Roy Huggins Papers, 1948-2002
Finding aid prepared by Performing Arts Special Collections Staff; additions processed by Peggy Alexander; machine readable
finding aid created by Caroline Cubé.
UCLA Library Special Collections
Room A1713, Charles E. Young Research Library
Box 951575
Los Angeles, CA, 90095-1575
(310) 825-4988
spec-coll@library.ucla.edu
© 2012 The Regents of the University of California. All rights reserved.
Title: Roy Huggins papers
Collection number: PASC 353
Contributing Institution:
UCLA Library Special Collections
Language of Material:
English
Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections
for paging information.
Physical Description:
20 linear ft.
(58 boxes)
Date: 1948-2002
Abstract: Papers belonging to the novelist, blacklisted film and television writer, producer and production manager, Roy Huggins. The
collection is in the midst of being processed. The finding aid will be updated periodically.
Creator:
Huggins, Roy 1914-2002
Restrictions on Access
Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library
Special Collections for paging information.
Restrictions on Use and Reproduction
Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the
creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright
owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
Acquisition Information
The collection was donated by the creator, Roy Huggins's sons.
Preferred Citation
[Identification of item], Roy Huggins Papers (Collection PASC 353). University of California, Library Special Collections,
University of California, Los Angeles.
Biography/History
Roy Huggins (July 18, 1914 – April 3, 2002) was an American novelist and writer/creator of film and television projects.
His crime novels were inspired by the writings of Raymond Chandler, and include "The Double Take" (1946); "Too Late For Tears"
(1947) and "Lovely Lady, Pity Me" (1949).
Huggins made the transition to television in 1955 when he began working for Warner Bros. as a producer. He is best known for
creating and writing for the popular television series: Maverick; The Fugitive; 77 Sunset Strip; The Rockford Files; and City
of Angels. He was executive producer for television shows such as: "Alias Smith and Jones"; "Cool Million"; "Baretta" and
"Hunter." He also made for television movies and miniseries such as "The Invasion of Johnson County" and "Captains and the
Kings."
In September of 1952, Huggins was was summoned before the infamous U.S. House Un-American Activities Committee (HUAC) to answer
questions about his brief membership in the Communist Party. He continued to write under his own name, and under the name,
"John Thomas James," combining the names of his three sons.
In 1960 he left Warner Bros. to work for 20th Century Fox as the Vice President in charge of television production, but soon
left to pursue a Ph.D. at UCLA. However, he soon decided not to pursue a graduate degree, and went on to work as a vice president
in the television division at Universal. At Universal he produced series, mini-series, and made for TV movies such as "The
Virginian;" "Kraft Suspense Theater," and "Run For Your Life."
Scope and Content
The collection consists of materials created by and collected by novelist/writer/producer, Roy Huggins. The majority of the
collection consists of scripts, but also included are small amounts of business files.
The collection is in the midst of being processed. The finding aid will be updated periodically.
UCLA Catalog Record ID
Indexing Terms
The following terms have been used to index the description of this collection in the library's online public access catalog.
Subjects
Huggins, Roy, 1914-2002--Archives.
Projects. Series 1.
Arrangement note
Arranged alphabetically by project title.
Box 3, Folder 4
Hart, Hart and Nancy.
1976 January 19.
Scope and Content
Presentation for a mystery comedy series by Bob Shayne.
Box 8
The Lonely Lady.
1978.
Scope and Content
Assorted versions of script (some annotated).
General note
Screenplay by Edward Hume.
Box 14, Folder 1
The Lonely Lady.
1978 June 5.
Scope and Content
First draft scripts (2).
General note
Screenplay by Edward Hume.
Box 4
Luck is a Lady.
Scope and Content
Heavily annotated script and handwritten notes.
Box 3, Folder 5
Meet Me in Escrow.
1979.
Scope and Content
romantic comedy treatment proposal
Adventures in Paradise. Subseries 1.
1961.
Scope and Content
Television series.
Box 23, Folder 5
Cast and Crew Options Information.
1961 August 16-October 13.
Box 23, Folder 5
Margie Merchandising Information.
1961 July.
Box 23, Folder 5
Merchandising and Budget Information.
1961 June 7-August 22.
Box 59, Folder
Script (in French).
1961.
Language of Material:
French
Box 59, Folder 59
TV Estimate (Budget Cost).
Box 59, Folder 2
Correspondence and Memos.
1968.
Box 59, Folder 2
Shooting Itinerary.
1968.
Box 59, Folder 2
Magazine and Newspaper Clippings.
1968.
Box 9, Folder 2
Alias Smith & Jones. Subseries 2.
1970-1975.
Scope and Content
Television series. Huggins wrote 49 episodes and also served as executive producer.
Box 18, Folder 6, Box 57, Folder 2
Budgets.
1970-1973.
Scope and Content
Budgets to episodes created between 1970 and 1973.
Box 59, Folder 3, Box 22, Folder 1
Budget Information.
1972 August 15-September 14.
Box 59, Folder 3
Contracts, Rider Agreements.
Box 59, Folder 3, Box 22, Folder 1
Correspondence.
1972 January 4-1999.
Scope and Content
From Jo Swerling, Jr. to Jack Miller of CBS regarding a submission to the Western Writers of America Spur Awards.
Box 59, Folder 3, Box 22, Folder 1
Memo.
1971 October 13.
Scope and Content
List of writers available to write for the series.
Box 46, Folder 1
Bad Night in Big Butte.
1972.
Scope and Content
Contains two scripts including revisions of "Bad Night in Big Butte" written by Glen A. Larson.
Box 33, Folder 5
The Biggest Game in the West.
1971 December 16-1972 January 4.
Scope and Content
Script.
Box 34, Folder 2
The Bounty Hunter.
1971 June 30.
Scope and Content
Script.
Box 35, Folder 2
The Bounty Hunter.
1975 December 18.
Scope and Content
Story outlines.
Box 33, Folder 4
Bushwhack.
1972 June 5-October 23.
Scope and Content
Script.
General note
Title formerly: Bushwhacker.
Box 34, Folder 1
The Day the Amnesty Came Through.
1972 September 11-November 30.
Scope and Content
Script.
Box 34, Folder 2
Don't Get Mad, Get Even.
1972 January 11-24.
Scope and Content
Script.
Box 34, Folder 3
Dreadful Sorry, Clementine.
1971 June 1-21.
Scope and Content
First and second draft scripts.
Box 33, Folder 2
Everything Else You Can Steal.
1971 October 15-November 2.
Scope and Content
Script. Title formerly: Alias Black and White.
Box 34, Folder 5
Exit From Wickenburg.
1970 December 4-14.
Scope and Content
Annotated script.
Box 33, Folder 3
The Fifth Victim.
1971 February 16-23.
Scope and Content
Script.
Box 46, Folder 3
The Girl In Boxcar #3.
1970-1971.
Scope and Content
Includes two scripts with revisions: teleplay by Howard Browne and story by gene Roddenberry.
Box 34, Folder 6
The Great Shell Game.
1971 January 11-19.
Scope and Content
Annotated script.
General note
Former title: The Big Store.
Box 32, Folder 3
The Great Thingamajig Robbery.
1970 November 4.
Scope and Content
Rejected script.
Box 34, Folder 1
Guns of Montoya.
1971 October 26-27.
Scope and Content
Two annotated scripts.
Box 33, Folder 1
High Lonesome Country.
1972 May 22-October 11.
Scope and Content
Script.
Box 34, Folder 6
How to Rob a Bank in One Hard Lesson.
1971 June 10-July 19.
Scope and Content
Annotated script.
Box 33, Folder 4
The Identity Crisis of Hannibal Heyes = A Layaway Plan for Mrs. Pringle.
1970 December 8.
Scope and Content
Story outline.
Box 32, Folder 4
Insufficient Funds.
1970 November 11.
Scope and Content
Rejected script.
Box 32, Folder 5
Jailbreak at Junction City.
1971 June 8-23.
Scope and Content
Script.
Box 34, Folder 4
Journey From San Juan.
1971 January 8-March 11.
Scope and Content
Annotated script.
Box 34, Folder 6
The Legacy of Charlie O'Rourke.
1971 March 19-30.
Scope and Content
Annotated script.
Box 32, Folder 2
The Long Chase.
1972 May 10-August 16.
Scope and Content
Script.
Box 32, Folder 3
The Making of a Legend.
1970 November 3.
General note
Rejected script.
Box 46, Folder 2
The Man Who Broke The Bank At Red Gap.
1971.
Scope and Content
Includes three scripts with revisions written by John Thomas James.
Box 33, Folder 4
The Man Who Murdered Himself.
1971 February 2-17.
Scope and Content
Script.
General note
Title formerly: Hunt for a Lost Tribe.
Box 33, Folder 2
The McCreedy Bust: Going Going Gone.
1971 November 9-19.
Scope and Content
Script.
Box 32, Folder 2
The McCreedy Feud.
1972 June 26-August 4.
Scope and Content
Script.
General note
Teleplay by Bartlett. Story by James.
Box 32, Folder 5
The McCreedy Bust.
1970 December 1-9.
Scope and Content
Script.
Box 33, Folder 3
McGuffin.
1972 August 31-December 1.
Scope and Content
Script.
Box 32, Folder 4
The Men That Corrupted Hadleyburg.
1971 December 8.
Scope and Content
Script.
Box 32, Folder 3
Mexican Standoff at Frenchport.
1970 November 4.
Scope and Content
Rejected script.
Box 34, Folder 5
Mmiracle at Santa Marta.
1971 November 2-November 12.
Scope and Content
Script.
Box 33, Folder 6
Nester's Daughter.
1971 February 7.
Scope and Content
Two scripts. On one, "Chris Lucky's version."
Box 35, Folder 1
Never Trust an Honest Man.
1971 February 25-March 22.
Scope and Content
Script.
Box 34, Folder 4
Night of the Red Dog.
1971 September 7-16.
Scope and Content
Script.
General note
Other working titles: There'll Be a Cold time in the Old Town Tonight; The Long, Cold Winter; Montana Red Dog.
Box 33, Folder 3
Only Three to a Bed.
1972 June 5-August 16.
Scope and Content
Script.
Box 33, Folder 1
The Posse That Wouldn't Quit.
1971 July 28-August 4.
Scope and Content
Script.
Box 33, Folder 4
The Reformation of Harry Briscoe.
1971 September 13-24.
Scope and Content
Script.
Box 35, Folder 1
Return to Devil's Hole.
1971 January 7-13.
Scope and Content
Script.
Box 46, Folder 1
The Root of It All.
1971.
Scope and Content
Script with revisions (formerly "The Pursuit of Money" written by Howard Browne.
Box 33, Folder 5
Shootout at Diablo Station.
1971 October 6-November 3.
Scope and Content
Script.
Box 32, Folder 2
Six Strangers at Apache Springs.
1971 August 6-September 15.
Scope and Content
Script.
General note
Teleplay by Somkin and James. Story by James.
Box 33, Folder 1
Smiler With a Gun.
1971 June 29-July 28.
Scope and Content
Script.
Box 33, Folder 2
Something to Get Hung About.
1971 August 17-27.
Scope and Content
Script.
Box 46, Folder 2
StageCoach Seven.
1971.
Scope and Content
Includes two scripts with revisions: teleplay by Dick Nelson, story by John Thomas James.
Box 46, Folder 3
Stagecoach Seven.
1971.
Scope and Content
Includes one script with revisions; teleplay by Dick Nelson, story by John Thomas James.
Box 34, Folder 4
The Strange Fate of Conrad Meyer Zulick.
1972 August 14-November 30.
Scope and Content
Script.
Box 32, Folder 5
The Ten Days That Shook Kid Curry.
1972 August 3-November 30.
Scope and Content
Script.
Box 32, Folder 4
Twenty One Days to Tenstrike.
1971 November 19-December 16.
Scope and Content
Script.
Box 32, Folder 3
Two Tickets to Tecate.
1970 October 27-November 4.
Scope and Content
Rejected script.
Box 33, Folder 1
What Happened at the XST?.
1972 June 12-October 23.
Scope and Content
Script.
Box 23, Folder 5
What's In It For Mia.
1971 December 23-1972 January 7.
Scope and Content
Director's contract for John Dumas.
Box 32, Folder 3
What's In It For Mia.
1971 December 17-January 7.
General note
Script. Teleplay by Gordon and James. Story by James.
Box 23, Folder 4
When the Bough Breaks.
1972 March 28.
Scope and Content
Script written by Bret Davis.
Box 34, Folder 2
Which Way to the OK Corral?.
1971 December 17-1972 January 20.
Scope and Content
Script.
General note
Title formerly: Whatever Happened to Clementine?
Box 33, Folder 5
Witness to a Lunching.
1972 June 7-1973 October 1.
Scope and Content
Script.
Box 33, Folder 6
The Wrecker.
1971 January 27.
Scope and Content
First draft script.
Box 23, Folder 3
The Wrecker.
1972 January 17-March 8.
Scope and Content
Annotated scripts.
Box 34, Folder 3
The Wrecker.
1971 January 27.
Scope and Content
First draft annotated script.
Box 34, Folder 5
Wrong Train to Brimstone.
1970 December 15-23.
Scope and Content
Script.
Box 57, Folder 1, Box 57, Folder 4, Box 57, Folder 3
Daily Production Reports.
1970-1972.
Box 57, Folder 2
Abandoned Project Titles.
1971-1972.
Ambassador Yates. Subseries 3.
1975.
Scope and Content
Television drama written by A. James Panos.
Aspen. Subseries 5.
Scope and Content
Television mini-series. Huggins was the producer.
Box 5
Aspen.
1977.
Scope and Content
Assorted drafts of script.
Box 6
Aspen.
1977.
Scope and Content
Assorted drafts of script (some annotated).
Box 37, Folder 5
Love Theme Sound Recording.
1977.
General Physical Description note: 7 inch; 45 rpm sound disc
Box 59, Folder 4
Assignment: Crisis.
1970.
Best Sellers. Subseries 6.
1976.
Scope and Content
NBC mini-series series. Titles include, "Captains and Kings" and "Wheels."
Box 23, Folder 3
List of Proposed Projects.
Box 22, Folder 1
Captains and Kings.
1976 September 22.
Scope and Content
Budget Information
Box 22, Folder 1
Captains and Kings.
1976 November 9.
Scope and Content
Copies of letters to Douglas Heyes, congratulating him on his work as writer and director of the mini-series. Letters were
never used.
Box 26, Folder 4
Captains and Kings.
1976 June-August.
Scope and Content
Scripts to books four and five. Teleplays by Douglas Heyes.
Box 26, Folder 5
Captains and Kings.
1976 June-1976 October.
Scope and Content
Scripts to books six and nine. Teleplays by Douglas Heyes.
Box 26, Folder 6
Captains and Kings.
1976 October 26.
Scope and Content
Script to book ten.
Box 28, Folder 3
Captains and Kings.
1976 June 29-November 24.
Scope and Content
Scripts to Books One through Six
Box 28, Folder 4
Captains and Kings.
976 July 14-October 12.
Scope and Content
Two editions of the script to book seven.
Box 28, Folder 4
Captains and Kings.
1976 September 1-October 14.
Scope and Content
Script to Book Eight.
Box 28, Folder 5
Captains and Kings.
1976 June 9-July 20.
Scope and Content
Scripts to books one through three.
Box 28, Folder 6
Captains and Kings.
1976 June 29-November 24.
Scope and Content
Scripts to books four and five.
Box 22, Folder 3
Wheels.
1977 June 28-July 8.
Scope and Content
Episode four scripts Two annotated scripts (first draft and revised first draft).
Box 22, Folder 4
Wheels.
1977 July 14-November 22.
Scope and Content
Three scripts to episode four.
Box 29
Wheels.
1977 May 6-June 8.
Scope and Content
Scripts to hours one and two.
General note
In folders 2-5.
Box 29
Wheels.
1977 August 31.
Scope and Content
Episode two master script
Box 29, Folder 6
Wheels.
1977 August 31.
Scope and Content
Episode two master script.
Box 29, Folder 7
Wheels.
1977 July 14-September 19.
Scope and Content
Two different edtions of the same script to episode two.
Box 29, Folder 7
Wheels.
1977 July 14-October 6.
Scope and Content
Three different edtions of the same script to episode two. One script includes lists of cast and sets.
Box 30, Folder 1
Wheels.
1977 July 14-November 23.
Scope and Content
Three different edtions of the same script to episode one. One script includes lists of cast and sets.
Box 30, Folder 2
Wheels.
1977 July 14-November 22.
Scope and Content
Three drafts of the script to episode three. One draft includes lists of cast and sets.
Box 30, Folder 3
Wheels.
1977 June 16.
Scope and Content
Hours three through six script. On item, "Orig."
Box 31, Folder 1
Wheels.
1977 July 15-November 22.
Scope and Content
Two scripts to episode five.
Box 31, Folder 2
Wheels.
1977 July 15-September 1.
Scope and Content
Three annotated scripts to episode five.
