use and Reproduction
Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the
creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright
owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
Provenance/Source of Acquisition
Gift of Mr. Robert Smith, 1980.
Preferred Citation
[Identification of item], Robert Emmet Smith Papers (Collection PASC 101). UCLA Library Special Collections, Charles E. Young
Research Library, UCLA.
Biography
Robert Emmet Smith, also known as Bob Smith, was the son of Edward Smith, the former head of the art department at Paramount
Pictures. Bob Smith graduated from the University of Southern California School of Architecture and was a master mason. Smith
established his career as a motion picture art director and production designer. His numerous credits include motion pictures
such as
Rio Lobo,
Hombre,
Lonely are the Brave,
A Big Hand for the Little Lady,
Operation petticoat, and
King Rat, which garnered him an Academy Award nomination for Best Art Direction in 1966. Bob Smith died in Newport Beach, CA on Aug.
2, 1988.
Edward Smith was born ca. 1886. Hw started Jesse Lasky's art department in ca. 1917) and later became head of Paramount art
department in 1929. His credits include films such as
The Covered Wagon,
Peter Pan, Wings, and
Hell's Angels. Smith was under contract to Warner Bros. Studio at the time of his death; he died June 19, 1949.
Scope and Content
The collection consists of material related to the career of art director and production designer Robert Emmet (Bob) Smith.
Included are original artist's blueprints and sketches, location photographs and stills, and scripts primarily for motion
picture projects along with materials representing television projects, and a small amount of items from unproduced and unidentified
projects. Among the motion titles represented are
A Big Hand for the Little Lady (1966),
The Flim Flam Man (1967),
Fool Killer (1965),
Hombre (1967),
Operation Petticoat (1959), and
Skidoo (1968), among others.
Additionally, there are is a small amount of papers related to Smith's father, art director Edward (Ted) Smith. Included are
scripts, what appear to research photographs, set stills, and photocopies and reproductions of storyboards. Among the projects
represented are
Action in the North Atlantic,
Captains for the Clouds, and
Gentleman Jim
Organization and Arrangement
Arranged in the following series:
- Personal Papers
- Motion Picture Projects
- Television Projects
- Unproduced Projects
- Unidentified Projcts
- Edward (Ted) Smith Papers
Related Material
UCLA Catalog Record ID
Subjects and Indexing Terms
Smith, Edward Ted
Smith, Robert Emmet, 1914-1988 -- Archives
Motion picture art directors --United States --Archival resources.
Box 20, Folder 3
Address list.
General note
Address lists of various actors and crew members. Also address list labeled Christmas-1961
Box 20, Folder 1
Biographical information.
General note
Bob Smith volunteering for World War II service as architect. Also lists of his films.
Box 39, Folder 1
Get well drawings for Bob Smith.
General note
Oversize box
Box 9, Folder 3
BIG HAND FOR THE LITTLE LADY (A) (1966).
General note
Set designs, B & W, 8.5x11.
Box 32, Folder 1
BIG HAND FOR THE LITTLE LADY (A) (1966).
General note
Set designs for the saloon.
Box 29, Folder
BIG HAND FOR THE LITTLE LADY (A) (1966).
General note
Maps and continuity photos for Flagstaff, Arizona locations, 6 folders.
Box 8, Folder 6
BIG HAND FOR THE LITTLE LADY (A) (1966).
General note
Script, annotated, by Sidney Carroll, 7/9/65, 128p.
Box 9, Folder 1
BIG HAND FOR THE LITTLE LADY (A) (1966).
General note
Cast and crew lists, shooting schedule, preliminary budget.
Box 9, Folder 2
BIG HAND FOR THE LITTLE LADY (A) (1966).
General note
Storyboards, B & W, 8.5x11.
Box 28, Folder 3
BIG HAND FOR THE LITTLE LADY (A) (1966).
General note
Set design sketches.
Box 15, Folder 10
BIG HAND FOR THE LITTLE LADY (A) (1966).
General note
Staff and cast list.
Box 50, Folder 1
BIG HAND FOR THE LITTLE LADY (A) (1966).
General note
Oversize story board drawing.
Box 24, Folder 5
Birch Interval (1976).
