Finding Aid for the Henry Marsh Pratt Album, 1858-1906 2018.R.25

Beth Ann Guynn
Special Collections
2018
1200 Getty Center Drive, Suite 1100
Los Angeles 90049-1688
Business Number: (310) 440-7390
Fax Number: (310) 440-7780
reference@getty.edu


Contributing Institution: Special Collections
Title: Henry Marsh Pratt album
Creator: Pratt, H. M. (Henry Marsh), 1838-1919
Creator: Shepherd, Charles, (Photographer)
Identifier/Call Number: 2018.R.25
Physical Description: 1.5 Linear Feet(1 album)
Date (inclusive): 1858-1906
Physical Location: Request access to the physical materials described in this inventory through the catalog record  for this collection. Click here for the access policy .
Abstract: The album, which Lieutenant Colonel Henry Marsh Pratt began compiling in 1868, offers a uniquely personal record of Pratt's professional and family connections in both India and England. Depictions of the Pratt family of Norfolk, England, with frequent appearances by Henry Marsh Pratt, and views of country homes associated with the Pratt family circle made by unidentified amateur and professional photographers, are mingled with views of India by professional photographers such as Samuel Bourne, Charles Shepherd, and William Henry Baker (also represented as W. Baker & Co. and Baker & Burke), and with carte-de-visite-sized portraits and views by photographers working in Europe and India, including André́-Adolphe-Eugène Disdéri; Charles H. Reutlinger; Hills & Saunders; the London Stereoscopic Company; and Window & Bridge.
Language of Material: Collection material is in English.

Preferred Citation

Henry Marsh Pratt album, 1858-1906, The Getty Research Institute, Los Angeles, Accession no. 2018.R.25.
http://hdl.handle.net/10020/cifa2018r25

Biographical / Historical

Colonel Henry Marsh Pratt (1838-1919) was the son of the Reverend William Pratt of Harpley, Norfolk, and a descendant of Edward III. In November 1856 he joined the Indian Staff Corps, his section of which became the Bengal Staff Corps in 1861. He was present at the 1857 mutiny of the 51st Bengal Infantry; served in the Second Anglo-Chinese War in 1860; took part in the march from Kabul to Kandahar and the battle of Kandahar during the second Anglo-Afghan War of 1878-1880; and commanded a column of the Hazars Field Force during the 1888 Black Mountain Expedition (Tor Ghar, now northwestern Pakistan). Pratt was made Companion of the Most Honorable Order of the Bath (CB) when he retired from the British army in 1889. He married Evelyn Margaret Freake Glyn in 1891 and they had two daughters, Pleasance Millicent Mary Pratt and Evelyn Lucy Pratt.
Sources consulted:
Buckland, Charles Edward, "Pratt, Henry Marsh (1838-)," Dictionary of Indian Biography. London: Swan Sonnenschein & Co., 1906.
Cox, Horace, "Pratt, Col. Henry Marsh," Norfolk, Suffolk and Cambridgeshire. London: Horace Cox, 1912.
Ruvigny et Raineval, Melville Henry Massue, marquis de, The Plantagenet Roll of the Blood Royal: The Mortimer-Percy Volume. Westminster, Maryland: Heritage Books, 2011.
Terpak, Fran, "Acquisition Approval Form for Pratt Family Album, ca. 150 albumen photographs from India and Norfolk, 1860s and 1870s," accession no. 2018.R.25, April 6, 2018.

Arrangement

The collection is arranged in a single series: Series I. Henry Marsh Pratt album, 1858-1906.

Access

Open for use by qualified researchers.

Digitized Material

The collection was digitized by the repository in 2020 and the images are available online:

Immediate Source of Acquisition

Acquired in 2018.

Processing Information

Beth Ann Guynn wrote the finding aid in 2020.

Scope and Content of Collection

The album, which Lieutenant Colonel Henry Marsh Pratt of the Bengal Staff Corps began compiling in 1868, offers a highly personal record of Pratt's professional and family life and connections in both India and England. Depictions of the Pratt family of Norfolk, England, with frequent appearances by Henry Marsh Pratt, and views of country homes associated with the Pratt family circle made by both unidentified amateur and professional photographers, are mingled with views of India, including images taken by an amateur photographer(s) in which Pratt is present, as well as those made by professional photographers such as Samuel Bourne, Charles Shepherd, and William Henry Baker (also represented as W. Baker & Co. and Baker & Burke), and with carte-de-visite-sized (i.e. mostly unmounted) portraits and views by photographers working in Europe and India, including André-Adolphe-Eugène Disdéri; Charles H. Reutlinger; Hills & Saunders; the London Stereoscopic Company; and Window & Bridge. The album was added to into the early twentieth century. Contributions to it were made by members of the extended Pratt family, who are referenced throughout the album.
The album contains 22 large photographs; 52 photographs of various smaller sizes; 74 carte-de-visite-sized photographs; and six prints in various media. Two loose photographs were also inserted in the album. Also in the album are four watercolor sketches of country homes (one signed "Eva" and another "Evelyn Faskin," both likely by Pratt's youngest sister Evelyn): three are of homes in England and one is of H. M. Pratt's home in Abbottabad, India. Twenty-four pages of the album are decorated with watercolor borders signed variously B. & L.; Eva; L. L. P. (Laura Louisa Pratt); and Harriet Pratt. The borders range from geometric designs, some of an Indian or eastern nature, to florals, and to charming vignettes and motifs that often relate to the photographs they surround. For example, views of the Gaynes Park manor house are bordered with depictions of fruits, vegetables, and agricultural motifs, while the photographs of the 1871-1872 Edwardesabad hunt season are surrounded by hunt scenes and devices.
Indian subjects include views of Kashmir (Srinagar, the Jhelum River, and the Himalayas) and Dharamshala; a view of the Taj Mahal; group portraits of Kashmiri Nautch girls, Tibetans, and Affreedies (Khyber Rifles); and two group portraits related to HRH Edward, Prince of Wales's visit to India in 1876. Wales himself appears seated in the center of the large group assembled in Lahore. The album also contains views of Sandringham, his country home in Norfolk. Carte-de-visite-sized portraits of personages with connections to India include British army officers, doctors, and others associated with the Punjab and Sikh regiments of the North West Frontier Expeditions; military wives; Indian officers such as Subadar Major Gomandha Singh and Mahammad Hayat Khan; and the explorer and author Robert Shaw and his daughter, Clara Shaw Younghusband, who appear in Central Asian dress. Most of these portraits are found in the later pages of the album along with portraits of friends and family members, actors, courtesans, royalty (Napoleon III; Empress Eugénie; Louis Napoléon, Prince Impérial; Prince George, Duke of Cambridge; Princess Alexandra of Denmark), and other English and European personalities of the day.
A few images are unrelated to either England or India. The album opens with two views of the pyramids of Gizeh by Wilhelm Hammerschmidt. Found in later pages of the album are two full plate views of Hyrès, France, signed G. J.
The album is half bound in dark brown calf with gilt tooling and brown pebble-grained cloth boards. In most cases English captions are written on the album mounts above or below the images; these captions are used as image titles unless otherwise noted.

