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Isherwood (Christopher) Papers
mssCI  
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Table of contents What's This?
  • Access
  • Use Restrictions
  • Publication Rights
  • Preferred Citation
  • Provenance
  • Biographical Note
  • Select Bibliography
  • Part I : Scope and Content
  • Part II : Scope and Content
  • General
  • General
  • Related Materials
  • Other Finding Aids

  • Contributing Institution: The Huntington Library
    Title: Christopher Isherwood papers
    Identifier/Call Number: mssCI
    Physical Description: 140.6 Linear Feet (159 boxes, 2 oversize folders)
    Date (inclusive): 1864-2004
    Date (bulk): 1925-1986
    Abstract: This collection contains the papers of British-American writer Christopher Isherwood (1904-1986), chiefly dating from the 1920s to the 1980s. Consisting of scripts, literary manuscripts, correspondence, diaries, photographs, ephemera, audiovisual material, and Isherwood's library, the archive is an exceptionally rich resource for research on Isherwood, as well as W.H. Auden, Stephen Spender and others.
    Language of Material: English.

    Access

    Open for use by qualified researchers and by appointment. Please contact Reader Services at the Huntington Library for more information.
    1. RESTRICTED: The series of Isherwood's daily diaries, which are closed until January 1, 2030. Expurgated texts of these diaries have been edited and published by Katherine Bucknell. (Please see Selected Bibliography in this finding aid for citations.) Other diaries are available for research and are itemized in the Container List, below.
    2. RESTRICTED: Scholars' essays and letters (CI 3101-3108) addressed to Christopher Isherwood or to Don Bachardy after 1975 are closed for 30 years after their dates. This material is listed, along with opening dates, in Box 138.

    Use Restrictions

    Letters and manuscripts by W. H. Auden may be seen but may not be photocopied without written permission from the Auden literary executor, Edward Mendelson. In no case will permission be granted to copy all of the letters or manuscripts. His permission must also be obtained in order to quote from or publish any of the Auden items.

    Publication Rights

    The literary rights for Isherwood are owned by Don Bachardy, 145 Adelaide Drive, Santa Monica, California 90402.
    The literary rights for others in the collection are owned by the appropriate parties, e.g., the rights for Auden are owned by Edward Mendelson, those for Spender are owned by Lady Spender, etc. Please contact the Huntington's Curator of Literary Manuscripts with any questions.
    The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher.

    Preferred Citation

    [Identification of item], Christopher Isherwood papers, The Huntington Library, San Marino, California.

    Provenance

    The majority of the collection was acquired as a combination gift and purchase from Don Bachardy in April, 1999 (Accession nos. 1965 and 1966), July, 2000 (Accession no. 2641), June, 2012 (Accession no. 2943), May 2020 (Accession no. CSmH_2020_143).
    Additional material has been acquired from the following sources:
    A Talk with Christopher Isherwood: transcription of an interview, 1977. Gift of Robin French, August 26, 1999, (Accession no. 1995), FAC 1354.
    Letters between Christopher Isherwood and Stanley P. Friedman, 1951. Purchased from Stanley P. Friedman, September 10, 1999, (Accession no. 1999), CI 879-880, 1306.
    Contact prints of photographs of Christopher Isherwood, taken during the last weeks of his life by Wayne Shimabukuro. Gift of Mr. Shimabukuro, 1999, CI 3889-3892.
    Photographs of Christopher Isherwood, by Florence Homolka. Purchased from Roland Jaeger, May, 2000 (Accession no. 2050) and June, 2002 (Accession no. 2160), CI 3300-3301, 3355-3357.
    The World in the Evening: final draft, with corrections, plus drafts of Christopher and His Kind and portions of Down There on a Visit, all from the estate of Dodie Smith, purchased by the Library Collectors' Council and the Parsons Foundation, March 2003, (Accession no. 2207), CI 3095-3098, FAC 1397.
    Photograph of Don Bachardy, taken by Marilyn Sanders, 1991. Gift of Romaine Ahlstrom, April 24, 2003, (Accession no. 2218), CI 3893.
    Photograph of W.H. Auden and Christopher Isherwood by Carl Van Vechten, February 6, 1939. Purchased from James Cummins Bookseller, Catalog 86, lot 3, December, 2003, (Accession no. 2640), CI 4079.
    Five letters from Christopher Isherwood to Ingmar Bjorksten, 1957-1964. Purchased from Michael Silverman Autographs, London, December, 2003, (Accession no. 2639), CI 4080-4084.
    The source and date of acquisition for all the above additions to the collection are noted on the individual folders.