General note
Final script, by Joanna Crawford, 5/13/74; 130p.
Box 15, Folder 14
Brainstorm (1965).
General note
Staff and cast list.
Box 47
Duchess and the Dirtwater Fox (The).
General note
Set plans in oversize folder.
Box 18, Folder 7
Five Card Stud (1968).
General note
On-set and location stills, some taped together to form a panorama, of an Old West location.
Box 28, Folder 1
Five Card Stud (1968).
General note
Location set plans, labelled Plan Durango, and dated 11/24/67.
Box 28, Folder 5
Five Card Stud (1968).
General note
Set design sketches.
Box 42
FLIM FLAM MAN (THE) (1967).
General note
Set plans in oversize folder.
Box 8, Folder 3
FLIM FLAM MAN (THE) (1967).
General note
Final script, annotated, of The Ballad of the Flim-Flam Man by William Rose, 8/15/66; 120p.
Box 9, Folder 9
FLIM FLAM MAN (THE) (1967).
General note
Black and white photocopies of storyboards. With location maps and an article on The Secret of the Lost Adams Diggins.
Box 9, Folder 5
Fool Killer (The) (1965).
General note
Continuity sketches, 8.5x11, photocopies, Labelled Book 1 of 2 Books.
Box 15, Folder 11
Fool Killer (The) (1965).
Box 9, Folder 12
Fool Killer (The) (1965).
General note
Storyboards, a mixture of B & W photocopies and original pencil and ink sketches, and a notepad, 8.5x11, B & W.
Box 9, Folder 6
Fool Killer (The) (1965).
General note
Continuity sketches, 8.5x11, photocopies, Labelled Book 2 of 2 Books.
Box 28, Folder 2
Fool Killer (The) (1965).
General note
Set design sketches, also cast and crew list.
Box 24, Folder 4
Generation (1969).
General note
Final script, (marked VOID) by William Goodhart, 1/7/69; 138p.
Box 17, Folder 3
Generation (1969).
General note
Storyboards, B & W reproductions.
Box 17, Folder 4
Generation (1969).
General note
Set designs.
Box 9, Folder 7
Generation (1969).
General note
Original pen and pencil title sequence continuity sketches, 8.5x11, apparently two versions. Also set list.
Box 2, Folder 5
Great Bank Robbery (The) (1969).
General note
Storyboards, 8.5x11, offprints, 60p. labled Balloon sequence.
Box 2, Folder 4
Great Bank Robbery (The) (1969).
General note
1st draft screenplay by William Peter Blatty, 4/10/68; 136p. Accompanying letter to Bob Smith from Malcolm Stuart.
Box 28, Folder 4
HOMBRE (1967).
General note
Set design sketches.
Box 39, Folder 2
HOMBRE (1967).
General note
Oversize box. Copied scene sketches.
Box 11, Folder 7
HOMBRE (1967).
General note
Unresearched contact sheet of Bob Smith (?) standing next to storyboards.
Box 18, Folder 6
HOMBRE (1967).
General note
Reviews and shooting schedule.
Box 37, Folder 2
HOMBRE (1967).
General note
Oversize box. Appears to be for Hombre. Location shots mounted on board. Appears to be Tuscon, AZ and Las Vegas.
Box 15, Folder 7
Interlude (1957).
General note
Pocket guides to Nymphenburg and Mozart memorials in Salzburg.
Box 15, Folder 6
Interlude (1957).
General note
Location pictures, various sizes, of houses, gardens, and streets.
Box 11, Folder 8
Interlude (1957).
General note
Location pictures, various sizes, B & W, of the exterior and interior of a green house and garden.
Box 15, Folder 8
Interlude (1957).
General note
Film stills, interiors and exteriors, B & W glossies.
Box 49
Justin Morgan Had a Horse.
General note
In oversize folder.
Box 15, Folder 13
KING RAT (1965).
General note
Reviews and cast sheet.
Box 11, Folder 1
KING RAT (1965).
General note
On-set stills of huts, 8.5x11, B & W glossies.
Box 49
Lady and the Prowler (The).
General note
In oversize folder.
Box 49
Little Big Man.
General note
In oversize folder.
Box 31, Folder 2
MONTE WALSH (1970).