Subjects and Indexing Terms

Country homes -- England -- Norfolk
Country life -- England -- Norfolk
Manors -- England
Pyramids of Giza (Egypt)
England -- Description and travel
Himalaya Mountains -- Description and travel
India -- Description and travel
Kashmir -- Description and travel
Norfolk (England) -- Description and travel
Srinagar (Jammu and Kashmir, India) -- Description and travel
Albumen prints -- India -- 19th century
Albumen prints -- England -- 19th century
Cartes-de-visite (card photographs) -- England -- 19th century
Cartes-de-visite (card photographs) -- India -- 19th century
Collodion prints -- England -- 19th century
Photograph albums -- England -- 19th century
Photographs, Original
Watercolors (paintings) -- England -- 19th century
Dharmāsla (India) -- Description and travel
Hyères, France -- Description and travel
Baker, William, -1880
Bourne, Samuel, 1834-1912
Disdéri, André-Adolphe-Eugène, 1819-1889
Hammerschmidt, W., -1869
Reutlinger, Charles H
Baker & Burke
Burgess & Grimwood
London Stereoscopic Company
W. Baker & Co.
Window & Bridge
Alexandra, Queen, consort of Edward VII, King of Great Britain, 1844-1925
Edward, King of Great Britain, VII, 1841-1910
Great Britain. Army. British Indian Army
Great Britain. Army. Khyber Rifles
Sandringham House (Sandringham, England)

 

Henry Marsh Pratt album, 1858-1906

box 1, item front cover

Front cover, 2018.R.25-fc 1868

box 1, page front paste-down

Front paste-down, 2018.R.25-fpe 1868

box 1, page front free endpaper

Front free endpaper, 2018.R.25-ffe 1868

box 1, page front free endpaper verso

Verso of front free endpaper, 2018.R.25-fev 1868

Scope and Contents

Written in pencil, upper left corner: Col. H. M. Pratt. Written in pencil, lower left corner: *KHSBX / P/J.
box 1, page 1 recto

Hammerschmidt, Wilhelm, Grande Pyramide de Ghyzeh / The Great Pyramid, Giza, 2018.R.25-1r approximately 1863

Scope and Contents

Title and date from: Grande Pyramide de Ghyzeh / The Great Pyramid, Giza, J. Paul Getty Museum, no. 84.XM.352.26. Written on mount: The Great Pyramid - Gizeh - near Cairo - Egypt. Added below "Gizeh" in another hand: + Sphinx. Signed in negative: W. Hammerschmidt, N. 39.
box 1, page 1 verso

Blank page, 2018-R.25-1v 1868

box 1, page 2 recto

Hammerschmidt, Wilhelm, The Pyramids of Geezah, 2018.R.25-2r approximately 1860

Scope and Contents

Title and date from J. Paul Getty Museum website. Signed in negative: W. Hammerschmidt No. 34. Written on mount below image: The pyramids of Gizeh - near Cairo, Egypt.
box 1, page 2 verso

Blank page, 2018.R.25-2v 1868

box 1, page 3 recto

Baker, William Henry, The Taj Mahal, Agra, N. W. India, 2018.R.25-3r 1865?

Scope and Contents

Title from caption written below image. Caption continues: The tomb of an empress.
box 1, page 3 verso-1

Photographer unknown, Hillington Hall, Norfolk, 2018.R.25-3v.1 1868?

Scope and Contents

Title from caption below image, which continues: Sir Wm. ffolkes, Bart. (Sir William Hovell Browne ffolkes, 3rd Baronet, was an English Liberal politician who sat in the House of Commons.) Carte-de-visite-sized image.
box 1, page 3 verso-2

Photographer unknown, Congham Lodge, Norfolk, 2018.R.25-3v2 1868?

Scope and Contents

Title from caption below image, which continues: Dr. Zady ffolkes. Carte-de-visite-sized image.
box 1, page 4 recto

Baker, William Henry, Kumaon Hills, India N. W. P., 2018.R.25-4r 1865?

Scope and Contents

Title from caption below image, with addition: (The Himalayas).
box 1, page 4 verso

Photographer unknown, Hillington Hall, Norfolk, 2018.R.25-4v 1868?

Scope and Contents

Page with three interior views (parlors and library). A watercolor border of snowdrops and intertwined branches, signed B & S / Ryston, flanks either side of the images.
box 1, page 5 recto

Photographer unknown, Ryston Hall, the Conservatory-Smoking Room, 2018.R.25-5r 1868?

Scope and Contents

Title from caption in center of mount between the two photographs on the page. The upper image depicts a man in a wide-brimmed hat sitting on a wicker chair with a large retriever sitting in the chair next to him. In the lower image a woman sits in a wicker chair reading, with a dog next to her chair, while a man sits across from her with his feet up on the table between them.
box 1, page 5 verso

Blank page, 2018.R.25-5v 1868

box 1, page 6 recto

Photographer unknown, "Bridesmaids," Wedding of H. J. Dugmore and E. B. Pratt, 2018.R.25-6r 1871

Scope and Contents

Title from caption below image. Also included are the names of the bridesmaids and best man, with the wedding date added in a different ink: 15th June 1870. Depicts the retinue of Emily Blanche Pratt, who married Henry D. Dugmore. The photograph is surrounded by a watercolor border of mixed flowers and is signed in the center of the caption area "Eva."
box 1, page 6 verso

Blank page, 2018.R.25-6v 1868

box 1, page 7 recto

Photographer unknown, Wedding Group, H. J. Dugmore amd E. B. Pratt, 2018.R.25-7r 1871

Scope and Contents

Title from caption below image, with further annotations: 15th June 1870; Harpley Rectory. The photograph is flanked by watercolor borders of fuschias.
box 1, page 7 verso