Box 31, Folder 3
Wheels.
1977 May 19-June 28.
Scope and Content
Two versions of the script to hours nine and ten.
Big Wheels. Subseries 7.
1965.
Scope and Content
Unproduced? western television series.
Box 18, Folder 2
Daily Production Report.
1965 January 11-18.
Bob Hope Presents the Chrysler Theatre. Subseries 8.
1964-1967.
Scope and Content
Television series.
Box 2, Folder 4
Don't Wait For Tomorrow.
1967.
Scope and Content
Cast, production staff lists, notes.
Box 20, Folder 2
Don't Wait for Tomorrow.
1966 January.
Scope and Content
Budget
General note
Director: Harvey Hart.
Box 39, Folder 12
Story Outline.
1967 November 28.
Box 20, Folder 2
The War and Eric Kurtz.
1964 December.
Scope and Content
Daily production report.
General note
Roy Huggins, producer.
Box 23, Folder 2
War and Otto Kurtz.
1964-1965.
Scope and Content
Includes: story conference notes; correspondence; story outline; broadcast standards dept. notes; inter-office memos.
General note
Also known as "P.O.W."
The Bold Ones: The Lawyers. Subseries 9.
1968-1972.
Scope and Content
Television series created by Huggins. Several episodes written by Huggins as John Thomas James.
Box 17
Daily Production Reports.
1969-1970.
Box 18, Folder 2
Budgets.
1970-1972.
Scope and Content
Budgets for each episode.
Box 18, Folder 7
Budgets.
1971 July-October.
Scope and Content
Budgets for each episode.
Box 9, Folder 14
By Reason of Insanity.
1971 August.
Scope and Content
Scripts (2).
Box 59, Folder 7
Correspondence.
1969-1987.
Box 10, Folder 4
The Crowd Pleaser.
1969 July.
General note
Two scripts.
Box 10, Folder 7
The Crowd Pleaser.
Scope and Content
Based on a story by David Giler.
General note
Master script (heavily annotated).
Box 17, Folder 6
Crowd Pleaser.
1969 July.
Scope and Content
Heavily annotated scripts (two copies).
Box 9, Folder 7
A Game of Chance.
1969 July 3-30.
Scope and Content
Script.
General note
Based on the novel by Whit Masterson.
Box 16, Folder 7
Game of Chance.
Scope and Content
Memo: Re: Las Vegas location.
Box 9, Folder 13
Hall of Justice.
1971 July.
Box 9, Folder 14
The Hyland Confession.
1970 June-September.
Scope and Content
Script.
General note
Teleplay by Fenton. Story by James.
Box 9, Folder 15
The Hyland Confession.
1970 June-September.
General note
Script. Title formerly, "The Night of the Guru." Teleplay by Fenton. Story by James.
Box 9, Folder 15
In Defense of Ellen McKay.
1971 September.
General note
Script. Teleplay by Chase. Story by James.
Box 9, Folder 16
In Defense of Ellen McKay.
1971 September.
General note
Script. Teleplay by Chase. Story by James.
Box 9, Folder 7
In Sudden Darkness.
1971 November 2-9.
Scope and Content
Scripts.
General note
Teleplay by Israel and Moessinger. Story by Gloryette Clark. Two copies.
Box 9, Folder 11
The Invasion of Kevin Ireland.
1971 July-August.
Scope and Content
Scripts
General note
Teleplay by Jack B. Sowards. Story by Bret Huggins. Three copies.
Box 9, Folder 10
Justice is a Sometime Thing.
1971 September.
Scope and Content
scripts
General note
Four copies.
Box 10, Folder 5
Letter of the Law.
1971 September.
General note
Two scripts.
Box 10, Folder 3
Lisa, I Hardly Knew You.
1971 September-October.
Box 9, Folder 5
The Lonleliness Racket.
1970 June-July.
Scope and Content
Scripts. Episode title formerly All The Lonely People.
General note
Two copies.
Box 9, Folder 13
The Long Morning After (parts I and II).
1971 July-August.
Scope and Content
scripts (annotated).
General note
Former episode title: The Anatomy of Loneliness.
Box 9, Folder 9
Panther in a Cage.
1970 June-July.
Scope and Content
Scripts.
General note
Three copies. Includes handwritten notes.
Box 9, Folder 3
The People Against Doctor Chapman.
1969-1970.
Box 9, Folder 8
The People Against Doctor Chapman.
1970 June-August.
Box 10, Folder 3
The People Against Ortega.
1969 July-August.
Box 10, Folder 6
The People Against Ortega.
1969 July-August.
Scope and Content
From a story by William Pearson.
General note
Three scripts (annotated).
Box 10, Folder 5
Point of Honor.
1969 October.
General note
Title formerly, "A Funny Thing Happened on My Way to San Francisco." Script.
Box 9, Folder 4
The Price of Justice.
1970 September.
Scope and Content
Scripts.
General note
Four copies.
Box 10, Folder 4
The Price of Justice.
1970 August-September.
Box 18, Folder 2
The Rockford Riddle.
1969 September.
Scope and Content
Daily production report.
Box 9, Folder 12
The Search for Leslie Grey.
Scope and Content
scripts.
General note
Three copies. Teleplay by Browne. Story by Howard.
Box 9, Folder 12
The Search for Leslie Grey.
Scope and Content
scripts (annotated).
General note
Three copies. Teleplay by Browne. Story by Howard.
Box 9, Folder 16
The Shattered Image.
1969 July-November.
General note
Two scripts (slightly annotated). Teleplay by Gordon. Story by Zuckerman.
Box 16, Folder 6
Inter-Office Memo; Research Notes.
1969 September 19.
Scope and Content
Memo on employment of Burl Ives and Joe Campanella. Research notes on what a dispatcher does.
Box 9, Folder 3
Shriek of Silence.
1969-1970.
Scope and Content
Scripts
Box 9, Folder 5
Shriek of Silence.
1969 August-September.
Scope and Content
Script.
Box 9, Folder 6
The Strange Secret of Yermo Hill.
1971 June-July.
General note
Four copies. Annotated scripts.
Box 9, Folder 15
Trail of a Mafios.
1969 July-August.
General note
Two scripts. Former title, "Portrait of a Wanted Man."
Box 9, Folder 17
Trail of a Pfc.
1970 June-August.
General note
Three scripts (one annotated). Original episode title, "The Jury Hangs."
Box 9, Folder 8
The Verdict.
1970 May-July.
General note
Two copies. Annotated scripts.
Box 19, Folder 5
The Whole World is Watching.
1968 April-December.
Scope and Content
Budgets
Bus Stop. Subseries 10.
1961-1962.
Scope and Content
Television drama series. Creator, Roy Huggins.
Box 59, Folder 9
Captains and The Kings.
1976.
Box 59, Folder 9
Correspondence and Memos.
1976.
Chaplin: the Story of Charlie and Lita. Subseries 11.
Box 23, Folder 1
Script and Research.
Scope and Content
Includes research on Lita Grey Chaplin.
Cheyenne. Subseries 12.
1955.
Box 39, Folder 12
Travelers Correspondence.
1955 December 13.
Scope and Content
Letter to Huggins from the composer.
City of Angels. Subseries 13.
Scope and Content
Television series. Huggins was the creator, and writer of many episodes.
Box 59, Folder 11, Box 3, Folder 4
Story description.
1976 February 12.
Box 4
Scripts.
1976 April.
Scope and Content
Scripts to episodes: Match Point; The Castle of Dreams; The Bloodshot Eye (formerly Fair Play); A Lonely Way to Die
Box 17, Folder 4
Daily Production Reports, Contracts and Budgets.
1976.
Box 59, Folder 10, Box 59, Folder 12, Box 59, Folder 11
Broadcast Standards Department Reports (NBC).
1976.
Box 18, Folder 2
Budgets.
1976.
Scope and Content
Budgets for episodes: Palm Springs Adventure; The Palm Springs Answer.
Box 18, Folder 4
Budgets.
1976.
Scope and Content
Budgets for episodes: Fair Play; House on Orange Grove Ave.; Castle of Dreams; A Sudden Silence; A Lovely Way to Die; Match
Point; Say Goodbye to Yesterday.
Box 20, Folder 11
Budgets.
1976 February-March.
Scope and Content
Budgets for the following episodes: The Losers; Quicker Than the Eye.
Box 24, Folder 8
Crew List.
1976 April 28.
Scope and Content
Letter from Huggins to Willaim K. Jolley thanking him for such a great crew and crew list.
Box 59, Folder 10, Box 59, Folder 11, Box 59, Folder 12
Box 59, Folder 11, Box 59, Folder 10, Box 59, Folder 13, Box 59, Folder 12
Correspondence and Memos.
1969-1980.
Box 24, Folder 8
Untitled Episode.
1976 January 29.
Scope and Content
Script to untitled episode.
Box 35, Folder 3
Script.
1976 January 30.
Scope and Content
Script to episode, "Sweet Dolly", production no. 44511. Written by Harold Livingston.
Box 59, Folder 12
Shooting Schedule and Location Lists.
Box 59, Folder 13
Stock Legal Releases.
1976.
Box 59, Folder 10
Story Meeting Notes.
1976.
Box 35, Folder 3
Story Outlines.
1975-1976.
Scope and Content
Story outlines to the following episodes: pilot episode; Sweet Dolly; The Celluloid Image; In Search of April, and Cover Up.
Coffeyville. Subseries 14.
Cool Million. Subseries 15.
Scope and Content
Television series. Huggins was the executive producer.
Box 57, Folder 5
Daily Production Reports.
1972-October 17.
Box 1, Folder 2
Script and Script Notes.
1972.
Box 2, Folder 1
Scripts and Rewrite Notes.
1972.
Box 60, Folder 2
Story Department Ideas.
1972.
Scope and Content
Story ideas for Lingala Code, The Rediscovery of Bayard Barnes,
Box 3, Folder 1
Episode Story Outlines and Edited Rewrite Notes.
1972.
Box 57, Folder 5, Box 18, Folder 3
Budgets.
1972 November.
Scope and Content
Budgets for the following episodes: The $1,000,000.00 Misunderstanding; The Abduction of Bayard Barnes; $1,000,000.00 Rubber
Check; Now You See Her.
Box 18, Folder 3
Summary of Picture Costs.
1972 August-September.
Scope and Content
Budgets for the following episodes: Assault on Gaualoni; Hunt for a Lonely Girl.
Box 20, Folder 11
Budgets.
1972-1973.
Scope and Content
Budgets for the following episodes: Hunt for a Lonely Girl; Assault on Gavaloni; The Abduction of Bayard Barnes; The Million
Dollar Misunderstanding.
Box 37, Folder 2
Papers.
Scope and Content
Includes: clippings; interoffice memos; research materials; information on the use of certain words in scripts; correspondence;
concerns of the National Association of Broadcasters Code Authority; staff notes on stories and characters; and budget information.
Box 37, Folder 2, Box 60, Folder 2
Correspondence and Memos.
Scope and Content
Includes changes to title credits and Screen Actor's and Writer's Guild correspondence.
Box 37, Folder 3
Fan Mail.
1972.
Scope and Content
Fan mail. Includes comments from Ms. Gloria Komaba and the Los Angeles Public Library, El Sereno Branch staff.
Box 37, Folder 3
Research Material.
Scope and Content
Includes information on parachuting.
Box 37, Folder 4
Papers.
1972 June 23-September 15.
Scope and Content
Includes information on: the NBC Fifth Annual Affiliates Film Festival featuring Cool Million; Universal Studios Tour contest
winner; clippings and show official telephone number.
Box 37, Folder 4
Abduction of Bayard Barnes.
1972.
Scope and Content
Includes: Broadcast Standards Dept. notes; note on placement of station breaks;scheduling information; payroll requests; and
story notes.
Box 37, Folder 3
Hunt for a Lonely Girl.
Scope and Content
Includes: Narration text; payroll requests. Production 36101.
Box 24, Folder 1
The Melting Man.
1972 June.
Scope and Content
Correspondence, story dept. notes and script.
Box 37, Folder 4
Melting Man.
1972 June 8.
Scope and Content
Correspondence between Huggins and Stanley Robertson of NBC.
Box 37, Folder 4
Now You See Her, Now You Don't.
1972 August 31-September 1.
Scope and Content
Includes: Memos regarding the use of the title, and producer's credit; correspondence.
Box 24, Folder 1
The Quest of the Holy Scroll.
Scope and Content
Script submission.
Box 37, Folder 4
The Quest of the Holy Scroll.
1972 September 1-11.
Scope and Content
Includes: draft of correspondence regarding buying the story option; Broadcast Standards Dept. episode notes.
Box 23, Folder 7
The Upper Depths.
Scope and Content
Story by John Thomas James.
General note
Production no. 36100
Box 60, Folder 2
Writing Credits.
1972.
Scope and Content
The $1,000,000.00 Rubber Check and The Upper Depths episodes; credits include Juanita Bartlett and John Thomas James(Roy Huggins).
Counterforce. Subseries 16.
1975-1977.
Box 60, Folder 3
Contract Memos.
1976.
Scope and Content
Includes Writer's employment contract preparation memos.
Box 16, Folder 6
Correspondence.
1975-1977.
Box 39, Folder 12
Correspondence.
1976-1977.
Scope and Content
Includes a cast list.
Box 60, Folder 3
Notes from Discussions of Drafts.
1976.
Scope and Content
Includes discussion notes on episodes: Pilot and Hit.
Box 60, Folder 4
Man Of A Thousand faces.
1979.
Scope and Content
Includes sequence outline by Roy Huggins based on the novel by Andrew Grave.
Box 60, Folder 4
Correspondence and memos.
1979.
Critical Care. Subseries 17.
Scope and Content
Written by David Aaron.
Day the Laughter Stopped. Subseries 18.
1979.
Scope and Content
Based on the book by David Yallop. Written by Stephen Kurzfeld and Chris Lucky. Roy Huggins, executive producer.
Day The Mob Died (The).
1967.
Box 60, Folder 5
Script.
1967.
Scope and Content
Original script by Howard Browne.
Box 60, Folder 5
Correspondence and memos.
The Death of Me Yet. Subseries 19.
1970-1971.
Scope and Content
Television drama based on the novel by Whit Masterson.
Box 15, Folder 1
Story Outline.
1970 February 26.
Destry. Subseries 20.
1964.
Scope and Content
Television series.
Box 23, Folder 5
Johnny, I Hardly Knew You.
Scope and Content
Script. Production no. 24206.
Box 60, Folder 6
Correspondence and memos.
1963.
Scope and Content
Includes inter-office communication (revue studios) and communication with ABC.
Don't Wait For Tomorrow.
1966.
Box 57, Folder 6
Daily Production Reports.
1966.
Do You Take This Stranger. Subseries 21.
Scope and Content
Television movie. Alternate titles: A Knock at the Wrong Door; Strangers and Lovers.
Box 20, Folder 10
Budget Information; Research and Script Addendum.
1967-1971.
Scope and Content
Budgets; research article; handwritten script addendum.
Double Take. Subseries 22.
Drive Hard, Drive Fast. Subseries 23.
1969 November-1970 March.
Scope and Content
Television drama. Written by Douglas Hayes and Roy Huggins.
Box 16, Folder 6
Credit Notes.
1969 December 16.
Box 19, Folder 6
Budget Information.
1969 November-1970 March.
Box 60, Folder 7
Memos.
Scope and Content
Inter-office communication about the success of Ellery Queen Detective Stories.
The Exile. Subseries 24.
Scope and Content
Proposed television dramatic series.
Box 15, Folder 1
Act One Story Outlines.
1974.
Scope and Content
Two different copies.
Box 15, Folder 1
Luther Davis Correspondance to Roy Huggins.
1964 September 10.
General Physical Description note:
3
Scope and Content
Thoughts on the program from Davis. Signed by both Huggins and Davis.
Box 15, Folder 1
Note from Luther Davis regarding Exile Revised Outline.
1965 May 8.
Box 60, Folder 8
Correspondence and memos.
1970.
Box 15, Folder 1
Production Notes.
1964 September 19.
Physical Description:
2.0 p.
Box 15, Folder 1
Story Proposal.
1964 September 19.
Scope and Content
Written by Luther Davis based on a format by Roy Huggins.
Box 15, Folder 1
Television Series Outline.
Box 16, Folder 7
Handwritten Note on Making the Deal for the Option.
Box 35, Folder 2
Story Outline, Correspondence & Memo.
1964 August 10-1970 June 5.
Scope and Content
Four page letter from Luther Davis to Huggins; memo from Huggins to Sid Sheinberg; story outline by Luther Davis.
Box 60, Folder 11
Correspondence and memos.
The Fugitive. Subseries 25.
Box 37, Folder 10
Fear in a Desert Town Correspondence.
1968 February 29.
Scope and Content
Regarding rights to a Dutch translation.
Box 60, Folder 12
The People's Choice Award.
Scope and Content
Includes letter from People's Choice Award noting that The Fugitive is one of the top three favorite dramatic Motion Pictures
of the year.