General note
Set designs.
Box 42
My Forbidden Past.
General note
Set plans in oversize folder. Also known as Carriage Entrance
Box 1, Folder 9
OPERATION PETTICOAT (1959).
General note
Black and white stills of the interior of the submarine #285, USS Balio.
Box 8, Folder 4
OPERATION PETTICOAT (1959).
General note
Final screenplay, annotated, by Stanley Shapiro and Maurice Richlin, 12/22/58, last rev. 2/18/59; 151p. Also set list.
Box 2, Folder 2
OPERATION PETTICOAT (1959).
General note
Research stills, 4x5, B & W glossies, of the exterior of submarine #285, USS Balio taken in Key West, FLA.
Box 2, Folder 1
OPERATION PETTICOAT (1959).
General note
Black and white stills of the exterior of the GATO class submarine USS Steelhead. Some labled Steelhead S.D. possibly shot
in dry dock at San Diego.
Box 15, Folder 4
OPERATION PETTICOAT (1959).
General note
Black and white stills of submarine interiors.
Box 1, Folder 10
OPERATION PETTICOAT (1959).
General note
Black and white stills of the exterior of the submarine #285, USS Balio taken in Key West, FLA.
Box 2, Folder 3
OPERATION PETTICOAT (1959).
General note
Black and white photographs of the interior of submarine #285, USS Balio taken in Key West, FLA.
Box 40
OPERATION PETTICOAT (1959).
General note
Storyboards. Appears to be for Operation Petticoat.
Box 17, Folder 8
OPERATION PETTICOAT (1959).
General note
Black and white stills of the submarine USS Balio.
Box 15, Folder 5
OPERATION PETTICOAT (1959).
General note
Black and white stills of submarine interior, USS Tilefish,.
Box 15, Folder 3
OPERATION PETTICOAT (1959).
General note
Black and white stills of submarine exteriors, USS Aspro and USS Baya, 8.5x11, B & W glossies.
Box 2, Folder 6
OPERATION PETTICOAT (1959).
General note
Black and white stills of exteriors of what appears to be submarine USS Ultimus (#311) taken in Key West, FLA. Also contact
sheets of dry dock mislabled in reverse Blood of the Vampire.
Box 49
Polly Anna.
General note
in oversize folder.
Box 3, Folder 7
POSEIDON ADVENTURE (THE) (1972).
General note
Shooting Final by Stirling Silliphant, 1/12/72; 156p.
Box 11, Folder 2
RIO LOBO (1970).
General note
Black and white set stills of building interiors.
Box 11, Folder 3
RIO LOBO (1970).
General note
Black and white set stills of building exteriors.
Box 50, Folder 4
RIO LOBO (1970).
General note
Large flat drawings of caboose and caboose and flat car for train sequence.
Box 8, Folder 1
RIO LOBO (1970).
General note
Photocopies of continuity sketches to the Shoot Out Sequence.
Box 52, Folder 1
RIO LOBO (1970).
General note
Location snap shots mounted on large board.
Box 47
RIO LOBO (1970).
General note
Set plans in oversize folder.
Box 46
RIO LOBO (1970).
General note
Set plans for western town in oversize folder.
Box 45
RIO LOBO (1970).
General note
Pencil renderings of scenes in oversize folder.
Box 44
RIO LOBO (1970).
General note
Set plans. Including buildings and details for western town. In oversize folder
Box 17, Folder 5
RIO LOBO (1970).
General note
Lists of necessary sets and locations, crew list.
Box 17, Folder 2
RIO LOBO (1970).
General note
Script, with annotations, no author, no date, 186p.
Box 36, Folder 3
RIO LOBO (1970).
General note
Oversize box. Appears to be for Rio Lobo. Location snapshots mounted on board.
Box 34
RIO LOBO (1970).
General note
Oversize box. Location photographs mounted on board. Many of Old Tucson. (3 folders)
Box 43
RIO LOBO (1970).
General note
Set plans in oversize folder.
Box 35
RIO LOBO (1970).
General note
Oversize box. Location snapshots mounted on boards. Most appear to be Mexico and Arizona. (3 folders)
Box 36, Folder 2
RIO LOBO (1970).