Blank page, 2018.R.25-7v 1868

Scope and Contents

Page contains some faint sketch marks in its center.
box 1, page 8 recto

Photographer unknown, Edwardesabad Season 70-71, 2018.R.25-8r 1870-1871

Scope and Contents

Title from caption between the two photographs on the page. The upper image depicts two mounted horsemen with a pack of hounds. The gentleman on the right is identified as Vincent Rivey (?), 1st Whip, and the one on the left as H. M. Pratt. The lower image is of a circle of mounted horsemen with the pack of hounds in front. The upper image is bordered on three sides with watercolor scenes of mounted hunters and dogs, and is initialed S. L. P.
Edwardesabad was originally named Dhulipgarh (Dalipgarh) when it was founded in 1848. Its name was changed to Edwardesbad in 1869 and to Bannu in 1903.
box 1, page 8 verso

Blank page, 2018.R.25-8v 1868

box 1, page 9 recto

Photographer unknown, Gaynes Park, Essex, 2018.R.25-9r 1871

Scope and Contents

Title and date from caption written between two exterior views of the Gaynes Park manor house. The page is bordered on three sides with watercolor depictions of fruits, vegetables and agricultural motifs. Signed at bottom of page: Eva.
box 1, page 9 verso

Blank page, 2018.R.25-9v 1868

box 1, page 10 recto

Photographer unknown, Dharamshala, 2018.R.25-10r 1873

Scope and Contents

Title and date from caption between the two photographs on the page, the upper one showing six men and two women ranged around a small waterfall, while in the lower scene the party and their staff are spread out along a path beside a small creek or ditch. The members of the party, which includes H. M. Pratt, are identified under the upper photograph. The lower image is dated in the negative: 28-6-73. The photographs are surrounded by a watercolor border of branch roses.
box 1, page 10 verso

Blank page, 2018.R.25-10v 1868

box 1, page 11 recto

Photographer unknown, [Two Disparate Views of Dharamshala], 2018.R.25-11r 1873

Scope and Contents

Caption below upper image: A Cudda (?) domicile, Dhurmsala 1873. Dated in negative: 28-6-73. Caption below lower image: "The Retreat." Dhurmsala, 1873. The images are surrounded on all sides by watercolor borders of pink and blue flowers and brown leaves.
box 1, page 11 verso

Blank page, 2018.R.25-11v 1868

box 1, page 12 recto

Photographer unknown, [Dharamshala and Waterfall], 2018.R.25-12r 1873

Scope and Contents

Page with two photographs. The upper oval-shaped photograph, which depicts H. M. Pratt standing in the lane near a large house, is captioned: Dhurmsala, 1873. It is surrounded by watercolor bluebells. The lower image, which shows a couple on the rocks below the Dharamshala waterfall, is surrounded by watercolor vignettes of angels, flowers and doves, signed: Eva. The photograph is dated in the negative: 28-6-73.
box 1, page 12 verso

Photographer unknown, Anmer Hall, King's Lyme, Norfolk, the Seat of Henry Coldham, Esq., 2018.R.25-12v 1870s

Scope and Contents

Title from caption on mount. Anmer Hall was the seat of the Coldham family from at least 1705. It was purchased by the Prince of Wales (Edward VII) in 1898. Anmer Hall is currently the Norfolk country residence of Prince William and Kate Middleton, Duke and Duchess of Cambridge.
box 1, page 13 recto

Photographer unknown, Ryston Hall, 2018.R.25-13r 1870s

Scope and Contents

Title from caption on mount between two views of the façade of Ryston Hall. The initials E. R. M. P. in the negative of the upper image refer to Edward Roger Murray Pratt, who sits on a grass embankment next to the side stairs leading to the forecourt. The initials B. P. and E. R. P. written below the lower image refer to Blanche Pratt and Edward Roger Murray Pratt, who sit on the lawn.
box 1, page 13 verso

Artist unknown, Ryston Hall, Downham Market, Norfolk, 2018.R.25-13v 1870s?

Scope and Contents

Collotype print. Title from caption written below image, with additional annotation below it: E. R. Pratt, Esq.
Ryston Hall, Downham Market, Norfolk, was the seat of the Pratt family. It was built by Sir Roger Pratt (1620-1684), a landed English gentleman and influential architect, who, along with Hugh May and Christopher Wren was appointed one of the Commissioners for Rebuilding by King Charles II following the Great London Fire of 1666. Constructed on the Pratt on the family estate between 1669 and 1672 in the Carolean style, Ryston Hall was significantly altered first by Sir John Soane in the eighteenth century and then by Anthony Salvin in the mid-nineteenth century.
box 1, page 14 recto

Photographer unknown, Ryston Hall, 2018.R.25-14r 1870s

Scope and Contents

Two views of Ryston Hall façades. Upper photograph: back façade; lower photograph: front façade.
box 1, page 14 verso

Blank page, 2018.R.25-14v 1868

box 1, page 15 recto

Photographer unknown, [Harpley Church and Rectory], 2018.R.25-15r 1868

Scope and Contents

Caption next to upper image: Harpley Church. Caption below lower image: Drawing Room, Harpley Rectory, 1868. With additional annotation: Harpley Rectory. The photographs are surrounded by watercolored borders of white flowering vines. The initials L. L. P. appear between the two images.
box 1, page 15 verso

Views of Anmer Hall, 2018.R.25-15v 1870-1900

Scope and Contents

Page with five photographic images.
box 1, page 15 verso-1

Photographer unknown, Anmer Hall, 2018.R.25-15v.1 1870s

Scope and Contents

Title from caption below image. Back façade.
box 1, page 15 verso-2

Ralph, Anmer Hall, 2018.R.25-15v.2 between 1875 and 1900

Scope and Contents

Title from caption printed below image. Letterpress halftone print.
box 1, page 15 verso-3

Photographer unknown, Stables, Anmer Hall, 2018.R.25-15v.3 1870s

Scope and Contents

Title from caption below image.
box 1, page 15 verso-4

Ralph, The Village, 2018.R.25-15v.4 between 1875 and 1900

Scope and Contents

Title from caption printed below image. Letterpress halftone print.
box 1, page 15 verso-5

Ralph, Anmer Church, 2018.R.25-15v.5 between 1875 and 1900

Scope and Contents

Title from caption printed below image, with photographer's credit: Photos by Ralph, Dersingham, Norfolk. Letterpress halftone print.
box 1, page 16 recto

Photographer unknown, [Two Views of Ely Cathedral], 2018.R.25-16r 1870s

Scope and Contents

Upper image is a view of Ely Cathedral seen from a distance with caption: Ely Cathedral, Cambridgeshire. Lower image is captioned: Reredos, Ely Cathedral / White alabaster / tinted. Both images are surrounded by a border of watercolor flowers including lilies, roses and passion fruit blossoms; signed: Harriet Pratt.
box 1, page 16v