    Biographical Note

    Christopher Isherwood (1904-1986) was born on August 26, 1904, in Cheshire, England, the son of Frank and Kathleen Bradshaw-Isherwood. He attended Repton School, 1919-1922, and Corpus Christi College, Cambridge, 1924-1925. He went to Berlin in 1929 to visit W. H. Auden and remained, intermittently, for the next four years. In 1939 he immigrated to the United States, settling in Santa Monica, California. From 1954 until his death on January 4, 1986, Isherwood lived with his companion Don Bachardy.
    During his years in California, Isherwood wrote for MGM studios, he was a guest lecturer at California State University, Los Angeles, at University of California, Santa Barbara, and other colleges, and he was active in the Vedanta Society.
    The author of plays, screenplays, novels and nonfiction, Isherwood created works that transcend classification in their combination of autobiographical and imaginative elements. His novels include The Berlin Stories, based on the years he lived in Berlin and adapted as the play I Am a Camera and as the musical Cabaret, Prater Violet (1945), The World in the Evening (1954), Down There On a Visit (1962), A Single Man (1964), and A Meeting by the River (1967). Among his autobiographical and nonfiction works are Lions and Shadows: An Education in the Twenties (1938), Journey to War (with W. H. Auden, 1939), Kathleen and Frank (1971), and My Guru and His Disciple (1980).
    Isherwood's autobiographical work, Christopher and His Kind (1976), provided new information about his life, particularly his sexual preference. He became known as an outspoken advocate of gay rights, speaking and writing widely on the subject.

    Select Bibliography

    1. Berg, James J. and Chris Freeman, eds. Conversations with Christopher Isherwood (Jackson, Miss.: University Press of Mississippi, 2001).
    2. Berg, James J. and Chris Freeman, eds. The Isherwood Century: Essays on the Life and Work of Christopher Isherwood (Madison, WI: University of Wisconsin Press, 2000).
    3. Colletta, Lisa, ed. Kathleen and Christopher: Christopher Isherwood's Letters to His Mother (Minneapolis: University of Minnesota Press, 2005).
    4. Contemporary Authors (New Revision Series) vol. 35: 238-242.
    5. Isherwood, Christopher. Diaries: Volume I, 1939-1960, edited by Katherine Bucknell (New York: HarperFlamingo, Michael DiCapua Books, 1997).
    6. Isherwood, Christopher. Lost Years: A Memoir, 1945-1951, edited by Katherine Bucknell (New York: HarperCollins, 2000).
    7. Isherwood, Christopher. The Sixties : Diaries : Volume II, 1960-1969, edited by Katherine Bucknell (New York: HarperCollins, 2010).
    8. Isherwood, Christopher. Liberation : Diaries : Volume III, 1970-1983, edited by Katherine Bucknell (London: Chatto and Windus, 2012).
    9. Isherwood, Christopher and Don Bachardy. The Animals : Love Letters Between Christopher Isherwood and Don Bachardy, edited by Katherine Bucknell (New York: Farrar, Straus and Giroux, 2013).
    10. Kulkarni, H.B. Stephen Spender Works and Criticism: An Annotated Bibliography (New York: Garland Publishing, Inc., 1976).
    11. Lago, Mary. Calendar of the Letters of E.M. Forster (London and New York: Mansell Publishing Limited, 1985).
    12. Lago, Mary and P.N. Furbank, eds. Selected Letters of E.M. Forster, 2 vols. (Cambridge, MA: The Belknap Press of Harvard University Press, 1983-1985).
    13. Page, Norman. Auden and Isherwood: The Berlin Years (New York: St. Martin's Press, 1998).
    14. Parker, Peter. Isherwood : A Life, (London: Picador, 2004).
    15. Spender, Stephen. Letters to Christopher: Stephen Spender's Letters to Christopher Isherwood, 1929-1939, ed. Lee Bartlett (Santa Barbara, CA: Black Sparrow Press, 1980).
    16. White, James and William H. White. Christopher Isherwood: A Bibliography of his Personal Papers (Montrose, AL: Texas Center for Writers Press, 1987).