General note
Oversize box. Location snapshots mounted on board. Most appear to be Old Tucson.
Box 36, Folder 1
RIO LOBO (1970).
General note
Oversize box. Rendering of rail car.
Box 1, Folder 5
Skiddo (1968).
General note
Storyboards, 8.5x11, pencil on tracing paper, originally labled Balloon Sequence: 2/29.
Box 1, Folder 1
Skiddo (1968).
General note
Storyboards, 8.5x11, pencil on tracing paper, originally labled The Get Away Scene.
Box 1, Folder 6
Skiddo (1968).
General note
Storyboards, 8.5x11, pencil on tracing paper, featuring the Bleep trip.
Box 1, Folder 2
Skiddo (1968).
General note
Storyboards, 8.5x11, pencil on tracing paper, labled Balloon Escape(revised April 10).
Box 1, Folder 8
Skiddo (1968).
General note
Storyboards, 8.5x11, offprints featuring the balloon landing.
Box 1, Folder 7
Skiddo (1968).
General note
Storyboards, 8.5x11, offprints, some with color highlights, featuring a variety of scenes.
Box 1, Folder 4
Skiddo (1968).
General note
Storyboards, 8.5x11, pencil on tracing paper, featuring the balloon escape scene.
Box 1, Folder 3
Skiddo (1968).
General note
Storyboards, 8.5x11, pencil on tracing paper, labled Tony's Bleep Trip in Prison Cell.
Box 50, Folder 2
Skidoo (1968).
General note
Large flat color drawings of hot air balloon
Box 8, Folder 5
Slither (1973).
General note
Script, by W.D. Richter, 6/9/72, last rev. 6/22/72; 110. Also, set list and map.
Box 4, Folder 2
Super Cops (The) (1974).
General note
Research stills, B & W and color, 5x4, of the interior of New York City's 23rd Precinct Police Station.
Box 4, Folder 1
Super Cops (The) (1974).
General note
Research stills, B & W, 5x4, of the interior of New York City's 23rd Precinct Police station.
Box 42
Valdez is Coming (1971).
General note
Set plans in oversize folder.
Box 6, Folder
Valdez is Coming (1971).
General note
Appears to be snap shots of Western locations. Many lablelled Old Tuscon and some labelled Durango, Mexico.
Box 9, Folder 11
Valdez is Coming (1971).
General note
Costume design sketches, signed Brown/1969, Black and white contact sheets of New York streets, Preliminary Budget Detail,
and letter from Bob Smith to Dorothy Fowler regarding settling accounts for a previous film.
Box 24, Folder 1
Valdez is Coming (1971).
General note
Final draft script, with annotations, by Roland Kibbee, 5/20/69; 142p.
Box 15, Folder 12
Valdez is Coming (1971).
General note
Correspondence regarding the use of the OLD TUCSON facility of locations and sound stages. Also map by B. Smith.
Box 51
Valdez is Coming (1971).
General note
Location snap shots mounted on large board.
Box 32, Folder 2
Valdez is Coming (1971).
General note
Set designs.
Box 15, Folder 9
Valdez is Coming (1971).
General note
Black and white reproductions of storyboards and costume sketches.
Box 8, Folder 2
BINARY (TV).
General note
Script marked Bob Smith. Final draft, by Robert Dozier, with annotations, 2/18/72, last rev. 3/8/72; approx. 73 pp. Also Budget
and set list.
Box 17, Folder 1
COOL MILLION (TV).
General note
Episode: THE $1,000,000 RUBBER CHECK. Script, annotated, by Juanita Bartlett, 11/2/72; 76p. Also set construction estimates
(Bob Snith)
Box 42
Dodge Aspen Commerical.
General note
Set plans in oversize folder.
Box 18, Folder 4
KOJAK (TV).
General note
Unresearched pictures--what was Color contact sheets of snapshots of Manhattan streets and police vehicles. Smiths connection
to this project in not clear.
Box 24, Folder 3
MANNIX (TV).
General note
Rough draft, with annotations, of episode The Name is Mannix by Bruce Geller, 11/29/66; 44p.
Box 24, Folder 2
MC MILLAN AND WIFE (TV).