Photographer(s) unknown, Views of Buildings and Ruins in Norfolk, 2018.R.25-16v circa 1868

box 1, page 16 verso-1

Castle Rising 2018.R.25-16v.1

Scope and Contents

Title from caption above image. Carte-de-visite-sized print (cropped). View of the castle (i.e. not of the town of the same name).
box 1, page 16 verso-2

The Abbey 2018.R.25-16v-2

Scope and Contents

Title from caption below image.
box 1, page 16 verso-3

[Abbey Ruins from its Interior] 2018.R.25-16v.3

Scope and Contents

Title from caption below image. Carte-de-visite-sized print.
box 1, page 16 verso-4

Castleacre 2018.R.25-16v.4

Scope and Contents

Title from caption below image. Depicts a man standing behind a wooden gate spanning an arch.
box 1, page 16 verso-5

Lady's Chapel, Lynn 2018.R.25-16v.5

Scope and Contents

Title from caption below image.
box 1, page 16 verso-6

S. Gates, Lynn (South Gates, Lynn) 2018.R.25-16v.6

box 1, page 16 verso-7

Westacre High House 2018.R.25-16v.7

Scope and Contents

Title from caption below image, which continues: A. Hammond, Esq. Carte-de-visite-sized print.
box 1, page 16 verso-8

Grey Friars' Tower, Lynn 2018.R.25-16v.8

Scope and Contents

Title from caption below image. Carte-de-visite-sized print.
box 1, page 17 recto

Photographer unknown, Sandringham, Norfolk, HRH Wales, 2018.R.25-17r 1865

Scope and Contents

Title and date from caption in middle of page containing four carte-de-visite-sized photographs. Individual captions below images read: Garden front (with water); Garden front; Front; Gates presented to HRH by / the / City of Norwich.
box 1, page 17 verso

Marcus & Ward Co., Goodwill & Greeting, "Music Hath Charms to Soothe the Savage Beast," 2018.R.25-17v approximately 1868

Scope and Contents

Color lithograph of a mouse playing a lute for a dancing cat. With caption bubble added for cat, which reads: Ode 2.3.
box 1, page 18 recto

Photographer unknown, Albermarle Cator, Esq., Woodbastwick, Norfolk, 2018.R.25-18r approximately 1868

Scope and Contents

Title from caption below image. Depicts a large party of men, women and children riding atop a carriage. The photograph is bordered with a watercolor motif of ribbons and holly signed: B. & L. Woodbastwick Hall was the seat of the Cator family, members of whom, including Albemarle Cator, may be present in this photograph.
box 1, page 18 verso

Blank page, 2018.R.25-18v 1868

box 1, page 19 recto

Photographer unknown, Cashmere, 2018.R.25-19r 1860s-1870s

Scope and Contents

Title from caption at top of page, which contains two photographs. The upper photograph is captioned: Tukt-i-Soliman - the throne of Solomon. / Hindu temple on summit. Surrounding this image are watercolor vignettes of birds, mostly on branches, signed: L. L. P.. The lower image is captioned: Bridge over the Jhelum / Bijhebehara (i.e. Bijbehara?). Different species of aquatic life rendered in watercolor and also initialed "L. L. P." surround this photograph.
box 1, page 19 verso

Blank page, 2018.R.25-19v 1868

box 1, page 20 recto

Baker, William Henry, The River Jhelum (Hydaspes), Srinuggar, Cashmere, 2018.R.25-20r between 1864 and 1868

Scope and Contents

Title from caption written below image. (i.e. Srinagar). Signed and numbered in negative: W. Baker 1161. The watercolor border of branches is signed: Eva. View of the Jhelum River, called Hydaspes by the ancient Greeks, near Srinigar.
box 1, page 20 verso

Blank page, 2018.R.25-20v 1868

box 1, page 21 recto

Baker & Burke (?), Srinuggar, Cashmere, 2018.R.25-21r between 1864 and 1868

Scope and Contents

I.e. Srinagar. Title from caption written below image.
box 1, page 21 verso

Blank page, 2018.R.25-21v 1868

box 1, page 22 recto

Baker, William Henry, Cashmere, 2018.R.25-22r between 1864 and 1868

Scope and Contents

Title from caption written below image. Signed and numbered in image: W. Baker 1144. An unsigned watercolor border of vines with red flowers and berries surrounds the image.
box 1, page 22 verso

Blank page, 2018.R.25-22v 1868

box 1, page 23 recto

Bourne, Samuel, Nautch Girls, Cashmere, 2018.R.25-23r 1865?

Scope and Contents

Title from caption written below photograph. Numbered in the negative: 809. A black and yellow watercolor link motif signed "L. L. P." surrounds the photograph.
box 1, page 23 verso

Blank page, 2018.R.25-23v 1868

box 1, page 24 recto

Shepherd, Charles, Khyberees, Peshawar Frontier, 2018.R.25-24r 1866?

Scope and Contents

Title from caption written below image. Signed and numbered in the negative: Shepherd 1387. Depicts a group of Afridi sharpshooters at Jamūd. The photograph is framed with an unsigned red watercolor border.
box 1, page 24 verso

Blank page, 2018.R.25-24v 1868

box 1, page 25 recto

Bourne, Samuel, Group of Tibetans, 2018.R.25-25r 1865?

Scope and Contents

Title from caption written below image (obscured by the decorative border of a traditional Indian motif initialed: L. L. P.). The group of Tibetans includes three men and three women.
box 1, page 25 verso

Blank page, 2018.R.25-25v 1868

box 1, page 26 recto

Photographer unknown, Wedding Group, H. J. Dugmore and E. B. Pratt, 2018.R.25-26r 1870

Scope and Contents

Title from caption written below image, which continues in two additional hands: 15th June, 1870; Harpley Rectory. The watercolor border of acorns, oak leaves, and various flowers is initialed: L. L. P. This wedding party portrait is different from the one found near the beginning of the album, and includes two little girls sitting in the center front of the group.
box 1, page 26 verso

Blank page, 2018.R.25-26v 1868

box 1, page 27 recto-1

Photographer unknown, [Family and Friends], 2018.R.25-27r.1 1875

Scope and Contents

The group portrait of seven women and five men is dated 1875 below the image, and the sitters, including several Pratts, are identified.
box 1, page 27 recto-2

Photographer unknown, Ryston Hall, 2018.R.25-27r.2 1868?

Scope and Contents

Title from caption written above image.
box 1, page 27 verso

Blank page, 2018.R.25-27v 1868

box 1, page 28 recto

Photographer unknown, Ryston Churchyard, 2018.R.25-28r 1868?

