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Table of contents What's This?
  • Conditions Governing Access
  • Immediate Source of Acquisition
  • Biographical / Historical
  • UCLA Catalog Record ID
  • Preferred Citation
  • Scope and Contents
  • Conditions Governing Reproduction and Use

  • Contributing Institution: UCLA Library Special Collections
    Title: Motive posters
    Creator: Motive
    Identifier/Call Number: LSC.0255
    Physical Description: 1 unknown (1 oversize box)
    Date (inclusive): circa 1970-1973
    Physical Location: Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page.
    Language of Material: Materials are in English.

    Conditions Governing Access

    Open for research. All requests to access special collections materials must be made in advance using the request button located on this page.

    Immediate Source of Acquisition

    Source and date of receipt unknown.

    Biographical / Historical

    Motive was an underground newspaper from Nashville, Tenenssee.

    UCLA Catalog Record ID

    UCLA Catalog Record ID: 4233461 

    Preferred Citation

    [Identification of item], Motive posters (Collection 255). UCLA Library Special Collections, Charles E. Young Research Library, University of California, Los Angeles.

    Scope and Contents

    Collection consists of 4 posters from the underground newspaper Motive, Nashville, Tenenssee. They are: Monument to Patty II by Rita Dilbert Messenger, Lunar module #100+4 by Ginger Legato (1970), Our money floats what the military scraps (photograph by Edith Aberle), and Farewell at the hour of parting, commemorating the 10th anniversary of the Angolan armed struggle for independence (February 1961-1971).

    Conditions Governing Reproduction and Use

    Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.