General note
Script marked Bob Smith. Episode An Elementary Case of Murder by Paul Mason and Brad Radnitz, 1/4/72; 84p.
Box 3, Folder 1
Daughter of Bonnie and Clyde.
General note
Screenplay, with annotations, by Norman Hudis, 11/4/70; 335p.
Box 3, Folder 4
GOODBYE, RAGGEDY ANN.
General note
Final Draft screenplay, with annotations, by Jack Sher, 6/11/71, last rev. 6/24/71; 83p. Also budget and set list.
Box 3, Folder 8
GOODBYE, RAGGEDY ANN.
General note
Final shooting script, by Jack Sher, 6/30/71; 77p. with revised pages.
Box 3, Folder 6
HICKOK.
General note
Screenplay by John Thomas James, Sam H. Rolfe, and Jo Swerling, Jr., last rev. 8/14/74; 145p. Also shooting call (even though
this film was never finished/released).
Box 3, Folder 5
LONELYHEART 555.
General note
Screenplay by A.J. Russell, 2nd draft, 3/6/72; 79p.
Box 18, Folder 5
MILLION DOLLAR KIDNAPPING (THE).
General note
Storyboards, 8.5x11, a mixture or original pencil sketches and reproductions. Also budget and set lists. 10/9/1969.
Box 3, Folder 3
SOUTH OF THE MOON.
General note
Screenplay by Frederick Banker and Thomas McIntyre, n.d.; 121p.
Box 3, Folder 2
TOM SWIFT.
General note
Screenplay, with annotations, by Jim Fritzell and Everett Greenbaum, revised 10/1/68; 177p.
Box 26, Folder 4
TRUE (Television?).
General note
Memos, set sketches, notes on Art Direction for various episodes.
Box 26, Folder 5
TRUE (Television?).
General note
Staff lists for various episodes.
Box 23, Folder 2
U.S. mint and Lola Montez.
General note
Research stills.
Box 10, Folder 4
19th-century parade.
General note
Photographs of what appears to be a 19th-century parade.
Box 7, Folder 3
49ers.
General note
Photographs relating to early San Francisco (1 of 2).
Box 7, Folder 4
49ers.
General note
Photographs relating to early San Francisco (2 of 2).
Box 23, Folder 4
49ers.
General note
Photographs about mining, miners, mining camps, etc.
Box 23, Folder 3
49ers.
General note
Photographs about the Sutter's Mill, printing presses, local Old West hotels.
Box 18, Folder 1
49ers.
General note
Originally labelled 49ers. Photographs of mining and Virginia City.
Box 23, Folder 1
49ers.
General note
Photographs about the Old West, stagecoaches, forts, etc.
Box 21, Folder 1
Arizona, the old west deserts, missions, Indian rock dwellings.
General note
Photographs of Arizona, the Old West (mostly deserts), missions, Indian rock dwellings, etc.
Box 11, Folder 4
Building exteriors.
General note
On-set stills of building exteriors.
Box 50, Folder 1
Camera angles for 6 apetures.
General note
Oversize flat.
Box 20, Folder 2
Cast and crew lists for various films.
Box 16, Folder
Cities and countrysides.
General note
Photographs (different sizes) of cities and countrysides, possibly taken in the 1920's.
Box 20, Folder 4
Clippings about World War II, life in the U.S. and air and sea combat.
Box 50, Folder 3
Drawings for hill top residence.
General note
Drawings in folder may or may not be related. Flat oversize.
Box 19, Folder 4
Garrick photographs.
General note
Origianlly marked Garrick. Old West towns, street scenes, etc.
Box 12, Folder 1
Hudson Bay, mining, and Canada,.
General note
Photographs of Hudson Bay, mining, and Canada; some from National Geographic Magazine.
Box 39, Folder 4
Large flat scene sketches.
General note
Appears to be for multiple projects.
Box 38, Folder 2
Location shots (mounted on board).
General note
Appears to be the Southwest. Oversize box.
Box 37, Folder 1
Location shots (mounted on board).
General note
Appears to be of ocean and landing. Oversize box.
Box 52, Folder 3
Location shots of Mexico (mounted on large board).
General note
Possibly for Rio Lobo or Valdez is coming.