Box 60, Folder 12
Correspondence and memos.
1967-1992.
Box 60, Folder 13
Correspondence and memos.
1964.
Scope and Content
Also known as The green Felt jungle written by Howard Brown.
Gone To Texas.
1977-1978.
Box 60, Folder 14
Notes on treatment.
1977.
The Grape War. Subseries 26.
1974.
Scope and Content
Proposed movie of the week written by Clyde Ware.
Box 15, Folder 2, Box 60, Folder 15
Story Outline and Note.
1974 October 25.
Scope and Content
Note to Roy and Joe from Clyde Ware about the story line and complete story line. Production no. 42131.
Box 60, Folder 16
Correspondence and memos.
1970-1971.
Box 60, Folder 16
Story Summary.
1970.
Scope and Content
Original Western story by Judith and Robert Guy Barrows.
Gumshoe: Reflections in a Private Eye.
1971.
The Gun and The Nun.
1970-1976.
Box 60, Folder 18
Correspondence and memos.
1971-1976.
Hawaii's Vanishing Heritage. Subseries 27.
General Physical Description note:
project outlines
Scope and Content
A proposal for a television special in three parts. Roy Huggins, executive producer; Richard L. Bare, writer. Alternate project
title, "My Fair Hawaii."
Box 14, Folder 5
Presentation Proposals.
Scope and Content
Different edtions of the proposal under both titles, "My Fair Hawaii" and "Hawaii's Vanishing Heritage." Includes handwritten
notes on possible celebrity participants.
Hazard's People. Subseries 28.
1976.
Scope and Content
Television series, produced by Huggins.
Box 15, Folder 1
An Abandoned and Malignant Heart.
1976 July 20.
Scope and Content
Episode outline using the story from the novel of the same title by William Pearson. Heavily annotated first draft script
included.
General note
Original episode title "Trial of Honor."
Box 15, Folder 1
An Abandoned and Malignant Heart.
1976 July 20.
Scope and Content
Episode outline using the story from the novel of the same title by William Pearson. Heavily annotated first draft script
included.
General note
Original episode title "Trial of Honor."
Box 24, Folder 7
An Abandoned and Malignant Hearth.
1976 August 6.
Scope and Content
Revised 1st draft script.
General note
Teleplay by Nelson. Based on the novel, "Trial of Honor" by William Pearson.
Box 47, Folder 3
An Abandoned and Malignant Heart.
1976 August 10.
Scope and Content
Includes two scripts of "An Abandoned Malignant Heart" teleplay by Dick Nelson based on the novel by "Trial By Heart" by William
Pearson.
Box 47, Folder 3
An Abandoned and Malignant Heart.
1976 August 07.
Scope and Content
Includes 1st draft from August 07, 1976 with title change from "Trial of Honor" to "An Abandoned and Malignant Heart."
Box 60, Folder 21, Box 60, Folder 20
The Bedford Confessions.
Scope and Content
Script by Gloryette Clark.
Box 47, Folder 2
The Bedford Confessions.
1976 June 30.
Scope and Content
Includes two scripts of "The Bedford Confessions" written by Gloryette Clark.
Box 60, Folder 20
Burden of Proof.
Scope and Content
Includes description and treatment of story idea.
Box 47, Folder 4
A Crown of Thorns.
1976 July 08.
Scope and Content
Includes two copies of the script "A Crown of Thorns" teleplay by William D. Gordon, first draft rec'd July 08, 1976.
Box 60, Folder 20, Box 24, Folder 7
A Crown of Thorns.
1976 July 8.
Scope and Content
First draft script.
General note
Teleplay by William D. Gordon.
Box 60, Folder 20, Box 60, Folder 21
Correspondence and memos.
1976.
Box 14, Folder 4
The Image Maker.
1976.
Scope and Content
Annotated script.
Box 47, Folder 2
The Image Maker.
1976 June 29.
Scope and Content
Includes two scripts of "The Image Maker" written by F. D. Averno.
Box 14, Folder 4
Inadmissable Evidence.
1976.
Scope and Content
Annotated story outline.
Box 60, Folder 20
In Search of A Chance.
Scope and Content
Includes description and treatment of story idea.
Box 60, Folder 20
A Jury Of His Peers.
1976.
Scope and Content
Includes description and treatment of story idea.
Box 60, Folder 20
Murder in Malibu.
Scope and Content
Includes description and treatment of story idea.
Box 60, Folder 20
The Neon Palace.
Scope and Content
Includes description and treatment of story idea.
Newspaper clippings.
1969.
Scope and Content
Souvenir newspaper and Celebration newspaper magazine for Coffeyville. and LA Times clippings.
Box 60, Folder 20
A Rage For Vengeance.
Scope and Content
Includes treatment and notes.
Box 60, Folder 20
The Victim Who Never Was.
Scope and Content
Includes description and treatment of story idea.
Box 60, Folder 21
Trial of Honor.
1976.
Scope and Content
Includes handwritten story ideas and typed treatments.
Box 14, Folder 4
Wild Justice.
1976 August 5.
Scope and Content
1st draft script (annotated).
General note
Original episode title, "A Rage for Vengeance."
Box 47, Folder 1
Wild Justice.
1976 August 10.
Scope and Content
Includes three scripts of "Wild Justice" written by Kevin Douglas.
Box 60, Folder 21, Box 60, Folder 20
Writer's Contract memos.
1976.
Headhunters. Subseries 29.
Scope and Content
Series concept by Gloryette Clark and Anita Howe-Waxman
How to Steal an Airplane. Subseries 30.
1968 April-August.
Scope and Content
Television drama originally filmed under the title, "Only One Day Left Before Tomorrow." Alternate title, "The Scavengers."
Alternate titles, "Today the Hard Way"; "The Violent Legacy." Roy Huggins, executive producer.
Box 19, Folder 7
Budgets.
1968 April-August.
Hunter. Subseries 31.
Scope and Content
Action, crime drama. Huggins was executive producer of 68 episodes.
Box 36, Folder 2
Correspondence.
1987-1988.
Box 36, Folder 3
Correspondence.
1987-1989.
Any Second Now. Subseries 4.
1969 March 6.
Box 16, Folder 6
Budget Information.
1969 March 6.
It Takes a Thief. Subseries 32.
Scope and Content
Television series.
Box 20, Folder 10
Episode Budgets.
1967-1968.
Scope and Content
Budgets for the following episodes: It Takes One To Know One; When Boy Meets Girl; Togally by Design; A Very Warm Reception;
One Illegal Angel; When Thieves Fall In; A Spot of Trouble; When Good Friends Get Together; Birds of a Feather; To Steal a
Battleship.
Jayhawkers. Subseries 33.
Box 16, Folder 1
Assorted Papers.
1961.
Scope and Content
Includes script fragments and inter-office communications.
Jigsaw. Subseries 34.
Scope and Content
Television series.
Box 1, Folder 3
Annotated scripts and rewrite notes.
1972.
Box 61, Folder 2
Correspondence and memos.
1972-1973.
Box 3, Folder 1
Episode story outline.
1972.
Box 57, Folder 7, Box 20, Folder 10, Box 61, Folder 2
Budgets.
1972-1973.
Scope and Content
For episodes: In Case of Emergency Notify Clint Eastwood; A Badge on Fire; To Stalk the Night; Finders Fee; Hard Time; The
Bradley Affair; Kiss the Dream Goodbye; Girl on the Run; The Landscape of Hell.
Box 37, Folder 1
Papers.
1972 July 21-December 8.
Scope and Content
Includes: Inter office memos; 1972-72 format plan; ASI tests for episodes: A Badge on Fire and Hard Time; contract information
for episode, Thin Air; research for episode The Landscape of Hell; and notes and budget for the same episode.
Box 20, Folder 10
Girl on the Run.
1972 November 20-29.
Scope and Content
Summary of detail picture cost.
Box 37, Folder 1
Papers.
1973 January 29-February 8.
Scope and Content
Includes: correspondence to and from viewer regarding the acceptance of homosexuality; Dept. of Broadcast Standards and Practices
notes on the episode; reviews by industry staff.
Box 20, Folder 10
Kiss the Dream Goodbye.
1972 November 8-15.
Scope and Content
Summary of detail picture cost.
Box 29, Folder 1
Kiss the Dream Goodbye.
1972 October 24-1973 February 26.
Scope and Content
Teleplay by Cannell. Based on the novel by Browne.
Box 35, Folder 11
A Knock at the Wrong Door.
1972 November 8-1973 January 19.
Scope and Content
Includes: correspondence; casting information; credit information; production notes; character descriptions; budget information
and a director's contract.
Box 20, Folder 10
The Landscape of Hell.
1972 November 8-15.
Scope and Content
Daily production report.
Box 28, Folder 7
The Other Room.
1972 May 4.
Scope and Content
Script. On cover, "new title, 'In Case of Emergency Notify Clint Eastwood."
Box 28, Folder 7
The Price of Silence.
1972 August 9.
Scope and Content
Annotated first draft script.
Box 28, Folder 7
Three to Get Ready.
1972 July 31-August 29.
Scope and Content
Final draft? script.
Box 57, Folder 7
Story Rights Notes.
1946-1947.
Box 61, Folder 2
Voice over script.
Scope and Content
Voice over script for episode The Landscape of Hell.
Box 61, Folder 4
Notes from Tape.
1972.
Scope and Content
Story idea based on the novel The Double Take by Roy Huggins.
Judas Gospel. Subseries 35.
1975.
Scope and Content
Screenplay. Production no. 00332.
Box 61, Folder 5
First draft revision notes.
1975.
Box 15, Folder 3
Screenplay Notes and Scene Outlines.
1975 April 16-October 10.
Box 61, Folder 5
Story notes.
1975.
Scope and Content
Story notes given to Barry Harman, Harve Brosten by Roy Huggins for special movie project.
Kentucky Run. Subseries 36.
1977.
Scope and Content
Television series.
Box 15, Folder 3
Pilot Episode Script and Contract.
1977.
Scope and Content
Annotated pilot script episode. Also includes writer's contracts.
Box 61, Folder 8, Box 61, Folder 7
Correspondence and memos.
1977.
Box 61, Folder 8
Interview lists (casting call).
1977.
Scope and Content
Includes actors and actresses names, agents, time read for part with some annotation.
Box 61, Folder 8
Cast Suggestions.
1977.
Scope and Content
Casting suggestions for pilot episode of Kentucky Run.
Box 61, Folder 7
Screen test script.
Scope and Content
Screen test written by Roy Huggins.
Box 19, Folder 5, Box 57, Folder 8
Budget.
1977 September 12.
Box 24, Folder 8
Girl on a Flying Trapeze.
1977 November 4.
Scope and Content
Heavily annotated script.
Box 61, Folder 7
Girl on a Flying Trapeze.
1977.
Scope and Content
Unannotated script by Gloryette Clark.
Box 57, Folder 8
Daily Production Reports.
1977.
Box 61, Folder 9
Script.
1970.
Scope and Content
First draft script by Richard T. Heffron.
Kill Me Once, Kill Me Twice. Subseries 37.
1968 August-October.
Scope and Content
Television movie. Gene Levitt, producer, director, writer.
Box 19, Folder 7
Budget Information.
1968 August-October.
Box 61, Folder 10
Correspondence and memos.
1972-1975.
Scope and Content
Includes correspondence with Marshall Houts and notes on King's X.
Kraft Mystery Theatre.
1963.
Kraft Suspense Theatre. Subseries 38.
1963-1965.
Scope and Content
Television series.
Box 15, Folder 6
Assorted Papers.
1963.
Scope and Content
Includes: clippings and inter-office memos regarding the Suspense series.
Box 16, Folder 4
Kraft Cameraman Pamphlets.
Box 16, Folder 7
Script Delivery Note from Author, Howard Browne.
1964 August 28.
Box 20, Folder 1
The Action of the Tiger.
1963 August.
Scope and Content
Budget
General note
Director: Richard Irving.
Box 61, Folder 11, Box 57, Folder 10
Box 37, Folder 11
The Case Against Paul Ryker.
1963 October 7.
Scope and Content
Re: TV Guide close up not used.
Box 20, Folder 1
A Cause of Danger.
1964 January.
Scope and Content
Budget
General note
Director: Richard Bare.
Box 20, Folder 1
Charlie, He Couldn't Kill a Fly.
1964 March-April.
Scope and Content
Budget
General note
Director: Bernard Girard
Box 20, Folder 1
A Cruel and Unusual Night.
1964 April.
Scope and Content
Budget
General note
Director: Leslie Martinson. Guest star: Ronald Reagan.
Box 20, Folder 1
The Deep End.
1963 November.
Scope and Content
Budget
General note
Director: Francis D. Lyon.
Box 20, Folder 1
Doesn't Know Who I Am.
1964 January.
Scope and Content
Budget
General note
Director: William Graham.
Box 15, Folder 2
The Green Felt Jungle.
1965 January.
Physical Description:
3.0 p.
Scope and Content
Inter-Office memos regarding contracts and filming schedule.
Box 16, Folder 7
Contract Information.
1964 June 10.
Box 16, Folder 7
Correspondence.
1965 April 3.
Scope and Content
Congratulatory letter from Ovid Demaris.
Box 16, Folder 7
Correspondence.
1964 December 7.
Scope and Content
Letter from ABC on why they did not produce this project.
Box 61, Folder 11
Correspondence and memos.
1963-1964.
Scope and Content
Includes correspondence from the American Bar Association, Jewish Federation Council of LA.
Box 16, Folder 7
Legal Comments.
1964 October 1.
Box 16, Folder 7
Legal Comments.
1964 October 1-November 17.
Box 16, Folder 7
Meeting Notes.
1964 July 30.
Box 16, Folder 7
Memo.
1964 June 11.
Scope and Content
Regarding contracts for Reid and Demaris.
Box 16, Folder 7
Memo Regarding Alex March.
1964 December 14.
Box 16, Folder 7
Memo: Regarding current events effecting the show.
1965 March 4.
Box 16, Folder 7
Memos Regarding Alex March.
1964 November 25-December 14.
Scope and Content
Regarding contracts and other obligations.
Box 20, Folder 1
The Gun.
1964 May.
Scope and Content
Budget
General note
Director: Michale O'Herlihy. Guest star: Eddie Albert.
Box 20, Folder 1
The Hunt.
1963 October.
Scope and Content
Budget
General note
Director: William Graham.
Box 20, Folder 1
Knight's Gambit.
1964 February.
Scope and Content
Budget
General note
Director: Walter Grauman.
Box 15, Folder 4
Leviathan, Five.
1963 October 11.
Scope and Content
Story outline.
General note
Two copies.
Box 16, Folder 7
Leviathan Five.
Scope and Content
Script Revisions
Box 20, Folder 1
Leviathan Five.
1963 December.
Scope and Content
Budget
General note
Director: David Rich.
Box 20, Folder 1
The Long Lost Life of Edward Smalley.
1963 July.
Scope and Content
Budget
General note
Director: Robert Altman.
Box 20, Folder 1
The Machine That Played God.
1963 October.
Scope and Content
Budget
General note
Director: Paul Wendkos.
Box 20, Folder 1
My Enemy in This Town.
1963 December.
Scope and Content
Budget
General note
Director: Richard Bare.
Box 20, Folder 1
The Name of the Game.
1963 October.
Scope and Content
Budget
General note
Director: Sydney Pollack.
Box 20, Folder 1
Once Upon a Savage Night.
1963 December-1964 January.
Scope and Content
Budget
General note
Director: Robert Altman.
Box 16, Folder 7
Clipping.
1963 September 9.
Scope and Content
Title, " Milland in Step with TV Pace."
Box 20, Folder 1
Portrait of an Unknown Man.
1964 February-March.
Scope and Content
Budget
General note
Director: Alan Crosland, Jr.
Box 20, Folder 1
The Robrioz Ring.
1964 March-April.
Scope and Content
Budget
General note
Director: David Rich.
Box 61, Folder 11
Say Goodbye To Sorrow.
1964.
Scope and Content
Includes notes for story and script.
Box 19, Folder 7
A Sweet Taste of Vengeance.
1964 March.
Box 20, Folder 2
Sweet Taste of Vengeance.
1964 March.
Scope and Content
Daily production reports.
Box 24, Folder 9
Sweet Taste of Vengeance.
1964 February-March.
Scope and Content
Correspondence and Shooting Schedule
Box 24, Folder 9
Sweet Taste of Vengeance.
Scope and Content
Shooting Instructions.
Box 24, Folder 9
Sweet Taste of Vengeance.
1964 January 20-22.
Scope and Content
Story outlines (annotated) and cast list. Original title, "Cry Vengeance."
Box 39, Folder 8
Sweet Taste of Vengeance.
1964 January-May.
Scope and Content
Story outline, correspondence, memos, and cast sheet.
Box 61, Folder 11
Sweet Taste of Vengeance.
1964.
Scope and Content
Includes script revisions, budgets, final cost estimates.
