The collection includes 429 slides.The slides in this collection are overwhelmingly of mural art and of spray can art. The
slide collection is an important visual resource that helps document the Chicano visual arts movement in California, and in
particular, the San Diego and Tijuana area.
James Prigoff, an internationally respected photographer, author and lecturer on the subject of urban murals and aerosol art,
has been documenting public art for over thirty years. Prigoff first photographed murals during his travels in Europe and
Mexico in the sixties. It wasn't until the early eighties Prigoff seriously recorded spraycan art. Some of Prigoff's most
important photos appear in the book he co-authored with photographer Henry Chalfant called Spraycan Art (Thames and Hudson, 1987). His world-renowned book not only documented aerosol art movements from its infancy in the United
States and all over the world, but inspired additional movements around the world, as well. James Prigoff co-authored other
books including Painting the Towns-Murals of California and Walls of Heritage-Walls of Pride, which looks at the history of African-American mural art. His work was displayed in the Los Angeles County Museum of Art
exhibition 100 Years of California Art. In 2001 Prigoff curated an exhibit called Painting and Politics featuring his own work at the Social and Public Art Resource Center gallery in Venice, California. Prigoff has been invited
to speak at museums and universities all over the globe including the San Francisco Museum of Modern Art, The Vancouver Art
Museum and Stanford University. He received his B.S. from Massachusetts Institute of Technology and is considered one of their
most distinguished graduates.
0.5 Linear Feet
Copyright has not been assigned to the Department of Special Collections, UCSB. All Requests for permission to publish or
quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given
on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply
permission of the copyright holder, which also must be obtained.
The collection is open for research.