Scope and Contents

Title from caption written below image. St. Michael Ryston Church is located on the edge of the park of Ryston Hall. Many church contains the memorials for numerous Pratt family members including those of Henry Marsh Pratt and his wife Evelyn Margaret Pratt.
box 1, page 28 verso

Blank page, 2018.R.25-28v 1868

box 1, page 29 recto

Photographer unknown, [Group Portrait from HRH Edward Prince of Wales's Visit to Lahore], 2018.R.25-29r 1876

Scope and Contents

The photograph of a large group of notables with the Prince of Wales seated in the center is captioned: "Lahore 1876. The individual sitters, including HSH Mecklenburgh, among others, are identified on the mount.
box 1, page 29 verso

Blank page, 2018.R.25-29v 1868

box 1, page 30 recto

Photographer unknown, D. I. Khan, 2018.R.25-30r 1876

Scope and Contents

Title and date from caption below photograph. The members of this large group portrait, which includes H. M. Pratt, are also identified below the image. A Mrs. Perkins sits on the floor across from Pratt with her back to the camera. Between them is a low table with a large album on it.
box 1, page 30 verso

Eva, Helhel Hall (sic), 2018.R.25-30v 1875

Scope and Contents

Title from caption below image. This watercolor of Hethel Hall, Norfolk, is signed and dated below image: Eva; Oct. 6, 1875. The artist is likely Pratt's youngest sister Evelyn.
box 1, page 31 recto

Photographer unknown, Hillington Hall, Norfolk, 2018.R.25-31r 1868?

Scope and Contents

Page with five views of Hillington Hall. Title from caption below topmost view. The photographs are surrounded by a variety of watercolor vines; two also have white braided borders around them. They are initialed: L. L. P.
box 1, page 31 verso

Photographer unknown, [Scenes at Harpley Rectory], 2018.R.25-31v 1868

Scope and Contents

Page with three photographs: a view looking across the lawn to the conservatory and back of the house; a man sitting hidden in the rookery; and a group portrait of domestic staff. The two upper images are surrounded by watercolor ivy vines, initialed: H. P. The rookery is captioned as such. Surrounding the domestic staff image are hunt-and -guard-related motifs and vignettes. A rider partially obscures the date written below the image: 1868.
box 1, page 32 recto

Photographer unknown, Harpley Rectory, Norfolk, 2018.R.25-32r 1867

Scope and Contents

Title and date from caption below photograph. The watercolor border of various flowers including bluebells and lilies of the valley is initialed: L. L. P. View from the garden looking towards the conservatory and the rear of the house.
box 1, page 32 verso

Blank page, 2018.R.25-32v 1868

box 1, page 33 recto

Photographer unknown, [Views of Harpley Rectory], 2018.R.25-33r 1868

Scope and Contents

The page contains two views of the rectory. The upper photograph shows the front façade and is surrounded by a blue and silver watercolor motif of entwined branches that partially obscures the caption: Harpley rectory [_____]. In the lower image a group of people are ranged along the side of the house looking towards the croquet lawn. This image is framed with orange pompoms and brown leaves. The caption has been scraped off, with parts of the word "Harpley" remaining. Both watercolor motifs are initialed: L. L. P.
box 1, page 33 verso

Blank page, 2018.R.25-33v 1868

box 1, page 34 recto

Photographer unknown, Harpley, 2018.R.25-34r 1868

Scope and Contents

Title and date, April, 1868, from caption between the two images on the page. The upper photograph is a group portrait of the Reverend William Pratt and family in which H. M. Pratt appears wearing a bowler hat. The lower photograph shows the family playing croquet. Both watercolor borders, one of brown sticks and the other of geometric designs, are initialed: L. L. P.
box 1, page 34 verso

Photographer unknown, Harpley Church, 2018.R.25-34v 1866

Scope and Contents

Title and date from caption below image. A view of the screen and pulpit of Harpley Church is bordered in a blue and red motif initialed: L. L. P.
box 1, page 35 recto

Artist unknown, Beaulieu Bath, Residence of Mrs. Gale Townley (née Harriet Pratt), 2018.R.25-35r 1868

Scope and Contents

Title from caption below the unsigned watercolor.
box 1, page 35 verso

Artist unknown, Chilmark, Wiltshire, 2018.R.25-35v 1868?

Scope and Contents

Title from caption below unsigned watercolor. A caption in a second hand reads: Res'd. Charles Tower.
box 1, page 36 recto

Artist unknown, Tuxford, Notts., 2018.R.25-36r 1868?

Scope and Contents

Title from caption below unsigned watercolor. A caption in a second hand reads: Res'd. Henry Marsh. Depicts the home of Henry Marsh in Tuxford, Nottingham.
box 1, page 36 verso

Blank page, 2018.R.25-36v 1868

box 1, page 37 recto

Faskin, Evelyn (Pratt), Abbottabad, House Belonging to Col. H . M. Pratt, 1884-1886, 2018.R.25-37r after 1886

Scope and Contents

Title from caption below watercolor.
box 1, page 37 verso

Blank page, 2018.R.25-37v 1868

box 1, page 38 recto

Photographer unknown, Clewer, 2018.R.25-38r 1868?

Scope and Contents

Title from caption below photograph, which shows the church's altarpiece.
box 1, page 38 verso

Blank page, 2018.R.25-38v 1868

box 1, page 39 recto

Photographer unknown, Clewer, 2018.R.25-39r 1868?

Scope and Contents

Title from caption below photograph, with a view from the nave looking towards the church's altarpiece.
box 1, page 39 verso

Blank page, 2018.R.25-39v 1868

box 1, page 40 recto

Photographer unknown, Clewer, 2018.R.25-40r 1868?