Box 52, Folder 2
Location snap shots from Arizona, Old Tucson, and Kanab (mounted on larage board).
General note
Possibly for Rio Lobo or Valdez is Coming.
Box 31, Folder 1
Location stills, labelled Oregon. Tonka.
Box 11, Folder 6
Mathew Brady and others from the 1890's.
General note
Photographs of Mathew Brady and others from the 1890's.
Box 15, Folder 2
Mining areas and cowboy.
General note
Photographs of mining areas and cowboys. Also newspaper clipping about mining.
Box 5, Folder
Negatives.
General note
Many rolls, still in their original processing packaging.
Box 19, Folder 3
New York's Bowery.
General note
Photographs of New York's Bowery section, exteriors of local buildings, etc.
Box 11, Folder 5
Old Back Lot Photographs.
General note
Originally labelled Old Back Lot Photos. Photographs of building exteriors.
Box 27, Folder 1
Old South.
General note
Photographs depicting what appears to be the Old South.
Box 18, Folder 8
Old Tuscon.
General note
Location stills, sketches and maps of the OLD TUSCON soundstage and location facility. May be related to Valdez is Coming
Box 20, Folder 5
Panama, mostly building exteriors and location shots.
General note
Photographs about Panama, mostly building exteriors and location shots.
Box 38, Folder 1
Photographs of yachts (mounted on board).
General note
Oversize box. Mounted on board.
Box 36, Folder 1
Rendering of service club in Manilla.
General note
Oversize box.
Box 39, Folder 3
Rendering titled Action on the Atlantic, Scene 1.
General note
Flat oversize.
Box 18, Folder 9
Research.
General note
Photocopies of articles on railroads, mining, etc. Some in a file labelled Cavalry Equipment.
Box 26, Folder 2
Riverboats.
General note
Material dealing with riverboats.
Box 12, Folder 3
Riverboats, Mississippi.
General note
Unresearched research stills of riverboats, the Mississippi, B & W glossies, 8.5x11, originally labelled 1947.
Box 33, Folder 1
Set design production material.
General note
Horizon lines, stencils, etc.
Box 48
Set plans for western streets..
General note
Appears to be for more than one project. In oversize folder.
Box 52, Folder 4
Shots of Mexico location (mounted on large board).
General note
Possibly for Rio Lobo or Valdez is Coming.
Box 17, Folder 9
Stills of Small Town sets..
General note
Possible motion picture.
Box 9, Folder 8
Storyboards for a Western.
General note
Unresearched storyboards for a Western, B & W photocopies, 8.5x11; 78p.
Box 41
Storyboards, photographs, and slides.
General note
Photographs appear to be of early Mexico, Southwest, coalminer barracks, and riverboats. Slides from Keywest naval and coast
guard related.
Box 13, Folder
UNIDENTIFIED TITLE.
General note
Unresearched 3x5 color pictures (location).
Box 15, Folder 1
UNIDENTIFIED TITLE.
General note
Unresearched location stills of mining areas, B & W glossies.
Box 12, Folder 2
UNIDENTIFIED TITLE.
General note
Unresearched research stills of the West, mining camps, etc, B & W, 8.5x11, originally labelled 49ers.
Box 14, Folder
UNIDENTIFIED TITLE.
General note
Unresearched rolls of negatives, still in original packaging.
Box 9, Folder 10
UNIDENTIFIED TITLE.
General note
Unresearched storyboards, a mixture of B & W photocopies and originals from a Western. Also assorted postcards and snapshots
with a Western theme.
Box 22, Folder 1
United States Air Force, 9th Air Force.
General note
Unresearched research stills about the United States Air Force, 9th Air Force.
Edward (Ted) Smith Papers.
Box 24, Folder 7
Action in the Antarctic.
General note
Final screenplay, annotated, by George Bruce, 8/20/57; 132p.
Box 24, Folder 6
Action in the Antarctic.
General note
Photocopies (blue) of storyboards (8x11).
Box 4, Folder 4
Action in the North Atlantic (1943).
General note
Originally labelled Action Liberty Ship. Research stills, 4x5, B & W, of the exterior of a U.S. battle ship.