Box 20, Folder 1
Their Own Executioners.
1964 March.
Scope and Content
Budget
General note
Director: Walter Grauman.
Box 20, Folder 1
The Threatening Eye.
1964 January-February.
Scope and Content
Budget.
General note
Director: Ida Lupino.
Box 20, Folder 1
A Truce To Terror.
1963 November.
Scope and Content
Budget
General note
Director: Robert Sparr.
Box 20, Folder 1
The Watchman.
1964 January-April.
Scope and Content
Budget
General note
Director: Sydney Pollack.
Box 20, Folder 1
Who is Jennifer.
1963 November.
Scope and Content
Budget
General note
Director: Alvin Ganzer.
Box 20, Folder 1
The Wine Dark Sea.
1964 April.
Scope and Content
Budget
General note
Director: Elliot Silverstein
Box 61, Folder 11
Writer Contracts (budgets).
1964.
Box 48, Folder 1
The Last Convertible Episode III.
1979 April 17-May 29.
Scope and Content
Includes script from April 17, 1979 to May 29, 1979. Contributing writers: Clyde Ware, Stephen McPherson based on the novel
by Anton Myrer.
Box 48, Folder 1
The Last Convertible Episode III.
1979 April 17-August 14.
Scope and Content
Includes script from April 17, 1979 to August 14, 1979. Contributing writers: Clyde Ware, Stephen McPherson based on the novel
by Anton Myrer.
Box 48, Folder 1
The Last Convertible Part II (The War).
1979 March 20.
Scope and Content
Includes script from March 20, 1979. written by Claude Ware based on the novel by Anton Myrer.
Box 48, Folder 2
The Last Convertible Episode II.
1979 April 17- July 03.
Scope and Content
Includes script from April 17, 1979 to July 3, 1979. Contributing writers: Philip DeGuere, Clyde Ware, and Stephen McPherson
based on the novel by Anton Myrer.
Box 48, Folder 2
The Last Convertible Episode II.
1979 June 19.
Scope and Content
Includes script from April 17, 1979 to July 19, 1979. Contributing writers: Philip DeGuere, Clyde Ware, Stephen McPherson
based on the novel by Anton Myrer with re-write/revisions by Anton Myrer.
Box 48, Folder 3
The Last Convertible Episode II.
1979 April 17-July 24.
Scope and Content
Includes script from April 17, 1979 to July 24, 1979. Contributing writers: Philip DeGuere, Clyde Ware, Stephen McPherson
based on the novel by Anton Myrer.
Box 48, Folder 3
The Last Convertible II.
1979 April 08.
Scope and Content
Includes script from April 08, 1979. Teleplay by Stephen McPherson based on the novel by Anton Myrer.
Box 49, Folder 1
The Last Convertible Part Four.
1979 April 12.
Scope and Content
Includes script from April 12, 1979. Written by Clyde Ware based on the novel by Anton Myrer.
Box 49, Folder 2
The Last Convertible.
1978 November 17.
Scope and Content
Includes two copies of 1st draft of script from November 17 1978 written by Philip DeGuere based on the novel by Anton Myrer.
Box 49, Folder 2
The Last Convertible.
1979 February 12.
Scope and Content
Includes two copies of revised script from February 12, 1979 written by Philip DeGuere based on the novel by Anton Myrer.
Box 49, Folder 2
TV Channels.
1979 September 23-29.
Scope and Content
Photocopy of TV Channels clippings on "The Last Convertible" starring Perry King, Deborah Raffin.
Box 49, Folder 3
The Last Convertible Episode I.
1979 April 17- July 05.
Scope and Content
Includes revised script from July 05, 1979 written by Philip DeGuere and Stephen McPherson based on the novel by Anton Myrer.
Box 49, Folder 4
The Last Convertible Episode I.
1979 April 17- May 30.
Scope and Content
Includes revised script from May 30, 1979 teleplay by Philip DeGuere based on the novel by Anton Myrer.
Box 49, Folder 5
The Last Convertible.
1979 April 17- May 17.
Scope and Content
Includes script from May 17, 1979. Contributing writers: Philip DeGuere, Clyde Ware, Stephen McPherson based on the novel
by Anton Myrer.
Box 49, Folder 6
The Last Convertible Episode III.
1979 April 17- July 12.
Scope and Content
Includes script from April 17, 1979 to July 12, 1979. Contributing writers: Clyde Ware, Stephen McPherson based on the novel
by Anton Myrer.
Box 49, Folder 6
The Last Convertible Episode III.
1979 April 17- August 07.
Scope and Content
Includes script from April 17, 1979 to August 7, 1979. Contributing writers: Clyde Ware, Stephen McPherson based on the novel
by Anton Myrer.
Box 50, Folder 1
The Last Convertible Episode I.
1979 April 17- June 19.
Scope and Content
Includes script from April 17, 1979 to June 19, 1979. Contributing writers: Philip DeGuere, Stephen McPherson based on the
novel by Anton Myrer.
Box 50, Folder 1
The Last Convertible Episode III.
1979 April 17- August 14.
Scope and Content
Includes script from April 17, 1979 to August 14, 1979. Contributing writers: Clyde Ware and Stephen McPherson based on the
novel by Anton Myrer.
Box 50, Folder 2
The Last Convertible.
1978 November 17.
Scope and Content
Includes annotated 1st draft of script from November 17, 1978. Written by Philip DeGuere based on the novel by Anton Myrer.
Box 50, Folder 3
The Last Convertible - 13-Hour Version.
1979 April 20.
Scope and Content
Includes script from April 20, 1979 marked (Spec. Run). Contributing writers: Philip DeGuere, Clyde Ware, Stephen McPherson
and Joyce Howard based on the novel by Anton Myrer.
Box 51, Folder 1
The Last Convertible Episode II.
1979 April 17- July 24.
Scope and Content
Includes script from April 17, 1979 to July 24, 1979. Contributing writers: Philip DeGuere, Clyde Ware, Stephen McPherson
based on the novel by Anton Myrer.
Box 51, Folder 1
The Last Convertible Episode III.
1979 April 17- June 27.
Scope and Content
Includes script from April 17, 1979 to May 29, 1979. Received from Anton Myrer on June 27, 1979. Contributing writers: Philip
DeGuere, Clyde Ware, Stephen McPherson based on the novel by Anton Myrer.
Box 51, Folder 2
The Last Convertible Episode I.
1979 April 17- June 11.
Scope and Content
Includes script from April 17, 1979 to June 11, 1979. Contributing writers: Philip DeGuere, Stephen McPherson based on the
novel by Anton Myrer.
Box 51, Folder 2
The Last Convertible Episode II.
1979 April 17- July 19.
Scope and Content
Includes script from April 17, 1979 to Jul7 19, 1979. Contributing writers: Philip DeGuere, Clyde Ware, Stephen McPherson
based on the novel by Anton Myrer.
Box 51, Folder 3
The Last Convertible Episode I.
1979 April 17- July 13.
Scope and Content
Includes script from April 17, 1979 to July 13, 1979. Contributing writers: Philip DeGuere, Stephen McPherson based on the
novel by Anton Myrer.
Box 51, Folder 3
The Last Convertible Episode I.
1979 April 17- June 21.
Scope and Content
Includes script from April 17, 1979 to June 21, 1979. Contributing writers: Philip DeGuere, Stephen McPherson based on the
novel by Anton Myrer.
Box 51, Folder 4
The Last Convertible Part Three.
1979 April 06.
Scope and Content
Includes script received April 06, 1979 written by Clyde Ware based on the novel by Anton Myrer.
Box 51, Folder 4
The Last Convertible Episode III.
1979 April 17- August 01.
Scope and Content
Includes script from April 17, 1979 to August 01, 1979. Contributing writers: Clyde Ware, Stephen McPherson based on the novel
by Anton Myrer.
Box 52, Folder 1
The Last Convertible Episode I.
1979 April 17.
Scope and Content
Includes script from April 17, 1979. Teleplay by Philip DeGuere based on the novel by Anton Myrer.
Box 52, Folder 1
The Last Convertible Episode I.
1979 April 17- July 10.
Scope and Content
Includes script from April 17, 1979 to July 24, 1979. Contributing writers: Philip DeGuere, Stephen McPherson based on the
novel by Anton Myrer.
Box 52, Folder 1
The Last Convertible Episode I.
1979 April 17- July 13.
Scope and Content
Includes script from April 17, 1979 to July 13, 1979. Contributing writers: Philip DeGuere, Stephen McPherson based on the
novel by Anton Myrer.
Box 52, Folder 2
The Last Convertible Episode II.
1979 April 17.
Scope and Content
Includes script from April 17, 1979. Contributing writers: Philip DeGuere, Clyde Ware, Stephen McPherson based on the novel
by Anton Myrer.
Box 52, Folder 2
The Last Convertible.
1979 May 07.
Scope and Content
Annotated Script Episode # 85240-B.
Box 61, Folder 12
Copy of book.
Scope and Content
Photo-copy of book by Margaret Sanger with annotations.
Lonely Profession. Subseries 39.
1967-1969.
Scope and Content
Failed series pilot, originally titled, "The Savarona Syndrome." Roy Huggins, executive producer. Alternate title, "The Day
the Mob Died." Production no. 81164.
Box 19, Folder 4
Budgets.
1968 December 11-1969 February 6.
General note
Working title, "The Savaronah Syndrome."
Box 7
Memo.
1967 November 24.
Scope and Content
Stating delivery of the script, "The Day the Mob Died" by author, Howard Browne, requesting payment.
Box 16, Folder 7
Ratings.
1975 September 30.
Box 23, Folder 7
Story Submissions.
1958 May.
Box 16, Folder 7
Rope of Cards Episode Notes.
1958 March 31.
Box 39, Folder 12
Woman on the Run.
1977 December 2.
Scope and Content
Story outline.
General note
Alternate title, "Trapped."
Medi-Commandos. Subseries 41.
1970.
Scope and Content
Television movie of the week.
Box 20, Folder 9
ABC Shooting Script Review.
1970 September 29.
Scope and Content
Includes suggested changes to the script.
Box 20, Folder 9
Memo.
1970 June 23.
Scope and Content
From Huggins to Sheinberg regarding the project topic.
Box 20, Folder 9
Notes.
1970 JUne 16.
Scope and Content
Transcript of audio notes on a scene.
Box 20, Folder 9
Research.
Scope and Content
Newspaper magazine article, "Once a Medic, Now a Medex."
Box 20, Folder 9
Scripts.
Scope and Content
Heavily annotated.
Box 35, Folder 4
Re-Write Notes.
1970 August 18-September 4.
Scope and Content
Heavily annotated re-write notes by Huggins.
Box 35, Folder 4
Story Outline.
1970 June 15.
Scope and Content
Written by Jerry Bredouw. Production no. 841408.
Box 36, Folder 8
Second Draft Script.
1970 September 15.
Scope and Content
Heavily annotated.
Box 36, Folder 8
Second Draft Script.
1970 September 15.
Scope and Content
Heavily annotated.
Box 36, Folder 9, Box 61, Folder 13
Treatment.
1970 August 4-12.
Scope and Content
Edited transcript of dictated treatment by Huggins.
Box 61, Folder 13
Writer's contract memo.
1970.
My Brother Rene. Subseries 42.
1970.
Box 23, Folder 3
Series Presentation and Story Outline.
1970 July 1.
Correspondence and memos.
1969-1970.
Nurse. Subseries 43.
1980.
Scope and Content
Television drama written by Sue Grafton.
The Oberon Contract.
1973.
The Outsider. Subseries 44.
Scope and Content
Television series created by Huggins.
Box 19, Folder 4
Budgets.
1966 November 22-December 26.
Box 61, Folder 16
Correspondence and memos.
1967-1970.
Box 20, Folder 5
Daily Production Reports for Silent Footage.
1968 January 15-18.
Box 10, Folder 1
Along Came a Spider.
1967 September-November.
Box 20, Folder 5
Along Came a Spider.
1967 November 29-December 6.
Scope and Content
Daily production reports.
Box 20, Folder 5
As Cold as Ashes.
1968 June17-August 21.
Scope and Content
Daily production reports.
Box 10, Folder 1
Behind God's Back.
1968 May-December.
General note
Title formerly, "All the Young Animals." Script
Box 20, Folder 4
Behind God's Back.
1968 December 4-11.
Scope and Content
Daily production reports.
Box 9, Folder 1
A Bowl of Cherries.
1967-1968.
Scope and Content
Title formerly "A Hill of Beans".
General note
Script.
Box 20, Folder 4
A Bowl of Cherries.
1968 November 25-December 3.
Scope and Content
Daily production reports.
Box 20, Folder 5
Eyes of the Beholder.
1969 January 20-28.
Scope and Content
Daily production reports.
Box 10, Folder 2
The Flip Side.
1968 December-1969 January.
Box 20, Folder 4
The Flip Side.
1968 December 23-1979 January 7.
Scope and Content
Daily production reports.
Box 10, Folder 2
For Members Only.
1967 November-March.
Box 20, Folder 4
For Members Only.
1968 February 10-27.
Scope and Content
Daily production reports.
Box 10, Folder 2
The Girl From Missouri.
1968 February-October.
Box 20, Folder 4
The Girl From Missouri.
1968 July 9-16.
Scope and Content
Daily production reports.
Box 10, Folder 2
Handle With Care.
1968 December-January.
Box 20, Folder 4
Handle With Care.
1969 January 9-16.
Scope and Content
Revised and original daily production reports.
Box 20, Folder 4
I Can't Hear You Scream.
1967 October 24-31.
Scope and Content
Daily production report.
Box 20, Folder 4
Land of the Fox.
1967 October 16-23.
Scope and Content
Daily production report.
Box 20, Folder 4
A Lot of Muscle.
1969 January 31-February 7.
Scope and Content
Daily production reports.
Box 9, Folder 18
Love is Under "L".
1967 August-November.
Box 20, Folder 3
Love is Under "L".
1967 November.
Scope and Content
Daily production reports
Box 9, Folder 18
The Many Killers of Carl Kozzek.
1966 October-December.
Scope and Content
World premier, pilot script.
General note
Original title: The Naked Half Truth.
Box 9, Folder 18
The Old School Tie.
1968 October-November.
General note
Annotated script.
Box 20, Folder 3
The Old School Tie.
1968 November-December.
Scope and Content
Daily production report.
Box 20, Folder 4
One Long Stemmed American Beauty.
1968 January 20-February 7.
Scope and Content
Daily production reports.
Box 10, Folder 1
Periwinkle Blue.
1969 January-February.
Box 20, Folder 5
Periwinkle Blue.
1969 February 10-17.
Scope and Content
Daily production reports.
Box 20, Folder 5
The Secret of Marino Bay.
1968 July 29-August 5.
Scope and Content
Daily production reports.
Box 10, Folder 1
Service For One.
1969 February.
Box 20, Folder 4
Service For One.
1969 February 18-25.
Scope and Content
Daily production reports.
Box 20, Folder 3
Sunny Face and Petaled Hair.
1968 January 22-29.
Scope and Content
Daily production reports.
Box 20, Folder 5
Take the Key and Lock Him Up.
1968 December 13-20.
Scope and Content
Daily production reports.
Box 10, Folder 3
Tell It Like It Was ... And You're Dead.
1967 September-November.
Box 20, Folder 4
Tell It Like It Was ... and You're Dead.
1967 November 10-17.
Scope and Content
Daily production reports.
Box 20, Folder 3
There Was a Little Girl.
1968 February.
Scope and Content
Daily production reports.
Box 10, Folder 3
Through a Stained Glass Window.
1969 February.
Box 20, Folder 3
Thru a Stained Glass Window.
1969 March.
Scope and Content
Daily production reports.
Box 9, Folder 1
A Time to Run.
1967-1968.
Box 20, Folder 4
A Time to Run.
1968 July 18-25.
Scope and Content
Daily production reports.
Box 9, Folder 2
The Twenty Thousand Dollar Carrot.
1967-1968.
Box 20, Folder 3
The Twenty Thousand Dollar Carrot.
1968 June-July.
Scope and Content
Daily production reports.
Box 9, Folder 2
What Flowers Daisies Are.
1967-1968.
Box 9, Folder 1
A Wide Place in the Road.
1967-1968.
Box 9, Folder 2
A Wide Place in the Road.
1967-1968.
Box 20, Folder 3
A Wide Place in the Road.
1967 November 28.
Scope and Content
Daily production reports.
Para Medical. Subseries 45.
Box 16, Folder 7
Correspondence.
1970 September 21.
Scope and Content
Thank you note from Huggins to Dr. Willard E. Goodwin for research assistance.
Box 16, Folder 7
Memo.
1970 June 9.
Scope and Content
Regarding Jerry Bredouw and his credit.
Box 16, Folder 7
Memo and Contract.
1970 June 9.
Scope and Content
Regarding Jerry Bredouw and his credit. Also includes contract.
Box 16, Folder 7
Research Newspaper Clipping.
1970 August 30.
Box 37, Folder 10
Correspondence.