Scope and Contents

The page contains two photographs. Title from caption below lower photograph, which is a view of the front of the nave and left aisle. The upper photograph appears to be a side view of the church buildings.
box 1, page 40 verso

Blank page, 2018.R.25-40v 1868

box 1, page 41 recto

G. J., Hyères, Vue générale de la plaine, 2018.R.25-41r 1860s-1870s

Scope and Contents

Title from caption in negative. Numbered and signed in negative: 2688; G. J. Phot.
box 1, page 41 verso

Blank page, 2018.R.25-41v 1868

box 1, page 42 recto

G. J., Hyères, Le Fenouillet, 2018.R.25-42r 1868

Scope and Contents

Title from caption in negative. Numbered and signed in negative: 2724; G. J. Phot.
box 1, page 42 verso

Blank page, 2018.R.25-42v 1868

box 1, page 43 recto

Photographer(s) unknown, Page with nine carte-de-visite-sized portraits, 2018.R.25-43r 1860s-1870s

Scope and Contents

Portraits of men H. M. Pratt served with or knew in India, all in civilian dress, and their wives. Titles from captions below photographs.
box 1, page 43 recto-1

Gen'l. Percy Hortense Gardiner 2018.R.25-43r.1

Scope and Contents

Caption continues: Cmr.(?) 2nd Sikhs & 5th Gurkhas. Three-quarter-length portrait of the general in dark coat and with a fully white beard.
box 1, page 43 recto-2

Mrs. Gardiner 2018.R.25-43r.2

box 1, page 43 recto-3

Gen'l. Gardiner 2018.R.25-43r.3

Scope and Contents

Full-length portrait of General Gardiner at somewhat younger age with a white-streaked beard and wearing white trousers.
box 1, page 43 recto-4

Col. R. O'o. C. Bracken 2018.R.25-43r.4

Scope and Contents

Caption continues: 2nd ? in [____], 2nd Sikhs. Bracken stands holding three fishing rods. An Indian manservant sits next to him displaying Bracken's paint boxes and sketch books.
box 1, page 43 recto-5

Mrs. Bracken 2018.R.25-43r.5

box 1, page 43 recto-6

Dr. McLaren 2018.R.25-43r.6

box 1, page 43 recto-7

Gen'l. A. Fitz Hugh, CB 2018.R.25-43r.7

Scope and Contents

Caption continues: 2nd Sikhs & 5th Gurkhas.
box 1, page 43 recto-8

Mrs. Fitz Hugh 2018.R.25-43r.8

box 1, page 43 recto-9

Col. Stephen Beckett, CB 2018.R.25-43r.9

box 1, page 43 verso

Blank page, 2018.R.25-43v 1868

box 1, page 44 recto

Photographer(s) unknown, Page with nine carte-de-visite-sized portraits, 2018.R.25-44r 1860s-1870s

Scope and Contents

Portraits of men H. M. Pratt served with or knew in India, all in civilian dress, and their wives. Titles from captions below photographs.
box 1, page 44 recto-1

Col. A. Gillespie RA PFF 2018.R.25-44r.1

box 1, page 44 recto-2

Mrs. Gillespie 2018.R.25-44r.2

Scope and Contents

Mrs. Gillespie as a young woman.
box 1, page 44 recto-3

Mrs. Gillespie 2018.R.25-44r.3

Scope and Contents

A mature Mrs. Gillespie.
box 1, page 44 recto-4

General H. F. M. Boisragon 2018.R.25-44r.4

Scope and Contents

Caption continues: 4th Sikhs.
box 1, page 44 recto-5

Mrs. Boisragon 2018.R.25-44r.5

box 1, page 44 recto-6

Major G. B. Stainforth 2018.R.25-44.6

Scope and Contents

Caption continues: 4th Sikhs.
box 1, page 44 recto-7

Dr. Buckle 2018.R.25-44r.7

Scope and Contents

Caption continues: 4th Sikhs.
box 1, page 44 recto-8

VC Major A. Scott 2018.R.25-44r.8

Scope and Contents

Caption continues: 4th Sikhs. Major Andrew Scott received the Victoria Cross (VC), the highest British award for gallantry in the face of the enemy, during the Balochistan Campaign in 1877.
box 1, page 44 recto-9

Major Stw. Scott 2018.R.25-44r.9

Scope and Contents

Caption continues: 5th P.C.
box 1, page 44 verso

Blank page, 2018.R.25-44v 1868

box 1, page 45 recto

Photographer(s) unknown, Page with nine carte-de-visite-sized portraits, 2018.R.25-45r 1860s-1870s

Scope and Contents

Portraits of men H. M. Pratt served with or knew in India, all but one in civilian dress. Titles from captions beneath photographs.
box 1, page 45 recto-1

Major Boyce Edward Gowan 2018.R.25-45r.1

Scope and Contents

Caption continues: 4th Sikhs.
box 1, page 45 recto-2

Major Gowan 2018.R.25-45r.2

Scope and Contents

Gowan sits on a log in front of a painted scenic backdrop.
box 1, page 45 recto-3

Major Slater 2018.R.25-45r.3

Scope and Contents

The photograph is oval-cut.
box 1, page 45 recto-4

Major Thompson DSO 2018.R.25-45r.4

Scope and Contents

Caption continues: 2nd Sikhs.
box 1, page 45 recto-5

Major F. E. Hastings 2018.R.25-45r.5

Scope and Contents

Caption continues: 2nd Sikhs.
box 1, page 45 recto-6

Major F. E. Hastings 2018.R.25-45.6

Scope and Contents

Full-length portrait of Hastings in a velvet jacket and holding a walking stick.
box 1, page 45 recto-7

Dr. Thorton CB 2018.R.25-45r.7

Scope and Contents

Caption continues 15 J. J. (China)
box 1, page 45 recto-8

Dr. Power 2018.R.25-45r.8

Scope and Contents

Caption continues: 3rd PC (Privy Counsellor).
box 1, page 45 recto-9

Dr. George Thompson 2018.R.25-45r.9

Scope and Contents

Caption continues: 4th Sikhs.
box 1, page 45 verso

Photographer(s) unknown, Page with eight carte-de-visite-sized portraits, 2018.R.25-45v 1860s-1870s

Scope and Contents

Titles from captions below photographs. Portraits of men H. M. Pratt served with or knew in India; one man is depicted with his wife.
box 1, page 45 verso-1

Major Salt RA PFF 2018.R.25-45v.1

box 1, page 45 verso-2

Mr. Shaw & Companions 2018.R.25-45v.2

Scope and Contents

Caption continues: Explorers in Central Asia. Group portrait of seven men in Central Asian dress, including Robert Shaw, author of Visits to High Tartary, Yarkand and Kashgar (1871).
box 1, page 45 verso-3

Mahammad Hayat Khan CSI 2018.R.25-45v.3

Scope and Contents

Caption continues: P. Frontier and Afghanistan. Muhammad Hayat Khan Khattar was the aide of Brigadier John Nicholson. After Nicholson's death Khan had a distinguished civil and service career in Punjab.
box 1, page 45 verso-4