    Part I : Scope and Content

    This collection contains the papers of British-American writer Christopher Isherwood, chiefly dating from the 1920s to the 1980s. This part of the collection consists of scripts, literary manuscripts, correspondence, photographs, ephemera, audio-visual material, and Isherwood's library, the archive is an exceptionally rich resource for research on Isherwood, as well as W.H. Auden, Stephen Spender and others. Subjects documented in the collection include homosexuality and gay rights, pacifism, and Vedanta.
    The Christopher Isherwood Papers were cataloged over a span of 10 years and multiple acquisitions, resulting in a collection organized by accretion, with each new acquisition added on in sequence at the end of the collection, rather than interspersed with similar or related materials. Therefore, each separate acquisition must be searched in order to locate all of the relevant manuscripts or correspondence by a particular author. Similarly, the collection was cataloged by multiple catalogers, so styles, levels of detail and format vary throughout the collection and finding aid.
    Scripts (Boxes 1-9)
    The majority of scripts are by Isherwood, and there are quite a few collaborative efforts, e.g., Below the Equator and Jacob's Hands with Aldous Huxley; and Frankenstein, A Meeting By the River and other titles with Don Bachardy.
    There are also drafts of the early Auden-Isherwood collaborations The Dog Beneath the Skin and The Enemies of a Bishop.
    Literary Manuscripts (Boxes 10-84)
    The archive includes manuscripts for most of Isherwood's works. The largest exception is the manuscripts for The Berlin Stories, which are not present. High points include multiple drafts for A Single Man, The World in the Evening, Down There On a Visit, Christopher and His Kind, A Meeting By the River, The Memorial, and My Guru and His Disciple.
    Isherwood's "Writing Notebook" (CI 1158) is very rich, containing long series of notes on the writing of The World in the Evening and Down There On a Visit. For example, he spent seven years working and re- working The World in the Evening, a process that included many conversations about the novel with his friends Dodie Smith and Alec Beesley. The "Writing Notebook" includes accounts of those conversations, in addition to notes reflecting his own thoughts about writing the novel.
    An extensive series of notes for lecture that Isherwood presented at universities in southern California contains highly important information on Isherwood's views on literature, Vedanta, and his own place in 20th-century letters.
    Isherwood and W.H. Auden enjoyed a deep, life-long friendship and, beginning in their youth, they exchanged thoughts about literature and their reactions to one another's writings. Isherwood exerted a profound effect on Auden's poems, suggesting alterations on many occasions. Because of Isherwood and Auden's close literary interaction, Auden gave many poems to Isherwood. These verses, some unpublished, are in the Isherwood Papers, along with an extraordinary notebook containing drafts of early Auden poetry (some unpublished).
    Of special note is the journal that Isherwood and Auden kept jointly on their trip to Asia in 1938, later published as Diary of a Trip to Asia.
    Correspondence (Boxes 10-84)
    The collection is rich in letters to Isherwood, most notably from W.H. Auden and Stephen Spender. The Auden letters are superb and, together with poetry manuscripts, form a body of original material that is equaled only by the manuscripts held in the Berg Collection at the New York Public Library.
    The letters from Stephen Spender are excellent and form a long body of communication about literary and editorial matters, both his own and Isherwood's. Spender sold Isherwood's letters to the Bancroft Library, so the two halves of the correspondence are housed in northern and southern California.