1970 November 10.
Scope and Content
Regarding the premise of the program.
Perfect Crimes. Subseries 46.
1991.
Scope and Content
Crime television program. Huggins served as writer.
Box 26, Folder 1
Scripts.
1991.
Scope and Content
Script to the episode, "Murder in Triplicate" and an untitled episode.
Box 26, Folder 2
Scripts.
1991 March-April.
Scope and Content
First draft and second revised final draft scripts to the episode, "Double Identity."
Box 26, Folder 3
Scripts.
1991 April 8-16.
Scope and Content
Annotated revised final draft script and first revised final draft script to the episode, "Double Identity."
Box 57, Folder 11
Production Schedule.
1991.
Box 61, Folder 17
Correspondence and memos.
1975.
Box 61, Folder 18
Correspondence and memos.
1973.
Scope and Content
Includes inter-office communication about the rights to Raymond Chandler's unpublished story Playback.
Box 61, Folder 19
Writer's Contract memo.
1972.
Box 61, Folder 19
Story possibilities.
1972.
Scope and Content
Includes computer print out of story possibilities which includes titles, author, genre, time period, place.
Box 61, Folder 19
Script submission.
1972.
Scope and Content
From Bob Hamilton; The Innocent Are Guilty Too.
Box 61, Folder 19
Notes.
1972.
Scope and Content
Typed notes from tape as told to Frank Pittman.
Pretty Boy Floyd. Subseries 47.
1974.
Scope and Content
Television movie. Roy Huggins, executive producer.
Profane Comedy. Subseries 48.
1969 February-March.
Scope and Content
Television drama, not broadcast until 1973. Roy Huggins, producer.
Box 19, Folder 4
Budget.
1969 February-March.
Box 61, Folder 20
Memo.
1968.
Scope and Content
Confidential inter-office communication about the script by Roy Huggins.
Box 35, Folder 7
Papers.
1965 September 22-1966 January 12.
Scope and Content
Includes: first draft script; Universal Television cast sheet; and story conference notes.
Box 61, Folder 21
Correspondence and memos.
1965-1966.
Box 57, Folder 12
Daily Production Reports.
1966.
Box 61, Folder 21
Writer's contract memos.
1965-1966.
Box 61, Folder 21
Director's Contract Preparation memo.
1966.
Box 61, Folder 21
Residual contracts.
1966.
Box 61, Folder 21
Treatments.
1965.
Scope and Content
Treatments of episodes A Game of Hide and Seek; Don't Wait For Tomorrow; future scenes for a feature length.
Box 61, Folder 21
Teleplay.
1965.
Scope and Content
First draft of teleplay by Luther Davis.
Rescue. Subseries 50.
1975 May 27.
Scope and Content
The story of the Squalus written by Clyde Ware.
Box 61, Folder 23
Budget.
1975.
Scope and Content
Handwritten budget costs listed as name, hours worked and cost.
Box 61, Folder 23
Correspondence and memos.
Box 23, Folder 4
Development Notes.
1975 May 27.
Box 61, Folder 23
Notes.
1975.
Scope and Content
Includes handwritten notes about diving pressures, submarines and other on location issues.
Box 2, Folder 3
Script.
1975 July 25.
Scope and Content
Third draft script.
Box 31, Folder 4
Scripts.
1975 July 25-30.
Scope and Content
Two versions of the same script.
Box 32, Folder 1
Script.
1975July 16.
Scope and Content
Second draft script.
General note
From the book by Maas. Teleplay by Ware. An NBC special.
Box 35, Folder 8
Story Outline and Notes.
1975 October 30-July 21.
Scope and Content
Story notes by Roy Huggins, Jo Swerling and Ralph Naveda, and story outline.
Box 32, Folder 1
Scripts.
1978 February 16-March 3.
Scope and Content
First and second draft to episode, "You Seen Three, You Seen 'em All."
Box 40, Folder 1
Script.
1977.
Scope and Content
The Rescuers: Assignment: Crisis by Roy Huggins written November 29, 1977.
Box 40, Folder 1
Correspondence and memos.
1975-1978.
Box 40, Folder 1
Writer's Contract memo.
1975.
Rockford Files (The).
1975.
Box 40, Folder 2
Correspondence and memos.
1975.
Box 40, Folder 2
Writer's Contract memo.
1974.
Run For Your Life. Subseries 52.
Scope and Content
Television series. Huggins served as executive producer for 86 episodes, and writer of 29 episodes.
Box 16, Folder 3
Budget Analysis Reports.
1967 September-1968 January.
Box 40, Folder 4
Audience Analysis.
April 1967.
Scope and Content
Analysis report on audience for Run For Your Life, April 1967 prepared by MCA TV.
Box 17, Folder 2, Box 58, Folder 1, Box 57, Folder 13
Daily Production Reports.
1966-1967.
Box 18, Folder 7
Budgets.
1965-1968.
Scope and Content
Individual episode budgets.
Box 19, Folder 1
Budgets.
1967-1968.
Scope and Content
Individual episode budgets.
Box 20, Folder 8
Correspondence.
1965 February 25-August 17.
Scope and Content
From the National Broadcasting Company regarding observance of the Code of Broadcast Standards and Practices.
Box 40, Folder 4, Box 40, Folder 3
Correspondence and memos.
1965-1968.
Box 23, Folder 6
Cast Sheets.
1965 November-1968 February.
Box 24, Folder 10
Cast Lists.
1965-1966.
Scope and Content
Cast lists for the following episodes: The Assassin; Baby, the World's On Fire; Better World Next Time; The Borders of Barbarism;
The Calculus of Chaos; The Carnival Ends at Midnight;The Carpella Collection;Choice of Evils; The Cold, Cold War of Paul Bryan;The
Committee for the 25th; The Dark Beyond the Door; East of the Equator;Edge of the Volcano; Th e Face of the Antagonist; Flight
From Tirana; A Game of Violence; A Girl Named Sorrow;The Girl Next Door is a Spy;The Grotenberg Mask; Hang Down Your Head
and Laugh; Hoodlums on Wheels; How to Sell Your Soul For Fun and Profit;I Am the Late Diana Hays; In Search of April; Journey
into Yesterday; Keep My Share of the World;The List of Alice McKenna; Make the Angels Weep;The Man Who Had No Enemies; Never
Pick Up a Stranger; The Night of the Terror; Our Man in Limbo;A Rage for Justice; Rapture at Two Forty; The Rediscovery of
Charlotte Hyde;Rendezvous in Tokyo; The Savage Season; The Sex Object; The Shock of Recognition; Someone Who Makes Me Feel
Beautiful; Strangers at the Door; Tears From a Glass Eye; Tell it to the Dead; This Town for Sale; Time and a Half on Christmas
Eve; The Time of the Sharks;The Treasure Seekers; A Very Small Injustice;The Voice of Gina Milan;Where Mystery Begins; The
Word Would be Goodbye.
Box 10, Folder 15
The Assassin.
1966 December.
General note
Script (two copies).
Box 10, Folder 14
At the End of the Rainbow There's Another Rainbow.
1967 May-June.
Box 12, Folder 1
Baby, The World's On Fire.
1966 July-August.
Scope and Content
Script (two copies).
Box 10, Folder 11
Better World Next Time.
1967 February.
General note
Episode title formerly, "A Faint Stirring of Echos." Two scripts (annotated).
Box 10, Folder 10
Beware My Love.
1967 December-1968 January.
Scope and Content
Based on a novel by MacDonald.
General note
Episode title formerly, "The Drowning." Two scripts.
Box 10, Folder 9
The Borders of Barbarian.
1966 May.
Scope and Content
Based on a novel by Williams.
General note
Episode title formerly, "Never Say Die." Two scripts.
Box 23, Folder 4
The Borders of Barbarian.
1965 November 1.
Scope and Content
First Complete Draft Script
General note
Teleplay by Luther Davis.
Box 53, Folder 3
The Carnival Ends At Midnight.
1965 November 08 .
Scope and Content
Includes two copies of the script "The Carnival Ends At Midnight" teleplay by Boris Sobelman and story by John Thomas James.
Box 54, Folder 1
The Carpella Collection.
1966 October 18- December 12.
Scope and Content
Includes tow copies of the script "The Carpella Collection" written by Robert Poster and Philip DeGuere, Jr.
Box 13, Folder 4
The Committee for the 25th.
1966 June.
Scope and Content
Two final draft script copies.
Box 10, Folder 14
The Company of Scoundrels.
1967 August.
General note
Original episode title, "The Crook is in the Counting House." Two scripts.
Box 53, Folder 2
The Cruel Fountain.
1966 February 10- 16.
Scope and Content
Includes two scripts of "The Cruel Fountain" written by Henry Slesar.
Box 10, Folder 12
Cry Hard, Cry Fast (part 2).
1967 August.
Scope and Content
Based on the novel by John D. MacDonald.
General note
Original episode title: Aftermath. Script.
Box 11, Folder 2
Cry Hard, Cry Fast (Part 1).
1967 July-August.
General note
Based on the novel by MacDonald. Script.
Box 20, Folder 8
Correspondence.
1968 June 24-September 25.
Scope and Content
Regarding the National Safely Council awards.
Box 10, Folder 14
A Dangerous Proposal.
1967 November.
General note
Original episode title, "Bugatti Royale." Script.
Box 13, Folder 1
The Dark Beyond the Door.
1966 May-June.
Scope and Content
Script (2 copies) (some annotations).
Box 11, Folder 3
The Day time Stopped.
1966 May.
General note
Two scripts.
Box 40, Folder 4
Director's Contract memo.
1967.
Box 52, Folder 4
Down With Willy Hatch.
1967 August 16- August 17.
Scope and Content
Script for "Down With Willy Hatch" written by Richard Baer.
Box 54, Folder 1
Down With Willy Hatch.
1967 August 09- 17.
Scope and Content
Script for "Down With Willy Hatch" written by Richard Baer.
Box 11, Folder 3
East of the Equator.
1967 January.
General note
Two scripts.
Box 13, Folder 2
Edge of the Volcano.
1966 May-June.
Scope and Content
Two scripts (one annotated).
Box 20, Folder 8
Memos.
1966 June-July.
Scope and Content
Regarding looping, station breaks and Tall Soldier's lines.
Box 11, Folder 4
Every Girl Should Have a Husband.
1966 May 17.
Scope and Content
First draft annotated script. Never shot.
Box 13, Folder 2
The Face of the Antagonist.
1966 October.
Scope and Content
Script (two copies).
General note
Original episode title, "Second Chance."
Box 11, Folder 4
The Fate Worse Than the Fate Worse Than Death.
1966 November 29.
Scope and Content
Annotated script of episode never produced.
Box 10, Folder 15
Flight From Tirana.
1966 June-November.
General note
Original episode title, "Home is Where You Hang Your Childhood." Script.
Box 10, Folder 7
Fly by Night.
1967 October.
General note
Two scripts.
Box 10, Folder 8
The Frozen Image.
1967 June-July.
General note
Two scripts.
Box 11
A Game of Violence.
1966 June-July.
General note
Two scripts.
Box 12, Folder 2
Gift for a Dead Man.
1967 January.
Scope and Content
Cover missing. Production no. 27307. Script.
Box 12, Folder 2
The Girl Next Door is a Spy.
1965 April-June.
Scope and Content
Script.
General note
Original episode title, "Don't Count on Tomorrow."
Box 40, Folder 4
The Golden Couple.
1966.
Scope and Content
Includes Outline for story by Ellis Marcus.
Box 10, Folder 12
The Grotenberg Mask.
1966 March-April.
Box 20, Folder 8
Grotenberg Mask Correspondence.
1966 November-1967 February.
Scope and Content
Regarding the shipping of the 16mm film, and indemnity agreements.
Box 12, Folder 3
Hang Your Head Down and Laugh.
1966 August-September.
Scope and Content
Two final scripts.
Box 10, Folder 15
I am the Late Diana Hays.
1966 April-June.
Box 13, Folder 1
I am the Late Diana Hays.
1966 April-June.
Scope and Content
Script cover has notes.
Box 40, Folder 3
Image of a Man.
1967.
Scope and Content
Script by Glen A. Larson.
Box 12, Folder 1
The Inhuman Predicament.
1967 June.
Scope and Content
Two annotated scripts.
Box 11, Folder 2
It Could Only Happen In Rome.
1967 May-August.
General note
Original episode title, "Christmas in Rome." Script.
Box 10, Folder 7
The Killing Scene.
1966-1967.
General note
Two scripts, different versions.
Box 15, Folder 4
The Killing Scene.
1966 June 14.
Scope and Content
Second version script, heavily annotated.
Box 40, Folder 3
The Killing Scene.
1966.
Scope and Content
Script by Edwin Blum.
Box 52, Folder 4
The Last Safari.
1966 February 17- March 11.
Scope and Content
Script for "The Last Safari" teleplay by John W. Bloch and story by John Thomas James.
Box 52, Folder 4
The Last Safari.
1966 February 17- March 11.
Scope and Content
Script for "The Last Safari" teleplay by John W. Bloch and story by John Thomas James.
Box 11, Folder 5
Life Among the Meat Eaters.
1968 january.
Scope and Content
Script.
Box 12, Folder 2
The List of Alice McKenna.
1966 August-September.
Scope and Content
Two annotated scripts.
General note
Original episode title, "The Shattered Image."
Box 10, Folder 12
The Man Who Had Ho Enemies.
1966 July-August.
General note
Two annotated scripts.
Box 14, Folder 1
The Mustafa Embrace.
1967 September-November.
Scope and Content
Final draft script.
Box 10, Folder 13
The Naked Half Truth.
1967 June.
Box 20, Folder 8
The Naked Half Truth.
1966 November-December.
Scope and Content
Summary Detail Picture Cost.
Box 53, Folder 2
Never Pick Up A Stranger.
1965 July 08- 16.
Scope and Content
Includes two scripts of "Never Pick Up A Stranger" formerly titled "Kiss Me As You Go." Teleplay by Howard Browne and story
by F. D. Averno.
Box 53, Folder 1
The Night of The Terror.
1965 November 17- December 14.
Scope and Content
Includes script of "Night of The Terror" written by Gerald Vaughan Hughes.
Box 40, Folder 3
Notes.
1966.
Scope and Content
Notes for Roy Huggins on the story The Borders of Barbarism.
Box 10, Folder 13
One Bad Turn.
1967 November.
Box 40, Folder 3
Photographs.
Scope and Content
8 x 10 black and white photographs (7) including duplicates photographed by the U.S. Army on location at San Pedro, Fort MacArthur.
Box 13, Folder 3
The Rape of Lucrece.
1967 August-December.
Scope and Content
Final draft script.
Box 40, Folder 3, Box 40, Folder 4
Rapture at Two-Forty.
Scope and Content
First draft (incomplete) teleplay by Luther Davis.
Box 53, Folder 2
Rendezvous In Tokyo.
1966 October 17- 27.
Scope and Content
Includes two copies of the script "Rendezvous in Tokyo" written by Harold Livingston.
Box 12, Folder 1
Saro Jane, You Never Whispered Again.
1967 December.
Scope and Content
Script.
Box 11, Folder 1
The Savage Machines.
1966 February-March.
General note
Two scripts.
Box 10, Folder 8
The Savage Season.
1965 August.
General note
Two scripts.
Box 10, Folder 11
The Savage Season.
1965 August.
Scope and Content
Page 43 missing.
General note
Script.
Box 12, Folder 4
Sequestro.
1966 January.
Scope and Content
Scripts to parts I and II (some annotations).
Box 53, Folder 2
The Sex Object.
1966 July 18- 27.
Scope and Content
Includes two copies of the script "The Sex Object" written by Henry Slesar.
Box 53, Folder 3
The Shock of Recognition.
1966 June 22- September 21.
Scope and Content
includes two copies of the script "The Shock Of Recognition" written by John D. F. Black.
Box 40, Folder 3
The Sky Divers.
1967.
Scope and Content
Story by John Thomas James (Roy Huggins). Includes rewrite notes, shooting and production notes.
Box 13, Folder 4
Someone Who Makes Me Feel Beautiful.
1965 May.
Scope and Content
Final draft script (2 copies).
Box 12, Folder 2
Strangers at the Door.
1965 November.
Scope and Content
Script.
General note
Original episode title, "Blade of Grass."
Box 52, Folder 3
The Sun Divers Part I.
1967 July 14- July 21.
Scope and Content
First draft of script "The Sun Divers, Part I" by John W. Bloch.
Box 52, Folder 3
The Sun Divers Part I.
1967 August 18- August 23.
Scope and Content
Script of "Sun Divers, Part I" by John W. Bloch.
Box 52, Folder 3
The Sun Divers.
1967 December 08.
Scope and Content
Second Draft of the script of "Sun Divers" by John W. Bloch.
Box 54, Folder 1
The Sun Divers.
1967 May 26.
Scope and Content
First Draft of the script of "Sun Divers" by John W. Bloch.
Box 54, Folder 1
The Sun Divers Part Two.