Captain Jasper Burn 2018.R.25-45v.4

Scope and Contents

Caption continues: 2nd Sikhs.
box 1, page 45 verso-5

Col. Philip Rynd & Mrs. Rynd 2018.R.25-45r.5

Scope and Contents

Caption continues: 3rd PJ.
box 1, page 45 verso-6

Major J. C. Stewart CB 2018.R.25-45r.6

Scope and Contents

Caption continues: 5th PC.
box 1, page 45 verso-7

Subadar Major Gomandha Singh 2018.R.25-45v.7

Scope and Contents

Caption continues: 2nd Sikhs.
box 1, page 45 verso-8

Major Lewis RA 2018.R.25-45v.8

Scope and Contents

Caption continues: PFF.
box 1, page 46 recto

Photographer(s) unknown, Page with seven carte-de-visite-sized portraits, 2018.R.25-46r 1860s-1870s

Scope and Contents

Portraits of men H. M. Pratt served with or knew in India, and military wives. Titles from captions below photographs.
box 1, page 46 recto-1

[Group Portrait of Four Sitting Men] 2018.R.25-46r.1

Scope and Contents

Caption identifies sitters from left to right: Major James, Cmdr. of Peshawar; Col. Shortt, DC of Kohat; Gen'l. Sir Charles Brownlow KCB, 20th PJ; W. Locke, 5th PJ.
box 1, page 46 recto-2

Mrs. Drury 2018.R.25-r.2

Scope and Contents

The sitter holds a little girl in her lap.
box 1, page 46 recto-3

Col. Bamfield 2018.R.25-46r.3

Scope and Contents

Caption continues: Punjab police.
box 1, page 46 recto-4

Gen'l. J. J. Boswell, C.B. 2018.R.25-46r.4

Scope and Contents

Caption continues: 2nd Sikhs.
box 1, page 46 recto-5

Mrs. McNeil 2018.R.25-46r.5

Scope and Contents

The sitter holds a baby in her lap.
box 1, page 46 recto-6

Captain Charles Young 2018.R.25-46r.6

Scope and Contents

Caption continues: 5th RJ.
box 1, page 46 recto-7

Col. Ben Williams 2018.R.25-46r.7

Scope and Contents

Caption continues: Snr. Ensign 51st BMJ / Cmdr. 5th PC.
box 1, page 46 verso

Page with nine carte-de-visite-sized portraits, 2018.R.25-46v 1858-1879

Scope and Contents

Portraits of singers, actors, royalty and friends.
box 1, page 46 verso-1

Photographer unknown, Mario, 2018.R.25-46v.1 1867

Scope and Contents

Title and date from caption above photograph.
box 1, page 46 verso-2

London Stereoscopic & Photographic Company, Kate Terry, 2018.R.25-46v.2 circa 1874

Scope and Contents

Title and date from caption above photograph. The actress Kate Terry (1844-1924; sister of actress Ellen Terry) sits holding a large mounted photograph in her lap with an ornate print stand visible to the left of her voluminous gown. The National Portrait Gallery (London) holds another carte-de-visite portrait of her from the same sitting where she is shown standing at the print stand looking at a large photograph (Photographs Collection NPG AX28549).
box 1, page 46 verso-3

Photographer unknown, Louise St. Claire, 2018.R.25-46v.3 1867

Scope and Contents

Title and date from caption above photograph.
box 1, page 46 verso-4

W. Baker & Co., Mrs. Younghusband, 2018.R.25-46v.4 1869

Scope and Contents

Title from caption beneath photograph, which continues: née Shaw. The sitter Clara Shaw Younghusband, the daughter of Robert Shaw (see 2018.R.25-45v.2), who kneels on the floor, is wearing a Yarkand or Central Asian embroidered silk robe and tasseled turban; her high boots are strewn about the floor. Another copy of this photograph is held in the British Library, India Office collections (Mss Eur F197/36), which also holds a full-length portrait of her from the same sitting taken in Murree, Punjab in September, 1869.
box 1, page 46 verso-5

Photographer unknown, Lou Ridley, 2018.R.25-46v.5 1867

Scope and Contents

Title and date from caption below photograph.
box 1, page 46 verso-6

Photographer unknown, Miss Lancaster, 2018.R.25-46v.6 1867

Scope and Contents

Title and date from caption below image.
box 1, page 46 verso-7

Photographer unknown, [Napoléon, Prince Impérial], 2018.R.25-46v.7 early 1870s

Scope and Contents

The standing young prince, Louis-Napoléon Bonaparte (Napoléon Eugène Louis Jean Joseph Bonaparte, prince impérial, 1856-1879), holds the French flag and points to an urn with a slogan printed above it: Tout pour le peuple / et par le peuple. Printed on the urn is: Suffrage universel. Caption in the negative: Principe de la souveraineté nationale et le drapeau qui le consacre. Caption below image: Prince Impérial.
box 1, page 46 verso-8

Photographer unknown, Christine Nelson, 2018.R.25-46v.8 1860s-1870s

Scope and Contents

Title from caption below photograph.
box 1, page 46 verso-9

Disdéri, André-Adolphe-Eugène, Empress Eugénie, 2018.R.25-46v.9 1858

Scope and Contents

Title from caption written below photograph.
box 1, page 47 recto

Page with nine carte-de-visite-sized images, 2018.R.25-47r 1860s-1870s

Scope and Contents

Portraits of singers, courtesans and royalty.
box 1, page 47 recto-1

Reutlinger, Charles H., 2018.R.25-47r.1 1867

Scope and Contents

Title and date from caption above photograph. Bust portrait of the coloratura soprano opera singer Adelena Patti in a striped dress. Printed on mount: C. H. Reutlinger. Deposé. Garanti d'après nature.
box 1, page 47 recto-2

Window & Bridge, Tietjens, 2018.R.25-47r.2 1867

Scope and Contents

Portrait of the operatic soprano Thérèse Carolina Johanne Alexandra Tietjens. The National Portrait Gallery (London) dates this portrait to between 1862 and 1866 (see: Photographs Collection NPG x74497). Printed on mount: Window & Bridge. 63A Baker St., London. / Registered.
box 1, page 47 recto-3

Photographer unknown, Minnie Hauk, 2018.R.25-47r.3 1867

Scope and Contents

Title and date from caption above photograph. Portrait of the American operatic soprano, Amalia "Minnie" Mignon Hauck.
box 1, page 47 recto-4

Photographer unknown, Jlena de Nuersha (?), 2018.R.25-47r.4 1860s-1870s

Scope and Contents

Title from caption above photograph.
box 1, page 47 recto-5

Mabel Grey, 2018.R.25-47r.5 1867

Scope and Contents

Title and date from caption above photograph. Portrait of the courtesan and photographer's model, Mabel Grey (Annie King).
box 1, page 47 recto-6