    A superb series of letters from E.M. Forster bespeaks the closeness of his friendship with Isherwood, as well as his position as mentor to the younger writer, who greatly admired the older writer. In addition to literary and social matters, Forster's letters include descriptions of the effects of bombing on England during World War Two. Most notably, several letters address Forster's request that Isherwood oversee publication of Maurice after Forster's death.
    Correspondence from other major literary figures includes letters by Truman Capote, Somerset Maugham, J.D. Salinger, Gore Vidal and Tennessee Williams.
    An extensive series of letters from dance impresario Lincoln Kirstein fully and wittily document his time in the military, stationed in Germany during World War Two.
    The longest set of letters by Isherwood is the series to his mother Kathleen Bradshaw-Isherwood, which are long and filled with important information about his activities and his thoughts. These letters have been published: Colletta, Lisa, ed., Kathleen and Christopher: Christopher Isherwood's Letters to His Mother (Minneapolis: University of Minnesota Press, 2005). Apart from this series, Part I of the collection contains relatively few letters by Isherwood.
    Diaries (Box 85)
    This box of five volumes includes trips to Greece (1933) and South America (1947-1948), a volume of ideas for stories, and daily diaries (1935-1938 and 1979). Please note: this box of diaries does not have any restrictions of access or use.
    Addenda (Boxes 86-90)
    The Addenda material came to the Library in 2000 and was cataloged over the next several years. It consists, mainly, of literary correspondence, interviews and manuscripts by W.H. Auden, Don Bachardy, Ray Bradbury, Christopher Isherwood, Ken Maley, Stephen Spender, and Edward Upward. The Isherwood manuscripts include drafts of Christopher and His Kind , Down There on a Visit and The World in the Evening .
    Photographs (Boxes 91-114)
    There are about 1,800 photographs in Part I of the collection, chiefly depicting Christopher Isherwood and Don Bachardy. The majority of the photographs are the work of professional photographers and therefore under copyright, so researchers wishing to publish or make use of them must seek the appropriate permission.
    Ephemera (Boxes 115-122)
    Among the ephemera are flyers and publicity for the Auden-Isherwood collaborations, for productions of Cabaret, and for stagings of adaptations of Isherwood's novels. There are also Isherwood's datebooks and address books, published interviews, clippings by and about Isherwood, about his writings, and about others, and miscellaneous printed material. There is also important material that documents homosexuality and the gay rights movement.
    Audiovisual Material (Boxes 123-135)
    The audiovisual material contains 3, 5 and 7" magnetic tapes, audiocassettes, VHS and Betamax tapes and three films.
    The magnetic tapes include Christopher Isherwood conferences, interviews, lectures and speeches; also included, among others, are Don Bachardy, Swami Prabhavananda, Dylan Thomas, and Edward Upward. Many of the tapes also have CD preservation copies and these are noted in the finding aid
    The audiocassettes include dramatizations of Christopher Isherwood's works, interviews and lectures, as well as a few other authors, including Edward Upward. A limited number of audiocassettes have CD preservation copies and these are noted in the finding aid.
    The VHS, Betamax tapes and films include interviews with Christopher Isherwood and Don Bachardy on the BBC and Dick Cavett television show, as well as an interview by Ariana Huffington; the tapes have DVD preservation copies and these are noted in the finding aid. The three films are still in process and are not available.
    Sealed Diaries and Scholar's Papers (Boxes 136-138)
    The eight daily diary volumes (1939-1970) are sealed until Jan. 1, 2030.
    The scholar's material includes essays, correspondence and photocopies; the material is sealed until 30 years after the date of each item.