1967 July 20- 25.
Scope and Content
First Draft of the script of "Sun Divers, Part Two" by John W. Bloch.
Box 36, Folder 5
The Sun Divers.
1967.
Scope and Content
Notes and rewrite notes
Box 13, Folder 3
Tears From a Glass Eye.
1966 May-July.
Scope and Content
Final draft script.
Box 10, Folder 13
Tell It Like It Is.
1967 July.
Box 12, Folder 3
Tell it to the Dead.
1967 January-February.
Scope and Content
Final copy script.
Box 52, Folder 3
The Time of The Sharks.
1965 September 30.
Scope and Content
Includes annotated script of "The Time of the Sharks" written by Frank Fenton and John Thomas James.
Box 11, Folder 2
This Town For Sale.
1965 July.
General note
Two scripts.
Box 20, Folder 8
This Town for Sale.
1965 May 14.
Scope and Content
Correspondence from the American Bar Association regarding the hearing procedure.
Box 53, Folder 1
Time And A Half On Christmas Eve.
1966 October 12- 17.
Scope and Content
Includes two scripts of "Time And A Half On Christmas Eve." teleplay by Martin A. Zweiback and story by Daniel L. Aubry.
Box 10, Folder 13
Trip to the Far Side.
1967 June.
Box 11, Folder 4
Untitled.
1966 June 10.
Scope and Content
Second draft script. Heavily annotated.
Box 13, Folder 1
The Voice of Gina Milan.
1965 September-October.
Scope and Content
Two scripts.
Box 40, Folder 3
We Who Live By The Sea.
Scope and Content
Summary of story.
Box 11, Folder 5, Box 40, Folder 4
Where Mystery Begins.
1965 August.
General note
Original episode title, "The Price of Justice." Script.
Box 13, Folder 3
Who's the Guevara.
1967 May.
Scope and Content
Final draft script.
Box 10, Folder 10
A World More Wicked.
1968 January-February.
General note
Two scripts.
Box 54, Folder 2
The Exchange.
1968 January 29.
Scope and Content
Two Scripts for "The Exchange" teleplay by Howard Browne; story by John Thomas James.
Box 54, Folder 2
The Dead on Furlough.
1967 December 27.
Scope and Content
Two scripts of "The Dead on Furlough" teleplay by James M. Miller; story by Paul Freeman.
Box 54, Folder 2, Box 54, Folder 3
Who's Watching the Fleshpot? (formerly The Sweet Life).
1965 November 22 .
Scope and Content
One script "Who's Watching the Fleshpot?" formerly "The Sweet Life." Written by John Thomas James.
Box 54, Folder 3
In Search of April.
1966 January 04.
Scope and Content
two scripts "In Search of April" teleplay by Alvin Sargent; story by John Thomas James.
Box 54, Folder 3
A Girl Named Sorrow.
1965 September 13.
Scope and Content
Two scripts "A Girl Named Sorrow" written by Judith and Robert Guy Barrows.
Box 54, Folder 4
Hoodlums on Wheels (The Hoodlum Saints).
1966 January 15.
Scope and Content
Two scripts "Hoodlums on Wheels" formerly The Hoodlum Saints. Teleplay by Robert Foster and Halsted Welles; story by Halsted
Welles.
Box 54, Folder 4
How To Sell Your Soul For Run And Profit.
1965 June 30.
Scope and Content
Script "How To Sell Your Soul For Run And Profit" teleplay by Frank Fenton and F.D. Averno
Box 55, Folder 1
A Rage For Justice.
1966 November 04.
Scope and Content
Script for " A Rage For Justice" teleplay by John W. Bloch; story by John Thomas James.
Box 55, Folder 1
A Rage For Justice.
1966 December 07.
Scope and Content
Script for " A Rage For Justice" teleplay by John W. Bloch; story by John Thomas James.
Box 55, Folder 1
Don't Count On Tomorrow (Possible Opposition Agent).
1966 February 09.
Scope and Content
Two scripts "Don't Count On Tomorrow" formerly "Possible Opposition Agent" written by E. Arthur Kean.
Box 55, Folder 1
Possible Opposition Agent.
1966 February 09.
Scope and Content
Script "Possible Opposition Agent" written by E. Arthur Kean.
Box 55, Folder 2
The Rediscovery of Charlotte Hyde.
1965 December 06.
Scope and Content
Two scripts "The Rediscovery of Charlotte Hyde" teleplay by Harold Guest; story by John Thomas James.
Box 55, Folder 2
The Night of The Terror.
1965 December 14.
Scope and Content
Script "The Night of the Terror" written by Gerald Vaughan Hughes.
Box 55, Folder 2
The Treasure Seekers (formerly: Ticket to Nowhere).
1966 July 13.
Scope and Content
Script "The Treasure Seekers" formerly "Ticket to Nowhere. Written by Max Ehrlich.
Box 55, Folder 2
The Treasure Seekers (formerly: Ticket to Nowhere).
1966 August 29.
Scope and Content
Script "The Treasure Seekers" formerly "Ticket to Nowhere. Written by Max Ehrlich.
Box 55, Folder 3
Very Small Injustice.
1967 January 04.
Scope and Content
Two scripts "A Very Small Injustice" written by Ronald M. Cohen.
Box 55, Folder 3
Three Passengers for the Lusitania.
1967 June 15.
Scope and Content
Two scripts "Three Passengers for the Lusitania" written by Erich Faust.
Box 55, Folder 4
The Sadness of a Happy Time.
1966 March 29.
Scope and Content
Two scripts "The Sadness of a Happy Time" teleplay by John W. Bloch; story by Patrick Kennedy.
Box 55, Folder 4
Time and a Half On Christmas Eve.
1966 October 17.
Scope and Content
Script "Time and a Half On Christmas Eve" teleplay by Martin A. Zweiback; story by Daniel L. Aubry.
Box 56, Folder 1
How To Sell Your Soul For Fun and Profit.
1965 June 30.
Scope and Content
Script "How To Sell Your Soul For Fun and Profit" teleplay by Frank Fenton and F.D. Averno.
Box 56, Folder 1
Keep My Share of the World.
1965 December 24.
Scope and Content
Two scripts "Keep My Share of the World" teleplay by John W. Bloch.
Box 56, Folder 1
Our Man in Limbo.
1965 August 02.
Scope and Content
Two scripts "Our Man in Limbo" teleplay by Paul Tuckahoe and F.D. Averno.
Box 56, Folder 2
Our Man in Limbo.
1965 August 02.
Scope and Content
Script "Our Man in Limbo" teleplay by Paul Tuckahoe and story by John Thomas James (F. D. Averno's name is crossed out).
Box 56, Folder 2
Night Train From Chicago.
1966 March 02.
Scope and Content
Two scripts "Night Train From Chicago" teleplay by Robert Bloch; story by John Thomas James.
Box 56, Folder 2
A Choice of Evils.
1967 March 08.
Scope and Content
Two scripts "A Choice of Evils"; one with revisions. Teleplay by Rita Lakin and Alvin Sargent; story by Rita Lakin.
Box 56, Folder 3
The Cold, Cold War of Paul Bryan.
1965 June 11.
Scope and Content
Two scripts "The Cold, Cold War of Paul Bryan" teleplay by Frank Fenton; story by F.D. Averno.
Box 56, Folder 3
Journey Into Yesterday.
1965 November 19.
Scope and Content
Two scripts "Journey Into Yesterday" teleplay by Lou Shaw; story by Marc Norman.
Box 56, Folder 3
In Search of April.
1966 January 04.
Scope and Content
Script "In Search of April" teleplay by Alvin Sargent; story by John Thomas james.
Box 56, Folder 4
The Word Would be Goodbye.
1967 February 27.
Scope and Content
Three scripts "The Word Would be Goodbye" television story and teleplay by Don Balluck; based on a teleplay by John W. Bloch;
story by Patrick Kennedy.
Sam Hill: Who Killed Mr. Foster?. Subseries 53.
1970 November-1971 March.
Scope and Content
Television movie. Roy Huggins, executive producer.
Box 19, Folder 6
Budgets.
1970 November-1971 March.
Box 40, Folder 5
Script.
Scope and Content
The Scavengers II (formerly named Let The Other Ones Ride) written by Robert Foster January 8, 1969.
Box 40, Folder 7, Box 40, Folder 6
Secret War of Jackie's Girls. Subseries 54.
1979.
Scope and Content
Television drama. Original working title, "The Tender War."
Box 16, Folder 3
Daily Production Reports.
1979 April-July.
Silent Men. Subseries 55.
1964.
Box 15, Folder 2
Script Notes and Papers.
Scope and Content
Includes script notes and papers concerning a contract with Inez Pedroza.
Box 21, Folder 1
Correspondence.
1964 December 17.
Scope and Content
To and from Ovid Demaris.
Box 21, Folder 1
Partial Script Re-Writes.
Some Unknown Person.
1977.
Correspondence and memo.
1977.
Sound of Anger. Subseries 56.
1967.
Scope and Content
Television drama written and produced by Roy Huggins. Original title, "The Adversaries."
Box 1, Folder 1
Annotated script and rewrite notes.
1968 September 26.
Box 2, Folder 2
Annotated scripts and rewrite notes.
1968 October 9.
Box 3, Folder 3
Story Outline and Script.
1968.
Box 19, Folder 3
Budgets.
1967 October-November.
Sweet Savage Love. Subseries 57.
1977.
Box 36, Folder 2
Conference Transcripts.
1977 February 7-25.
Scope and Content
Transcript of conversations held between Roy Huggins, Jo Swerling, Jr. and Rosemarie Abelson about the project.
Box 40, Folder 10
Correspondence and memos.
1977-1979.
Box 40, Folder 10
Story Department.
1976.
Scope and Content
Story ideas by Rosemary Rogers.
Box 40, Folder 10
Actor Resumes.
1976.
Scope and Content
Actor resumes considered for project include: Michael Caine, Kabir Bedi, Roger Moore.
Box 40, Folder 10
Casting Notes.
1976.
Scope and Content
Handwritten and typed notes on casting.
Box 40, Folder 10
Time Magazine.
1977 January 17.
Scope and Content
Time Magazine excerpt about Rosemary Rogers (author of Sweet Savage Love).
Target Risk. Subseries 58.
1974.
Scope and Content
Television drama produced by Roy Huggins.
Box 19, Folder 2
Production Reports and Budget.
1974 March-April.
Box 41, Folder 1
The Tender Warriors (Series Pilot).
Scope and Content
Series Pilot description with character descriptions.
This is the West That Was. Subseries 59.
1974.
Scope and Content
Television drama. Roy Huggins, executive producer. Working title, "Hickok."
Box 19, Folder 2
Budgets.
1974.
General note
Working title, "Hickok."
Box 21, Folder 1
Shooting Budget.
1974 September 16-October 17.
Today The Hard Way.
1969.
Box 41, Folder 2
Script.
1969 April 29 .
Scope and Content
Script written by Robert Foster. Production number 81310; Special Run.
T.R.A.C.. Subseries 60.
Scope and Content
Team for Rescue and Counter Action. Television series.
Box 25, Folder 5
You Seen Three, You Seen 'em All.
1978 March 13-June 5.
Scope and Content
Scripts.
Box 25, Folder 6
You Seen Three, You Seen 'em All.
1978 March 13-June 5.
Scope and Content
Scripts.
Box 25, Folder 7
You Seen Three, You Seen 'em All.
1978 March 13-June 5.
Scope and Content
Scripts.
Box 27, Folder 7
Annotated Script.
1978 March 29.
Box 27, Folder 8
Annotated Script.
1978 March 29.
Box 28, Folder 1
Annotated Script.
1978 April 3.
Box 28, Folder 2
Annotated Script.
1978 March 13.
Scope and Content
Revised second draft script.
Toma. Subseries 61.
1973-1974.
Scope and Content
Television crime series. Roy Huggins wrote 10 episodes.
Box 16, Folder 1, Box 58, Folder 2
Budgets.
1973-1974.
Scope and Content
Budgets for the following episodes: The Street; Time and Place Unknown; The Madam; Oberon Case; Pound of Flesh; Rockabye;
The Friends of Danny Beecher; The Accused; Funeral For Max Fabian; Crime Without Victim; Contract on Aex Cordeen; The Cain
Connection; Frame Up; 50% of Normal; Blockhouse Break Down; Steakout; Joey the Weep.
Box 16, Folder 2
Budgets.
1973-1974.
Scope and Content
Budgets for the following episodes: The Street; Time and Place Unknown; The Madam; Oberon Case; Pound of Flesh; Rockabye;
The Friends of Danny Beecher; The Accused; Funeral For Max Fabian; Crime Without Victim; Contract on Aex Cordeen; The Cain
Connection; Frame Up; 50% of Normal; Blockhouse Break Down; Steakout; Joey the Weep.
Box 17, Folder 3
Budgets and Daily Production Reports.
1973-1974.
Box 18, Folder 1
Budgets.
1973-1974.
Scope and Content
Budgets to the following episodes: The Big Dealers; The Bambara Bust; The Accused; Ambush on 7th Avenue; Frame Up; 50% of
Normal; The Friends of Danny Beecher; Rock A Bye.
Box 18, Folder 5
Budgets.
1973-1974.
Scope and Content
Budgets for the following episodes: The Madam; Indictment; A Funeral for Max Fabian; Crime Without Victim; The Contract on
Alex Cordeen; The Cain Connection; Blockhouse Breakdown.
Box 20, Folder 7
Budgets.
1973 August-1974 April.
Scope and Content
Budgets for the following episodes: The Street; Pound of Flesh; Time and Place Unknown; Stake Out; The Oberlin Contract.
Box 41, Folder 5
Budgets.
Scope and Content
Includes estimates for shooting costs.
Box 41, Folder 3
Contract Preparation Memos.
1973-1974.
Box 41, Folder 6
Contract Preparation Memos.
1974.
Box 41, Folder 3
Correspondence and memos.
Box 41, Folder 4
Correspondence and memos.
Box 41, Folder 5
Correspondence and memos.
1973-1975.
Scope and Content
Correspondence and inter-office memos; includes correspondence with the Code Authority.
Box 41, Folder 6
Correspondence and memos.
1973-1975.
Box 20, Folder 6
Daily Production Reports.
1973-January-February.
Box 41, Folder 3
First Trial Screening Reports.
1973 September 25.
Box 41, Folder 4
First Trial Screening Reports.
1974.
Box 41, Folder 6
First Trial Screening Reports.
1974.
Box 41, Folder 5
Notes.
1975.
Scope and Content
Includes handwritten notes, work notes, meeting notes and script notes for the series TOMA.
Box 41, Folder 5
Program Format.
1973-1974.
Box 41, Folder 6
Research material.
Scope and Content
Includes newspaper clippings, magazine articles and statistics on rape.
Box 41, Folder 3
Rough Cut Screening Reports.
1973 October 18.
Box 41, Folder 4
Rough Cut Screening Reports.
1974.
Box 26, Folder 6
Script.
1974 January 4-18.
Scope and Content
Script written by Zekial Marko.
Box 26, Folder 7
Scripts.
1974 February-March.
Scope and Content
Scripts to the following episodes, "Pound of Flesh" written by Edward Hume and "The Friends of Danny Beecher" written by Gloryette
Clark.
Box 27, Folder 1
Scripts.
1973 October-November.
Scope and Content
Scripts to the episodes, "50% of Normal" and "Rock A Bye." Both scripts written by Peter Salerno and Jane Sparkes.
Box 27, Folder 2
Scripts.
1974 March-April.
Scope and Content
Scripts to the episodes: The Street (written by Zekial Marko) and The Accused (formerly, Killer Cop) (written by David Toma).
Box 41, Folder 3
Shooting Information.
1973.
Box 41, Folder 4
Shooting Script Review.
1974.
Box 41, Folder 4
Writer's Employment Contract Preparation memo.
1974.
Twelfth of Never. Subseries 62.
1970 April 2.
Scope and Content
Television drama. Executive producer, Roy Huggins. Never shot.
Box 19, Folder 3
Budget.
1970 April 2.
General note
Project never shot.
Virginian. Subseries 63.
1962-1971.
Scope and Content
Western television series.
Box 27, Folder 3
Script.
1963 January 16.
Scope and Content
Script to the episode: A Distant Fury.
Box 27, Folder 4
Script.
1962 October 11-25.
Scope and Content
Script to the episode, The Accomplice.
Box 27, Folder 5
Script.
1962 October 5.
Scope and Content
Script to the episode: 50 Days to Moose Jam.
Box 27, Folder 6
Script.
1962 July 30-August 9.
Scope and Content
Script to the episode: Man From the Sea (formerly, A Far and Fetching Sound).
Violent World of Jake Lingle. Subseries 64.
1968.
Scope and Content
Unproduced(?) screenplay by Howard Brown. Alternate titles (?) The Day of the Mob; Chicago Style.
Box 3, Folder 1
Story outline.
1967 November 13.
Box 4
Two scripts.
