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Kitchen videos and records, The
2014.M.6
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Title: The Kitchen videos and records
Date (inclusive): 1967-2011 (bulk
1971-1999)
Number: 2014.M.6
Creator/Collector:
Kitchen Center for Video,
Music, Dance, Performance, Film, and Literature (New York, N.Y.)
Physical Description:
426 Linear Feet
(446 boxes, 7 flat file folders, 1 boxed roll)
Repository:
The Getty Research Institute
Special Collections
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
Business Number: (310) 440-7390
Fax Number: (310) 440-7780
reference@getty.edu
URL: http://hdl.handle.net/10020/askref
(310) 440-7390
Abstract: The Kitchen has been a center for
innovative artistic activity since its founding in 1971. Operating as a meeting place
between disciplines in New York, the space has fostered the development of experimental
artwork across music, video, dance, performance, and installation art. The archive
predominantly contains extensive video and audio recordings documenting performances at the
space; artist files; posters; and printed ephemera. Audio and video recordings are
unavailable until reformatted. Contact the repository for information regarding access. Some
audiovisual material is currently available for on-site use only.
Request Materials: Request access to the physical materials
described in this inventory through the
catalog record for this collection. Click here for the
access policy .
Language: Collection material is in English
Biographical / Historical Note
The Kitchen was founded in 1971 as an artist collective by video artists Steina and Woody
Vasulka. Located in the unused kitchen of the former Mercer Arts Center in Greenwich
Village, the space functioned as an arena where artists could share their ideas with
like-minded colleagues. Dedicated to music and video, and emphasizing experimentation with
emergent forms of technology, programming soon evolved to encompass dance, performance,
readings, and seminars on art and technology.
By the fall of 1973, The Kitchen had incorporated as a non-profit and, just before the
physical collapse of its building on Mercer Street, moved to 59 Wooster Street (with a
second entrance on 484 Broome), a second-floor loft replete with a gallery, a performance
area, and a video viewing room. This new location placed The Kitchen in the heart of South
of Houston Street (SoHo), then a burgeoning arts district attracting a close-knit community
of artists from an array of fields. Near-daily programming at the space cohered into five
main areas: visual art, film/video, dance, music, and performance art. The Kitchen
solidified into a professional, partially-funded institution staffed with curators and
technicians, closely affiliated with key artists of the period, presenting important works
in Minimalism, installation art, photography, electronic, punk and New Wave music, and No
Wave cinema. In addition to its on-site activity, The Kitchen acted as a distributor of
artists' film and video, and arranged programs that toured across the US.
In the spring of 1986, The Kitchen moved to the space it currently occupies at 512 West
19th Street in Chelsea. Throughout the 1980s and 1990s The Kitchen continued supporting the
generations of artists that had come of age during its early years, while also exploring new
themes around multiculturalism, AIDS activism, digital technology, and the nascent internet.
Today, The Kitchen is still known and respected for its experimental exhibitions and
programs, and for its support of artists at various stages in their careers.
Sources consulted:
"The Kitchen: About."
The Kitchen. Accessed June 1, 2016.
http://thekitchen.org/about.
Sally Banes. "Choreographing Community: Dancing in the Kitchen." Dance Chronicle 25, no. 1
(2002): 143-61. http://www.jstor.org/stable/1568183.
Tania Ørum and Jesper Olsson.
A Cultural History of the Avant-Garde
in the Nordic Countries 1950-1975
. BRILL, 2016.
Glenn Phillips, Acquisition Approval Form for The Kitchen videos and records, 2014.M.6,
2013.
Ben Portis. "The Vasulkas and The Kitchen." EAI.org. Accessed June 1, 2016.
http://web.archive.org/web/20100920225951/http://eai.org/kinetic/ch2/kitchen/Kitchen_Essay.html.
Open for use by qualified researchers. Audio visual and born digital materials are
unavailable until reformatted. Offsite material may require additional retrieval time;
contact reference for information.
The Kitchen videos and records, 1971-2011 (bulk 1971-1999), The Getty Research Institute,
Los Angeles, Accession no. 2014.M.6
http://hdl.handle.net/10020/cifa2014m6
Acquired in 2014.
Posters were processed by Mark Simon Haydn between October and November 2015. The
audiovisual series was encoded from an inventory from The Kitchen between 2015 and 2016 by
Laura Schroffel. Papers were processed by Judy Chou and Emmabeth Nanol between October 2016
and February 2017.
Selected content from the collection was digitized from 2014 to 2019 and is ongoing.
Digital content is available online: http://hdl.handle.net/10020/2014m6
Scope and Content of Collection
The collection covers The Kitchen's activities from its founding in 1971 through 2011.
Consisting of over 5000 separate video and audio recordings, artist and marketing files, and
nearly 300 original posters designed by artists such as Sol LeWitt, Robert Longo, Barbara
Kruger, Kiki Smith, and Gran Fury, it documents the rich history of experimental performance
and video art produced in New York City during the 1970s, '80s, and '90s, including major
works by Merce Cunningham, Nam June Paik, Laurie Anderson, Philip Glass, Steve Reich, Mike
Kelley, David Tudor, and Yvonne Rainer.
Collection is arranged in 3 series: Series I. Audiovisual materials, 1967-2005, undated;
Series II. Papers, 1971-2011, bulk 1971-1999; Series III. Posters, 1972-1977.