Guide to the Pulsa Records M2540

Department of Special Collections and University Archives
2020
Green Library
557 Escondido Mall
Stanford 94305-6064
specialcollections@stanford.edu


Language of Material: English
Contributing Institution: Department of Special Collections and University Archives
Title: Pulsa records
source: Clancy, Patrick.
source: Cain, Michael Peter
Identifier/Call Number: M2540
Physical Description: 7.5 Linear Feet (7 boxes, 1 oversize folder)
Physical Description: 62.8 gigabyte(s)
Date (inclusive): 1966-2019
Date (bulk): 1968-1972
Abstract: The papers of 1960s-70s expeirmental multimedia collective Pulsa consist of project files, photographs, slides & negatives, and printed material about the group.

Content Description

Pulsa was an experimental multimedia arts collective founded in 1966 and active through 1973. The group consisted of artists and faculty at Yale University in Connecticut including Michael Cain, Patrick Clancy, William Crosby, William Duesing, Paul Fuge, Peter Kindimann, and David Rumsey, collaborating across various disciplines including electronic engineering, computer science, architecture, psychology, mathematics, and art. Focusing on systems research, interactive environments, and the integration of technology in the arts, Pulsa was one of several groups exploring these fields in the 1960s and 70s, but are perhaps not as well-known as E.A.T., ONCE or even USCO.
The collection contains original documents, notes, photographs, slides & negatives, promotional material, and some correspondence. There are a few later computer printouts, typescripts, and color copies. There is also some damage to photographs and other items, including dirt, dust, spills, and general wear.
Many items in the collection have also been uploaded the Internet Archive at https://archive.org/search.php?query=%22pulsa%20group%22.

Conditions Governing Access

Open for research. Note that material must be requested at least 36 hours in advance of intended use. Born-digital material is closed until processed.

Conditions Governing Use

While Special Collections is the owner of the physical and digital items, permission to examine collection materials is not an authorization to publish. These materials are made available for use in research, teaching, and private study. Any transmission or reproduction beyond that allowed by fair use requires permission from the owners of rights, heir(s) or assigns.

Preferred Citation

[identification of item], Pulsa records (M2540). Dept. of Special Collections and University Archives, Stanford Libraries, Stanford, Calif.

Immediate Source of Acquisition

Gift, 2019. Accession 2019-422.

Subjects and Indexing Terms

Multimedia (Art)
American art -- 20th century.
Installations (Art) -- United States.
Clancy, Patrick.
Cain, Michael Peter
Pulsa (Group of artists)

 

Series 1. Project files

Box 1, folder 1

Proposals for Sheep Meadow/Great Lawn Central Park NYC – not built circa 1969

Box 1, folder 2

Yale Golf Course Winter 1968-1969

Box 1, folder 3

Automation House exhibits 49 East 68th Street NYC 1971

Box 1, folder 4

Newsletter for "Temple for Understanding" event with Alan Watts, Huston Smith etc. Time/Life Building NYC April 1968

Box 1, folder 5

Pulsa Project Planning 1969-1970

Box 1, folder 6

Writing on Process + Art

Box 1, folder 7

Histories 1967-2018

Box 1, folder 8

Michael Moore notes from auditing Buckminster Fuller "World Game Seminar" Lecture 1969 Yale School of Art & Architecture.(with email to David Rumsey 6/26/2019 & Globe Sculpture files 1996) 1969-2019

Box 1, folder 9

Correspondence with Michael Moore in San Francisco - Clancy, Cain, Fuge, Rumsey 1966-1972

Box 1, folder 10

Nova Scotia College of Art & Design, Lectures + Installations 1971

Box 1, folder 11

Yale Art & Architecture Video Walls – 4 Walls With Time Delay – 2 photos circa 1969

Box 1, folder 12

Lucy Lippard Article Arts Canada 1968

Box 1, folder 13

University of Rhode Island Installations + Lectures December 1968, May 1970

Box 1, folder 14

Yale Art & Architecture Project Argus Installation April – May 1968

Box 1, folder 15

NY MOMA Spaces Exhibit January 1970

Box 7, folder 1

NY MOMA Spaces Exhibit contact sheet January 1970

Box 1, folder 16

Proposal for US Pavilion At Osaka World Fair 1970 – Not Built 1970

Box 1, folder 17

Boston Public Garden Show October 1968

Box 1, folder 18

Teaching + Lectures 1967-1973

Box 1, folder 19

Harmony Ranch, Oxford Connecticut Life + Installations 1968-1972

Box 7, folder 2

Harmony Ranch contact sheet 1968-1972

Box 1, folder 20

Diagrams for Programs on Digital Analog Synthesizer, probably made by B. Duesing

Box 1, folder 21

Michael Oren Writings + Interviews

Box 1, folder 22

Fax Art Projects - letter from Mac to Mike mentioning phone freaking, with photo of phone booth Summer 1972

Scope and Contents

Facsimile was used to transmit images to Europe, Russia, etc.
Box 1, folder 23

General Press + Articles

Box 1, folder 24

Guggenheim Museum Proposal – Not Built (one photo of floorplan) circa 1970

Box 2, folder 1

Teaching + Installations at California Institute of the Arts 1971, 1972, 1973

Scope and Contents

Includes letter from Allan Kaprow to David Rumsey 9/23/1971
Box 2, folder 2

Sao Paulo Project Notes etc. Not Built circa 1970 – 1971

Box 2, folder 3

Notebook of Misc. Ideas, Contacts, Drawings. Duesing, Rumsey, Fuge? circa 1968-1972

Box 2, folder 4

Miscellaneous documents, correspondence, notes etc.

Box 2, folder 5

Ephemera from other artists, etc.

Box 6

Pulsa address file, missing "A-B" (unfoldered) 1968-1972

Box 8

Two strobe lights as used in installations (non-functional)

map-folder 9

Douglas Davis "Electronic Hokkadim I" poster 1971

Scope and Contents

Sent to Pulsa Group from Corcoran Gallery of Art
 

Series 2. Pulsa in articles & books

Box 2

[unfoldered magazine issues, bookmarked]

Box 7, folder 3

[unfoldered magazine issues, bookmarked]

Box 3

[unfoldered books, bookmarked]

Box 4

[unfoldered books, bookmarked]

Box 5

[unfoldered books, bookmarked]

 

Series 3. Photographs, slides & negatives

Box 5, folder 1

Contact sheets

Box 5, folder 2

Negatives (most labeled)

Box 5, folder 3

Slides

Box 6, folder 1-2

Slides (some labeled)

Box 7, folder 4

Mounted labeled photographs