Photographer unknown, Pauline Lucca, 2018.R.25-47r.6 1860s-1870s

Scope and Contents

Title caption above photograph. Full-length portrait of the Austrian operatic soprano.
box 1, page 47 recto-7

London Stereoscopic & Photographic Company, Napoléon, Prince Impérial, 2018.R.25-47r.7 1874 March 16

box 1, page 47 recto-8

Artist unknown, [View of an Alpine Resort], 2018.R.25-47r.8 1860s-1870s

Scope and Contents

Carte-de-visite-sized (horizontal) aquatint. Inscription pasted below image: From Mr. Chishenhale Marsh / Hotel K[___?]. Inscription pasted to the left of the image: For Henry - / Tiny oils / send one to / Stewart.
box 1, page 47 verso

Blank page, 2018.R.25-47v 1868

box 1, page 48 recto

Page with nine carte-de-visite-sized portraits, 2018.R.25-48r 1860s-1870s

Scope and Contents

Includes portraits of family members, friends and notables of Norfolk, and royalty.
box 1, page 48 recto-1

Photographer unknown, L. L. P., 2018.R.25-48r.1 circa 1867

Scope and Contents

Title from caption below photograph. Three-quarter-length portrait of Laura Louise Pratt in profile.
box 1, page 48 recto-2

Photographer unknown, Eva, 2018.R.25-48r.2 1867

Scope and Contents

Title and date from caption below photograph. Standing portrait of Evelyn Pratt as a young girl.
box 1, page 48 recto-3

Burgess & Grimwood, Albemarle Cator, Woodbastwick, 2018.R.25-48r.3 circa 1867

Scope and Contents

Title from caption below carte-de-visite. Printed on mount: Burgess & Grimwood, Norfolk. Full-length portrait of the elder (?) Cator in breeches and jacket with sword.
box 1, page 48 recto-4

Photographer unknown, Robert Elwes, Esq., Congham, 2018.R.25-48r.4 1873?

Scope and Contents

Title from caption below photograph. Portrait of the painter and traveler, who resided in Congham, Norfolk. Date based on his wife's portrait on same page. Photographer could possibly also be Hills & Saunders.
box 1, page 48 recto-5

Hills & Saunders, Mrs. Robert Elwes, 2018.R.25-48r.5 1873

Scope and Contents

Title from caption below carte-de-visite. Printed on mount: Hills & Saunders. Cambridge & Oxford. / Also At Eton, Harrow & London. Written on mount: Mrs. Elwes, 1873.
box 1, page 48 recto-6

Photographer unknown, G. E. L. Cotton, Bishop of Calcutta, 2018.R.25-48r.6 between 1858 and 1866

Scope and Contents

Title from caption below photograph. Caption continues: Late Hd. Mr. of Marborough. Portrait of George Edward Lynch Cotton, who became headmaster of Marlborough College in 1852 and Bishop of Calcutta in 1858. He drowned in the Ganges River in 1866.
box 1, page 48 recto-7

Photographer unknown, S. M. l'Empereur, 2018.R.25-48r.7 mid 1860s

Scope and Contents

Title from caption below photograph. Three-quarter-length portrait of Napoleon III from a print of a photograph (?).
box 1, page 48 recto-8

Photographer unknown, HRH George, 2018.R.25-48r.8 circa 1890

Scope and Contents

Title from caption below photograph. Written alongside photograph: Duke of Cambridge. Portrait of Prince George William Frederick Charles, 2nd Duke of Cambridge.
box 1, page 48 recto-9

Disdéri, André-Adolphe-Eugène, HRH Alexandra, 2018.R.25-48r.9 1866

Scope and Contents

Title from caption below photograph. Portrait of Alexandra of Denmark, Princess of Wales taken a few years after her marriage to Edward VII (then Prince of Wales).
box 1, page 48 verso-1

Photographer unknown, Devonshire Park, Eastbourne, 2018.R.25-48v.1 between 1904 and 1906

Scope and Contents

Collodion print. Title from caption written below photograph, and dated: 1904-5-6? (partially erased). Written along right side of photograph: Devonshire Park 1905. Numbered in negative: 35. Depicts teatime on the lawn at Devonshire Park Lawn Tennis Club, Eastbourne, with tennis courts in the background.
box 1, page 48 verso-2

Photographer unknown, Hordore (?) Station, Norfolk, 2018.R.25-48v.2 1860s-1870s

Scope and Contents

Title from caption written below photograph.
box 1, page 49 recto

Various photographers, Page with six portraits, 2018.R.25-49r 1894-1903

box 1, page 49 recto-1

Colonel Charles, 22 Manor Road, Folkestone, 2018.R.25-49r.1 1894

Scope and Contents

Title and date from caption below image. The three sitters in the garden are identified as: Millie; Evelyn; and Self (i.e. H. M. Pratt). With annotation: Photo by Col. Charles.
box 1, page 49 recto-2

Photographer unknown, Hargham Hall, 2018.R.25-49r.2 1903

Scope and Contents

Title from caption written above photograph. The three male sitters are identified as H. (H. M. Pratt); R. and W.
box 1, page 49 recto-3

Photographer unknown, Swaine, 2018.R.25-49r.3 1860s-1870s

Scope and Contents

Title from caption written above photograph. Carte-de-visite-sized portrait of Swaine leaning on a cushion.
box 1, page 49 recto-4

Photographer unknown, Swaine, 2018.R.25-49r.4 1860s-1870s

Scope and Contents

Title from caption written above photograph. Carte-de-visite-sized portrait of Swaine leaning on a balustrade.
box 1, page 49 recto-5

Photographer unknown, H. R. E. Pratt, 2018.R.25-49r.5 late 1870s

Scope and Contents

Title from caption written above carte-de-visite-sized portrait.
box 1, page 49 recto-6

Photographer unknown, [H. M. Pratt and Millie in Outdoor Dress], 2018.R.25-49r.6 circa 1895

box 1, page 49 verso

Blank page, 2018.R.25-49v 1868

box 1, page 50 recto

Blank page, 2018.R.25-50r 1868

box 1, page Back free endpaper

Back free endpaper, 2018.R.25-bfe 1868

box 1, page Back paste-down endpaper

Back paste-down endpaper 2018.R.25-bpe 1868

box 1, item back cover

Back cover, 2018.R.25-bc 1868

box 1, item 2018.R.25-s1

Photographer unknown, [H. M. Pratt in front of a House in India], 2018.R.25-s1 1870s

box 1, item 2018.R.25-s2

Photographer unknown, [A British House in India], 2018.R.25-s2 1870s