1968 June 12-November 5.
Scope and Content
Production no. 81164. Second draft script. Rewrite notes by Roy Huggins.
Box 14, Folder 2
Assorted Annotated Scripts.
1968.
Box 14, Folder 3
Correspondence regarding Mr. Browne's hotle bill.
1968 October 21.
Box 21, Folder 1
Assorted Correspondence.
1967 November-1968 August 13.
Box 41, Folder 7
Correspondence and memos.
1967-1968.
Box 21, Folder 1
Request for Payment.
1968 March 8.
Scope and Content
Request for payment for Howard Browne, author.
Box 21, Folder 1
Re-Write Notes.
1967 December 6-1968 September 27.
Box 24, Folder 2
Story Outline.
1973 July 19.
Box 41, Folder 7
Story Outline and notes.
1973.
Box 58, Folder 3
Writing Credit Proposals.
1977-1978.
Box 41, Folder 10
Correspondence.
1974-1975.
Scope and Content
Correspondence with Bob Shayne.
Young Country. Subseries 65.
1969-1970.
Scope and Content
Television movie. Roy Huggins was the director and writer.
Box 16, Folder 3
Budget.
1969 November-1970 January.
Box 19, Folder 6
Budget Information.
1969 November-March 1970.
Unidentified Projects. Subseries 66.
Box 17, Folder 5
Unidentified Annotated Script Fragments.
Box 37, Folder 10
Unidentified Script Fragment.
Box 39, Folder 9
Unidentified Script Fragments.
Box 3, Folder 4
Brain Waves.
Scope and Content
Story outline.
General note
By David M. Rorvik.
Box 10, Folder 9
The Calculus of Chaos.
1966 November.
General note
Two scripts.
Box 3, Folder 4
Doctor Strange.
1977 June 28.
Scope and Content
Story outline.
Box 37, Folder 10
Dupont Move of the Month Memo.
1969 October 24.
Physical Description:
2.0 p.
Box 2, Folder 1
Free Wheeler, The.
1971.
Scope and Content
Script notes.
Box 37, Folder 10
The Greaser.
1970.
Scope and Content
Inter-Office memo and information about writing credits.
Box 3, Folder 4
Methuselah Enzyme, The.
1970.
Scope and Content
Story outline.
Box 3, Folder 2
Profane Comedy.
Scope and Content
script, 2nd draft.
Box 35, Folder 9
Story Outline.
Scope and Content
Edited story outline.
Box 36, Folder 7
Saigon.
1970.
Scope and Content
Treatment and script.
General note
Treatment by Dick Nelson, story by John Thomas James.
Box 3, Folder 5
See America First.
1965 November 4.
Scope and Content
show synopsis
Box 2, Folder 4
The Stetson Spur.
1967 October 6.
Scope and Content
Rewrite notes for the episode, "The Night of the Hanging."
Box 3, Folder 3
Venus of Menschen Falls.
Scope and Content
script.
Box 36, Folder 6
When the Daltons Rode.
1973.
Scope and Content
Inter-office memo and script.
Box 42, Folder 7
Script Excerpts.
Scope and Content
Miscellaneous script excerpts (out of context).
Business Papers. Series 2.
Box 15, Folder 5
Production Budget Reports.
1963-1964.
Box 15, Folder 5
Story Possibilities List.
1966-1978.
Scope and Content
Includes information on stories that might be used such as: author; type; period; locale; general classification; and rights
information.
Box 16, Folder 5
NBC Compliance and Practices Manual.
Box 16, Folder 5
NBC Compliance and Practices Manual.
Box 16, Folder 5
NBC Radio and Television Broadcast Standards and Practices.
General note
Three copies.
Box 16, Folder 5
Television Code.
1960-1975.
General note
Television code covering six years.
Box 41, Folder 15
NBC Correspondence.
1965-1969.
Box 42, Folder 1
Warner Brothers Correspondence.
1957-1958.
Box 21, Folder 4
Correspondence and Notes.
1971-1979.
Scope and Content
Correspondence and notes pertaining to writers working with/for Huggins.
Box 22, Folder 5
Sean Baine Notes.
1974 October 15.
Physical Description:
6.0 p.
Scope and Content
Handwritten notes from Jo Swerling, Jr. and Charles F. Johnson on writer, Sean Baine.
Box 37, Folder 10
Memo re: John Meston.
Scope and Content
Regarding writing fees.
Box 37, Folder 11
Application to Collaborate.
Scope and Content
Sample agreement.
Box 42, Folder 5
The Waxman Production.
1979.
Scope and Content
Front title page of manuscript by Merl H. Reagle.
Box 42, Folder 5
Mississippi: The Closed Society.
Scope and Content
Includes excerpts from script by Robert Foster.
Box 42, Folder 5
Edge City.
1976.
Scope and Content
Includes letter of correspondence and script by Ben Irwin.
Box 42, Folder 5
The Dark Mirror.
1945.
Scope and Content
Includes Submission page notes and summary of script story by Vladimir Pozner.
Box 42, Folder 5
A Cup Of Coffee.
Scope and Content
Story by Erich Faust.
Box 42, Folder 5
Gray Morning Street.
1970.
Scope and Content
Includes letter and script for a new television series by Jean Riley and John Bloch.
Box 42, Folder 5
Yours Sincerely, Ned Buntline.
Scope and Content
Includes memo and script by William Froug.
Public Arts, Inc..
1968-1980.
Box 41, Folder 16
Correspondence and memos.
1968-1980.
Scope and Content
Includes letters, correspondence, mailgrams, inter-office memos within Public Arts, Inc. and Public Arts Productions.
Box 41, Folder 16
Notes.
Scope and Content
Handwritten and typed notes on story ideas from books, novels, etc. Movie of the month possibilities, director lists from
other programs.
Professional Associations/Memberships. Subseries 2.
Box 3, Folder 5
Director's Guild of America Arbitration.
Scope and Content
Includes legal documents and assorted related correspondence
Box 16, Folder 4
American Federation of Television and Radio Artists (AFTRA).
1964 August.
Scope and Content
Articles of agreement and constitution
Box 16, Folder 4
Directors Guild of America Members List.
1961 October 1-1978 January 1.
Box 16, Folder 4
Directors Guild of America.
1965 October 16.
Scope and Content
Constitution and by-laws
Box 41, Folder 12
Directors Guild of America.
1980-1981.
Scope and Content
Directory Information.
Box 16, Folder 4, Box 58, Folder 12
Writers Guild of America.
1970-1972.
Scope and Content
Theatrical and television film basic agreement.
Box 42, Folder 2
Basic Agreements.
1973-1977.
Box 42, Folder 2
Black Writers Employment Questionnaire.
1975.
Box 42, Folder 2
Correspondence.
1973-1975.
Box 42, Folder 2
Newsletter.
1977 February.
Box 42, Folder 2
Residuals.
1975.
Scope and Content
Includes Payment stub for residuals for The Young Country, The Bold Ones, The Bold Ones: Lawyerrs.
Box 58, Folder 12
Special Arbitration Letters.
1972.
Box 42, Folder 2
Television Market List.
1974-1975.
Box 16, Folder 4
Writers Guild of America, West.
1973 January 18.
Scope and Content
Constitution and by-laws
Box 21, Folder 2
Population Community Center: Television Population Conference.
1971 November-1972 March.
Scope and Content
Correspondence and papers relating to the Television Population Conference
Box 21, Folder 2
Population Institute Notes on Television Programs.
Scope and Content
Notes on aspects of specific television shows that are of concern to the Population Institute.
Box 21, Folder 2
Population Institute Television Population Script Awards.
1976.
Scope and Content
Papers pertaining to the script contest.
Box 21, Folder 3
Population Institute Papers.
1972.
Scope and Content
Correspondence to Roy Huggins. Also included is information on the film, "Survival of Spaceship Earth" a joing production
between United Productions Limited and the Population Institute.
Box 22, Folder 2
The Population Institue Papers.
1971-1974.
Scope and Content
Assorted correspondence to Roy Huggins; organization stationary; reports; project, "Survival of Spaceship Earth" papers.
Box 41, Folder 13
Motion Picture Association of America.
1980.
Scope and Content
Includes a memorandum; talking paper by Jack Valenti to the caucus and Motion Picture/Television Relief Fund Fact Sheets.
Box 37, Folder 8
American Federation of Television and Radio Artists Articles of Agreement.
1969.
Scope and Content
For the Los Angeles Local.
Box 37, Folder 8
National Academy of Television Arts and Sciences Pamphlet.
Box 37, Folder 8
National Academy of Television Arts and Sciences.
1971-1972.
Scope and Content
Programs to conferences in association with The Population Communication Center.
Box 37, Folder 8
Screen Actors Guild Publication.
1965.
Scope and Content
Screen Actor publication including information on contracts, pensions, meetings, policy and films aid in the U.S.
Box 37, Folder 8
Screen Actors Guild, Inc. Constitution and By Laws.
Box 37, Folder 8
Screen Actors Guild: Negotiations Memo.
1971 June 22.
Scope and Content
Title, "Negotiations in Crisis!"
Box 37, Folder 9, Box 65, Folder 3
The Caucus for Producers, Writers and Directors.
1987-1988.
Scope and Content
Correspondence.
Box 38, Folder 1
Professional Association Publications.
1964-1972.
Scope and Content
Includes: Hollywood Radio and Television Society Annual Roster, 1969-1970; Journal of The Producers Guild of America (September
1972); Point of View, The Writers Guild of America West (August 1964); Writers Guild of America, West, Constitution and By-Laws
and Proposed Changes (December 1972).
Box 38, Folder 2
Center for the Study of Democratic Institutions.
1959-1961.
Scope and Content
Series of interviews on the American Character. Includes interviews with Jack Gould, television critic for The New York Times
(annotated by Huggins) and with Elmo Roper and George Gallup. Also includes the Report of the President, 1959-1960.
Box 43, Folder
Center for the Study of Democratic Institutions.
1964-1970.
Scope and Content
Includes correspondence, memorandums, newsletters, press releases, brochures, publications, report from president.
Conferences, Workshops, Seminars.
1969-1972.
Box 43, Folder 8
Television and Televisual Conferences.
1969-1972.
Scope and Content
Includes Fifth Texas-Stanford Television Seminar, Western Educational Society for Telecommunications.
Box 42, Folder 13
Ojai Workshop on TV and Sexuality.
4-6 March, 1977.
Scope and Content
Workshop on Television and Sexuality in Ojai, CA March 4-6, 1977. Includes conference/workshop schedule, correspondence, list
of participants, summary of proceedings.
Box 42, Folder 14
Television and Sexuality: A Weekend Workshop.
Scope and Content
Official workshop folder with schedule and workshop information (map, preliminary backgrounder).
Box 21, Folder 5
UCLA Alumni Office.
1968-1978.
Scope and Content
Papers and correspondence regarding Huggins's envolvement with the UCLA Alumni Association.
Box 21, Folder 6
UCLA Alumni Office.
1968-1978.
Scope and Content
Papers and correspondence regarding Huggins's envolvement with the UCLA Alumni Association.
Box 21, Folder 7
UCLA Alumni Office.
1968-1978.
Scope and Content
Papers and correspondence regarding Huggins's envolvement with the UCLA Alumni Association.
Box 58, Folder 11
Political Science Course (211).
Box 43, Folder 5
UCLA Alumni Association.
1964-1989.
Scope and Content
UCLA correspondence including Alumni Association, College of Letters and Sciences Advisory Board, conferences, reunion information,
honors awards committees.
Box 43, Folder 7
Social Sciences Advisory Council.
1989.
Scope and Content
Includes correspondence, brochures, meeting agendas, schedules, statement of purpose, general handbook.
Box 22, Folder 6
Huggins To Do Lists.
1977-1979.
Scope and Content
Handwritten on yellow legal pad paper. Includes notes on "Aspen,"The Finalists," "the Ice Age," "Lonely Lady,"Crossing the
Border," "The Microbe Hunters," "Kentucky Run,""Wheels,""Tender Warriors," "Last Convertible," "The Invisible Eye," "Man of
a Thousand Faces,""The Drifters," Dean Koontz, Ed Winter, Gene Walsh.
Box 23, Folder 3
Movie of the Month Presenatation.
Box 23, Folder 5
Fox Hills TV Personnel List.
1960 November 15.
Box 25, Folder 2
Mailing Lists.
1974-1976.
Scope and Content
Includes staff from ABC, CBS, NBC and Warner Bros. Lists are annotated.
Box 25, Folder 3
Mailing Lists.
1974-1976.
Scope and Content
Includes staff from ABC, CBS and NBC. Lists are annotated.
Box 25, Folder 4
Christmas Gift Lists.
1977-1979.
Scope and Content
Includes type of present each staff member received. Also includes what sort of liquor each staff memeber received.
Box 25, Folder 4
Mailing Lists.
1974-1976.
Scope and Content
Includes staff from ABC, CBS and NBC. Lists are annotated.
Box 35, Folder 10
Ratings and Trends.
1959-1960.
Scope and Content
Ratings information for evening specials.
Box 37, Folder 8
Hollywood Remembers the Blacklist.
1997 October 27.
General Physical Description note: program
Scope and Content
Play commemorating the 50th anniversary of the Blacklist.
Box 39, Folder 5
NBC Standards and Practices.
1960-1974.
Box 39, Folder 7
ABC Public Relations Guest List.
1973 June 15-20.
Box 39, Folder 7
Biographical Information.
Scope and Content
Bios for: Roy Huggins and Lamont Johnson.
Box 39, Folder 7
NBC Broadcast Standards.
1971-1972.
Scope and Content
Includes information on credits, program interruptions, and wardrobe.
Box 39, Folder 7
Universal Commercial Industrial Films Name Change.
Scope and Content
Name changes to MCA Corporate Films and MCA Commercial Films.
Box 39, Folder 12
The Message of Marshall McLuhan Speech.
1967 August 29.
Scope and Content
Speech given by Huggins.
Box 39, Folder 13
Arbitration for Separated Rights.
1972 March 15.
Scope and Content
Includes list of writers to be included in the suite and copies of the pertinent portion of the contract.
Box 39, Folder 13
NBC Advance Information Pamphlets.
1960-1962.
Story Dept.. Subseries 5.
Box 3, Folder 4
Wanderers Eastward, Wanderers West.
1964 December 5.
Scope and Content
Story description by Kathleen Winsor.
Box 24, Folder 3
Story Dept. Outlines.
1969-1977.
Scope and Content
For the titles: The Wine of Violence; Narc; The Cavanaugh Quest; Victims of Justice; The Ears of the Wolf; Snow on High Ground.
Box 35, Folder 10
Story Outlines.
1967 October 13-1970 February 25.
Scope and Content
Reports on: The Ramsden Case by David Chandler and Incident at 125th Street by J.E. Brown.
Box 39, Folder 1
Universal Story Dept. News.
1975-1977.
Box 39, Folder 2
Universal Story Dept. News and Reports.
1976-1978.
Box 39, Folder 3
Universal Story Dept. News and Reports.
1966-1977.
Box 39, Folder 4
Universal Story Dept. News and Reports.
1967-1979.
Box 42, Folder 8
Story Possibilities.
Scope and Content
Computer print outs of story possibilities (taxonomy of title, author, period, type or genre). Story Department synopsis of
crime dramas, lawyer dramas, etc.
Box 42, Folder 9
Titles and Episodes of Produced Shows.
1970-1980.
Scope and Content
Lists of features released in 1980, index cards of story ideas for series programs: The Adversaries, Target Risk, The Bold
Ones, Cool Million. Handwritten index cards of story ideas.
Box 42, Folder 10
Title Tests.
1969-1970.
Scope and Content
Inter-Office communication of title tests.
Box 42, Folder 11
TV Premises and Treatments.
1970.
Scope and Content
Story ideas, premises and treatment; titles include: Getting Away, The Boon Doctors, The Art Of Llewellyn Jones, My Fair Hawaii,
Peroff, My Brother Rene.
Box 45, Folder 10
Story Department Synopsis and Plot summaries.
1956-1973.
Scope and Content
Includes story outlines, plot summaries, synopsis and some inter-office memos.
Project Idea Submissions. Subseries 6.
Box 39, Folder 7
Assorted Story Submissions.
Box 39, Folder 13
Assorted Project Submissions.
Box 35, Folder 2
The Art of Llewellyn Jones.
1965 July 31.
Scope and Content
Correspondence, memo and story outline based on the novel by Paul Hyde Bonner.
Box 24, Folder 5
The Company.
1976 May.
Scope and Content
Pilot/series proposal.
Box 37, Folder 10
The Death Committee Rights Issues.
1972 April 18.
Scope and Content
Memo regarding the rights to the novel.
Box 37, Folder 9
Kelly San.
Scope and Content
Project proposal and script written by Gene Levitt and Peer J. Oppenheimer.
Box 24, Folder 6
Surf's Up.
1978 May 24.
Scope and Content
Presentation for a weekly one hour situation comedy on film.