Box 4, Folder 3
Action in the North Atlantic (1943).
General note
Originally labled Action Liberty Ship. Photographs of the interior and exterior of a U.S. battle ship and the soundstage recreation.
Box 18, Folder 3
Captains for the Clouds (1942).
General note
Black and white set stills of log cabin exteriors and a pier.
Box 18, Folder 2
Captains for the Clouds (1942).
General note
Shooting schedule and tills of the interior of an airplane.
Box 31, Folder 3
Captains for the Clouds (1942).
General note
Storyboard reproductions.
Box 2, Folder 8
Cheyenne (1947).
General note
Black and white stills and location shots with Dennis Morgan, Jane Wyman, Janis Paige, and others.
Box 2, Folder 7
Cheyenne (1947).
General note
Black and white shots of interiors.
Box 10, Folder 2
Colorado Territory (1949).
General note
Black and white stills.
Box 21, Folder 3
Colorado Territory (1949).
General note
Black and white stills mostly of railroads and trains.
Box 21, Folder 2
Colorado Territory (1949).
General note
Black and white stills.
Box 22, Folder 2
Fighter Squadron (1948) (Folder 1 of 2).
General note
Stills featuring the United States Air Force, British and German airfields, radar, sleeping quarters, and other military materials.
Box 22, Folder 3
Fighter Squadron (1948) (Folder 2 of 2).
General note
Stills featuring the United States Air Force, British and German airfields, radar, sleeping quarters, and other military materials.
Box 17, Folder 7
Frontiersman (The) (1938).
General note
Background history notes and list of Warner Bros films in which Ted Smith was involved.
Box 19, Folder 2
Frontiersman (The) (1938).
General note
Stills of riverboats, the Missouri River, Indians, etc.
Box 21, Folder 4
Frontiersman (The) (1938).
General note
Stills centered on riverboats, log cabins, and the Missouri River.
Box 39, Folder 5
Gentleman Jim.
General note
Large flat storyboards. Appears to be Gentleman Jim.
Box 39, Folder 6
Gentleman Jim.
General note
Large flat storyboards. Appears to be Gentleman Jim.
Box 22, Folder 4
Gentleman Jim (1942).
General note
Stills about boxing and San Francisco at the turn of the century.
Box 11, Folder 10
Ghost Town Streets.
General note
Shots of Ghost Town Streets. Some labelled Billy the Kid Street. Appears to be location shots.
Box 10, Folder 3
Heart of the North (1938).
General note
Set stills. With stills from Pursued, Hocan, and Barlett Lake.
Box 2, Folder 9
High Sierra (1941).
General note
Black and white stills featuring Humphrey Bogart, Ida Lupino, and others.
Box 17, Folder 6
Letter from Paul Nathan (Paramount Studios) to Bob Smith regarding the death of Edward Smith.
General note
With two sketches of an aged man; possibly Edward Ted Smith.
Box 10, Folder 5
Location pictures.
General note
Originally labelled Sam Bacon Art--misc. Landscape. Appears to be location shots of the West.
Box 4, Folder 5
Location pictures.
General note
Black and white and color pictures. Appears to be location shots for Western project. Virginia, Mono Lake (map), steamboats,
various exteriors, probably Western.
Box 20, Folder 6
Mask of Dimitrio (The) (1944).
General note
Stills of mostly street scenes. Buildings in Turkey, Istanbul, Yugoslavia, and other eastern nations.
Box 10, Folder 1
Objective, Burma (1945).
General note
Black and white set stills.
Box 7, Folder 1
Pacific Queen.
General note
Black and white tills of the ship Pacific Queen.
Box 7, Folder 2
Riverboats, life on the Mississippi, and the South.
General note
Originally labelled Russel Saunders Personal. Black and white stills of riverboats, life on the Mississippi, and the South.
Box 9, Folder 4
Steamboats and mining camps.
General note
Black and white images of steamboats and mining camps.
Box 20, Folder 7
Verdict (The) (1946).
General note
Stills of Scotland Yard, police buildings, cemetaries, the Old Bailey, and other British legal institutions.
Box 11, Folder 9
West, mining, burrials, and street scenes.
General note
Black and white stills of the West, mining, burrials, and street scenes,