    Part II : Scope and Content

    This part of the collection was acquired from Don Bachardy in 2012 and consists of diaries, manuscripts, commonplace books, correspondence, photographs, negatives and ephemera.
    Sealed Diaries (Box 139)
    The eight daily diaries (1960-1983) include one volume but the remainder are typewritten pages; due to pain in his hands, Christopher Isherwood began to keep a typewritten diary rather than an autograph bound volume diary. The diaries are sealed until Jan. 1, 2030.
    Manuscripts (Boxes 140-142)
    This group of manuscripts includes Christopher Isherwood's book reviews, commonplace books, essays, interviews, lectures, works on Vedanta, as well as projects he wrote with Don Bachardy, including the scripts of "Dr. Frankenstein" and "The Beautiful and Damned."
    Correspondence (Boxes 143-147)
    The correspondence includes a small number of letters by, among others, Alan Clodd, Jim Gates, David Hockney, John Lehmann, Stathis Orphanos, and Tony Richardson.
    The largest part of the correspondence is made up of letters between Christopher Isherwood and Don Bachardy; which, according to Katherine Bucknell, contain "all of the letters between Christopher Isherwood and Don Bachardy that are known to survive." The letters span decades and are deeply personal; all the letters have been edited and published by Bucknell in The Animals....
    Photographs and Negatives (Boxes 148-155)
    This material includes over 1300 photographs and over 2000 negatives (1948-2004); there are original B&W and color photographs, prints, polaroids, and slides. Many of the photographs were taken by Christopher Isherwood and Don Bachardy but there are also photos by David Hockney and professional photographers. The negatives were either removed from the photographs or were part of a separate group of negatives arranged by subject by Isherwood and Bachardy.
    The subjects include family, friends, traveling, parties, celebrations, the building of Don Bachardy's studio at 145 Adelaide Drive, and Bachardy's artwork and art exhibitions.
    Please note: Don Bachardy went through all of the photographs and provided dates and other caption information, sometimes on the back of the photos and sometimes on envelopes (these envelopes have been retained and are cataloged in Ephemera); the information provided by Bachardy was used to catalog this material.
    Ephemera and Addenda (Boxes 156-159)
    The ephemera includes Isherwood's address book, awards, printed material, annotated manuscript and photograph envelopes, two watches and four pieces of Isherwood's bridgework. Of special note is a folder of personal material removed Isherwood's wallet after his death; included in this material is a copy of his birth certificate, naturalization certificate, passport, membership cards and photographs. The addenda includes autograph manuscripts, photographs, printed material, and ephemera.

    General

    Cataloger's Note
    Many letters and manuscripts include annotations (usually in pencil) of dates or other information added by Isherwood late in his life.

    General

    Individual call numbers included in the collection: mssCI 1-4758, FAC 1346-1397.

    Related Materials

    1. Christopher Isherwood letters to Lincoln Kirstein (mssHM 81664-81741)  
    2. Isherwood's library, consisting of editions of his own works and of his reference collection, resides in the Rare Books Department and may be consulted via the Huntington Library's Online Catalog.  

    Other Finding Aids

    An index of the important subjects and added entries, e.g., joint authors, important addressees, and the like, for Part I of this collection is available in PDF form:
    1. Added Entry and Subject Heading Index 

    Subjects and Indexing Terms

    Authors, English -- 20th century
    Authors, American -- 20th century
    British Americans.
    Erotic literature, American -- 20th century
    Gay authors -- Great Britain
    Gay authors -- United States
    Hinduism -- United States
    Hinduism in literature
    Male homosexuality
    Male homosexuality in literature
    World War, 1914-1918 -- Personal narratives, British
    World War, 1939-1945 -- Personal narratives, British
    Germany -- History -- 1918-1933 -- Sources
    Great Britain -- Intellectual life -- 20th century -- Sources
    United States -- Intellectual life -- 20th century -- Sources
    Audiotapes
    Diaries -- 20th century
    Ephemera
    Letters -- (correspondence) -- 20th century
    Manuscripts -- 20th century
    Personal papers -- United States -- 20th century
    Photographs
    Videotapes
    Auden, W. H. (Wystan Hugh), 1907-1973
    Heard, Gerald, 1889-1971
    Heard, Gerald, 1889-1971