Box 24, Folder 6
The Travels of Ida.
Scope and Content
Film outline.
Box 37, Folder 9
Unicorn.
1971 May 11.
Scope and Content
Story proposal.
Box 37, Folder 11
The Wayside Motor Inn.
1977 November 18.
Scope and Content
Story outline and new play report.
Box 24, Folder 5
We Had No Roots.
Scope and Content
On item: By Toni Carroll (ex Mrs. David Wolper).
Correspondence. Subseries 7.
Box 45, Folder 6
American Broadcasting Company (ABC).
1957-1969.
Scope and Content
Correspondence from ABC including talent lists and fundraiser information.
Box 45, Folder 9
Assorted Correspondence.
1962-1980.
Scope and Content
Assorted correspondence from 1962-1980; including business correspondence, personal correspondence and conference correspondence;
also includes color negatives of conference slide artwork.
Box 25, Folder 1
Assorted Correspondence.
1959-1989.
Scope and Content
Includes correspondence from: Oliver Treyz; Leith Stevens; Lillian; Van Neher; Harold Livingston; William (Bill)McGivern,
and Gaylord Dold.
Box 36, Folder 1
Assorted Correspondence.
1987-1989.
Box 36, Folder 4
Assorted Correspondence.
1964-1992.
Box 45, Folder 8
Assorted Correspondence.
1963-1993.
Scope and Content
Includes official letters, handwritten notes, postcards, and personal correspondence.
Box 37, Folder 10
Bob Shayne Correspondence.
1977 November 22-23.
Scope and Content
Bob Shayne asks Roy Huggins to work with him on projects for Universal. Mentions the omition of the, "...elements of divorce
and homosexualtity which some people found objectionable..."
Box 45, Folder 7
Interoffice memos (handwritten).
1963-1978.
Scope and Content
Interoffice memos; mostly handwritten and some typed.
Box 39, Folder 6
TV Guide Correspondence.
1969-1974.
Box 45, Folder 5
MCA correspondence.
1966-1978.
Scope and Content
Interoffice memorandums and correspondence.
Box 41, Folder 14
Motion Pictures, Inc..
1980.
Box 45, Folder 2
Twentieth Century Fox Film Corporation.
1961.
Scope and Content
Twentieth Century Fox Film Corporation inter-office correspondence.
Box 45, Folder 3
Twentieth Century-Fox Television, Inc..
1960-1962.
Scope and Content
Correspondence from and to Twentieth Century-Fox Television (NYC).
Box 45, Folder 4
Universal City Studios.
1964-1975.
Scope and Content
Correspondence and inter-office memos to and from Universal City Studios.
Correspondence by Last Name.
Box 44, Folder 1
Christopher Anderson.
Scope and Content
Correspondence with Christopher Anderson from Indiana University.
Box 44, Folder 2
Richard Bare.
1969-1975.
Scope and Content
Correspondence with Richard Bare.
Box 44, Folder 3
Judy and Bob Barrows.
1969-1974.
Scope and Content
Correspondence with Judy and Bob Barrows in Cuba, New Mexico.
Box 44, Folder 4
Richard Block.
1975.
Scope and Content
Correspondence with Richard Block about the Broadcast Education Association Panel in las Vegas 1975.
Box 44, Folder
Jerry Bredouw.
1966-1968.
Scope and Content
Correspondence with Jerry Bredouw of the American Broadcasting Company (ABC).
Box 44, Folder 6
Howard Browne.
1967-1978.
Scope and Content
Correspondence, inter-office communication, script excerpts, handwritten notes.
Box 44, Folder 7
Leonard Bryan.
1970-1974.
Scope and Content
Correspondence with Leonard Bryan including resume, story outlines, inter-office communication.
Box 44, Folder 8
Raymond Burr.
1977.
Scope and Content
Includes correspondence with Raymond Burr, direction sto his house, program invitation to gallery opening in association with
Raymond Burr, inter-office memos.
Box 44, Folder 9
Raymond Chandler.
Scope and Content
Correspondence with Frank MacShane about Raymond Chandler. Photocopy of story by Raymond Chandler appearing in The Atlantic
Monthly.
Box 44, Folder 10
Luther Davis.
1965-1968.
Scope and Content
Includes correspondence with Luther Davis, inter-office communication with Luther Davis Pictures, budgets.
Box 44, Folder 11
Philip Deguere, Jr..
1966-1978.
Scope and Content
Includes correspondence with Philip DeGuere, Jr. with handwritten letters, inter-office communication, typed letters, memorandums,
The Hollywood Reporter article on Philip.
Box 44, Folder 12
Nancy Robb Dunst.
1978.
Scope and Content
Includes correspondence and portfolio of slides of art work by Nancy Robb Dunst.
Box 44, Folder 13
Bob Hamilton.
1973.
Scope and Content
includes correspondence with Bob Hamilton and presentation of story: McCoy a western genre.
Box 44, Folder 14
Alan Harrington.
1974-1978.
Scope and Content
Includes correspondence with Alan Harrington, newspaper clipping.
Box 44, Folder 15
Cliff Hart.
1977-1980.
Scope and Content
Includes correspondence with Cliff Hart.
Box 44, Folder 16
Richard Heffron.
1969-1972.
Scope and Content
Correspondence with Richard Heffron: inter-office memos, communication and letters.
Box 44, Folder 17
Lillian Hellman.
1976.
Scope and Content
Correspondence to Lillian Hellman's agent.
Box 44, Folder 18
Douglas Heyes.
1975-1977.
Scope and Content
Correspondence with Douglas Heyes including handwritten notes, biography and poem.
Box 44, Folder 19
John Houseman.
1976-1977.
Scope and Content
Correspondence with John Houseman.
Box 44, Folder 20
Ben Irwin.
1970-1977.
Scope and Content
Correspondence with Ben Irwin including magazine article.
Box 44, Folder 21
Claude Jarman.
1969-1972.
Scope and Content
Correspondence with Claude Jarman.
Box 44, Folder 22
Jennings Lang.
1967-1968.
Scope and Content
Correspondence with Jennings Lang including postcard, inter-office communication, letter.
Box 44, Folder 23
Gene Levitt.
1968-1977.
Scope and Content
Correspondence with Gene Levitt (ABC-Australia) including inter-office communication and letters.
Box 44, Folder 24
Karen Loveland.
1976-1978.
Scope and Content
Correspondence with Karen Loveland a director, includes resume, cv, magazine articles and inter-office memos.
Box 44, Folder 25
Chris Lucky.
1975-1979.
Scope and Content
Correspondence with Chris Lucky including newspaper clippings, story ideas, memos, inter-office communication.
Box 44, Folder 26
Lee Majors.
1977.
Scope and Content
Letter of congratulations to Lee Majors on a film, letter written by Roy Huggins.
Box 44, Folder 27
Frank O'Connor.
1965-1979.
Scope and Content
Correspondence with Frank O'Connor including inter-office communication and memorandums, letters, newspaper clipping.
Box 44, Folder 28
Pamela Parkinson.
1978-1979.
Scope and Content
Correspondence from Pamela Parkinson (actress and family friend).
Box 44, Folder 29
Frank Price.
1973-1974.
Scope and Content
Inter-office memorandums, handwritten notes, brochures for 1973 Summer at Sea and Chapman College brochure.
Box 44, Folder 30
Rosemary Rogers.
1975.
Scope and Content
Correspondence with Rosemary Rogers and novel submission to publisher from agents.
Box 44, Folder 31
Steven Mark Rubenstein.
1972-1976.
Scope and Content
Correspondence with Steven Mark Rubenstein including handwritten notes, letters, newspaper and magazine clippings, and cv/resume.
Box 44, Folder 32
Sandy Sagala.
1995.
Scope and Content
Correspondence from Sandy Sagala (librarian and fan).
Box 44, Folder 33
Herb Schlosser.
1967-1978.
Scope and Content
Correspondence with Herb Schlosser (NBC) including inter-office communication,letters.
Box 44, Folder 34
Nancy L. Schwartz.
Scope and Content
Story about attending the Cannes Film Festival by Nancy Schwartz.
Box 44, Folder 35
Sheila Schwartz.
1978-1987.
Scope and Content
Correspondence with Sheila Schwartz.
Box 44, Folder 36
Robert Shayon.
1967-1969.
Scope and Content
Correspondence with Robert Lewis Shayon (University of Pennsylvania, Annenberg School of Communications).
Box 44, Folder 37
Sid Sheinberg.
1967-1971.
Scope and Content
Correspondence with Sid Sheinberg including inter-office communication and memorandums.
Box 44, Folder 38
Jo Swerling, Jr..
1969-1994.
Scope and Content
Correspondence with Jo Swerling, Jr. including memos, letters and handwritten notes.
Box 44, Folder 39
Mel Torme.
1969.
Scope and Content
Correspondence to Mel Torme from Roy Huggins (personal thanks).
Box 44, Folder 40
Herminio Traviesas.
Scope and Content
Handwritten note from Herminio Traviesas.
Box 44, Folder 41
Howard H. Van Nice.
1976-1977.
Scope and Content
handwritten notes from Howard H. Van Nice (Portland, OR).
Box 44, Folder 42
Robert Wagner.
1963.
Scope and Content
Letter to Robert Wagner from Roy Huggins; Huggins appreciates Wagner's performance in The Eleventh Hour.
Box 44, Folder 43
Clyde Ware.
1975-2000.
Scope and Content
Correspondence with Clyde Ware (writer) including story possibilities.
Box 44, Folder 44
Annie West.
1972.
Scope and Content
Correspondence with Annie West (Department of English, University of Hull - Yorkshire, England).
Staff/Casting. Subseries 8.
Box 35, Folder 6
Canadian Labor Survey.
1972 April.
Box 37, Folder 5
Head Shots.
General Physical Description note: 8 x 10 b & w photographs
Scope and Content
Assorted headshots (most unidentified). Includes photographs of: Perry King; Ted Story; Duncan Hoxworth; Stephen Joyce; George
Baxter; John Lithgow and James Ferantino.
Box 65, Folder 1
Correspondence and memos.
1970.
Box 65, Folder 1
Scripts and TV Spots.
1970.
Photographs. Subseries 9.
Box 37, Folder 6
Assorted Photographs.
General Physical Description note: 8 x 10 b & w photographs
Scope and Content
Includes: unidentified cast group photographs; location photographs; photographs of a private plane, and photographs of a
film projector.
Research Materials. Subseries 10.
Box 22, Folder 5
New Yorker "Annals of Law" Article.
Scope and Content
Draft of article, "Be Just and Fear Not."
Box 37, Folder 7
Assorted Publications.
1960-1969.
Scope and Content
Titles include: Television Quarterly, vol. 1, no. 2, August 1962; A Seminar on Commercial Television Conducted by the Universities
of Texas and Stanford (1968, 1969); Population as a National Issue: the Critical Role of Television (2 copies); Television
Programs Relating to Law and the Legislative Process (1960-1964).
Box 38, Folder 2
Assorted Research Publications.
1938-1962.
Scope and Content
Includes: How to Use American Jurisprudence; How to Use American Law Reports Annoated; Reference Books in the Mass Media;
The Rockefeller Panel Report on American Democracy: The Power of the Democratic Idea.
Box 38, Folder 2
Partisan Review, no. 3, Summer 1968.
1968.
Scope and Content
Includes interviews with Columbia University faculty and staff annotated by Huggins.
Box 38, Folder 2
Review of Research and Reflection: The People vs. Democracy.
1961.
Box 42, Folder 6
Research material on Hitler.
Box 38, Folder 3
Assorted Research Publications.
1959-1971.
Scope and Content
Includes: Dead Horse and the Featherbird by Paul Jacobs (a report to the Center for the Study of Democratic Institutions;
Security World (the magazine of professional security administration and practice); Poor Richard's Almanack: Broadcast Freedim
- is it Still There? by Roy Danish; Broadcasting and Government Regulation in a Free Society; Taste and the Censor in Television
by Charles Winick.
General note
Portions annotated by Huggins.
Box 38, Folder 4
Assorted Publications.
1961-1967.
Scope and Content
Includes: Film Quarterly (Fall 1967); Nielsen Radio-Television Index Report to Twentieth Century Fox (November 15, 1961);
Telefilm (1961-1962 Fall programming issues).
General note
Includes Huggins's annotations.
Box 38, Folder 5
Museum of Television & Radio Annual Television Festival.
1992-1994.
Scope and Content
Includes issues for the 9th, 10th and 11th annual festivals. Huggins is paid tribute to in 10th and 11th festivals.
Box 38, Folder 6
Assorted Publications.
1960-1972.
Scope and Content
Titles included: What the Ratings Really Mean (1964); Nielsen Newscast (winter, 1972, vol. 21, no. 1); Television '62; Radio
'62; The Television Audience (Nielsen Television Index) (1961); Radio Corporation of America Annual Report (1961); Who Owns
the Air?: Testimony before the Federal Communications Commission.
Box 58, Folder 5, Box 58, Folder 7
Crime and Theft Clippings.
Box 58, Folder 8, Box 58, Folder 9, Box 65, Folder 4
Box 42, Folder 4
Newspaper Clippings.
1970-1975.
Box 58, Folder 10, Box 65, Folder 5, Box 65, Folder 4
Box 42, Folder 4
Entertainment Clippings.
1970-1976.
Box 45, Folder 11
Newspaper and Magazine Clippings.
1968-1980.
Scope and Content
Newspaper and magazine clippings; criminal and law proceeding information, other research materials for story and crime ideas.
Box 45, Folder 12
Magazines and TV Guides.
1967-1979.
Scope and Content
Includes TV Guide, The Atlantic Monthly, The New Republic, Security World,The New Yorker.
Box 20, Folder 7
Los Angeles Restaurant Menus and Restaurant Listings.
Equipment. Subseries 12.
Scope and Content
Includes information on audio equipment used by Huggins to dictate story ideas.
Box 37, Folder 11
Sony Equipment Information.
1977.
Scope and Content
Includes invoices, lists of equipment, and brochures for portable Sony videorecorders with annotations by Huggins.
Box 10, Folder 4
Sunday and Wednesday Mystery Movies.
1972.
Box 42, Folder 15
Personal Business.
1975-1979.
Scope and Content
Personal Papers including Cadillac Automobile information, teacher/student conference schedule (grandchildren?) Common Cause
Newsletters, Electrical proposal and contract for service at personal resident, handwritten notes.
Box 42, Folder 17
Personal Business papers.
1963-2010.
Scope and Content
Includes teacher/student conference schedule (grandchildren?) Common Cause Newsletters, Electrical proposal and contract for
service at personal resident, handwritten notes.
Box 42, Folder 18
Property and Real Estate.
1960-1979.
Scope and Content
Inter-Office Communication involving a real-estate loan, policy of title insurance, correspondence.
Box 42, Folder 12
Mission Impossible and The Vietnam War.
1966-1968.
Scope and Content
Audience Share charts for Mission Impossible (1967), Mission Impossible and Vietnam News Coverage theories by J. Patrick Michaels,
Jr. (Roy Huggins?)(1968).
Box 42, Folder 16
Legal Documents.
1962-1971.
Scope and Content
Includes office memorandums of legal communication, packager's disclosure letter.
Box 43, Folder 4
McLuhan Research.
1968-1969.
Scope and Content
Research material on Marshall McLuhan including hand written notes, magazine clippings, photo-copy of Thomas Wolfe book.
Box 43, Folder 1
Letters of Recommendation.
1974-1987.
Box 43, Folder 2
Resumes (Talent correspondence).
Scope and Content
Includes resumes, letters of interest, curriculum vitaes, headshots, portfolios.
Box 43, Folder 3
Interviews and Essays.
Scope and Content
Interview transcripts, transcripts of meetings, and a few autobiographical essays.
Box 45, Folder 1
Television Ratings.
1950-1977.
Scope and Content
Contains photocopies of top-rated television shows from 1950-1977.
Box 63
Index Card File Actors A-G.
1964-1978.
Scope and Content
Contains index card file box with index cards on actors with last names A-G. The index cards have production credits for each
actor listed in addition to salary information.
Box 64
Index Card File Actors P-Z.
1964-1978.
Scope and Content
Contains index card file box with index cards on actors with last names P-Z. The index cards have production credits for each
actor listed in addition to salary information.
Box 62
Index Card File Actors H-O.
1964-1978.
Scope and Content
Contains index card file box with index cards on actors with last names H-O. The index cards have production credits for each
actor listed in addition to salary information.
Box 62
Index Card File Diary Notes.
1977-1980.
Scope and Content
Contains index card file box with index cards of diary notes of meetings, lunches, script work, etc. from 1977-1980.
Box 62
Index Card File Actresses A-Z.
1965-1978.
Scope and Content
Contains index card file box with index cards on actresses with last names A-Z. The index cards have production credits for
each actress listed in addition to salary information.
Box 62
Index Card File of Stories.
1972-1978.
Scope and Content
Contains index card file box with index cards on stories from books. teleplays, research material. Organized by title- alphabetically.
